Latest / The Bootleg Kev Podcast / #441 - Jason Martin

Transcript

#441 - Jason Martin · The Bootleg Kev Podcast

• 0:00
  Speaker 1: How you doing.
• 0:00
  Speaker 2: I'm Jason Martin. I want you to check me out
• 0:02
  Speaker 2: on Bootleg Cam's podcast.
• 0:08
  Speaker 3: Yo, Bootleg Camp podcast. We got a special guest here,
• 0:11
  Speaker 3: Jason Martin officially on all Spotify Platformage Now like what
• 0:15
  Speaker 3: is by Jason Martin for longer? By Problem? Yes, the
• 0:18
  Speaker 3: artist formerly known his problem, but he's been Jason Martin
• 0:21
  Speaker 3: for his entire life. He's here. Yes, Yes, what's going on?
• 0:26
  Speaker 3: Dog good Man? Real good I see you always got
• 0:29
  Speaker 3: these gloves on. Yeah, when did you start with the gloves?
• 0:32
  Speaker 1: Well, the gloves were introduced probably a couple of years ago.
• 0:37
  Speaker 3: It's too easy. Ah, yes, very very easy. Yeah, he
• 0:41
  Speaker 3: used to have the gloves.
• 0:42
  Speaker 2: Yeah, very that with that and then my stepfather he
• 0:46
  Speaker 2: used to wear these every time he got in his Porsche.
• 0:48
  Speaker 3: Oh so he do look like some race drive, like
• 0:51
  Speaker 3: when you're getting.
• 0:52
  Speaker 1: Like hopping him off, fucking doing ship like baby driver.
• 0:56
  Speaker 1: Whenever I did.
• 0:56
  Speaker 2: Anything cool, he'd be like, take it off your hand
• 0:58
  Speaker 2: to me, like are you that's a double meaning?
• 1:02
  Speaker 3: Well look you obviously we were talking to you have
• 1:06
  Speaker 3: a well, first of all, you were in Snoop Dogg's
• 1:08
  Speaker 3: wife and him just opened the strip club last night. Yes,
• 1:12
  Speaker 3: I had no idea. Snoops. He took the old deja
• 1:14
  Speaker 3: vu and turned it into the Players Club. Yeah, and
• 1:17
  Speaker 3: you went.
• 1:18
  Speaker 1: I had to go what was Snoops?
• 1:20
  Speaker 3: Strip club? Like?
• 1:22
  Speaker 2: I will say, man, that is by far the best
• 1:25
  Speaker 2: strip club I've ever been to in Los Angeles.
• 1:27
  Speaker 3: Yeah, because for people who don't know, it sucks. Strip
• 1:30
  Speaker 3: clubs in l A. Sorry, they're terrible. I mean, with
• 1:33
  Speaker 3: all due respect.
• 1:34
  Speaker 1: No they're not. They're not good.
• 1:35
  Speaker 2: It's like it just feels dangerous. I feel like I'm
• 1:36
  Speaker 2: gonna get shot or.
• 1:38
  Speaker 3: It's just feel it feels shaky.
• 1:40
  Speaker 1: It feels very shaky.
• 1:41
  Speaker 2: It feels like like the ladies here are gonna rob
• 1:44
  Speaker 2: me too. I don't know, it just doesn't feel right.
• 1:47
  Speaker 2: Last night felt like I was in Magic City.
• 1:50
  Speaker 3: Nice did you eat any food?
• 1:52
  Speaker 1: Of course at the Wings they were busting.
• 1:54
  Speaker 3: So the Wings were good because that's the one thing
• 1:56
  Speaker 3: about Magic City. The Wings are, you know, world renowned.
• 1:58
  Speaker 2: So I'm gonna show you this to I know, we shooting,
• 2:01
  Speaker 2: but that way you can kind of get a vibe
• 2:03
  Speaker 2: with what it looked like.
• 2:05
  Speaker 3: Man, it was crazy. Yeah, it's quiz. Yeah, that's a
• 2:13
  Speaker 3: quite the table to be at.
• 2:15
  Speaker 2: Yeah, man, that's probably why you don't see Quick sitting
• 2:17
  Speaker 2: next to me, because he was in there last night.
• 2:20
  Speaker 1: Now, oh shit always went up.
• 2:24
  Speaker 3: Going to the Strip club with DJ Quick would be
• 2:26
  Speaker 3: so fire. The only thing miss would be like sugar free,
• 2:29
  Speaker 3: like sugar yeah.
• 2:30
  Speaker 1: Oh yeah, yeah, yeah, last night.
• 2:32
  Speaker 3: Was a vibe.
• 2:32
  Speaker 2: Last night was a real vibe. Man, Boss Leddy shot
• 2:35
  Speaker 2: out to her. It was so dope to just watch
• 2:37
  Speaker 2: Snoops dynamic. I told him, like, bro, you the only
• 2:39
  Speaker 2: nigga that can do a Disney movie today and open
• 2:42
  Speaker 2: the strip club with your wife, with your son sitting.
• 2:45
  Speaker 3: Self some products of Martha Stewart and Martin.
• 2:46
  Speaker 2: Stewart didn't go smoke weed in the White House, Like bro,
• 2:49
  Speaker 2: you are You are the most audacious artist we've ever seen.
• 2:53
  Speaker 3: He is the most famous rapper ever ever by far,
• 2:57
  Speaker 3: by far, it's not close, and he might be top
• 3:00
  Speaker 3: five most popular faces in the world. In the world,
• 3:04
  Speaker 3: he yeah.
• 3:04
  Speaker 2: He's definitely top ten. Most famous person on the plane
• 3:06
  Speaker 2: I want to sight top five.
• 3:08
  Speaker 3: Yeah, I mean, I don't know because some of them
• 3:10
  Speaker 3: soccer players that I relining into, I guess everywhere else are.
• 3:13
  Speaker 1: Lit, but but most recognizable.
• 3:16
  Speaker 3: Not everybody knows Snoop.
• 3:17
  Speaker 2: Yeah, there's not anybody no Snoop. There's nobody doesn't know
• 3:21
  Speaker 2: what snoopy.
• 3:21
  Speaker 3: Parents no snoop, you know. Yeah, and different versions of
• 3:25
  Speaker 3: snoop too, different versions of Snoop Snoop Doggie dogs.
• 3:28
  Speaker 2: We met the doggy style Snoop. Right now they have
• 3:30
  Speaker 2: Martha Storer Sloop.
• 3:32
  Speaker 3: They know Snoop from NBC where he's doing Olympics commentating
• 3:35
  Speaker 3: with Kevin Hart. It's crazy with it. One of one.
• 3:39
  Speaker 3: That's my one bucket list interview in my life because
• 3:42
  Speaker 3: one on one with Snoop.
• 3:43
  Speaker 1: I'm surprised that hasn't happened.
• 3:44
  Speaker 3: I've been trying for fuck five years. Every time he
• 3:47
  Speaker 3: has something come out. I hit Kevin Barkley like hey, bro, please,
• 3:50
  Speaker 3: I'll come to the fucking compound. He's like, yeah, yeah,
• 3:53
  Speaker 3: I got you. Yeah, you can't do it, but I
• 3:55
  Speaker 3: need the one on one though. I don't want to
• 3:57
  Speaker 3: be like Rush like there. I don't want to be
• 3:58
  Speaker 3: like Bro like Doggies was the one album to changed
• 4:01
  Speaker 3: my life. I got it by accident when I was
• 4:03
  Speaker 3: five and it was up from there. That's what ain't
• 4:06
  Speaker 3: no fun at five. It's kind of crazy, you know,
• 4:08
  Speaker 3: like fucking Snoop Doggie Style was the single most important
• 4:12
  Speaker 3: album in my life. My grandma got Itn't you remember
• 4:15
  Speaker 3: the Columbia House where you get like.
• 4:17
  Speaker 1: For the two pennies.
• 4:18
  Speaker 3: Yes, so she got was credited, she got Yes, she
• 4:21
  Speaker 3: got Doggy Style on tape on accident, and uh she did.
• 4:25
  Speaker 3: My grandma was like old as fuck and she didn't
• 4:28
  Speaker 3: know that it was. She just saw a cartoon, right.
• 4:31
  Speaker 3: She gave it to me, and I was like, at
• 4:33
  Speaker 3: the time, I was listening like Boys the Men two
• 4:36
  Speaker 3: on fucking tape and ship wait.
• 4:37
  Speaker 1: Five years all you're listening to Boys to Men. Yeah,
• 4:39
  Speaker 1: so you was meant to be a DJ an Emsy Hammer.
• 4:42
  Speaker 3: That's fire. My mom was in the EMC Hammer.
• 4:44
  Speaker 2: And I think that I think you're going about it
• 4:46
  Speaker 2: wrong with snoop. With dog you got to catch on
• 4:47
  Speaker 2: when it ain't nothing going on, which is very rare
• 4:49
  Speaker 2: because he got so much going away something going on.
• 4:51
  Speaker 2: But don't wait till the release sparts, because then because
• 4:54
  Speaker 2: he got pulled in different ways, what like right now
• 4:57
  Speaker 2: probably be the perfect time they rolling out I think
• 5:00
  Speaker 2: at the football game coming the Arizona ball or they
• 5:03
  Speaker 2: just enough a lot of dop stuff.
• 5:05
  Speaker 1: Man shot out to the dog, It's.
• 5:07
  Speaker 3: Been a great year for Compton. Yes, shout out to Compton.
• 5:12
  Speaker 2: Shout out to Compton. Yes, Compton, does it again?
• 5:15
  Speaker 3: Yeah? Does it again? Before we get into Choopocabra, come on,
• 5:20
  Speaker 3: talk to me about what it was like just watching
• 5:23
  Speaker 3: Kendrick Lamar deep fry, you know, ry him up and
• 5:29
  Speaker 3: give him. I've never it was. It was like it
• 5:33
  Speaker 3: was like King Ryan, you know when he fucked up
• 5:36
  Speaker 3: what's the dude's name? He just boxed? Hey, Ainy. It
• 5:38
  Speaker 3: was bad.
• 5:39
  Speaker 2: Before I start, because my words get taken really sensitively
• 5:44
  Speaker 2: around this subject.
• 5:45
  Speaker 3: I've been seeing you.
• 5:45
  Speaker 2: I saw you going in on Twitter. Oh yeah, I'm
• 5:47
  Speaker 2: going in because I'm like, I didn't know Drake had
• 5:50
  Speaker 2: a beehive.
• 5:50
  Speaker 1: Me neither. Oh my god, I got bots in my ship.
• 5:54
  Speaker 1: I can't say anything.
• 5:55
  Speaker 2: Motherfuckers think I'm talking about drags, are talking about somebody.
• 5:58
  Speaker 3: Because I was going riding so hard for Kendrick the
• 6:00
  Speaker 3: whole time. Before he even replied to fucking push ups
• 6:02
  Speaker 3: all that shit, I was like, man, hey, bro, then
• 6:04
  Speaker 3: fucking Drake beehive.
• 6:06
  Speaker 1: It's real, it's real.
• 6:07
  Speaker 2: He got like some real haters, like they're pulling up shit,
• 6:10
  Speaker 2: They pulling up my numbers.
• 6:11
  Speaker 1: I'm like, bro, this is wild, Like I'm not put up.
• 6:13
  Speaker 3: Like an old tweet to me saying like Drake was dope,
• 6:15
  Speaker 3: and I'm like, yeah, Drake is dope, but he's still
• 6:17
  Speaker 3: gonna get fucking obliterated. What are we talking about here?
• 6:19
  Speaker 2: Like there's levels listen to this. I look at this
• 6:23
  Speaker 2: as a very competitive super Bowl as opposed to two
• 6:26
  Speaker 2: guys going at it. It was like, this is the
• 6:28
  Speaker 2: team I'm rooting for, and it's the team they're rooting for.
• 6:31
  Speaker 2: So I knew how this was gonna end, right because
• 6:35
  Speaker 2: I knew.
• 6:36
  Speaker 3: The guy that you were going against, Drake.
• 6:38
  Speaker 2: I know him, all of us know him. Some people
• 6:41
  Speaker 2: you just got to leave the fuck along.
• 6:43
  Speaker 3: He's the one guy act.
• 6:44
  Speaker 1: I'll look at him.
• 6:44
  Speaker 2: I hold him to like you have Lebron James, which
• 6:48
  Speaker 2: is Drake, Yeah, and you have Kobe Bryant. You got
• 6:52
  Speaker 2: somebody that only cares about basketball.
• 6:55
  Speaker 3: Let's not do that.
• 6:56
  Speaker 1: I'm just telling you.
• 6:58
  Speaker 2: He only cares about hip hop. He don't give a
• 7:01
  Speaker 2: fuck about none of the other. Shit is win or win,
• 7:04
  Speaker 2: and it ain't nothing. I'm a big Lebron guy, so
• 7:06
  Speaker 2: I don't want to I don't just tell you what
• 7:07
  Speaker 2: he would say, because Seth Curry is Drake. No, no, no, no,
• 7:11
  Speaker 2: I'm not saying that. I'm saying Lebron.
• 7:14
  Speaker 1: It's right.
• 7:14
  Speaker 2: Lebron changed basketball. He changed the way we all viewed competition.
• 7:21
  Speaker 2: We made it where you can play anywhere and everybody's friends,
• 7:23
  Speaker 2: and it worked out where all everybody's making so much money.
