Latest / Reality with The King / Luenell: The Roast, The Rumors & The Real Tea

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Luenell: The Roast, The Rumors & The Real Tea · Reality with The King

• 0:03
  Speaker 1: Reality with the King is hosted by me, Carlos King.
• 0:07
  Speaker 1: I'm an executive producer who have produced some of your
• 0:10
  Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey
• 0:13
  Speaker 1: and my own creation, The Love and Marriage Franchise and
• 0:17
  Speaker 1: Bell Collective. Every episode, we recap reality television from the
• 0:23
  Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in
• 0:27
  Speaker 1: addition to celebrity guests, whether in the unscripted space or
• 0:31
  Speaker 1: scripted as well. Hey, rain drops on today's episode of
• 0:38
  Speaker 1: Reality with the King, I am here with the original
• 0:42
  Speaker 1: bad girl of comedy.
• 0:44
  Speaker 2: Give it up for the iconic Legiondary Bunell.
• 0:48
  Speaker 3: Thank you, Hi everybody.
• 0:51
  Speaker 2: Yes, you look good boat.
• 0:52
  Speaker 3: You do too. You're so cute.
• 0:54
  Speaker 2: I haven't seen you fifth Hollywood's Down, Down and Glow and.
• 0:59
  Speaker 3: Go in Brooks' living room. That is my debut with you,
• 1:05
  Speaker 3: and you're like this bitch is golden and flood one
• 1:10
  Speaker 3: two steps in the half and I remember saying colors
• 1:13
  Speaker 3: you better not you. You said, go, I'm absolutely.
• 1:15
  Speaker 2: See listen one thing about me. I ain't gonna lie.
• 1:21
  Speaker 3: Right, I'm not gonna lie.
• 1:22
  Speaker 2: You said you ain't gonna use this, are you?
• 1:24
  Speaker 3: I said absolutely? And absolutely. It was no.
• 1:28
  Speaker 2: Listen, how are you bed better? Are you thirty today?
• 1:35
  Speaker 3: No? I'm good, I'm stable. Okay. Why did I wear
• 1:38
  Speaker 3: these shoes for the show and not for walking over
• 1:40
  Speaker 3: and down?
• 1:41
  Speaker 2: You could put your leg up?
• 1:43
  Speaker 3: What you.
• 1:45
  Speaker 1: Oh?
• 1:46
  Speaker 3: We're doing that?
• 1:47
  Speaker 4: Okay?
• 1:48
  Speaker 3: Can you?
• 1:48
  Speaker 4: Oh? Sure?
• 1:49
  Speaker 3: Okay?
• 1:50
  Speaker 2: You're playing with it, baby. That's why you're having young men.
• 1:57
  Speaker 3: Young Men do come in handy for ship like that.
• 2:00
  Speaker 2: So when it comes to I'll be sure we're starting
• 2:04
  Speaker 2: with that. How sure is al?
• 2:08
  Speaker 3: Well? What are you saying?
• 2:10
  Speaker 2: I mean, the fact that you are able to lift
• 2:12
  Speaker 2: your leg up and touch your toes is the activity,
• 2:18
  Speaker 2: you know.
• 2:20
  Speaker 3: I think that's a personal.
• 2:26
  Speaker 5: No.
• 2:26
  Speaker 3: Let me tell you, Let me tell you this, Let
• 2:30
  Speaker 3: me tell you this, let me tell you this.
• 2:32
  Speaker 2: Go ahead.
• 2:34
  Speaker 3: Normally in my life I have told all my business. Yes,
• 2:41
  Speaker 3: been out there, feet, rubs, kids, and I've done all that. Yes.
• 2:46
  Speaker 3: For the first time at my age, I'm practicing discretion
• 2:52
  Speaker 3: because he deserves it and we deserve it. I do
• 2:59
  Speaker 3: so much. I guess some of this little pocket of
• 3:03
  Speaker 3: love at this time in my life, I'm gonna protect
• 3:07
  Speaker 3: it this time.
• 3:08
  Speaker 2: I love that and you should. So you're in love.
• 3:12
  Speaker 3: We are love I done been in love and the
• 3:18
  Speaker 3: other motherfucker wasn't in love before. That's not that's not.
• 3:22
  Speaker 2: Yeah, And the good thing is this, I was.
• 3:26
  Speaker 1: Thinking about you a lot, you know, recently, with everything
• 3:30
  Speaker 1: going on that we'll get into, but more importantly, the
• 3:32
  Speaker 1: fact that you know, we've seen the journey of you.
• 3:36
  Speaker 2: You know, you have been in this career for many, many,
• 3:39
  Speaker 2: many many decades.
• 3:41
  Speaker 1: And one thing I know you talked about, you know,
• 3:44
  Speaker 1: even when you were working with the Yola at one point,
• 3:48
  Speaker 1: you know, and doing interviews, you talked about love. And
• 3:52
  Speaker 1: what I was so happy with you, right, was the
• 3:55
  Speaker 1: fact that as a workhorse, because you work, Yes, yes
• 4:00
  Speaker 1: I do, and I know that unfortunately at times, love
• 4:05
  Speaker 1: wasn't a priority for you.
• 4:07
  Speaker 2: So the fact that you have found love.
• 4:10
  Speaker 3: It still wasn't a priority. No, No, it's not a priority.
• 4:17
  Speaker 3: I've been married, I loved my husband, he has away.
• 4:22
  Speaker 3: I have experienced the things that a woman want to experience.
• 4:25
  Speaker 3: I got married, you know, we lived together, we had
• 4:28
  Speaker 3: a life, So love wasn't a priority. I believe it's
• 4:32
  Speaker 3: a necessity, and I believe that it's necessary, but I
• 4:41
  Speaker 3: don't believe it was a priority. The beauty of this
• 4:46
  Speaker 3: particular relationship with in some life is that it just
• 4:50
  Speaker 3: happened and the friendship had been for like fifteen years
• 4:54
  Speaker 3: before that. So, you know, my job is not to
• 4:59
  Speaker 3: convince the world world whether they feel comfortable with what
• 5:04
  Speaker 3: we uh, you know, if my job is not to
• 5:07
  Speaker 3: try to convince you to whether this ship is real?
• 5:10
  Speaker 3: And what's real to one is? You know, it's all subjective.
• 5:14
  Speaker 3: You know, are we dating? Do we go out to
• 5:16
  Speaker 3: the movies and shit? We don't do that. What we
• 5:19
  Speaker 3: got is a is a is a different type of
• 5:21
  Speaker 3: wonderful trust and friendship and love and affection. And it's
• 5:30
  Speaker 3: a soft place for the bad girl of comedy to land,
• 5:33
  Speaker 3: you know what I'm saying, for a change?
• 5:36
  Speaker 2: Yeah, so what is different now than your experience before?
• 5:42
  Speaker 3: I don't need to be out in the club. I
• 5:45
  Speaker 3: don't need the sections, I don't need all that shit.
• 5:48
  Speaker 3: Actually I run from that ship. It's almost like I
• 5:51
  Speaker 3: want to be invited to everything. You don't want to
• 5:53
  Speaker 3: go to anything. Can I tell you?
• 5:59
  Speaker 1: I was talking to a teak, a Sumter, who's who's
• 6:02
  Speaker 1: a really really good friend of mine, and she and
• 6:05
  Speaker 1: I always laugh because we are homebodies, right.
• 6:10
  Speaker 2: But back in the day day day baby. We used
• 6:12
  Speaker 2: to run the street.
• 6:13
  Speaker 1: What but she and I always laughed at even.
• 6:17
  Speaker 2: When we get invited, we don't want to go.
• 6:20
  Speaker 3: But if I don't get or we get married, we
• 6:23
  Speaker 3: don't invite me. Excuse me? And I can't make it.
• 6:27
  Speaker 3: How dare you the fuck? I wasn't coming anyway, you know,
• 6:32
  Speaker 3: but you didn't invite me. So I bent about that
• 6:35
  Speaker 3: all the time. But I don't want to go. No. Plus,
• 6:37
  Speaker 3: I finally, at this stage of my life, I have
• 6:39
  Speaker 3: two homes. I love them bowls. What is lavish and
• 6:44
  Speaker 3: one is mid you know, and and and the lavish one.
• 6:49
  Speaker 3: I want to enjoy that, bitch. You know, I'm on
• 6:51
  Speaker 3: the road a lot. I want to get in my pool.
• 6:53
  Speaker 3: I want to you know, get my massages in my
• 6:57
  Speaker 3: room massage room area. And I want to enjoy my
• 7:01
  Speaker 3: kitchen and Netflix and chill. You know, I'm in hotel
• 7:05
  Speaker 3: rooms ninety percent of the time, and I'm playing the
• 7:08
  Speaker 3: other down ten percent. And so when I get a
• 7:11
  Speaker 3: chance to be home, I want to be there. Why
• 7:13
  Speaker 3: go to the casino and go to the pool? I
• 7:15
  Speaker 3: live in Las Vegas? Why go to a pool? Far?
• 7:17
  Speaker 3: When I got a pool, why go buy drinks when
• 7:20
  Speaker 3: I got them. I can smoke weed too and be
• 7:25
  Speaker 3: negative if I want. So why get in a pool
• 7:28
  Speaker 3: with fifteen hundred people, you know, somebody peeing when I
• 7:31
  Speaker 3: can control who gets in this motherfucker right here, like maybe.
• 7:35
  Speaker 2: Eight So no peing in your pool?
• 7:38
  Speaker 3: I didn't say that. I can't control that. Have you
• 7:43
  Speaker 3: been the dam jump here in my own pool? If
• 7:45
  Speaker 3: I want to? So if you swimming my pool, you
• 7:46
  Speaker 3: might be swimming some of my pee?
• 7:48
  Speaker 2: And oh, so have you been to these parties?
• 7:51
  Speaker 3: I went to one?
• 7:53
  Speaker 2: Or they're peing in the pool.
• 7:55
  Speaker 3: I don't know.
• 7:56
  Speaker 4: You know.
• 7:56
  Speaker 3: The only way to know somebody being there your pool.
• 7:58
  Speaker 3: And so if you put that stuff in the pool,
• 8:00
  Speaker 3: the terns bleue it from other fucking pee, then you
• 8:02
  Speaker 3: just out. So that's cold, like I would never want
• 8:05
  Speaker 3: to experience that because I pee in the pool.
• 8:07
  Speaker 1: Okay, okay, So when I come over to basic, you
• 8:11
  Speaker 1: remind me, okay, I will, I will pray from the pool. Well, okay,
• 8:16
  Speaker 1: how how were did these parties when you when you win?
• 8:19
  Speaker 3: I would not know how did these parties were? I
• 8:22
  Speaker 3: only went to one?
• 8:23
  Speaker 2: Okay, so now I eat as plural as.
• 8:27
  Speaker 3: So, but I can't speak on what I don't know about.
• 8:29
  Speaker 3: I can speak on what I went to.
• 8:31
  Speaker 2: How was that one?
• 8:32
  Speaker 3: How ironic? Now I'm not even gonna say what I
• 8:34
  Speaker 3: was gonna say, never mind what it was. It was
• 8:38
  Speaker 3: actually at the time that I went, it was a
• 8:41
  Speaker 3: beautiful white party, black Heaven experience. You know, stars everywhere
• 8:49
  Speaker 3: and women swinging on swings over the pool and acquadity
• 8:54
  Speaker 3: what you call those synchronized swimmers in the pool and
• 8:58
  Speaker 3: around revolving dance floor on white couches is like what
• 9:02
  Speaker 3: Black Heaven would have looked like. I think they had
• 9:04
  Speaker 3: gift bags. I didn't feel like, uh, I didn't think
• 9:08
  Speaker 3: they had one by the time I was supposed to
• 9:10
  Speaker 3: go with one. But yeah, it was great. I mean,
• 9:12
  Speaker 3: and then and then I left, like like Marty Wayne said,
• 9:16
  Speaker 3: and then I left early.
