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Motion City Soundtrack · Deprogrammed Music Podcast

0:32
It's deprogram the podcast movie into a pan.
0:36
Today's band is Motion, City, Soundtrack and I can't make some
0:39
soup soundtrack Joe motion jerk signature.
0:46
None of those really work because I don't want to do that
0:48
anymore. And yet here I am doing that.
0:54
Okay, hello everybody, um, cord, I think this honestly could have
0:59
gone either way. I think you guys did a show
1:01
together. Cord.
1:02
Maybe you mentioned, Motion City Soundtrack and put them up on
1:05
the board. I think maybe possibly, that
1:08
sounds right. All right, so don't know not
1:11
remember anymore. I mean, you know, worst-case
1:13
scenario is Jason, will come on and correct us but talk to me
1:17
about Motion City. Soundtrack, what is it that you
1:19
love about this band? I mean, first of all, they are
1:24
my Like Home State pride band because I'm from Minnesota there
1:29
like a big Minneapolis band And yeah, they're one of those bands
1:34
that like I grew up. You grew up saying, on like a
1:37
fuse TV, like Stevens Untitled Rock Show and stuff like that.
1:40
And then I found out that they're from Minneapolis and I
1:43
just like, got me even more into them.
1:46
And yeah, there's just like this, this was fun because like,
1:51
I'm familiar with, probably like the first four records, but not
1:55
like the later half a discography.
1:57
So that was fun to check out. But yeah, man, I've Loved this
2:01
band since I was Teenager and they've always had like, they're
2:05
one of those bands that I never think of them like a topless,
2:08
but they still hold like, a very special spot because they're
2:10
like, you know, kind of Hometown here.
2:13
I was in a way. We're gonna have to come back to
2:15
that, because I like that bands, that I will come back to that.
2:20
So we're going to swing, sorry, we're going to swing over to
2:23
Jason and this is this is your chance to correct us if we were
2:26
wrong. If not tell me what it is, you
2:28
love about Motion City, Soundtrack know, I think You're
2:32
right. I mean I think Court had it up
2:33
there. There's a couple of them, it was
2:35
like the Motion City say anything.
2:37
A few others. I think I jumped on them all
2:40
with corks. It seems like we have similar
2:42
music tastes but Motion City was a bit.
2:45
I kind of got a punk O Rama CD is Hep attack sampler CDs back
2:51
in the day and they were at that CD kind of created my Mid-teens
2:59
of Black Keys, rancid, No Effects, trigger, cold, and
3:02
Motion City, Soundtrack all being on it.
3:04
So they did that. And it's one of the bands that
3:07
stuck and it's always been. I think I mentioned them on a
3:11
earlier podcast where they sing more about, OCD in mental
3:16
health, in a lot of other little things, rather than like all the
3:20
sex drugs and rock, and roll stuff that you get with some
3:22
other bands that didn't click with me as a 15 year old.
3:26
Yeah, so it's a band that kind of clicked with me and then has
3:30
grown with me throughout my life.
3:32
Feels like, oh man, boy do. Okay, so this is a band that I
3:38
was completely unfamiliar with. I feel like I'd seen the name
3:42
kicked around, you know, you Around, you know, peripherally
3:47
to people who've been around me but I never I couldn't tell you
3:51
one song. I you know, one was Vaguely
3:54
Familiar when I did my first pass like maybe I heard it on a,
3:58
on a soundtrack but for the most part this was this was all
4:03
completely brand new to me. So I guess, you know, we all had
4:12
we all had a really tough time. I push play on the playlist and
4:16
immediately 334 songs in iMessage.
4:20
You guys that I was mad because because this is a very
4:26
consistent band. So, the consistency of this
4:28
band, talk to me, Court about putting together your 20.
4:32
You said you had trouble with this even earlier today.
4:36
Yeah, yeah. So, like, the way that it went
4:40
for me is like I said, I'm like pretty familiar with like the,
4:43
the A big chunk of the discography.
4:46
So, like it was to an extent easy for me because like, I
4:51
already know, my favorites from, like the first four records.
4:56
Unfortunately, like my first pass that meant like so like
5:00
almost full albums, we're making my first pass and stuff like
5:04
that, but it was really fun to like explore.
5:08
Like the two records, I wasn't as familiar with.
5:10
There was one of the two records, that didn't really.
5:14
Tell me as much and then the other one was like yeah this is
5:17
another great Motion City record.
5:19
Um so yeah I had a good time with it but it was just one of
5:24
those things where like whittling it down was hard and
5:27
like I was saying before we hit record like, even earlier today,
5:30
I was like looking at my 20 and being like, oh man, I think I
5:34
need to add this song back in and get rid of something else.
5:37
And so like, I the longer I sit on this, the more I'm going to
5:41
pick at it. So I'm glad I'm kind of glad
5:42
we're getting it over with. Yeah.
