Latest / The Real Report with Tony Yayo and Uncle Murda / Kid Capri on battling Funk Flex, touring with Biggie & R.Kelly, DJs being undervalued, & working with Kendrick Lamar

Transcript

Kid Capri on battling Funk Flex, touring with Biggie & R.Kelly, DJs being undervalued, & working with Kendrick Lamar · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: What I'm talking. Hold on, hold on, I want to
• 0:05
  Speaker 1: say something.
• 0:05
  Speaker 2: No hold on, no no no no no no no
• 0:09
  Speaker 2: no no no no you no you you listen.
• 0:20
  Speaker 1: Hold hold up, pause paused. Super Paul bruises from out. Yeah.
• 0:42
  Speaker 1: It as good as the Boy Live Jet Lenny a
• 0:44
  Speaker 1: k A Uncle Murder and it's turbulent as Tony a
• 0:47
  Speaker 1: k A. Tony Yayo. She's the real report.
• 0:51
  Speaker 3: And we have the number on one worldwide d J
• 0:54
  Speaker 3: out world.
• 0:56
  Speaker 1: It's the kid. What's happening, what's going on? What's happening? Legend?
• 1:07
  Speaker 4: Man?
• 1:07
  Speaker 1: Happy to have you here? Man, Happy to have you here.
• 1:10
  Speaker 5: Man, glad to be here, Man, glad to be here.
• 1:13
  Speaker 1: Yo, were glad to have you here. Man. You know
• 1:16
  Speaker 1: you you a pillar and hip hop.
• 1:17
  Speaker 3: You know, we was backstage talking about case Slay and
• 1:21
  Speaker 3: you know sometimes people do only give you flowers when
• 1:23
  Speaker 3: you're going, you know, God like you.
• 1:25
  Speaker 1: We're going to give your flowers now while you hear
• 1:28
  Speaker 1: you know what I'm saying. That's why we did some business.
• 1:30
  Speaker 3: Mark shout to my man Dre shout to the guarding
• 1:34
  Speaker 3: the Dreams, the whole Knicks Foundation, and you know, Kick
• 1:37
  Speaker 3: Capri is the type of dude that he's he what what?
• 1:40
  Speaker 3: What people don't need to know is he doesn't only DJ.
• 1:44
  Speaker 3: He raps, he produces and he makes speechs. So we
• 1:48
  Speaker 3: gave a song to the New York Knicks, me and
• 1:50
  Speaker 3: my man Dre. They love Kick Capri. He's a legend
• 1:54
  Speaker 3: and live from New York is playing on the make
• 1:56
  Speaker 3: some noise for that playing.
• 1:58
  Speaker 1: Make some noise going on, Jim.
• 2:05
  Speaker 3: So what I'm saying to you is he's not a
• 2:07
  Speaker 3: one trick pony. You know, he's like a Kanye West.
• 2:10
  Speaker 3: He's like a Q tip.
• 2:11
  Speaker 1: You know. He produces and he wraps. He's like a Havoc.
• 2:14
  Speaker 1: He does a lot.
• 2:15
  Speaker 6: You ain't telling me nothing. I don't ready know about
• 2:17
  Speaker 6: Kick Capri, but I could tell you something. You don't
• 2:19
  Speaker 6: know what what?
• 2:20
  Speaker 3: What is one of the infamous clubs that he used
• 2:24
  Speaker 3: to DJ at in the Bronx is too name one.
• 2:31
  Speaker 1: I don't know, all right, So we're gonna talk about
• 2:34
  Speaker 1: that one of.
• 2:35
  Speaker 3: The most and you know back in the eighties, shout
• 2:37
  Speaker 3: to the Bronx, it's still that.
• 2:38
  Speaker 1: That must have just been talking about this a little
• 2:40
  Speaker 1: while ago.
• 2:40
  Speaker 3: No, No, we didn't talk about all right, snow Kickingprika.
• 2:45
  Speaker 3: So back in the you know, back in the you know.
• 2:47
  Speaker 3: But in the eighties, the Bronx was dangerous. It's still
• 2:50
  Speaker 3: dangerous now shouting definitely. We love y'all though I love
• 2:54
  Speaker 3: to be you know what I'm saying, But make it
• 2:56
  Speaker 3: safe again, so come in, you know. So the Bronx
• 3:01
  Speaker 3: in the eighties, DJ, Kick Capri DJ see. I don't
• 3:05
  Speaker 3: even know what these niggas don't. They don't be knowing nothing.
• 3:09
  Speaker 1: I don't even either, Okay, I'm talking about.
• 3:11
  Speaker 3: DJ Ki Capri DJ at a club called a Castle
• 3:14
  Speaker 3: right now. Jim don't even know this the so called real.
• 3:19
  Speaker 1: No, Jim don't know that. That's Capri right hand man
• 3:21
  Speaker 1: wasn't around there. He wasn't around there. This Jim don't notice.
• 3:26
  Speaker 1: Don't I know this is right here? Man, don't that's crazy.
• 3:32
  Speaker 3: So the thing about the Castle is like in the eighties,
• 3:35
  Speaker 3: that's like the infamous times. Like just picture the Bronx
• 3:38
  Speaker 3: in the eighties, the biggest gangsters, the biggest drug dealers.
• 3:42
  Speaker 3: Kick Capri was DJ in there, like it was so infamous.
• 3:46
  Speaker 3: Not trying to promote it. But the rumor is that
• 3:49
  Speaker 3: even Slick Rick got shot outside of the Castle back
• 3:53
  Speaker 3: in the days, got shot in his eye.
• 3:55
  Speaker 1: Like it's an infamous club. In the other club, he did.
• 3:57
  Speaker 5: Get shotter get shot. They shot at him. And if
• 4:01
  Speaker 5: I'm not mistaken, I think you had a girl in
• 4:04
  Speaker 5: the truck and she got grades in the side. They
• 4:07
  Speaker 5: had cheesed up the truck, if I'm not mistaken. But yeah,
• 4:11
  Speaker 5: it was, it was. It was a crazy time in
• 4:13
  Speaker 5: the Castle.
• 4:14
  Speaker 3: Man talk about that, Man talk about that, because that's
• 4:16
  Speaker 3: eighties hip hop, you know what I mean.
• 4:18
  Speaker 5: Well that that was when we started to Castle. Castle
• 4:22
  Speaker 5: was like ninety maybe.
• 4:25
  Speaker 2: It was.
• 4:30
  Speaker 1: Eight tonight, So yeah, so there.
• 4:33
  Speaker 5: You know, before that, it was the sn S club.
• 4:35
  Speaker 5: S S Club was really where I started getting known
• 4:38
  Speaker 5: at because that's where in the sn S Club is.
• 4:41
  Speaker 5: You know, you're nothing to glorify, but it was the
• 4:44
  Speaker 5: most killers and drug people in street people that you
• 4:49
  Speaker 5: ever could meet, the top that you ever meet. And
• 4:52
  Speaker 5: they were all there at one place. And so I'm
• 4:53
  Speaker 5: sitting in this place looking at the steak, you know,
• 4:56
  Speaker 5: spending a year and a half day, I've seen a lot.
• 4:59
  Speaker 5: After left there, I started playing, you know, doing the
• 5:03
  Speaker 5: Castle and doing uh I was doing the Castle at
• 5:05
  Speaker 5: the same time, but then doing the Castle and doing
• 5:08
  Speaker 5: the building downtown doing my New York thing and then
• 5:10
  Speaker 5: started going out of town the mixtape things. What really
• 5:13
  Speaker 5: took off me When I took off, it was like
• 5:14
  Speaker 5: I was a soundtrack to the drug dealers.
• 5:16
  Speaker 1: They shot at Slick recall that he didn't get hit
• 5:19
  Speaker 1: that day. No he didn't get Okay, you went back
• 5:22
  Speaker 1: to Slick.
• 5:23
  Speaker 3: No, No, I'm saying because I mean, I think somebody
• 5:25
  Speaker 3: said he got shot in the eye.
• 5:26
  Speaker 1: I wanted to know if it was. It wasn't there though.
• 5:28
  Speaker 3: Okay, I know, but he got his car got shot up.
• 5:31
  Speaker 3: So now I'm visualizing Slick Rick, you know, with the
• 5:33
  Speaker 3: jewelry on in the Bronx.
• 5:35
  Speaker 5: Rick will be by itself.
• 5:37
  Speaker 1: That's what I'm saying. Called the whole with all the
• 5:39
  Speaker 1: jewelry on, and call the whole.
• 5:41
  Speaker 5: Team with dudes peasants.
• 5:44
  Speaker 1: You know what I'm saying.
• 5:45
  Speaker 5: He was was that was like you know what I'm saying.
• 5:48
  Speaker 5: And you know, I think he might have did that
• 5:51
  Speaker 5: in that in the castle, and you know it was
• 5:54
  Speaker 5: to these dudes.
• 5:54
  Speaker 1: That was the kids that was up at the Bronx
• 5:57
  Speaker 1: see and.
• 5:57
  Speaker 5: It just jumped up. But nothing happened to Rick.
• 6:00
  Speaker 3: He just shot the whip up. Sure, he got grades
• 6:02
  Speaker 3: with some gangster ship was going. He had Old Julio
• 6:04
  Speaker 3: slipper Old ju.
• 6:06
  Speaker 1: You see that.
• 6:06
  Speaker 6: He talked so fast, like he know what happens now.
• 6:09
  Speaker 6: He's like, yo, yeah, nigga shut up the whip so
• 6:11
  Speaker 6: he got grades. You just told him like you just
• 6:13
  Speaker 6: told him like you already know. He had niggas that
• 6:16
  Speaker 6: shut up the whip so he got grades. He just
• 6:19
  Speaker 6: thought the nigga, look, let's keep it real murdering. When
• 6:23
  Speaker 6: she happened in the hood, you hear five different stories.
• 6:27
  Speaker 6: I heard the fifth story.
• 6:28
  Speaker 4: You know.
• 6:28
  Speaker 1: He got shut in.
• 6:32
  Speaker 6: With his story so fast. Yes, shot the whip, so
• 6:36
  Speaker 6: he got grades. My niggas say, he don't even know
• 6:39
  Speaker 6: she got grace. He said, he think. You know, I
• 6:41
  Speaker 6: like read when he came in the game with.
• 6:43
  Speaker 1: The I pads. Oh that was.
• 6:49
  Speaker 3: But the car got shot up. So he called niggas
• 6:54
  Speaker 3: preasidts slick rich out to slick Rick. I can see
• 6:56
  Speaker 3: him doing that. You know, crazy murkers. We got kicked
• 7:01
  Speaker 3: pre the legend that does this worldwide. You know, talk
• 7:04
  Speaker 3: about some of the places you've been in the world.
• 7:06
  Speaker 5: I've been all over man. I just well, I mean Houston,
• 7:09
  Speaker 5: I just got back from Houston yesterday.
• 7:11
  Speaker 1: But I've been everywhere.
• 7:12
  Speaker 4: Man.
• 7:12
  Speaker 5: I just came out from Africa. That was really crazy.
• 7:14
  Speaker 5: I came mat from Mexico with a Swiss beasts and
• 7:17
  Speaker 5: these kids.
• 7:17
  Speaker 1: That was really big. Look at that.
• 7:19
  Speaker 5: I've been all fifty two states. At one time. I
• 7:22
  Speaker 5: was doing two undred fifty shows of the year every year.
• 7:24
  Speaker 5: First dude in hip hop to own the tour bus.
• 7:26
  Speaker 5: So that's how much I was traveling.
• 7:28
  Speaker 1: So I told you, he's so cocky.
• 7:29
  Speaker 5: You know what I'm saying. It's the truth that traveling
• 7:32
  Speaker 5: so much with.
• 7:32
  Speaker 1: Fifteen soldier boy would have said though.
• 7:34
  Speaker 5: But it was. He was traveling with fifteen crates of
• 7:37
  Speaker 5: records on the plane all over. We just got tired
• 7:38
  Speaker 5: of paying all that money and you know, wait and
• 7:41
  Speaker 5: all that. So we just said, we buy a tour bus.
• 7:42
  Speaker 5: This way we could travel and everything will be safe.
• 7:44
  Speaker 5: And that's what we did. But we was just going
• 7:46
  Speaker 5: and going, and after the pandemic, when the pandemic came
• 7:49
  Speaker 5: was starting to leave, they started calling me to go
• 7:51
  Speaker 5: back on the road, and you know, I told the manager, like, look,
• 7:54
  Speaker 5: I ain't doing on the dates that we.
• 7:55
  Speaker 3: Would say that again, fifteen crates you hit him. DJ
• 8:00
  Speaker 3: e Crazs rest in peace to my man, DJ Roffians Man,
• 8:03
  Speaker 3: So that's why about how many clubs you did that
• 8:07
  Speaker 3: got shot up and somebody got to get the creeks.
• 8:09
  Speaker 5: Well, none of my clubs, I'm just saying that something happened.
• 8:11
  Speaker 5: None of my never had none of joint.
• 8:16
  Speaker 3: Back in the days, my man Roughians, we're going to
• 8:18
  Speaker 3: hold other joints. You okay, man, we would do the
• 8:23
  Speaker 3: club ship in Queens. Did we get shot up and
• 8:25
  Speaker 3: we got to get the fifteen club?
• 8:27
  Speaker 5: And yeah, Fortunately at none of my parties, I keep
• 8:32
  Speaker 5: people occupied, so none of that ship happens. It when
• 8:34
  Speaker 5: it's when it's when everybody standing around, get a chance
• 8:38
  Speaker 5: to look at each other. Nobody's being busy. When you
• 8:40
  Speaker 5: keep everybody busy, you can step up somebody's foot and
• 8:43
  Speaker 5: ain't no problem. But it's when everybody's in there and
• 8:46
  Speaker 5: they're on their phone and looking at each other and
• 8:48
  Speaker 5: ship pop off. Next thing you know, it goes where
• 8:50
  Speaker 5: it goes. But we don't have that problem. We never
• 8:52
  Speaker 5: had that reputation. Ship happened at my events. You know
• 8:55
  Speaker 5: what I'm saying. My events is my party. We do
• 8:57
  Speaker 5: come to my you don't see people with phones and ship,
• 8:59
  Speaker 5: my ship shaking, and people get lit. The word lit
• 9:02
  Speaker 5: a little confused. They think lit means because it's crowded.
• 9:05
  Speaker 1: Is lit?
• 9:05
  Speaker 5: Now, Yes, it ain't lit. Cloudy, My ship is lit.
• 9:08
  Speaker 5: You come to kicking pre events. Shit's shaky, you know,
• 9:11
  Speaker 5: chick's head falling out, no phones and all that shit.
• 9:14
  Speaker 5: Motherfuckers time, and that's everybody comes from.
• 9:18
  Speaker 3: Classic errors of music, hip hop the culture I mean,
• 9:21
  Speaker 3: you know, to me, the eighties in the nineties was like.
• 9:24
  Speaker 5: But even with the new music, even I could play listen,
• 9:27
  Speaker 5: I could do a whole trap set and that ship
• 9:29
  Speaker 5: is shaking, shaking, shaky, doesn't matter.
• 9:32
  Speaker 6: Look talking about that right, kill all the errors that
• 9:35
  Speaker 6: you've been in from this hip hop in.
• 9:36
  Speaker 1: The eighties, nineties, two thousand.
• 9:39
  Speaker 6: What album you feel like you could play with? No
• 9:41
  Speaker 6: Skips like classic album No.
• 9:44
  Speaker 5: Skips being Rock, Campaign, Full Slick Wick, Great Adventures, fifty
• 9:51
  Speaker 5: Get Rich, Die Trying, Uh, low end theory, Trial called Quest,
• 9:57
  Speaker 5: so many of them, you know what I'm saying. The
• 10:00
  Speaker 5: you know, like you go on and on, so you know,
• 10:02
  Speaker 5: but what happens.
• 10:03
  Speaker 3: Whenever you think is the best Between the eighties, nineties
• 10:06
  Speaker 3: and the two thousand.
• 10:07
  Speaker 5: That's the well, the nineties ain't gonna be like the nineties.
• 10:10
  Speaker 5: None's gonna be.
• 10:11
  Speaker 1: Like over the eighties. Rock Kim, Big Daddy can No. No,
• 10:14
  Speaker 1: I'm not talking about.
• 10:15
  Speaker 5: I'm not talking about as far as I'm talking about
• 10:17
  Speaker 5: as far as like the way hip hop went, you know,
• 10:21
  Speaker 5: it became bigger, but as far as like the beginning
• 10:25
  Speaker 5: of it, and none's gonna be that. You're not gonna beat.
• 10:27
  Speaker 5: Matter of fact, even with records that came out, you
• 10:30
  Speaker 5: ain't gonna be beat the beginning. You're not gonna beat
• 10:33
  Speaker 5: the tapes of Cold Crush and Fantastic and Furious five
• 10:38
  Speaker 5: when there was no rap records, when when you went
• 10:40
  Speaker 5: to the parties and there was just rappers playing break
• 10:43
  Speaker 5: beats and the rapper rapping over the break beat the
• 10:45
  Speaker 5: whole party, and it be the baddest chicks in the party,
• 10:49
  Speaker 5: you know what I'm saying. So that's that's the real ship.
• 10:52
  Speaker 5: They didn't get the accolades that we got later on.
• 10:54
  Speaker 5: They didn't make the money that we made. They didn't
• 10:56
  Speaker 5: see the fame that we've seen. But these are the
• 10:58
  Speaker 5: dudes that built it. Without them, wouldn't have jobs right now,
• 11:02
  Speaker 5: you know, what I'm saying. So that's why the older
• 11:03
  Speaker 5: dudes I always respect. I never look at them as
• 11:06
  Speaker 5: as a down thing. I always look at them as
• 11:08
  Speaker 5: my hero.
• 11:09
  Speaker 1: Of course they started the game. Yeah, you know what
• 11:11
  Speaker 1: I'm saying.
• 11:12
  Speaker 5: So you look at dudes like dudes like Melloy mel
• 11:15
  Speaker 5: dudes like you know what I'm saying, it's just great
• 11:17
  Speaker 5: mcs that you know that that really put it down.
• 11:21
  Speaker 5: You know, they deserve to be put on a pedestal.
• 11:23
  Speaker 1: Not the Bronx started the game, but you know, queens
• 11:26
  Speaker 1: ran the game.
• 11:26
  Speaker 5: You know what I'm saying.
• 11:30
  Speaker 1: Get that.
• 11:39
  Speaker 4: I'm on my.
• 11:42
  Speaker 1: Go. Now on another note, right, who's your top five?
• 11:51
  Speaker 5: I don't have no top five?
• 11:52
  Speaker 1: Oh ship? For real?
• 11:54
  Speaker 5: Why you say that? Because what are you talking about?
• 11:57
  Speaker 5: You talking about top five rappers. You're talking about top
• 11:59
  Speaker 5: five fast in the top five records sellers. What are
• 12:01
  Speaker 5: you talking about? Because you're talking about top five rappers.
• 12:03
  Speaker 5: Ain't nobody beating Battle Rappers if you asked me, you
• 12:05
  Speaker 5: know what I'm saying, a lot of the top five rappers,
• 12:08
  Speaker 5: a lot of the rappers that's in the game, get
• 12:09
  Speaker 5: this ship from Battle Rappers. Right, So that's one thing. Secondly,
• 12:14
  Speaker 5: there's people that's in the top five.
• 12:16
  Speaker 1: You say that battle rappers, you have rappers that was
• 12:18
  Speaker 1: doing it.
• 12:19
  Speaker 5: I'm not talking about them. I'm talking about when the
• 12:21
  Speaker 5: day of days right now, a lot of rappers that
• 12:24
  Speaker 5: was rapping a certain way. They listen to battle rappers
• 12:26
  Speaker 5: and now they're rapping that way. And that's the truth,
• 12:29
  Speaker 5: you know what I'm saying. We ain't gonna sugar it
• 12:31
  Speaker 5: for any And he got a lot of a lot
• 12:33
  Speaker 5: of technique from what battle rappers is doing. It's just
• 12:36
  Speaker 5: that battle rappers always had a stigma that they couldn't
• 12:38
  Speaker 5: make good records, you know what I'm saying. So that's
• 12:41
  Speaker 5: why they wasn't really successful in making.