• 9:18
  Speaker 2: What time is early for lunel?
• 9:19
  Speaker 3: Well, what time is early forlunell? When time was early
• 9:22
  Speaker 3: that night? And early? But I left early, I don't know,
• 9:26
  Speaker 3: Maybe it was maybe around two am.
• 9:30
  Speaker 2: Yes, that's early.
• 9:31
  Speaker 4: Girls and the parties.
• 9:32
  Speaker 3: What's that's when you leave a party?
• 9:36
  Speaker 2: What do you mean a party? When you when you
• 9:38
  Speaker 2: left Diddy's party at two a m. Yeah, people were
• 9:41
  Speaker 2: a lot of people. The party was still happening, Yes.
• 9:44
  Speaker 3: Very much so. But other people were leaving too.
• 9:47
  Speaker 2: Who left with you?
• 9:49
  Speaker 3: I look Kim oh and face. I was with Faith.
• 9:56
  Speaker 3: That's my girl, Okay, mine too.
• 10:02
  Speaker 1: So how do you feel about because you know, listen,
• 10:06
  Speaker 1: you to me and when I say this is a
• 10:08
  Speaker 1: compliment and I believe you'll take it, You to me
• 10:12
  Speaker 1: are a legend, right and if I had to say
• 10:18
  Speaker 1: to the audience, right, like who I think you are
• 10:21
  Speaker 1: in terms of a comparison, although you're incomparable, you're like
• 10:25
  Speaker 1: the female Kat Williams to me, you know what I
• 10:28
  Speaker 1: mean when when I say.
• 10:29
  Speaker 3: That, yeah, you are incredibly smart and witty and.
• 10:39
  Speaker 2: Your comedy to me.
• 10:42
  Speaker 1: Is very informational and the truth and it's still and
• 10:48
  Speaker 1: you and you find the way Lunelle to still make
• 10:52
  Speaker 1: it funny.
• 10:53
  Speaker 2: And I think that's your superpower.
• 10:56
  Speaker 3: You know what I mean. It's a gift for sure.
• 10:58
  Speaker 2: Yeah, No, and you and listen, you are gifted. Because
• 11:03
  Speaker 2: the thing with you is you've been around for a
• 11:06
  Speaker 2: very long time. You've been very blessed with a great career.
• 11:10
  Speaker 1: What are your thoughts on things has been happening in
• 11:14
  Speaker 1: the media, Because you know, I know, you talk a
• 11:16
  Speaker 1: lot about your stand up show too, but when it
• 11:18
  Speaker 1: comes to like what's happening in the world, how do
• 11:23
  Speaker 1: you feel about Like be kam Hart Rose.
• 11:27
  Speaker 3: As an example, I think how I feel really don't
• 11:31
  Speaker 3: matter at the end of the day. I think that
• 11:34
  Speaker 3: the people who know me know exactly how I feel,
• 11:37
  Speaker 3: and I'm just not interested in any of it. When
• 11:42
  Speaker 3: there's back when Dean Martin them used to do it
• 11:45
  Speaker 3: and stuff John Witherspoon, Problem, Mooney Jones, Rivers and all that.
• 11:49
  Speaker 3: They took digs at each other too, but they weren't vicious.
• 11:53
  Speaker 3: They were like teasing, you know, and you know, if
• 11:57
  Speaker 3: you're drinking a little too much, they might say something
• 11:59
  Speaker 3: like that, be like the bitches. They may say something
• 12:01
  Speaker 3: about that, you know, but they didn't intentionally set out
• 12:06
  Speaker 3: to hurt people. Since the flavor Flavor Rose, I've had
• 12:14
  Speaker 3: no interest in ros. I don't want to be roasted.
• 12:18
  Speaker 3: I'm not going to do it. I think I did
• 12:20
  Speaker 3: a Snoop roast just because you know, with Snoop and
• 12:25
  Speaker 3: I was asked. But I'm not one of I'm not
• 12:28
  Speaker 3: that's not my that's not my superpower, you know, I'm not.
• 12:31
  Speaker 3: I'm here to make people happy and have fun, and
• 12:34
  Speaker 3: I don't and and and the other side of the
• 12:36
  Speaker 3: coin is I'm not that bitch. I don't play them
• 12:39
  Speaker 3: type of games. I'm from open motherfucking California and the
• 12:44
  Speaker 3: ship that are not gonna let fly. I don't think
• 12:47
  Speaker 3: it's fucking funny, and I don't fuck around. But if
• 12:49
  Speaker 3: you don't do that, and you know you don't do that,
• 12:52
  Speaker 3: then I would never put myself in that situation to
• 12:55
  Speaker 3: do a roast and then get mad because bitch, I
• 12:58
  Speaker 3: don't have to do it. I don't have to do it,
• 13:02
  Speaker 3: and if you agree to do it, you're throwing yourself
• 13:05
  Speaker 3: in the lions dead, you know, So I just don't
• 13:08
  Speaker 3: do it. I want to be happy because you know,
• 13:11
  Speaker 3: I have motherfuckers hurt behind tens ship about me and
• 13:15
  Speaker 3: mine and I don't want to go back to jail. Carlos.
• 13:18
  Speaker 4: No, I don't want.
• 13:23
  Speaker 2: I definitely don't want.
• 13:24
  Speaker 3: You to, but I just don't say like that. I
• 13:26
  Speaker 3: just not my nine thing.
• 13:28
  Speaker 2: Did you watch it?
• 13:29
  Speaker 4: Yeah?
• 13:30
  Speaker 3: But you watch a train wreck to car crash too? No?
• 13:34
  Speaker 5: No.
• 13:35
  Speaker 2: The reason why I wanted to know I had to
• 13:36
  Speaker 2: be able to watch it.
• 13:37
  Speaker 3: To talk on it, you know, people are speaking on
• 13:41
  Speaker 3: it and only sell clips of it. But I watched
• 13:43
  Speaker 3: them from beginning end live, so yeah, but I was
• 13:46
  Speaker 3: also getting ready see. I got invited, but I could
• 13:49
  Speaker 3: not go because of my residency in Las Vegas. So
• 13:53
  Speaker 3: I was in Las Vegas watching it on Netflix. I
• 13:58
  Speaker 3: don't think I would have win if I was even
• 14:02
  Speaker 3: in town. I just don't do them. I just don't.
• 14:07
  Speaker 3: I don't get off on that. I don't like it,
• 14:10
  Speaker 3: and it's it's me and it's nasty, shit, fucked up man,
• 14:13
  Speaker 3: I don't like it.
• 14:14
  Speaker 1: Well, I wanted to ask you this because comedians seemed
• 14:18
  Speaker 1: to be split when it comes to the art of comedy.
• 14:25
  Speaker 1: I've studied a lot of comedians from you know, my
• 14:29
  Speaker 1: days of watching Depth Comedy Jam and all those things, and.
• 14:32
  Speaker 3: Which I was never on. Why not no people? No,
• 14:36
  Speaker 3: people say, oh I used to watch I never did
• 14:38
  Speaker 3: death Jam. I only did comic view.
• 14:42
  Speaker 2: You know, comic people.
• 14:43
  Speaker 3: Yeah.
• 14:44
  Speaker 2: Were you not asked?
• 14:46
  Speaker 3: No? No, I was not asked. But I also lived
• 14:52
  Speaker 3: in la They filmed in New York, so I think, well,
• 14:55
  Speaker 3: I mean people travel, I don't know. I wouldn't add
• 14:58
  Speaker 3: It's okay, I didn't. I'm not doing death jam, Yeah,
• 15:03
  Speaker 3: it's okay.
• 15:05
  Speaker 1: So when you One thing I've learned is that a
• 15:07
  Speaker 1: lot of people say, for comedians, a lot of them
• 15:12
  Speaker 1: have a dark past, which is how you're able to
• 15:15
  Speaker 1: get on stage in front of people, which I think
• 15:17
  Speaker 1: is the most courageous thing in the world to do.
• 15:19
  Speaker 3: It's that a therapy. Yeah, you can get paid to
• 15:24
  Speaker 3: get the therapy, or you can pay to gainst your therapy. Yes.
• 15:27
  Speaker 1: So one thing that the people are saying, and I
• 15:29
  Speaker 1: wonder I couldn't wait to talk to you about this,
• 15:31
  Speaker 1: is people felt that, Look, one, in comedians, we don't
• 15:38
  Speaker 1: have any rules. We tell jokes and it's not personal.
• 15:43
  Speaker 3: No, that's bullshit. Comedians may not have rules, but people
• 15:48
  Speaker 3: have rules and it is personal. It's personal. You know,
• 15:57
  Speaker 3: that's bullshit. Even when people say that in your jail,
• 16:00
  Speaker 3: I'm firing you two days before Christmas. But it is
• 16:04
  Speaker 3: nothing personal. Bitch is personal, Sure it is, so you
• 16:10
  Speaker 3: know it just it's gotten out a hand for me
• 16:14
  Speaker 3: for me, and that's just it. I'm not interested.
• 16:22
  Speaker 2: Was a George Floyd joke that you.
• 16:25
  Speaker 1: Heard was that the final straw in the sense of
• 16:32
  Speaker 1: things have gone too far. Kima Heart was recently on
• 16:35
  Speaker 1: the Breakfast Club, and he said, what do you think
• 16:38
  Speaker 1: about Kima Heart's response? Do you think that he's being
• 16:42
  Speaker 1: insensitive or that's just.
• 16:46
  Speaker 2: Who is he?
• 16:48
  Speaker 3: That's the question. I think he's being who he is.
• 16:53
  Speaker 3: If you feel that way, you know you feel that way?
• 16:56
  Speaker 3: Are you surprised? No? But uh uh, it wasn't the
• 17:06
  Speaker 3: the George Floyd joke was unnecessary. It was the lynching
• 17:11
  Speaker 3: jokes for me. Why are you even saying the word lynching? Lynch?
• 17:17
  Speaker 3: When we lynch Kevin, he's a Kevin hartser show. When
• 17:20
  Speaker 3: we lynch you, we got to use a bonds eye
• 17:22
  Speaker 3: tree lynch him. If I had a win and was
• 17:27
  Speaker 3: in the audience just watching, there would be viral footage
• 17:31
  Speaker 3: of me getting the fuck up and walking the fuck out.
• 17:34
  Speaker 3: You don't cross the line for me, you know, I'm
• 17:38
  Speaker 3: only talking about me. I knew Tony hans Cliff before this.
• 17:43
  Speaker 3: I knew, you know, uh, we have worked together. He's
• 17:48
  Speaker 3: a cold motherfucker. He's a razor sharp motherfucker. But I
• 17:53
  Speaker 3: had not been around him saying anything racial but playing
• 17:57
  Speaker 3: like the Dozens with the motherfucker you can go. But
• 17:59
  Speaker 3: I had not heard him say anything racial.
• 18:02
  Speaker 2: Now I heard it, do you not mess with him anymore.
• 18:06
  Speaker 3: After that, I can't say that, you know, because I'll
• 18:14
  Speaker 3: I'll do a comedy show with Charles Manson for the money.
• 18:20
  Speaker 3: That don't mean I mess with you. You know, if
• 18:22
  Speaker 3: we had to work together, I just had I'm not
• 18:25
  Speaker 3: gonna I'm not gonna mess up my money and he
• 18:27
  Speaker 3: get his so I could work with him. We didn't
• 18:32
  Speaker 3: sit down and have less together before. You know what
• 18:35
  Speaker 3: I'm saying. I just know him. We have worked together
• 18:37
  Speaker 3: in the past, and he's cold. He's a cold snapper.
