Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Line Up: The Jane Doe Case (EP1112)

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The Line Up: The Jane Doe Case (EP1112) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:45
  Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
• 0:51
  is your host, Adam Graham. If you have a comment, email it
• 0:54
  to me Box thirteen at Great Detectors dot net, follow us on Twitter at
• 0:59
  a Radio Detectives, and become one of our friends on Facebook, Facebook dot
• 1:04
  com slash Radio Detectives. Before we do get started, I want to let
• 1:08
  you know today's show is brought to you by the support of our listeners.
• 1:11
  Thanks so much for your support. And I also have a review of the
• 1:18
  Philip Marlow movie The Brasher to Balloon up at Great Detectives dot Net on Saturday,
• 1:23
  so be sure and check that out. But now it's time for a
• 1:27
  lineup to resume after a five week break returned on Step Timber the tenth with
• 1:34
  today's episode The Jane Doe Case. Ladies and gentlemen will take you now by
• 1:40
  a transcription, behind the scenes of a police headquarters in a great American city,
• 1:45
  or under the cold, glaring lights. We pass before us, the
• 1:48
  innocent, the bigger, the thief, the murderer. This is the lineup.
• 2:25
  We can sit right here, missus. James are close. Well,
• 2:28
  it's all right. They can't see us through that screen. You've got the
• 2:32
  man. Well, we picked up some possible suspects in the neighborhood. I'll
• 2:37
  be in the lineup. That's right. Are you sure we're not too close?
• 2:40
  Oh no, they can't see us. Hey, I have your attention.
• 2:44
  Please you people out there on the other side of the wire on the
• 2:46
  audience room, may I have your attention? Please? Thank you. My
• 2:50
  name is Concker, Sergeant Pete Cocker. I'll explain the lineup to you.
• 2:53
  Each other suspects you will see will be numbered. I'll call off the number
• 2:57
  their name in char you have any questions, right identifications, Please remember the
• 3:00
  number assigned to the prisoners. I call his name at the end of each
• 3:04
  line. When I ask for questions or identifications, call out the number if
• 3:07
  you're sure. Are not too sure of the suspect? Have hing held?
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  The officers who took your name will assist you. They're seated, Amn you
• 3:14
  please be prompt with your questions or identifications. When the prisoners leave here,
• 3:17
  they're center the washroom and dress back into the jail food. It makes it
• 3:21
  quite difficult to bring them back after they leave here. The questions I asked
• 3:23
  these suspects and merely to get a natural tone of voice, but do not
• 3:27
  pay too much attention to their answers, as they often lie. All right,
• 3:30
  bring on the line. I keep it moving all the way to the
• 3:36
  end of the stage. Move it up right over here. That's right.
• 3:39
  All of your turn and face front, eat the hands at your sides,
• 3:43
  look straight ahead through the screen, and I ask your questions. Don't mumble?
• 3:46
  Talk up all right, number one? Fred? Alten car theft?
• 3:52
  Take off your hat, friend, that's right. How long you've been in
• 3:55
  town? Fred? Talk up bread the paper fact. I want to hear
• 4:00
  you too. How long you've been in town? Six months? That's better.
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  Where do you live Chamberton Street? What number? Well, I guess
• 4:09
  it's two twenty two. I guess, yeah, it's two twenty two one.
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  Where'd you get the car? Bred? What car the one you were
• 4:17
  driving when the officers arrested you? Well, I wasn't driving a car.
• 4:21
  It's not what the report says. Well, I wasn't driving a car.
• 4:25
  What are the people out there? Fred? Not to the floor? Ever
• 4:29
  drive a Pontiac poll I brew lots of car. What about a fifty one
• 4:31
  Pontiac? Oh? I guess maybe what model Oh, is the club coop?
• 4:38
  I guess maybe what was the color bread? Oh, it was some
• 4:41
  kind of some kind of blue. It was sky blue. Where'd you get
• 4:44
  it? Fred? Get what the sky blue? Nineteen fifty one Potiac Club
• 4:47
  coop? You were driving when the officers arrested you. I wasn't driving a
• 4:50
  car. That's not him that I'm positive that's not okay, mister Number two
• 4:55
  Jack Carlson, narcotics, that's right, Jack, step right out there front.
