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THE BLACK BOULE ,THE GATE KEEPIING NEGROS!!WHERE DOES IT COME FROM · BLACK HOT FIRE NETWORK SHOW'S

• 0:19
  Speaker 1: Yes, good afternoon, family. Hope you guys are doing great.
• 0:22
  Speaker 1: Good evening from my end. It's literally a minute to
• 0:26
  Speaker 1: 8 p.m. Hope you guys are having a beautiful day
• 0:28
  Speaker 1: so far. I hope your September started amazing and I
• 0:32
  Speaker 1: hope your week has been fantastic. Literally, we're ushering into
• 0:36
  Speaker 1: the weekend and I hope you guys have enjoyed the week.
• 0:40
  Speaker 1: Karibuni to yet another beautiful conversation of the Africa Today show.
• 0:44
  Speaker 1: Not a normal today show. I'm supposed to be DJing
• 0:47
  Speaker 1: my skills on TikTok right now.
• 0:50
  Speaker 2: But.
• 0:53
  Speaker 2: I'm not complaining.
• 0:56
  Speaker 1: I'm not complaining. But yes, Karibuni is our family. I
• 0:59
  Speaker 1: hope you guys are doing.
• 1:04
  Speaker 1: Keith is feeling that way because he doesn't get to
• 1:08
  Speaker 1: get all his requests played all the time.
• 1:11
  Speaker 2: Exactly. Who does?
• 1:13
  Speaker 1: Who does? Not every time, no.
• 1:15
  Speaker 3: We don't make stuff, we don't make something, a beat pen,
• 1:19
  Speaker 3: a beat pen, whatever.
• 1:20
  Speaker 1: Yeah.
• 1:21
  Speaker 2: Oh, I got, I don't know if it's going to
• 1:23
  Speaker 2: be about a beer.
• 1:24
  Speaker 3: Mm-hmm.
• 1:25
  Speaker 2: Tina's history, but you guys know Tina's history is not
• 1:28
  Speaker 2: a lie.
• 1:29
  Speaker 3: I'm going to say Jill's your mom's right about her too, because,
• 1:34
  Speaker 3: you know, they said that Ike back, they said Ike
• 1:37
  Speaker 3: right here was a woman beater, right? Or, you find
• 1:40
  Speaker 3: that this is a lie. They destroyed this man. See,
• 1:44
  Speaker 3: in America, you can't do this about a black man.
• 1:47
  Speaker 3: This black man, they destroyed his ass.
• 1:49
  Speaker 4: Right?
• 1:50
  Speaker 2: Especially in that movie.
• 1:52
  Speaker 3: You know, then they all, Jay-Z and, um, Jay-Z and, uh,
• 1:57
  Speaker 3: Beyonce made it to a song, right?
• 1:59
  Speaker 2: But, um, um, what's that song called with Jay-Z and, um,
• 2:04
  Speaker 2: Never Tired? Never Tired?
• 2:06
  Speaker 5: Drunk in Love.
• 2:07
  Speaker 1: Drunk in Love.
• 2:08
  Speaker 2: Drunk in Love.
• 2:09
  Speaker 4: Drunk in Love.
• 2:12
  Speaker 2: I didn't joke at all. So, yeah, yeah, joking love, whatever. So,
• 2:16
  Speaker 2: you know, I'm about having sex in the tub and
• 2:19
  Speaker 2: all that shit.
• 2:20
  Speaker 3: I'm like, yeah, I'm sad. And I never get a
• 2:23
  Speaker 3: friend of mine. We were somewhere in a store, right?
• 2:26
  Speaker 3: And there's a black company, a black badminton store. And
• 2:30
  Speaker 3: he's like, and a little girl was singing that. And
• 2:32
  Speaker 3: a friend of mine got upset. He's like, hey, you
• 2:35
  Speaker 3: know what this kid is singing? Yeah, she's singing Beyonce.
• 2:39
  Speaker 3: You know what those words mean?
• 2:41
  Speaker 2: So that's a bad meme of my own. That's the kids.
• 2:44
  Speaker 3: But anyway, you know, when Jay-Z says.
• 2:50
  Speaker 2: Eat the cake, Anna Mae, eat the cake.
• 2:52
  Speaker 3: We all know that's from a famous part of the
• 2:55
  Speaker 3: movie of Ike and Tina, when Ike is supposedly shoving
• 2:59
  Speaker 3: the cake in Tina's mouth, right?
• 3:01
  Speaker 2: Make him look a bad guy. So he said, come on,
• 3:04
  Speaker 2: Anna Mae, eat the cake. She said, no, no. Because
• 3:07
  Speaker 2: her real name's.
• 3:07
  Speaker 3: Not Tina Turner. That's her stage name. Her real name's
• 3:10
  Speaker 3: Anna Mae. But that don't work. You can't say, you're
• 3:13
  Speaker 3: going to get famous naming yourself Anna Mae. So, you know,
• 3:19
  Speaker 3: in the movie, they got Ike being all mean. And
• 3:22
  Speaker 3: they would say, come on, baby, eat the cake. He said, no, no, Ike,
• 3:25
  Speaker 3: I don't want nothing.
• 3:26
  Speaker 2: Come on, eat the cake, Anna. Maybe smush it in
• 3:28
  Speaker 2: her face.
• 3:29
  Speaker 3: But for years, we had everybody thinking that Ike was
• 3:34
  Speaker 3: a horrible person.
• 3:36
  Speaker 2: But you learn through real life, he wasn't. It was
• 3:38
  Speaker 2: her ass.
• 3:40
  Speaker 3: But of course, white American, white Jews are gonna make
• 3:44
  Speaker 3: the black male look bad. And so when, even though
• 3:50
  Speaker 3: Coon asked, Judge Joe told them when he was a kid,
• 3:54
  Speaker 3: he was a young kid, and they met Tina Turner
• 3:56
  Speaker 3: in L.A., and she was talking to him crazy. She said,
• 3:59
  Speaker 3: you poor little black bastard, get away from me.
• 4:02
  Speaker 2: I was like, what? She said, what?
• 4:04
  Speaker 3: Still didn't rest, because I had still to think of
• 4:06
  Speaker 3: Ike being the bad guy and her being the good guy.
• 4:10
  Speaker 2: And then you go back through her real history. People
• 4:12
  Speaker 2: knew her. She was a nasty mother.
• 4:14
  Speaker 3: Nasty.
• 4:15
  Speaker 2: And hated Africa. Hated Africa. Didn't want to be African.
• 4:18
  Speaker 3: Right? Hated African people. This is her own word. Africa
• 4:23
  Speaker 3: is all boring. They don't got shit up. This is
• 4:25
  Speaker 3: what she said. This is her word.
• 4:26
  Speaker 2: Don't come for me. This is Tina Turner's word. Africa.
• 4:31
  Speaker 3: They don't got shit. It's all underdeveloped. Their food is nasty.
• 4:35
  Speaker 3: She kept thinking she was an Indian. You ain't got
• 4:38
  Speaker 3: no Indian.
• 4:38
  Speaker 2: Blood in you.
• 4:39
  Speaker 3: You all African.
• 4:40
  Speaker 6: Before.
• 4:40
  Speaker 2: So you're an African, you idiot.
• 4:43
  Speaker 3: She's an Indian. They did a blood DNA test. She
• 4:47
  Speaker 3: had no Indian in her at all. She's like all
• 4:49
  Speaker 3: these other black Americans. My grandmother said. Everybody's grandma said
• 4:53
  Speaker 3: she was Indian.
• 4:54
  Speaker 2: Well, you ain't.
• 4:55
  Speaker 3: Because you all ain't being black. So she found out
• 5:00
  Speaker 3: she ain't got no Indian in her. I don't want
• 5:03
  Speaker 3: to know. That's how I started knowing everything about her.
• 5:06
  Speaker 3: It was true because I lost white people. You're a
• 5:09
  Speaker 3: culture I said, this shit they saying about her is right.
• 5:14
  Speaker 3: They tried, you know, the movie tried to make it, oh,
• 5:16
  Speaker 3: she's the poor, beaten black woman trying to survive. And
• 5:19
  Speaker 3: mean old black, it was like one of them Tyler
• 5:22
  Speaker 3: Perry movies. The black man is always bad. He ain't
• 5:25
  Speaker 3: no good.
• 5:26
  Speaker 2: He beat up on black. Come here, you bitch.
• 5:28
  Speaker 3: Get this work.
• 5:30
  Speaker 2: Black man's always evil and shit, right? Like a Tyler
• 5:34
  Speaker 2: Perry movie.
• 5:35
  Speaker 3: This is, you know, the Ike and Tina movies before
• 5:37
  Speaker 3: Tyler Perry was looking at the movies when he was
• 5:40
  Speaker 3: his early 20s.
• 5:42
  Speaker 2: That's going to be.
• 5:42
  Speaker 3: My template when I make movies. Black men always fucked
• 5:46
  Speaker 3: up and beating up on black women.
• 5:49
  Speaker 2: Right? Right, right.
• 5:50
  Speaker 3: That's all Tyler Perry movies. Black men's always all fucked up,
• 5:54
  Speaker 3: beating up on black women. Why are you always beating
• 5:57
  Speaker 3: up on black women? You're always beating up.
• 5:59
  Speaker 2: Come here, you know.
• 6:01
  Speaker 3: What kind of movie is this? I ain't moving a
• 6:04
  Speaker 3: black man that's supposed to be beating up on somebody.
• 6:06
  Speaker 3: Get out of here.
• 6:07
  Speaker 2: But anyway, but I'm glad you're going to share T.
• 6:11
  Speaker 3: Because he is important because Ike is one of.
• 6:15
  Speaker 2: The founders also of rock and roll, which.
• 6:18
  Speaker 3: He never gets credit for because of Tina and the
• 6:21
  Speaker 3: way they destroyed his name. You know, for years, his
• 6:25
  Speaker 3: victory was hate. And that's why he had Chaka Khan,
• 6:28
  Speaker 3: other people, right? spoke up for him because they knew
• 6:32
  Speaker 3: him in the industry and who he actually really was.
• 6:35
  Speaker 3: They said, that movie, that Ike and Tina movie ain't
• 6:39
  Speaker 3: even real. And that propaganda worked so good with me, right?
• 6:42
  Speaker 3: Because I was a kid. I was like in my 18s,
• 6:45
  Speaker 3: early 20s when I seen that Ike and Tina movie with, um, with, um,
• 6:49
  Speaker 3: Angela Bassett, it was Angela Bassett and, um, Pittsburgh. Oh, sorry,
• 6:55
  Speaker 3: let me, let me share my screen with you. Take
• 6:57
  Speaker 3: that down.
• 6:58
  Speaker 2: Okay. Okay.
• 7:01
  Speaker 3: Let's sing. Let's sing.
• 7:30
  Speaker 2: All right, here we go. Let me share my screen. Okay, so.
• 7:41
  Speaker 3: This is for educational purposes only. Let me go here
• 7:45
  Speaker 3: and share my screen.
• 7:47
  Speaker 2: So this is.
• 7:48
  Speaker 3: For educational purposes only. So this is how, see, when
• 7:54
  Speaker 3: we're young, we just don't know about mind control, how
• 7:56
  Speaker 3: things shape our minds. what we think about real people, right?
• 8:00
  Speaker 3: We just don't know. And so, Ike wasn't a bad guy.
• 8:06
  Speaker 3: And a lot of us still don't even know that
• 8:07
  Speaker 3: Ike wasn't a bad guy that made him be in
• 8:09
  Speaker 3: this movie. This, this, this, this, this destroyed his image.
• 8:13
  Speaker 3: And it was all a lie. Let me know if
• 8:16
  Speaker 3: you guys can see my screen.
• 8:18
  Speaker 2: See my screen, gentlemen?
• 8:19
  Speaker 1: Yeah.
• 8:21
  Speaker 2: Okay, so we're going to say this. So this is,
• 8:24
  Speaker 2: this is the movie about Ike and Tina Turner in
• 8:27
  Speaker 2: the early 90s.
• 8:28
  Speaker 3: They'll be careful.
• 8:29
  Speaker 2: I said, it's too old.
• 8:31
  Speaker 3: It's not the music.
• 8:33
  Speaker 1: Hey.
• 8:33
  Speaker 2: What y'all want?
• 8:33
  Speaker 3: They got any beer?
• 8:34
  Speaker 2: Well, no, they ain't got.
• 8:37
  Speaker 3: No beer, girl. Don't y'all want some breakfast?
• 8:39
  Speaker 2: No, not for me. How y'all feeling? I feel good.
• 8:43
  Speaker 3: And they can act like they're looking all pretty and
• 8:48
  Speaker 3: all that. So it's Ms. Byrne playing Ike. Ike's the
• 8:59
  Speaker 3: best at painting. They got it looking all crazy, right?
• 9:03
  Speaker 3: Looking all crazy. I'm about to.
• 9:06
  Speaker 2: Fuck this bitch up.
• 9:10
  Speaker 3: Mrs.
• 9:10
  Speaker 2: Turner, that's a married woman you talked to before. So
• 9:15
  Speaker 2: when are you going to make another single, Mrs.
• 9:16
  Speaker 7: Turner?
• 9:17
  Speaker 2: Uh, who knows, you know? Remember, he's supposed to be jealous, right?
• 9:21
  Speaker 2: Jealous and shit.
• 9:22
  Speaker 3: He's talking about being by himself.
• 9:25
  Speaker 2: So... He's supposed to be jealous and crazy. This is
• 9:28
  Speaker 2: a lie.
• 9:29
  Speaker 3: I had to go back and research all this shit.
• 9:31
  Speaker 3: All this shit we're looking at, this is a lie.
• 9:33
  Speaker 3: This whole fucking movie.
• 9:34
  Speaker 1: Is a lie.
• 9:36
  Speaker 2: Tina Turner was a ratchet-ass bitch. Found out. There you go.
• 9:42
  Speaker 4: Thanks.
• 9:42
  Speaker 2: Thanks a lot.
• 9:44
  Speaker 3: All right.
• 9:44
  Speaker 6: Bye-bye.
• 9:45
  Speaker 2: Bye-bye.
• 9:54
  Speaker 3: Hey, can we get some of that cake?
• 9:58
  Speaker 2: Matter of fact, bring that whole cake over here.
• 9:59
  Speaker 1: Hey, anime.
• 10:00
  Speaker 2: Anime.
• 10:01
  Speaker 3: Let's see that.
• 10:02
  Speaker 2: That look good? Come on, everybody.
• 10:04
  Speaker 3: Come on, this is up here.
• 10:05
  Speaker 2: Come on, Frank. Come on, everybody. You high, you embarrassed me. Oh,
• 10:18
  Speaker 2: come on now, open your mouth.
• 10:20
  Speaker 3: White man asked to open your mouth, you saying all
• 10:22
  Speaker 3: goddamn day long. I asked, you ain't gonna say nothing now.
• 10:26
  Speaker 2: Come on now, I'm asking you next time. And I'm
• 10:28
  Speaker 2: saying it. White man asked you to open your mouth,
• 10:30
  Speaker 2: you saying all goddamn day long. Oh, come on now,
• 10:35
  Speaker 2: open your mouth.
• 10:35
  Speaker 3: White man asked to open your mouth, you saying all
• 10:38
  Speaker 3: goddamn day long.
• 10:39
  Speaker 2: I asked, you ain't gonna say nothing now. Come on now,
• 10:42
  Speaker 2: I'm asking you next time. And I'm saying no thanks.
• 10:44
  Speaker 2: Come on. Come on.
• 10:46
  Speaker 8: Come on.
• 11:07
  Speaker 2: It's all right. It's not all right unless the motherfucker
• 11:10
  Speaker 2: piles on you. If you had any sense, you'd get
• 11:13
  Speaker 2: out of here, too. You have any sense? Yes, my ass.
• 11:20
  Speaker 3: You a dead woman.
• 11:22
  Speaker 2: Thank you.
• 11:24
  Speaker 3: We found out that that's a lie, that he wasn't
• 11:26
  Speaker 3: beating up on people. See, so I believe that. You
• 11:28
  Speaker 3: can look at the movie. So we know later on
• 11:32
  Speaker 3: that bullshit, but there's a lie. Answer. There's nowhere in
• 11:35
  Speaker 3: this history where he got him beaten up on women.
• 11:39
  Speaker 3: But since Hollywood is so big and so famous, so
• 11:43
  Speaker 3: big and so famous, that he was beaten up on women.
• 11:46
  Speaker 2: And that's a lie.
• 11:46
  Speaker 3: For years, I believed that.
• 11:48
  Speaker 2: I had him hate this man for whole Jewish lives
• 11:51
  Speaker 2: on movies. It's a lie.
• 11:53
  Speaker 3: He wasn't beaten up on nobody. He was considered one
• 12:05
  Speaker 3: of the most nice, kindest, gentlest men. That's why he
• 12:10
  Speaker 3: seemed affluent. He was still nice and kind. No stories
• 12:13
  Speaker 3: of him beating up on nobody. What did he stop?
• 12:15
  Speaker 3: Because they got divorced, he just became a good man.
• 12:18
  Speaker 3: He wasn't beating up on nobody no more. If you're
• 12:21
  Speaker 3: a woman beater, you're always a woman beater.
• 12:23
  Speaker 2: That'll never change. I'll tell you, if he's whipping your
• 12:26
  Speaker 2: ass now, he's always going to whip your ass. Not
• 12:29
  Speaker 2: going to be forgiven. Not going to change. You with
• 12:32
  Speaker 2: that goofy shit, I can probably change. You can't change.
• 12:35
  Speaker 3: You can be beating your ass today. You can be
• 12:37
  Speaker 3: beating your ass tomorrow and forever.
• 12:40
  Speaker 7: Sorry.
• 12:41
  Speaker 3: There's no psychological thing to make you stop beating your ass.
• 12:45
  Speaker 3: Once a woman beat her, always. As a woman, you
• 12:49
  Speaker 3: better learn that. A man puts his hand on you
• 12:51
  Speaker 3: one time, you better get your stick and be out
• 12:53
  Speaker 3: the door. So now you got to block his goddamn
• 12:57
  Speaker 3: number and don't have no more dealing with him ever.
• 13:00
  Speaker 2: Ever!
• 13:01
  Speaker 3: Understand that? That's my PSA. That's my PSA for you
• 13:07
  Speaker 3: for the day.
• 13:08
  Speaker 2: Go ahead, Jo.