• 12:43
  Speaker 1: Winning the eighty were talking about. We're talking about.
• 12:48
  Speaker 5: Us, right, you know what I'm saying. And and and
• 12:51
  Speaker 5: just to speak to that, I mean, I'm called top
• 12:52
  Speaker 5: tier with all battle rappers. This is when I was
• 12:55
  Speaker 5: trying to help the battle before the battle Rapper thing
• 12:58
  Speaker 5: blew up. I was trying to help them get on
• 12:59
  Speaker 5: this one left. We had shot some things, Me and Lux,
• 13:03
  Speaker 5: load of Lux and a bunch of us, and we
• 13:04
  Speaker 5: did some stuff and then you know it was gonna
• 13:06
  Speaker 5: do this deal with HBO and disibdating. So I made
• 13:09
  Speaker 5: this album called Top Tier that I never put out,
• 13:11
  Speaker 5: but shit is incredible.
• 13:12
  Speaker 1: Never put it out. You know what I'm thinking about?
• 13:15
  Speaker 1: You know what I yeah, I'm gonna get it.
• 13:17
  Speaker 3: We're talking about better rap because you know what I
• 13:18
  Speaker 3: think about battle rap. I think because I'm a fan
• 13:21
  Speaker 3: of Loaded Lux, Murder Move, you know, everybody, DNA. The
• 13:27
  Speaker 3: list goes on and on, even if the female rappers,
• 13:30
  Speaker 3: you know, I love them too. I feel like when
• 13:34
  Speaker 3: you had the battles like Loaded Lux and these guys
• 13:36
  Speaker 3: Murder Move, and these guys were starting to make money,
• 13:39
  Speaker 3: I think, and Smack was making all the money they
• 13:41
  Speaker 3: got kind of you know, they had deals with I
• 13:44
  Speaker 3: think Eminem, right, it was eminem doing the show. So
• 13:47
  Speaker 3: listen when the bag came, they wasn't on YouTube no
• 13:50
  Speaker 3: more so when they was on YouTube, it was like
• 13:52
  Speaker 3: you can catch all the battles.
• 13:54
  Speaker 1: And I think that they.
• 13:55
  Speaker 3: Was making so much money, like to a point where
• 13:58
  Speaker 3: they was making more than rappers saying his ballot because
• 14:01
  Speaker 3: they would say, now for Lord de Luxe, Murder Move, Battle,
• 14:04
  Speaker 3: I need forty thousand, Like now numbers started.
• 14:07
  Speaker 1: Getting like you start doing ridiculous promoters.
• 14:09
  Speaker 3: They're like yo, yeah, battles, and then then you got
• 14:12
  Speaker 3: rappers that you know, like DNA and other rappers, Goods
• 14:15
  Speaker 3: and all these other rappers. They're like, well, fuck it,
• 14:18
  Speaker 3: we won twenty, we went thirty, we won fifteen. No,
• 14:22
  Speaker 3: I'm not saying not. But then it was just less battles.
• 14:25
  Speaker 3: And then you wasn't seeing on YouTube because there was
• 14:28
  Speaker 3: a point where always watching was battle rap cleaning, the ring,
• 14:32
  Speaker 3: the female battle raps. I was watching that. There was
• 14:35
  Speaker 3: a time where that's always watching. But back to kicking free,
• 14:38
  Speaker 3: let's get back.
• 14:39
  Speaker 1: He got into his battle, he got have some battle
• 14:43
  Speaker 1: rappers up here.
• 14:43
  Speaker 5: Couick to go back to your question, asked me who
• 14:45
  Speaker 5: the top five is?
• 14:46
  Speaker 1: All right?
• 14:47
  Speaker 5: So like yeah, like there's there's great mcs, but there's
• 14:50
  Speaker 5: a lot of times out here top five lists and
• 14:53
  Speaker 5: the people that I think that should be in top
• 14:55
  Speaker 5: five isn't. Now I'll tell you, if you're talking about skills,
• 15:01
  Speaker 5: why isn't Twisted in top five? Why isn't eminem and
• 15:06
  Speaker 5: everybody's top five?
• 15:07
  Speaker 1: He is in my top five?
• 15:08
  Speaker 5: Hold on your mind too, but why is it in
• 15:10
  Speaker 5: everybody's top five? But right, so so, so that's what
• 15:13
  Speaker 5: I'm saying it's all.
• 15:15
  Speaker 1: It's all subjected. You may let the brother you made
• 15:19
  Speaker 1: like your he's bugging can't. So you mean to tell
• 15:23
  Speaker 1: me because he's stripping.
• 15:26
  Speaker 4: Him.
• 15:26
  Speaker 1: I'm gonna tell you.
• 15:27
  Speaker 3: Look, I'm gonna tell you what's the real If you
• 15:31
  Speaker 3: tell me in the eighties, who's my top five, we're
• 15:34
  Speaker 3: gonna have I'm not and there's no order, we're gonna
• 15:36
  Speaker 3: have Big Daddy came on.
• 15:37
  Speaker 1: That that's in the eight that's ever about? You say
• 15:46
  Speaker 1: top five? Right?
• 15:47
  Speaker 6: You say he's my top five?
• 15:51
  Speaker 1: No, no, we gotta let's put this. Let's put this right.
• 15:54
  Speaker 1: We can rewind it. I don't rewind nothing.
• 15:58
  Speaker 5: If somebody asked me who's my top five and they
• 16:02
  Speaker 5: don't say in whatever, they just say who's my top five,
• 16:05
  Speaker 5: I'm thinking they saying my top five best sim.
• 16:08
  Speaker 1: Seas of all time.
• 16:09
  Speaker 5: If you say who's the top five of the eighties,
• 16:11
  Speaker 5: I'm gonna tell you exactly who's my top five. If
• 16:14
  Speaker 5: you say who's the top five in the nineties, I'm
• 16:15
  Speaker 5: gonna tell you, depending on what you're talking about, record
• 16:20
  Speaker 5: sells or raps, somebod these motherfuckers top five because.
• 16:24
  Speaker 1: Of how they are dressing. They are here modeling. They
• 16:25
  Speaker 1: ain't had to hit.
• 16:28
  Speaker 5: Am I right right, Okay, they getting viraal because I
• 16:31
  Speaker 5: don't first of all, let's do this, I don't want
• 16:33
  Speaker 5: to deal with. First of all, let's go here. I
• 16:35
  Speaker 5: don't want to pay for it. If I'm doing to
• 16:37
  Speaker 5: show us something, I won't pay nobody because they fucking
• 16:40
  Speaker 5: because they poppular. I won't pay because they get the
• 16:42
  Speaker 5: job done. You'll be popular because you tripped over a
• 16:44
  Speaker 5: goddamn rock on TikTok and that them all you virrable,
• 16:47
  Speaker 5: And now they hire you to come in the club
• 16:48
  Speaker 5: and everybody's in the club watching you stand in the
• 16:50
  Speaker 5: ri people like they do with some of the chicks.
• 16:53
  Speaker 1: Right now, I'm paying for somebody who's gonna get the
• 16:55
  Speaker 1: job done.
• 16:55
  Speaker 5: My crowd gonna come the grod, gonna be happy when
• 16:58
  Speaker 5: they pump the They pay their money, and they left
• 17:01
  Speaker 5: with your money.
• 17:03
  Speaker 1: Find the nah. You know different times. Let me.
• 17:12
  Speaker 3: Saying, the mom that got popular on TikTok off that song,
• 17:15
  Speaker 3: we at different times. Finder it's a mother, look it up,
• 17:18
  Speaker 3: type it up, mother that got popular off TikTok song.
• 17:21
  Speaker 3: Everybody knows it. I don't know the song, but we
• 17:23
  Speaker 3: at different times when things are different.
• 17:25
  Speaker 5: I'm not mad at the young Lissten. I'm not mad
• 17:28
  Speaker 5: at the young kid that gets popular of for some
• 17:30
  Speaker 5: dumb ship. That's them that listen. I want them to
• 17:32
  Speaker 5: do good. They're gonna make money from it. But I'm
• 17:34
  Speaker 5: talking about as a grown man. I'm not walking around
• 17:37
  Speaker 5: doing dumb ship to get popular. And now, if I'm
• 17:39
  Speaker 5: gonna work with somebody or pay somebody to come do something,
• 17:42
  Speaker 5: I'm not gonna pay them because they're popular for some
• 17:45
  Speaker 5: dumb shit. I'm gonna pay them because they're gonna get
• 17:47
  Speaker 5: the job that I need done done, period, for whatever
• 17:50
  Speaker 5: time it is. And if you don't like that, don't come.
• 17:53
  Speaker 5: But I want part. I want people to get their
• 17:55
  Speaker 5: money's work when you come. That's why I pay for
• 17:57
  Speaker 5: a DJ to open for a show for me where
• 18:00
  Speaker 5: I go.
• 18:00
  Speaker 1: This is money.
• 18:01
  Speaker 5: I can keep it in my pocket. I don't have
• 18:02
  Speaker 5: to pay for no hotels and planes and all the
• 18:04
  Speaker 5: shit for him. But I want people to get the
• 18:06
  Speaker 5: best show they can. So I don't want to walk
• 18:07
  Speaker 5: in and hear the song three four times. You know
• 18:10
  Speaker 5: what I'm saying. Where a lot of DJ's are coming
• 18:11
  Speaker 5: play the popping shit at ten o'clock at night when
• 18:14
  Speaker 5: nobody's there because he wants to get get it on.
• 18:17
  Speaker 1: And I hear that.
• 18:18
  Speaker 5: But if you really thinking about the event, you're thinking
• 18:20
  Speaker 5: about the people. It's a strategy as a science, a
• 18:23
  Speaker 5: science to everything that you do.
• 18:24
  Speaker 3: So what you're thinking before you get on the set.
• 18:26
  Speaker 3: Because you one of the greatest DJs in the world.
• 18:28
  Speaker 1: He's the he's the best. We gotta give it to him,
• 18:30
  Speaker 1: his Kick Capri that because I'm gonna get a bunch
• 18:34
  Speaker 1: of comments he ain't the best.
• 18:36
  Speaker 3: Well, I don't give a fuck about that. I don't
• 18:39
  Speaker 3: read comments. Brother, He's the best. You're the fucking best.
• 18:43
  Speaker 3: From the Castle to the fever tell I'm just don't
• 18:47
  Speaker 3: be modest because you're a cocky motherfucker.
• 18:49
  Speaker 4: I told you.
• 18:49
  Speaker 1: Listen, listen murder.
• 18:51
  Speaker 3: When I first met Kick Capri, my experience was I
• 18:55
  Speaker 3: never left the fucking hood. Fifty flew me out to
• 18:58
  Speaker 3: kid Kun.
• 18:59
  Speaker 1: He was signed on the Colombia toning poking them And
• 19:05
  Speaker 1: what was the soundtrack for what's.
• 19:06
  Speaker 5: The movie with l L and Into Deep Sound?
• 19:09
  Speaker 1: Into Deep soundtrack? Don't say pause? The story behind that? Support? Yeah,
• 19:15
  Speaker 1: support in too deep to cool? All right?
• 19:20
  Speaker 4: Pause?
• 19:21
  Speaker 3: It was a dope movie and I never left the hood.
• 19:24
  Speaker 3: I went to King Kun fifty flew me out. I
• 19:26
  Speaker 3: was out there, and this is when I knew Kickapri
• 19:29
  Speaker 3: is cocky. Your He's just cocky. Mother did the best.
• 19:34
  Speaker 3: He's the best, right he knows he's the best. That's
• 19:36
  Speaker 3: why I like him, kicking. Prix came through right Shaine swinging.
• 19:41
  Speaker 3: He came through the crowd. Now, mind you, this is
• 19:43
  Speaker 3: a show like Gloria Velle ass. It was mass ship
• 19:46
  Speaker 3: going on. Girls was getting eight out on stage. We
• 19:48
  Speaker 3: could we could mute.
• 19:50
  Speaker 1: That or whatever.
• 19:50
  Speaker 4: You guy.
• 19:52
  Speaker 1: Girls.
• 19:52
  Speaker 3: This is my first time leaving the hood. Girls getting
• 19:54
  Speaker 3: eight out on stage. I think it was Luca, one
• 19:56
  Speaker 3: of them niggas up there like Luke. So this is like,
• 19:58
  Speaker 3: what was that non seven after Yo Luke? And it
• 20:01
  Speaker 3: was like Gloria Villas with their girls was getting it
• 20:03
  Speaker 3: on stage. It was crazy, my first time leaving the hood.
• 20:06
  Speaker 3: I'm in kid cool Mexico fifty got rowdy, rowdy, rowdy, rowdy,
• 20:09
  Speaker 3: looking up y'all produce he produced.
• 20:12
  Speaker 5: Okay, we were signing the same label on Columbia. Gotcha
• 20:15
  Speaker 5: now the crazy ship.
• 20:17
  Speaker 1: I didn't.
• 20:17
  Speaker 5: I didn't even realize that until later that movie. The
• 20:21
  Speaker 5: first time I ever took an airplane ever was to Boston. Right,
• 20:26
  Speaker 5: These drug dealer kids in Boston had me come out
• 20:28
  Speaker 5: there and do some shows. Right, first time I've been
• 20:30
  Speaker 5: on the plane. Ironically, the drug dealers that brought me
• 20:34
  Speaker 5: out there. The movie was about them.
• 20:37
  Speaker 1: Oh shit, The leader was ll That was g Oh
• 20:43
  Speaker 1: from the Into Deep movie.
• 20:44
  Speaker 5: Pause right right, I didn't know that. And and then
• 20:48
  Speaker 5: on top of that, I produced the first record record,
• 20:51
  Speaker 5: which was Rowdy Rody fifth. I didn't know none of
• 20:54
  Speaker 5: this ship until later on I realized who they were
• 20:56
  Speaker 5: talking about. But yeah, it was the dudes in Boston.
• 20:57
  Speaker 5: That was the first time I ever been on the airplane.
• 20:59
  Speaker 5: Look shout to them. After all my guys and.
• 21:01
  Speaker 3: Thigs, it's rounded roundy. That's my first start was that
• 21:05
  Speaker 3: none seven? Yeah, my first time ever leaving the hood
• 21:07
  Speaker 3: drug dealer? What three four got brew a dirty nigga
• 21:10
  Speaker 3: leaving yo fifth, Thank you fifty kicking pri Oh yeah,
• 21:15
  Speaker 3: back to being cock. He came through with the chain
• 21:17
  Speaker 3: on change swinging. He still got the head now, curly
• 21:20
  Speaker 3: head ship.
• 21:20
  Speaker 1: I still got my head man still what niggas be
• 21:24
  Speaker 1: mad a kicking pre talking about it. He came through,
• 21:27
  Speaker 1: but he was came through and that and this is
• 21:29
  Speaker 1: nine seven and he sucked up. I his headup.
• 21:31
  Speaker 3: He didn't think I remember that he had the brownskin
• 21:34
  Speaker 3: chick with the super fatty like before the bb out.
• 21:40
  Speaker 3: He too cocky, that's man. I'm totally he's a legend,
• 21:48
  Speaker 3: but he's a cocky motherfucker.
• 21:50
  Speaker 4: Man, how was it?
• 21:53
  Speaker 1: You know? Not to now?
• 21:55
  Speaker 3: You know I'm always you know we got Brooklyn in
• 21:57
  Speaker 3: the house. Brooklyn, So how was it? Because I know
• 22:00
  Speaker 3: you did some things with Biggie?
• 22:01
  Speaker 1: How was that? Man?
• 22:02
  Speaker 5: I just showed with Biggie.
• 22:04
  Speaker 1: That's what I want to show.
• 22:05
  Speaker 5: I remember one show.
• 22:07
  Speaker 1: I just want to hear about backstage with Biggie.
• 22:09
  Speaker 5: You know, I remember one time we was backstage. He
• 22:11
  Speaker 5: was in the car right. I came up to the car.
• 22:15
  Speaker 5: He was sitting there. Biggie was cool. I was sitting there.
• 22:17
  Speaker 5: I was like, Yo, I'm proudly are you pulling me?
• 22:21
  Speaker 1: Yeah? Probably?
• 22:23
  Speaker 5: So about to d ship down kids like I know,
• 22:25
  Speaker 5: he had a purple suit on. It was me and
• 22:28
  Speaker 5: him and R Kelly, Oh ship and see swallow and
• 22:32
  Speaker 5: he got on stage. When he walked on stage, that
• 22:37
  Speaker 5: ship just said it was I never heard of war
• 22:40
  Speaker 5: like that, Like it was like a real like a
• 22:44
  Speaker 5: it was like it was I never heard that ship before.
• 22:47
  Speaker 5: But it was so crazy when he got on stage.
• 22:50
  Speaker 5: This was in Detroit. When I seen that ship, man,
• 22:54
  Speaker 5: it was like, Yo, this is this is massive because
• 22:57
  Speaker 5: you just seen the like people just throwing people in it.
• 23:00
  Speaker 5: And I had experienced like that in the Garden when
• 23:02
  Speaker 5: I did the Garden, you know, shook this ship so crazy?
• 23:06
  Speaker 1: Who was that?
• 23:07
  Speaker 5: I did the Garden many times, but the one time
• 23:08
  Speaker 5: I did it was when the Lea. When I went
• 23:10
  Speaker 5: on tour with the Lea I had, we came into
• 23:14
  Speaker 5: the Garden and I would come out, well, through the
• 23:17
  Speaker 5: whole tour, I would come out she had we had.
• 23:19
  Speaker 5: It was five people on the tour. It was Mary J. Blige,
• 23:22
  Speaker 5: Bone Thugs in Harmony, Leah Genuine, and Drew Hill. So
• 23:27
  Speaker 5: every Leah had a dancing show. So they wanted somebody
• 23:30
  Speaker 5: to come with the energy. So that's why they came
• 23:32
  Speaker 5: and got me to come in the middle of a show.
• 23:33
  Speaker 5: So we would do this the whole tour. When we
• 23:35
  Speaker 5: got to the Garden, they over the They oversold the
• 23:38
  Speaker 5: Garden like eight thousand seats. The whole bottom. That ship
• 23:40
  Speaker 5: was just crazy. So I seen Bust the rhymes in
• 23:43
  Speaker 5: the back and this was right when when put your
• 23:44
  Speaker 5: hands where I could see just trap. I said, yo,
• 23:47
  Speaker 5: I'm bringing on stage and he was like word. I
• 23:49
  Speaker 5: was like, yeah, but I ain't got the record. I turned,
• 23:51
  Speaker 5: I seen flex. I see flex, I need to put
• 23:53
  Speaker 5: you put your hands, I see joint. Gave me the record.
• 23:57
  Speaker 5: I go on stage. I do this fifteen minute set,
• 23:59
  Speaker 5: shake it and this motherfucker to the man was so crazy.
• 24:03
  Speaker 1: Then I stopped.
• 24:04
  Speaker 5: I said, yo, I ain't done, and then I dropped
• 24:07
  Speaker 5: put your hands while I could see him. Buster come
• 24:09
  Speaker 5: wiggling his ass out there. To this day, to this yeah,
• 24:13
  Speaker 5: to this day, me and Buster talk about the wind
• 24:17
  Speaker 5: that we felt from people screaming at us. It was
• 24:22
  Speaker 5: I'm glad he was there to witness that ship, because
• 24:24
  Speaker 5: if I was by myself, nobody would believe that shit.
• 24:27
  Speaker 5: He brings it up like your kid, Do you remember
• 24:29
  Speaker 5: the fucking win from the people screaming at us. It
• 24:32
  Speaker 5: was so crazy.
• 24:34
  Speaker 1: Murder.
• 24:35
  Speaker 5: My daughter's mother, Rena love mother at the time she
• 24:39
  Speaker 5: was at the show, used to go all the guard
• 24:40
  Speaker 5: and shows.
• 24:40
  Speaker 1: She said, kid, I was there. She said, I never
• 24:43
  Speaker 1: seen no shit like that. She said, it looked like
• 24:47
  Speaker 1: people were throwing people.
