Latest / Table Read / Moonstone Rescue Ep 2: St. Rosalia

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Moonstone Rescue Ep 2: St. Rosalia · Table Read

• 0:06
  Speaker 1: In episode one of Moonstone Rescue, fourteen year old Maya
• 0:10
  Speaker 1: Rhodes rappled with life after the death of her mom, Nora.
• 0:15
  Speaker 1: Robert Rhodes. Once a warm and goofy dad, had grown
• 0:18
  Speaker 1: cold and withdrawn, consumed by grief and the pressures of
• 0:22
  Speaker 1: keeping his struggling veterinary clinic afloat. The strained relationship between
• 0:27
  Speaker 1: him and Maya left her feeling isolated and alone. Luckily,
• 0:31
  Speaker 1: for Maya, her cat, Henry, is always by her side.
• 0:34
  Speaker 1: Maya found comfort in Nora's sketch book, which chronicled the
• 0:38
  Speaker 1: story of their ancestor, Henrietta, a resilient young Indigenous girl
• 0:42
  Speaker 1: who was taken from her tribe and forced into an
• 0:45
  Speaker 1: Indian boarding school in nineteenth century California. Henrietta's magical connection
• 0:51
  Speaker 1: to an orange cat became both a source of strength
• 0:54
  Speaker 1: and a cause of trouble. Maya also had a not
• 0:58
  Speaker 1: so secret admirer, Maverick, a sensitive jock whose father, Axel Grayson,
• 1:03
  Speaker 1: was the town's biggest real estate developer. Jackie and Hugo,
• 1:07
  Speaker 1: Maya's best friends, spread rumors that Lupe McGregor, a woman
• 1:12
  Speaker 1: from the wampanoag Aquinna tribe with a mysterious past was
• 1:16
  Speaker 1: actually a witch who put spells on the town's locals.
• 1:20
  Speaker 1: But Maya had a secret. For weeks, she'd been spending
• 1:23
  Speaker 1: time at Moonstone Rescue and Animal Sanctuary run by Loupe.
• 1:28
  Speaker 1: Lupe had become a mentor for Maya, offering her a
• 1:31
  Speaker 1: sense of belonging and encouraging her to explore holistic healing practices. Meanwhile,
• 1:37
  Speaker 1: Robert's growing lack of compassion alienated his clients. When he
• 1:42
  Speaker 1: euthanized Missus Silva's cat without empathy, it caused an uproar
• 1:46
  Speaker 1: in the community. Later, at a local bar, Robert cross
• 1:50
  Speaker 1: paths with Lupe. Her sharp, perceptive comments about his self
• 1:54
  Speaker 1: loathing and sarcasm left him intrigued, though he remained unaware
• 1:59
  Speaker 1: that Lupe was on the path to becoming his biggest competition.
• 2:03
  Speaker 1: At Maya's middle school graduation, Robert's frustration boiled over, leading
• 2:08
  Speaker 1: him to lash out at Maya and publicly embarrassing both
• 2:11
  Speaker 1: of them in front of the community and creating an
• 2:14
  Speaker 1: even deeper rift in their already fractured relationship. Axel Grayson
• 2:19
  Speaker 1: approached Robert to warn him about Lupe and Moonstone Rescue. However,
• 2:24
  Speaker 1: Axel's motives were far from pure, as he later creepily
• 2:29
  Speaker 1: staked out Lupe's farm, clearly scheming to acquire her property.
• 2:34
  Speaker 1: Angry with her dad, Maya once again sought refuge in
• 2:37
  Speaker 1: Nora's sketch book. In her room, she experienced a magical
• 2:42
  Speaker 1: moment of her own. A glowing ball of light appeared,
• 2:46
  Speaker 1: reminiscent of the one Henrietta had seen in the stories.
• 2:49
  Speaker 1: Was this real or just a figment of her very
• 2:53
  Speaker 1: active imagination? And let's not forget about missus Silva, who
• 2:58
  Speaker 1: still mourning her own cat, began setting her sights on Henry,
• 3:03
  Speaker 1: adding new complications to Maya's already fragile world. Moonstone Rescue,
• 3:12
  Speaker 1: Episode two, written by Dominique Mouton Interiors, Saint Rosalia Indian
• 3:19
  Speaker 1: School classroom day. Henrietta stands in the corner of the room,
• 3:25
  Speaker 1: holds a stack of books above her head. Her hair
• 3:28
  Speaker 1: is freshly butchered and shorter than ever. She winces as
• 3:32
  Speaker 1: her arms tremble.
• 3:34
  Speaker 2: Straighten your arms, Henrietta, super Saint Rosalia, Indian School, nineteen
• 3:40
  Speaker 2: o five. The students in the classroom keep their eyes
• 3:43
  Speaker 2: fixed on the hymn books at their desks, avoiding even
• 3:47
  Speaker 2: a glance at Henrietta.
• 3:49
  Speaker 3: After the night by the oak Tree, the grown ups
• 3:51
  Speaker 3: at Saint Rosaliez refuse to let Henrietta out of their sight.
• 3:55
  Speaker 4: They were harder on her than ever.
• 3:58
  Speaker 1: Sister Bernadette, stiff and severe, walks slowly down each aisle,
• 4:03
  Speaker 1: the frightening click clack of her shoes hit the wooden floor.
• 4:08
  Speaker 5: Leave the Indian, save the child. That is what we
• 4:12
  Speaker 5: are called to do for you all.
• 4:17
  Speaker 1: She steps closer to Henrietta, leans in and whispers, and I.
• 4:21
  Speaker 2: Do intend to save you from that wicked savage inside.
• 4:26
  Speaker 1: Henrietta pushes the books up higher, her arms trembling violently now,
• 4:31
  Speaker 1: but her gaze steady defiant. Interior Closet Day, A tired
• 4:39
  Speaker 1: and haggard Henrietta sits in a dark closet. A ray
• 4:42
  Speaker 1: of light from outside enters a crack in the wall
• 4:46
  Speaker 1: and touches her face. She looks up with renewed resolve.
• 4:51
  Speaker 3: Before long, Henrietta stopped talking altogether.
• 4:55
  Speaker 1: Sister Bernadette opens the door and pulls Henrietta out. She's surprised,
• 5:00
  Speaker 1: then satisfied to see a blank look on her face.
• 5:05
  Speaker 1: Interior Girl's dormitory night. The dormitory matron scans the room
• 5:10
  Speaker 1: where the children sleep. Henrietta, too, sleeps.