5:44
I meant that is that is the punishment of this show is is if
5:48
you don't get it in the can you always go back and pick at it
5:52
and switch stuff around Jason, you've been, you know, other
5:56
than I think you had no shinned that perhaps you were having a
6:02
difficult time. What was it?
6:04
How did how did it go for you? Picking your 20?
6:07
And I'm a lot. The same where I had kind of the
6:10
first couple records. I knew really well in the last
6:12
few I hadn't listened to and I mean, you listen to him and it
6:16
sounds great but you have to whittle it down.
6:18
So I was doing the same day. I think I had today before 9:00,
6:23
or before about an hour ago, I had about 30 songs on the list.
6:28
So I had to still Whittle down the last 10, and just kind of
6:31
make make sure that I wanted certain ones.
6:35
And I realized I couldn't have a full album, so I had to cut.
6:37
Down pretty extensively. Yeah, I think I told you guys
6:44
when, when I first messaged you guys that I was mad that I had
6:50
almost the entirety of the first record here.
6:53
Allow I want to read my exact words.
6:59
Man under okay. Yeah I'm really mad at y'all
7:03
right now. I'm only an albumin and I can't
7:05
find the cuts and then 45 out of 78 on my first pass and that was
7:11
being I think come the third record.
7:16
I was like, okay I can't put everything through I get stuff.
7:21
Stuff has to have to start making Cuts now or this is going
7:25
to be miserable next. Go round, but it's so we talked
7:30
about the consistency of this band and for the first.
7:36
So the first two were like just Splendid and I was just like,
7:40
okay, cool locked in the third, one was good.
7:43
Felt like a step back and I was like, okay, cool.
7:47
So maybe we found, you know, maybe this is, this is the line.
7:51
Maybe this, you know, it's all downhill from here.
7:53
Nope. The next record I was back to
7:56
having almost everything in it. Again.
7:59
I was like, oh God, no, what is happening here?
8:03
You know, they have these these low spots in discography, like,
8:08
in the scope, I don't mean to call them low spots as far as
8:12
They're all great records but low spots as far as like what am
8:17
I looking for to put forth as a as Motion City songs?
8:22
And you know there was like one other record that towards the
8:27
end that I was like, okay you know, maybe maybe this is the
8:30
next line and then the last record was like, nope, I have
8:34
almost all of this again. So, yeah, the cuts were not easy
8:38
to find but this is one of those bands where you look for any
8:42
Reason to cut any song, like any reason you can get to drop it
8:46
off the list. So it's out of contention.
8:49
And I would have been right there with you all like
8:51
rearranging my list and looking and looking and looking.
8:53
If I didn't have like eight other bands on the air right
8:57
now, because I already feel, this always happens to me, I
9:02
always try to listen to the, the main playlist going in to kind
9:07
of reacquaint myself with songs that didn't make my list.
9:10
And there was already three off that first record Didn't make my
9:13
my list that I was like oh God. No, yeah, it's it's funny the
9:18
way you put that because if you look chronologically, so the
9:23
first record is, what made what got them tour with Blink-182?
9:27
And then Mark produced Commit This to Memory.
9:30
The second record, they went with us, somebody else for the
9:34
next one which you said was the down one and then Mark came back
9:36
for the record after that which was you said was a great one
9:39
against. Oh, wow.
9:40
Knowing that your blink fan. That's why I was I'm curious if
9:42
you'd like those two records. The most interesting.
9:45
That's crazy at the, I clearly didn't know that.
9:49
But yeah. Like, and again, I don't mean to
9:52
disparage that third record. It was, it was I still had a ton
9:55
from it, but I found that one the easiest to whittle from and
10:01
that's, I don't know what I'm saying there.
10:05
I don't know what I'm saying there.
10:08
Okay, so this this is what worries me here.
10:12
I think it was like seventy eight songs all together um but
10:18
you know it sounds like we could be a little all over the place
10:21
Here. Chord based on everything we've
10:24
said so far for the final say how many you think we're going
10:26
to get through unanimously man. Okay this is this is tough
10:31
because like this band has so many bangers that I can see us
10:34
landing on. But like even like weeks leading
10:38
up to this like picking stuff off my list, I would delete.
10:42
Nothing. And then hear myself in my head
10:44
saying the classic deprogrammed line of like, oh, that was my
10:47
last client. Yes, you know.
10:52
So I think I'm gonna lowball it but not too low.
10:55
I'm feeling. I'm feeling three.
10:59
Okay, yeah, yeah, that's exactly actually what I was just
11:04
thinking. So I got a, I got a Restraint of
11:06
guys. Jason, what are you thinking?
11:10
I want to be positive and I want to say six.
11:14
All right. Yeah, you know, I hope you're
11:16
right. It's not like there's a ton of
11:18
places to hide, but it just feels like, specifically
11:21
probably those first two records, like, it's going to be,
11:25
we could each each As have you know, different parts of those.