• 24:48
  Speaker 3: She was like, this ship was just your kid, not
• 24:50
  Speaker 3: the fast forward because working with the Lee is crazy.
• 24:52
  Speaker 3: But I'm just still visualized.
• 24:54
  Speaker 5: But to do that for but the point I was
• 24:56
  Speaker 5: about to make, to do that for Leah, that was
• 25:00
  Speaker 5: and just see what the outcome for Lee was. That's
• 25:02
  Speaker 5: something that's always going to you know what I'm saying
• 25:05
  Speaker 5: that that's the bigger that's the part of it. It
• 25:07
  Speaker 5: wasn't so much the show was I was able to
• 25:09
  Speaker 5: do to you, you know what I'm saying.
• 25:11
  Speaker 3: And then, kid, when you say Biggie and R Kelly,
• 25:14
  Speaker 3: did they do you must be used to me spend
• 25:17
  Speaker 3: Did they come out to that or Biggy did some
• 25:20
  Speaker 3: other ship?
• 25:21
  Speaker 2: No?
• 25:21
  Speaker 1: Well yeah, no, no, No, I had left by that.
• 25:24
  Speaker 5: I had by left by the time R Kelly came out.
• 25:27
  Speaker 5: R Kelly was last.
• 25:28
  Speaker 1: I already had left.
• 25:29
  Speaker 5: I left in the middle of bigg didn't BIGGI didn't
• 25:31
  Speaker 5: bring all Kelly out, No, it was it was the
• 25:33
  Speaker 5: show was me, Biggie and R Kelly. So R Kelly
• 25:36
  Speaker 5: was coming out last. But I don't know if R
• 25:38
  Speaker 5: Kelly came out with Biggie or if Biggie came back
• 25:40
  Speaker 5: out with.
• 25:41
  Speaker 1: R Kelly left got you? It was crazy, That's why.
• 25:45
  Speaker 5: But I was also I was also on tour with R.
• 25:46
  Speaker 5: Kelly and Salt and Pepper. That tour was ridiculous. That
• 25:50
  Speaker 5: was who who said Salt and Pepper and R Kelly
• 25:52
  Speaker 5: was Sultan Peppers?
• 25:53
  Speaker 1: What year was that? That was like see we bring
• 25:57
  Speaker 1: the legends on the show.
• 25:59
  Speaker 4: That was see your light Man year.
• 26:01
  Speaker 1: We did that now classic four.
• 26:04
  Speaker 5: Then we did the Buve Wise and Superfest tour, all
• 26:07
  Speaker 5: the Deaf Comedy Jam tours we did.
• 26:10
  Speaker 1: How was it with Sow and Pepper because you know
• 26:11
  Speaker 1: they was like the first sex back in the days.
• 26:14
  Speaker 5: It was crazy.
• 26:15
  Speaker 3: Remember one push it came out. You know they was
• 26:18
  Speaker 3: like they had the tight level Shout the Peer, Spinderella
• 26:23
  Speaker 3: always the date over which DJ is witch Because I.
• 26:26
  Speaker 1: Wasn't with Deaf Comedy Jam man, take us back to
• 26:28
  Speaker 1: those days, Kud.
• 26:29
  Speaker 5: That sh it was crazy.
• 26:31
  Speaker 3: I was classic good We see a Light of Murder.
• 26:34
  Speaker 3: That's a good one because I forgot about to be there.
• 26:38
  Speaker 5: With all them dudes. Man, Like you gotta keep in mind,
• 26:42
  Speaker 5: like Deaf Comedy Jam before Death Comedy Jam it was
• 26:45
  Speaker 5: Eddie Murphy, was Richard Prye, was Red Fox. It was
• 26:49
  Speaker 5: the standards. It wasn't the whole big lane for comedians.
• 26:52
  Speaker 5: So Death Comedy Jam gave a stage every comedy that
• 26:54
  Speaker 5: was real funny and real dope. In their own city.
• 26:57
  Speaker 5: They never had no outlet, you know what I'm saying.
• 26:59
  Speaker 5: So when they got there, it gave up being out
• 27:01
  Speaker 5: there on a big stage. And then you got me
• 27:04
  Speaker 5: this DJ on the show that you know what I'm saying.
• 27:07
  Speaker 5: It just gave it a different kind of feel of
• 27:09
  Speaker 5: the ship. And the real party was before the cameras
• 27:12
  Speaker 5: went on. That was when the real ship was popping.
• 27:14
  Speaker 5: That was when the party was shaking in there. And
• 27:16
  Speaker 5: then when the cameras went on and became fun the
• 27:18
  Speaker 5: funny time, but the whole ship was dope. And we
• 27:20
  Speaker 5: went on tour and went on Deaf Comedy Jam tour.
• 27:23
  Speaker 5: That's when they really got a chance to really see you.
• 27:25
  Speaker 1: So how was it being around?
• 27:30
  Speaker 3: We got to backstage because Mark being backstage with Bernie,
• 27:35
  Speaker 3: we want to hear them stories. I wasn't around Bernie Mack,
• 27:39
  Speaker 3: I wasn't around Martin. Who else was on there? It's
• 27:42
  Speaker 3: a list, look him up and then you the moderator.
• 27:44
  Speaker 1: Rather let my man kick you pre talk, right, I'm
• 27:46
  Speaker 1: letting him.
• 27:47
  Speaker 3: Talk, but I'm letting him moderate to find out all
• 27:49
  Speaker 3: the people that was in that comedy.
• 27:52
  Speaker 1: Find out all the people. Yeah about Bernie with Bernie.
• 27:56
  Speaker 5: Max Bernie right a fuck. It was funny all day.
• 28:02
  Speaker 5: Like You'll be on the tour bus with Bernie and
• 28:05
  Speaker 5: this He'll have you laughing the whole trip. You know.
• 28:08
  Speaker 5: He put his little stocking cap on and he had
• 28:12
  Speaker 5: his heinde get in his hand and shit, and motherfucker
• 28:14
  Speaker 5: would tell jokes the whole trip, like through cities and shit,
• 28:19
  Speaker 5: and you go to sleep in your buck and now
• 28:21
  Speaker 5: he go fuck with the bus driver and make him
• 28:23
  Speaker 5: laugh to where he got to pull over and shit
• 28:25
  Speaker 5: because he laughing like he was naturally like that.
• 28:27
  Speaker 1: And he'll do that.
• 28:29
  Speaker 5: Get to the city, get on stage, shut that ship down,
• 28:33
  Speaker 5: host the whole show, shut that ship down, get back
• 28:35
  Speaker 5: on the bus, and do the shit all over again.
• 28:37
  Speaker 5: This was him every day. You know what I'm saying.
• 28:39
  Speaker 5: I have videos and all kind of shit from us
• 28:41
  Speaker 5: backstage and all kind of shit, so you know, to
• 28:44
  Speaker 5: see them. I remember one time when Chris Tucker, he
• 28:47
  Speaker 5: got on my tour bus. We took my tour bus
• 28:48
  Speaker 5: out and Chris Tucker got on the bus. Chris Tucker
• 28:51
  Speaker 5: was hot on Deaf Comedy Jam. He sat on my bus.
• 28:54
  Speaker 5: He said, Yo, I ain't never been on the tour
• 28:56
  Speaker 5: bus before.
• 28:57
  Speaker 1: This is crazy. I never seen no shit like this.
• 29:00
  Speaker 5: Two years later, he was making twenty million dollars making moves.
• 29:04
  Speaker 5: Two years later, at the time, I was getting paid
• 29:06
  Speaker 5: more than he was. Look at that, you know what
• 29:07
  Speaker 5: I'm saying. So shit could happen in an instant, you know,
• 29:10
  Speaker 5: depending on how much ground you put it to it.
• 29:12
  Speaker 5: Defin comedy Jam putting those dudes out, because today you
• 29:15
  Speaker 5: see everybody cap all these doing everybody that came up
• 29:20
  Speaker 5: that came from that ship, you know what I'm saying.
• 29:22
  Speaker 5: So it was a big platform from all of us.
• 29:24
  Speaker 1: Know what's the list, what's the list? Everybody who's jump?
• 29:30
  Speaker 1: Oh yeah, well that's crazy.
• 29:38
  Speaker 5: Remember Kevin Hall from comedy Javi just the tip of
• 29:42
  Speaker 5: the iceberg.
• 29:43
  Speaker 1: Yeah, because there was so many.
• 29:45
  Speaker 5: Here's the ones that didn't make it big, you know
• 29:47
  Speaker 5: what I'm saying. You know, the Charles, Charlie Burnett and
• 29:52
  Speaker 5: like people like that that didn't make it with the
• 29:54
  Speaker 5: big name and them motherfuckers was incredibly funny as ship,
• 29:58
  Speaker 5: you know what I'm saying, and they tore the sh
• 30:00
  Speaker 5: sit down, you know, but everybody couldn't know. It was
• 30:03
  Speaker 5: so many. We gave so many APPLIEDFI.
• 30:05
  Speaker 1: The most on stage.
• 30:09
  Speaker 5: I'll tell you what was who surprised me as a
• 30:11
  Speaker 5: guest the most, and that was Dolomite. When Dolomite popped
• 30:14
  Speaker 5: his ass out there, that ship was like.
• 30:17
  Speaker 1: Dolomite was on Death Comedy crazy.
• 30:20
  Speaker 5: I was like, oh ship more he was on there.
• 30:23
  Speaker 5: I was like wow. So yeah, we brought a lot
• 30:25
  Speaker 5: of people out and everything like and the great thing
• 30:27
  Speaker 5: is when you seen the guests, all the guests that
• 30:29
  Speaker 5: was there. But you know, the crazy thing is a
• 30:32
  Speaker 5: lot of shows I've done. You know, I've had Michael
• 30:35
  Speaker 5: Michael Jordan's sitting right next to me while I'm tearing down,
• 30:38
  Speaker 5: you know what I'm saying, Like place. You know, people
• 30:41
  Speaker 5: don't like Donald Trump. I'm not a Donald Trump supporter,
• 30:45
  Speaker 5: none of that ship or what he does, and nothing
• 30:46
  Speaker 5: against I'm not in political or nothing. But I did
• 30:48
  Speaker 5: a party in Donald Trump's house.
• 30:49
  Speaker 1: It's crazy.
• 30:50
  Speaker 5: I did Martha Stewart's first hip hop party.
• 30:53
  Speaker 1: Like you know what I'm saying, Like I did a
• 30:54
  Speaker 1: lot of ship that people don't really know.
• 30:57
  Speaker 5: Crazy, you know, and at the end of the day,
• 30:59
  Speaker 5: you know, God put you in the position, so you
• 31:03
  Speaker 5: just do what you do sometimes, you know, we have
• 31:05
  Speaker 5: to talk about it.
• 31:05
  Speaker 1: Just keep going. That's crazy.
• 31:08
  Speaker 4: Bro.
• 31:08
  Speaker 1: You ever worked with Michael Jackson. Nah?
• 31:12
  Speaker 5: But I was on the show when we did the
• 31:14
  Speaker 5: when we did the BT Awards, when we did the
• 31:17
  Speaker 5: tribute to jam Master j James Brown and Michael Jackson
• 31:22
  Speaker 5: was on that show. I met James. Me and James
• 31:24
  Speaker 5: talked for a while. I didn't get a chance. But
• 31:27
  Speaker 5: Janet Jackson, Tito Jackson, Jermaine Jackson, I know all of them.
• 31:31
  Speaker 5: I know Jackie, I know Marlon.
• 31:32
  Speaker 1: I just did it. I just did it.
• 31:34
  Speaker 5: Just had me come to do the house, their house
• 31:37
  Speaker 5: in Indiana and Gaby, Indiana. I just came and did
• 31:40
  Speaker 5: an event there for them. I met, uh, Marlon and
• 31:43
  Speaker 5: Jackie there. So Janet, Janet. How I met Janet. We
• 31:47
  Speaker 5: were going me and Jim. We was at the airport.
• 31:49
  Speaker 5: We was on our way going to North Carolina. Go
• 31:51
  Speaker 5: too right, But what's how it went down. We're walking
• 31:56
  Speaker 5: into the airport and her husband. At the time, I
• 31:59
  Speaker 5: forgot his name light skin dude. He walks up to me.
• 32:02
  Speaker 5: I didn't even know who he was.
• 32:04
  Speaker 1: He says, Yo, my wife is a big fan of yours.
• 32:06
  Speaker 5: She wants to meet you. I was like, who's your wife.
• 32:08
  Speaker 5: He was like, she's in the van. Come to the man.
• 32:10
  Speaker 5: I come to the van. She opens the door, she says, Yo,
• 32:13
  Speaker 5: I seen Jen. I was like, oh, she said, I'm
• 32:15
  Speaker 5: your biggest fan.
• 32:16
  Speaker 1: Biggest fan. I felt him up. I bet she invited
• 32:20
  Speaker 1: me to the show.
• 32:21
  Speaker 5: We went to the show because I had a showing
• 32:22
  Speaker 5: off can She had a show in the same city
• 32:24
  Speaker 5: we was at for husbands in the day time, so
• 32:26
  Speaker 5: we went there. Me and mc light got on stage
• 32:28
  Speaker 5: at her show, and then I did my show that night,
• 32:30
  Speaker 5: and then I came into the birthday party. So they
• 32:33
  Speaker 5: cool family man, thanksful family man.
• 32:36
  Speaker 1: You know, be in rooms you never thought you'd being man.
• 32:38
  Speaker 5: Yeah.
• 32:38
  Speaker 1: Being one of the best DJs in the world and
• 32:41
  Speaker 1: not only a DJ, you know.
• 32:43
  Speaker 3: I said, Grammy nominated backstage, and Jim and him corrected me.
• 32:47
  Speaker 3: He wanted to Grammy so make some noise.
• 32:49
  Speaker 1: Oh okay, I'm right, okay, should I'm talking about that
• 32:54
  Speaker 1: about that.
• 32:55
  Speaker 5: Yeah, well how that happened? That was kind of about default, right.
• 33:00
  Speaker 5: I was doing the album i' gonna tell you. I'm
• 33:01
  Speaker 5: gonna tell you what I mean by that. What I
• 33:03
  Speaker 5: mean by I was doing I was doing an album
• 33:06
  Speaker 5: called Soundtrack to the Streets.
• 33:07
  Speaker 1: Right.
• 33:07
  Speaker 5: My first album was Kicking Pretty Tape where rhyme on
• 33:10
  Speaker 5: the whole album. I wasn't really into making an album
• 33:13
  Speaker 5: when I got that album. Bizmarck Bismark got me that
• 33:15
  Speaker 5: first album deal on one of the brothers, right, but
• 33:18
  Speaker 5: he got me down deal based on I was hot
• 33:20
  Speaker 5: in the street from my mixtapes. I wasn't looking for
• 33:22
  Speaker 5: no album deal, right, so he got me dow I'm deal.
• 33:25
  Speaker 5: A few six years later, I decided to do another
• 33:27
  Speaker 5: album where I wanted to be a producer. I wanted
• 33:29
  Speaker 5: to be like the Quincy Jones of hip hop. So
• 33:31
  Speaker 5: I got to deal with Columbia to do this album
• 33:33
  Speaker 5: called Soundtrack to the Streets. Jay Z was on the
• 33:36
  Speaker 5: album on the first record is like That. At the
• 33:38
  Speaker 5: same time, we was on the Puff tour and I
• 33:41
  Speaker 5: was playing this track on the plate that forty five
• 33:45
  Speaker 5: King did the beat too, which was hard knocked Life.
• 33:49
  Speaker 5: That record hard Knock Lived. I was gonna put on
• 33:51
  Speaker 5: the soundtrack to the Streets album. While I was cleaning
• 33:53
  Speaker 5: in the arena. Jay heard it. Your kid was that
• 33:58
  Speaker 5: it's hard knocked, like shit crazy.
• 33:59
  Speaker 1: He's like yo.
• 34:00
  Speaker 5: I was like, all right. I put him on the
• 34:01
  Speaker 5: phone with forty five king too much. Two weeks later
• 34:04
  Speaker 5: he had the record. So I gave it no big deal,
• 34:07
  Speaker 5: not saying anything, but it was going to go on
• 34:08
  Speaker 5: my album.
• 34:09
  Speaker 1: Gave it to Jay.
• 34:09
  Speaker 5: It probably worked out better than I gave it him,
• 34:11
  Speaker 5: more than it was for me. You know what I'm saying.
• 34:13
  Speaker 5: But that's the way you know it went. And then
• 34:15
  Speaker 5: it blew up. Man. So because it's like that record,
• 34:19
  Speaker 5: my record that was on my album with Jay, he
• 34:21
  Speaker 5: licensed it on that same album. So that's how I
• 34:24
  Speaker 5: won the Grammar. That's what I mean by the fault.
• 34:26
  Speaker 1: All right, God, you know what I'm saying. But that's
• 34:28
  Speaker 1: still dopeh Hey, I'm grateful shout to day. That's crazy.
• 34:33
  Speaker 3: So we take it to you know, to the you know,
• 34:36
  Speaker 3: he's been around all these people, you know, James Brown.
• 34:40
  Speaker 3: But I did my homework on you back in the days.
• 34:44
  Speaker 3: I heard you used to go to Harlem. You know
• 34:46
  Speaker 3: what I mean and the Benzes. I don't know if
• 34:47
  Speaker 3: you had the benz to be in, but they said
• 34:50
  Speaker 3: you had some ship. This is the word on the streets.
• 34:53
  Speaker 3: Used to go to Harlem because we're gonna go to
• 34:56
  Speaker 3: the mixtape eraror because the mixtape error is as important
• 34:59
  Speaker 3: as you. He was talking about battle rap. I love
• 35:01
  Speaker 3: battle rap, but the mixtape eerror is important. You know,
• 35:05
  Speaker 3: Kick Capri, ron G shout the kick hold on, Kick Apri,
• 35:10
  Speaker 3: ron G, Grand Master, Vic dog Time, my man, DJ Roughheads,
• 35:17
  Speaker 3: the Rockaway Twins, you know, I mean DJ gold Figgas,
• 35:22
  Speaker 3: tape Master, when Niggas was going to the club, J Delarello,
• 35:28
  Speaker 3: when Niggas was going to the club bringing motherfucking fifteen
• 35:31
  Speaker 3: or twenty creats.
• 35:33
  Speaker 1: Kick Capri is in that rate, all of them.
• 35:36
  Speaker 3: And I heard because ron G number ten, You and
• 35:39
  Speaker 3: ron G, it's like two of my favorite shout to
• 35:41
  Speaker 3: ron G.
• 35:42
  Speaker 1: Ron G number ten was a classic.
• 35:44
  Speaker 5: You know what I'm saying.
• 35:45
  Speaker 3: That's when Tim Dogg went against the West Coast. He
• 35:47
  Speaker 3: had Fuck Compton versus Bronx Nigga. You know, Bronx Niggas
• 35:50
  Speaker 3: was always crazy Shelter BX. I love Compton. I'm not
• 35:53
  Speaker 3: this in Compton. But he was the first nigga to
• 35:56
  Speaker 3: like go at Compton in the eighties. I don't remember
• 35:58
  Speaker 3: you remember that record, but I heard you used to
• 36:01
  Speaker 3: sell tapes to like all the biggest drug dealers, rich
• 36:04
  Speaker 3: Al Pole, Fritz god Fisher. Is this true, like out
• 36:08
  Speaker 3: the Trunk oft the Benz or the Being Wagon or
• 36:11
  Speaker 3: just explain that, because I said what.
• 36:14
  Speaker 1: Happened was start.
• 36:17
  Speaker 5: Let's start here, Hollywood Lovebuck, Starsky Chief Rocking, star Child
• 36:23
  Speaker 5: and Blucy b Legend. They were to mixtape gods in
• 36:28
  Speaker 5: New York.
• 36:28
  Speaker 1: Legends legends.
• 36:29
  Speaker 5: Right. So star Child was playing in the s S Club.