• 5:00
  Where do you live? Jack? Oh? You know sagean, I
• 5:02
  do, But the people out there don't tell them sixteenth and Grand at say
• 5:06
  twenty five North sixteenth? Why they pick you up? Jack? Gosh,
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  I don't know, this says narcotics. You're good heroin and you don't know
• 5:15
  why they picked you up. Good? Slide on down, Jack, okay.
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  Number three Samuel Brackett on robbery. Where do you live? Sam?
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  Cast fora Holt? Cow keep the answer at your side and talk up Sam.
• 5:30
  The people in back want to hit too. How where do you live?
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  Cast for Holt? I said, talk up, Sam? What's the
• 5:35
  address? Large Mont Street? Twenty one hundred blocks? How much? I
• 5:39
  don't know the number. How long you live there a couple of days.
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  Where'd you come from? Ohinois? The matter with your hands, Sam,
• 5:46
  and keep me at your side? What town in Illinois? Yeah? Statesville?
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  Yeah? What'd you fall for? Being a breaking and entering? Any
• 5:59
  want und stood with you? Yeah? Who? Joe? Joe? Who?
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  I don't know his last name? All right, do Joe? Pus
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  Sarah. You'll be number fourteen of the next line. How long you know
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  him? Sam? Coupled? Right? Do you have any weapons? Go
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  out of gun? What kind of gun was it? Thirty eight? Nothing?
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  Blue? Steel or nickel plate? Nickel? The gun was Joe's what
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  I said? And I'll say this is a stick up. This is stick
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  up, Louder. This is a stick up again, Louder, this is
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  a stick after James, No, no, not Lieutenant, come in see
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  any lucky? Can you have luck? Girl gets herself beating the death and
• 7:00
  let the low park in the middle of the night. No identification, no
• 7:02
  murder weapon, no witnesses. Yeah, hey yeah, coffee smells good time?
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  Yeah? I guess not. It's too hot. What about that,
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  missus? James? Oh, just a long shot. She thought she saw
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  a man drive a forty or forty one green Ford coop away from the park
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  about the time the murder. She get a good look at him. It's
• 7:24
  too dark. What about the ford. There's a pickup out on him.
• 7:28
  It'll be five thousand cars like it in town, missing persons. Nothing you
• 7:33
  think somebody'd call in, young girl like that? All that stuff in the
• 7:36
  papers. It's been forty eight hours now. Yeah, I'm thirsty. Let's
• 7:42
  got a cook shut. She was a good looking kid, Paige, before
• 7:46
  somebody got to him. He figured the guy was a psychle. He was
• 7:51
  beat up pretty bad. What about robbery only wasn't any perse farm? Yeah?
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  Well one, yeah, thanks, thanks too lately? Kind of deal
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  drives and nuts. Newspaper splash headlines, public yells for results. We've got
• 8:16
  a Jane Doe in the morgue. No motive psycho to look for in the
• 8:20
  city at three million, and it's the spot. Didn't it better than coffee
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  and at night like this? Yeah? Good crime? Try one. I
• 8:31
  think I will. It's just going to be your office and nothing doing.
• 8:37
  Not this close to pay day this time, You're lucky. I already tapped
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  full er. He plays lousy peanut. He does, for a fact,
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  not no planet's about that Ludlow Park chains up cars sixty two. Just found
• 8:48
  a green forty one fort Cooper Vannon up on Summit the road near the reservoir,
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  blood all over the front seat. Fuller, didn't waste any time getting
• 9:11
  here, smart boy. Must be twenty degrees cooler here than at the crime
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  lamb. High Lieutenant, how does it look for it? And it could
• 9:20
  be the geloppier after Lieutenant's dried blood on that front seat. All right,
• 9:24
  I think let's have a flash. Yeah here, no mistake about that.