• 5:13
  Speaker 3: Peacefully as she seemingly became pacified. The nuns gave up
• 5:18
  Speaker 3: on trying to break her, satisfied enough by her silence.
• 5:23
  Speaker 1: After another glance in Henriette's direction, the matron turns to leave.
• 5:28
  Speaker 3: The orange cat hadn't returned, and Henriette was now more
• 5:31
  Speaker 3: alone than ever, and yet she was at peace. She
• 5:36
  Speaker 3: finally understood her purpose.
• 5:38
  Speaker 1: Henrietta's eyes open wide, a slight smile on her face.
• 5:44
  Speaker 1: Montage Daily life at Saint Rosalia. Interior classroom day. A
• 5:51
  Speaker 1: male teacher holds up a leather strap and brings it
• 5:54
  Speaker 1: down on the open palm of a small girl. The
• 5:57
  Speaker 1: child winces, holds back tears. Interior classroom.
• 6:02
  Speaker 6: Later.
• 6:03
  Speaker 1: The room is now empty and the small child sits
• 6:06
  Speaker 1: alone at her desk, Tears stream down her face. Henrietta
• 6:11
  Speaker 1: walks over to her, reaches out a hand and smiles.
• 6:15
  Speaker 1: The girl beams smiles back. Interior dining hall day, Quiet
• 6:22
  Speaker 1: children eat at tables. A stern nun narrows her eyes
• 6:26
  Speaker 1: at a young boy who uses a utensil incorrectly. She
• 6:30
  Speaker 1: bee lines towards him, takes away his food, leaving him
• 6:33
  Speaker 1: with nothing. Henrietta takes the bread off her plate and
• 6:38
  Speaker 1: puts it on his. Interior Girl's Dormitory Night, a teen
• 6:44
  Speaker 1: girl lies in bed, shivering from the cold. Henrietta tiptoes
• 6:49
  Speaker 1: with an extra blanket and places it over her. Frightened,
• 6:53
  Speaker 1: the girl shakes her head no, but relief washes over
• 6:57
  Speaker 1: her as she stops shivering. Montage, Interior Girl's Dormitory Night.
• 7:05
  Speaker 1: The dormitory is bathed in moonlight. Henrietta kneels in the
• 7:09
  Speaker 1: center of the circle, surrounded by the other children. Each
• 7:13
  Speaker 1: clutches a small offering, a feather, a button, a stone.
• 7:20
  Speaker 3: By showing the other's compassion and solidarity. Henrietta had won
• 7:24
  Speaker 3: their trust so much so they forgot they had called
• 7:27
  Speaker 3: her a witch not so long ago.
• 7:30
  Speaker 1: Henrietta holds a sharp needle. She pricks her finger, lets
• 7:34
  Speaker 1: a drop of blood fall onto a smooth stone in
• 7:37
  Speaker 1: the center. The children watch, wide eyed. One by one,
• 7:43
  Speaker 1: they add their offerings to the circle. A hush falls
• 7:46
  Speaker 1: over the room as Henrietta raises her hands palms open
• 7:51
  Speaker 1: to the sky. Everyone closes their eyes, murmuring unintelligible prayers.
• 7:59
  Speaker 1: A fing tom vibrates through the walls growing louder. The
• 8:03
  Speaker 1: children open their eyes startled as a soft glow appears
• 8:08
  Speaker 1: in the center of the circle. The glow intensifies and
• 8:11
  Speaker 1: expands into a ball of shimmering light that pulses with warmth.
• 8:17
  Speaker 1: Henrietta looks up, her eyes glisten with tears.
• 8:22
  Speaker 3: Finally they had seen it too, and it was at
• 8:25
  Speaker 3: that moment that Henrietta learned the words that would free
• 8:28
  Speaker 3: them all.
• 8:29
  Speaker 1: Henrietta wordlessly mouths words we can't understand exterior Moonstone Rescue
• 8:37
  Speaker 1: pigpen Day present day. Maya slams Nora's book closed. She
• 8:43
  Speaker 1: sits on the bail of hay as Loupe dumps homemade
• 8:46
  Speaker 1: pig feet into trays. Three very big and very delighted
• 8:50
  Speaker 1: pigs greedily grunt as they scarf down their lunch. Henry,
• 8:55
  Speaker 1: the Cat and Pumpkin look on from the other side
• 8:58
  Speaker 1: of the fence, and it happens be.
• 9:00
  Speaker 7: Like two nights ago, just like how Henrietta saw you
• 9:03
  Speaker 7: believe me right?
• 9:04
  Speaker 8: Are you kidding?
• 9:05
  Speaker 5: I've seen crazier things. Who am I to deny you?
• 9:08
  Speaker 5: A giant ball of light?
• 9:09
  Speaker 7: Wish I knew what Henrietta said, Like the exact words do.
• 9:14
  Speaker 5: You know who Henrietta's people were, might be a good
• 9:16
  Speaker 5: place to start.
• 9:17
  Speaker 6: Too, Mush.
• 9:18
  Speaker 7: I think Mom researched it a little bit, but I
• 9:22
  Speaker 7: don't know for sure.
• 9:23
  Speaker 9: I can help you look into it if you want
• 9:24
  Speaker 9: me to.
• 9:25
  Speaker 1: Thrilled, Maya's eyes light.
• 9:27
  Speaker 6: Up, really sure.
• 9:29
  Speaker 5: A friend of mine works at the Aquina Tribal Council.
• 9:32
  Speaker 5: He's a genealogist. I could ask him to help you
• 9:34
  Speaker 5: look into it.
• 9:35
  Speaker 4: Thank you, thank you.
• 9:36
  Speaker 1: She stands, jumps up and down for a moment. She
• 9:39
  Speaker 1: seems to be a much younger child. Her infectious excitement
• 9:43
  Speaker 1: brings a genuine smile to Lupa's face. Maya squats next
• 9:47
  Speaker 1: to one of the pigs, pets him as he eats.
• 9:50
  Speaker 1: Lupe opens a bale of hay, spreads it across the
• 9:53
  Speaker 1: muddy pen.
• 9:54
  Speaker 4: What was it like grink up in Aquina?
• 9:56
  Speaker 5: I loved being close to my family and culture. It's
• 10:00
  Speaker 5: very beautiful there, and everyone knows each other works together.
