Latest / I Am All In with Scott Patterson / Where is Luke Danes? (S1 E9, “Rory's Dance”)

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Where is Luke Danes? (S1 E9, “Rory's Dance”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in. Oh, I am all in with
• 0:18
  Speaker 1: Scott Patterson and I Heart Radio podcast. Hey everybody, we're back.
• 0:22
  Speaker 1: I am Scott Patterson and this is the I Am
• 0:26
  Speaker 1: All In Podcast with my heart radio ladies and gentlemen.
• 0:32
  Speaker 1: What an episode? Rory's Dance? What is going on? Where's Luke?
• 0:38
  Speaker 1: Luke was not in the episode? Did I shoot some
• 0:43
  Speaker 1: scenes and they got cut? I don't remember. I don't
• 0:47
  Speaker 1: know you have any clue, because my gut feeling is
• 0:51
  Speaker 1: that you you did a scene for this episode that
• 0:55
  Speaker 1: they had to cut, and it was known if you
• 0:58
  Speaker 1: didn't work for a week, the audience couldn't handle it
• 1:01
  Speaker 1: was too powerful. It was too powerful. Were you surprised
• 1:05
  Speaker 1: when you watched the episode and you weren't in it? No,
• 1:08
  Speaker 1: I was too engaged in the episode. I didn't I
• 1:12
  Speaker 1: didn't care. I told you I don't like watching myself,
• 1:14
  Speaker 1: so I was kind of happy. At what point did
• 1:17
  Speaker 1: you realize I'm not in this um after it was
• 1:22
  Speaker 1: done and I said, wait, I wasn't in that. I
• 1:25
  Speaker 1: really enjoyed this episode. I realized until the second time
• 1:28
  Speaker 1: I watched it. I had a call Danielle and I
• 1:30
  Speaker 1: was like, what Scott in that the seeds of my
• 1:36
  Speaker 1: podcast career planted early on. Yes, I need a backup plan. No,
• 1:43
  Speaker 1: I was in the episode. No, the diner was in
• 1:45
  Speaker 1: the background and when she ran out of miss Patties
• 1:48
  Speaker 1: and said, no, I have to get home. I have
• 1:49
  Speaker 1: to get home. No, let me explain it to your
• 1:51
  Speaker 1: as being in it. Well, it's in my contract, guess.
• 1:57
  Speaker 1: But I got paid for that episode. But do you
• 2:00
  Speaker 1: remember any scenes that just didn't make it there? There
• 2:04
  Speaker 1: might have been that scene with Sean Gunn and I
• 2:09
  Speaker 1: in a massive fist fight, but it probably No, No,
• 2:13
  Speaker 1: not at all. No, I just wasn't it. I guess
• 2:15
  Speaker 1: I wasn't in the episode. You didn't save your scripts,
• 2:17
  Speaker 1: did you sure? I did. I have every single script
• 2:21
  Speaker 1: in plastic, and I have every single rehearsal script, and
• 2:26
  Speaker 1: I have every single table read script. I have literally
• 2:29
  Speaker 1: hundreds of scripts. Hello, can you go into the garage
• 2:32
  Speaker 1: where all the gum is and find out if that
• 2:35
  Speaker 1: script is in there, because maybe there's something in the script. Dude,
• 2:41
  Speaker 1: those scripts are in storage in a vault guarded by
• 2:47
  Speaker 1: Doberman pinchers with razor wire. That's how you're gonna put
• 2:51
  Speaker 1: your kid into college with that money? My kid's gonna
• 2:54
  Speaker 1: get a scholarship, a robotics scholarship. He's not gonna need
• 2:58
  Speaker 1: me to pay for it. I just you don't think
• 3:00
  Speaker 1: there's something in the script that was a scene that
• 3:04
  Speaker 1: you shot but then they had to edit it out
• 3:06
  Speaker 1: because did that ever happen? No? No, no, no. The
• 3:13
  Speaker 1: planning of those scripts was very detailed and very specific,
• 3:17
  Speaker 1: and um, I think they must have been getting feedback
• 3:22
  Speaker 1: for the first six or seven episodes that maybe it
• 3:25
  Speaker 1: was I was taking over the show and they had
• 3:29
  Speaker 1: to pull the character. I mean, Suki was barely in it.
• 3:33
  Speaker 1: Suki was barely in it. Michelle wasn't in it. Wait
• 3:36
  Speaker 1: was he? Michelle was not in it? Was it? No? No, no, no, yeah,
• 3:42
  Speaker 1: it was early on. They were still figuring out, you know,
• 3:47
  Speaker 1: where the character was going and you know what was happening.
• 3:50
  Speaker 1: I mean, I don't know. No, I wasn't in it,
• 3:52
  Speaker 1: but Luke's diner was in it in the background, and
• 3:54
  Speaker 1: that's enough. Well, and the end of the episode, I know,
• 3:57
  Speaker 1: I'm going out of order, but the end of the
• 3:59
  Speaker 1: episode was garly dramatic, like that was hardcore, Like when
• 4:04
  Speaker 1: she's like, you're going on the pill and Rory's like,
• 4:07
  Speaker 1: you know, I wouldn't sleep with him. Like the whole
• 4:09
  Speaker 1: thing was like, Oh, this is the worst thing they've
• 4:12
  Speaker 1: had yet. Yeah, that was a that was a real
• 4:16
  Speaker 1: I mean your kids out to I mean, she she
• 4:18
  Speaker 1: fell asleep because Emily gave her some pills, right she
• 4:20
  Speaker 1: got Lauren felt I mean Laura I fell asleep because
• 4:23
  Speaker 1: she was on mild sedatives her back there was no
• 4:28
  Speaker 1: Suki gave it to her, right and and yeah, they
• 4:31
  Speaker 1: both fell asleep. And I don't know, you know what
• 4:34
  Speaker 1: really a couple of he I was thinking about this
• 4:37
  Speaker 1: last night. I said, teenage seventeen year olds. They're not drinking, Uh,
• 4:43
  Speaker 1: they're they're in there falling in love or they're in love.
• 4:46
  Speaker 1: They're excited, they're excitable, they're full of energy. How do
• 4:49
  Speaker 1: they walk into Miss Patties and then all of a
• 4:51
  Speaker 1: sudden fall asleep because we know it was only like,
• 4:54
  Speaker 1: wasn't it was maybe ten thirty they bail on the
• 5:00
  Speaker 1: dance early. It might have been ten What the heck
• 5:03
  Speaker 1: happened in Miss Patties that they just fell asleep? I
• 5:06
  Speaker 1: mean they didn't smoke a joint worn out from the
• 5:09
  Speaker 1: fight with Tristan and the stacking of the beans and
• 5:13
  Speaker 1: worn out. It's a Tacos suki bro. When I was seventeen,
• 5:19
  Speaker 1: I didn't conk once. I don't care how much stress
• 5:23
  Speaker 1: I had in my day. Seventeen year olds can stay
• 5:26
  Speaker 1: until four in the morning without for three days in
• 5:28
  Speaker 1: her own and they're still like bouncing around. I mean, wow,
• 5:32
  Speaker 1: maybe there's a gas leak in Miss Patties. I think
• 5:36
  Speaker 1: it happened, because then we get the crazy scene where
• 5:39
  Speaker 1: she's running and why it happened. Dude, they're nodding out.
• 5:45
  Speaker 1: I don't know. I just wanted to point that out
• 5:48
  Speaker 1: to the paying audience. It's like, what, well, okay, so
• 5:56
  Speaker 1: really it's a Emily lore life fight that then came
• 6:00
  Speaker 1: a lure like Rory catastrophe. That was just typical dumping
• 6:06
  Speaker 1: on your kid after you'd had a confrontation with your mother.
• 6:12
  Speaker 1: You know, the big ugly monster that Emily can be. Um.
• 6:16
  Speaker 1: I mean, she's right, but she's wrong at the same time, right,
• 6:19
  Speaker 1: and Rory called her out on it. Rory kind of said,
• 6:22
  Speaker 1: this is not about me, this is about your mom's right.
• 6:26
  Speaker 1: I wasn't all together surprised when she started opening up
• 6:30
  Speaker 1: on on Rory right away. Because you know she supported her.
• 6:33
  Speaker 1: I trust my kid in this, but you know, I
• 6:36
  Speaker 1: don't know. It kind of makes sense, uh, that mother
• 6:40
  Speaker 1: of her really triggers her. I mean really, and it
• 6:43
  Speaker 1: was they were getting along and yeah, so then we
• 6:48
  Speaker 1: were in for a big old boom. But you know,
• 6:53
  Speaker 1: Rory kind of deserve that she was out all night.
• 6:58
  Speaker 1: She conned at ten thirty. What it's not So from
• 7:01
  Speaker 1: Laurelized point of view, she's probably thinking the same thing.
• 7:03
  Speaker 1: I'm thinking. You're a teenager, you don't conk what's going on.
• 7:08
  Speaker 1: You have too much energy to Oh, I just fell
• 7:10
  Speaker 1: asleep and miss Patty's I wouldn't have believed it either.
• 7:12
  Speaker 1: I think a mother would think my kid's been in
• 7:14
  Speaker 1: a car accident. I think all that fear. Yeah, and
• 7:18
  Speaker 1: I and I know that Laurel I was thinking, um um,
• 7:23
  Speaker 1: I'm just fronting from my mother to defend my kid.
• 7:26
  Speaker 1: But I'm still pissed at my kid because I want
• 7:28
  Speaker 1: a damn explanation. But I'm not going to break in
• 7:30
  Speaker 1: front of my mother because I'm not going to give
• 7:32
  Speaker 1: her the satisfaction that she's right but wrong doing this
• 7:35
  Speaker 1: inside my own home. Amazing performance by all three, completely
• 7:41
  Speaker 1: nailed it, nail just killed it. Just beautiful stuff. Um,
• 7:47
  Speaker 1: and I mean, what can you say? What can you say? Uh,
• 7:52
  Speaker 1: perfect ending, sitting down, covering herself, breaking down, just one
• 7:57
  Speaker 1: of those days and just be a mom. You know
• 8:01
  Speaker 1: every mom goes through it. It's real life happening before
• 8:05
  Speaker 1: our eyes. It's three generations of real life happening before
• 8:09
  Speaker 1: our eyes. Um. Yeah, just wonderful stuff, wonderful, great episode.
• 8:15
  Speaker 1: It's the episode I started liking Dane and Tristan. I
• 8:20
  Speaker 1: really thought Paris was certifiable. Good God, oh my god.