• 9:31
  Uh uh yeah. I can't be sure it's human then until I test back
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  at the LAMB. There's a gambler for you. What are the odds and
• 9:39
  how you test out for it? It's very funny. What about Princeville,
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  we've dusted nothing, no registration, Slippman, there's no plate seater. Anybody
• 9:48
  call in on the motor in syrial numbers. Crocketts checking out. Now,
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  I'll see how I was making out. The cars clean the rest of the
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  way to the glove compartment, the red deck on behind the seats and regular
• 10:00
  there's spring house cleaning it. Only somebody got messed about that front seat.
• 10:03
  Yeah, I think it's the buggy you're looking for now. It could be
• 10:07
  could have killed her in the car, toss the buddy out in the park
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  and driven up here. CAUs been here a couple of days. Look at
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  the weeds and the tire tracks. Oh they turned out more gardening and less
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  peanut. Calhom I tell you too, I'll make more money at peanut.
• 10:24
  That's not what Coin says. Lucky stiff. Must have been carrying a horsesho
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  around. Get a registration in the carbin? Oh what is it? Mary
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  Chambers, eight eleven Agar Street, want to run over? It's too early
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  to go to ben private park? Yeah, duples? Is your name on
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  the belly? Not this same? Hey? Here she is Mary Chambers,
• 11:09
  Sandra Owen. I wonder they're both still alive. Still funny hot? Yeah?
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  I ring again. Somebody's coming up. Yeah? Oh man, are
• 11:33
  you Mary Chambers? Mary? You want to see her? Yes? Is
• 11:37
  she in? No? I'm found to her roommate. Maybe I can help
• 11:39
  her. Oh maybe you cameras and we're police officers. That's right. Can
• 11:43
  we come in? Please? Well what do you want? I'd just like
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  to ask you a few questions. Well, sure, thanks. You have
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  to excuse how I look. I was washing my hair? Right? What's
• 11:58
  the name is Mary in Trouble? Oh? We're not sure? Tell me?
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  Does she own a forty one Ford coop Green? Yeah? That's right.
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  I think it's a forty one. She didn't run over anybody or something,
• 12:09
  did she? Nothing like that? I didn't figure she would. Mary's
• 12:11
  a good driver. Say, my hair is pretty wet. You mind if
• 12:15
  I riot while we're talking? No? No, go right ahead. I
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  hate to walk around with wet hair. It makes me look a fright.
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  What about Mary? When'd you see her last? Mazaua, see before last?
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  She's been missing since then? Missing? Who makes you think she's missing?
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  You said you hadn't seen her for two nights? Sure, I was
• 12:33
  out of town on location for Capricorn Productions having pictures. You know, I
• 12:37
  thought maybe it would Most people can tell just by looking at me. No,
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  So you haven't seen Mary since she came back? Or seen the city
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  papers? No? Why all the questions? Is the kids in trouble?
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  Tell me? Is that her picture on the radio? Yeah? That's well,
• 12:52
  you think then? Kind of glamorous? Hand to town? Sat?
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  Will you? What's going on? Who's Mary? But? I'm sorry,
• 13:01
  miss own? But I'm afraid Mary Chambers might be dead murdered, kidding you
• 13:11
  kidding? Would you mind coming down to the morgue with us make a possible
• 13:15
  identification? Oh sure, sure, girl, make sure that the ry because
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  she is the that's right, that's the first time. That's my side,
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  hie. Kind of I'm sorry, it's the only way to make sure,
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  Kyl, Lieutenant which one to night, Jane Doe number one, join the
• 14:03
  lovelo Parker right here. It might be kind of rough on the lady,
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  lieutenant. You saw him, I pull the bang shore. Can you see
• 14:20
  him as own? Yeah? So well, better step closer my own.
• 14:35
  That's true. Jack Benny is back in town, and that means, of
• 14:56
  course, the whole delightful Jack Benny Gang back on CBS Radio Sunday nights.
• 15:01
  Listen in this coming Sunday for the laughs of your life with Mary, Dennis,
• 15:05
  Bob Crosby, Rochester and the rest of the Jack Benny Show back in
• 15:09
  action again where we're right here on CBS Radio. Of course, just don't
• 15:35
  make sense, tennant, nobody's wanted I want to do that to Mary?