• 36:33
  Speaker 5: Sn S Club was a club that not anybody was
• 36:35
  Speaker 5: just allowed to be in because of the people that
• 36:37
  Speaker 5: was in there. Right, So when I got in there,
• 36:40
  Speaker 5: I'm like, oh shit, I'm looking at I'm seeing who's
• 36:42
  Speaker 5: who I know, Who's who? I know? What's what? You
• 36:45
  Speaker 5: know what I'm saying. And me and Start started playing
• 36:47
  Speaker 5: star Wars, making the mixtapes and them, me and him
• 36:50
  Speaker 5: started making the mixtape together. When I stopped playing with
• 36:53
  Speaker 5: Star I kept making the mixtapes. But I've seen something
• 36:57
  Speaker 5: bigger than New York. You know what I'm saying. I
• 37:00
  Speaker 5: seen it bigger. I've seen it going out, and I decided,
• 37:04
  Speaker 5: I'm gonna sit on the street corner in front of
• 37:06
  Speaker 5: Rucker or the street corner one hundred and forty fifth
• 37:09
  Speaker 5: Street next to Willie Berger's and sell the mixtapes for
• 37:11
  Speaker 5: twenty dollars. So I would go to Trader Home, buy
• 37:14
  Speaker 5: a case of tapes, a dollar a tape, and come
• 37:17
  Speaker 5: out selling them twenty hours a tape, make two thousand
• 37:19
  Speaker 5: dollars in an hour. I was doing this shit every day.
• 37:22
  Speaker 5: You know what I'm saying. These niggas were selling twenty
• 37:23
  Speaker 5: dollars cracks. I'm selling twenty doll of mixtapes, right, So
• 37:28
  Speaker 5: what got me? And said? It gave men awareness?
• 37:31
  Speaker 1: Right for our pole Richard, them niggas buy your tape.
• 37:34
  Speaker 5: Our Phoe would come to my joint and buy the
• 37:36
  Speaker 5: tape for me for five hundred seem because he wanted
• 37:40
  Speaker 5: to own. He wanted the tape that nobody had while
• 37:43
  Speaker 5: I was recorded. So he'll say, he'll your kid, I'll
• 37:46
  Speaker 5: get you a hundred. Now two hundred, kid, your three
• 37:49
  Speaker 5: finday they'd take the tape out, so.
• 37:51
  Speaker 1: I'll give you tape. You know what I'm saying. But
• 37:53
  Speaker 1: That's how it went.
• 37:54
  Speaker 5: It was them things was it was like the soundtrack
• 37:57
  Speaker 5: to the drug dealers because when they heard their shot
• 38:00
  Speaker 5: out on their name, on the shot on the mix
• 38:01
  Speaker 5: tape and they going down the street playing on that
• 38:03
  Speaker 5: crazy system, they made them feel like a star. You
• 38:06
  Speaker 5: know what I'm saying. So I ain't one dude telling
• 38:08
  Speaker 5: me he was like yo, when I when I dressed.
• 38:10
  Speaker 5: If I ain't have a mixtape, a kicking pre mixtape
• 38:12
  Speaker 5: on me, I ain't feel fly like it was part
• 38:14
  Speaker 5: of the addressing. You know what I'm saying, that your chain.
• 38:17
  Speaker 1: So it wasn't like niggas paid you for the shoutout.
• 38:19
  Speaker 1: They were just paying extra. No, but yeah, right exactly,
• 38:23
  Speaker 1: my tape extra. But that paying extra was like paying
• 38:26
  Speaker 1: for the shoutow. No, No, my tape was twenty dollars.
• 38:29
  Speaker 5: But there was people that would come and just give
• 38:31
  Speaker 5: me a thousand dollars, give me five hundred just because
• 38:34
  Speaker 5: of what I was doing. There would be dudes that
• 38:37
  Speaker 5: want this tape. There was only one left he want.
• 38:39
  Speaker 5: He wanted to give me three hundred. This dude won't
• 38:41
  Speaker 5: give me six hundred for it because he don't want
• 38:43
  Speaker 5: him to have it.
• 38:44
  Speaker 1: Was coming through to it was crazy.
• 38:47
  Speaker 5: Well rich would come through. Every now and then a
• 38:51
  Speaker 5: Z would come through.
• 38:52
  Speaker 1: A would come through, because you know, that was classic times.
• 38:54
  Speaker 5: I see a after all that shit, all those years after,
• 38:57
  Speaker 5: I see a still.
• 38:59
  Speaker 1: She was driving to be in. He was looking like
• 39:02
  Speaker 1: a drug dealer.
• 39:03
  Speaker 5: You know I was doing. I'm gonna tell what I did.
• 39:05
  Speaker 5: I pulled up right one hundred and forty fifth Street.
• 39:08
  Speaker 5: Everybody out here with all their cars.
• 39:11
  Speaker 1: I bought my.
• 39:11
  Speaker 5: Man's arrange camera or was that shit Camaro? I bought
• 39:19
  Speaker 5: that ship. Pulled up right up before the Willie Burgers
• 39:21
  Speaker 5: jumped up on the put sat right there. I was like,
• 39:24
  Speaker 5: you crazy kid, everybody there with fly shit. I had
• 39:27
  Speaker 5: an orange Camaro out there, some ugly shit. I didn't
• 39:30
  Speaker 5: care about nothing of that. I still care about that.
• 39:32
  Speaker 5: Today I drive a Wrangler. I can drive what I
• 39:34
  Speaker 5: want to drive, a Wrangler, bro. I don't care. Remember
• 39:36
  Speaker 5: I own the two tour buses. I never cared about cars.
• 39:41
  Speaker 5: I've had cars that stayed factory, never putting no rims
• 39:43
  Speaker 5: on him. Then I put system in it. But I
• 39:46
  Speaker 5: don't care about that stuff. I care about other things.
• 39:50
  Speaker 1: You know, legacy making shit happen. How was it coming
• 39:53
  Speaker 1: up in the Bronx, because you know he came up
• 39:55
  Speaker 1: in the Bronx.
• 39:56
  Speaker 5: I mean, coming up in the Bronx is the Bronx.
• 39:58
  Speaker 5: I lived in a good part of the bron Kingsbridge,
• 40:00
  Speaker 5: you know what I'm saying, right next to Riverdale, which
• 40:03
  Speaker 5: I moved to Riverdale later. It wasn't, you know, rough
• 40:06
  Speaker 5: like the South Bronx. But we ain't take no shit,
• 40:08
  Speaker 5: couldn't come to that block with no dumb shit, and
• 40:11
  Speaker 5: ones that did left their bad. So it was definitely
• 40:15
  Speaker 5: an area where everybody took each other, everybody looked out
• 40:18
  Speaker 5: for each other. Everybody was straight, you know. And then
• 40:21
  Speaker 5: I opened up a hairshop over there called evanech Unisex
• 40:24
  Speaker 5: for ten years, me and me and Curtis Smith. Curtis
• 40:28
  Speaker 5: Smith was a celebrity hairstyle and see, you know what
• 40:31
  Speaker 5: was going back just making sure everything's good out there.
• 40:34
  Speaker 5: But yeah, but we always had a good time. Never
• 40:37
  Speaker 5: been no real problems in the Bronx.
• 40:38
  Speaker 1: Man, Fast forward, right, how did you connect with Kendrick Lamar?
• 40:41
  Speaker 1: My guy?
• 40:43
  Speaker 5: He reached out when he was doing a damn album.
• 40:47
  Speaker 5: So when he came out to New York, I met
• 40:50
  Speaker 5: him in the studio, and he gave me an idea
• 40:52
  Speaker 5: what you wanted to do. I gave him some ideas
• 40:54
  Speaker 5: what he should do. And what surprised me about Kendrick
• 40:58
  Speaker 5: is how smart he was and how much history he knew.
• 41:02
  Speaker 5: Because I said, it's another interview. When when I asked him,
• 41:05
  Speaker 5: I said, Yo, you could have had you know, DJ
• 41:08
  Speaker 5: Pool or battle Cat or one of them legends out
• 41:11
  Speaker 5: there in the West Coast to come and do this.
• 41:13
  Speaker 5: Why he did and call them? His response was, you know,
• 41:16
  Speaker 5: I know what you did for the music business. I
• 41:18
  Speaker 5: know what you did for DJs, I know what you
• 41:19
  Speaker 5: did as a whole. A lot of people wouldn't be
• 41:22
  Speaker 5: eaten if you didn't do what you did. So I
• 41:24
  Speaker 5: wanted that authenticity on the album. I was like, Wow,
• 41:29
  Speaker 5: look what I'm saying. It was dope for you know,
• 41:32
  Speaker 5: he really did his homework, you know what I'm saying.
• 41:33
  Speaker 5: So that's where it pressed me the most real, smart,
• 41:36
  Speaker 5: laid back, calm dude, you know what I'm saying, and
• 41:38
  Speaker 5: really focused, you know what I'm saying. He Yeah, I'm
• 41:41
  Speaker 5: older than him and I look up to him, you
• 41:42
  Speaker 5: know what I'm saying.
• 41:43
  Speaker 1: But what he does I don't even know. He was
• 41:46
  Speaker 1: in the studio with him. That's crazy. On the project, man, project,
• 41:51
  Speaker 1: you produced.
• 41:51
  Speaker 5: It or you just just that I narrated the album.
• 41:54
  Speaker 5: I did about five joints. Yep.
• 41:57
  Speaker 1: Got to do your homework. And see, man, I know
• 42:00
  Speaker 1: I know all this.
• 42:03
  Speaker 6: I know Kick appreciate, but you ain't know he was
• 42:05
  Speaker 6: on Kendrick Lamar album, all these new records I got
• 42:08
  Speaker 6: coming out.
• 42:09
  Speaker 1: To cam We Brothers. That's what I'm said.
• 42:22
  Speaker 6: Camera in this music business right and you've been doing
• 42:27
  Speaker 6: business for so long? Has anybody ever owed you money?
• 42:30
  Speaker 6: Kid that you finally hard your mothers owe me.
• 42:32
  Speaker 1: Money to nobody?
• 42:36
  Speaker 5: Shippp Because what happens is I'm not gonna ask you
• 42:42
  Speaker 5: for it.
• 42:43
  Speaker 1: I'm just gonna remember I gave it to you. Got
• 42:45
  Speaker 1: you got you?
• 42:46
  Speaker 5: You know what I'm saying. And that's the problem.
• 42:49
  Speaker 1: You know.
• 42:50
  Speaker 5: You know Now, depending on what it really is, how
• 42:53
  Speaker 5: much it is, I may come and be like, what's
• 42:55
  Speaker 5: that path that we got to do something? But if
• 42:57
  Speaker 5: it's something I could do without, Hey, for whatever it was,
• 43:01
  Speaker 5: it got you away from me, I ain't got worry
• 43:03
  Speaker 5: about you no more.
• 43:04
  Speaker 1: Got you got you got you yo?
• 43:06
  Speaker 3: Talk about you know shouting my man Dre. Shout the
• 43:10
  Speaker 3: kid Capri. He's not only a producer, he's a rapper,
• 43:13
  Speaker 3: you know, shout to the New York Knicks. Because he's
• 43:16
  Speaker 3: on his New York ship.
• 43:18
  Speaker 5: This dude right here, let me tell you what happened.
• 43:20
  Speaker 5: Let me just talk to Ship because Jayo didn't want
• 43:22
  Speaker 5: me to tell you. He didn't want me to say nothing.
• 43:24
  Speaker 1: He didn't want you to You definitely got to say.
• 43:26
  Speaker 5: He didn't want me to say ship. All right. This
• 43:29
  Speaker 5: is when I dropped live from New York. I ain't
• 43:31
  Speaker 5: even dropped live from New York yet. He heard shout
• 43:34
  Speaker 5: to Robbie Rob. Robbie Rob had hit me on the FaceTime.
• 43:37
  Speaker 5: He was with Robbie Rob and I was playing live
• 43:39
  Speaker 5: for New York in the FaceTime. Yeah, y'all heard that ship.
• 43:42
  Speaker 5: It was like, Yo, play that ship again. Played it again.
• 43:46
  Speaker 5: He got right on the phone and called Dre. Yo, Dre,
• 43:50
  Speaker 5: I need you to make sure this ship is rocking
• 43:52
  Speaker 5: in the in the States and the Garden Masal Square Guard.
• 43:57
  Speaker 6: Now listen, the record was about to get this nigga
• 44:00
  Speaker 6: some props right now.
• 44:01
  Speaker 5: Yeah, I'm giving it to him crazy. The record wasn't
• 44:07
  Speaker 5: even out yet. It was two weeks before the record
• 44:10
  Speaker 5: was even coming out. This ship was rocking in the
• 44:12
  Speaker 5: Guard and the ship was all and they were playing
• 44:13
  Speaker 5: playing it by playing the.
• 44:14
  Speaker 1: Game playoffs, and they called me down.
• 44:16
  Speaker 5: They'd come do a bunch of shit for the Guard
• 44:18
  Speaker 5: and all that. This ship wasn't even out yet. So
• 44:20
  Speaker 5: his ball, he really set it off for me for
• 44:23
  Speaker 5: that record before I got a chance. And now that
• 44:25
  Speaker 5: the smart thing was I didn't want people to think
• 44:28
  Speaker 5: it was a New York Knicks record in case they
• 44:30
  Speaker 5: lost God, so I waited for them to see if
• 44:32
  Speaker 5: they were going to lose a win before I dropped
• 44:35
  Speaker 5: the real video.
• 44:35
  Speaker 1: Out you Murder.
• 44:36
  Speaker 3: At the end of the day, I had to sound
• 44:38
  Speaker 3: the ear. This guy is a dope producer. He's a rapper,
• 44:43
  Speaker 3: you know what I'm saying, and he's the number one DJ.
• 44:45
  Speaker 5: So that was a dope look he did that.
• 44:47
  Speaker 3: So when you go back to battle rappers, I think
• 44:49
  Speaker 3: when battle rappers the most challenge for them is when
• 44:52
  Speaker 3: they make records, people look at them as one in
• 44:54
  Speaker 3: one pocket. But when you look at kick Apre, you
• 44:57
  Speaker 3: look at him as more as top tier DJ in
• 45:00
  Speaker 3: the world, instead of looking at him as a rapper
• 45:03
  Speaker 3: or a producer.
• 45:04
  Speaker 1: You understand what I'm saying. You pass my letter? Oh definitely,
• 45:07
  Speaker 1: I was about to steal it, you know what i mean.
• 45:09
  Speaker 3: But you know what I mean, like they look at
• 45:11
  Speaker 3: him as you know he's number one producers because when
• 45:13
  Speaker 3: you get on them turned tables and you hit kid Capri,
• 45:17
  Speaker 3: you know.
• 45:17
  Speaker 5: The party DJing. You know just what I do is
• 45:22
  Speaker 5: the party dj It's all kind of DJing. You know
• 45:24
  Speaker 5: what I'm saying. I'm not the best. I'm the best
• 45:26
  Speaker 5: at what I do. You know what I'm saying. What
• 45:28
  Speaker 5: I do set the tone for what you see everybody doing.
• 45:33
  Speaker 5: Just kick Capri and them.
• 45:35
  Speaker 1: You know what I'm saying.
• 45:35
  Speaker 5: They got some kind of blueprint or something from my
• 45:39
  Speaker 5: chemistry at what I've done, So I mean, I ain't
• 45:41
  Speaker 5: got to sell that to nobody. Everybody knows that. It's
• 45:44
  Speaker 5: you know, people that probably did my style got it
• 45:46
  Speaker 5: from somebody else that don't know they got it from me.
• 45:48
  Speaker 5: It is what it is. I'm glad to be able
• 45:50
  Speaker 5: to have that influence on people to do that. You
• 45:52
  Speaker 5: know what I'm saying. That's a that's a gift, you
• 45:54
  Speaker 5: know what I'm saying. But at one time I ain't
• 45:55
  Speaker 5: like that shit. One time, I was like, why everybody
• 45:58
  Speaker 5: doing my shit? Fuck anybody doing my ship for a
• 46:01
  Speaker 5: find your own ship saying I ain't coming sound like Boosie,
• 46:03
  Speaker 5: I ain't coming, sound like Starring. I came. I found
• 46:05
  Speaker 5: my own ship and I moved. It did and it worked.
• 46:07
  Speaker 5: Find your ship, be influenced, but don't be gonna copy.
• 46:10
  Speaker 5: We don't come from that. But what are you gonna do?
• 46:14
  Speaker 5: You know what I'm saying. So once I got over
• 46:16
  Speaker 5: that and really looked at it for what it was,
• 46:18
  Speaker 5: it was like your kid, you influenced the world. Really
• 46:21
  Speaker 5: did that ship?
• 46:22
  Speaker 1: Like you really did that shit.
• 46:23
  Speaker 5: So once I got into that, it was like, yeah,
• 46:26
  Speaker 5: that's dope. You know what I'm saying.
• 46:29
  Speaker 6: Now, you entertained radio for a little bit, but you
• 46:31
  Speaker 6: was never like the big radio DJ guy like that.
• 46:36
  Speaker 1: Why you didn't choose that path? Why you didn't pursue that?
• 46:38
  Speaker 5: Because everything for me is a stepping stone. The mixtape
• 46:42
  Speaker 5: was a steppingstone. It wasn't a career move. Deaf Comedy
• 46:46
  Speaker 5: Jam was a stepping stone. It wasn't a career move.
• 46:48
  Speaker 5: Even though we had a dope career doing it was on.
• 46:50
  Speaker 5: We was off for nine different seasons. I would have
• 46:52
  Speaker 5: kept going for nine more, but it was a stepping stone.
• 46:55
  Speaker 5: It was the next thing. It's always album and then
• 46:57
  Speaker 5: you know the next thing.
• 46:59
  Speaker 1: You know.
• 46:59
  Speaker 5: I would try to innovate.
• 47:00
  Speaker 1: This is why I ain't. I don't try not to follow.
• 47:04
  Speaker 5: I try to give something that people might want that
• 47:07
  Speaker 5: they never seen before. Because we, especially in right now,
• 47:11
  Speaker 5: we have an abundance of everybody doing anybody everything. Everybody's
• 47:14
  Speaker 5: a rapper, everybody's a stripper, everybody's everybody's everything. Everybody got
• 47:19
  Speaker 5: something to say, everybody name somebody, anybody got everybody, but
• 47:27
  Speaker 5: no they with the podcast, it's who's doing it.
• 47:31
  Speaker 1: That's what it is. Ain't kicking everybody can't do everything.
• 47:38
  Speaker 1: You know what I'm saying. You know, like that the
• 47:40
  Speaker 1: album thing. Now, everybody's want to be making albums.
• 47:42
  Speaker 5: That's why the album narrative went down, because motherfucker make
• 47:45
  Speaker 5: an album and have twelve garbage records on there and
• 47:48
  Speaker 5: one good song.
• 47:49
  Speaker 1: So now.
• 47:51
  Speaker 3: That's what Listen, who do we blame do we bring radio?
• 47:54
  Speaker 3: Do we blame the DJs? Because that's what they changed
• 47:56
  Speaker 3: the game into. I look at it like this, Listen,
• 47:59
  Speaker 3: hold on, let me say my point. I ain't even
• 48:01
  Speaker 3: saying nothing yet no, because I'm on k see well,
• 48:05
  Speaker 3: I think the eighties was the classic eraror for hip hop.
• 48:08
  Speaker 1: For me, it's because it was all about New York City. Right.
• 48:14
  Speaker 1: You had Ka ris One, you had fucking Eric b
• 48:18
  Speaker 1: Rock Kim, Big Daddy King, Slick.
• 48:21
  Speaker 3: Rick coom O d fucking you have records self, you
• 48:25
  Speaker 3: have self destruction, you have steptastonic.
• 48:29
  Speaker 1: Saying it wrong. You had a couple of dricks let's
• 48:34
  Speaker 1: stay more. You had DJ red Alert, you had What's
• 48:40
  Speaker 1: my Man? This goes on?
• 48:41
  Speaker 3: And it's so many DJs. For me, the eighties was
• 48:45
  Speaker 3: like and then you always gotta say Ralph McDaniels because
• 48:49
  Speaker 3: I'm the nigga that absolutely was in the crib when
• 48:52
  Speaker 3: I hear that, no, no, no, you don't get the
• 48:54
  Speaker 3: credit he deserves.
