Latest / The Buddie System: A 9-1-1 Yapathon / Always An Angel, Never a God (3x08: Malfunction)

Transcript

Always An Angel, Never a God (3x08: Malfunction) · The Buddie System: A 9-1-1 Yapathon

0:00
This
0:00
episode
0:00
we
0:01
talk
0:01
about
0:01
Hen's
0:02
home
0:02
and
0:02
work
0:02
life
0:03
crashing
0:04
and
0:04
burning.
0:05
How
0:05
Eddie
0:05
is
0:06
trying
0:06
to
0:06
gaslight
0:07
Gatekeep
0:08
Girlboss
0:08
his
0:09
way
0:09
through
0:09
his
0:09
grief
0:10
and.
0:10
Anger
0:12
and
0:12
the
0:12
118's
0:13
reaction
0:13
to
0:13
hen
0:14
and
0:14
Eddie's
0:14
crash
0:14
outs.
0:16
Have
0:16
you
0:16
ever
0:16
watched
0:17
something
0:17
that
0:17
completely
0:18
rewired
0:19
your
0:19
brain
0:19
chemistry?
0:21
A
0:21
procedural
0:21
network
0:22
drama
0:22
might
0:22
not
0:22
be
0:23
your
0:23
usual
0:23
pick,
0:24
but
0:24
it's
0:24
ours.
0:25
This
0:25
is
0:26
the
0:26
Buddy
0:26
System,
0:27
a
0:27
911
0:28
deep
0:28
dive
0:29
podcast
0:29
hosted
0:30
by
0:30
three
0:30
friends
0:31
who
0:31
have
0:31
DMed
0:32
each
0:32
other
0:32
enough
0:33
character
0:33
dissertations
0:34
to
0:34
earn
0:35
a
0:35
PhD
0:35
in
0:36
media
0:36
literacy.
0:37
I'm
0:37
Han,
0:38
coming
0:38
to
0:38
you
0:38
straight
0:38
from
0:39
the
0:39
characters
0:39
heads.
0:40
I'm
0:40
Syl,
0:41
bringing
0:41
you
0:41
to
0:42
the
0:42
observation
0:42
deck.
0:43
And
0:43
I'm
0:43
Rachel,
0:44
connecting
0:45
the
0:45
dots
0:45
with
0:45
my
0:46
red
0:46
string.
0:47
With
0:47
our
0:47
powers
0:48
combined,
0:49
no
0:49
stone
0:50
is.
0:50
Left
0:50
unturned
0:51
and
0:51
no
0:52
buddy
0:53
is
0:53
left
0:53
behind.
0:55
This
0:56
episode
0:56
brought
0:56
to
0:57
you
0:57
by
0:58
Disney
0:58
on
0:58
Ice.
0:59
Welcome
0:59
to
0:59
Dispatch.
1:00
What's
1:00
on
1:00
call
1:00
this
1:01
week?
1:01
This
1:01
week
1:02
we
1:02
are
1:02
discussing
1:03
Season
1:03
3
1:03
Episode
1:04
8,
1:04
Malfunction.
1:05
Written
1:05
by
1:05
Tanya
1:06
Kong,
1:07
directed
1:07
by
1:07
Joaquin
1:08
Cedille,
1:08
and
1:09
the
1:09
director
1:09
of
1:09
photography
1:10
is
1:11
Dwayne
1:11
Milwaukee.
1:12
We're
1:13
going
1:13
to
1:13
start
1:13
saying
1:13
who
1:13
the
1:14
director
1:14
of
1:14
photography
1:14
is
1:15
now
1:15
because
1:15
I
1:15
didn't
1:16
realize
1:16
that
1:16
Andrew
1:17
Mitchell
1:17
wasn't
1:18
the
1:18
director
1:18
of
1:19
photography
1:19
for
1:19
all
1:20
of
1:20
eight
1:21
also
1:21
upon
1:22
request.
1:23
So
1:23
more
1:23
information
1:25
and
1:25
this
1:25
Originally
1:25
aired
1:25
on
1:26
November
1:26
11,
1:26
2019.
1:27
All
1:27
right,
1:28
so
1:28
we
1:28
have
1:29
four
1:29
calls
1:30
of
1:30
the
1:30
week.
1:30
The
1:30
first
1:31
one
1:31
is
1:31
a
1:32
very
1:32
grim
1:32
brothers
1:33
fairy
1:33
tale
1:34
on
1:34
ice.
1:35
And
1:36
that
1:36
is
1:37
when
1:37
I
1:38
don't.
1:38
I
1:38
don't
1:38
have
1:39
this
1:39
written
1:39
out,
1:39
so
1:40
apologies
1:41
in
1:41
advance.
1:42
But
1:43
an
1:43
ice
1:44
show
1:44
trips
1:45
up,
1:45
one
1:45
might
1:46
say,
1:46
when
1:47
a
1:47
sequin
1:47
falls
1:48
and
1:48
creates
1:48
mass
1:48
chaos
1:50
and
1:51
resulting
1:51
in
1:52
some
1:52
severed
1:53
fingers
1:53
and
1:53
a
1:53
skate
1:54
to
1:54
the
1:54
chest.
1:55
Then
1:55
we
1:55
have
1:56
future.
1:58
Think
1:58
of
1:58
Squidward
1:59
from
1:59
spongebob.
2:01
I
2:02
never
2:02
understand
2:02
a
2:03
single
2:03
spongebob
2:04
reference
2:04
you
2:04
make.
2:04
I
2:05
know,
2:05
but
2:05
this
2:05
is
2:05
for
2:06
the
2:06
people,
2:06
okay?
2:09
I
2:09
feel
2:09
like
2:09
I
2:09
don't
2:10
even
2:10
remember
2:10
this.
2:11
It's
2:11
the
2:11
one
2:12
where
2:13
they
2:13
like
2:14
are
2:14
in
2:14
the
2:14
time
2:15
machine
2:15
and
2:15
they
2:15
go
2:15
to
2:15
the
2:16
future
2:16
and
2:16
everything's
2:16
chrome.
2:17
So
2:17
then
2:17
square.
2:18
Squidward
2:18
at
2:18
some
2:18
point
2:18
just
2:19
like
2:19
has
2:19
a
2:19
mental
2:19
break
2:20
and
2:20
is
2:20
like
2:20
future.
2:22
Oh,
2:23
one
2:23
of
2:23
my
2:24
favorite
2:24
episodes.
2:24
I
2:24
distinctly
2:26
remember
2:26
hearing
2:27
it.
2:27
Wait,
2:28
he
2:28
goes
2:28
to
2:28
space,
2:29
right?
2:29
And
2:29
he's
2:29
on
2:30
the
2:30
moon?
2:30
Maybe.
2:31
Why
2:32
the
2:32
fuck
2:32
is
2:32
he
2:32
in
2:33
space?
2:34
Sandy
2:35
the
2:35
Squirrel
2:36
is
2:36
an.
2:37
An
2:37
astronaut.
2:38
An
2:38
astronaut.
2:39
So
2:39
don't
2:39
ask
2:39
questions
2:40
you
2:40
don't
2:40
want
2:40
the
2:41
answers
2:41
to.
2:42
Okay.
2:44
Nothing
2:44
makes
2:45
sense.
2:45
Moving
2:45
on.
2:46
Anyways,
2:46
future
2:47
a
2:47
la
2:47
Squidward,
2:49
where
2:49
a
2:50
man
2:50
in
2:50
a
2:51
self
2:51
driving
2:51
car
2:52
experiences
2:53
a
2:53
heart
2:53
attack
2:53
and
2:54
safely
2:55
reroutes
2:55
to
2:55
the
2:55
hospital.
2:56
However,
2:57
the
2:58
Car
2:58
being
2:58
on
2:59
autopilot,
3:00
drives
3:01
directly
3:01
into
3:02
the
3:02
hospital.
3:03
Then
3:03
we
3:03
have
3:04
IP
3:05
Robot,
3:05
where
3:06
workers
3:06
in
3:07
a
3:07
warehouse
3:08
are
3:09
threatened
3:10
by
3:11
the
3:11
robot
3:12
presence,
3:13
about
3:13
to
3:13
take
3:13
over
3:14
their
3:14
jobs
3:14
and.
3:15
And
3:15
one
3:15
man
3:16
relieves
3:17
himself
3:17
because
3:17
they're
3:18
not
3:18
allowed
3:18
to
3:18
go
3:18
to
3:18
the
3:18
bathroom.
3:19
And
3:19
then
3:20
the
3:20
robots
3:21
malfunction.
3:22
And
3:22
the
3:23
last
3:23
one
3:23
is
3:24
Swan
3:24
Song,
3:25
where
3:25
a
3:26
young
3:26
up
3:26
and
3:27
coming
3:27
cellist
3:28
whose
3:29
first
3:30
night
3:30
performing
3:30
in
3:30
the
3:31
Philharmonic
3:32
gets
3:32
derailed
3:33
when
3:34
she
3:35
gets
3:35
into
3:36
a
3:36
car
3:36
crash
3:37
with
3:37
an
3:38
ambulance
3:39
driven
3:39
none
3:39
other
3:40
by
3:40
our
3:40
very
3:40
own
3:40
hence.
