Latest / Mooney's Mythic Podcast / When red shoes get too hot
Transcript
- 0:01SPEAKER_02: Hello and welcome to Mooney's Mythic Podcast.
- 0:06SPEAKER_02: Mooney's Mythic Podcast is sponsored by fire, red hot flames, passion, heat, ignition, power.
- 0:18SPEAKER_02: Thank you so much, fire, for being in our lives.
- 0:23SPEAKER_02: Thank you so much, fire, for being one of the elements.
- 0:26SPEAKER_02: Thank you for connecting us back to the ancestors.
- 0:30SPEAKER_02: Thank you for bringing us right down to that fire at the centre of the earth.
- 0:34SPEAKER_02: Thank you for shooting us up to that sun up high in the sky.
- 0:40SPEAKER_02: Thank you for helping us to remember that when we need to burn something,
- 0:44SPEAKER_02: when we need to let go of something,
- 0:46SPEAKER_02: when we really want some movement,
- 0:49SPEAKER_02: that we can light a candle,
- 0:50SPEAKER_02: that it's enough.
- 0:52SPEAKER_02: Thank you for helping us when we want to remember someone, we can light a candle.
- 0:57SPEAKER_02: thank you thank you thank you for everything that you do for us fire for the way
- 1:01SPEAKER_02: you heat and warm us for the way that you nourish our food um and and cook us cook
- 1:08SPEAKER_02: us and our food really well thank you thank you so much
- 1:13SPEAKER_02: Here I am,
- 1:15SPEAKER_02: jumping on for an episode that I'm going to record now and put in the bag so that
- 1:23SPEAKER_02: it will come out on Friday when I'm at the festival.
- 1:26SPEAKER_02: And this is for you, Tess, who didn't want to go a week without one.
- 1:31SPEAKER_02: So it might not be as long.
- 1:34SPEAKER_02: I was going to say well thought out.
- 1:36SPEAKER_02: It's not a great advert at the beginning of a podcast.
- 1:38SPEAKER_02: It may not be as long, but it'll be just as juicy, I promise you.
- 1:44SPEAKER_02: you came back.
- 1:46SPEAKER_02: You're back.
- 1:47SPEAKER_02: You're back.
- 1:48SPEAKER_02: Or maybe you're here for the first time, in which case I just say to you, welcome aboard.
- 1:53SPEAKER_02: Come nestle.
- 1:55SPEAKER_02: Come plump your cushion and enjoy this ride, which is Mooney's Mythic Podcast, where I meander around the
- 2:06SPEAKER_02: story and depth and magic and hopefully pull a few exciting rabbits out of the hat for you.
- 2:16SPEAKER_02: I've been trying to record this podcast all day,
- 2:20SPEAKER_02: to get down to sitting down and recording this podcast,
- 2:23SPEAKER_02: but I haven't been able to because my son has been suspended from school for some
- 2:30SPEAKER_02: midsummer rutting.
- 2:32SPEAKER_02: And I'm looking around me and I'm seeing that energy all around,
- 2:35SPEAKER_02: you know,
- 2:35SPEAKER_02: the kind of pushing and the reaching and the stretching and the growing and
- 2:41SPEAKER_02: And yeah,
- 2:42SPEAKER_02: and his teacher said to me,
- 2:43SPEAKER_02: because he got into some trouble,
- 2:44SPEAKER_02: and his teacher said to me,
- 2:45SPEAKER_02: he just needs to learn not to take matters into his own hands.
- 2:50SPEAKER_02: And I was thinking,
- 2:51SPEAKER_02: oh,
- 2:52SPEAKER_02: I think I've been teaching him to take responsibility and where's the line and
- 2:56SPEAKER_02: where's the learning?
- 2:57SPEAKER_02: And yeah,
- 2:59SPEAKER_02: it's just got me thinking,
- 3:00SPEAKER_02: but not too deeply,
- 3:02SPEAKER_02: because this is a this is a quick old podcast for those of you that don't want to
- 3:08SPEAKER_02: miss a week.
- 3:08SPEAKER_02: And I'll be back with some hot takes from this experience next week.
- 3:15SPEAKER_02: So thanks for coming on.
- 3:17SPEAKER_02: And if you can recommend a friend to this podcast, I'd really appreciate it.
- 3:22SPEAKER_02: It'd be great to see the numbers growing.
- 3:24SPEAKER_02: It'd be really, really brilliant for me.