• 48:56
  Speaker 1: He's me for b et all the ship.
• 48:58
  Speaker 5: He don't get the credit. South Damn you don't get
• 49:00
  Speaker 5: credit when you used to hear.
• 49:02
  Speaker 3: That dinner didn't It was like at that point was
• 49:07
  Speaker 3: yeah as a word as a kid, and that.
• 49:12
  Speaker 4: Was on Saturday.
• 49:13
  Speaker 1: You know, you want to throw on that ship for
• 49:16
  Speaker 1: the ticks.
• 49:16
  Speaker 3: That's when you see girls and outfits as a kid,
• 49:18
  Speaker 3: you know, But like when I heard that Dinner Dinner
• 49:23
  Speaker 3: and Big Daddy Kane is on there with the big
• 49:26
  Speaker 3: chain right.
• 49:28
  Speaker 1: Click rick like for me, like even run DMC.
• 49:33
  Speaker 3: Classic ship for me was It's Christmas Tom and Haller's
• 49:36
  Speaker 3: Queens moms could get chickens because that was a Christmas song,
• 49:41
  Speaker 3: like a Christmas album that was just for me. Those
• 49:44
  Speaker 3: are like the best times in my life. Man, the
• 49:46
  Speaker 3: eighties man block parties, DJ's scratching, you know there was
• 49:52
  Speaker 3: actually turn like like for me, I don't know how
• 49:55
  Speaker 3: to mess with c DJ's and noting my man rough
• 49:57
  Speaker 3: hands and like I went to Grand Mass, the big parties,
• 50:00
  Speaker 3: like I went to Jamaica Avenue to buy mixtapes Dog Time,
• 50:03
  Speaker 3: grim Master Vic.
• 50:04
  Speaker 1: Then he can clue you changed the game. We fuck
• 50:06
  Speaker 1: with your clue changed the game. I like blends. You
• 50:09
  Speaker 1: know what I'm saying. I like, we had our shit.
• 50:12
  Speaker 1: That's the Queen's anthem. Oh travels.
• 50:14
  Speaker 3: I was in the parties Grand Master, so for me,
• 50:18
  Speaker 3: I was like, yo, it's just classic hip hop. Rest
• 50:23
  Speaker 3: in peace of Freaky Todd, the Little Boys. Remember when
• 50:25
  Speaker 3: they came. I was around, like I was in the streets,
• 50:27
  Speaker 3: like listen to that. But as a kid, Ralph McDaniels
• 50:30
  Speaker 3: brother talk about that man like Ralph McDaniel's that Tom
• 50:33
  Speaker 3: and hip hop.
• 50:34
  Speaker 1: To me, the eighties was just all about New York.
• 50:37
  Speaker 5: Yeah, he deserve it, man, He deserved to get more
• 50:39
  Speaker 5: recognition than he got.
• 50:40
  Speaker 4: Man.
• 50:40
  Speaker 5: You know what I'm saying, he really put it in.
• 50:42
  Speaker 5: You know what I'm saying, really put like he really
• 50:44
  Speaker 5: cared about it, you know what I'm saying. And that'd
• 50:46
  Speaker 5: be the problem to be the ones that really care
• 50:47
  Speaker 5: about it, that don't get the recognition that it's supposed
• 50:49
  Speaker 5: to and the ones that really don't give a shit.
• 50:52
  Speaker 5: You know, they coming to show late. You know, they
• 50:55
  Speaker 5: think they get on stage with a thousand people, They come,
• 50:59
  Speaker 5: do two songs, they romming over, they record, They don't
• 51:04
  Speaker 5: really care. You know what I'm saying. They care about
• 51:07
  Speaker 5: the wild factor. Look at me. I'm here, look at me.
• 51:10
  Speaker 5: It becomes that, you know what I'm saying, when you
• 51:14
  Speaker 5: could tell when somebody that is on stage and they
• 51:19
  Speaker 5: like I don't like to put myself in it, but
• 51:21
  Speaker 5: I have to use it. When I'm on stage. I
• 51:24
  Speaker 5: look at myself as if I'm in the crowd watching me,
• 51:26
  Speaker 5: and what would make me like me? What would make
• 51:28
  Speaker 5: me want to come back and watch me again? What
• 51:30
  Speaker 5: would make a promoter pay to have me come back again?
• 51:33
  Speaker 5: What would make these people pay again to come see
• 51:35
  Speaker 5: me again? You know what I'm saying, So I become them.
• 51:37
  Speaker 5: It's never about me, and a lot of times, a
• 51:40
  Speaker 5: lot of different artists and people, it becomes about them,
• 51:45
  Speaker 5: and that's where the fall off comes at. They might
• 51:49
  Speaker 5: be popping for that minute, but as soon as they
• 51:52
  Speaker 5: think it's about them, that's when you see the fall
• 51:54
  Speaker 5: off come. It's never about you because these are the
• 51:59
  Speaker 5: people that put the money in your pocket to pay
• 52:01
  Speaker 5: your life. So how do you not give them the
• 52:03
  Speaker 5: best you can give them? How do you not be
• 52:05
  Speaker 5: humble enough to show that they're part of you and
• 52:08
  Speaker 5: there inclusive? You know what I'm saying. We're not fucking
• 52:11
  Speaker 5: better than nobody. We just got better job. We might
• 52:13
  Speaker 5: have a better job, but we ship and tickle and.
• 52:19
  Speaker 1: Just the real ship. Though better than everybody.
• 52:25
  Speaker 4: I appreciate that.
• 52:25
  Speaker 3: I appreciate that hockey backing one of the greatest ever
• 52:34
  Speaker 3: all time? Right, what the fuck is the mindset of like?
• 52:39
  Speaker 3: Because being a DJ is the toughest job. People say
• 52:41
  Speaker 3: being a rapper is the toughest job. But then the
• 52:43
  Speaker 3: DJ is the toughest job.
• 52:45
  Speaker 1: You might get shot at less, of course, right, but
• 52:48
  Speaker 1: definitely yeah, y'all get shot at less a little bit
• 52:51
  Speaker 1: better than the rapp.
• 52:52
  Speaker 3: But think about this, what's the mindset I'm kicking pre right, Okay,
• 52:58
  Speaker 3: how do I work this crowd? Am I going reggae?
• 53:01
  Speaker 3: Am I going hip hop? Am I going R and B?
• 53:06
  Speaker 3: Am I going Spanish music?
• 53:08
  Speaker 4: Like?
• 53:09
  Speaker 1: How does the DJ? Because you know what I'm saying,
• 53:11
  Speaker 1: how do you know how to move the crawd?
• 53:13
  Speaker 4: Like?
• 53:14
  Speaker 1: What would be your advice to a DJ?
• 53:15
  Speaker 4: Like?
• 53:15
  Speaker 1: If I was DJing and I'm in fucking London, what
• 53:19
  Speaker 1: are you gonna tell me?
• 53:20
  Speaker 3: Play afro B? So if I'm in New York in Harlem, like,
• 53:23
  Speaker 3: what is tell me? What's the mindset?
• 53:26
  Speaker 5: That's what I want to For years and years I've
• 53:28
  Speaker 5: been doing this shit. I've been traveling all over back
• 53:32
  Speaker 5: It's your job to know what's going on in that city.
• 53:36
  Speaker 5: So I will call the top DJ out in the
• 53:39
  Speaker 5: city or the promote out in the city and say, Yo,
• 53:42
  Speaker 5: what's popping? What's the top ten things popping in that city?
• 53:46
  Speaker 5: And by the time I get to that city, I'm
• 53:48
  Speaker 5: doing that, and those people are surprised because these records,
• 53:52
  Speaker 5: if I'm playing let's say this music, those records are
• 53:56
  Speaker 5: never heard nowhere else. They just popping in that one city,
• 53:59
  Speaker 5: and it's an underground thing, you know, right, So when
• 54:01
  Speaker 5: I come and play that ship, they're like, how the
• 54:03
  Speaker 5: fuck he knows that?
• 54:04
  Speaker 1: Oh, you do your homework. It been like that for
• 54:07
  Speaker 1: you to play that record first.
• 54:09
  Speaker 5: Yeah, so when I played, the crowd is losing you.
• 54:14
  Speaker 1: And this is all over.
• 54:15
  Speaker 5: If I'm in Alaska, I know what's popping in the
• 54:17
  Speaker 5: last Thank you.
• 54:18
  Speaker 1: For the secret. I just gave y'all. I just gave
• 54:21
  Speaker 1: y'all one on one just now, that's crazy.
• 54:25
  Speaker 6: Now I do, kid can pre make the transition of
• 54:27
  Speaker 6: rapping now because now you you you you wrap up.
• 54:30
  Speaker 6: I even get a lot of what like d ms
• 54:34
  Speaker 6: on Instagram or a lot of ads, and I be thinking,
• 54:37
  Speaker 6: I'm getting like a personal message like that, what's up
• 54:39
  Speaker 6: my nigga, But it be like nine, nigga, check out
• 54:41
  Speaker 6: this new ship.
• 54:42
  Speaker 1: I'm spitting like it was good. So how the transition
• 54:45
  Speaker 1: happened with that kid?
• 54:46
  Speaker 5: It never was a transition my first before, there was
• 54:49
  Speaker 5: a before, there was a rough riders, a cash money,
• 54:52
  Speaker 5: no limit, a bad boy kicking pri a wrap out
• 54:55
  Speaker 5: kicking pre to tape.
• 54:56
  Speaker 1: Oh okay, right, so through your homework.
• 54:59
  Speaker 5: Wrap records now been my bread and butter. I make
• 55:01
  Speaker 5: rap records because I want to DJ. Should always been
• 55:04
  Speaker 5: my bread and butter. Right, So I didn't make records
• 55:06
  Speaker 5: every year. You know what I'm saying?
• 55:08
  Speaker 4: You know like that?
• 55:09
  Speaker 5: So, like I said, when I did, the first album
• 55:11
  Speaker 5: was a rap album. The second album was a production
• 55:14
  Speaker 5: album only rhyming album twice. My next album after that
• 55:17
  Speaker 5: was twenty four years ago, which was twenty four years later,
• 55:19
  Speaker 5: which is the Love Album, which I put out in
• 55:20
  Speaker 5: twenty twenty two. Since then, I've been putting records out
• 55:23
  Speaker 5: up until last week. But I only have three four
• 55:27
  Speaker 5: albums the Hoodies album. Three four albums throughout all these years.
• 55:30
  Speaker 5: Because it never been my bread and butter. I didn't
• 55:32
  Speaker 5: want to deal with all the everything that comes with it.
• 55:36
  Speaker 5: It comes with especially make my type of album Clarence
• 55:38
  Speaker 5: is and all that shot. Just say you know what,
• 55:40
  Speaker 5: and we just do it when I want to do it.
• 55:42
  Speaker 5: And now that we in the ever where, you ain't
• 55:44
  Speaker 5: gotta have no no handcuffs on you. You know what
• 55:47
  Speaker 5: I'm saying, you could do things and social media just
• 55:49
  Speaker 5: get to have. So if I want to put this
• 55:51
  Speaker 5: half fun to do it, you just do it?
• 55:52
  Speaker 4: Got it?
• 55:53
  Speaker 5: You know what I'm saying.
• 55:53
  Speaker 3: You don't think there's a point in time where like
• 55:57
  Speaker 3: if y'all agree with this, because this is how I
• 55:59
  Speaker 3: feel that people try to like devalue the DJ because
• 56:05
  Speaker 3: like I said, Okay, let's let's go. No, let me
• 56:07
  Speaker 3: tell you just we go from the eighties terminated, look,
• 56:11
  Speaker 3: terminated this eighties?
• 56:12
  Speaker 1: He you go ahead ahead? Let people. I always let you,
• 56:17
  Speaker 1: let me, let me, let me explain my synopsis nigga
• 56:20
  Speaker 1: right right, you've been drinking a lot to let me
• 56:28
  Speaker 1: do my yea, go ahead, right.
• 56:33
  Speaker 3: So what I'm saying like in the eighties, right, we
• 56:36
  Speaker 3: knew who terminated was terminated X right, terminated as he
• 56:39
  Speaker 3: had the big glasses. Yeah, we knew jam Master J.
• 56:44
  Speaker 1: Right. Let me let me think who was slick? We
• 56:46
  Speaker 1: knew Eric bat in rocking? Right, who's slick Rick DJ? Again?
• 56:51
  Speaker 1: You know, man, it's white?
• 56:53
  Speaker 5: What's this DJ?
• 56:55
  Speaker 1: But at that point you know him? I like how
• 56:57
  Speaker 1: you just stopped that question because I forgot slip because
• 56:59
  Speaker 1: I know we always had the King going ship. Let
• 57:01
  Speaker 1: me say, I don't know he was. Now.
• 57:03
  Speaker 3: Look, that was a point in time of the DJ.
• 57:07
  Speaker 3: Then you fast forward to, like what you say, the nineties,
• 57:11
  Speaker 3: where you had Ca Capri was still he was in
• 57:14
  Speaker 3: the eighties, but the nineties you had Kick Capri. The
• 57:17
  Speaker 3: eighties we would say what the eighties red alert? We
• 57:20
  Speaker 3: would say, what is red alert?
• 57:21
  Speaker 1: Red al? Yeah? Yeah, wherever?
• 57:27
  Speaker 5: Where you going with it?
• 57:28
  Speaker 3: Though what I'm going with it, I'm not trying to
• 57:30
  Speaker 3: confuse you. I'm going me kid y'all not Let me finished.
• 57:33
  Speaker 3: By the eighties, the DJ was relevant, like to up
• 57:44
  Speaker 3: an extent where you was watching Eric Be as much
• 57:47
  Speaker 3: as rock Kim.
• 57:48
  Speaker 1: Let me keep going, let me finish.
• 57:50
  Speaker 4: Let me say.
• 57:51
  Speaker 3: The nineties even like what I'm saying is like even
• 57:55
  Speaker 3: in the nineties you had Kick Capri, you had Flex anything.
• 58:00
  Speaker 3: They had albums at that point, like Kick Apri had
• 58:03
  Speaker 3: an album, Flex had the album, Clue had an album.
• 58:08
  Speaker 3: Before DJ Khalid, it was more like now now you
• 58:12
  Speaker 3: only see DJ Khaled with an album. No disrespect to him,
• 58:15
  Speaker 3: but it was just more shit like like a Flex
• 58:18
  Speaker 3: album would come out and you'd be like, oh shit,
• 58:20
  Speaker 3: we got this free style kick Apri. Oh shit, he
• 58:22
  Speaker 3: might have this freestyle from nigga from hallam on. He
• 58:25
  Speaker 3: might have some big l shit.
• 58:26
  Speaker 1: Clue, oh clue.
• 58:27
  Speaker 3: Oh he got a knaves free style. You know what
• 58:29
  Speaker 3: I'm saying. That's all I'm saying. It just seemed like
• 58:32
  Speaker 3: it was just just more to DJs. It was just
• 58:36
  Speaker 3: more bad. It was just more value to it. I'm
• 58:38
  Speaker 3: not and I love all the DJ's till this point. Now,
• 58:41
  Speaker 3: that's why we got him on the show. But I
• 58:42
  Speaker 3: feel like niggas don't give just due to certain DJs
• 58:46
  Speaker 3: that or DJ's in the game period, like how they
• 58:48
  Speaker 3: used to in them rags that was sny.
• 58:53
  Speaker 1: Do y'all agree? Oh no, take on this.
• 58:56
  Speaker 5: I want to know what the question is.
• 58:58
  Speaker 3: No, do you feel like likeas like sometimes like a
• 59:01
  Speaker 3: nigga like you we got on the show, like it's
• 59:03
  Speaker 3: important to have you on the show to show how
• 59:05
  Speaker 3: important you are to hip hop, Like sometimes.
• 59:08
  Speaker 1: I feel like the DJ position got paused, Like it's
• 59:12
  Speaker 1: not like in the eighties nineties to now something gets all.
• 59:19
  Speaker 5: Right, let me back up, back up before records, right,
• 59:28
  Speaker 5: it was Grand Master Flash and the Phibious five. It
• 59:31
  Speaker 5: was bad, was the theater and the Fantastic It was
• 59:35
  Speaker 5: Charlie chasing the Cold Cours brothers.
• 59:37
  Speaker 4: What was the DJ name?
• 59:39
  Speaker 1: First?
• 59:39
  Speaker 5: Right, records came in and then DJ's was scratching on
• 59:43
  Speaker 5: the records a little bit, right, But then they didn't
• 59:46
  Speaker 5: need DJ scratching on the records. They started making records.
• 59:51
  Speaker 5: They were making records with bands, right, So when they
• 59:54
  Speaker 5: need the DJ to be scratching on the record, no more,
• 59:57
  Speaker 5: the name wasn't there no more standing in the front.
• 1:00:01
  Speaker 5: Now when the nineties come, you got people like Premiere
• 1:00:04
  Speaker 5: that's scratching on the record. But it's a different type
• 1:00:07
  Speaker 5: of hip hop now. It's more advanced now. Right now,
• 1:00:10
  Speaker 5: when you get to the mixtape ever with me, right now,
• 1:00:14
  Speaker 5: it becomes a one man's, a one man's show. I
• 1:00:16
  Speaker 5: don't need a rapper, I don't need none of this shit.
• 1:00:19
  Speaker 5: I'm I could do everything right. That transformed into the
• 1:00:24
  Speaker 5: tape now, the tape that's so popular that we start
• 1:00:28
  Speaker 5: getting album deals now to make it, to make to
• 1:00:31
  Speaker 5: take artists, and I was the first one take artists
• 1:00:35
  Speaker 5: putting together. Right right now, when something gets hot and
• 1:00:42
  Speaker 5: everybody does it, eventually it's going to get warm. It's
• 1:00:47
  Speaker 5: going to get warm. It's not going to stay around
• 1:00:49
  Speaker 5: because everybody's doing it that probably ain't supposed to be
• 1:00:53
  Speaker 5: doing it. You see what I'm saying. That goes for anything.
• 1:00:57
  Speaker 5: So that's what Listen. One day somebod I said, I
• 1:01:00
  Speaker 5: get a tattoo, and everybody got fucking tattoos. One day
• 1:01:03
  Speaker 5: somebody said, I'm a smoke a hookah.
• 1:01:05
  Speaker 1: Nobody know what hooker.
• 1:01:06
  Speaker 5: Everybody starts smoking. Who gonna sound cool? You know that
• 1:01:09
  Speaker 5: ship is that overseas. This is what I'm saying. When
• 1:01:12
  Speaker 5: something gets hot, we overdo it until it ain't hot.
• 1:01:16
  Speaker 1: How many DJs albums it was only me.
• 1:01:19
  Speaker 5: Tony Touch Flex Clue, there's a lot of them, Like
• 1:01:25
  Speaker 5: it's no, it wasn't that many though, I mean, it
• 1:01:27
  Speaker 5: wasn't that many, of course not.
• 1:01:29
  Speaker 1: You said you flex used to be putting.
• 1:01:37
  Speaker 5: I mean that's a good handful for where we came from,
• 1:01:40
  Speaker 5: where DJs wasn't looked at to do that, you know
• 1:01:42
  Speaker 5: what I'm saying. So keep that in mind, Like you know,
• 1:01:45
  Speaker 5: I set the trail of soundtrack to the streets and
• 1:01:47
  Speaker 5: that opened the door, you know what I'm saying, But
• 1:01:49
  Speaker 5: it still didn't bring us to where we're on the
• 1:01:51
  Speaker 5: front page. Of magazines. They you know we were on
• 1:01:55
  Speaker 5: the you know, we being highlighted the way we're supposed
• 1:01:58
  Speaker 5: to be highlighted at award shows, and you know shit
• 1:02:01
  Speaker 5: like that. It's still a long way. Like I fought
• 1:02:03
  Speaker 5: for the fact of I'm not gonna be treated like
• 1:02:05
  Speaker 5: some nigga playing music, you know what I'm saying, like
• 1:02:07
  Speaker 5: just playing records. You're gonna put me center stage like
• 1:02:09
  Speaker 5: you put the hit artists. You ain't put me on
• 1:02:11
  Speaker 5: no bottom of no flyer. You're gonna you ain't treating
• 1:02:14
  Speaker 5: me like that. You're gonna treat me like an artist.
