Latest / Crime and Horror / His Top Secret job turned him into a LEGEND - MrBallen
Transcript
- 0:00Speaker 1: Today, I'm going to cover three stories that all became
- 0:03Speaker 1: hugely famous as fiction. However, what most people don't know
- 0:08Speaker 1: is they're actually based on real life events and these
- 0:12Speaker 1: real stories are wild and those are what I'm sharing
- 0:15Speaker 1: with you today. But before we get into today's stories,
- 0:19Speaker 1: if you're a fan of the strange, dark and mysterious
- 0:21Speaker 1: delivered in story format, and you've come to the right place,
- 0:24Speaker 1: because that's all we do, and we upload two, three,
- 0:27Speaker 1: even four times every week. So if that's of interest
- 0:30Speaker 1: to you, please sneak into the like button's house and
- 0:32Speaker 1: replace their dish soap with cooking oil. Also, please subscribe
- 0:36Speaker 1: to our channel and turn on all notifications so you
- 0:39Speaker 1: don't miss any of our weekly uploads. Okay, let's get
- 0:42Speaker 1: into today's stories. One night in May of eighteen ninety six,
- 1:02Speaker 1: a young opera singer sat inside of her dressing room
- 1:04Speaker 1: at the Palais Garnier, which is this huge, beautiful theater
- 1:08Speaker 1: in Paris, France. A little while earlier, she finished a
- 1:11Speaker 1: performance of a very famous opera, and now she was
- 1:14Speaker 1: getting changed and taking off her makeup. However, as she
- 1:18Speaker 1: was doing this, she suddenly heard this sound in the
- 1:21Speaker 1: theater that immediately sent goosebumps up and down her body.
- 1:25Speaker 1: It sounded like a man was singing somewhere out there,
- 1:29Speaker 1: and his voice was very deep and very sad. And
- 1:33Speaker 1: really it wasn't so much the sound of the voice
- 1:35Speaker 1: that was so unsettling. It was just the fact that
- 1:38Speaker 1: she was hearing anybody in the theater at all. I mean,
- 1:41Speaker 1: she should have been alone in the theater. As far
- 1:43Speaker 1: as she knew, all of the other performers and crew
- 1:46Speaker 1: members had already gone home. So who was this? And
- 1:49Speaker 1: so she left her room and she stepped out into
- 1:52Speaker 1: the hallway and just began looking around, you know, thinking
- 1:55Speaker 1: maybe one of the other opera singers had maybe stayed
- 1:58Speaker 1: behind without her knowing. But she didn't see anybody else backstage.
- 2:03Speaker 1: And as she listened carefully to again this man who
- 2:06Speaker 1: was still singing somewhere in the theater, she realized that
- 2:11Speaker 1: the voice was actually coming from below her. And this
- 2:14Speaker 1: revelation made her go from just being unsettled to being
- 2:19Speaker 1: genuinely scared. So before she had ever worked in this theater,
- 2:23Speaker 1: she'd actually heard a rumor about this theater. It was
- 2:27Speaker 1: said that for the past several years, a man had
- 2:31Speaker 1: been secretly living inside of this theater, and apparently the
- 2:35Speaker 1: same man had been horribly injured in a fire at
- 2:38Speaker 1: a different theater that was nearby, and now he was
- 2:42Speaker 1: too scared to show his face in public, so he
- 2:44Speaker 1: squatted in the basement and the walls of the Palais
- 2:47Speaker 1: Garnier and only ever came out at night when he
- 2:50Speaker 1: believed he was alone. Now, this woman, this young opera singer,
- 2:54Speaker 1: had always assumed that, you know, this was just obviously
- 2:56Speaker 1: some legend made up to scare people, or maybe even
- 2:59Speaker 1: to entice people to come to this theater. But now
- 3:02Speaker 1: standing in the hallway and clearly hearing this strange, sad
- 3:07Speaker 1: voice echoing up from beneath her feet, she really couldn't
- 3:11Speaker 1: help but feel like maybe this story is true. And
- 3:13Speaker 1: how terrifying a thought that was. However, as she stood
- 3:17Speaker 1: there listening to this voice, she sort of slowly began
- 3:20Speaker 1: to convince herself that maybe it actually wasn't a man's voice,
- 3:24Speaker 1: Maybe this was the sound of water moving through the
- 3:27Speaker 1: pipes or something like that. I mean, to be honest,
- 3:30Speaker 1: that the sound was sort of far away, and she's thinking,
- 3:33Speaker 1: maybe I'm convincing myself this is an actual person's voice.
- 3:36Speaker 1: Maybe it's not, And so she's sitting there listening, and
- 3:39Speaker 1: sure enough, after a couple of minutes, she really had
- 3:41Speaker 1: convinced herself that now this is not a person. This
- 3:45Speaker 1: is just like late night sounds the theater makes. And
- 3:48Speaker 1: I'm not really here a lot by myself, and I've
- 3:50Speaker 1: never heard this before, so this, this is nothing. And
- 3:53Speaker 1: so she quickly, you know, because she told herself she
- 3:55Speaker 1: was convinced of this, but deep down she wasn't. But
- 3:58Speaker 1: she quickly went back into heardresom, she gathered up her things,
- 4:01Speaker 1: and she left for the night. A few days later,
- 4:04Speaker 1: on the evening of May twentieth, that same young opera
- 4:07Speaker 1: singer was waiting in the wings just off stage. She
- 4:10Speaker 1: and the rest of the cast were in the middle
- 4:12Speaker 1: of a performance, and she was waiting for her queue
- 4:14Speaker 1: to go on stage. But as she was watching the
- 4:17Speaker 1: show from backstage, she suddenly saw a movement above the stage,
- 4:22Speaker 1: way up in the rafters. And she looked up and
- 4:25Speaker 1: she saw there was a man in dark clothes who
- 4:28Speaker 1: was up there. Now, at first she thought, you know,
- 4:30Speaker 1: maybe this man is a stage hand, but as she
- 4:33Speaker 1: continued to look at him, she realized he wasn't doing anything.
- 4:37Speaker 1: He was just crouched up there, sort of hiding from
- 4:39Speaker 1: everybody else, just sort of staring down at the performance
- 4:43Speaker 1: like he was watching the performance. But then, you know,
- 4:46Speaker 1: as this young opera singer is staring up at the sky,
- 4:49Speaker 1: he suddenly turned and looked right at her. And this
- 4:52Speaker 1: young singer she had to hold back a gasp because
- 4:56Speaker 1: this man's face was obviously just totally disfigured what appeared
- 5:00Speaker 1: to be burn scars, and so terrified, this woman turns,
- 5:04Speaker 1: she rushes and grabs a crew member and she points
- 5:07Speaker 1: up into the rafters and says, there's somebody up there.