• 13:10
  Speaker 1: Yeah, this one literally shows not only about her, it
• 13:13
  Speaker 1: shows how the black musician outsmarted the white record labels.
• 13:18
  Speaker 6: History will tell you that rhythm and blues and rock
• 13:22
  Speaker 6: and roll were happy accidents, that lone black musicians.
• 13:26
  Speaker 2: We're just playing in.
• 13:27
  Speaker 6: Sweaty southern bars waiting for some white wrecking ball.
• 13:30
  Speaker 2: No, they don't.
• 13:32
  Speaker 3: You know, like I just told you, the British black people.
• 13:36
  Speaker 2: Everybody knows that rock and roll R & B comes
• 13:41
  Speaker 2: out of the black church.
• 13:44
  Speaker 3: That's why you would hear, when you hear a group
• 13:48
  Speaker 3: like a Jodeci, you know you're listening to R & B.
• 13:50
  Speaker 2: You know that's the church you're listening to. I can't say.
• 13:55
  Speaker 3: You know that's the black church. So we know that
• 13:58
  Speaker 3: these sounds and rhythms come out of the church. That's
• 14:06
  Speaker 3: why I'm going to cue this up too. You guys
• 14:14
  Speaker 3: remember in the movie Ray when they came in and
• 14:18
  Speaker 3: Ray Charles was doing a thing and the church folks
• 14:20
  Speaker 3: came in and you're taking God's music. And you're making,
• 14:24
  Speaker 3: it was creating rock and roll and R & B.
• 14:26
  Speaker 3: Because they knew it came out of the gospel. And
• 14:30
  Speaker 3: R & B and rock and roll comes out of
• 14:33
  Speaker 3: gospel music. That's why the church folks got mad. You're
• 14:37
  Speaker 3: making a mopper out of God's music.
• 14:39
  Speaker 2: What are you doing?
• 14:41
  Speaker 3: Because they took it out of the church and they
• 14:43
  Speaker 3: hipped it up. That's what we do. So it's a
• 14:46
  Speaker 3: little spin on it.
• 14:47
  Speaker 2: But go ahead, Jim. Let's see what they got to
• 14:48
  Speaker 2: say with this. 1930s and 1940s, touring America was.
• 15:12
  Speaker 6: Super dangerous for black entertainers to survive. They couldn't just
• 15:15
  Speaker 6: wait on some white business owner to come find them.
• 15:19
  Speaker 6: They built their own multi-million dollar underground network to book shows,
• 15:25
  Speaker 6: travel safely, and most importantly, get paid. I'm Country Boy.
• 15:29
  Speaker 6: This is Where My Black History, and this is the.
• 15:32
  Speaker 2: Story of the Chippin' Circuit. Chippin' Circuit.
• 15:41
  Speaker 6: Understand the children's circuit, you need to understand why it
• 15:44
  Speaker 6: needed to exist in the first place. You have to
• 15:47
  Speaker 6: look at the financials of the 1920s and 1930s. White
• 15:52
  Speaker 6: theater owners and booking groups controlled the stages. If a
• 15:55
  Speaker 6: white venue hired a black act, they were forced to
• 15:57
  Speaker 6: go through the back door, banned from dressing rooms, and
• 16:00
  Speaker 6: made to play.
• 16:01
  Speaker 2: For segregated audiences.
• 16:03
  Speaker 6: The only national option for black performers was the Theater
• 16:07
  Speaker 6: Owners Booking Association. It was mostly run by white theater
• 16:12
  Speaker 6: owners who took most of the doormat.
• 16:15
  Speaker 2: That's a fact.
• 16:16
  Speaker 3: And that's what a lot of people hate. There's a
• 16:20
  Speaker 3: lot of Africans. They hate that. And it just meant
• 16:24
  Speaker 3: you're being a white guy. This is a fact. You
• 16:26
  Speaker 3: go to the history of music. The majority of major
• 16:30
  Speaker 3: music in the world came from black Americans.
• 16:34
  Speaker 2: And that's a hard thing for even white people to
• 16:37
  Speaker 2: swallow that way.
• 16:37
  Speaker 3: They get mad about that shit. But a lot of
• 16:39
  Speaker 3: other blacks like the Caribbeans and that, they get mad.
• 16:42
  Speaker 2: But it's a fact.
• 16:43
  Speaker 3: The major, I'm not saying ancient music, the modern music,
• 16:50
  Speaker 3: modern popular music came from black America. It doesn't make
• 16:54
  Speaker 3: us bet anybody, but it's just factual. We're not talking
• 16:57
  Speaker 3: about no ancient shit. We're just saying modern music that
• 17:01
  Speaker 3: everybody listens to today, the last hundred years came from us.
• 17:04
  Speaker 2: A lot of people get angry with that. I don't
• 17:07
  Speaker 2: know why you get angry with it.
• 17:08
  Speaker 3: It's good.
• 17:09
  Speaker 2: Up your game, nigga. Black performers were paid as little
• 17:12
  Speaker 2: as $ 15.
• 17:13
  Speaker 6: To $ 35 a week, while white acts made hundreds of dollars.
• 17:18
  Speaker 6: Black entertainers joked that the TVA stood for tough on
• 17:22
  Speaker 6: black people.
• 17:23
  Speaker 3: I want you to play this after that. I want
• 17:25
  Speaker 3: you to share this with my jugglers right here. Because
• 17:29
  Speaker 3: I found out, because I knew about his wife, but
• 17:31
  Speaker 3: I didn't know she was this extensive.
• 17:33
  Speaker 2: Let me show this juggler real quick. Let me show
• 17:36
  Speaker 2: this juggler.
• 17:37
  Speaker 3: Can you?
• 17:40
  Speaker 2: I did it for the day's number, so I did, um,
• 17:43
  Speaker 2: what was it at?
• 17:45
  Speaker 3: That's a joke. You guys know about, um, what's that?
• 17:51
  Speaker 3: You guys remember, um, you guys know anything about, um, um,
• 18:01
  Speaker 3: what's the, what's that mixed Negro's name, the civil rights
• 18:04
  Speaker 3: leader that was, um, up in New York?
• 18:07
  Speaker 2: Um, Adam Clayton Powell's wife, right? His ex-wife. You know,
• 18:12
  Speaker 2: he married the guy.
• 18:13
  Speaker 3: I think because he was too strong as a woman
• 18:15
  Speaker 3: back then, right?
• 18:16
  Speaker 2: His ex-wife.
• 18:18
  Speaker 3: You know, this woman, can you imagine? In this period,
• 18:21
  Speaker 3: I'm talking about Joe Bichon right here. Remember the period
• 18:23
  Speaker 3: I got fired? I wouldn't look at the equivalent of
• 18:27
  Speaker 3: what she was making in today's money. As a 19-year-old,
• 18:31
  Speaker 3: 20-year-old kid, and the most racist country in the world.
• 18:36
  Speaker 2: This woman was.
• 18:36
  Speaker 3: Making $ 18 million a year. Adam Clayton Powell's wife before
• 18:43
  Speaker 3: he married her, right? Well, before he married her, he
• 18:46
  Speaker 3: married her in 45, and they divorced like 10 years later.
• 18:49
  Speaker 3: I think because she was too strong. But this black
• 18:53
  Speaker 3: woman was making $ 18 million a year in a country
• 18:57
  Speaker 3: that was racist as hell. $ 18 million in the 1940s?
• 19:00
  Speaker 9: In her 20s?
• 19:04
  Speaker 3: Can you imagine being 20-something back in the making $ 18
• 19:08
  Speaker 3: million a year when I.
• 19:09
  Speaker 2: Was real funny? And being young? I was like, I
• 19:15
  Speaker 2: didn't know she was making that kind of money. This
• 19:17
  Speaker 2: is crazy. This is absolutely amazing to me. I was like, wow.
• 19:23
  Speaker 6: But because you're a good player, let me sit in
• 19:25
  Speaker 6: front of you. You worked for brutal hours. You slept
• 19:28
  Speaker 6: in train stations. You stayed broke. It was basically sharecropping
• 19:33
  Speaker 6: on stage. But that danger wasn't just financial. It was
• 19:38
  Speaker 6: a matter of life and death in the Jim Crow South.
• 19:41
  Speaker 6: Traveling between shows and driving hundreds of miles through sundown
• 19:45
  Speaker 6: towns and counties where local sheriffs hunted down black drivers
• 19:49
  Speaker 6: in the daytime.
• 19:50
  Speaker 2: And especially at night. The venues themselves could be death traps.
• 19:54
  Speaker 6: On April 23, 1940, band leader Walter Barnes and his
• 19:58
  Speaker 6: royal Creoleans were playing at the Rhythm.
• 20:01
  Speaker 2: Club in Natchez, Mississippi.
• 20:03
  Speaker 6: The club was a cheap, segregated fire trap to keep
• 20:07
  Speaker 6: People from sneaking in without paying for the theater owners
• 20:10
  Speaker 6: locked the exits and boarded up the windows. When a
• 20:14
  Speaker 6: fire broke out near the front door, the crowd was trapped.
• 20:19
  Speaker 6: 209 black were burned or suffocated to death, including Walter Barnes.
• 20:25
  Speaker 6: Touring wasn't just a gig.
• 20:28
  Speaker 2: It was warfare.
• 20:29
  Speaker 6: The system was designed to take money from black artists
• 20:32
  Speaker 6: while keeping them in constant danger. Black entertainers needed a
• 20:39
  Speaker 6: way out, so they started building their own stages.
• 20:43
  Speaker 2: In Indianapolis, two brothers, C.
• 20:45
  Speaker 6: And Denver Ferguson, realized that the only way to beat
• 20:48
  Speaker 6: this white monopoly was to own their own buildings. Denver
• 20:52
  Speaker 6: Ferguson didn't go to business school. He ran in a
• 20:54
  Speaker 6: legal numbers lottery. He took that cash and bought a
• 20:58
  Speaker 6: printing press. Ferguson mapped out routes of venues across the
• 21:03
  Speaker 6: Midwest and the South, that white agents had ignored. He
• 21:06
  Speaker 6: booked barbershops, fraternal lodges, church basements, black-owned cafes. He used
• 21:11
  Speaker 6: his printing press to print thousands of flyers for the shows.
• 21:14
  Speaker 6: To stop local white authorities from stealing the money, Ferguson
• 21:18
  Speaker 6: sent his own trusted roadmen to stand at the doors,
• 21:21
  Speaker 6: count the cash, and make sure that the artists got paid.
• 21:25
  Speaker 6: He used an illegal lottery to fund a legal black
• 21:29
  Speaker 6: entertainment network. Down in Denver, a man by the name
• 21:33
  Speaker 6: of Don Robey took that line, and made it a
• 21:36
  Speaker 6: hot song.
• 21:37
  Speaker 2: Roby dropped out of high school. He ran a taxi stand.
• 21:40
  Speaker 6: He opened the Bronze Peacock, a high-end dinner club for
• 21:44
  Speaker 6: black guests.
• 21:45
  Speaker 2: Roby didn't answer anybody. He carried a. 45, and he
• 21:48
  Speaker 2: handled his own business.
• 21:50
  Speaker 6: When artists couldn't get their records made, he started up
• 21:53
  Speaker 6: Duke Peacock Records.
• 21:54
  Speaker 2: He owned the club, he owned the label, and he
• 21:57
  Speaker 2: owned the booking agency.
• 21:59
  Speaker 6: Roby built a massive empire that brought in millions while
• 22:02
  Speaker 6: cutting the white middlemen completely out of the picture. Moving
• 22:08
  Speaker 6: through this network took tremendous.
• 22:11
  Speaker 2: Planning, though.
• 22:12
  Speaker 6: This was thousands of miles of hostile territory, meaning that
• 22:15
  Speaker 6: artists had to move with militants.
• 22:17
  Speaker 2: Also, remember this.
• 22:19
  Speaker 3: They make money off our backs, everything we do. They're parasites.
• 22:24
  Speaker 3: So they wouldn't be able to be middlemen. That's why
• 22:25
  Speaker 3: they own our... They don't make any music. They own
• 22:28
  Speaker 3: the companies. That's why we got this horrible music today.
• 22:31
  Speaker 2: It's garbage. They don't make any music of their own
• 22:36
  Speaker 2: that they can't steal from us. But they want to
• 22:40
  Speaker 2: be able to control and.
• 22:41
  Speaker 5: Own our art.
• 22:42
  Speaker 3: That makes millions of dollars. I'm not going with that
• 22:47
  Speaker 3: trend to get.
• 22:48
  Speaker 2: You murdered because they control all the courts, control the country,
• 22:52
  Speaker 2: get you murdered.
• 22:53
  Speaker 3: Go ahead, gentlemen.
• 22:56
  Speaker 2: Terry Precision.
• 22:58
  Speaker 6: The International Sweethearts of Rhythm, a 15-piece all-female jazz band,
• 23:03
  Speaker 6: bought a massive toolbox they called the Iron Lung. They
• 23:06
  Speaker 6: ate in it, they slept in it, they drove in
• 23:08
  Speaker 6: it nonstop because this rolling fortress was much safer than
• 23:13
  Speaker 6: any hotel in some random sundown town. Financially, the whole
• 23:18
  Speaker 6: system ran on cash-only paperback economy. Promoters carried the night's
• 23:24
  Speaker 6: earnings in a brown paper bag. They did this on
• 23:27
  Speaker 6: purpose to avoid white banks, which were known to freeze
• 23:30
  Speaker 6: black accounts and keep corrupt taxmen and police from tracking
• 23:34
  Speaker 6: how much money was made that night. This network acted
• 23:37
  Speaker 6: like a shield. Drivers used the Green Book, but they
• 23:40
  Speaker 6: also used the Whisper Network. Train porters and city barbers
• 23:44
  Speaker 6: acted as scouts. passing along real-time warnings about speed traps
• 23:49
  Speaker 6: and safe diners. Women were also the backbone of this system.
• 23:53
  Speaker 6: Black mothers like Miss Renee in Memphis turned their homes
• 23:57
  Speaker 6: into five-star boarding houses for stars like Duke Ellington and
• 24:01
  Speaker 6: Count Basie. And because downtown motels were strictly whites only,
• 24:06
  Speaker 6: the money stayed out of that community. Dollars moved extremely
• 24:10
  Speaker 6: fast through the black economy. The band played at a
• 24:13
  Speaker 6: black club, stayed at a black boarding house, ate at
• 24:16
  Speaker 6: a black diner, and bought suits out of black tailor.
• 24:20
  Speaker 6: This underground network was training ground for every major black
• 24:25
  Speaker 6: artist of the mid-20th century. Big bands were too expensive
• 24:28
  Speaker 6: to move, so leaders like Louis Jordan shrank down their
• 24:32
  Speaker 6: groups to just five pieces. This forced a faster, heavier
• 24:35
  Speaker 6: sound that created rhythm and blues. Legends like Little Richard,
• 24:39
  Speaker 6: James Brown, B.B. King, Jimi Hendrix were all built on
• 24:43
  Speaker 6: this road. They played six days a week, three shows
• 24:46
  Speaker 6: a night, drove.
• 24:47
  Speaker 2: Hundreds of miles to get to venues.
• 24:49
  Speaker 6: People eventually started calling this empire the Chitlin Circuit.
• 24:54
  Speaker 2: The name was a play on the Bush Belt, which
• 24:56
  Speaker 2: was a network of Jewish resorts in New York.
• 25:00
  Speaker 6: It was a joke of a soul food that many
• 25:02
  Speaker 6: of the clubs that these entertainers played at served. Sometimes
• 25:07
  Speaker 6: they were even paid in Chitlins. But naming a multi-million
• 25:11
  Speaker 6: dollar empire after pork scraps just doesn't do the empire justice.
• 25:15
  Speaker 3: You can't pay me no chitlins. You can't pay me
• 25:19
  Speaker 3: no chitlins. You keep that. You're going to be in
• 25:23
  Speaker 3: an all-real fight. You're not paying me no stinking chitlins.
• 25:26
  Speaker 2: You pay Joby ass. So, if it was so large,
• 25:34
  Speaker 2: what happened to it?
• 25:36
  Speaker 3: Integration.
• 25:36
  Speaker 2: Integration killed it.
• 25:38
  Speaker 6: When the Civil Rights Act passed in 1964, white venues
• 25:41
  Speaker 6: and record labels realized they could make money.
• 25:43
  Speaker 2: Off black artists without legal trouble.
• 25:45
  Speaker 6: They poached top talent, offering massive paychecks that small club
• 25:50
  Speaker 6: owners just could not match. At the same time, the
• 25:53
  Speaker 6: federal government launched the 1956 Interstate Highway Act. The city
• 25:57
  Speaker 6: plan is perfectly consistent. routed massive highways through thriving black
• 26:02
  Speaker 6: business districts.
• 26:03
  Speaker 2: They gutted Beale Street in New Orleans.
• 26:05
  Speaker 6: They bulldozed Black Bottom in Detroit and Ripley Tremaine in
• 26:09
  Speaker 6: New Orleans.
• 26:11
  Speaker 3: Austin, in Atlanta, in Atlanta, destroyed that, all these fucking
• 26:16
  Speaker 3: shit to make highways, destroy black people's businesses.
• 26:21
  Speaker 2: It's crazy. Basically destroyed the theaters, the hotels, and the
• 26:26
  Speaker 2: clubs that was keeping the chitlin' circuit going.
• 26:28
  Speaker 7: Alive.
• 26:30
  Speaker 6: So, in the end, with the buildings gone and the
• 26:33
  Speaker 6: talent having moved on, the circuit faded into obscurity. Mainstream
• 26:38
  Speaker 6: history wants you to believe that the white music industry
• 26:41
  Speaker 6: opened its doors and discovered black talent. But the truth
• 26:45
  Speaker 6: is that black entertainers built their own thing. They created
• 26:49
  Speaker 6: their own economy. They created their own empire to keep
• 26:52
  Speaker 6: themselves alive, but most importantly, get paid. When the rest
• 26:57
  Speaker 6: of the country wanted them broke, and dead. When America
• 27:01
  Speaker 6: locked its front door, black folks built their own empire,
• 27:04
  Speaker 6: rioted for sound, sold out every show, kept the money
• 27:07
  Speaker 6: in their own pocket, and built every single major music genre.
• 27:12
  Speaker 2: In the process.
• 27:14
  Speaker 1: Yes, so that's our story for today.