- 3:28SPEAKER_02: And when I've been putting this podcast together,
- 3:31SPEAKER_02: I thought that I would just go and go through it,
- 3:36SPEAKER_02: through the themes under the lime flower tree because it's blossoming.
- 3:41SPEAKER_02: And usually I pick it this time of year.
- 3:44SPEAKER_02: But when I went to the lime flower tree, it had these tiny brown spots on the flowers.
- 3:50SPEAKER_02: So I didn't pick it but I just laid under it and as I laid under it I remembered
- 3:55SPEAKER_02: the Seed Sisters telling me that back in the day if we had a dispute,
- 4:01SPEAKER_02: if the villagers had a dispute then it would be taken to the lime tree and the
- 4:07SPEAKER_02: dispute would be discussed under the lime tree.
- 4:10SPEAKER_02: So I'm just putting the magic of the lime out there, I'm intending
- 4:15SPEAKER_02: the magic of the line out there for you,
- 4:18SPEAKER_02: Noah,
- 4:18SPEAKER_02: for your teachers,
- 4:19SPEAKER_02: for everyone that's been involved in this altercation,
- 4:22SPEAKER_02: that you can really listen to each other and you can really understand where your actions,
- 4:28SPEAKER_02: like what your actions look like from the outside when you're a big,
- 4:32SPEAKER_02: strong teenage boy.
- 4:37SPEAKER_02: here we are and it's midsummer just past we've had the full moon we've had the sun
- 4:45SPEAKER_02: suspended in the sky you know the solstice means sol sun ice stillness like frozen
- 4:55SPEAKER_02: and the solstices is when the sun stays still in the sky i think for about three
- 5:01SPEAKER_02: days
- 5:03SPEAKER_02: And so this is when the sun, when this is the most daylight hours of the year.
- 5:10SPEAKER_02: And it's such a time to celebrate.
- 5:13SPEAKER_02: And I talked a lot about that in the last podcast,
- 5:17SPEAKER_02: but I thought as this is going out,
- 5:19SPEAKER_02: it'll be a week past solstice or more by the time this comes out.
- 5:23SPEAKER_02: So I've been thinking about the shadow of that.
- 5:27SPEAKER_02: I've been thinking about the excess and the energy that we don't know what to do
- 5:32SPEAKER_02: with and the lack of control and all those kind of things.
- 5:36SPEAKER_02: So that's why I started thinking about this week's story.
- 5:41SPEAKER_02: And this week's story,
- 5:42SPEAKER_02: there's a Hans Christian Andersen version,
- 5:45SPEAKER_02: but also this story most famously,
- 5:48SPEAKER_02: I think,
- 5:49SPEAKER_02: in recent times has been in the great book Women Who Run With the Wolves.
- 5:54SPEAKER_02: By Clarissa Pinkola Estes.
- 5:57SPEAKER_02: I went to train with her in Colorado and she asked that we call her Dr.
- 6:01SPEAKER_02: E because she says no one pronounces her name correctly.
- 6:05SPEAKER_02: So I'm going to call her Dr. E from now on.
- 6:10SPEAKER_02: And I've had my book 30 years, something like that, probably.
- 6:14SPEAKER_02: It's a really amazing resource in my life.
- 6:17SPEAKER_02: And certainly meeting with her and training with her was an extraordinary
- 6:21SPEAKER_02: experience for me where I just felt like there's my lineage.
- 6:26SPEAKER_02: You're my people.
- 6:28SPEAKER_02: I tell stories from the same well as you.
- 6:32SPEAKER_02: And then when I got back,
- 6:33SPEAKER_02: I was looking around and thinking,
- 6:37SPEAKER_02: lots of women have this book,
- 6:38SPEAKER_02: lots of women know this book,
- 6:40SPEAKER_02: but not many men.
- 6:42SPEAKER_02: And I asked my friend,
- 6:44SPEAKER_02: who's a man and pretty sensitive and connected,
- 6:47SPEAKER_02: and I said,
- 6:47SPEAKER_02: have you ever read Women Who Run With The Wolves?
- 6:50SPEAKER_02: And he said, no, but it's been on the bedside table of every woman I've ever slept with.
- 6:57SPEAKER_02: So that got me thinking, gets me thinking about
- 7:02SPEAKER_02: yeah women are reading this deep deep book and how to share it how to share it with
- 7:08SPEAKER_02: everyone so I started running these courses based on women who run with a wall so
- 7:13SPEAKER_02: we go through every story and um I've done some in person and some online and and
- 7:19SPEAKER_02: that's been amazing yeah there's loads and loads of people who've had this book for
- 7:22SPEAKER_02: years but it's a tomb it's a massive book and
- 7:26SPEAKER_02: And it's great to just go through in a circle every single story.