3:41
All
3:42
right,
3:42
so
3:42
uplifting
3:43
stuff.
3:43
I
3:43
know,
3:44
Very
3:44
uplifting.
3:44
It's.
3:45
Love
3:45
it
3:45
here.
3:46
Most
3:46
of
3:46
these
3:46
are
3:46
funny
3:47
or
3:47
like
3:48
half
3:48
of
3:48
them
3:48
are
3:48
funny,
3:49
but
3:49
they're
3:49
still
3:50
like
3:50
a
3:50
very
3:50
dark
3:51
undertone.
3:51
So
3:52
what
3:53
did
3:53
you
3:53
guys
3:53
think
3:53
of
3:54
this
3:54
episode?
3:55
The
3:55
one
3:55
and
3:55
only
3:56
Aisha
3:56
Hines.
3:57
That's
3:58
it.
3:59
That's
4:00
it.
4:01
No,
4:01
honestly,
4:02
like
4:02
I.
4:02
I
4:02
love,
4:03
like,
4:03
these
4:03
are
4:03
very
4:03
deep,
4:04
impactful
4:04
stories,
4:04
especially
4:05
for
4:05
Hen
4:06
and,
4:07
and
4:07
Eddie.
4:07
They're
4:08
both
4:08
going
4:09
through
4:10
so
4:10
much
4:11
and
4:11
their
4:11
individual
4:12
scene,
4:12
well,
4:13
their
4:13
individual
4:13
emotional
4:14
scenes,
4:14
like,
4:14
you
4:15
know,
4:15
Eddie
4:15
with
4:15
Bobby
4:16
and
4:16
then
4:16
Hen
4:17
and
4:17
Karen
4:17
and
4:17
Hen
4:18
with
4:19
what
4:19
happens
4:20
at
4:20
the
4:20
end,
4:20
like,
4:21
and
4:21
with
4:21
Athena.
4:22
Like,
4:22
those
4:22
scenes
4:23
really,
4:23
like,
4:23
are
4:24
so
4:24
impactful
4:24
and
4:24
so
4:25
memorable.
4:25
Yeah,
4:26
so
4:26
the
4:26
episode's
4:27
very
4:27
memorable.
4:30
Never
4:31
fail.
4:31
And
4:31
it
4:32
never
4:32
fails
4:32
to
4:32
make
4:32
me
4:33
cry
4:33
at
4:33
the
4:33
end.
4:34
That's
4:34
it.
4:34
That's
4:35
a
4:35
tweet.
4:35
Every
4:36
time.
4:37
Every
4:37
time.
4:37
Like,
4:38
lately,
4:38
like,
4:39
I
4:39
always
4:39
cry
4:39
at
4:39
the
4:40
end
4:40
because
4:40
I
4:41
watched
4:41
it.
4:41
Like,
4:41
this
4:41
is
4:42
the
4:43
third
4:43
time
4:44
I
4:44
watched
4:44
it
4:44
and
4:45
I
4:45
still
4:45
cry.
4:46
Yeah,
4:47
it's
4:47
impactful
4:48
for
4:48
sure.
4:48
Yeah.
4:49
This
4:49
is
4:49
an
4:49
incredible
4:50
episode.
4:50
There's
4:51
like
4:51
so
4:52
much
4:52
going
4:52
on
4:53
and
4:53
I
4:53
know
4:54
it's
4:54
like
4:54
mostly
4:55
Hen
4:56
and
4:56
Eddie's
4:57
like,
4:57
storyline.
4:57
Like,
4:58
it's
4:58
pretty
4:58
much
4:58
an
4:59
AB
4:59
storyline,
5:00
but
5:01
there's
5:01
just,
5:02
there's
5:02
little
5:03
moments
5:03
for
5:04
everybody
5:04
in
5:05
it.
5:05
It's
5:05
done
5:06
so
5:06
well.
5:07
Like,
5:07
everyone's
5:08
acting
5:08
because
5:08
it
5:09
carries
5:09
a
5:09
lot
5:09
of
5:09
like,
5:10
emotional
5:10
weight
5:11
as
5:11
well.
5:11
Like,
5:12
like
5:12
the
5:12
funnies
5:13
are
5:13
so
5:13
funny
5:14
and
5:14
the
5:14
lows
5:14
are
5:15
so
5:15
low.
5:16
And
5:16
it's.
5:17
It's
5:17
also
5:17
kind
5:17
of
5:17
interesting
5:18
to
5:18
watch
5:20
this
5:20
episode
5:21
kind
5:21
of
5:21
after
5:22
everything
5:22
with
5:23
eight
5:23
in
5:23
like
5:24
the
5:24
second
5:24
half
5:24
of
5:24
eight,
5:25
to
5:25
see
5:25
how
5:26
deeply
5:27
unexpected
5:28
tragedies
5:29
affect
5:29
our
5:30
characters
5:31
in
5:31
this
5:31
way
5:32
as
5:32
well.
5:33
So
5:33
just
5:33
to
5:33
kind
5:33
of
5:34
use
5:35
like
5:35
14,
5:36
15,
5:36
16,
5:37
17,
5:38
18
5:39
and
5:39
compare
5:40
it
5:40
with.
5:40
With
5:41
something
5:41
like
5:41
this
5:41
where
5:41
it's,
5:42
you
5:42
know,
5:42
very
5:43
much
5:43
like
5:43
out
5:43
of
5:44
people's
5:44
control.
5:45
I
5:45
think
5:45
that's
5:45
a
5:46
similar
5:46
thing.
5:46
I'll
5:46
talk
5:46
about
5:47
that
5:47
more
5:47
in
5:47
themes,
5:48
but
5:49
like,
5:49
it's
5:49
interesting
5:50
to
5:50
look
5:50
at
5:50
both
5:50
of
5:51
those
5:51
in
5:51
that
5:52
context.
5:52
Excellent
5:53
episode.
5:54
Pretty
5:54
Funny
5:54
until
5:55
it's
5:55
depressing
5:55
as
5:56
fuck.
5:56
Like,
5:58
it's
5:58
just
5:58
the
5:58
way
5:58
it
5:59
ends.
5:59
And
5:59
I'm
5:59
like,
6:00
oh,
6:00
my
6:00
God.
6:01
And,
6:01
like,
6:01
the
6:02
way
6:02
that
6:02
we're
6:02
watching
6:02
it
6:03
right
6:03
now,
6:03
like,
6:04
when
6:04
I
6:04
originally
6:04
watched
6:05
it,
6:05
I
6:05
binged
6:05
it.
6:06
So
6:06
I
6:06
was
6:06
like,
6:06
okay,
6:06
let's
6:07
see
6:07
what
6:07
happens
6:07
next
6:07
immediately.
6:08
And,
6:08
like,
6:09
not
6:09
be
6:09
sitting
6:10
in
6:10
that
6:10
moment.
6:10
But
6:10
because,
6:11
like,
6:11
I
6:12
don't
6:12
normally
6:12
watch
6:13
ahead
6:13
in
6:13
the
6:13
rewatch
6:15
for
6:15
the
6:15
podcast,
6:16
I'm
6:17
just,
6:17
like,
6:17
living
6:17
in
6:18
that
6:18
moment
6:19
at
6:19
the
6:19
end
6:19
of
6:19
the
6:19
episode.
6:20
Yeah.
6:20
Because
6:20
it
6:21
just
6:21
ends
6:21
for
6:22
a
6:22
week.
6:22
It
6:23
just
6:23
ends.
6:24
It
6:24
really
6:24
just
6:24
leaves
6:25
you.
6:25
Incredible
6:26
fucking
6:27
work
6:27
by
6:27
Aisha
6:28
Hines,
6:28
of
6:28
course.
6:29
Just
6:30
astonishing,
6:31
the
6:31
amount
6:32
of,
6:32
like,
6:32
emotion
6:33
that
6:33
she
6:33
can
6:33
push
6:33
through
6:34
a
6:34
TV
6:35
screen
6:35
and
6:36
make
6:36
you
6:36
feel.
6:37
And
6:37
Ryan
6:38
knocked
6:39
this
6:39
episode
6:39
out
6:39
of
6:40
the
6:40
park
6:40
too.
6:40
Like
6:41
that
6:41
scene
6:41
with
6:41
Bobby.
6:42
Did
6:42
he
6:42
knock
6:42
it
6:43
out?
6:43
Ah,
6:43
ha
6:44
ha.
6:45
Yeah.
6:45
I
6:46
don't
6:46
know.
6:46
It's
6:46
just.
6:47
I
6:47
think
6:47
it's
6:48
such
6:48
a
6:48
great
6:49
ensemble
6:49
episode,
6:50
and
6:50
I.