• 18:41
  Speaker 3: But you know, for me, once again, it's like if
• 18:46
  Speaker 3: you have a choice to say something, which you do,
• 18:50
  Speaker 3: you can literally say, I'm not saying that shit, you know.
• 18:55
  Speaker 3: But it's the way I feel about it. It's like
• 18:57
  Speaker 3: remember back in the Cowboy movie, like let's say no
• 19:02
  Speaker 3: in Roots or something like that, when some of your
• 19:04
  Speaker 3: most respected beloved white actors were also in Roots playing
• 19:12
  Speaker 3: slave owners. When they got to say I feel when
• 19:16
  Speaker 3: they got to say the word like nigger, I feel
• 19:23
  Speaker 3: like they always wanted to say it. Now they get
• 19:26
  Speaker 3: a chance to say it and get paid to do it,
• 19:28
  Speaker 3: and can say it under the guise of acting. But
• 19:31
  Speaker 3: you really feel that.
• 19:32
  Speaker 1: Way and with that being said, not that put words
• 19:35
  Speaker 1: of your mouth. Could it be that between the white
• 19:39
  Speaker 1: comedians Shane Gellis as well, that they now had the
• 19:46
  Speaker 1: opportunity to say it because one thing Chelsea Handler did
• 19:49
  Speaker 1: saylud Nelle'm not sure if you saw what she said.
• 19:52
  Speaker 1: Chelsea Handler said, they're racist.
• 19:55
  Speaker 3: I think that every white man that gets to say
• 19:58
  Speaker 3: the word nigger under a vortex of acting or art.
• 20:04
  Speaker 3: I think that dick gets hard when they said, and
• 20:07
  Speaker 3: I said what I said. The only person ever even
• 20:11
  Speaker 3: heard of having a problem saying nigga in an art
• 20:16
  Speaker 3: farm is Leonardo DiCaprio. When he was doing Django. They
• 20:21
  Speaker 3: said he had a problem, felt uncomfortable. I respect him
• 20:25
  Speaker 3: for that, But in the history of my life, I
• 20:28
  Speaker 3: ain't never heard nobody have a problem with it and
• 20:31
  Speaker 3: say it just saying. I bet Danil wouldn't say it.
• 20:37
  Speaker 3: Have you ever heard him say in the Italian movie
• 20:40
  Speaker 3: just saying.
• 20:42
  Speaker 1: Period, this is reality with the King and I'm Carlos King.
• 20:48
  Speaker 2: Let's get back into the show. As Kevin Hart. Industry planned.
• 20:54
  Speaker 3: Oh, I don't have no comment on that. I don't know.
• 20:56
  Speaker 3: I don't know enough about the industry plan to comment
• 20:59
  Speaker 3: on industry plan. But you know, they say he's a
• 21:02
  Speaker 3: clone too. I don't know. I don't know. I don't
• 21:05
  Speaker 3: have no goverment on that.
• 21:07
  Speaker 1: When it comes to comedians, especially black female comedians, do you.
• 21:12
  Speaker 2: Feel like you ladies get the respect that you deserve.
• 21:17
  Speaker 3: I think the people who have earned the respect get it.
• 21:20
  Speaker 3: Like I mean, I don't want to name names, but
• 21:28
  Speaker 3: there are females out there who have respect. Guess what.
• 21:32
  Speaker 3: It's not a lot though, And that's and and and
• 21:38
  Speaker 3: and and it's more than just being funny. You can
• 21:41
  Speaker 3: be funny and be a dick to work with. You
• 21:44
  Speaker 3: could be a road snitch. That's a bit tells all
• 21:47
  Speaker 3: these niggas business. You could have a drug problem, you
• 21:53
  Speaker 3: could think. There's a lot of reasons why it's more
• 21:56
  Speaker 3: than being funny. Do you have a presence? Do you
• 21:58
  Speaker 3: do anything else that's stand up? Are you trying to grow?
• 22:02
  Speaker 3: Can we see grow? So the people who follow you,
• 22:05
  Speaker 3: they want to see you grow. They don't follow you
• 22:07
  Speaker 3: to just do the same shit. And then there's people
• 22:10
  Speaker 3: who do. Because I have found that every hack ass
• 22:15
  Speaker 3: comic that I think in my mind as a hack
• 22:18
  Speaker 3: has an audience as a following. As people who dig
• 22:21
  Speaker 3: them even though they're dicks in my book, you know
• 22:24
  Speaker 3: what I'm saying. So everybody got they fans, there's people
• 22:28
  Speaker 3: who don't care. I guess that folks grow, But I
• 22:31
  Speaker 3: think the intelligent comedy audience today wants to see you grow,
• 22:36
  Speaker 3: wants to see want to see you grow, wants to
• 22:40
  Speaker 3: see you grow in your comedy, wants to see you
• 22:42
  Speaker 3: grow and make maybe business, you know, and do some
• 22:47
  Speaker 3: other things that help some other comics that really deserve it,
• 22:50
  Speaker 3: or maybe do some you know, podcasts or YouTube things
• 22:54
  Speaker 3: or skits or movies or tethers and not just you know,
• 22:57
  Speaker 3: because you're gonna be in the club the rest of
• 22:59
  Speaker 3: your life. But that's all fuck you're doing.
• 23:03
  Speaker 1: What was it like for you when you, ferson got
• 23:05
  Speaker 1: started in comedy because it is a boys it's the
• 23:09
  Speaker 1: boys club, And what specific when you decided that, okay,
• 23:19
  Speaker 1: comedy is going to be my career. And what I
• 23:25
  Speaker 1: know about getting your start in terms of comedians is
• 23:30
  Speaker 1: it's tough, you know, like to get on stage, to
• 23:33
  Speaker 1: even book the stage and all of those things.
• 23:36
  Speaker 2: Did the.
• 23:38
  Speaker 1: Industry embrace you or did you feel like you had to,
• 23:42
  Speaker 1: of course be better than the men in order to
• 23:44
  Speaker 1: get half of their respect.
• 23:46
  Speaker 3: But my story ain't like nobody else's story, and nobody
• 23:49
  Speaker 3: else's story is like mine. So I had no intention
• 23:54
  Speaker 3: of ever being the standard comedian ATROB. I was raised
• 24:00
  Speaker 3: in the suburbs. I did theater, and I liked the theater.
• 24:04
  Speaker 3: I fancied myself on Broadway. Ain't misbehaving, which Letacy is
• 24:09
  Speaker 3: doing now, Ain't misbehaving. This is my favorite musical Black
• 24:14
  Speaker 3: No Carter was in it. I saw myself doing that.
• 24:18
  Speaker 4: But my.
• 24:20
  Speaker 3: I was living in Long Beach. My roommate was sleeping
• 24:24
  Speaker 3: with a comic and he would be at the house
• 24:27
  Speaker 3: all the time, and I just be talking shit because
• 24:30
  Speaker 3: I come from a shit talking family. I'm not the
• 24:33
  Speaker 3: only shit talker in my family. So he would hear
• 24:37
  Speaker 3: me around the house and he thought I was funny.
• 24:40
  Speaker 3: And he said, you know, I managed this comedy club.
• 24:44
  Speaker 3: I host this comedy club here in Long Beach called
• 24:48
  Speaker 3: Miss Wizz. If you ever want to come down to
• 24:50
  Speaker 3: the comedy club, I'm gonna put you on a minute.
• 24:52
  Speaker 3: You walk, you walk in because you're funny. And I said,
• 24:57
  Speaker 3: I don't want to be in a fucking comic. I
• 25:00
  Speaker 3: want to say background for Luca I want to go
• 25:02
  Speaker 3: to Bradwick. You know, the drugs was good back there
• 25:05
  Speaker 3: in Carlos and bitch you know what you wanted to do.
• 25:07
  Speaker 3: So but one day, like you know, like if you
• 25:13
  Speaker 3: know anything about my comedy now, I don't tell jokes.
• 25:15
  Speaker 3: I sort of like tell stories. And I have a
• 25:18
  Speaker 3: guessed and I have been thinking about some things. I
• 25:21
  Speaker 3: guess in the back of my head. I've been thinking
• 25:23
  Speaker 3: about some things that happened to me. And me and
• 25:25
  Speaker 3: my girls were sitting on the balcony a hot l
• 25:28
  Speaker 3: a night, drinking homemade magarines, and I said, let's go
• 25:31
  Speaker 3: down this club and see what this guy is talking about.
• 25:36
  Speaker 3: And most people who somebody says the minute you walk
• 25:39
  Speaker 3: in and put you on, say they freeze. But I
• 25:41
  Speaker 3: had been in church choir, I had been doing theater before,
• 25:45
  Speaker 3: so I didn't have stage fright. I think that every
• 25:48
  Speaker 3: comic could benefit from doing theater, learn how to use
• 25:52
  Speaker 3: more use of the stage and contact with the people.
• 25:56
  Speaker 3: You know, uh, I think about theater background is great
• 25:59
  Speaker 3: for for for us comics. So anyway, we got in
• 26:04
  Speaker 3: the car, we went to the club and he was
• 26:07
  Speaker 3: the guy was there and he seven, put you up next.
• 26:10
  Speaker 3: I think like T the early T. K. Kirkland might
• 26:14
  Speaker 3: have been on stage, and so he put me up.
• 26:18
  Speaker 3: I went up there. I did like maybe eight minutes
• 26:20
  Speaker 3: or something like that, and I just told this little
• 26:22
  Speaker 3: story with her. I'm maybe two. And when I got down,
• 26:24
  Speaker 3: this guy came over to me. This other guy came
• 26:27
  Speaker 3: over to me, and he's a little short, dark guy.
• 26:29
  Speaker 3: He was like he was fun a little bit, and
• 26:31
  Speaker 3: I was like thanks, and he said you need to
• 26:35
  Speaker 3: come to my club and he gave me his card
• 26:38
  Speaker 3: and the car said Robin Harris MC and host. So
• 26:42
  Speaker 3: I met Robin Harris on the first day I ever
• 26:45
  Speaker 3: did comedy ever. And then yeah, and I feel like
• 26:52
  Speaker 3: Robin to this day. You were saying a female cat wisdom,
• 26:55
  Speaker 3: I feel more like a female Robin Harris.
• 26:57
  Speaker 1: Oh wow, I mean yeah, yeah, yes, yes, yes. So
• 27:02
  Speaker 1: would you say like Robin sort of like did he
• 27:09
  Speaker 1: helped guide you in the sind or like gave you
• 27:11
  Speaker 1: some of the like ways.
• 27:13
  Speaker 2: To you know?
• 27:14
  Speaker 3: No, No, he dis invited me to the club and
• 27:18
  Speaker 3: at this time the Comedy act Theater in Lemary Park
• 27:21
  Speaker 3: District in LA Now remember I think I was yeah,
• 27:25
  Speaker 3: I was a beach. He he just got me to
• 27:29
  Speaker 3: come to the club. But then you met a young
• 27:32
  Speaker 3: Jamie Fox and young d O Hugley and the young
• 27:35
  Speaker 3: du We was young. This was before Comic View, and
• 27:38
  Speaker 3: so then we met a guy there named Quinton, and
• 27:42
  Speaker 3: Quinton used to see me on stage, I guess, and
• 27:45
  Speaker 3: he booked me for my first gig away from just
• 27:49
  Speaker 3: like the neighborhood, but it was still in like in
• 27:53
  Speaker 3: La like a riverside somewhere or something like that, with
• 27:55
  Speaker 3: d O Hugley, who was the first person I ever
• 27:57
  Speaker 3: did shows with away from the club, and things just
• 28:02
  Speaker 3: started like that. You know, I don't know. It's the Lord, honey.