• 27:17
  Speaker 2: Okay, I sent you two videos, y'all. We played these two.
• 27:20
  Speaker 3: Okay.
• 27:20
  Speaker 2: The name was Hazel Scott. You guys don't know anything
• 27:22
  Speaker 2: about Hazel Scott. Hazel Scott, can you imagine?
• 27:25
  Speaker 3: Now, it was Billie Holiday that actually put on in
• 27:28
  Speaker 3: the late 1930s when she was a teenage, 18, 19
• 27:30
  Speaker 3: years old. Because Billie Holiday was becoming a famous singer.
• 27:34
  Speaker 2: Sadly, Billie Holiday died of drugs.
• 27:36
  Speaker 3: Everybody knows the story, the movie that was made about her.
• 27:41
  Speaker 2: You know, you.
• 27:44
  Speaker 3: Say later on, we got, what's the new lady that
• 27:47
  Speaker 3: sounds like Billie Holiday, the other one?
• 27:53
  Speaker 2: Whatever that lady's name, what kind of name?
• 27:55
  Speaker 3: Bad name.
• 27:56
  Speaker 2: My memory's getting bad. But I looked up what she
• 28:02
  Speaker 2: was making.
• 28:03
  Speaker 3: So imagine, Ben, this is mind-boggling, the amount of money
• 28:09
  Speaker 3: this woman was making. Remember, but she wasn't a coon.
• 28:13
  Speaker 3: She's from Trinidad. Of course, moved to America when she
• 28:16
  Speaker 3: was two years old. This is a Nicki Minaj. This
• 28:19
  Speaker 3: is Nicki Minaj before Nicki Minaj. She's an opposite Nicki Minaj.
• 28:23
  Speaker 3: She wasn't a coon. So she moved from Trinidad and
• 28:26
  Speaker 3: Tobago to New York with her parents at two years
• 28:29
  Speaker 3: old as a child.
• 28:30
  Speaker 2: I said, that's some Nicki Minaj shit.
• 28:34
  Speaker 3: But they blackballed her because she was white. She refused
• 28:38
  Speaker 3: to play in segregated or apartheid. They said, if black
• 28:42
  Speaker 3: people can't come in, I can't play. So she refused
• 28:46
  Speaker 3: to do all these things. So they got her blacklisted
• 28:49
  Speaker 3: from America. So she left. So that's when she was
• 28:52
  Speaker 3: still married to Because she married Congressman Adam Clay Powell
• 28:59
  Speaker 3: in 1945. They were divorced probably the last five.
• 29:04
  Speaker 2: Or six years.
• 29:05
  Speaker 3: Because by the mid-' 50s, she'd already moved to France to
• 29:10
  Speaker 3: go over there to make money because America had blackballed her.
• 29:13
  Speaker 3: Because she was fighting for equality and also being schooled by.
• 29:22
  Speaker 2: Billie Holiday.
• 29:23
  Speaker 3: What's that other lady's name? Who's that lady sing that
• 29:29
  Speaker 3: bag lady song?
• 29:30
  Speaker 2: What's her name?
• 29:33
  Speaker 3: You gonna hurt your stuff. Dragging all them bags like that.
• 29:40
  Speaker 3: What sings that Tyrone? You better call Tyrone to sing
• 29:43
  Speaker 3: that song. They say she sounds like Billie Holiday.
• 29:47
  Speaker 2: What's her name?
• 29:47
  Speaker 1: Summer Walker?
• 29:49
  Speaker 2: No, no, no.
• 29:50
  Speaker 3: Summer Walker. Summer Walker's too young. What's that lady? What's
• 29:55
  Speaker 3: that lady sing?
• 29:56
  Speaker 2: Bag Lady. Tell you what I'm talking about. Who sings
• 29:58
  Speaker 2: that song, Bag Lady?
• 30:00
  Speaker 1: Bag Lady?
• 30:02
  Speaker 3: Yeah, say Bag Lady. Who sings the song, Bag Lady?
• 30:09
  Speaker 1: Um, Erykah Badu?
• 30:10
  Speaker 3: Erykah Badu, damn. You guys took too long. You guys
• 30:15
  Speaker 3: don't even know yourself. But anyway, I'm talking about Hazel Scott.
• 30:20
  Speaker 3: I said, wow. I just can't imagine this lady was
• 30:25
  Speaker 3: making this. This is crazy.
• 30:28
  Speaker 2: In the 30s and 40s. She's a baby. She's younger
• 30:31
  Speaker 2: than Joby. Today.
• 30:33
  Speaker 3: This chick is 19 and 20 years old. Making 18
• 30:38
  Speaker 3: million a year. The equivalent today of 18 million. Back
• 30:42
  Speaker 3: then she was making a million a year. But I
• 30:45
  Speaker 3: went up to the equivalence of what it would be
• 30:47
  Speaker 3: in today's money. This lady's 19 and 20 in a
• 30:51
  Speaker 3: racist ass country making 18 million dollars a year.
• 30:55
  Speaker 2: This is incredible to me.
• 30:57
  Speaker 3: Speaking of the good Go ahead and play it. This
• 31:01
  Speaker 3: is Hazel Scott, guys. Remember, she also did movies. Hollywood
• 31:05
  Speaker 3: came asking for it. She refused to do movies because
• 31:08
  Speaker 3: they wanted to pay.
• 31:09
  Speaker 2: Remember, black people got to play maid and do step
• 31:13
  Speaker 2: in bed.
• 31:13
  Speaker 3: Oh, child.
• 31:14
  Speaker 2: Oh, white woman.
• 31:16
  Speaker 3: She said, I'm not doing none of that shit. She said,
• 31:19
  Speaker 3: you want me to be in your goofy movie? I'm
• 31:21
  Speaker 3: not putting on no maid outfit. I'm not being no maid,
• 31:24
  Speaker 3: and I'm not doing the, ooh-wee, honey chow, ooh. She said,
• 31:28
  Speaker 3: I'm not doing none of that shit. Remember, she's already
• 31:31
  Speaker 3: a millionaire. So you can't bring her no garbage. We
• 31:34
  Speaker 3: want you to play a maid and be a bum-ass
• 31:37
  Speaker 3: nigga to somebody white and talk crazy.
• 31:40
  Speaker 2: I said, nah.
• 31:42
  Speaker 3: And then, also, if you don't hire black people, I
• 31:45
  Speaker 3: won't do it either. So she was a rebel, right?
• 31:50
  Speaker 3: And that got her band laid on. And so she
• 31:54
  Speaker 3: just left the country and moved to France. And Europe
• 31:58
  Speaker 3: made money and came back 10 years later in the 60s. And,
• 32:02
  Speaker 3: of course, music had changed. She couldn't make the same
• 32:05
  Speaker 3: kind of money. Because now we're doing rock and roll,
• 32:07
  Speaker 3: music had changed. But, wow, I didn't know she was
• 32:11
  Speaker 3: making this kind of money.
• 32:12
  Speaker 9: It's crazy.
• 32:14
  Speaker 2: You know what I'm.
• 32:17
  Speaker 4: Talking about.
• 32:21
  Speaker 2: Thank you.
• 32:22
  Speaker 4: Thank you. © transcript Emily Beynon.
• 33:18
  Speaker 1: If you love history's rebels.
• 33:21
  Speaker 4: But never... © BF-WATCH TV 2021 if you love history's
• 34:16
  Speaker 4: rebels but never heard of hazel.
• 34:19
  Speaker 2: Scott you're missing a legend this woman.
• 34:25
  Speaker 5: Didn't She didn't just play piano. She changed the game.
• 34:40
  Speaker 5: Picture this. The 1940s, smoky clubs and grand stages.
• 34:45
  Speaker 2: At the piano... It's Basil Scott.
• 34:47
  Speaker 3: Fingers dancing, blending Bach with boogie-woogie, making Mozart swing.
• 35:06
  Speaker 9: She wasn't just a prodigy, she was a force. Hollywood
• 35:10
  Speaker 9: came calling, but Hazel refused roles that mocked black women.
• 35:14
  Speaker 9: She stood tall, demanding dignity, even if it.
• 35:17
  Speaker 2: Cost her fame.
• 35:19
  Speaker 9: In 1950, Hazel Scott shattered barriers, becoming the first black
• 35:23
  Speaker 9: person to host a TV show in America.
• 35:27
  Speaker 5: But her fight wasn't just on television.
• 35:29
  Speaker 9: She refused to play for segregated crowds, staring racism down
• 35:33
  Speaker 9: with a cool, unbreakable stare. Hazel Scott wasn't just an entertainer.
• 35:39
  Speaker 9: She was a pioneer, unafraid, unbending. Her story is black history,
• 35:46
  Speaker 9: and it's time we remember.
• 35:49
  Speaker 3: This woman had to be the highest paid woman, black
• 35:52
  Speaker 3: woman in the world at that time, easily. What?
• 35:56
  Speaker 2: In the 40s, this broad was making $ 18 million, not every.
• 36:00
  Speaker 3: Vice a year. And she'd been whitewashed from history. Because
• 36:05
  Speaker 3: she's a rebel. She refused to flee mammies. She refused
• 36:09
  Speaker 3: to do any buck dancing and break her back. It
• 36:13
  Speaker 3: means this woman had integrity at a young age. I
• 36:16
  Speaker 3: don't know if she got to her parents. She's definitely
• 36:19
  Speaker 3: the anti-Nikki Minaj. She refused to take the green rules
• 36:28
  Speaker 3: and treat other black people like shit.
• 36:30
  Speaker 2: No, I'm not doing none of this shit. Get the money. Right, right, so.
• 36:37
  Speaker 3: Why we don't ever see her when we do the
• 36:39
  Speaker 3: black history thing? But this is powerful. Because I ain't
• 36:43
  Speaker 3: done nothing about Blake until recently. I knew she was
• 36:47
  Speaker 3: married to Clayton Powell, but I didn't know who she was.
• 36:50
  Speaker 3: I had no idea, you know, her role in, actually, history.
• 36:56
  Speaker 3: But anyway, let me get it. I was trying to
• 36:58
  Speaker 3: put that part. Let me do this real quick. I'm
• 37:03
  Speaker 3: trying to pull up this part, guys.
• 37:05
  Speaker 2: Is this it right.
• 37:12
  Speaker 3: Here?
• 37:12
  Speaker 2: Yeah, that's it. Okay, yeah, that's it. Yeah, that's it. Okay. Now, okay. Now,
• 37:21
  Speaker 2: what I'm showing here, I'm going to go into the
• 37:22
  Speaker 2: bootleg stuff, too, guys. It's going to be a long weekend.
• 37:24
  Speaker 3: I know it's going to be here, but I won't
• 37:27
  Speaker 3: do shows this weekend because I got, you know, it's
• 37:28
  Speaker 3: a holiday.
• 37:29
  Speaker 2: So I want to show this. That's why I tell people.
• 37:35
  Speaker 2: I'm going to show this. It's going to be a
• 37:41
  Speaker 2: longer clip, but I'm going to show it, okay? I'm
• 37:43
  Speaker 2: going to say something. Africans and Caribbean, you don't know
• 37:47
  Speaker 2: our history.
• 37:48
  Speaker 3: When you try to steal the credit for our shit,
• 37:51
  Speaker 3: you don't know the back story. That's the problem that
• 37:53
  Speaker 3: hurts you. We don't try to do comedy. We don't
• 37:58
  Speaker 3: know the history of the music. I like it. I
• 37:59
  Speaker 3: don't know the history. Let me tell you Since you
• 38:03
  Speaker 3: say R & B starts in the R & B,
• 38:05
  Speaker 3: there's no beginning.
• 38:07
  Speaker 2: R & B.
• 38:07
  Speaker 3: Starts in the church, the black church. All our music
• 38:12
  Speaker 3: came out of church because just like you, we were
• 38:14
  Speaker 3: inundated with church shit. All our music comes from gospel.
• 38:18
  Speaker 3: Then it branches out to what we call soul, blues, jazz,
• 38:25
  Speaker 3: R & B, rock and roll, but all of it.
• 38:29
  Speaker 3: Once you teach, so you learn this, then you can
• 38:32
  Speaker 3: try to build a foundation.
• 38:33
  Speaker 2: The foundation of all this music starts in the black church.
• 38:38
  Speaker 3: All of it.
• 38:39
  Speaker 2: R & B, rock and roll, jazz, blues, soul. All
• 38:44
  Speaker 2: of it starts in our church.
• 38:46
  Speaker 3: All of it. It's just like, let's say, you put
• 38:49
  Speaker 3: a cut on a cut on something. It's just a
• 38:51
  Speaker 3: different cut on one main part. That's the black church.
• 38:56
  Speaker 3: That's where it comes out of. So, let me show you.
• 39:00
  Speaker 3: This is educational purposes only TikTok. Let me show you this.
• 39:06
  Speaker 3: Let me go here. Okay, this is educational purposes only
• 39:10
  Speaker 3: TikTok under copyright, you know, 1976.
• 39:12
  Speaker 2: Not going to be.
• 39:13
  Speaker 3: This old thing anymore like I always do.
• 39:16
  Speaker 2: Educational purpose only.
• 39:17
  Speaker 3: So I'm going to show in the movie Ray, when
• 39:22
  Speaker 3: Ray Charles would become an international sensation, and he was
• 39:26
  Speaker 3: one of the founders of rock and roll and everything else.
• 39:29
  Speaker 3: On the chin line, Joe, we just showed, this makes
• 39:31
  Speaker 3: it relevant. He's on the chin line circuit at this time.
• 39:35
  Speaker 3: And Ray also refused to play and said, that's what
• 39:37
  Speaker 3: destroyed him. They tried to destroy him because he said,
• 39:39
  Speaker 3: he's blind. He said, I can't play in a more
• 39:42
  Speaker 3: segregated place. If black people can't come in and hear me,
• 39:46
  Speaker 3: I can't play. Because they took him to court. Tried
• 39:50
  Speaker 3: to break his back. But anyway, this is on the
• 39:52
  Speaker 3: children's circuit. And so the church folks come in. What
• 39:56
  Speaker 3: are you doing? You're playing God's music in this bar
• 40:00
  Speaker 3: with these coochie coochie women.
• 40:04
  Speaker 2: Let me show this. So you know where this stuff
• 40:08
  Speaker 2: comes from. Let me show this.
• 40:11
  Speaker 3: Let me know if you guys can see my screen.
• 40:16
  Speaker 2: See my screen?
• 40:18
  Speaker 1: Loading, yes.
• 40:20
  Speaker 2: Okay, so this is Ray on the Chippin' Circuit, guys.
• 40:25
  Speaker 2: Here we go. Chippin' Circuit, all right. Have a good time.
• 40:45
  Speaker 2: Till I make you want me again.
• 40:49
  Speaker 3: Oh baby.
• 40:51
  Speaker 2: Oh baby. Oh baby.
• 40:53
  Speaker 4: Oh baby. Oh baby.
• 40:56
  Speaker 3: Oh baby.
• 40:57
  Speaker 2: This fool makes one record and you think he'd start
• 41:00
  Speaker 2: a band. He's got something. Okay, well it's uh... I'm
• 41:17
  Speaker 2: with the part with the church thing. Okay, it's coming.
• 41:26
  Speaker 3: Yeah.
• 41:26
  Speaker 2: Oh, that's the Pete Johnson thing. Hold on. Hold on.
• 41:29
  Speaker 2: Here it is.
• 41:31
  Speaker 3: Hold on.
• 41:45
  Speaker 2: Thank you. Now if I call her on the.
• 42:01
  Speaker 3: Telephone, and tell her let her go, I know, I've
• 42:04
  Speaker 3: got the time to cut the window open. Now here,
• 42:08
  Speaker 3: hold my door down.
• 42:11
  Speaker 4: If you do, you're going to lose your mind. Stop
• 42:16
  Speaker 4: all the stuff, you.
• 42:17
  Speaker 2: Ain't taking no time.
• 42:19
  Speaker 1: Shit.
• 42:19
  Speaker 2: I'm on the whole thing and they won't play it.
• 42:22
  Speaker 3: So anyway, church folks come in and you guys know
• 42:25
  Speaker 3: how it goes.
• 42:26
  Speaker 2: Church folks come in and.
• 42:49
  Speaker 3: They're playing God's music up in here. Because we know
• 42:52
  Speaker 3: all that music comes out of the church. They're going crazy.
• 42:55
  Speaker 3: They said, if everybody wants to hear me keep playing,
• 42:57
  Speaker 3: say amen.
• 42:59
  Speaker 9: Amen.
• 43:01
  Speaker 2: Church motherfuckers, get out of here. Go back to church.
• 43:04
  Speaker 2: Get your ass out of here.
• 43:07
  Speaker 3: So, you know, that's what happened. So that's, you know,
• 43:11
  Speaker 3: that's funny. But anyway, okay, so let me segue into
• 43:17
  Speaker 3: the boule and Me, I got to go into a
• 43:20
  Speaker 3: deeper history because it's deep in there because it's almost
• 43:24
  Speaker 3: like they're giving back our own history.
• 43:27
  Speaker 2: So let me walk you guys through this. It should
• 43:29
  Speaker 2: be a show.
• 43:30
  Speaker 3: I'm going to do it by myself so I can
• 43:33
  Speaker 3: actually go in depth to it because doing an hour
• 43:36
  Speaker 3: is not enough time to actually go in depth with
• 43:38
  Speaker 3: this topic because it's historical and it's historically African.
• 43:45
  Speaker 6: Okay, so.
• 43:47
  Speaker 3: We know the boule comes out of what we call
• 43:49
  Speaker 3: secret society. So we're going to go back to where
• 43:51
  Speaker 3: these secret societies started from, which is here.
• 43:53
  Speaker 2: And in Africa.
• 43:54
  Speaker 3: All these puppet leaders in Africa are all part of
• 43:59
  Speaker 3: these same secret societies. That's known as a fact. But
• 44:03
  Speaker 3: where did they come from? They want to say they
• 44:05
  Speaker 3: came out of ancient chemists.
• 44:08
  Speaker 2: Yes, but no.
• 44:10
  Speaker 3: Because we say the mason. That's what the boule is,
• 44:15
  Speaker 3: the black mason. It actually comes from black people, right?
• 44:19
  Speaker 3: So let me take you back through history to give
• 44:23
  Speaker 3: you some footing.
• 44:25
  Speaker 2: Some understanding, right? I'm not going to do it all.