• 7:26
  Speaker 2: Kobe's like, fuck you, I'm off you, fuck you and
• 7:29
  Speaker 2: fuck you.
• 7:30
  Speaker 3: And all that. It's up.
• 7:31
  Speaker 1: Let's go play. Yeah, and if you want to calm
• 7:33
  Speaker 1: it down, we'll psych Kyrie.
• 7:35
  Speaker 3: Then if you want to do that, that's fair. That's fair.
• 7:37
  Speaker 2: This we know he's one of the most skillful artists
• 7:39
  Speaker 2: to ever live.
• 7:40
  Speaker 3: Kendrick, right, I think he's. I mean I've been saying
• 7:45
  Speaker 3: this for about four or five years. I've had him
• 7:48
  Speaker 3: four or five all time, and people will be like,
• 7:49
  Speaker 3: you're fucking crazy, and I'm like, well, if all these
• 7:52
  Speaker 3: other motherfuckers will put Biggie in their top two or
• 7:54
  Speaker 3: three and he only put two albums out, you gotta
• 7:57
  Speaker 3: put Kendrick in the top five off of his discography.
• 8:00
  Speaker 3: I'll say this, but skill level it might be, don't
• 8:03
  Speaker 3: I don't know what Kendrick and eminem.
• 8:05
  Speaker 2: I don't know when it's gonna air, but I'll say this,
• 8:07
  Speaker 2: y'all tell me a time on a Friday when a
• 8:10
  Speaker 2: J Cole verse and a Drake verse dropped and nobody
• 8:13
  Speaker 2: gave a shit.
• 8:15
  Speaker 1: Because that just happened in this Friday.
• 8:16
  Speaker 3: I was gonna say a lot, a lot of times,
• 8:18
  Speaker 3: this Friday had just passed. Well yeah, ya, yeah, when
• 8:19
  Speaker 3: the Sexy Red and the new kobt We've.
• 8:21
  Speaker 1: Never seen that, and we ain't seen that in ten years.
• 8:24
  Speaker 3: Oh for sure. And I'd also like to point out,
• 8:26
  Speaker 3: for the first time ever, I actually think Drake being
• 8:29
  Speaker 3: on that song hurt the song. I think people are
• 8:32
  Speaker 3: so off of Drake right now. That Sexy Red song
• 8:34
  Speaker 3: that dropped has more dislikes than likes on YouTube. And
• 8:37
  Speaker 3: it's like, yo, like sexy Red, you probably could have
• 8:40
  Speaker 3: put like, I don't know anybody, We'll just say this.
• 8:45
  Speaker 3: I called it. I knew it was gonnapp.
• 8:46
  Speaker 2: I knew it was gonnappen to iknew it was gonna happen,
• 8:48
  Speaker 2: but I had I was privy to being you had
• 8:52
  Speaker 2: some outside inform sure I was able to have different
• 8:54
  Speaker 2: conversations with the with the internal Compton Unity community and
• 9:00
  Speaker 2: we were all just knowing how this was going to end.
• 9:02
  Speaker 2: We're like every move it was like a chess game,
• 9:05
  Speaker 2: and were just watching it.
• 9:06
  Speaker 1: It was dope. It was dope to see it was
• 9:07
  Speaker 1: dope to actually get.
• 9:09
  Speaker 2: Some insight from the man himself knowing like, oh yeah,
• 9:12
  Speaker 2: let's rock, let's do it. But it never got to
• 9:14
  Speaker 2: the point where was like we're gonna fucking fight or shoot.
• 9:16
  Speaker 1: So it made me ever, it made me. I was
• 9:18
  Speaker 1: able to enjoy it.
• 9:19
  Speaker 3: You know. What's crazy to me was like my favorite
• 9:22
  Speaker 3: song of the battle is Euphoria because it's the most
• 9:28
  Speaker 3: like it was literally a warning shot, right, but it
• 9:31
  Speaker 3: was like a kill shot. But if you go back
• 9:33
  Speaker 3: and listen, like sounds better now. He predicted he said everything.
• 9:36
  Speaker 3: All of this he said, he said, and he was like, hey,
• 9:39
  Speaker 3: don't don't tell the lines about me, and I won't
• 9:41
  Speaker 3: tell the truth about you. I already could predict your angle.
• 9:43
  Speaker 1: You know what, if you take it there, I'll take
• 9:44
  Speaker 1: it further.
• 9:45
  Speaker 3: It's just something you don't know. And then he goes
• 9:48
  Speaker 3: ooh at the end, I was like, Oh, anyway, shout
• 9:52
  Speaker 3: out to Kendrick, you know, I think, yeah, I mean,
• 9:56
  Speaker 3: I like like I feel like generic hip hop fans
• 9:59
  Speaker 3: who are just like, you know, real passive like heads
• 10:02
  Speaker 3: who like aren't like really they're just they listen to
• 10:04
  Speaker 3: Drake and you know, whatever's hot at the time, Like
• 10:06
  Speaker 3: they were very I just it was frustrating to deal
• 10:09
  Speaker 3: with people for for about three weeks. I listen to drugs.
• 10:12
  Speaker 3: People are fucking absolutely ignorant the skill level of like Kendrick,
• 10:17
  Speaker 3: and I listen to everybody listen, it's impossible, not he's just.
• 10:21
  Speaker 1: Not better than Kendrick. Like it's not it's not really
• 10:23
  Speaker 1: even that.
• 10:24
  Speaker 3: They're not even in the side, you know, they're not
• 10:26
  Speaker 3: even in the same arena exactly, Like Kendrick is literally
• 10:30
  Speaker 3: in an arena quite possibly by himself, like it might
• 10:33
  Speaker 3: be him. Like for about wordplay, there's like guys like
• 10:35
  Speaker 3: you know and like God, but it's really Kendrick over here.
• 10:39
  Speaker 3: And then Drake's like in.
• 10:39
  Speaker 2: An arena with like and I'll say it col and
• 10:42
  Speaker 2: like I'll say this, we'll leave it here.
• 10:43
  Speaker 1: And I don't know this for a fact. This is
• 10:45
  Speaker 1: my opinion.
• 10:46
  Speaker 3: I do not know.
• 10:48
  Speaker 1: Let one of them niggas do a sneak dish or something.
• 10:50
  Speaker 2: He may lay one on a nigga ahead thirty minutes
• 10:52
  Speaker 2: later again just know that, just and then that's what
• 10:56
  Speaker 2: I'm watching. I'm watching Drake and j Cole kind of
• 10:59
  Speaker 2: like they feel like they walking through Landmark now, Like,
• 11:02
  Speaker 2: don't say nothing remotely close to accidentally making us think
• 11:06
  Speaker 2: you about to say something. I'm just glad you might
• 11:08
  Speaker 2: get cracked again. I'm glad Cole pulled out smart man.
• 11:11
  Speaker 2: Well also because he's like a good guy.
• 11:13
  Speaker 3: No, it ain't even any a good man. He's smart.
• 11:15
  Speaker 3: He's smart.
• 11:16
  Speaker 1: He's a genius. He knows what that thing is sitting
• 11:19
  Speaker 1: over there. Man. I called him Petty Pendergrass. At the
• 11:22
  Speaker 1: end of the day, he's having a ball. It's just
• 11:26
  Speaker 1: funny to him.
• 11:26
  Speaker 2: I think maybe maybe in a few years he'll probably
• 11:29
  Speaker 2: be like knowing the guy, he'll be like, damn, man,
• 11:33
  Speaker 2: I wish I wouldn't have did that.
• 11:34
  Speaker 3: You know, I probably heard his you know, because he's
• 11:35
  Speaker 3: still the caring man.
• 11:37
  Speaker 2: But once you crossed the lines, we're talking about kids,
• 11:40
  Speaker 2: and I was.
• 11:44
  Speaker 3: I remember when when Family Matters came out, I was
• 11:47
  Speaker 3: driving to Phoenix. Was it was Friday night, so like
• 11:49
  Speaker 3: he'd already put out the Compton Freestyle in the morning
• 11:52
  Speaker 3: with the glove and I remember as soon as that
• 11:55
  Speaker 3: ship dropped, I called head and I was like, Oh,
• 11:58
  Speaker 3: he don't got nothing. He's just making shit up now,
• 12:01
  Speaker 3: Like imagine like the day free thing being like a
• 12:04
  Speaker 3: thing like oh you don't, you really don't got shit.
• 12:06
  Speaker 3: You're like you're desperate, like the motherfuckers who got the
• 12:09
  Speaker 3: worst bars were the most memorable line from Drake. The
• 12:12
  Speaker 3: whole battle was shut the fuck up and make some
• 12:14
  Speaker 3: drums and then the shit he said about the weekend
• 12:17
  Speaker 3: and asap Rocky he had nothing he could say about
• 12:20
  Speaker 3: Kendrick other than he's a He's a short guy who
• 12:22
  Speaker 3: wears a shoes a certain size.
• 12:25
  Speaker 1: That's all he had, dot works out and wraps.
• 12:30
  Speaker 3: That's yeah, that's crazy.
• 12:32
  Speaker 1: That's it.
• 12:33
  Speaker 2: So you were in a actual skill battle. This wasn't
• 12:36
  Speaker 2: like a mud throwing.
• 12:37
  Speaker 3: It's the most excited, Like it was the most exciting
• 12:40
  Speaker 3: night of hip hop in my lifetime. Because I'm in
• 12:43
  Speaker 3: the car and I'm listening to family matters like over
• 12:46
  Speaker 3: and over, and I was like all right, and then
• 12:48
  Speaker 3: I'm like open Twitter and someone's like, damn, Kendrick didn't
• 12:50
  Speaker 3: even let him bathe. I'm like, wait, what it's been
• 12:52
  Speaker 3: like they're oh shit, list he dropped. And then when
• 12:56
  Speaker 3: I'm listening to fucking Meet the Grahams and I'm just like.
• 13:00
  Speaker 2: I ain't gonna hold you. I'm gonna give you some
• 13:01
  Speaker 2: real insight. Is you hearing this first? They drop family
• 13:05
  Speaker 2: matters and I text him him like this ain't it.
• 13:10
  Speaker 1: He's like at all.
• 13:11
  Speaker 2: I'm like, this ain't gonna get it. I was like, man,
• 13:14
  Speaker 2: it's trying to step on his head. He was like,
• 13:16
  Speaker 2: say less, I didn't.
• 13:17
  Speaker 3: I'm thinking we just take it. Ain't nothing deep like that.
• 13:20
  Speaker 1: It's I go to the bathroom, I come back, the
• 13:24
  Speaker 1: motherfucking song is uploaded.
• 13:26
  Speaker 3: I say, well, well wait wait wait, wait, wait wait wait.
• 13:28
  Speaker 1: I text him like, nigga, you are.
• 13:30
  Speaker 2: He's like, man, I've been waiting for this nigga to
• 13:32
  Speaker 2: drop something. So he didn't even know what he was
• 13:35
  Speaker 2: going to gainst Man, Drake shot a video and all
• 13:38
  Speaker 2: this shit. Man, boom boom, you listen, suck the life
• 13:43
  Speaker 2: out of the whole moment.
• 13:44
  Speaker 1: Sometimes you just gotta know what to do and what
• 13:47
  Speaker 1: not to do. Some people we all know over here.
• 13:49
  Speaker 2: I'll say this, I've been in the studio with them all,
• 13:52
  Speaker 2: Like with all of the greatest people that.
• 13:54
  Speaker 1: Ever, right, I've never seen nothing like that.
• 13:59
  Speaker 3: Ever.
• 14:00
  Speaker 2: The boy will go over there, turn on a beat,
• 14:02
  Speaker 2: and be twenty minutes later, you think he's gonna lay
• 14:06
  Speaker 2: eight bar, he lays the whole song with the stacks,
• 14:10
  Speaker 2: with all of them voices like wait.
• 14:12
  Speaker 1: Whoa, whoa, whoa whoa Okay, and this is twenty ten, right,
• 14:16
  Speaker 1: it's crazy, Yeah, it's crazy.
• 14:18
  Speaker 3: Different. My fuckers is different. Man.
• 14:20
  Speaker 1: He's a go, He's the goal. He's a goal.
• 14:22
  Speaker 2: As far as right now, this generation, man, they talked
• 14:24
  Speaker 2: about Big three.
• 14:24
  Speaker 3: Now it's just I think. I mean, listen, my my
• 14:28
  Speaker 3: ghost on the list at this point is really it's
• 14:30
  Speaker 3: either Jay or Kendrick. That's just personally for me. I
• 14:34
  Speaker 3: mean Nas is up there too for me personally, but
• 14:36
  Speaker 3: just like it's just got it. It's just to me,
• 14:39
  Speaker 3: like I.
• 14:40
  Speaker 1: Have to restructure my list after list.
• 14:44
  Speaker 3: Yeah, my top ten offends a lot of people because
• 14:46
  Speaker 3: I got packed like towards the bottom of it, and
• 14:47
  Speaker 3: Little Winge's not in my top ten. But uh, Drake, and.
• 14:51
  Speaker 2: Because Drake, it s because I know the type of
• 14:54
  Speaker 2: hip hop you listen to.
• 14:55
  Speaker 1: I understand your list.
• 14:56
  Speaker 3: No, No, I love pac No.
• 14:57
  Speaker 1: I'm just saying, but I know the type of hip
• 14:58
  Speaker 1: hop you look.
• 14:59
  Speaker 3: I think I got like eight you know.