6:51
I
6:51
miss
6:51
this
6:52
kind
6:52
of
6:52
vibe
6:52
so
6:53
much
6:53
where,
6:53
like,
6:54
even
6:54
though
6:55
we
6:55
really
6:55
only
6:55
had
6:55
an
6:56
A
6:56
and
6:56
B
6:56
plot,
6:57
it
6:57
was
6:57
such
6:57
a
6:57
huge
6:58
focus
6:58
on
6:58
Hen
6:59
and
6:59
Eddie,
7:00
we
7:00
still
7:00
touched
7:01
base
7:01
with
7:02
everyone
7:02
a
7:02
little
7:03
bit.
7:03
Everyone
7:03
was
7:04
so
7:04
involved.
7:05
Yes.
7:05
And
7:06
we
7:06
had.
7:07
We
7:07
had
7:07
the
7:07
little
7:07
moment
7:08
in
7:08
the
7:08
kitchen
7:08
with
7:08
Athena
7:09
and
7:09
Bobby,
7:10
and
7:10
then
7:10
we
7:10
have
7:11
the
7:11
moment
7:11
in
7:11
Buck's
7:12
kitchen
7:12
with
7:12
Buck
7:13
and
7:13
Maddie
7:14
and
7:14
Chimney.
7:15
So,
7:15
yeah,
7:15
I
7:16
don't
7:16
know.
7:16
It's
7:16
just
7:17
a
7:17
great
7:17
episode.
7:18
The
7:19
ending
7:19
is
7:20
a
7:20
lot
7:20
great,
7:21
but
7:21
emotionally
7:21
taxing.
7:22
Mm.
7:23
It's
7:23
a
7:23
little,
7:24
like.
7:24
Like,
7:25
soul
7:25
crushing.
7:27
I'm
7:27
like,
7:28
one
7:28
minute.
7:29
I'm
7:29
gonna
7:29
time
7:29
myself
7:29
for
7:30
one
7:30
minute
7:30
to
7:30
complain
7:30
about
7:31
this.
7:31
Okay.
7:34
Why
7:34
did
7:34
the
7:35
show
7:35
make
7:35
me
7:35
more
7:35
sad
7:36
about
7:36
this
7:36
girl
7:36
I
7:37
knew
7:37
for
7:37
two
7:37
minutes
7:38
dying?
7:40
Why
7:40
did
7:40
they
7:41
make
7:41
me
7:41
more
7:41
sad
7:42
than
7:42
that?
7:42
And
7:42
show
7:42
me
7:43
everyone
7:43
reacting?
7:45
And
7:45
I
7:46
don't
7:46
know.
7:46
I
7:47
just
7:47
feel
7:47
like,
7:48
why
7:48
was
7:48
that
7:48
done
7:49
so
7:49
well?
7:49
But
7:50
Bobby
7:51
dying?
7:54
The
7:54
emotional
7:54
impact
7:55
was
7:55
just
7:55
like,
7:56
why
7:56
is
7:56
it
7:56
happening
7:57
this
7:57
way?
7:58
I
7:58
don't
7:58
know.
7:58
There.
7:59
I
7:59
only
7:59
needed
7:59
30
8:00
seconds.
8:00
Incredible.
8:02
I
8:02
wish
8:02
I
8:03
had
8:03
answers.
8:04
Maybe
8:04
we'll
8:04
talk
8:04
about
8:05
it.
8:05
Maybe
8:05
we'll.
8:06
We'll
8:06
find
8:06
those
8:06
answers
8:07
when
8:07
we
8:07
get
8:07
to
8:07
our
8:07
scene
8:07
dissection.
8:08
Maybe.
8:09
Oh,
8:10
yeah.
8:10
True,
8:10
true,
8:11
true.
8:11
Yeah.
8:12
Okay,
8:12
let's
8:13
go
8:13
for
8:13
that.
8:14
All
8:14
right.
8:14
Put
8:15
me
8:15
out
8:15
of
8:15
my
8:15
misery.
8:16
I
8:16
will
8:16
willingly
8:17
just
8:18
put
8:18
myself
8:18
into
8:18
the
8:19
open.
8:19
Jaws
8:19
of
8:19
life.
8:24
We're
8:25
gonna
8:25
need
8:25
the
8:25
jaws
8:25
of
8:26
life
8:26
over
8:26
here.
8:28
Take
8:28
me
8:28
out.
8:30
I'm
8:30
so
8:31
tired,
8:31
you
8:31
guys.
8:32
That's
8:32
how
8:32
I
8:32
felt
8:33
so
8:33
tired
8:34
this
8:34
morning.
8:36
I
8:36
was
8:36
like,
8:37
I'm
8:37
sorry.
8:38
I
8:38
can
8:38
do
8:38
the
8:38
Jaws
8:39
of
8:39
Life
8:39
by
8:39
myself
8:40
later.
8:40
No,
8:41
I'M
8:41
just
8:41
so
8:42
tired.
8:43
I'm
8:43
so
8:43
tired.
8:44
It's
8:44
just
8:44
like,
8:45
really
8:45
harsh
8:46
in
8:46
my.
8:46
Vibe,
8:47
you
8:47
know,
8:48
mellow.
8:50
There
8:50
was
8:50
no
8:50
mellow
8:51
to
8:51
be
8:51
found.
8:52
I
8:53
don't
8:53
think
8:53
mellow's
8:54
a
8:54
word
8:54
people
8:55
have
8:55
ever
8:55
used
8:55
to
8:56
describe
8:56
me.
8:57
Fair.
8:59
My
8:59
bad,
9:00
My
9:00
bad.
9:03
That
9:03
was
9:03
a
9:04
transition.
9:07
It
9:08
made
9:08
me
9:08
concerned
9:10
for
9:10
context.
9:11
Podcast
9:11
listeners.
9:12
I
9:13
haven't
9:13
slept
9:13
that
9:14
much
9:14
in
9:14
the
9:14
past
9:14
week.
9:16
I'm
9:16
hungover
9:18
and
9:19
still
9:19
is
9:19
hungover,
9:20
even
9:20
though
9:21
it's
9:21
like
9:22
5pm
9:25
I'm
9:25
here
9:25
anyways.
9:28
Oh,
9:29
and
9:29
Rachel
9:29
is
9:30
also
9:30
here.
9:31
Rachel
9:31
is
9:31
also
9:32
here,
9:32
feeling
9:33
fine,
9:34
having
9:34
slept.
9:36
All
9:36
right.
9:36
I
9:37
didn't
9:37
find
9:37
any
9:37
press
9:38
articles.
9:38
There
9:39
were
9:39
a
9:39
couple
9:40
interviews
9:40
with
9:40
Aisha,
9:41
but
9:41
those
9:41
are
9:42
actually
9:42
for
9:42
next
9:42
week,
9:43
next
9:43
episode.
9:44
Yeah,
9:44
that
9:44
makes
9:44
sense.
9:44
So
9:44
I
9:45
will
9:45
talk
9:45
about
9:45
that
9:46
then.
9:46
I
9:47
don't
9:47
think
9:47
we
9:47
really
9:47
have
9:48
any
9:48
for
9:48
now.
9:48
Again,
9:49
if
9:49
I
9:50
miss
9:50
anything
9:51
and
9:51
you
9:51
know
9:51
of
9:52
a
9:52
press
9:52
article
9:53
for
9:53
specific
9:53
episodes,
9:54
send
9:55
it
9:55
to
9:55
me.
9:55
Link
9:55
them
9:56
to
9:56
us.
9:57
So
9:57
instead,
9:58
we're
9:58
gonna
9:59
talk
9:59
a
9:59
little
9:59
bit
9:59
about
10:00
production
10:00
stuff.
10:01
So
10:02
this
10:02
is
10:02
the
10:03
second
10:03
episode
10:04
for
10:04
911,
10:05
directed
10:05
by
10:05
Joaquin
10:06
Sidio.
10:06
The
10:07
first
10:07
one
10:07
that
10:07
he
10:08
did
10:08
was
10:08
304,
10:09
which
10:09
was
10:09
triggers.
10:10
That's
10:11
when
10:12
Buck
10:12
was
10:13
being
10:13
Fire
10:13
Marshal
10:14
Buck
10:14
and
10:15
everything.
10:15
And
10:15
Joaquin
10:16
Cedillo
10:16
is
10:17
also
10:18
the
10:18
director
10:19
of
10:19
photography,
10:20
so
10:21
I
10:21
thought
10:21
it
10:21
was
10:21
interesting
10:22
too.
10:22
And
10:22
I.
10:23
And
10:23
I'm
10:23
glad
10:23
we
10:24
started
10:24
including
10:24
the
10:25
director
10:25
of
10:25
photography
10:26
for
10:26
this
10:26
episode
10:26
because
10:26
I
10:27
was
10:27
like,
10:27
well,
10:27
wait,
10:28
because
10:28
Joaquin
10:29
Sidio
10:29
is
10:30
usually
10:30
the
10:30
director
10:31
of
10:31
photography.
10:32
So,
10:32
like,
10:32
I
10:32
was
10:32
wondering
10:33
that
10:33
earlier.
