Latest / The Breakfast Club / Every Little Step of Bobby Brown ( Woody McClain Interview )

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Every Little Step of Bobby Brown ( Woody McClain Interview ) · The Breakfast Club

• 0:00
  Speaker 1: It's time. It's time time to wake up. Tak intantially,
• 0:05
  Speaker 1: Get and Charlotte mean the Doctor to practice club bitching
• 0:08
  Speaker 1: the voice of the culture. People watch The Records Club
• 0:11
  Speaker 1: for like news and really be tuned in. It's one
• 0:14
  Speaker 1: of my favorite shows to do just because y'all always
• 0:17
  Speaker 1: keep you one hunting. Y'all keep you really. They might
• 0:19
  Speaker 1: not watch the news, but they're on Twitter, they're on Facebook,
• 0:21
  Speaker 1: they're you know, they're listening to the break of the
• 0:23
  Speaker 1: Brothers Club show. Ass sub him, It's time time to
• 0:34
  Speaker 1: wake up. You take intantially Geet and Charlotte I mean
• 0:37
  Speaker 1: the Doctor to practice club bitches the voice of the culture.
• 0:40
  Speaker 1: People watch The Records Club for like news to really
• 0:43
  Speaker 1: be tuned in. That's one of my favorite shows to dude,
• 0:46
  Speaker 1: just because y'all always keeping one hunting. Y'all keep it really.
• 0:49
  Speaker 1: They might not watch the news, but they're on Twitter,
• 0:51
  Speaker 1: they're on Facebook, they're you know, they're listening to the
• 0:54
  Speaker 1: breath of the Brothers show. Ass suck good Morney in
• 1:08
  Speaker 1: usc yo yo yo yo yo yo yo yo yo
• 1:10
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:11
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:13
  Speaker 1: yo yo yo yo yo yo yo angelis out? What up,
• 1:16
  Speaker 1: Charlemagne Fish? Yeah, Piece to the Planet is Tuesday. It
• 1:21
  Speaker 1: is not Tuesday. God damn it. Hold on, start over,
• 1:24
  Speaker 1: wrong with you? Hold that damn thing. Oh. I was
• 1:26
  Speaker 1: up late last day watching body joa started day and
• 1:31
  Speaker 1: Monday was a holiday. Goal. Kids are back to school
• 1:33
  Speaker 1: and every day Ago, good morning, usc yo yo yo
• 1:38
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo yo.
• 1:44
  Speaker 1: Angelie's on vacation. Charlemagne was copping Piece to the planet.
• 1:48
  Speaker 1: Guess what day is? Guess what day it is? Yes,
• 1:55
  Speaker 1: it's Wednesday. It's hump day. Yes, kids are back to
• 1:57
  Speaker 1: school today today. Kids gotta everybody got back to school.
• 2:00
  Speaker 1: I asked, my kids were back to school yesterday, but
• 2:01
  Speaker 1: I know in New York City and the East Coast
• 2:03
  Speaker 1: kids are back today. Yeah. My oldest daughter goes back
• 2:05
  Speaker 1: to day. So parent to paranoia, sex in you know,
• 2:08
  Speaker 1: all the anxiety of your your child being back in school. Yeah,
• 2:11
  Speaker 1: set in immediately, you know. But you know we all
• 2:14
  Speaker 1: prayed up so we good over here. Yeah me too. Now,
• 2:16
  Speaker 1: Um Bobby Brown movie last night? What did you think, Um,
• 2:19
  Speaker 1: I enjoyed it. I mean I read the book every
• 2:21
  Speaker 1: little step a couple of years ago, so you know
• 2:23
  Speaker 1: books are always better. But I did enjoy it. And
• 2:25
  Speaker 1: I'm mad because today is all show national be late
• 2:28
  Speaker 1: for something they so being. And I went to sleep
• 2:31
  Speaker 1: at eleven thirty last night, a little bit after eleven
• 2:33
  Speaker 1: thirty because I was still on the high of you know,
• 2:35
  Speaker 1: Bobby Brown, I could have I could have been late
• 2:38
  Speaker 1: this morning. What you take of the movie? I just
• 2:40
  Speaker 1: told you I enjoyed it. I read the book, but
• 2:42
  Speaker 1: you know the book is it's better. But I enjoyed it.
• 2:45
  Speaker 1: I didn't like the part where they cut the scene
• 2:48
  Speaker 1: where they threw Janet Jackson out of the hotel room.
• 2:51
  Speaker 1: That kid though, No, you know what they cut the
• 2:53
  Speaker 1: scene so you didn't see the version? What you mean,
• 2:56
  Speaker 1: Oh I showed you. Yeah, I got the version right
• 2:59
  Speaker 1: there where they told Janet out out the room naked
• 3:01
  Speaker 1: and she's outside the hotel room and then he throws
• 3:04
  Speaker 1: it the blanket, thro blake. Let's post that on the GRAM.
• 3:06
  Speaker 1: And then I didn't know when you had that. You
• 3:07
  Speaker 1: have to tell him that's what y'all get BT for
• 3:11
  Speaker 1: sending out you know, the version of don't say yeah,
• 3:15
  Speaker 1: let's let's let's let's let's Bob. Bobby actually tweeted me
• 3:18
  Speaker 1: last night and said that they cut it last minute.
• 3:21
  Speaker 1: I mean, it made sense because right after it they
• 3:23
  Speaker 1: said honor and Janet Jackson's kind of so what I'm
• 3:27
  Speaker 1: gonna tell you why? I say, so what on that?
• 3:29
  Speaker 1: It's a movie about people that really existed. And if
• 3:32
  Speaker 1: Bobby Brown is telling his story and that's part of
• 3:34
  Speaker 1: his story, they should show that. They don't have no
• 3:35
  Speaker 1: problem showing Whitney Houston good, bad, ugly. So what's the
• 3:38
  Speaker 1: did tweet Whitney Houston and Janet Jackson because he's alive
• 3:41
  Speaker 1: and she's here to have her lawyers call and say, look,
• 3:44
  Speaker 1: don't put that in there. If that happened in Bobby's life,
• 3:46
  Speaker 1: din that happened. I've seen some people getting that Bobby
• 3:48
  Speaker 1: saying Bobby shouldn't be uh telling the story kissing it telling.
• 3:51
  Speaker 1: They were saying, oh, shut up, people do everybody kisses
• 3:53
  Speaker 1: and tells that's his story? You know what I mean?
• 3:55
  Speaker 1: And and and I actually in the book, I like
• 3:56
  Speaker 1: the way it played out in the book is in
• 3:58
  Speaker 1: the book, Janet says to him. I cannot bring a
• 4:00
  Speaker 1: black man home. My dad wouldn't appreciate that. And to know,
• 4:03
  Speaker 1: Bobby grabbed him through her, so right here, see Bobby
• 4:06
  Speaker 1: grabs her, goes out in the hole, goes out in
• 4:08
  Speaker 1: the hallway, and then he said to himself, there and
• 4:10
  Speaker 1: that's Shannon Jackson. And then he tosses her a blanket. Yeah,
• 4:12
  Speaker 1: because he don't want to be out there naked in
• 4:14
  Speaker 1: the howay? Correct? Hey man, I don't know why y'all
• 4:16
  Speaker 1: want to be rock stars and y'all can be Bobby
• 4:17
  Speaker 1: Brown dropping a cloth box with Bobby Brown. God damn it, Bobby. Alright, Well,
• 4:22
  Speaker 1: Lasby's book is amazing. I'm not gonna front I mean,
• 4:24
  Speaker 1: my only concern with Bobby Brown's book was the fact
• 4:26
  Speaker 1: that it was gonna be on bat and I feel
• 4:28
  Speaker 1: like it couldn't be as raw as it could have been.
• 4:30
  Speaker 1: And I'm still feeling that way. But overall, it was
• 4:33
  Speaker 1: good last night. I enjoyed it. Okay, all right, when
• 4:36
  Speaker 1: we come back, we got front page news. We gotta
• 4:37
  Speaker 1: tell you about Jeffrey Owens. You know, he used to
• 4:40
  Speaker 1: work on the Cosby Shows. An after and he was taked.
• 4:43
  Speaker 1: He took some pics of him and traded Joe's. Well,
• 4:45
  Speaker 1: it looks like he might have a new job trying
• 4:47
  Speaker 1: to play that man. And if God don't have a
• 4:49
  Speaker 1: plan for all his all his children and Nike, I'll
• 4:51
  Speaker 1: tell you how that stock is doing. We'll talk about
• 4:53
  Speaker 1: it when we come back. Keep it like hey, wait,
• 4:54
  Speaker 1: wait a minute now, Bobby Brown gonna be here this
• 4:56
  Speaker 1: morning aka Willy McClain, whatdy McClain will be claim plays
• 5:00
  Speaker 1: Bobby Brown born in Charleston, South Carolina, raised and dude Jacksonville, Florida.
• 5:05
  Speaker 1: Here this morning. I'm gonna teach him how to properly
• 5:07
  Speaker 1: face sniff cocaine. All right, yeah, all right, well all right,
• 5:12
  Speaker 1: all right, but we'll do that when we come back. Morning.
• 5:14
  Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are
• 5:17
  Speaker 1: the Breakfast Club. Let's get to front page news now.
• 5:21
  Speaker 1: Yesterday we tell you about tropical Storm Gordon, which made
• 5:24
  Speaker 1: land for in their Alabama, Mississippi and Florida. What it
• 5:27
  Speaker 1: looks like it fizzled out. One death though a tree
• 5:30
  Speaker 1: fell on a house and actually killed a little boy.
• 5:33
  Speaker 1: So one death. So but that hurricane or that tropical
• 5:37
  Speaker 1: storm is now over now let's talk about Nike. Since
• 5:40
  Speaker 1: everybody's been boycotting Nike knock Nike stock fell three percent. Now,
• 5:45
  Speaker 1: it might not seem like a lot, but it actually
• 5:48
  Speaker 1: looks like a four billion dollars loss for Nike. Yesterday,
• 5:51
  Speaker 1: after everybody was boycotting because of Colin Caper, I read
• 5:55
  Speaker 1: an article on the Bloomberg Report that said Nike received
• 5:57
  Speaker 1: more than forty three million dollars worth for media media exposure,
• 6:01
  Speaker 1: and they said the vast majority of it was neutral
• 6:03
  Speaker 1: and positive. And Knight says, it only cares about the
• 6:05
  Speaker 1: influences and uh tastemakers because they said they know that
• 6:09
  Speaker 1: the customers they lose will only be short term, but
• 6:12
  Speaker 1: they're not the kind of customers that really drive their
• 6:13
  Speaker 1: business anyway. That's dope. That's the that's dope to the
• 6:16
  Speaker 1: fact that nag you standing up. Of course, Donald Trump says,
• 6:18
  Speaker 1: it's a terrible message with the Colin Kapnick partnership. What's
• 6:21
  Speaker 1: the message that you stand by somebody who actually stood
• 6:24
  Speaker 1: up for other people? What's so terrible about that message?
• 6:28
  Speaker 1: That National Police Organization said they are boycotton nikee. They
• 6:32
  Speaker 1: have two hundred and forty one thousand enforcement officers. Noway
• 6:36
  Speaker 1: y'all way, goddamn gore, Tex all right, high tech boots,
• 6:40
  Speaker 1: all right, lugs, black lugs, Birdman style, knock it off,
• 6:43
  Speaker 1: and also Cosby show stared. Jeffrey Owens. It looks like
• 6:47
  Speaker 1: he was devastated at first over the traded Joe's picks.
• 6:50
  Speaker 1: He was on Good Morning America yesterday and he spoke
• 6:52
  Speaker 1: about it. I mean I was. I was really devastated,
• 6:55
  Speaker 1: But the period of devastation was so short because the
• 6:59
  Speaker 1: responses might life and I started to read these responses
• 7:02
  Speaker 1: from like literally all over the world of support, and
• 7:06
  Speaker 1: fortunately the shame part didn't last very long. I respect them,
• 7:10
  Speaker 1: and I respect them so much because there's so many
• 7:12
  Speaker 1: people out there that feel like they have to do
• 7:14
  Speaker 1: something for a look, and that man said, you know what,
• 7:16
  Speaker 1: times is hard, I gotta go work. It ain't nothing
• 7:18
  Speaker 1: wrong with that man. I respect that one hundred and
• 7:20
  Speaker 1: fifty thousand percent. That's that's the part of the process
• 7:23
  Speaker 1: that nobody sees, right. Everybody always sees the end result,
• 7:26
  Speaker 1: and usually in this area, the end result revolves around
• 7:28
  Speaker 1: you looking all shiny and glossy yard has some celebrity
• 7:31
  Speaker 1: attached to it. Are you out here front and like
• 7:33
  Speaker 1: you got so much goddamn money. But then when you
• 7:35
  Speaker 1: see somebody actually in the process of working and absolutely
• 7:38
  Speaker 1: earning a living, you look down upon That's what's going
• 7:42
  Speaker 1: on in America, man, America saw obsessed with celebrity that
• 7:44
  Speaker 1: when you see somebody working a regular job. I don't
• 7:48
  Speaker 1: want to call it a regular job, it's a job job.
• 7:50
  Speaker 1: It's a job job. You see somebody working a job,
• 7:52
  Speaker 1: you look down upon them, like, knock it off. Now
• 7:54
  Speaker 1: we have more all of them talking. I've been teaching acting,
• 7:59
  Speaker 1: directing for for thirty plus years, but you know, got
• 8:03
  Speaker 1: to a point where you know, it just it just
• 8:06
  Speaker 1: didn't add up and us, you know, and you gotta
• 8:08
  Speaker 1: do what you gotta do. I wanted a job that
• 8:10
  Speaker 1: I could have some flexibility, try to stay in the business.
• 8:14
  Speaker 1: I didn't advertise that I was at Trader Joe's only,
• 8:18
  Speaker 1: but not that I was ashamed of it, but because
• 8:20
  Speaker 1: I didn't want the entertainment community to kind of decide
• 8:23
  Speaker 1: while he's doing that, he's not in you know, he's
• 8:25
  Speaker 1: not pursuing acting anymore. So what listen, Yeah, you'd be surprised.
• 8:29
  Speaker 1: And I had to be sending these people you see
• 8:30
  Speaker 1: on TV here on the radio, Dy Living Regular Lives.
• 8:34
  Speaker 1: It's like everybody else, slutely white and this is a blessing.
• 8:37
  Speaker 1: And I'm gonna tell him why. I don't know if
• 8:39
  Speaker 1: he's listening, but if he has an acting school or
• 8:42
  Speaker 1: he's an acting coach, who wouldn't you want to learn
• 8:45
  Speaker 1: acting from the somebody that was on the Cosby Show
• 8:47
  Speaker 1: for so many damn years. I think about it. If
• 8:49
  Speaker 1: my kids wanted to get an acting I would definitely
• 8:51
  Speaker 1: take him into your course of your class. Oh, I
• 8:53
  Speaker 1: gotta see more than I gotta see more than just
• 8:55
  Speaker 1: his samples on the Cosby Show. No, he did great
• 8:56
  Speaker 1: on the Coffee Show. He knows the business. He's been
• 8:59
  Speaker 1: there for eight is. Yes, he I need to see
• 9:01
  Speaker 1: the more he got, more things than just the coy stop.
• 9:04
  Speaker 1: I mean, I'm just saying, but I wanted to learn acting.
• 9:07
  Speaker 1: I don't know if I want to learn it from that.
• 9:08
  Speaker 1: If he had a class, you wouldn't go to him
• 9:09
  Speaker 1: for a class? How to see more than just the
• 9:10
  Speaker 1: Cosby Show? I love, Yeah, but that was early on.
• 9:14
  Speaker 1: I'm sure that he's done much better. I'm sure he's
• 9:15
  Speaker 1: done some dramas and stuff that we don't know about
• 9:17
  Speaker 1: Tyler Perry, offer him a role as well. I was
• 9:19
  Speaker 1: gonna say that Tyler Perry City shooting. Uh I guess
• 9:22
  Speaker 1: a new flick on owns own network, and he said
• 9:24
  Speaker 1: he needs somebody like him, so hopefully he will start
• 9:27
  Speaker 1: working soon. Back in acting, look to Jeffrey Owens, man,
• 9:30
  Speaker 1: live your life, man. Everybody lived their life, man. Stop
• 9:32
  Speaker 1: minding people's business. God damn, let people go through their
• 9:34
  Speaker 1: process of life. Stop being so obsessed with celebrity in America.
• 9:37
  Speaker 1: Do you think just because somebody ain't a celebrity or
• 9:40
  Speaker 1: somebody ain't got some type of fame, that they're not
• 9:41
  Speaker 1: popping like, knock it off, man, leave people to hell alone?