• 15:02
  Speaker 2: But I mean, if you want to go Lil Wayne,
• 15:05
  Speaker 2: if you want to go, if you want to put
• 15:06
  Speaker 2: him on a knowing he's influenced. He only he only
• 15:09
  Speaker 2: had a seven year career and influence didn't do that.
• 15:12
  Speaker 3: No, but influence wise, he's probably one or two.
• 15:15
  Speaker 1: At twenty two years old, he dropped Dear Mama.
• 15:18
  Speaker 2: Gotta chill, We gotta listen, We got to chill with
• 15:21
  Speaker 2: some of these these these conversations.
• 15:22
  Speaker 1: Though at twenty we got niggas. That's it's safe to say.
• 15:26
  Speaker 3: Okay, is it safe to say Tupac is the most
• 15:28
  Speaker 3: influential rapper ever? Because if he's not one.
• 15:30
  Speaker 1: He's two most influence. I think it's Rock him or Tupac.
• 15:35
  Speaker 2: Influential was tough because I just feel like because they
• 15:39
  Speaker 2: didn't have Lil Wayne's up there too. For the record,
• 15:41
  Speaker 2: Lil Wayne has to be in that conversation, the top
• 15:43
  Speaker 2: three pots in that conversation. Uh you has to be
• 15:49
  Speaker 2: in that conversation.
• 15:49
  Speaker 3: Futures in that como. Future has influenced so much of
• 15:53
  Speaker 3: like and Kanye. I gotta say.
• 15:56
  Speaker 1: Yay, I'll take ya Yay.
• 15:57
  Speaker 3: I got ya. I think I'm gonna put ya. Well,
• 15:59
  Speaker 3: Yay's in.
• 16:00
  Speaker 2: Influence the world on a level, That's what I'm saying,
• 16:02
  Speaker 2: Like I'm looking like that, so it got to be
• 16:03
  Speaker 2: like yay Pac.
• 16:07
  Speaker 3: Then I Wayne.
• 16:12
  Speaker 2: I don't know because because I'm from here, Yeah, it didn't.
• 16:15
  Speaker 2: It definitely was something we listened to, but I didn't
• 16:18
  Speaker 2: want to like look like that.
• 16:20
  Speaker 1: I don't think these two people I'm talking about.
• 16:22
  Speaker 3: Like, I don't think jay Z. I don't think jay
• 16:24
  Speaker 3: Z influenced many people sonically. I'm thinking like the sonics
• 16:28
  Speaker 3: and hip hop. Like I'm like, damn, I can.
• 16:29
  Speaker 2: Think you're only talking music. I'm talking about influence, the
• 16:32
  Speaker 2: influence on music, like I'm talking about overall. No, overall
• 16:36
  Speaker 2: it's Tupac, who wasn't even going bad where the ball.
• 16:39
  Speaker 3: Was like it was a lot of other shit we're
• 16:41
  Speaker 3: talking about. Overall, it's Ya, Like overall Kanye Yay. Well,
• 16:46
  Speaker 3: because Kanye's like changed fashion because I think seeing a
• 16:49
  Speaker 3: thirty five year old PAK would have been an incredible
• 16:52
  Speaker 3: thing to watch for sure, we.
• 16:53
  Speaker 1: Don't have that.
• 16:54
  Speaker 2: And in that seven year span from eighteen to twenty five, bruh, He's.
• 17:00
  Speaker 3: Deal one of the highest streaming artists.
• 17:01
  Speaker 2: He still has people that will just cry over his songs.
• 17:05
  Speaker 2: It's still people trying to emulate that thing.
• 17:08
  Speaker 3: What is your favorite Tupac album. It's either Macavelly, which
• 17:15
  Speaker 3: it's crazy that that's not on the Tupac profile on Spotify.
• 17:18
  Speaker 3: It's crazy because Blasphemy is probably my favorite Tupac rap song.
• 17:22
  Speaker 3: Like the raps Yo Mcavelly is so.
• 17:25
  Speaker 2: Fire Macavelly, or are the joint before Me against World?
• 17:31
  Speaker 1: Me against the World.
• 17:31
  Speaker 3: It's got to be winds Me against the World, but
• 17:34
  Speaker 3: it just it changes.
• 17:35
  Speaker 2: But Macavelly is probably I listened to Tupac a ton
• 17:38
  Speaker 2: and like I'm like, I go back and I'm like, man,
• 17:39
  Speaker 2: Macavelly somehow, like obviously because of like the circumstances of
• 17:43
  Speaker 2: it being released, but it somehow flies under the radar
• 17:46
  Speaker 2: against Me against the World and all lies on me.
• 17:47
  Speaker 1: You know why I didn't have like the major.
• 17:49
  Speaker 3: Features it's got tossed it up on right, It didn't
• 17:53
  Speaker 3: have It was songs that was unmixed.
• 17:55
  Speaker 2: Oh yeah, Like Blasphemy might be the worst mixed released
• 17:59
  Speaker 2: major release. If you go listen to like the sonics
• 18:01
  Speaker 2: of it, it's very compressed vocals.
• 18:04
  Speaker 1: The bass is hidden like crazy, but he's.
• 18:06
  Speaker 3: Just talking so crazy on that record.
• 18:09
  Speaker 1: Blasphemy. If you really do go do your homework on that.
• 18:12
  Speaker 3: Record, shout out to uh. I think my favorite Tupac
• 18:16
  Speaker 3: song ever might beat they might be can't see me.
• 18:19
  Speaker 3: I don't know. Did dads do that beat? I think
• 18:26
  Speaker 3: Daz did that right. No, No, you should have never
• 18:29
  Speaker 3: got these from niggas. Don't be better than I don't
• 18:34
  Speaker 3: think he did. Drad who can't see me? I mean,
• 18:36
  Speaker 3: let's look it up. We have computers and yeah, look
• 18:38
  Speaker 3: it up there, fucking cyrus. Make yourself useful, pick up
• 18:42
  Speaker 3: your fucking iPhone, your vegetarian assy heart.
• 18:45
  Speaker 1: About smoking perks today from that young man, I've never
• 18:48
  Speaker 1: heard that in my fucking life.
• 18:49
  Speaker 3: Well, you know, the young kids are doing it, these
• 18:51
  Speaker 3: fucking young fucks. You were. You were a part of
• 18:54
  Speaker 3: the Molly era. Yeah, but I wasn't smoking Molly.
• 18:56
  Speaker 1: That's crazy. People have I'm sure they should. They probably died.
• 19:00
  Speaker 1: You're not supposed to do that.
• 19:02
  Speaker 3: Do you ever miss your Molly days? No? Never? Why?
• 19:07
  Speaker 2: Because I think because I took so advantage, so much
• 19:10
  Speaker 2: advantage of it, I don't need to miss it.
• 19:11
  Speaker 1: I I went to the limit.
• 19:13
  Speaker 3: Man, you were saying that you wouldn't do pills, you
• 19:16
  Speaker 3: would do like yeah, we have the actual like dust pack,
• 19:19
  Speaker 3: so you would mix it and drinks and stuff our drinks.
• 19:23
  Speaker 3: Be very I gotta be very careful. We speak no
• 19:26
  Speaker 3: drinks that you would consume. It's not like you were
• 19:28
  Speaker 3: Rick Ross and the drinks.
• 19:29
  Speaker 2: Yeah, let's always be clear in this new dnage. No,
• 19:31
  Speaker 2: I would put it in my drink.
• 19:33
  Speaker 3: Who produced it? Oh Dre did? Okay? Okay, yeah, shout
• 19:36
  Speaker 3: out to fucking Dre. Come on, man. So yeah, because
• 19:41
  Speaker 3: it's it's interesting because like you probably would not have
• 19:44
  Speaker 3: been doing the drugs you were doing if you were
• 19:47
  Speaker 3: popping right now, because you might actually take fatana on huh.
• 19:50
  Speaker 1: I would.
• 19:51
  Speaker 3: Yeah, I couldn't because back then you didn't have to
• 19:53
  Speaker 3: worry about now.
• 19:54
  Speaker 2: I'm gonna tell you what's why I wouldn't do it
• 19:56
  Speaker 2: now because I had the luxury of not having to
• 19:59
  Speaker 2: be on camera when I was high.
• 20:01
  Speaker 1: Like, if I saw what I looked like, I wouldn't
• 20:04
  Speaker 1: do it.
• 20:05
  Speaker 3: Back then, it wasn't as nah, it wasn't like snapchats Instagram.
• 20:10
  Speaker 1: It was just steals instagra.
• 20:11
  Speaker 3: There's no stories or videos yeah.
• 20:13
  Speaker 2: If the minute I would see me looking crazy, I
• 20:15
  Speaker 2: would stop.
• 20:17
  Speaker 3: So I didn't get that.
• 20:18
  Speaker 2: I just I was partying and I had I had
• 20:20
  Speaker 2: a great team around me to make sure that nothing.
• 20:23
  Speaker 1: Ever got out, Like if I ever was like a little.
• 20:26
  Speaker 2: Too loose, so I was just looking out of the level.
• 20:30
  Speaker 2: So nah, I wouldn't. It's so scary right now. But
• 20:32
  Speaker 2: there's too many cameras. It's too many.
• 20:34
  Speaker 1: My fucker's recording.
• 20:35
  Speaker 3: It's to me, Yeah, you can't do bro.
• 20:37
  Speaker 2: It's not the vibe like it's honestly, bro, it's not
• 20:40
  Speaker 2: even really smart.
• 20:41
  Speaker 1: It looks crazy.
• 20:42
  Speaker 3: Man.
• 20:42
  Speaker 2: A lot of these people are gonna look back one
• 20:43
  Speaker 2: day and they're gonna look at themselves pouring drugs and
• 20:46
  Speaker 2: they're like talking about yeah wak, Yeah, it's gonna look
• 20:49
  Speaker 2: crazy to you.
• 20:49
  Speaker 3: You know. The conserption is so crazy.
• 20:51
  Speaker 1: There's no visuals of me just sitting there just like bro.
• 20:54
  Speaker 3: Like if I was drinking lean, if I was like
• 20:56
  Speaker 3: a lean guy, I would not be walking around with
• 20:58
  Speaker 3: a double cup looking like a dope. And everywhere I go, like,
• 21:01
  Speaker 3: we have guys come in here and they're just I'm
• 21:03
  Speaker 3: just like, man, like you're just advertising that you're just
• 21:07
  Speaker 3: drinking promethesy and like, okay, what put it in a
• 21:11
  Speaker 3: fucking tumbler? Like you know what of those tumblers called
• 21:13
  Speaker 3: put it in a Stanley.
• 21:14
  Speaker 2: I'll say this, if I didn't have children, I would
• 21:18
  Speaker 2: be up.
• 21:20
  Speaker 3: For sure.
• 21:21
  Speaker 1: Right now, Right now, I'll.
• 21:22
  Speaker 3: Be going crazy.
• 21:23
  Speaker 2: I'm doing eever fucking drug I want because I'm living
• 21:25
  Speaker 2: for me at this point.
• 21:26
  Speaker 3: But right now, you gotta live for your family or children.
• 21:27
  Speaker 3: Back then, I still have to live in my family.
• 21:29
  Speaker 2: But now that I'm saying it's like no, now you
• 21:31
  Speaker 2: kind of I understand, and you got boy?
• 21:35
  Speaker 3: Did I? That's the one thing is like did I?
• 21:39
  Speaker 3: I think that's why it's important for young people to
• 21:41
  Speaker 3: not like settle down too soon, because you're always gonna
• 21:46
  Speaker 3: have the itch that you never knew you needed to scratch.
• 21:48
  Speaker 3: Get that ship out of you. You gotta get it
• 21:50
  Speaker 3: out of your system. Man, I was scratching.
• 21:54
  Speaker 1: Okay, oh fucking kay, all right, yeah man.
• 21:58
  Speaker 2: I literally sometimes was like turn on the song from
• 22:01
  Speaker 2: like twenty thirteen and remember that day what was going on?
• 22:05
  Speaker 3: It was because well you know now they do like
• 22:07
  Speaker 3: MDM a therapy for like PTSD. Did you know that?
• 22:10
  Speaker 3: I heard that? But if you do Molly, like, does
• 22:13
  Speaker 3: it keeps you up? Right? Yeah? I don't know.
• 22:17
  Speaker 2: I haven't done it for so long. I know I
• 22:19
  Speaker 2: would be up, but I wouldn't be up like a fiend.
• 22:21
  Speaker 3: No, but you would just you know, prefer like a night.
• 22:24
  Speaker 3: Maybe you wouldn't be like fucking motherfucker'd be on adderall
• 22:29
  Speaker 3: what suit I mean?
• 22:30
  Speaker 1: It was times where it was like.
• 22:31
  Speaker 3: Oh, you know what I mean?
• 22:33
  Speaker 2: Yeah, but I would have my shades on. And again,
• 22:36
  Speaker 2: if my people saw.
• 22:37
  Speaker 1: It, I was too high, they like stack in front
• 22:39
  Speaker 1: of me, like, give me some water.
• 22:42
  Speaker 3: What's it feel like now to be like, uh, You've
• 22:44
  Speaker 3: had so many errors of your career. I was telling you,
• 22:48
  Speaker 3: like the first time I ever met you, I was
• 22:50
  Speaker 3: like an intern at the radio station. Well it was
• 22:52
  Speaker 3: oh nine, so I was probably doing weekends. But you
• 22:54
  Speaker 3: came in for a mixture meeting when I'm toe up dropped,
• 22:58
  Speaker 3: which was on what label you know versus Republic. Who's
• 23:01
  Speaker 3: on the remix in that song?