- 5:10Speaker 1: But when they both looked up again, the man in
- 5:13Speaker 1: dark clothes with the burned face was gone. Now, the
- 5:16Speaker 1: young singer, she felt certain that what she had seen
- 5:19Speaker 1: just moments before was real, but the crew member was
- 5:22Speaker 1: looking at her like, are you sure you saw that?
- 5:25Speaker 1: Like this seems pretty far fetched, like why would anyone
- 5:27Speaker 1: be up there? Certainly not some random person, Like what
- 5:30Speaker 1: are you talking about? And so she didn't know what
- 5:32Speaker 1: to do, but the show she was in had to
- 5:36Speaker 1: go on. About an hour later, the young singer was
- 5:38Speaker 1: standing on stage and bowing in front of a crowd
- 5:41Speaker 1: of nearly two thousand people. She and the rest of
- 5:44Speaker 1: the cast had just finished performing Act one, and the
- 5:47Speaker 1: young singer had barely made it through the performance because
- 5:50Speaker 1: she was still so shaken up by what she had
- 5:53Speaker 1: seen backstage, you know, up in the rafters. All she
- 5:55Speaker 1: wanted to do was get off stage and spend intermission
- 5:59Speaker 1: calming down. But now, even though it was only the
- 6:02Speaker 1: end of Act one, the crowd was so excited and
- 6:06Speaker 1: they loved the performance she had just done so much
- 6:09Speaker 1: they were calling for her, specifically her to do an
- 6:13Speaker 1: encore of her last aria. The singer knew she didn't
- 6:16Speaker 1: really have a choice, so she nodded to the conductor
- 6:20Speaker 1: and then reluctantly stepped forward and restarted the piece, And
- 6:24Speaker 1: as she sang, her anxiety actually began to melt away.
- 6:29Speaker 1: She let herself get lost in the music. She closed
- 6:31Speaker 1: her eyes and she belt at a high note. But
- 6:35Speaker 1: suddenly she heard this ear splitting bang, and she opened
- 6:40Speaker 1: her eyes just in time to see a brief flash
- 6:42Speaker 1: of light. Then she watched in horror as the giant
- 6:46Speaker 1: glass chandelier that hung above the audience came crashing down
- 6:51Speaker 1: and landed directly on top of a woman, killing her instantly.
- 6:56Speaker 1: Police immediately launched an investigation into the falling chandelier, but
- 7:01Speaker 1: quickly determined that the whole thing was really just a
- 7:04Speaker 1: freak accident. They said that one of the chandelier's candles
- 7:08Speaker 1: had caused a small fire, which had melted the cord
- 7:11Speaker 1: that held it up and caused it to fall. But
- 7:13Speaker 1: the young singer she didn't believe this because she'd seen
- 7:17Speaker 1: that burned man in the rafters just you know, less
- 7:21Speaker 1: than an hour before the disaster, and she couldn't help
- 7:24Speaker 1: but feel like he was to blame, and her theory,
- 7:27Speaker 1: as wild as it sounded, actually gained traction. Eventually, a
- 7:32Speaker 1: journalist named Gaston LaRue heard about it and started his
- 7:36Speaker 1: own investigation. He spent weeks searching for the burned man,
- 7:40Speaker 1: even showing up unannounced at the theater at different times
- 7:43Speaker 1: of day and night to try to catch him, but
- 7:46Speaker 1: he never did. However, Gaston did track down some construction
- 7:50Speaker 1: workers who had helped build the theater twenty years earlier,
- 7:53Speaker 1: and they claimed they knew exactly who the burn man was.
- 7:58Speaker 1: So before the garnier was built, there had been another
- 8:02Speaker 1: theater right down the block, but that theater had been
- 8:06Speaker 1: completely destroyed by a fire twenty years earlier, in eighteen
- 8:09Speaker 1: seventy three, On the night of that fire, a young
- 8:12Speaker 1: pianist named Ernest had been inside the building working on
- 8:16Speaker 1: a wedding march for his fiance, who was a ballerina
- 8:19Speaker 1: at the theater. Out of nowhere, he began to smell smoke,
- 8:22Speaker 1: and then before he knew it, flames blocked his only
- 8:25Speaker 1: way out. He had no choice but to run through
- 8:28Speaker 1: the flames, and by doing that he suffered terrible facial injuries,
- 8:33Speaker 1: but he would survive. Unfortunately, though his fiance did not
- 8:37Speaker 1: make it out. She died in the fire. The construction
- 8:39Speaker 1: workers told Gueston that after this horrible tragedy, Ernest had
- 8:44Speaker 1: sort of removed himself from society, like not only did
- 8:47Speaker 1: the burns make it difficult for him to be in public,
- 8:49Speaker 1: he was self conscious, but also he was racked with
- 8:53Speaker 1: grief about losing his fiance, And so they said Ernest
- 8:57Speaker 1: had taken refuge in the basement of the Palais Garnier,
- 9:01Speaker 1: which at this point was just under construction, and the
- 9:04Speaker 1: construction workers said they heard Ernest playing the piano at
- 9:07Speaker 1: all hours in this basement, obsessively trying to finish that
- 9:11Speaker 1: wedding march. For his fiance, and often while he was
- 9:15Speaker 1: doing this, he was screaming and crying out in agony. Now,
- 9:18Speaker 1: the workers told Gueston that eventually they stopped hearing Ernest
- 9:23Speaker 1: and they assumed at that point he had left or
- 9:25Speaker 1: maybe even died, or they said, you know, it's possible
- 9:28Speaker 1: they never heard of at all, and they had convinced
- 9:30Speaker 1: themselves that they were hearing him down there, you know,
- 9:32Speaker 1: they didn't know. But then after that, performers at the
- 9:36Speaker 1: now finished Palais Garnier reported hearing this, this sad voice
- 9:40Speaker 1: singing after hours in the building, and some even reported
- 9:44Speaker 1: seeing a scarred man, you know, the scars on his face,
- 9:47Speaker 1: creeping around the dark corners of the theater. But when
- 9:51Speaker 1: these people would periodically investigate to see where it was
- 9:54Speaker 1: coming from and who is that, nobody was ever there.