• 28:06
  Speaker 3: The Lord moves some mysterious ways. And even though I
• 28:09
  Speaker 3: may have a stern vernacular, I still feel like I'm
• 28:13
  Speaker 3: doing God's work because laughter does it's so good, like medicine.
• 28:16
  Speaker 3: So many people come, you know. I think this world
• 28:19
  Speaker 3: is so you know gen ex gen Z based everything
• 28:23
  Speaker 3: based on these kids. But I feel like senior sentences
• 28:26
  Speaker 3: need a cheerleader too, And I don't give up fucking
• 28:30
  Speaker 3: my audience be old and they be coming a wheelchair
• 28:33
  Speaker 3: they come and walking and everything, but they need to
• 28:35
  Speaker 3: laugh too. I'm the reason they got out the house.
• 28:39
  Speaker 3: I'm the reason they put on their clothes. I'm gonna
• 28:42
  Speaker 3: go see Lounell and I don't care. I don't give
• 28:44
  Speaker 3: a fuck about doing colleges or any of that shit.
• 28:47
  Speaker 3: People at my age and older they need a reason
• 28:51
  Speaker 3: to laugh, and I'm glad to be that reason. I'm
• 28:55
  Speaker 3: not trying to. If you love me and you're younger,
• 28:57
  Speaker 3: that's great. But when I'm talking to out, can't only
• 29:01
  Speaker 3: understand if you're gown.
• 29:03
  Speaker 2: Yeah, well listen, that's why you have a residency.
• 29:06
  Speaker 3: Do you know what I mean?
• 29:06
  Speaker 1: Because obviously you have a fan base of people who
• 29:10
  Speaker 1: like to get dressed and come and see you. How
• 29:12
  Speaker 1: is it being in Vegas and having the residency for you.
• 29:16
  Speaker 3: It's like having a home for sure. You know, like
• 29:19
  Speaker 3: a lot of people have a home club, you know,
• 29:22
  Speaker 3: in Chicago, and this is your home club, you know whatever,
• 29:26
  Speaker 3: And I feel like this is my home club. Now.
• 29:29
  Speaker 3: I'm not so delusional to think that if I wasn't
• 29:33
  Speaker 3: pulling numbers, it would not be my home club no more.
• 29:36
  Speaker 3: Because no matter how funny you are or how cute
• 29:40
  Speaker 3: you are, all that shit is great. I know a
• 29:42
  Speaker 3: bunch of funny, cute, handsome comics that would look great
• 29:46
  Speaker 3: in Vegas. But when they put your picture on that website,
• 29:50
  Speaker 3: will you sell tickets? And that's really all it boils
• 29:53
  Speaker 3: down to. It's cute you funny, that helps, that's great,
• 29:57
  Speaker 3: but bititually by tickets come see you. It's just business.
• 30:01
  Speaker 3: It's Las Vegas.
• 30:03
  Speaker 1: Has the industry been fair to you? You think like
• 30:07
  Speaker 1: when you reflect in your career.
• 30:10
  Speaker 3: I think that I have missed some opportunities that I
• 30:14
  Speaker 3: wasn't afforded to get a chance to do. But I
• 30:19
  Speaker 3: think that I can't say that the industry been unfair
• 30:23
  Speaker 3: as I've worked my mother fucking ass off to get
• 30:27
  Speaker 3: any of the recognition or money that I get, which
• 30:30
  Speaker 3: fails in comparison to others. But am I comfortable? Yes?
• 30:34
  Speaker 3: Am I probably rich? And all my siblings maybe I
• 30:40
  Speaker 3: got older brothers and sisters don't know if they be quiet,
• 30:42
  Speaker 3: you don't know what the fuck they got, you know?
• 30:45
  Speaker 3: And uh, you know? Am I providing for my daughter
• 30:49
  Speaker 3: a wonderful lifestyle? Yeah? I'm doing all that. Do I
• 30:52
  Speaker 3: still love the Lord? Have I forgotten sold my soul?
• 30:56
  Speaker 3: Not at all? You know? And I can be happy
• 30:59
  Speaker 3: with that. I'm doing better than anybody, including me, ever
• 31:03
  Speaker 3: expected and I have people who understand me and respect
• 31:10
  Speaker 3: me and like what I do, and I couldn't act
• 31:14
  Speaker 3: some more. You know, God is good. Amen. Yeah.
• 31:19
  Speaker 1: Is there a role that you wanted an audition for
• 31:23
  Speaker 1: that you didn't get that you really like prepared for
• 31:28
  Speaker 1: in audition?
• 31:29
  Speaker 3: Yes. I auditioned six times with Craig Brewer for the
• 31:38
  Speaker 3: part of Queen b and Dolomite is my name, Divine Joy.
• 31:47
  Speaker 3: Randolph got that role, but I didn't lose the role
• 31:52
  Speaker 3: and lose a movie. Craig ended up making me Eddie
• 31:55
  Speaker 3: Murphy's aunt in Dolovite, and my scenes were just me
• 31:59
  Speaker 3: and him, which was better than anything. Once again, the
• 32:03
  Speaker 3: Good Lord, you know cheers.
• 32:06
  Speaker 1: I mean, let's say, baby can chips law all day
• 32:08
  Speaker 1: log that's you know, that's my language too. Working with
• 32:11
  Speaker 1: Eddie Murphy, though, what was that experience like?
• 32:15
  Speaker 3: Well, it could have been a nervous way. But luckily
• 32:20
  Speaker 3: for me, I already knew Eddie because I knew Charlie.
• 32:24
  Speaker 3: Me and Charlie had worked The Rest in Peace, Charlie Murphy.
• 32:28
  Speaker 3: Me and Charlie had worked our movies together. We had
• 32:30
  Speaker 3: been friends, we had kicked it out of in his
• 32:33
  Speaker 3: comedy shows and all this kind kind of remember they
• 32:36
  Speaker 3: had the Black and Brown comedy get Down. It was
• 32:37
  Speaker 3: like said and Charlie and George Lopez and all that stuff,
• 32:41
  Speaker 3: and he was my friend. And so I had met
• 32:46
  Speaker 3: Eddie back at the Norbit premiere and we spoke then
• 32:52
  Speaker 3: and then projects that Charlie would do, Eddie would would
• 32:56
  Speaker 3: see him, so he would see me. So when I
• 33:00
  Speaker 3: heard that I was gonna be autism for Dolaby is
• 33:04
  Speaker 3: my name with Eddie Murphy knows that Eddie Murphy, Eddie Murphy,
• 33:08
  Speaker 3: like Eddie Murphy, Eddie Murphy. And then they took me
• 33:12
  Speaker 3: through like a bunch of like screen tests and everything
• 33:15
  Speaker 3: and all that. But I didn't get the world, but
• 33:17
  Speaker 3: I appreciate the world that I did it. And I
• 33:20
  Speaker 3: literally stand by that movie. I like that movie. People
• 33:23
  Speaker 3: trying to talk about that movie. That movie is great.
• 33:26
  Speaker 4: Son.
• 33:29
  Speaker 1: Were you surprised that there were negative responses to?
• 33:33
  Speaker 3: Yeah, yeah, I'm like what she was great? Man. I
• 33:38
  Speaker 3: think Leslie Jones did the best job she's ever done
• 33:40
  Speaker 3: in anything. And don't I mean not doing my inner
• 33:44
  Speaker 3: Winterton coming to America. I'm sorry. I got my two
• 33:46
  Speaker 3: Eddie Murphy movies. Anyway, shout out to Leslie for that. Yeah,
• 33:51
  Speaker 3: but uh, I know that the negative comments for Dolomite
• 33:58
  Speaker 3: would come because the white man don't understand some might
• 34:00
  Speaker 3: have liked you any more. So you know there's some
• 34:04
  Speaker 3: stuff I call O F t U only funny to us,
• 34:09
  Speaker 3: you know what I mean. They don't get it.
• 34:13
  Speaker 1: What is your relationship like with other black female comics.
• 34:16
  Speaker 1: It's like a sisterhood when it comes to that world,
• 34:21
  Speaker 1: I like to think.
• 34:21
  Speaker 3: So, I don't think I have too many bad relationships.
• 34:27
  Speaker 3: I'm sure I might have some that I'm not aware of.
• 34:30
  Speaker 3: You know, everybody don't love to do now. You know
• 34:32
  Speaker 3: somebody might, Oh, I've had a bitch, but you know,
• 34:36
  Speaker 3: maybe at the bank bitch. So I think that, you know,
• 34:42
  Speaker 3: the comments that I come in contact with the black
• 34:46
  Speaker 3: female comics I've worked with for many years, or even
• 34:51
  Speaker 3: some of the new ones, I think we're cool. Yeah.
• 34:55
  Speaker 1: Taraji has been in the news recently and I stribute
• 34:58
  Speaker 1: saw the headlines. She is talking about what it's like
• 35:02
  Speaker 1: to be a black actress in Hollywood, and she has
• 35:05
  Speaker 1: been very vocal about it in recent I would say years,
• 35:09
  Speaker 1: because she started to talk more about it when she
• 35:12
  Speaker 1: was on the promo for the color purple, and she
• 35:15
  Speaker 1: talked about how her black male counter park like Tyree's,
• 35:19
  Speaker 1: gets franchise movies, but she doesn't get any. And then
• 35:23
  Speaker 1: comedian Monique, who, as you and we all know, have
• 35:27
  Speaker 1: always been outspoken about how she felt was the mistreatment
• 35:31
  Speaker 1: of black actresses in the business when it comes to
• 35:35
  Speaker 1: not only the roles you get, but once you get
• 35:37
  Speaker 1: the role, you don't get the necessary treatment.
• 35:42
  Speaker 3: Yeah, yeah, I mean that's been happening to Sinus Dorothy Danders.
• 35:47
  Speaker 3: So the mistreatment of black women and then underplayment of
• 35:50
  Speaker 3: the black women in Hollywood is well known fact. If
• 35:57
  Speaker 3: you go to and I just mentioned this comes in Atlanta,
• 36:01
  Speaker 3: if you go to Tyler Perry's studio, the twelve studios,
• 36:04
  Speaker 3: I think it's twelve that he has named after black
• 36:07
  Speaker 3: actors and actresses. If you look at all the movies
• 36:10
  Speaker 3: that they've made for white Hollywood and not now one
• 36:13
  Speaker 3: of them got nawn studio named after him. Not nothing.
• 36:18
  Speaker 3: Maybe I mean maybe there's some like uh little you know,
• 36:22
  Speaker 3: the it's the roll room or something like that. We're
• 36:25
  Speaker 3: talking about studios. It's onundstages, yes, And when you go
• 36:28
  Speaker 3: to Tyler's, you know you got Holly Berry would be Goldberg.
• 36:31
  Speaker 3: I'll see Davidson, Ruby, d Sydney Poorte, Oprah Winfrey, you know,
• 36:36
  Speaker 3: and it goes on and on and and you're just
• 36:40
  Speaker 3: it's it's amazing to see so the underpayment and everything
• 36:46
  Speaker 3: like that. I think it's about to change. If we
• 36:50
  Speaker 3: can join with these younger creatives that are doing things
• 36:56
  Speaker 3: without studios, just like independent rappers and things are our studios.
• 37:01
  Speaker 3: You can gain the popularity, you can make the money,
• 37:03
  Speaker 3: and you don't. It's you know, it's just like the
• 37:06
  Speaker 3: music industry is changing, the movie industry and stuff is changing.
• 37:10
  Speaker 3: I don't know how we're going to get more black
• 37:12
  Speaker 3: people in positions of power, more black people that can
• 37:15
  Speaker 3: green light movies. More Spark Lee's more, John Singleton's more, Uh,
• 37:21
  Speaker 3: Ryan Cooplers and stuff like this. We need more of that.