11:31
We could probably build the whole record.
11:33
Yeah, yeah yeah. After hearing you say that even
11:36
if it kills me was your Miss, there was a different record.
11:39
That was my Miss completely. I was like, all right, this
11:41
one's gonna be hard. Okay, well, so do I go in
11:48
between y'all? Or do I go the step lower?
11:56
Well, three was my initial thought I have for start here.
12:01
I'm going to go with that. I'm going to go with four
12:04
because it feels like maybe we can land for all right.
12:09
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12:13
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And with that, the name of the game is deprogrammed, the three
12:59
of us and come through the Motion, City, Soundtrack
13:01
discography, and plucked out 20 songs that we're now going to
13:04
mash together in an attempt to create a top 10 certificate for
13:06
you. In case you have never given
13:08
them a chance. I'm not going to do my normal
13:16
thing and actually it hasn't been my normal thing.
13:18
The last couple episodes, but I'm gonna give you the, I'm
13:22
going to give you the song that locked me in and and it's it's
13:29
possible that it doesn't land but I want anybody who's
13:33
listening to this who's looking to get into new music to start
13:37
here because like I said and this is a sound profile.
13:42
I'm going from like this, this is what I want my Motion City
13:45
Soundtrack to sound like shiver Nope, no, I had a feeling, it's
13:53
okay. Like I said I, you know,
13:56
obviously I would have liked to have gotten it into the
13:58
conversation, but this is when I locked in the second, this song
14:03
starts really getting into it here, let me So it's it's got
14:12
your your Midwest emo flare but then it's got like the rentals
14:18
over top of it. I think again.
14:24
Am I happy that I started with a Miss?
14:27
No, but I think this will inform you to where I am going forward.
14:33
So I take a miss. It sucks.
14:38
Shiver great. Tune, that's where I started.
14:41
All right, Court. Um, I think I'm Gonna Come Out
14:47
Swinging a little bit personally, not necessarily in
14:51
like the grand scheme of like, popular MCS songs, but I'm going
14:56
to start off with time turned fragile.
15:00
Nope. That must have been one of my
15:05
later ones because I was looking at my list, like I had it.
15:08
See that's why I did it first because I love that song more
15:11
than most Motion City songs, and I knew I would have to get the
15:13
Heartbreak out of the way. Yep.
15:19
I think this is one of those cuts that I made last night or
15:25
the night before, it just has like, For one thing, I'm a
15:31
drumming nerd and Tony Thaxton. Just shows off how good of a
15:35
drummer Drummer, he is on this song throughout like man.
15:42
Well it also sucks because it hits exactly what I just said
15:45
like that that sound that I was looking for but already, you
15:49
know, like already two songs in And it's two misses.
15:55
And neither one of us is wrong like I feel more wrong.
16:00
I'll say, even though, even though Shivers like a tone
16:04
setter, this one was a tough tough.
16:06
Tough, tough cut. Yeah.
16:09
All right, Jason me. Do one that's just for me like
16:13
one of the fun songs and puts a smile on my face and let's go
16:16
with the future, freaks me out. Yeah, yes yeah man.
16:20
I got it. There we go.
16:21
Alright. Alright, that feels better by
16:23
the way six, I was being real bad after two.
16:24
Misses this is got everything. Everything you want.
16:30
Yeah, it worked. I worked at a restaurant and
16:32
there was a cook in the back that would sing this loud enough
16:35
that you could hear him on the other end of the restaurant and
16:38
it always made me smile. So, this is our also one of the
16:43
answers that we got when I asked the audience, what they consider
16:48
essential, We didn't get the smartass never heard of them.
16:58
This is good. As you can tell folks.
17:02
Like this is not, this is not going to be an easy one.
17:06
All right. So now, do I start?
17:14
Mmm. All right.
17:18
I think I'm going to go with another one that listeners
17:21
mentioned. It's short for.
17:26
Let's get fucked up and die. LG if you ad a lie, huh?
17:30
Yep. All right.
17:36
All right. I wanted to ignore this song
17:42
because it starts off like acoustic, but you also it starts
17:47
off with let's get fucked up and die.
17:51
It's like okay. I have very fond memories of
17:57
going to emo nights when I lived in st.
17:59
Paul. And they would play this song
18:00
every time it's just, yeah, he can't, he can't miss.
18:05
I remember in high school having to do a, you how to create a
18:08
folder for your English personality.
18:10
And I had this written across the top.
18:12
My teeth, do not worry. All right.
18:19
Okay, to we're right, we're right Court.
18:29
I think let's go a little later discography.
18:33
I'm gonna go with delirium. No, no.
18:40
Can't say, father. I should do this one first.
18:53
As I mentioned, my dinosaur life impossible.
18:58
Yeah, this was the record that I had like almost every song in my
19:02
first pass. Same.
19:04
When you, when you put that into the chat, I was, I thought you
19:07
were being dramatic. I don't know whatever, you know.