• 1:02:16
  Speaker 5: I'm gonna get paid the same way. Because here's the
• 1:02:18
  Speaker 5: science of it. If I'm taking a room that and
• 1:02:21
  Speaker 5: I'm feeling this. Say, if you get an artist and
• 1:02:23
  Speaker 5: he fills this room, sells it out, and you put
• 1:02:26
  Speaker 5: me in that same room and I sell it out.
• 1:02:28
  Speaker 5: This man's on stage for two hours doing two songs.
• 1:02:31
  Speaker 5: His hit record is the first trick and maybe another record.
• 1:02:33
  Speaker 5: He's out of the door. Hen't really give you no
• 1:02:35
  Speaker 5: real show. I'm there for two hours shaking this shiit.
• 1:02:38
  Speaker 5: Same amount of people, same amount of brand. You're gonna
• 1:02:41
  Speaker 5: pay me the same way you're paying him where you're
• 1:02:43
  Speaker 5: gonna look at it because I'm playing other people's music,
• 1:02:45
  Speaker 5: and DJ is any different. It's a performance. At the
• 1:02:48
  Speaker 5: end of the day, if I'm doing my job better
• 1:02:50
  Speaker 5: than him, it ain't worth more than what he's supposed to.
• 1:02:53
  Speaker 1: Get or the same. Nah.
• 1:02:55
  Speaker 5: So me standing on that made me become who I became.
• 1:02:59
  Speaker 5: I knew how to say know the people very early.
• 1:03:02
  Speaker 1: Nah, I'm good.
• 1:03:03
  Speaker 5: Give it to the next one.
• 1:03:04
  Speaker 1: Give it and I know the work.
• 1:03:05
  Speaker 5: You know what I'm saying. I know what I bring
• 1:03:07
  Speaker 5: to the table. I know what kind of One time
• 1:03:08
  Speaker 5: a dude walked up to me. I did a show.
• 1:03:11
  Speaker 1: I filled up four floors, sold it out. He got
• 1:03:14
  Speaker 1: so excited he said some.
• 1:03:16
  Speaker 5: Shit to me he wasn't supposed to say.
• 1:03:18
  Speaker 1: He read up with me, your kid, yo, your chith
• 1:03:20
  Speaker 1: this shit and shit was crazy. Yo, I made two
• 1:03:22
  Speaker 1: hundred and fifty ten thousand dollars on you, just on
• 1:03:24
  Speaker 1: the ball. Lo.
• 1:03:27
  Speaker 5: I was like, well, all right, And from that day on,
• 1:03:31
  Speaker 5: I got what I wanted.
• 1:03:33
  Speaker 1: Gotcha made exactly because look at it this way, look
• 1:03:38
  Speaker 1: at it this way right. For years so it was
• 1:03:40
  Speaker 1: just your name on that fly, just my name on
• 1:03:43
  Speaker 1: the fly.
• 1:03:43
  Speaker 5: This is this is all over the country. This is
• 1:03:46
  Speaker 5: everywhere I go out of the country, this is islands everywhere.
• 1:03:50
  Speaker 5: I feel that shit of by myself. I don't need
• 1:03:52
  Speaker 5: no artists. I don't need none of that ship. I
• 1:03:55
  Speaker 5: sell out where we go, you know what I'm saying,
• 1:03:57
  Speaker 5: because that's what we built up. But you making money
• 1:04:00
  Speaker 5: from the bar, you're making money from the food, you're
• 1:04:03
  Speaker 5: making money from the parking, and you ain't paying this
• 1:04:06
  Speaker 5: to the artists. So how do you bitch about what
• 1:04:10
  Speaker 5: I want from that door? You pay me what I
• 1:04:12
  Speaker 5: want and that's why not. But but with that, you
• 1:04:15
  Speaker 5: got to bring a certain amount of artistry to that
• 1:04:18
  Speaker 5: stage to demand that.
• 1:04:19
  Speaker 1: Everybody can't demand that.
• 1:04:21
  Speaker 5: Everybody can't demand that. And if you're going to demand that,
• 1:04:23
  Speaker 5: you have to you have to bring with backs that up,
• 1:04:26
  Speaker 5: you know what I'm saying. And that's where we get
• 1:04:28
  Speaker 5: a little bit entitled where we did. We got a
• 1:04:30
  Speaker 5: little hit record out and we pop because we got
• 1:04:33
  Speaker 5: to hit record out. Okay, records going. What are you
• 1:04:36
  Speaker 5: gonna do for me to hear your next record or
• 1:04:39
  Speaker 5: coming to your show with enjoy you and buy your
• 1:04:41
  Speaker 5: merch Are you're gonna That's what I'm saying that's a
• 1:04:45
  Speaker 5: whole big picture. Before you getting this minuit. You gotta
• 1:04:48
  Speaker 5: know that because you be here to day going tomorrow.
• 1:04:50
  Speaker 5: Don't watch motherfuckers come today, be here it be here today.
• 1:04:54
  Speaker 5: They can't get a show.
• 1:04:55
  Speaker 1: DJing is like rappers. It's competition. And you know that.
• 1:04:58
  Speaker 1: I know he ain't gonna not not admit to that.
• 1:05:00
  Speaker 3: And I'm gonna tell you why should be different, Like
• 1:05:04
  Speaker 3: when you're a big dog and I know flex and
• 1:05:06
  Speaker 3: Kickapri and all these niggas do that, like you know
• 1:05:08
  Speaker 3: how like the first DJ be there he opened it,
• 1:05:13
  Speaker 3: Kick Capri would be like, YO, tell that a nigga
• 1:05:15
  Speaker 3: don't play certain records until I get there.
• 1:05:17
  Speaker 1: No, sir, No, I'm just saying not maybe not hell
• 1:05:21
  Speaker 1: maybe not you look you you big dog. You I
• 1:05:25
  Speaker 1: thought you was allowed to do that to tell if
• 1:05:27
  Speaker 1: you are open listen, if you break it down, yay,
• 1:05:32
  Speaker 1: our guest talk.
• 1:05:33
  Speaker 5: That's not how it how it goes is because I
• 1:05:37
  Speaker 5: want people to get their money's worth, right. I'm not
• 1:05:41
  Speaker 5: the dude that's happy to do your fucking event. I'm
• 1:05:45
  Speaker 5: happy to do your event if everything is treated the
• 1:05:48
  Speaker 5: way it's supposed to treat for the people that pay
• 1:05:50
  Speaker 5: they getting to come see me. They're the number one thing,
• 1:05:53
  Speaker 5: not me, not the promoter. They are the number one thing.
• 1:05:56
  Speaker 5: So I don't want to come in the show. And
• 1:05:59
  Speaker 5: the d J that's trying to sound like Kicking pre
• 1:06:03
  Speaker 5: plays the ship that Kicking pri plays before Kicking pre
• 1:06:06
  Speaker 5: get a chance to play it at the wrong time. Right,
• 1:06:11
  Speaker 5: So what I've done was paid for opening DJ for years,
• 1:06:15
  Speaker 5: all the way up to now to come in. He
• 1:06:18
  Speaker 5: plays a certain amount of ship that's supposed to be
• 1:06:20
  Speaker 5: played for opening, and then I do whatever needs to
• 1:06:23
  Speaker 5: be done, and DJ never for you. There's times there's
• 1:06:28
  Speaker 5: times we have DJs opening up. But here's the problem.
• 1:06:32
  Speaker 5: I will go in there and tell them what we
• 1:06:34
  Speaker 5: need to do to make this ship work in a
• 1:06:36
  Speaker 5: good way. Right, he would yes me to death.
• 1:06:40
  Speaker 1: I walk in there.
• 1:06:41
  Speaker 5: He's doing something totally different. I won't say nothing. To
• 1:06:44
  Speaker 5: do what you want to do, but you won't work
• 1:06:46
  Speaker 5: with me no more. You'e what I'm saying. But the
• 1:06:48
  Speaker 5: dude that did listen to me, which is like my
• 1:06:51
  Speaker 5: man Jesse, Right, Jesse James, he would working with us.
• 1:06:54
  Speaker 5: He worked, He's from Indiana. He would work with us
• 1:06:57
  Speaker 5: for years. I told him to do a certain amount
• 1:07:00
  Speaker 5: of the things he did it. This dude goes around
• 1:07:02
  Speaker 5: the country with me for now. You know what I'm saying, Technician,
• 1:07:04
  Speaker 5: the DJ you know technicians to DJ play for lot
• 1:07:07
  Speaker 5: keeping with me for twenty five years. Technician, you know
• 1:07:09
  Speaker 5: what I'm saying. You've been opening with me for a
• 1:07:11
  Speaker 5: long time. So these are dudes that really understand and
• 1:07:15
  Speaker 5: care about what's going on, and they know it's not
• 1:07:18
  Speaker 5: about them. It's about what the event is. But you
• 1:07:21
  Speaker 5: have dudes that don't think that way. I'm thinking about
• 1:07:23
  Speaker 5: the people. I'm not thinking about me.
• 1:07:25
  Speaker 4: No.
• 1:07:25
  Speaker 1: I thought it was like DJ golden rule, no disrespect, but.
• 1:07:29
  Speaker 4: It should be.
• 1:07:30
  Speaker 1: It should be a golden rule.
• 1:07:32
  Speaker 5: It's the same thing as if you was opening for fifty,
• 1:07:35
  Speaker 5: right you Tony Yayo. You ain't gonna be doing fifty
• 1:07:38
  Speaker 5: records before Ricky and fifty come out.
• 1:07:39
  Speaker 1: There, That's what I'm saying.
• 1:07:40
  Speaker 5: Right So, if you hire me to no it's these
• 1:07:42
  Speaker 5: are not my records I'm playing, But you hired me
• 1:07:45
  Speaker 5: to play these records.
• 1:07:46
  Speaker 1: You want the chicken free shit. You want that ship.
• 1:07:50
  Speaker 5: So if you want that impact, how you expect me
• 1:07:52
  Speaker 5: to play around somebody that's playing the ship? That I
• 1:07:54
  Speaker 5: need to play to make that impact go. Even though
• 1:07:56
  Speaker 5: there's a million records to play. I don't know what
• 1:07:59
  Speaker 5: this man's plans. So I come in playing where he playing,
• 1:08:01
  Speaker 5: I'm not gonna get the impact that. That's the problem
• 1:08:04
  Speaker 5: that it's not about what you play, it's about what
• 1:08:06
  Speaker 5: I know you're playing when you play.
• 1:08:08
  Speaker 1: And when you play, you know they have to play that.
• 1:08:11
  Speaker 1: That's what I'm saying. But you want to get it
• 1:08:13
  Speaker 1: in because you want to get it in the show.
• 1:08:15
  Speaker 5: You can get it in, you know what I'm saying.
• 1:08:17
  Speaker 1: Like, that's not that's just like like Golden Rule.
• 1:08:21
  Speaker 3: I learned like see about being DJ Ruffians twins in
• 1:08:24
  Speaker 3: them and like tape mastering them like they were like
• 1:08:27
  Speaker 3: if my man if harcore, you know hardcore. He was
• 1:08:29
  Speaker 3: like the opening that for Roughians in hardcore, you tell hardcore, no, nigga,
• 1:08:33
  Speaker 3: don't play this.
• 1:08:34
  Speaker 1: It was like Golden Rule, like, nah, you you don't.
• 1:08:40
  Speaker 1: My thing is listen. It doesn't matter what you play.
• 1:08:43
  Speaker 5: I don't care. I can play the same cheft you'n
• 1:08:44
  Speaker 5: still do what I do. It doesn't really matter. At
• 1:08:46
  Speaker 5: the end of the day, there is you should know
• 1:08:50
  Speaker 5: if you call yourself a good djil, a good performer,
• 1:08:54
  Speaker 5: good anything. You should be able to do. Ship with
• 1:08:55
  Speaker 5: C and D seeing D joints coming there, shake that ship.
• 1:09:00
  Speaker 5: And then when you do your own events and you
• 1:09:04
  Speaker 5: have an opener or you want your event to move
• 1:09:07
  Speaker 5: a certain kind of way because you have a vision
• 1:09:09
  Speaker 5: of how you want it to be done, the same
• 1:09:11
  Speaker 5: way a promoter has a vision of how you want
• 1:09:13
  Speaker 5: his event to go. It's the same ship as a strategy,
• 1:09:16
  Speaker 5: as a science. Don't be mad because somebody has a
• 1:09:19
  Speaker 5: science and you don't. You just free falling. You glad
• 1:09:22
  Speaker 5: to be attached to the ship, so you let to
• 1:09:24
  Speaker 5: put you anywhere, talk to you any kind of way,
• 1:09:27
  Speaker 5: do whatever to you, and you just dead because you
• 1:09:29
  Speaker 5: want to be attached to the event where I'll tell
• 1:09:31
  Speaker 5: you go take your event, shove it up your ass.
• 1:09:32
  Speaker 5: If you ain't gonna respect what I need to be done,
• 1:09:34
  Speaker 5: you ain't gonna come and tell Jay how to rhyme
• 1:09:37
  Speaker 5: on a mic. You ain't gonna tell him to stand
• 1:09:38
  Speaker 5: in o' corner. You're gonna tell Uncle Murder he can't
• 1:09:41
  Speaker 5: do his wrap up at his show.
• 1:09:44
  Speaker 1: You can't.
• 1:09:45
  Speaker 5: So you're gonna tell me how to do what I
• 1:09:46
  Speaker 5: do and how it should be done. You see what
• 1:09:48
  Speaker 5: I'm saying, Murder, This is what I'm saying, And so
• 1:09:51
  Speaker 5: we got to eat that. And like I said, for
• 1:09:54
  Speaker 5: years it been the DJ was looked at us he's
• 1:09:56
  Speaker 5: the bottom, like he's the bottom one, like you know
• 1:09:59
  Speaker 5: what I'm saying, and like dog. But at the end
• 1:10:01
  Speaker 5: of the day, everybody fucking relies on the DJ for
• 1:10:04
  Speaker 5: your concerts, for your radio we played your record, be
• 1:10:07
  Speaker 5: played on radio for your mixtape. Ship. You know what
• 1:10:10
  Speaker 5: I'm saying. The better, the better producers, the DJs, like
• 1:10:13
  Speaker 5: you've allowed on the DJ for every day. But you
• 1:10:15
  Speaker 5: want to look at him as he's the bottom. You
• 1:10:17
  Speaker 5: want to put him over here on the states, put
• 1:10:18
  Speaker 5: him on the bottom of the fly. Talk them any
• 1:10:20
  Speaker 5: kind of way with you're an artist walking in talking
• 1:10:22
  Speaker 5: to the DJ crazy like you see that they.
• 1:10:25
  Speaker 1: The DJs, man, stop playing. This is what I'm saying.
• 1:10:28
  Speaker 1: So this is why I started that.
• 1:10:30
  Speaker 5: This is why I started rapping again and get going
• 1:10:33
  Speaker 5: back in the beats and doing my ship again because
• 1:10:36
  Speaker 5: when I put Live from New York out, real rappers
• 1:10:38
  Speaker 5: will look at it like, oh, us kids just putting
• 1:10:40
  Speaker 5: out a party record.
• 1:10:41
  Speaker 1: He he, that's cute.
• 1:10:43
  Speaker 5: And then I put talk heavy on their ass. And
• 1:10:46
  Speaker 5: when I dropped talk heavy on the ass, that let
• 1:10:48
  Speaker 5: them know you got to push your pen. You know
• 1:10:49
  Speaker 5: what I'm saying. And it's DJK canpreciow you that. So
• 1:10:52
  Speaker 5: don't look at us like we just won you doing
• 1:10:54
  Speaker 5: one thing. Nah, we could do it all right, right,
• 1:10:58
  Speaker 5: So that's what that's why I stand tall and stand
• 1:11:01
  Speaker 5: on it like that. And you know that's how a
• 1:11:05
  Speaker 5: lot of people should think of me. That it doesn't
• 1:11:06
  Speaker 5: have to do with the DJ because anything standing on
• 1:11:08
  Speaker 5: your ship, don't let nobody tell you how you see
• 1:11:11
  Speaker 5: your vision and how your vision is supposed to go
• 1:11:13
  Speaker 5: because they don't see it that way, they don't see
• 1:11:16
  Speaker 5: the word in it, or they don't see that it's
• 1:11:17
  Speaker 5: supposed to be that way, or he's a deck You
• 1:11:19
  Speaker 5: call me a diva because I don't want my ship
• 1:11:21
  Speaker 5: situated that way. Definitely, you're gonna tell your boss he's
• 1:11:26
  Speaker 5: a deep because he wants you to work a certain way.
• 1:11:28
  Speaker 1: Mother, like, no, this is me man pree Man. I
• 1:11:31
  Speaker 1: got a question for you, right if you had an
• 1:11:35
  Speaker 1: old Caucasian crowd.
• 1:11:37
  Speaker 3: What's the first what's the first place records you play
• 1:11:41
  Speaker 3: old Caucasian crowd.
• 1:11:43
  Speaker 5: Probably start with I love rock and roll.
• 1:11:47
  Speaker 1: Love rocking bro, something like that. You know, that's all.
• 1:11:52
  Speaker 1: I didn't know that song. You never heard that song,
• 1:11:55
  Speaker 1: love rocking Bro. That's a good I did look at that. Okay,
• 1:11:59
  Speaker 1: so I something so say we in Washington Heights, what's
• 1:12:05
  Speaker 1: the first record? Hall ofm We? Thankment? In the Spanish
• 1:12:09
  Speaker 1: Spanish Harlem, what's the.
• 1:12:11
  Speaker 5: First Spanish harm I'm probably gonna play something by Daddy Yankee,
• 1:12:16
  Speaker 5: like what's that? Uh Gasolina and that's old.
• 1:12:19
  Speaker 1: But Jos gonna work. It's gonna work that one, with
• 1:12:23
  Speaker 1: that one and now you know bad Bunny out.
• 1:12:28
  Speaker 3: Definitely gonna go with that. Okay, let's go say we
• 1:12:32
  Speaker 3: got a whole African crowd. Shout out to all my Africans,
• 1:12:35
  Speaker 3: say we got an African crowd.
• 1:12:36
  Speaker 5: What you're gonna with, Probably gonna go with them. Probably
• 1:12:39
  Speaker 5: gonna go with the Soka jump boopy. Yeah, she's gonna shake.
• 1:12:48
  Speaker 5: What about Jamaican Jamaican? Just about anything Jamaican.
• 1:12:58
  Speaker 1: Because that's the funt.
• 1:12:59
  Speaker 3: I'm just saying, that's hey, did you make That's just
• 1:13:03
  Speaker 3: that's just that's you know, I'm just saying just the
• 1:13:06
  Speaker 3: mindset of a DJ. That's why I think your job
• 1:13:09
  Speaker 3: is kind of harder than the rapper.
• 1:13:11
  Speaker 1: Of course it is. That's how you get up there.
• 1:13:14
  Speaker 5: Well, I'm not gonna say you.
• 1:13:18
  Speaker 1: Let hard it's the singers. No, No, I'm gonna give
• 1:13:24
  Speaker 1: you an example. If murder if like, if you was
• 1:13:27
  Speaker 1: to say, yo, yo yo, we got a d J
• 1:13:30
  Speaker 1: in Boston, right, let me talk now, don't come in
• 1:13:34
  Speaker 1: you all, let me talk yo. He loved your hood
• 1:13:37
  Speaker 1: for the record, for me, for Melogan, I'm a rapper. Look,
• 1:13:41
  Speaker 1: I used to DJ. I'm a rapper and I used
• 1:13:43
  Speaker 1: to DJ.
• 1:13:44
  Speaker 3: So if you tell me, if they say yo, it's
• 1:13:46
  Speaker 3: an all white crowd, Caucasian and we go to Boston,
• 1:13:50
  Speaker 3: don't say nothing to murder kick Capri.
• 1:13:52
  Speaker 1: What record would you play in Boston? The all white record?