10:33
I
10:33
was
10:33
like,
10:33
is
10:33
he
10:34
pulling
10:34
Double
10:34
Duty?
10:35
Can
10:35
you
10:35
even
10:35
physically
10:36
do
10:36
that?
10:36
I
10:36
don't
10:36
think
10:36
you
10:36
can.
10:37
So
10:37
I
10:38
was
10:38
like,
10:38
okay,
10:39
wait,
10:39
so
10:39
who
10:40
actually
10:40
is
10:41
the
10:41
director
10:41
of
10:41
photography?
10:42
Because
10:42
they
10:42
have
10:42
to
10:42
shuffle
10:43
that.
10:43
So
10:44
I
10:44
realized
10:45
it
10:45
was
10:45
Dwayne
10:46
Milwaukee,
10:46
and
10:47
he's
10:47
usually
10:48
the
10:48
camera
10:49
operator,
10:49
and
10:50
he
10:50
has
10:50
some
10:51
additional
10:51
cinematographer
10:52
credits.
10:52
So
10:53
he's
10:53
been
10:53
around
10:54
for
10:54
about,
10:55
like,
10:55
seasons
10:55
two
10:56
through
10:56
seven.
10:56
I'm
10:57
not
10:57
sure
10:57
there
10:57
was
10:57
season
10:57
four
10:58
in
10:58
there.
10:58
Was
10:58
he.
10:59
Was
10:59
he
10:59
the
10:59
director
11:00
of
11:00
photography
11:00
for
11:01
four
11:01
as
11:01
well?
11:01
304.
11:02
Yeah.
11:03
Yes.
11:03
Okay,
11:04
cool.
11:04
So
11:05
they
11:05
had
11:05
to
11:05
shuffle
11:05
that
11:05
around
11:06
a
11:06
little
11:06
bit,
11:06
which
11:06
I
11:06
think
11:06
is
11:07
interesting.
11:07
So
11:07
it's
11:08
like
11:08
you're
11:08
just
11:09
moving
11:09
some
11:09
people
11:09
around.
11:10
But
11:11
as
11:11
a
11:11
camera
11:11
operator
11:12
and
11:12
additional
11:13
cinematographer,
11:14
that
11:15
seems
11:15
like
11:15
a
11:15
pretty
11:16
easy
11:17
role
11:17
to
11:17
fill.
11:18
And
11:19
kind
11:20
of,
11:20
like
11:20
I
11:20
mentioned
11:20
earlier,
11:21
I
11:21
think
11:21
Theo
11:22
really
11:22
handles
11:23
the
11:23
tone
11:23
shifts
11:24
in
11:24
this
11:24
episode
11:25
very
11:25
well.
11:26
And
11:26
it's
11:26
also
11:27
written
11:27
very
11:27
well
11:27
by
11:28
Tanya
11:28
Kong.
11:28
So,
11:29
like,
11:29
the.
11:30
The
11:31
both
11:31
of
11:31
those
11:31
handle
11:32
it
11:32
very
11:32
well.
11:33
So
11:33
they're
11:34
able
11:34
to
11:34
switch
11:34
between,
11:35
like,
11:35
the
11:35
humor
11:36
of
11:36
Bobby's
11:36
figure
11:37
Skating
11:37
stuff
11:38
and
11:38
the
11:39
silliness
11:40
of
11:40
the
11:41
warehouse
11:41
robots
11:42
and
11:42
how,
11:42
like,
11:43
bizarre
11:43
and
11:45
kind
11:45
of
11:45
stupid
11:46
slapstick
11:47
that
11:47
is.
11:48
And
11:48
then
11:49
like,
11:49
pivot
11:50
to
11:50
the.
11:51
The
11:51
action
11:52
of
11:53
Eddie's
11:54
fight
11:54
club
11:54
stuff.
11:55
But
11:55
then
11:55
you
11:56
have
11:56
all
11:56
of
11:56
that
11:57
emotional
11:57
devastation
11:59
with
11:59
Eddie
12:00
and
12:00
hen
12:01
and
12:01
the
12:02
ambulance
12:02
crash.
12:02
So
12:03
it's
12:03
like.
12:03
It's
12:04
so
12:04
many
12:04
different
12:05
tonal
12:06
genres
12:07
and
12:07
it
12:07
all
12:07
comes
12:08
together,
12:08
like,
12:08
very
12:08
well.
12:09
So
12:09
it's
12:10
the
12:10
same
12:10
writer,
12:11
director,
12:11
and
12:12
DP
12:12
for
12:12
both
12:12
this
12:13
and
12:13
Trigger.
12:13
Yes.
12:14
I
12:14
was
12:14
just
12:14
about
12:14
to.
12:15
I
12:15
was
12:15
just
12:15
about
12:16
to
12:16
say
12:16
Tanya
12:17
Kong
12:17
also
12:18
wrote
12:18
304.
12:19
So
12:19
it's
12:19
the
12:19
same
12:20
team,
12:21
like,
12:21
leading
12:22
for.
12:23
For
12:23
both
12:23
episodes.
12:24
Only
12:24
two
12:25
episodes
12:25
of
12:25
OG
12:26
she
12:26
wrote.
12:26
She
12:27
wrote.
12:27
Yeah,
12:28
these
12:28
two
12:28
for
12:28
OG
12:29
but.
12:29
And
12:29
she
12:30
wrote
12:30
three
12:30
for
12:30
Lone
12:30
Star.
12:31
Yeah.
12:32
I
12:32
really
12:32
like
12:32
these
12:32
two
12:32
episodes.
12:33
I
12:33
really
12:33
do
12:33
too.
12:34
I
12:34
also
12:34
saw
12:35
in.
12:35
In
12:35
her
12:35
IMDb
12:36
that
12:37
it
12:37
makes
12:37
sense
12:37
that
12:38
we
12:38
like
12:38
her
12:38
stuff
12:39
because
12:39
she's
12:40
credited
12:40
as
12:41
a
12:41
story
12:41
editor
12:42
for
12:43
season
12:44
three
12:44
of
12:44
Daredevil,
12:45
the
12:45
Netflix
12:46
version.
12:47
And
12:47
she
12:48
wrote
12:49
My
12:49
Heart
12:50
six
12:50
of
12:50
Daredevil,
12:51
which
12:51
was
12:52
the
12:52
perfect
12:52
game
12:52
for
12:52
anyone
12:53
who
12:53
doesn't
12:53
know,
12:54
which
12:54
I
12:54
don't
12:54
know
12:54
why
12:54
you
12:55
wouldn't
12:55
yet.
12:56
We
12:56
all
12:56
love
12:56
Marvel
12:57
very
12:57
much
12:57
and
12:57
we
12:58
are
12:58
big
12:58
fans
12:58
of
12:58
Daredevil,
12:59
none
13:00
more
13:00
so
13:00
than
13:00
Hannah.
13:01
But
13:04
the
13:04
episode
13:04
that
13:05
she
13:05
wrote
13:05
was
13:05
when
13:06
in
13:06
season
13:07
three,
13:07
Fisk
13:07
was
13:08
getting
13:08
ready
13:08
to
13:09
pin
13:10
all
13:10
of
13:10
that
13:10
stuff
13:11
on.
13:11
On
13:12
Point
13:12
Dexter.
13:13
So
13:13
you
13:13
get
13:13
like
13:14
that
13:14
black
13:14
and
13:14
white.
13:15
Yeah.
13:15
Flashback
13:16
sort
13:16
of
13:16
stuff.
13:17
And.
13:17
And
13:17
I
13:17
was
13:17
like,
13:18
wait,
13:18
we
13:18
love
13:18
that
13:19
episode.
13:20
It's
13:20
a
13:20
really
13:20
good.
13:20
It's
13:21
a
13:21
fantastic
13:21
episode.
13:22
So
13:22
I
13:22
thought
13:22
that
13:22
was
13:22
really
13:23
interesting
13:24
that,
13:25
you
13:25
know,
13:25
all
13:26
of
13:26
those
13:26
genres
13:27
really
13:28
meld
13:29
into
13:29
each
13:29
other.
13:29
And
13:30
it's
13:31
kind
13:31
of
13:31
similarly
13:32
with
13:32
that
13:32
episode
13:33
of
13:33
Daredevil.
13:34
So
13:34
fabulous
13:35
work
13:35
by
13:35
Tanya
13:36
Kong.
13:36
And
13:36
just
13:37
like,
13:37
the
13:37
way
13:37
everything
13:37
came
13:38
together
13:39
was
13:39
pretty
13:40
fantastic.
13:40
And
13:40
I
13:40
like.
13:41
I
13:41
like
13:41
seeing
13:42
the
13:42
same
13:42
kind
13:43
of
13:43
the
13:44
same
13:44
teams,
13:45
like
13:46
the
13:46
same
13:47
writers,
13:47
directors
13:48
get
13:48
paired
13:48
up
13:49
because
13:49
I
13:49
think
13:49
then
13:49
you
13:50
get
13:50
like,
13:50
such
13:51
a
13:51
great
13:52
working
13:52
relationship
13:53
and
13:53
probably
13:54
a
13:54
shorthand
13:55
as
13:55
well
13:56
that
13:56
ends
13:56
up
13:56
being,
13:57
like,
13:57
really
13:57
interesting.