• 23:02
  Speaker 1: Uh Snoop Quick Corrupt Terrorists.
• 23:08
  Speaker 3: Yeah, but that was like, damn, that was so long ago. Fuck,
• 23:12
  Speaker 3: that was fifteen years ago. Yeah, and uh you were
• 23:17
  Speaker 3: like a new artist then yes, uh and then you
• 23:20
  Speaker 3: ended up going through being independent, Yeah, dropping like what Yeah,
• 23:25
  Speaker 3: turning down every major label in the fucking world. Yeah,
• 23:30
  Speaker 3: going on a crazy run. Like I mean, like, do
• 23:34
  Speaker 3: you ever reflect that? Like you're you're like a oh
• 23:37
  Speaker 3: like a triple og low key.
• 23:39
  Speaker 2: Now I have to I've been getting reminded lately of
• 23:42
  Speaker 2: what I've done and who I am.
• 23:44
  Speaker 3: I'm so looking to what's next.
• 23:47
  Speaker 2: That I don't actually get around and sit and just
• 23:49
  Speaker 2: get to smell the roses. I've been doing a lot
• 23:51
  Speaker 2: more sniffing these days. I realized my place in this
• 23:53
  Speaker 2: sniffing of the roses. Yes, I'm definitely I've definitely been
• 23:57
  Speaker 2: understanding my place, what I am, and I'm gonna stand
• 24:00
  Speaker 2: in it a lot more.
• 24:02
  Speaker 3: You should.
• 24:02
  Speaker 1: Man had a legendary career. A lot of people would kill.
• 24:07
  Speaker 2: For a lot of opportunities I've been a part of,
• 24:08
  Speaker 2: and I love it. I love sitting in this space.
• 24:10
  Speaker 2: It's a confidence that I walk around with and I
• 24:12
  Speaker 2: didn't know it was because of that. I was able
• 24:15
  Speaker 2: to accomplish a lot. Bro And I'm super proud of
• 24:17
  Speaker 2: everybody that's been around to assisting that and helping that.
• 24:19
  Speaker 2: But for fuck show year, man, I one of the ones.
• 24:22
  Speaker 3: You're definitely one of those ones, and you've always done
• 24:25
  Speaker 3: such a great job of like pulling up everybody else too.
• 24:28
  Speaker 1: Yeah, but it's important.
• 24:30
  Speaker 2: I mean, like you just said, like my remix featured
• 24:32
  Speaker 2: all the g's. They pulled me up. I would never
• 24:35
  Speaker 2: put out on fucked Up and Snooped and tell me too.
• 24:37
  Speaker 2: I was over there working on Ego Tripping. We had
• 24:39
  Speaker 2: some downtime. He was like, do you work on shit
• 24:41
  Speaker 2: for yourself? I'm like, yeah, I actually got this record.
• 24:44
  Speaker 2: He's like, when you get back put this out. I
• 24:46
  Speaker 2: literally like, when you get back, we get.
• 24:48
  Speaker 3: To la drop this, cause that's crazy.
• 24:50
  Speaker 2: I dropped it in the rest is history shout the
• 24:53
  Speaker 2: Ego trip and underrated Snoop.
• 24:54
  Speaker 1: Very underrated, very under I learned the industry on that.
• 24:58
  Speaker 2: Everybody that I met during that process, I've gotten that
• 25:01
  Speaker 2: swum friends with today.
• 25:03
  Speaker 3: That's so fire. Yeah. Yeah, it's interesting because like I
• 25:06
  Speaker 3: think of like what West Coast hip hop was like
• 25:10
  Speaker 3: in O nine, because in O nine you're thinking, oh wait,
• 25:14
  Speaker 3: oh nine, it.
• 25:14
  Speaker 1: Was like all gang bang shit.
• 25:16
  Speaker 3: Yeah, but it was like it was almost like that
• 25:18
  Speaker 3: weird era where a lot of the young dudes on
• 25:23
  Speaker 3: the come up had a chip on their shoulder because
• 25:25
  Speaker 3: a lot of the ogs weren't co signing what was
• 25:28
  Speaker 3: going on in LA. That's another thing, like I didn't
• 25:30
  Speaker 3: have that, but you didn't have that problem because yeah,
• 25:32
  Speaker 3: I didn't have that story. But you you remember that
• 25:34
  Speaker 3: era where like guys like newst I mean shit, I
• 25:36
  Speaker 3: remember I interviewed Nipsey and he called out fucking everybody.
• 25:39
  Speaker 3: He called out Dre called on everybody in our interview. Yeah,
• 25:42
  Speaker 3: the New West, I mean I was in that, you
• 25:44
  Speaker 3: know what I'm saying.
• 25:44
  Speaker 2: Shot the glasses, Bishop Maestro a Thou said, Jay Rod.
• 25:47
  Speaker 2: We was all out there thugging in and trying it.
• 25:50
  Speaker 2: But I saw window, And once I saw the window,
• 25:53
  Speaker 2: I'm like, yo, and ain't what y'all think. I had
• 25:56
  Speaker 2: to explain to some of the homies and they got
• 25:59
  Speaker 2: it later that the first There's only been one generation
• 26:03
  Speaker 2: of West Coast hip hop before us, only one, and
• 26:06
  Speaker 2: that was the Easy, the Snoops, the Dre's, the quicks
• 26:09
  Speaker 2: and that, and they were getting fucked and all of
• 26:12
  Speaker 2: their deals.
• 26:13
  Speaker 1: They didn't have control of their masters. They were only
• 26:16
  Speaker 1: doing what they were taught.
• 26:17
  Speaker 3: Shit, low key. The only guys on the West Coast
• 26:19
  Speaker 3: that really had like their shit together was probably what
• 26:21
  Speaker 3: like forty.
• 26:22
  Speaker 1: Forty forty and too short.
• 26:25
  Speaker 3: Yeah, the jive shit because they just had distract.
• 26:27
  Speaker 2: And that's because they were up top and they were
• 26:28
  Speaker 2: looking like hold on, that don't make no sense. They
• 26:31
  Speaker 2: were watching easy instead of watching the stars, they were
• 26:34
  Speaker 2: watching the guy that was running to play so and then.
• 26:37
  Speaker 2: So you can't expect somebody who has never led to
• 26:40
  Speaker 2: show you how to lead, right, you get what I'm saying.
• 26:43
  Speaker 2: They didn't know that they can go be independent to
• 26:46
  Speaker 2: get their own bag.
• 26:46
  Speaker 3: You know what I'm saying.
• 26:47
  Speaker 1: You got to think what Dog was nineteen twenty when
• 26:49
  Speaker 1: he got his deal, Like these were all kids.
• 26:52
  Speaker 2: So to expect them to come and usher us in
• 26:54
  Speaker 2: because we think we're good man, get the fuck.
• 26:57
  Speaker 1: Out of here. That's not how this go.
• 26:59
  Speaker 3: That's not how this Yeah. I also think like at
• 27:01
  Speaker 3: the time, like you know, a lot of those guys
• 27:03
  Speaker 3: like who knows what ice Cube was fucking shooting Like
• 27:07
  Speaker 3: you know, I think sometimes when Glasses used to be
• 27:10
  Speaker 3: taking shots at ice Cube all the time. And he'll
• 27:12
  Speaker 3: swear to God he's not, but I'm here to say
• 27:15
  Speaker 3: he does. He was all the time. But look at
• 27:17
  Speaker 3: if you really think about it, it's like people who
• 27:20
  Speaker 3: look at like certain DJs or it's like bro like
• 27:23
  Speaker 3: at the end of the day, like there's there are
• 27:26
  Speaker 3: artists who I think nowadays realize like, hey, maybe there's
• 27:30
  Speaker 3: some sort of responsibility to try to pull up some
• 27:33
  Speaker 3: of the new generation. But man, back then, the Internet
• 27:35
  Speaker 3: wasn't as lit. There was no Instagram. There was just MySpace,
• 27:39
  Speaker 3: and like, dude, if you're ice Cube, how many movies
• 27:41
  Speaker 3: are you fucking shooting? And how many random mixtapes on
• 27:45
  Speaker 3: in a fucking slim jewel CD case are you running
• 27:47
  Speaker 3: through to fucking see what's going on in la. It's
• 27:49
  Speaker 3: just a different era of just man.
• 27:51
  Speaker 2: Though like back then it was like you have to
• 27:54
  Speaker 2: work hard for your opportunities.
• 27:57
  Speaker 3: We're not gonna just give you anything. That was because
• 27:59
  Speaker 3: it really was like the generation you're talking about. And
• 28:02
  Speaker 3: then the face commercially worldwide for five years old was
• 28:06
  Speaker 3: the game.
• 28:07
  Speaker 2: We're technically like, he's the bridge between the first generation
• 28:11
  Speaker 2: and the second generation.
• 28:12
  Speaker 3: Yes, it's the game.
• 28:13
  Speaker 1: He's the bridge because he was in five when nothing
• 28:17
  Speaker 1: was shaken brand new from here, do you know what
• 28:19
  Speaker 1: I'm saying?
• 28:20
  Speaker 2: Then we came and we ushered in a whole new
• 28:23
  Speaker 2: look of what Los Angeles looked like. Because again before
• 28:27
  Speaker 2: I'll say, like teach me how to Dougie, you're a jerk,
• 28:31
  Speaker 2: and records likes.
• 28:34
  Speaker 3: I'm fucked up.
• 28:35
  Speaker 2: Everything else was gang bang shit, and if it didn't
• 28:38
  Speaker 2: gang bang, it wasn't getting the looks.
• 28:41
  Speaker 3: For sure.
• 28:41
  Speaker 1: We ushered in a whole new situation.
• 28:43
  Speaker 2: It was the party, and then the TV guys came,
• 28:46
  Speaker 2: and then Dom came, and then came, and then everybody
• 28:49
  Speaker 2: kind of came with them, Tyler the Creator, they came.
• 28:51
  Speaker 3: Everybody just came.
• 28:53
  Speaker 2: And then it was like all right, we all standing together.
• 28:55
  Speaker 2: So we became the second generation and we all started
• 28:58
  Speaker 2: our own companies. Very different, very different thing like we
• 29:02
  Speaker 2: wasn't looking to be.
• 29:03
  Speaker 3: Signed were the blog era, which.
• 29:06
  Speaker 1: Was the blog era was huge in that. So we
• 29:08
  Speaker 1: are far more giving.
• 29:10
  Speaker 2: Because it's like, all right, we we realize that it's
• 29:13
  Speaker 2: it's more opportunity if all of us are success.
• 29:15
  Speaker 3: Right.
• 29:16
  Speaker 2: The first half was like you got to be the king,
• 29:18
  Speaker 2: you got to be the best.
• 29:20
  Speaker 1: It's only one king. To the west, We're like it's
• 29:23
  Speaker 1: kings up with a seat and we're gonna all do
• 29:26
  Speaker 1: like this. But we all know that you know, TD
• 29:28
  Speaker 1: they got it. They're the they're the handle thet.
• 29:31
  Speaker 2: Probably they're probably the biggest label ever in West Coast
• 29:34
  Speaker 2: history with.
• 29:35
  Speaker 1: The longest run.
• 29:36
  Speaker 3: Yeah, I mean with the longest run.
• 29:37
  Speaker 1: For no, they're the biggest ever.
• 29:38
  Speaker 3: No, no, no, for sure, Yeah, I just, I just
• 29:40
  Speaker 3: I know, I know.
• 29:43
  Speaker 1: It's like death Row a four year run.
• 29:46
  Speaker 3: No, for sure, it was short. We got but but
• 29:49
  Speaker 3: I got fucking sixteen year old kids that go to
• 29:51
  Speaker 3: my kids school wearing death Row T shirts. It's crazy.
• 29:54
  Speaker 2: Yeah, because Snoop Dog is one of the most influential
• 29:57
  Speaker 2: faces of the Death Roa fire.
• 30:01
  Speaker 1: But look, but look what he's doing now though.
• 30:03
  Speaker 2: He's now like, Okay, I'm gonna make death Row diapers,
• 30:06
  Speaker 2: I'm gonna make death roll I'm making death Rows. So
• 30:09
  Speaker 2: he took what he saw with how Master repetd is
• 30:13
  Speaker 2: thing and everything, and he's gonna apply it. He got
• 30:14
  Speaker 2: corrupt getting the back, Dad's getting the bag. I think
• 30:17
  Speaker 2: Danny Boy dropping the project. So he's doing it the
• 30:20
  Speaker 2: way that he saw, like us.
• 30:22
  Speaker 3: You can get a new Lady Rage album. That'd be hard.
• 30:24
  Speaker 2: I think that's crazy that you bit on the TV thing.
• 30:28
  Speaker 2: I want to I want to ask you about that,
• 30:29
  Speaker 2: Why do you why do you think that it's not?