• 9:44
  Speaker 1: All right? Well, last front page news. Get it off
• 9:46
  Speaker 1: your chest eight hundred five eight five one oh five one.
• 9:49
  Speaker 1: If you need to vent, hit us up right now.
• 9:51
  Speaker 1: Maybe had a bad night or bad morning, or maybe
• 9:54
  Speaker 1: you feel blessed, or maybe you would have told to
• 9:56
  Speaker 1: us about the Bobby Brown flick last night, whatever it
• 9:58
  Speaker 1: may be, Get it off your chest eight undre at
• 10:00
  Speaker 1: five five one or five one is to breakfast club.
• 10:02
  Speaker 1: Good morning. The breakfast is your time to get it
• 10:05
  Speaker 1: off your chest, your man, Thank you, from you on
• 10:09
  Speaker 1: the breakfast club. But you got something on your mom? Hello,
• 10:14
  Speaker 1: whose is right? Good morning? How are you? Good morning?
• 10:18
  Speaker 1: My mom? Get it off your chest. I have a
• 10:20
  Speaker 1: question my husband. Then I was trying to save our
• 10:25
  Speaker 1: son's life. He was born at twenty six weeks he
• 10:27
  Speaker 1: was one pound fifteen. Now, wow, sorry to hear that.
• 10:31
  Speaker 1: Thank you. The night of um, that mort to night,
• 10:35
  Speaker 1: trying to you know, keep him inside, you know, to
• 10:37
  Speaker 1: put somewhere. I found out that he said, you know,
• 10:41
  Speaker 1: I want to go home and get to rest. But
• 10:43
  Speaker 1: he went and left with his son's mother. Wow. So
• 10:47
  Speaker 1: instead of being at the hospital, he left you at
• 10:48
  Speaker 1: the hospital and went it and cheated on you. Yes. Wow,
• 10:51
  Speaker 1: how long you've been with him? Um? Four years? Wow?
• 10:54
  Speaker 1: How'd you catch him? Cell phone? So what you're gonna do?
• 10:58
  Speaker 1: You're calling up here for some type of advice? You
• 11:00
  Speaker 1: gonna leave him or not? She wants want she wants
• 11:02
  Speaker 1: your advice. Cell phone and taste messages. You're checking those things.
• 11:08
  Speaker 1: But are you ready to leave? Yes? I don't believe you,
• 11:12
  Speaker 1: all right, So what's the problem? Be out? Okay? I
• 11:15
  Speaker 1: just want to see, like you know, um, you ain't
• 11:19
  Speaker 1: going anywhere. I don't even know conviction in your voice.
• 11:21
  Speaker 1: People people do cheating in relationships. But I mean, if
• 11:25
  Speaker 1: it's the time when you're at your lowest, you're at
• 11:27
  Speaker 1: your lowest, you're at the hospital. This someone was just
• 11:29
  Speaker 1: born and he leaves your side for that, that's kind
• 11:32
  Speaker 1: of low. I mean, the man needed somebody to make
• 11:34
  Speaker 1: him feel better, so he went to this little side. Boom. Okay,
• 11:36
  Speaker 1: that's all, and he came right back, didn't he? I bet? Yeah.
• 11:39
  Speaker 1: But the thing is, I'm trying to, you know, actually admit,
• 11:43
  Speaker 1: admit to do it. That's why I wanted him to
• 11:44
  Speaker 1: do admitted his wrong. But he's not admitted to his wrong.
• 11:48
  Speaker 1: He don't love you if you admit that he cheated, right,
• 11:50
  Speaker 1: So I'm showing him. I showed him all the messages
• 11:52
  Speaker 1: that he likes to be right. But so that's my thing,
• 11:56
  Speaker 1: you know, because you said, yeah, yeah, dropped, you gotta
• 11:59
  Speaker 1: have got your you're drunk in artists to um who
• 12:03
  Speaker 1: ahead in life. He's to be honest. He got you
• 12:05
  Speaker 1: gotta be open up, Charlemagne al. We used to say, deny, deny, deny, deny, deny,
• 12:08
  Speaker 1: But he has to be honest if he wants this
• 12:10
  Speaker 1: to even remotely work. So how old y'all? I am?
• 12:13
  Speaker 1: I hoping party six in a few weeks. How old
• 12:15
  Speaker 1: is he? He's Oh yeah, he's still in his lion stage.
• 12:21
  Speaker 1: Ain don't even him to start telling the truth yet.
• 12:23
  Speaker 1: All right, I'm sorry, MoMA. You're closer to the grave.
• 12:25
  Speaker 1: So it's like, you know a lot of things you
• 12:28
  Speaker 1: don't want to you don't want to say. You know
• 12:29
  Speaker 1: what I mean, you don't want to take You don't
• 12:31
  Speaker 1: want to take those things with you. But him, he
• 12:32
  Speaker 1: still got some time. Hello, who's this? There's Ivan? I
• 12:36
  Speaker 1: haven't what's up getting off your chest? Hey man, I'm glassed,
• 12:40
  Speaker 1: I'm going to school. I'm a Mexican man like this
• 12:43
  Speaker 1: this crazy brother, no cursing brother, no curson. Let's try
• 12:46
  Speaker 1: this again. Why why being a Mexican so crazy that
• 12:48
  Speaker 1: you well why I don't get it? What do you mean?
• 12:51
  Speaker 1: I got a scholarship full ride? Um, this happens rarely.
• 12:55
  Speaker 1: I mean, it's crazy, man, It's crazy that you're a
• 12:58
  Speaker 1: Mexican who got a scholarship. Let's schoo youre going to
• 13:01
  Speaker 1: HS you humbled stay up in ark to California. I
• 13:04
  Speaker 1: don't like that. I don't like this negative steriole type
• 13:06
  Speaker 1: of Mexicans you're throwing out here this morning as the
• 13:07
  Speaker 1: Mexicans don't get scholarships. Hey, it's crazy because I come
• 13:10
  Speaker 1: from a small town. It's crazy because I got a
• 13:13
  Speaker 1: lot of stuff paid for and I'm blessed now. It's crazy.
• 13:17
  Speaker 1: I love it. Well, congratulations to you, brother pays off. Sir.
• 13:20
  Speaker 1: All right, man, get it off your chests. Eight hundred
• 13:23
  Speaker 1: five eighty five, one oh five one. If you need
• 13:25
  Speaker 1: to vent, hit us up now. It's the Breakfast Club.
• 13:27
  Speaker 1: Good morning, the Breakfast Club. You can't pick up the
• 13:32
  Speaker 1: mother mother phone, and don this is your time to
• 13:35
  Speaker 1: get it off your chat mother. You're man. Last. We
• 13:39
  Speaker 1: want to hear from you on the Breakfast Club, so
• 13:40
  Speaker 1: you better have the same energy. Jason, what's up? Get
• 13:44
  Speaker 1: it off your chests, bro, Good morning, breakfast stuff. How
• 13:47
  Speaker 1: y'all doing this morning? Sir? Ain't knowing, man, But I
• 13:51
  Speaker 1: just want to call and big y'all up, like I
• 13:53
  Speaker 1: love y'all, but mainly though, like I want to big
• 13:57
  Speaker 1: up Nike, y'all. Big up Nike and Nike, and big up.
• 14:00
  Speaker 1: I love what you're doing. I love what you're doing,
• 14:02
  Speaker 1: the culture. I love how they're helping on Kaepernick, like
• 14:05
  Speaker 1: like I could, big up to the fullest brook Brook Brooks,
• 14:08
  Speaker 1: That's all I want to say, breakfast stuff. I'm a blessing.
• 14:11
  Speaker 1: I uel like, big up that set of herb and
• 14:12
  Speaker 1: get I maginally ain't not here, Anginal, ain't Africa trying
• 14:15
  Speaker 1: to get cloth to the black I said, she need
• 14:18
  Speaker 1: and come back. But big up, litten charlom mean, big up, striped, Yeah,
• 14:21
  Speaker 1: big up everybody. It's in me, see me see that.
• 14:27
  Speaker 1: You know who am I got? You know what? Slem? Hey,
• 14:32
  Speaker 1: what's up? I'm gonna get it off your chest? What's up?
• 14:34
  Speaker 1: You're starting to get trave access nowadays? Hunt? You got
• 14:37
  Speaker 1: the trap number you always get through to talk to you.
• 14:41
  Speaker 1: What's him? I love y'all? I love you too. You
• 14:43
  Speaker 1: love Charlotte. Mean that's why y'all seen your little tweet.
• 14:46
  Speaker 1: I love Charlotte. I've seen your little toy. I mean,
• 14:48
  Speaker 1: if you love boy? Can I get off my chest? Ahead? McDonald?
• 14:53
  Speaker 1: This morning, which I usually don't, but this morning I
• 14:56
  Speaker 1: got a little attitude on the manager called and no
• 14:59
  Speaker 1: love and Nola whatever any more. And she gave me
• 15:01
  Speaker 1: an attitude because I asked him my repiat so you
• 15:03
  Speaker 1: know what I did. What you knew, Charlemagne. I gave
• 15:06
  Speaker 1: her a copye or I gave her a recepipt. I
• 15:09
  Speaker 1: mean a little sticky note that said get your book.
• 15:11
  Speaker 1: I give a recommendation. He told it. You need to
• 15:13
  Speaker 1: get from books. You need to leave real job. You
• 15:15
  Speaker 1: do not need to be working where you need to
• 15:17
  Speaker 1: work at. She she does not need to be working at.
• 15:20
  Speaker 1: So I said, you need to get the book Black
• 15:22
  Speaker 1: Privilege Opportunity because to those who create it. And she's like, yes,
• 15:26
  Speaker 1: but it don't matter. She she just does need to
• 15:28
  Speaker 1: be working at. My thing is, you know, like where
• 15:30
  Speaker 1: you're working at? Quite like it's simple. But she just
• 15:34
  Speaker 1: let me ask your question, Salem, what was you gonna
• 15:35
  Speaker 1: do with that McDonald's receipt. I'm just curious save it
• 15:38
  Speaker 1: for taxes. I mean it's okay, how like third times,
• 15:42
  Speaker 1: like two am, they don't accept debit cards. So there's
• 15:45
  Speaker 1: just some quote unquoted down. So there was just like
• 15:48
  Speaker 1: the receipt doesn't come. You can't get a receipt with us.
• 15:50
  Speaker 1: I don't know if they're gonna give me the change,
• 15:52
  Speaker 1: but I don't do the mathematic christom As that gets
• 15:54
  Speaker 1: up to the car. Okay, s, thank you for calling Mama,
• 15:58
  Speaker 1: man gag Yes, good morning, good morning, Get it off.
• 16:03
  Speaker 1: I just want to talking about large Brown story talk
• 16:06
  Speaker 1: talk to us. I really enjoyed it. I really even
• 16:08
  Speaker 1: might I was talked about when Dan and Jackson said that. Um,
• 16:13
  Speaker 1: when Bobby Brown was like, Oh, you don't want to
• 16:16
  Speaker 1: be with me because I'm black, like that kind of
• 16:17
  Speaker 1: threw me off. That because you didn't read the book.
• 16:19
  Speaker 1: If you if you read the book, you wouldn't be surprised.
• 16:21
  Speaker 1: That's right. I didn't. That's not my generation either, So
• 16:24
  Speaker 1: I didn't really grew up in that time. Whatever I
• 16:27
  Speaker 1: grew up in that time, I didn't know about Bobby
• 16:29
  Speaker 1: and janitill I read the book. Will continue, Go ahead, Mama.
• 16:31
  Speaker 1: But I also like the part where they talked about
• 16:35
  Speaker 1: Robin because I watched the documentary Go in the Houston
• 16:37
  Speaker 1: on HBO, and I feel like a lot of people
• 16:40
  Speaker 1: don't know about her. Smilely, Helln included that, and oh,
• 16:43
  Speaker 1: Wendy Williams been telling y'all about Whitney's lesbian love of Robin.
• 16:47
  Speaker 1: That was Whitney's Let have the non believes it? Yeah,
• 16:50
  Speaker 1: they should have. They should They could have played that
• 16:52
  Speaker 1: up in the movie a little bit more, especially when
• 16:54
  Speaker 1: Bobby threw the food on the floor. Robin should have said,
• 16:56
  Speaker 1: I've been, I've been, I've been eating in this house
• 16:58
  Speaker 1: for years. He stupid, Thank you Maggan. Alrighty, that's another
• 17:04
  Speaker 1: problem I have with the movie. If you're gonna show
• 17:06
  Speaker 1: all Whitney's secrets, her lesbian lover, and her being on coke,
• 17:10
  Speaker 1: why can't you show Jane getting thrown out of the
• 17:11
  Speaker 1: hotel room nagger that's all you wanted to say. I
• 17:13
  Speaker 1: should just showed it to you. My thing is, if
• 17:15
  Speaker 1: you pay to pay respect to all the legends equally
• 17:17
  Speaker 1: across the board, that's all. But you can't. You know
• 17:20
  Speaker 1: why you can't, because these are people's stories, and guess what,
• 17:23
  Speaker 1: people have flaws, and people may mistake people like these
• 17:25
  Speaker 1: perfect beings that you try to make them out to be. Okay,
• 17:28
  Speaker 1: So like yo, everybody had some things that they're not
• 17:30
  Speaker 1: proud of. And if Janet was more transparent and more
• 17:34
  Speaker 1: vulnerable with her life, then that wouldn't be a surprise
• 17:36
  Speaker 1: and nobody, well Janet can't. She's not gonna be able
• 17:39
  Speaker 1: to defend herself. She doesn't speak, no Whitney not gonna
• 17:41
  Speaker 1: be able to defend herself. Okay, Janet can still defend herself,
• 17:44
  Speaker 1: Dy don't speak, but she's not gonna be able to
• 17:45
  Speaker 1: defend herself anyway. Get it off your chest eight hundred
• 17:48
  Speaker 1: five A five one on five one, And don't forget
• 17:50
  Speaker 1: Woody McClean. That's the guy that played Bobby Brown. He'll
• 17:53
  Speaker 1: be joining us this morning and we'll take your calls
• 17:55
  Speaker 1: later on about the flick. If you've seen the Bobby
• 17:56
  Speaker 1: Brown's story, we'll take your calls in a little bit.
• 17:59
  Speaker 1: Right now, we got room on the way. Kanye apologizes.
• 18:02
  Speaker 1: We'll tell you the who want keep it lock. It's
• 18:04
  Speaker 1: the Breakfast Club of the Morning, The Breakfast Club. Hello, Yes,
• 18:11
  Speaker 1: it's the world the most Dangerous Morning to show, the
• 18:12
  Speaker 1: Breakfast Club. Charlemagne, the God, angela Ye DJ and Envy.
• 18:16
  Speaker 1: Angelis actually in African Aron trying to get closer to
• 18:18
  Speaker 1: her black side. But you got the rumor report coming
• 18:21
  Speaker 1: up with my bitch, DJ Envy. What did you just
• 18:23
  Speaker 1: call me? I'm going to human resources. We're talking Kanye
• 18:27
  Speaker 1: West and he says sorry, and Charlemagne will too. This
• 18:31
  Speaker 1: is the rumor Report with angela Ye Breakfast club. All right, well,
• 18:40
  Speaker 1: it looks like yesterday, Kanye West, we're on up an
• 18:43
  Speaker 1: apologizing tweet storm last night. Now this is because I
• 18:47
  Speaker 1: believe I guess a snippet of Drake's new song that's
• 18:50
  Speaker 1: coming out came out and he talks about I told
• 18:53
  Speaker 1: her don't wear three fifties around me. Drake kind of
• 18:56
  Speaker 1: throws shots at Kanye, and Kanye apologize. Which one the
• 19:00
  Speaker 1: three fifties? I know, the seven hundred looked like three fifties,
• 19:02
  Speaker 1: not the desert rats, right, No, those are the low
• 19:06
  Speaker 1: ones I wear. Oh, I ain't got them one time.
• 19:08
  Speaker 1: I got bands on today. But so Kanye apologized like crazy.
• 19:11
  Speaker 1: He says, sending good energy and love to Drake and
• 19:14
  Speaker 1: family and crew. I haven't seen the show in person,
• 19:16
  Speaker 1: but the images look incredible online. I understand where the
• 19:20
  Speaker 1: confusion started. Let me start by apologizing for stepping stepping
• 19:25
  Speaker 1: on your release date. In the first place. We are
• 19:27
  Speaker 1: building a bond and working on music together, including squashing
• 19:30
  Speaker 1: the issues with Cutty at our office. When I put
• 19:34
  Speaker 1: the dates up, I was a bit ramped up doing
• 19:36
  Speaker 1: twenty five tweets a day. TMZ happened shortly after I
• 19:41
  Speaker 1: have to hop on a plane now will type more
• 19:43
  Speaker 1: when I land. I guess you should do public apologies nowadays.