- 7:33SPEAKER_02: Really brilliant.
- 7:35SPEAKER_02: And this story I've told many times in many different ways with music and with
- 7:42SPEAKER_02: dancing and with all kinds of things.
- 7:43SPEAKER_02: But I'm going to tell it and then we'll talk a little bit about disseminating it,
- 7:50SPEAKER_02: looking into the depths of it.
- 7:52SPEAKER_02: Because when I was training with Dr.
- 7:53SPEAKER_02: E,
- 7:54SPEAKER_02: she said that she didn't want anyone to tell the stories in her book without
- 7:59SPEAKER_02: breaking them down afterwards,
- 8:01SPEAKER_02: their deeper meaning.
- 8:02SPEAKER_02: So here we go.
- 8:07SPEAKER_00: Sometimes I feel like a marvelous child Sometimes I feel like a marvelous child
- 8:23SPEAKER_00: Sometimes I feel like a marvelous child
- 8:32SPEAKER_00: A long, long way from home.
- 8:40SPEAKER_02: And that's what she was.
- 8:41SPEAKER_02: She was a motherless child who had no shoes.
- 8:47SPEAKER_02: But she was resourceful and canny.
- 8:50SPEAKER_02: And she loved collecting little scraps of fabric.
- 8:54SPEAKER_02: And she knew that one day she'd do something with those scraps of fabric.
- 8:59SPEAKER_02: And she began to collect and notice that red was the colour that she liked the best.
- 9:05SPEAKER_02: A little bit of ribbon here or silk there, a piece of thread there.
- 9:10SPEAKER_02: And as she gathered them all up and began to stitch them together, she knew what she was making.
- 9:17SPEAKER_02: she was making a pair of red shoes and they were pretty rough and they were ragged
- 9:26SPEAKER_02: and they were crude but she loved them and she was proud of them and even though
- 9:32SPEAKER_02: she still had to work really hard like sometimes she was out till after dark
- 9:37SPEAKER_02: digging in the earth trying to find roots that her and her family could eat
- 9:44SPEAKER_02: And often she went to bed and her stomach would be bang, bang, banging with hunger.
- 9:51SPEAKER_02: She was still living a fine life.
- 9:55SPEAKER_02: But as she was walking through the woods one day, a gilded carriage approached.
- 10:07SPEAKER_02: Golden.
- 10:09SPEAKER_02: Metal.
- 10:11SPEAKER_02: Shining.
- 10:18SPEAKER_02: The door opened and the face of an old woman appeared.
- 10:23SPEAKER_02: She told her that she was going to take her home and treat her like her own little girl.
- 10:29SPEAKER_02: She told her that she would have everything she needed,
- 10:34SPEAKER_02: that she would have a fine life of richness and splendour.
- 10:41SPEAKER_02: And so the girl walked in to the carriage.
- 10:45SPEAKER_02: and the door closed behind her, and off they went.
- 10:52SPEAKER_02: And so to the wealthy woman's house they went.
- 10:54SPEAKER_02: And there the first thing they did was to run her a bath.
- 10:57SPEAKER_02: And they soaked her and scrubbed her and cleaned her and clubbed her and scrubbed
- 11:02SPEAKER_02: her and cleaned her and scraped her.
- 11:04SPEAKER_02: And they brushed all the tangles out of her hair and they plaited it so that her
- 11:08SPEAKER_02: eyebrows were even higher on her forehead.
- 11:11SPEAKER_02: And she was given white underwear and a fine woolen dress,
- 11:15SPEAKER_02: a bit itchy,
- 11:17SPEAKER_02: and white,
- 11:18white,
- 11:18SPEAKER_02: white socks and black shiny shoes.
- 11:22SPEAKER_02: what where are my red shoes what those oh they were good for nothing we threw them
- 11:30SPEAKER_02: on the fire think no more of it you're much better off with these the shoes you had
- 11:37SPEAKER_02: on they were they were stiff how does anyone ever walk in these and the manners oh
- 11:43SPEAKER_02: my goodness you
- 11:44SPEAKER_02: to say this at this time and that at that time and nod her head this way and stand
- 11:49SPEAKER_02: up at that moment and eat her food like this and not speak unless she was spoken to
- 11:53SPEAKER_02: but not ignore anyone if they spoke to her because that would be rude and...