• 8:24
  Speaker 1: And with the cousin and the whole thing is god sad.
• 8:27
  Speaker 1: And then first when Tristan is buying the ticket and
• 8:30
  Speaker 1: he sort of teases, like you got a date, the
• 8:34
  Speaker 1: first time he's actually vulnerable with Rory. I mean that's
• 8:37
  Speaker 1: when he we see that he needs her, wants her,
• 8:41
  Speaker 1: really likes her. It's not just a game now, it's
• 8:44
  Speaker 1: like he really needs there's a need there. Um, there
• 8:48
  Speaker 1: was a need before just to play the game, because
• 8:49
  Speaker 1: he's just testing her the way Laura I tested Max,
• 8:53
  Speaker 1: you know what I mean, and tests me and you
• 8:55
  Speaker 1: know that kind of thing distance distantance. So um yeah,
• 9:00
  Speaker 1: but I mean the takeaway from me, is is in
• 9:06
  Speaker 1: that dynamic with those characters. The only thing that dated
• 9:10
  Speaker 1: that show for me was the behavior of Paris. I mean,
• 9:14
  Speaker 1: that kind of behavior was isn't gonna fly today? Isn't
• 9:17
  Speaker 1: amazing how that particular character in that situation didn't age well.
• 9:26
  Speaker 1: I mean, like I said, like I said previously, I mean,
• 9:29
  Speaker 1: if she can't handle Um, if she can't handle Rory
• 9:32
  Speaker 1: and and and Tristan, if she's gonna trigger to that
• 9:35
  Speaker 1: degree where she's like physically and verbally violent, like bordering
• 9:40
  Speaker 1: on psychosis, how is she going to handle Harvard? I mean,
• 9:44
  Speaker 1: there's a thousand Tristan's there. There's there's a thousand Rorris there.
• 9:48
  Speaker 1: I mean, she's gonna freak out over there in Harvard.
• 9:51
  Speaker 1: Harvard's ten thousand students, it's ten thousand students undergraduates, and
• 9:55
  Speaker 1: it's twenty graduate students. So you know, it's it's it's
• 9:59
  Speaker 1: not a huge campus. It's not a huge college, but
• 10:02
  Speaker 1: it's you know, there's enough people there. Paris is going
• 10:05
  Speaker 1: to be in trouble. She's not a type of person
• 10:07
  Speaker 1: you want to go to Harper No. I mean you
• 10:10
  Speaker 1: know that that Paris is always sort of on the
• 10:12
  Speaker 1: edge of good God losing it. But I mean she
• 10:16
  Speaker 1: came on glued. I'm glued perfect. She came on glued
• 10:21
  Speaker 1: through that entire she started abusing the poor little fellow
• 10:25
  Speaker 1: sitting next to her who was getting the change. At
• 10:29
  Speaker 1: least she didn't recite Shakespeare and somebody's here here well,
• 10:32
  Speaker 1: I mean, at least that's you know, that's sort of
• 10:36
  Speaker 1: harnessing the rage and turning it into something else, which
• 10:39
  Speaker 1: is you know, there's there's some art and that, there's
• 10:42
  Speaker 1: some there's that that's poetic. But I mean she's just
• 10:45
  Speaker 1: out and out, just like Lunacy throughout the whole episode.
• 10:49
  Speaker 1: You kind of do love the comic relief teenage noss
• 10:55
  Speaker 1: of Louise and Madeline. They're always there to just be
• 10:59
  Speaker 1: teenage like and kind of honey and Madeleine always having
• 11:05
  Speaker 1: the last word and coming off like a nice person.
• 11:09
  Speaker 1: But what the hell she dealing with Louise, which makes
• 11:10
  Speaker 1: it even more funny. It's like, what are they doing together?
• 11:15
  Speaker 1: It's like Madeline kind of playing along the the goofy sidekick,
• 11:19
  Speaker 1: and she doesn't she's not really into it, but she is,
• 11:21
  Speaker 1: and she says she's sorry, and you're a nice persons
• 11:26
  Speaker 1: all of a hot mess at that dance, that's for sure. Um,
• 11:31
  Speaker 1: And where were the teachers to break up that fight?
• 11:33
  Speaker 1: They were dancing, they were all day. I saw a
• 11:38
  Speaker 1: lot of older people on the dance floor dancing. They
• 11:42
  Speaker 1: were the teachers, they had to be. Couldn't have been
• 11:43
  Speaker 1: the students, you know. But Dean, boy, he didn't waste
• 11:48
  Speaker 1: any time, doesn't He gets her on the dance floor.
• 11:49
  Speaker 1: Let's make out. Let's go. And Tristan wanted to make
• 11:53
  Speaker 1: out with that date too, even in his like longing
• 11:57
  Speaker 1: for Rory, he was like, Okay, I'll make out with
• 12:00
  Speaker 1: my date too. Did she become more desirable because she
• 12:05
  Speaker 1: had Dean there? Who become more desirable? Oh? God? Far more?
• 12:12
  Speaker 1: Are you kidding? I mean, you bring a kid like
• 12:15
  Speaker 1: Dean into the prom and everybody's gonna be talking about
• 12:18
  Speaker 1: I was not the prom, but the dance, but everybody's
• 12:20
  Speaker 1: gonna be talking about a gossip me gossiping about him?
• 12:24
  Speaker 1: And uh. I thought Dean did very well for himself
• 12:28
  Speaker 1: in this episode. He really was a stand up guy.
• 12:32
  Speaker 1: He became he was crowned the boyfriend and he he
• 12:38
  Speaker 1: deserves her heart at that At that point in time,
• 12:40
  Speaker 1: I mean that's that's a very very chivalrous, romantic, Uh,
• 12:46
  Speaker 1: A manly thing to do is like get away from
• 12:49
  Speaker 1: my girlfriend. You know, it's wonderful. And you know, as
• 12:54
  Speaker 1: old fashioned as that seemed, it's you know, sometimes it's necessary,
• 12:58
  Speaker 1: and it was necessary in that situation. And she was
• 13:00
  Speaker 1: being harassed by Um Tristan. I mean it's just no
• 13:06
  Speaker 1: matter how much you know I liked him, or he's
• 13:09
  Speaker 1: becoming vulnerable. I mean, he was a problem. I mean,
• 13:11
  Speaker 1: she was going to Chiltern, trying to learn, trying to
• 13:13
  Speaker 1: further her education and get into Harvard, and you've got
• 13:16
  Speaker 1: this jackass kid just just mocking her, just disrespecting her
• 13:21
  Speaker 1: every time he showed up. Um, even though his reasons
• 13:25
  Speaker 1: for it are probably understandable, You're right, he really he's
• 13:33
  Speaker 1: a jerk to her. He's a total jerk, and he's inappropriate.
• 13:36
  Speaker 1: And I yeah, I think I think both those characters
• 13:39
  Speaker 1: probably they're not aging well you know what I mean. Yeah,
• 13:44
  Speaker 1: there were there were a few parts where it was
• 13:46
  Speaker 1: a little bit like whoa this is? That's that's very
• 13:50
  Speaker 1: two thousand. It's very two thousand. Okay, everybody, we're gonna
• 13:58
  Speaker 1: take a break when we come back. We're gonna talk
• 14:00
  Speaker 1: more about Tristan, the wonderful Tristan, the complex Tristan. We'll
• 14:05
  Speaker 1: be back. Yeah, sorrybody, We're we're gonna get into a
• 14:12
  Speaker 1: little bit of Chad Michael Murray Tristan uh memories here. Uh.
• 14:17
  Speaker 1: He was just on the Today Show and he was
• 14:21
  Speaker 1: discussing how people react to his character in a very
• 14:25
  Speaker 1: surprising way to him and I think a surprising way
• 14:28
  Speaker 1: to us and everybody listening. People came up to him
• 14:32
  Speaker 1: and and said that they actually really loved his character.
• 14:36
  Speaker 1: He you know, he he was expecting. You know, usually
• 14:39
  Speaker 1: people are you know, are very critical of his character,
• 14:42
  Speaker 1: you know, negative encounters with fans, but he says they've
• 14:45
  Speaker 1: they've been very positive, and he's very surprised by it.
• 14:48
  Speaker 1: So let's let's get into that a little bit, because
• 14:50
  Speaker 1: this is a big episode for Tristan. And uh, what
• 14:54
  Speaker 1: do you guys think about this? Do you love him?
• 14:57
  Speaker 1: Do you hate him? Do you love to hate him?
• 15:00
  Speaker 1: And also we sort he changed changes a little bit
• 15:04
  Speaker 1: too right now. He's pretty awful. I wanted to love him,
• 15:09
  Speaker 1: and I did love him, and I wanted to give
• 15:12
  Speaker 1: him a hug when he was standing there when the
• 15:15
  Speaker 1: camera hit him and he was watching Dean and Rory
• 15:18
  Speaker 1: kiss on the dance floor. I felt bad for the guy.
• 15:22
  Speaker 1: I've been that guy. I've been in his shoes. Every
• 15:26
  Speaker 1: guy has been in his shoes with a girl that
• 15:28
  Speaker 1: he wants. And I was no Tristan. I mean, I'm
• 15:32
  Speaker 1: not trying to compare myself to Tristan. Uh, but that hurts.
• 15:36
  Speaker 1: That's a gut shot. You're gutted, and boy I felt
• 15:41
  Speaker 1: bad for I wanted to give him a hug. I
• 15:42
  Speaker 1: started liking very similar to you in the episode before
• 15:47
  Speaker 1: seeing Max and Laurela. It was sort of that same
• 15:51
  Speaker 1: gut wrenching Yes, Scott, I totally agree with you. Up
• 15:55
  Speaker 1: until this episode, I was very much like, oh, he
• 15:59
  Speaker 1: calls her rry, can he please stop? He's so snobby
• 16:04
  Speaker 1: and annoying and popular. And this episode, I I it
• 16:09
  Speaker 1: took a second. I was like, oh, no, there's something
• 16:12
  Speaker 1: more there, Like I got a little soft spot for him.
• 16:15
  Speaker 1: It was the first time that I actually felt that way.
• 16:18
  Speaker 1: And and it was when Rory was standing in line
• 16:21
  Speaker 1: to buy the ticket for the dance and he came
• 16:23
  Speaker 1: up and he was his arrogant jackass self, But then
• 16:26
  Speaker 1: you realize that he really, he's getting a little more
• 16:30
  Speaker 1: vulnerable with her, He's revealing a little more, and he's
• 16:34
  Speaker 1: asking her, you know, still indirectly, but asking her to
• 16:37
  Speaker 1: go to the dance with him, and it bothers him.