• 44:27
  Speaker 2: Like I said, I've got to do it. This topic
• 44:30
  Speaker 2: is so deep that it can't be done in this
• 44:33
  Speaker 2: period of time.
• 44:34
  Speaker 3: I'm actually doing it in injustice, okay? So let's take
• 44:39
  Speaker 3: you back to the, let's go back to the third century, okay? A.D.
• 44:46
  Speaker 3: not BCAD, okay? They're starting to make this goofy religion
• 44:49
  Speaker 3: called Christianity, right?
• 44:52
  Speaker 2: And remember the African, remember all.
• 44:54
  Speaker 3: This stuff comes out of African spiritual science, okay? So
• 44:59
  Speaker 3: as Rome is taking all the manuscripts and trying to
• 45:05
  Speaker 3: universalize this religion for control and dominance, mind control and dominance,
• 45:10
  Speaker 3: because you want to have one ethos with the rule
• 45:12
  Speaker 3: of people, you want to believe a certain way.
• 45:15
  Speaker 2: To power right?
• 45:16
  Speaker 3: We must destroy them all and give them this religion. So,
• 45:21
  Speaker 3: as they build this religion, remember you got the black Gnostic,
• 45:24
  Speaker 3: the African, saying, wait, whoa, whoa, whoa, Jack, you're taking
• 45:29
  Speaker 3: Jesus and you're making it into a man that does
• 45:33
  Speaker 3: not exist. With Christ, I mean not Jesus, but Christ,
• 45:38
  Speaker 3: Christ is a vibration, it's a frequency, not a person.
• 45:42
  Speaker 2: What are you doing?
• 45:44
  Speaker 3: And so, The Roman Church, well, didn't have a Roman
• 45:49
  Speaker 3: Church in Ezekiel.
• 45:52
  Speaker 2: The Roman Empire said, shut up.
• 45:55
  Speaker 3: This is going to be the ethos, what we put out.
• 45:58
  Speaker 3: And anybody going against this creed, you're going to get murdered.
• 46:02
  Speaker 3: You're going to be unalive. You're getting out of here.
• 46:07
  Speaker 3: So at this time, it's going to lead you into
• 46:12
  Speaker 3: how Islam starts.
• 46:15
  Speaker 2: It leads you into Islam.
• 46:17
  Speaker 3: So A lot of the, as you guys know, the
• 46:20
  Speaker 3: Gnostics were getting murdered. They said, no, this religion is fake.
• 46:25
  Speaker 3: So they can't have somebody out there telling you that
• 46:27
  Speaker 3: your new religion is fake, who actually got the old
• 46:30
  Speaker 3: religion where it's coming from. You know, if Joby got,
• 46:34
  Speaker 3: let's say I got a pair of shoes, right? Like,
• 46:37
  Speaker 3: Joby said, oh, I like your shoes. It makes me
• 46:39
  Speaker 3: want to knock off pairs.
• 46:40
  Speaker 2: Joby, those are fake. You can't make my shoes. Make mine,
• 46:43
  Speaker 2: that's fake.
• 46:44
  Speaker 3: But Jobi needs to kill me so nobody knows where
• 46:47
  Speaker 3: the reason will start.
• 46:48
  Speaker 2: She takes credit and says, this is the real shit, right?
• 46:52
  Speaker 2: I got to get it. I don't lie. So that's
• 46:55
  Speaker 2: what you have going on at the time.
• 46:57
  Speaker 3: So all the Gnostic priests, this is when you get
• 47:01
  Speaker 3: the Dogon going into Mali, right? Moving out of there.
• 47:05
  Speaker 3: Those priests called it Dogon. They were not Dogon. They
• 47:09
  Speaker 3: were Egyptian, Kemitic priests who left and moved to west, Mali.
• 47:14
  Speaker 3: A lot of them moved down in what you call
• 47:16
  Speaker 3: Kenya today. So they were leaving, so they were trying
• 47:20
  Speaker 3: to leave and not be murdered.
• 47:23
  Speaker 2: So a lot of.
• 47:23
  Speaker 3: Them in what you call the Levant or Arabia. These
• 47:28
  Speaker 3: are mostly black. So a lot of these guys moved
• 47:31
  Speaker 3: into these mountains and these caves of what we call Arabia.
• 47:38
  Speaker 3: Keeping the sacred knowledge alive. Keeping the sacred knowledge alive.
• 47:43
  Speaker 3: So because they were being hunted. So, when the Roman
• 47:50
  Speaker 3: Empire couldn't go down and find these people, later on,
• 47:54
  Speaker 3: the Nazis passed on, right?
• 47:57
  Speaker 2: And so, it starts to become known in Arabia, to speak.
• 48:00
  Speaker 3: It is known.
• 48:02
  Speaker 2: Okay?
• 48:04
  Speaker 3: From the Afrikaans. Afrikaans, again, become a goofy religion and
• 48:12
  Speaker 3: get distorted. Anyway, so, that time, you have the white era,
• 48:18
  Speaker 3: but the black era, they're just wandering poor tribal people, right?
• 48:24
  Speaker 3: But they're starting to come across this knowledge. They're starting
• 48:28
  Speaker 3: to come across this knowledge. Where has this knowledge come from?
• 48:31
  Speaker 3: This African knowledge. I told you all these religions, all
• 48:34
  Speaker 3: these religions you've got, all of them, on the earth,
• 48:37
  Speaker 3: come out of Africa. Buddhism, Hinduism, Islamicism, Christianity, all that
• 48:43
  Speaker 3: shit comes out of Africa. Well, stolen African science with
• 48:48
  Speaker 3: a cut on it for control. That's what it all
• 48:51
  Speaker 3: comes from. So, so, you guys are going to know
• 48:57
  Speaker 3: I'm right because you know the early lodges were all
• 48:59
  Speaker 3: named after Islamic terms. Mecca Lodge, Islamic Lodge, Sin Lodge.
• 49:05
  Speaker 3: All these masonry lodges have what? Islamic names. So this one,
• 49:10
  Speaker 3: because everybody asks me, why were the Moors really Islamic No,
• 49:15
  Speaker 3: they're mostly stupid.
• 49:16
  Speaker 2: I'm explaining. Trace that they're going to be Islam. religion.
• 49:21
  Speaker 3: So the Gnostics go down into what we call Arabia
• 49:25
  Speaker 3: or over into the Levant. So they start teaching down there.
• 49:29
  Speaker 3: They mostly become Hermits because they've got to watch themselves because, remember,
• 49:34
  Speaker 3: the Roman Empire is trying to kill them because they're
• 49:35
  Speaker 3: creating a new ethos, a new religion.
• 49:38
  Speaker 2: Christianity. Christian saying We need these niggas dead.
• 49:42
  Speaker 3: Remember, they hide a lot of the text when you
• 49:44
  Speaker 3: find what the Nagamon, everybody dug up, everybody knows what
• 49:46
  Speaker 3: the Nagamon texts are right now.
• 49:48
  Speaker 2: Now you know.
• 49:49
  Speaker 3: You say, whoa, so the guy we worship is really
• 49:52
  Speaker 3: the devil? So you, you know, they had to bury
• 49:55
  Speaker 3: all that stuff. And they just found it, what, 50,
• 49:57
  Speaker 3: 60 years ago in Kemet? They were being murdered. Because remember,
• 50:02
  Speaker 3: they were making a new ethos, making a lie, taking
• 50:05
  Speaker 3: African science and making it about control, making some goofy
• 50:09
  Speaker 3: Cracking her up, walking on water with a dirty, fucked
• 50:11
  Speaker 3: up robe as your guy. It's a made-up nonsense. So,
• 50:17
  Speaker 3: they blame the ones that don't get unalive.
• 50:19
  Speaker 2: I can't remember.
• 50:19
  Speaker 3: They started killing all of them.
• 50:22
  Speaker 2: Don't blame me.
• 50:22
  Speaker 3: Go look it up. It's an assault on Gnosticism by
• 50:26
  Speaker 3: the early Christian church. Because remember, I can't have your
• 50:29
  Speaker 3: version out there because your version is the actual truth.
• 50:32
  Speaker 3: I can't have your version sitting out there because, hey,
• 50:35
  Speaker 3: why is their version different? It is more ancient. then
• 50:39
  Speaker 3: you're a Christianity version if you just make it. So
• 50:44
  Speaker 3: the ones that escaped go down to what we call
• 50:46
  Speaker 3: the Levant, Northeast Africa, and Arabia.
• 50:51
  Speaker 2: And so.
• 50:53
  Speaker 3: Somehow those teachings started to catch on fire. And so
• 50:56
  Speaker 3: an individual called Muhammad, that's his name, Muhammad, truly he existed.
• 51:01
  Speaker 3: The story's all fake. So Muhammad gets in touch but
• 51:08
  Speaker 3: comes in contact with a Gnostic priest, right? So he
• 51:13
  Speaker 3: started learning stories about Christ and all that stuff. That's
• 51:18
  Speaker 3: why the Muslims say Christ existed, but he wasn't God.
• 51:21
  Speaker 2: He didn't exist either, but that's a, you know, that's
• 51:24
  Speaker 2: when you get later, make it another. That's how you know.
• 51:27
  Speaker 3: There's a demiurge, and then you get the true history
• 51:30
  Speaker 3: that always changes to something that's against the evil on
• 51:35
  Speaker 3: the planet, right? So the Gnostic... Muhammad comes across these
• 51:39
  Speaker 3: Gnostics in Medina and that area. So he started learning
• 51:46
  Speaker 3: what Christ's energy is. Right?
• 51:50
  Speaker 2: He started learning what Christ's energy is from just listening. Right?
• 51:55
  Speaker 3: And so this becomes another one, organizing ethos. Sometimes people
• 52:01
  Speaker 3: need something to believe in to organize them. That's why
• 52:04
  Speaker 3: religion is so powerful. It's an organizing ethos. Well, this
• 52:09
  Speaker 3: organizing ethos starts going through all these Arabian people, right?
• 52:14
  Speaker 3: This organizing ethos of this, remember, because they had a
• 52:17
  Speaker 3: bunch of goofy gods and all this shit they worship.
• 52:20
  Speaker 3: So now they've given one god, one creator, for many
• 52:24
  Speaker 3: different attributes, right?
• 52:26
  Speaker 2: So this organizing ethos unites the Arabs. Finally, they're united, right?
• 52:33
  Speaker 3: And so now they start sweeping across Africa the Arabian
• 52:37
  Speaker 3: Peninsula into Northeast Africa and smashing the Roman Empire. Remember,
• 52:42
  Speaker 3: at that time, Rome was controlling what we call, not
• 52:45
  Speaker 3: the Arabs we've got today. At that time, Rome was
• 52:47
  Speaker 3: in control of that area. So they smashed their ass, right?
• 52:51
  Speaker 3: And also, further to the west, you had the Vandals,
• 52:57
  Speaker 3: the white savage-ass German, Germanic tribe of Vandals. So, taking
• 53:05
  Speaker 3: this ethos, Somehow it's still being mixed up, not completely true,
• 53:10
  Speaker 3: but you said when we had Sufism, right? That's why
• 53:15
  Speaker 3: Sufi Islam is different from regular Orthodox Islam. It's actually Gnosticism, right?
• 53:22
  Speaker 3: I'm getting it deep into it. I'm going to start
• 53:26
  Speaker 3: giving you guys some books to read.
• 53:29
  Speaker 2: We'll look this up.
• 53:30
  Speaker 3: So that's why we.
• 53:31
  Speaker 2: Can say, was it more Islamic? We didn't know. No,
• 53:34
  Speaker 2: it was actually Sufi.
• 53:38
  Speaker 3: They would come out of ancient Kemet and they used
• 53:42
  Speaker 3: the white Eric as muscle to get rid of Rome
• 53:47
  Speaker 3: out of North Africa, but not knowing that those people
• 53:50
  Speaker 3: would take over North Africa and have them effed up too, right?
• 53:54
  Speaker 3: So they were taking what we call Gnostic. So Sufism, guys,
• 53:58
  Speaker 3: we hear like an Islamic Sufi. You say, man, this
• 54:01
  Speaker 3: Sufi shit ain't really got nothing to do with Islam
• 54:03
  Speaker 3: because it's not. It's actually Gnosticism. Ancient Kemet That's why
• 54:08
  Speaker 3: all this stuff is ancient Chimney, right? And so that's
• 54:11
  Speaker 3: why people get confused. So when Moors go into Spain,
• 54:15
  Speaker 3: people get confused. It's like, were the Moors Muslim?
• 54:19
  Speaker 2: No.
• 54:21
  Speaker 3: They were Sufism, so they were Gnostics, or ancient Chimney priests.
• 54:26
  Speaker 2: That's when people get mixed up.
• 54:28
  Speaker 3: Okay? So remember, all these lodges start getting mint in what?
• 54:32
  Speaker 3: It's called Spain today, but back then it was called Al-Andalus.
• 54:37
  Speaker 3: So these lodges were not really secret lodges. They were
• 54:41
  Speaker 3: lodges set up by the Sufis. So if you guys
• 54:44
  Speaker 3: understand the origin of... Remember, white people are stupid. They're
• 54:49
  Speaker 3: in the Dark Ages. That's why they like to lie. See,
• 54:52
  Speaker 3: the origins of their Masonic lodges lie in what?
• 54:55
  Speaker 2: Islam. Really, Sufism.
• 54:59
  Speaker 6: Okay?
• 54:59
  Speaker 3: Coming out of.
• 55:00
  Speaker 2: Africa and Arabia, the Arabian Peninsula. So.
• 55:05
  Speaker 3: as they sweep into Europe and start educating, it's under
• 55:11
  Speaker 3: the banner of Islam, but not really Islam. Because Islam
• 55:16
  Speaker 3: is going to become a whole bastard, just like Christianity,
• 55:18
  Speaker 3: it's going to become a whole bastardized version of Gnosticism.
• 55:23
  Speaker 3: It's going to take what the Gnostics told them and
• 55:25
  Speaker 3: it's going to become corrupt.
• 55:27
  Speaker 2: Bucked up. That's what it is today. It's Gnostic past
• 55:32
  Speaker 2: that started it.
• 55:35
  Speaker 3: That's why these temples, when you go into all these
• 55:39
  Speaker 3: messianic temples, they're Gnosticism, guys. It's Gnosticism.
• 55:44
  Speaker 2: Right?
• 55:44
  Speaker 3: It's ancient African science. But it's got what? An Islamic name.
• 55:51
  Speaker 3: You have Mecca Lodge, Islam Lodge, this Lodge.
• 55:55
  Speaker 2: You say, but damn.
• 55:56
  Speaker 3: Why are these Christian people talking about Mecca this, Islam that?
• 55:59
  Speaker 3: Because you don't know the history. That they merged that
• 56:04
  Speaker 3: when they went into Europe.
• 56:06
  Speaker 2: Right?
• 56:06
  Speaker 3: Coming out of Gnosticism, because of Gnosticism, the Gnostics were
• 56:11
  Speaker 3: re-teaching the white Arab these laws and principles. But so,
• 56:20
  Speaker 3: but deeper. So we know Sufism is a spiritual system.
• 56:25
  Speaker 3: We know Christianity, Islam is based in like, what's the
• 56:29
  Speaker 3: word you want to say? It's based in like dense, divisible.
• 56:32
  Speaker 2: Which is not real.
• 56:33
  Speaker 3: Christianity, Islam, is based in the physical. Sufism and Nazism
• 56:40
  Speaker 3: is based in the spiritual. That this is an illusion,
• 56:43
  Speaker 3: this is not real, this shit is real. It's what
• 56:46
  Speaker 3: really is real, right? So it's based in ancient African science,
• 56:51
  Speaker 3: which the diviners, what we talked about, y'all brought, it's
• 56:54
  Speaker 3: trying to stop. Because you're in a reincarnation trap. You die,
• 56:59
  Speaker 3: you come back, you die, you come back. And you've
• 57:01
  Speaker 3: never even taught these principles, so as they move into
• 57:05
  Speaker 3: Europe with these principles, they set up these lodges to
• 57:08
  Speaker 3: start teaching this ancient science again. That's why these white
• 57:12
  Speaker 3: people rule the world, not these Jews on a ship,
• 57:14
  Speaker 3: because they use your ancient science against you. They know,
• 57:17
  Speaker 3: but they also, they also, um, working with y'all to
• 57:22
  Speaker 3: brought this ancient wicked ass, what you call the devil,
• 57:26
  Speaker 3: your God, your Jehovah, right? Because Certain key things you
• 57:32
  Speaker 3: need to learn. This is an illusion. No such thing
• 57:35
  Speaker 3: as death. Your mother, your father, not your mother.
• 57:38
  Speaker 8: You are you.
• 57:39
  Speaker 2: As an African, a black person, you are a soul.
• 57:41
  Speaker 3: No one can ever be your mother. Your mother was
• 57:44
  Speaker 3: here playing a role. No one can ever be your mother.
• 57:47
  Speaker 3: No one can ever be your father. See, these things
• 57:49
  Speaker 3: you were taught in narcissism. That these people played a role.
• 57:52
  Speaker 3: You came through them, but they're not part of you.
• 57:54
  Speaker 2: You can be an older soul than them.
• 57:56
  Speaker 3: Because they wanted to let you know when you died,
• 58:00
  Speaker 3: And the dimmy earth brings a light.
• 58:02
  Speaker 2: Hey, Toby, this is mama. Mama's at you.
• 58:04
  Speaker 3: You boys know that ain't your goddamn mama. You boys
• 58:07
  Speaker 3: know can't nobody be your mother. Can't nobody be your father.
• 58:10
  Speaker 3: They played a part in your life and this life.
• 58:13
  Speaker 3: But they're not your mama or your father. No one
• 58:15
  Speaker 3: can be your mother or your father. You're an independent,
• 58:18
  Speaker 3: endless soul being. There's no beginning. There's no end for you.
• 58:22
  Speaker 3: So no one can ever be your father. So you
• 58:24
  Speaker 3: couldn't get tricked in coming back into this body and
• 58:27
  Speaker 3: live another life again. giving energy to these demonic entities
• 58:33
  Speaker 3: that built this matrix. So this is what you were
• 58:37
  Speaker 3: learning inside the Masonic temples. This is the knowledge that
• 58:41
  Speaker 3: you were learning that you are part of God, you're
• 58:46
  Speaker 3: one with God, and you are God. These are things
• 58:51
  Speaker 3: that Gnosticism was bringing back to you that couldn't be
• 58:55
  Speaker 3: allowed to be tolerated, right? Because it destroys the reincarnation
• 58:59
  Speaker 3: trap that you find yourself in. You're supposed to believe
• 59:02
  Speaker 3: whatever goofy religion you believe, whether it be Christianity, Islam, Buddhism.