- 12:00SPEAKER_02: And all of the energy that would have gone out,
- 12:04SPEAKER_02: all of the laughs and the cackles and the spits and all of it began to get pushed inside.
- 12:13SPEAKER_02: And inside it began to grow like a secret fire.
- 12:18SPEAKER_02: Inside it began to grow like knives pointing inwards.
- 12:23SPEAKER_02: Inside it began to grow.
- 12:29SPEAKER_02: now when the girl became old enough to be confirmed the old woman decided that she
- 12:36SPEAKER_02: would take her herself to buy her a brand-new pair of shoes so they went to the
- 12:44SPEAKER_02: house of the crippled shoemaker
- 12:47SPEAKER_02: Now this old woman, she couldn't see very well.
- 12:50SPEAKER_02: But the girl saw them.
- 12:52SPEAKER_02: She saw them straight away.
- 12:55SPEAKER_02: In the case on the window, there were a pair of shining red shoes.
- 13:03SPEAKER_00: Red like lipstick.
- 13:06SPEAKER_00: Red like glamour.
- 13:09SPEAKER_02: Red like blood.
- 13:13SPEAKER_02: And she put on those shoes.
- 13:16SPEAKER_02: And as she put them on, she noticed that the old woman couldn't see the colour.
- 13:22SPEAKER_01: Are they black?
- 13:24SPEAKER_01: she said.
- 13:25SPEAKER_01: Oh, yes, said the girl.
- 13:27SPEAKER_02: And so the shoes were bought.
- 13:30SPEAKER_02: And off they went, with a little wink from the shoemaker.
- 13:36SPEAKER_02: Now the next day, everyone at church... Oh, look at... Oh, no...
- 13:46SPEAKER_02: Scandalous.
- 13:47SPEAKER_02: They stared and they whispered and even the angels on the walls looked down and
- 13:55SPEAKER_02: tutted at the girl as she strode past.
- 14:00SPEAKER_02: But the girl loved the shoes.
- 14:02SPEAKER_02: She loved the shoes even more for the attention she was getting.
- 14:06SPEAKER_02: So when the choir hummed and the vicar spoke and the organ pumped, the child thought nothing.
- 14:14SPEAKER_02: Only thoughts for her beautiful shoes filled her mind.
- 14:19SPEAKER_02: But by the end of the day,
- 14:20SPEAKER_02: the old woman had been told more than once about the shoes that she'd been wearing.
- 14:26SPEAKER_01: And the woman was furious.
- 14:28SPEAKER_01: After all I've done for you,
- 14:31SPEAKER_01: after everything I've done for you,
- 14:33SPEAKER_01: after all I've done,
- 14:35SPEAKER_02: she said as she slammed the shoes on a high shelf.
- 14:42SPEAKER_02: Never wear them again, she warned.
- 14:49SPEAKER_02: But the next Sunday came and the girl couldn't help it.
- 14:53SPEAKER_02: She chose the red shoes over the black ones and they walked to church.
- 14:58SPEAKER_02: But at the door of the church there was an old soldier.
- 15:02SPEAKER_02: He had his arm in a sling and wore a little jacket and had a red beard.
- 15:08SPEAKER_02: He bowed and said, can I just dust your precious shoes?
- 15:14SPEAKER_02: And the girl,
- 15:14SPEAKER_02: she put her feet out straight away and he tapped the soles of her shoes with a
- 15:20SPEAKER_02: little wigger jig song that made her soles itch.
- 15:24SPEAKER_02: Remember to stay for the dance, he smiled.
- 15:28SPEAKER_02: And he winked at her too.
- 15:31SPEAKER_02: Again, everybody stared and whispered and disapproved of her shoes.
- 15:37SPEAKER_02: But she loved them.
- 15:40SPEAKER_02: They were bright like berries.
- 15:42SPEAKER_02: They were bright like raspberries.
- 15:44SPEAKER_02: Bright like pomegranates.
- 15:46SPEAKER_02: Bright like strawberries.
- 15:48SPEAKER_02: Bright like summer.
- 15:50SPEAKER_02: Bright like hot heat.
- 15:53SPEAKER_02: And she could hardly think of anything as she wore them.
- 15:56SPEAKER_02: She just lifted them and admired them and looked and watched the attention and she loved it.
- 16:03SPEAKER_02: But she forgot to sing.
- 16:06SPEAKER_02: And as she was moving to leave the church, the soldier called out, what beautiful dancing shoes.
- 16:15SPEAKER_02: And she took a little turn right there to show off that, yes, they were dancing shoes.
