Latest / Fake Doctors, Real Friends with Zach and Donald / 711: My Princess with Sarah Chalke

Transcript

711: My Princess with Sarah Chalke · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Guys, I'm phrasing, why why don't you have any heat on?
• 0:03
  Speaker 1: I don't have the heat on because we found out
• 0:06
  Speaker 1: that the the house that we bought, it's really old.
• 0:11
  Speaker 1: Built in nineteen seventy nine. That's old for California, not
• 0:15
  Speaker 1: the rest of the earth. Where in California that's old,
• 0:20
  Speaker 1: especially when the hardware that was put in the house
• 0:23
  Speaker 1: is still the hardware. Oh yeah, when twenty dude, when
• 0:30
  Speaker 1: I fixed up my house, I pulled cloth wiring out
• 0:34
  Speaker 1: of the walls. Cloth wiring is like from the thirties,
• 0:38
  Speaker 1: My dude, My dude, the heater is from nineteen seventy
• 0:44
  Speaker 1: nine and was broken. Yeah. Well, didn't you think when
• 0:48
  Speaker 1: you bought in nineteen seventy nine house, you're probably Oh god,
• 0:56
  Speaker 1: My wife was like, why won't the downstairs heat up? Right?
• 1:00
  Speaker 1: It's a little warm, but it's cold outside, and if
• 1:03
  Speaker 1: you live in Los Angeles right now, you know how
• 1:05
  Speaker 1: cold it is? All right for la Yes, my dude,
• 1:10
  Speaker 1: I have two hoodies on it right now. That's so
• 1:17
  Speaker 1: the HVAC guy comes out, turns it on, goes for
• 1:21
  Speaker 1: a little walk around the house to try and feel
• 1:23
  Speaker 1: the heat. I thought you meant he was so upset
• 1:25
  Speaker 1: at what he saw, he needs to go on the walk,
• 1:28
  Speaker 1: turns it on right, goes around the house, tries to
• 1:30
  Speaker 1: feel the heat, doesn't feel it. Goes to check back
• 1:33
  Speaker 1: on the heater. There's smoke. He's like, what the didn't
• 1:43
  Speaker 1: you don't you didn't you have an inspector that would
• 1:45
  Speaker 1: have looked at this before you. The inspector missed this.
• 1:47
  Speaker 1: I don't know how, but the inspector missed a lot
• 1:49
  Speaker 1: of ship this time around, the inspector. But the inspector.
• 1:53
  Speaker 1: I don't know what the fuck the inspector was doing
• 1:56
  Speaker 1: when inspecting my house, but the inspector missed a lot
• 2:00
  Speaker 1: of shit. Exactly, a lot of shit, well, a lot
• 2:03
  Speaker 1: of shit. Tell that inspector. You should call them and
• 2:05
  Speaker 1: be like, hey, you know, just you know, you missed
• 2:08
  Speaker 1: all of this ship and that's gonna do nothing. No,
• 2:12
  Speaker 1: it might make you feel better to be like, bro,
• 2:15
  Speaker 1: you should have turned the heater on and see that
• 2:17
  Speaker 1: it was smoking a little bit better review and yelled.
• 2:20
  Speaker 1: Not only that it was leaking ozone. There's a little
• 2:23
  Speaker 1: thing called carbon monoxide poisoning, right, well, this is I'm
• 2:29
  Speaker 1: sorry that this has happened to you. He immediately shut
• 2:31
  Speaker 1: off the heat. You're you know, you're yelling. I just
• 2:34
  Speaker 1: want to set I'm upsetting, you know, I just want
• 2:37
  Speaker 1: to I want you to know that we're welcoming our
• 2:39
  Speaker 1: audience in and you're kind of screaming at them. Well,
• 2:42
  Speaker 1: they need to hear this because a microphone, you don't
• 2:45
  Speaker 1: have to yell at a level that they can hear it,
• 2:47
  Speaker 1: you know, across the country to adjust. He's right, you
• 2:51
  Speaker 1: are going to have to adjust to your bad that's
• 2:53
  Speaker 1: on me. Welcome listeners. I apologize, but one of our
• 2:56
  Speaker 1: co hosts is very mad right now. He cut the
• 2:58
  Speaker 1: heat off. Right if it's out the house? Yes, except
• 3:03
  Speaker 1: four my children's room in our bedroom to roam around
• 3:08
  Speaker 1: my house it is so cold. Okay, Well, I'm sure
• 3:12
  Speaker 1: that you're going to buy a new a new heater, right, yes, Zach.
• 3:15
  Speaker 1: Are you gonna live like this? If you can make
• 3:18
  Speaker 1: your kids very double of these? Hey, I have to
• 3:22
  Speaker 1: eat my words, audience. I no, I just want to say,
• 3:27
  Speaker 1: and I should have learned. I should know this lesson
• 3:30
  Speaker 1: because so many great shows that I love do not
• 3:33
  Speaker 1: kick in for a few episodes. Sometimes you're kind of like, Okay,
• 3:38
  Speaker 1: I'm curious, but I want to see more. You've intrigued me.
• 3:42
  Speaker 1: I've seen a lot of love for Shrinking Um for
• 3:45
  Speaker 1: on the on the interwebs. But I got to say,
• 3:47
  Speaker 1: when this goes live, there will be four little up
• 3:49
  Speaker 1: of four that will be up, and episode three and
• 3:52
  Speaker 1: four are really good to check it out. But I
• 3:54
  Speaker 1: continued because of all the love for Last of Us
• 3:58
  Speaker 1: episode three, including from Joel and from so many other
• 4:03
  Speaker 1: people I know, and people on the on Instagram were
• 4:06
  Speaker 1: like wow. And so without any spoilers, I just gonna
• 4:10
  Speaker 1: say that that was a really beautiful episode and I
• 4:12
  Speaker 1: really liked it a lot, and it was an example
• 4:14
  Speaker 1: of how a show about zombies can be about way more. Yeah,
• 4:19
  Speaker 1: it's a show about love, all different types of love.
• 4:22
  Speaker 1: And Joel, I have a question for you because this
• 4:25
  Speaker 1: because I'm not really on I'm not on Twitter or
• 4:27
  Speaker 1: Facebook or TikTokers, you know, Jay date Um. What what
• 4:35
  Speaker 1: was the reaction to it being I'll just say the
• 4:37
  Speaker 1: obvious that's everywhere, that being a gay couple, because it
• 4:40
  Speaker 1: wasn't that way, I assume in the game, and I
• 4:42
  Speaker 1: know that people can get very hostile about these kind
• 4:45
  Speaker 1: of things. How was the reaction on the interwebs I'm
• 4:48
  Speaker 1: going to say, very very very light game spoilers. It's
• 4:52
  Speaker 1: different than the game. In the game, that's hinted that
• 4:56
  Speaker 1: these two are in a relationship and they just went
• 4:59
  Speaker 1: all the way. On the show, yeah, well, and in
• 5:01
  Speaker 1: the game it's so much more tragic. They one of
• 5:05
  Speaker 1: the characters does not decide to change or evolve at all,
• 5:09
  Speaker 1: and it causes the other character to grow resentful and
• 5:13
  Speaker 1: eventually meets his end in a very sad and tragic way,
• 5:19
  Speaker 1: versus here where it's just such a loving story. I
• 5:22
  Speaker 1: think the reactions have been mixed and critically it's a
• 5:25
  Speaker 1: huge success. I think for the queer community it's oh gosh,
• 5:28
  Speaker 1: it's so wonderful. I'll just say this is no spoilers
• 5:31
  Speaker 1: if you know anything about this show, but it's two
• 5:34
  Speaker 1: middle aged men falling for one another and it's really
• 5:38
  Speaker 1: lovely and it's not something we get to see a lot.
• 5:40
  Speaker 1: Some of the gamer bros were upset. I've seen ridiculous
• 5:44
  Speaker 1: comments like, oh, this is a filler episode, or this
• 5:46
  Speaker 1: doesn't push the plot forward. I would say, go back
• 5:50
  Speaker 1: and watch the opening and closing scenes and reflect on
• 5:53
  Speaker 1: what that middle portion is telling you about your two
• 5:55
  Speaker 1: main characters. I think it's very lovely and powerful, and yeah,
• 6:00
  Speaker 1: I just wondered because I know that there's been controversies
• 6:02
  Speaker 1: with the gamer community and thinking that things were becoming
• 6:07
  Speaker 1: woke and all that sort of culture that I that
• 6:10
  Speaker 1: I'm not really I'm not really that savvy on and
• 6:12
  Speaker 1: I know you you are. I just wondered if there
• 6:14
  Speaker 1: was I thought it was so beautiful. I just wondered
• 6:17
  Speaker 1: if how how the web responded. You're saying pretty positively
• 6:20
  Speaker 1: except for obvious exceptions. Yeah, that one small toxic community
• 6:24
  Speaker 1: is upset. But I don't you're called anyway? Gamer bros?
• 6:27
  Speaker 1: Is that what they're called. There is a group of
• 6:30
  Speaker 1: people called gamer bros. I think the gamer bros were
• 6:33
  Speaker 1: mostly excited about this development and change. The toxic bros
• 6:38
  Speaker 1: were less so. But you know, there's a group called
• 6:41
  Speaker 1: the toxic bros. The toxic The internet has a lot
• 6:48
  Speaker 1: of toxic bros. Yeah, just angry dudes who are like, well,
• 6:51
  Speaker 1: why do you have to look at gay people? Get
• 6:54
  Speaker 1: a life? Yeah, we're here. I heard this quote from
• 6:57
  Speaker 1: this writer Seth Godin that really stuck with me social media,
• 7:01
  Speaker 1: and he said, I have no interest reading people day
• 7:04
  Speaker 1: trading their emotions. Oh yes, oh yes, that really landed
• 7:10
  Speaker 1: with me. I was like, wow, that kind of is
• 7:12
  Speaker 1: what what what? So much of the internet is people
• 7:15
  Speaker 1: day trading their emotions facts. That fucking landing with me. Yeah,
• 7:21
  Speaker 1: get off the internet, guys. It's yeah, you know what,
• 7:27
  Speaker 1: I'm gonna be honest with you. The internet is great
• 7:30
  Speaker 1: for shopping. That's really It's like like one and and
• 7:36
  Speaker 1: you know what I mean, like because now even news
• 7:38
  Speaker 1: is like where are you getting your news? You know
• 7:41
  Speaker 1: what I mean, Like, that's the next that's the next.
• 7:43
  Speaker 1: Well I read on the news, Well where are you
• 7:45
  Speaker 1: getting your news? Because everybody wants a different point point
• 7:48
  Speaker 1: of view when it comes. In the spirit of that,
• 7:49
  Speaker 1: I just want to give a shout out to this
• 7:50
  Speaker 1: book I'm reading, which will blow your mind and you
• 7:52
  Speaker 1: guys all have to read it. And if you're a
• 7:54
  Speaker 1: reader out there, or listen to the audio book it's
• 7:57
  Speaker 1: called The Chaos Machine. Um. I heard about it on
• 8:01
  Speaker 1: this a different podcast as The Chaos Machine, The inside
• 8:06
  Speaker 1: story of how social media rewired our minds and our world.
• 8:11
  Speaker 1: It's by Max Fisher. You can get it on audiobook
• 8:13
  Speaker 1: or obviously regular book, but it is blowing my mind
• 8:17
  Speaker 1: and it's something. It's just it's just really really fascinating,
• 8:21
  Speaker 1: and and and about exactly what Donald said about how
• 8:25
  Speaker 1: how the world now consumes news and uh blah blah blah.
• 8:31
  Speaker 1: Were we are. We are your favorite entertainment source when
• 8:36
  Speaker 1: it comes to if you're listening right now, when it
• 8:39
  Speaker 1: comes to news. So I got some news. I finally
• 8:43
  Speaker 1: watched Black Panther too. Oh oh it was not the
• 8:49
  Speaker 1: reveal I was expecting. I want to expecting. I thought away,
• 8:52
  Speaker 1: say Shrinking. Did you watch Shrinking? No? Wow, I even
• 8:55
  Speaker 1: asked you too. I want to watch Shrinking, the movie movie,
• 9:00
  Speaker 1: not Shrinking. That's I like to binge. Man, I don't.
• 9:04
  Speaker 1: That's just how I am. Well, there's four up. You
• 9:06
  Speaker 1: can watch four for goodness thing. But anyway, but then
• 9:08
  Speaker 1: by the time I get to five, I'm gonna be like,
• 9:10
  Speaker 1: come on, man, I need more. A man can only
• 9:15
  Speaker 1: ask no disrespect, No disrespect to mister Harrison Ford, no
• 9:19
  Speaker 1: disrespect to mister Bill Laura. I think they both would
• 9:21
  Speaker 1: feel disrespected. In fact, I'm going to text the word.
• 9:25
  Speaker 1: I'm going to text the word what's funny. It's like,
• 9:28
  Speaker 1: it's so hard to get you to watch something, and
• 9:30
  Speaker 1: I'm like, what if there was a piece of content
• 9:32
  Speaker 1: that was written by one of your favorite writers and
• 9:34
  Speaker 1: stars your favorite actor. You're like nope, So anyway, okay,
• 9:44
  Speaker 1: go ahead with what you did. Watch you watch Black
• 9:46
  Speaker 1: Panther two. Oh my goodness, gracious man. First of all,
• 9:50
  Speaker 1: Michael B. Jordan is growing as a star. And when
• 9:54
  Speaker 1: I say he's grown as a star, he is getting
• 9:56
  Speaker 1: very very good at it, at acting and touching anger
• 10:02
  Speaker 1: emotions like in this movie. For those of you who've
• 10:06
  Speaker 1: seen it, you know, I don't want to give away
• 10:07
  Speaker 1: any spoilers, but at the time it gets to his part,
• 10:11
  Speaker 1: holy cow, kill Monger was right. Kill Monger was right.
• 10:16
  Speaker 1: That's all I'm gonna say. Alert Daniel is our special
• 10:22
  Speaker 1: guest for the audience. Here. Our special guest is in
• 10:25
  Speaker 1: the waiting room. Okay, let's bring her in audience. This
• 10:28
  Speaker 1: is the finale of season seven. And by the way,
• 10:31
  Speaker 1: some trivia for you guys. I don't know if you
• 10:33
  Speaker 1: even knew this Donald phase on. This is the one
• 10:35
  Speaker 1: hundred and fiftieth one, five zero episode of Scrubs. Wow,
• 10:39
  Speaker 1: I did not know that. I have Luishan five, six, seven,
• 10:42
  Speaker 1: eight before we got anything, right, Okay, Okay, no, don't
• 10:45
  Speaker 1: do it. Do it, and then we'll bring in the
• 10:47
  Speaker 1: special guts seven eight stories about show we made about
• 10:54
  Speaker 1: a bunch of doctor nurses story. So dado around here,
• 11:05
  Speaker 1: yeado around. So welcome everybody to the one hundred and
• 11:15
  Speaker 1: fiftieth episode of Scrubs. It is also the Princess Bride
• 11:19
  Speaker 1: homage episode, and it's also the season seventh finale. Um
• 11:24
  Speaker 1: and we've told you that audiences thought it was a
• 11:27
  Speaker 1: series finale because we didn't know if we were coming back.
• 11:29
  Speaker 1: It was never intended to be that. And gosh, I
• 11:32
  Speaker 1: gotta tell you, I really really really enjoyed it. I
• 11:35
  Speaker 1: don't think i've seen it since, and it's really fun. Well,
• 11:39
  Speaker 1: this episode is definitely one of those episodes that has
• 11:42
  Speaker 1: to happen before Kelso gets eliminated from the hospital, because
• 11:48
  Speaker 1: if it doesn't, it doesn't make sense. Right. So if
• 11:52
  Speaker 1: this start, if this were the season, this is what
• 11:55
  Speaker 1: was This is what's crazy about that the writer strike.