• 37:24
  Speaker 3: But some some kids are sitting in their fucking room
• 37:27
  Speaker 3: right now working on that, working on doing that, and
• 37:32
  Speaker 3: we need that because that's the only way we're gonna change.
• 37:34
  Speaker 3: And we gotta cut off the head of the snake.
• 37:36
  Speaker 3: You know what I'm saying.
• 37:39
  Speaker 2: Do you think.
• 37:42
  Speaker 3: I feel he's are all my opinion people not Opindon
• 37:46
  Speaker 3: expressed by the hostess. The show is where I feel
• 37:50
  Speaker 3: direct all comments to me because I got time today.
• 37:58
  Speaker 2: No, the thing is there is listen.
• 38:00
  Speaker 1: One thing about my audience is a very diverse audience.
• 38:03
  Speaker 1: But obviously my largest demographic is black women of all ages.
• 38:06
  Speaker 1: And listen, when it comes to you, you impart so
• 38:10
  Speaker 1: much wisdom when it comes to just experience, and I
• 38:15
  Speaker 1: know you do, and I listen, I don't think you get.
• 38:18
  Speaker 2: This my opinion, right, So let's talk about that too. Listen.
• 38:22
  Speaker 1: I think when it comes to black female comedians, you
• 38:26
  Speaker 1: Monique would be Goldberg. Obviously, with be Goldberg, it's like
• 38:29
  Speaker 1: the Yeah, she's the most she's the most decorated black female.
• 38:38
  Speaker 1: I mean, deserves it all, does it all, and she's
• 38:43
  Speaker 1: one of one, right, But for every Whoopy Goldberg, there
• 38:47
  Speaker 1: is a some more, there is a lunel, do you
• 38:51
  Speaker 1: know what I mean? And when I look at for example,
• 38:54
  Speaker 1: you and some More, you two make me belly.
• 38:58
  Speaker 2: Laugh, right like you know, like the lab but you
• 39:02
  Speaker 2: feel it from the gut.
• 39:03
  Speaker 3: That's what I go. That's what I yeah, no.
• 39:06
  Speaker 1: And I want you to know from my mouth to
• 39:08
  Speaker 1: your ears, you you do that so you deliver that
• 39:12
  Speaker 1: I am a black man as a producer and company
• 39:15
  Speaker 1: owner in unscripted television the reality TV. So I know
• 39:19
  Speaker 1: a little something about how the industry works when it
• 39:23
  Speaker 1: comes to, like I said, black female comedians, I do
• 39:27
  Speaker 1: feel like, and even Show Underwood, who I met recently too,
• 39:34
  Speaker 1: I just feel like the industry is not kind to
• 39:39
  Speaker 1: you women, And I feel like when you look at
• 39:43
  Speaker 1: some of the black male comedians that they definitely have
• 39:50
  Speaker 1: a leg up when it comes to opportunity to fil.
• 39:53
  Speaker 3: Black female comic that's selling out arenas. I'll wait, who
• 40:01
  Speaker 3: who would it be?
• 40:04
  Speaker 2: I think Monique could? No, what do you.
• 40:07
  Speaker 3: Think I mean? I don't know. I've seen her do
• 40:10
  Speaker 3: arenas with Cat sometime. I don't her own you know,
• 40:16
  Speaker 3: I think if I had the white powerhouse machine behind me,
• 40:20
  Speaker 3: maybe I could. I don't care though, I don't care about.
• 40:26
  Speaker 2: You don't care any more? Or did you used to
• 40:28
  Speaker 2: care about?
• 40:28
  Speaker 3: I used to care when I was like on tour
• 40:31
  Speaker 3: with Cat wos the only person who ever took me
• 40:34
  Speaker 3: on tour. You look around and you're like, Wow, this
• 40:36
  Speaker 3: is amazing that all these people, thirty thousand people came
• 40:42
  Speaker 3: out of the house to see you. But see, I'm
• 40:44
  Speaker 3: a different type of comment I'm a purist and en
• 40:49
  Speaker 3: Row thirty eight. They may not be paying attention to
• 40:55
  Speaker 3: what you're talking about. They might be filming, they might
• 40:58
  Speaker 3: be texting. I'll be on the front. It might be
• 41:01
  Speaker 3: you know, I would fight with their boyfriend that I
• 41:03
  Speaker 3: pay attention. I really like them more intimate room where
• 41:08
  Speaker 3: you are paying attention so you can feel what. I'm
• 41:11
  Speaker 3: not just spending my mouth up here for the money.
• 41:14
  Speaker 3: I make money. I don't have to do this and
• 41:18
  Speaker 3: just do it for the fuck of it. I mean it.
• 41:22
  Speaker 3: I mean the shows that I do. I love the
• 41:24
  Speaker 3: audience that I see. I want them to smell me.
• 41:27
  Speaker 3: I want them to you even compliment me on I
• 41:30
  Speaker 3: smell today, smell that way. When I do my shows,
• 41:34
  Speaker 3: I want it to be a big sensory thing. I
• 41:36
  Speaker 3: have a video that plays. I want them to feel me,
• 41:40
  Speaker 3: and I want to feel them back. And I don't
• 41:42
  Speaker 3: really feel it like that. I've been out there, you know,
• 41:45
  Speaker 3: Chappelle and all that stuff, Radio City, all that stuff,
• 41:48
  Speaker 3: but for me, I don't need it. I think that
• 41:53
  Speaker 3: would be great if we did have somebody though, a
• 41:58
  Speaker 3: black female that gotta have like other couple, maybe a
• 42:03
  Speaker 3: couple of comments or by their subdue the special, But
• 42:06
  Speaker 3: I just don't understand who it will be. Jesus will
• 42:10
  Speaker 3: send somebody down that would be the next black female
• 42:14
  Speaker 3: funt phenomenon, because even if we we go back, I
• 42:17
  Speaker 3: don't know if she can sell out an arena, you know.
• 42:21
  Speaker 3: And there's multiple guys doing this, but they're not just
• 42:24
  Speaker 3: doing it because they're on Instagram. They got a machine
• 42:27
  Speaker 3: behind them.
• 42:31
  Speaker 1: Do you need the white male machine behind you in
• 42:35
  Speaker 1: order for you to sell it arenas?
• 42:36
  Speaker 3: As a comment, probably probably the Live Nations and the
• 42:41
  Speaker 3: things like that. That's not us and they're running it.
• 42:46
  Speaker 3: They got it own lot if we do, you know,
• 42:50
  Speaker 3: just like I said, where's the black promo collective that
• 42:55
  Speaker 3: wants to you know, that wants to give give them
• 42:57
  Speaker 3: a run fair of money? And then will it get
• 43:00
  Speaker 3: you know, if this sh a criminal you know, when
• 43:03
  Speaker 3: something happened to you, if you come along and start
• 43:06
  Speaker 3: stepping on these big entities toes Because I don't know,
• 43:11
  Speaker 3: I'm conspiracy theories. I'm always thinking the man out forget me,
• 43:15
  Speaker 3: So you know, I would love to see all that though.
• 43:19
  Speaker 3: I would love to see him challenge. I would love
• 43:22
  Speaker 3: to see, you know, a black female flourished like that.
• 43:27
  Speaker 3: I'd ride with him that. I would want them to
• 43:28
  Speaker 3: be able to earn it, though not just because you
• 43:31
  Speaker 3: popping on Instagram. I would want you to be able
• 43:33
  Speaker 3: to be a real stand up comic and be able
• 43:36
  Speaker 3: to do that. If the Internet shut down tomorrow, would
• 43:39
  Speaker 3: you still be able to You know what I'm saying,
• 43:42
  Speaker 3: I I I just just me yeah, yeah. But there's
• 43:47
  Speaker 3: you know, and not only that, these black comics got restaurants,
• 43:51
  Speaker 3: they got franchises and this and that, and the black
• 43:57
  Speaker 3: females said, just I don't know about them having that.
• 44:00
  Speaker 3: You don't hear about the US. I should say, you
• 44:04
  Speaker 3: don't have a barbecue spot, or I'm building houses over
• 44:08
  Speaker 3: here or doing you know this anything anything. Bitch is
• 44:14
  Speaker 3: trying to survive, and I don't. I just don't know
• 44:19
  Speaker 3: about black female comics and the ship that the guys.
• 44:23
  Speaker 3: Of course, you know, they out there making.
• 44:24
  Speaker 1: Deals on the golf course and in the sauna, and
• 44:29
  Speaker 1: you're not invited to those places.
• 44:31
  Speaker 3: Not really. I've been out on the golf course. I
• 44:33
  Speaker 3: know why they like it out there without the bitches.
• 44:38
  Speaker 3: It's peaceful'ful, you can drink, the guys can commiserate, you know,
• 44:44
  Speaker 3: like girls get together the guys. You know, I get it,
• 44:48
  Speaker 3: I get it, I get it. Really don't need no
• 44:51
  Speaker 3: bunch of bitches out there unless they really know how
• 44:53
  Speaker 3: to play golf and they're like, oh my god, can
• 44:55
  Speaker 3: you help me? It was like golf swing, you know
• 44:58
  Speaker 3: they like that, but a bunch of business there did?
• 45:03
  Speaker 3: I get it?
• 45:04
  Speaker 1: But why can't we get like listen, I'm I'm I.
• 45:08
  Speaker 1: You know, I create wright and I pitched, But why
• 45:10
  Speaker 1: can't like you She'll earned the wood, Tiffany Hattish some more,
• 45:18
  Speaker 1: justs hilarious. Why can't you guys be with Whoopi Goldberg
• 45:23
  Speaker 1: and say you're the queen of this?
• 45:28
  Speaker 2: Could we do something together?
• 45:29
  Speaker 1: Because I will say this, it is a boys club,
• 45:33
  Speaker 1: and I think there's nothing wrong with acknowledging that. But
• 45:38
  Speaker 1: is it time, though, Lunelle, for women to truly come
• 45:42
  Speaker 1: together and show im prove that we had what it tastes?
• 45:46
  Speaker 1: Queen's of Comedy was success? Was it as big as
• 45:49
  Speaker 1: Kings of Comedy?
• 45:50
  Speaker 3: No, and everybody in King's Comedy got shows? And shit,
• 45:54
  Speaker 3: I know women now this thirty years ago. I just
• 45:58
  Speaker 3: don't know they had the same opportunity. But what is
• 46:02
  Speaker 3: it you don't know. I don't know. I think they
• 46:05
  Speaker 3: just want to keep bitches in the bitches's place. Why not,
• 46:09
  Speaker 3: I don't know. I don't know why. I think it
• 46:12
  Speaker 3: was because there's no women in power. You gotta get,
• 46:14
  Speaker 3: you know, we gotta quit want to be the star
• 46:17
  Speaker 3: and get to be up in their motherfucking boardrooms and
• 46:19
  Speaker 3: ship like that and run and some ship. We need
• 46:21
  Speaker 3: smarter more, you know, uh, determined to ask people in
• 46:26
  Speaker 3: higher places. The only thing that's gonna change. Everybody want
• 46:29
  Speaker 3: to be the motherfucking star. But you gotta have you know,
• 46:31
  Speaker 3: you got gotta have a universe for the starting shot
• 46:34
  Speaker 3: in deep you know, and it's just got we need
• 46:41
  Speaker 3: more people at the top. I don't you know, I
• 46:44
  Speaker 3: don't know, you know, I don't know. We need fever
• 46:52
  Speaker 3: And with the Eastern Rays though and the people like that,
• 46:57
  Speaker 3: they're trying to do it. And I think that there's
• 46:59
  Speaker 3: a lot of women that we just don't know about
• 47:02
  Speaker 3: this coming. So I hope, I hope that's the case.
• 47:06
  Speaker 3: But in my lifetime, I'm trying to keep my residency.