• 15:41
  Why should they? We're hoping you could tell us, miss Oon. Just
• 15:46
  don't make sense. She's only been in town a couple of weeks than cream
• 15:52
  should plain. She'd only been here a couple of weeks. Yeah, she
• 15:58
  hadn't hardly met anybody around. I don't eat rockies. I watched Roskies the
• 16:03
  Belmont Grell whose real name's Anthrone Kara Rosky or Somethingbody calls him Rocky. Though
• 16:07
  Mary worked there, the waitress temporary. She was gonna get in pictures too.
• 16:12
  This coffee is good. What's the address? Eighteen twelve? Large big
• 16:18
  neon signs out in the front. You can't miss the place. Don't eat
• 16:21
  there though the food globes. Was she friendly with anyone there? Rosky?
• 16:25
  Maybe the Big club. He's got ideas about cute blonde or ideally his wife
• 16:30
  watches too close? What about boyfriends? She didn't have anybody, not anybody
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  steady. That is, she'd go to a movie or something like that once
• 16:37
  in a while, but not with anybody steady, nobody else you can think
• 16:41
  of. Honest, there wasn't nobody the chats. They couldn't be, not
• 16:45
  a sweet kid like Mary. Nobody could want to kill her. Somebody did.
• 17:04
  Why You guys always pick a lot of the time to ask questions your
• 17:07
  places in busy asking we're talking busy. My wife's around, she gets ideas
• 17:12
  she got any about you and Mary Jims like she's got with every waitress,
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  nothing more. Look, i'll tell you like that in this business you got
• 17:21
  to have waitresses, good lookers, sexy. You understand only with my wife
• 17:25
  and don't pay. Everything I got to do with women is poison. What
• 17:30
  does she want if got on a men's room in session? And let's get
• 17:33
  back to Mary Chambers. What's to get back to? All I know is
• 17:36
  like that she worked here a couple weeks help, no more than that's all.
• 17:40
  That's a pretty good reason. She beat up, brutal like paper set
• 17:45
  words. What kind of beat her to dead? Brutal like that? And
• 17:49
  what about your customers? Asking? Not is anybody making a particular play for
• 17:53
  her? Look, I'll explain you like that. With proty girls like I
• 17:57
  got, usual the customer, they try what they got to lose. Only
• 18:02
  with Mary was nobody gets even for his base. You sure my wife could
• 18:07
  tell you, please don't ask her the ideas that woman gets even the red
• 18:12
  hair she was respected redhead. Another waitress, who's that? Waiters a tall,
• 18:18
  thin redhead guy eats in here two thirty couple times a week always,
• 18:22
  you know the dollar mid ten specially gets. He never says nothing east when
• 18:27
  he gets out, So what makes her think he's crazy in the head.
• 18:30
  That's what she's done. I told you she gets ideas. Says he was
• 18:34
  always watching Mary like he was hungry or something idea. Sure it was hungry.
• 18:38
  Why else he would be here? Was he here the last night Mary
• 18:42
  worked for you? Mister? What do I do? Do I keep a
• 18:45
  time clock on customers? He's been in the last week a couple of times,
• 18:48
  maybe that night? Maybe not? Does he live around here? Who
• 18:52
  was interested? Very lives as long as he eats here. But I don't
• 18:56
  think you're looking for him. All he ever said to Mary was give more
• 19:00
  bought. Maybe you'll say a little more to us. You want the laby
• 19:04
  for plenty? Some cops in here to see if that guy shows up again?
• 19:07
  Okay with you? What should I do? Say? No? Only
• 19:11
  the bet there'll be plenty ongre if they don't eat me. I think my
• 19:15
  wife will throw them out. I'll comma, you're a little late. I
• 19:32
  had to stop at the drugstore stomach again. Yeah, looky you didn't have
• 19:36
  any of Rosky's apple pie. I had the huckleberry yesterday. Five days of
• 19:41
  that food, and they say a cops feet take a beating. Who's down
• 19:45
  there now acquiring Burton. We'll keep this take out another twenty four hours.