• 10:05
  Speaker 5: Oh we just started growing pawpaws there us. Oh my god,
• 10:09
  Speaker 5: they are divine. They are these little fruits that taste
• 10:13
  Speaker 5: like banana, but so much better, and you can make
• 10:18
  Speaker 5: a pie out of them.
• 10:19
  Speaker 9: My mom makes the best pawpaw pie.
• 10:21
  Speaker 10: For a moment, Lupe is lost in happy thought. It
• 10:26
  Speaker 10: was wonderful, So why would you come back here? Lupez
• 10:32
  Speaker 10: smile fades slightly. She turns back to her work.
• 10:36
  Speaker 9: Grab me a hayfork, would you.
• 10:38
  Speaker 1: Maya hops off the hay bale and goes to fetch
• 10:40
  Speaker 1: the fork. They hear a car pulling up out front.
• 10:44
  Speaker 1: Lupe opens the pen, runs to see who it is.
• 10:47
  Speaker 1: Maya follows behind exterior moonstone rescue entrance continuous. A red
• 10:54
  Speaker 1: car parks haphazardly, skids slightly in the gravel.
• 10:58
  Speaker 4: It's Miss Kent, she has my mass.
• 11:00
  Speaker 1: Megan Kent, thirties, jumps out of the car as Lupe
• 11:04
  Speaker 1: and Maya approach. Her face is pale, her movement's frantic.
• 11:08
  Speaker 3: Lupe, Please, I need your help.
• 11:10
  Speaker 1: Megan points to the back seat of her car. A
• 11:12
  Speaker 1: golden retriever whinds and yelps, her left back leg visibly mangled.
• 11:18
  Speaker 1: Lupe immediately opens the door, examines the dog carefully. Maya
• 11:22
  Speaker 1: shadows her, wide eyed.
• 11:23
  Speaker 9: What happened?
• 11:24
  Speaker 3: She got out of the yard, A car hit her
• 11:26
  Speaker 3: and kept going.
• 11:27
  Speaker 9: This is an animal sanctuary.
• 11:29
  Speaker 6: I'm not a vet. Please.
• 11:31
  Speaker 3: Darryl Ingles told me how you helped his dogs, that
• 11:32
  Speaker 3: he trust you with his own life.
• 11:34
  Speaker 9: No, that was a one time thing.
• 11:35
  Speaker 1: I'm begging you, please. What is what's her name?
• 11:38
  Speaker 6: Fiona?
• 11:39
  Speaker 1: Fiona whimpers as Lupe prods her lightly.
• 11:42
  Speaker 5: Okay, Fiona's leg is broken, but there doesn't seem to
• 11:45
  Speaker 5: be much internal damage.
• 11:46
  Speaker 9: I'll need to take her inside.
• 11:48
  Speaker 1: Maya steps forward, ready to assist.
• 11:50
  Speaker 4: I hope you kery here.
• 11:52
  Speaker 1: Exterior roades home day. Robert and Josh load heavy boxes
• 11:56
  Speaker 1: into Josh's old van parked in the driveway. Robert struggle
• 12:00
  Speaker 1: to lift one of Jean's large clay sculptures, an abstract
• 12:03
  Speaker 1: carved man contorted around a woman's nude body. Robert grimaces
• 12:08
  Speaker 1: in pain, grabs at his lower back.
• 12:10
  Speaker 8: Ah, Jez, that weighs a ton.
• 12:14
  Speaker 11: You're still sleeping on that old futon, aren't you? Who
• 12:17
  Speaker 11: told you that? Hate to break it to you. You're
• 12:19
  Speaker 11: not the man's mystery.
• 12:20
  Speaker 8: You think you are?
• 12:21
  Speaker 11: Under eyebags, obvious back pains, snarkiness at level ten.
• 12:25
  Speaker 1: Jeane walks out carries another box.
• 12:28
  Speaker 12: Oh, it's why he's going back to grief counseling.
• 12:31
  Speaker 1: She hands the box to Josh.
• 12:32
  Speaker 12: Oh careful with this one.
• 12:34
  Speaker 8: Yes, ma'am ma.
• 12:36
  Speaker 13: I told you it's a cult.
• 12:39
  Speaker 12: And I told you to get your stuff together asap.
• 12:43
  Speaker 12: Talk to someone about you know. For Maya.
• 12:49
  Speaker 11: It's like Shakespeare said, give sorrow words. The grief that
• 12:54
  Speaker 11: does not speak knits up the old wrought heart and
• 12:56
  Speaker 11: bids it break.
• 12:58
  Speaker 8: I like that God, first of all, Shakespeare sucks.
• 13:05
  Speaker 1: Missus Silva walks by the trio. She glares intensely at Robert.
• 13:09
  Speaker 1: As she passes. Jeane waves friendly.
• 13:12
  Speaker 12: Hi, and Missus Silva tired and oh oh. In that case,
• 13:18
  Speaker 12: allow me to formally invite you to my exhibition.
• 13:22
  Speaker 13: Bring a friend if you want.
• 13:24
  Speaker 1: Gene hands her a flyer displaying nude clay bodies in
• 13:28
  Speaker 1: erotic poses. Missus Silva hands the flyer back, disgusted.
• 13:34
  Speaker 12: I don't have friends, not anymore.
• 13:38
  Speaker 1: Another nasty, accusatory glance at Robert.
• 13:41
  Speaker 12: There's going to be food and drinks and plenty of
• 13:45
  Speaker 12: good company.
• 13:48
  Speaker 14: I like you, Gene, even if your aunt looks like
• 13:50
  Speaker 14: something out of Sodom and Gomora. But that son of
• 13:56
  Speaker 14: yours is a killer. I'd hate to see your business
• 14:00
  Speaker 14: fail because of him.
• 14:02
  Speaker 1: She throws one more dagger at Robert and continues her walk.
• 14:06
  Speaker 1: Josh and Jean both look at an incredulous Robert.
• 14:10
  Speaker 12: I don't care if it's Jim Jones running that group.
• 14:14
  Speaker 1: You're going Interior Moonstone Rescue Exam Room Day on an
• 14:21
  Speaker 1: old table, Fiona whimpers softly. Maya strokes the dog's head
• 14:26
  Speaker 1: and glances nervously at Lupe, who remains focused as she
• 14:30
  Speaker 1: grinds herbs with her mortar and pestle.
• 14:32
  Speaker 4: What's that?
• 14:33
  Speaker 5: This is a mix of ella, campaign leaves and linseed oil.