- 9:58Speaker 1: And so after hearing this star from these construction workers,
- 10:02Speaker 1: guest On LaRue, the journalist was, you know, sort of
- 10:05Speaker 1: conflicted in a way. On the one hand, you know,
- 10:07Speaker 1: he was sort of disturbed by you know, these two
- 10:10Speaker 1: tragedies separated by twenty years. You have the fire that
- 10:13Speaker 1: claim the life of Ernest's fiance, and you know, apparently
- 10:16Speaker 1: badly hurt Earnest, and then you have this this chandelier
- 10:20Speaker 1: falling and killing a guest at the theater at the
- 10:22Speaker 1: Palais Gargnier twenty years later. So like that was horrible,
- 10:25Speaker 1: that was tragic, But more than that, the feeling that
- 10:29Speaker 1: Gaston had was that he felt sort of deeply moved
- 10:33Speaker 1: by the story of Ernest's love for his fiance. You know,
- 10:36Speaker 1: whether or not the story was even true, whether or
- 10:38Speaker 1: not he really did go into the basement as construction
- 10:41Speaker 1: was being done and you know, try to finish that
- 10:43Speaker 1: song for his dead fiance, it didn't really matter. It
- 10:46Speaker 1: was like that, combined with these rumors of there being,
- 10:49Speaker 1: you know, this ghost in the theater, it was just
- 10:52Speaker 1: kind of moving. The idea that, you know, poor Ernest
- 10:55Speaker 1: and his fiance, you know, that's what stuck out to
- 10:58Speaker 1: the journalist, and so Gaston ended up writing a book
- 11:02Speaker 1: about the story, and the book was then adapted into
- 11:06Speaker 1: one of the most famous musicals of all time. Today,
- 11:10Speaker 1: Ernest is more often known by the nickname that Gaston
- 11:13Speaker 1: LaRue gave him The Phantom of the Opera. On September
- 11:33Speaker 1: twenty ninth, nineteen thirty nine, a British intelligence agent walked
- 11:37Speaker 1: through the door of the Royal Navy Headquarters in London
- 11:40Speaker 1: with an envelope tucked under his arm. When he stepped inside,
- 11:43Speaker 1: a dorman stopped him and asked to see his pass.
- 11:46Speaker 1: The agent flashed a badge that identified himself by the
- 11:49Speaker 1: code name seventeen F, and the dorman simply nodded and
- 11:53Speaker 1: led him through. Agent seventeen F then continued farther into
- 11:56Speaker 1: the building and he went down this long silence into
- 12:00Speaker 1: white hallway to a black door with the number thirty
- 12:03Speaker 1: nine painted on it. After looking around to make sure
- 12:06Speaker 1: nobody was watching him, he reached down and he turned
- 12:09Speaker 1: the handle and pushed the door open, and right away
- 12:12Speaker 1: he was hit by this brightly lit office, and inside
- 12:15Speaker 1: it was absolutely chaotic. The air was full of smoke
- 12:19Speaker 1: from tobacco. Telephones were ringing off the hook, Typewriters were
- 12:23Speaker 1: clattering away, and men in dark suits were rushing back
- 12:26Speaker 1: and forth. This was the office of Great Britain's Director
- 12:29Speaker 1: of Naval Intelligence, and World War Two had just broken
- 12:33Speaker 1: out just a few weeks ago, so everything was nuts.
- 12:36Speaker 1: The spies that worked in this office were literally out
- 12:39Speaker 1: gathering intel and analyzing data and also coming up with creative,
- 12:44Speaker 1: sort of crazy ways to literally trick the enemy. Now,
- 12:48Speaker 1: Agent seventeen Haf was not actually an intelligence agent. He
- 12:52Speaker 1: was the director's personal assistant, so he had no spy training,
- 12:56Speaker 1: but he was very creative and had a way of
- 12:59Speaker 1: coming up with schemes that were so crazy they just
- 13:02Speaker 1: might work. And that really was a skill the department
- 13:06Speaker 1: desperately needed right now. The director was really practical and
- 13:10Speaker 1: analytical and pragmatic, and so he sort of liked having
- 13:14Speaker 1: someone around in his personal assistance, seventeen F, whose thought
- 13:18Speaker 1: patterns were just much more colorful. I mean, he really
- 13:20Speaker 1: thought differently than the director. So Agent seventeen F very
- 13:24Speaker 1: casually walked into this chaotic room and he strolled across
- 13:28Speaker 1: the floor and he reached the director's door and he knocked,
- 13:31Speaker 1: and a moment later the director called for him to
- 13:33Speaker 1: come in, and seventeen F walked inside, walked right over
- 13:37Speaker 1: to the desk where the director was sitting, and he
- 13:39Speaker 1: dropped that envelope he was carrying right on the desk,
- 13:42Speaker 1: and the director picked it up. He opened the envelope
- 13:45Speaker 1: and started reading what was inside, and as the director's
- 13:49Speaker 1: eyes scanned the page, Agent seventeen F couldn't help but
- 13:53Speaker 1: see what looked like an annoyed look come across the
- 13:56Speaker 1: director's face. So inside the envelope was a list of
- 13:59Speaker 1: ideas that seven had come up with for spreading misinformation
- 14:02Speaker 1: to the Germans. Basically, they were ways to confuse and
- 14:06Speaker 1: misdirect the German military by giving them fake information about
- 14:10Speaker 1: what the British were up to. Now, this is a
- 14:12Speaker 1: very normal thing that virtually every military does during a
- 14:15Speaker 1: time of war, but these specific strategies that Agent seventeen
- 14:20Speaker 1: F had come up with on this list were really
- 14:23Speaker 1: out there. I mean, even for his own standards, these
- 14:26Speaker 1: were sort of wild. For example, on this list there
- 14:29Speaker 1: was included this idea to have the British drop soccer
- 14:33Speaker 1: balls covered in reflective paint into the ocean so that
- 14:36Speaker 1: enemy submarines would you mistake them for explosives. There was
- 14:40Speaker 1: another suggestion to put fake intelligence messages into literal bottles
- 14:45Speaker 1: and just set them loose at sea and hope Germans
- 14:48Speaker 1: found them. Seventeen F also said he wanted to mail
- 14:52Speaker 1: out fake copies of The Times newspaper with made up
- 14:55Speaker 1: news stories and made up headlines to again sort of
- 14:57Speaker 1: trick their enemy. And so Agent seventeen F been pretty
- 15:00Speaker 1: excited to share this list with the director. I mean,
- 15:03Speaker 1: he was proud of these ideas. But now, you know,
- 15:06Speaker 1: looking at the director, it seemed like he was just
- 15:09Speaker 1: getting really frustrated, and so seventeen F wondered if maybe
- 15:13Speaker 1: he had pushed it too far. But just then the
- 15:15Speaker 1: director stopped and clearly was fixated on one particular idea
- 15:19Speaker 1: on this list, and he looked up at seventeen F
- 15:22Speaker 1: and he said, actually, this one, this one seems workable.