• 11:58
  Speaker 1: It would happen if this were like in the beginning
• 12:00
  Speaker 1: of the series, I mean the beginning of the season,
• 12:02
  Speaker 1: like it was meant to be, right, it would have been,
• 12:06
  Speaker 1: It would have made a lot more sense. But watching
• 12:08
  Speaker 1: it I'm like, wait a second, they almost kissed. Wait
• 12:10
  Speaker 1: a second, this is almost wait, I don't understand what's
• 12:14
  Speaker 1: And then I had to remember, oh, that's right. This
• 12:16
  Speaker 1: is out of whack. But yes, very funny. Yeah, and
• 12:20
  Speaker 1: a lot of money was spent. I gotta be the
• 12:22
  Speaker 1: biggest budget Scrubs episode ever, I think, yeah, easily, so
• 12:28
  Speaker 1: much special effects, just gluing, uh, Judy and I together
• 12:32
  Speaker 1: had to cost most of the budgets that would have
• 12:35
  Speaker 1: been on all of the other end also the monster
• 12:38
  Speaker 1: and the sets and everything. Before we get into it,
• 12:40
  Speaker 1: let's bring in the very special guest, the Princess herself.
• 12:44
  Speaker 1: Everybody all the way from Canada. Nan'll hit the button
• 12:49
  Speaker 1: and let her in. Let's see everyone if she can
• 12:51
  Speaker 1: handle if she can get in without any mess ups.
• 12:54
  Speaker 1: Let's watch Sataray's Daniel. Do I get an A plus?
• 13:09
  Speaker 1: Is it working? Is everything working? You're recording on your phone,
• 13:11
  Speaker 1: your headphones are in, we can hear you. I'm so
• 13:14
  Speaker 1: proud of you. It took seven seasons. It's happening. Yeah.
• 13:21
  Speaker 1: I've had a little bit of anticipatory technological anxiety. Um,
• 13:27
  Speaker 1: I felt like it was time that I did it right.
• 13:29
  Speaker 1: You nailed it. I know. I texted Sarah this morning.
• 13:31
  Speaker 1: I said, hey, just remember it's eleven am, and she said,
• 13:34
  Speaker 1: I'm anxious. It was like eight thirty. She's like, I'm
• 13:36
  Speaker 1: already anxious about being able to get on correctly. I'm
• 13:40
  Speaker 1: worried about the headphones situation. I was driving the kids
• 13:45
  Speaker 1: to school and I was like charging. Everything needs to
• 13:48
  Speaker 1: be charged. The computer needs to be charged, the headphones
• 13:51
  Speaker 1: need to be charged, my brain needs to be charged.
• 13:56
  Speaker 1: I am so proud of you. I'm so proud of you. Sorry,
• 13:58
  Speaker 1: it took seven running out of time, so we really
• 14:01
  Speaker 1: needed you to get there. Zac. There needs to be
• 14:04
  Speaker 1: no insult, no sly remarks. No I'm not. I love
• 14:09
  Speaker 1: you and I'm so happy your dear. And gosh, darn it,
• 14:11
  Speaker 1: are you beautiful in this episode of I mean you're
• 14:14
  Speaker 1: beautiful now on the zoom right now, you are so pretty.
• 14:17
  Speaker 1: I take I couldn't take my eyes off you. You
• 14:20
  Speaker 1: look so stunning in this episode. That is very kind.
• 14:24
  Speaker 1: I feel like I had a good director. Before we
• 14:27
  Speaker 1: get into the episode, let's get into some conversation. Yeah,
• 14:30
  Speaker 1: have you talked to my wife at all? No? Me? No,
• 14:32
  Speaker 1: recent since Firefly Lane. Yes, since Firefly Lane. Has come up.
• 14:37
  Speaker 1: I haven't. I got to see your wife recently a
• 14:39
  Speaker 1: couple months ago. She told me not to tell you,
• 14:42
  Speaker 1: but I'm gonna tell you anyway. She won't watch the
• 14:44
  Speaker 1: second season. She's like, I can't do it. I'm not
• 14:46
  Speaker 1: gonna do it. I'm not gonna do it. I'm not
• 14:49
  Speaker 1: gonna do it. I can't do it because it messes
• 14:51
  Speaker 1: her up too much. Oh, She's like, because yo, dude,
• 14:55
  Speaker 1: at the end of the at the end of the
• 14:56
  Speaker 1: second for people, I'm not gonna spoil it. But at
• 14:59
  Speaker 1: the end of this second season, some unfortunate stuff happens,
• 15:02
  Speaker 1: and you know, this is fears. This is one of
• 15:06
  Speaker 1: Casey's fears. This is a lot of woman's fears. And
• 15:09
  Speaker 1: oh my god, Oh my god, oh my god. When
• 15:12
  Speaker 1: I tell you the breakdown that happened and the hugging
• 15:16
  Speaker 1: that I had to do because it was gudge man,
• 15:22
  Speaker 1: all she could say is gutch, not gutch, not gutch.
• 15:28
  Speaker 1: For those I don't think the audience knows that that's
• 15:31
  Speaker 1: that's one of Sarah and the Casey's nicknames for each other.
• 15:34
  Speaker 1: Good yes, good. It started Um, it started out when
• 15:38
  Speaker 1: I was in high school, and it's sort of a
• 15:39
  Speaker 1: weird long story. It makes no sense, but good, um,
• 15:45
  Speaker 1: isn't gorgeous the beginning it was? It was yeah, sort
• 15:49
  Speaker 1: of a weird, oh weird version of of that. But
• 15:52
  Speaker 1: I um, well, you're welcome for the free hugs you got. Donald.
• 15:56
  Speaker 1: I know, Donald, you should be happy you got. These
• 15:58
  Speaker 1: were sobbing hugs kind of thing. Doesn't like them because
• 16:02
  Speaker 1: he couldn't turn them into sexual Yes, this wasn't the
• 16:04
  Speaker 1: type of hug that turned the kind of hug reverse
• 16:07
  Speaker 1: cow girl. This was the oh my god, ridiculous. Weren't
• 16:17
  Speaker 1: things turning to reverse Colgar? Okay, I'll try and do
• 16:23
  Speaker 1: something next that can be yes, whatever whatever show you
• 16:27
  Speaker 1: do next, Sarah, can you make sure fans in this
• 16:32
  Speaker 1: house we're fan there's some fans in this house. There's
• 16:36
  Speaker 1: some fans in this house. We love you over here,
• 16:46
  Speaker 1: and so anything you do we watch. You know this.
• 16:50
  Speaker 1: I love you guys. And that has been fun about
• 16:51
  Speaker 1: like finally being able to like fly and travel again
• 16:54
  Speaker 1: over the past a little bit. As I've got to
• 16:55
  Speaker 1: see you guys. I think we're wearing the same sweatshirt, Bran,
• 16:58
  Speaker 1: are you wearing Aviator Nation? The shirt is oh my god,
• 17:03
  Speaker 1: and sweatpants my favorite brand. That's not that's not a sponsor. Guys,
• 17:08
  Speaker 1: I just love them. They're so cozy Aviator Nation. I
• 17:12
  Speaker 1: was talking to a friend of mine who knows someone
• 17:14
  Speaker 1: who works there, and they said it's so soft because
• 17:16
  Speaker 1: they washed it twenty times first. So there's why. Oh
• 17:19
  Speaker 1: there you go, so when you get it it's clean. No,
• 17:22
  Speaker 1: it's so actually soft and cozy. On this one called
• 17:27
  Speaker 1: the Ninja that has this front thing. You see it,
• 17:30
  Speaker 1: and I have like it in every color. I don't
• 17:33
  Speaker 1: have that one, Sarah. They might have this in Vancouver.
• 17:35
  Speaker 1: Do you have it in black? You should wear it
• 17:37
  Speaker 1: in black. It's probably best in black. Why, of course,
• 17:40
  Speaker 1: because it's the Ninja. Oh no, I haven't. I have
• 17:44
  Speaker 1: it in all sorts of other collies, Sarah. Let's get
• 17:47
  Speaker 1: into the episode and Donald, it was written by Mark Stegment.
• 17:50
  Speaker 1: It was directed by a young wait breep. Before we
• 17:53
  Speaker 1: get into the episode, should we quickly discuss the other
• 17:56
  Speaker 1: show that we all just watched. Oh, Donald didn't watch it,
• 17:59
  Speaker 1: but I love No we haven't. Um please talk about
• 18:02
  Speaker 1: shrinking because I couldn't get but Joelle, you watched it, right,
• 18:07
  Speaker 1: I watched the first episode. I watched the first episode
• 18:09
  Speaker 1: with us, Stephanie. We haven't watched the other two yet, Okay, Joel,
• 18:12
  Speaker 1: you love it right? I love it a lot that
• 18:14
  Speaker 1: Jessica Williams so good. Sorry, Oh my god. I loved
• 18:20
  Speaker 1: it so fucking much. I would like to sit all
• 18:22
  Speaker 1: day in my house, in my house and just watch
• 18:25
  Speaker 1: it over the episodes. See what I'm saying. I told you,
• 18:28
  Speaker 1: I told you. See shrinking the movie is what I'm
• 18:33
  Speaker 1: talking about. Donald. Just to catch Sara up, Donald is
• 18:38
  Speaker 1: saying he's not gonna wait until you can binge the
• 18:40
  Speaker 1: whole thing. He's not gonna watch till you binge the
• 18:42
  Speaker 1: whole thing. So he's dying on that hill even though
• 18:46
  Speaker 1: it's his favorite movie star and his favorite comedy writer.
• 18:50
  Speaker 1: Is well, what I actually next season still do the
• 18:55
  Speaker 1: same thing. Sorry, Sorry, Sarah, Sarah, I'd be amazing. Denzel
• 19:00
  Speaker 1: came on as a patient to Harrison. Oh my god,
• 19:03
  Speaker 1: all right, go ahead, sorry, make it happened, Bill, Make
• 19:05
  Speaker 1: it happen, Bill, make it happens. Look ahead. I loved
• 19:10
  Speaker 1: it so much. I thought the whole cast was phenomenal,
• 19:14
  Speaker 1: every single one of them. I think it's my favorite
• 19:18
  Speaker 1: thing that Chris has ever done. I thought she told
• 19:21
  Speaker 1: y'all I told y'all. Didn't I tell you? Sarah did
• 19:24
  Speaker 1: not tell me? You? Remember you did tell me? Remember
• 19:28
  Speaker 1: who had dinner? Remember christ Remember what I told you?
• 19:33
  Speaker 1: Did I tell did? I did? I not tell you? Did?
• 19:38
  Speaker 1: Audience here he's standing up and yelling into them, like, um,
• 19:42
  Speaker 1: but he did tell me. If you're confused, audience, I
• 19:45
  Speaker 1: showed Donald my director's cut of episode eight out of context,
• 19:49
  Speaker 1: then filled him in on backstory, and he loved it.
• 19:52
  Speaker 1: And he was like, holy shit, Christa is crushing and
• 19:57
  Speaker 1: that's how he knows that. Okay, sorry, now scrush when
• 20:01
  Speaker 1: she says say it not everyone, here's a fucking idiot
• 20:05
  Speaker 1: at a girl, and like Joel was saying, I mean,
• 20:13
  Speaker 1: Jessica Williams was so good. I mean there was one
• 20:15
  Speaker 1: line where she is talking to Um Harrison and Jason
• 20:20
  Speaker 1: Siegel about Harrison Ford's daughter and she says, uh, you know,
• 20:24
  Speaker 1: tell us about your daughter. He says she lives in Connecticut.
• 20:26
  Speaker 1: And the way she delivers, Wow, it's like she's in
• 20:29
  Speaker 1: the room with Jessica Williams is a real delivery. Was
• 20:34
  Speaker 1: so good. Oh it was. I loved it. I loved
• 20:38
  Speaker 1: everything about it, and I thought, it's like it captures
• 20:40
  Speaker 1: like Bill always does this so well where you're laughing
• 20:43
  Speaker 1: out loud and then all of a sudden you notice
• 20:45
  Speaker 1: is like a tear. Yeah, so there you go. Even
• 20:51
  Speaker 1: Canadians love it. Everybody check it out. It's on Apple.
• 20:55
  Speaker 1: There's four episodes up now, so check it out and
• 20:57
  Speaker 1: you're gonna love it. There's a lot of Scrubs people
• 20:59
  Speaker 1: in it. Yes, like okay, okay, we love you when
• 21:04
  Speaker 1: we love plugging shrinking, but we should get into the
• 21:06
  Speaker 1: television show Scrubs and a very special episode. I have
• 21:11
  Speaker 1: not seen this, as I imagine you guys haven't since
• 21:13
  Speaker 1: uh since it aired. But it's just so fun to
• 21:18
  Speaker 1: watch it, and I had forgotten that it does that.
• 21:21
  Speaker 1: It's so clever in the writing, bouncing back and forth
• 21:24
  Speaker 1: between the hospital and the fantasies, the princess part. That
• 21:27
  Speaker 1: was some of the ways that that was done with
• 21:31
  Speaker 1: the writing and the director, uh did some interesting made
• 21:35
  Speaker 1: some interesting choices. Are you trying to fish for these compliments? No? No, no,
• 21:39
  Speaker 1: I'm trying to just say object because this was probably
• 21:42
  Speaker 1: the highest level. You know, you've gotten probably the biggest
• 21:46
  Speaker 1: Scrubs episodes of directors. I did because Bill Bill trusted me.
• 21:52
  Speaker 1: But it started off with him being competitive and being like,
• 21:54
  Speaker 1: you want to direct, you direct this, and he gave
• 21:56
  Speaker 1: me like that huge one where you go on the
• 21:58
  Speaker 1: Quest for Heather Graham and that was like so hard.
• 22:00
  Speaker 1: And then and then it became like he really liked
• 22:03
  Speaker 1: you know, then we then he really trusted me and
• 22:05
  Speaker 1: he would give me these big ones. Um. But this
• 22:07
  Speaker 1: was I think the biggest one we ever did by far.
• 22:10
  Speaker 1: And then this in the musical. This in the musical,
• 22:12
  Speaker 1: I think this the most cranes. Yeah, I think this
• 22:15
  Speaker 1: wouldn't cost way more than the musical. No, I just
• 22:17
  Speaker 1: meant big in terms of effort put into it, you
• 22:20
  Speaker 1: know what I mean? And money wise, this was definitely
• 22:22
  Speaker 1: the biggest budget one. I'm sure absolutely well, the more money,
• 22:25
  Speaker 1: the bigger the budget, the bigger the scope, and the
• 22:28
  Speaker 1: bigger the scale, right usually right, So I thought the
• 22:31
  Speaker 1: effects for whatever year it was, it must have been,
• 22:33
  Speaker 1: what year was it, joel um whatever, right now it
• 22:36
  Speaker 1: looked really good. I think for for for they looked
• 22:39
  Speaker 1: pretty good for two thousand and eight. The whole episode
• 22:41
  Speaker 1: is great. It's really clever. Man. You nailed it when
• 22:44
  Speaker 1: you said clever. It's really clever. Yeah, so it's an
• 22:48
  Speaker 1: homage the Princess Bride most of you, I'm sure, no,
• 22:51
  Speaker 1: but that's a wonderful movie that we're where a grandfather
• 22:56
  Speaker 1: I believe, is telling a story to h grandson. Um,
• 23:01
  Speaker 1: so we do the same thing with Cox talking to
• 23:05
  Speaker 1: his son and telling him a bedtime story. And so
• 23:08
  Speaker 1: just to set it up, we're in the ICU and uh,
• 23:13
  Speaker 1: Doug says something to Doug's very inappropriate. Doug is very inappropriate.