- 16:22SPEAKER_02: And she knew how to dance.
- 16:23SPEAKER_02: And so she span and she turned and she twisted and she pointed and she jumped and
- 16:29SPEAKER_02: she leapt in the air and she waltzed and she waltzed.
- 16:34SPEAKER_02: Ah.
- 16:35SPEAKER_02: But once they began to move, they wouldn't stop.
- 16:39SPEAKER_02: And she danced and trampled all the flower beds and she danced over the gravestones.
- 16:43SPEAKER_02: And it was like she totally lost control.
- 16:45SPEAKER_02: She danced and danced and danced to a field across the way.
- 16:50SPEAKER_02: The old woman's coachman could see what was happening and he ran after her and he
- 16:53SPEAKER_02: picked her up and he carried her back to the carriage.
- 16:55SPEAKER_02: But the shoes were still dancing and the feet in them were still dancing,
- 16:59SPEAKER_02: even though he had her pinned down to the floor.
- 17:01SPEAKER_02: She was legs in the air, petticoat akimbo, shaking and shouting and her legs kicking up and kicking up.
- 17:07SPEAKER_02: And finally they got her shoes off and her feet calmed down.
- 17:14SPEAKER_02: What a scene it had been.
- 17:17SPEAKER_01: The fury of the old woman.
- 17:20SPEAKER_01: I took you in, out of the goodness of my own heart.
- 17:25SPEAKER_01: And you do this to me.
- 17:26SPEAKER_02: You do this to me.
- 17:29SPEAKER_02: And she slammed the red shoes down when they got home and said, never touch them again.
- 17:37SPEAKER_00: But they seemed to whisper at her from the cupboard.
- 17:43SPEAKER_02: and she would open the cupboard at night and even in the dark they shone like wildness,
- 17:49SPEAKER_02: they shone like madness,
- 17:51SPEAKER_02: they shone like hot pokers,
- 17:54SPEAKER_02: they shone like bright red things shine.
- 18:03SPEAKER_02: She thought that they were the most beautiful things on the face of the earth and
- 18:08SPEAKER_02: she thought of nothing else.
- 18:11SPEAKER_02: And the old woman was becoming ill.
- 18:14SPEAKER_02: So she stayed to her bed and the girl saw her chance and she took those shoes off
- 18:19SPEAKER_02: and she thought,
- 18:19SPEAKER_02: I'll just wear them for a moment.
- 18:21SPEAKER_02: I'll just wear them whilst I'm in the house.
- 18:24SPEAKER_02: I might even not put them on.
- 18:25SPEAKER_02: I might just look at them.
- 18:26SPEAKER_02: And she looked at them and the gaze became a longing and a power and her arms
- 18:31SPEAKER_02: reached out and she had put them onto her feet before she knew it.
- 18:35SPEAKER_02: What?
- 18:35SPEAKER_02: harm can I do?
- 18:37SPEAKER_02: Just putting on a pair of shoes, she thought.
- 18:39SPEAKER_02: And as soon as she put them on, she wanted to point her feet.
- 18:43SPEAKER_02: And as soon as she put them on, she wanted to move and to dance.
- 18:47SPEAKER_02: So she did.
- 18:49SPEAKER_02: She danced.
- 18:50SPEAKER_02: She put some music on and she danced.
- 18:52SPEAKER_02: She danced around her room and she danced downstairs and she turned and she danced
- 18:57SPEAKER_02: and she kicked and she span and she
- 19:00SPEAKER_02: danced it was a wild dance and a happy dance and a vigorous dance oh she danced
- 19:07SPEAKER_02: she didn't know she was in any trouble she was enjoying herself so much but then
- 19:11SPEAKER_02: she tried to turn one way and the shoes didn't the shoes turned the other way and
- 19:16SPEAKER_02: then she tried to slow down a bit she was out of breath but the shoes they wouldn't
- 19:20SPEAKER_02: slow down they were going faster and faster and faster and faster and she wanted to
- 19:25SPEAKER_02: go that way but they insisted on going ahead ahead ahead and they were dancing her
- 19:31SPEAKER_02: they were dancing her down the road and they were dancing her
- 19:34SPEAKER_02: out and across the fields and into the forest.
- 19:39SPEAKER_02: If you don't enter the forest, your life will never begin.
- 19:44You must.
- 19:45SPEAKER_01: You must enter the forest or your life will never begin.
- 19:51SPEAKER_02: And she saw him there, that soldier.
- 19:53SPEAKER_02: And he looked at her.