• 19:46
  Speaker 1: I guess it's more if your issues are public plane
• 19:49
  Speaker 1: taxing for takeoff. Because we spoke about doing Lift Yourself together,
• 19:52
  Speaker 1: I should have given you the opportunity for us to
• 19:54
  Speaker 1: do this together before I released it. Since we are
• 19:57
  Speaker 1: building as friends and brothers, I should have to push
• 20:00
  Speaker 1: you about the Quentin Miller bar. There should have been
• 20:03
  Speaker 1: no songs with my involvement that had any negative energy
• 20:06
  Speaker 1: towards you. I never listened to either this track that followed,
• 20:10
  Speaker 1: but I did hear quotes from both songs after they
• 20:12
  Speaker 1: were released. I did not have any conversation about your
• 20:15
  Speaker 1: child with Pusha. I don't play with the idea of
• 20:18
  Speaker 1: people's children. After I spoke to Wiz a few years earlier,
• 20:22
  Speaker 1: I understand pushes issues as a man. If someone mentions
• 20:25
  Speaker 1: your fiance, men go mask off. I've done the same
• 20:29
  Speaker 1: myself for times. I love you and I love Pusha,
• 20:31
  Speaker 1: and were all having an admiration for each other's craft.
• 20:35
  Speaker 1: This is all Jedi level. I would be coming to
• 20:37
  Speaker 1: your show within the next seven days to give love
• 20:39
  Speaker 1: and be inspired by the art you have created and
• 20:42
  Speaker 1: I don't have no problem with somebody apologizing them they
• 20:44
  Speaker 1: feel like they need to apologize. But I was watching
• 20:47
  Speaker 1: I was watching every Day Struggle episode and I saw
• 20:49
  Speaker 1: academics in WAYNEO and Nick Cannon debating over Drake smashing
• 20:53
  Speaker 1: Kim Kave that the alleged rumor that they say Drake
• 20:57
  Speaker 1: is hitting out that was a room. I think Drake
• 20:58
  Speaker 1: might have put a bar and of his songs and
• 21:00
  Speaker 1: people just assume that or something like that. I would
• 21:02
  Speaker 1: I would advise Drake not to do that. And the
• 21:04
  Speaker 1: reason I would tell Drake not to do that because
• 21:06
  Speaker 1: that makes him look corny. You know what I'm saying.
• 21:07
  Speaker 1: If you're hitting that you smashed Kim, then you are
• 21:09
  Speaker 1: admitting that you are a dirt bag or slime ball.
• 21:11
  Speaker 1: You smash your man's wife. Maybe it was beforehand he met,
• 21:14
  Speaker 1: but that's what I mean. If you if you smash
• 21:15
  Speaker 1: that man's wife and he told Pusha all the dirt
• 21:18
  Speaker 1: that push you used against you in the rap battle,
• 21:20
  Speaker 1: then you got what you deserved. Like that, don't make
• 21:22
  Speaker 1: Kanye look bad because you slept with his wife. That
• 21:24
  Speaker 1: makes you and Kim looked nuts because you're supposed to
• 21:26
  Speaker 1: be his man. So if you did smash his wife beforehand,
• 21:28
  Speaker 1: you really gonna be mad at Kanye because Kanye told
• 21:30
  Speaker 1: push you about some things to putting a dis record
• 21:33
  Speaker 1: after the man smashed your wife. Well, he smashed his
• 21:35
  Speaker 1: way before they were together. That shouldn't have nothing to
• 21:37
  Speaker 1: do with what happens now. Kim together for a while,
• 21:40
  Speaker 1: and Kim's been out here dating people a while as
• 21:43
  Speaker 1: well together. I thought it was more recent. I thought
• 21:46
  Speaker 1: it because they said that he said some lying about
• 21:48
  Speaker 1: on sickle mode where he went up to block hit
• 21:50
  Speaker 1: the lights buster the right. You know, they all live
• 21:52
  Speaker 1: in the same neighborhood, and that's what I thought. I
• 21:53
  Speaker 1: don't know, I could be wrong. Well, I don't know.
• 21:55
  Speaker 1: I just don't see how you get scrapes for admitting
• 21:57
  Speaker 1: you smashed the man's wife. I think it was maybe
• 21:59
  Speaker 1: before and I don't know. Well, Kim Kardashian. Speaking of Kim,
• 22:02
  Speaker 1: it looks like she's doing some more good now. We
• 22:04
  Speaker 1: all know she got Alice Johnson released from prison. Now
• 22:07
  Speaker 1: she's working on somebody else, all right. She's been speaking
• 22:10
  Speaker 1: with Chris Young, who was sent this to life in
• 22:12
  Speaker 1: prison for marijuana and cocaine possession after being arrested in
• 22:15
  Speaker 1: twenty ten, and it looks like she's trying to get
• 22:18
  Speaker 1: him out as well. You aim a little high. I'm
• 22:20
  Speaker 1: not mad if you should get Chris Young out, but
• 22:21
  Speaker 1: you know, go after somebody like Mumia. I moved Jamal.
• 22:26
  Speaker 1: I think I pronounce his name right. Yeah, these are
• 22:27
  Speaker 1: all opportunities she's trying to get people out. So I
• 22:30
  Speaker 1: mean not mad at that. I don't. I don't see
• 22:32
  Speaker 1: how you can even find a way to hate on that.
• 22:33
  Speaker 1: And that's exactly why she won't talk bad about Trump,
• 22:35
  Speaker 1: because she's the Trump whisperer. And I keep telling y'all,
• 22:37
  Speaker 1: Donald Trump is a celebrity, so being at he's a celebrity,
• 22:40
  Speaker 1: you need other celebrities to get through to him because
• 22:41
  Speaker 1: you don't understand political talk from politicians because he's not
• 22:44
  Speaker 1: a politician that goes way over his Tupay it does,
• 22:48
  Speaker 1: all right, Well that is your rumor report. Now when
• 22:51
  Speaker 1: we come back. Did you see the Bobby Brown story?
• 22:53
  Speaker 1: You know I didn't, don't question me about stupid thing.
• 22:55
  Speaker 1: Do you think about the Buyer Brown story and the
• 22:56
  Speaker 1: actors and every in the way they played everybody I
• 22:59
  Speaker 1: enjoyed everybody. I don't know if it's the nostalgia of it,
• 23:02
  Speaker 1: the fact that that's our era, you know what I'm saying, Like,
• 23:05
  Speaker 1: that's something that I listened to all the time. Anyway,
• 23:07
  Speaker 1: I'm a nineties R and B guy. I love that
• 23:09
  Speaker 1: whole New Jack era. So I enjoyed, enjoyed the Bobby
• 23:12
  Speaker 1: Brown movie. I did read the book. Every little step
• 23:14
  Speaker 1: in the book is better. But you know, I don't
• 23:15
  Speaker 1: go into it with the expectation that it's gonna be
• 23:17
  Speaker 1: good at the book, especially being that it's on BT.
• 23:19
  Speaker 1: I ain't mad BT goup mad commercials though, mad commercials.
• 23:23
  Speaker 1: I'll be needing those because I'll be having the PR
• 23:27
  Speaker 1: I'll be having the p I'll be wanting to leave
• 23:29
  Speaker 1: the room, you know what. I'm wanting to give me
• 23:31
  Speaker 1: something to drink, give me a little snack. I'll be
• 23:32
  Speaker 1: needing those commercial breaks. I'll be in bed the whole time.
• 23:35
  Speaker 1: Just watch up. Like I started, I started uh in
• 23:38
  Speaker 1: the bedroom. Then I went downstairs and I was on
• 23:40
  Speaker 1: the in one of my rooms for a minute, and
• 23:42
  Speaker 1: then I went back upstairs to the bedroom, TV the
• 23:47
  Speaker 1: different rooms up and then I'm sky and my dumbass,
• 23:49
  Speaker 1: I'm laying in the belt, my wife. When all the
• 23:51
  Speaker 1: infidelity starts, that's when you gonn get a snack that man.
• 23:58
  Speaker 1: And I'm just going to you know, you being such
• 24:00
  Speaker 1: awkward position, You just be laying this in dumb stuff
• 24:02
  Speaker 1: like nigga don't really cheat like that? No more, that
• 24:05
  Speaker 1: was the nineties. Black men don't cheat. Black men ain't
• 24:07
  Speaker 1: cheating since the nineties. What, Yeah, I can disgust it. Oh,
• 24:11
  Speaker 1: I can't believe him. I'm going to the bathroom back.
• 24:14
  Speaker 1: I'm saying, stutter, he get Whitney pregnant, and he got
• 24:16
  Speaker 1: the other baby man pregn I'm like, technically he got twins,
• 24:19
  Speaker 1: you know what I'm saying, he just got one, but
• 24:21
  Speaker 1: he just got one with one another one. I'm just like,
• 24:25
  Speaker 1: why don't I just shut up? Shut up exactly? Why
• 24:28
  Speaker 1: can't I just lay him be quiet? Why is this
• 24:29
  Speaker 1: silence so awkward? All Right, when we come back, we're
• 24:32
  Speaker 1: gonna talk to Woody McClain, who who played Bobby Brown
• 24:35
  Speaker 1: in the Bobby Brown Story. We'll talk to him. So
• 24:37
  Speaker 1: keep it locked. This to Breakfast Club, Good Morning, and
• 24:39
  Speaker 1: we're gonna do a Bobby Brown minimix. Why because why not?
• 24:41
  Speaker 1: Good Morning Morning? Everybody is DJ MVY Angela yee, Charlomagne,
• 24:46
  Speaker 1: the guy. We are the breakfast Club. We got a
• 24:48
  Speaker 1: special guest in the building, my guy, young Bobby Brown
• 24:51
  Speaker 1: a k A. Woody McClain. Yo, let's get South Carolina's on. Well,
• 24:56
  Speaker 1: I need to know who claims Woody is the South
• 24:58
  Speaker 1: Carolina and Jacksonville? What what? What? Step you? What? Set
• 25:00
  Speaker 1: you rep full? That's that's that's a tough one, okay,
• 25:03
  Speaker 1: because it's both equally like you know what I mean,
• 25:06
  Speaker 1: I can't set on one. You was born in Charleston.
• 25:08
  Speaker 1: I was born in Charleston, South Carolina, and then I
• 25:10
  Speaker 1: moved to Jacksonville. Uh wait when did I move Elementary?
• 25:15
  Speaker 1: Oh no, he's he's Florida all day. I'm gonna be
• 25:17
  Speaker 1: honest with you, man, I'm shocked that you stood a
• 25:19
  Speaker 1: chance in life being born in South Carolina. The Florida.
• 25:22
  Speaker 1: It was Jacksonville, South Calta. I didn't. The only thing
• 25:26
  Speaker 1: I didn't like about South Carolina because my parents would
• 25:28
  Speaker 1: give the principal permission to whoop me in school. Yes,
• 25:31
  Speaker 1: I used to have to have had that happen to
• 25:33
  Speaker 1: me up intil high school. I hated anymore, No no more,
• 25:36
  Speaker 1: I mean, but back when I was in school. I'm
• 25:38
  Speaker 1: not that am I gonna? Yeah? He said a few grades.
• 25:51
  Speaker 1: Now I'm happy I got out of there for that
• 25:53
  Speaker 1: reason though, so used to get paddling. Yea, my principal
• 25:56
  Speaker 1: used to love it. He was like, yeah, I'm calling
• 25:57
  Speaker 1: your mom my mom be like yep, do it, and
• 25:59
  Speaker 1: then he would he would go, ham, really, do you
• 26:01
  Speaker 1: remember the principal's name? No, I don't got you. It's
• 26:03
  Speaker 1: all blurr. Got you? Now? How much cooking did you
• 26:07
  Speaker 1: have to sniff to prepare for the role of Bobby Brown?
• 26:09
  Speaker 1: Couldn't this gracious you talk about on on set are
• 26:12
  Speaker 1: in real life? Real life? Oh no, no, no, I've
• 26:14
  Speaker 1: never done it that real life? Okay? Did you have
• 26:16
  Speaker 1: to Did you have to learn how to fake it?
• 26:18
  Speaker 1: Because Charlemagne tell us a story of how he had
• 26:19
  Speaker 1: the you know, every once in a while he's in
• 26:21
  Speaker 1: those circles, and because faked every once in a while.
• 26:24
  Speaker 1: It happened one time I was you can put the
• 26:27
  Speaker 1: line of coke right here, and then you just oh,
• 26:29
  Speaker 1: but you knocked off here, you know what I'm saying,
• 26:32
  Speaker 1: And you just let a little get on the tip
• 26:33
  Speaker 1: of your nose and you just go whoa. Oh, that's
• 26:35
  Speaker 1: the ultimate for this. That's all. That's all of this.
• 26:39
  Speaker 1: I like, I respected, I respect. How did you prepare
• 26:41
  Speaker 1: for this role? Man? This time around? It was it
• 26:45
  Speaker 1: was a different process. It brought in like a whole
• 26:48
  Speaker 1: new like coach or whatever to work with me. How
• 26:51
  Speaker 1: much did you know about Bobby Brown before this? Because
• 26:53
  Speaker 1: you are young? Yeah? So did you know anything about
• 26:55
  Speaker 1: Bobby Brown new audition before this? Nah? I didn't. I
• 26:59
  Speaker 1: only knew a little bit because they brought me in
• 27:01
  Speaker 1: for the during the Whitney Houston movie for Teama called
• 27:04
  Speaker 1: me and she was like, I need somebody to do
• 27:06
  Speaker 1: the dance for the guy playing my guy Arland. He
• 27:10
  Speaker 1: was the real Bobby for that, so they brought me
• 27:12
  Speaker 1: in to be his dance though. So then that's when
• 27:14
  Speaker 1: I learned about Bobby because I only knew real husbands
• 27:16
  Speaker 1: of Hollywood Bobby Man. Yeah, damn it. I'm not mad
• 27:19
  Speaker 1: at that though, because you're young. So none of the
• 27:21
  Speaker 1: music at all? Every little step now I knew. I
• 27:23
  Speaker 1: heard the music, but I didn't put the music with
• 27:25
  Speaker 1: the face though, because he looked different from like now
• 27:28
  Speaker 1: when he was back in the data. I mean thing
• 27:30
  Speaker 1: called age. Yeah, wears your body down. Yeah, he's that guy.
• 27:35
  Speaker 1: He's that guy what your parents used to listen to
• 27:37
  Speaker 1: growing up in the house. My dad's like an earth
• 27:39
  Speaker 1: winning fire type of dude. Okay, yeah, yeah, he's stay
• 27:42
  Speaker 1: cranking that. So he never got Yeah, you never had
• 27:44
  Speaker 1: the nineties armed be vibe, the new late eighties, early nineties.
• 27:49
  Speaker 1: Never never really Wow. So did you talk to Bobby
• 27:52
  Speaker 1: Brown when you were shooting this? Were y'all in contact
• 27:54
  Speaker 1: with each other and talking? And how was that talking
• 27:56
  Speaker 1: to Bobby? If you met Bobby, you know, he's like
• 28:00
  Speaker 1: he's like he comes becomes family. He's like he became
• 28:02
  Speaker 1: like my uncle. So anything I ever wanted to talk
• 28:04
  Speaker 1: to him about I asked him, he would tell me,
• 28:06
  Speaker 1: it's there anything difficult talking to him about. I never
• 28:09
  Speaker 1: talked to him about Bobby Chrissy. I couldn't. I couldn't
• 28:13
  Speaker 1: do it because, like, he's super emotional. So when he's talking,
• 28:16
  Speaker 1: you can feel you can see his tears. Yeah, he's
• 28:19
  Speaker 1: he's like that guy. So when people ask him certain things,
• 28:21
  Speaker 1: like I'd be sitting there and somebody would be like
• 28:24
  Speaker 1: so blah blah blah. They'll just say, like he's not
• 28:25
  Speaker 1: like a real human being. But I'm like, yo, this
• 28:27
  Speaker 1: dude has real emotions, you know what I mean, And
• 28:29
  Speaker 1: I hate to see people cry, so I would just
• 28:31
  Speaker 1: like avoid those kinds of questions. Yeah, it's interested, man,
• 28:33
  Speaker 1: because you know it's layers to Bobby Brown's life. Did
• 28:35
  Speaker 1: you read the book Every Little Step? Yeah? Yeah, so
• 28:37
  Speaker 1: you realize how many how much death happened in his life,
• 28:41
  Speaker 1: back to back to back to back. Yeah, yeah, it
• 28:43
  Speaker 1: was insane, so you would know why he would cry. Yeah, yeah,
• 28:45
  Speaker 1: of course, of course, you know, and I haven't. I
• 28:48
  Speaker 1: haven't thanked God, I haven't lost a lot of people
• 28:49
  Speaker 1: in my life, you know what I mean. But doing
• 28:51
  Speaker 1: this role it made me realize how important family is
• 28:54
  Speaker 1: because he can't go back and tell them how he
• 28:56
  Speaker 1: how he feels now, you know what I mean. But
• 28:58
  Speaker 1: I still have my my people's here to day, so
• 29:00
  Speaker 1: I make sure I call him every day and like, Mama,
• 29:02
  Speaker 1: I love you, Dad, since I love y'all, you know
• 29:04
  Speaker 1: what I mean. So I'm super excited that I did this.