• 23:20
  Speaker 1: He's you keep wheeling him and all keep wheeling him out. Yes,
• 23:23
  Speaker 1: that's what he says. Was he's wheeling a corpse out
• 23:27
  Speaker 1: in front, in front, in front of an old in
• 23:29
  Speaker 1: front of an old man as he's being pushed into
• 23:32
  Speaker 1: the Yeah, Doug's not very appropriate. I think it's safe
• 23:35
  Speaker 1: to say neither is the Todd. But neither is the Todd. Yes.
• 23:38
  Speaker 1: So then we learned the Turk and Carler are kind
• 23:40
  Speaker 1: of becoming a little bit of a know it all
• 23:42
  Speaker 1: couple now that they got the parent thing dial. They're
• 23:47
  Speaker 1: like they're they're always arm in arm and they're always
• 23:50
  Speaker 1: being know it alls together, and they brags happened Turk
• 23:56
  Speaker 1: Braggs that they stocked up on baby oil, lotion and diapers.
• 24:01
  Speaker 1: Do you feel like that when you're out with your
• 24:03
  Speaker 1: couple of friends, like when you're out with Carrie and
• 24:05
  Speaker 1: Jess or when you're out with me in case, No,
• 24:07
  Speaker 1: But I know nothing, So it's not like I always
• 24:10
  Speaker 1: say it's funny for me, because all I've done is
• 24:12
  Speaker 1: train a dog, So I'm like, I know nothing. The
• 24:14
  Speaker 1: only thing I contribute is this is what worked for
• 24:16
  Speaker 1: my dog. Parents always look at you like you motherfucker.
• 24:24
  Speaker 1: Your dog isn't crying for hours straight at night. But anyway,
• 24:34
  Speaker 1: that Todd said, after Church suggests brags about how they
• 24:37
  Speaker 1: stocked up on baby oil, lotion and the diapers, that
• 24:40
  Speaker 1: Todd says, why is there a party this weekend? And
• 24:44
  Speaker 1: then everyone freezes, Yes, with photod If we didn't move
• 24:48
  Speaker 1: and stayed very quiet, he'd eventually get confused and leave. Now,
• 24:52
  Speaker 1: mind you guys, this is the top surgeon in the hospital. Yes,
• 24:56
  Speaker 1: and he's baffled by us all freezing. He doesn't know
• 24:59
  Speaker 1: what to do. Yes, but but he'll cut you open
• 25:02
  Speaker 1: real right right. Yeah, we all freeze and he doesn't
• 25:09
  Speaker 1: and he doesn't know what He's so baffled that he
• 25:11
  Speaker 1: just walks out, and then Cox continues like, all right,
• 25:14
  Speaker 1: we're back, right, Keith is back? Now, how does this happen?
• 25:19
  Speaker 1: And Kelso's chief again? How does this happen? Thing? The
• 25:24
  Speaker 1: chief thing was an out of order thing, I think
• 25:26
  Speaker 1: related again to the strike and maybe the show ending.
• 25:29
  Speaker 1: So yeah, that is a bit of a fuck up
• 25:32
  Speaker 1: in terms of that's just I know, and this I
• 25:34
  Speaker 1: don't think it was meant to go in this order.
• 25:36
  Speaker 1: But anyway, yeah, so Kelso is back to being chief,
• 25:39
  Speaker 1: even though we know he's not anymore. Um, I thought
• 25:42
  Speaker 1: I saw a funny little with Easter egg. Donald is
• 25:44
  Speaker 1: probably not a really strict but do you as Kelso
• 25:47
  Speaker 1: is yelling at everyone to not work beyond twelve hours?
• 25:51
  Speaker 1: Deontay is in the background. Yes, And do you remember
• 25:55
  Speaker 1: the Deontay story that he he he worked so many
• 25:59
  Speaker 1: hours once he never told the ads that he was
• 26:02
  Speaker 1: still on the clock. No, that was me that did that,
• 26:04
  Speaker 1: bumb but tell, well, tell the story. I just remember
• 26:06
  Speaker 1: that there was a crazy thing about Deontay staying way
• 26:08
  Speaker 1: too many hours and getting paid and maybe he got
• 26:11
  Speaker 1: paid too for it. But I once worked for twenty
• 26:15
  Speaker 1: four hours. Deontay must have rode that way with you, buddy, Yes,
• 26:21
  Speaker 1: because we were working night shoots, but there was two units,
• 26:25
  Speaker 1: and night shoots kind of rolled over into day shoots.
• 26:30
  Speaker 1: And instead of complaining and being like, yo, I've been
• 26:36
  Speaker 1: working for over sixteen hours, I saw the silver lining
• 26:41
  Speaker 1: because some of it was downtime too. I was like,
• 26:44
  Speaker 1: let's see how far I could stretch this out, because
• 26:47
  Speaker 1: I'm now at the point where this check is gonna
• 26:49
  Speaker 1: be massive. So I took a couple of naps in
• 26:56
  Speaker 1: my dressing room and just collected money. But I remember,
• 27:01
  Speaker 1: what do you call it a drifting and in cycling
• 27:03
  Speaker 1: when you're behind the someone. Is that what it's called. Yeah,
• 27:06
  Speaker 1: So Deonte just drifted behind you and collected his version
• 27:09
  Speaker 1: of that check. And I remember, obviously the eighties aren't
• 27:12
  Speaker 1: gonna yell at you, or maybe they did. Maybe Randall
• 27:15
  Speaker 1: yelled at you. Dam Randall, not that he had any
• 27:17
  Speaker 1: footing to stand on because it wasn't your fault, was
• 27:21
  Speaker 1: like this will never ever. He got real freaking like
• 27:27
  Speaker 1: African American movie dramatic, this will never well. All I
• 27:37
  Speaker 1: remember is the eighties yelled at Deonte, and I just
• 27:39
  Speaker 1: thought it was a funny thing because of all people
• 27:42
  Speaker 1: of all the background performers to be in the shot,
• 27:45
  Speaker 1: as Kelso's yelling at everyone to dot dare work over
• 27:48
  Speaker 1: twelve hours. Deonta's in the back nodding his head, which
• 27:56
  Speaker 1: um okay, so uh Ted describes. Is asked to describe
• 28:02
  Speaker 1: what happens in a courtroom and he says that quote
• 28:06
  Speaker 1: the law is wearing black robes and white wigs, and
• 28:11
  Speaker 1: Kelsel says that's england ted the fact that he's a
• 28:16
  Speaker 1: lot of these people are able to hold jobs. And
• 28:26
  Speaker 1: then he's like, are you sure? Yeah? Are you sure? Now?
• 28:31
  Speaker 1: Millian and Keith Sarah, what's happening here? You're alternating between
• 28:34
  Speaker 1: name calling and he's pleased to get back together. Yeah, so,
• 28:40
  Speaker 1: I guess Keith and I had broken up and he's
• 28:44
  Speaker 1: treating me respectfully in the hospital and then he goes
• 28:47
  Speaker 1: outside to sob Yeah, well, I understandably devastated. This is
• 28:52
  Speaker 1: an absolutely well he lost Sarah chalk, I get it now.
• 28:56
  Speaker 1: This is this is Elliott read well both. This is
• 28:59
  Speaker 1: some thing that I must have happened out of order two,
• 29:02
  Speaker 1: I think obviously, because I don't think, well, it happened
• 29:05
  Speaker 1: at the beginning of the season, right, It wouldn't be
• 29:06
  Speaker 1: revising probably wouldn't be revisiting Keith if this wasn't a
• 29:09
  Speaker 1: bit out of order. It happened in the beginning of
• 29:12
  Speaker 1: the season for sure. Yeah you know why? Also Donald, Phazon,
• 29:17
  Speaker 1: because we're talking about the almost kiss that ended season six. Yes, right,
• 29:25
  Speaker 1: and then I guess because of the strike, they just
• 29:26
  Speaker 1: wanted this to be placed where it was finale. I
• 29:30
  Speaker 1: have to ask Bill, um, but it was a do
• 29:33
  Speaker 1: you want to do an ask Bill like the old
• 29:34
  Speaker 1: school days? Joe. Yeah, Bill's busy, Bro, He's so busy,
• 29:38
  Speaker 1: He's so busy. If we're lucky, let's try, Let's try.
• 29:41
  Speaker 1: Let's try. Bill. This is us, Sarah, Donald, Joel and
• 29:46
  Speaker 1: Danal the original three. Can you explain because we're only
• 29:50
  Speaker 1: guessing why the We know it has somebody do with
• 29:54
  Speaker 1: the writers strike, But why is this Princess Bright episode
• 29:58
  Speaker 1: mean to be the last one when chronologically it feels
• 30:01
  Speaker 1: like it was meant to go earlier. Kelso is still
• 30:03
  Speaker 1: the chief of Medicine. We're discussing the kiss that almost
• 30:07
  Speaker 1: happened that ended season six. Where was this intended to go?
• 30:10
  Speaker 1: In the season seven storyline? Hey Zach, Hey Donald, Hey Sarah?
• 30:16
  Speaker 1: Thanks for doing my uh podcast. I appreciate it five six, seven, eight.
• 30:24
  Speaker 1: That better have happened. That stuff still needs to happen. Anyways, Look,
• 30:28
  Speaker 1: I really appreciate the question shrinking. It comes out once
• 30:32
  Speaker 1: a week only, so yeah, we released the first two
• 30:35
  Speaker 1: the first weekend and then one comes out every week.
• 30:40
  Speaker 1: I think it comes out sometimes like Thursday night at
• 30:43
  Speaker 1: midnight East Coast time, but it really comes out Friday
• 30:47
  Speaker 1: side Sunday, and then it's ten episodes, so we'll do
• 30:49
  Speaker 1: it that way. Besides that season seven of Scrubs. Look,
• 30:56
  Speaker 1: here's the scoop. It was a writer's strike and I
• 31:00
  Speaker 1: wasn't allowed to be an editing, and luck we had
• 31:03
  Speaker 1: most of the episodes done that we had finished, and they,
• 31:06
  Speaker 1: you know, I think NBC just figured they were never
• 31:11
  Speaker 1: airing the show again. So that was it. And the
• 31:14
  Speaker 1: closest thing they had to a seasoned finale, you know,
• 31:19
  Speaker 1: or a series finale, was our Princess Bride episode, so
• 31:22
  Speaker 1: they juggled him around. And I was not a fan
• 31:27
  Speaker 1: because it made no sense because Kelso got you know,
• 31:30
  Speaker 1: left his job and then was back and then left again.
• 31:33
  Speaker 1: It was all very weird, but that was a product
• 31:36
  Speaker 1: of the strike. And more importantly though, ABC and Disney
• 31:40
  Speaker 1: was so cool because if you guys remember, they let
• 31:43
  Speaker 1: us pick up the eighth season of the show and
• 31:46
  Speaker 1: it changed networks over to ABC. That mattered to me
• 31:50
  Speaker 1: a lot because we always knew what the finale was,
• 31:53
  Speaker 1: we just did not have it shot when there was
• 31:55
  Speaker 1: a writer strikes season seven. That is all. See you guys,
• 31:59
  Speaker 1: miss you guys, piece out. Thank you Bill for taking
• 32:02
  Speaker 1: the time. We know you're very busy. And no, this
• 32:05
  Speaker 1: is not your podcast, so whatever jokes you made that
• 32:08
  Speaker 1: we're about this being your podcast are not correct. And yes, Bill,
• 32:14
  Speaker 1: I would love to be in the next episode. You've
• 32:19
  Speaker 1: got a lot of balls. Yeah you got. I think
• 32:23
  Speaker 1: when Bill listens to this, the people that are gonna
• 32:25
  Speaker 1: get arcs and shrinking are going to be the ones
• 32:27
  Speaker 1: who are actors and who've watched the show, Sarah, don't
• 32:30
  Speaker 1: you think that's probably the case. I don't think you
• 32:33
  Speaker 1: guys really believe that Bill's gonna put you in the
• 32:35
  Speaker 1: show because you watched it. Um. I think that he
• 32:39
  Speaker 1: would be more inclined to put us on the show
• 32:42
  Speaker 1: that we honor his work. Yeah, I'm gonna watch it.
• 32:51
  Speaker 1: I'm just waiting for yes, we know, we know. I'm
• 32:53
  Speaker 1: just putting it out there. Daniel, what was the genesis
• 32:56
  Speaker 1: of you on or me? Oh? That's Daniel's catchphrase. That's
• 33:00
  Speaker 1: when and how did you about? Where did it come from?
• 33:02
  Speaker 1: Where did it start? How to start? Um? I'm trying
• 33:05
  Speaker 1: to remember. I think I heard it, if I'm being honest,
• 33:07
  Speaker 1: and this is totally pleasing to me. I heard it
• 33:09
  Speaker 1: in a video game and I was like, that's great.
• 33:12
  Speaker 1: I'm with that. Oh, so it's something you use in
• 33:15
  Speaker 1: your real life, not just on um. Honor me? Is
• 33:19
  Speaker 1: something you say in real life. It's his catch phrase.
• 33:22
  Speaker 1: I know, real I know. But Gary Coleman didn't say
• 33:25
  Speaker 1: with chum out willis in his real life. Well, God
• 33:27
  Speaker 1: rest his soul. I don't want to talk to day.
• 33:30
  Speaker 1: But there is a possibility that Gary Coleman might have said,
• 33:33
  Speaker 1: what you're talking about somebody? You think the outside of
• 33:37
  Speaker 1: doing different strokes, there is a do you think do
• 33:41
  Speaker 1: you think say that's what I'm talking about? Ji White?
• 33:44
  Speaker 1: Do you think Julial White in his real life said
• 33:47
  Speaker 1: did I do that? I bet you Julia White after
• 33:50
  Speaker 1: serving somebody on the basketball court and driving by him
• 33:55
  Speaker 1: after the motherfucker was talking all of that ship and
• 33:58
  Speaker 1: laid him. I don't believe when did I That would
• 34:04
  Speaker 1: be amazing. If that we need to have another segment
• 34:08
  Speaker 1: called asked Jalil White, where we should we? You know?
• 34:11
  Speaker 1: For real? Man, I love that brother, like I don't
• 34:14
  Speaker 1: talk about him enough. I talk about du lay a lot.
• 34:16
  Speaker 1: That's another brother that I really really really enjoy having
• 34:19
  Speaker 1: conversation with and talking to. Jalil has if he never
• 34:23
  Speaker 1: watched we would have him on. If you ever watched Scrubs,
• 34:27
  Speaker 1: we could have him on. That would be awesome. He's one.
• 34:29
  Speaker 1: He was actually one of the kings of freaking sitcoms
• 34:33
  Speaker 1: back when I was a kid. You know what I mean?
• 34:35
  Speaker 1: He killed it. I mean, even though you know Racle
• 34:38
  Speaker 1: became sort of a joke, that young man came on
• 34:42
  Speaker 1: that show as a guest not even star, like a
• 34:46
  Speaker 1: supporting guest spot, and then took over the whole fucking show. Yes,
• 34:51
  Speaker 1: absolutely that. Yeah, the show is not about him. It
• 34:57
  Speaker 1: was failing. The show was failing. He came on, the
• 34:59
  Speaker 1: ratings went up, and then the show was like, we
• 35:01
  Speaker 1: gotta get this guy back on the evolution the show
• 35:06
  Speaker 1: right there. Then he became the sitcom version of the
• 35:10
  Speaker 1: guest star. The guest star version that he played is
• 35:13
  Speaker 1: like the evolution of Urkle is, Like he went from
• 35:16
  Speaker 1: becoming like this really really like he was a smart
• 35:19
  Speaker 1: nerd at school who had this crush on Laura to
• 35:22
  Speaker 1: this genius who could create the arkle bot, like yo,
• 35:26
  Speaker 1: for real, man, the evolution of this character up he
• 35:31
  Speaker 1: created a potion that Jacqueline hide potion where there was
• 35:35
  Speaker 1: Stefan and Steven Van was swab and cool and then
• 35:41
  Speaker 1: Jalil plays both of them like masterfully man like dude,
• 35:45
  Speaker 1: this dude, like for real, for real man, I'm gonna
• 35:47
  Speaker 1: give your flowers. Jalil, you're one of my favorites. Menu
• 35:51
  Speaker 1: you kadeem for real, for real. You showed a lot
• 35:54
  Speaker 1: of us when we were coming up how it's done.