- 15:26Speaker 1: So the idea that the director liked was actually based
- 15:29Speaker 1: on something that happened in a crime novel that Agent
- 15:32Speaker 1: seventeen F had read. Agent seventeen F was suggesting that
- 15:36Speaker 1: they borrow a corpse from the naval hospital, dress it
- 15:40Speaker 1: in a British pilot's uniform, and put fake dispatches in
- 15:44Speaker 1: its pockets with details of a supposed military operation. They
- 15:48Speaker 1: then put a faulty parachute on the corpse's back and
- 15:51Speaker 1: fly over the German coast and drop the corpse out
- 15:54Speaker 1: onto the beach. And when the Germans found the corpse,
- 15:57Speaker 1: the idea was that they would of the assumed that
- 16:00Speaker 1: this was an actual pilot who had died when his
- 16:04Speaker 1: parachute failed, and then if they believed that, well, they'd
- 16:06Speaker 1: very likely believe that the information the British agents planted
- 16:11Speaker 1: in the corpse's pockets were actual military secrets that they'd intercepted.
- 16:16Speaker 1: And so in the end, the director told Agent seventeen
- 16:19Speaker 1: F that you know what, this list, this is actually
- 16:21Speaker 1: pretty good. He did a good job, after all, and
- 16:24Speaker 1: so by the time Agent seventeen F left the director's
- 16:27Speaker 1: office and walked over to his own desk in the corner,
- 16:30Speaker 1: he was feeling proud that at least one of his
- 16:33Speaker 1: big swings had potentially landed. Four years later, at a
- 16:36Speaker 1: pivotal moment in World War II, the British put a
- 16:40Speaker 1: version of seventeen F's plan into action. They called it
- 16:43Speaker 1: Operation Mincemeat, and amazingly it worked. British spies did plant
- 16:49Speaker 1: a corpse out on the beach with the faulty parachute
- 16:52Speaker 1: with documents in its pockets saying that the Allied powers
- 16:56Speaker 1: of America and Britain were going to invade Greece and Sardinia,
- 17:00Speaker 1: which prompted the Germans to move a ton of their
- 17:03Speaker 1: troops away from the allies real target, which was the
- 17:07Speaker 1: island of Sicily. Sicily is part of Italy, and Italy
- 17:10Speaker 1: was allied with Germany during World War Two, and so
- 17:13Speaker 1: thanks in part to Operation mince Meat, you know, seventeen
- 17:16Speaker 1: F's big idea, the Germans were totally caught off guard
- 17:20Speaker 1: by the invasion of Sicily and the Allies captured the
- 17:23Speaker 1: entire island. This then paved the way for an invasion
- 17:25Speaker 1: of mainland Italy, which was a major turning point in
- 17:29Speaker 1: the war. And again it was all because of this
- 17:32Speaker 1: one idea inspired by Agent seventeen F. Now, to be clear,
- 17:36Speaker 1: Agent seventeen F was not personally there for the invasion
- 17:40Speaker 1: and he didn't publicly get credit for his role in
- 17:42Speaker 1: planning it, even though Operation mince Meat would become pretty famous.
- 17:46Speaker 1: But anonyminity was super important for anyone working in intelligence,
- 17:51Speaker 1: which seventeen F was, and when the war ended, seventeen
- 17:55Speaker 1: F might have stayed a ghost forever. But one slow
- 17:58Speaker 1: afternoon at the end of the war, when the chaos
- 18:01Speaker 1: and Room thirty nine had died down and there were
- 18:04Speaker 1: only a couple dozen people still working out of that office,
- 18:07Speaker 1: Agent seventeen F was sitting at his desk in the
- 18:10Speaker 1: corner and the other agents nearby were talking to each
- 18:13Speaker 1: other about what they were going to do next, and
- 18:15Speaker 1: Agent seventeen F, even though he wasn't a part of
- 18:18Speaker 1: their conversation internally, he sort of asked himself the same question, like,
- 18:22Speaker 1: what am I going to do next? I mean, he
- 18:24Speaker 1: was so good at coming up with these wild ideas
- 18:27Speaker 1: and he really had so much fun doing it, Like
- 18:30Speaker 1: how could he just stop doing that and go have
- 18:32Speaker 1: a normal job? Like this was his calling, doing what
- 18:35Speaker 1: he did now is the only thing he wanted to do.
- 18:38Speaker 1: But then he realized as he was sitting there that
- 18:41Speaker 1: maybe he didn't have to stop doing this after the war.
- 18:45Speaker 1: For years, Agent seventeen F kept on coming up with
- 18:50Speaker 1: fantastical spy ideas, but this time, instead of giving these
- 18:54Speaker 1: ideas to the government, he wrote them all down with
- 18:57Speaker 1: the intention of someday making a book around these ideas,
- 19:02Speaker 1: And finally, in nineteen fifty three he published the first
- 19:06Speaker 1: book under his real name, Ian Fleming, and his book
- 19:10Speaker 1: was wildly successful, and he went on to write more
- 19:13Speaker 1: books all about this same character who was a spy,
- 19:18Speaker 1: and that spy's name was James Bond. One fall afternoon
- 19:38Speaker 1: in eighteen thirty, a beaver trapper named Smith and his
- 19:42Speaker 1: hunting partner, whose name was Bauman, hiked through the Bitterroot Mountains,
- 19:46Speaker 1: which is a section of the Rocky Mountains in southwestern Montana. Now,
- 19:49Speaker 1: where they were headed was this remote pond deep in
- 19:52Speaker 1: the woods that was rumored to be full of beavers. However,
- 19:56Speaker 1: despite that, nobody really ever dared to go there because
- 20:00Speaker 1: the area was also said to be cursed. Now, the
- 20:03Speaker 1: reasoning behind you know this rumor, the cursed rumor, is
- 20:06Speaker 1: that about a year ago a hunter had traveled to
- 20:09Speaker 1: the pond on his own, and he'd never come back home.