• 16:40
  Speaker 1: So I kind of started like, oh, okay, all right,
• 16:44
  Speaker 1: isn't it amazing what vulnerability does. It's just it's just
• 16:47
  Speaker 1: it's just gosh. Preston is exactly that guy, the guy
• 16:53
  Speaker 1: that's popular and handsome but insecure and sort of deals
• 16:59
  Speaker 1: with it by being kind of a jerk. It made
• 17:02
  Speaker 1: me think hard, what's going on at his home? What's
• 17:07
  Speaker 1: happening with mommy and daddy? What's going on? I mean,
• 17:11
  Speaker 1: it's like, there's there's some bad stuff going on. His
• 17:15
  Speaker 1: dad drinking is what's his dad treating him like crap?
• 17:18
  Speaker 1: Is dad having an affair? It's like, what's going are
• 17:23
  Speaker 1: their mental issues at home? What's happening that poor kid?
• 17:28
  Speaker 1: Agree with you? I felt the same way, And I
• 17:31
  Speaker 1: also thought he was the ultimate pulls your hair because
• 17:34
  Speaker 1: he likes you. That That was then I started becoming
• 17:39
  Speaker 1: like feeling parental toward him, like wanting to reach out
• 17:43
  Speaker 1: and and take his hand and say, hey, bud, let's
• 17:46
  Speaker 1: let's let's go on a little walk, you know, and
• 17:48
  Speaker 1: tell me what's going on in your life. And you know,
• 17:51
  Speaker 1: I wanted to help him. I'm at that stage of
• 17:52
  Speaker 1: my life where I have a little bit of wisdom,
• 17:54
  Speaker 1: you know, a little bit, and and I really wanted
• 17:57
  Speaker 1: to help that kid. And I thought, boy, he's in trouble.
• 18:00
  Speaker 1: He's in big trouble because he's looking like he's going
• 18:02
  Speaker 1: to fail in life, like if he's if he's this way,
• 18:07
  Speaker 1: he's this wound up. And I know Rory is extraordinary,
• 18:10
  Speaker 1: for for sure, she's extraordinary, but uh, and I have
• 18:14
  Speaker 1: the same thought about Paris too. If she's this wound
• 18:17
  Speaker 1: up about Rory at at Chilton, what the hell is
• 18:21
  Speaker 1: she going to react like when she gets to Harvard
• 18:24
  Speaker 1: when there's a thousand Rory's and there's a thousand Tristan's.
• 18:27
  Speaker 1: I agree, it sort of makes sense why Chad Michael
• 18:30
  Speaker 1: Murray recently said that people come up and say I
• 18:33
  Speaker 1: love Tristan because they must understand what's really going on.
• 18:38
  Speaker 1: But first you're like, he's such an ass. But as
• 18:41
  Speaker 1: an actor, right, the sensitivity of Chad and what he
• 18:46
  Speaker 1: did in that moment and the way he looked at
• 18:49
  Speaker 1: her and the way he felt it completely transformed my
• 18:54
  Speaker 1: opinion of him. It made me see that's called layering
• 18:57
  Speaker 1: a character character and that's again right, writing, great acting.
• 19:01
  Speaker 1: These kids are really good actors. Jesus. These kids are
• 19:04
  Speaker 1: so young and they're so good at what they do.
• 19:06
  Speaker 1: I think I think he was eighteen at the time too.
• 19:08
  Speaker 1: They're just kids. It's not surprising that this show got
• 19:13
  Speaker 1: him the lead on One Tree Hill. It, Yeah, it's
• 19:16
  Speaker 1: not surprising at all. I mean, he's showing a real
• 19:19
  Speaker 1: depth of uh. I mean, just wow. His soul was
• 19:24
  Speaker 1: ruined watching her dance with and kissing ruined. He was
• 19:29
  Speaker 1: just ruined. And the way he kind of went limp
• 19:32
  Speaker 1: a little bit and he you know, he confronted Dean
• 19:35
  Speaker 1: and you know, hey, we haven't met, and then and
• 19:38
  Speaker 1: then he escalated. But even the way he did that,
• 19:41
  Speaker 1: and that's a tough scene for for Chad to play
• 19:45
  Speaker 1: because he's got to come off tough, but he also
• 19:48
  Speaker 1: has to, you know, go limp a little bit in
• 19:51
  Speaker 1: the face of an obviously stronger uh and a more
• 19:54
  Speaker 1: righteous Dean in the situation, and it's like, how does
• 19:57
  Speaker 1: he play it? So at a certain point in that scene,
• 20:00
  Speaker 1: the confrontation scene with Dean. With Dean is I think
• 20:04
  Speaker 1: he realized and he made his choice as an actor.
• 20:06
  Speaker 1: He realized that he was in the wrong, that he
• 20:08
  Speaker 1: was the weaker person, and that Dan Dean made him
• 20:12
  Speaker 1: realize that, and he actually felt shame. I felt the
• 20:17
  Speaker 1: same way physically, he sort of really Yeah, he kind
• 20:21
  Speaker 1: of gave up so beautifully. Yes, it was. It was.
• 20:27
  Speaker 1: It's so difficult to do, and he did it beautifully.
• 20:30
  Speaker 1: He did it beautifully. He kind of manned up. But
• 20:33
  Speaker 1: then he, you know, he knew he was in the wrong,
• 20:36
  Speaker 1: and I think he pulled back because he realized that,
• 20:39
  Speaker 1: especially when he went in for the last time and
• 20:41
  Speaker 1: and and Dean just said before they started pushing each other, Um,
• 20:47
  Speaker 1: he just kind of you could see in his eyes
• 20:49
  Speaker 1: a light go out a little bit like this, he
• 20:52
  Speaker 1: wasn't going to get his way. And I think it
• 20:54
  Speaker 1: was almost he was almost doing it because he didn't
• 20:57
  Speaker 1: want to get his way. I think he did it
• 20:58
  Speaker 1: because he wanted Dean to beat him up. I think
• 21:01
  Speaker 1: he did it because he thought he deserved to get
• 21:04
  Speaker 1: beaten up. Yeah. I don't think any of what you're
• 21:07
  Speaker 1: saying is wrong. I think you're kind of right. I
• 21:09
  Speaker 1: can't decide if he's spoiled or what the deal is,
• 21:13
  Speaker 1: but yeah, I think he's just super sad on the inside.
• 21:16
  Speaker 1: I think he's he's very wealthy, he's very privileged. He's
• 21:21
  Speaker 1: so handsome. Yeah, great looking kid, and it's got everything
• 21:24
  Speaker 1: going for him. But boy, what a facade because there's
• 21:27
  Speaker 1: a hurt, wounded soul behind that thing, and it's so
• 21:31
  Speaker 1: interesting to see it. It's really interesting for him to
• 21:35
  Speaker 1: peel that layer back and to show us that he's not. Yeah,
• 21:40
  Speaker 1: I'm a I'm a jackass and I know I'm a jackass,
• 21:43
  Speaker 1: and I don't like it, so please beat me up,
• 21:46
  Speaker 1: because why else would you? Why else would you challenge
• 21:49
  Speaker 1: somebody who's, like, you know, three inches taller than you are.
• 21:52
  Speaker 1: It's interesting when we read that Chad gets that reaction.
• 21:57
  Speaker 1: We did like an informal poll, Danielle where they're like,
• 22:01
  Speaker 1: what happened? It was pretty split forty eight in favor
• 22:06
  Speaker 1: of Tristan and don't like him. So I think we
• 22:14
  Speaker 1: get the opinions from people who like him and hate him.
• 22:16
  Speaker 1: It's like, I I sort of loved it, hate him. Yes,
• 22:19
  Speaker 1: the character allows you to really, you know, vent on
• 22:23
  Speaker 1: somebody like that, because we've all had people like that
• 22:26
  Speaker 1: in our lives, right, um um. But I don't know,
• 22:31
  Speaker 1: I'm I like him, I want to get to know
• 22:35
  Speaker 1: him now. I'm interested in like finding out what's going
• 22:39
  Speaker 1: on with him. Yeah, you really kind of love Tristan
• 22:43
  Speaker 1: and Dean in this episode. I mean, I still think
• 22:45
  Speaker 1: Tristan's he's a eighteen he's a kid, he's seventeen, you know.
• 22:51
  Speaker 1: I mean, come on, those kids are They're so filled
• 22:56
  Speaker 1: with confidence, you know, and you know, nothing really bad
• 23:00
  Speaker 1: has happened to them yet. Nobody's ever said no to
• 23:03
  Speaker 1: them yet. They just haven't been out in the world.
• 23:05
  Speaker 1: But I think in Tristan's background, something's going wrong and
• 23:10
  Speaker 1: it's and it's and it's going it's going wrong, like
• 23:13
  Speaker 1: right now as it's happening, and he's he's freaked out
• 23:17
  Speaker 1: by it. You know, maybe the parents split up, Maybe
• 23:19
  Speaker 1: the parents are fighting a lot or splitting up, or
• 23:21
  Speaker 1: who the heck knows. Yeah, And I think I think
• 23:27
  Speaker 1: he's probably just a very sensitive, very intelligent boy who
• 23:32
  Speaker 1: was probably a very sweet boy, and he's getting abused.
• 23:35
  Speaker 1: Somebody's abusing him. Maybe his father is verbally abusing him
• 23:39
  Speaker 1: or being too rough. With him or cutting him down?
• 23:42
  Speaker 1: You know, who knows? Who the hell knows? But it's
• 23:45
  Speaker 1: like I want to know. I want to know what
• 23:47
  Speaker 1: it is. What's his damage? Boy, let's get him on.
• 23:55
  Speaker 1: I want to I wanna because he has more insight
• 23:58
  Speaker 1: and he, you know, made these choice, maybe had some
• 24:00
  Speaker 1: conversations with Amy about background that's not in the show.
• 24:05
  Speaker 1: So it would be interesting to find pretty sweet guy.
• 24:08
  Speaker 1: He's a sweet guy in their life, as you know. Yeah,
• 24:10
  Speaker 1: he's a good dude. Okay, Danielle, tell us how we're
• 24:12
  Speaker 1: going to solve this conundrum. So we have one listener
• 24:16
  Speaker 1: that is calling it right now, Easton, if you want
• 24:18
  Speaker 1: to let her in from the waiting room. Her name
• 24:20
  Speaker 1: is Amelia. Hates him, she likes him. Hello, Amelia, Hi,
• 24:28
  Speaker 1: how you doing? Goodness? My goodness? Right pack at you?