19:11
And then I went because I think at the time I was at, even if it
19:15
kills me, I was like, you know what, there's no way.
19:19
And, you know, I'm marking song after song after something like
19:22
gosh. Yeah.
19:26
All right, I mean, again that's probably an album that will be
19:30
lucky to land some twos. All right, Jason Let's stick on
19:35
that album. Go with her words.
19:37
Destroyed my Planet. Nope, see me neither.
19:44
Oh yeah, this is that's the song that made me.
19:47
Got me to watch Veronica Mars. Oh, Nice.
19:53
Yeah, so L asleep watching Veronica Mars again.
19:56
Yeah, I love that show. It's so good.
20:03
Stupidly good. That kick in is so good and be a
20:12
fun when I feel like you'd have to start a concert with that
20:15
because you could have the slow and then just the big jump.
20:18
Yeah. All right.
20:21
Well you know I'll stay on that album with you all and I'm going
20:24
to go where I knew I was back into trouble worker bee Oh yeah.
20:31
All right. Because again, you know, I hate
20:41
freezing it this way because even if it kills me is a great
20:44
record and I still had a good amount of it on my first pass,
20:49
but like when worker becomes on, like I'm thinking, we're on the
20:53
way down. Yeah, I'm thinking, okay, these
20:58
will be where the easy cuts are and then this happens.
21:02
Yeah. I'm like, oh no.
21:06
Oh no. I love how this song just like
21:09
keeps getting a little bit more intense as you go on, so good.
21:16
I think there was like a stone lyric that stuck out to me, but
21:19
since I didn't write it down, we will chalk that up to, it's gone
21:23
to the ether. All right.
21:26
Chord Um, I'm gonna see if I can stick you on, even if it kills
21:32
me, and I'm going to go with Fell in Love Without You.
21:36
Yes, at least it's a to haha. Alright, I'll take it too.
21:45
That one I don't know where but it was it was it was little like
21:53
you know late 20s. Yeah it was super like cut.
21:58
That's a banger track one. Yeah maybe that's why I cut it.
22:03
Is I'm a track one guy and I was like I can't I can't always be
22:08
track one guy. Yeah.
22:08
Be predictable. Yeah.
22:11
All right Jason. All right, let's go back to the
22:16
beginning and I'll go with red dress.
22:21
That was a late late cut for me. I don't know where that fellow
22:27
Like I said, those first two records, it could be.
22:29
It could be anywhere. I don't have a reason.
22:38
Oh man. I said, I didn't want to be
22:48
predictable. I didn't want to be a track one
22:49
guy, but here, I'm here. I am being predictable, being a
22:52
track one, guy attractive today. Yes, that was a late one for pay
22:59
late cut. So now we're different going to
23:02
be having some conversation here.
23:03
It looks all right, there's a to court, um, Let's see.
23:14
Not take one from Panic stations and play, Heavy boots.
23:20
Nope, cannot save you there. Hurry up.
23:27
Panic stations and go are definitely my to.
23:31
That didn't make much off my list.
23:34
Yeah, it happened that way. But I want to be clear here, I
23:40
had a lot on my first pass and I think they're great records.
23:46
I think that basically what I I took from them was just to round
23:53
out my 20 but I feel like we can get somebody into the band with
24:00
the early stuff. Yeah exactly.
24:03
So if we if we get you do yourself a favor and listen to
24:09
all of it because it's all really great. all right, Jason
24:20
Let's go with. I'll go with the hit.
24:26
Single of everything is. Alright hell yeah.
24:30
Yeah. Me too.
24:30
Yep, there we go. Awesome.
24:34
Now I'm feeling good with closer to my six.
24:36
Yeah, you're probably going to get your sex.
24:39
It's looking like you might get it.
24:41
There's a lot out there. This is definitely their hit
24:44
single if you've heard one by them.
24:46
Yeah. it's funny, you mentioned like Veronica Mars, you know
24:53
obviously the lyric but like Not quite this on the same level of
24:59
like a Jimmy world but like this music definitely gives me that
25:05
CW Vibe like it would have appeared on a CW Show.
25:08
You can show like like a Veronica Mars for sure. this is
25:14
also one that the listeners said, so, This is one of those
25:20
like number one, big hits that. I don't get sick of, and that's
25:23
kind of rare for me. Hmm.
25:32
You know what? I'm going to try some of my
25:35
later stuff here. See if I can find you.
25:38
How about the worst is yet to come?
25:43
Nope. No, I do to that was one of my
25:45
cuts today. Sometimes the the name of the
25:50
song is is exactly what's about to happen.
25:56
I have this whole thing up. The worst Oh, there's more than
26:03
one songs with the worst in it. Work is I should learn how to
26:10
type, There we go. All right Court.
26:17
Um, let's go back to the early half and go with my favorite
26:25
accident. I knew that one was coming up.