13:58
And.
13:58
And
13:58
you
13:58
can
13:59
really
13:59
cohesive,
14:00
like
14:00
visual.
14:00
Story
14:01
and
14:01
then
14:01
you
14:01
can
14:01
play
14:02
around
14:02
with
14:02
stuff.
14:02
And
14:03
then
14:03
we
14:04
also
14:04
have
14:05
some
14:06
sound
14:06
design
14:07
stuff,
14:07
which
14:07
I
14:08
thought
14:08
was
14:08
kind
14:08
of
14:08
interesting.
14:09
I
14:09
was
14:09
picking
14:09
up
14:09
on
14:09
a
14:10
little
14:10
bit.
14:10
I
14:10
was
14:10
like.
14:10
I
14:11
put
14:11
my
14:11
hand
14:11
ears
14:12
on.
14:13
So
14:14
being
14:15
our
14:15
audience,
14:15
where
14:16
those
14:16
went.
14:16
Our
14:17
audio
14:17
guru.
14:18
Yeah.
14:18
So
14:19
at.
14:20
At
14:20
the
14:21
ice
14:21
skating
14:22
call,
14:23
when
14:25
the.
14:25
The
14:26
person
14:26
in,
14:26
like,
14:26
the.
14:27
The
14:27
witch
14:28
costume,
14:29
I
14:29
assume
14:30
that's
14:30
the,
14:32
like
14:32
the
14:32
green.
14:33
And
14:33
I'm
14:34
assuming
14:34
that's
14:34
the
14:34
one
14:35
with
14:35
the
14:35
witch
14:36
in
14:36
like
14:36
the
14:36
gingerbread
14:37
house.
14:37
Right.
14:37
Because
14:37
it's
14:37
handsome.
14:39
I
14:39
think
14:39
his
14:39
name
14:39
is
14:39
Randy.
14:40
When
14:40
Randy
14:41
was
14:41
explaining
14:42
how
14:42
the
14:42
skaters
14:43
went
14:43
full
14:44
toe
14:44
pick
14:45
to
14:45
Bobby,
14:46
it
14:46
actually
14:47
like
14:47
repeated
14:48
the
14:48
same
14:48
little
14:48
like
14:49
bell
14:49
sound
14:50
that
14:50
they
14:50
used
14:51
when
14:51
the
14:51
sequin
14:51
fell
14:52
off
14:52
and
14:52
like
14:53
landed
14:53
on
14:53
the
14:53
ice
14:54
that
14:54
they
14:54
had
14:55
just
14:55
a
14:55
couple
14:55
minutes
14:56
previous
14:57
prior.
14:58
Previous.
14:59
Previous.
14:59
Previous
14:59
prior.
15:00
Prior.
15:01
And
15:01
I
15:01
thought
15:01
that
15:01
was
15:02
kind
15:02
of
15:02
interesting,
15:02
like
15:03
an
15:03
interesting,
15:04
like,
15:07
wow,
15:10
I'm
15:11
just
15:11
going
15:11
to
15:11
continue.
15:11
I
15:11
thought
15:11
that
15:12
was
15:12
an
15:12
interesting
15:12
like
15:13
audio
15:14
callback
15:14
there.
15:15
But
15:15
it
15:15
also
15:15
kind
15:16
of
15:16
like
15:16
the
15:17
way
15:17
that
15:17
the
15:18
camera
15:18
was
15:18
on
15:18
Bobby
15:19
at
15:19
that
15:19
moment,
15:19
it
15:20
kind
15:20
of
15:20
sounded,
15:20
it
15:21
kind
15:21
of
15:21
made
15:21
it
15:21
sound
15:21
like
15:22
a
15:22
little
15:22
light
15:22
bulb
15:22
going
15:23
off
15:23
in
15:24
his
15:24
head.
15:24
And
15:25
I
15:25
think
15:25
that's
15:25
kind
15:25
of
15:26
what
15:26
it
15:26
was.
15:26
He's
15:26
like,
15:27
ah,
15:27
I
15:28
know,
15:28
I
15:28
know
15:29
exactly
15:29
what
15:29
that
15:29
means.
15:31
So
15:32
I
15:32
thought
15:32
that
15:32
was,
15:32
that
15:32
was
15:33
like
15:33
a
15:33
really
15:33
cute
15:34
little
15:34
sound
15:34
design
15:35
addition.
15:36
And
15:37
then
15:37
there
15:38
was
15:38
another
15:38
point.
15:39
It's
15:40
during
15:40
the
15:41
first
15:41
ambulance
15:42
ride
15:42
when
15:43
and
15:44
Chimney
15:44
are
15:44
going
15:45
to
15:45
the
15:45
warehouse
15:46
and
15:47
you
15:47
know,
15:48
Hen
15:48
is
15:48
really
15:48
distracted
15:49
and
15:49
Chimney's
15:50
trying
15:50
to
15:50
get
15:50
her,
15:50
you
15:51
know,
15:51
head
15:51
back
15:51
in
15:51
the
15:52
game
15:52
and
15:52
everything
15:52
like
15:52
that.
15:53
You
15:53
hear
15:53
like
15:53
the
15:54
siren
15:54
and,
15:54
and
15:55
there's
15:55
a
15:55
lot
15:56
of
15:56
sound
15:56
going
15:56
on.
15:56
So
15:57
you
15:57
hear
15:57
like
15:57
the
15:57
siren
15:58
and
15:58
like
15:58
the,
15:59
there's
15:59
like
15:59
the
15:59
little
16:00
beeps
16:01
of
16:01
I
16:01
think
16:01
the
16:01
medical
16:02
equipment
16:02
going
16:03
on,
16:03
but
16:03
there's
16:03
also
16:04
a
16:04
little
16:04
bit
16:04
underneath
16:05
that.
16:05
Like
16:06
it's
16:06
almost
16:06
like
16:06
a
16:06
little
16:07
that,
16:08
that
16:08
continues
16:09
to
16:09
happen
16:09
and
16:09
it's
16:10
on
16:10
the
16:10
same
16:10
beat
16:10
as
16:11
the,
16:11
like
16:12
the
16:12
medical
16:12
equipment
16:13
supply
16:13
beeps.
16:14
And
16:15
it's
16:16
kind
16:16
of,
16:16
to
16:16
me,
16:16
it
16:17
kind
16:17
of
16:17
felt
16:17
like
16:18
building
16:18
tension
16:19
because,
16:19
you
16:20
know,
16:20
Ken
16:20
is
16:20
distracted,
16:21
she's
16:21
driving
16:22
like,
16:22
oh
16:23
no.
16:23
What's
16:23
gonna
16:24
happen?
16:24
Like
16:25
just
16:25
kind
16:25
of
16:25
like
16:26
on,
16:27
on
16:27
a
16:27
regular
16:28
interval
16:29
and
16:29
it's
16:30
kind
16:30
of
16:30
unsettling,
16:30
but
16:31
nothing
16:31
bad
16:31
happens.
16:32
But
16:32
they
16:33
don't
16:33
do
16:33
that.
16:34
But
16:34
they.
16:34
So
16:35
it
16:35
kind
16:35
of
16:35
like
16:35
sets
16:36
up
16:36
this
16:36
expectation
16:37
or
16:38
this,
16:38
this
16:38
anticipation
16:40
of
16:40
something
16:40
bad
16:40
will
16:41
happen
16:41
which
16:42
gets
16:43
fulfilled
16:44
on
16:44
the
16:45
second
16:45
ambulance
16:46
drive
16:47
where
16:47
that
16:47
sound
16:48
is
16:48
not
16:48
present
16:49
because
16:49
Hen
16:50
is
16:50
like
16:51
she's
16:51
back
16:52
and
16:52
she's
16:52
at
16:52
it
16:52
and
16:52
her
16:53
head's
16:53
in
16:53
the
16:53
game.
16:53
And
16:53
then
16:54
it's
16:54
like,
16:55
nevermind.
16:56
So
16:56
I
16:56
thought
16:56
that
16:56
was
16:56
kind
16:57
of
16:57
interesting.
16:57
And
16:58
then
16:58
the
16:58
last
16:58
thing
16:59
I
16:59
think
16:59
I
16:59
have
16:59
for
16:59
that
17:00
is
17:01
just,
17:01
just
17:02
another
17:02
Tim
17:03
My
17:03
Near
17:03
Classic
17:04
of
17:04
pulling.
17:05
From
17:05
real
17:06
life
17:07
to
17:07
my
17:07
near
17:07
special.
17:09
The
17:10
Tim
17:10
My
17:10
Near
17:10
Special,
17:11
which
17:11
is
17:12
Ryan
17:12
Guzman's
17:13
real
17:13
life
17:14
history
17:14
as
17:14
an
17:14
MMA
17:15
fighter.