• 24:33
  Speaker 1: How are you doing? Let me? Where are you calling
• 24:36
  Speaker 1: in from? Look at the sweatshirt? Got the Luke sweatshirt on?
• 24:40
  Speaker 1: There you go representing alright? Where you Where are you from? Amelia?
• 24:45
  Speaker 1: Joshua Tree, California? Oh my god, you're out in the
• 24:48
  Speaker 1: desertn't really working for my my temperature outside? No? No, no,
• 24:52
  Speaker 1: what's it out there? Something crazy? Yeah? The Desert. Thank
• 24:59
  Speaker 1: God for free on. So you have either a question
• 25:04
  Speaker 1: or a comment for us? Oh well, I mean, yeah,
• 25:07
  Speaker 1: you guys um in your stories. So he talked about
• 25:09
  Speaker 1: Tristan um if people liked him or didn't like him,
• 25:13
  Speaker 1: And I know a lot of people probably don't like him,
• 25:16
  Speaker 1: but I mean I don't like him, like I want
• 25:18
  Speaker 1: to hang out with Tristan. But I think as a
• 25:20
  Speaker 1: character he's really dynamic. There's a lot there and I
• 25:25
  Speaker 1: love to unpack that stuff. As a viewer, I like
• 25:29
  Speaker 1: that he's kind of puts up a facade. I mean
• 25:31
  Speaker 1: he's a teenager, so you remember that. I mean I
• 25:33
  Speaker 1: started watching the show when I was ten, so I
• 25:35
  Speaker 1: didn't pick up any of this then. But um, you
• 25:38
  Speaker 1: know he's a teenager. He's figuring it out. And I
• 25:40
  Speaker 1: think that he just wants validation from girls at school,
• 25:45
  Speaker 1: boys school, his parents, and he gets it obviously in
• 25:49
  Speaker 1: the wrong ways. So he puts up this like not
• 25:51
  Speaker 1: a very nice guy saw it. So he's kind of misunderstood.
• 25:53
  Speaker 1: But there's moments where you could see he has like
• 25:55
  Speaker 1: a heart and a soul. They're fleeting, but they happen, Um,
• 25:58
  Speaker 1: And I just think he's really misunders that he does
• 26:00
  Speaker 1: it to himself. But he's a teenager, so you know,
• 26:04
  Speaker 1: she engages with him. You know, she doesn't just walk
• 26:08
  Speaker 1: away or ignore him. There's some sort of push pool
• 26:11
  Speaker 1: there because she always sort of ping pongs with him,
• 26:16
  Speaker 1: meaning Rory. Yeah, I mean, and he's a cutie pie.
• 26:19
  Speaker 1: I mean it's Chad Michael Murray. So I'm not complaining.
• 26:23
  Speaker 1: If I was in high school with Chad Michael Murray,
• 26:25
  Speaker 1: I'd probably be like, all right, So I mean, well,
• 26:29
  Speaker 1: you know, um, we were discussing this and this episode
• 26:33
  Speaker 1: is specifically, um Rory's dance when she goes to children
• 26:38
  Speaker 1: dance and they getting Dean and and Tristan get into there,
• 26:42
  Speaker 1: you know, almost fisticuffs. Um. You know, I started liking
• 26:47
  Speaker 1: I started liking Tristan because just for the reasons that
• 26:51
  Speaker 1: you just stated, because there's something there. There's maybe something
• 26:54
  Speaker 1: going wrong in his home life and he doesn't know
• 26:57
  Speaker 1: how to handle it, and he's internalizing it. It's being
• 27:00
  Speaker 1: out in all these ways and he's probably he's you know,
• 27:02
  Speaker 1: he's mimicking both his parents, right, So he's being imprinted
• 27:05
  Speaker 1: in a very negative way somehow over a period of time,
• 27:09
  Speaker 1: and he's you know he's coming off like this, this
• 27:12
  Speaker 1: giant jerk, and I'm sure I see that from his
• 27:17
  Speaker 1: behavior in this episode that he is not a giant jerk.
• 27:21
  Speaker 1: I don't think he. I think there's something very sweet
• 27:25
  Speaker 1: and soulful there and he's lost it. He's lost himself
• 27:29
  Speaker 1: and he needs to get himself back, which is why
• 27:32
  Speaker 1: I think and obviously he thinks Rory can help him. Yeah,
• 27:38
  Speaker 1: I completely agree. I feel like and even if he's
• 27:40
  Speaker 1: like getting that negative imprint from his parents, maybe even
• 27:42
  Speaker 1: they're not giving him enough attention, so he's like, how
• 27:44
  Speaker 1: can I get attention, I'll act out, um, And yeah,
• 27:48
  Speaker 1: I just think there's not a lot of self love there.
• 27:51
  Speaker 1: There's not, like feel like, there's a lot of self
• 27:53
  Speaker 1: doubt within himself, and he acts out negatively and he
• 27:56
  Speaker 1: sees something good in Rory, which I mean he doesn't.
• 27:59
  Speaker 1: I mean, she's just she's just a breath of fresh
• 28:01
  Speaker 1: air and completely unaffected and beautiful and breezy and smart,
• 28:07
  Speaker 1: and it's probably everything he's been looking for and hasn't
• 28:10
  Speaker 1: been able to find. I mean, it's like it's either
• 28:12
  Speaker 1: it's either Louise or or it's hurts Rory, which line
• 28:15
  Speaker 1: you're gonna stand in right, I mean Louise right right. Yeah,
• 28:20
  Speaker 1: she's still nice to him. She like finds the good
• 28:22
  Speaker 1: in him, and you think he sees that and picks
• 28:23
  Speaker 1: up on that. So it's like, Okay, even though I
• 28:25
  Speaker 1: called you marry and I was that typical like I
• 28:28
  Speaker 1: don't know, school grade school, like I'm going to be
• 28:32
  Speaker 1: mean to you because I like you attitude. She's looked
• 28:35
  Speaker 1: past that and it's just shown him kindness. And I
• 28:39
  Speaker 1: mean anyone that's I feel like like him is going
• 28:42
  Speaker 1: to look at that and be like, hey, wait a minute,
• 28:44
  Speaker 1: I like you. She's she's look, she's a little she's
• 28:47
  Speaker 1: a little rough with him. I mean she she gives
• 28:50
  Speaker 1: him his do uh when they're standing in line, when
• 28:56
  Speaker 1: she's buying the tickets. I mean she's really kind of
• 28:58
  Speaker 1: going after him a little bit. I mean she's she's
• 29:00
  Speaker 1: returning service beautifully. Yeah, I love it, especially when she
• 29:04
  Speaker 1: yells at him after she hits the deer. I mean
• 29:07
  Speaker 1: I appreciate that. So yeah, I just think there's a
• 29:11
  Speaker 1: quality about Tristan that I'm intrigued by. Now. I'm fascinated.
• 29:16
  Speaker 1: I want to I want to get to know him
• 29:18
  Speaker 1: a little better. And I hope. And I haven't seen
• 29:20
  Speaker 1: the episodes obviously, I've just I've stopped at Rory's dance,
• 29:23
  Speaker 1: but I'm I'm intrigued to see how he develops. And
• 29:26
  Speaker 1: I'm starting to like Dean too. But I know I've
• 29:29
  Speaker 1: been listening and I'm like, no, no, but I didn't
• 29:34
  Speaker 1: like the Boogie night thing and hey, now it's my
• 29:38
  Speaker 1: turn and you know this kissing and the thing and
• 29:41
  Speaker 1: and the Dozies marketing. I know I didn't like all
• 29:43
  Speaker 1: that stuff, but you know it's like now this fresh
• 29:46
  Speaker 1: episode and he's, uh, he's he's being a good boyfriend
• 29:50
  Speaker 1: and it's kind of cool because she's, you know, hey,
• 29:52
  Speaker 1: so what do we you my boyfriend? And it's like,
• 29:55
  Speaker 1: I don't know, you want me to be? It is,
• 29:59
  Speaker 1: it's very it is very sweet and he's a sweet kid.
• 30:03
  Speaker 1: He's showing that side of himself. Um, so, Amelia, so
• 30:09
  Speaker 1: thank you for coming on. It was a very interesting discussion.
• 30:13
  Speaker 1: Oh well, thank you. We really appreciate the input. Um,
• 30:17
  Speaker 1: and good luck with your photography out there in Joshua
• 30:20
  Speaker 1: Tree and thank you and thank you. This is crazy.
• 30:24
  Speaker 1: You're Luke, I mean your Scott, but you're Luke. And
• 30:26
  Speaker 1: I've been watching you since I was ten and your
• 30:28
  Speaker 1: show shaped me and I just this is amazing, So
• 30:32
  Speaker 1: thank you so much, wonderful. We've had a lot of
• 30:34
  Speaker 1: fun and uh and nice talking to you. Yeah you too,
• 30:39
  Speaker 1: thank you. All right, sweetheart, I think we've got somebody
• 30:47
  Speaker 1: in the waiting room, uh for a fan question, and
• 30:50
  Speaker 1: let's let's get question. We need a high so let's
• 30:55
  Speaker 1: let's jump into your question. You emailed a question and
• 30:58
  Speaker 1: we're curious. Go ahead and give us your question. Okay.
• 31:02
  Speaker 1: So um, in season one, episode nine, where Rory goes
• 31:06
  Speaker 1: to the dance, UM, Emily sitting on the couch with
• 31:10
  Speaker 1: Flora Lae and she's trying, um, some smashed bananas on toast,
• 31:15
  Speaker 1: and when Emily gets up from the couch, there's a
• 31:18
  Speaker 1: piece of neon green tape those under the chair where
• 31:22
  Speaker 1: she's been sitting. And then in season six, episode thirteen,
• 31:28
  Speaker 1: Friday Night is all Right for Fights, Suki and Loria
• 31:32
  Speaker 1: la are in an outdoor flower market and they have
• 31:36
  Speaker 1: the same piece of neon green tape that's on their jackets,
• 31:39
  Speaker 1: and UM, I'm assuming that it's like a place marker
• 31:43
  Speaker 1: for where they stand or the jackets that they were
• 31:46
  Speaker 1: supposed to use for the scene and then it maybe
• 31:48
  Speaker 1: just didn't get removed. But UM, I'm wondering if you
• 31:51
  Speaker 1: could maybe speak to that a little bit more on um,
• 31:55
  Speaker 1: what is like to be an actor and have such
• 31:57
  Speaker 1: intense dialogue and um and be having to move at
• 32:03
  Speaker 1: a certain place, being a certain position, um, especially being
• 32:07
  Speaker 1: like um for your character being in the diner being um,
• 32:11
  Speaker 1: cooking or cleaning or busting a table at the same
• 32:14
  Speaker 1: time while you're while you're acting. So, yes, you're you're
• 32:18
  Speaker 1: right about the tape. It every actor gets a color designation.