26:34
I knew that one was coming up, was that to knows, you knows, it
26:38
sounds like a dude, that was one that I was listening to before
26:44
before my dog just side at me. Jesus, well here, folks, this is
26:50
why we're upset it ourselves. You can't be mad because these
26:59
first couple records. It could have been anything.
27:09
Wow, I know. I'm making you'll regret.
27:17
This one. When I was listening to it I
27:20
just I couldn't find where to put it back in.
27:24
Yeah. I had to make a lot of cuts
27:27
today, and I don't remember where it dropped either.
27:33
That's the thing that bugs me. That's the thing.
27:35
That's bugging me. All right.
27:37
Jason Let's go off of this kind of my ear worm from the Later.
27:44
Salt. Later ones the one that just
27:45
kept getting stuck in my head will go with Box Elder.
27:50
Nope. Nope.
27:52
That is fine that it just the hey boxelder.
27:54
I just kept hearing in my head every like 30 seconds after it
27:58
happened. That's a really good at that.
28:04
Yeah, for sure. Like Justin Kearney Pierre knows
28:07
how to write a chorus. Yeah, he definitely knows what a
28:13
hook is. Yeah.
28:16
All right. Yeah, that would just happen to
28:21
my head time and time again. Some of these.
28:27
Sometimes I wish I had reasons, but You guys know why?
28:32
Because you you gotta you gotta cut stuff.
28:36
Um, Hmm. How about I keep?
28:44
Look, I keep passing over this one because I feel like it's
28:46
gonna hurt when you're around. Yes.
28:51
Oh yeah. Okay.
28:54
All right. That was one that I had
28:56
initially cut. And then today, I was like, I
28:58
can't not have that on my list, okay?
29:02
So then I was onto something with that one. because, Maybe
29:08
pain is just like the underlying sentiment of the band.
29:14
Yeah, definitely. I couldn't get away from this
29:20
one. Of course, if you listen to it,
29:25
you know why? All right Court.
29:31
Um, Let's see, one plant. Another one off of my darkness,
29:37
dinosaur life and go with a stand too close.
29:45
That was number two of my last two cuts.
29:49
I can't save you either, man. Again, I think this is the most
29:56
songs that I've heard played out of the program podcast because
30:00
everyone is either unanimous or a total Miss.
30:03
Yeah, pretty much. Yeah, I think we're just gonna
30:06
hear the whole Motion City discography today.
30:12
I don't have a reason, so I don't So what folks want your
30:19
hearing here, if this is your first time here or if you've
30:24
only heard episodes that kind of go smoothly, what you're hearing
30:27
here is consistency is when it comes to this.
30:31
If a band has a consistent very good discography, it's easy to
30:38
pick different stuff than the people you're playing with.
30:43
Hey, I don't have a reason so my apologies.
30:46
All right. Jason.
30:49
Let's stick with the first song that made me.
30:51
Look them up off of the Epitaph sampler and don't call it a
30:54
comeback. I got no.
30:59
It's got, you got it? Yeah, it's got to it stays in.
31:02
All right. And we're also only, let's not
31:06
gloss over. The fact we're already at five
31:08
like it feels like we're not doing Well, because there's a
31:14
lot of ones, but we are like, you said, chord.
31:19
It's either all of us. Got it, or it's going right in
31:22
the trend. Let's see.
31:24
We actually met. Yeah, I think this is the only
31:26
second. This is the only the second to.
31:29
Yeah. Third third is the second or
31:31
third exist. So yeah, for the record, we have
31:34
five in. We have three that are in the
31:37
conversation, there's plenty of gameplay, but if the game were
31:41
to stop right now, we I'd actually have to pull out of the
31:43
trash, which doesn't happen that often.
31:46
All right, so don't call it a comeback with Jason.
31:48
So it's back to me. I'm going to do the last one
31:53
that we got from listeners, because I keep going past it.
31:59
Modern Chemistry. Yes, nope.
32:05
All right. They're hanging on a thread, one
32:10
more unanimous, or a to gets us out of ntp.
32:15
All right, corner. Many songs.
32:16
Talk about medication and therapy at the beginning.
32:18
So yeah. Yeah.
32:20
I thought it and such a catchy manner.
32:23
Uh-huh. Yeah this this pan is really
32:26
good at like I love the fact that Justin always writes like
32:30
very serious kind of heavy lyrics over like very happy
32:36
sounding music. It's Like such a fun dichotomy,
32:41
handsome do that really well too?
32:43
You know, I had to bring in a to bring up Hanson because because
32:48
I'm a psycho, cord your LEF, all right.
32:53
If we're talking about songs, that deal with mental health,
32:56
one of my favorites, I'm going to play and probably be
32:59
heartbroken over is even if it kills me.
33:02
Yes, yay. We are officially out of ntp,
33:09
but that is that is a no for me, dog.
33:14
Now, this like just the lyrics and the song, I are so good
33:19
because it's just from the perspective of like someone
33:22
struggling with mental health, but being like, God damn it.