17:15
Like
17:16
what
17:16
she
17:16
absolutely
17:17
had
17:17
in
17:17
mind
17:17
when
17:18
he
17:18
was
17:18
like
17:19
writing
17:19
this
17:19
storyline.
17:20
This
17:20
storyline?
17:21
Oh,
17:21
yeah,
17:22
absolutely.
17:22
There's
17:22
no
17:23
way
17:23
yeah,
17:23
so
17:24
apparently
17:24
he
17:24
was.
17:25
Ryan
17:26
Guzman
17:26
had
17:26
been
17:26
an
17:27
MMA
17:27
fighter
17:28
for
17:29
quite
17:29
a
17:29
while.
17:30
I
17:30
think
17:30
he.
17:31
He
17:31
talks
17:31
about
17:31
it
17:32
fairly
17:32
frequently,
17:33
but
17:33
there's
17:34
this
17:35
one
17:35
interview.
17:36
It's
17:36
with
17:36
the
17:36
Zach
17:37
Sang
17:37
show.
17:37
It
17:38
was
17:38
on
17:38
YouTube.
17:38
And
17:39
it's
17:39
a
17:40
fantastic
17:40
interview.
17:40
It's
17:41
like
17:41
an
17:41
hour
17:41
long,
17:41
so,
17:41
like,
17:42
go
17:42
watch
17:42
that
17:42
anyways.
17:43
But
17:44
in
17:44
it,
17:45
there's
17:45
a
17:46
segment
17:46
where.
17:46
Where
17:47
they
17:47
are
17:47
talking
17:47
about
17:48
his
17:48
history
17:49
as
17:49
an
17:49
MMA
17:49
fighter,
17:50
and
17:50
he
17:50
kind
17:50
of
17:50
talks
17:51
about
17:51
his,
17:52
like,
17:53
mindset
17:53
going
17:53
into
17:54
fights,
17:54
which
17:54
I
17:55
think
17:55
all
17:55
of
17:55
us
17:56
found
17:56
really,
17:56
really
17:56
interesting.
17:57
So
17:58
that's
17:58
more
17:58
like.
17:59
I
17:59
thought
17:59
it
17:59
was
18:00
more
18:00
interesting
18:00
than
18:00
just,
18:01
like.
18:01
And
18:01
he
18:01
was
18:02
an
18:02
MMA
18:02
fighter
18:02
and
18:03
he
18:03
fought
18:03
for,
18:03
like,
18:04
however
18:04
many
18:05
years.
18:05
No,
18:05
it
18:05
got.
18:06
He,
18:06
like,
18:07
talks
18:07
about
18:08
his
18:08
mindset
18:08
and
18:09
everything,
18:09
so
18:10
that's
18:10
kind
18:11
of
18:11
cool.
18:11
Go
18:12
check
18:12
that
18:12
out.
18:12
A
18:13
couple
18:13
songs
18:13
for
18:13
Needle
18:14
Drop
18:14
today.
18:15
We
18:15
got
18:15
some.
18:16
I
18:16
don't
18:16
know
18:17
what
18:17
category
18:17
of
18:18
rock
18:18
to
18:18
put
18:19
this
18:19
in.
18:19
Category
18:20
of
18:20
rock.
18:21
Millennial
18:22
Underdog,
18:23
bro
18:23
music.
18:24
Yeah,
18:25
something
18:25
like
18:26
that.
18:26
You
18:26
know
18:26
what
18:26
I
18:27
mean?
18:27
Yeah,
18:27
like,
18:28
early
18:28
arts,
18:29
like,
18:29
the
18:29
world's.
18:30
Keeping
18:30
me
18:30
down
18:31
kind
18:31
of.
18:32
It's.
18:32
It's
18:32
I
18:33
down
18:33
in
18:33
Papa
18:34
Roach,
18:34
like,
18:38
anyway,
18:39
they
18:40
fit
18:40
right
18:40
in
18:40
the
18:40
scenes.
18:41
They're.
18:41
They're
18:42
for
18:42
both
18:42
of
18:42
Eddie's
18:43
fights.
18:44
So
18:44
the
18:44
first
18:44
one
18:45
for
18:45
the
18:45
first
18:45
fight
18:45
is
18:46
Sound
18:46
of
18:46
Madness
18:46
by
18:46
Shinedown.
18:47
Just
18:48
a
18:48
couple
18:48
lyrics
18:49
to
18:49
talk
18:49
about.
18:49
Says,
18:50
I
18:50
created
18:50
the
18:50
Sound
18:50
of
18:51
Madness,
18:51
wrote
18:51
the
18:52
book
18:52
on
18:52
pain.
18:53
Somehow
18:53
I'm
18:53
still
18:53
here
18:54
to
18:54
explain
18:54
that
18:54
the
18:54
darkest
18:55
hour
18:55
never
18:55
comes
18:55
in
18:56
the
18:56
night.
18:56
You
18:56
can
18:56
sleep
18:57
with
18:57
a
18:57
gun,
18:57
but
18:57
when
18:58
you
18:58
gonna
18:58
wake
18:59
up
18:59
and
18:59
fight
18:59
for
18:59
yourself?
19:00
So.
19:04
Ooh.
19:05
This
19:05
is
19:05
all
19:06
just
19:06
very
19:07
much
19:07
about,
19:07
like,
19:08
him
19:09
trying
19:09
to
19:10
not
19:10
think
19:10
about
19:11
everything
19:11
that
19:12
happened
19:12
with
19:12
Shannon.
19:13
Like,
19:13
that's
19:13
what
19:13
all
19:13
of
19:14
the
19:14
fighting
19:14
is
19:15
about,
19:15
because
19:15
it's
19:16
driving
19:16
him,
19:16
like,
19:17
literally
19:17
driving
19:17
him
19:17
insane.
19:18
He
19:18
needs,
19:18
like,
19:19
a
19:19
physical
19:19
outlet
19:19
for
19:19
it
19:20
because
19:20
he
19:21
doesn't
19:21
need
19:21
therapy.
19:22
No,
19:22
why
19:22
would
19:23
he.
19:23
Why
19:23
would
19:23
he
19:23
need
19:24
that?
19:25
So,
19:26
yeah,
19:26
I
19:26
created
19:27
this.
19:27
The
19:27
Sound
19:27
of
19:27
Madness,
19:28
wrote
19:28
the
19:28
book
19:28
on
19:28
pain.
19:29
Like,
19:30
yes,
19:30
he
19:30
is
19:31
creating
19:31
the
19:31
sound
19:31
of
19:32
madness
19:32
in
19:32
his
19:32
head
19:32
by
19:33
letting
19:33
all
19:33
of
19:33
that
19:34
just
19:34
bounce
19:34
around
19:35
and
19:36
up
19:36
there
19:36
and
19:36
not
19:36
talk
19:37
to
19:37
literally
19:37
anyone
19:38
about
19:38
it.
19:38
And
19:39
he's
19:39
writing
19:39
his
19:40
own,
19:41
like,
19:41
sentence,
19:42
basically,
19:43
of,
19:43
like,
19:44
what
19:44
happens
19:44
at
19:44
the,
19:45
like,
19:45
the
19:45
end
19:45
of
19:46
the
19:46
episode.
19:46
Like,
19:46
isn't
19:46
he
19:47
suspended?
19:48
Is
19:48
he
19:49
suspended?
19:49
Or
19:49
does
19:49
he
19:49
just
19:49
have
19:50
to
19:50
get
19:50
therapy?
19:51
Who,
19:51
Eddie?
19:51
Yeah,
19:52
Nothing
19:52
happens
19:53
yet.
19:53
Nothing
19:54
happens.
19:55
No
19:55
consequences
19:56
yet.
19:56
So
19:57
unrealistic.
19:58
Anyway,
19:59
but
19:59
he
19:59
is.
19:59
He
19:59
is
20:00
writing.
20:00
He's
20:01
writing
20:01
his
20:01
own
20:02
kind
20:02
of,
20:02
like,
20:02
downfall
20:03
with
20:03
this
20:03
because,
20:04
like,
20:04
it
20:04
is
20:04
a.
20:04
It
20:05
is
20:05
a
20:05
problem.
20:05
It
20:06
should
20:06
have
20:06
been,
20:06
like,
20:06
realistically
20:07
a
20:07
bigger
20:08
problem.
20:08
And
20:08
then
20:09
that
20:09
you
20:09
can
20:09
sleep
20:09
with
20:09
a
20:09
gun,
20:10
but
20:10
when
20:10
you're
20:10
gonna
20:10
wake
20:11
up
20:11
and
20:11
fight
20:11
for
20:11
yourself,
20:12
it's
20:12
very
20:12
much
20:13
like
20:13
thinking
20:13
about
20:13
sleeping
20:14
with
20:14
a
20:14
gun
20:14
is
20:14
like.
20:15
It
20:15
gives
20:16
you
20:16
a
20:16
false
20:16
sense
20:16
of
20:17
security.
20:18
Right.