• 30:32
  Speaker 3: I just think of death Row and like Tupac and
• 30:34
  Speaker 3: Snoop because we talked about the most famous rapper ever. Okay,
• 30:38
  Speaker 3: think about it from The Chronic, which is quite possibly
• 30:44
  Speaker 3: the most important album to ever come out of the
• 30:46
  Speaker 3: West Coast, even though I think Doggie Style is personally,
• 30:48
  Speaker 3: but the Chronic is the Chronic, right, It's kind of
• 30:50
  Speaker 3: like what kicked off this whole, like Snoop, Tupac, Death
• 30:54
  Speaker 3: Row era. I just think if you think of Doctor
• 30:57
  Speaker 3: Dre even though you only put one album out with
• 30:59
  Speaker 3: death Row, Snoop two albums, and then Tupac was two albums,
• 31:05
  Speaker 3: I just think those three are like, but.
• 31:09
  Speaker 1: How old are you when he's dropped?
• 31:10
  Speaker 3: So I was born in I was born in eighty seven.
• 31:12
  Speaker 3: So you so I was five five six when I
• 31:16
  Speaker 3: was Yeah, I was so of course.
• 31:17
  Speaker 2: I mean, shit, bubble gum and candy is the biggest
• 31:19
  Speaker 2: thing on earth for you too at that time.
• 31:21
  Speaker 3: No, No, I think I think if you look at
• 31:22
  Speaker 3: TD now, like obviously you got fucking Kendrick, you got Sizzy,
• 31:25
  Speaker 3: you got Q, you got fucking j Rock, you got
• 31:28
  Speaker 3: the whole. I don't disagree, but I just think if
• 31:31
  Speaker 3: we're talking about like.
• 31:32
  Speaker 1: They're on their twentieth year, bro Tupac snoop.
• 31:36
  Speaker 3: If you like you just said Tupac had a seven
• 31:39
  Speaker 3: year career, right, No, you're a seven year career. You
• 31:41
  Speaker 3: were like, yeah, a seven year career. Look what he
• 31:42
  Speaker 3: did to me? Even though Death Throw only had like
• 31:45
  Speaker 3: that run, what they did in the run was like it's.
• 31:50
  Speaker 2: Just because of the mess, but also infatuated with the Mets.
• 31:55
  Speaker 2: I'm not here to tear down dere Let's stop here.
• 31:57
  Speaker 2: I'm saying we have.
• 31:58
  Speaker 3: To recognize that there was a there.
• 32:01
  Speaker 2: There is a company's right now, right now, like today,
• 32:05
  Speaker 2: like we have today that has two of the biggest
• 32:08
  Speaker 2: artists in.
• 32:09
  Speaker 3: Music for sure, like today from l A like.
• 32:12
  Speaker 2: Today though and this actual day, and they've had them
• 32:16
  Speaker 2: the whole time.
• 32:17
  Speaker 3: Yeah, no, I'm not.
• 32:18
  Speaker 1: You got to give them that.
• 32:19
  Speaker 3: It's it's it's close.
• 32:21
  Speaker 1: No, it's really not close. Nobody died.
• 32:26
  Speaker 3: I think t TD is a better company.
• 32:28
  Speaker 2: T It's the biggest, it's the bigges, it's the biggest
• 32:31
  Speaker 2: label to come out of the West Coast in history.
• 32:34
  Speaker 3: I think you're right, But I'm just thinking if we're
• 32:36
  Speaker 3: talking about like.
• 32:37
  Speaker 1: The numbers say that, I'm I'm extremely right.
• 32:42
  Speaker 3: I'm not. I'm not disagreeing with you. I'm just saying
• 32:44
  Speaker 3: it is a discussion.
• 32:46
  Speaker 1: We're having a discussion. It's a discussion, but it's one
• 32:47
  Speaker 1: that needs to be had because.
• 32:49
  Speaker 3: It's either Death Rower TD.
• 32:51
  Speaker 2: No, it's td E. But then but it's TD. It
• 32:54
  Speaker 2: has to be bro like it has to Okay, you're
• 32:56
  Speaker 2: a Lebron fan right right now, So let's say who
• 33:02
  Speaker 2: had a good seven year one in hoops?
• 33:04
  Speaker 3: Uh, Brandon Roy?
• 33:06
  Speaker 1: Brandon Roy, So you're gonna put him against Lebron?
• 33:08
  Speaker 3: No, right, no, But it's different. It's not if in those.
• 33:11
  Speaker 1: Four right now, one of.
• 33:15
  Speaker 3: Brandon Roy in four years won four championships and had
• 33:17
  Speaker 3: four m vps or something, you'd be like, fuck, man,
• 33:20
  Speaker 3: Like think of Bill Walton, Like remember when Bill Wanton
• 33:23
  Speaker 3: was on the Blazers. Well, I don't remember neither of
• 33:24
  Speaker 3: you because we're I mean, fuck, but Brian's fifty nine.
• 33:28
  Speaker 3: He was there, remember, But it's like Bill Walton. They
• 33:31
  Speaker 3: always say it was like the best player on the
• 33:33
  Speaker 3: in the world, and then he got injured. But when
• 33:34
  Speaker 3: he was active for those like two or three years,
• 33:37
  Speaker 3: he took the charney to.
• 33:38
  Speaker 1: Do that for the white niggas.
• 33:39
  Speaker 3: Listen, it don't work like that.
• 33:40
  Speaker 1: Okay, this what we got.
• 33:41
  Speaker 2: We gotta stop, all right, So t it's TD, it's TD,
• 33:44
  Speaker 2: then it's death Row.
• 33:46
  Speaker 3: But it's close.
• 33:48
  Speaker 2: It's not though, it's it's close in our hearts. We
• 33:52
  Speaker 2: impact impact for sure. Because we're young impact, it's more impact. Yeah,
• 33:57
  Speaker 2: Ted Throw's got more impact. I think it's the most
• 34:00
  Speaker 2: impactful label ever because of But it's fifty percent talent,
• 34:04
  Speaker 2: fifty percent dirt.
• 34:06
  Speaker 3: Yeah, but fucking the chronic bro, all eyes on me.
• 34:09
  Speaker 3: I'm not saying thetyle.
• 34:11
  Speaker 1: Listen, those are all amazing records, like I'm talking about.
• 34:14
  Speaker 2: We're not saying that food. But they're more known for
• 34:18
  Speaker 2: who got shot and who's in jail.
• 34:20
  Speaker 3: I don't know if I don't know if that's came on.
• 34:24
  Speaker 3: When I think of Death Throw, I.
• 34:26
  Speaker 1: Just think, why you got that grin because it's making
• 34:27
  Speaker 1: sense to me. To me, I'm trying to thinking. Dog
• 34:30
  Speaker 1: Doggy Style is one of my favorite albums ever.
• 34:32
  Speaker 2: Okay, let me ask you this. I'm not saying that.
• 34:34
  Speaker 2: I'm not going to sit there in debate.
• 34:35
  Speaker 1: Did anybody on TDE make a better album than Doggy Style.
• 34:39
  Speaker 2: Well, I think dog now you that's a conversation where
• 34:41
  Speaker 2: you might have some leeway.
• 34:42
  Speaker 3: Do you think Doggystown's Where do you rank it? How
• 34:45
  Speaker 3: about this? Where's your favorite West Coast album? Like? What's
• 34:47
  Speaker 3: number one for you? Because to me, it's Doggie Style
• 34:49
  Speaker 3: and then it's probably good Command City after that or
• 34:52
  Speaker 3: two thousand and one. It's so tough with that question
• 34:56
  Speaker 3: for me because I'm a safe and sound guy. Shout
• 35:02
  Speaker 3: out the safe and sound safe best album.
• 35:04
  Speaker 2: We're talking about life from the beginning to the end,
• 35:06
  Speaker 2: like I don't tell nothing. Uh, Doggy Style is probably it,
• 35:11
  Speaker 2: though I would have to say Doggie Style I would understand.
• 35:14
  Speaker 1: But I'm gonna tell you the one we don't talk about.
• 35:16
  Speaker 3: That certificate's great, definitely great.
• 35:18
  Speaker 2: But that's that's a certain ear you need for that. Yes,
• 35:21
  Speaker 2: but are we counting mcavelly in my counting? Okay, okay,
• 35:25
  Speaker 2: so we gotta go doctor dry. Two thousand and one
• 35:29
  Speaker 2: never is never put two.
• 35:30
  Speaker 3: Thousand and one over the first chronic personally, but maybe
• 35:33
  Speaker 3: it's just because of my age. But I put two
• 35:34
  Speaker 3: thousand and one over the O. G. Kronas. Now that's now,
• 35:37
  Speaker 3: that's crazy. Well, you just said it. You just said it.
• 35:39
  Speaker 1: No, say, we got to put it in the conversation
• 35:41
  Speaker 1: whatever said.
• 35:41
  Speaker 3: I put it over the Chronic me. But it's because
• 35:45
  Speaker 3: I was, like I bought the two thousand and one.
• 35:48
  Speaker 3: I can see that though, Like that mean you know
• 35:50
  Speaker 3: what we got to do that one, that play it's
• 35:52
  Speaker 3: an age thing. No, listen, and I'm gonna tell you this,
• 35:55
  Speaker 3: two thousand and one age better than the Chronic. Listen
• 35:57
  Speaker 3: to them back to back and tell me it didn't
• 35:59
  Speaker 3: a better definitely age better. We go, let's revisit this,
• 36:04
  Speaker 3: We revisit this. I'm revisiting this. It's close, but I
• 36:08
  Speaker 3: think I'll give it to two thousand and one. But
• 36:10
  Speaker 3: I think Doggy Style is.
• 36:11
  Speaker 1: Just what's your favorite rap album?
• 36:12
  Speaker 3: Period? Though it's either it's always changing, but I have
• 36:17
  Speaker 3: like a three or four rotation of Doggie Style, My Beautiful, Dark,
• 36:22
  Speaker 3: Tussed Fantasy, ell Mattic or Get Richard Die Trying also
• 36:26
  Speaker 3: outcast Equeminized in there I got too. Those are my five.
• 36:29
  Speaker 3: I got Marshall Mathers LP. I mean, yeah, that's not
• 36:33
  Speaker 3: my favorite album is eminem Show. That's Marshall Matthers LP
• 36:36
  Speaker 3: is Numero uno and then we can go.
• 36:38
  Speaker 2: Get rich trying. I'm talking about things that I like,
• 36:43
  Speaker 2: have to listen to even now as I'm riding around.
• 36:46
  Speaker 3: I love it.
• 36:46
  Speaker 2: I mean listen, Yeah, the Black Album has to be
• 36:50
  Speaker 2: in that conversation from who were we.
• 36:52
  Speaker 3: Just talking to? We're talking to somebody about the Black Album.
• 36:55
  Speaker 3: I said, somehow when we talk about Jay's best album,
• 36:58
  Speaker 3: my favorite reasonable doubt. But I like, on any given
• 37:01
  Speaker 3: day it's highly reasonable doubt the blueprint of the Black Album.
• 37:03
  Speaker 3: And I feel like the Black Album will get enough
• 37:04
  Speaker 3: love when we're talking about black albums and fucking purpose
• 37:08
  Speaker 3: and DJ Quick had a beat on there and justify
• 37:11
  Speaker 3: my thug bro it's insanity.
• 37:13
  Speaker 1: Yeah, no, yeah, I wonder what people are gonna stand.
• 37:17
  Speaker 3: I mean, everybody's gonna have their opinions. Uh so you
• 37:20
  Speaker 3: and DJ Quick, Yeah, he's right here, the invisible DJ Quick. Yes,
• 37:26
  Speaker 3: Sleep you said, I went to your dinner the other
• 37:29
  Speaker 3: day and you had said on the mic that he
• 37:31
  Speaker 3: was going to retire. Yeah, and you talked him out
• 37:33
  Speaker 3: of retiring.
• 37:35
  Speaker 2: I don't know if I talked him out of it.
• 37:38
  Speaker 2: What happened was I do this thing called hell Week,
• 37:40
  Speaker 2: where I just record whatever ideas I have.
• 37:43
  Speaker 3: I got to do at least three to four ideas
• 37:44
  Speaker 3: a day before I leave the studio.
• 37:45
  Speaker 2: Okay, So he we end up getting the FaceTime. He's like,
• 37:48
  Speaker 2: what you're doing on record? He's like, man, I just
• 37:50
  Speaker 2: bought a house. When you see it, I'm like, I'll
• 37:52
  Speaker 2: pull up, so I'll packed my ship up.
• 37:54
  Speaker 1: I'll bring it with me.
• 37:55
  Speaker 2: So I go over there and I'm just looking at
• 37:57
  Speaker 2: the spot of Man, man, you gotta vibe in here.
• 38:00
  Speaker 3: He said, what was you doing?
• 38:00
  Speaker 1: You got your ship with you. I'm like, yeah, let
• 38:01
  Speaker 1: me set up right here. Let's do a song.
• 38:03
  Speaker 3: So I set up in his living room.
• 38:04
  Speaker 1: We did a record and he was like, yeah, man,
• 38:07
  Speaker 1: that's do.
• 38:07
  Speaker 3: He's like, come back tomorrow.
• 38:08
  Speaker 1: We did another one. Now he's complaining, Man, why are
• 38:13
  Speaker 1: we even doing this ship?
• 38:14
  Speaker 3: Music doesn't even make no money. I'm just get this money, man,
• 38:17
  Speaker 3: I'm not doing this ship.
• 38:19
  Speaker 1: I'm like all right, But he's hearing the songs. He's liked, man,
• 38:22
  Speaker 1: let me get on that one.
• 38:24
  Speaker 3: Now.
• 38:25
  Speaker 1: Every day we had day five. Now I come back.