• 14:36
  Speaker 5: It's applied as a poultice to the broken leg poltus.
• 14:41
  Speaker 5: You put it on a cloth and apply it to
• 14:43
  Speaker 5: the wound.
• 14:44
  Speaker 4: Poultice. Hmm, I like how that sounds.
• 14:47
  Speaker 5: I'm gonna realign the bones, stabilize the injury. If not
• 14:51
  Speaker 5: done properly, it might never heal.
• 14:52
  Speaker 10: Right.
• 14:53
  Speaker 5: If you feel squeamish, feel free to step out. No,
• 14:57
  Speaker 5: I got this good hold her stating.
• 15:01
  Speaker 1: Exterior Moonstone Rescue Entrance Day. Meghan anxiously waits in her car.
• 15:06
  Speaker 1: Lupe opens the door of her house as Fiona limps out,
• 15:09
  Speaker 1: tail wagging.
• 15:11
  Speaker 6: My baby. Oh.
• 15:13
  Speaker 1: Megan gets out of the car, excited to reunite with
• 15:15
  Speaker 1: her dog. She kneels, wraps her arms around Fiona.
• 15:20
  Speaker 5: I've written out instructions that explain what medicines to give
• 15:23
  Speaker 5: her and when the splint can be removed at the
• 15:26
  Speaker 5: Beck Clinic in town.
• 15:26
  Speaker 3: Oh, I'm never going back to that place. Doctor Rhodes
• 15:29
  Speaker 3: probably would have euthanized her.
• 15:30
  Speaker 6: Well.
• 15:31
  Speaker 9: I uh, I can't speak to that.
• 15:34
  Speaker 1: She looks to Maya, who is out of earshot and
• 15:37
  Speaker 1: mounting her bicycle to leave Henry in tow see it's Maria.
• 15:41
  Speaker 1: Lupe and Meghan both wave by to.
• 15:43
  Speaker 3: Her, poor little thing. Imagine losing your mother so young
• 15:48
  Speaker 3: and getting stuck with such a jerk for a dad.
• 15:50
  Speaker 6: It's just not fair.
• 15:52
  Speaker 3: Did you know he barrated her in front of everyone
• 15:54
  Speaker 3: on graduation night?
• 15:55
  Speaker 1: Deplorable, uncomfortable, Lupe struggles with how to respond.
• 16:00
  Speaker 9: I uh, I didn't know that anyway. What do I
• 16:04
  Speaker 9: owe you?
• 16:05
  Speaker 8: Nothing?
• 16:06
  Speaker 9: No, it's my pleasure to help.
• 16:08
  Speaker 3: But how will you keep this place open if you
• 16:10
  Speaker 3: don't charge?
• 16:11
  Speaker 1: She takes out one hundred dollars bill. Oh, consider it
• 16:14
  Speaker 1: a donation. Megan's eyes plead with her to take the bill.
• 16:17
  Speaker 1: Loope relents, thank you. It means a lot. Exterior street day, Maya,
• 16:25
  Speaker 1: Hugo and Jackie ride bikes down the street. Henry sits
• 16:29
  Speaker 1: in Maya's basket. Maverick trails behind them.
• 16:33
  Speaker 10: Where were you all day?
• 16:34
  Speaker 8: We tried calling a bunch of times, you get a
• 16:36
  Speaker 8: job or something.
• 16:38
  Speaker 4: I had to help my grandmother to exhibit id out
• 16:43
  Speaker 4: my grandma's exhibition.
• 16:45
  Speaker 7: Well, we're gonna need you if we want a chance
• 16:47
  Speaker 7: to beat the Guinness record for the biggest sand castle.
• 16:49
  Speaker 13: We had to let lover boy help.
• 16:52
  Speaker 1: She looks back where Maverick trails behind them on his bike.
• 16:55
  Speaker 1: He smiles gives a thumbs up.
• 16:57
  Speaker 13: It didn't matter. The trusts came and ruined it all anyway.
• 17:01
  Speaker 1: Before Maya responds, Kyle and Doug zoom past them on
• 17:05
  Speaker 1: tricked out e bikes. Maya nearly loses her balance. The
• 17:09
  Speaker 1: two boys turn back around, heading directly towards them at
• 17:12
  Speaker 1: full speed. Jackie and Hugo quickly get out of the way.
• 17:15
  Speaker 1: Maya pivots hard to avoid collision, crashes her bike onto
• 17:19
  Speaker 1: a lawn, slides on the grass.
• 17:23
  Speaker 6: Told you here, nerds?
• 17:25
  Speaker 4: Oh yeah, oh sorry.
• 17:34
  Speaker 1: Kyle and Doug yuck it up as they ride away.
• 17:37
  Speaker 13: Oh yeah, go.
• 17:38
  Speaker 7: Back to the eighties with those lane cliche bully tactics.
• 17:42
  Speaker 9: Jackie, don't.
• 17:44
  Speaker 11: I'm surprised they didn't call us dweeds in four eyes.
• 17:48
  Speaker 1: Maverick finally catches up, hops off his bike, and runs
• 17:51
  Speaker 1: to help Maya.
• 17:51
  Speaker 6: Maya, are you hurt?
• 17:54
  Speaker 4: Where's Henry?
• 17:55
  Speaker 1: Hugo points to a group of bob white quail running
• 17:57
  Speaker 1: across the lawn. Henry stalks them, I'm under a car.
• 18:01
  Speaker 1: Interior Missus Silva's house same from an open window. Missus
• 18:06
  Speaker 1: Silva stares at the scene on her front lawn. Horrified,
• 18:09
  Speaker 1: she storms out of the house. Exterior Missus Silva's lawn continuous.
• 18:14
  Speaker 1: Missus Silva stands on her porch, hands on her hips.
• 18:17
  Speaker 6: Get that bicycle off my property, syms Silva.
• 18:21
  Speaker 4: My cat's under your car. We'll grab her and go.
• 18:25
  Speaker 12: You ought to take better cat.
• 18:26
  Speaker 6: That cat she shouldn't even be outside.
• 18:31
  Speaker 9: Keep her indoors where it's safe.
• 18:34
  Speaker 4: Okay, Missilva.
• 18:36
  Speaker 14: Surprised your dad didn't teach you that he knows all
• 18:40
  Speaker 14: about cats.