• 29:06
  Speaker 1: So you didn't talk to him about Bobby and Christian.
• 29:07
  Speaker 1: You talked to him about his mom. You're talking about
• 29:09
  Speaker 1: his dad, You're talking about with me? Yeah, yeah, and T. K.
• 29:12
  Speaker 1: Carter that played my dad. He was real cool with
• 29:14
  Speaker 1: the family too, so he gave me a lot of insight.
• 29:17
  Speaker 1: What did you learn about Bobby that you didn't know?
• 29:19
  Speaker 1: He didn't know nothing. I mean, yeah, but I'm saying
• 29:22
  Speaker 1: after you did the New Addition movie, so you learned
• 29:24
  Speaker 1: a lot of things. Yeah. Yeah, doing the solo movie?
• 29:26
  Speaker 1: What did you learn if you didn't know? Is this
• 29:28
  Speaker 1: a moment in there that I didn't know? Yeah? Yeah,
• 29:33
  Speaker 1: I was like, oh where people go crazy for that part.
• 29:36
  Speaker 1: I think that she gonna get slanted heavily on social media.
• 29:39
  Speaker 1: Think so, yes, man, But it's not her fault. Yeah,
• 29:42
  Speaker 1: it was her father, that's like. And it was a
• 29:44
  Speaker 1: long time. Allegedly her father didn't want her with a
• 29:46
  Speaker 1: black guy, and because she was with a black guy,
• 29:48
  Speaker 1: Bobby got mad. Well, no, no, no, no. She told
• 29:51
  Speaker 1: her father. Bobby was like, I love you, I want
• 29:53
  Speaker 1: to be with you, and she said, my father would
• 29:55
  Speaker 1: hate if I bring a black man home. Right, Yes,
• 29:57
  Speaker 1: Bobby threw her out butt naked, and then I I
• 30:00
  Speaker 1: think she's gonna get I think I'm pretty sure she's
• 30:01
  Speaker 1: gonna get slanded heavy for that. Boy, I don't think
• 30:03
  Speaker 1: so I can't see it. It wasn't hood. I mean
• 30:06
  Speaker 1: because if you add up everything with the Jackson's right,
• 30:08
  Speaker 1: and I love the Jackson. I'm just saying, if you
• 30:09
  Speaker 1: take Janet, you know what I'm saying, and you take
• 30:11
  Speaker 1: that statement, and then you look at the way Michael
• 30:14
  Speaker 1: Jackson transitioned, correct, you know what I'm saying, was born
• 30:17
  Speaker 1: a strong black man, looking like Colin Kaepernick, and now
• 30:20
  Speaker 1: he died a white woman and none of his kids,
• 30:23
  Speaker 1: none of his kids are black. I'm just saying, I
• 30:26
  Speaker 1: don't know if I don't know if it's the father's
• 30:28
  Speaker 1: fault or what, but it was the manti blackness going
• 30:31
  Speaker 1: on in that household. But Janet dated one of the
• 30:33
  Speaker 1: blackest of all black people, Jamaine Dupree is strip club
• 30:37
  Speaker 1: Jermaine Dupree. Jamine was an elf. He's not even human,
• 30:40
  Speaker 1: like you know what are human? Yes, I leave j D.
• 30:45
  Speaker 1: You think that you're gonna have some backlash from Janet
• 30:47
  Speaker 1: fans for doing that? Yeah, yeah, yeah, I'm not the
• 30:50
  Speaker 1: real Bobby Room. Yeah, but can't be mad at me.
• 30:52
  Speaker 1: You are to this era, No I'm not. Then that's
• 30:55
  Speaker 1: the That's the only part that I don't like because
• 30:57
  Speaker 1: I remember when we did the New Addition story and
• 30:59
  Speaker 1: I was in a grocery store and it's older older
• 31:01
  Speaker 1: lady kept looking back at me and I can see
• 31:03
  Speaker 1: out of my perfel I'm like, damn, you keep looking
• 31:05
  Speaker 1: at me. And then the last time she looked at me,
• 31:07
  Speaker 1: she was like, you're so bad, like you're just bad
• 31:09
  Speaker 1: for the group. And I'm like, she was talking to
• 31:11
  Speaker 1: me like as if I was really Bobby Brown like
• 31:13
  Speaker 1: and that that kind of hit me, you know what
• 31:15
  Speaker 1: I mean. I'm like, yo, it was just a movie
• 31:17
  Speaker 1: that I'm not really him. My name is Woody. Yeah.
• 31:20
  Speaker 1: She said you just hard headed and then walked away.
• 31:23
  Speaker 1: I was like, all right, yeah, yeah, see that's what
• 31:25
  Speaker 1: I'm saying. So I think you will probably get a
• 31:27
  Speaker 1: little backlash from Janet Jackson fans. I don't think so. Now,
• 31:30
  Speaker 1: when Bobby cries, right, what are you doing? Bobby cries
• 31:33
  Speaker 1: when you're talking to Bobby and he cried, like what
• 31:35
  Speaker 1: do you do? That can be kind of awkward. Now
• 31:38
  Speaker 1: I look away. I try to change the subject. Really yeah, yeah,
• 31:42
  Speaker 1: you know, rubbers back another Nah, no no physical anything.
• 31:46
  Speaker 1: I just look away. I get a text message and
• 31:49
  Speaker 1: walk away. Something. It's something I wanted. I can't. I
• 31:52
  Speaker 1: just can't see nobody. I can't see nobody like in
• 31:55
  Speaker 1: pain like that. Yeah it's hard, yeah, you know what
• 31:59
  Speaker 1: I mean. Doing this project it made me emotional. I
• 32:01
  Speaker 1: haven't cried since I was like fourteen years old really,
• 32:04
  Speaker 1: but doing this and like feeling what he actually went
• 32:06
  Speaker 1: through with the hair and I had the makeup on.
• 32:08
  Speaker 1: They put me with the teeth in my mouth, like
• 32:10
  Speaker 1: I really felt like as if I was they put
• 32:11
  Speaker 1: the cooked teeth in your mouth and everybody. Yeah, yeah,
• 32:14
  Speaker 1: A lot of people be disappointed by the two girls
• 32:16
  Speaker 1: because like, oh, you don't have a gap, Like Ah'm like, uh,
• 32:20
  Speaker 1: you know, you're not nervous to be pigeonholed, like everybody's
• 32:22
  Speaker 1: just gonna look at you a Bobby Brown for the
• 32:23
  Speaker 1: rest of your life. Nah. The two pop characters, the
• 32:27
  Speaker 1: dude that played Tupac, Like every time I look at him,
• 32:29
  Speaker 1: I just see pop because he looked like, oh yeah,
• 32:31
  Speaker 1: I don't think I look like Bobby, you know what
• 32:33
  Speaker 1: I mean. I don't know. I've never been put in
• 32:35
  Speaker 1: a box that I couldn't break out of, you know
• 32:37
  Speaker 1: what I mean, So I don't I don't know. I
• 32:38
  Speaker 1: mean when we first got casted for it. They was like,
• 32:41
  Speaker 1: who is he gonna look nothing like new addition, they
• 32:44
  Speaker 1: was saying, I looked like Bob to Uh. I got
• 32:49
  Speaker 1: Bob to to call Mitchell. It was like it was like, oh,
• 32:54
  Speaker 1: that's the dude from Good know what I mean? But
• 32:58
  Speaker 1: now I look like Bobby Brown. So I'm like, can
• 33:00
  Speaker 1: y'all make up? Y'all mind which you'll want me to
• 33:01
  Speaker 1: look like? Yeah? Yeah, all right. We got more with
• 33:03
  Speaker 1: Woody McClain when we come back. He played Bobby Brown
• 33:06
  Speaker 1: and the Bobby Brown Stories. You don't move. It's the
• 33:08
  Speaker 1: Breakfast Club. Good Morning, the Breakfast Club Morning. Everybody is
• 33:13
  Speaker 1: cej Envy Angela yee. Charlemagne the guy we are the
• 33:17
  Speaker 1: Breakfast Club. Woody McClain's in the building. He played Bobby
• 33:20
  Speaker 1: Brown and the Bobby Brown Story. Charlemagne. Did you spend
• 33:23
  Speaker 1: a lot of time with Bobby personally on and off
• 33:25
  Speaker 1: off off? Yeah, a lot, because you know he cooks too.
• 33:28
  Speaker 1: So they didn't blinded me over for the Fourth of July.
• 33:31
  Speaker 1: The crib. Yeah, yeah, that was that. It was dough.
• 33:33
  Speaker 1: It's real though. I enjoy his family. They're real cool.
• 33:36
  Speaker 1: Did you needed that world famous cocaine rip sauce. No,
• 33:39
  Speaker 1: I never had that hold of cocaine. I mean the
• 33:41
  Speaker 1: barbecue sauce man cocaine cocaine. You man, you're talking about
• 33:47
  Speaker 1: the flower thing from the book, Oh the co Yeah, yeah,
• 33:50
  Speaker 1: that's what it was, the flower. Yeah yeah yeah, yeah, no, nine,
• 33:53
  Speaker 1: it was none of that, none of that since you
• 33:55
  Speaker 1: never you never did drugs, right, no, no, no, So
• 33:57
  Speaker 1: you never had a drug over those no way? Do you?
• 34:00
  Speaker 1: You know what inspiration? You know, what do you pull from?
• 34:02
  Speaker 1: Because you the first seeing in the movie you drug overdoors? Yeah,
• 34:05
  Speaker 1: and just coach. I was working with Claire. She's been
• 34:09
  Speaker 1: through like everything, so she she like really like put
• 34:13
  Speaker 1: me through the course of like what she went through
• 34:15
  Speaker 1: when she was dealing with that kind of stuff. So
• 34:17
  Speaker 1: I just kind of took what she did and kind
• 34:19
  Speaker 1: of put my own thing on it. You never had
• 34:22
  Speaker 1: no drug use in your family, close friend, not that
• 34:25
  Speaker 1: I know of. Wow, that's great coming from South Carolina
• 34:28
  Speaker 1: and Florida. Yeah, no, no that I know. Everybody just
• 34:31
  Speaker 1: smoked weed. I don't smoke weeds, so I only drink,
• 34:33
  Speaker 1: never smoke we before, never smoked damn my life. Really, yeah,
• 34:36
  Speaker 1: you know, I'm missing nothing yeah. Do you have any vices? Man,
• 34:39
  Speaker 1: like a habit? We drugs, spending some women sex? Nah, no, no, no,
• 34:45
  Speaker 1: I'd be chilling. I'll be at the crib listen. It's
• 34:52
  Speaker 1: all about the craft. It's all about the work, you
• 34:55
  Speaker 1: know what I mean. I don't focus on none of
• 34:56
  Speaker 1: that stuff. You gotta enjoy life a little bit though,
• 34:58
  Speaker 1: a little bit, a little bit. You ain't getting no
• 35:00
  Speaker 1: extracurriculum act poem poem since getting I just tell him, like, yo,
• 35:04
  Speaker 1: I'm focused on my career. And they said, I respect that. Now,
• 35:07
  Speaker 1: I know. I know Caribbean women really did you? Man?
• 35:09
  Speaker 1: I know one around here right now that did you?
• 35:11
  Speaker 1: A little bit caller in here, uh, caller in here,
• 35:14
  Speaker 1: Taylor mccallacall. She embarrassed. You don't want to come in. Oh,
• 35:24
  Speaker 1: I'm gonna introduce her to you off the end? Who
• 35:28
  Speaker 1: is she works here at I Heeart Radio? Saying, woman,
• 35:32
  Speaker 1: you know what I'm saying. Maybe a little tall? Tall?
• 35:34
  Speaker 1: Are you? I'm like six, she's about six? Ain't no six,
• 35:37
  Speaker 1: I'm definitely six, bro about six one six? You know
• 35:40
  Speaker 1: what I'm saying. O, woman, you know what I mean?
• 35:44
  Speaker 1: HBCU Yeah, I said the same thing. I said the
• 35:49
  Speaker 1: same thing, but you didn't give a pass. She's a
• 35:51
  Speaker 1: good person. She's not going she embarrassed for whatever reason.
• 35:55
  Speaker 1: I heard you like women that shoot. They shot, though,
• 35:57
  Speaker 1: So maybe I should tell her love this stuff to you?
• 35:58
  Speaker 1: I love it, tell her to shoot. Let me send her.
• 36:00
  Speaker 1: He like you like aggressive women and women that will
• 36:02
  Speaker 1: come at you immediately. Yeah, what's the craziest thing a
• 36:06
  Speaker 1: female has done? It to get your attention? MICHAELA, what
• 36:11
  Speaker 1: do you want? Come say hi to Woody. He likes
• 36:14
  Speaker 1: girls that shoot, they shot. We live, we live on
• 36:18
  Speaker 1: Come say hi? He likes Why you don't want to
• 36:22
  Speaker 1: say high on camera? I'm right outside. Oh she's right there, Mchaella.
• 36:27
  Speaker 1: Come what you think Woody? Do you know who come here?
• 36:35
  Speaker 1: She's coming here. I feel like y'all know each other
• 36:37
  Speaker 1: for some reason. Why do you feel like I don't know?
• 36:39
  Speaker 1: I feel like this I accessed with my spiders sense
• 36:41
  Speaker 1: each other. MC Michaelly, you know what you know whaty oh? Okay,
• 36:50
  Speaker 1: you do? Now you didn't know him before this? Huh.
• 36:52
  Speaker 1: We were talking. We were talking about you, and you
• 36:54
  Speaker 1: know the only thing that he said was a little
• 36:56
  Speaker 1: funny was that you went to Howard that's just the
• 36:58
  Speaker 1: only thing. He went to an HBCU and everything both
• 37:02
  Speaker 1: went to terrible schools. WHOA, this is not gonna work.
• 37:05
  Speaker 1: This help like shooting shot. That's not how you shoot
• 37:10
  Speaker 1: your shot. If you were shooting your shot with what
• 37:12
  Speaker 1: what would you say? What would you say? First of all?
• 37:14
  Speaker 1: Why am I getting in ter If you see him
• 37:16
  Speaker 1: at the bar and you even wander as tall as
• 37:20
  Speaker 1: you don't know how to shoot? I should type yeah
• 37:25
  Speaker 1: yet up for me? Okay, okay, out here freaking love connections. Okay,
• 37:32
  Speaker 1: all right, We're gonna see how this goes. You know
• 37:34
  Speaker 1: what I mean? Have Nick follow follow y'all with the camera. Okay,
• 37:37
  Speaker 1: you know what I'm saying. See how it goes with
• 37:39
  Speaker 1: y'all for a little funny thing. Say no more? Okay, Well,
• 37:41
  Speaker 1: what do we appreciate you for joining us? Too far?
• 37:45
  Speaker 1: Don't too go too far? I do wonder how far
• 37:48
  Speaker 1: off you are from the character Bobby Brown, though. Do
• 37:50
  Speaker 1: you feel like you'll have any similarities anything in common?
• 37:53
  Speaker 1: We both can damn that's it. Yeah, Bobby's like super
• 37:57
  Speaker 1: like outspoken and like, you know what I mean, He's
• 38:00
  Speaker 1: that guy. I'm like the guy that like to disappear
• 38:02
  Speaker 1: in the room. Really, I don't attention. Really, yeah, I don't.
• 38:05
  Speaker 1: I hate it. I hate it so becoming an actor
• 38:08
  Speaker 1: because I just wanted to make people feel But you
• 38:10
  Speaker 1: know what I mean. Like, I mean just when I
• 38:12
  Speaker 1: was younger, I remember my mom sitting in front of
• 38:14
  Speaker 1: the TV and she's like, oh my god, Eddie Murphy.
• 38:16
  Speaker 1: I went to school with him, like, and just to
• 38:18
  Speaker 1: see my mom's eyes light up like that, I was like, yo,
• 38:20
  Speaker 1: I want that same feeling for people that I go
• 38:22
  Speaker 1: to school with. Got you know what I mean? So
• 38:24
  Speaker 1: I always thought that was dupe micaela. What's his sign?