• 38:28
  Speaker 2: Now it's extra equipment sitting next to my equipment. He's like, yeah,
• 38:32
  Speaker 2: I thought you might needed a better mic back impressor
• 38:34
  Speaker 2: we do color wars. On next day, it's keyboards up.
• 38:38
  Speaker 2: He's like, yeah, man, I heard the one thing I
• 38:39
  Speaker 2: might want to put that on there. Next day, now
• 38:42
  Speaker 2: it's trumpets, drums, ship. Now his whole living room has
• 38:45
  Speaker 2: now become this massive studio that he's just been piecing together.
• 38:51
  Speaker 2: And then we looked up you know, I called Jay Worthy.
• 38:56
  Speaker 1: He an artist, and he came in and he asked
• 38:59
  Speaker 1: he actually asked for an opportunity to an r.
• 39:02
  Speaker 2: He said, I've been doing this for a lot of
• 39:03
  Speaker 2: artists and nobody really gave me the credit for it.
• 39:05
  Speaker 2: And I'm like, well, shit, what is it that you do?
• 39:07
  Speaker 2: I know you just from rapping you, my homie. It's like,
• 39:09
  Speaker 2: I'm gonna show you.
• 39:10
  Speaker 3: And he's got his fingerprints on a lot of shit people.
• 39:12
  Speaker 1: He turned it up.
• 39:13
  Speaker 2: Man.
• 39:13
  Speaker 1: We was getting verses out of nowhere, just coming in
• 39:15
  Speaker 1: out of nowhere, just coming out of nowhere.
• 39:17
  Speaker 2: People that was just excited to be a part of
• 39:18
  Speaker 2: the project. So as that's happening, Quit is getting more excited.
• 39:21
  Speaker 2: Now I'm coming back and he's he has verses on
• 39:24
  Speaker 2: records that didn't have verses on it. He's waking up
• 39:26
  Speaker 2: at his sleeves like, yeah, man, check that out. We
• 39:28
  Speaker 2: look up, we recorded forty two songs. Jesus I said,
• 39:32
  Speaker 2: all right, uh, we got a couple of albums here.
• 39:35
  Speaker 1: So he was like, what you're gonna do?
• 39:37
  Speaker 2: I said, let me go figure something out. Took the
• 39:40
  Speaker 2: best seventeen that I liked for this first.
• 39:41
  Speaker 3: Play, So you guys gotta do more than one. Well
• 39:45
  Speaker 3: I didn't say that yet. Well let's stay here right now.
• 39:49
  Speaker 3: But Trooper cover two on the way, it.
• 39:50
  Speaker 1: Went from all day, we gotta get one out first,
• 39:53
  Speaker 1: but June fourteen.
• 39:55
  Speaker 2: It went from that to man, I got a record deal. Bro, shit,
• 40:00
  Speaker 2: we got brand collapsed. Oh we're doing this shit with
• 40:02
  Speaker 2: Kevin Hart.
• 40:02
  Speaker 3: Oh we gotta go do.
• 40:03
  Speaker 1: Somebody else album. And yeah, he couldn't retire.
• 40:07
  Speaker 3: It's crazy because, like I don't think you know, I
• 40:10
  Speaker 3: lived in Florida for about two and a half years,
• 40:12
  Speaker 3: and while I was living in Florida, I would like
• 40:15
  Speaker 3: listen to some DJ Quick like like shit, like like
• 40:18
  Speaker 3: some real classic West Coast certain shit and like some
• 40:21
  Speaker 3: of my homies about what the fuck is this? I'm like,
• 40:23
  Speaker 3: you don't know this. I think it's It has to
• 40:26
  Speaker 3: be said that DJ Quick might be the greatest producer,
• 40:32
  Speaker 3: slash rapper of all time. I'm with that. And in
• 40:35
  Speaker 3: that conversation, obviously is Kanye West in that conversation obviously
• 40:39
  Speaker 3: is you know shit doctor Dre you know obviously, uh,
• 40:43
  Speaker 3: but Quick is in the conversation if not like if
• 40:46
  Speaker 3: we're like you said, like Quick is like if we
• 40:50
  Speaker 3: go back and like, bro, this full like came out.
• 40:52
  Speaker 3: He has one of the craziest, most scathing disc records ever.
• 40:57
  Speaker 3: He checks all the boxes. He checks all the boxes
• 40:59
  Speaker 3: as an end see, he's got classics and as a producer,
• 41:03
  Speaker 3: genre hopping and genre hopping of genres, and he might
• 41:08
  Speaker 3: be the most underrated artist ever in hip hop. It's
• 41:12
  Speaker 3: like him. It's black thought. It's like there's a few guys,
• 41:14
  Speaker 3: but like Quick is like nationally like bro, when I
• 41:16
  Speaker 3: was in Florida and I was listening to like fucking
• 41:18
  Speaker 3: Safe and Sound, and my boys like had no idea
• 41:21
  Speaker 3: what the funk it was, I was like, really, So,
• 41:25
  Speaker 3: I think there's still like a huge part of the
• 41:27
  Speaker 3: country that like doesn't appreciate DJ Quick the way we like,
• 41:32
  Speaker 3: I feel like we all should. He's done the band
• 41:34
  Speaker 3: ship you think.
• 41:35
  Speaker 1: I really think it's like I knew that.
• 41:37
  Speaker 3: Was right there.
• 41:39
  Speaker 2: Yeah, I think it's on us to change that narrative.
• 41:42
  Speaker 2: Maybe we just stop using words like underrated and stop
• 41:44
  Speaker 2: using those type of words and just like really switch it,
• 41:46
  Speaker 2: because I think it's all in what we're saying.
• 41:49
  Speaker 1: Because if you.
• 41:50
  Speaker 2: Ask the who's who's like, they know they are. He
• 41:53
  Speaker 2: He's a true vicabra man.
• 41:55
  Speaker 1: He's he is.
• 41:57
  Speaker 2: He's the guy you call to get everything together there
• 42:00
  Speaker 2: still to this day. And when I say, like the
• 42:02
  Speaker 2: highest highest end musicians respect his ear, it's a whole
• 42:06
  Speaker 2: different class of things.
• 42:09
  Speaker 1: I'm that was a big deal for me with this project.
• 42:12
  Speaker 2: I was actually that I was able to produce this
• 42:13
  Speaker 2: project and was to like really try to highlight his
• 42:19
  Speaker 2: strong points in what y'all really need to see on
• 42:21
  Speaker 2: what he is and what he's going to continue to be,
• 42:23
  Speaker 2: at least for me. I mean, I'm not rapping if
• 42:25
  Speaker 2: it's not for quick and snoop, you know what I'm saying.
• 42:28
  Speaker 3: But quick, especially with me.
• 42:29
  Speaker 2: Being from Compton Us having like the similar style of going.
• 42:33
  Speaker 1: To party way with some street edge.
• 42:37
  Speaker 2: Genre hopping, the underrated world word all of that, I
• 42:42
  Speaker 2: look at I look at him and say, you know what,
• 42:45
  Speaker 2: fuck it, let's just ban up together and just take
• 42:48
  Speaker 2: on everybody.
• 42:49
  Speaker 1: Man and just see what happens.
• 42:50
  Speaker 3: And tons of dope features on the album. Thundercat's got
• 42:54
  Speaker 3: some production on here, right, Yeah, you got two on there.
• 42:56
  Speaker 3: I went up and shook his hand with all his
• 42:58
  Speaker 3: rings at your dinner another guy. I was like, hey, man,
• 43:02
  Speaker 3: you're a fucking legend. I shoulna say hello.
• 43:04
  Speaker 2: Yeah, we went and grabbed all genres of Compton. Thundercat
• 43:07
  Speaker 2: channel trails both Compton guys that I think the.
• 43:10
  Speaker 1: City needs to really embrace as well.
• 43:13
  Speaker 3: Eamn, he's fucking I mean jesus.
• 43:15
  Speaker 2: Yeah, just understand, like you know what I'm saying, Like
• 43:17
  Speaker 2: the Steve Lacey's, it's a lot coming out of the
• 43:20
  Speaker 2: city that doesn't get highlighted just because it didn't choose
• 43:23
  Speaker 2: to like pick a rag.
• 43:25
  Speaker 3: Yeah, I think, like you know that that's kind of there,
• 43:31
  Speaker 3: especially in the last decade. I feel like, like you said,
• 43:34
  Speaker 3: like Tyler's Tyler, but people don't give him the La
• 43:38
  Speaker 3: credit you got to because because he's not people like
• 43:42
  Speaker 3: nationally associate La with the gang bang and shit. Right,
• 43:45
  Speaker 3: So it's like and even like Kendrick, who isn't necessarily
• 43:48
  Speaker 3: involved in that life, Like what narrated that like what
• 43:50
  Speaker 3: it was like his first album that obviously not his
• 43:53
  Speaker 3: first album, but his first album nationally was Good Kid,
• 43:56
  Speaker 3: Mad City, And it was very much like a perspective
• 43:59
  Speaker 3: of a kid who grew up witnessing all of this
• 44:02
  Speaker 3: ship as to where like Tyler like and Earl and those,
• 44:05
  Speaker 3: I think they.
• 44:06
  Speaker 2: Took their evisually always let you know that what he's
• 44:10
  Speaker 2: been surrounded by.
• 44:11
  Speaker 3: Yeah, and like he came up with j Rock and TD.
• 44:14
  Speaker 2: And you know, you know he's really from over there though.
• 44:16
  Speaker 2: We we're from the we're from the exact same area
• 44:18
  Speaker 2: with Compton. And I used to see him at the
• 44:21
  Speaker 2: corner doing this thing across the street doing this thing
• 44:24
  Speaker 2: like we're like that, we're like blocks away from each other.
• 44:28
  Speaker 2: So that's a very authentic story. He's really from over there,
• 44:31
  Speaker 2: So it's different. It's different than like where like a
• 44:33
  Speaker 2: Buddy where he doesn't they don't want to try to
• 44:36
  Speaker 2: say he's from Compton either, just because he didn't.
• 44:39
  Speaker 3: Pick a rag. I think we just got a shot
• 44:40
  Speaker 3: to buddy. Buddy's incredible.
• 44:42
  Speaker 2: Yeah, it's a lot of incredible art coming out of
• 44:43
  Speaker 2: the city. And I thought it was like very important,
• 44:45
  Speaker 2: like for me Channel Treads was a personal thing for
• 44:48
  Speaker 2: me to get with Quick because once you meet Channel
• 44:52
  Speaker 2: and you know Quick, you know they're gonna hit it
• 44:54
  Speaker 2: off because they're the same guy, Production, raps, DJ, eccentric
• 45:00
  Speaker 2: their own way, They don't care what nobody else is doing.
• 45:02
  Speaker 2: They go up their own speed, and just putting those
• 45:05
  Speaker 2: energy together is important. A lot of energy clashes was
• 45:07
  Speaker 2: going down on this project.
• 45:08
  Speaker 3: Who is on the What because you mentioned obviously Jay
• 45:11
  Speaker 3: Worthy helping with some of the A R. What features
• 45:13
  Speaker 3: on the album.
• 45:14
  Speaker 2: We got Game, we got sugar Free, we got Currency,
• 45:19
  Speaker 2: we got bun Bee, Little John, Meet the Whoops, Dom Kennedy, Thundercat,
• 45:25
  Speaker 2: Channel Traits, George Clinton, Jesus, The Free Nation News, Deep Blake,
• 45:32
  Speaker 2: which is Quick, son Ce Low, Gwyn bun shiroh Kate Trinada,
• 45:41
  Speaker 2: Barney Bones Apps so wow, uh huh and Larry Jones,
• 45:47
  Speaker 2: Oh that's dropping tonight, Larry Yeah, Larry Jones and h
• 45:51
  Speaker 2: and Quick.
• 45:52
  Speaker 3: And uh jay Worthy we're dropping garbs in Youngs tonight.
• 45:55
  Speaker 3: That's gonna be crazy. Yeah.
• 45:57
  Speaker 1: Rodan yo as well too.
• 45:59
  Speaker 2: I don't think I'm and oh, DJ Drama well seventeen tracks, yeah,
• 46:05
  Speaker 2: Trooper Cobra, Yeah, for sure. Oh, I think I think
• 46:09
  Speaker 2: we're gonna be an album of the year conversation.
• 46:12
  Speaker 1: I want to at.
• 46:13
  Speaker 3: Least so if you did forty two songs, what happens
• 46:16
  Speaker 3: to the other the other ones? That's a lot of
• 46:20
  Speaker 3: songs to just leave on a hard drive.
• 46:24
  Speaker 1: I mean, it's all real estates to me at this point.
• 46:27
  Speaker 1: So who wants to who?
• 46:30
  Speaker 2: Who wants to invest in the next building we're about
• 46:33
  Speaker 2: to start selling.
• 46:34
  Speaker 3: I mean, it's all it's all up for discussion right now.
• 46:37
  Speaker 2: I'll say this, man, between fifty million mass scientists and Empire,
• 46:42
  Speaker 2: this first one is coming out really really dope.
• 46:45
  Speaker 3: Are you guys? I know you had talked about doing
• 46:47
  Speaker 3: some touring stuff. What's talk about the tour stuff? That's
• 46:49
  Speaker 3: that's coming up live shows?
• 46:51
  Speaker 2: Quick is about to go to Canada with Snoop and
• 46:54
  Speaker 2: Warren g I'm probably gonna sneak through and be on
• 46:58
  Speaker 2: of those days.