• 18:43
  Speaker 1: Missus Silva, still miffed, goes back inside. The kids look
• 18:46
  Speaker 1: at each other, confused by the bizarre encounter. Interior Roads
• 18:51
  Speaker 1: Vet Clinic Day. A cat owner exits Robert's office. Robert
• 18:56
  Speaker 1: comes out a moment later, approaches Zara at the front desk.
• 19:00
  Speaker 8: Who's next?
• 19:02
  Speaker 10: No One?
• 19:03
  Speaker 1: Zara begins packing her things to go.
• 19:06
  Speaker 8: What do you mean no one?
• 19:07
  Speaker 1: She points to the waiting area. It's empty.
• 19:11
  Speaker 8: Is uh Sarah holiday or something?
• 19:14
  Speaker 15: Honestly, Robert, I think people are upset with you.
• 19:18
  Speaker 8: What on the internet.
• 19:20
  Speaker 13: It's a small town and that stuff matters.
• 19:23
  Speaker 11: Oh my god, I've been canceled.
• 19:28
  Speaker 8: Is that what this is? Hey, come on, you're a
• 19:30
  Speaker 8: gen z whipper snapper. What does one do in this situation?
• 19:34
  Speaker 6: Apologize?
• 19:37
  Speaker 1: Interior grocery store day, Robert grabs milk from a refrigerated shelf.
• 19:42
  Speaker 1: He spots Daryl Ingalls near the eggs.
• 19:44
  Speaker 8: He approaches him, pastor raised is the way to go.
• 19:50
  Speaker 1: Daryl gives him a side glance but doesn't respond.
• 19:55
  Speaker 8: Hey, how's Misty doing.
• 19:58
  Speaker 13: She's about due for her shots.
• 20:00
  Speaker 8: I'm mistaken.
• 20:01
  Speaker 11: Missy's doing just fine. She doesn't need any shots either.
• 20:05
  Speaker 16: Oh, you go to a vet down in edgar Town
• 20:09
  Speaker 16: or something.
• 20:09
  Speaker 8: Moonstone's the only place I'll ever take my dog. Moonstone.
• 20:14
  Speaker 17: Last one to know the old McGregor farm. It's Moonstone
• 20:17
  Speaker 17: Rescue now, Huh.
• 20:20
  Speaker 8: I've heard of it. That Loupe gow it's.
• 20:23
  Speaker 17: Real, sweetheart, smart as a whip too. Misty's arthritis gone ash.
• 20:28
  Speaker 8: Sure, whatever hocus pocus, she used Robert with all due respects.
• 20:34
  Speaker 8: We won't be going back to Rhoades.
• 20:36
  Speaker 1: Daryl pushes his cart away as Robert smarts from his.
• 20:39
  Speaker 13: Words, fine, I'll go.
• 20:46
  Speaker 1: Confused shoppers stare at him as he storms out of
• 20:49
  Speaker 1: the store. Interior Grief Relief Support group night. Several group
• 20:55
  Speaker 1: members convene in an outdated but cozy living room. All
• 20:59
  Speaker 1: eyes are on the bawling, red faced Beth forties. She's
• 21:03
  Speaker 1: in the middle of a thought but struggles to finish.
• 21:06
  Speaker 1: Robert stares at her with utter judgmental snark on his face.
• 21:10
  Speaker 15: Mom was my everything. You know people say I need
• 21:14
  Speaker 15: to move on with my life. Spread her ashes and
• 21:19
  Speaker 15: pretend like everything's okay.
• 21:21
  Speaker 1: Dennis sixties, the host and group therapist, leans forward. He
• 21:25
  Speaker 1: has eyes that always look on the verge of tears.
• 21:29
  Speaker 11: You don't have to pretend, Beth. Remember you define moving
• 21:32
  Speaker 11: on for yourself.
• 21:35
  Speaker 15: It's been four years and I just can't. I don't
• 21:40
  Speaker 15: care if people think I'm crazy. I mean everyone's crazy.
• 21:44
  Speaker 8: Right When a Norman Bates who said that.
• 21:48
  Speaker 1: Dennis Peers at Robert over his glasses.
• 21:51
  Speaker 13: Norman Bates sounds familiar.
• 21:54
  Speaker 6: Is he a writer?
• 21:56
  Speaker 1: A gentle hand reaches over and touches Beth's shoulder. It's loop.
• 22:00
  Speaker 1: She looks at Beth with genuine empathy. Robert perks up,
• 22:04
  Speaker 1: seeing her here for the first time.
• 22:07
  Speaker 5: I can't imagine how you must feel. I can relate,
• 22:11
  Speaker 5: though your mother's dead. No, but when you talked about
• 22:17
  Speaker 5: having constant reminders everywhere.
• 22:21
  Speaker 11: Go on loope.
• 22:23
  Speaker 5: Most of you know that I've struggled moving back to
• 22:25
  Speaker 5: Oak Bluffs. I find myself triggered over the smallest things,
• 22:32
  Speaker 5: And one minute I'm mourning Tom and the next I'm
• 22:36
  Speaker 5: paralyzed with terror.
• 22:38
  Speaker 11: So you decided to keep his farm.
• 22:40
  Speaker 5: The animals help me, maybe more than I help them.
• 22:45
  Speaker 9: By keeping the farm.
• 22:46
  Speaker 5: I feel like I can transform this pain into something useful.
• 22:51
  Speaker 1: This info causes Robert to have an epiphany.
• 22:54
  Speaker 16: Way you're the one opening Moonbone, rescue moon Moonstone, and
• 23:02
  Speaker 16: I like the rock. Correct, Why not Tiger's eye? At
• 23:07
  Speaker 16: least it's durable, Robert or maybe Carnelian?
• 23:12
  Speaker 9: You know what do you care? I don't need to
• 23:14
  Speaker 9: discuss my personal business with you.
• 23:17
  Speaker 16: Isn't that why we're all here to share our innermost
• 23:19
  Speaker 16: secrets and reveal our souls.
• 23:21
  Speaker 11: Robert, if you're going to rejoin this group, you'll respect boundaries.
• 23:25
  Speaker 13: Okay, fine, last warning?
• 23:29
  Speaker 11: Are you done?
• 23:31
  Speaker 1: Robert concedes nods. Dennis waits a beat, as if expecting
• 23:35
  Speaker 1: Robert to try for the last word. Robert motions for
• 23:38
  Speaker 1: Dennis to continue the session.
• 23:40
  Speaker 11: All right, Beth to go back to Partie Cooper.