- 20:12Speaker 1: And eventually miners had passed through that area and they
- 20:15Speaker 1: found his body, and his body had basically been torn
- 20:19Speaker 1: to shreds and actually partially eaten, and so naturally rumors
- 20:23Speaker 1: had begun to spread that, you know, this pond was
- 20:25Speaker 1: home to some kind of man eating monster. But Smith
- 20:29Speaker 1: and Bauman, they didn't believe in curses or monsters. They
- 20:32Speaker 1: believed in money, and they knew that they'd make a
- 20:35Speaker 1: lot of money from all the beavers they would catch
- 20:38Speaker 1: at this pond. And so, after several hours of hiking
- 20:41Speaker 1: through the forest, Smith and Bauman did finally arrive at
- 20:45Speaker 1: this cursed pond, and they hurried to set up their camp.
- 20:48Speaker 1: They gathered firewood, and they built a lean to where
- 20:50Speaker 1: they would stay for the next few nights. And then
- 20:52Speaker 1: after that they set up a few beaver traps around
- 20:55Speaker 1: the pond, and then followed this nearby stream several miles
- 20:58Speaker 1: uphill and set up beever traps along the way. And
- 21:01Speaker 1: so when they were done setting all these traps, it
- 21:03Speaker 1: was around sunset, Smith and Bauman decided to head back
- 21:07Speaker 1: to their camp the lean too they had set up
- 21:09Speaker 1: and make some dinner and then go to bed, And
- 21:11Speaker 1: so down the hill they went, and they're they're getting
- 21:13Speaker 1: closer and closer to their campsite, and keep in mind,
- 21:16Speaker 1: there's there's nobody else out here. They are in the
- 21:19Speaker 1: middle of the forest. And as they're approaching their campsite,
- 21:23Speaker 1: when they got within range and could actually see it,
- 21:26Speaker 1: they just stopped because they're lean to. They had put
- 21:29Speaker 1: together as soon as they got there, you know, they're
- 21:31Speaker 1: lean to, and all their gear had basically been torn
- 21:34Speaker 1: to shreds. It's like their campsite had a tornado come
- 21:37Speaker 1: through it, and everything was just kind of all over
- 21:39Speaker 1: the place, and there was no people, no animals, no, nothing.
- 21:42Speaker 1: It was like something had happened while they were up
- 21:44Speaker 1: the hills setting up these traps. Now, Smith and Bauman,
- 21:47Speaker 1: their reaction was not, oh, my goodness, like a monster
- 21:50Speaker 1: came through here. They're like, great, you know, a bear
- 21:53Speaker 1: must have come through because bears were in this area,
- 21:56Speaker 1: so this is like a nuisance at this point. This
- 21:59Speaker 1: is not confirmation that the pond is haunted and that
- 22:02Speaker 1: there's a monster here. They're just like, great, we got
- 22:04Speaker 1: to reset up our camp now. So the two men
- 22:07Speaker 1: walked over to their destroyed campsite and began rebuilding it.
- 22:11Speaker 1: But as they were you know, putting their lean to
- 22:13Speaker 1: back together and you know, packaging up their gear back
- 22:15Speaker 1: into their bags, something really stood out that was pretty odd.
- 22:19Speaker 1: So they're thinking that a bear must have come through here,
- 22:23Speaker 1: and why would a bear come through here? Why would
- 22:25Speaker 1: a bear tear all this stuff apart? Well, because the
- 22:27Speaker 1: bear would be looking for food, as bears are known
- 22:30Speaker 1: to do. But as they're packaging things up, both Smith
- 22:34Speaker 1: and Bauman are seeing that none of their food was taken, like,
- 22:38Speaker 1: no food has been taken, and quite a bit of
- 22:40Speaker 1: it was out in the open, So there certainly was opportunity,
- 22:43Speaker 1: but it wasn't. So they're thinking that's so weird, Like,
- 22:47Speaker 1: clearly a big effort was made to look through the
- 22:50Speaker 1: campsite for something. You know, it wasn't like an animal
- 22:52Speaker 1: came over and just batting it around then left. There
- 22:55Speaker 1: had to be a reason, like what were they looking for? Like,
- 22:58Speaker 1: what's going on here? That's so odd? But both men
- 23:01Speaker 1: figured that what likely had happened here was as they
- 23:04Speaker 1: were coming back down the hill, this bear must have
- 23:07Speaker 1: heard them and ran off before taking their food. And
- 23:10Speaker 1: so ultimately they felt like they had just gotten really
- 23:13Speaker 1: lucky here, and so Bauman went to go start a
- 23:16Speaker 1: campfire to make their dinner, and Smith finished putting back
- 23:19Speaker 1: together their lean to camp. But just a little while later,
- 23:23Speaker 1: as Smith reconstructed their lean to, he couldn't shake the
- 23:27Speaker 1: feeling that there really was something odd about whatever had
- 23:31Speaker 1: happened here. You know, they had this explanation that maybe
- 23:34Speaker 1: they got lucky, but it just felt sort of weird,
- 23:38Speaker 1: especially considering that there was lots of lore about this
- 23:41Speaker 1: place being kind of dangerous to people. You know, forget
- 23:43Speaker 1: whether it's a curse or a monster. There was just
- 23:46Speaker 1: a fear that something odd was going on here, and
- 23:49Speaker 1: so Smith. He said to Bauman, Hey, you know, I'm
- 23:52Speaker 1: just gonna for my own sanity here look around and
- 23:55Speaker 1: just look for tracks. Let's let's confirm that this really
- 23:58Speaker 1: was a bear. And so, you know, Bawman's like, great,
- 24:01Speaker 1: go for it. He's you know, setting up the fire,
- 24:03Speaker 1: and Smith, you know, began walking away from the campsite
- 24:06Speaker 1: looking for tracks. However, you know, after stepping just a
- 24:09Speaker 1: few feet away from you know, the campfire and their campsite,
- 24:13Speaker 1: Smith realized it was just too dark out to actually
- 24:15Speaker 1: see anything on the ground. So he went back to
- 24:18Speaker 1: the campsite. He grabbed a torch and he lit it
- 24:20Speaker 1: in the fire that Balman had made. And then now
- 24:23Speaker 1: with this light source, he left the campsite and began
- 24:26Speaker 1: scanning the ground looking for, you know, the tracks from
- 24:28Speaker 1: this bear. And at first he didn't see anything. There
- 24:31Speaker 1: were no tracks. It was just you know, some broken leaves,
- 24:34Speaker 1: and there were some broken sticks and some you know
- 24:36Speaker 1: brush that had been sort of trampled over that suggested
- 24:39Speaker 1: an animal had come through here. But again there were
- 24:41Speaker 1: no tracks. And so he's walking farther and farther away
- 24:45Speaker 1: from their campsite until he gets to this clearing that
- 24:47Speaker 1: was actually not very far from their campsite. But in
- 24:51Speaker 1: this clearing he found some tracks. There were these massive
- 24:55Speaker 1: paw prints that were in the ground. You know, tracks
- 24:58Speaker 1: from this animal with huge claw It's like massive, massive paws.