• 38:26
  Speaker 1: What's what he signed? I'm just testaments if you really
• 38:29
  Speaker 1: know him, not what's your sign with him? Tourists? Okay,
• 38:32
  Speaker 1: I don't know anything about tourists. Man. I was trying
• 38:34
  Speaker 1: to figure out why you're so reserved and like to
• 38:36
  Speaker 1: disappear in the room. I don't know. I just I
• 38:39
  Speaker 1: don't like the spotlight like that. Wow. So you probably
• 38:42
  Speaker 1: killed the role of Bobby Brown only because like when
• 38:45
  Speaker 1: you're the opposite of something, you really can let loose. Yes, yeah,
• 38:50
  Speaker 1: I can really be outspoken and loud, but in real
• 38:52
  Speaker 1: life negative My life is born Michaela's life is born
• 38:56
  Speaker 1: to worry. Yeah, y'all can be born. I was about
• 38:59
  Speaker 1: to say, hey, we can be boring together. I like that.
• 39:02
  Speaker 1: What's next? What's next after this? We got Canal Street
• 39:05
  Speaker 1: coming up um with Ryan Lamar. I think you know
• 39:08
  Speaker 1: you're not in it. Oh, I am in that. I
• 39:11
  Speaker 1: just thought about that. I didn't know what you're talking about.
• 39:15
  Speaker 1: Yeah yeah, I thought that was a documentary or something. Though.
• 39:17
  Speaker 1: It's like that. Yeah yeah, yeah, yeah, yeah, yeah, yeah yeah,
• 39:23
  Speaker 1: all right, right there, that's gonna be in theaters. Yeah,
• 39:25
  Speaker 1: that's a theater September fourteen. If he can't remember, yeah, yeah,
• 39:32
  Speaker 1: the whole scene. Yeah, I didn't. I didn't realize it.
• 39:35
  Speaker 1: Guh's dope though, So September fourteen, fourteen, Oh man, that's hot.
• 39:39
  Speaker 1: I'm talking out. I did part. I just seen that.
• 39:44
  Speaker 1: That was dope. That comes out September fourteen, and then
• 39:46
  Speaker 1: Body comes out November two. It is yep, and you
• 39:49
  Speaker 1: got talking scene and Body. Yeah yeah, I'm all over
• 39:51
  Speaker 1: about it. I'm gonna produce some body too. I'm the
• 39:54
  Speaker 1: executive producer. But that's okay, okay, yeah yeah yeah, get that,
• 39:58
  Speaker 1: And I shout to Willy mccle for joining us this morning.
• 40:01
  Speaker 1: We look forward to seeing part two tonight and we're
• 40:04
  Speaker 1: gonna take your calls eight hundred five eight five one
• 40:06
  Speaker 1: on five one. Did you see the Bobby Brown story
• 40:08
  Speaker 1: last night? What did you think? And let's get it
• 40:11
  Speaker 1: to this Bobby Brown mini mix? Why not right, it's
• 40:13
  Speaker 1: the Breakfast Club. Good morning. Let's come let me know
• 40:19
  Speaker 1: your favorite Bobby Brown tweet this morning. Morning everybody, you
• 40:23
  Speaker 1: turned me on, stop it. I'd like to run my
• 40:26
  Speaker 1: fingers through your hair. So come on this day with me,
• 40:31
  Speaker 1: your night. I want to rock with your baby all
• 40:37
  Speaker 1: night long. I want to roll with your lady. Come on,
• 40:42
  Speaker 1: feeling so strong? All right, all right, all right, right,
• 40:44
  Speaker 1: all right. What you gotta get to the back now?
• 40:48
  Speaker 1: Sweet loving loving, make it sweet love, don't you ever stop?
• 40:53
  Speaker 1: Doesn't stand awkward. It's two guys in here singing to
• 40:55
  Speaker 1: each other. I was singing by myself. You're the one
• 40:57
  Speaker 1: just jumped in here. You know what I'm saying. I've
• 40:58
  Speaker 1: started singing. I want to rock with you, and you
• 41:00
  Speaker 1: jump in on like you want to rock with Listen,
• 41:02
  Speaker 1: uh sleuth. Willie McClain dropped on a cluees bombs for Woody. Okay,
• 41:07
  Speaker 1: that's my guy. Born in Charter so can line of
• 41:09
  Speaker 1: raised in Duval County. And yes, I had no idea.
• 41:12
  Speaker 1: I've totally forgot that I'm in. That movie could sell
• 41:16
  Speaker 1: you see the Bobby Brown Story. What did you think
• 41:18
  Speaker 1: about the Bobby Brown Story? I loved it, But what
• 41:20
  Speaker 1: did you love about it? It was thinking, I see,
• 41:23
  Speaker 1: I read the book every little step, So being that
• 41:25
  Speaker 1: I read the book every little step, I had a
• 41:27
  Speaker 1: different expectation. But I should have known better than to
• 41:29
  Speaker 1: have that expectation because I know it's on BT, so
• 41:32
  Speaker 1: I know BT can't get as raw and as gritty
• 41:34
  Speaker 1: as the book Curson and stuff on BT, which was
• 41:37
  Speaker 1: surprised last night. Yeah, but the book was raw. But
• 41:39
  Speaker 1: I enjoyed it. I'm not I'm not even a matter
• 41:40
  Speaker 1: of fact that I think everybody should go out there
• 41:42
  Speaker 1: and get Bobby Brown's book Every Little Step. It's two
• 41:44
  Speaker 1: different forms of telling the story, you know what I mean,
• 41:47
  Speaker 1: two different ways to tell the story. But I totally
• 41:49
  Speaker 1: enjoyed it. The only thing I had a problem with
• 41:51
  Speaker 1: is the fact that they didn't show him throwing Janet Jackson.
• 41:54
  Speaker 1: Why did you want to see that so bad? That's
• 41:55
  Speaker 1: the only thing you wanted, because that's part of Bobby's story,
• 41:58
  Speaker 1: you know what I'm saying. And they didn't shoot that scene.
• 41:59
  Speaker 1: I should Charlemagne the scene this morning. So they did
• 42:01
  Speaker 1: shoot that scene. And in the book, Janet Jackson told
• 42:04
  Speaker 1: Bobby that my daddy would not allow me to bring
• 42:06
  Speaker 1: a black man home. So Bobby threw her out the room.
• 42:08
  Speaker 1: And then Bobby said to himself, then that's Janet Jackson,
• 42:10
  Speaker 1: so he threw her a blanket. So basically, Janet told
• 42:13
  Speaker 1: Bobby black lives don't matter, and so Bobby threw her
• 42:15
  Speaker 1: out the room for it. I thought it was an
• 42:16
  Speaker 1: amazing I love what BT's doing. I thought it was amazing.
• 42:20
  Speaker 1: I can't wait till tonight. I think the actors did
• 42:22
  Speaker 1: an amazing job. You know. It brought me back to
• 42:24
  Speaker 1: that moment as a kid. That kid was singing. It's
• 42:27
  Speaker 1: a lot of nostalgia with us because that's the era
• 42:29
  Speaker 1: we grew up in. And I'm a nineties R and
• 42:31
  Speaker 1: B guy. I'm a new jack guy. I like every
• 42:33
  Speaker 1: morning Uptown Records, old new edition, old body Brother. That's
• 42:37
  Speaker 1: that's my era, right. So I don't know if I
• 42:39
  Speaker 1: just be caught up in the hype. You ain't. I'm
• 42:40
  Speaker 1: not gonna ever say that movie was whack, even if
• 42:42
  Speaker 1: I didn't like it, because it just it makes me
• 42:44
  Speaker 1: feel away. It gives me a feeling. You know, understand
• 42:46
  Speaker 1: what I'm saying. The movie gives me a feeling. Right,
• 42:49
  Speaker 1: the music, the era, I'm already thinking this Fall and Winner.
• 42:53
  Speaker 1: I want to highlight my man Torreine. I want to
• 42:55
  Speaker 1: dress like Bobby Brown off fall, leather pants, leather hats.
• 42:58
  Speaker 1: You know what I'm saying, sheer shirt, yeah right, yeah, Well,
• 43:02
  Speaker 1: well let's go to the phone lines eight hundred five
• 43:04
  Speaker 1: eight five one on five one. Hello, did you see
• 43:06
  Speaker 1: the movie? Yeah? Man? It was good man? What you
• 43:08
  Speaker 1: think about it? Man? I think it's uh. I think
• 43:11
  Speaker 1: Bobby was a real deal player, Bagan the day. You
• 43:14
  Speaker 1: know what I'm saying, you, uh what? I don't like drugs?
• 43:18
  Speaker 1: And then you know what I'm saying, But saw the
• 43:20
  Speaker 1: Mississippi nam An Irish shot bird of twenty five years old?
• 43:23
  Speaker 1: I me and my way to work right now, I'd
• 43:26
  Speaker 1: like to give a shout out to my baby mama,
• 43:28
  Speaker 1: not my baby mama, well my wife. Yeah, man, you
• 43:31
  Speaker 1: call your wife your baby mama. Do you have a
• 43:33
  Speaker 1: wife and a baby mama your wife. Still, No, she's
• 43:36
  Speaker 1: she's my fiance. Yeah, you just got yeah, Okay, I
• 43:39
  Speaker 1: see what's going on. She's your baby mama for the
• 43:40
  Speaker 1: longest and you just proposed. Are you just transitioning into
• 43:43
  Speaker 1: calling her your wife? I get it, Yes, sir, Yes, sir.
• 43:47
  Speaker 1: She's next week she's be having another little baby girl.
• 43:51
  Speaker 1: So it is yours another little baby girl, not my
• 43:54
  Speaker 1: baby girl. Yeah, man, yeah, she's my goodness all right, brother,
• 43:58
  Speaker 1: have a blessed day, sir. Hello, who's this Taylor? Hey, Taylor?
• 44:01
  Speaker 1: Did you see the Boby Brown story last night? I did?
• 44:04
  Speaker 1: I did. What do you think I loved it? I
• 44:08
  Speaker 1: loved it. Um. What I didn't know is I know
• 44:11
  Speaker 1: that they said that Whitney he was saying I got
• 44:13
  Speaker 1: him started on the drugs. So I didn't know that
• 44:15
  Speaker 1: she went down hard. Yeah, I mean yeah, you see
• 44:19
  Speaker 1: when she putting the game and locked him out. That
• 44:23
  Speaker 1: was crazy. And by the way, he walked in on
• 44:25
  Speaker 1: Whitney doing cocaine first okay, to day at the wedding.
• 44:28
  Speaker 1: That's the bok. Yeah, I gotta get the book. He
• 44:32
  Speaker 1: team Torreans in the building. All right, Mama, Hello, who's
• 44:36
  Speaker 1: this yer Coleman. Hey, did you see the Bobby Brown
• 44:39
  Speaker 1: story last night? Yes? Yes, yes, what do you think? Amazing?
• 44:43
  Speaker 1: I love it? I stand up. You know, you gotta
• 44:44
  Speaker 1: wake up super early for work. What he did an
• 44:47
  Speaker 1: amazing job. The whole cast did two comes on the
• 44:51
  Speaker 1: night at nine o'clock on BT. I'm looking forward to that. Hello,
• 44:54
  Speaker 1: who's this? This plea to be curious? Hey, did you
• 44:57
  Speaker 1: see the Bobby Brown story last night? Of course? I
• 45:00
  Speaker 1: love Bobby Brown. What did you think? I'm loving I'm
• 45:03
  Speaker 1: loving an actor, and I just think that they put
• 45:06
  Speaker 1: a lot of energy into it. And I'm glad that
• 45:07
  Speaker 1: he was allied to tell his story because I love
• 45:10
  Speaker 1: Bobby Brown and like me and I can't wait till
• 45:12
  Speaker 1: the night. And that's my thing. If you're allied to
• 45:14
  Speaker 1: tell you the story, you gotta let me tell my story.
• 45:16
  Speaker 1: You know what I'm saying. You can't addit things out
• 45:17
  Speaker 1: of my story, you know what I mean? Yeah, I mean,
• 45:20
  Speaker 1: don't add I'm out in the hallway. That's the only
• 45:24
  Speaker 1: thing that I've seen that they cut out. But we'll
• 45:25
  Speaker 1: see tonight. But I thought it was an amazing, amazing show.
• 45:28
  Speaker 1: I think BT is doing with this original program and
• 45:30
  Speaker 1: I think it's amazing. I love it. Yeah, And basically
• 45:32
  Speaker 1: Janet told Bobby that black lives don't matter. That's basically
• 45:35
  Speaker 1: what she told if you read the book. But Janet
• 45:37
  Speaker 1: said by Daddy would not allow me to bring a
• 45:39
  Speaker 1: black man home, So she told Bobby black lives don't matter.
• 45:42
  Speaker 1: So Bobby threw her out the hotel room. Okay, don't
• 45:44
  Speaker 1: don't isn't that like, how y'all isn't that like? Isn't
• 45:47
  Speaker 1: that what y'all want to see when people don't think
• 45:49
  Speaker 1: black lives matter? Okay, my goodness? All right, Well, what's
• 45:53
  Speaker 1: the moral of the story. The brold story is being
• 45:55
  Speaker 1: Bobby brownks on that nine PM to night and to night.
• 45:57
  Speaker 1: And by the way, I'll say this over and over,
• 45:59
  Speaker 1: I don't know why y'all want to be rock stars
• 46:02
  Speaker 1: so bad when you can be Bobby Brown. All you
• 46:04
  Speaker 1: rappers are this and y'all party like rock stars and
• 46:06
  Speaker 1: do it like rock stars? Why be a rock star?
• 46:08
  Speaker 1: You can be Bobby Brown? All right? Now, when we
• 46:10
  Speaker 1: come back, Joe Button replies to Eminem, we'll tell you
• 46:13
  Speaker 1: all about it. Keeping lock this to breakfast club. Good morning,
• 46:16
  Speaker 1: all right, this is America Morning. Everybody is DJ Envy,
• 46:20
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club Sir.
• 46:23
  Speaker 1: Let's get to these rumors. First, we shout out to
• 46:25
  Speaker 1: my kids there on their way to school. Shout the Maddie, shout,
• 46:27
  Speaker 1: the LOGI shout, the Brookie, shout the Lundie. Shout to Jackson.
• 46:30
  Speaker 1: I said them all right once with three for five, Yes,
• 46:32
  Speaker 1: come on into my key tied. Now let's get to
• 46:34
  Speaker 1: these rumors. AT's talk Eminem, Joe Budden, it's about. This
• 46:42
  Speaker 1: is the rumor report, Angela Yee on the Breakfast Club.
• 46:48
  Speaker 1: All right, now we tell you about Eminem's album that
• 46:50
  Speaker 1: came out a couple of days ago, and he took
• 46:52
  Speaker 1: shots at everybody, and one of those persons was Joe Button.
• 46:57
  Speaker 1: Somebody tell bucking before Stanley Better fascinated his body packet
• 47:00
  Speaker 1: sip the closest things. I didn't like that bar. I
• 47:04
  Speaker 1: still don't like that bar. And the reason I don't
• 47:06
  Speaker 1: like that bar is because Eminem has a history of
• 47:10
  Speaker 1: writing songs that abuse women. So don't call somebody out
• 47:14
  Speaker 1: for that, well, somebody's allegations. Of course. Joe Button's podcast
• 47:19
  Speaker 1: comes out each and every Wednesday to be out in
• 47:21
  Speaker 1: a little bit, but he did respond, and this is
• 47:23
  Speaker 1: a piece of the podcast News Flash M. I heard
• 47:28
  Speaker 1: the album and because I think you don't really know
• 47:30
  Speaker 1: all the members that were in the group, I don't
• 47:33
  Speaker 1: really think you know our history. Let me tell you
• 47:35
  Speaker 1: what Joe Budden has thought this entire time. I've been
• 47:39
  Speaker 1: better than you this entire decade. Can't say that back then,
• 47:44
  Speaker 1: but in my rapper brain, I'm a content. You gotta
• 47:48
  Speaker 1: say something. You have not said anything for the better
• 47:53
  Speaker 1: part of a whole decade. You have rhymed a bunch
• 47:58
  Speaker 1: of words. Let me think about that last decade. Absolutely,
• 48:03
  Speaker 1: Joe Button gets busy. I think Joe Button is lyrically
• 48:06
  Speaker 1: one of the nicest people that I've known, and I've heard. Yeah,
• 48:10
  Speaker 1: I think everybody needs to understand what the decade is.