• 59:08
  Speaker 2: Hinduism, whatever all these people.
• 59:10
  Speaker 3: Religions. Because most people in religions don't study them. They're
• 59:13
  Speaker 3: too scared. Remember, when you're a religion, you've got to
• 59:16
  Speaker 3: close mind. You're too scared to question what the hell
• 59:20
  Speaker 3: is this.
• 59:21
  Speaker 2: You're too frightened.
• 59:22
  Speaker 3: You're too stupid. And so that means you're caught in
• 59:26
  Speaker 3: a less knowledgeable loop You just die, come back, die,
• 59:31
  Speaker 3: come back, die.
• 59:32
  Speaker 2: They got you afraid of dying? Oh, no.
• 59:36
  Speaker 3: The Africans knew there was no such thing as death,
• 59:38
  Speaker 3: so they would celebrate, hoping that you got out of here, right? So, um, so,
• 59:47
  Speaker 3: as Europe acquires its knowledge, right, Europe acquires its knowledge
• 59:53
  Speaker 3: as they start gaining power, right? So all these lodges
• 59:56
  Speaker 3: you find, um, In Europe, this is coming from the Moors,
• 1:00:04
  Speaker 3: the African Moors. So you start getting the French start
• 1:00:07
  Speaker 3: learning Freemasonry, the British start learning Freemasonry, the Germans, all
• 1:00:13
  Speaker 3: across Europe, right? That's when you get later your Illuminati bullshit.
• 1:00:20
  Speaker 2: Okay, so.
• 1:00:23
  Speaker 3: At this time, this knowledge is kept because it's popped.
• 1:00:31
  Speaker 3: You're not to know how reality works. See, the Africans
• 1:00:34
  Speaker 3: understood how reality worked. How does reality work? Do you
• 1:00:38
  Speaker 3: guys really think this is real? This is solid?
• 1:00:42
  Speaker 2: This is real?
• 1:00:43
  Speaker 3: Right? So, they think this is real.
• 1:00:50
  Speaker 2: This is real. Understand, ain't none of this shit real.
• 1:00:53
  Speaker 3: It's all an illusion. You're in a simulation. And then
• 1:00:57
  Speaker 3: you didn't know, well, who's creating the simulation? Why am
• 1:00:59
  Speaker 3: I here? Where's my purpose? Why am I stuck on
• 1:01:02
  Speaker 3: this fucking planet? What's going on? That's why you never
• 1:01:07
  Speaker 3: talk about melanin. You talk to hate this melanin in
• 1:01:10
  Speaker 3: your skin, in your body. Because as a black person,
• 1:01:14
  Speaker 3: you're the most dominant people on the planet. You power
• 1:01:18
  Speaker 3: this whole fake-ass matrix. Whole fake-ass illusion powered by you.
• 1:01:24
  Speaker 2: You never to know this. You'll be caught in Praise
• 1:01:28
  Speaker 2: the Lord Jesus. I love it.
• 1:01:32
  Speaker 3: Never knowing that your very existence powers this.
• 1:01:37
  Speaker 2: Because remember, this is an illusion.
• 1:01:38
  Speaker 3: You're caught in an illusionary place.
• 1:01:41
  Speaker 2: This is all an illusion. Well, all this really is,
• 1:01:43
  Speaker 2: if you really can see what this is, this is
• 1:01:45
  Speaker 2: nothing but energy.
• 1:01:46
  Speaker 3: Energy.
• 1:01:46
  Speaker 2: Energy. Energy.
• 1:01:49
  Speaker 4: Energy.
• 1:01:49
  Speaker 2: It's all we actually are.
• 1:01:50
  Speaker 3: Energy.
• 1:01:51
  Speaker 2: But through the mind, we.
• 1:01:56
  Speaker 3: Can conduct all this shit that's not even real. See,
• 1:01:58
  Speaker 3: I'm hitting it.
• 1:02:00
  Speaker 2: I can feel it. This don't even exist.
• 1:02:03
  Speaker 3: You touch it, don't this exist? No, it doesn't. It
• 1:02:08
  Speaker 3: doesn't exist.
• 1:02:10
  Speaker 2: You're grabbing it. Your hand's grabbing it.
• 1:02:12
  Speaker 3: It exists. It doesn't exist.
• 1:02:15
  Speaker 2: It's an illusion. It's like they make this illusion. The
• 1:02:19
  Speaker 2: Africans learned this thousands of years ago.
• 1:02:21
  Speaker 3: The Africans.
• 1:02:22
  Speaker 2: Not your goopy Indians. Sorry, Indian motherfuckers. The African.
• 1:02:28
  Speaker 3: Understood this science thousands of years ago. Understood it. How
• 1:02:33
  Speaker 3: it worked, how it didn't work. Understood with something called
• 1:02:37
  Speaker 3: the ether. Remember, ether's not even taught by you no
• 1:02:41
  Speaker 3: more in science no more.
• 1:02:42
  Speaker 2: You don't even know what the ether is.
• 1:02:43
  Speaker 3: When you have a periodic chart, which is science, the
• 1:02:47
  Speaker 3: chart of elements, you have something called the ether. The
• 1:02:52
  Speaker 3: ether means energy that you cannot see because it's just
• 1:02:55
  Speaker 3: dark melanin, ether. So if you knew what ether was,
• 1:02:59
  Speaker 3: how ether is melanin, that's how you know you can
• 1:03:01
  Speaker 3: take your mind and wake your ass up, right?
• 1:03:05
  Speaker 2: Wake your ass up, right? You can take dark ether.
• 1:03:12
  Speaker 2: You can take the ether, right?
• 1:03:15
  Speaker 3: You can take the ether and create anything you want
• 1:03:20
  Speaker 3: to create. You can take lower than vibration and it
• 1:03:23
  Speaker 3: becomes business.
• 1:03:26
  Speaker 2: Oh, that's magic. That's witchcraft.
• 1:03:28
  Speaker 3: Witchcraft is science. If you learn how to conduct your
• 1:03:35
  Speaker 3: melanin and use it a certain way, you can take
• 1:03:38
  Speaker 3: things from the ether immediately and bring it to the physical.
• 1:03:43
  Speaker 3: That's how powerful you are. It's all this stuff you
• 1:03:47
  Speaker 3: had not even known. Of course, you're scared.
• 1:03:50
  Speaker 2: Is that the devil? Is that you? Is that Satan?
• 1:03:55
  Speaker 2: All that shit.
• 1:03:56
  Speaker 3: You got a small mind. Right? You got a little mind.
• 1:04:01
  Speaker 3: So all these things, you understand how science, you can
• 1:04:05
  Speaker 3: break it down on a periodic table how things actually work.
• 1:04:09
  Speaker 3: By you being melanated, you can bring things from the
• 1:04:12
  Speaker 3: etheric plane to the physical plane. Just by using your
• 1:04:17
  Speaker 3: mind and then raising your energetic level.
• 1:04:20
  Speaker 4: Right?
• 1:04:21
  Speaker 6: So.
• 1:04:23
  Speaker 2: So.
• 1:04:24
  Speaker 3: This knowledge being known, right?
• 1:04:27
  Speaker 2: This is what you got.
• 1:04:28
  Speaker 3: You guys remember the Templars? Okay, let's go to the Templars, right?
• 1:04:32
  Speaker 3: You got the Knights Templar, right? So during the Knights
• 1:04:36
  Speaker 3: Templar time is when you.
• 1:04:38
  Speaker 2: Got the merger of the East and West and learning, right?
• 1:04:40
  Speaker 3: So Knights Templar meet with a lot of the Islamic
• 1:04:45
  Speaker 3: people as they were fighting for Judaism, right? So they're
• 1:04:49
  Speaker 3: fighting for Judaism. They're fighting, I mean, for Jerusalem, right?
• 1:04:54
  Speaker 3: And so to intermingle with the Sufi priest, and so
• 1:05:01
  Speaker 3: in the Gnosticism, the white Templars start learning how this
• 1:05:12
  Speaker 3: realm actually works. How does it work? Let's drive it.
• 1:05:17
  Speaker 3: Not the fake shit you hear, not the biblical. How
• 1:05:21
  Speaker 3: does it actually work? That's why when the Templars went
• 1:05:24
  Speaker 3: back to Europe, they became so powerful by using black
• 1:05:27
  Speaker 3: African signs. They had to get rid of them. They
• 1:05:30
  Speaker 3: never really got rid of them. Okay, so let's go
• 1:05:33
  Speaker 3: to the bootlegs. Okay, so as Andalusia started to fall
• 1:05:41
  Speaker 3: and white people started to gain knowledge, African signs started
• 1:05:45
  Speaker 3: kicking the Africans out of Europe, killing them, starting to
• 1:05:49
  Speaker 3: enslave them. A lot of Africans lost the knowledge. So
• 1:05:52
  Speaker 3: this knowledge goes into Europe. So it becomes what we
• 1:05:55
  Speaker 3: call masonry.
• 1:05:57
  Speaker 2: Mason.
• 1:05:58
  Speaker 3: Third degree, 33, 33rd degree, mason, 33, all this other shit, right?
• 1:06:03
  Speaker 2: And so they use it.
• 1:06:04
  Speaker 3: Since you're dealing with a savage, they use this knowledge
• 1:06:07
  Speaker 3: for dominance, control, wealth. Complete dominance over the planet. How
• 1:06:15
  Speaker 3: this shit really works. They're going to give you religion
• 1:06:18
  Speaker 3: because you're a moa. But they want to know how
• 1:06:21
  Speaker 3: reality really works and how can we stay on top
• 1:06:24
  Speaker 3: and have control of the planet. And so later on,
• 1:06:28
  Speaker 3: they said, okay, we're going to use these handkerchief-haired Negroes
• 1:06:32
  Speaker 3: all over the world because the Poulet, you know, we
• 1:06:34
  Speaker 3: like to say Poulet in America.
• 1:06:36
  Speaker 2: They set up the same poor people. Finish what I'm
• 1:06:39
  Speaker 2: going to tell you real quick. Type this up. Say,
• 1:06:44
  Speaker 2: images of the Masonic Lodge in Nairobi, Kenya. We know
• 1:06:50
  Speaker 2: it's all over Africa. I'm going to put Jobis there.
• 1:06:53
  Speaker 2: Images of the Masonic Lodge in Nairobi, Kenya.
• 1:06:56
  Speaker 3: You know, all the bootlickers hanging today at the Rose
• 1:07:03
  Speaker 3: in Africa.
• 1:07:03
  Speaker 2: That would be part of.
• 1:07:11
  Speaker 3: It, too.
• 1:07:11
  Speaker 2: Okay, there it is. You know what I said, Jobis?
• 1:07:15
  Speaker 2: Give them a street. You know what I said in Nairobi?
• 1:07:18
  Speaker 3: See, there they go. They get booed like niggas. You
• 1:07:21
  Speaker 3: can't get in. Time burns. Close this deep shit. You
• 1:07:27
  Speaker 3: got to do the ones that get deeper and deeper.
• 1:07:31
  Speaker 3: These are sellout gatekeeper niggas in Kenya.
• 1:07:36
  Speaker 2: Right in your face.
• 1:07:38
  Speaker 3: There they go.
• 1:07:38
  Speaker 2: There they go. Right in your face. Shaking the white
• 1:07:42
  Speaker 2: man's hand.
• 1:07:43
  Speaker 3: White man's slave.
• 1:07:44
  Speaker 2: These are gatekeeper niggas. Get out. Let's These are puppets. Okay?
• 1:07:54
  Speaker 3: You'll find this thing in all African countries. The white
• 1:07:59
  Speaker 3: man got their penis in their butt.
• 1:08:01
  Speaker 6: Okay?
• 1:08:01
  Speaker 1: Okay?
• 1:08:01
  Speaker 3: All kinds of wicked shit going on up in there.
• 1:08:10
  Speaker 2: All kinds of wicked shit going on up in there.
• 1:08:13
  Speaker 2: All kinds of wicked shit going on up in there.
• 1:08:19
  Speaker 3: Mephthah and Adobetite was Uhuru, Kenyatta, Jomo, Eni, and Pardamenti.
• 1:08:24
  Speaker 2: I'll tell you, yeah. Ruto, all of them.
• 1:08:28
  Speaker 3: All of them. So, explain how this works. So, and
• 1:08:35
  Speaker 3: all the bootleg coons in America as well. So, they
• 1:08:39
  Speaker 3: create a thing, remember, this is masonry coming out of
• 1:08:44
  Speaker 3: Gnosticism in Africa. Okay?
• 1:08:47
  Speaker 2: Okay? Come on. Gnosticism goes into Islam. Islam. You have
• 1:08:52
  Speaker 2: to take Islam into Europe. And these teachings go into
• 1:08:56
  Speaker 2: Europe and.
• 1:08:57
  Speaker 3: Reclassifies itself as Mason.
• 1:09:00
  Speaker 2: Remember, Jobi typed this up, say.
• 1:09:04
  Speaker 3: Say, say, say, the Moors, the Moors create secret societies
• 1:09:14
  Speaker 3: in Spain. I won't say how that, they wouldn't call
• 1:09:17
  Speaker 3: it Spain then, though. The Moors create secret societies in Spain.
• 1:09:25
  Speaker 3: That's where it comes from. Secret societies in Spain.
• 1:09:39
  Speaker 1: Historically mainstream historians debate whether the Moors created formal secret
• 1:09:44
  Speaker 1: societies in Spain, though some legends and historic histories mention
• 1:09:49
  Speaker 1: underground brotherhoods or mystical Sufi orders that operated... Let me
• 1:09:56
  Speaker 1: show you the Sufis.
• 1:09:58
  Speaker 3: So not Islam. I'm glad you... Sufi orders, God told you.
• 1:10:03
  Speaker 3: Separate Islam from Sufism. Sufis is ancient Kemet. Ancient Gnosticism.
• 1:10:12
  Speaker 3: So you say, but how did the Sufis get there?
• 1:10:15
  Speaker 2: Because I told you, they took that banner.
• 1:10:18
  Speaker 3: Islam comes out of, same thing with Christianity, comes out of,
• 1:10:22
  Speaker 3: comes out of Gnosticism. It becomes corrupted like Christianity. Because
• 1:10:28
  Speaker 3: the Arabs want to use the shit for what? Power
• 1:10:31
  Speaker 3: and control too. So they bastardize it.
• 1:10:35
  Speaker 2: Right?
• 1:10:36
  Speaker 3: So I'm glad you'll be seeing Supism, like I told you,
• 1:10:40
  Speaker 3: which is Gnosticism. And they try to say, yes it
• 1:10:44
  Speaker 3: does come from, but they say it doesn't.
• 1:10:45
  Speaker 2: It's serious. See, but this is stupid because Doesn't come
• 1:10:48
  Speaker 2: from Europe. It came from Africa.
• 1:10:51
  Speaker 3: And the African later on goes into Europe and goes
• 1:10:54
  Speaker 3: to Scotland and France and becomes these Masonic orders. That's
• 1:10:57
  Speaker 3: why all these ancient things first had Islamic names.
• 1:11:03
  Speaker 2: They didn't call it Masonry first.
• 1:11:05
  Speaker 3: They only had Mecca Lodge and this lodge. It was
• 1:11:08
  Speaker 3: all Islamic names or Arabic names. But it comes out
• 1:11:13
  Speaker 3: of what the Sufi order Sufi order is ancient African Gnosticism.
• 1:11:18
  Speaker 3: So I'm glad Jobi Shogi proved what I'm saying to you. Historically,
• 1:11:25
  Speaker 3: that the Sufis are actually the Gnostics. And during the Levant,
• 1:11:33
  Speaker 3: the Arabs started to learn these teachings. And so they
• 1:11:38
  Speaker 3: become one unifying ethos. But The people that know the
• 1:11:42
  Speaker 3: real stuff, they're Sufis.
• 1:11:44
  Speaker 2: They're not Islamic.
• 1:11:45
  Speaker 3: Because Islam becomes Sufi. It becomes corrupted. It's a corrupt,
• 1:11:50
  Speaker 3: like the Christian shit.
• 1:11:51
  Speaker 2: It's corrupt. It's not real.
• 1:11:54
  Speaker 3: They took Gnosticism, turned it upside down to control it. Yeah,
• 1:11:58
  Speaker 3: you think it is a devil. You're going to die.
• 1:12:01
  Speaker 3: Same way Christianity does it. Sufism tells you what?
• 1:12:05
  Speaker 2: It's an illusion. Those just think it's death. It's Gnosticism.
• 1:12:09
  Speaker 3: Go ahead, finish me, Jo. Mm-hmm.
• 1:12:12
  Speaker 1: Uh, says Sufi orders that operated with a degree secret
• 1:12:15
  Speaker 1: during the, during and after Islamic rule in the Al, Al,
• 1:12:22
  Speaker 1: in the Al.
• 1:12:22
  Speaker 3: Al-Andalus. Yeah.
• 1:12:24
  Speaker 2: Yeah, so that's, that's, that's Spain today, too. It's Spain, okay?
• 1:12:29
  Speaker 3: Brick-a-day Spain came, took their racism around the world, enslaved,
• 1:12:34
  Speaker 3: killed people. So, when it went to Al-Andalus, people say, well, what,
• 1:12:40
  Speaker 3: more Muslim? No.
• 1:12:42
  Speaker 2: They were Sufis. They were Aztecs. I'm glad it says this.
• 1:12:46
  Speaker 2: I'm actually not knowing it. They were Gnostics.
• 1:12:49
  Speaker 3: They were ancient proprietors of ancient African knowledge. Islam is
• 1:12:55
  Speaker 3: the banner that took them in there because Islam had
• 1:12:57
  Speaker 3: the army to overthrow Rome. But the Moors are not Sufi.
• 1:13:03
  Speaker 3: They're not Islamic as they try to.
• 1:13:06
  Speaker 5: No.
• 1:13:07
  Speaker 3: Islam is bastardized. Gnosticism is Sufism. It's like the same thing.
• 1:13:12
  Speaker 3: Christianity is bastardized. Sufism and Gnosticism is bastardized. Okay? So
• 1:13:20
  Speaker 3: that's what the Moors were. They were Sufis.