• 47:11
  Speaker 3: Do these little city winey get my podcast because I
• 47:13
  Speaker 3: got another one coming to Okay, little about later and
• 47:19
  Speaker 3: do my thing and make my money and stay happy
• 47:22
  Speaker 3: and stay the funk out the way. I don't want
• 47:24
  Speaker 3: to be in the bullshit. I want to live my life.
• 47:27
  Speaker 3: I still got a private life, still got family. You know,
• 47:30
  Speaker 3: My family keeps a motherfucker very in check. I have
• 47:33
  Speaker 3: seven brothers and sisters like seventeen nieces and nephews. And
• 47:38
  Speaker 3: you know you can't go with no func shit. I'm
• 47:40
  Speaker 3: about to go to Arkansas and Augusta, be down there
• 47:43
  Speaker 3: in the red dirt, you know, no jewels and all
• 47:47
  Speaker 3: that shit, and eating buttermilk and cornber and a cup. Now,
• 47:53
  Speaker 3: you know, I keep it real regular. I don't know,
• 47:58
  Speaker 3: I don't know, but there needs to be things definitely
• 48:01
  Speaker 3: need to change. Yeah.
• 48:03
  Speaker 1: Do you think people are just afraid of being blackballed
• 48:06
  Speaker 1: and that's why they just don't want to step on
• 48:08
  Speaker 1: the toes of people in power?
• 48:12
  Speaker 3: Well, what do you mean? What do you mean?
• 48:14
  Speaker 2: Well, look, let's be real here.
• 48:17
  Speaker 1: We know that there are people in positions that could
• 48:21
  Speaker 1: stop you if they feel like you're trying to take
• 48:25
  Speaker 1: over what they're doing.
• 48:27
  Speaker 3: Right, Well, no, man, men don't want to work for
• 48:29
  Speaker 3: women and they don't like you know, and that goes
• 48:35
  Speaker 3: from the boardroom to entertainment big boss. Women always have
• 48:41
  Speaker 3: a fucking problem with men, and they're insecurities and all
• 48:48
  Speaker 3: this type of shit. If you're qualified though, too and
• 48:52
  Speaker 3: you know what you're doing and you have to respect,
• 48:54
  Speaker 3: I don't see why anybody has any problem with any
• 48:58
  Speaker 3: of that shit. But I think maybe that has some
• 49:01
  Speaker 3: things to do with it. Who is the bitch thing
• 49:03
  Speaker 3: she is and that I don't want to work for her?
• 49:05
  Speaker 3: You know, It's just like that's part of the old
• 49:08
  Speaker 3: boys club thing is they don't want a woman to
• 49:11
  Speaker 3: come into these spaces. But there are women out. I
• 49:14
  Speaker 3: know they're coming. I got faith, I know they're coming.
• 49:17
  Speaker 3: I just don't know why things have happened the way
• 49:20
  Speaker 3: they have. Those queens of comedy, all of them should
• 49:22
  Speaker 3: have had shows. The only one who ended up with
• 49:24
  Speaker 3: show was fucking Monique Lurry. Didn't someone didn't and they'll
• 49:28
  Speaker 3: didn't why they were all there? What did Monique? But
• 49:33
  Speaker 3: then what did Monique do that they didn't do? Did
• 49:37
  Speaker 3: she work harder? Did she push harder? But did she
• 49:41
  Speaker 3: do because there are things that separate you. Everybody can
• 49:44
  Speaker 3: start out the block evenly, and there's gonna be some
• 49:47
  Speaker 3: bitches that win so I think the ones who do
• 49:53
  Speaker 3: put in the work and push a little harder and
• 49:57
  Speaker 3: maybe risk being called whatever and take it anyway.
• 50:04
  Speaker 2: What is your relationship like with money? You guys have one.
• 50:06
  Speaker 3: Yeah, we're good. We just you know, we don't want
• 50:08
  Speaker 3: to eat and all that. But I've had her back
• 50:11
  Speaker 3: and certain things that she has spoken on before, like
• 50:14
  Speaker 3: wage disparity, shit like that, and uh, you know, we
• 50:18
  Speaker 3: takes back and forth from time to time. That's good
• 50:20
  Speaker 3: enough for me. That's good enough for me.
• 50:24
  Speaker 1: Wanda Sykes has a Netflix special. Uh what did you think?
• 50:29
  Speaker 3: I think if you're politically inclined.
• 50:32
  Speaker 2: And.
• 50:35
  Speaker 3: Because there's a lot of political stuff, I think if
• 50:37
  Speaker 3: you're you know, up out, if she did comedy for
• 50:40
  Speaker 3: intelligent really lugged in people, you know, which is a
• 50:46
  Speaker 3: platform if that's what she used, If that's what you
• 50:49
  Speaker 3: want to use your platform for, and there you have it,
• 50:52
  Speaker 3: and there's a market for that and people will watch
• 50:56
  Speaker 3: and people will dig it and it's on. That's put
• 51:00
  Speaker 3: it on, right, Yeah, that was Netflix. And so yeah,
• 51:04
  Speaker 3: you know, she had a lot to say, and she's
• 51:06
  Speaker 3: not you know, while don't she comes from a certain perspective,
• 51:09
  Speaker 3: you know what I'm saying, so I have to respect
• 51:13
  Speaker 3: that too, because everybody got opinions and everybody got different
• 51:18
  Speaker 3: ways of looking.
• 51:20
  Speaker 1: When it's all like said and done, when it comes
• 51:23
  Speaker 1: to the stuff you've done so far, is there things
• 51:26
  Speaker 1: that you want to start doing that you haven't had
• 51:29
  Speaker 1: a chance to do.
• 51:31
  Speaker 3: Yes. I think everybody who's interviewed me, and everybody who's
• 51:33
  Speaker 3: ever heard one of my interviews knows that my goal
• 51:36
  Speaker 3: was to be the next black female in late night television.
• 51:39
  Speaker 3: I was I've been told no by people who had
• 51:42
  Speaker 3: late night TV shows, and now what do you mean? Okay?
• 51:46
  Speaker 3: So I talked to George a little place. She said,
• 51:47
  Speaker 3: they ain't gonna let you on network TV. And I
• 51:50
  Speaker 3: was like, well why not, because you know, I do
• 51:53
  Speaker 3: have the intelligence not to cuss our network television. I
• 51:57
  Speaker 3: don't have to retch syndrome, you know, I know what
• 51:59
  Speaker 3: to do. And uh. I talked to our senio. Arsenio
• 52:04
  Speaker 3: said no too, they're not gonna let you on and
• 52:07
  Speaker 3: we'll achieve it. I'm like, well why, And then everybody's well, well,
• 52:10
  Speaker 3: you want to be yourself, and for you to be yourself,
• 52:13
  Speaker 3: you know you would be better streaming and you and
• 52:17
  Speaker 3: I agree with that. I agree with that, But why not, though,
• 52:21
  Speaker 3: why not Channel four at eleven thirty late night with
• 52:26
  Speaker 3: Lunel Life from Las Vegas. Why not? You know, I
• 52:30
  Speaker 3: can book guests just like anybody else. I have relationships
• 52:33
  Speaker 3: just like anybody else. I'm intelligent. I have a Bachelor
• 52:36
  Speaker 3: of Arts degree in English literature. I can write my ship.
• 52:39
  Speaker 3: I can. I know what the fuck to do. But
• 52:42
  Speaker 3: there's been opportunities for me to be on network TV,
• 52:46
  Speaker 3: but I didn't. I didn't get the call. I didn't
• 52:48
  Speaker 3: get You know, everybody, lots of people with with with
• 52:53
  Speaker 3: the I got to tell you, but I'm not going
• 52:54
  Speaker 3: to tell you this right here, right now for them.
• 52:58
  Speaker 3: I'll tell you one opportunity I didn't get. It has
• 53:00
  Speaker 3: to get and I saw everybody. They tried everybody, but
• 53:03
  Speaker 3: they didn't let me do it.
• 53:07
  Speaker 1: I'm assuming I won't say much, but I'm assuming it
• 53:10
  Speaker 1: was when there were opportunities to sit in a chair
• 53:15
  Speaker 1: to to start there.
• 53:18
  Speaker 3: But then I also know myself and I'm better suited
• 53:23
  Speaker 3: for late night anyway, not really, not really, And after
• 53:29
  Speaker 3: speaking to people in the position and the the hoops
• 53:35
  Speaker 3: you have to jump through, I don't think daytime was
• 53:39
  Speaker 3: particularly for me.
• 53:40
  Speaker 2: Anyway, Is that why you think Sherry show didn't work?
• 53:43
  Speaker 3: No, No, I don't. I don't know why they canceled
• 53:48
  Speaker 3: Sherry's show because she has a demographic that adore her,
• 53:54
  Speaker 3: that she had to work for in the on the
• 53:58
  Speaker 3: on the flight of coming after Wendy. You know she
• 54:01
  Speaker 3: built it. She wants to only bring like happiness and fun.
• 54:05
  Speaker 3: That's what she did. You know, she does stand up
• 54:08
  Speaker 3: so she can deliver. And she looked to breaking her
• 54:11
  Speaker 3: clothes and all that stuff. And I don't know why
• 54:15
  Speaker 3: they canceled her and not others. Some of others got canceled,
• 54:23
  Speaker 3: some others did not.
• 54:25
  Speaker 2: Who do you think is gonna get canceled that they
• 54:27
  Speaker 2: get canceled.
• 54:28
  Speaker 3: Well, I didn't think they're gonna canceled Drew Barrymore, just
• 54:31
  Speaker 3: some the fact she did Barrymore and that Verry Moore
• 54:33
  Speaker 3: name carries wait in Hollywood, right, And I think Kelly
• 54:39
  Speaker 3: Clarkson wanted to leave as he walked away.
• 54:42
  Speaker 1: Yeah, do you think Sherry was done unfairly? Because respectfully,
• 54:54
  Speaker 1: do you think she just could not get out of
• 54:58
  Speaker 1: the shadows of Wendy because of what happened and that people,
• 55:03
  Speaker 1: no matter how many ways she tried to make that
• 55:07
  Speaker 1: show different. It was still like that halo over her,
• 55:11
  Speaker 1: that this you took Wendy and these are people mind
• 55:15
  Speaker 1: you took Windy.
• 55:16
  Speaker 3: Absolutely probably so I may have played into it, sure,
• 55:20
  Speaker 3: But at the end of the day, they always say
• 55:23
  Speaker 3: it's about ratings and it's about numbers and stuff like that.
• 55:26
  Speaker 3: You're not pulling the radios. But you know what, if
• 55:28
  Speaker 3: I had a four year network TV show, I wouldn't
• 55:32
  Speaker 3: cry about it. And she's not either. She's onto the
• 55:34
  Speaker 3: next already. Cherry always ran on her feet. They cut
• 55:37
  Speaker 3: her from the view too. She got her on the
• 55:38
  Speaker 3: fucking show show. She's already shoot in the movie, so
• 55:42
  Speaker 3: you know she's fine. But I just, uh, I think
• 55:47
  Speaker 3: that for years was fine. That was fine, That's what
• 55:51
  Speaker 3: it was. You did it and she got to start
• 55:54
  Speaker 3: in Hollywood Walk of Fame while doing it. So I
• 55:57
  Speaker 3: ain't crying about nothing. I wouldn't be.
• 56:00
  Speaker 2: What are you getting your your star.
• 56:01
  Speaker 3: After my uh, after my podcast next year? The drops
• 56:07
  Speaker 3: after my pod? Okay, here's my plan. You want to know,
• 56:11
  Speaker 3: tell me we are not competitors, we're notts because I
• 56:19
  Speaker 3: gotta book your ass to interviews. What I'm doing, I'm
• 56:23
  Speaker 3: gonna call this card back in my research too, so
• 56:30
  Speaker 3: you'll be getting fall. You can ask me anything as
• 56:35
  Speaker 3: as me I know, starting with L. Be sure to
• 56:38
  Speaker 3: slap you in your mouth anyway you put a leg up.