• 35:56
  Speaker 1: So if you do listen to fake Doctor's real friends, Jalil,
• 35:59
  Speaker 1: you deserve that for real straight up. Oh there you go.
• 36:02
  Speaker 1: I never there's applause, Daniel unders applause. I got it,
• 36:09
  Speaker 1: all right, that's enough about your little white Um So wait, Zach,
• 36:12
  Speaker 1: what would your catchphrase be? Eagle? Would you say? Um?
• 36:15
  Speaker 1: I guess if j G had a catchphrase, it would
• 36:18
  Speaker 1: probably be eagle, right, Donald, Yeah, Joel. Yeah, I don't
• 36:22
  Speaker 1: know if there's a Donald's is um, that's what I'm
• 36:25
  Speaker 1: talking about. That now, that's what I'm talking Now, that's
• 36:28
  Speaker 1: what I'm talking about. Yours is frick. Yeah, yours is
• 36:31
  Speaker 1: frick double frick with on a stick, frick on a
• 36:34
  Speaker 1: stick with a brick, frick frick on a stick with
• 36:37
  Speaker 1: a brick or maybe janitor. Okay, we're gonna take a
• 36:44
  Speaker 1: break and we come back. We're gonna talk about all
• 36:46
  Speaker 1: the artwork and creativity from our amazing crew that went
• 36:51
  Speaker 1: into making the Princess Bride episode right back for you,
• 37:00
  Speaker 1: and we're bad. I thought we were going to take
• 37:03
  Speaker 1: a break too. I thought we were gonna get chatting
• 37:06
  Speaker 1: hang out on the break. No, No, we don't do that, Sarah.
• 37:09
  Speaker 1: But thanks for revealing that to the audience. Sarah, you
• 37:14
  Speaker 1: thought that we were going to spend the commercial time
• 37:17
  Speaker 1: and chatting like he live. I've a lot of stories
• 37:21
  Speaker 1: for you, guys, Donalds on the laughing let's kid, Sarah,
• 37:27
  Speaker 1: we can talk about what sea but we're gonna see
• 37:33
  Speaker 1: a quote unquote break, but we'll let the audience listen. Okay,
• 37:36
  Speaker 1: we're on a break, Sarah, what's up? Oh are you
• 37:43
  Speaker 1: look great. Um, I don't. Actually, actually usually it is coold.
• 37:51
  Speaker 1: I have a bit of that's where my is this
• 37:53
  Speaker 1: bit frostbite on my face. Tied it a frostbite right here.
• 37:57
  Speaker 1: It was so cold I skip three days in a
• 37:59
  Speaker 1: row and I should have gone in from breaks. Were
• 38:01
  Speaker 1: you a whistler or was it whistler? And it was
• 38:05
  Speaker 1: just like bonkers cold and I was of this chunk
• 38:09
  Speaker 1: of frostbay right here. Why don't you have a mask on?
• 38:13
  Speaker 1: I did? I had like so many layers. Bootstaters were
• 38:16
  Speaker 1: going everything. I'm coming up to Van Groovy in late April.
• 38:21
  Speaker 1: If you want to hang out, hang out. We can't
• 38:25
  Speaker 1: ski because well actually there could be a bit of
• 38:27
  Speaker 1: skiing left. Well, if you happen to be around, we
• 38:29
  Speaker 1: can have dinner and hang out. You're going in April,
• 38:32
  Speaker 1: end of April. I'm going up for a few days
• 38:34
  Speaker 1: to Van Groovy. I do love me some Dan Groovy.
• 38:37
  Speaker 1: Come Donald come end of aprils when it's really pretty
• 38:40
  Speaker 1: up there too, right sir? Oh, it's so it's always pretty.
• 38:44
  Speaker 1: What are you talking about? Well, I don't like known
• 38:46
  Speaker 1: like it's a rain It's a rainforest, bro, It's not
• 38:49
  Speaker 1: a rainforest. It is it is, it is. But when
• 38:54
  Speaker 1: the sun is out at van Groovy, it's it's mazing.
• 38:57
  Speaker 1: There's nothing pretty. That's why it's all so green. Because
• 39:01
  Speaker 1: the rains all the times. You have to put up
• 39:03
  Speaker 1: with the rain. But I like the rain, I guess
• 39:04
  Speaker 1: because I grew up in it. I don't mind. Like
• 39:06
  Speaker 1: you know, when you grow up here, you have to
• 39:08
  Speaker 1: go outside when it's pouring rain. Otherwise you would never
• 39:10
  Speaker 1: leave your house. You just get used to doing everything
• 39:12
  Speaker 1: you always do in the rain. Yeah, well you don't
• 39:16
  Speaker 1: mind it, all right, Sarah, I'm gonna I'm gonna pretend.
• 39:18
  Speaker 1: I'm gonna tell the audience that we're coming back from
• 39:19
  Speaker 1: our pretend break. Now, okay, Now what you're gonna do is, Sara,
• 39:22
  Speaker 1: you're gonna win. Donald, you're gonna say, and we're back, ready,
• 39:26
  Speaker 1: and we're back. You're ready, Sarah, And well let's star
• 39:29
  Speaker 1: Donald and Saray you do it and go alright, audience, audience,
• 39:38
  Speaker 1: I'm so sorry you didn't get to hear that conversation, audience,
• 39:40
  Speaker 1: so that we had during the during our real break,
• 39:44
  Speaker 1: laughed and cried. What we do is we take a
• 39:47
  Speaker 1: We actually take a break. That's the length of the advertisers.
• 39:52
  Speaker 1: I knew it. I knew that's how we did. Wait,
• 39:58
  Speaker 1: you guys, we gotta get into this magical fairytale. So um, okay,
• 40:02
  Speaker 1: well it takes a long time to get into the
• 40:04
  Speaker 1: fairy tale on the show too, Like I knew it
• 40:06
  Speaker 1: was a fairytale episode, and after a while I'm like, yeah,
• 40:09
  Speaker 1: when does it become the fairytale episode? Okay, Well, let's
• 40:11
  Speaker 1: just run through a couple of things that are happening
• 40:13
  Speaker 1: in the real world. Um, Jad says, I tried to
• 40:15
  Speaker 1: kiss her, and he's he's no one's there to see,
• 40:18
  Speaker 1: what the hell face? So he carries it around over
• 40:20
  Speaker 1: to doctor Cox all the way of the doctor's lounge.
• 40:23
  Speaker 1: He's like, what do you want? And you know, we're
• 40:24
  Speaker 1: sending up all the storylines that are going to cross
• 40:26
  Speaker 1: back and forth between the princess world and the hospital world,
• 40:31
  Speaker 1: the most important of which is that Sarah has a patient.
• 40:34
  Speaker 1: Elliott has a patient that she cannot diagnose, and um,
• 40:38
  Speaker 1: there's we should also talk about the interns and how
• 40:41
  Speaker 1: they're playing that game where yes, like jeopardy, Um, you
• 40:46
  Speaker 1: know named the name the diagnosed the patient, right, And
• 40:50
  Speaker 1: Jad's in the room and he and and you know,
• 40:53
  Speaker 1: he's explaining to Cox that like one of them is
• 40:55
  Speaker 1: Wilson's disease, and now other one is like one what
• 41:00
  Speaker 1: was the one that JD knew? I don't remember, but
• 41:02
  Speaker 1: you know they're talking about gloating and JD's like, I
• 41:05
  Speaker 1: don't gloat, and then he guesses one writing he gloats,
• 41:08
  Speaker 1: and then I do this really horrible, what annoying thing
• 41:10
  Speaker 1: is happening? Now? Yeah? And I do this really horrible
• 41:13
  Speaker 1: accent attempted because you're supposed to do it in a
• 41:16
  Speaker 1: foreign accent, and I do a version of like a
• 41:19
  Speaker 1: horrible Australian accent. Throw another shrimp on the bobby and
• 41:22
  Speaker 1: I'm like, wait, that's Irish. So JD is not very
• 41:26
  Speaker 1: good with accents. We established, and then we also get
• 41:29
  Speaker 1: the Jordan and Cox's nanny's mom died, so Jordan has
• 41:34
  Speaker 1: been having to spend time with her child because she's
• 41:37
  Speaker 1: been trying to avoid talking to the nanny at all
• 41:41
  Speaker 1: costs and comforting her. So Perry thus starts to tell
• 41:48
  Speaker 1: a story and it cuts from He starts talking about
• 41:52
  Speaker 1: the hospital and it shows me in a yellow Cando
• 41:55
  Speaker 1: hat and I say this, this hat make me look
• 41:57
  Speaker 1: fly and then she says, no known hospital story. It's
• 42:01
  Speaker 1: a real fairy tale. And so then it cuts to uh, Donald,
• 42:05
  Speaker 1: and excuse me, Turk and Carla are Turla? Which is
• 42:09
  Speaker 1: that have been fused together at marriage? Yes, Sarah is
• 42:13
  Speaker 1: a gorgeous princess. Yea. And JD is the fool and
• 42:19
  Speaker 1: he an idiot and he said, and he's got the
• 42:22
  Speaker 1: bells fool thing on his head, and he goes, does
• 42:24
  Speaker 1: this hat make me look fly using? It jingles when
• 42:29
  Speaker 1: I shake it? And that's I have a question. Yeah,
• 42:33
  Speaker 1: is if in like medieval language like an apostrophe, then
• 42:37
  Speaker 1: because wouldn't he have said does this hat make me
• 42:40
  Speaker 1: look fly? It? It jingles when I shake it? Perhaps
• 42:45
  Speaker 1: I don't. I think, Yeah, it's a good stonor question.
• 42:50
  Speaker 1: I'm sure many people that are high listening have the
• 42:52
  Speaker 1: same question. Um, we have to make sure we play
• 42:56
  Speaker 1: to the high audience. So Donald represents you, guys, Well,
• 42:59
  Speaker 1: I've always represented you. I want you to know that, yes,
• 43:01
  Speaker 1: for all seven seasons. If you're a stoner who listens
• 43:04
  Speaker 1: to this Donald's questions, represent you, guys. Was a stoner humor? Yeah,
• 43:13
  Speaker 1: if you're not a smoker, if you're not a smoker.
• 43:16
  Speaker 1: You can still appreciate it. You can appreciate on many levels.
• 43:18
  Speaker 1: Doctors appreciate it, kids could appreciate it. Well, let's not
• 43:22
  Speaker 1: bring kids and well, teenagers. It's a little maybe a
• 43:25
  Speaker 1: little r rated for kids. Kids, thank you. Well, let's
• 43:28
  Speaker 1: say just I know my son's asking if you can
• 43:30
  Speaker 1: watch it, and I'm like, well you, it's sort of
• 43:32
  Speaker 1: like there's no difference between him watching that a lot
• 43:34
  Speaker 1: of the other comedies he's watching. It's just different when
• 43:36
  Speaker 1: it's your mom in a broad underwear. Yeah. I'd about
• 43:41
  Speaker 1: to say, your oldest sir thirteen just turned thirteen. I
• 43:46
  Speaker 1: don't think you should watch it. I don't think you
• 43:48
  Speaker 1: should watch it. He's a teenager. No, but I mean
• 43:51
  Speaker 1: his mind a lot of sex on the show. I said.
• 43:56
  Speaker 1: There's select episodes I said I would through and there
• 44:02
  Speaker 1: like this episode, for example, would be a great one
• 44:04
  Speaker 1: for him to watch. Yes, this one would be. The
• 44:08
  Speaker 1: musical would be a great one from to watch anyone
• 44:11
  Speaker 1: where you're not like, he's gonna be like, my friends
• 44:13
  Speaker 1: keep telling me about all of this other stuff. Though
• 44:16
  Speaker 1: there's a pizza episode. I heard about the clock pizza.
• 44:21
  Speaker 1: There's a pizza clock episode. Mom, what's that about That
• 44:24
  Speaker 1: sounds appropriate? Mama? What's inappropriate about pizza clock? Okay, So
• 44:34
  Speaker 1: I just want to give a shout out to Cabinet McMullen,
• 44:36
  Speaker 1: our production designer, Carrie Bennett, our costume designer, and John Inwood,
• 44:40
  Speaker 1: our cinematographer, because those departments and including hair and makeup,
• 44:46
  Speaker 1: just an extraordinary job with this um. Everybody, all of
• 44:50
  Speaker 1: these costumes you see, many of them carry made these
• 44:54
  Speaker 1: incredible sets of Cabinot built or the big wide shots
• 44:58
  Speaker 1: like in the town square that opens the sequence that
• 45:01
  Speaker 1: was on the Universal back lot, and it wasn't even
• 45:04
  Speaker 1: actually like you know, an old you know, ye old
• 45:07
  Speaker 1: town thing. It was a section of Universal that was
• 45:10
  Speaker 1: not dressed like that. So all of cabin and his
• 45:14
  Speaker 1: team did all of that to make it look like that.
• 45:17
  Speaker 1: M So, just a lot of money and time and
• 45:20
  Speaker 1: love and creativity was put into this episode. Kudos to you,
• 45:23
  Speaker 1: zach Man. You found some really good shots out of
• 45:25
  Speaker 1: all of this stuff. Thank you Phil too, you found
• 45:27
  Speaker 1: some really beautiful shots. The shots with Sam and Neil
• 45:30
  Speaker 1: were amazing walking off intives but they're walking away and
• 45:33
  Speaker 1: the whole camera shaking. Yeah, amazing man, Yeah, thank you,
• 45:38
  Speaker 1: thank you. I put a lot of love into this
• 45:39
  Speaker 1: and and I really haven't seen it in so long,
• 45:41
  Speaker 1: so I was so happy that it held up. And
• 45:44
  Speaker 1: and I remember at the time thinking, oh, I hope
• 45:48
  Speaker 1: these effects are good enough. You know that the sort
• 45:50
  Speaker 1: of NBC budget level effects were good enough. And I
• 45:54
  Speaker 1: think they looked pretty good. This many years later, they
• 45:56
  Speaker 1: looked amazing. And how remind me how you guys shot
• 45:59
  Speaker 1: Turk and Turl? How did you guys shoot that? Again?
• 46:02
  Speaker 1: We had to do a green screen. There was like
• 46:03
  Speaker 1: a dude that looked like Finesse Mitchell. I forget his name,
• 46:07
  Speaker 1: but he looked just like Finesse. Was yeah, he was
• 46:10
  Speaker 1: the body. I thought it was Finesse and I ran
• 46:12
  Speaker 1: up on Finesse. I was like, yo, is that you
• 46:15
  Speaker 1: no anyway? So um, And then I did a green
• 46:20
  Speaker 1: screen and Judy did a green screen just their heads
• 46:23
  Speaker 1: yet but I don't know. I don't know if we
• 46:25
  Speaker 1: ever shot any of the stuff together either. Then a
• 46:28
  Speaker 1: lot of it was shot in the hospital, where it
• 46:31
  Speaker 1: was like we didn't just shoot it in one day. Also,
• 46:33
  Speaker 1: it was like a couple of days too for different things.