- 25:02Speaker 1: That certainly suggested this was a bear. And in a
- 25:05Speaker 1: way this was sort of reassuring for Smith because ultimately
- 25:09Speaker 1: he was going out here to confirm that this was
- 25:11Speaker 1: a bear. Right, this wasn't anything else. This was a bear.
- 25:15Speaker 1: But as he's looking at these tracks and watching them
- 25:17Speaker 1: sort of meander their way through this clearing and back
- 25:20Speaker 1: off into the woods, he noticed something strange about these tracks. Yes,
- 25:25Speaker 1: they were paw prints that certainly suggested they were a bear,
- 25:29Speaker 1: but the way they were landing in the ground suggest
- 25:32Speaker 1: that it was just two paws, not four, and a
- 25:36Speaker 1: bear walks on all four. Whatever creature was leaving behind
- 25:40Speaker 1: these prints was walking on two legs. Bears don't do that.
- 25:46Speaker 1: And so Smith couldn't help but feel like a little unnerved.
- 25:49Speaker 1: I mean, he's seeing clear as day prints of a
- 25:53Speaker 1: bipedal creature with huge paws, huge claws walking around near
- 25:58Speaker 1: their campsite. I mean, did this is this a bear?
- 26:02Speaker 1: He knew bears could get up on their hind legs,
- 26:04Speaker 1: but they don't walk very far on just their hind legs,
- 26:08Speaker 1: and so this this was unsettling. And again, you know,
- 26:11Speaker 1: as much as he wasn't scared of, you know, the
- 26:13Speaker 1: curse or monsters that were out here, it was hard
- 26:16Speaker 1: not to think, like is there truth to that stuff?
- 26:19Speaker 1: And so Smith sort of rattled, you know, he turns
- 26:22Speaker 1: around and hustles back to the campsite and he tells Bauman,
- 26:26Speaker 1: I found tracks, and I think it's bear tracks. But
- 26:31Speaker 1: whatever it is is walking around on two legs. I'm
- 26:33Speaker 1: telling you it's two legs. There's no four legged creature
- 26:37Speaker 1: walking around. And Bowman laughed. He actually thought that Smith
- 26:42Speaker 1: was just like playing a joke on him, like you're
- 26:44Speaker 1: trying to scare me out here, right, But Smith is like,
- 26:47Speaker 1: I'm not joking, Like I'm telling you the tracks one
- 26:50Speaker 1: hundred percent are of an animal walking around on two legs,
- 26:53Speaker 1: and it appears to be an enormous bear, you know,
- 26:57Speaker 1: and you know, Bowman at this point he's like, wow,
- 26:58Speaker 1: you know, bears can walk on their hind legs. But
- 27:00Speaker 1: both of them are like yeah, but again not for
- 27:03Speaker 1: long periods of time. And so the two men really
- 27:06Speaker 1: didn't know what to make of this. I mean, by
- 27:08Speaker 1: this point, their campsite was set back up, they had
- 27:10Speaker 1: their fire, you know, their things are sort of back
- 27:12Speaker 1: to normal, and that they're not hearing any animals or
- 27:15Speaker 1: anything odd in the vicinity. And so pretty quickly they
- 27:18Speaker 1: both were like, well, I guess that was just a
- 27:22Speaker 1: standing bear, you know, hopefully it doesn't come back. And
- 27:26Speaker 1: they just sat down by the fire and ate their dinner.
- 27:29Speaker 1: So after dinner, the two men eventually did decide to
- 27:32Speaker 1: just go to sleep. They were sort of in denial
- 27:35Speaker 1: about the weirdness that was going on at their campsite,
- 27:37Speaker 1: but they had both sort of without saying anything, elected
- 27:41Speaker 1: to just not talk about it and just bury those
- 27:44Speaker 1: feelings and just ignore this gut instinct. It's almost primal
- 27:48Speaker 1: instinct that something was off here. It's the two men.
- 27:51Speaker 1: They climbed into their lean two tent together and they
- 27:54Speaker 1: lied down next to each other, and eventually they drifted
- 27:57Speaker 1: off to sleep. Several hours later, when Smith and Bowman
- 28:00Speaker 1: we're both fast asleep inside of this lean to right
- 28:02Speaker 1: next to each other, there was this loud, almost moaning
- 28:06Speaker 1: sound coming from somewhere in the forest, and it was
- 28:10Speaker 1: loud enough that it woke both Smith and Bowman up,
- 28:13Speaker 1: and so they sit up inside of their lean too.
- 28:15Speaker 1: It's it's dark, but they can basically see each other,
- 28:17Speaker 1: and they're sort of saying to each other, like, hey,
- 28:19Speaker 1: did you hear that? Like what was that? Neither of
- 28:22Speaker 1: them knew, but now they're sort of on edge, and
- 28:23Speaker 1: they're just they're sitting in their lean to, obviously thinking
- 28:26Speaker 1: about the fact that you know, this bear or whatever
- 28:29Speaker 1: it was, had clearly come through here the day before.
- 28:32Speaker 1: They're hoping it's not coming back, and they're just they're
- 28:34Speaker 1: sitting there listening really intently to the noises coming from
- 28:38Speaker 1: the forest, and there are regular night noises, you know,
- 28:40Speaker 1: all across the forest, bugs and birds and animals, that
- 28:43Speaker 1: kind of thing. But as they're straining to listen, they
- 28:46Speaker 1: can hear something huge. It's making its way through the
- 28:51Speaker 1: tree line in their direction, and so Bauman sort of
- 28:54Speaker 1: reflexibly grabbed his rifle, and you know, he's just holding
- 28:57Speaker 1: onto his rifle wondering what he's going to do, and
- 28:59Speaker 1: Smith too is sort of not sure what to do.
- 29:01Speaker 1: And then at some point, as whatever this is got
- 29:04Speaker 1: close enough to their lean to, they can't see it.