• 1:13:22
  Speaker 2: They were what?
• 1:13:23
  Speaker 3: Gnostics. Islam comes, it's the bastardized version of Gnosticism.
• 1:13:31
  Speaker 2: So that's why all these stupid religions are similar.
• 1:13:35
  Speaker 3: Christians and Islam, they're both bastardized versions of ancient African science.
• 1:13:41
  Speaker 2: That's why history is so important that you learn this. Right?
• 1:13:45
  Speaker 3: You don't even know what that is. You can't debate
• 1:13:48
  Speaker 3: with an Arab or Christian. Their minds are closed. They
• 1:13:50
  Speaker 3: don't want to know the history. Because the history told
• 1:13:53
  Speaker 3: you fucks up the mystery. The lies.
• 1:13:55
  Speaker 6: Okay?
• 1:13:56
  Speaker 3: The Jehovah's Witnesses proved what I said just by Googling that.
• 1:13:59
  Speaker 3: If you know the history. I told you they were Sufis.
• 1:14:02
  Speaker 3: They go from Gnosticism and change the name to Sufism.
• 1:14:06
  Speaker 3: They were not Muslims. They were ancient Africans. That's why
• 1:14:10
  Speaker 3: they were Africans.
• 1:14:11
  Speaker 2: I told you.
• 1:14:12
  Speaker 3: Because the Muslims, the white Arab didn't have none of
• 1:14:16
  Speaker 3: this knowledge. This ancient African spiritual science.
• 1:14:21
  Speaker 2: Sufism.
• 1:14:23
  Speaker 3: Which is another name for Gnosticism. Another name for Gnosticism.
• 1:14:28
  Speaker 3: When we talk about what the Dogon do. Dogons are what?
• 1:14:30
  Speaker 3: That's Gnosticism. Talking about Sophia and the world being created.
• 1:14:36
  Speaker 3: That's what that is.
• 1:14:39
  Speaker 2: But switched up different with these goofy religions, right?
• 1:14:43
  Speaker 3: So then, as Jobi said, as the Moors lose power
• 1:14:49
  Speaker 3: in Al-Andalus, the knowledge is all the way in Europe,
• 1:14:53
  Speaker 3: and that's when you get something called the Renaissance.
• 1:14:55
  Speaker 2: Remember, the white man is a moron.
• 1:14:57
  Speaker 5: He's an idiot.
• 1:14:58
  Speaker 3: Sucking his own ass, living in shit and piss, having
• 1:15:02
  Speaker 3: sex with animals, and so the African is trying to
• 1:15:05
  Speaker 3: raise him.
• 1:15:07
  Speaker 2: To a human level And not a beast. Not a savage.
• 1:15:12
  Speaker 2: By trying to give them these teachings. Remember.
• 1:15:15
  Speaker 3: All your colleges too. All your first universities as Africans.
• 1:15:20
  Speaker 3: All your first universities. Are given to the Europeans. From
• 1:15:24
  Speaker 3: the Africans. Oxford.
• 1:15:26
  Speaker 2: Cambridge.
• 1:15:28
  Speaker 3: All these universities started by black people. All your universities
• 1:15:31
  Speaker 3: in France.
• 1:15:32
  Speaker 2: Germany. Spain.
• 1:15:35
  Speaker 3: Al-Andalusia. was created by black people trying to raise this
• 1:15:40
  Speaker 3: savage to a human level. Trying to raise this savage
• 1:15:47
  Speaker 3: to be a human being, not to be a savage, steal, kill,
• 1:15:51
  Speaker 3: just savage, right? Trying to raise them to be on
• 1:15:54
  Speaker 3: a human level, spiritually, intellectually. And this is when these
• 1:15:59
  Speaker 3: causes started getting triggered. Here's what we're joking. Say, um,
• 1:16:04
  Speaker 3: they don't lie about this one. It's not, you know,
• 1:16:05
  Speaker 3: because they, They know everybody's looking up now.
• 1:16:08
  Speaker 2: Now, Google's going to lie about this.
• 1:16:09
  Speaker 3: I'm going to have to show what it is, and
• 1:16:12
  Speaker 3: I'm going to go around with the balance. I can
• 1:16:15
  Speaker 3: prove who it is. Say, who was responsible for the
• 1:16:36
  Speaker 3: for the University of Oxford in London.
• 1:16:40
  Speaker 2: I mean, in England. In England.
• 1:16:42
  Speaker 3: In England.
• 1:16:43
  Speaker 5: Oh, he.
• 1:16:45
  Speaker 3: Sponsored for the University of Oxford in England. Oxford.
• 1:16:51
  Speaker 1: Let's see what they say. He tells no single founder
• 1:16:55
  Speaker 1: or individual history.
• 1:16:56
  Speaker 3: I'm about to say they're going to tell you they
• 1:16:59
  Speaker 3: don't know. We don't have the Moors.
• 1:17:01
  Speaker 1: Yeah.
• 1:17:02
  Speaker 3: Trade that.
• 1:17:03
  Speaker 2: Trade that. Okay, now they don't know nothing. I knew it.
• 1:17:07
  Speaker 3: I knew they don't get to, they don't know nothing
• 1:17:09
  Speaker 3: no more. Because everybody would look it up, now they
• 1:17:11
  Speaker 3: got mad. Now they don't know. Years ago, they would
• 1:17:14
  Speaker 3: tell you, honestly, the more it's created. Now, historically, how
• 1:17:18
  Speaker 3: you don't know your first college? We don't know nothing.
• 1:17:23
  Speaker 3: That's something you would know. Now we don't know nothing. Okay,
• 1:17:30
  Speaker 3: let's see. Let me, let me, let me, let me come.
• 1:17:32
  Speaker 3: Let me come sideways. Let me come sideways with these
• 1:17:36
  Speaker 3: lying bastards. Because don't nobody know. Everybody knows. I bet
• 1:17:40
  Speaker 3: you see it created Harvard in America.
• 1:17:42
  Speaker 2: They know. They know nobody black. So they know.
• 1:17:45
  Speaker 3: They said, who founded Harvard? They'll tell you. Who founded Yale?
• 1:17:50
  Speaker 3: Who founded Princeton? They'll tell you because there was no niggas.
• 1:17:54
  Speaker 3: You get the ambiguous answer. When you know it's founded
• 1:18:03
  Speaker 3: by niggas. Well, nobody knows. You don't know your most
• 1:18:08
  Speaker 3: prestigious college? Who started it? Nah, that's a mystery.
• 1:18:12
  Speaker 2: We don't know none of that. We don't know none
• 1:18:15
  Speaker 2: of that shit. Who would know who started the college?
• 1:18:19
  Speaker 3: That's your most prestigious college in England.
• 1:18:22
  Speaker 2: You would know that? Nah, we don't know none of that.
• 1:18:25
  Speaker 2: We don't know who started that college. It's unknown.
• 1:18:30
  Speaker 3: But if I have Joby say who started Harvard, it'll
• 1:18:33
  Speaker 3: tell you to the date, the name they gave it,
• 1:18:36
  Speaker 3: because they.
• 1:18:37
  Speaker 2: Know it wasn't created by no niggas. They know Oxford was.
• 1:18:42
  Speaker 3: We're going to just do it for fun, because they
• 1:18:45
  Speaker 3: know Harvard's considered the number one cause in America, right?
• 1:18:48
  Speaker 3: Number one cause in America is Harvard. Of all causes
• 1:18:51
  Speaker 3: in the country, Harvard. So let's say, who founded Harvard University?
• 1:18:57
  Speaker 3: I bet as I go say, we don't, we don't
• 1:18:59
  Speaker 3: have no clue, we don't know. It's going to tell you,
• 1:19:02
  Speaker 3: because it wasn't founded by niggas.
• 1:19:06
  Speaker 2: Um.
• 1:19:07
  Speaker 1: Harvard University was funded by a vote of the Great
• 1:19:09
  Speaker 1: and General Court of the Massachusetts Bay Colony in October 28, 1636.
• 1:19:14
  Speaker 2: 1636.
• 1:19:15
  Speaker 3: 1636.
• 1:19:15
  Speaker 1: Tell you who did it?
• 1:19:19
  Speaker 3: We're here.
• 1:19:20
  Speaker 2: Oxford.
• 1:19:20
  Speaker 3: We don't know. We don't know what happened. It's just
• 1:19:25
  Speaker 3: some building got built around here. But you know it's
• 1:19:29
  Speaker 3: African people because you know because of what?
• 1:19:32
  Speaker 2: Because of what? What do you guys think?
• 1:19:37
  Speaker 3: Because what they were teaching. The seven liberal arts comes
• 1:19:43
  Speaker 3: out of Kemet. And comes out of the Moors taking
• 1:19:47
  Speaker 3: in the Al-Andalus. The seven liberal arts. They'll try to
• 1:19:52
  Speaker 3: be slick and say it came from these white Arabs
• 1:19:54
  Speaker 3: who couldn't read or write.
• 1:19:56
  Speaker 2: Right? White Arabs couldn't read or write.
• 1:19:59
  Speaker 3: Muhammad told you he couldn't read no Koran.
• 1:20:02
  Speaker 2: He just said a bird told him some shit. It
• 1:20:04
  Speaker 2: was a Gnostic.
• 1:20:05
  Speaker 3: A Gnostic priest told his stupid ass. Here's a little
• 1:20:08
  Speaker 3: birdie from heaven told me that. I couldn't read or
• 1:20:11
  Speaker 3: write the Koran.
• 1:20:12
  Speaker 2: Here's a bird.
• 1:20:14
  Speaker 3: No, it was a Gnostic soupy nigga that told you
• 1:20:17
  Speaker 3: this shit. So I want you to say, I want
• 1:20:20
  Speaker 3: you to say, say, how can I do it? I
• 1:20:24
  Speaker 3: lost your wrist now. Oh, where you going?
• 1:20:28
  Speaker 2: Your bathroom?
• 1:20:30
  Speaker 3: Okay. So, so the curriculum, guys, that came through Oxford
• 1:20:35
  Speaker 3: was called the Seven Liberal Arts.
• 1:20:40
  Speaker 2: Seven Liberal Arts come out of Al-Andalus.
• 1:20:43
  Speaker 3: It really happened.
• 1:20:46
  Speaker 2: So we're going to see.
• 1:20:49
  Speaker 3: We're going to ask Jobi to ask people to say, Jobi,
• 1:20:54
  Speaker 3: ask them to say, say, we're, and they may not
• 1:20:58
  Speaker 3: say no Greek. They'll try to say Greek on you too,
• 1:21:01
  Speaker 3: which is African again. It's not the This is how
• 1:21:04
  Speaker 3: despicable these bastards are.
• 1:21:07
  Speaker 2: Let me see.
• 1:21:08
  Speaker 3: So, say, is either going.
• 1:21:11
  Speaker 2: To be Greek or is it going to be ambiguous?
• 1:21:13
  Speaker 2: Nobody knows shit.
• 1:21:15
  Speaker 3: Every time you know something is created by Africans, it's
• 1:21:17
  Speaker 3: going to be ambiguous, and they're going to tell you
• 1:21:20
  Speaker 3: it's Greek.
• 1:21:20
  Speaker 2: It's called the stolen legacy. Ambiguous or Greek, right?
• 1:21:25
  Speaker 3: So, whenever you get these two answers, just put black
• 1:21:29
  Speaker 3: in there.
• 1:21:29
  Speaker 2: Say African. Whenever you get the majority is read ambiguous or.
• 1:21:33
  Speaker 3: Greek, Say African, okay? You say, I don't know. Who
• 1:21:37
  Speaker 3: created Oxford? No, that's African. What does that mean? Okay,
• 1:21:41
  Speaker 3: so we say, say, who created seven, no, no, say, say,
• 1:21:48
  Speaker 3: where did the seven liberal arts come from?
• 1:21:57
  Speaker 2: Seven liberal arts.
• 1:22:00
  Speaker 1: Arts or at?
• 1:22:01
  Speaker 3: Arts.
• 1:22:02
  Speaker 2: A-R-T-S. Got it right. arts come from.
• 1:22:10
  Speaker 1: The ancient Greek. I told you. I told you.
• 1:22:14
  Speaker 2: I told you. I told you. I told you.
• 1:22:17
  Speaker 3: And now you're going.
• 1:22:20
  Speaker 2: To say nobody or Greek. And this is a god
• 1:22:24
  Speaker 2: damn lie.
• 1:22:24
  Speaker 3: It's a lie. Greeks never had no seven liberal arts.
• 1:22:32
  Speaker 3: So this is still your history. The roots of ancient...
• 1:22:34
  Speaker 3: I told you, I told you. I didn't know it
• 1:22:38
  Speaker 3: was going to be this.
• 1:22:39
  Speaker 2: I told you.
• 1:22:39
  Speaker 3: It's going to come back Greek. Or just like when
• 1:22:44
  Speaker 3: Joey looked up Oxford, it's going to be ambiguous. And
• 1:22:48
  Speaker 3: we know this a lot. There's no Greek.
• 1:22:51
  Speaker 2: Nothing.
• 1:22:52
  Speaker 3: This all came out of Kimmy. So that means all
• 1:22:55
  Speaker 3: this is African knowledge. So once you say this, I
• 1:22:59
  Speaker 3: want you to type this in there, Joey.
• 1:23:00
  Speaker 2: Type this in Google.
• 1:23:02
  Speaker 3: Say J, say J-A, J-A, say J period, A, A period.
• 1:23:14
  Speaker 4: Hmm?
• 1:23:15
  Speaker 2: Say, I want you to write J period and.
• 1:23:22
  Speaker 1: Then A.
• 1:23:24
  Speaker 3: Not J-A-Y, Jo, but just say.
• 1:23:26
  Speaker 2: J, just J, the letter J.
• 1:23:28
  Speaker 1: Okay, J.
• 1:23:29
  Speaker 3: Capital J, capital J, period. No, no right period. Just
• 1:23:37
  Speaker 3: put a period.
• 1:23:38
  Speaker 1: Oh, okay.
• 1:23:42
  Speaker 2: Okay. And then A period. Period. Then space and say Rogers. R-O-G-R.
• 1:23:55
  Speaker 3: Rogers.
• 1:23:55
  Speaker 5: J-A Rogers.
• 1:23:56
  Speaker 2: Say stolen. Say J-A Rogers. Say J-A Rogers.
• 1:24:05
  Speaker 3: Stolen, say, say, say, right, right, stolen legacy, that, say,
• 1:24:13
  Speaker 3: stolen legacy, Greek, Greek, Greek.
• 1:24:20
  Speaker 8: Greek, say, say, say, say, Greek credit, say, say, Greek credit, credit.
• 1:24:36
  Speaker 2: It's stolen knowledge. Say, it's stolen knowledge.
• 1:24:42
  Speaker 3: It's stolen knowledge from Africa. There's no damn civil liberal
• 1:24:51
  Speaker 3: arts council in Greece.
• 1:24:52
  Speaker 2: Remember, they all studied in Africa. They all got them Africa.
• 1:24:56
  Speaker 1: And J.R.
• 1:24:56
  Speaker 2: Rogers. But this is all known, though. That's the misnomer.
• 1:25:05
  Speaker 1: So the book Stolen Legacy was actually written by George J.M.
• 1:25:08
  Speaker 1: James in 1954, not J.A.
• 1:25:10
  Speaker 2: Rogers.
• 1:25:11
  Speaker 3: Okay, J.A.
• 1:25:12
  Speaker 2: Rogers is a miseducation of the Negro.
• 1:25:15
  Speaker 3: Okay, that's why I'm saying miseducation.
• 1:25:21
  Speaker 2: J.A. Rogers wrote the miseducation of the Negro. Okay, George J.M. James.
• 1:25:25
  Speaker 2: My fault. I got my authors wrong. So George J.M. James.
• 1:25:30
  Speaker 1: Yeah, so the book, yeah, the book, Stolen Legacy was
• 1:25:34
  Speaker 1: actually written by George J.M. James in 1954, not J.A. Rogers,
• 1:25:40
  Speaker 1: though both contributed greatly to the early Pan-African historiography. That's
• 1:25:48
  Speaker 1: what they're saying.
• 1:25:49
  Speaker 2: Yeah, but read the court claims, though.
• 1:25:52
  Speaker 1: Okay. It says the Egyptian origin is that George J.M.
• 1:25:58
  Speaker 1: James argues that the classic Greek philosophy is fundamentally derived
• 1:26:05
  Speaker 1: from the ancient Egyptian.
• 1:26:07
  Speaker 2: A lot of people call it education.
• 1:26:09
  Speaker 3: When you did the seven liberal arts, they told you
• 1:26:12
  Speaker 3: it's Greek.
• 1:26:13
  Speaker 2: This is a lie.
• 1:26:15
  Speaker 1: They're saying that the Egyptian mystery system, rather than native
• 1:26:22
  Speaker 1: Greek innovation... Remember, brother, the mystery system is not the system.
• 1:26:29
  Speaker 2: Sufism.
• 1:26:30
  Speaker 3: So remember, you're going to Europe, you're breaking it into
• 1:26:35
  Speaker 3: groups of lodges and then what?
• 1:26:38
  Speaker 2: Universities.
• 1:26:40
  Speaker 3: Seven liberal arts coming out of Africa. African knowledge, African science.
• 1:26:47
  Speaker 1: Go ahead, Jovi. On the acknowledged borrowings that the book
• 1:26:53
  Speaker 1: claims that prominent Greek philosophers such as Socrates, Plato, and
• 1:27:00
  Speaker 1: Aristarchus studied in Egypt and appropriated its knowledge based without
• 1:27:07
  Speaker 1: proper credit.
• 1:27:09
  Speaker 3: Exactly. Appropriation means stolen. And most of these dudes I
• 1:27:13
  Speaker 3: don't even believe even existed. I don't believe no Socrates existed.
• 1:27:17
  Speaker 3: I don't believe no Plato existed. And I don't believe
• 1:27:20
  Speaker 3: no damn Aristotle existed. I don't believe none of these
• 1:27:24
  Speaker 3: cats existed. That's what the Aristotle shit coming in with...
• 1:27:27
  Speaker 3: When Alexander the Great came and made thousands of all
• 1:27:31
  Speaker 3: these manuscripts or African manuscripts that they put his damn
• 1:27:34
  Speaker 3: name on.