• 46:37
  Speaker 1: All their heads were everything with them, and their heads
• 46:40
  Speaker 1: was on green screen and um and the body person
• 46:44
  Speaker 1: being the body probably had a green screen mask. I
• 46:48
  Speaker 1: think I worked two days. You guys were that was
• 46:50
  Speaker 1: my That was That was what I was upset about,
• 46:52
  Speaker 1: because you guys got to be on set and live
• 46:55
  Speaker 1: in this world and stuff like that. And Judy and
• 46:57
  Speaker 1: I were in the hospital where we all worked. Yeah,
• 47:00
  Speaker 1: and all they did was hung a green screen behind
• 47:02
  Speaker 1: us and painted our faces. That I remember that being
• 47:06
  Speaker 1: me being upset about that. Yeah, I get it because
• 47:09
  Speaker 1: this was such a fun adventure. How about Neil as
• 47:11
  Speaker 1: the giant. That's a lot of freaking makeup. I wonder
• 47:16
  Speaker 1: if he liked that. I wonder if he likes sitting
• 47:18
  Speaker 1: in the chair. Well, if it's just for one episode,
• 47:20
  Speaker 1: I'm sure it's fine. If you're won one of those
• 47:22
  Speaker 1: star truck shows and you gotta do that every week,
• 47:24
  Speaker 1: I'm sure it's tough. I'm not gonna say no names,
• 47:27
  Speaker 1: but I had a conversation with somebody who did an
• 47:31
  Speaker 1: episode of a sci fi show where he had to
• 47:35
  Speaker 1: just one episode and he had to wear the prosthetics
• 47:39
  Speaker 1: similar to what Neil did, and he said he would
• 47:42
  Speaker 1: never do the show again. And I was like, but
• 47:43
  Speaker 1: it's so awesome, it's such a great show. He was like, Nope,
• 47:46
  Speaker 1: not if I got to wear that. What about think
• 47:48
  Speaker 1: of like Eddie Murphy in the Clumps when he's playing everybody.
• 47:52
  Speaker 1: I mean, I can't fathom how long I must take,
• 47:55
  Speaker 1: you know what I mean? Yeah? Especially, yeah, No, I
• 47:57
  Speaker 1: don't Jim Carrey in all the times he's done stuff
• 48:01
  Speaker 1: like that like that is so much time in the chair.
• 48:03
  Speaker 1: But wouldn't you want to find out at least at
• 48:06
  Speaker 1: least one time? No, wouldn't you want to try it
• 48:08
  Speaker 1: at least? No? I would have been decide for yourself?
• 48:11
  Speaker 1: Are you kidding me? If if I was on the
• 48:13
  Speaker 1: level that someone would make a Clump style movie with
• 48:16
  Speaker 1: me playing the six parts, it would be a dream.
• 48:19
  Speaker 1: I mean, you'd suffer for your art to do it.
• 48:22
  Speaker 1: But I'm just saying it's Think how I don't know
• 48:26
  Speaker 1: what zone Eddie must go into, but doing that every
• 48:28
  Speaker 1: single morning for months and months and months, you gotta
• 48:32
  Speaker 1: I mean, obviously someone scene has to take more than
• 48:34
  Speaker 1: a week to do, Like a scene, oh dude, those
• 48:37
  Speaker 1: Clumps scenes where he's playing everyone, that probably took a month, right, amazing? Um?
• 48:43
  Speaker 1: But anyway, so Neil looks great. As the giant alone goes,
• 48:46
  Speaker 1: why is this town so dirty? It's well irritable towns
• 48:50
  Speaker 1: woman of color. She accuses him of eating babies and
• 48:56
  Speaker 1: he says, I don't eat babies, I eat toddlers. And
• 49:01
  Speaker 1: then Doug comes up quick on the lips, lifetime on
• 49:06
  Speaker 1: the hips, right. But then Doug, who is the sort
• 49:10
  Speaker 1: of dead body collector who I did not recognize. I
• 49:13
  Speaker 1: was like, who the fuck is that? Yeah, it's like
• 49:16
  Speaker 1: to bring out your dead, bring out your dead thing. Yeah,
• 49:20
  Speaker 1: money python, bring out your dead. He comes up and
• 49:21
  Speaker 1: he's like, I thought you said she'd be dead already,
• 49:24
  Speaker 1: and the janitor says, come back later, do you have
• 49:26
  Speaker 1: any babies? Todd That was cute, And then we meet
• 49:35
  Speaker 1: the village idiot. No, it was it was I don't
• 49:38
  Speaker 1: know the keut's the wrong word. It was funny. Um.
• 49:41
  Speaker 1: Then we meet the village idiot, who is played by JD.
• 49:45
  Speaker 1: Slash Sack Braff and m. He is so enamored with
• 49:49
  Speaker 1: the gorgeous princess and he brings her a fish that
• 49:53
  Speaker 1: he's saved from drowning, and the fish is obviously dead,
• 49:57
  Speaker 1: and he said he's tired now, but earlier he was
• 49:59
  Speaker 1: dance and all around. And then I make like a
• 50:02
  Speaker 1: fish that's brouncing on land because I'm an idiot. That's real.
• 50:06
  Speaker 1: That's probably the most idiotic things. And then we fight
• 50:11
  Speaker 1: ever fantasized in his life, But it's not him fantasizing it.
• 50:16
  Speaker 1: This is all the story through doctor Cox's right, Donald,
• 50:18
  Speaker 1: we must remember that this is all told true Cox
• 50:21
  Speaker 1: his eyes. That's why it's safe to say. He finds
• 50:24
  Speaker 1: Elliott beautiful and not that bothers him. Really, he thinks
• 50:30
  Speaker 1: Jad's the biggest idiot in the world. He thinks that
• 50:32
  Speaker 1: Turk and Carla have become a know it all monolith.
• 50:38
  Speaker 1: What else does he think? He thinks that the janitor
• 50:41
  Speaker 1: is some giant freak. Yeah, and heet like eighteen abs
• 50:46
  Speaker 1: on his armor when Cox comes in, Oh yeah, of
• 50:49
  Speaker 1: course he thinks that. He thinks that he is the
• 50:52
  Speaker 1: most amazing, handsome savior. And night yes, it arrives on
• 50:57
  Speaker 1: a beautiful horse. So um so, Sarah, Elliott and I
• 51:04
  Speaker 1: the Idiot are discussing who's it's too tried to kiss who?
• 51:08
  Speaker 1: Remember this is a pickup from end of season six
• 51:10
  Speaker 1: when we almost kissed It was your royal tongue that
• 51:14
  Speaker 1: tried to store my mouthcastle, Castle. That's funny. I believe
• 51:21
  Speaker 1: it was your royal tongue trying to storm my mouthcastle.
• 51:31
  Speaker 1: So funny. And then she's yelling at me and she's
• 51:35
  Speaker 1: she says something about her bosoms moving up and down.
• 51:39
  Speaker 1: There's a lot of bosom talk in this episode, man,
• 51:41
  Speaker 1: a lot of Like bosoms are a part of a
• 51:45
  Speaker 1: good fairy tale, right, a hefty bosom. I have to listen.
• 51:50
  Speaker 1: All I know is Turk rubs on his wife's bosom.
• 51:54
  Speaker 1: That was so funny. But you know what I guess,
• 51:57
  Speaker 1: because it's his wife, It's okay. I don't no, man,
• 52:00
  Speaker 1: Like I've seen that meme that's out there right now
• 52:04
  Speaker 1: where the women are doing what the husbands do to
• 52:07
  Speaker 1: them when they're like bent over and you know, standing
• 52:10
  Speaker 1: in the mirror and stuff. Have you seen this meme? No,
• 52:14
  Speaker 1: So I'm a perpetrator of this. I have when my
• 52:19
  Speaker 1: wife is you know, looking in the mirror, brushing her teeth,
• 52:23
  Speaker 1: come behind her and fondled her, or when she's bent over,
• 52:27
  Speaker 1: pretended to hump on her or something like that, or
• 52:30
  Speaker 1: step my finger in her butt, you know what I mean.
• 52:32
  Speaker 1: Like I've done stuff like this to her. There's a
• 52:35
  Speaker 1: meme out of wives doing that to their husbands now
• 52:40
  Speaker 1: and their husbands not appreciating it at all the pending. No,
• 52:47
  Speaker 1: they're doing it for real. They're setting up the camera
• 52:49
  Speaker 1: and the husband is freaking washing the dishes, and the
• 52:51
  Speaker 1: wife will come behind them and rub on his chest
• 52:53
  Speaker 1: and I'm like, don't do that to me. Come on,
• 52:56
  Speaker 1: you know, like pissed off, Like it's really cute. But
• 53:00
  Speaker 1: and I do that all the time. That's what it
• 53:01
  Speaker 1: sounds like. When Turk rubs on Carla's well, he grabs
• 53:07
  Speaker 1: Carla's breast and it's their breast. It's it's actually their breastplates, turlos.
• 53:13
  Speaker 1: He grabs Turlo's shared breastplate. Now on her side, there's
• 53:17
  Speaker 1: a metal breast on his side. It's just a hectoral. Yes.
• 53:22
  Speaker 1: But while he's rubbing, and he goes that's what I'm
• 53:25
  Speaker 1: talking about catchphrase and he uses a friend. Um. It
• 53:31
  Speaker 1: was very funny. When Keith arrives on horsebackers the key
• 53:36
  Speaker 1: to the chassis belt. Now you don't mind, I'd like
• 53:39
  Speaker 1: to get the key back to my chest. Did he built?
• 53:41
  Speaker 1: And then this is going to make so many things
• 53:44
  Speaker 1: so much easier. Yeah, And then we see the chassis
• 53:46
  Speaker 1: belt drop to the ground because poor princess has been
• 53:50
  Speaker 1: living with that on. It was steaming. It wasn't steaming.
• 53:56
  Speaker 1: It may have been steaming because it was cold and
• 53:58
  Speaker 1: it was metal. I don't Wasn't it so hot when
• 54:02
  Speaker 1: we filmed the memory correct? Was it so boiling hot
• 54:06
  Speaker 1: and we were in all those layers? I feel like
• 54:07
  Speaker 1: it was very hot. I don't remember. I don't remember.
• 54:10
  Speaker 1: That's probably true. How funny is it when Travis arrives
• 54:14
  Speaker 1: in that big He is so funny. He's so funny
• 54:20
  Speaker 1: in that. I laughed out loud when he comes up.
• 54:24
  Speaker 1: It's like, Um, what's that character in Shrek that has
• 54:28
  Speaker 1: that hair cut? Yeah? Yeah, yeah, yeah, He's like he's
• 54:33
  Speaker 1: got that hair By the way, I wanted Puss. What
• 54:35
  Speaker 1: about Prince Charming in part two? Though? What was that
• 54:37
  Speaker 1: same thing? Right? Who was just Prince Charming? But yeah,
• 54:40
  Speaker 1: they had a similar cut. I watched Puts Some Boots
• 54:42
  Speaker 1: two because flows in it and she's Goldilocks. It's really good.
• 54:45
  Speaker 1: I don't know if you guys have all watched it,
• 54:47
  Speaker 1: but it's so well done. We saw it in the
• 54:49
  Speaker 1: movie theater. Have you seen it, Joel? I haven't seen
• 54:52
  Speaker 1: it yet, but I've heard lovely things everything about It's amazing.
• 54:57
  Speaker 1: The script and the story is so clever. But I
• 55:00
  Speaker 1: think it'll be scared to some kids, though your kids
• 55:03
  Speaker 1: scared all No, my kids weren't scared of it at all.
• 55:05
  Speaker 1: Actually they you know, we it's a cartoon. I can
• 55:11
  Speaker 1: explain that jump scares are something that's new for them.
• 55:14
  Speaker 1: Though Roadblocks and they're jump scares are a problem because
• 55:20
  Speaker 1: some of the games that are on Roadblocks. Listen, guys,
• 55:24
  Speaker 1: I love you because you take my kid away from
• 55:26
  Speaker 1: me sometimes when I just want to fucking do shit.
• 55:28
  Speaker 1: But this fucking him waking up in the middle of
• 55:32
  Speaker 1: the night because of these jump scares or because of
• 55:34
  Speaker 1: this stuff on this game is not all right with me.
• 55:36
  Speaker 1: So you know what I mean? Like, do adults play Roadblocks?
• 55:40
  Speaker 1: I don't know what it is. Absolutely adults play Roadblocks.
• 55:44
  Speaker 1: Anybody can play Roadblocks. It's it's one of those games
• 55:46
  Speaker 1: where you can do anything. It's like mine. Do you
• 55:48
  Speaker 1: ever twitch on robot for me? Stright? My kids love it.
• 55:55
  Speaker 1: Your kids love it. They love it? Okay, all right,
• 56:00
  Speaker 1: So Turlo, we talked about that. Now we also know
• 56:04
  Speaker 1: that Turla is having their time of the month, and
• 56:08
  Speaker 1: Turk of Turlo says, our time of the month. Is
• 56:12
  Speaker 1: that why I keep crying for no reason? I didn't
• 56:15
  Speaker 1: ask for this. So Turkey's having his period. Okay, we're
• 56:29
  Speaker 1: back on. We realized that Jade's hair is a combination
• 56:33
  Speaker 1: of horse maneuver, river mud and more horse maneuver. Now,
• 56:36
  Speaker 1: but I want to go back to I want to
• 56:39
  Speaker 1: go back to what he said to the princess when
• 56:43
  Speaker 1: she said something about her boobs. Oh, yes, yes, I
• 56:49
  Speaker 1: want to rest my face on them, and what you said.
• 56:55
  Speaker 1: She says, I'm breathing, and he goes, right, right, right,
• 56:57
  Speaker 1: that's what he says about her boobs going up and down. Right,
• 57:01
  Speaker 1: But then your boobs were going up and down. Yeah,
• 57:03
  Speaker 1: I'm breathing, and he goes, I know, can I rest
• 57:05
  Speaker 1: my face upon them and ponder what you've said? Everybody
• 57:13
  Speaker 1: loves boobs. Donalds a lot of boob jokes. Sasha is
• 57:18
  Speaker 1: a mule, Yes, Sasha is a donkey or an ass
• 57:22
  Speaker 1: or a mule. And the makeup on Ted who's a hunchback,
• 57:32
  Speaker 1: that was incredible. Oh my god, John, oh my god.
• 57:36
  Speaker 1: He looked amazing. And Sam Lloyd is just so great
• 57:40
  Speaker 1: in this episode. He's always great and he says, my
• 57:43
  Speaker 1: master approaches preferre prepare for his untamed vengeance. And there
• 57:49
  Speaker 1: we meet Ozlek, who's obviously Kelso spelled backwards and he
• 57:54
  Speaker 1: is the evil what is he? A wizard? I guess?
• 57:58
  Speaker 1: So with the power? Did you ever see um, did
• 58:03
  Speaker 1: you ever see Who's the movie when Mark Zinger back
• 58:05
  Speaker 1: in the day where he was the Beast the Beast Master.
• 58:07
  Speaker 1: Did you ever see that? Okay, so in the Beast Master.
• 58:12
  Speaker 1: For those of you who did see that, and do
• 58:13
  Speaker 1: remember it. Remember the guys that would freaking wrap you
• 58:17
  Speaker 1: around you with the cloak on, and then when they
• 58:20
  Speaker 1: and then freaking they would kill you and devour you.
• 58:22
  Speaker 1: And then then when they removed the cloak from around you,
• 58:25
  Speaker 1: you were dead. You were like bones and stuff like that.
• 58:27
  Speaker 1: That's the power that Kelso's wizard. That's his wizard power.
• 58:31
  Speaker 1: Like he can can appear out of nowhere, and that's
• 58:34
  Speaker 1: his freaking power. He's like got the freaking cloak of
• 58:38
  Speaker 1: darkness and it takes you to this realm and all
• 58:40
  Speaker 1: of that stuff. That was pretty cool. Like there's a
• 58:42
  Speaker 1: lot of listen, as much as you want to say,
• 58:46
  Speaker 1: this is, you know, just a great, great written comedy.
• 58:50
  Speaker 1: There's a lot of of dungeons and dragons and backstory
• 58:54
  Speaker 1: put into this. So maino Marshes is princess probably, but
• 59:01
  Speaker 1: of course it's fairy tales in general. And I guess
• 59:03
  Speaker 1: you said you would say dungeons and dragons and stuff
• 59:05
  Speaker 1: like that, But kudos to the writers, aren't this because
• 59:08
  Speaker 1: that turns into a great joke. Like the question was,
• 59:11
  Speaker 1: where does everybody go when Kim's character wraps them up
• 59:13
  Speaker 1: and kills them? And what happens there? Like what what?