- 29:06Speaker 1: They're too scared to poke their head out to look,
- 29:09Speaker 1: but they know it's getting closer. When it got close enough,
- 29:12Speaker 1: they began to smell whatever it was. It was like
- 29:15Speaker 1: this musty earth smell. And as the two men are
- 29:20Speaker 1: like getting ready to actually make a plan about what
- 29:22Speaker 1: to do, like obviously this thing is back, whatever it is,
- 29:27Speaker 1: they hear the noise again that woke them up, but
- 29:30Speaker 1: now it's literally coming from right outside of their lean to,
- 29:33Speaker 1: and it's this guttural loud, almost like human moaning sound,
- 29:38Speaker 1: but it's definitely not a person. It's just this eerie,
- 29:43Speaker 1: low rumbling sound, and it's right outside the tent. And Bauman,
- 29:48Speaker 1: as soon as he heard this, he just turned and
- 29:50Speaker 1: he aimed his rifle and fired basically roughly in the
- 29:53Speaker 1: direction of where this thing was, which again is right
- 29:56Speaker 1: outside their lean to. And as soon as he fired,
- 29:59Speaker 1: both men heard the sound of this huge creature right
- 30:02Speaker 1: outside their lean to turn and start running into the forest,
- 30:07Speaker 1: just bounding through the trees. Trees are crashing. It's like
- 30:10Speaker 1: it's this totally chaotic sound is this huge thing is
- 30:13Speaker 1: retreating into the woods. And then at some point all
- 30:16Speaker 1: the noise stops and they don't hear it again, and
- 30:19Speaker 1: the two men are like so frightened by whatever this was.
- 30:23Speaker 1: It certainly didn't feel like a bear. They had not
- 30:26Speaker 1: smelled something like that. They had certainly not heard a
- 30:28Speaker 1: sound like that. And just the way it was moving,
- 30:31Speaker 1: it was so agile and so huge, and did sound
- 30:35Speaker 1: like something that was walking sort of upright, like even
- 30:37Speaker 1: just the steps it was taking right outside their lean
- 30:40Speaker 1: to it. Just it didn't sound like a typical animal
- 30:43Speaker 1: moving around this. This was different. And so the two
- 30:46Speaker 1: men they're they're terrified, and they're just up all night,
- 30:49Speaker 1: you know, waiting for this thing to come back. By
- 30:52Speaker 1: the time the sun finally rose the next morning, Smith
- 30:55Speaker 1: was so anxious and so exhausted that he actually felt sick.
- 31:00Speaker 1: He didn't want to leave the campsite because this trip
- 31:03Speaker 1: was ultimately about making money and they had not caught
- 31:06Speaker 1: any beabers yet, so this was not a profitable trip yet.
- 31:09Speaker 1: But if they left now, I mean, they definitely wouldn't
- 31:12Speaker 1: be catching anything, and this really would be a net loss. However,
- 31:16Speaker 1: both he and Bauman both agreed that you know, whatever
- 31:19Speaker 1: kind of creature here kept coming back to their campsite,
- 31:22Speaker 1: it certainly did not act walk or sound like a bear.
- 31:27Speaker 1: Whatever it was, clearly it was dangerous. So ultimately, what
- 31:31Speaker 1: Bauman and Smith decide to do is they are going
- 31:35Speaker 1: to basically wrap up this trip early. But first they're
- 31:39Speaker 1: going to go check all those beaver traps they had
- 31:41Speaker 1: set both around the pond and up the hill next
- 31:44Speaker 1: to that stream. But normally they would do this together
- 31:47Speaker 1: and it would take a really long time to go
- 31:49Speaker 1: to each and every trap and check it, and you know,
- 31:51Speaker 1: if there was a beaver in there to work through that.
- 31:54Speaker 1: So what they decided to do instead, in order to
- 31:56Speaker 1: be expeditious and be really quick, is they would split up.
- 32:00Speaker 1: You know, it's broad daylight. They figured they were safe
- 32:02Speaker 1: here from whatever this creature was, and they would split up.
- 32:06Speaker 1: They would divide and conquer, check all the traps, and
- 32:08Speaker 1: then meet back at the campsite before it was dark,
- 32:10Speaker 1: pack up and leave a little while later, Bauman had
- 32:14Speaker 1: finished checking all the traps that he was responsible for,
- 32:16Speaker 1: and he had come back with three beavers over his shoulder,
- 32:19Speaker 1: and he was feeling pretty good. It was pretty quick
- 32:21Speaker 1: checking his traps. He's thinking, great, our plan's going to work.
- 32:24Speaker 1: You know, I bet Smith is done too. We can
- 32:26Speaker 1: pack up and get out of here, hopefully really soon.
- 32:29Speaker 1: And so he's walking towards the campsite and he can
- 32:32Speaker 1: see it up ahead, and at first glance, everything looked
- 32:34Speaker 1: to be in normal order, you know, the lean to
- 32:37Speaker 1: was still set up, and he could see there were
- 32:38Speaker 1: some gears stacked up on the ground. And so as
- 32:41Speaker 1: Bauman got closer to the camp he began calling out
- 32:44Speaker 1: to his friend to Smith, and Smith didn't call back.
- 32:48Speaker 1: Now Bauman didn't really know if Smith was actually back
- 32:51Speaker 1: to the campsite yet, he could still be out checking
- 32:53Speaker 1: his traps. So Bawman he walks into the campsite and
- 32:56Speaker 1: Smith is not there. But that gear that he saw
- 33:00Speaker 1: from a distance sort of stacked up in the middle
- 33:01Speaker 1: of the campsite, well, it was Smith's gear and he
- 33:04Speaker 1: had packed it all up and stacked it there, which
- 33:07Speaker 1: certainly suggested that Smith had finished checking his traps, had
- 33:10Speaker 1: packed his stuff, and had to be nearby like he
- 33:12Speaker 1: was getting ready to leave too. And so Bauman's thinking, okay,
- 33:15Speaker 1: I just got to find him, you know, maybe he
- 33:17Speaker 1: walked off somewhere as he's waiting for me, And so
- 33:19Speaker 1: Bawman he puts his beavers down and continues calling out
- 33:23Speaker 1: for Smith, just sort of wandering around, you know, the
- 33:26Speaker 1: rough vicinity of the campsite, you know, hoping to find Smith.
- 33:30Speaker 1: But Smith never calls back, and Bawman's getting a little worried.
- 33:33Speaker 1: You know. Again, they're obviously on edge here. Some weird
- 33:36Speaker 1: things have been happening here. That creature obviously totally freaked
- 33:39Speaker 1: them out. And so, you know, Bauman is yelling louder
- 33:42Speaker 1: and louder, and he's sort of moving faster and faster,
- 33:44Speaker 1: trying to find some sign of where Smith went. And
- 33:47Speaker 1: at some point, Bauman makes his way into that clearing
- 33:50Speaker 1: where the night before Smith had actually found those tracks
- 33:54Speaker 1: that showed you know, this bipedal creature moving around. And
- 33:58Speaker 1: when Bauman made his way into that clearing, he just
- 34:01Speaker 1: stopped because the first thing he saw is there was
- 34:04Speaker 1: blood all over this clearing. It was like a bloodbath everywhere.