• 19:49
  Then we have to figure he won't show up there again. If you ever
• 19:52
  eat that apple pie, you won't. Yeah, Now, there's nothing doing
• 19:56
  here either. What's this dread ST's got up? And duck Gerson's office?
• 20:02
  Oh, what's you say? Killer figures to be a cycle all right,
• 20:04
  probably a deviant when there's not a tall, thin, redheaded man in a
• 20:08
  bunch, not in the neighborhood either. We checked seven blocks in all directions
• 20:12
  from the restaurant. How can there be a hunk of territory that big without
• 20:15
  a red headed man? Let me reach me. Maybe he dyed his hair.
• 20:21
  All I know is if we have to get this guy before got me.
• 20:26
  Quiet, good man just came out. There's QUI now, Ben waiting
• 20:37
  outside. Yeah, keep going, Ben, he's already left Barton telling him,
• 20:45
  Yeah, turn rid the next corner. What happened? Quiet? They
• 20:49
  must have seen Rosky give us a high sign. Walk right out again,
• 20:53
  Burton quarts before you pulled up. The guys hold in. It's twenty one
• 20:56
  twelve facre, twenty one hundred block. It's eight hundred numbers. We checked
• 21:00
  one lousy block. Moment would have had him five days ago. Where Burton
• 21:15
  called from my lady's apartment. We must still be in there come the backdog.
• 21:19
  Fine, we'll go in and back. Fine, right there, Ben,
• 21:27
  down the hall, I hass Burton. Where is he? Burt back
• 21:33
  the way kitchen, got a belly gun. He cycled. Then he was
• 21:37
  waiting outside. Oh called Quine said he wanted to coppa Mary Chambers. Yeah
• 21:42
  he did it. Hid out on the floor until she she got through work,
• 21:48
  and then made a drive to the pocket and he killed it. Set
• 21:52
  it all nice and easy. Said he was ready to let me take him
• 21:55
  in. Then he gunned me real cycle. He ducked in here somewhere,
• 22:11
  Ben Man, we'll find him. Should know the neighborhood, all right,
• 22:15
  Iver saw so many backyards and alleys of my life. Couldn't get a clean
• 22:18
  shot anywhere. And that's going to be tough for here, all these kids
• 22:21
  around. He must have figured that out. Yeah, we should spot him,
• 22:23
  tall redhead length time I look at that ride rocket ships. Sure keep
• 22:27
  the kids up to day. We're really going for it too, and I
• 22:30
  wouldn't mind having a piece of the Okay, there he is. We're been
• 22:33
  Paris where Yeah you see him where he's running with Pa. He must look
• 22:37
  here. Huh guns down A cop knows we're tailing him when he comes to
• 22:40
  work. How do you figure that? What I'm trying to figure it out
• 22:42
  is how to take him before he starts stunning down a few kids. You
• 22:45
  can't clear the place. Might be all he need is start triggering, and
• 22:49
  we can't take the chance. His landlady would said he was a nice,
• 22:53
  sweet young man, always paint his rent on time things were making a mistake
• 23:00
  them At Foley, we can't rush him no. No where he's standing operating
• 23:03
  that hand lever, there's fences on both sides, that comes straight at him.
• 23:07
  No place to get a clean shot out of him either one whilest I
• 23:11
  can hit a half a dozen people. And what's that thing in back of
• 23:15
  him part of the tunnel for the kids train that goes around. Yeah,
• 23:18
  it's a streamliner with real smoke. No opening directly in the back of him,
• 23:22
  though, we'd have to break from the closest end of the tunnel,
• 23:23
  fifteen to twenty feet in the opener. Spot a shot and maybe not of
• 23:27
  he was busy out in the front. I'll give you inclined four minutes to
• 23:32
  get back there. Then I'll start talking to him. What about Captain Waldoman?