• 59:16
  Speaker 1: What is this power? And when he does it to
• 59:20
  Speaker 1: j D and Sarah it's really you know, it's like, oh,
• 59:22
  Speaker 1: is that how they're going to end this episode? That's
• 59:24
  Speaker 1: that's kind of a you know what I mean, because
• 59:26
  Speaker 1: there's no end in sight. We're all. I mean, it's
• 59:28
  Speaker 1: in the same as episode. It's amazing what he packed
• 59:31
  Speaker 1: into this episode. It's twenty two minutes long. I think,
• 59:33
  Speaker 1: how much happens in this episode, so the longer episode.
• 59:36
  Speaker 1: As I was watching it and then I checked the time,
• 59:38
  Speaker 1: and I was surprised. I was like, We've been a
• 59:40
  Speaker 1: lot of places. It's so there's so much packed in. Yeah,
• 59:44
  Speaker 1: it's twenty two minutes. It really let's segment. But also
• 59:49
  Speaker 1: whoever directed it really brought it, really brought it. Who
• 59:54
  Speaker 1: did actually this episode it's one of the best. Are
• 59:56
  Speaker 1: you being facetious? I'm not being facetious. I'm trying to
• 1:00:00
  Speaker 1: do Sorry, are you being facetious? Do you not know
• 1:00:02
  Speaker 1: who directed this episode of Chris? I know that it's
• 1:00:04
  Speaker 1: one of the best episodes we have. Are such a
• 1:00:06
  Speaker 1: good You're such a good actress. But ladies and gentlemen,
• 1:00:09
  Speaker 1: that's what that's how good an actress? Sorry, Sarah who
• 1:00:11
  Speaker 1: directed this episode, Zachary Israel Breath. I was hoping you'd
• 1:00:16
  Speaker 1: say somebody else, but yes, thank you, well, thank you.
• 1:00:21
  Speaker 1: So then we start doing this really cool. Then then
• 1:00:24
  Speaker 1: it really starts finding a flow of cutting back and
• 1:00:27
  Speaker 1: forth to the hospital and the fairy tale. And Kelso
• 1:00:32
  Speaker 1: has this thing, as we said that if you work
• 1:00:33
  Speaker 1: twelve hours, you're out, you're fired. Doug gets caught working
• 1:00:36
  Speaker 1: more than twelve hours. So he's just left a body
• 1:00:38
  Speaker 1: bag in the elevator and the door is closing on it,
• 1:00:42
  Speaker 1: and uh and and and and Kelso makes uh Ted
• 1:00:48
  Speaker 1: grab it, and Ted cracks his back and now he's
• 1:00:51
  Speaker 1: cleverly stuck in the position of the hunchback that he
• 1:00:54
  Speaker 1: plays in the fantasy. And now Turlok go into the
• 1:01:01
  Speaker 1: potion shop where we meet Fairy Todd Something. Oh my god,
• 1:01:08
  Speaker 1: that outfit is so now did they put him on yeah? Yeah,
• 1:01:14
  Speaker 1: is he sitting on something? No? No, he's on a
• 1:01:16
  Speaker 1: green screen in a full harness, like like people who
• 1:01:19
  Speaker 1: fly in movies. They didn't shrink him and make him fly. No,
• 1:01:23
  Speaker 1: we don't have that technology yet, Sarah. Um. No, So
• 1:01:26
  Speaker 1: we were truly hanging him by the you know, like
• 1:01:29
  Speaker 1: the he had. What they do is they put an
• 1:01:31
  Speaker 1: undervest on and they click in hanging cables to your shoulders.
• 1:01:37
  Speaker 1: So that's how he or maybe his waist. Um, that's why.
• 1:01:41
  Speaker 1: That's how he's And then we m you know, put
• 1:01:43
  Speaker 1: him on a green screen and put him into the scene.
• 1:01:45
  Speaker 1: And that's how you make a sprite? Is that what
• 1:01:49
  Speaker 1: he is? Well, the other kids later are what do
• 1:01:52
  Speaker 1: they call him? Would there wood nymphs? So I guess
• 1:01:54
  Speaker 1: he's a sprite? Is that what that is? Let's tinker Bell?
• 1:01:57
  Speaker 1: He's whatever, tinker Bell let tak bells a ry. I
• 1:02:00
  Speaker 1: don't know if he was. He calls himself a fairy
• 1:02:02
  Speaker 1: Todd Something right, But he's more like a sprite his power,
• 1:02:07
  Speaker 1: or more sprightly than like, he's more mischievous than fairy esque,
• 1:02:13
  Speaker 1: you know what I mean, Like at least Shakespeare. You know,
• 1:02:19
  Speaker 1: Puck is a sprite, but he serves the king of
• 1:02:21
  Speaker 1: the fairies. So yeah, but he's but Puck is full sized.
• 1:02:25
  Speaker 1: I thought fairies were tiny. I don't know for interpretation.
• 1:02:34
  Speaker 1: Um so turk led length the idiot JD the wand
• 1:02:39
  Speaker 1: and he uses it and gives himself a tail. Why
• 1:02:42
  Speaker 1: would like, you know what, listen to play with it
• 1:02:51
  Speaker 1: just for a little bit, but don't do nothun stupid.
• 1:02:53
  Speaker 1: Just because he's Turtler, Just because he's Turtla doesn't mean
• 1:02:57
  Speaker 1: that he doesn't love the JD. But Carla's there was
• 1:03:03
  Speaker 1: there when it happened. Well, you know, he slipped it.
• 1:03:05
  Speaker 1: You know, he's like, here, are gonna go in the
• 1:03:09
  Speaker 1: potion shop while Carlo's not looking. Hold on wand. By
• 1:03:17
  Speaker 1: the way, I was on I did Conan O'Brien's podcast,
• 1:03:20
  Speaker 1: um Audience checked that out. I think it comes out.
• 1:03:23
  Speaker 1: It comes out the week that my film comes out,
• 1:03:25
  Speaker 1: which is the twenty fourth I think of March. I
• 1:03:28
  Speaker 1: think it comes out of the twentieth or so. But Conan,
• 1:03:31
  Speaker 1: my point is, was so lovely about the show our
• 1:03:36
  Speaker 1: scrubs and loving it, but also specifically Donald about our
• 1:03:39
  Speaker 1: our friendship. And he really was very earnest. He wasn't
• 1:03:42
  Speaker 1: doing any sort of bit or anything. He was just
• 1:03:43
  Speaker 1: I just he was like, I'm just so he goes
• 1:03:46
  Speaker 1: I love those commercials of the team of commercials, and
• 1:03:48
  Speaker 1: he was like, I gotta be honest. I'm not being
• 1:03:49
  Speaker 1: like this is gonna sound cheesy, but that love actually spoof.
• 1:03:53
  Speaker 1: Every time I came on, I found it kind of moving.
• 1:03:55
  Speaker 1: I thought it was like so sweet and anyway, he
• 1:04:00
  Speaker 1: gave us lots of love love it was. It was Sarah,
• 1:04:04
  Speaker 1: no offense. It was specifically really about me and Donald
• 1:04:06
  Speaker 1: and in our promance it's it's I. I was completely
• 1:04:10
  Speaker 1: um aware of that. It's fine, not none taken, none taken,
• 1:04:15
  Speaker 1: note taken Conan. I'm sure that Conan loves you, but
• 1:04:17
  Speaker 1: he in this instance, he was specifically talking about, well,
• 1:04:21
  Speaker 1: I agree with Conan on this one. You should see
• 1:04:22
  Speaker 1: his podcast set up. Oh my goodness, Daniel, he shamed
• 1:04:27
  Speaker 1: you all. All Daniel would need I had if I
• 1:04:32
  Speaker 1: had the freaking he shames you button, that's what it
• 1:04:34
  Speaker 1: would be. Daniel. No, he didn't change the ship. I
• 1:04:38
  Speaker 1: don't think it's just Daniel fa No, it's about budget.
• 1:04:43
  Speaker 1: I think Conen must have the biggest budget in podcast
• 1:04:46
  Speaker 1: world because it was like going into the Howard Stern Show.
• 1:04:49
  Speaker 1: I mean bigger than da No Dax is. When I
• 1:04:52
  Speaker 1: did Dax it was just two chairs above his garage.
• 1:04:56
  Speaker 1: I don't know if it's changed, but this was like
• 1:04:57
  Speaker 1: a full real studio with robotic cameras and like a
• 1:05:02
  Speaker 1: staff of like a talk show sized staff. It was
• 1:05:06
  Speaker 1: the real real Did you have to do a pre interview? No,
• 1:05:10
  Speaker 1: but it was just like budget hashtag budget the dream.
• 1:05:14
  Speaker 1: But I feel like, I mean, don't you guys prefer
• 1:05:16
  Speaker 1: just being like just doing it from your Yeah. I
• 1:05:19
  Speaker 1: don't want to change the thing. I do wish. I
• 1:05:21
  Speaker 1: do wish it's impossible, but I see people that have
• 1:05:25
  Speaker 1: shot their podcast so well, and I wish that we
• 1:05:28
  Speaker 1: had always done that because we could put it on
• 1:05:30
  Speaker 1: YouTube eventually, but we never really got around to that.
• 1:05:32
  Speaker 1: I like what we have. My first question is the
• 1:05:35
  Speaker 1: best time to Planet Apple Orchid was twenty years ago.
• 1:05:37
  Speaker 1: The second best time is today. We have those cameras
• 1:05:39
  Speaker 1: to shoot it. Well, we have well Donald doesn't uses Donald,
• 1:05:43
  Speaker 1: Donald uses his for animation. We doesn't change the fact
• 1:05:47
  Speaker 1: that we have it. You and Joel aren't doing Joel,
• 1:05:50
  Speaker 1: you're not on your fancy camera. No, I could plug
• 1:05:52
  Speaker 1: it in. It's set up. Well, maybe we'll do it
• 1:05:54
  Speaker 1: for season eight and nine. You guys should, because you're
• 1:05:57
  Speaker 1: gonna do this podcast forever and ever and ever of
• 1:05:59
  Speaker 1: all day. No, we're gonna do it live. Guys. We're
• 1:06:03
  Speaker 1: doing it live. That's what Sarah thinks, that we do
• 1:06:05
  Speaker 1: it live. Then we take ad breaks. Joel's always counting down.
• 1:06:13
  Speaker 1: Adds over three guys, adds over in three two an
• 1:06:17
  Speaker 1: you live. No, but we are going on tour, guys,
• 1:06:19
  Speaker 1: this isn't This is a fact. We are actually going
• 1:06:22
  Speaker 1: on tour. When are you going on tour? We'll have
• 1:06:24
  Speaker 1: to come with us. We're figuring it out. We're going
• 1:06:26
  Speaker 1: with us. Do you want in Vancouver? You must do
• 1:06:28
  Speaker 1: one in Vancouver. I'm not going to leave this conversation.
• 1:06:30
  Speaker 1: So you say you're gonna do one in Vancouver, But
• 1:06:32
  Speaker 1: then if you do it in Vancouver, you have to
• 1:06:34
  Speaker 1: be involved. If we do it in Vancouver, then Sarah
• 1:06:37
  Speaker 1: only does things in Vancouver. Her show was in Vancouver.
• 1:06:43
  Speaker 1: She won't leave, won leave you guys? Is next dinner
• 1:06:46
  Speaker 1: date will be in Vancouver? Yeah, I know that, I am.
• 1:06:51
  Speaker 1: I will know. I know that I will not see
• 1:06:52
  Speaker 1: Sarah unless she happens to be in Vancouver when I'm there.
• 1:06:57
  Speaker 1: That's not true. I've started to come to La sometime. Yeah,
• 1:07:00
  Speaker 1: but you do only hang out with Casey. You don't
• 1:07:02
  Speaker 1: hang out with us. Yeah, you know you long. I
• 1:07:04
  Speaker 1: wouldn't be one time, but you hung out with case
• 1:07:06
  Speaker 1: You hang out with Casey more than you hang out
• 1:07:08
  Speaker 1: with me. Yeah. Feelings are heard. Feelings also find me
• 1:07:13
  Speaker 1: on whistler. Yeah, you got a whistler if you want
• 1:07:16
  Speaker 1: to visit Sarah. Yes, do live, do live and do
• 1:07:19
  Speaker 1: one in Vancouver. When are you going to do your
• 1:07:21
  Speaker 1: life tour? You know yet? TB TBD, TBD. But we're
• 1:07:25
  Speaker 1: working on it right now. I could put I could
• 1:07:27
  Speaker 1: say that it's for sure, aren't It's on it's on Donald's.
• 1:07:31
  Speaker 1: It's on Donald's whiteboard. It's not on a whiteboard. This
• 1:07:33
  Speaker 1: is something that's actually in motion right now. Bro, Well
• 1:07:36
  Speaker 1: you can put it on the whiteboard still so you
• 1:07:38
  Speaker 1: can film that. We will film that. I'm just saying,
• 1:07:40
  Speaker 1: like I watch on you know, I'm sure if you
• 1:07:42
  Speaker 1: guys get these clips on Instagram and your feed that
• 1:07:45
  Speaker 1: are like podcast you know, clips where someone said something
• 1:07:48
  Speaker 1: really cool and you're like, wow, that's a cool quote
• 1:07:51
  Speaker 1: or something. And it was just on a podcast that
• 1:07:53
  Speaker 1: happens to be beautifully shot because it's also going on
• 1:07:56
  Speaker 1: YouTube and like that's the new trend. And there I was,
• 1:08:00
  Speaker 1: and Conan's like very fancy studio with robotic cameras, and
• 1:08:03
  Speaker 1: I'm like, I wish ours looked like this. But also,
• 1:08:05
  Speaker 1: we don't have nine do have it? We have Chico artist, Well,
• 1:08:10
  Speaker 1: you have Chico Artists. Hey, by the way, we haven't
• 1:08:13
  Speaker 1: given her a shout out for how good her video?
• 1:08:15
  Speaker 1: No doubt? Oh snap, Sarah, Now we got Sarah. Yeah,
• 1:08:18
  Speaker 1: Chico artist. Shit, Chico do me, do me, do me?
• 1:08:22
  Speaker 1: Do me? Whoa Sarah? I want to be part of
• 1:08:28
  Speaker 1: Chico Artists art. I know we demanded that she do
• 1:08:31
  Speaker 1: you I mean, give the woman something. I meant her
• 1:08:34
  Speaker 1: YouTube arts. Okay, I have to say it about Chico Artists.
• 1:08:37
  Speaker 1: You know what's amazing. You might not have noticed this,
• 1:08:38
  Speaker 1: and if you don't know, we're talking about this A
• 1:08:40
  Speaker 1: young woman on Instagram named Chico Artist, that's her handle,
• 1:08:43
  Speaker 1: and she does lip sync videos to the podcast. Do
• 1:08:46
  Speaker 1: you notice that each character, you guys, she's doing is
• 1:08:48
  Speaker 1: a single take it there's no editing, cuts, takes a
• 1:08:53
  Speaker 1: lot of products. Was watching the whole time. I was like,
• 1:08:54
  Speaker 1: she's not cutting. It's skilled. Yeah, that's right, it's skilled.
• 1:09:00
  Speaker 1: Artists want to we want to thank you for for
• 1:09:03
  Speaker 1: for putting in all the hard work. As always, we
• 1:09:05
  Speaker 1: like to challenge you. So boo tank forever, woo tank forever. Sarah,
• 1:09:10
  Speaker 1: do you want to make Chico artists say anything? Go
• 1:09:11
  Speaker 1: ahead and say it. Hmm. I want to do I'm
• 1:09:14
  Speaker 1: want to do. I'm doing a cheer dance Chico Artists.