• 56:42
  Speaker 2: It was a segue.
• 56:43
  Speaker 3: Oh my god. No, here's the deal. This is what's
• 56:50
  Speaker 3: going on with me?
• 56:50
  Speaker 2: Tell me.
• 56:51
  Speaker 3: Last year I had a comedy reoccurring monthly. Uh, limited engagement.
• 57:02
  Speaker 3: A lot of people say they have a residency in Vegas.
• 57:05
  Speaker 3: You do not. You have a limited engagement. If you
• 57:08
  Speaker 3: do eight gigs in Vegas, that is not a residency.
• 57:12
  Speaker 3: That is a limited engagement. I have a residency. I've
• 57:17
  Speaker 3: been there seven motherfucking years since before COVID, every motherfucking weekend, okay,
• 57:24
  Speaker 3: and just started taking vacation two years ago. So I
• 57:28
  Speaker 3: had a monthly once a month, the first Wednesday of
• 57:31
  Speaker 3: the month, limited, you know, reoccurring a date at this
• 57:36
  Speaker 3: club in Burbank, Burbank. You know where Burbank is, Yeah,
• 57:39
  Speaker 3: of course Burbank called Flappers, right, Okay. It was very
• 57:44
  Speaker 3: very successful. I would have myself, I would have an
• 57:47
  Speaker 3: opening sometime myself and then a special guest comedian. You know,
• 57:54
  Speaker 3: every time I did it, different people, So it was
• 57:57
  Speaker 3: very successful and Jennifer losing. Everybody all all the dogs
• 58:00
  Speaker 3: would come out and see your girl, right, and the
• 58:04
  Speaker 3: club was happy. I was happy, and they said, let's
• 58:06
  Speaker 3: do it again Nature. I'm like, cool, let's do it
• 58:07
  Speaker 3: again Nat year only one day a month, you know
• 58:09
  Speaker 3: what I mean. And it's in La and I got
• 58:12
  Speaker 3: a house in La and I didn't come to La anyway.
• 58:15
  Speaker 3: So we did that, and then this year, I couldn't
• 58:18
  Speaker 3: go back until the Netflix's Joke Comedy Festival was over.
• 58:22
  Speaker 3: So that's over.
• 58:23
  Speaker 2: We're congras that.
• 58:24
  Speaker 3: Thank you. I had a ball. So this coming, I
• 58:29
  Speaker 3: don't know when this is gonna drop. How soon does
• 58:31
  Speaker 3: this drop?
• 58:32
  Speaker 2: With the like two weeks, so to be soon.
• 58:36
  Speaker 3: Okay, by the time this drops, this would be starting.
• 58:39
  Speaker 3: My first Wednesday back at Flappers would be June. Okay, June,
• 58:43
  Speaker 3: and I had the first Wednesday in June, July, August, September, October, November,
• 58:48
  Speaker 3: and December. Right, I've booked all up. We're gonna I'm
• 58:53
  Speaker 3: gonna do I'm not gonna have a comic infront of
• 58:55
  Speaker 3: me no more. I'm gonna do fifteen minutes of comedy
• 58:58
  Speaker 3: in the beginning. Gent I'm gonna have a special guests
• 59:01
  Speaker 3: who will never announce the special guests because special guests
• 59:05
  Speaker 3: sometimes have to change their plans and then you got
• 59:08
  Speaker 3: to re advertisement shit. So please believe me though. My
• 59:12
  Speaker 3: guests are no fucking slouches, and I'll tell you off
• 59:16
  Speaker 3: air who some of them are. And my plan is
• 59:20
  Speaker 3: to do those seven episodes with some of the biggest
• 59:25
  Speaker 3: motherfucking stars that I know, and then at the end
• 59:29
  Speaker 3: of that, we will during the holiday break will like
• 59:35
  Speaker 3: put a compilation together of cliffs of all those and
• 59:38
  Speaker 3: shop that. And I want to do, you know, serious
• 59:41
  Speaker 3: six some radio or Hulu or Netflix or something like that.
• 59:47
  Speaker 3: If I have to not be on network TV. They
• 59:49
  Speaker 3: don't want to be on a big thing and make
• 59:51
  Speaker 3: enough money to get off the road a little bit,
• 59:54
  Speaker 3: because Auntie doesn't want to be out every motherfucking weekend anymore.
• 1:00:00
  Speaker 3: You know, I'm not every weekend should I'm a be
• 1:00:03
  Speaker 3: and some day I'm gonna be granny and I want
• 1:00:05
  Speaker 3: to be home with my kids, not in some fucking
• 1:00:07
  Speaker 3: hotel room in Notches, Mississippi. Shout out to Matches.
• 1:00:11
  Speaker 1: So we love that, and listen, like you said you
• 1:00:15
  Speaker 1: want to. You may have a grand baby and we
• 1:00:18
  Speaker 1: see that your daughter's here. By the way, she's gorgeous. Period,
• 1:00:21
  Speaker 1: she's a gorgeous woman. And you know, listen, can you
• 1:00:24
  Speaker 1: update the fans on how you two are, because obviously
• 1:00:28
  Speaker 1: they watched and.
• 1:00:30
  Speaker 2: I'm like twelve years ago, I know, but you know
• 1:00:33
  Speaker 2: that it ain't me girl. Their nosy, So they just
• 1:00:35
  Speaker 2: want to know.
• 1:00:36
  Speaker 3: Was there a singer that you sent by matter? Send
• 1:00:40
  Speaker 3: me your question?
• 1:00:41
  Speaker 2: I have, I have. My supporters are called the rain drops.
• 1:00:45
  Speaker 1: Yes, so the special ones get an exclusive opportunity to
• 1:00:49
  Speaker 1: submit me. Oh okay, so you gotta build your community.
• 1:00:54
  Speaker 3: Oh on the podcast, my community, my podcast. I wasn't
• 1:01:00
  Speaker 3: during COVID and so boom, they're ready. Okay, So my
• 1:01:06
  Speaker 3: daughter and I are great. Of course, everybody still got
• 1:01:09
  Speaker 3: rocky days. My problem has never been the action to
• 1:01:14
  Speaker 3: the mouth, and that's you know, the kids these days,
• 1:01:17
  Speaker 3: they get away with more than we ever did because
• 1:01:20
  Speaker 3: apparently you can't beat them no more so anyway. But
• 1:01:23
  Speaker 3: of course, like she's here with me now, you know,
• 1:01:27
  Speaker 3: and she's my I always say she's my best successory.
• 1:01:31
  Speaker 3: You know, I got lots of accessory, but she's my
• 1:01:33
  Speaker 3: best successory. She knows the business because she's a professional
• 1:01:37
  Speaker 3: dancer and has tour and so so we have that
• 1:01:40
  Speaker 3: in common. And you know, everything is a growing process.
• 1:01:44
  Speaker 3: I had to grow, she had to grow. That was then,
• 1:01:47
  Speaker 3: this is now. We still have our days, but I
• 1:01:49
  Speaker 3: wouldn't take nothing for it, and I'll fuck motherfuck up
• 1:01:52
  Speaker 3: and fuck with her. And that's O Dead Homies or whatever.
• 1:02:01
  Speaker 1: By the way, I have to say, HAX is my
• 1:02:05
  Speaker 1: favorite show out right now. Everything it's it's I mean,
• 1:02:09
  Speaker 1: so when you talked about Late night Comedy, I thought
• 1:02:11
  Speaker 1: the Jean Smart char she's playing.
• 1:02:13
  Speaker 3: I see, Hollywood don't write for older women. But then
• 1:02:16
  Speaker 3: they did, and look what happened, Emmy after Emmy after Emmy.
• 1:02:20
  Speaker 2: That's why I want you to know.
• 1:02:21
  Speaker 1: I believe in you, Amen, I really do believe in you.
• 1:02:24
  Speaker 1: And I can see it happening. Thank you, and it's
• 1:02:26
  Speaker 1: going to happen.
• 1:02:27
  Speaker 3: Amen.
• 1:02:27
  Speaker 2: All right, are you ready for my rapid fire questions?
• 1:02:30
  Speaker 3: H ship, Let you go so many.
• 1:02:34
  Speaker 2: It's not a lot, it's not a lot.
• 1:02:37
  Speaker 3: I'm here for you. Let me tell you. Carlos, Yes, baby,
• 1:02:40
  Speaker 3: you don't limited the interviews that I do, even though,
• 1:02:44
  Speaker 3: but I was like, oh, for god, I'm putting on
• 1:02:46
  Speaker 3: all the things, and I'm yeah, all the stuff.
• 1:02:50
  Speaker 2: Thank you, John, I appreciate it.
• 1:02:52
  Speaker 3: Baby.
• 1:02:53
  Speaker 2: I like with somebody making sure that they come prepare.
• 1:02:56
  Speaker 3: Yes, it's happy as cute as you because this ship here.
• 1:02:58
  Speaker 2: Thank you know, thanks brain drops. Okay, so you ready?
• 1:03:02
  Speaker 3: Yes?
• 1:03:03
  Speaker 2: Okay?
• 1:03:06
  Speaker 1: Is this live? No?
• 1:03:08
  Speaker 3: Where are they coming from? Okay? No?
• 1:03:10
  Speaker 2: No, I have rapid fire questions? Yeah, okay, okay, okay,
• 1:03:15
  Speaker 2: so you ready for it? Yes, I'm gonna start up high.
• 1:03:19
  Speaker 3: Okay, Okay, is this multiple? What?
• 1:03:22
  Speaker 1: No? So Pete Davidson, yes, okay. So obviously there was
• 1:03:31
  Speaker 1: a situation you guys were on the talk show. You
• 1:03:34
  Speaker 1: were touchy Philly. He said, he fuck uncomfortable. You apologize that,
• 1:03:38
  Speaker 1: Pete Davison. What is your relationship like now with Pete Davison?
• 1:03:43
  Speaker 1: And do you think people overreacted?
• 1:03:45
  Speaker 3: I think he overreacted, I think, But I also think
• 1:03:49
  Speaker 3: that you may not have ever said that. I think
• 1:03:51
  Speaker 3: maybe people might have said that to create a contversy
• 1:03:55
  Speaker 3: because I was just doing like this. We had a
• 1:03:57
  Speaker 3: blind fold and I was doing like this, like I'm
• 1:03:59
  Speaker 3: touchy and so that I don't give up fuck about
• 1:04:02
  Speaker 3: Pete Davison in that type of way. You know, I
• 1:04:05
  Speaker 3: think he looked like you need a blood transfusion. He's paled. Fuck.
• 1:04:09
  Speaker 3: And I was asking him earlier, why do you think
• 1:04:12
  Speaker 3: the girls are so onto you? Because why I don't
• 1:04:14
  Speaker 3: get it. I'm sitting next to you, and I just
• 1:04:17
  Speaker 3: don't get it. But uh, it was blown out of proportion.
• 1:04:21
  Speaker 3: I was not trying to salt Pete Davison, And if
• 1:04:24
  Speaker 3: I did, he should have been mad enough to pull
• 1:04:25
  Speaker 3: his blindfold off and look me in the face and
• 1:04:28
  Speaker 3: tell me like that. Because once we said again earlier,
• 1:04:30
  Speaker 3: if you reference I say, I don't play them game,
• 1:04:33
  Speaker 3: you got something to say to me? Say it. They
• 1:04:35
  Speaker 3: gotta go whining off in the corner like a little
• 1:04:37
  Speaker 3: bit and saying some shit. But he may not have
• 1:04:41
  Speaker 3: even said it. It might have been a plant. It
• 1:04:43
  Speaker 3: might have been an industry plan.