• 23:43
  Speaker 1: The entire group turns to Robert, annoyed and frustrated. Exterior
• 23:52
  Speaker 1: Grief Relief Support Group Night Exiled. Robert stands outside alone.
• 23:57
  Speaker 1: Group is over. The others leave the house and walk
• 24:00
  Speaker 1: to their cars. Robert spots Loupe just as she gets
• 24:03
  Speaker 1: into her truck. He runs over to her.
• 24:06
  Speaker 13: Hey, wait a second.
• 24:07
  Speaker 1: Lupe closes the car door, rolls down the window an inch.
• 24:13
  Speaker 8: Look, I'm sorry. I was rude.
• 24:16
  Speaker 16: It's kind of why I'm here. I'm a rude person,
• 24:18
  Speaker 16: and my clients are mad at me. They hate my.
• 24:20
  Speaker 8: Guts, and they well, they love Moonstone. I guess you
• 24:25
  Speaker 8: should thank me.
• 24:26
  Speaker 13: Huh.
• 24:27
  Speaker 1: She starts her car. Robert flounders for words, blurts.
• 24:31
  Speaker 13: Out, you want to grab a glass of water?
• 24:36
  Speaker 1: Interior Art Studio Night the studio is bright, pretty. Maya
• 24:41
  Speaker 1: helps unpacked boxes as Gene organizes sculptures on a display.
• 24:45
  Speaker 1: Jazz music plays softly through a speaker.
• 24:48
  Speaker 13: Oh, you can't avoid your father all week?
• 24:50
  Speaker 4: You know why not?
• 24:53
  Speaker 7: He does a good job avoiding me. Plus, this is
• 24:56
  Speaker 7: my last summer before high school. Me and my friends
• 24:59
  Speaker 7: have stuff to do.
• 25:00
  Speaker 12: Oh, looks like one of your friends is here now.
• 25:04
  Speaker 1: She signals to the street facing window. Maverick waves from outside.
• 25:08
  Speaker 1: Maya makes a contemptuous face. Before she can say anything,
• 25:12
  Speaker 1: Jane opens the front door. Don't hurt it, it's too late.
• 25:17
  Speaker 1: Maverick is in the studio, filling the room with his
• 25:20
  Speaker 1: eager energy.
• 25:21
  Speaker 6: This looks awesome, missus Rhodes.
• 25:24
  Speaker 1: He can't help but stare at the nude sculptures everywhere.
• 25:28
  Speaker 12: Glad you think so. I hope my aunt doesn't offend you.
• 25:34
  Speaker 6: Not at all. My mom has one of your pieces.
• 25:37
  Speaker 6: She's a big fan.
• 25:38
  Speaker 12: Oh isn't that sweet? And remind me who is your
• 25:44
  Speaker 12: dad again.
• 25:45
  Speaker 6: Axel Grayson.
• 25:47
  Speaker 12: Oh, he's the one with all the muscles.
• 25:51
  Speaker 6: That's him.
• 25:52
  Speaker 12: We'd make an excellent model, Grandma. A bit howkish for
• 25:57
  Speaker 12: my work? I'm like I'm a little lean, but still
• 26:02
  Speaker 12: very good physique.
• 26:04
  Speaker 1: God, please stop.
• 26:06
  Speaker 6: It's fine, trust me. He works on his body a lot.
• 26:11
  Speaker 6: He likes the attention. My mom calls it peacocking.
• 26:13
  Speaker 13: Oh but you're not like him, are you.
• 26:17
  Speaker 1: Maverick grins ear to ear.
• 26:19
  Speaker 6: That's the nicest thing anyone's ever said to me.
• 26:23
  Speaker 1: At these words, Maya looks at Maverick, almost sympathetic. Interior
• 26:29
  Speaker 1: mister Deet's Cafe night, loup A and Robert sit at
• 26:32
  Speaker 1: a table in a folksy mom and pop cafe. She's
• 26:35
  Speaker 1: got tea, he's already finished his coffee.
• 26:38
  Speaker 8: So this clinic you're opening, Oh.
• 26:42
  Speaker 5: My god, you are obsessed professional curiosity, worried I'll.
• 26:47
  Speaker 9: Steal your clients.
• 26:50
  Speaker 5: It's not a vet clinic. I'm building an animal sanctuary.
• 26:54
  Speaker 5: I also practice holistic medicine.
• 26:56
  Speaker 13: Ah, pseudoscience.
• 27:01
  Speaker 5: People come to me after allopathic medicine has failed their pets.
• 27:06
  Speaker 8: Oh by allopathic medicine you mean science.
• 27:10
  Speaker 5: Okay, sure, after science has failed their pets.
• 27:16
  Speaker 16: In my experience, pet owners often have unrealistic expectations for
• 27:20
  Speaker 16: what can be done.
• 27:21
  Speaker 9: Oh well, I don't find that at all.
• 27:24
  Speaker 5: I think they just want to feel like the person
• 27:26
  Speaker 5: caring for their loved ones is coming from a place
• 27:28
  Speaker 5: of possibility, not limitation.
• 27:31
  Speaker 13: Giving people false hope isn't ethical.
• 27:33
  Speaker 9: You are exhausting after all of these years, you are
• 27:36
  Speaker 9: exactly the same.
• 27:37
  Speaker 1: Robert thinks for a moment, as if a memory has
• 27:40
  Speaker 1: come back.
• 27:41
  Speaker 8: Have we met?
• 27:44
  Speaker 5: But like before now, I'm not surprised that you don't
• 27:46
  Speaker 5: recognize me.
• 27:48
  Speaker 9: I used to wear my hair and pigtails back then.
• 27:52
  Speaker 16: Don't tell me you went to oak Blows High just
• 27:54
  Speaker 16: for senior year. So you were the nerd and I
• 27:57
  Speaker 16: was the jock. Unrequited love.
• 28:00
  Speaker 1: I can assure you that was not the case.
• 28:04
  Speaker 9: Did you even ever play sports?
• 28:06
  Speaker 13: Not?
• 28:06
  Speaker 16: Not really, I'm too busy listening insane clown posse getting
• 28:10
  Speaker 16: detention for being allowed that part.
• 28:12
  Speaker 1: I remember Poliacchi. Robert smirk, says. Lupe takes a sip
• 28:19
  Speaker 1: of her tea exterior street night. The streets are busy
• 28:24
  Speaker 1: with tourists. Lupe and Robert stand outside her car, not
• 28:28
  Speaker 1: really knowing how to end the evening.