• 32:25
  Speaker 1: I guess the green tape. I guess that was assigned
• 32:29
  Speaker 1: to Uh, Kelly, is that what you're saying? You saw
• 32:34
  Speaker 1: it first with with Emily Gilmour, Yes, since season one? Yes,
• 32:39
  Speaker 1: so yeah, so so Emily. I guess was was green
• 32:43
  Speaker 1: because when the crew comes in, when we come in
• 32:46
  Speaker 1: for a full crew rehearsal uh, and we've figured out
• 32:50
  Speaker 1: sort of our movements and are it's called blocking, and
• 32:53
  Speaker 1: where we're gonna go on certain lines and all the
• 32:55
  Speaker 1: you know, the the balletic, the core the choreography of
• 32:59
  Speaker 1: the scene where everybody's moving. Um. Uh. The crew he's
• 33:05
  Speaker 1: the crew guy has a many different colored tapes uh
• 33:12
  Speaker 1: in a holster and he pulls out that tape because okay,
• 33:14
  Speaker 1: so Luke moves over here, so I mean I forget
• 33:17
  Speaker 1: I I forget which color I was. It was probably
• 33:19
  Speaker 1: red or something like that, and he said, or blue
• 33:21
  Speaker 1: or something. He put a blue tape down there so
• 33:23
  Speaker 1: that you I would know where my first mark was.
• 33:27
  Speaker 1: And then they do the same thing for all the actors.
• 33:29
  Speaker 1: So there's lots of pieces of different colored tape all
• 33:32
  Speaker 1: over the floor and that's that's the roadmap for all
• 33:36
  Speaker 1: of the actors to see. And you can't look at it,
• 33:39
  Speaker 1: but you know it's there, So so that's your that's
• 33:43
  Speaker 1: kind of like your UM, your navigation system that we
• 33:47
  Speaker 1: used to make sure we knew we were standing on
• 33:50
  Speaker 1: the right mark because that's where they set the lighting.
• 33:53
  Speaker 1: So if if if you're standing on your mark, then
• 33:56
  Speaker 1: the lighting is gonna hit you right and you know
• 33:58
  Speaker 1: the director is gonna be happy, and if you miss
• 34:00
  Speaker 1: your mark, the lighting is going to be off, and
• 34:02
  Speaker 1: then everybody else's lighting is going to be off because
• 34:04
  Speaker 1: you're gonna pull their looks over in the wrong direction.
• 34:07
  Speaker 1: And then they yell cut and said you gotta hit
• 34:09
  Speaker 1: your mark. We gotta do it again. So and as
• 34:13
  Speaker 1: far as how to um to do all the the
• 34:18
  Speaker 1: you know, the physical stuff and the and the serving
• 34:21
  Speaker 1: of the food and you know that's um. You know,
• 34:24
  Speaker 1: that's something you learn in acting school. Uh. And you
• 34:27
  Speaker 1: just sort of keep gradually adding on more tasks to
• 34:30
  Speaker 1: do and in scenes and scene work that you're doing
• 34:33
  Speaker 1: in class. Uh. And then when you do plays you
• 34:36
  Speaker 1: have to do that as well. There's a lot of
• 34:39
  Speaker 1: props to deal with, and there's a whole course of
• 34:41
  Speaker 1: study on how to deal with props and how to
• 34:43
  Speaker 1: handle props and do you have to do it the
• 34:45
  Speaker 1: same for every take? Yes, you do. Yeah, that's called matching.
• 34:50
  Speaker 1: You have to match. So if George comes up to you, say, Scott,
• 34:53
  Speaker 1: that didn't match, I said, oh, what did I do?
• 34:55
  Speaker 1: I said, you put the plate down on the word
• 34:58
  Speaker 1: after you know the and you put it. Yeah. So
• 35:01
  Speaker 1: if you miss it even by that much, so it's exacting.
• 35:05
  Speaker 1: So your rehearsal process nails down all of the movement
• 35:10
  Speaker 1: and the and the props and uh um and the
• 35:14
  Speaker 1: lighting scheme and the choreography. And if you miss any
• 35:18
  Speaker 1: anything but even buying a very in your brain, you
• 35:22
  Speaker 1: have to go like cut plate toast, cut plate toast,
• 35:26
  Speaker 1: and then you're also doing all those crazy lines. You're
• 35:28
  Speaker 1: like blah blah blah, cut plate toast. Whoa, that sounds
• 35:32
  Speaker 1: kind of loud. You are truly exhausted at the end
• 35:36
  Speaker 1: of the day because you're just your brain is is
• 35:40
  Speaker 1: is just you know, trying to absorb all this stuff
• 35:45
  Speaker 1: all day and you know, sending all those signals out
• 35:49
  Speaker 1: to every part of your body. And uh and plus
• 35:52
  Speaker 1: you know there's a there's an emotional life there too
• 35:54
  Speaker 1: that has to be um, um, oh my god, right come,
• 35:58
  Speaker 1: plate toast line, line, line right right right. So it's
• 36:04
  Speaker 1: but it's not anything. The more you do it, the
• 36:06
  Speaker 1: better you get at it, and the more comfortable you
• 36:08
  Speaker 1: feel with it. And I got to the point on
• 36:10
  Speaker 1: Gilmore where I I preferred using a lot of props
• 36:14
  Speaker 1: and being very proppery and very active with the props
• 36:16
  Speaker 1: because it's just, you know, it was easier for me
• 36:19
  Speaker 1: to attach what line was I'm going to pick the
• 36:22
  Speaker 1: couple on or drop the plate or pick up the
• 36:24
  Speaker 1: plate and the whole thing and it's sort of I
• 36:26
  Speaker 1: don't know, it just made it easier to do a scene. Um.
• 36:29
  Speaker 1: Whereas when you're out there in the desert and it's
• 36:31
  Speaker 1: just the two of you're talking. That's tough because I
• 36:33
  Speaker 1: remember that kitchen scene in the in the reboot, where
• 36:36
  Speaker 1: I was passionately pleading with Laurel La not to leave
• 36:39
  Speaker 1: me when um, and it was just the two of us,
• 36:42
  Speaker 1: there were no props to deal with. There was nothing,
• 36:44
  Speaker 1: And that's when you're truly naked emotionally, and those are
• 36:48
  Speaker 1: more difficult to pull off, um because you can't really
• 36:53
  Speaker 1: you know, you can't hide behind the props anymore. Um. So, anyway,
• 37:00
  Speaker 1: I hope that answers your question. Yeah, that's very interesting.
• 37:04
  Speaker 1: Thank you so much, Thank you, Thank you Winita for
• 37:06
  Speaker 1: coming on and uh and uh and keep watching, thanks listening.
• 37:13
  Speaker 1: Stay safe, all right, take care. You know, let's have
• 37:16
  Speaker 1: a little fun. Let's let's go ahead and re enact this.
• 37:18
  Speaker 1: We had so much fun doing it last week. Let's
• 37:20
  Speaker 1: let's reenact the scene where uh, you know, Rory goes
• 37:24
  Speaker 1: into Dosie's Market to ask Dean to the dance and
• 37:27
  Speaker 1: and Keiko is breathlessly, you know, staring through the glass
• 37:31
  Speaker 1: to see what happens. So she she even says to Royce, says,
• 37:33
  Speaker 1: you know, annuncate your words, I read lips. So so
• 37:40
  Speaker 1: we're gonna we're gonna re enact this with uh with
• 37:43
  Speaker 1: another lovely fan. Who who do we have? Is that Heather?
• 37:48
  Speaker 1: How are you doing? You're wearing the hat or is
• 37:50
  Speaker 1: that just your natural look? Like it is rocking the look?
• 37:57
  Speaker 1: It's out of respect of it. At this, Look at this, Heather,
• 38:02
  Speaker 1: That's awesome. I gotta put my glasses on to check
• 38:05
  Speaker 1: this out. This is look at you. That's a that's
• 38:09
  Speaker 1: a Luke suit. It is number one top drawer. Welcome
• 38:15
  Speaker 1: to the show. Thank you so much. I'm so excited
• 38:19
  Speaker 1: to be here. How did it hat? What are you
• 38:21
  Speaker 1: calling in from? I live in Seattle, Seattle, all the
• 38:26
  Speaker 1: way from Seattle. Yeah, not too far from you. Guys though,
• 38:31
  Speaker 1: did you work on the scene? Because I didn't? I did? Um,
• 38:36
  Speaker 1: I hope I do it justice. Well, I know I'm
• 38:39
  Speaker 1: gonna suck. I'm not going to be a good Dean.
• 38:42
  Speaker 1: I'm playing Dean because I'm not in this episode. I know.
• 38:45
  Speaker 1: I well, that's what when I heard it was this one,
• 38:47
  Speaker 1: I thought, not even in this one. Luke's not even
• 38:50
  Speaker 1: make sense. We'll create our own scene. I know it's
• 38:54
  Speaker 1: going to be great. The scene that that that hit
• 38:57
  Speaker 1: the cutting room floor never made it on the episode aired.
• 39:01
  Speaker 1: All right, so now I'm by Now I have to
• 39:04
  Speaker 1: I have to be Dean. Okay, so this will be
• 39:06
  Speaker 1: the biggest acting challenge of my life. I know how
• 39:08
  Speaker 1: you feel about Dean too, so he love Jared. But
• 39:12
  Speaker 1: but you know what, Dean he I like him in
• 39:14
  Speaker 1: this episode. I liked what happened. He's very good in
• 39:18
  Speaker 1: this episode. Yeah, you know, it's like I might be
• 39:20
  Speaker 1: kicking just to the curb pretty soon. I might be
• 39:24
  Speaker 1: doing that. I might do that because I like Dean
• 39:27
  Speaker 1: in this I like Dean in this episode. She wants
• 39:29
  Speaker 1: to make it right too. You know, at the end
• 39:31
  Speaker 1: of the episode, he really tries. He wants to go
• 39:33
  Speaker 1: with Rory back to talk to her mom. I mean,
• 39:35
  Speaker 1: he does the right thing. He does the right thing.