• 23:34
  It's too risky waiting. You can't figure a mind like that, No
• 23:37
  telling one he's able to open up with that gun. Okay. I always
• 23:41
  didn't want to ride a lot of those trains. You know they get back
• 23:56
  over that boy? Mister, how much for a ride on that thing?
• 24:00
  Who bets? And what? Who? It's the best ride in the park.
• 24:03
  Yeah, it looks like it, all right? Say is it safe?
• 24:07
  You ought to know better than I that we got most big kids riding
• 24:11
  in this park. Nobody takes chances on hurting kid. Yeah, yeah,
• 24:15
  I guess that's right. What's that Levey off? Right? There? Not
• 24:18
  a break or something? Don't come any closer, mister. I got a
• 24:22
  gun. Well, what are you doing with that? You're a cop?
• 24:26
  I can tell. I can always tell a cop. Shouldn't have come here,
• 24:29
  mister. Now, I got to kill you too, like to kill
• 24:33
  Mary Chambers. You shouldn't have been that way, not looking at me.
• 24:37
  It's not caring about me. I loved her and she wouldn't even look at
• 24:41
  me. Is that why? I am it? You thought you didn't like
• 24:44
  you? Did you ask her about it? When you were out in the
• 24:47
  park? She laughed and I loved her, and she laughed, and the
• 24:52
  tire iron was right there, and wasn't anything else I could do. You
• 24:56
  shouldn't laughed at me. You're right, boy, that wasn't nice. It
• 25:00
  wasn't a bit nicer with a laugh at tandstill trying to get close to me.
• 25:07
  Aren't you trying to take my gun away? So even put me in
• 25:11
  jail? Why should I want to do that? At it? You got
• 25:12
  to write to killer? She laughed at you. She shouldn't have done that,
• 25:18
  laugh at me. That girl in Chicago, she laughed at me too.
• 25:22
  She deserved to night too, didn't she am? I don't blame you
• 25:26
  for killing her too. She deserves And still you here. I'm going to
• 25:30
  kill you too, but I don't want to do it yet. A lot
• 25:36
  of kids still want to ride on here, lots of kids. I got
• 25:38
  to see. If that happy, that's my job making kids happy? Well,
• 25:42
  that's a fine job in it. Goodnt ask for a better one.
• 25:47
  I was gonna. I was gonna let that other cop take you in.
• 25:52
  She seemed like a nice guy. And then I remember the kids. Huh.
• 25:56
  I gotta make the kids happy. That's my job. I'm sure it
• 25:59
  is. That's why I want to help you. That's why i'm here,
• 26:02
  Emmett, to help you. No, No, you're not. No,
• 26:03
  you're you're lying to me. I know why should i'm ride yam It.
• 26:07
  I only want to help you. No, you don't, you're lying.
• 26:10
  I know. That's why you send those two friends with yours around on that
• 26:14
  plane. I saw you. I haven't got any friends, am it,
• 26:17
  Only you. I'd like to be friends with you, would you? I
• 26:22
  mean, would you really sure? I would? I like you? You
• 26:27
  do? I like you very much, Emma. No, you're gone.
• 26:32
  No, you're lying too. I'm gonna shoot you. I mean, after
• 26:36
  the pot closest. I still got to make some kids happy before the pot
• 26:40
  close. Okay, okay, am It, I don't wait. I want
• 26:42
  to help you. Make him happy then, then, then tell your friends
• 26:47
  not to speak up on me. From him back. I see him back
• 26:51
  there near the tunnel. Tell him you here for I'll shoot you right now.
• 26:55
  I told you I haven't got any friends, Emmy. The only friends
• 26:57
  I got is tell him, Hey, you too, go back. We
• 27:03
  don't want your hair, Emit, deny a friend. We don't want you,
• 27:07
  Emmit, and I don't want anybody else around. Go back? Now?
• 27:11
  Will shoot your will shoot you here? You ammen? You believe me?
• 27:17
  Now? I said i'd shoot them if they bothered us? Would you?