• 1:09:18
  Speaker 1: So I'd like to see interpretations of what is happening.
• 1:09:23
  Speaker 1: What do you think I'm doing right now? Everybody everybody's like, yo, listen,
• 1:09:26
  Speaker 1: why don't you say something? Why don't you say something
• 1:09:30
  Speaker 1: like panics and starts dancing or freaking moving their body
• 1:09:35
  Speaker 1: or something like that, Chico Artists. Just so, just so
• 1:09:38
  Speaker 1: Chico Artist is able to do this. Sarah is acting
• 1:09:40
  Speaker 1: like a mine who's stuck in a small box. It
• 1:09:42
  Speaker 1: looks like a very small box that her upper body
• 1:09:45
  Speaker 1: is trapped in Well she was. She was acting like that.
• 1:09:49
  Speaker 1: And there was some hips, there was some hit movement,
• 1:09:51
  Speaker 1: Chico artists fall safety poo, Well there we go. There
• 1:09:56
  Speaker 1: were some Germans too, Sarah Deutsch. Okay, Chico artists. He
• 1:10:00
  Speaker 1: you were more than nuts, shah as I figured, Alice, Yeah,
• 1:10:09
  Speaker 1: there you go, cheek arts, Danel, do you want to
• 1:10:11
  Speaker 1: come through this time? Danel? All right, Daniel, do you
• 1:10:13
  Speaker 1: want to say the same thing? Yeah? You know it.
• 1:10:16
  Speaker 1: The last time my dad told me to speak any German,
• 1:10:19
  Speaker 1: he said, go up to this person, say sprek and
• 1:10:20
  Speaker 1: zee Deutsch. And I was like, okay, I got this.
• 1:10:22
  Speaker 1: I went up to that person, tapped him on the shoulder.
• 1:10:24
  Speaker 1: I went spooky Miluki. They were like, what I was
• 1:10:28
  Speaker 1: eight years old last time I tried to speak German, honor.
• 1:10:31
  Speaker 1: We weren't asking We weren't asking you to speak German, Daniel.
• 1:10:36
  Speaker 1: We were asking you if you wanted to redeem yourself. Yeah,
• 1:10:38
  Speaker 1: and you didn't. Well did Joel? How have you always
• 1:10:46
  Speaker 1: jumped to Daniel's defense so quickly? One because I love
• 1:10:48
  Speaker 1: him too, because is genuinely great. This is too much
• 1:10:52
  Speaker 1: for cheek artist to do so and cheeko artist and
• 1:10:55
  Speaker 1: the segment like this cheek artist. Imagine she pulls off
• 1:11:02
  Speaker 1: the bong and starts smoking. Well, cheega artists, you could
• 1:11:04
  Speaker 1: pull out a fake bong if you want. We don't
• 1:11:06
  Speaker 1: want to force the real bong into your hands. You
• 1:11:13
  Speaker 1: see her face machine that she was hilarious. Yeah, that
• 1:11:15
  Speaker 1: was beautiful. It was like one of those kids machines.
• 1:11:19
  Speaker 1: It was amazing. Already another break, Sarah, This is gonna
• 1:11:22
  Speaker 1: be a break. You can do whatever you want. It'll
• 1:11:26
  Speaker 1: be right and we're back. Sarah told a very long story.
• 1:11:36
  Speaker 1: Sarah told a crazy story. And I actually did did
• 1:11:39
  Speaker 1: chase down the garbage truck this morning because the compost,
• 1:11:42
  Speaker 1: it's composting. When it's compost, you can't leave it for
• 1:11:44
  Speaker 1: next for a week, So I was chasing. That was real.
• 1:11:47
  Speaker 1: Now I have a question when yeah, when it comes
• 1:11:51
  Speaker 1: to compost, how long is it supposed to take before
• 1:11:56
  Speaker 1: it turns into compost? One? And then two? Like, what
• 1:12:01
  Speaker 1: do you do with all of this shit liking stuff? Well,
• 1:12:06
  Speaker 1: we have weekly pickups, so you're not actually waiting for
• 1:12:08
  Speaker 1: it to turn into compost. I just heard the tu
• 1:12:11
  Speaker 1: and I went racing down the driveway. Danil's gonna have
• 1:12:14
  Speaker 1: the best answer for this at But in LA now
• 1:12:16
  Speaker 1: we're supposed to do this and it means putting like
• 1:12:18
  Speaker 1: food scraps in your green bin. Correct, yeah, correct. If
• 1:12:21
  Speaker 1: you contact La Sannoitation, you can go pick up a
• 1:12:24
  Speaker 1: free pail from them and they'll give it to you
• 1:12:27
  Speaker 1: and you just you know, take your food, you know,
• 1:12:29
  Speaker 1: your food waste, put it in the pail and then
• 1:12:30
  Speaker 1: put it in your green bin. That's what we're supposed
• 1:12:32
  Speaker 1: to do now. But isn't your food bin gonna isn't
• 1:12:34
  Speaker 1: a little pail gonna smell unless you're empty it every day.
• 1:12:38
  Speaker 1: It's an excellent points act. They recommend that you put
• 1:12:40
  Speaker 1: a plastic bag in there, but you don't throw out
• 1:12:42
  Speaker 1: the plastic bag into the green bin. If you have
• 1:12:44
  Speaker 1: biodegradable plastic bags, that's different, But otherwise, yeah, you could
• 1:12:48
  Speaker 1: put a paper bag in there. Yes, callin Sarah I Collins.
• 1:12:51
  Speaker 1: He's raising her hand, everybody, Yes, Sarah, I'm just trying
• 1:12:54
  Speaker 1: to understand this. So up until now, all of your
• 1:12:59
  Speaker 1: food scraps just went into the garbage. Yes, yeah, we're
• 1:13:02
  Speaker 1: into the garbage disposal. However you choose to do it.
• 1:13:04
  Speaker 1: I think that's most of the country. Right, Yeah, LA's trying.
• 1:13:06
  Speaker 1: Eli's trying to be progressive and say, now we're the
• 1:13:09
  Speaker 1: more progressive state in in uh just La California, Daniel,
• 1:13:14
  Speaker 1: I believe California. I think it's oh maybe, yeah, I
• 1:13:16
  Speaker 1: mean I just got a notification for La County, so
• 1:13:18
  Speaker 1: that's all I know. And some people have been composting
• 1:13:20
  Speaker 1: on their own for years. All of California is trying
• 1:13:23
  Speaker 1: to be green by thirty thirty thirty, by thirty thirty,
• 1:13:29
  Speaker 1: twenty thirty, we're trying to go green by thirty thirty five. No,
• 1:13:34
  Speaker 1: you know what I meant. I didn't you met. I
• 1:13:37
  Speaker 1: didn't know what you met you said thirty thirty thirty five.
• 1:13:43
  Speaker 1: I was trying to do it like that twenty thirty,
• 1:13:45
  Speaker 1: twenty thirty five, something like that. You can't hate me now,
• 1:13:48
  Speaker 1: but I won't stop now. You can't hate me now, Okay,
• 1:13:54
  Speaker 1: we stop now. Okay, So ferry time something, um turn
• 1:14:00
  Speaker 1: clothe the eighty of the wand um oh fairy. Todd says,
• 1:14:03
  Speaker 1: you know I have a big wand if you want
• 1:14:05
  Speaker 1: to hold it, and then he says banana hammock fairy five,
• 1:14:10
  Speaker 1: and then we cut back to reality and he says,
• 1:14:12
  Speaker 1: I love slapping people five, And so Elliott says, we
• 1:14:17
  Speaker 1: have to page him in the in the hospital world,
• 1:14:20
  Speaker 1: and then we cut before we before we go further,
• 1:14:22
  Speaker 1: Carla uses the high five as a form of leverage
• 1:14:28
  Speaker 1: to skip ahead of the Todd, who's waiting at the
• 1:14:31
  Speaker 1: lab for a sample. But Carla wants to say her
• 1:14:34
  Speaker 1: sample first so that she can help Elliot, right, so
• 1:14:37
  Speaker 1: she you know, so she ate, she ransoms the five
• 1:14:42
  Speaker 1: away from the Todd and he lets her go forward,
• 1:14:46
  Speaker 1: and Todd says something like, still can high fives something
• 1:14:50
  Speaker 1: like that. It was cute, Still allowed to high five? Yeah,
• 1:14:56
  Speaker 1: I love to high five. I just love high fiving people. Um,
• 1:15:01
  Speaker 1: so Elliott has to page from then that's clever. We
• 1:15:03
  Speaker 1: cut to the fairytale world and she sends a dove,
• 1:15:05
  Speaker 1: which is the equivalent of paging someone back in the day,
• 1:15:09
  Speaker 1: and then comes in the most brave, handsome, sexy, badass
• 1:15:13
  Speaker 1: night doctor Cox and um, he goes in to try
• 1:15:18
  Speaker 1: and fight the monster and gets the shit kicked out
• 1:15:21
  Speaker 1: of him. Yeah, the monster pieces. I thought that was
• 1:15:23
  Speaker 1: a great Cowboys switch. When the monster there's a shot
• 1:15:27
  Speaker 1: where the monster curls him out of the hut and
• 1:15:31
  Speaker 1: it's it's it's really well done because it's Johnny sees
• 1:15:34
  Speaker 1: stunt double taking the giant um stunt toss and then
• 1:15:39
  Speaker 1: Johnny Ce pops up in the foreground without a cut.
• 1:15:41
  Speaker 1: It was really cool. Did you guys notice that, Yes,
• 1:15:44
  Speaker 1: I love a cowboy switch. Yeah, it was a pretty
• 1:15:47
  Speaker 1: dope Cowboys. We do it pretty well known scrubs man,
• 1:15:49
  Speaker 1: you love a cowboys switch? Backwards cowboy switch? Well, I
• 1:15:52
  Speaker 1: learned it on Zach definitely trying to just make a
• 1:15:55
  Speaker 1: sex joke there. It's reverse reverse cowgirls switch. I don't
• 1:16:02
  Speaker 1: even know what to say, but it's a clever sex joke, Sarah.
• 1:16:05
  Speaker 1: For those of you who haven't listened to the episodes
• 1:16:07
  Speaker 1: where we talk about cowboys, which it's when you don't
• 1:16:09
  Speaker 1: cut the stuntman or woman does something really crazy and
• 1:16:12
  Speaker 1: then the actor who's playing the actor is somehow swapped
• 1:16:15
  Speaker 1: out without cutting. They pop up in the foreground or something.
• 1:16:19
  Speaker 1: That's a cowboy switch. But what's a reverse cowgirl switch? Act?
• 1:16:23
  Speaker 1: That's what I wanted. I didn't know the lingo I tried.
• 1:16:25
  Speaker 1: I don't know what it's called. Sarah, you know what
• 1:16:27
  Speaker 1: a reverse cowgirl is? Come on, don't act like you're
• 1:16:31
  Speaker 1: an innocent Vancouver woman. Back to the show. All right,
• 1:16:39
  Speaker 1: so this is my best guests. Don't have that power.
• 1:16:49
  Speaker 1: He's trying to be like Bill. Now James the subject
• 1:16:52
  Speaker 1: my podcast podcast best line of the past, but the
• 1:16:59
  Speaker 1: best line of the whole show. Are you out of
• 1:17:00
  Speaker 1: your mind? Woman? We only got one ball? I don't
• 1:17:03
  Speaker 1: do it. We only got one ball. Now, that's funny
• 1:17:12
  Speaker 1: because Turla probably that's a really interesting that's a really
• 1:17:23
  Speaker 1: interesting set of genitalia right there. Like I would I
• 1:17:27
  Speaker 1: personally would be interested in seeing yeah, because it would
• 1:17:33
  Speaker 1: be half ball and shaft. Hopefully there's enough shaft to
• 1:17:38
  Speaker 1: use half vulva. I'm can excuse well if the genitalia
• 1:17:50
  Speaker 1: is split down the middle, right, Um, and we know
• 1:17:54
  Speaker 1: that Turla is a very sexual being. Yes, how does
• 1:17:58
  Speaker 1: it hook up with itself? We'll just leave the audience
• 1:18:04
  Speaker 1: to audience. You can daydream on that. That's on y'all.
• 1:18:10
  Speaker 1: Whatever you're thinking, that's on y'all's brain. That's on y'all's brain. Yeah,
• 1:18:14
  Speaker 1: it's another as Bill, whatever you're thinking, that's on y'all's brain.
• 1:18:20
  Speaker 1: We didn't say that. We say, Um, all right, let's
• 1:18:25
  Speaker 1: talk it we gotta we gotta wrap it up soon
• 1:18:27
  Speaker 1: because we know it's not every way. One of the
• 1:18:30
  Speaker 1: funniest things was Neil getting a shoelace tied and he's like,
• 1:18:34
  Speaker 1: my uncle's family was killed by a madman hacking to pieces. Yeah, um,
• 1:18:40
  Speaker 1: we've got a long time, but that's okay. This is
• 1:18:42
  Speaker 1: an epic episode and we have chalk um. So then
• 1:18:45
  Speaker 1: Jordan is the scary old lady in the bushes and
• 1:18:48
  Speaker 1: then we reveal that it's her with a face mask on.
• 1:18:50
  Speaker 1: I thought that was really cute. Um, she's saying Perry
• 1:18:53
  Speaker 1: let him go to bed and um. And then we
• 1:18:56
  Speaker 1: go to the commercial. That's the whole first act of
• 1:18:58
  Speaker 1: the show. Polish really at the first act, I know,
• 1:19:02
  Speaker 1: and I just saw that the way Donald Donald had
• 1:19:04
  Speaker 1: such a great line um that we can't skip overs
• 1:19:06
  Speaker 1: is baby, maybe you could love the monster to sleep?
• 1:19:08
  Speaker 1: Was one of your boring stories about your damn family.
• 1:19:11
  Speaker 1: That's when she punches him in the ball m and
• 1:19:14
  Speaker 1: I'm seeing this Cowboys switch I'm talking about. King comes
• 1:19:16
  Speaker 1: after the commercial break. It's in act. It's opens act
• 1:19:19
  Speaker 1: two of the show. Um, and that's where are you
• 1:19:22
  Speaker 1: out your mind? No, no, there's no breaks, there's no break.