• 48:12
  Speaker 1: A decade it would be from two thousand and eight
• 48:14
  Speaker 1: to two thousand and eighteen. So that's like Relap didn't
• 48:17
  Speaker 1: relap for kind of M's comeback album, so relapse to now. Yes,
• 48:20
  Speaker 1: Joe has a better body of work for the back
• 48:22
  Speaker 1: for the past decade. Yes, Yeah, I think I think
• 48:25
  Speaker 1: Joe was slept on as a lyricist. He gets busy
• 48:27
  Speaker 1: sometimes I think a lot of the shenanigaanst he was
• 48:29
  Speaker 1: doing back then, I think people would miss it for
• 48:31
  Speaker 1: his lyricist. It's easy to sleep on Joe when you
• 48:33
  Speaker 1: see him with his white tank top screaming at the
• 48:35
  Speaker 1: top of his long what I'm saying, some of your
• 48:37
  Speaker 1: favorite rapper. I can see why you would, you know,
• 48:40
  Speaker 1: just dismiss him as a rapper. Scott raps. Sometimes he
• 48:43
  Speaker 1: does get busy. He also said this on this podcast.
• 48:46
  Speaker 1: I live for this type of and all of that rapid,
• 48:52
  Speaker 1: he rap lyrical miracle bulls and he wanted like that
• 48:56
  Speaker 1: to think they wanted with me shut I don't think
• 48:59
  Speaker 1: you would farewell. I also think it's really corny when
• 49:05
  Speaker 1: retired popped about that what would could have been done?
• 49:11
  Speaker 1: So I feel like I'm in control of the rules here,
• 49:15
  Speaker 1: am I'm backed? Now you're not so much? He says
• 49:19
  Speaker 1: he's backed. What does he mean by that? What maybe means?
• 49:23
  Speaker 1: I thought he meant I'm back, meaning I'm popping again,
• 49:26
  Speaker 1: But he could mean I'm backed. I guess Revolts or Spotify,
• 49:28
  Speaker 1: I don't know, and will always be back Joe. He's white,
• 49:31
  Speaker 1: stop it all right, man? Selling three hundred and fifty
• 49:33
  Speaker 1: thousand records. Uh this week off an album that came
• 49:36
  Speaker 1: out on Friday, Knock It Off, Joe, And I don't
• 49:39
  Speaker 1: want to hear all that Joe. If you're not gonna
• 49:41
  Speaker 1: wrap now, I don't think it's safe Joe exactly. Do
• 49:43
  Speaker 1: I think Joe will body eminem in two thousand and eighteen, Yes,
• 49:46
  Speaker 1: I do, okay, And I got a little change, you know,
• 49:50
  Speaker 1: to put on that. And by change, I mean fifty
• 49:52
  Speaker 1: cent seriously, all right, I got Joe's money, I got
• 49:54
  Speaker 1: Joe's thousand dollars that Joe owes me and he old
• 49:58
  Speaker 1: you will put that on Joe them. But I do
• 50:01
  Speaker 1: think Joel Washington in two thy eighteen. But I don't
• 50:03
  Speaker 1: want to hear all that spicy talk if you're not
• 50:05
  Speaker 1: gonna wrap, because that sounds like somebody that's about to
• 50:07
  Speaker 1: go into booth. Absolutely, if you're not gonna go into
• 50:09
  Speaker 1: bootstop all that spicy talk. I told y'all that last week.
• 50:12
  Speaker 1: I didn't want to hear Joe reply on a podcast.
• 50:15
  Speaker 1: Emma is one of the greatest em seas of all time. Right, Right,
• 50:18
  Speaker 1: Joe is a lyricist, right one of the greatest m
• 50:20
  Speaker 1: seeds of all time call you out. I feel like
• 50:22
  Speaker 1: you try to respond with bars. That's not Russ or
• 50:25
  Speaker 1: who else came at Joe recently. That's not the me
• 50:27
  Speaker 1: goals right, that's eminem correct. So I want to hit bars.
• 50:31
  Speaker 1: I don't want hear no podcast dialogue. That's all I
• 50:33
  Speaker 1: can do. All I can do is get on the
• 50:34
  Speaker 1: radio and podcast and talk back to them. You got
• 50:36
  Speaker 1: the skills to do some bars, right, Okay? Now? Nicki
• 50:39
  Speaker 1: Minah she was on Ellen and she liked this terrible
• 50:43
  Speaker 1: what what? What? What's that? Where you don't like going
• 50:45
  Speaker 1: from Joe to m to Nicki and Travis Scott. I'm
• 50:47
  Speaker 1: tired of Nicki and Travis. Well, too bad. She was
• 50:49
  Speaker 1: on Nicki Minajs was on Ellen, and of course they
• 50:51
  Speaker 1: talked about Travis Scott. Why do people say things like
• 50:54
  Speaker 1: upset or angry when someone says how they feel, they're
• 50:56
  Speaker 1: not always upset or angry? Well, what were you feeling?
• 50:59
  Speaker 1: I feel like I wanted some gymnas face because because
• 51:05
  Speaker 1: what are those emotions that? It's not anger? No, no,
• 51:08
  Speaker 1: it's not anger. It's just what's right and what's wrong?
• 51:11
  Speaker 1: What's fair? I don't I don't know what's right. I
• 51:14
  Speaker 1: don't know what's wrong. I don't know what's fair because
• 51:16
  Speaker 1: Nikki did the same thing as it was. Nikki had
• 51:19
  Speaker 1: bundles for her album too. You can buy ticket sales
• 51:22
  Speaker 1: and get the album and other stuff like you can
• 51:24
  Speaker 1: buy tickets to Why why are we having this conversation?
• 51:28
  Speaker 1: Well she talks some more on Ellen. Sometimes people think
• 51:30
  Speaker 1: that you're ungrateful, and I'm like the most grateful person
• 51:33
  Speaker 1: in the world. I love being grateful and remembering that
• 51:36
  Speaker 1: things could be worse. Okay, I started from nothing. I'm
• 51:39
  Speaker 1: one of those people who I get it. But I
• 51:42
  Speaker 1: don't like being bullied and I don't like being taken
• 51:44
  Speaker 1: advantage of. And sometimes people use scare tactics against you
• 51:48
  Speaker 1: because they know, especially as a black woman, that people
• 51:50
  Speaker 1: will say, well will kill all you angry or bitter
• 51:53
  Speaker 1: begin and so now it's almost like we're not allowed
• 51:55
  Speaker 1: to defend ourselves, what stand up for ourselves. And I'm
• 51:58
  Speaker 1: not going to have that. I love you, Nikki. I
• 52:00
  Speaker 1: don't want no smoke, all right, When when when when
• 52:03
  Speaker 1: they come at you like that, you just gotta back away.
• 52:05
  Speaker 1: You've got to listen to the keywords. All right, you're heard,
• 52:07
  Speaker 1: black woman, you heard angry, can't defend yourself. You just
• 52:10
  Speaker 1: stand down, all right, keep doing you. Nikki dropped on
• 52:12
  Speaker 1: a clue month for Nicki Minaj. Everybody got damn buy
• 52:15
  Speaker 1: a Queen album? All right now to Lakashi as telling
• 52:19
  Speaker 1: the judge he wants no prison time please, Nope, he
• 52:23
  Speaker 1: told the judge ds the deeds that I'm doing, I'm
• 52:27
  Speaker 1: doing a lot of positivity. He said. He donated money
• 52:29
  Speaker 1: to a childhood school. He said he handed out money
• 52:33
  Speaker 1: in Dominican Republic. He donated to homeless in Chicago. He
• 52:37
  Speaker 1: donated money to New York City youth programs, and he
• 52:41
  Speaker 1: sayd it out money in Mexico several times. He says
• 52:44
  Speaker 1: he's doing good for the community, and he wants to
• 52:47
  Speaker 1: make sure he doesn't go back to jail. He didn't
• 52:49
  Speaker 1: make a wish program. He said, he really wants to
• 52:52
  Speaker 1: make sure he's out of jail. Nope. You've told people
• 52:54
  Speaker 1: to SMD way more times than you're giving out money. Okay,
• 52:57
  Speaker 1: You've given out way more SMD requests than you have
• 53:00
  Speaker 1: have charity. All right, Okay, that what if the judge
• 53:02
  Speaker 1: said that to him? To judge says, you know that's
• 53:04
  Speaker 1: all finding good, but I got this even longer list
• 53:06
  Speaker 1: of all the times you told somebody the SMD. All right,
• 53:10
  Speaker 1: so I want to give you the opportunity to go
• 53:12
  Speaker 1: to prison to tell somebody that so they can jump
• 53:15
  Speaker 1: in your jeans my goodness. All right, all right, and
• 53:17
  Speaker 1: that is your rumor. Pause. Don't think for one second
• 53:20
  Speaker 1: that the person you told s MD yesterday is not
• 53:22
  Speaker 1: sending that to the judge. I'm telling you that right now,
• 53:26
  Speaker 1: that man is sending that to the judge. Right that
• 53:28
  Speaker 1: man is writing a letter right now saying your minister
• 53:31
  Speaker 1: society and a threat to everyone in this great trust
• 53:34
  Speaker 1: me when I tell you, all right, sal about yeah,
• 53:37
  Speaker 1: who are you giving that donkey to? I need Reverend
• 53:39
  Speaker 1: Josper Williams to come to the front of the congregation.
• 53:41
  Speaker 1: We'd like to have a word with him, please that
• 53:43
  Speaker 1: he's the person who gave the so called eu leget
• 53:46
  Speaker 1: Aretha Franklin's funeral. Okay, all right, we'll get to that
• 53:48
  Speaker 1: when we come back. Keeping locked us to breakfast club,
• 53:50
  Speaker 1: Come on there, this don't be a dust because right
• 53:53
  Speaker 1: now you want some It's time for don't give the day.
• 53:58
  Speaker 1: So if we ever feel I needed the man with
• 54:01
  Speaker 1: the hero, did she get it becomes Donkey of the day.
• 54:08
  Speaker 1: The Breakfast Club bitches, yes donkey today for Wednesday, September fifth,
• 54:13
  Speaker 1: goals the Reverend Jasper Williams Junior. And now, if you
• 54:16
  Speaker 1: don't know who that is, he is the pastor who
• 54:18
  Speaker 1: gave the eulogy at the Queen of Soul at Reefer
• 54:20
  Speaker 1: Franklin's funeral. Now, I was reading in the New York
• 54:23
  Speaker 1: Post yesterday that a Reefer Franklin's family was disgusted by
• 54:27
  Speaker 1: the reverend eulogy and in their words, they found it
• 54:29
  Speaker 1: offensive and distasteful. Now, I'm gonna be honest. I didn't
• 54:33
  Speaker 1: watch a Reef's funeral. Nope, I simply did. I simply
• 54:36
  Speaker 1: didn't have three hundred and sixty minutes to commit to
• 54:38
  Speaker 1: such a task. Okay, that's just not how I wanted
• 54:40
  Speaker 1: to spend my day. So I only caught the clips online.
• 54:43
  Speaker 1: U I saw Michael Eric Dyson, I saw Reverend. I
• 54:45
  Speaker 1: was shocked, and I was waiting for the Honorable Minutester
• 54:47
  Speaker 1: Lewis Frankhon to speak. I never saw that, but he
• 54:49
  Speaker 1: was on stage and I saw some man inappropriately touching
• 54:52
  Speaker 1: ariana grand day. So I thought everyone was given a
• 54:54
  Speaker 1: eulogy but apparently Reverend Jasper Williams Junior was giving the
• 54:58
  Speaker 1: official eulogy. And let's just say I totally understand why
• 55:02
  Speaker 1: the family was pissed off. Before we listen to some
• 55:04
  Speaker 1: highlights from Reverend Jasper Williams Junior's eulogy, it's important to
• 55:08
  Speaker 1: know what the definition of a eulogy is. A eulogy
• 55:12
  Speaker 1: is a speech or piece of writing that praises someone
• 55:15
  Speaker 1: or something highly, typically someone who has just died. Does
• 55:19
  Speaker 1: everybody have it? Did you write that down? Okay? I
• 55:22
  Speaker 1: don't think Reverend Jasper Williams got the memo. Let's listen
• 55:25
  Speaker 1: to some highlights from Reverend Reverend Jasper Williams Junior's eulogy.
• 55:29
  Speaker 1: Why it's your soul, black man. As I look in
• 55:32
  Speaker 1: your house, there are no fathers in the home, noble.
• 55:38
  Speaker 1: Seven of our households are led by our precious black women.
• 55:45
  Speaker 1: But that's proud, beautiful and fine as our black women are.
• 55:51
  Speaker 1: One thing a black woman cannot do. A black woman
• 55:56
  Speaker 1: cannot raise a black boy to be a man. If
• 56:02
  Speaker 1: you choose to ask me today, do black lives matter?
• 56:07
  Speaker 1: Black lives do not matter. Black lives will not matter.
• 56:12
  Speaker 1: Black lives should not matter. Black lives must not matter.
• 56:17
  Speaker 1: Until black people stop respecting black lives and stop killing ourselves.
• 56:25
  Speaker 1: Black lives can never matter. He wasn't gonna say a
• 56:28
  Speaker 1: respect there's no nothing once again. Definition of eulogy a
• 56:33
  Speaker 1: speech a piece of writing that praises someone or something
• 56:36
  Speaker 1: highly typically someone who has just died. When you know
• 56:39
  Speaker 1: that definition, ask yourself what the hell was Reverend Jasper
• 56:42
  Speaker 1: Williams Junior just doing. Okay, I thought mcdonnad was bad
• 56:45
  Speaker 1: at the being made, but Reverend Jasper Williams Junior had
• 56:48
  Speaker 1: the nerve to say a black woman cannot raise a
• 56:49
  Speaker 1: black boy to be a man, which is disrespectful because
• 56:52
  Speaker 1: Ripa Franklin is a single mother of four boys. Here's
• 56:55
  Speaker 1: a thing. It's the funeral, all right, And I keep
• 56:59
  Speaker 1: telling you all over and over respect. Okay, a lot
• 57:02
  Speaker 1: of you can spell it, but do you actually have
• 57:04
  Speaker 1: it for Aretha? Okay? I don't think so, because if
• 57:07
  Speaker 1: you did, you wouldn't use her funeral for your own
• 57:10
  Speaker 1: personal agendas. Okay, Yes, we care about black lives, all right,
• 57:14
  Speaker 1: Yes we care about black lives. Black lives do matter,
• 57:16
  Speaker 1: but today the only Black life that matters is the
• 57:19
  Speaker 1: one we are here to celebrate, which is a refa Franklin.
• 57:22
  Speaker 1: All right, she's the one, dad, all right, I'm telling
• 57:24
  Speaker 1: you right now, if someone does that at my funeral,
• 57:26
  Speaker 1: I want violence, all right. Don't make my funeral about
• 57:30
  Speaker 1: you and your agenda. That's not r espect, that's this
• 57:36
  Speaker 1: r es P s CT. That's right, key letter I
• 57:40
  Speaker 1: all right, ain't no I in funeral unless it's you,
• 57:43
  Speaker 1: all right, meaning you in the casket. And to do
• 57:46
  Speaker 1: someone's eulogy and treat this situation any other way is disrespectful.
• 57:50
  Speaker 1: Once again, when it comes to a REFA Franklin, everyone
• 57:53
  Speaker 1: can spell respect sorry eSPI CT accept our shop today,
• 57:58
  Speaker 1: but how many actually show it? All right? Please let
• 58:03
  Speaker 1: rummy Mark give Reverend Josper Williams Junior the biggest he
• 58:06
  Speaker 1: ha he ha he ha, you stupid motherfu are you
• 58:10
  Speaker 1: dumb man? Jesus christ Man, you got one job. Just
• 58:13
  Speaker 1: come up in and celebrate me. I'm giving y'all music
• 58:15
  Speaker 1: for forty something, yeah, a lot long time. Again. You
• 58:20
  Speaker 1: don't got nothing to say about me. Keep all this
• 58:23
  Speaker 1: political stuff in your personal agenity to yourself. All right,
• 58:25
  Speaker 1: all right, well thank you for that donkey today. Now
• 58:28
  Speaker 1: when we come back, ask c and E. That's right,
• 58:31
  Speaker 1: he is out. Usually she handles the relationship advice, So
• 58:35
  Speaker 1: as C and Charlemagne and I will hold it down.
• 58:37
  Speaker 1: Eight five A five one on five one. If you
• 58:40
  Speaker 1: need relationship advice or any type of advice, we're gonna
• 58:43
  Speaker 1: keep it real. I'm in an advice giving mood too.
• 58:45
  Speaker 1: By the way, we're gonna tell you what it is.
• 58:47
  Speaker 1: I got something out there that God want me to
• 58:48
  Speaker 1: tell somebody out there. I can feel it, all right.
• 58:51
  Speaker 1: Eight drink and feel it in my soul. Five A
• 58:53
  Speaker 1: five one on five one, as C and Eat is next.
• 58:56
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club this morning.