- 19:55SPEAKER_02: Oh, my, he said.
- 19:56SPEAKER_02: What beautiful dancing shoes.
- 19:59SPEAKER_02: And she was so scared.
- 20:01SPEAKER_02: She tried to pull the shoes off there and then, but she couldn't.
- 20:03SPEAKER_02: She tried.
- 20:04SPEAKER_02: She kept trying to pull them off, but she couldn't pull them off.
- 20:07SPEAKER_02: And she hopped on one foot and trying to take the other one off.
- 20:09SPEAKER_02: And she was on the other, but nothing.
- 20:10SPEAKER_02: They were stuck to the ground and still dance and dance and dance.
- 20:15SPEAKER_02: And she danced over the hills and she danced over the valleys.
- 20:18SPEAKER_02: And she danced through night and she danced through sunrise.
- 20:21SPEAKER_02: twilight but it wasn't good dancing anymore it was terrible dancing it was horrible
- 20:26SPEAKER_02: dancing she couldn't stop and she wanted to stop and the days were going and
- 20:31SPEAKER_02: turning and the hours were moving and she couldn't stop and she couldn't stop and
- 20:35SPEAKER_02: she could not stop she danced into the churchyard
- 20:41SPEAKER_02: You cannot enter here, said the spirit of dread.
- 20:46SPEAKER_02: And she was clinging to the railings, trying, trying, trying, reaching, reaching for help.
- 20:53SPEAKER_02: You shall dance in your red shoes until you become like a wraith.
- 20:58SPEAKER_02: like a ghost till your skin hangs from your bones till there's nothing left of you
- 21:04SPEAKER_02: but entrails dancing you'll dance door to door through all the villages and you'll
- 21:09SPEAKER_02: strike each door three times and when people peer out and look at you they'll think
- 21:15SPEAKER_02: thank god it's not me thank god it's not me dance red shoes you shall dance and she
- 21:23SPEAKER_02: begged for mercy but her fingers were
- 21:27SPEAKER_02: ripping away from the pole off she was dancing again over and over through the
- 21:33SPEAKER_02: nettle she danced and they spiked and they scratched her still she was dancing and
- 21:38SPEAKER_02: she was she was back at her old house but what what was this there was a coffin
- 21:42SPEAKER_02: there was a it must have been the funeral of the old lady and there was a pang and
- 21:45SPEAKER_02: movement inside her and she wanted to stay but she couldn't she just kept on
- 21:50SPEAKER_02: dancing
- 21:51SPEAKER_02: So she danced on and she danced on and she was exhausted and she was horrified and
- 21:56SPEAKER_02: she danced into the forest,
- 21:59SPEAKER_02: the forest where the executioner lived.
- 22:02SPEAKER_02: And he knew something needed cutting because the axe on the wall began to tremble.
- 22:10SPEAKER_02: Please, she begged the executioner as she danced by his door, please, please cut off my shoes, please.
- 22:18SPEAKER_02: And he knew it was the right thing to do because the axe was gleaming.
- 22:23SPEAKER_02: And so he sliced through the straps, but they stayed on her feet.
- 22:27SPEAKER_02: They wouldn't move.
- 22:28SPEAKER_02: They wouldn't budge.
- 22:30SPEAKER_02: And still she was dancing and she was frightened and she was dancing.
- 22:35SPEAKER_02: And so she said, my feet, my feet, just do it.
- 22:38SPEAKER_02: Just do it.
- 22:39SPEAKER_02: Just do it.
- 22:40SPEAKER_02: My life is worth nothing.
- 22:42SPEAKER_02: My life is worth nothing.
- 22:46SPEAKER_02: So he cut off her feet.
- 22:48SPEAKER_02: and the red shoes kept dancing off and out of sight and the girl she was a cripple
- 22:59SPEAKER_02: and she bled in the earth and she had to find her own way in the world
- 23:09SPEAKER_02: And she was never again wishing for red shoes.
- 23:14SPEAKER_02: She never again wished.
- 23:16SPEAKER_02: Hmm.
- 23:17SPEAKER_02: Someone's at the door, but I'm just going to have to ignore it.
- 23:21SPEAKER_02: Um, so they seem quite insistent, but you know, if they're a good friend, they know where the key is.
- 23:27SPEAKER_02: So I'll just have to let themselves in and then we'll have to take it from there, my friends.
- 23:34SPEAKER_02: So then, um,
- 23:37SPEAKER_02: It's a brutal ending, isn't it?