• 1:19:26
  Speaker 1: We're just going to keep it. And then we learn
• 1:19:27
  Speaker 1: that we need the golden ring, so um and he
• 1:19:30
  Speaker 1: and then we hear remember what you heard when you
• 1:19:34
  Speaker 1: weren't even listening, Okay, So that becomes sort of the
• 1:19:39
  Speaker 1: theme we need to remember. That's what we get told
• 1:19:41
  Speaker 1: by the night. It's really interesting we're learning this year
• 1:19:46
  Speaker 1: how important Sarah's patient of sorry, how important Elliot's patients
• 1:19:54
  Speaker 1: are to her. But in the last episode, we learned
• 1:19:57
  Speaker 1: that Elliot was you guys on that quest to find
• 1:20:03
  Speaker 1: out if she if the patient was still alive or
• 1:20:06
  Speaker 1: if the patient got sick, because yeah, because of the
• 1:20:11
  Speaker 1: diabetes drug and plumox right right, But what was her
• 1:20:16
  Speaker 1: reasoning for it? Like, is it because in this one
• 1:20:19
  Speaker 1: she's doing it because she really wants to save this
• 1:20:21
  Speaker 1: She wants to figure out what's wrong with this young
• 1:20:24
  Speaker 1: girl and why her kidneys are failing? Yeah, that one
• 1:20:26
  Speaker 1: and that one it was. It was she was concerned
• 1:20:29
  Speaker 1: that the drug Plomax had hurt one of her patients
• 1:20:33
  Speaker 1: were killed him with diabetes. But again, keep in mind,
• 1:20:36
  Speaker 1: these weren't supposed to be next to each other. But
• 1:20:39
  Speaker 1: I'm trying to figure out there could be a connection
• 1:20:42
  Speaker 1: in both of them because the storyline is still very
• 1:20:44
  Speaker 1: similar where Elliot Elliott likes to go on quest with
• 1:20:48
  Speaker 1: j D just that, but not only quest with JD,
• 1:20:51
  Speaker 1: but quests for her patients to try, you know, for
• 1:20:55
  Speaker 1: it's there all noble quests. Yes, Elliott doesn't give up
• 1:20:58
  Speaker 1: on a patient, that's for darn sure. She she she'll
• 1:21:01
  Speaker 1: do anything to figure things out. Along the road, we
• 1:21:04
  Speaker 1: run into Elliott and JD are riding the donkey, and
• 1:21:09
  Speaker 1: they run into Ted and the janitor and U and
• 1:21:13
  Speaker 1: Ted says something that made me laugh. He says, I
• 1:21:15
  Speaker 1: tell most people I'm under an evil spell, but really
• 1:21:17
  Speaker 1: it's a self esteem thing. It's all confidence thing. And
• 1:21:24
  Speaker 1: then we get captured and Elliott and j D and
• 1:21:27
  Speaker 1: we get sent to the dungeon where we see Doug's
• 1:21:30
  Speaker 1: head on a stick. Yes, um, And we try and kiss,
• 1:21:35
  Speaker 1: which was funny with with our, with our, she admits,
• 1:21:39
  Speaker 1: twas I I tried to kiss you, Andy, we're too
• 1:21:43
  Speaker 1: far apart to kiss. They were like trying to reach.
• 1:21:45
  Speaker 1: We're all chained up to the wall, trying to reach
• 1:21:46
  Speaker 1: a little more tongue. Yeah, we can't reach. And then
• 1:21:52
  Speaker 1: Ted is on a stick. I said that, right, But
• 1:21:53
  Speaker 1: then we're in office with Kelso, and Kelso is explaining
• 1:21:58
  Speaker 1: why he have to go home, and You're like, I'm
• 1:22:02
  Speaker 1: private practice. Eliot's like, I'm private practice, and JD's like,
• 1:22:07
  Speaker 1: and I have no patient interaction when I'm with rolling
• 1:22:11
  Speaker 1: with us. So you're not gonna you can't get sued
• 1:22:13
  Speaker 1: for this because it starts off with him saying I'm
• 1:22:15
  Speaker 1: gonna you guys are suspended or something like that, right, yeah,
• 1:22:19
  Speaker 1: And then he's not wearing pants. Yeah, he says, I
• 1:22:20
  Speaker 1: can do whatever I want to show this off. He
• 1:22:22
  Speaker 1: stands up and he's wearing boxers. Find would have been
• 1:22:25
  Speaker 1: fired right then and there nowadays nowadays, guess what, no, no, yeah, no,
• 1:22:32
  Speaker 1: that's a rap. So then now we encounter the Wooden Nymphs,
• 1:22:36
  Speaker 1: and the wooden Nymphs who are the interns provide us
• 1:22:41
  Speaker 1: with a golden ring. And then in the real life, uh, well,
• 1:22:45
  Speaker 1: you guys, remember what you heard, and that which from
• 1:22:48
  Speaker 1: the Wilson Wilson's disease, which which cleverly these genius writers,
• 1:22:54
  Speaker 1: is a little golden ring around the iris. That's that's
• 1:22:57
  Speaker 1: how you find it. So and how about that set
• 1:23:00
  Speaker 1: transition back into the ICU. Oh my god, that was
• 1:23:04
  Speaker 1: so wonder I've forgotten that that was so cool. I
• 1:23:10
  Speaker 1: think I think it was Zach Braft. Not really a
• 1:23:14
  Speaker 1: horse rider, are you? But no, I mean I'm certainly
• 1:23:18
  Speaker 1: not an expert enough to look good. Did you ever
• 1:23:20
  Speaker 1: put it on your resume when you were younger? Probably
• 1:23:23
  Speaker 1: put everything on their hockey, rowing, rowing because the ideology
• 1:23:28
  Speaker 1: was like, the ideology was like, just when you get
• 1:23:31
  Speaker 1: the job, you'll figure that shit out. You'll learn, you'll
• 1:23:33
  Speaker 1: figure it out. The problem is the problem is now
• 1:23:35
  Speaker 1: that you're a director and you hire someone that says
• 1:23:37
  Speaker 1: like like, yeah, I can play soccer, and then you
• 1:23:40
  Speaker 1: go to film it and you see how badly they
• 1:23:42
  Speaker 1: are in soccer. You're like, oh, I can't believe that anymore. Right,
• 1:23:46
  Speaker 1: And also, as a kid, I feel like when you
• 1:23:48
  Speaker 1: put that shit on there and you were like hockey
• 1:23:50
  Speaker 1: like you would just you'd actually would figure it out.
• 1:23:52
  Speaker 1: Now that we're in our forties, you can't just figure
• 1:23:55
  Speaker 1: that shit out. I'm trying try to learn how to
• 1:23:57
  Speaker 1: play hockey, putting no play on my resume. Shit. But
• 1:24:02
  Speaker 1: Sarah Sarah says she's learning to play now in her forties. Oh,
• 1:24:06
  Speaker 1: good for you, you know, but you're not a skate Nope,
• 1:24:10
  Speaker 1: did not grow up skating. Only Canadian did not. That's right.
• 1:24:13
  Speaker 1: Learning Now everybody else could skate. You couldn't. I've never
• 1:24:17
  Speaker 1: it's it's so hard. It's so hard in such a
• 1:24:19
  Speaker 1: hard surface. But Sarah, you can dance. Um, oh, okay,
• 1:24:25
  Speaker 1: another dance everybody. Oh it's a bit of a twerk
• 1:24:27
  Speaker 1: now everyone. I didn't get to see it, but it
• 1:24:29
  Speaker 1: was a twerk and I get it. Go Getter Nation
• 1:24:34
  Speaker 1: should send you some some some sweatpants for twerking in
• 1:24:38
  Speaker 1: their sweatpants like that. Oh I think I think they should.
• 1:24:41
  Speaker 1: I think they should. Oh yeah, okay, wait wait wait,
• 1:24:44
  Speaker 1: before we were on the horse, you've sent something really funny, Zach,
• 1:24:48
  Speaker 1: missing one of my favorite life missing what you could
• 1:24:50
  Speaker 1: have had when you tried to kiss me good moral
• 1:24:54
  Speaker 1: instead of good moral. And then it wraps up as
• 1:25:02
  Speaker 1: the night goes through town and the camera cranes through
• 1:25:05
  Speaker 1: the village and I, those of you who like mistakes,
• 1:25:08
  Speaker 1: I didn't see this obviously. I would have fixed it probably,
• 1:25:11
  Speaker 1: or if I could have. But when Sarah and I
• 1:25:13
  Speaker 1: are up on that bridge around twenty one twenty, you
• 1:25:16
  Speaker 1: can clearly see that she's on standing on Plywood and
• 1:25:19
  Speaker 1: I'm standing on black boxes. As a director, that really
• 1:25:24
  Speaker 1: annoyed me that that wasn't taken care of. So if
• 1:25:30
  Speaker 1: you like mistakes, there's one for you. But overall, a
• 1:25:33
  Speaker 1: great episode everybody, and Sarah, it's so fun to have
• 1:25:36
  Speaker 1: you here. Big shout out to Cox and Jordan at
• 1:25:40
  Speaker 1: the end with the cute little scene by the door
• 1:25:44
  Speaker 1: turns tragic and it really makes you feel it, you
• 1:25:46
  Speaker 1: know what I mean. Where Jordan's listening the whole time
• 1:25:49
  Speaker 1: and she's like, so, what happened? Did the girl get
• 1:25:52
  Speaker 1: the new kidney? Did the girl? Did she live? What happened?
• 1:25:56
  Speaker 1: What's the end of the story. Is that how it ends?
• 1:25:58
  Speaker 1: He's like, well that's how I'm telling it. Oh yeah,
• 1:26:00
  Speaker 1: He's like everything turned out fine. She's like it really
• 1:26:03
  Speaker 1: did it? And he's like, well that's how I'm telling it.
• 1:26:05
  Speaker 1: That's great because it gives you this scrubs gut punch fashion.
• 1:26:10
  Speaker 1: Yeah you know what really happened? Yeah they were too late. Yeah,
• 1:26:15
  Speaker 1: so well done, So well done by everybody involved and
• 1:26:18
  Speaker 1: U and I'm just so I'm proud of it. If
• 1:26:20
  Speaker 1: you if you're if you're someone who revisits Scrubs episodes.
• 1:26:23
  Speaker 1: Check this one out because I think it's it's definitely
• 1:26:25
  Speaker 1: I think one of my favorite ones. And uh, it's
• 1:26:28
  Speaker 1: particularly special. There's a great episode, Zach Um. Thank you.
• 1:26:33
  Speaker 1: Good you do. Really I'm not gonna lie man. You
• 1:26:35
  Speaker 1: do do very good episodes and movies. Thank you. I'm
• 1:26:41
  Speaker 1: very excited for everybody out there shameless plug to see
• 1:26:45
  Speaker 1: A Good Person pleas. I can't wait to see it. Donald,
• 1:26:49
  Speaker 1: have you seen it? Have you already gotten to see it?
• 1:26:50
  Speaker 1: I've had seen it already. I've seen it already. I
• 1:26:52
  Speaker 1: can't wait to see it. Thank you, Sarah, and um please, Um,
• 1:26:56
  Speaker 1: I'm gonna be doing a screening in Seattle. Maybe you'd
• 1:26:58
  Speaker 1: be maybe you'd come to that. That's close enough to you. Um.
• 1:27:02
  Speaker 1: But everybody, please, if you haven't yet, check out the
• 1:27:04
  Speaker 1: trailer for A Good Person. It's on YouTube under a
• 1:27:07
  Speaker 1: Good Person trailer. And we got some more content that'll
• 1:27:11
  Speaker 1: be rolling out very soon and it comes out in
• 1:27:13
  Speaker 1: March twenty fourth at a theater near you. All Right,
• 1:27:16
  Speaker 1: I love you guys, Sarah, We love you you guys. Good.
• 1:27:22
  Speaker 1: This is how I know, this is how I know
• 1:27:24
  Speaker 1: we have something special. We were up on this motherfucker
• 1:27:26
  Speaker 1: for an hour and thirty three minutes, or we could
• 1:27:29
  Speaker 1: do we could do two hours with Sarah felt like
• 1:27:31
  Speaker 1: ten minutes if I had a chat I had a
• 1:27:34
  Speaker 1: chat GPT scene for us to do. But we'll do
• 1:27:36
  Speaker 1: it next time when Sarah, you don't want to do it. Now,
• 1:27:38
  Speaker 1: we're getting real long. I mean an hour and a half.
• 1:27:40
  Speaker 1: I feel like it's a bit long. They love it
• 1:27:42
  Speaker 1: when we go long, they do love it. I'm just saying,
• 1:27:46
  Speaker 1: all right, do you want to quickly do a chat
• 1:27:47
  Speaker 1: GBT scenes? Yeah? All right, Sarah. Do you know what
• 1:27:52
  Speaker 1: this is? Sarah, I don't fill me in? All right,
• 1:27:55
  Speaker 1: so I'm gonna text you. I get your phone out. Um,
• 1:27:57
  Speaker 1: we had aire is a thing called chat ABT that
• 1:28:00
  Speaker 1: will write scenes, and I had it write a scene.
• 1:28:03
  Speaker 1: I'll give you the prompt that I gave it, and
• 1:28:04
  Speaker 1: it wrote a scrub scene. I'm gonna text it to
• 1:28:06
  Speaker 1: you right now. Okay, I'll read the stage directions all
• 1:28:09
  Speaker 1: right everyone, so um, sorry, we're gonna stay and do
• 1:28:12
  Speaker 1: one quick chat GPT scene for you. I will read
• 1:28:16
  Speaker 1: the stage directions. Sarah, you will read the part of Elliott.
• 1:28:20
  Speaker 1: The only instruction I gave chat GBT was to write
• 1:28:22
  Speaker 1: a scrub scene where Elliott confesses to Turk that she's
• 1:28:26
  Speaker 1: truly in love with Turk. Okay, I'm the stage directions.
• 1:28:32
  Speaker 1: Scene opens in the hospital hallway with Elliott and Turk
• 1:28:35
  Speaker 1: walking together. Turk, Um, I have something to tell you.
• 1:28:42
  Speaker 1: What is it? Elliott? No written, Chatt chose the term
• 1:28:46
  Speaker 1: ells We're gonna but chat GBT is shaking it up.
• 1:28:53
  Speaker 1: Let's start again, Okay from the top, but leave that
• 1:28:56
  Speaker 1: in down. Scene opens in the hospital with Elliott and
• 1:28:59
  Speaker 1: Turk walk in together. Turk, I have something to tell you.
• 1:29:04
  Speaker 1: What is it? Else? Well, I've been doing a lot
• 1:29:09
  Speaker 1: of thinking lately, and I've realized that I'm more in
• 1:29:14
  Speaker 1: love with you than JD. How can that be? I
• 1:29:20
  Speaker 1: thought you two were meant to be. And then the
• 1:29:22
  Speaker 1: stage direction is Elliott blushes, which I will now do
• 1:29:27
  Speaker 1: on my own. There we are blushing, I know, but
• 1:29:32
  Speaker 1: there's just something about your big, muscular build that makes
• 1:29:38
  Speaker 1: my heart skip a beat. Well, I didn't see that coming.
• 1:29:46
  Speaker 1: I'm serious, Turk. I love your strength, your confidence and
• 1:29:50
  Speaker 1: the way you always know what to do, Just the
• 1:29:53
  Speaker 1: kind of man I want by my side. Well, in
• 1:29:57
  Speaker 1: that case, I'm glad to no I'm a top pick.
• 1:30:03
  Speaker 1: They're more than just a pick. Turk, You're my heart
• 1:30:06
  Speaker 1: and soul. I love you too. Else The scene closes
• 1:30:13
  Speaker 1: with the two of them walking off, smiling and holding hands.
• 1:30:18
  Speaker 1: But there you go, yo, Zach, Why are you freaking
• 1:30:23
  Speaker 1: putting porn into the freaking I've tried to do porn.
• 1:30:28
  Speaker 1: It censors any porn freaking that's like some freaking JD
• 1:30:32
  Speaker 1: fantasy shit, Like no, listen. I tried to make it
• 1:30:35
  Speaker 1: more pornographic and it won't do it. It censors you.
• 1:30:38
  Speaker 1: So all I'll do is hold hands. What were your
• 1:30:44
  Speaker 1: other trying anytime I'm trying to do anytime I try?
• 1:30:48
  Speaker 1: Anytime you try? Where Turk and Jay I mean where
• 1:30:52
  Speaker 1: My very first thing I typed into it was right
• 1:30:54
  Speaker 1: a scene with Turk and g D banging, and it
• 1:30:57
  Speaker 1: was like it was like, nah, I ain't I'm not
• 1:30:59
  Speaker 1: ain't having that not doing that. It was like it
• 1:31:02
  Speaker 1: was like error four or four error yeah, you know,
• 1:31:06
  Speaker 1: like you know, like how in the two thousand and
• 1:31:08
  Speaker 1: one Like what are you doing? Zack? I'm afraid I
• 1:31:15
  Speaker 1: can't let you do that? Zach? What are you doing? Zack?
• 1:31:23
  Speaker 1: All right? That's it. We love you, count us out.
• 1:31:25
  Speaker 1: Sarah in German Zeck even up about show we made
• 1:31:32
  Speaker 1: about a bunch of docs and nurses, said he's stories never,
• 1:31:39
  Speaker 1: should not