33:24
I'm going to figure this out. Yeah.
33:26
Like for the first time in a long time, I can say that I want
33:31
to try to get better and overcome each moment in my own
33:33
way. Like Hmm.
33:36
God damn. Well know now that you've made
33:40
me feel like a shit. All right.
33:46
Jason I feel like I'll have one after I say it but we'll go with
33:53
broken heart. Now, let me go ahead and smash
33:59
that for you. How fortuitous?
34:07
This is the last page of my there's another one with broken
34:11
in it. I really should do the song
34:18
first. So as not to leave silence oh my
34:25
God. Phone will just do what you're
34:27
supposed to do, bro. Can, there we go.
34:37
I'm giving up reasons, you know, trying to give reasons because
34:41
they're really there really aren't any, and yeah, there's
34:44
some songs rich, just like you hear it.
34:46
You like it. If you just have to make it go
34:48
away. Yep.
34:51
Um, you know, it had to be me. So my choices it had to be you.
34:59
Oh no, that was another very, very late cut.
35:05
I King love that song, dude. I love that sound.
35:10
That realization of all man I could have snuck that in I
35:16
related so hard. That song for a long time to
35:19
move. Cord.
35:37
Real quick before I play, I do want to say my favorite line
35:42
from that song is. Let's Get Wrecked on Pop-Tarts
35:45
and sex and see the Taj Mahal. Um, I'm gonna play.
35:54
Yeah. How about Pulp Fiction?
35:59
Yep. Oh no.
36:00
Sorry, I was in the last cut. Oh, I'll have you have a list of
36:04
last cuts on the side. I'll save you.
36:07
I got it nice and perfectly fine.
36:11
If that one ends up, making it in and we officially have a
36:13
conversation on it now, too. Hell yeah.
36:18
I think we got 11 or think my last for raw from dinosaur life.
36:24
And I said, I have to cut three of these down, all right.
36:29
Jason and let's do with one that made it in will go with.
36:33
I guess expletive would be the word to say.
36:37
I do not have that one, you neither.
36:40
Unfortunately, that's such a good song though.
36:50
All right, let me tell you, let me tell you why, because there
36:53
is a reason here. You're like Ocarina of Time?
36:58
No, it has actually love Ocarina of Time.
37:01
I've been played in the frailing but um, well again there's three
37:07
albums that I literally could have picked any at least three
37:10
that I literally could have picked any track from.
37:13
That's not, that is not an exaggeration, my don't dinosaur,
37:16
life is one of them. So you're you're looking for any
37:19
reason, you know, a lot of a lot of the reasons are just okay, I
37:22
just don't have room for it. This one, I looked at and it's
37:25
like, I don't know what I would say to.
37:30
I don't know what I would say to announce that this is my choice.
37:36
What do I call this song? What do I call it?
37:39
I was worried about that one as well.
37:42
I know that's a dumb reason but Sometimes you need reasons,
37:50
okay? Um, here's one.
37:52
I can say I can pronounce Broken Arrow.
37:57
No, no. It seems like all the misses are
38:02
on the. I feel like we've kind of agreed
38:08
on the first two records, essentially, everything after
38:12
that is where we're disagreeing. Yeah, let's see.
38:20
You know, maybe we'll do like two more rounds.
38:25
All right. I wish Spotify would stop
38:27
crashing. That'd be neat because I'm
38:32
trying to do a show here. All right.
38:36
Chord. um, well, I think I think we need a good slow song and I'm
38:46
gonna play hold me down. No unfortunately, I do not have
38:55
that one. I don't have a reason, so I'm
39:02
not going to give you one. All right.
39:12
Computer also doesn't want to do what I tell it to do.
39:16
All right, Jason let me go from go, everyone will die.
39:25
Nope. Again I must have something else
39:29
that has the word everyone in it cuz I thought I wrote that down
39:34
and I did not everyone will die. You had kind of that Jimmy World
39:53
almost sound to it, yet, for me. Yeah, I could see it.
40:03
All right, let's see. One, two, three, four, five,
40:08
six, seven. Yeah, we'll do one more round
40:10
and then we'll dump out. All right, so that leaves me
40:15
with somewhere in the middle. How about hangman now?
40:26
To nose. After I do now.
40:40
Well, dang. The one with the Mark Hoppus
40:45
feature on it. All right, man.
40:57
Yeah, I know. Let's let's save heartbreak.
41:01
All right chord. Um, hmm.
41:08
Play One More older one. How about Capital H?
41:17
And that was a cut today to the worst.
41:43
So, I am the movie. Commit This to Memory.
41:51
And my dinosaur life could easily.
41:54
I could have picked any song up there and I would have been
41:57
content. Hmm.
41:58
Yeah. Which does not help when doing
42:03
something like this. Oh, okay.
42:06
So let's see. Jason, let's go from.