20:19
A
20:19
false
20:20
sense
20:20
of,
20:20
like,
20:20
I'm
20:20
okay
20:21
because
20:21
I
20:21
have
20:21
this
20:21
thing
20:21
that'll
20:22
protect
20:22
me,
20:23
when
20:23
really
20:23
the
20:23
thing
20:23
that
20:24
you're
20:24
using
20:24
to
20:24
protect
20:25
yourself
20:25
can
20:25
be
20:26
your
20:26
own
20:26
demise.
20:27
So
20:28
I
20:29
just
20:29
thought
20:29
that
20:29
was
20:30
very
20:31
appropriate.
20:32
And
20:32
especially
20:32
the
20:33
Just
20:33
like,
20:33
when
20:33
are
20:34
you
20:34
gonna
20:34
wake
20:34
up
20:34
and
20:34
fight
20:35
for
20:35
yourself
20:35
instead
20:36
of,
20:36
like,
20:36
fighting
20:37
yourself,
20:37
Fight
20:38
for
20:38
yourself.
20:40
Then
20:40
we
20:40
have
20:41
Born
20:41
for
20:41
Greatness
20:42
by
20:42
Papa
20:42
Roach.
20:44
Sorry,
20:46
are
20:46
you
20:46
gonna
20:47
take
20:47
Papa
20:47
Roach
20:47
seriously?
20:49
Wait,
20:49
when
20:49
was
20:49
this
20:50
one
20:50
playing?
20:51
Was
20:51
it
20:51
during
20:51
the
20:52
second
20:52
fight?
20:52
Okay,
20:53
this
20:53
is
20:53
the
20:53
one
20:53
where
20:53
he
20:54
kills
20:54
a
20:55
guy.
20:55
Yeah.
20:55
Got
20:56
it.
20:56
I'm
20:56
a
20:56
man
20:56
at
20:57
war
20:58
and
20:58
I
20:58
am
20:58
fighting
20:59
for
20:59
all
20:59
of
20:59
the
20:59
broken
21:00
people
21:00
all
21:00
the
21:00
people
21:01
thrown
21:01
overboard
21:02
they
21:02
always
21:02
tried
21:03
to
21:03
shame
21:03
us
21:03
but
21:03
they
21:03
don't
21:04
speak
21:04
our
21:04
language
21:04
no,
21:05
we're
21:05
not
21:05
nameless
21:05
we're
21:06
not
21:06
faceless
21:06
we
21:06
were
21:07
born
21:07
for
21:07
greatness
21:08
okay.
21:10
This
21:11
song,
21:11
actually,
21:11
I
21:11
looked
21:12
up
21:12
the
21:12
meaning
21:12
of
21:13
what
21:13
they
21:13
meant.
21:13
Like,
21:14
Papa
21:14
Rich.
21:14
When
21:14
they,
21:15
like,
21:15
wrote
21:15
it,
21:15
they
21:15
were
21:16
like,
21:16
this
21:16
is
21:16
about
21:16
people
21:16
with
21:17
disabilities
21:17
and
21:18
how,
21:18
like,
21:18
they
21:18
are
21:19
also,
21:19
like,
21:19
born
21:19
for
21:20
greatness.
21:20
And
21:20
I
21:20
was
21:20
like.
21:20
I
21:21
didn't
21:21
know
21:21
Papa
21:21
Roach
21:22
actually,
21:22
like,
21:22
had
21:23
deep
21:23
thoughts
21:23
while
21:23
they
21:23
were
21:23
writing
21:24
lyrics,
21:24
I
21:25
think.
21:25
I
21:25
think
21:25
it's
21:25
not
21:26
familiar
21:26
with
21:26
your
21:26
game.
21:27
Yeah.
21:27
Which
21:28
is
21:28
also
21:28
interesting,
21:28
too,
21:29
with.
21:29
Yeah.
21:29
Like,
21:30
relating
21:30
it
21:30
to
21:31
Eddie
21:31
with
21:32
Christopher
21:32
and
21:32
everything
21:33
like
21:33
that.
21:34
Yeah.
21:35
But
21:35
then
21:35
the
21:35
chorus
21:35
is
21:35
like,
21:36
oh,
21:36
somebody
21:36
sound
21:36
the
21:37
alarm.
21:37
Oh,
21:37
a
21:37
fire
21:38
was
21:38
set
21:38
in
21:38
the
21:38
dark.
21:39
And
21:39
I
21:39
know
21:40
that's
21:40
very,
21:40
like,
21:40
how
21:40
he
21:41
is
21:41
a
21:41
firefighter,
21:42
but.
21:42
No,
21:42
it's
21:43
like,
21:43
literally,
21:44
alarm
21:44
bells
21:45
are
21:45
going
21:45
off
21:46
in
21:46
his
21:46
head.
21:48
Yeah.
21:48
And
21:49
a
21:49
fire
21:49
was
21:49
set
21:49
in
21:50
the
21:50
dark.
21:50
Like,
21:51
the
21:51
fire
21:51
is
21:52
simultaneously,
21:53
like,
21:54
the
21:54
trauma
21:54
from
21:55
Shannon
21:55
and,
21:55
like,
21:56
what
21:56
he
21:56
is
21:57
doing
21:57
to
21:57
himself
21:58
with
21:58
Fight
21:58
Club
21:59
and
21:59
not
21:59
dealing
22:00
or
22:00
processing
22:01
any
22:01
of
22:01
those
22:01
emotions.
22:03
No,
22:03
that's
22:03
so
22:03
true.
22:03
It's
22:04
like.
22:04
It's
22:04
like
22:04
double
22:04
trauma.
22:05
Yeah.
22:06
It's
22:06
punishing
22:07
himself.
22:08
Oh,
22:08
for
22:08
sure.
22:09
For
22:09
sure.
22:11
It's
22:11
time
22:11
you.
22:12
It's
22:12
time.
22:12
You
22:12
know,
22:13
we're
22:13
not
22:14
nameless
22:14
we're
22:14
not
22:15
faceless
22:15
we
22:15
were
22:15
born
22:15
for
22:16
greatness.
22:16
I
22:17
don't
22:17
know
22:17
really
22:17
what
22:17
to
22:18
take
22:18
away
22:18
from
22:18
that.
22:21
I
22:21
think,
22:21
like,
22:22
expectation.
22:23
I
22:23
think
22:23
it's
22:23
maybe
22:24
expectation
22:24
and
22:25
kind
22:25
of,
22:25
like,
22:26
trying
22:27
to,
22:27
like,
22:27
find
22:28
yourself
22:28
in
22:28
your
22:29
place.
22:30
Yeah.
22:30
I
22:31
couldn't
22:31
really
22:31
come
22:31
up
22:31
with
22:32
a
22:32
clear
22:32
yeah.
22:33
Through
22:33
line
22:33
for
22:34
that,
22:34
but
22:34
there
22:34
were
22:34
Definitely
22:35
a
22:35
few
22:35
lines
22:35
in
22:36
there.
22:36
I
22:36
think.
22:36
I
22:37
think
22:37
it's
22:37
expectation
22:38
because
22:38
I'm
22:39
Something
22:39
in
22:40
themes
22:40
that
22:40
I
22:40
picked
22:41
up
22:41
on.
22:42
So
22:42
that
22:42
would
22:42
be.
22:42
That
22:43
would
22:43
be
22:43
an
22:43
interesting
22:44
connection
22:44
there.
22:45
Okay.
22:45
So
22:46
I
22:46
think
22:47
the
22:47
next
22:47
two
22:47
that
22:48
we
22:48
have
22:48
are
22:48
just
22:49
the
22:49
instrumental
22:50
pieces
22:51
that
22:51
we
22:51
get
22:52
with
22:52
Evelyn,
22:53
the.
22:53
The
22:54
Young
22:54
cellists
22:55
story.
22:56
So
22:57
the
22:57
piece
22:58
that
22:58
she
22:58
plays
22:58
for
22:59
her
22:59
gran,
23:01
that
23:01
I.
23:02
I
23:02
think
23:02
is
23:02
the
23:02
one
23:03
that
23:03
she
23:03
would
23:03
have
23:03
been
23:04
playing
23:04
at
23:04
the
23:04
Philharmonic.
23:05
So
23:06
that
23:06
is
23:06
box
23:07
Cello
23:07
Suite
23:08
Number
23:08
one.
23:09
I
23:10
think
23:10
there
23:10
are
23:10
six.
23:11
I'm
23:11
not
23:12
a
23:12
music.
23:12
There's
23:13
six.
23:13
Okay.
23:15
And
23:15
it's
23:16
a
23:16
really
23:16
beautiful
23:16
piece.
23:17
Obviously,
23:17
it's.
23:17
It's
23:18
incredibly
23:18
famous,
23:19
but
23:19
I
23:20
saw
23:21
some.