• 39:38
  Speaker 1: He figured out how to get out of his car
• 39:40
  Speaker 1: and stop honking. I like. I like that. He's an
• 39:43
  Speaker 1: intelligent young man. You don't run out when a boy
• 39:47
  Speaker 1: honks for you. Tell you what man Jess might be.
• 39:54
  Speaker 1: You know, I know he's blood, I know he's family.
• 39:56
  Speaker 1: But I like the Dean going after the tris didn't
• 40:01
  Speaker 1: it was It was good. Yeah, and knock out the
• 40:04
  Speaker 1: Mary Boy. You know, I'm a recent Team Jess convert.
• 40:08
  Speaker 1: Actually I was a team Okay, don't don't be too upset.
• 40:13
  Speaker 1: I know somebody else is also a Team Logan hardcore, Yes,
• 40:16
  Speaker 1: Amy is. I mean, I was Team Logan for so long.
• 40:19
  Speaker 1: I loved how they challenged each other, and I love
• 40:21
  Speaker 1: how they changed one another. I love how he came
• 40:24
  Speaker 1: full circle at the end. But you know what, after
• 40:27
  Speaker 1: the revival, I changed my mind because I was so
• 40:30
  Speaker 1: disappointed in the relationship. There a sort of relationship then,
• 40:35
  Speaker 1: and I saw how Jess really helped Rory, and she
• 40:39
  Speaker 1: had that great idea for the book, and even at
• 40:41
  Speaker 1: the end when he looked at her through the window,
• 40:43
  Speaker 1: I was like, that's that's the one. So I'm now
• 40:47
  Speaker 1: a Team Jess. I never thought i'd say it, but
• 40:50
  Speaker 1: years later, I'm a convert. I'm still I'm still Team Jett,
• 40:53
  Speaker 1: Team Jess. But I gotta tell you, the opportunity to
• 40:58
  Speaker 1: get into the skin of Dean in an acting scene
• 41:02
  Speaker 1: might help me get that that five percent I need
• 41:05
  Speaker 1: to get to get the Team Dean. Because I'm I'm
• 41:08
  Speaker 1: right there, I'm right on the fence. I liked what
• 41:11
  Speaker 1: I saw in this episode from that young boy. I
• 41:14
  Speaker 1: like this scene. He's really I mean, what a great guy.
• 41:18
  Speaker 1: He restrained himself, he didn't swing and punch. He just said,
• 41:22
  Speaker 1: I'm not going to fight you, because what does I
• 41:27
  Speaker 1: kill you? And he didn't mean kill in the sense
• 41:29
  Speaker 1: that he'd kill him. He meant kill when that he
• 41:32
  Speaker 1: would defeat him badly. So yes, yes, there would be
• 41:36
  Speaker 1: damage to the Tristan Uppers and Lowers that Dennis would
• 41:42
  Speaker 1: be very the Orthodonis between. I like this episode anyway,
• 41:47
  Speaker 1: So you ready to act? Have you been working on it?
• 41:50
  Speaker 1: I don't know. I made my husband run through it
• 41:51
  Speaker 1: with me a bunch of times. I don't know how
• 41:54
  Speaker 1: to play Dean, and now I have to be eighteen,
• 41:56
  Speaker 1: and that's you know, I'm I'm a little four years
• 42:00
  Speaker 1: past eighteen. But let's see what I can do. I
• 42:03
  Speaker 1: was trying to put myself back in. What is it
• 42:05
  Speaker 1: like when you're a teenager and you're this is so
• 42:08
  Speaker 1: vulnerable to ask somebody to a dance, you know. I
• 42:11
  Speaker 1: was trying to put myself back there, because that's that's hard.
• 42:13
  Speaker 1: It was hard what I think we both need to
• 42:16
  Speaker 1: do since we're since we're are both of our voices
• 42:19
  Speaker 1: is probably bottomed out since we were teenagers. We need
• 42:23
  Speaker 1: to be at a higher pitch. We need to be high. Yeah,
• 42:26
  Speaker 1: we can't be so low in our throat. We can't be.
• 42:28
  Speaker 1: So let's try that. So maybe we can be. We
• 42:31
  Speaker 1: will try it. Not not necessarily squeaky, but sometimes Rory
• 42:35
  Speaker 1: does come off squeaky. She can be sometimes. And for you, Heather,
• 42:41
  Speaker 1: to achieve that level of cuteness and vulnerability in your voice,
• 42:46
  Speaker 1: my god, let's see what happens. I don't know. Now
• 42:49
  Speaker 1: you're setting me up. I'll try it, alright, alright, uh, alright,
• 42:55
  Speaker 1: everybody settle Heather, you're good ready? Good? Yes? Yes, yes, yes?
• 43:04
  Speaker 1: And action? Hey oh hey you're busy. Yeah no, I
• 43:11
  Speaker 1: just had to put these green beans chip ands on
• 43:13
  Speaker 1: the shelves. You want to help? Yeah, sure, I love
• 43:18
  Speaker 1: stucking beans. Okay, follow me. So do you work on Saturdays?
• 43:22
  Speaker 1: I forget, Well, it depends. Sometimes I come in if
• 43:25
  Speaker 1: I don't have any plans. So why no reason? This
• 43:29
  Speaker 1: is so bad? I can't do Dean to save my life,
• 43:36
  Speaker 1: killing going, keep going, I'll try to find another Dean voice.
• 43:40
  Speaker 1: Go ahead, See there's this thing at my school on Saturday.
• 43:43
  Speaker 1: Well it's not really at my school, but it's it's
• 43:46
  Speaker 1: kind of given by my school. What is it? Well,
• 43:50
  Speaker 1: it's this kind of thing where you go and they
• 43:52
  Speaker 1: play music and you're supposed to get all dressed up
• 43:54
  Speaker 1: and do some kind of dance and there's chicken chicken.
• 43:57
  Speaker 1: I don't know if there's chicken, but these kinds of things,
• 44:00
  Speaker 1: they often serve chicken because it's probably cheaper and people
• 44:02
  Speaker 1: eat it. So the logical the chicken twists really is
• 44:04
  Speaker 1: not bad. I'm lost, and it's not like I'm dying
• 44:10
  Speaker 1: to go or anything, but it is a new school
• 44:13
  Speaker 1: and being part of social activity that's really important in Chilton.
• 44:16
  Speaker 1: So are you asking me to go to a dance
• 44:21
  Speaker 1: with you? No? Yes, I mean if you wanted to go,
• 44:27
  Speaker 1: I would go to. Well that'd probably good since it's
• 44:30
  Speaker 1: your school, right, So do you want to go? Honestly? Yeah,
• 44:35
  Speaker 1: I've actually never gone to a dance before because they're lame.
• 44:40
  Speaker 1: It's just not the way I ever wanted to spend
• 44:41
  Speaker 1: my timing. I mean, I'm I'm not a big joiner. Okay,
• 44:46
  Speaker 1: fair enough? More beans? Please? You want to go, don't you? No?
• 44:53
  Speaker 1: I don't. I don't have any desire to go at all.
• 44:55
  Speaker 1: I was just thinking out loud, that's all. Huh. So
• 45:01
  Speaker 1: what would I have to wear? What to this dance? What?
• 45:05
  Speaker 1: What would I have to wear? Anything you want? No? Really?
• 45:10
  Speaker 1: Whatever you're comfortable. Some sort of pants would be good.
• 45:15
  Speaker 1: It's coding, TI, man, But you probably get away with
• 45:20
  Speaker 1: the coating. No time I have to take. You have
• 45:24
  Speaker 1: to take a longer pause. Yeah, give me that line again.
• 45:28
  Speaker 1: But you could probably get away with the coat and
• 45:30
  Speaker 1: no tie. H okay, really, thank you? That was excellent.
• 45:45
  Speaker 1: I had one more line, the most important line of
• 45:48
  Speaker 1: the whole thing. Alright, cut, we're gonna have to do
• 45:51
  Speaker 1: it again. Maybe you just give that last line. I
• 45:59
  Speaker 1: can give the one before welcome. There you go, done,
• 46:01
  Speaker 1: We're good. There you good? So we can we can
• 46:03
  Speaker 1: splice that in. Actually, I felt the scene gained real
• 46:08
  Speaker 1: life when Amy jumped in at the end. I like that.
• 46:10
  Speaker 1: I thought Heather was so much better than Danielle and Riley.
• 46:13
  Speaker 1: It was amazing. I thought Heather was fantastic. Good thank
• 46:20
  Speaker 1: you costuming too, since she got in character even though
• 46:24
  Speaker 1: she wasn't portraying that character. Rory as Luke and I
• 46:27
  Speaker 1: had to meet Luke as Dean that's a game of twister,
• 46:32
  Speaker 1: mental twister right there. For the thing that's that's really like,
• 46:36
  Speaker 1: what's they're not? How are they going to colate that?
• 46:40
  Speaker 1: It's it's But you did a great job. You were
• 46:43
  Speaker 1: really good, Scott. I'm really happy you changed your voice
• 46:47
  Speaker 1: because that Dean voice and something else. I was struggling.
• 46:51
  Speaker 1: I just didn't know what I thought. It was actually
• 46:57
  Speaker 1: my eyes for a minute, I closed my eyes for
• 46:59
  Speaker 1: a minute, and I really felt it was deep. I
• 47:01
  Speaker 1: was inhabited. Dean was inhabiting me. It was. It was
• 47:04
  Speaker 1: weird spiritual experience, you know, before you go. Do you
• 47:07
  Speaker 1: have any questions or tips for us as we try
• 47:10
  Speaker 1: to improve this? Uh? I am all in podcast. I'm
• 47:13
  Speaker 1: just so excited doing this. This show is meant so
• 47:16
  Speaker 1: much to me. So you guys being here each week,
• 47:18
  Speaker 1: I mean it's taking me through everything, everything in your life.
• 47:21
  Speaker 1: There's something about in Gilmore's with it, you know, heartbreak,
• 47:24
  Speaker 1: going to college, graduating, even when my dad had a
• 47:28
  Speaker 1: heart attack. I thought Gilmore's has that, you know. Um
• 47:31
  Speaker 1: So I I love it. Um. I love that you're
• 47:34
  Speaker 1: breaking down this, you know, the episodes and any behind
• 47:37
  Speaker 1: the scenes stuff is always great. I do have a question.
• 47:41
  Speaker 1: I always said I would ask if I ever got
• 47:43
  Speaker 1: the opportunity. It's skipping way ahead, but if anybody's listening,
• 47:46
  Speaker 1: I kind of figured that they've already kind of watched it. Anyway.