• 28:32
  Speaker 5: See you at a group next Thursday?
• 28:35
  Speaker 8: I should go, I'm not sure they'll be welcome me
• 28:39
  Speaker 8: be back.
• 28:40
  Speaker 9: Though, I guess I'll see you when I see you.
• 28:43
  Speaker 8: What about tomorrow?
• 28:45
  Speaker 9: Tomorrow?
• 28:46
  Speaker 8: My mom's an artist.
• 28:48
  Speaker 16: She's having this exhibit thing, and my daughter Maya would
• 28:51
  Speaker 16: be there too.
• 28:52
  Speaker 9: I'm not big on crowds.
• 28:54
  Speaker 8: It'll be small, intimate. You'd like it. I have to
• 28:59
  Speaker 8: warn you. My mom's art is unconventional, tempting.
• 29:06
  Speaker 9: I'll think about it.
• 29:08
  Speaker 1: Lupe gets into her truck and closes the door. She
• 29:11
  Speaker 1: watches as Robert walks away and breathes a large sigh
• 29:14
  Speaker 1: of relief. She takes another deep breath in, then out.
• 29:20
  Speaker 1: Exterior art studio night, Maya and Jean stand outside with Maverick.
• 29:25
  Speaker 1: Jeane gives him a flyer for her exhibit.
• 29:28
  Speaker 12: Now make sure you give it to your parents. I
• 29:30
  Speaker 12: want to see you all there.
• 29:33
  Speaker 1: Axel's car pulls up.
• 29:35
  Speaker 6: Here's my dad. Thanks missus. Rhodes call me Jean please, bye, Maya, Bye.
• 29:41
  Speaker 10: Math.
• 29:42
  Speaker 1: This abbreviation of his name puts a wide grin across
• 29:45
  Speaker 1: Maverick's face. His moment of reverie is interrupted as Axel
• 29:49
  Speaker 1: honks the car horn interior Axel's car. Moments later, it's
• 29:54
  Speaker 1: silent between Axel and Maverick.
• 29:59
  Speaker 8: Well, am I picking you up here?
• 30:01
  Speaker 6: I was hanging with Maya?
• 30:03
  Speaker 13: Why she's cool?
• 30:05
  Speaker 6: I like her?
• 30:08
  Speaker 18: There's something wrong with that family, especially that grandma character.
• 30:13
  Speaker 6: She's different in a good way.
• 30:16
  Speaker 8: Do you ever hear of the law of proximity?
• 30:20
  Speaker 18: Now, when people spend enough time together, they adopt each
• 30:24
  Speaker 18: other's habits, traits, values. We become who. We surround ourselves with.
• 30:33
  Speaker 6: Birds of a feather flock together.
• 30:36
  Speaker 1: Axel looks at his son, surprised by his acute comprehension.
• 30:41
  Speaker 13: Exactly what's that?
• 30:45
  Speaker 1: Maverick folds it in half, puts it away nothing. Interior
• 30:50
  Speaker 1: Roads home night, Wearing a pretty summer dress. Maya feeds Henry.
• 30:56
  Speaker 1: Robert walks in and pats her on the head. Hey, Kido,
• 31:00
  Speaker 1: No response from Maya.
• 31:02
  Speaker 8: You're really not gonna talk to me.
• 31:03
  Speaker 1: Maya doesn't look at him.
• 31:06
  Speaker 13: It's been four days. This is ridiculous.
• 31:09
  Speaker 1: Jean enters the kitchen, bright red lipstick on her mouth
• 31:12
  Speaker 1: and her locks in a beautiful updo.
• 31:15
  Speaker 12: Oh, what's going on here?
• 31:17
  Speaker 8: Maya's still mad at me.
• 31:19
  Speaker 1: Maya ignores him, turning to Jeane.
• 31:22
  Speaker 4: So, Grama, can I bring Henry to the gallery tonight?
• 31:25
  Speaker 13: No, of course she can.
• 31:27
  Speaker 12: She's part of the family, Mom, Are you serious?
• 31:32
  Speaker 1: Maya smirks triumphantly at Robert scooping Henry up and heading
• 31:36
  Speaker 1: toward the door. Interior Jean's exhibition night. The gallery is bustling,
• 31:43
  Speaker 1: dozens of people mingle, sipping wine and admiring Jean's provocative sculptures.
• 31:48
  Speaker 1: Jackie and Hugo hang out near the snack table with
• 31:51
  Speaker 1: their parents. Jean moves gracefully through the room, chatting with
• 31:55
  Speaker 1: potential buyers. Maya brings around a tray of hord'eurebs to
• 31:59
  Speaker 1: the guests. Robert ill at ease, looks around the room.
• 32:03
  Speaker 1: His face brightens as he spots Loope entering. She looks elegant,
• 32:08
  Speaker 1: her presence drawing a few surprised glances from onlookers. Maya
• 32:13
  Speaker 1: notices Loope and Robert's reaction to her. Confused, she sets
• 32:18
  Speaker 1: down the oord'ruv's tray and watches their interaction intently. Later,
• 32:24
  Speaker 1: a worried Maya stands by a sculpture holding Henry. She
• 32:28
  Speaker 1: glares at her dad and Lupe chatting in a corner
• 32:30
  Speaker 1: of the gallery. Lupe laughs at something, Robert says unbelievable.
• 32:37
  Speaker 4: He's not even that funny.
• 32:38
  Speaker 1: She turns to Hugo, who's munching on our dervs nearby.
• 32:42
  Speaker 4: Hey, I need your help, but you can't ask why.
• 32:46
  Speaker 1: That depends what's in it for me?
• 32:48
  Speaker 4: I want to tell Jackie about your Twilight fan fiction.
• 32:51
  Speaker 1: Hugo's sighs clearly defeated while played.
• 32:55
  Speaker 12: What do you want me to do?
• 32:57
  Speaker 6: Just distract my dad?
• 33:01
  Speaker 9: Why is he talking to the witch?
• 33:03
  Speaker 4: She's not a witch anyway.
• 33:05
  Speaker 7: Just go ask him something weird, something so annoying he
• 33:08
  Speaker 7: has to stop talking to her.
• 33:10
  Speaker 8: Fine, but you owe me big time pervis.