42:15
My dinosaur life Naga skin and bones.
42:19
Nope, we couldn't have gotten to the dump out soon enough because
42:27
this would be really painful that have to listen to all like,
42:30
all these going forward. Yeah, all right, let's see, let
42:35
me cue that one up and then I'll dump out, you know, maybe we can
42:40
land a couple more for the conversation
42:54
Okay, and I know one, two, three, four, five.
43:00
I got six left so maybe we can land one here.
43:03
I'll start right at the top, Mary without sound Nope.
43:09
OKC can't finish what you started.
43:13
Yep. Nope.
43:14
Okay. To a life less ordinary need a
43:18
little help. Nope.
43:20
Nope, Hysteria. No bottom feeder.
43:28
Oh no. And last but not least gravity.
43:32
No. Okay, so I landed can't finish
43:35
what you started. Let's get that in there.
43:39
I can't. Finish.
43:43
There we go. That one is good.
43:46
Justin and cord. All right, let's see if you can
43:51
land another couple to choose their cord.
43:54
All right, indoor living last night.
44:00
Nope, the weekends. No, and days will run away.
44:07
No. All right.
44:11
Oh no. I mean, at least it was, it was
44:15
quick. Yeah.
44:17
Yeah, it wasn't true. It was painless, we don't have a
44:20
tough conversation left. Yeah.
44:23
And just for fun Jason, you want to dump out, whatever you got
44:25
left. I had disappear.
44:29
This is for real and my only one for panic stations because I can
44:33
feel you. All right.
44:42
All right, so what do we got here?
44:45
Just shy. So no one, no one gets the final
44:48
say five through the future. Freaks me out.
44:51
Everything is alright. When you're around LG, if you ad
44:54
and worker bee 5 and then we have seven the conversation.
44:59
Don't call it a comeback. Modern Chemistry attractive
45:02
today, Fell in Love Without You. Can't finish what you started,
45:06
even if it kills me and Pulp Fiction, I say the easy, way to
45:12
do this is to figure out which two don't belong, instead of
45:18
trying to figure out which ones do is there one jumping out at
45:22
you chord that you're like very cool that it's still here but or
45:26
or you know completely straight against me you know make make a
45:30
case for something to remove out of the conversation and just put
45:35
through and, This is hard. It never gets easier friends.
45:51
So, I am admittedly. Not as familiar like track title
45:57
wise with I am the movie. Okay but I think the other like
46:05
five are ones that I landed on actually attractive today.
46:09
I didn't land on but I do also love that song.
46:16
I don't know, man, there's nothing sticking out to me
46:18
that's like, oh, we don't need that.
46:22
I guess I would maybe take a poke at Modern Chemistry, but as
46:28
far as not needing it, as far as not needing it, okay?
46:33
Is there something jumping out at you Jason?
46:37
It would have gone the other way for the I am the movie songs
46:41
that were looking at and just said, don't call it a comeback.
46:43
So I think that one's just a little more like Fast.
46:45
Punk. Yeah, Modern Chemistry.
46:48
Kind of leads and you can hear like, that's the Cynthia sound.
46:51
That kind of got them where they were.
46:52
Yeah. I'm I love them both.
46:58
So yeah, I mean I had them both as well.
47:03
Well, I guess that begs the next question.
47:06
Do you care about album representation?
47:12
I don't think so. Okay.
47:15
Like I don't think we didn't land anything from go or Panic
47:21
stations. Did we know the exact know?
47:25
So Let's see in. All right, so I would say this
47:31
for sure though, we have three here from even if it kills me,
47:36
we got it. I feel like since there's three
47:38
available we should, at least take one.
47:41
Yeah. So we've got Fell in Love
47:43
Without You. Can't finish what you started
47:44
and even if it kills me so the question is, take all three and
47:50
then grab to others or take one or take two.
47:55
What do you guys think? At least it one off having one
48:04
or two. I wouldn't go all three.
48:06
Yeah, we all, we all agree that that's the album that you can
48:09
kind of deck a little bit on, then, come back.
48:13
Yeah, we have plenty of representation representation on
48:16
Commit. This to Memory as well.
48:18
Maybe drop attractively, and I mean, whatever, whatever we need
48:21
right. You know?
48:22
Some so lose attractive today. I think we lose attractive today
48:26
for fell in love, without you and the candidate.
48:30
Of like Banger track ones. All right.
48:33
That's my Logic on that. Come with it, which me All
48:39
right. And then let's see.
48:43
Again, I know we don't My instinct here is saying, take
48:48
one for my in the movie and one from my dinosaur life.
48:51
So what do we have? Pulp Fiction is the only thing
48:54
left from my dinosaur life. I think it should go in like
48:58
that was my very last cut. Yeah.
49:02
So, let's do that. And then that leaves our wait,
49:07
let me make sure I'm counting right?
49:10
Wait, now that only gives us seven.