- 23:39SPEAKER_02: It's such a brutal ending.
- 23:41SPEAKER_02: And I know that in the book,
- 23:43SPEAKER_02: Dr.
- 23:43SPEAKER_02: E says that what she does is that she slowly finds her way back,
- 23:50SPEAKER_02: that her feet grow back.
- 23:52SPEAKER_02: And I love this notion of the feet growing back.
- 23:56SPEAKER_02: um and um that and i wonder how i can think of addiction because that's why i
- 24:02SPEAKER_02: really chose this it's no he's one in a minute he'll kind of clock that um i'm
- 24:08SPEAKER_02: recording a podcast and he'll maybe be a bit quiet but um
- 24:14SPEAKER_02: I hope for that.
- 24:15SPEAKER_02: So she just, she's there.
- 24:20SPEAKER_02: She's crippled.
- 24:22SPEAKER_02: And like we all have been,
- 24:24SPEAKER_02: yeah,
- 24:26SPEAKER_02: like we all have been in these moments where our patterns,
- 24:30SPEAKER_02: our addictions,
- 24:32SPEAKER_02: our ways of being,
- 24:33SPEAKER_02: they don't work for us anymore,
- 24:35SPEAKER_02: you know.
- 24:36SPEAKER_02: They don't work for us anymore.
- 24:38SPEAKER_02: And we have to say goodbye to them.
- 24:41SPEAKER_02: But there's an or they kill us or they kill a part of us.
- 24:45SPEAKER_02: And there's no way of reclaiming or getting that back into balance.
- 24:53SPEAKER_02: We have to just chop it away.
- 24:56SPEAKER_02: And then it takes time.
- 24:57SPEAKER_02: It takes time for that to grow back.
- 25:00SPEAKER_02: It takes time for us to
- 25:04SPEAKER_02: Find out what it was within us that we started to put this addiction on top of and
- 25:13SPEAKER_02: feel those places and find deeper underneath that what brought us joy,
- 25:20SPEAKER_02: what our simple pleasure was,
- 25:22SPEAKER_02: how we reached for those little scraps in the first place.
- 25:29SPEAKER_02: So she goes through that process where she begins to reach for the scraps again.
- 25:35SPEAKER_02: And Dr.
- 25:35SPEAKER_02: E says that if she was left to her own devices,
- 25:38SPEAKER_02: she would have made more shoes and more shoes and more shoes.
- 25:41SPEAKER_02: And of course, the first one is crude.
- 25:43SPEAKER_02: And remember that when we start anything,
- 25:46SPEAKER_02: when we try anything,
- 25:47SPEAKER_02: remember that because the first one's crude and the second one's better and then
- 25:52SPEAKER_02: better again.
- 25:57SPEAKER_02: So.
- 25:59SPEAKER_02: She will find her way and we will find our way in whatever has been lost to us and
- 26:07SPEAKER_02: whatever moves back in for us.
- 26:15SPEAKER_02: We can use our inventiveness and our creativity to create a handmade life for ourself.
- 26:24SPEAKER_02: So let's just feel for ourselves for a moment.
- 26:30SPEAKER_02: What is it that brings us a simple pleasure?
- 26:35SPEAKER_02: What kind of creating brings us a simple pleasure?
- 26:41SPEAKER_02: Is it a stitch or a drawn line or making a shape with pebbles on the beach?
- 26:51SPEAKER_02: And let's allow our real tiny young places to remember those moments in life,
- 27:02SPEAKER_02: to redo them so that we can stay in relationship with those places.
- 27:08SPEAKER_02: Now,
- 27:08SPEAKER_02: Dr.
- 27:09SPEAKER_02: E,
- 27:09SPEAKER_02: she has 30 pages of dissemination in here and it's all really,
- 27:14SPEAKER_02: really fascinating and interesting,
- 27:17SPEAKER_02: but I'm not going to go through
- 27:19SPEAKER_02: All of them on this podcast or any of them,
- 27:23SPEAKER_02: I'm just going to tell you from my experience and from what I remember what this
- 27:31SPEAKER_02: story can mean.
- 27:33SPEAKER_02: And I'm thinking about the carriage coming along and the times in our life where we
- 27:40SPEAKER_02: have gone for the soulless because it's been lucrative or it's looked good in some way.
- 27:50SPEAKER_02: And it's felt choiceless.
- 27:51SPEAKER_02: I don't think she felt like she had any choice but to get into that carriage.
- 27:56SPEAKER_02: And so to go back to those places in ourselves and remember we've got choice.