• 46:59
  Speaker 3: Yes, chat to Warren g Man. Barbecue fucking o g Man.
• 47:02
  Speaker 3: He's killing it with the barbecue, going crazy. I'm just
• 47:04
  Speaker 3: I can't wait to get into that energy. Uh, and
• 47:06
  Speaker 3: then me and Quick are probably gonna go you guys
• 47:09
  Speaker 3: gotta do a run man.
• 47:10
  Speaker 2: Probably we probably not do a run because that's like
• 47:12
  Speaker 2: hard torn weever do like some dope spot days.
• 47:14
  Speaker 3: So I mean like fucking five to six. Yeah, but
• 47:17
  Speaker 3: like not like bang Bank, Like nah, we're gonna do
• 47:20
  Speaker 3: the Novo. We're gonna We're gonna fly Ladium or something.
• 47:23
  Speaker 1: We're gonna, We're gonna do it. We may take a
• 47:25
  Speaker 1: couple of the troop of covers with us Thoff.
• 47:26
  Speaker 3: You gotta do the Bay, Definitely, gotta do the BA.
• 47:29
  Speaker 3: Gotta do New York, got to New York, Maybe Atlanta,
• 47:33
  Speaker 3: Gotta do Atlanta. I want to do Chicago, maybe Phoenix.
• 47:36
  Speaker 1: I hear he has a huge step step. What's the
• 47:39
  Speaker 1: Chicago song, y'all said, y'all step two.
• 47:40
  Speaker 3: Out there stepping the name.
• 47:43
  Speaker 2: They got burn burn B. I don't know the name
• 47:48
  Speaker 2: of that joint, but I hear it's like going crazy
• 47:50
  Speaker 2: in Chicago.
• 47:50
  Speaker 3: Are you able to separate the art from the artist.
• 47:55
  Speaker 1: With other people?
• 47:56
  Speaker 2: Yeah, yeah, I have to because if I couldn't listen
• 48:00
  Speaker 2: nobody music for sure, because I know too much about
• 48:02
  Speaker 2: these widow I just like it's like I wouldn't hear shit.
• 48:05
  Speaker 1: I literally would not be able to turn on music.
• 48:07
  Speaker 3: I just can't envision my life without listening to Robert
• 48:10
  Speaker 3: Kelly once a week at least. Hey, man, I mean,
• 48:13
  Speaker 3: greatest hard and be singing of all time. Now if
• 48:15
  Speaker 3: you absolute Stephen Pollo, dog shit, terrible human being deserves.
• 48:18
  Speaker 1: To be as do you still watch two and a
• 48:19
  Speaker 1: half Man?
• 48:21
  Speaker 3: Yeah? No, I never watched you it a half Man
• 48:23
  Speaker 3: And it's still on TV.
• 48:24
  Speaker 2: And a terrible guy was running around with HIV having
• 48:26
  Speaker 2: sex with women.
• 48:27
  Speaker 3: Nobody says anything, and then Kramer from Seinfeld dropped the
• 48:30
  Speaker 3: end bomb on stage.
• 48:31
  Speaker 2: Seinfeld's on TV, tripping off that I'm more so you
• 48:33
  Speaker 2: are sticking your dirty dick and people are not telling
• 48:36
  Speaker 2: them that you have HIV and his show is still
• 48:38
  Speaker 2: on television. I'm not here to say mister Kelly should
• 48:41
  Speaker 2: be exonerated.
• 48:42
  Speaker 3: From what you know, he shouldn't be. But we can,
• 48:43
  Speaker 3: I mean, you can enjoy the.
• 48:44
  Speaker 2: Art if we start stripping away the art from these
• 48:48
  Speaker 2: guys and everyone have much more music than.
• 48:50
  Speaker 3: Listen should to listen to, for sure, for sure. And
• 48:53
  Speaker 3: that's not just like hippies rock. That's like if you
• 48:55
  Speaker 3: go through everything, it's like, fuck motherfucker movies.
• 48:58
  Speaker 2: We can go film, TV, show, basketball, football, we can
• 49:02
  Speaker 2: go every look.
• 49:03
  Speaker 3: Yeah, It's not like Patriots fans want to give back
• 49:06
  Speaker 3: the fucking ring that Aaron Hernandez helped them win. They've
• 49:08
  Speaker 3: never they've never said that.
• 49:09
  Speaker 1: Yeah, no they should though, how about that? The fuck?
• 49:14
  Speaker 3: Yeah?
• 49:14
  Speaker 1: How about that?
• 49:15
  Speaker 3: Yo, you're you're tighted with Damarrow. Obviously he's on the Bulls.
• 49:18
  Speaker 3: Well he's a free agent now. But yeah, obviously you're
• 49:21
  Speaker 3: a Laker fan. Yeah, if you're not rooting for the Lakers,
• 49:24
  Speaker 3: you're rooting for whatever team he's on. Yep.
• 49:26
  Speaker 1: Yeah, I'm that type of guy.
• 49:28
  Speaker 3: And if they're playing against my team, I'm.
• 49:30
  Speaker 1: Rooting for my friend.
• 49:31
  Speaker 2: I respect that I have to because like, nobody on
• 49:34
  Speaker 2: the Lakers is my friend. M Like, let's be for
• 49:37
  Speaker 2: real here, like at the end of the day, like
• 49:39
  Speaker 2: it's it's it's that's my friend.
• 49:40
  Speaker 3: Like I really considered him as a family member. You know.
• 49:44
  Speaker 3: Have you ever tried to, uh like convince him to
• 49:49
  Speaker 3: join the Lakers. Well, I did.
• 49:52
  Speaker 1: Convince him to join the Lakers.
• 49:54
  Speaker 2: He was just about to sign the deal and we're
• 49:57
  Speaker 2: having to be sitting in his house and ESPN.
• 49:59
  Speaker 1: Flashes by the Lakers trade for Russell Westbrook. We was
• 50:04
  Speaker 1: like looking like, what the fuck just happened. He called
• 50:07
  Speaker 1: me pull over.
• 50:08
  Speaker 2: He's like, I'm coming home because I was on him
• 50:10
  Speaker 2: for like three You're like, bro, what the fuck?
• 50:12
  Speaker 3: Just come home?
• 50:13
  Speaker 1: We run this shit up.
• 50:14
  Speaker 2: He had structured the deal, he was getting ready to
• 50:16
  Speaker 2: sign it, and we was literally like this, like he
• 50:20
  Speaker 2: got the phone, his agent. We have to find he
• 50:22
  Speaker 2: had to find another team in the Bulls call. What
• 50:25
  Speaker 2: the he was gonna be a Laker that summer? Well,
• 50:27
  Speaker 2: he already did, the deal was done. What so so Pelinkas,
• 50:32
  Speaker 2: I don't know who's a bitch and who's what and
• 50:33
  Speaker 2: who's that. I'm just telling you the story that I
• 50:36
  Speaker 2: know that I was sitting there.
• 50:37
  Speaker 1: So we're here now.
• 50:38
  Speaker 3: Though we're back.
• 50:39
  Speaker 1: It's another free agent and shout out to Russ.
• 50:41
  Speaker 3: Great guy.
• 50:43
  Speaker 1: And they're cool. But we're just telling you this was
• 50:45
  Speaker 1: how it went.
• 50:46
  Speaker 2: So I had convinced him finally, So now we're here.
• 50:49
  Speaker 2: Though it's older in his career.
• 50:51
  Speaker 3: Paul George's about to leave the Clippers. I don't know
• 50:54
  Speaker 3: if he'll play for the Clippers. Came him in that
• 50:56
  Speaker 3: into It Center, you know whatever.
• 50:58
  Speaker 1: I don't know if he'll play with the Clippers.
• 51:00
  Speaker 2: Are the Lakers of possibility, right, now from what I hear, Yes,
• 51:05
  Speaker 2: what do I want him to.
• 51:06
  Speaker 3: Go the Suns on a Vetri minimum? No?
• 51:12
  Speaker 1: I want him to either go to San Antonio or Denver.
• 51:16
  Speaker 3: Well, I mean, he already played in San Antonio. He
• 51:18
  Speaker 3: already played for Pop and he had a great I.
• 51:19
  Speaker 1: Want him to go either San Antonio or Denver.
• 51:22
  Speaker 2: I don't want him to go play with a big
• 51:25
  Speaker 2: man and a guard.
• 51:27
  Speaker 3: Well. He thrived under Pop.
• 51:29
  Speaker 2: And he thrived under Pop. He may be bored as fuck, right,
• 51:33
  Speaker 2: but it's true. We're just talking about hoops and hoops.
• 51:36
  Speaker 2: That's where I want him to go. Do I want
• 51:37
  Speaker 2: him on the Lakers for my own like fandom?
• 51:40
  Speaker 3: Yeah?
• 51:41
  Speaker 1: Do I want him to have to deal with the bullshit.
• 51:43
  Speaker 3: Of that team? It's a lot.
• 51:45
  Speaker 2: Fuck no, because he gonna fire on somebody, He gonna
• 51:47
  Speaker 2: sock somebody up.
• 51:48
  Speaker 1: This it's not gonna be all this peachy shit.
• 51:50
  Speaker 3: You ain't just just tell me to go play for
• 51:52
  Speaker 3: the Clippers.
• 51:53
  Speaker 1: Oh, I don't have any control. Tell him it's kind
• 51:55
  Speaker 1: of crazy. I can just kind of I can influence.
• 51:57
  Speaker 3: I can say, hey, man, hey, hey, the Clippers need
• 52:00
  Speaker 3: the Clippers. You know what's crazy is when I first
• 52:03
  Speaker 3: moved to La because I moved out here. We listened.
• 52:05
  Speaker 3: I moved here in twenty seventeen, and I moved here
• 52:07
  Speaker 3: as someone who hated the Lakers. My whole life, I've
• 52:10
  Speaker 3: hated the Lakers. I'm a Sun's fan, but also Lebron's
• 52:12
  Speaker 3: my favorite player. So when Lebron went to the Lakers,
• 52:17
  Speaker 3: you have to come on. I had to because the
• 52:19
  Speaker 3: Sons were terrible. So I was like, you know what,
• 52:22
  Speaker 3: I'm rooting for the like this. When the Lakers won
• 52:24
  Speaker 3: the Bubble Chip, I was very excited for them. You know,
• 52:27
  Speaker 3: the Sun's trying to come up, right, I'm like, cool,
• 52:30
  Speaker 3: Lebron got his chip. But I somehow I've inherited hating
• 52:35
  Speaker 3: the Clippers so much, and it was because Kawhi's bitch azz.
• 52:41
  Speaker 3: Shout out to Kawhi. He led the Lakers on. He
• 52:44
  Speaker 3: led my man Lebron on all the way to the
• 52:46
  Speaker 3: fucking end of that offseason, and then all the free
• 52:49
  Speaker 3: agents were gone, and then he picked the Clippers. I said, man,
• 52:53
  Speaker 3: fuck the Clippers. Yeah, that's what happened. I shout out
• 52:55
  Speaker 3: to Kawai Kwi is incredible.
• 52:56
  Speaker 2: Listen, the Clippers are gonna clip hopefully one day something
• 52:59
  Speaker 2: great happens for them, but it's not gonna be. While
• 53:01
  Speaker 2: I'm sitting here, I say san Antonio, Denver not. I
• 53:04
  Speaker 2: don't even thinking. I like the Warriors for sure too.
• 53:06
  Speaker 2: I want out of there exactly. Yeah, jhim and Draymond
• 53:10
  Speaker 2: are super close. I want him to be closer to
• 53:13
  Speaker 2: the house.
• 53:14
  Speaker 3: Phoenix.
• 53:17
  Speaker 2: Only reason I don't say Phoenix. We just got to
• 53:20
  Speaker 2: get Bradley Beal the fuck up out of there. No,
• 53:21
  Speaker 2: Bradley's a good guy. Yeah, he's a great guy, married guy.
• 53:24
  Speaker 2: Very I'm talking about like temperament, Like the temperament of
• 53:28
  Speaker 2: players you guys have.
• 53:29
  Speaker 1: There's nobody that's gonna be.
• 53:30
  Speaker 2: Able to take the edge that he talks to behind
• 53:33
  Speaker 2: this behind the camera.
• 53:35
  Speaker 3: He's trying to say Katie's little sensitive.
• 53:36
  Speaker 1: I didn't say he was sensitive. I'm just telling you.
• 53:39
  Speaker 1: I'm telling you there's a dog in the maar.
• 53:42
  Speaker 3: We be the Middi each other night, we be the
• 53:44
  Speaker 3: mid Rangers.
• 53:45
  Speaker 2: Right, it's a dog in there at all. Like he's
• 53:47
  Speaker 2: not gonna publicly do anything. There's teammates anything, but he
• 53:51
  Speaker 2: don't fuck around with that loser. He don't fuck around
• 53:54
  Speaker 2: with all that pussy footing around. He takes his job
• 53:56
  Speaker 2: very seriously.
• 53:57
  Speaker 3: We'll shout out to him for not knocking out Zach
• 53:59
  Speaker 3: Lavin yet.
• 53:59
  Speaker 1: Anyway, No, man, a cool man. There was number one
• 54:03
  Speaker 1: on the fucking East.
• 54:04
  Speaker 3: Before all them boys got injured. YEAHO got hurt. Yeah,
• 54:06
  Speaker 3: also got hurt.