• 47:50
  Speaker 1: So Orla comes to Luke at the diner and says,
• 47:54
  Speaker 1: we gotta get moving with the marriage thing. Let's elope
• 47:57
  Speaker 1: April needs to figure out how she's going to fit
• 47:59
  Speaker 1: into lives, not the other way around. Let's go. Luke says,
• 48:02
  Speaker 1: I can't jump, you know, it's too fast. Laura Lai says, okay,
• 48:06
  Speaker 1: I'm out. She leaves, and she goes and she sleeps
• 48:09
  Speaker 1: with Christopher, and then Luke cons and he's all packed up,
• 48:13
  Speaker 1: he's got all his stuff, he's got the camping gear,
• 48:15
  Speaker 1: he's ready to go, and he says, let's do it.
• 48:17
  Speaker 1: And she says, I slept with Christopher and he leaves.
• 48:20
  Speaker 1: And I always wondered if she hadn't slept with Christopher,
• 48:24
  Speaker 1: do you think that they would have stayed together, like
• 48:27
  Speaker 1: what would have happened after that? Well? Yeah, I don't
• 48:32
  Speaker 1: remember any of that, but I do. I think, of course,
• 48:37
  Speaker 1: logic would dictate that the chances would be much better
• 48:40
  Speaker 1: than there's this thing that funny, quirky thing about people
• 48:45
  Speaker 1: in relationships. When you sleep with someone else, it somehow
• 48:48
  Speaker 1: affects adversely the relationship that you're in. Isn't that wild?
• 48:54
  Speaker 1: I don't blame Luke for leaving and he even goes
• 48:56
  Speaker 1: and he goes straight to Christopher's apartment and punch boom
• 49:02
  Speaker 1: right in the kisser right there. It's because it's a fan.
• 49:06
  Speaker 1: You don't want Lorela to sleep with Christopher at that point,
• 49:09
  Speaker 1: and so it's really satisfying. But that's the that's the
• 49:13
  Speaker 1: craft of you know, the craft of writing will do
• 49:19
  Speaker 1: the thing to the fans that they least want in
• 49:23
  Speaker 1: order to get them to lean forward. Because now you
• 49:29
  Speaker 1: feel like you're you're involved in it. I mean, they're
• 49:31
  Speaker 1: really messing with you now, right, So it's uh, you know,
• 49:35
  Speaker 1: that's that's what good writers do. They give you what
• 49:39
  Speaker 1: you want sometimes, but they give you a lot of
• 49:41
  Speaker 1: what you don't want, so or what you think you
• 49:44
  Speaker 1: don't want anyway. Um, yeah, that's very What season are
• 49:51
  Speaker 1: you even talking about here? What season is? So it's
• 49:53
  Speaker 1: season seven? Is to come back in about three years?
• 50:02
  Speaker 1: You would have me back in that time. I would
• 50:04
  Speaker 1: be happy to come back and ask again, we can
• 50:06
  Speaker 1: all chat, but I just always had it on my
• 50:08
  Speaker 1: mind because I mean, I'm so glad they ended up together.
• 50:12
  Speaker 1: Obviously we know Luke and Laurelar end game, we know that,
• 50:15
  Speaker 1: but I always just had that thought, why why at
• 50:19
  Speaker 1: the end there did they you know? Was there that?
• 50:23
  Speaker 1: So it's just heartbreaking. It's a heartbreaking breakup right there.
• 50:29
  Speaker 1: The life of a fan, right it is. Even as
• 50:34
  Speaker 1: many times as I watched it, it's still I still
• 50:37
  Speaker 1: can't get over it. It's tough, right Yeah, Yeah, but
• 50:42
  Speaker 1: you were fantastic. That was an amazing reading. Thank you,
• 50:48
  Speaker 1: Thank you so much. Thank you for having just a
• 50:51
  Speaker 1: delight and an honor. Um. And yeah, when we get
• 50:55
  Speaker 1: to that episode, when we get to that episode season seven,
• 50:58
  Speaker 1: which will be in a couple of years, knock on wood,
• 51:01
  Speaker 1: then we should have you back. Yeah, please do, because
• 51:05
  Speaker 1: I would just I would love nothing more than to
• 51:07
  Speaker 1: discuss that bazing job. Heather, Thank you so much, No,
• 51:13
  Speaker 1: thank you guys, thanks so much, Um, and thanks for
• 51:15
  Speaker 1: doing the podcast. So, I mean, it means so much
• 51:18
  Speaker 1: to so many people, it really does, so I appreciate it,
• 51:21
  Speaker 1: as they'll speak for all the fans that we appreciate
• 51:23
  Speaker 1: it and it's for you guys, and much appreciate it. Okay,
• 51:28
  Speaker 1: all right, have a good day, take care talk. So
• 51:33
  Speaker 1: wasn't she great? I love it when the fans call
• 51:35
  Speaker 1: in and it's so much fun. They're so great. Then
• 51:40
  Speaker 1: they're they're dressing up, they're wearing their paraffin, they're wearing
• 51:43
  Speaker 1: their gear. You know they're gearing up. Anyway, gear time
• 51:47
  Speaker 1: for a comedy bit where we're all going to try
• 51:51
  Speaker 1: bananazon toast. I didn't. I couldn't mash mine. I couldn't
• 51:56
  Speaker 1: deal with it. I feel like it's going to be
• 51:58
  Speaker 1: grosser if I mash it. It's definitely gonna be grosser
• 52:02
  Speaker 1: if you match more gross It's but I have banana circles,
• 52:05
  Speaker 1: I have pieces of banana. I couldn't mash it. It
• 52:08
  Speaker 1: looks so heinous. It was just like, it doesn't look
• 52:14
  Speaker 1: like mashed bananas. That look like something else. Are you
• 52:17
  Speaker 1: trying it? Well? In theory, a piece of toast and
• 52:21
  Speaker 1: a banana would be like a fine breakfast. It's that
• 52:25
  Speaker 1: it was mashed like baby food. Yeah, it was. It
• 52:29
  Speaker 1: was just awful to say, mine is more like the
• 52:31
  Speaker 1: way you would want your avocado toast, right right, right?
• 52:34
  Speaker 1: I can see. I have my banana slice. Okay, ready
• 52:38
  Speaker 1: on three on three, Ready on three one two? Not
• 52:45
  Speaker 1: that bad? Welcomes terrible. Oh it's not good. Actually, now
• 53:00
  Speaker 1: it's a very odd taste. Oh god, that's awful. It
• 53:04
  Speaker 1: was an after like at first it was okay. Yeah,
• 53:08
  Speaker 1: at first it's okay, and then you start chewing and
• 53:10
  Speaker 1: it's like, don't eat more of it? What are you doing?
• 53:13
  Speaker 1: I got banana is awesome. I'm just eating the toast.
• 53:17
  Speaker 1: I'm not going to waste a perfectly good piece of toast.
• 53:20
  Speaker 1: I knew that would be bad just looking at it.
• 53:22
  Speaker 1: Looks bad, right, everybody that the bananas and toast is,
• 53:30
  Speaker 1: in a word, heinous. It is. It is truly, truly
• 53:34
  Speaker 1: an awful combination. And just the fact that Emily force
• 53:39
  Speaker 1: fed that to a young Laurel I uh says, I
• 53:44
  Speaker 1: think a lot about Emily so because we just we
• 53:48
  Speaker 1: just tried, we we tried to force feed ourselves. We
• 53:50
  Speaker 1: couldn't even do it. I spit it out. It's over
• 53:52
  Speaker 1: there right now, get it. I'm gonna get it out
• 53:55
  Speaker 1: of the room. On break. I'm like removing this from
• 53:57
  Speaker 1: the room. I don't even want to look at it,
• 54:00
  Speaker 1: all right, we'll be back after these words. Yeah, okay, everybody,
• 54:07
  Speaker 1: We're back. I'm Scott Patterson and this is the I
• 54:11
  Speaker 1: M all In podcast you're listening to on iHeart Radio.
• 54:14
  Speaker 1: It is time for one of our favorite segments, pop
• 54:18
  Speaker 1: Culture Ladies and gentlemen. Riley take it away. I'm Riley
• 54:23
  Speaker 1: and this is your pop culture first. We have Laura
• 54:27
  Speaker 1: l You know, mom, you have a Barbara stand wicked voice. So,
• 54:30
  Speaker 1: Barbara Stanwick was an American actress, model, and dancer active
• 54:34
  Speaker 1: from to Barbara became a zeke Field Follies dancer at fifteen.
• 54:40
  Speaker 1: The Follies were classy, spectacular show featuring the great talents
• 54:44
  Speaker 1: of the day. She was actually the highest paid woman
• 54:47
  Speaker 1: in America in ur raking four thousand dollars that year.
• 54:52
  Speaker 1: A fun fact. One more fun fact. Last night I
• 54:55
  Speaker 1: was watching Back to the Future at number one, and
• 54:58
  Speaker 1: when Marty McFly goes back to the fifties, Barbara Stanwick
• 55:03
  Speaker 1: is starring in the movie with Ronald Reagan at the
• 55:07
  Speaker 1: movie theater in Hill Valley, Boom. I think she was
• 55:12
  Speaker 1: on a show called A Big Valley. She was on
• 55:15
  Speaker 1: TV two. She she was a staple in our household.
• 55:19
  Speaker 1: And when I was growing up. Barbara stand was a
• 55:21
  Speaker 1: big story. You love some old timey references on Gilmore Girls.
• 55:25
  Speaker 1: Keep them coming, Laura I says, become a crazy Oscar
• 55:28
  Speaker 1: Levant kind of celebrity, go on talk shows. Heckel Regis so.
• 55:32
  Speaker 1: Oscar Levant was an American concert pianist, composer, and music conductor.