• 1:27:36
  Speaker 2: Aristotle wrote thousands of books.
• 1:27:39
  Speaker 9: How?
• 1:27:40
  Speaker 2: When?
• 1:27:41
  Speaker 3: Remember, they always forget to tell you that the Greeks
• 1:27:44
  Speaker 3: were literate. The Greeks didn't have an alphabet. So they're
• 1:27:49
  Speaker 3: writing all these manuscripts.
• 1:27:51
  Speaker 2: See, that's what they forget. George M. James.
• 1:27:52
  Speaker 3: He had no alphabet. How do they write anything? You
• 1:27:57
  Speaker 3: can't write if you can't fucking got an alphabet, A, B, C, D.
• 1:28:01
  Speaker 3: The Greeks were illiterate. The Greeks don't get a language
• 1:28:06
  Speaker 3: written out for them until they take over Africa in
• 1:28:10
  Speaker 3: the 3rd century B.C. And the Africans put a script
• 1:28:15
  Speaker 3: to the language and then you get the Greek language.
• 1:28:20
  Speaker 2: Greek language didn't even exist.
• 1:28:23
  Speaker 3: See all this, ain't it funny how this Christian ever
• 1:28:24
  Speaker 3: teaches them this, wait, you keep stealing all your shit,
• 1:28:27
  Speaker 3: take everything out of Africa. He must prove this right here.
• 1:28:31
  Speaker 3: So how was Socrates and Plato writing anything when there
• 1:28:35
  Speaker 3: was no Greek script?
• 1:28:37
  Speaker 2: It didn't exist. There was no Greek script.
• 1:28:40
  Speaker 3: Script. The Greeks were illiterate. They could neither read nor write.
• 1:28:47
  Speaker 1: No.
• 1:28:48
  Speaker 3: But it would be great if they created the seven
• 1:28:52
  Speaker 3: liberal arts when they couldn't read or write.
• 1:28:55
  Speaker 2: See, he left that out.
• 1:28:57
  Speaker 3: So you can't create the seven liberal arts Well, you
• 1:29:00
  Speaker 3: can't even fucking read nor write. How do you create
• 1:29:04
  Speaker 3: an old educational system giving tribute to the Greeks who
• 1:29:09
  Speaker 3: can't read or write? And we know today it was
• 1:29:15
  Speaker 3: the Africans that created the Greek script and another one,
• 1:29:21
  Speaker 3: the Hebrew script. The Africans created the Hebrew language. Not
• 1:29:28
  Speaker 3: the Hebrews that became Africans. Africans are called Hebrews. The
• 1:29:33
  Speaker 3: Africans from Kemet. They created that Hebrew language. They created
• 1:29:39
  Speaker 3: the Greek language. That's why I told you the first Bible.
• 1:29:43
  Speaker 2: Is Greek. And Greek into Hebrew.
• 1:29:46
  Speaker 3: That's how I know that the Kemetians wrote, created the
• 1:29:50
  Speaker 3: Greek language and the Hebrew language because of linguistic science.
• 1:29:56
  Speaker 3: Linguistic science shows me that Hebrew comes from Greek.
• 1:30:03
  Speaker 2: So there was no body out there, all these fake-ass
• 1:30:05
  Speaker 2: Bible shit. There was no Hebrew language. Language doesn't exist.
• 1:30:11
  Speaker 2: Doesn't exist.
• 1:30:13
  Speaker 3: But what were these fucking Hebrews talking to each other
• 1:30:16
  Speaker 3: as opposed to writing this book and you got, what's that,
• 1:30:20
  Speaker 3: Joseph and Joseph and all that kooky shit.
• 1:30:23
  Speaker 2: There was no language. So, it's a lie.
• 1:30:28
  Speaker 3: We know Greek, they created Greek when the Greeks, what,
• 1:30:33
  Speaker 3: invaded Kemet and take it over in the 3rd century B.C.
• 1:30:38
  Speaker 3: They invade Alexander the White Man, invades Kemet, and conquers Kemet.
• 1:30:46
  Speaker 3: That's when Kemet starts making all these goofy religions coming
• 1:30:49
  Speaker 3: out of what?
• 1:30:50
  Speaker 2: Gnosticism! Understand it?
• 1:30:56
  Speaker 3: And you get your book of 70, the first goofy
• 1:30:58
  Speaker 3: book of Bible, the first goofy book called the Septuagint,
• 1:31:02
  Speaker 3: the book of 70, your first Old Testament.
• 1:31:05
  Speaker 2: Well, no New Testament yet.
• 1:31:07
  Speaker 3: That's your Old Testament where the Africans are just making
• 1:31:11
  Speaker 3: up from ancient African history, just some made-up shit they
• 1:31:17
  Speaker 3: put and mixed and matched to please the Greeks. And
• 1:31:21
  Speaker 3: they create a Greek script. Let's see it. How old
• 1:31:27
  Speaker 3: is the Greek script? What year, say it, say it,
• 1:31:30
  Speaker 3: say it, say it, say it. No, let's stay. What year, around,
• 1:31:34
  Speaker 3: because they're going to tell you, what year does the
• 1:31:39
  Speaker 3: Greek language have an alphabet, gets an alphabet, which.
• 1:31:46
  Speaker 5: Is the script?
• 1:31:55
  Speaker 1: Get an alphabet, yeah.
• 1:31:57
  Speaker 2: Alphabet.
• 1:32:04
  Speaker 1: In the 9th to early 8th century B.C.
• 1:32:10
  Speaker 2: This is a lie. 9th to 8th century B.C.
• 1:32:14
  Speaker 1: The Greek language received its first true alphabet around the
• 1:32:17
  Speaker 1: late 9th to 8th century B.C. They're saying that the
• 1:32:22
  Speaker 1: phenomic roots.
• 1:32:26
  Speaker 3: Will be called the Phoenicians. The Phoenicians are black people, guys.
• 1:32:30
  Speaker 3: They make them white in all their fake cartoons and
• 1:32:32
  Speaker 3: fake movies. The Phoenicians are black people. The Phoenicians. So
• 1:32:37
  Speaker 3: it wasn't Greek, children. They said they adopted their habit
• 1:32:41
  Speaker 3: from the Phoenician script.
• 1:32:44
  Speaker 2: So if we believe that, that means it wasn't Greek.
• 1:32:48
  Speaker 3: And it took somebody else's script to make their length,
• 1:32:50
  Speaker 3: to make their words. So this is dubious. This is fake.
• 1:32:55
  Speaker 3: It's an older writing system that only used a consonant.
• 1:33:00
  Speaker 3: So they didn't have any language. So they said they
• 1:33:04
  Speaker 3: took the Phoenician alphabet to create the Greek language, which
• 1:33:11
  Speaker 3: we're talking about the 8th century B.C., which is 500.
• 1:33:16
  Speaker 2: Years before they invaded Kenan.
• 1:33:18
  Speaker 6: Right?
• 1:33:19
  Speaker 3: Suppose they're using the Phoenician script. I don't believe that
• 1:33:24
  Speaker 3: one bit. I don't believe that nonsense one bit. Because
• 1:33:27
  Speaker 3: we know that the Hebrew script is Greek.
• 1:33:33
  Speaker 5: Proven.
• 1:33:33
  Speaker 3: Hebrew script is Greek. And Greek is not Phoenician. And
• 1:33:39
  Speaker 3: Hebrew is not Phoenician either. So, no, that's a lie. See,
• 1:33:46
  Speaker 3: this is how white people back in the late 18th
• 1:33:50
  Speaker 3: century started rewriting history and making up shit.
• 1:33:53
  Speaker 2: We know especially the Rockefellers.
• 1:33:56
  Speaker 3: The Rockefellers have started paying people just to move Egypt
• 1:34:00
  Speaker 3: completely out of Africa, create this fake Middle East, and
• 1:34:04
  Speaker 3: try to reclassify the ancient Chemists as non-black people because
• 1:34:08
  Speaker 3: of racism. So a lot of this scholarship is bullshit
• 1:34:11
  Speaker 3: and lies. White people made up lies. It's always their
• 1:34:17
  Speaker 3: whole system is to keep white dominance and white lies.
• 1:34:21
  Speaker 3: Because in every movie you'll see a Phoenician Phoenicians were
• 1:34:24
  Speaker 3: black people, guys. Phoenicians really, probably Nubians coming out of Nubia,
• 1:34:29
  Speaker 3: decided to set sail and then started colonizing other parts
• 1:34:33
  Speaker 3: of the Mediterranean. That's why they didn't want to let
• 1:34:36
  Speaker 3: you know that Hannibal was black. You get in your moods,
• 1:34:39
  Speaker 3: you got these goopy Arabs getting mad today because they
• 1:34:42
  Speaker 3: got now Tunisia, which was ancient what?
• 1:34:44
  Speaker 2: Ancient Carthage. Ancient Carthage was all Africa.
• 1:34:48
  Speaker 3: All these people up there in these countries now, which
• 1:34:51
  Speaker 3: are these Arabs, Motherfucker, there wasn't no Arabs in Northern
• 1:34:55
  Speaker 3: Africa at that time, you idiot. That's where they get
• 1:34:57
  Speaker 3: all messed up. They got Arabic culture. How are you
• 1:35:00
  Speaker 3: ancient Yemen, ancient Libya, ancient Tunisia? These are black lands.
• 1:35:06
  Speaker 6: They wasn't Arab.
• 1:35:08
  Speaker 3: They had nothing to do with Arab culture. How do
• 1:35:11
  Speaker 3: you go from that culture down to your goofy culture?
• 1:35:16
  Speaker 3: Your goofy culture came in in the 67th century A.D.
• 1:35:22
  Speaker 3: All that was African people, African lands, as the Romans
• 1:35:26
  Speaker 3: told you. But they get mad when they do a
• 1:35:28
  Speaker 3: movie on Carthage, right?
• 1:35:31
  Speaker 2: And it's African. They get angry.
• 1:35:33
  Speaker 3: How dare you make Hannibal black? Because he was black, stupid.
• 1:35:40
  Speaker 3: Give a fuck about your racism because you've got control
• 1:35:42
  Speaker 3: of that land now. Hannibal was African. The Phoenicians were Africans.
• 1:35:49
  Speaker 3: I think, like I said, they come out of Nubia.
• 1:35:53
  Speaker 3: separate parts of Nubia and start colonizing what we call
• 1:35:56
  Speaker 3: the Mediterranean.
• 1:35:58
  Speaker 2: All that part up there was African, but they trusted.
• 1:36:01
  Speaker 3: That's why early Greeks were African, not the white people
• 1:36:04
  Speaker 3: you see today or the ones they show here. The
• 1:36:07
  Speaker 3: white people all invaded these parts of the world. Anyway,
• 1:36:12
  Speaker 3: back to the Bule. So then we get white people
• 1:36:18
  Speaker 3: adapting or adopting black cultural practices and information coming out
• 1:36:23
  Speaker 3: of Andalusia, Spain, going to Europe, creating universities which they
• 1:36:29
  Speaker 3: don't have no idea what.
• 1:36:31
  Speaker 2: Okay, take this up. Take this up.
• 1:36:38
  Speaker 3: Stay safe, as you say, safe, safe, as you say,
• 1:36:44
  Speaker 3: for some of your first professors in Oxford, Africa.
• 1:36:52
  Speaker 2: Oh, no, no, no, don't do that. That's a tricky term.
• 1:36:55
  Speaker 3: That's where you know they're black. They try to make
• 1:36:58
  Speaker 3: Moors now white Muslims. They say, for some of your
• 1:37:05
  Speaker 3: first teachers in Oxford University, Moors. They want to make
• 1:37:10
  Speaker 3: Moors now ambiguous. They know Moors is African. I'm looking
• 1:37:13
  Speaker 3: at some movie and showing the Moors as these white people.
• 1:37:18
  Speaker 3: Spain was kicking the Moors out. White people being Moors.
• 1:37:24
  Speaker 2: With movie African outfits.
• 1:37:26
  Speaker 1: Says no.
• 1:37:27
  Speaker 2: Okay.
• 1:37:28
  Speaker 3: There's no.
• 1:37:29
  Speaker 2: There's a lot.
• 1:37:31
  Speaker 3: So we know at this time Europe was uneducated to
• 1:37:33
  Speaker 3: make the universe. Everybody say they don't know who built it.
• 1:37:36
  Speaker 3: We don't even have any idea. But as was the
• 1:37:38
  Speaker 3: Moors people, they definitely know. But you say they don't
• 1:37:41
  Speaker 3: know who even created it. See, this was known knowledge.
• 1:37:46
  Speaker 3: And now they've changed in Google so much that Google
• 1:37:49
  Speaker 3: used to admit this.
• 1:37:50
  Speaker 2: And I used to type up for you guys, changes,
• 1:37:52
  Speaker 2: Google would admit it.
• 1:37:54
  Speaker 3: Now Google has completely, no, it's completely gone.
• 1:38:01
  Speaker 2: How can I frame it like this? Okay, let me see.
• 1:38:03
  Speaker 2: Let me phrase it like this. Okay, put it like this, gentlemen.
• 1:38:10
  Speaker 2: Type it like this. Say, did a lot of the Moorish.
• 1:38:16
  Speaker 2: They did a lot.
• 1:38:17
  Speaker 3: Of the Moorish knowledge. A lot of the Morse knowledge
• 1:38:24
  Speaker 3: go throughout Europe. Because before you push it, oh, here
• 1:38:36
  Speaker 3: it is.
• 1:38:38
  Speaker 2: Yes.
• 1:38:38
  Speaker 3: Because remember, if they didn't have anything to do with
• 1:38:41
  Speaker 3: any Morse, they wouldn't say, I want you not to
• 1:38:43
  Speaker 3: push it, because they're going to say yes. Because remember,
• 1:38:46
  Speaker 3: it wasn't even went through there. Why would their knowledge
• 1:38:49
  Speaker 3: go throughout Europe?
• 1:38:49
  Speaker 1: Why?
• 1:38:50
  Speaker 3: Why?
• 1:38:52
  Speaker 2: Why would you need it? You would say, oh, this
• 1:38:53
  Speaker 2: shit's stupid. We don't need it.
• 1:38:54
  Speaker 3: Because African knowledge pulled these savages out of sucking their
• 1:38:59
  Speaker 3: own doodoo, making their own buttholes.
• 1:39:03
  Speaker 2: That's why.
• 1:39:05
  Speaker 3: So they used more as an ambiguous term. Remember, they
• 1:39:09
  Speaker 3: tried to make all Moors white.
• 1:39:11
  Speaker 2: It's crazy. Because more means black. It means black. That's
• 1:39:15
  Speaker 2: the term for black skin, dark skin. Black.
• 1:39:19
  Speaker 3: Right?
• 1:39:20
  Speaker 2: So what does it read, Jovi? Let's see what Nas says.
• 1:39:23
  Speaker 1: It says, yes, a vast amount of knowledge, science, and
• 1:39:26
  Speaker 1: culture from the Moorish Spain spread throughout the rest of Europe.
• 1:39:30
  Speaker 3: Science, Jovi.
• 1:39:31
  Speaker 2: So, like I told you, science, culture.
• 1:39:36
  Speaker 3: So, that's them telling you, yeah, that's the seven liberal arts, Jovi, science.
• 1:39:44
  Speaker 2: Goes into Europe. So, it wouldn't need to go in Europe, Jovi,
• 1:39:47
  Speaker 2: if it was already there.
• 1:39:52
  Speaker 3: You can't bring me no more Ugali I already got
• 1:39:53
  Speaker 3: a plate full of this shit Toby Only the more
• 1:39:56
  Speaker 3: you're fucking Ugali I've got enough Well wait.
• 1:40:00
  Speaker 2: You can't bring me some shit I already got you.
• 1:40:05
  Speaker 3: You have to then You know that all your universities
• 1:40:08
  Speaker 3: Are African All your universities are African knowledge That's why
• 1:40:13
  Speaker 3: they're going to Europe If Europe had it They wouldn't
• 1:40:17
  Speaker 3: need it They wouldn't accept it They said get out
• 1:40:19
  Speaker 3: of here with your science See, science. Science is your
• 1:40:24
  Speaker 3: seven liberal arts jokes, which they claim, maybe they claim
• 1:40:28
  Speaker 3: they didn't know what it came from.
• 1:40:30
  Speaker 2: It came from Greek.
• 1:40:30
  Speaker 3: It didn't. Because if it came from Greeks, when Europe
• 1:40:36
  Speaker 3: was in the Dark Ages, they would have got it
• 1:40:37
  Speaker 3: from the Greeks, who didn't have it, because it came
• 1:40:42
  Speaker 3: from Africa and out of Africa. Okay, so that's where
• 1:40:46
  Speaker 3: you get started. And as you see, because of the
• 1:40:48
  Speaker 3: mystery schools in Chemnitz, goes into Al-Andalus, Spain, and creates
• 1:40:56
  Speaker 3: these mystery schools there with the Sufis. That creates, and
• 1:41:02
  Speaker 3: all that is is just the knowledge. That's why colleges
• 1:41:06
  Speaker 3: are called universities. Because that was universal knowledge. How the
• 1:41:14
  Speaker 3: world actually works. How reality works.
• 1:41:17
  Speaker 2: What's universal? Universal.
• 1:41:19
  Speaker 3: That becomes the seven liberal arts. See, so you follow
• 1:41:24
  Speaker 3: the thing that comes out of Africa.
• 1:41:26
  Speaker 2: Again, science.
• 1:41:28
  Speaker 3: And so they take that knowledge and they take the
• 1:41:31
  Speaker 3: spiritual part, or what we call the magical or mystical part,
• 1:41:37
  Speaker 3: and create what we call today masonry. They're not the
• 1:41:42
  Speaker 3: founders of other creation. They're given it by the African.
• 1:41:46
  Speaker 3: They're given the knowledge of it. And since White people
• 1:41:49
  Speaker 3: are savages. They don't want to keep that knowledge to
• 1:41:52
  Speaker 3: the whole white people. That knowledge goes in what should
• 1:41:55
  Speaker 3: be elite.
• 1:41:56
  Speaker 2: White people.
• 1:41:57
  Speaker 4: Elite.
• 1:41:58
  Speaker 2: It doesn't stay with the common everyday man, white man.
• 1:42:02
  Speaker 2: It stays with the elite.