• 54:07
  Speaker 2: Yeah.
• 54:07
  Speaker 3: Then they gotch and.
• 54:08
  Speaker 1: Man, I wish the Bulls would get it together because
• 54:10
  Speaker 1: I love Chicago.
• 54:11
  Speaker 3: They're not gonna get it together.
• 54:12
  Speaker 1: I think they can, though.
• 54:14
  Speaker 2: Kobe White's fucking He's fired, Zoe's coming back. They get
• 54:19
  Speaker 2: the right big there. Man, I'm withstand. I'm just gonna be.
• 54:22
  Speaker 1: I'm gonna be for real. I think that's still the
• 54:24
  Speaker 1: best place for him. But if he leaves, I want.
• 54:26
  Speaker 3: They could take Nurkic and we'll take Caruso. Well, Nurkics
• 54:31
  Speaker 3: for Cruso. Trade works.
• 54:32
  Speaker 1: I'm not gonna say who trades where again. I'm just
• 54:35
  Speaker 1: telling what I want.
• 54:35
  Speaker 3: My friend to play basketball.
• 54:37
  Speaker 2: What I'm saying, I've developed from partial to de rosen man. Yeah,
• 54:40
  Speaker 2: fucking one of the greats.
• 54:41
  Speaker 3: Yeah, h o.
• 54:42
  Speaker 1: F watch he.
• 54:44
  Speaker 3: Should be in the Hall of Fame. Oh for sure.
• 54:46
  Speaker 3: For sure.
• 54:46
  Speaker 2: At the most minutes in the league last year, that's
• 54:48
  Speaker 2: so crazy for sure.
• 54:51
  Speaker 3: And like you said, that season when they were like
• 54:53
  Speaker 3: he was like in the mvpah the conversation with Number
• 54:55
  Speaker 3: one season. I remember, Yeah, I had him on a
• 54:58
  Speaker 3: fantasy team, which is like weird because I played for
• 55:00
  Speaker 3: I say basketball, and then I meet these guys. I'm like, hey, they.
• 55:03
  Speaker 1: Don't give a fuck about it.
• 55:03
  Speaker 3: Don't give care.
• 55:05
  Speaker 2: Let's about your fucking ragers, all of that ship. They
• 55:08
  Speaker 2: actually if they hear you the wager, they might do
• 55:10
  Speaker 2: some shit to like fuck it off.
• 55:11
  Speaker 3: That's crazy. Yeah. Do you you gamble on sports?
• 55:14
  Speaker 1: I don't gamble?
• 55:15
  Speaker 3: That's good. Did you ever gamble?
• 55:18
  Speaker 1: I like shoot dice with the homies because on board
• 55:20
  Speaker 1: or something.
• 55:20
  Speaker 3: Or if I grab it's the best. Yeah.
• 55:21
  Speaker 1: I go to Vegas and I have a two hundred
• 55:23
  Speaker 1: dollars limit.
• 55:24
  Speaker 3: For the weekend. Well that's not bad for the weekend though.
• 55:27
  Speaker 3: For the day. I love playing Crabs, but man, you
• 55:29
  Speaker 3: play Crabs, you win quick, you lose quick. It's like
• 55:32
  Speaker 3: one of the others your up or you're down quick.
• 55:34
  Speaker 3: Fuck all that.
• 55:35
  Speaker 2: I don't fuck with that. Let's be playing tunk something
• 55:37
  Speaker 2: I know I'm gonna win on for sure.
• 55:39
  Speaker 3: I'm not gambling. Is there anything?
• 55:41
  Speaker 2: Uh?
• 55:41
  Speaker 3: Obviously for people who don't know. I know we already talked.
• 55:44
  Speaker 3: June fourteenth, the album comes out, Yeah.
• 55:45
  Speaker 2: June fourteenth, June sixth, I have the show at the Vermont.
• 55:50
  Speaker 2: It'll last stop on the Problem versus Jason Tour. It's
• 55:54
  Speaker 2: gonna be fucking crazy, sid. I mean that's gonna be
• 55:57
  Speaker 2: I'm sure it's home Home, Home turf. That's gonna be
• 55:59
  Speaker 2: fucking Who's who.
• 56:01
  Speaker 3: No, I've been you know what.
• 56:03
  Speaker 1: All my shows, I usually bring out one hundred motherfuckers.
• 56:06
  Speaker 3: We got to bring out Quick. Well Quick is going
• 56:08
  Speaker 3: to be in Canada. Oh well, never mind, we got
• 56:10
  Speaker 3: to bring out Actually, I'm only got to bring out
• 56:11
  Speaker 3: the same Quick as here today. Well, i'll have him
• 56:14
  Speaker 3: there for the invisible one. Yeah, him there in spirit.
• 56:18
  Speaker 1: I will say this's been. I will say Quick it
• 56:21
  Speaker 1: is supposed to be here. But I know why he's not.
• 56:22
  Speaker 1: Shout out to Snoop.
• 56:25
  Speaker 2: You guys have a fucking amazing establishment, and you guys
• 56:28
  Speaker 2: treated us great man.
• 56:29
  Speaker 1: Make sure you'll go to the Players come downtown.
• 56:31
  Speaker 3: I know you also said that you've just been working. Uh,
• 56:33
  Speaker 3: I'm assuming after Troop of Cabra, it's not like you're
• 56:36
  Speaker 3: slowing down because you know you've made. Oh no, people
• 56:39
  Speaker 3: wait for a while for music in certain points in time.
• 56:41
  Speaker 3: Oh no, oh yeah, the foot is on the gas.
• 56:45
  Speaker 2: What I don't know is what's coming out next because
• 56:48
  Speaker 2: I'm really focused on this project. I'm gauging it off
• 56:51
  Speaker 2: of this. I'm a chupacabo world right now. But my
• 56:57
  Speaker 2: other good friend Wiz Khalif is dropping because Noise us too,
• 57:01
  Speaker 2: and me and Quick are heavily involved with.
• 57:03
  Speaker 1: The post production.
• 57:04
  Speaker 3: Well, I think of that with Wizz.
• 57:08
  Speaker 1: It'll suck, run and drop while I'm sitting here, So
• 57:10
  Speaker 1: I don't know when it's coming out.
• 57:12
  Speaker 3: It's you and Wiz uh one of the more underrated duos.
• 57:17
  Speaker 1: We were just talking about that Sunday. It was like
• 57:19
  Speaker 1: Bros and Arrow like, bro, you got any plaques for
• 57:21
  Speaker 1: this one and now?
• 57:22
  Speaker 3: And I'm like, bro, I didn't even know that with that. Yeah,
• 57:24
  Speaker 3: hey man, yeah you I mean listen, I feel like
• 57:27
  Speaker 3: the League of Stars problem fingerprints on some of those
• 57:29
  Speaker 3: Wiz mixtapes are very very well you should wait till
• 57:33
  Speaker 3: you hear this problem.
• 57:34
  Speaker 2: Quick Dominique shouts to my boy Dominique Sanders, Man, that's
• 57:37
  Speaker 2: like my that's my core crew right now for production. Yeah, man,
• 57:42
  Speaker 2: we got a chance to do something really special with
• 57:43
  Speaker 2: cushion OJ two. So I can't wait for everybody to
• 57:47
  Speaker 2: hear I told Wiz you a dangerous motherfucker.
• 57:49
  Speaker 3: Calling it this though, that is a day. That's a
• 57:52
  Speaker 3: brave move. He just smiles like, I know's yeah, that
• 57:58
  Speaker 3: ship fired, alcoholic. I can't wait to hear.
• 58:00
  Speaker 1: It's gonna be done because you know J two and
• 58:03
  Speaker 1: then comtown.
• 58:04
  Speaker 2: Piece coming there it is man Jason Martin. Uh the
• 58:08
  Speaker 2: new album, the fourteenth Trooper cover DJ Quick Jason Martin.
• 58:12
  Speaker 3: Don't be afraid to pre order it too, Pussy's well, yeah, you.
• 58:14
  Speaker 1: Can actually go by the you can order the vinyl.
• 58:16
  Speaker 3: Now we get the vinyl.
• 58:17
  Speaker 1: We dropped some cassettes and Walkman like with an actual Walkman.
• 58:21
  Speaker 3: Oh so you could. Yeah, Like, you're not a part
• 58:24
  Speaker 3: of the fucking interview, Brian, shut the fry and you are.
• 58:26
  Speaker 2: You are, Brian, Brian, Brian pushed pushed my first fucking records. No,
• 58:30
  Speaker 2: I'm fucked up without him. I'm not even sitting here.
• 58:34
  Speaker 3: If he's you push something fucked up? Wow up except
• 58:39
  Speaker 3: that shout to Brian the fifty nine year old. Yeah,
• 58:42
  Speaker 3: so yeah, we have a Walkman tape.
• 58:44
  Speaker 2: Cassette common you can grab, and then we did the
• 58:46
  Speaker 2: collab with Born and Raised. Uh, you guys, those will
• 58:49
  Speaker 2: be available online. I want to say the week of
• 58:51
  Speaker 2: the album Fire, we got a couple other things.
• 58:54
  Speaker 3: Seen a Walkman in a minute.
• 58:56
  Speaker 1: Yeah it's fire. They're actually gonna be sending me mind.
• 58:58
  Speaker 3: I have a tape shout out to Belly. Yeah, mumble rap.
• 59:00
  Speaker 1: On, you're actually sending me mind.
• 59:02
  Speaker 2: I've designed them, but I haven't actually seen them yet,
• 59:04
  Speaker 2: so I'm supposed to have mine, like in the next
• 59:06
  Speaker 2: couple of days.
• 59:07
  Speaker 1: I like it, you know what.
• 59:08
  Speaker 3: That's people got to realize, like those are like anybody
• 59:11
  Speaker 3: can stream the album, but you want to have like
• 59:13
  Speaker 3: a little thing like a collector, like a way to support.
• 59:15
  Speaker 3: That's also cool, you know what I mean.
• 59:16
  Speaker 1: And the cassette album will be different than the DSP.
• 59:20
  Speaker 3: There'll be different versions of songs, yep, because of certain things.
• 59:24
  Speaker 3: They don't have to be worried about.
• 59:25
  Speaker 1: It's just no, I mean, I clear the album.
• 59:28
  Speaker 3: You can just you can.
• 59:29
  Speaker 2: You can just always add new people whenever you feel
• 59:31
  Speaker 2: like it. With DSP, right like you may just hear
• 59:34
  Speaker 2: another voice on one of the records that's out right now.
• 59:37
  Speaker 3: Because it couldn't get cleared for DSPs. I just probably
• 59:40
  Speaker 3: got the verse yesterday. I just probably just got it then.
• 59:44
  Speaker 2: So I'll be updating the truper Corra album probably as
• 59:47
  Speaker 2: you guys have beenuntil the point of drop.
• 59:48
  Speaker 1: So the ones who have the physicals, you guys have
• 59:51
  Speaker 1: the first idea.
• 59:52
  Speaker 3: And then because you can update it all the way
• 59:54
  Speaker 3: up until the dead drop, technically.
• 59:55
  Speaker 2: I can update it a week after it drops. I
• 59:57
  Speaker 2: can actually update it when it ros. You guys listen
• 1:00:00
  Speaker 2: to it and.
• 1:00:01
  Speaker 1: Then you click it.
• 1:00:01
  Speaker 3: It may be bait way. This sh is different, right, Yeah,
• 1:00:04
  Speaker 3: I like it. There it is man. June fourteenth, goes
• 1:00:06
  Speaker 3: toport the album. Apreciate your pulling up, brother man.
• 1:00:08
  Speaker 1: Thanks sir, And guess what for you we're gonna have
• 1:00:12
  Speaker 1: I just need.
• 1:00:12
  Speaker 2: I'm gonna have you pull up the Quick house and
• 1:00:14
  Speaker 2: then we'll just have our own moments.
• 1:00:16
  Speaker 1: Do He just texted me, I just saw it.
• 1:00:19
  Speaker 2: He did just wake up. He definitely just had the
• 1:00:21
  Speaker 2: longest night. He said, to apologize to you for this.
• 1:00:24
  Speaker 2: We're gonna make this ship up.
• 1:00:26
  Speaker 3: I saw Quick the other day, he remembered me. I
• 1:00:27
  Speaker 3: interviewed him once backstage at a dub show. I was like, yeah,
• 1:00:31
  Speaker 3: you're fucking that guy. Bro. I love quick man shout
• 1:00:34
  Speaker 3: the quick you know man, Thank you smart, appreciate your brother. Yes, sir,
• 1:00:36
  Speaker 3: there it is.
• 1:00:37
  Speaker 1: Boom oh h o oh yeah seo o h two wo.
• 1:00:43
  Speaker 3: Water. There's no Molly in it.
• 1:00:45
  Speaker 1: No, we're over.
• 1:00:46
  Speaker 2: We're in over fifty seven eleven. We're going for major
• 1:00:49
  Speaker 2: distribution real soon.
• 1:00:50
  Speaker 3: Show the label, the labels. Yeah, to show the label,
• 1:00:53
  Speaker 3: show it to the.
• 1:00:54
  Speaker 1: Oh, I don't know where it's at. Oh, a bunch
• 1:00:55
  Speaker 1: of them, right h two o uh right.
• 1:00:58
  Speaker 2: And it's very as efficient dollars ninety nine dollars ninety
• 1:01:02
  Speaker 2: nine on there it is