• 59:01
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy we
• 59:05
  Speaker 1: are the Breakfast Club, ye is out. So it's all
• 59:08
  Speaker 1: about as C and E. Hello, who's this? Hey? This
• 59:12
  Speaker 1: is an Annie was. I love Orlando. My aunt lives
• 59:16
  Speaker 1: in Orlando. What's your question for city? All right? So
• 59:19
  Speaker 1: I'm calling it because I've been with my boyfriend for
• 59:21
  Speaker 1: twelve years and we're not married. I'm really frustrated. I'm
• 59:27
  Speaker 1: a professional, a go getter, I'm beautiful, and I just
• 59:32
  Speaker 1: don't understand why I can't get him to seriously think
• 59:36
  Speaker 1: about and consider marriage as soon as possible. Let me
• 59:39
  Speaker 1: let me, let me handle this, Let me handle this one.
• 59:44
  Speaker 1: Any kids. Mommy got kids. I have children. He does not.
• 59:47
  Speaker 1: All right, let me handle this one. I've been with
• 59:50
  Speaker 1: my wife. I was with my wife since nineteen ninety eight.
• 59:53
  Speaker 1: I proposed to her in two thousand and thirteen. Actually
• 59:57
  Speaker 1: tomorrow is our fifth year wedding, an ushery, So you
• 1:00:01
  Speaker 1: do the math from nineteen ninety years a long term
• 1:00:03
  Speaker 1: two thousand and three, all right, so you know, it
• 1:00:06
  Speaker 1: just takes us a little bit of time. Plus you
• 1:00:08
  Speaker 1: already got two kids, so you know what I'm saying.
• 1:00:10
  Speaker 1: He may not want to take on all that baggage,
• 1:00:12
  Speaker 1: all right, But but y'all been together twelve years, so
• 1:00:16
  Speaker 1: I'm clear. I'm sure he loves those kids like there
• 1:00:19
  Speaker 1: his own. So just get just give them some time. Bo,
• 1:00:23
  Speaker 1: Do you live with them? We live together? Yes, y'all
• 1:00:26
  Speaker 1: live together. Has he been saving? Maybe he's shaving for
• 1:00:28
  Speaker 1: the perfect ring and in the perfect wedding. Is that possible? Listen?
• 1:00:32
  Speaker 1: Listen At this point, I don't even care about any
• 1:00:35
  Speaker 1: of that. I really don't like that. You want to
• 1:00:36
  Speaker 1: get married. You want to get married, I do. I
• 1:00:39
  Speaker 1: do settling, settling that Jello starting to saddle Stop it,
• 1:00:43
  Speaker 1: Jello starting to sad. You have the conversation yet, We've
• 1:00:47
  Speaker 1: been having a conversation for a long time, and for me,
• 1:00:49
  Speaker 1: I just want to make sure that he is a
• 1:00:52
  Speaker 1: solid you know. I want to make sure he's sure.
• 1:00:54
  Speaker 1: I don't want to play any games. M oh y'all
• 1:00:56
  Speaker 1: been together twelve years. If you're not gonna marry you
• 1:00:58
  Speaker 1: by now, if you don't know about now, you ain't
• 1:01:00
  Speaker 1: the one. Listen to it. How old are the kids?
• 1:01:03
  Speaker 1: My all this, it's sixteen. Have the sixteen year old? No,
• 1:01:06
  Speaker 1: who's the youngest. What's the youngest one? The youngest one
• 1:01:09
  Speaker 1: is twelve. I have the youngest one. Say when you're
• 1:01:12
  Speaker 1: gonna marry my mama, sit straight like that. I'm telling you.
• 1:01:15
  Speaker 1: Tell her today to walk up on daddy and say,
• 1:01:17
  Speaker 1: when you're gonna marry my mama, when you're gonna make
• 1:01:19
  Speaker 1: an honest woman out of my mama? Stop, I'm her
• 1:01:22
  Speaker 1: staying like Cardi Bards in that picture and put her
• 1:01:24
  Speaker 1: hand on her hip and say, my mama said, you
• 1:01:25
  Speaker 1: ain't gonna make an honest woman out of her? All right? Okay, yes,
• 1:01:30
  Speaker 1: the point where I feel like it's either now or never.
• 1:01:33
  Speaker 1: I feel like I'm at the point where I want
• 1:01:35
  Speaker 1: to move on, Like, how old are you? No, I
• 1:01:38
  Speaker 1: feel the same way. I feel the same way. Let's
• 1:01:40
  Speaker 1: move on from this phone CARDY told you what you do?
• 1:01:42
  Speaker 1: All right? The box from hold the box for a
• 1:01:46
  Speaker 1: little bit. Don't let him get none of that box
• 1:01:47
  Speaker 1: until he stay. Story starts thinking right, all right? Thanks?
• 1:01:51
  Speaker 1: Oh sorry, Hello, who's this? Hello? It's a lady North Carolina. Hey, mama,
• 1:01:56
  Speaker 1: what's your question for seeing me? Okay? So I've been
• 1:01:59
  Speaker 1: back and forthd with this guy for five years, um
• 1:02:02
  Speaker 1: two thousand and seven January tells seventeen. We broke up
• 1:02:05
  Speaker 1: by May two thousand and seventeen. He was married all
• 1:02:08
  Speaker 1: gets two thousand seventeen. I found out and I sent
• 1:02:11
  Speaker 1: sent a simple Instagram message. I said, all right, baby,
• 1:02:14
  Speaker 1: you would you would aside, check, you would decide, you
• 1:02:17
  Speaker 1: would decide the whole time write no no, no, no,
• 1:02:20
  Speaker 1: no no no, nothing else to talk about, no, nothing
• 1:02:22
  Speaker 1: else to talk about. You were the side chick. Ma.
• 1:02:24
  Speaker 1: He already had a whole other woman that he was
• 1:02:26
  Speaker 1: in love with. Yeah, all right, so he wasn't my
• 1:02:29
  Speaker 1: stopping stopped. Now, I don't calling me to be is
• 1:02:31
  Speaker 1: not three months and he's married you you would decide,
• 1:02:34
  Speaker 1: don't call a don't call of me to being, denial,
• 1:02:36
  Speaker 1: divorce stop it. He was forty five days later he
• 1:02:41
  Speaker 1: was separated. He separated, his divorce is final. Now that's
• 1:02:45
  Speaker 1: like his divorce is final. Um, November of two stuffs
• 1:02:48
  Speaker 1: this year, he just got the paperwork. Is he back
• 1:02:50
  Speaker 1: with you? Yeah, he's yeah, Yeah, he said he got
• 1:02:53
  Speaker 1: he stopped for divorce. He could so we could be together.
• 1:02:56
  Speaker 1: So why are you calling us? What something fact that
• 1:02:58
  Speaker 1: I need to know if if I need to accept
• 1:03:00
  Speaker 1: him back. No, we're not the relationships. I don't marry
• 1:03:03
  Speaker 1: Mary Man. But we have had conversation over the year.
• 1:03:05
  Speaker 1: So I'm trying to figure out do I take him back?
• 1:03:07
  Speaker 1: Even though he did that, and even though his divorce
• 1:03:10
  Speaker 1: would be final, Mama, I would move back. I would
• 1:03:13
  Speaker 1: move on, Mama. I mean he did you during Mama.
• 1:03:15
  Speaker 1: He got he got home, he got married to a
• 1:03:17
  Speaker 1: whole other lader. This man dumped you to have a
• 1:03:19
  Speaker 1: whole and and you ask me he got married. You
• 1:03:25
  Speaker 1: gotta be smarter than that. I would leave Mama alone
• 1:03:28
  Speaker 1: unless he gave you an STD. Now, if you gave
• 1:03:30
  Speaker 1: you an STD, that's uncarrible and y'all can share that
• 1:03:33
  Speaker 1: together for the rest of y'all. About my goodness, that's
• 1:03:35
  Speaker 1: not what happens. No, as CNE eight hundred and five
• 1:03:38
  Speaker 1: eight five one on five one. If you got some
• 1:03:40
  Speaker 1: questions for us, we'll keep it real. We'll help you
• 1:03:42
  Speaker 1: out if we can. It's the breakfast Club, Good morning,
• 1:03:45
  Speaker 1: wanting everybody. It's tj Envy and to Laye Charlomagne the
• 1:03:49
  Speaker 1: guy we are the breakfast club with in the middle
• 1:03:51
  Speaker 1: of ass c and e. If you need relationship advice,
• 1:03:54
  Speaker 1: you can call us right now. Hello, who's this? This
• 1:03:58
  Speaker 1: is Anonymous, Trendy Tredys got a STD. What's your question?
• 1:04:04
  Speaker 1: Miss Anonymous? You're crazy trum man. Okay, So look, I'm
• 1:04:07
  Speaker 1: in dating this guy for like seven or eight months Rick,
• 1:04:10
  Speaker 1: and finally I met his ten year old son. Well,
• 1:04:14
  Speaker 1: his son is related to me. He's my cousin, and like,
• 1:04:18
  Speaker 1: I don't feel comfortable then even more, and he does
• 1:04:22
  Speaker 1: not understand this, Like his child's mother is my cousin.
• 1:04:25
  Speaker 1: We're all we don't know each other like that, but
• 1:04:28
  Speaker 1: she thinks it's funny. She's like oh, you know we
• 1:04:30
  Speaker 1: dated over ten years ago. You know he's just been
• 1:04:32
  Speaker 1: father blah blah blah. But she had sex with our cousins,
• 1:04:35
  Speaker 1: so uncomfortable. Let me get this grade. You have sex
• 1:04:38
  Speaker 1: with your cousin. No, his son, his son is her cousin.
• 1:04:41
  Speaker 1: His son is her cousin. He knocked off her cousin.
• 1:04:44
  Speaker 1: So it's just a family and fair. You're not you're
• 1:04:46
  Speaker 1: not really, you're not related that that blood is not
• 1:04:47
  Speaker 1: in you. You good money if you like him. No,
• 1:04:49
  Speaker 1: I know, but I just don't want to try to him.
• 1:04:51
  Speaker 1: No more like no, I want children one day. That
• 1:04:54
  Speaker 1: mean our kids to be cousin's answers to what's wrong
• 1:04:57
  Speaker 1: with that? If y'all already had sex, right, it's kind
• 1:04:59
  Speaker 1: of too late to turn back. Now you already did it.
• 1:05:02
  Speaker 1: You already have sex with your cousin. Are your cousin's
• 1:05:04
  Speaker 1: son whatever, I just Chile's father, and he was not
• 1:05:08
  Speaker 1: on purpose, And no, I just man, go ahead and
• 1:05:10
  Speaker 1: keep it in the family. Not listen, My advice is
• 1:05:13
  Speaker 1: not whether I should keep talking with him wife, howe
• 1:05:16
  Speaker 1: rid of him. Man, go ahead and keep it in
• 1:05:18
  Speaker 1: the family. If y'all kids is born with an arm
• 1:05:20
  Speaker 1: coming out day forehead, y'all all right, it's okay, yeah,
• 1:05:24
  Speaker 1: I I don't know what you want to tell you
• 1:05:26
  Speaker 1: already flip with your cousin. You might as well stay.
• 1:05:28
  Speaker 1: It's not her cousin, man, it's her cousin. Cousin really
• 1:05:32
  Speaker 1: early charting, I am, and your kids are gonna be
• 1:05:35
  Speaker 1: too if you keep fleeping with your cousin. Thank you, mama.
• 1:05:38
  Speaker 1: I don't know we helped. Hello. Hello, who's this Hi?
• 1:05:41
  Speaker 1: My name was Densia. Good morning and v come on in, Charlomagne,
• 1:05:44
  Speaker 1: Good morning, good morning. What's your question for c? And
• 1:05:46
  Speaker 1: my question is primarily for Charlomagne. Charlottagne, I too, am
• 1:05:50
  Speaker 1: from Charleston. Love your books. Can't wait for your new
• 1:05:52
  Speaker 1: books to come out. Thank you? Eight four three? What's happening?
• 1:05:55
  Speaker 1: Said hey Charlomagne. Um, I primarily wanted to know. I
• 1:05:59
  Speaker 1: wrote a book my self. I'm twenty two, pretty young,
• 1:06:02
  Speaker 1: so I'm not really familiar with how to publish. Is
• 1:06:05
  Speaker 1: it better to self publish or is it better to
• 1:06:08
  Speaker 1: go through a publishing agency? Well, I have a publishing agency.
• 1:06:12
  Speaker 1: I'm with Touchdown Seaman the Shoes too, But I don't
• 1:06:14
  Speaker 1: see any problem with self publishing either. I think self
• 1:06:16
  Speaker 1: publishing is dope. I buy a lot of books from
• 1:06:18
  Speaker 1: people who actually self published. I mean, you know you
• 1:06:21
  Speaker 1: got Amazon right there. You can, you know, press up
• 1:06:24
  Speaker 1: as many copies as you can afford to press up
• 1:06:26
  Speaker 1: and put them up on Amazon. Do you see what happens?
• 1:06:29
  Speaker 1: Don't you send a book up and let us read
• 1:06:31
  Speaker 1: it and shout you out? Oh? Really? I only have
• 1:06:33
  Speaker 1: like the paper version, paperback version of all paperback. Sorry, yeah,
• 1:06:38
  Speaker 1: I primarily wrote it. It's done. I just don't know
• 1:06:42
  Speaker 1: where to go from here. It took me about a
• 1:06:43
  Speaker 1: year to write pretty much. Was talking about is it
• 1:06:46
  Speaker 1: on paper like loose leaf paper or is it in
• 1:06:49
  Speaker 1: book form? M I have it in book form on
• 1:06:51
  Speaker 1: my iPhone. I mean you could try both that. You
• 1:06:53
  Speaker 1: can try to shop it to a publisher. If a
• 1:06:55
  Speaker 1: publisher doesn't want it, then you put it out yourself
• 1:06:56
  Speaker 1: on Amazon. Send it up here, mama, we're reading, shout
• 1:06:59
  Speaker 1: it out? Hello, who's that flying to people? Good morning?
• 1:07:02
  Speaker 1: Good morning? What's your name? Amous? Another anonymous? An anonymous?
• 1:07:06
  Speaker 1: What you got her? Bees? Chlamydia? Stop it? What's your question? Mama?
• 1:07:09
  Speaker 1: Everybody in my townis is the Irradian basis so I'm like,
• 1:07:13
  Speaker 1: let me just keep it anonymous. What's your question, you
• 1:07:16
  Speaker 1: guys doing? My question is okay. So I have two
• 1:07:19
  Speaker 1: children by two different men and project twins. My youngest
• 1:07:29
  Speaker 1: father is a dead beat. However, my oldest is dad.
• 1:07:32
  Speaker 1: You know, he saw me and he feels as though,
• 1:07:35
  Speaker 1: you know, this is his son's sister. He stepped in
• 1:07:38
  Speaker 1: and he plays that role in my child's life. Now,
• 1:07:41
  Speaker 1: three years later, her father want to come into picture,
• 1:07:45
  Speaker 1: and she has such a great connection as she's very
• 1:07:48
  Speaker 1: attached to my son's father. I don't know if I
• 1:07:50
  Speaker 1: should let him in because he's full of disappointments and
• 1:07:54
  Speaker 1: he'd been in the same building with her before and
• 1:07:56
  Speaker 1: didn't acknowledge her in public. So why should I at you?
• 1:08:00
  Speaker 1: And now I don't think you have a choice. I don't.
• 1:08:02
  Speaker 1: I don't think you have a choice. I think if
• 1:08:04
  Speaker 1: he's the real daddy, can't he come and see his daughter.
• 1:08:07
  Speaker 1: He lives four minutes away and she hasn't seen him
• 1:08:10
  Speaker 1: in almost two years. Yeah, I would say it's never
• 1:08:13
  Speaker 1: too late, man, But I mean, if he's not really
• 1:08:15
  Speaker 1: making a he's not making a real effort to being
• 1:08:17
  Speaker 1: a child's life, and if he ain't got no money.
• 1:08:19
  Speaker 1: Why I confuse the poor kids about the money with you?
• 1:08:22
  Speaker 1: You know what I'm saying? Why I confuse the poor kids? Still?
• 1:08:24
  Speaker 1: He might be want to change. You always talk about
• 1:08:25
  Speaker 1: people changing. Maybe this man was the chance she gotta
• 1:08:27
  Speaker 1: father fingure in her life. He called, He's called in
• 1:08:30
  Speaker 1: like every month he calls and say, hey, I want
• 1:08:32
  Speaker 1: to pick her up this weekend and the weekend coming.
• 1:08:35
  Speaker 1: I don't hear from him at all. Oh yeah, Now
• 1:08:37
  Speaker 1: you got to box him out changing them and don't
• 1:08:38
  Speaker 1: even don't even mess with him. I'm gambling now it's
• 1:08:41
  Speaker 1: worth setting. Yeah, why I confuse that poor how you
• 1:08:45
  Speaker 1: know he broke because she just told us he is.