• 1:13:57
  Speaker 1: I might throw some posts Malone on something like that.
• 1:13:59
  Speaker 1: Wrong on man and I shout the post Malone. You
• 1:14:02
  Speaker 1: know what I mean? You know what killer crowd. But
• 1:14:07
  Speaker 1: damn and sweet Carolne, I'm starting. I'm starting with that.
• 1:14:16
  Speaker 6: Because that's because you're not so good. Why that's why
• 1:14:20
  Speaker 6: your name is not I'm not you. I'm not you,
• 1:14:23
  Speaker 6: But that's what I'm starting.
• 1:14:26
  Speaker 5: I wouldn't start.
• 1:14:27
  Speaker 1: You never heard that ship? I never heard. But again
• 1:14:30
  Speaker 1: there's a science, of course I heard, yeah, but.
• 1:14:35
  Speaker 5: Science to everything you don't know.
• 1:14:37
  Speaker 1: I'm starting with that. I bet you I moved the crowd.
• 1:14:40
  Speaker 1: Bet you money.
• 1:14:42
  Speaker 3: The crowd they walking out. I'm talking about all Caucasian
• 1:14:45
  Speaker 3: crowd walk in. Man, that's my first record. Now when
• 1:14:49
  Speaker 3: that's what I play some E d M, I'm gonna
• 1:14:51
  Speaker 3: start DJ.
• 1:14:52
  Speaker 1: That might not work either, mm hmm night. So what
• 1:14:56
  Speaker 1: was depending on the crowd got you? Because there's a
• 1:14:58
  Speaker 1: different white crowds exactly? Then you you know what I'm saying,
• 1:15:00
  Speaker 1: you got a different So say with us, like you
• 1:15:02
  Speaker 1: got to what would you play? What would I play?
• 1:15:05
  Speaker 1: In the white curtain?
• 1:15:07
  Speaker 5: It depends depends on you know who's in front of me.
• 1:15:10
  Speaker 1: That's the thing I look at the I walk it out,
• 1:15:12
  Speaker 1: look and see what's going on right down and what
• 1:15:14
  Speaker 1: to do.
• 1:15:15
  Speaker 5: Jim Watsher will do it all the time. I just
• 1:15:16
  Speaker 5: look to see done. It doesn't matter if it's an arena.
• 1:15:20
  Speaker 1: Just got I know what he means. He got that.
• 1:15:22
  Speaker 5: I've been so used to doing it all my life.
• 1:15:25
  Speaker 5: That ship is a second nature.
• 1:15:27
  Speaker 1: Like when he go to d C he know he's
• 1:15:28
  Speaker 1: gonna play some go Go ship.
• 1:15:30
  Speaker 5: It's the way you play it, though, I know it's
• 1:15:32
  Speaker 5: the way you play that.
• 1:15:34
  Speaker 6: Sweet Caroline, you don't even know about go Go and DC,
• 1:15:36
  Speaker 6: you know, Sweet Carol in Boston, Shout.
• 1:15:39
  Speaker 1: To Boston, sweet cat. I'm not using the COPT.
• 1:15:45
  Speaker 6: Want to know this, hies you and funk flex relationship
• 1:15:48
  Speaker 6: these days, y'all, y'all in the good space, because I
• 1:15:50
  Speaker 6: remember a couple of years ago with some back and
• 1:15:53
  Speaker 6: forth on line, and don't sit the pants say it
• 1:15:55
  Speaker 6: was never nothing because there was some drama. I say
• 1:15:57
  Speaker 6: that it was drama personally, Yeah, I never know, okay,
• 1:16:01
  Speaker 6: all right, it was more internet radio competition, competition, Okay, okay.
• 1:16:07
  Speaker 1: I just wanted to know because I never spoke to
• 1:16:08
  Speaker 1: you about it.
• 1:16:09
  Speaker 5: Flex cool today is okay?
• 1:16:11
  Speaker 1: God? After the time, Flex was.
• 1:16:16
  Speaker 5: He needed a little tap on his hand for a
• 1:16:19
  Speaker 5: minute because he was he was he's flexed like he
• 1:16:22
  Speaker 5: says what he says, he does what he does. You
• 1:16:25
  Speaker 5: know where you know, you step in my arena, it
• 1:16:28
  Speaker 5: you know, it goes away, it goes and it was
• 1:16:30
  Speaker 5: all dope though, but you.
• 1:16:34
  Speaker 1: Step in my arena. That's how anybody post to feel
• 1:16:38
  Speaker 1: like you know what I mean? He said it, that's
• 1:16:40
  Speaker 1: like cocky ship.
• 1:16:41
  Speaker 5: I liked it.
• 1:16:45
  Speaker 1: I would love to see DJ battles the game got
• 1:16:49
  Speaker 1: so how would a DJ bad? I love to see
• 1:16:53
  Speaker 1: DJ DJ badd always right.
• 1:16:56
  Speaker 6: Like you in the Flex having y'all little y'all going
• 1:16:58
  Speaker 6: back and forth for a minute right now, How would
• 1:17:01
  Speaker 6: how would you settle something like that?
• 1:17:03
  Speaker 1: Like mother? How would a DJ battle? And how would
• 1:17:07
  Speaker 1: you come up with a winner? Whoever? Whoever shook the
• 1:17:12
  Speaker 1: crowd the best? There you go? What do you mean?
• 1:17:14
  Speaker 1: Has that been done before? With the with the DJ
• 1:17:16
  Speaker 1: is like that DJ battle?
• 1:17:20
  Speaker 4: Let me murder?
• 1:17:21
  Speaker 1: Let me this is real? Talking about it being done recently?
• 1:17:23
  Speaker 1: Like you know, yeah, scenes every year you got the battle?
• 1:17:31
  Speaker 1: Talking about knowing he telling me what happened? You talking
• 1:17:33
  Speaker 1: about party?
• 1:17:34
  Speaker 5: You talking about a battle that me and Flex would
• 1:17:36
  Speaker 5: have dead man flex if it's me a Flex, anybody
• 1:17:39
  Speaker 5: do what I do?
• 1:17:40
  Speaker 1: How would that?
• 1:17:40
  Speaker 4: How that he.
• 1:17:44
  Speaker 5: And how would have been in battle?
• 1:17:45
  Speaker 1: Oh? Right?
• 1:17:45
  Speaker 5: God, you know what I'm saying. Whatever time, I know
• 1:17:48
  Speaker 5: what you get in that hour?
• 1:17:49
  Speaker 1: You know what I'm saying? Is this right?
• 1:17:51
  Speaker 3: That's like how niggas don't got the slim dune contest,
• 1:17:54
  Speaker 3: no stars do it. If you had DJ battles like
• 1:17:57
  Speaker 3: a Flex versus Kid Capri.
• 1:17:59
  Speaker 1: Nigga not, that would be crazy.
• 1:18:01
  Speaker 3: Look not on the verses though, but like back in
• 1:18:03
  Speaker 3: the days, like in the club, like the tunnels, Like
• 1:18:06
  Speaker 3: in the tunnel, if you caught had to set and.
• 1:18:10
  Speaker 1: Flex had to set, that's classic ship. But see, that's
• 1:18:14
  Speaker 1: what I'm saying. I'd rather that. I don't. That's what
• 1:18:18
  Speaker 1: it was about. I didn't That's what listen. I didn't
• 1:18:22
  Speaker 1: want that.
• 1:18:22
  Speaker 5: I didn't want that with me in Flex. Let's get
• 1:18:25
  Speaker 5: that straight. You know what I'm saying, I don't get
• 1:18:29
  Speaker 5: I don't look for the wild factor by knocking another
• 1:18:32
  Speaker 5: man down, you know what I'm saying.
• 1:18:33
  Speaker 1: So I don't pause like yeah, knock.
• 1:18:37
  Speaker 5: That was a right, that was a little crazy.
• 1:18:39
  Speaker 1: But but what I'm saying is, you know, I don't.
• 1:18:42
  Speaker 5: I don't get nothing from that, so I and you know,
• 1:18:46
  Speaker 5: but it was necessary because of what was going on.
• 1:18:50
  Speaker 5: And the ship was funny too, because I was putting
• 1:18:52
  Speaker 5: a lot of funny ship. You know, you know, it
• 1:18:55
  Speaker 5: became what it became. But he has said things to
• 1:18:59
  Speaker 5: a lot of people and never say anything back. You
• 1:19:02
  Speaker 5: know what I'm saying, and this time something was set
• 1:19:05
  Speaker 5: back in a way that it was a little stronger,
• 1:19:08
  Speaker 5: and you probably thought it was gonna be but it
• 1:19:10
  Speaker 5: didn't need to go no further than that. And like
• 1:19:11
  Speaker 5: I said, it was impersonal. If you would have called
• 1:19:15
  Speaker 5: me right in the middle of all that ship going
• 1:19:16
  Speaker 5: on and said can I need you for something? I
• 1:19:18
  Speaker 5: would have been right there, got you.
• 1:19:19
  Speaker 1: It's probably Yeah, this is how I look at it.
• 1:19:24
  Speaker 3: It's all about like like I said, you would love
• 1:19:27
  Speaker 3: to see kick a pre and not not beef for nothing,
• 1:19:31
  Speaker 3: but flex in a club together and whoever had the
• 1:19:36
  Speaker 3: best set. To me, it's always been about the best set,
• 1:19:38
  Speaker 3: like you being a party.
• 1:19:39
  Speaker 1: And I don't like that though, hold on, but why
• 1:19:43
  Speaker 1: why you don't like that?
• 1:19:45
  Speaker 5: Because that's that's the same ship as the Kendrick and
• 1:19:48
  Speaker 5: the Drake beef. It doesn't become about skill. It becomes
• 1:19:52
  Speaker 5: about knocking the one that lost down. It becomes about
• 1:19:57
  Speaker 5: shooting at the one that lost down. Like it becomes that.
• 1:20:01
  Speaker 5: It don't become about he was dope, he won done.
• 1:20:04
  Speaker 5: It becomes some other ship. And then with this Internet ship,
• 1:20:07
  Speaker 5: it magnifies it to a whole other level. So that's
• 1:20:10
  Speaker 5: why when You heard Ja the other day say that
• 1:20:12
  Speaker 5: he didn't think battling it should be involved with anything,
• 1:20:15
  Speaker 5: and nowadays that's what he meant. Not that this is
• 1:20:18
  Speaker 5: based off batter but when it comes to knocking down
• 1:20:23
  Speaker 5: careers and knocking down and making another narrative, motherfuckers getting
• 1:20:27
  Speaker 5: shot at and all that, now it becomes something different.
• 1:20:30
  Speaker 1: I mean, people been getting shot at. You got to
• 1:20:39
  Speaker 1: have tough skin.
• 1:20:40
  Speaker 6: Listen, you wrest one. Listen, everybody that's king rest one, everybody.
• 1:20:51
  Speaker 3: Sharing be We know hip hop was always about competition, bro, Like,
• 1:20:57
  Speaker 3: it ain't nothing negative. I know sometimes it might go
• 1:21:00
  Speaker 3: to some let me talk that look, but like like
• 1:21:04
  Speaker 3: like even fifty said, we from Queens, Come on, y'all.
• 1:21:08
  Speaker 3: Motherfuckers got shout out on and on all that ship
• 1:21:10
  Speaker 3: that nigga care resting and Queen's keep on faking it.
• 1:21:14
  Speaker 1: Nigga, we were still listening to that ship, Like, but
• 1:21:17
  Speaker 1: you know what Bro created, you can keep on taking
• 1:21:22
  Speaker 1: it and Queens people faking it like what Listen, But look,
• 1:21:26
  Speaker 1: the beat was so hard and what he was saying
• 1:21:29
  Speaker 1: was so crazy. Niggas had the respected MC ship and beef.
• 1:21:33
  Speaker 4: We liked it.
• 1:21:35
  Speaker 1: Nah, say fucking Jay, don't act like you didn't like that, Shi.
• 1:21:38
  Speaker 1: It was incredible.
• 1:21:39
  Speaker 5: Sadly, I'm talking no, no, no, non doing what I said.
• 1:21:47
  Speaker 1: What y'all said was, I'm not talking about that as fuck.
• 1:21:51
  Speaker 7: Okay, y'all for battles being for the battle being too dope, motherfuckers,
• 1:21:57
  Speaker 7: to people getting shot at because one don't like the
• 1:21:59
  Speaker 7: other one because the crowd the same thing.
• 1:22:02
  Speaker 5: They're shooting that drake at his fucking crib because and
• 1:22:06
  Speaker 5: there kindred fans, because they're kindred fans.
• 1:22:09
  Speaker 1: When it becomes that goes something different.
• 1:22:14
  Speaker 8: That that's what I'm talking about. So, yeah, of course
• 1:22:17
  Speaker 8: you want batter. It keeps your shot, it keeps your
• 1:22:19
  Speaker 8: ads sharp, like yeah, And it's exactly, it's exciting, it's exactly.
• 1:22:26
  Speaker 5: It's beautiful if it stays where it's supposed to stay
• 1:22:31
  Speaker 5: like Jay and Nas did.
• 1:22:32
  Speaker 1: They did a battle. Next thing though they're doing business
• 1:22:35
  Speaker 1: with bullshit, bullshit bull how's that bullshit? That's the talk
• 1:22:40
  Speaker 1: about the baby seat, not the baby seat ship with
• 1:22:44
  Speaker 1: Nod's daughter, Nigga. What are you talking about talking about?
• 1:22:47
  Speaker 3: Jay said in the battle, nothing should ever go too far, right,
• 1:22:50
  Speaker 3: that's what he said. And the ship right when we
• 1:22:53
  Speaker 3: look at the well in his song, what did he say?
• 1:22:55
  Speaker 3: It's not about what he said on the baby seat.
• 1:22:58
  Speaker 1: It's not about paying attention.
• 1:23:01
  Speaker 4: You can't say this. You show this.
• 1:23:05
  Speaker 1: It's not paying it say. It's not about what he's say,
• 1:23:09
  Speaker 1: It's about the end result.
• 1:23:12
  Speaker 4: It was a battle.
• 1:23:13
  Speaker 5: Regardless what he said, they end up doing business afterwards,
• 1:23:17
  Speaker 5: not nobody shooting at each other.
• 1:23:19
  Speaker 1: Okay, hold on, hold on, I'm going to say something.
• 1:23:25
  Speaker 4: No hold on, no no no no no no, no, no,
• 1:23:30
  Speaker 4: no no no fuck you no, no you you listen.
• 1:23:37
  Speaker 1: On that whole hold hold up, pause, paused, super paws.
• 1:23:43
  Speaker 1: I don't know again, but get your point pause. It
• 1:23:46
  Speaker 1: was too right there what I'm saying to you. Listen,
• 1:23:50
  Speaker 1: Jane said. Listen.
• 1:23:52
  Speaker 3: Jane said no, because I hate you with my I'm
• 1:23:54
  Speaker 3: keeping REALM said in the interview, right your point across by.
• 1:23:58
  Speaker 1: Jane said in the.
• 1:23:59
  Speaker 3: Interview that battle rap goes too far right in him
• 1:24:03
  Speaker 3: and knas battle. Did he refer to being in his
• 1:24:07
  Speaker 3: baby mom's haul and coming on the excuse me YouTube?
• 1:24:12
  Speaker 3: Ute that something on the car seat? Didn't he say
• 1:24:14
  Speaker 3: that in that battle? Okay, now listen, now let me
• 1:24:19
  Speaker 3: say something.
• 1:24:24
  Speaker 1: Crazy. What I gotta say is yo, your brother, he's drunk.
• 1:24:28
  Speaker 1: No he helos. But I got to my brother. I
• 1:24:30
  Speaker 1: gotta give my brother, I got it, I got I
• 1:24:31
  Speaker 1: gotta give him his props on that.
• 1:24:33
  Speaker 4: You know what.
• 1:24:33
  Speaker 6: I gotta give miss props in that, because because when
• 1:24:36
  Speaker 6: you do say, when you do say battle line, some
• 1:24:38
  Speaker 6: things go too far. Right between him and NOAs that
• 1:24:41
  Speaker 6: was a limit too for me. I can expect that
• 1:24:43
  Speaker 6: that was too far for ja. I'm not gonna front.
• 1:24:46
  Speaker 6: When you think about it, it was it could have went.
• 1:24:48
  Speaker 6: It could have went to the next level.
• 1:24:49
  Speaker 4: We live it.
• 1:24:50
  Speaker 6: It didn't, right, it didn't, But behind saying something like
• 1:24:54
  Speaker 6: that it could have went to the next level, Dude,
• 1:24:56
  Speaker 6: you know.
• 1:24:57
  Speaker 1: How much personal ship real battle rappers say to each other.
• 1:25:02
  Speaker 1: We're not talking about them battle.
• 1:25:05
  Speaker 4: You know about.
• 1:25:09
  Speaker 6: Because battle rappers is did in front of each other.
• 1:25:11
  Speaker 6: They saying certain things they prepare for that, right, like
• 1:25:14
  Speaker 6: they were talking about that, we're talking about battle we
• 1:25:19
  Speaker 6: talking about like talking about you want to see certain ship,
• 1:25:22
  Speaker 6: like you want to see.
• 1:25:23
  Speaker 1: You surprising weapons, you want to see Drake. You want
• 1:25:26
  Speaker 1: to see Drake versus Kendrick.
• 1:25:27
  Speaker 6: Right, But people did feel like when like the little
• 1:25:30
  Speaker 6: pedophile things like right, that was going too far. When
• 1:25:33
  Speaker 6: when when Drake started talking about the nigga BM and
• 1:25:36
  Speaker 6: and his girl and the kids and like that baby
• 1:25:39
  Speaker 6: might not be in his people feel like, all right
• 1:25:41
  Speaker 6: now the battery was getting a little like they're going
• 1:25:44
  Speaker 6: a little left with it, right, But to criticize that,
• 1:25:48
  Speaker 6: to say that, all I'm saying from what he was saying,
• 1:25:50
  Speaker 6: right for Jay to say when certain thing is going
• 1:25:52
  Speaker 6: too far, and then you mentioned something like kids and
• 1:25:54
  Speaker 6: coming on baby seat, that was far and things could
• 1:25:57
  Speaker 6: have went left. And we had social media back then,
• 1:26:00
  Speaker 6: right back then, when Jay said that if social media
• 1:26:03
  Speaker 6: was alive back then, that shit could have went crazy.
• 1:26:06
  Speaker 6: It could have went crazy. But of course j mature
• 1:26:08
  Speaker 6: now and he get it, and he realized, now, damn,
• 1:26:11
  Speaker 6: certain things you say, all right, it could fuck up.
• 1:26:13
  Speaker 6: You know what I'm saying, because a nigga mature now
• 1:26:15
  Speaker 6: when you get it. Damn, certain things shouldn't have been
• 1:26:17
  Speaker 6: said back then, you know what I'm saying. But when
• 1:26:19
  Speaker 6: you're young, wane to come up, you don't understand that,
• 1:26:21
  Speaker 6: or when you're in the heat of a battle, you
• 1:26:22
  Speaker 6: don't really give a fuck what you're about to say. Well,
• 1:26:24
  Speaker 6: you know what I'm about to destroy this nigga. I
• 1:26:27
  Speaker 6: don't give a fuck HOWD destroy him. I'm a destroying
• 1:26:29
  Speaker 6: its battle is beef. I'm a destroy this nigga. But
• 1:26:32
  Speaker 6: social media make it feel like nowadays, because everybody gonna
• 1:26:35
  Speaker 6: have an opinion, everybody gonna call me on something. Now
• 1:26:37
  Speaker 6: people feel like they got a whole their tongue or
• 1:26:39
  Speaker 6: bite their tongue or you can't say something now.
• 1:26:41
  Speaker 1: But now that said, this.
• 1:26:42
  Speaker 9: Ship was built off that, like really hip hop, hip
• 1:26:44
  Speaker 9: hop was built on this. Still you're gonna disrespect him,
• 1:26:50
  Speaker 9: murder he is he The DJ's are the arms dealers
• 1:26:53
  Speaker 9: in the wall.