49:14
Alright, so I am the movie has, don't call it a comeback modern
49:18
chemistry. And then we lost attractive
49:23
today. So we still need three.
49:27
I'm the movie so don't call it a comeback.
49:29
Modern Chemistry. Can't finish what you started,
49:31
even if it kills me, pick one of those two drop cord.
49:42
Um, or if it would be easier to rank them, rank the four of them
49:46
in order that you would take them.
49:50
That's not easier. I think I would drop.
50:02
I think I would drop don't call it a comeback.
50:04
Okay what do you think? Jason?
50:06
Yeah I would agree with that. Yeah, I feel like don't call it.
50:11
A comeback is great. I like about and chemistry
50:13
better. So, let's do that.
50:18
And where does that bring us? That should in theory.
50:24
Take us to 10. Let's reshape it.
50:34
Yes. Okay.
50:35
Yeah, the future freaks me out. Everything is alright.
50:38
When you're around LG, if you ad worker bee Fell in Love Without
50:42
You Pulp Fiction. Modern Chemistry can't finish
50:45
what you started even if it kills me out of those ten
50:48
though, cord. Which one is the one that you're
50:51
going to hand to somebody. and, This might be like the Hardesty
51:08
program is over done. cuz I'm just like, I'm looking at the
51:15
first like, Four or five and it could be any of those.
51:20
Yeah yeah like future freaks me out.
51:22
Everything is alright. Let's get fucked up and die,
51:25
worker bee. Oh my god.
51:28
Um if I'm honestly like As cliche as it is, if I'm trying
51:35
to get somebody into this band like maybe the same way that I
51:39
got into this band singing them on fuse TV and just give them
51:44
everything is alright, he's a great song.
51:47
We think Jason Everything is all right.
51:50
What are the future? Freaks me out.
51:52
One of the two would. Yeah.
51:53
That was honestly in my big battle.
51:57
My inclination is future. Freaks me out.
51:58
But let me I mean obviously I had them both.
52:01
So Yeah.
52:25
Yeah no I love future freaks me out but I think between the two,
52:30
it's everything is all right for sure.
52:33
This is the first time that's ever helped.
52:35
By the way, this is the first time that has ever helped.
52:40
All right. Yeah, let's go.
52:41
Now you gotta keep doing it. It never ever works though and
52:45
never never helps. Now, it has and now it's going
52:49
to, oh God, why do I do this to myself?
52:53
Alright, everything is. Alright is our number one, the
52:55
Teacher freaks me out when you're around, let's get fucked
52:58
up and die. Worker bee Fell in Love Without
53:01
You Pulp Fiction. Modern Chemistry can't finish
53:04
what you started even if it kills me rounds out our 10 and
53:06
let's let everything's alright gets moment in the Sun.
53:15
I almost nailed that. Yeah, that was good spot on.
53:19
Yeah. All right, we've done it.
53:24
You know, I hope you could hear the pain in our hearts analysis
53:30
because this was not easy. You know, these bands that have
53:35
had, these really great Unique, Sounds and very deep
53:38
discographies are really hard to do on this show, but we've given
53:42
you 10 to get into this band. And I guarantee you you listen
53:46
to these 10, you will like them. Do yourself the favor, I think
53:51
it was four and a half hours to listen to the entire
53:53
discography. It's worth it.
53:55
I very much enjoyed my time with Motion City, Soundtrack.
53:58
And as I told the guys before we went on, if it wasn't for
54:01
nothing, I would hate, I would hate the two of them a lot more
54:04
because nothing, you know, we'll talk more about this on after
54:07
the fact, which you can get in on by going to
54:10
patreon.com/scishow. Hi, Justin.
54:11
If that's something you would like to do, you can nothing was
54:18
like, in the vein, whereas, this is just outside of it.
54:21
And well, like I said, we'll talk more about that.
54:24
So you get stuff on patreon page.
54:25
That's cool. If you want to do that, you can
54:27
also come hang out in the Discord.
54:29
That's very cool. If you want to do that Legion,
54:31
stupid.com as a place to go where you can listen to the
54:33
show, you can also sign up to be on an episode.
54:36
If that's something you want to do, or you can, if you want to
54:39
see Jason episodes, you want to see cord episodes, you can
54:42
actually find their episodes. They have their own page.
54:45
It's it's a weird wild stuff. So go do that Legion stupid.com.
54:49
You click at the top podcast, scroll down to deprogrammed, and
54:53
scroll down just a little bit for the sign up sheet and you go
54:56
from there, we're a podcast. So subscribe rate, comment all
55:00
that stuff is super helpful but the absolute most helpful thing
55:03
that you can do is telling somebody that you listen to
55:05
deprogrammed, I would greatly appreciate that oh, a whole deal
55:10
and if you could do that again I would appreciate it and with
55:13
that Motion City. Soundtrack.
55:15
What I'm loving. People will see you next week.
55:17
Bye.