- 34:09Speaker 1: And then on the other side of the clearing, sort
- 34:12Speaker 1: of draped up against this tree, was like this, this
- 34:16Speaker 1: heap of meat. That heap of meat was Smith. Smith
- 34:21Speaker 1: had been absolutely ripped to shreds, like his body was
- 34:26Speaker 1: just destroyed. His limbs were all in different directions, like
- 34:30Speaker 1: he was ripped to pieces and in Bowman, he didn't
- 34:33Speaker 1: even have to go over to check to see if
- 34:35Speaker 1: he was dead. He was definitely dead. There's no creature
- 34:39Speaker 1: in the area. It's totally silent, eerily silent, and Bowman like.
- 34:43Speaker 1: He's just staring at his friend wondering, like what does
- 34:46Speaker 1: he even do. But as he's standing there staring at
- 34:48Speaker 1: this just horrific scene, something else clicked. If it had
- 34:54Speaker 1: been an animal that attacked his friend Smith, if an
- 34:57Speaker 1: animal was responsible for this, it likely would have eaten Smith,
- 35:01Speaker 1: or there would have been signs that Smith was was
- 35:04Speaker 1: eaten by this animal. But Smith had no signs of predation.
- 35:10Speaker 1: Smith had no signs that an animal was trying to
- 35:12Speaker 1: eat him. His whole body was just ripped apart, like
- 35:15Speaker 1: whatever killed him just wanted to kill him and basically
- 35:19Speaker 1: fling him around like a toy as he was being killed.
- 35:23Speaker 1: And so at this point, almost like instinctively, Bauman knew
- 35:27Speaker 1: two things. One, the creature clearly killed Smith. There was
- 35:33Speaker 1: no other explanation that made sense here. He didn't understand,
- 35:36Speaker 1: you know, why, or even how, but the creature had
- 35:40Speaker 1: to have done this. And two, the creature was not
- 35:44Speaker 1: a bear, couldn't have been a bear. There's too many
- 35:47Speaker 1: obvious signs that what they're dealing with here is not
- 35:51Speaker 1: a bear or really any animal he had ever run into.
- 35:54Speaker 1: And then also sort of a third thing was, you know,
- 35:57Speaker 1: Bauman's thinking, I wasn't that far away like this horrifically
- 36:02Speaker 1: violent attack. It sort of happened silently or just fast
- 36:07Speaker 1: enough that you know, Smith didn't have time to scream.
- 36:10Speaker 1: It's like this, this creature killed almost surgically, despite the
- 36:15Speaker 1: sort of gratuitous nature of the scene. And so all
- 36:19Speaker 1: that said to Bauman is he needed to leave right now,
- 36:23Speaker 1: and so he literally left his friend, He left all
- 36:26Speaker 1: the supplies, He just turned and fled. Over the next
- 36:29Speaker 1: several decades, Bauman just lied about what happened to Smith.
- 36:34Speaker 1: He told people that while they were out there, Smith
- 36:37Speaker 1: was attacked and killed by a bear. And the reason
- 36:40Speaker 1: he did that and did not tell people that, well,
- 36:42Speaker 1: it was some bipedal monster that you know, wandered the
- 36:45Speaker 1: woods and slaughtered my friend. You know, the reason he
- 36:48Speaker 1: didn't say that is because he felt like nobody would
- 36:51Speaker 1: believe him, that he would look crazy, and that, of course,
- 36:53Speaker 1: like he's feeding into this this rumor that this particular
- 36:56Speaker 1: area is cursed and there's a monster out there. He
- 36:59Speaker 1: just didn't think people would take him seriously, so he
- 37:01Speaker 1: kept it to himself. That was until about forty years
- 37:05Speaker 1: later when Bauman met this man that he felt like
- 37:08Speaker 1: he could trust with his real story. This man was
- 37:11Speaker 1: an avid hunter and he was collecting unique stories for
- 37:14Speaker 1: a book he was writing about wilderness exploration. And to Bawman,
- 37:18Speaker 1: it felt like his story was a fit. So Bauman
- 37:21Speaker 1: told him the truth. He told him all about you know,
- 37:24Speaker 1: what they experienced out there, and you know the fact
- 37:26Speaker 1: that he did not believe it was a bear. He
- 37:28Speaker 1: felt like it was a monster, if you will. And
- 37:30Speaker 1: this man who's hearing this story took Bauman really seriously.
- 37:35Speaker 1: He took detailed notes as Bauman was recounting this, you know,
- 37:38Speaker 1: horrific thing, and then he ultimately published Bauman's account in
- 37:42Speaker 1: his book. In the book, the writer described this this
- 37:45Speaker 1: creature that Bauman and Smith encountered in the woods as quote,
- 37:50Speaker 1: something either half human or half devil, some great goblin beast. Now,
- 37:55Speaker 1: to modern audiences, when you hear the details of the story,
- 37:59Speaker 1: the one I've just shared with you, I mean, the
- 38:01Speaker 1: monster really sounds an awful lot like Bigfoot or at
- 38:05Speaker 1: least something Bigfoot adjacent. But the writer published this book
- 38:08Speaker 1: published Bowman's account in eighteen ninety three, which was more
- 38:13Speaker 1: than sixty years before the term bigfoot even existed. So
- 38:17Speaker 1: today Bigfoot believers cite this book in particular Bawman's experience
- 38:22Speaker 1: as one of the very first documented accounts ever of
- 38:26Speaker 1: a monster that is now ubiquitous. But the writer of
- 38:29Speaker 1: this book did not go down in history, as you know,
- 38:32Speaker 1: being remembered for documenting Bigfoot essentially for the first time,
- 38:36Speaker 1: or at least before anybody knew, you know, what Bigfoot was. No, instead,
- 38:41Speaker 1: the writer would go down in history for what he
- 38:45Speaker 1: did eight years after publishing that book. That was when
- 38:49Speaker 1: he was elected as America's twenty sixth president. The writer
- 38:54Speaker 1: was Theodore Roosevelt. Thank you so much for watching. Let
- 39:05Speaker 1: me know what you thought of today's episode in the comments.
- 39:08Speaker 1: And remember, we have hundreds of videos for you to
- 39:11Speaker 1: binge right now. But if you're looking for a recommendation
- 39:14Speaker 1: for me of that one video that's worth your time,
- 39:17Speaker 1: well it's this one right here, So give it a watch,
- 39:20Speaker 1: all right, until next time, see ya,