• 33:13
  Speaker 1: Hugo grabs a plate of snacks and walks to the
• 33:16
  Speaker 1: corner of exhibit. He reluctantly approaches Robert and Loupe, interrupting
• 33:21
  Speaker 1: their conversation.
• 33:23
  Speaker 13: Excuse me, doctor Rhodes.
• 33:24
  Speaker 19: Okay, yes, uh so, I ate six bags of hot
• 33:31
  Speaker 19: Cheetos and now I've had an uncontrollable diarrhea for three months?
• 33:38
  Speaker 13: Is that bad?
• 33:44
  Speaker 1: Robert and Loope Freeze caught completely off guard.
• 33:48
  Speaker 9: I'll let you two handle this.
• 33:51
  Speaker 1: Gloope steps away gracefully, leaving Robert to deal with Hugo. What.
• 33:57
  Speaker 8: Yes, of course that's bad.
• 33:59
  Speaker 13: Why would you wait three months?
• 34:01
  Speaker 1: Nearby, Jackie overhears the odd conversation. Sensing Hugo needs help
• 34:06
  Speaker 1: with his shenanigans, she jumps into the conversation and improvises
• 34:10
  Speaker 1: doctor Rhodes.
• 34:12
  Speaker 2: What's your opinion on neotropics for pets?
• 34:15
  Speaker 13: I mean, I'm not sure that's am I dying?
• 34:20
  Speaker 7: Also, do you think dogs can benefit from yoga?
• 34:23
  Speaker 12: I read this article?
• 34:24
  Speaker 8: Oh okay, well, one are the time.
• 34:25
  Speaker 1: Please across the gallery. Maya grins in satisfaction, her mission accomplished.
• 34:31
  Speaker 1: Robert's size visibly exasperated as Maya strolls over to Lupe,
• 34:37
  Speaker 1: who's now admiring a sculpture.
• 34:39
  Speaker 9: Your dad is pretty popular tonight.
• 34:41
  Speaker 4: Yeah, he's great with people.
• 34:44
  Speaker 9: You still haven't told him he won't understand.
• 34:47
  Speaker 5: Tell him by tomorrow or I'm sorry, but you can't
• 34:51
  Speaker 5: be at Moonstone.
• 34:52
  Speaker 3: Wait.
• 34:53
  Speaker 5: Lying never makes anything better, Maya. It just creates chaos.
• 34:58
  Speaker 1: Lupe touches Maya's cheek gently and gives her a reassuring
• 35:01
  Speaker 1: look before she heads to the exit. Robert observes from afar,
• 35:07
  Speaker 1: Jackie and Hugo walk over to Maya.
• 35:10
  Speaker 12: You've got major explaining to do.
• 35:13
  Speaker 1: Exterior Moonstone Rescue entrance day. Driving her truck, Loope pulls
• 35:18
  Speaker 1: into the driveway of her home. A flashy car is
• 35:21
  Speaker 1: already parked there. Terence Delwood forties steps out, sporting slicked
• 35:26
  Speaker 1: back hair and a big, cheesy grin.
• 35:29
  Speaker 9: Sorry we're clothed.
• 35:31
  Speaker 1: Terrence extends a handout. Loupe reluctantly shakes it.
• 35:35
  Speaker 20: Terrence Dellwood real to I believe you already know my client,
• 35:38
  Speaker 20: mister Axel Grayson.
• 35:41
  Speaker 1: He reaches into his satchel hands her a stack of legal.
• 35:44
  Speaker 9: Docs I'm not interested in selling.
• 35:47
  Speaker 1: Lupe gives him back the papers without looking at them.
• 35:50
  Speaker 8: Too bad.
• 35:51
  Speaker 13: This place is a money pig.
• 35:53
  Speaker 20: My advice is to get out before you're into a
• 35:55
  Speaker 20: d Besides, your roots are really here anyway.
• 35:58
  Speaker 1: Dellwood squirm under Lupe's hard glare.
• 36:02
  Speaker 20: I understand that you and the late mister McGregor have
• 36:04
  Speaker 20: been separated for many years. Mister Grayson is prepared to
• 36:07
  Speaker 20: pay twice the market value of the property because he's
• 36:10
  Speaker 20: got sentimental attachment to it.
• 36:12
  Speaker 1: Delwood leans in closer with a false sense of familiarity.
• 36:17
  Speaker 13: Take the money, get yourself a cute little place in town.
• 36:21
  Speaker 8: You love animals.
• 36:22
  Speaker 13: The local veg clinic is looking at hire.
• 36:25
  Speaker 1: Lupe continues to stare at Delwood. After a few uncomfortable
• 36:29
  Speaker 1: moments of silence, she steps forward.
• 36:34
  Speaker 13: Oh guess keepe. Oh sorry, what?
• 36:38
  Speaker 9: Oh gesh getpe.
• 36:40
  Speaker 5: It's the Wampanoag name for Oak Bluffs.
• 36:44
  Speaker 8: Ah. Interesting, I didn't know.
• 36:46
  Speaker 5: That the Wampanoag where the original inhabitants of this place.
• 36:51
  Speaker 5: Sentimental attachment. I can trace my ancestry all the way
• 36:59
  Speaker 5: back from before for the mayflower ever reared its ugly head.
• 37:04
  Speaker 1: My roots here are deep and strong.
• 37:07
  Speaker 5: You are standing on my land, mister Dellwood, and I
• 37:12
  Speaker 5: am done.
• 37:13
  Speaker 1: Talking to you.
• 37:14
  Speaker 13: I apologize if I offended you.
• 37:17
  Speaker 5: If I ever see you or axle here again, I
• 37:19
  Speaker 5: will call the police, or maybe I'll just deal with
• 37:24
  Speaker 5: you myself.
• 37:25
  Speaker 1: Delwood gives her a puzzled look.
• 37:30
  Speaker 5: I'm sure you've heard the rumors about me. Well, I'm
• 37:34
  Speaker 5: they're one hundred true. Just ask the late mister McGregor.
• 37:41
  Speaker 1: Delwood turns white and slowly backs up.
• 37:47
  Speaker 21: I'll be sure to convey your feelings on the matter
• 37:49
  Speaker 21: to that's I'll be sure to conveyed feelings on the
• 38:00
  Speaker 21: matter to mister Grayson.
• 38:02
  Speaker 8: Yeah.
• 38:03
  Speaker 1: He stumbles into his car. Lupe laughs to herself as
• 38:07
  Speaker 1: he speeds away. End of episode two.