• 1:26:54
  Speaker 1: Because once that Marca Velly should come up, come with
• 1:26:57
  Speaker 1: all that marcha Velly.
• 1:26:58
  Speaker 3: Y'all gonna play that ship. Who's shot you? You you're
• 1:27:00
  Speaker 3: gonna play that. You're gonna play that ship. Drake ship
• 1:27:04
  Speaker 3: come out, You're gonna play that ship. Y'all don't give
• 1:27:09
  Speaker 3: a about that. I'm talking about nobody yet.
• 1:27:11
  Speaker 1: You keep talking about battle rap. That's why I can
• 1:27:13
  Speaker 1: confused shout about I know what was trying to say.
• 1:27:18
  Speaker 1: I know trying to say.
• 1:27:19
  Speaker 6: He was trying to say, battle rappers say the most
• 1:27:21
  Speaker 6: disrespectful ship to each other.
• 1:27:23
  Speaker 1: But I don't know.
• 1:27:24
  Speaker 6: It's different with the Battle Rappers and the Rappers. You know,
• 1:27:28
  Speaker 6: it is a difference. It's a difference because it's a whole.
• 1:27:33
  Speaker 1: I don't know. I feel like it's just two different words.
• 1:27:35
  Speaker 5: Talking about my mom's I'm gonna punch you in your ship.
• 1:27:37
  Speaker 5: You talk about my mom's in the battle, I'm gonna
• 1:27:39
  Speaker 5: punching your ship.
• 1:27:39
  Speaker 1: You talking about my mom's on.
• 1:27:40
  Speaker 5: The record, I'm gonna punch your ship.
• 1:27:42
  Speaker 1: No different.
• 1:27:43
  Speaker 6: But the Battle Rappers is built different for that because
• 1:27:46
  Speaker 6: they I guess they used to that. They used to
• 1:27:48
  Speaker 6: standing up in front of each other and disrespecting each other,
• 1:27:51
  Speaker 6: saying the most dates.
• 1:27:52
  Speaker 1: But this they used to.
• 1:27:54
  Speaker 3: But let's but let's let's keep it. Let me ask
• 1:27:56
  Speaker 3: both of you all the questions, and I'm gonna ask
• 1:27:57
  Speaker 3: you all a question too, right, we'll say right like
• 1:28:01
  Speaker 3: we'll watch the BIGGI and Tupac beef.
• 1:28:03
  Speaker 1: Right. They was on Vibe.
• 1:28:05
  Speaker 3: Magazine, Billboard magazine. Some of the biggest publications you've seen
• 1:28:10
  Speaker 3: in your life was East Coast, West Coast, and you
• 1:28:13
  Speaker 3: probably met Biggie n poc am. I correct, of course,
• 1:28:15
  Speaker 3: there you go, right, that was the biggest shit you've seen.
• 1:28:18
  Speaker 3: East Coast, West Coast. You know Sugar Night at Death Bro.
• 1:28:21
  Speaker 3: We don't do the dancing and we don't do the singing.
• 1:28:23
  Speaker 4: None of that.
• 1:28:24
  Speaker 3: Niggas fed into now, let me talk to you about it.
• 1:28:27
  Speaker 3: Every The industry feeds into all of that since way
• 1:28:30
  Speaker 3: back then, East Coast, West Coast it just wasn't on
• 1:28:32
  Speaker 3: the Internet. It was more the magazines and all that shit,
• 1:28:35
  Speaker 3: and East Coast, West Coast it was. We knew it
• 1:28:38
  Speaker 3: was a beef. Right when Biggie came with who Shot You?
• 1:28:42
  Speaker 3: And fifty km, I mean, and Tupac came with Machavelli.
• 1:28:45
  Speaker 3: We love that shit.
• 1:28:47
  Speaker 1: The industry feed into it. The DJ's playing, y'all, scratching
• 1:28:50
  Speaker 1: the shit out of a disrecord, come with whang stuff,
• 1:28:53
  Speaker 1: whang stuff. Y'all was just playing Jia rude. But now
• 1:28:55
  Speaker 1: you're playing fifty just playing Tupac. Now you're playing Biggie like, y'all.
• 1:29:01
  Speaker 3: Niggas are the arms dealers, and then when somebody gets shot,
• 1:29:04
  Speaker 3: niggas is like your peace man, yo, y'all. Niggas are
• 1:29:07
  Speaker 3: the niggas that was spending the ship.
• 1:29:11
  Speaker 1: Bill board, look bill board about that nigga Niggas playing, Yeah,
• 1:29:19
  Speaker 1: niggas want to. I know, y'all, but y'all all the beef.
• 1:29:24
  Speaker 1: Y'all loved the East Coach, West Coast. Everybody made money,
• 1:29:27
  Speaker 1: DZ radio stations, magazines, everybody made money. Cool gas he
• 1:29:33
  Speaker 1: made money. Everybody made money off the Biggie Tupac beef,
• 1:29:37
  Speaker 1: and y'all niggas love that ship.
• 1:29:38
  Speaker 3: Nigga shut out of here. Brot build that ship up
• 1:29:43
  Speaker 3: to destroy it. Just oh my gosh, somebody got shot.
• 1:29:46
  Speaker 3: Y'all amped it up. Y'all played the ship out of Kenswick.
• 1:29:49
  Speaker 3: Record that don't just respect to him on one nigga
• 1:29:55
  Speaker 3: starts shooting and we gotta keep it.
• 1:30:00
  Speaker 1: That's why with the industry, listen, I'm.
• 1:30:05
  Speaker 4: You can't cancel somebody that ship.
• 1:30:08
  Speaker 1: I couldn't want the battle. That's fifty they being me
• 1:30:11
  Speaker 1: from Ray Coffee, So I've been canceled. I don't care.
• 1:30:14
  Speaker 1: You can't cancel me. But the industry is full of ship.
• 1:30:16
  Speaker 1: Y'allamp ship up, DJ scratching the ship. Damn damn flex
• 1:30:24
  Speaker 1: o yall niggas. Once bullets off flying you, we gotta
• 1:30:29
  Speaker 1: keep the peace man words. The industry fun out it man.
• 1:30:35
  Speaker 4: You kill your.
• 1:30:39
  Speaker 1: Kicking man.
• 1:30:45
  Speaker 3: Battle rappers are the only ones that could disrespect niggas.
• 1:30:47
  Speaker 3: Get out of here, man, kid, I didn't say that.
• 1:30:51
  Speaker 4: You said.
• 1:30:52
  Speaker 1: They're the most disrespectful, the most disrespecful, but they know
• 1:30:57
  Speaker 1: how to They the best at that. And nobody it
• 1:31:00
  Speaker 1: gets killed, Nobody gets shot. What niggas be getting beat up?
• 1:31:03
  Speaker 1: Shot pistol whip over your bugget and get beat up
• 1:31:05
  Speaker 1: that don't know what they doing?
• 1:31:06
  Speaker 5: You better why talk out the real battle rappers, the
• 1:31:09
  Speaker 5: real ones, the real that' be tight here is they
• 1:31:12
  Speaker 5: say some of the most craziest ship and after the
• 1:31:15
  Speaker 5: battle was already going to drink.
• 1:31:16
  Speaker 3: Now niggas got shot. You you bugging you can we
• 1:31:18
  Speaker 3: got shot, man, niggas got shot. We could look at
• 1:31:20
  Speaker 3: it up with Roy shot ye shouting battle racks shot
• 1:31:27
  Speaker 3: a man out for a punch of niggas. Back in
• 1:31:29
  Speaker 3: the days, nigga talking mind it was mass ship maganie
• 1:31:32
  Speaker 3: slapped with guns or kind of ship. They be saying
• 1:31:34
  Speaker 3: it in the raps. Later on, you gotta check it out,
• 1:31:37
  Speaker 3: kicking for you gotta do your homework saying it in
• 1:31:39
  Speaker 3: the raps later on your yeah, yo, your world.
• 1:31:41
  Speaker 1: You got pistol whipping rob niggas be saying that really happened.
• 1:31:48
  Speaker 1: You think gates and ship don't happen to battle rap
• 1:31:51
  Speaker 1: Shut to the battle rappers. You don't show you see
• 1:31:58
  Speaker 1: the more gates over there. What's my man that just
• 1:32:01
  Speaker 1: got from Jersey?
• 1:32:04
  Speaker 3: You know, Oh sir sh surfing surfn't just get out
• 1:32:11
  Speaker 3: the fence. That nigga was in the fence. Nigga walk
• 1:32:14
  Speaker 3: in the yard. You know his paperwork was correct. Nigga,
• 1:32:17
  Speaker 3: he was a battle rapper. He got shot and all
• 1:32:20
  Speaker 3: that like fifty and walk in the yard uptown polock nigga,
• 1:32:24
  Speaker 3: except you talking about like it's coom by y'all over there.
• 1:32:27
  Speaker 1: He's catching. I'm just saying, battle rappers, I don't nobody
• 1:32:35
  Speaker 1: get killed your stay all, nigga.
• 1:32:38
  Speaker 4: I'll kill you. I can't, y'all.
• 1:32:43
  Speaker 3: Nigga, you flex everybody when he was this is y'all
• 1:32:48
  Speaker 3: root Flex was dropping bombs. Nigga boom boom, yeah, Flex, Yeah,
• 1:32:54
  Speaker 3: I love that ship.
• 1:32:55
  Speaker 1: Shut up with that. You know you love that ship.
• 1:32:58
  Speaker 1: You moved the crowd. Nigga came up with all that
• 1:33:01
  Speaker 1: ship he was.
• 1:33:03
  Speaker 3: He was in the ship in the eighties when niggas
• 1:33:05
  Speaker 3: was getting shot and taking the bullets out theyself.
• 1:33:08
  Speaker 1: Back then, niggas clap in the bronx. You know what,
• 1:33:10
  Speaker 1: I'm niggas eighties Nigga. Kid was not around nobody shot
• 1:33:16
  Speaker 1: taking the bullet out.
• 1:33:17
  Speaker 4: He was in a nigga.
• 1:33:18
  Speaker 1: He was in the castle and the fever real niggas
• 1:33:20
  Speaker 1: and that ship.
• 1:33:22
  Speaker 4: Was but the castle.
• 1:33:25
  Speaker 1: I thought the fever to somebody never did the tunnel,
• 1:33:29
  Speaker 1: he said, Kid was there, niggas getting shot and he
• 1:33:31
  Speaker 1: takes a bullet out. Theyselves niggas in the bronx and
• 1:33:34
  Speaker 1: the Castleigga was kidnapping niggas back then, niggah, you know
• 1:33:41
  Speaker 1: you have to be a DJ.
• 1:33:42
  Speaker 4: Back then.
• 1:33:42
  Speaker 1: A whole lot has the arrow, yea, a whole lot.
• 1:33:45
  Speaker 1: Man doing the whole life?
• 1:33:47
  Speaker 6: Started a record label or type of ship, Man, college ship.
• 1:33:51
  Speaker 6: How did that record label come about?
• 1:33:52
  Speaker 1: Kid?
• 1:33:52
  Speaker 6: How did the new record label come about? Man baking records? Man,
• 1:33:56
  Speaker 6: I want my own ship. My own ship.
• 1:33:58
  Speaker 5: Ain't got to answer body. That's right, I do, Man,
• 1:34:01
  Speaker 5: that's right, that's right. Like twenty twenty three, I caught cancers.
• 1:34:08
  Speaker 5: Yeah I knew about that, man did How was that
• 1:34:10
  Speaker 5: whole experience?
• 1:34:11
  Speaker 1: Man? God is definitely good man, you're here with.
• 1:34:14
  Speaker 5: Us, Jesus dieway, Cancer and take out and so in
• 1:34:20
  Speaker 5: twenty twenty, ain't nobody knew I had to do all
• 1:34:23
  Speaker 5: this stuff. I brought de w g out Yankee Stadium,
• 1:34:27
  Speaker 5: I hosted the BT Awards. I did, did a lot
• 1:34:31
  Speaker 5: of ship and then when I got rid of it,
• 1:34:33
  Speaker 5: that's when I told everybody about it. Since then, I
• 1:34:37
  Speaker 5: started a business herban Reset Plus. I sell natural herbs
• 1:34:41
  Speaker 5: from South South to hospital. Me and my man Rob,
• 1:34:44
  Speaker 5: we got together and started a business and we sell
• 1:34:46
  Speaker 5: everything from Cheney Route to Macca.
• 1:34:49
  Speaker 1: Rule where we can find it somewhere.
• 1:34:50
  Speaker 5: Herbureset plus dot com got it all there. Your bodies, man,
• 1:34:56
  Speaker 5: because they're not gonna tell you what's right for you.
• 1:34:58
  Speaker 5: They're gonna make you keep paying that money. As long
• 1:35:01
  Speaker 5: as they keep making you pay that money. But if
• 1:35:03
  Speaker 5: you going, you take initiative and go see what's going on,
• 1:35:06
  Speaker 5: start using to doing the right thing. Keep in mind,
• 1:35:09
  Speaker 5: a few months ago, maybe seven months ago, I was
• 1:35:11
  Speaker 5: twenty sixty seven pounds. I lost sixty seven pounds six
• 1:35:14
  Speaker 5: pounds last month.
• 1:35:16
  Speaker 1: Congratulations and health gradulations.
• 1:35:17
  Speaker 5: So I've been on my health shit since that incident.
• 1:35:20
  Speaker 1: You know what I'm saying, How did you deal with that?
• 1:35:22
  Speaker 4: Like?
• 1:35:23
  Speaker 5: Mentally is That's what I'm saying. Like, dealing with that,
• 1:35:27
  Speaker 5: you gotta put that in the back of your head
• 1:35:28
  Speaker 5: murder because doing all the work I was doing, if
• 1:35:32
  Speaker 5: you're worried about that, you won't be able to work,
• 1:35:35
  Speaker 5: you know what I'm saying. And then the worrying part
• 1:35:37
  Speaker 5: is what makes you sick of right. So I put
• 1:35:41
  Speaker 5: it in the back of my head. The main thing
• 1:35:42
  Speaker 5: was go to all the appointments, do everything I was
• 1:35:44
  Speaker 5: supposed to do on time. And when I got rid
• 1:35:47
  Speaker 5: of it, the doctor said to me, you know, kid,
• 1:35:50
  Speaker 5: like I'm glad that you. He was like, I want
• 1:35:51
  Speaker 5: to congratulate you. Was like, you know, you'd be surprised
• 1:35:53
  Speaker 5: how many people will cancel and come back three months later,
• 1:35:57
  Speaker 5: four months later they got much further. Now we got
• 1:35:59
  Speaker 5: to work there much harder to get him get him right.
• 1:36:02
  Speaker 5: Some people we can't even get right because they stayed
• 1:36:04
  Speaker 5: too long. So you did all your appointments, You made everything.
• 1:36:07
  Speaker 5: So me doing that and getting right, and God blessed
• 1:36:10
  Speaker 5: me to be good.
• 1:36:11
  Speaker 1: That is good, man. That's what I say.
• 1:36:13
  Speaker 5: You know, I'm gonna just do it different, so I
• 1:36:14
  Speaker 5: eat different. I got a whole different lifestyle, and how
• 1:36:18
  Speaker 5: I do ship. So that's what kind of inspired the
• 1:36:21
  Speaker 5: herb business and Mantel Jordan as a matter of fact,
• 1:36:24
  Speaker 5: you know you can't. You just got to hit rid
• 1:36:26
  Speaker 5: of his cancer. He was buying my herbs from us.
• 1:36:28
  Speaker 5: Look at that, right, So it's kind of helped him
• 1:36:30
  Speaker 5: along the way.
• 1:36:31
  Speaker 1: Careful with that, you know. Doctor.
• 1:36:33
  Speaker 3: Once you start doing that ship, niggas come and man
• 1:36:36
  Speaker 3: co operations come hit you with the come and see.
• 1:36:40
  Speaker 1: Me doctor sebby all that ship. I'm doing something with,
• 1:36:44
  Speaker 1: doctor Sebbe. Do anything. Man shout to that and in Houston,
• 1:36:48
  Speaker 1: and you just gotta be careful with.
• 1:36:54
  Speaker 4: Yo. Bro.
• 1:36:55
  Speaker 1: You don't see what's going on. You ain't see all
• 1:36:56
  Speaker 1: of them mighty everything.
• 1:36:58
  Speaker 3: So look you ain't see how like all these like
• 1:37:02
  Speaker 3: nuclear scientists got smoked, like all these niggas, that astronaut
• 1:37:05
  Speaker 3: niggas putting this out there. I don't give a fuck.
• 1:37:08
  Speaker 3: Niggas can smoke me, nigga, damn. But like all these
• 1:37:13
  Speaker 3: like nuclear scientists or you don't want to talk. You
• 1:37:15
  Speaker 3: was talking about healing niggas, Nigga.
• 1:37:19
  Speaker 1: I'm trying to heal you trying to kill them. Don't
• 1:37:22
  Speaker 1: talk them about.
• 1:37:22
  Speaker 3: Look, there was a whole bunch of scientists that got
• 1:37:24
  Speaker 3: hit like mysteriously, like dying and missing like so once.
• 1:37:27
  Speaker 3: Niggas don't talk about healing niggas.
• 1:37:29
  Speaker 1: I got the herbs. Don't go to these companies, Manu
• 1:37:31
  Speaker 1: that herbal plus dot com man.
• 1:37:38
  Speaker 6: That's right, you know, sollo crazy sour sop, that's right,
• 1:37:46
  Speaker 6: healthy good.
• 1:37:47
  Speaker 1: Stuff, that good stuff.
• 1:37:49
  Speaker 2: You know.
• 1:37:50
  Speaker 3: We got the world's greatest DJ here. Make sure y'all
• 1:37:53
  Speaker 3: like sharing, subscribe. I know this is one of the
• 1:37:55
  Speaker 3: fucking crazy episodes. We talked about, the most legendary ship
• 1:37:59
  Speaker 3: in the hip hop. It's the real report.
• 1:38:01
  Speaker 1: Signing out with my nigga turbulence, turbulentce turbulence, drinking you
• 1:38:06
  Speaker 1: drinking too much?
• 1:38:08
  Speaker 4: Boys?
• 1:38:10
  Speaker 1: Signed out.
• 1:38:12
  Speaker 5: Lily, We got kicking Pree in the bill legend Yo,
• 1:38:17
  Speaker 5: take your answer to that YouTube and watch those videos
• 1:38:19
  Speaker 5: I got there. Don't play yourself kicking pre one on
• 1:38:22
  Speaker 5: one of the Instagram Twitter.
• 1:38:24
  Speaker 1: Hold on, we forgot about his daughter music to talk about.
• 1:38:27
  Speaker 5: Love being a love, shaking being a love is doing
• 1:38:30
  Speaker 5: that thing. Make sure you go to a page and
• 1:38:31
  Speaker 5: look at all that ship. She is rocking crazy so fat.
• 1:38:35
  Speaker 1: That's how all this of the week we signed fucking out.
• 1:38:38
  Speaker 1: Hold up, and my boy also got inducted to the
• 1:38:40
  Speaker 1: Bronx Walk of Fame.
• 1:38:43
  Speaker 10: To the Bronx Walk of Fame, my bro creator, the
• 1:38:48
  Speaker 10: Bronx Game Walk of Fame, Bronx great in the Game Fame.
• 1:38:58
  Speaker 1: Good luck surviving the off sea and football fans. At first,
• 1:39:02
  Speaker 1: I was afraid. I was petrified Football's over.
• 1:39:07
  Speaker 4: It's like a part of me just died inside two.
• 1:39:10
  Speaker 3: Hundred these two foot bowls back.
• 1:39:12
  Speaker 6: But tonight I won't just cry because I've.
• 1:39:14
  Speaker 1: Got always to play. And that's the placement hard rock
• 1:39:17
  Speaker 1: bed I survived, offered by the Seminal Try Be Florida.
• 1:39:21
  Speaker 5: Must be twenty one plus in physically president in Florida,
• 1:39:23
  Speaker 5: but wage your terms of conditions apply.
• 1:39:25
  Speaker 1: If you are someone you know as a family problem,
• 1:39:26
  Speaker 1: please call one eight three three play Wise