- 28:01SPEAKER_02: And she certainly will say no next time.
- 28:09SPEAKER_02: And thinking about this woman that lives with us on the inside,
- 28:15SPEAKER_02: the one that tells us that we can't be wild and we can't be natural and that
- 28:20SPEAKER_02: handmade life is a waste of time.
- 28:28SPEAKER_02: it's so so so important to really understand that um if our soul is starved it will
- 28:37SPEAKER_02: reach for poison if our soul is starved it does reach for things that become
- 28:43SPEAKER_02: addictive so in order to feed the soul however silly it might seem or feel it's
- 28:50SPEAKER_02: just so important
- 28:57SPEAKER_02: And she talks a little bit about instinct injury, which is something that happens in the book.
- 29:03SPEAKER_02: She talks about it in the book quite a lot,
- 29:04SPEAKER_02: where you've already...
- 29:08SPEAKER_02: So she gets into the gilded carriage,
- 29:10SPEAKER_02: and that is the moment when she ignores her instincts.
- 29:14SPEAKER_02: Because if her instincts were awake or alive,
- 29:17SPEAKER_02: or she was connected with them in that moment,
- 29:19SPEAKER_02: she would have gone,
- 29:19SPEAKER_02: no thanks,
- 29:20SPEAKER_02: thanks,
- 29:20SPEAKER_02: but no thanks.
- 29:21SPEAKER_02: But she hungers for something else, something she's been told she needs.
- 29:26SPEAKER_02: And so she steps in.
- 29:28SPEAKER_02: What harm can she do?
- 29:29SPEAKER_02: But, you know, she's going to be rich.
- 29:31SPEAKER_02: She's going to be whatever.
- 29:32SPEAKER_02: But she can't make any good choices after that because there's a place where she
- 29:38SPEAKER_02: hasn't listened to her instinct.
- 29:40SPEAKER_02: So it creates a separation with the way that she listens to her instinct.
- 29:45SPEAKER_02: So it's injured.
- 29:46SPEAKER_02: And then when your instincts aren't in place, then it's really hard to make good choices for yourself.
- 29:54SPEAKER_02: There's lots of other great stuff in this book.
- 30:02SPEAKER_02: I've just kind of surmised a little bit for you.
- 30:05SPEAKER_02: I hope enough.
- 30:09SPEAKER_02: But I wanted this to be a bit of a skinny pod because it's the bonus one because
- 30:16SPEAKER_02: I'll be away at the festival and I can hear Noah's making all kinds of noises.
- 30:23SPEAKER_02: So I'll have to see what he's up to.
- 30:28SPEAKER_02: So I will be doing something similar at the end of September with another story from this book.
- 30:34SPEAKER_02: And it's the story that we worked most with when I was in Colorado.
- 30:39SPEAKER_02: It's The Handless Maiden.
- 30:42SPEAKER_02: And at the Chalice Well in January,
- 30:45SPEAKER_02: we went through the story,
- 30:47SPEAKER_02: taking it in pieces and crafting with it and creating ritual with it and sharing
- 30:53SPEAKER_02: and circle stories.
- 30:55SPEAKER_02: And so I'm doing that.
- 30:57SPEAKER_02: um in wales in this gorgeous place in wales in pembrokeshire um at the end of
- 31:02SPEAKER_02: september the last weekend of september for three nights so if you want to come and
- 31:07SPEAKER_02: join me and work on these stories in different ways i'd really love to have you
- 31:11SPEAKER_02: i've got a few spaces left so get in touch
- 31:16SPEAKER_02: I think that's all I've got to say today.
- 31:19SPEAKER_02: Love you all.
- 31:22SPEAKER_02: Great.
- 31:23SPEAKER_02: I'm just kind of feeling out like the tendrils of myself,
- 31:27SPEAKER_02: just kind of feeling out to who I might be talking to.
- 31:30SPEAKER_02: So let me know who you are, if you're listening, so that I can fill you in these etheric realms.
- 31:39SPEAKER_02: Have a brilliant time.
- 31:40SPEAKER_02: Come and see me if you catch this on Friday and you happen to be at Pilton at Glastonbury Festival.
- 31:46SPEAKER_02: Then I'm in the teepee field, the structure with the golden mushroom on top.
- 31:52SPEAKER_02: As I said before, come and say hello.
- 31:55SPEAKER_02: Bless your lives.
- 31:57SPEAKER_02: Bless your hearts.
- 31:59SPEAKER_02: And I'll see you next week.