• 1:04:47
  Speaker 1: Now next, who is the biggest gatekeeper in black comedy Hollywood.
• 1:04:54
  Speaker 3: That don't tell people's stuff and don't share information? Yes,
• 1:04:59
  Speaker 3: I don't know, I don't know. I don't have an
• 1:05:02
  Speaker 3: answer to that.
• 1:05:03
  Speaker 1: Okay, which comedian is nothing like their public image?
• 1:05:11
  Speaker 3: Okay?
• 1:05:13
  Speaker 2: Oh, he's a sweetheart.
• 1:05:17
  Speaker 3: She's just very quiet, introspective and well read. And he's
• 1:05:24
  Speaker 3: not out in the streets wild and like you know
• 1:05:26
  Speaker 3: we have before and stuff and likes you know, peace,
• 1:05:31
  Speaker 3: likes peace. I believe.
• 1:05:36
  Speaker 2: Have you ever been blackballed?
• 1:05:39
  Speaker 3: Maybe? Maybe, but it didn't stick.
• 1:05:55
  Speaker 1: What celebrity man flirted with you? That will gag people?
• 1:06:00
  Speaker 1: That was shocked people?
• 1:06:01
  Speaker 3: Oh my god, I can't even tell you. Oh no,
• 1:06:04
  Speaker 3: it would be so shocking, it would you would just
• 1:06:06
  Speaker 3: you gotta tell me. No, I can't.
• 1:06:08
  Speaker 2: You got no way.
• 1:06:10
  Speaker 3: Your daughter says, say, you wouldn't appreciate it.
• 1:06:13
  Speaker 2: Is he married?
• 1:06:14
  Speaker 3: No? Oh no, honey, he's a whole gangster. I can't.
• 1:06:19
  Speaker 3: Is he a rapper? Yeah? Does he?
• 1:06:25
  Speaker 2: Is he in his forties or fifties or older?
• 1:06:29
  Speaker 3: I can't.
• 1:06:30
  Speaker 2: No, No, no, daughter, she knows better. She know better.
• 1:06:36
  Speaker 3: Period. Who is it?
• 1:06:38
  Speaker 1: No?
• 1:06:39
  Speaker 3: No, I'm not telling. I'm not. He would not like it.
• 1:06:43
  Speaker 3: And I say he's a gangster and I is he alive? Yeah?
• 1:06:49
  Speaker 2: He was just Yeah, he was just a Snoop Dogg. No,
• 1:06:54
  Speaker 2: I'm okay, wait Snoop Dogg?
• 1:06:57
  Speaker 3: You doctor drem telling? Okay, wait, it's like black one. No,
• 1:07:05
  Speaker 3: I'm not telling. I cannot. Look, that's how nervous I am.
• 1:07:10
  Speaker 2: But he's a rapper.
• 1:07:11
  Speaker 3: Oh yeah, a big one.
• 1:07:14
  Speaker 2: So he's West Coast? Okay? Is he big?
• 1:07:18
  Speaker 3: Okay?
• 1:07:18
  Speaker 2: So you're not doing this?
• 1:07:20
  Speaker 3: Not Dre? Not new. I didn't say not, Damn. I said,
• 1:07:24
  Speaker 3: I'm not telling. And and Super's married.
• 1:07:30
  Speaker 5: Hey, I'm trying to guess, Jamie. So what's the three
• 1:07:39
  Speaker 5: things I gotta tell you to night?
• 1:07:42
  Speaker 3: I don't date presidents no more, honey, that's another that
• 1:07:45
  Speaker 3: was another.
• 1:07:46
  Speaker 2: Time such night wanted to sleep with you?
• 1:07:49
  Speaker 3: Absolutely not? Is its sure? And he he did. I'm
• 1:07:55
  Speaker 3: trying to get And if I tell you, are you
• 1:08:02
  Speaker 3: gonna tell?
• 1:08:04
  Speaker 5: No?
• 1:08:07
  Speaker 2: No? West Coast Okay, Snoop and Dre?
• 1:08:11
  Speaker 3: Who's who else is it?
• 1:08:14
  Speaker 4: If?
• 1:08:15
  Speaker 3: What's another question? Don't worry your little brain about that.
• 1:08:17
  Speaker 2: Okay, I'm gonna come back to that. Okay. Who got
• 1:08:21
  Speaker 2: opportunities that they did not deserve?
• 1:08:25
  Speaker 3: In your opinion? And what respects?
• 1:08:28
  Speaker 1: Did someone get an opportunity that you didn't think they
• 1:08:34
  Speaker 1: were ready for the same person.
• 1:08:40
  Speaker 2: The rapper, Jamie?
• 1:08:48
  Speaker 3: Who could it be?
• 1:08:51
  Speaker 2: I've taken guesses from the room. If you would know, bro,
• 1:08:58
  Speaker 2: it's okay, Snoop, Dre, that's that's that's where we are.
• 1:09:03
  Speaker 3: How do you know that there's other West Coast rappers
• 1:09:07
  Speaker 3: and dj Quigg, there's who No way, Daniell, Are you nuts?
• 1:09:17
  Speaker 3: I'm not doing that. I'm not doing that? Oh anyway, Okay,
• 1:09:29
  Speaker 3: what else y'all tripping?
• 1:09:34
  Speaker 1: No?
• 1:09:34
  Speaker 3: Uh but listen, I want to even tell you after
• 1:09:38
  Speaker 3: if you're gonna tell, If.
• 1:09:40
  Speaker 2: You tell me after, I'm not I'm not shady like that.
• 1:09:44
  Speaker 3: My fucking daughter is over there and she's she's licensed together.
• 1:09:48
  Speaker 3: Don't you dare? Don't you never ever ever ever?
• 1:09:50
  Speaker 2: And I mean that, Why okay, why don't you want
• 1:09:53
  Speaker 2: to say his name?
• 1:09:54
  Speaker 3: Because it would really shake up that apple cart?
• 1:10:01
  Speaker 2: You and podcast? We shake up an apple cart?
• 1:10:04
  Speaker 3: Yeah, well, let's shake up cherries tangerine.
• 1:10:14
  Speaker 2: Okay. My last question I got okay, okay, okay, okay, okay,
• 1:10:18
  Speaker 2: damn that was a god no way okay. My last question.
• 1:10:25
  Speaker 2: Who in Hollywood switch up on you after they made it?
• 1:10:31
  Speaker 3: Hmmm? Uh, I don't know. I know, I'm terrible at answering.
• 1:10:40
  Speaker 3: I'm not giving you what you want, But I don't
• 1:10:43
  Speaker 3: know because if they did, I probably didn't know because
• 1:10:46
  Speaker 3: I probably stopped fuckinging them first. Mm. Okay, So I
• 1:10:51
  Speaker 3: don't really know who switched up to me. They would
• 1:10:55
  Speaker 3: think it would be me that switched up from them.
• 1:10:57
  Speaker 3: But since I'm you know, fairly accessful, but it ain't me,
• 1:11:02
  Speaker 3: motherfucker is Yeah, a couple of people who you don't
• 1:11:05
  Speaker 3: really know in the commonsary the industry have distanced themselves
• 1:11:10
  Speaker 3: from me when we've been close. And I think it's
• 1:11:14
  Speaker 3: because of my time has gotten much dinner and I
• 1:11:19
  Speaker 3: don't have time to kick it with you like I
• 1:11:22
  Speaker 3: used to. And I also I'm very more picky about
• 1:11:25
  Speaker 3: in my house, so maybe they might say it's me.
• 1:11:36
  Speaker 4: I love it.
• 1:11:36
  Speaker 3: I love it.
• 1:11:38
  Speaker 1: Well, Lunelle, tell the rain drops and you're fans in
• 1:11:41
  Speaker 1: the world, how they can support your residency.
• 1:11:45
  Speaker 2: How can they buy tickets and all the products that
• 1:11:48
  Speaker 2: you have coming up?
• 1:11:49
  Speaker 3: My cash have to okay, baby venmo Zelle, No, okay?
• 1:11:56
  Speaker 3: My uh my website where you can go on there
• 1:12:00
  Speaker 3: and see am I coming to a city near you
• 1:12:03
  Speaker 3: and also purchase tickets that said shows that are on
• 1:12:07
  Speaker 3: the site. My website is Heylunel dot com. Can you
• 1:12:11
  Speaker 3: put that graphic h E y l u e n
• 1:12:15
  Speaker 3: e l l dot com haluneil dot com for all
• 1:12:20
  Speaker 3: tickets and information. You can order my fragrance on there.
• 1:12:23
  Speaker 3: You know, I have my own fragrance out too one.
• 1:12:26
  Speaker 3: It's called iconic one, it's called Legendary. They come a
• 1:12:29
  Speaker 3: body period. Thank you, I humbly thank you. They come
• 1:12:34
  Speaker 3: in body creams and a roll on oil and a spray.
• 1:12:37
  Speaker 3: My Heylunel t shirts which Danelle, where's the bag that? See?
• 1:12:44
  Speaker 3: My t shirts look like that? With Shurotsky quest tools
• 1:12:48
  Speaker 3: and you can get the face of the microphone of
• 1:12:51
  Speaker 3: the toad bag at Heluneil dot com as well. You
• 1:12:54
  Speaker 3: can follow me on Instagram just at Lunel at l
• 1:12:57
  Speaker 3: U E n.
• 1:12:58
  Speaker 2: E l L.
• 1:12:59
  Speaker 3: You can try to DM me if you like, but
• 1:13:02
  Speaker 3: there's no promises because I got told I used to
• 1:13:04
  Speaker 3: answer all my dms you're crazy.
• 1:13:08
  Speaker 2: No, I stopped that shit child.
• 1:13:10
  Speaker 3: After it got to me, I was like, oh, I'm
• 1:13:15
  Speaker 3: just talking Toil like the first test out.
• 1:13:17
  Speaker 2: Be sure slotting your dms.
• 1:13:20
  Speaker 3: No, because we didn't even have dms. I don't think
• 1:13:23
  Speaker 3: we weren't doing dms when we first met. We met
• 1:13:26
  Speaker 3: like fifteen years ago.
• 1:13:29
  Speaker 2: That's when I first started dating.
• 1:13:30
  Speaker 3: No, we don't date. We're grown. We see each other,
• 1:13:34
  Speaker 3: we spend time together. We don't date go out and
• 1:13:38
  Speaker 3: get ice cream and shit. We I mean, you know,
• 1:13:40
  Speaker 3: we have done that, but I'm just saying, do you
• 1:13:43
  Speaker 3: guys do it? So we're gonna start with am.
• 1:13:49
  Speaker 2: Do y'all do it?
• 1:13:50
  Speaker 3: Or no? Or is it? That is personal? I told
• 1:13:54
  Speaker 3: you you want me to sit here and say I
• 1:13:57
  Speaker 3: suck at fucking deck? Is that what you're trying to
• 1:13:59
  Speaker 3: give me this? Do you? I'll tell you if I do,
• 1:14:08
  Speaker 3: if you knew everybody going ahead, if I dye, murdered, suicide, please,
• 1:14:18
  Speaker 3: no shade.
• 1:14:19
  Speaker 4: I'm just saying, give it up, allow down, you are amazing.
• 1:14:35
  Speaker 1: Reality with the King is executive produced by me Carlos King,
• 1:14:40
  Speaker 1: produced by Lizzie Nimitz, and a partnership with the.
• 1:14:43
  Speaker 2: Lack of Effect Network.
• 1:14:45
  Speaker 1: You can also find us on my YouTube channel at
• 1:14:48
  Speaker 1: the Carlos King Underscore