• 55:35
  Speaker 1: From nineteen sixty. Oscar dropped out of high school to
• 55:39
  Speaker 1: pursue music. While he was considered a multi faceted genius,
• 55:43
  Speaker 1: he also had been known as a notorious hypochondriac and
• 55:47
  Speaker 1: a nice little regius pop culture mentioned in that same sentence,
• 55:51
  Speaker 1: who was the Regius and Kathy Lee? Then Regis and Kelly,
• 55:56
  Speaker 1: which is now Kelly and Ryan Seacrest, Rory says to Tristan, really,
• 56:02
  Speaker 1: does Susan Faluti know about this? So? Susan Fluti was
• 56:05
  Speaker 1: an American feminist, journalist and author from the nineteen eighties
• 56:08
  Speaker 1: to now. Susan's a strange father survived the Holoclast. She
• 56:12
  Speaker 1: also has dual citizenship between the US and Hungary. Her
• 56:17
  Speaker 1: most recent book is about fluid and binaries. Rory says,
• 56:21
  Speaker 1: I hear Squeaky from is Up for Pearl Soon. Squeaky
• 56:25
  Speaker 1: was an American criminal who was a member of the
• 56:26
  Speaker 1: Manson family cult led by Charles Manson. Actually, on September
• 56:31
  Speaker 1: five and Sacramento, Squeaky attempted to assassinate President Gerald Ford
• 56:36
  Speaker 1: by aiming a firearm at the president, which was later
• 56:38
  Speaker 1: determined not to be loaded. And Squeaky's up for Pearl soon,
• 56:43
  Speaker 1: Laura Lee, While Mom, look at you, you think Ann
• 56:46
  Speaker 1: Taylor was having a sailor or something. So everyone knows
• 56:50
  Speaker 1: Ann Taylor as a woman's clothing store, But did you
• 56:52
  Speaker 1: know that Ann Taylor is not actually a real person.
• 56:55
  Speaker 1: The retail chain is named after a best selling shirt
• 56:58
  Speaker 1: dress style in the night ten seventies, and taylor shopping
• 57:01
  Speaker 1: bag was inducted in the Smithsonian's Permanent collection. And Taylor
• 57:06
  Speaker 1: is not a real person. That expands a lot, clears
• 57:11
  Speaker 1: a lot of stuff up for me, Laura Lie, Hey Dean,
• 57:15
  Speaker 1: Meet my mother. Emily Post. Emily Post is an American author, novelist,
• 57:19
  Speaker 1: and socialite. Emily is famous for writing about etiquette, and
• 57:23
  Speaker 1: her book is called Emily Post Etiquette. The book was ironically,
• 57:26
  Speaker 1: at one point the second most stolen book from libraries,
• 57:29
  Speaker 1: the first being The Bible Etiquette Two Bits of Etiquette,
• 57:33
  Speaker 1: advice from Emily. So once they read the book, they
• 57:35
  Speaker 1: returned the book because that's etiquette, and they steal the Bible.
• 57:39
  Speaker 1: One of the piece of etiquette is thank your host
• 57:41
  Speaker 1: twice and when in doubt, where the planar dress. It
• 57:43
  Speaker 1: is always far better to be underdressed than overdressed. Thank
• 57:47
  Speaker 1: you Scott, because you're our host. Thank you Scott. Thanks
• 57:54
  Speaker 1: for dressing and you're definitely underdressed. Thank you very much,
• 57:59
  Speaker 1: Laura Lie, I mean it. You could have gotten Fred
• 58:01
  Speaker 1: McMurray too, off, Dad, you'd really wanted to. Fred has
• 58:06
  Speaker 1: appeared in more than a hundred films, many of them Western.
• 58:09
  Speaker 1: Some of his other films include My Shaggy Dog and
• 58:12
  Speaker 1: My Three Sons, My Three Sons, Huge hit when I
• 58:15
  Speaker 1: was growing up, Huge hit that theme song. Wow. He
• 58:23
  Speaker 1: was the first person ever named a Disney Legend, and
• 58:27
  Speaker 1: at one point he was the fourth highest paid actor
• 58:30
  Speaker 1: in America. Next ones for Amy Rory. I'll be standing
• 58:35
  Speaker 1: in the back listening tore Oh. I know so many
• 58:38
  Speaker 1: fun facts about degrees bring him or would you need
• 58:41
  Speaker 1: me to do them? How do you know so many?
• 58:43
  Speaker 1: Because I was there with nine degrees from the very beginning.
• 58:47
  Speaker 1: So here's a little fun fact that Nick Lasha just
• 58:50
  Speaker 1: revealed in that their song The Hardest Thing. Nick hated
• 58:56
  Speaker 1: the line about Dr Shivago and then that song became
• 58:59
  Speaker 1: one of their biggest hits. Riley, what else you got?
• 59:03
  Speaker 1: Rory says, have you seen The Outsiders? Just call me
• 59:06
  Speaker 1: pony boy. So The Outsiders was actually originally a book,
• 59:11
  Speaker 1: but the book was created into a film packed with
• 59:15
  Speaker 1: a cast full of Hollywood's upcomers such as Matt Dylan,
• 59:18
  Speaker 1: Rob Low, Patrick Swayze, and Tom Cruise just to name
• 59:20
  Speaker 1: a few. I think Ralph Macchio was in there, Diane Lane.
• 59:24
  Speaker 1: That was like packed with stars, packed with stars. So
• 59:28
  Speaker 1: the book was written by S. E. Hinton was Susan
• 59:31
  Speaker 1: Elise Hinton, a fifteen year old school student in Tulsa
• 59:34
  Speaker 1: who wrote The Outsiders. Editors suggested she go by s
• 59:38
  Speaker 1: E so readers could and for a male author was responsible. Unbelievable. Okay,
• 59:45
  Speaker 1: I think it's time to uh go to our produce
• 59:48
  Speaker 1: one of our producers, Danielle, to get an update on
• 59:52
  Speaker 1: the clown pillow. Danielle take it away. So the clown
• 59:56
  Speaker 1: pillow was really sneaky this episode. You really had to
• 1:00:00
  Speaker 1: it watch, like really watched to find it, um I
• 1:00:04
  Speaker 1: had Did anybody notice it? Nope? No, no, okay, So
• 1:00:10
  Speaker 1: the clown pillow when um Suki comes over with the
• 1:00:13
  Speaker 1: burritos and lor La is talking to um her mom
• 1:00:17
  Speaker 1: like on the phone, talking to Emily on the phone. Um,
• 1:00:20
  Speaker 1: it is propped up next to her. But it's just
• 1:00:23
  Speaker 1: a side view of it, but you can it's very
• 1:00:26
  Speaker 1: clown pillow. Ask. You can see like the side profile
• 1:00:28
  Speaker 1: of the clown and it's right there waiting for everyone
• 1:00:31
  Speaker 1: to look at it. You have clown pillow eyes, Daniel,
• 1:00:35
  Speaker 1: I really do. I have one other little interesting tidbit
• 1:00:40
  Speaker 1: that you may or may not have spotted, but I
• 1:00:42
  Speaker 1: found this with my internet research. During Tristan and Dean's confrontation,
• 1:00:50
  Speaker 1: the actor who played Caesar is in the background. Yes,
• 1:00:55
  Speaker 1: maybe we can do a zoom in so people can
• 1:00:58
  Speaker 1: see it on our social media. But they think maybe
• 1:01:00
  Speaker 1: he was just a background actor playing a different character.
• 1:01:04
  Speaker 1: Unless Caesar moonlights at high school dances. Uh. You know,
• 1:01:10
  Speaker 1: the more days that he works, the more money he makes.
• 1:01:12
  Speaker 1: So probably he was in the club and they just
• 1:01:17
  Speaker 1: they threw him another episode. Now it's time for favorite lines.
• 1:01:21
  Speaker 1: Who's going to start us off? Riley go ahead. So
• 1:01:24
  Speaker 1: I love when Emily says this is not a drive through,
• 1:01:28
  Speaker 1: she is not fried chicken. When Dean hanks to come
• 1:01:31
  Speaker 1: get her, that was my Daniel. You're gonna have to
• 1:01:36
  Speaker 1: come up with another one. It's okay, I have to
• 1:01:39
  Speaker 1: just in case this happens. So my second one is
• 1:01:42
  Speaker 1: when Laura Lee goes shield the talk. I love that.
• 1:01:46
  Speaker 1: Oh my god, they're holding coconuts and leering. It's funny
• 1:01:51
  Speaker 1: you treated my lovely gift for a semi pornographic leering
• 1:01:54
  Speaker 1: monkey lamp. How could you bacca rock crystals for a
• 1:02:02
  Speaker 1: monkey lamp? Um? I think my favorite line was when
• 1:02:09
  Speaker 1: Emily's going back and forth on the phone with Laura
• 1:02:13
  Speaker 1: Lae about Lauraa making Rory's dress, and Emily said something like,
• 1:02:19
  Speaker 1: please don't use the curtains. That's actually a poster reference.
• 1:02:24
  Speaker 1: We sort of missed because it was the sound of
• 1:02:26
  Speaker 1: real reference. We should have had that so insulting. It's like,
• 1:02:33
  Speaker 1: you have no you're you're my daughter, but you have
• 1:02:35
  Speaker 1: no taste, and I fear you will use the curtains
• 1:02:37
  Speaker 1: to make a dress. I have to add in one
• 1:02:40
  Speaker 1: more line. I'm sorry, I this one was just so good.
• 1:02:43
  Speaker 1: Um when Tristan and Dean were fighting and Dan goes,
• 1:02:47
  Speaker 1: you will not go near her ever again. So good. Yeah,
• 1:02:53
  Speaker 1: Dean up in his game. That's Rory's dance. Everybody, what's
• 1:02:59
  Speaker 1: the episode next week that we all need to watch?
• 1:03:02
  Speaker 1: Forgiveness and stuff? Forgiveness and stuff. Really that sounds like
• 1:03:06
  Speaker 1: a big episode. You're in it. I'll cover my eyes.
• 1:03:14
  Speaker 1: I'm actually liking some of this stuff. I'm liking some
• 1:03:16
  Speaker 1: of this stuff. I do. Who cares thought about me? Listen? Uh,
• 1:03:20
  Speaker 1: it's a very special birthday for a dear friend of mine,
• 1:03:24
  Speaker 1: my little vent Amelia, and I'm going to sing him
• 1:03:27
  Speaker 1: a little birthday song. Happy birthday to you, Happy birthday
• 1:03:39
  Speaker 1: to you, Happy birthday to my low, Happy birthday to you,
• 1:03:56
  Speaker 1: to you to you have your birthday, buddy. That was
• 1:04:11
  Speaker 1: a great one. Talk to you soon, hey, everybody, and
• 1:04:43
  Speaker 1: don't forget follow us on Instagram at I Am All
• 1:04:47
  Speaker 1: In podcast and Emailie at Gilmore at I Heart radio
• 1:04:52
  Speaker 1: dot com. Oh you gil More fans. If you're looking
• 1:04:55
  Speaker 1: for the best cup of coffee in the world, go
• 1:04:56
  Speaker 1: to my website for my company, scotty E dot com,
• 1:05:00
  Speaker 1: s c O T t y P dot com. Scotty
• 1:05:03
  Speaker 1: P dot com Grade one Specialty coffee. Yeah.