• 1:42:04
  Speaker 3: Because that knowledge allows you to dominate the world and
• 1:42:08
  Speaker 3: dominate society. That's why you see it's the elite thing
• 1:42:13
  Speaker 3: in Nairobi. With the goopy niggas in there doing that stuff.
• 1:42:17
  Speaker 3: but the white man controls, not the niggas. So that
• 1:42:21
  Speaker 3: knowledge comes from the niggas, goes to the white man,
• 1:42:25
  Speaker 3: he remixes it, right? Puts his own head on it.
• 1:42:32
  Speaker 3: Do this for me real, real quick. We'll do it
• 1:42:34
  Speaker 3: like this. Say, do this for me real quick. We'll
• 1:42:36
  Speaker 3: prove that it comes from Sufism and Islam. Not really Islam,
• 1:42:40
  Speaker 3: but out of Islam and Sufism where you get the Mason.
• 1:42:44
  Speaker 3: How I told you that comes from ancient Chemist Sudan,
• 1:42:48
  Speaker 3: Kenya area, go down into the Levant as they're being
• 1:42:52
  Speaker 3: killed by the new religion called Christianity.
• 1:42:56
  Speaker 2: They kill them. Jesus is real.
• 1:43:00
  Speaker 3: The Gnostics, the monks move out of there, save themselves,
• 1:43:06
  Speaker 3: and they unite under this ethos of Gnosticism. You classify
• 1:43:11
  Speaker 3: it as Islam, but they're not. Islam becomes corrupt. That's
• 1:43:15
  Speaker 3: a whole other show. Like Joby showed you, Sufism goes,
• 1:43:19
  Speaker 3: like Joby showed you, Sufism goes to Al-Andalus, like I
• 1:43:22
  Speaker 3: told you.
• 1:43:23
  Speaker 2: So that's ancient African science, right?
• 1:43:26
  Speaker 3: So, um, so, white people get this knowledge, and while
• 1:43:33
  Speaker 3: you get, um, all their science, all the lies they
• 1:43:36
  Speaker 3: tell you about, um, try to have one white guy
• 1:43:40
  Speaker 3: on TikTok telling the truth, not the, the, the, the
• 1:43:45
  Speaker 3: damn professor that was talking. by all white people. That's
• 1:43:48
  Speaker 3: what they always do. All this science come out of
• 1:43:52
  Speaker 3: Al-Andalus by black people. And white people just plagiarize it
• 1:43:56
  Speaker 3: and put their name on it, like Newton. They'll say, Newton,
• 1:44:00
  Speaker 3: you gotta go to school. Newton discovered gravity. That's a
• 1:44:03
  Speaker 3: lot of more scientists wrote a whole paper on gravity
• 1:44:08
  Speaker 3: 800 years before Newton even lived.
• 1:44:11
  Speaker 2: That's where they got it from. But white people, they
• 1:44:13
  Speaker 2: still have to think.
• 1:44:14
  Speaker 3: Oh, Newton... The scientists knew the Korean, they put their
• 1:44:17
  Speaker 3: names on shit. They're not the founders of it. They
• 1:44:21
  Speaker 3: still put their names on it. Just like with the
• 1:44:23
  Speaker 3: Greek shit. The Greeks found the seven levels. Why? Why?
• 1:44:28
  Speaker 4: Why?
• 1:44:29
  Speaker 3: So anyway, so okay. So, this knowledge goes to Europe.
• 1:44:34
  Speaker 3: The knowledge that's not secret becomes the universities.
• 1:44:38
  Speaker 2: Right? Becomes the colleges, the seven level arts.
• 1:44:41
  Speaker 3: The real shit is how you break down reality matter.
• 1:44:46
  Speaker 2: Because of what they call secret society.
• 1:44:50
  Speaker 3: And the secret societies are only kept the more they
• 1:44:52
  Speaker 3: did it because a lot of people are stupid and
• 1:44:55
  Speaker 3: they were trying to keep themselves safe. Because too much
• 1:44:58
  Speaker 3: knowledge like this is like today. People are scared of
• 1:45:01
  Speaker 3: real knowledge. It scares them. And you'll get murdered. Remember
• 1:45:04
  Speaker 3: they were getting murdered by the Christian church. And you'll
• 1:45:08
  Speaker 3: get murdered because of how shit really works.
• 1:45:12
  Speaker 2: And so.
• 1:45:16
  Speaker 3: As they start making these other temples and letting black
• 1:45:20
  Speaker 3: people join, remember, black people lost their history.
• 1:45:25
  Speaker 2: In America, in.
• 1:45:28
  Speaker 3: Africa, these morons don't even know that that history, that science,
• 1:45:34
  Speaker 3: came from them. They think white people originated masonry. Let
• 1:45:41
  Speaker 3: me tell you a real quick joke. Type in Say
• 1:45:46
  Speaker 3: images of, and we're going to prove this.
• 1:45:50
  Speaker 2: Say images of.
• 1:45:53
  Speaker 3: J, say just that, just the letter J, capital J, J,
• 1:46:00
  Speaker 3: then J, then type, then space, Edgar, E-D-G-A-R, Hoover, say in,
• 1:46:12
  Speaker 3: say in, I in.
• 1:46:18
  Speaker 1: Go on. I want you to say the whole thing
• 1:46:19
  Speaker 1: so I can type it.
• 1:46:21
  Speaker 2: Wait, wait. I'm trying to say what? Go back. In
• 1:46:25
  Speaker 2: his Masonic.
• 1:46:27
  Speaker 2: In his Masonic... Outfit. A guard. He's an FBI.
• 1:46:39
  Speaker 3: Go to images. See what they show us.
• 1:46:42
  Speaker 2: So, you see what it says? Now, you see what
• 1:46:44
  Speaker 2: it says? Remember, this is all Islam. See that?
• 1:46:47
  Speaker 3: That's Islam. But he's a Christian, right? So all that
• 1:46:51
  Speaker 3: lets you know that you're getting like I just walked
• 1:46:54
  Speaker 3: you through this way.
• 1:46:55
  Speaker 2: No problem.
• 1:46:56
  Speaker 3: Makes me know start with white people. Comes out of
• 1:46:59
  Speaker 3: Africa through Islam. That's why his thing says, what does
• 1:47:03
  Speaker 3: that cap say? Press that, you know? What does it
• 1:47:09
  Speaker 3: say on top of that?
• 1:47:10
  Speaker 2: Let me put it down. What does it say? No, no,
• 1:47:14
  Speaker 2: it's capped.
• 1:47:17
  Speaker 1: I can't see it past that. I can't zoom it
• 1:47:20
  Speaker 1: closer to see. It's not allowing me to see there.
• 1:47:24
  Speaker 3: But you can see it's some Islamic shit. It's some
• 1:47:28
  Speaker 3: Islamic shit. Go to another one.
• 1:47:32
  Speaker 2: But all of that, right?
• 1:47:35
  Speaker 3: So, they tell themselves we know where the history actually
• 1:47:39
  Speaker 3: comes from, right? That's why the shriners All this shit
• 1:47:45
  Speaker 3: comes out of Islam.
• 1:47:47
  Speaker 2: The origins of Islam. What does it say? What does.
• 1:47:53
  Speaker 1: It say?
• 1:47:54
  Speaker 3: Almas.
• 1:47:55
  Speaker 1: Something like that.
• 1:47:56
  Speaker 2: Almas or some shit. Islam. Almas. Which is Arabic. Al something, right?
• 1:48:06
  Speaker 3: I just wanted to prove the connection where.
• 1:48:11
  Speaker 2: It comes from. You know, he was the what? The
• 1:48:13
  Speaker 2: leader of the FBI. This racist, wicked bastard.
• 1:48:17
  Speaker 3: Right?
• 1:48:18
  Speaker 2: Learning Africans spiritual science. Isn't that funny?
• 1:48:24
  Speaker 3: And so when he gave it back to the Negro,
• 1:48:25
  Speaker 3: he don't even know where it came from. He don't
• 1:48:28
  Speaker 3: even know the history of it. Take it back coming
• 1:48:31
  Speaker 3: out of Al-Andalus. Spain today. Being remixed. And all these
• 1:48:39
  Speaker 3: Arabic names. Because that was Sufism. So they gave it
• 1:48:44
  Speaker 3: to the black person. And now they use them as gatekeepers.
• 1:48:48
  Speaker 3: They use the Negroes. They don't know nothing about the
• 1:48:50
  Speaker 3: real spiritual side. They don't let these Negroes get close
• 1:48:53
  Speaker 3: to the top. They actually learn their own knowledge. This
• 1:48:56
  Speaker 3: was crazy. There are no top black Masons. They don't
• 1:48:59
  Speaker 3: let the Negroes get to the top. To know all
• 1:49:02
  Speaker 3: the real knowledge. He's just a gatekeeper now. To keep
• 1:49:05
  Speaker 3: white power. And that's why you see it in Nairobi.
• 1:49:09
  Speaker 3: That's why you see it in America. All these flunky
• 1:49:12
  Speaker 3: niggas are gatekeepers to keep white people in power.
• 1:49:17
  Speaker 2: That's what you see. That's what you see.
• 1:49:18
  Speaker 3: You see the lodges in Niger, Nigeria, Ghana, Nigeria, the
• 1:49:25
  Speaker 3: King of Faso, Mali, South Africa, Tanzania.
• 1:49:31
  Speaker 2: Deep, huh? Deep shit. You see these lodges everywhere. every
• 1:49:37
  Speaker 2: African country. Right?
• 1:49:41
  Speaker 3: This is for the bootlick niggas who go in and
• 1:49:45
  Speaker 3: do these oaths. This is where they start what? Eating
• 1:49:47
  Speaker 3: the babies and fucking them.
• 1:49:49
  Speaker 2: Yeah.
• 1:49:50
  Speaker 3: That's the lodges. Giving your oaths, your secret oaths. Remember,
• 1:49:56
  Speaker 3: they're savage. So they took the spiritual signs and they
• 1:49:59
  Speaker 3: inverted to their wickedness. They got the real knowledge of
• 1:50:06
  Speaker 3: how things actually work and turn evil and burden. That's
• 1:50:12
  Speaker 3: why it's everywhere. But I wanted to show you where
• 1:50:15
  Speaker 3: it comes from. It's African science bastardize. That's what Islam is.
• 1:50:22
  Speaker 3: That's what Christianity is. But Islam comes from them trying
• 1:50:25
  Speaker 3: to kill the Gnostic priest and then going to the
• 1:50:28
  Speaker 3: Levant and the white Arab learning that ethos that becomes
• 1:50:35
  Speaker 3: Islam Now, Jobi showed you that the African Moors never
• 1:50:39
  Speaker 3: were Islamic.
• 1:50:40
  Speaker 2: They were Sufis.
• 1:50:41
  Speaker 3: Jobi said the order was Sufism, like I told you.
• 1:50:45
  Speaker 3: Just replace the name Sufism with Gnosticism. Sufi and Gnosticism
• 1:50:51
  Speaker 3: is just the same thing. A different... Same thing, different name,
• 1:50:59
  Speaker 3: different language. Sufi is Arabic. Gnosticism is Chinese.
• 1:51:06
  Speaker 2: It's comedic. So same thing, different name.
• 1:51:09
  Speaker 3: And so that's what you got ruling the world today.
• 1:51:12
  Speaker 2: You got African science, which.
• 1:51:14
  Speaker 3: Actually rules the world today, but most dumbass niggas don't
• 1:51:18
  Speaker 3: know nothing about it.
• 1:51:20
  Speaker 2: Right? That's what's so, that's what's so, that's what's so,
• 1:51:23
  Speaker 2: that's what's so ironic about it.
• 1:51:25
  Speaker 3: That's what's so deliciously, this is what's so deliciously wicked
• 1:51:29
  Speaker 3: about it. It's ancient African science, bastardized, that runs the world.
• 1:51:42
  Speaker 1: Yeah, as we wind up with today's conversation, let me
• 1:51:45
  Speaker 1: go to the comments. Shout out to everyone with us
• 1:51:48
  Speaker 1: on the chat. Jason, earlier was saying it's amazing how
• 1:51:51
  Speaker 1: much we had going on in the 1920s and 100
• 1:51:56
  Speaker 1: plus years later. No more black millionaires since then. That
• 1:52:00
  Speaker 1: was long ago. That was a long ago. It says
• 1:52:07
  Speaker 1: that black dinners were off the hook. Best fasting foods
• 1:52:10
  Speaker 1: made from forks with good energy. And it says... That's why.
• 1:52:15
  Speaker 3: When you get something cooked from a black woman, no
• 1:52:18
  Speaker 3: matter what your energy or upper, that's why the food
• 1:52:21
  Speaker 3: tastes so good. When you get a black woman cooking it,
• 1:52:25
  Speaker 3: she's cooking it with love. Everything's a stage of energy. See,
• 1:52:29
  Speaker 3: we used to know these things. It's not fairy dust.
• 1:52:32
  Speaker 3: This woman, because she put in her good energy... Everybody
• 1:52:37
  Speaker 3: don't want to eat nobody's cooking that was angry. You
• 1:52:39
  Speaker 3: don't want to eat your anger? All right, I'm good.
• 1:52:45
  Speaker 3: I'm cool. All you want to eat nobody's cooking.
• 1:52:50
  Speaker 1: That was angry. Shout to Ricky. Ricky says our music
• 1:52:56
  Speaker 1: didn't start in the church. It was on slave plantation working.
• 1:53:00
  Speaker 2: Yeah, it was.
• 1:53:00
  Speaker 3: Still slave plantation. Of course, we still was in the church.
• 1:53:05
  Speaker 3: We had church on the plantation. That's where it still
• 1:53:07
  Speaker 3: came from. Yes, to start off in the fields of
• 1:53:10
  Speaker 3: getting beaten, whipped in the head, yes. But remember, our
• 1:53:14
  Speaker 3: one place to indoctrinate us was the black church on
• 1:53:17
  Speaker 3: the plantation. They had them churches on the plantation where
• 1:53:20
  Speaker 3: we could sing. Remember, they understood also our singing was
• 1:53:24
  Speaker 3: a way of what? We talked to each other and
• 1:53:26
  Speaker 3: that would always give us joy. And so, this is
• 1:53:29
  Speaker 3: how wicked white people are. They studied that years later
• 1:53:33
  Speaker 3: because they didn't know our singing healed us, right? And
• 1:53:37
  Speaker 3: so they said, we should never let these niggas even
• 1:53:39
  Speaker 3: sing on the plantation. So they wouldn't have no revolutionary spirit.
• 1:53:46
  Speaker 3: We should be allowed them to sing. They didn't realize
• 1:53:48
  Speaker 3: us singing guys, our melanin heals us.
• 1:53:53
  Speaker 1: And we also have Jerome Mosquito. Ricky says, I haven't
• 1:53:57
  Speaker 1: been into any church since 1974. I was 13 and
• 1:53:59
  Speaker 1: knew there's no such thing as death.
• 1:54:04
  Speaker 3: How many people know us at 13? I ain't no
• 1:54:07
  Speaker 3: at 13. I was scared to hell and everything else at.
• 1:54:11
  Speaker 1: 13 because you knew it. Exactly.
• 1:54:14
  Speaker 3: I told you, every African country has got it. You
• 1:54:20
  Speaker 3: niggas are all boot dicks. That's the boot-licking titos. I
• 1:54:26
  Speaker 3: didn't want to show Joby that it was there. That's
• 1:54:30
  Speaker 3: why I just named it Ghana.
• 1:54:33
  Speaker 2: Nigeria.
• 1:54:35
  Speaker 3: All of them. Y'all got it. Y'all got the boot-licking
• 1:54:39
  Speaker 3: buck-dancing sister. I know it's not in Kenya. I just
• 1:54:43
  Speaker 3: want to show Joby it's there.
• 1:54:45
  Speaker 2: That's all. Joby's in Kenya. I want to show Joby
• 1:54:48
  Speaker 2: some shit in Ghana.
• 1:54:50
  Speaker 1: And I also see, Ricky says, with all these great empires,
• 1:54:54
  Speaker 1: where is this.
• 1:54:57
  Speaker 1: So-called Tartarian Empire.
• 1:55:00
  Speaker 2: I don't care. You believe... That's a scam.
• 1:55:04
  Speaker 3: See, you just fell down the Virginian rabbit hole, Ricky.
• 1:55:09
  Speaker 2: The Tartarians, all that.
• 1:55:11
  Speaker 3: You see all that crazy shit on TikTok, on YouTube,
• 1:55:14
  Speaker 3: the Tartarian Empire. And that's some made-up CIA shit.
• 1:55:19
  Speaker 1: Jibetama says Oxford professors were black.
• 1:55:23
  Speaker 7: Wore black robes.
• 1:55:37
  Speaker 1: And Jibba says the Masonic Bible is full of Archimedes symbols.
• 1:55:41
  Speaker 1: You see it in the temples. It says a crescent
• 1:55:46
  Speaker 1: and star covered by the sword of conqueror. The blacks
• 1:55:50
  Speaker 1: are the Prince Hall Martians. It says, I have to
• 1:55:54
  Speaker 1: go to the Peterbuck Hood to get black woman cooking.
• 1:55:57
  Speaker 1: Been a long time. Lol.
• 1:55:59
  Speaker 6: I know.
• 1:55:59
  Speaker 3: You got to get a black woman cooks with that love.
• 1:56:03
  Speaker 3: And it's an exchange of energy. It's an exchange of energy.
• 1:56:08
  Speaker 3: That's why when we cook, black woman cooks, and she
• 1:56:11
  Speaker 3: cooks with love. And food tastes so good because she's
• 1:56:14
  Speaker 3: exchanging her energy to you.
• 1:56:16
  Speaker 2: That's how deep that shit goes.
• 1:56:18
  Speaker 1: Yeah, those are all the comments literally for today. And
• 1:56:22
  Speaker 1: that has been our beautiful, beautiful time this evening. Yep,
• 1:56:32
  Speaker 1: I can't even imagine. I'm just going to the dark.
• 1:56:36
  Speaker 1: It's crazy. But much love, family. Have yourselves a beautiful
• 1:56:46
  Speaker 1: rest part of you guys' day. See you guys tomorrow,
• 1:56:50
  Speaker 1: same time, same place.
• 1:56:51
  Speaker 2: Peace.
• 1:57:20
  Speaker 3: Habakim and son still today are in Kenya today.
• 1:57:26
  Speaker 2: That empire Habakim and son are in Kenya. That relation
• 1:57:31
  Speaker 2: of little do.