• 27:22
  I mean, would you? Would you really shoot them if they bothered
• 27:26
  us? Well? Sure I would, Emmett. We got to make those
• 27:29
  kids happy, don't we. Shure i'd shoot them. It's nice to find
• 27:33
  a friend. I don't have any People don't like me. Girls, especially
• 27:41
  nice to find a friend. I've been lonely to Emmet. That's why I'm
• 27:45
  glad I met you. We can work together here, helping kids to be
• 27:48
  happy. How about that, Emmett, we'll work together. It'd be nice,
• 27:52
  real nice having to find to help you. Sure, and you can
• 27:57
  teach me how to run the Ferris wheel. You do that, and teach
• 28:00
  me how to run the famishy now, sure, sure I would. I
• 28:03
  wouldn't teach anybody, but I teach your friend. I was hoping you say
• 28:08
  that, Emmett, and we can start right now. You show me how
• 28:11
  to operate that level and we'll stand still. No, you're lying again.
• 28:15
  You're lying. You're no friends. How can you say that, Emmett?
• 28:19
  You know I'm your You yelled at those other coups, yelled about shooting,
• 28:22
  and you're scared all the kids away. See you look, look at them,
• 28:26
  kids are all gone away. You're scared of you. No, I
• 28:30
  didn't m it. It's late, the fox's gonna close and they're getting ready
• 28:33
  to go. You don't like the kids, You don't you don't like me.
• 28:36
  You spoiled everything. Now I gotta shoot you for that. I gotta
• 28:40
  shoot you, and this need be closing prime. You're making a mistake,
• 28:42
  Emmett. I'm your friend. No, you'd be scared the kids. You
• 28:45
  don't like me either. Now I gotta kill you before closing, and I
• 28:49
  gotta kill your right then. Okay, pee crowch it took its time uring
• 29:00
  away. Didn't think i'd ever get a clean bean on it. Yeah,
• 29:03
  Pete, find somebody who knows how to stop this cool wheel, will you?
• 29:07
  It's been going around in front of my eyes so long. I'm getting
• 29:10
  busy. And the lineup, starring Bill Johnstone as Lieutenant Ben Guthrie with Jack
• 29:37
  Moyles as Sergeant Pete Carter, was written by Sydney Marshall with music by Eddie
• 29:42
  Dunsteader. Featured in the night's cast were Virginia, Greg Howard mcneer, Benny
• 29:47
  Rubin, Joseph Kurns, high ever Back, and Peter Leed. The lineup
• 29:52
  was transcribed in Hollywood by I made Don't Vayer. Friday Night is Music Night
• 30:08
  on CBS Radio and Georgie officers of how Fredo an d Media and laid Black
• 30:14
  Songs by Earl Lights and Jimmy Carroll, Ugdi Baron and Francis Grier. Here
• 30:18
  Georgie fights in this big time music, good song from the metics new and
• 30:22
  old musical woman from Vaudeville's Greatest Day. It's Friday night and most of these
• 30:26
  same CBS radio stations. Dan Hovering was speaking and remember of the week's top
• 30:33
  fights, broadcast Wednesday night on the CBS Radio network. Welcome back. Well,
• 30:53
  it's been a long while since we heard William john Stones. You're marine
• 30:59
  a person voice, but definitely needed here. I do have one sad note,
• 31:07
  and that is that actress Shirley Mitchell, famous for her roles on The
• 31:14
  Great Gilder Sleeve and Fibber, McGee and Molly, and then also over television
• 31:18
  on I Love Lucy playing the role of Marion Strong, has passed away at
• 31:25
  the age of ninety four. This has been out there for a while,
• 31:30
  but this is the first podcast since I learned about it. We will be
• 31:36
  honoring Shirley Mitchell next week, and I'll have more details about that on Monday,
• 31:42
  But bully a reminder that the few remaining radio stars are quickly passing away.
• 31:51
  All right, Well, we'll see you back on Monday with yours truly
• 31:53
  Johnny Dollar, and then join us back here next Saturday for the lineup.
• 31:57
  In the meantime, send your comments to walk thirteen at Great Detectors dot net
• 32:01
  from Boise, Idaho. This is your host, Adam Graham's son and off