• 1:08:51
  Speaker 1: Oh yeah, don't no no need for that boom Yeah,
• 1:08:54
  Speaker 1: keep that away, Keep that away from your child. Don't
• 1:08:55
  Speaker 1: be confusing your child. You don't want that negativeenity around
• 1:08:57
  Speaker 1: your child. You know, when you pray to God to
• 1:08:59
  Speaker 1: take negative ennity of your life. He's not swinging at spirits.
• 1:09:01
  Speaker 1: He's swinging at people things and broke baby daddies. That's
• 1:09:04
  Speaker 1: the embodiment of that negativity. All right. Huh, she got up,
• 1:09:09
  Speaker 1: She got her a nice father figure that got his
• 1:09:11
  Speaker 1: life together him they have the best relation, and he
• 1:09:14
  Speaker 1: loved he he adores her, and we're not even together.
• 1:09:17
  Speaker 1: So for a man to step in and do that
• 1:09:19
  Speaker 1: for her, I mean, come up only than your other
• 1:09:23
  Speaker 1: baby daddy can do for you at this point and
• 1:09:24
  Speaker 1: pay that ten granted child's body or you. Yeah, that's
• 1:09:26
  Speaker 1: all he gotta do is pay that, and we'll be say, Okay,
• 1:09:29
  Speaker 1: he don't even ever have to ask about her, see her,
• 1:09:31
  Speaker 1: interact with her. Just pay up. That's all, my goodness.
• 1:09:34
  Speaker 1: It's not all about the money, Charlomagne. That's your first thing,
• 1:09:36
  Speaker 1: is he broke It's not about the money, you bird. Well,
• 1:09:39
  Speaker 1: that sounded like some shound advice to me. All right, Well,
• 1:09:42
  Speaker 1: good luck, assy, And if you couldn't get through the
• 1:09:44
  Speaker 1: phone lines to see a lot of you tried, we'll
• 1:09:46
  Speaker 1: do the getting. Don't worry about it. You ain't miss nothing.
• 1:09:48
  Speaker 1: You ain't miss nothing. All right now, when we come back,
• 1:09:51
  Speaker 1: Tyler Perry offer somebody a job, we'll tell you about
• 1:09:53
  Speaker 1: it and keep it locked. It's the breakfast logod morning morning.
• 1:09:56
  Speaker 1: Everybody is DJ Envy and Jela Yee, Charlomagne, the guy.
• 1:09:59
  Speaker 1: We all the breakfast club. Let's get to the rumors.
• 1:10:02
  Speaker 1: Let's talk Jeffrey Owens. This is the rumor report with
• 1:10:09
  Speaker 1: Angela Yee on the Breakfast Club. Well, of course, Jeffrey
• 1:10:14
  Speaker 1: Owens from the Cosby Show. His picture was taken and
• 1:10:16
  Speaker 1: it was plastered all over the place, and people were
• 1:10:19
  Speaker 1: shaming him. Some people were supporting him. That's because he
• 1:10:22
  Speaker 1: stopped acting and I guess was working at Trade As
• 1:10:24
  Speaker 1: Joe's to make some money. Well, he was on Good
• 1:10:26
  Speaker 1: Morning in America and he talked about it. I mean
• 1:10:28
  Speaker 1: I was, I was really devastated, but the period of
• 1:10:32
  Speaker 1: devastation was so short because the responses. My wife and
• 1:10:35
  Speaker 1: I started to read these responses from like literally all
• 1:10:38
  Speaker 1: over the world of support, and fortunately the shame part
• 1:10:43
  Speaker 1: didn't last very long. I'm proud of him. I'm happy
• 1:10:46
  Speaker 1: that he decided to do what he had to do
• 1:10:48
  Speaker 1: as a man. He didn't go to the illegal roundy.
• 1:10:51
  Speaker 1: He went and got a job. What's wrong with that?
• 1:10:53
  Speaker 1: It's only a story because of social media. You do
• 1:10:55
  Speaker 1: realize this. The people who work at Traded Joe's are
• 1:10:58
  Speaker 1: the people who work at Starbucks, the people who you
• 1:11:01
  Speaker 1: know drive public transportation, Those are people that really make
• 1:11:03
  Speaker 1: the world go around, right, Absolutely, you do realize that right,
• 1:11:06
  Speaker 1: and he talks why Traded Joe's. I've been teaching acting
• 1:11:11
  Speaker 1: directing for for thirty plus years, but you know, got
• 1:11:15
  Speaker 1: to a point where you know, it just it just
• 1:11:18
  Speaker 1: didn't add up enough, you know, and you gotta do
• 1:11:20
  Speaker 1: what gotta do. I wanted a job that I could
• 1:11:22
  Speaker 1: have some flexibility, try to stay in the business. I
• 1:11:26
  Speaker 1: didn't advertise that I was at Trader Joe's only, but
• 1:11:29
  Speaker 1: not that I was ashamed of it, but because I
• 1:11:31
  Speaker 1: didn't want the entertainment community to kind of decide, well,
• 1:11:35
  Speaker 1: he's doing that, He's not in you know, he's not
• 1:11:37
  Speaker 1: pursuing acting anymore. America saw obsessed with celebrity that when
• 1:11:40
  Speaker 1: you see a person working a job at a grocery store,
• 1:11:43
  Speaker 1: you talk down upon him just because he was once
• 1:11:46
  Speaker 1: on television. That's why you see so many of these
• 1:11:48
  Speaker 1: rappers don't want to get regular jobs after they didn't
• 1:11:50
  Speaker 1: put out an album or put out his angle. It's
• 1:11:52
  Speaker 1: tough trendy that James would love to get a job
• 1:11:54
  Speaker 1: at Walmart. Ready he got a job. He's doing stuff
• 1:11:56
  Speaker 1: for Complex. Oh my bad, you hate him, man, and
• 1:12:00
  Speaker 1: ching you would love to get a job at Target,
• 1:12:02
  Speaker 1: But y'all shit, shame that man so much that he
• 1:12:04
  Speaker 1: can't Chickney's a personal trainer. All I'm simply saying is,
• 1:12:08
  Speaker 1: don't be afraid to go get a job. Well, Tyler,
• 1:12:10
  Speaker 1: what you got to do to put food on the table.
• 1:12:12
  Speaker 1: Tyler Perry said, he's starting to shoot a new flick
• 1:12:14
  Speaker 1: on the own and he would love if Jeffrey Owens
• 1:12:18
  Speaker 1: came through and be a part of it. So look
• 1:12:19
  Speaker 1: at that job. So whoever came into that store that day,
• 1:12:22
  Speaker 1: you know what I'm saying, took a picture of him,
• 1:12:24
  Speaker 1: trying to shame him. And what God metfoot, what man
• 1:12:28
  Speaker 1: meant for evil, God will turn to good. Okay, Well,
• 1:12:32
  Speaker 1: LaTavia says, I understand Jeffrey Latvia. I'm about to tell
• 1:12:36
  Speaker 1: you LaTavia, you know who you know? LaTavia? Who was
• 1:12:39
  Speaker 1: LaTavia boy from that City's Child. Man, we'll say that
• 1:12:42
  Speaker 1: what LaTavia from the original Destiny Child when it was
• 1:12:45
  Speaker 1: four members, She says, I understand Jeffrey Owens. When I
• 1:12:48
  Speaker 1: was in Destiny Child and I was removed from the group,
• 1:12:51
  Speaker 1: I ended up working at a little record shop I
• 1:12:53
  Speaker 1: think in uh, I guess it's someplace I don't know,
• 1:12:56
  Speaker 1: But she says, people used to come in all the
• 1:12:58
  Speaker 1: time and see if it was really me. I just
• 1:13:00
  Speaker 1: needed to feed my family and survive, so claps for him.
• 1:13:05
  Speaker 1: I saw a funny game for somebody walking that record
• 1:13:07
  Speaker 1: store and ask for the first Destinity Child album with
• 1:13:09
  Speaker 1: you want the cover though, stop it, stop it now,
• 1:13:12
  Speaker 1: Kanye West. He apologized like crazy yesterday. Now let's start
• 1:13:17
  Speaker 1: off with his tweet store and he says, I'm sending
• 1:13:20
  Speaker 1: good energy and love to Drake and family and crew.
• 1:13:24
  Speaker 1: I haven't seen the show in person, but the images
• 1:13:26
  Speaker 1: look incredible online. Understand where the confusion started. Let me
• 1:13:31
  Speaker 1: start by apologizing for stepping on your release date in
• 1:13:33
  Speaker 1: the first place. We are building a bond and working
• 1:13:36
  Speaker 1: on music together, including squashing the issues with Cutty at
• 1:13:40
  Speaker 1: our office. When I put the dates up, I was
• 1:13:42
  Speaker 1: a bit ramped up to do twenty five tweets today.
• 1:13:44
  Speaker 1: TMZ happened shortly after. I have to hop on a plane.
• 1:13:48
  Speaker 1: Now we'll type more when I land. And then he said,
• 1:13:50
  Speaker 1: playing his taxing it for takeoff. Because we spoke about
• 1:13:53
  Speaker 1: doing liftoff for yourself together, I should have given you
• 1:13:55
  Speaker 1: the opportunity for us to do this together before I
• 1:13:58
  Speaker 1: released it. Since we are building as friends and brothers.
• 1:14:02
  Speaker 1: I should have spoken to push you about the Quentin
• 1:14:04
  Speaker 1: Miller bar. There should have been no songs with my
• 1:14:07
  Speaker 1: involvement that had any negative energy towards you. I never
• 1:14:11
  Speaker 1: listened to either this track that followed, but I did
• 1:14:13
  Speaker 1: hear quotes from both songs after they were released. So
• 1:14:16
  Speaker 1: what's the problem? He says. I did not have any
• 1:14:18
  Speaker 1: conversations about your child with Pusha. I don't play with
• 1:14:22
  Speaker 1: the idea of people's children. After I spoke to Wez
• 1:14:24
  Speaker 1: a few years earlier, I understand pushes issues as a man.
• 1:14:28
  Speaker 1: If someone mentions your fiance, men go mask off. I
• 1:14:31
  Speaker 1: done the same myself at times. I love you, I
• 1:14:33
  Speaker 1: love Pusha. We all have admiration for each other's craft. Okay,
• 1:14:37
  Speaker 1: so he apologized to Drake. Cool, what else needs to
• 1:14:40
  Speaker 1: be said? People don't want that though, That's not that's
• 1:14:42
  Speaker 1: the thing. People want bloodshed. They want Drake to keep
• 1:14:45
  Speaker 1: this in Kanye. They want Kanye to respond to Drake.
• 1:14:48
  Speaker 1: They want to push you to keep going on Drake
• 1:14:49
  Speaker 1: like nobody wants peace. Well, Drake's on the new record end.
• 1:14:52
  Speaker 1: He kind of threw a shot at ya. Yeah, three
• 1:14:59
  Speaker 1: fifties roun me lu Lu Lulu shot, which one of
• 1:15:02
  Speaker 1: the three fifties? That's not the ones you have? I
• 1:15:04
  Speaker 1: got desert rats and I got seven hundreds. What's the
• 1:15:06
  Speaker 1: three fifties? What three fifties look like? From three fifties?
• 1:15:08
  Speaker 1: Are the ones I wear all the time? I don't know?
• 1:15:10
  Speaker 1: Just talking about that comfortable one? You don't know. I'm
• 1:15:13
  Speaker 1: gonna show you a picture. Why doesn't Dree want the
• 1:15:16
  Speaker 1: body to wear three fifties around him? It is the ones,
• 1:15:18
  Speaker 1: you know, the comfortable one, they got the ultra I
• 1:15:20
  Speaker 1: never liked those. Yeah, I want to body to wear
• 1:15:23
  Speaker 1: those around me. I understand what he means. And lastly,
• 1:15:26
  Speaker 1: Eminem and Joe Button. Seems like Joe Button's podcast comes
• 1:15:29
  Speaker 1: out today and he has responded to Eminem. But first,
• 1:15:32
  Speaker 1: if you don't know, let's see what Eminem said about
• 1:15:34
  Speaker 1: Joe Button. Somebody tell Pudding before stand me better, fascinating
• 1:15:37
  Speaker 1: behind his body packets tip the closest thing he's had
• 1:15:40
  Speaker 1: to hit, the smacking pictures. WHOA all right? Well? Eminems well,
• 1:15:44
  Speaker 1: Joe Button responds on this podcast that actually just came out,
• 1:15:47
  Speaker 1: and this is what Joe Button had to say. News flash,
• 1:15:50
  Speaker 1: M I heard the album and because I think you
• 1:15:54
  Speaker 1: don't really know all the members that were in the group.
• 1:15:57
  Speaker 1: I don't really think you know our history. Let me
• 1:15:59
  Speaker 1: tell you what Joe Buddon has thought this entire time.
• 1:16:02
  Speaker 1: I've been better than you this entire decade. Can't say
• 1:16:07
  Speaker 1: that back then, But in my rapper brain, I'm a content.
• 1:16:12
  Speaker 1: You gotta say something. You have not said anything for
• 1:16:16
  Speaker 1: the better part of a whole decade. You have rhymed
• 1:16:22
  Speaker 1: a bunch of words. Joe's right about that. From two
• 1:16:25
  Speaker 1: thousand and eight to two thousand and eighteen, I would
• 1:16:27
  Speaker 1: say Joe Budden has a better body of work than
• 1:16:28
  Speaker 1: them and them. I would say that Joe Budden has
• 1:16:31
  Speaker 1: spent better bars than them and them over the past
• 1:16:32
  Speaker 1: ten years, from eight to two thousand eighteen. We're talking
• 1:16:35
  Speaker 1: about from O eight to eight to two. And you're
• 1:16:40
  Speaker 1: not listening to music. You just skimmed through it. If
• 1:16:42
  Speaker 1: you think otherwise. He's been spitting. He's been rapping, even
• 1:16:44
  Speaker 1: though he still owes us a thousand dollars each Joe
• 1:16:46
  Speaker 1: Button has been spitting. That has nothing to do with it,
• 1:16:48
  Speaker 1: But I want my thousand dollars. Yeah, and guess what
• 1:16:51
  Speaker 1: I told y'all last week that if Joe Budden and
• 1:16:53
  Speaker 1: Eminem do engage and two thousand and eighteen, my money
• 1:16:55
  Speaker 1: would be on Joe. But I guess my money would
• 1:16:57
  Speaker 1: be the money that Joe owes me. So I'm gonna
• 1:16:59
  Speaker 1: take that thousand dollars that Joe choose me and put
• 1:17:01
  Speaker 1: it back and put that on Joe when he has
• 1:17:02
  Speaker 1: more to say about Eminem. I live for this type
• 1:17:07
  Speaker 1: of and all of that rapid, he rap lyrical miracle
• 1:17:12
  Speaker 1: bullsh anyone who wanted like that to think they wanted
• 1:17:16
  Speaker 1: with me, I don't think you would fare well. I
• 1:17:21
  Speaker 1: also think it's really corny when retired popped about that
• 1:17:25
  Speaker 1: what they would have could have would have done. So
• 1:17:31
  Speaker 1: I feel like I'm in control of the rules here,
• 1:17:33
  Speaker 1: am I'm backed now you're not so much? I don't.
• 1:17:38
  Speaker 1: I still don't this thing. I gotta call Join ask
• 1:17:39
  Speaker 1: him what he meant by that when he said he's
• 1:17:41
  Speaker 1: back now Eminem not so much. That is not true.
• 1:17:45
  Speaker 1: I don't know what. Because he got Spotify by Revolt
• 1:17:48
  Speaker 1: out of him Ben Eminem has a machine behind him
• 1:17:50
  Speaker 1: whenever he wants to have a machine behind him, and
• 1:17:52
  Speaker 1: Eminem is selling three hundred and fifty thousand records this week.
• 1:17:55
  Speaker 1: And also when referring to eminem, you have to say
• 1:17:57
  Speaker 1: lyrical miracle whip, not just lyrical miracles. All right, lyrical
• 1:18:01
  Speaker 1: miracle whip. When we're refiring the eminem all right, Well
• 1:18:04
  Speaker 1: that is your room a report, all right, up next
• 1:18:06
  Speaker 1: to People's Choice mix. Get your request in right now
• 1:18:08
  Speaker 1: at DJ Envy. I haven't heard a little Duvall in
• 1:18:11
  Speaker 1: a couple of days. I need to get my little
• 1:18:13
  Speaker 1: Duvall on pause, so we're gonna play some little Davaal
• 1:18:15
  Speaker 1: in the mixing your request, whatever you want to hear
• 1:18:17
  Speaker 1: is the Breakfast Club. Good morning,