23:21
Something
23:21
that
23:22
Yo
23:22
Yo
23:23
Ma,
23:23
who
23:23
is
23:23
also
23:24
an
23:24
incredibly
23:25
talented
23:26
and
23:26
famous
23:27
cellist,
23:28
one
23:28
of
23:28
the
23:29
ways
23:29
that
23:29
he
23:30
interprets
23:31
this
23:32
piece,
23:33
this
23:33
interpretation
23:34
that
23:34
he
23:35
has,
23:35
as
23:35
he
23:36
was
23:36
introducing
23:36
it
23:36
before
23:37
he
23:37
played
23:37
it.
23:38
So
23:38
he
23:38
says
23:38
that
23:39
the
23:40
Cello
23:40
Suite
23:41
number
23:41
one
23:42
kind
23:42
of
23:42
represents
23:43
in
23:43
many
23:43
ways
23:44
the
23:44
water
23:44
that
23:44
is
23:44
flowing
23:45
right
23:45
in
23:45
front
23:45
of
23:46
us.
23:46
It's.
23:46
It
23:46
also
23:47
represents
23:47
when
23:47
something
23:48
very
23:49
violent
23:49
and
23:49
tragic
23:50
interrupted
23:51
the
23:51
flow.
23:52
Then
23:52
this
23:52
piece
23:53
also
23:53
includes
23:54
the
23:54
rebuilding
23:54
and
23:55
the
23:55
reimagining
23:56
of
23:56
the
23:56
better
23:56
version
23:57
of
23:57
the
23:57
very
23:57
first.
23:58
So
23:58
I
23:58
thought
23:58
that
23:58
was
23:59
so
23:59
interesting
23:59
because
24:00
of
24:01
him
24:01
saying,
24:01
like,
24:02
it
24:02
represents
24:02
something
24:03
very
24:03
violent
24:03
and
24:04
tragic
24:04
interrupted
24:05
the
24:05
flow,
24:05
which
24:05
is
24:06
quite
24:06
literally
24:07
what
24:07
we
24:07
see
24:08
happen
24:09
with
24:09
the
24:10
ambulance
24:10
crash,
24:11
just,
24:12
like,
24:13
totally
24:13
interrupting
24:15
Evelyn's
24:16
life,
24:16
Hen's
24:17
life.
24:17
Like,
24:18
all
24:18
of
24:19
these
24:19
different
24:20
paths
24:21
coming
24:21
to
24:21
converge,
24:22
and
24:22
it's
24:22
just
24:23
like
24:23
totally
24:24
swerved
24:25
in
24:25
ways
24:26
that
24:26
they
24:26
couldn't
24:26
expect.
24:27
But
24:27
then,
24:28
you
24:28
know,
24:28
we
24:29
know
24:29
Hen
24:29
will
24:29
be
24:29
able
24:30
to,
24:30
like,
24:30
rebuild
24:31
later
24:31
on.
24:31
It'll
24:32
just
24:32
be
24:32
like
24:32
a
24:33
tough.
24:33
A
24:33
tough
24:34
moment
24:34
to
24:34
get
24:35
through.
24:35
So
24:36
I
24:36
thought
24:36
that
24:36
was
24:37
really
24:37
poignant,
24:39
like
24:39
a
24:39
weird
24:40
connection.
24:40
I'm
24:40
glad
24:40
you
24:40
found
24:41
that
24:41
quote
24:41
because,
24:42
like,
24:42
I
24:42
looked
24:42
up
24:42
this
24:43
song
24:43
and
24:43
like,
24:44
the
24:44
Google
24:44
AI
24:45
told
24:45
me
24:45
basically,
24:46
like,
24:46
it's
24:47
about,
24:47
like,
24:48
rebuilding.
24:49
And
24:49
I
24:49
was
24:49
like,
24:49
that
24:50
sounds
24:50
great.
24:50
And
24:50
then
24:50
I
24:50
couldn't
24:51
find
24:51
the
24:51
source
24:52
of
24:52
what
24:52
it
24:52
was
24:52
talking
24:52
about.
24:53
Like,
24:53
I
24:53
literally
24:53
read
24:53
like
24:54
three
24:54
articles.
24:54
It
24:55
was
24:55
like,
24:55
I
24:55
don't
24:55
have
24:55
time
24:55
for
24:56
this.
24:56
I
24:56
hate
24:57
Google.
24:57
Glad
24:57
you
24:58
found
24:58
it.
24:58
Me
24:59
too.
24:59
But
24:59
it
24:59
was
25:00
like,
25:00
I
25:00
was
25:00
like,
25:00
where's
25:00
your
25:01
source?
25:01
And
25:01
I
25:02
looked
25:02
at
25:02
all
25:02
the.
25:02
Usually
25:02
it
25:02
has
25:03
little
25:03
links,
25:03
but.
25:04
Yeah,
25:04
I
25:04
know.
25:05
I
25:05
looked
25:05
at
25:05
him.
25:05
Yeah.
25:05
And
25:06
then
25:06
our
25:06
last
25:06
song
25:07
is
25:08
what's
25:08
playing,
25:09
like,
25:09
at
25:09
the
25:09
very
25:10
end,
25:10
like,
25:10
as
25:11
Athena
25:12
is,
25:13
like,
25:13
comforting
25:14
or
25:14
trying
25:14
to
25:15
comfort
25:15
Hen,
25:16
and
25:16
she's
25:17
watching
25:18
them
25:18
try
25:18
and
25:18
save
25:19
Evelyn.
25:19
And
25:20
it's
25:20
on
25:20
the
25:20
Nature
25:20
of
25:21
Daylight
25:21
by
25:22
Max
25:22
Richter.
25:23
And
25:24
it's.
25:24
Oh,
25:25
My
25:25
God,
25:25
it's
25:25
a
25:25
heart
25:26
wrenching
25:26
song.
25:27
But
25:27
I
25:27
was
25:27
like,
25:27
where
25:28
the
25:28
fuck
25:28
is
25:28
this
25:29
from?
25:29
Because
25:29
I've
25:29
heard
25:30
it
25:30
before.
25:30
It's
25:30
been,
25:31
it's
25:31
been
25:31
played
25:31
in
25:31
a
25:31
lot
25:31
of
25:32
movies
25:33
and
25:33
TV
25:33
shows.
25:33
But
25:34
I
25:34
was
25:34
like,
25:34
specifically
25:35
what
25:35
trauma
25:35
is
25:36
this
25:36
niggling
25:37
in
25:37
my
25:37
brain?
25:38
And
25:38
it's
25:39
Bill
25:40
and
25:40
Frank
25:41
from
25:42
the
25:42
Last
25:42
of
25:42
us
25:43
on
25:43
their
25:43
last
25:44
day.
25:46
This
25:46
is
25:46
the
25:46
song
25:47
that's
25:47
playing.
25:48
Oh,
25:49
no.
25:50
Yeah,
25:50
yeah.
25:52
Anyway,
25:53
excellent
25:54
choice
25:54
and
25:54
song.
25:54
But
25:55
yeah.
25:55
God,
25:56
yeah,
25:56
it's.
25:56
It's
25:57
interesting
25:57
because
25:57
this
25:59
song
25:59
is
25:59
so
26:00
often
26:00
used
26:01
in
26:01
movies
26:02
and
26:02
TV
26:03
for
26:03
moments
26:04
of
26:04
like,
26:04
grief
26:05
or,
26:06
or
26:06
deep
26:06
contemplation.
26:07
And
26:07
I
26:07
think
26:07
it's.
26:08
I
26:08
read
26:09
somewhere
26:09
that
26:09
it's
26:10
probably
26:11
because
26:11
of
26:12
like
26:12
the,
26:13
the
26:13
strings
26:14
and
26:14
like
26:14
the
26:15
waning
26:15
strings
26:16
and,
26:16
and
26:17
everything
26:18
that
26:18
it's
26:18
like
26:18
uneasy
26:19
but
26:19
also
26:20
just
26:20
like
26:20
it
26:20
hits
26:21
you
26:21
so
26:21
deeply.
26:22
And
26:23
I
26:23
also
26:23
saw
26:24
that
26:24
Max
26:24
Richter
26:26
said
26:26
once
26:27
that.
26:28
That
26:28
this
26:28
song
26:29
was
26:30
an
26:30
attempt
26:30
to
26:31
create
26:32
luminous
26:32
music
26:33
out
26:33
of
26:33
the
26:33
darkest
26:34
materials.
26:36
And
26:36
I,
26:36
I
26:37
mean,
26:37
I
26:37
think
26:37
he.
26:37
Created
26:38
this
26:38
whole
26:38
album
26:39
like,
26:40
as
26:40
like
26:40
in
26:40
protest
26:41
of
26:41
the
26:41
Iraq
26:42
war.
26:42
It
26:43
was
26:43
like
26:43
2003,
26:44
I
26:44
think.
26:45
Yeah,
26:45
yeah.
26:46
So
26:46
there's.
26:47
There's
26:47
a
26:48
definite
26:48
like
26:49
dark
26:50
undercurrent
26:51
that
26:51
is.
26:52
That
26:52
is.
26:52
So
26:53
I
26:53
think
26:54
like,
26:54
like
26:54
it
26:54
just
26:55
reaches
26:55
into
26:55
the,
26:55
into
26:56
the
26:56
depths
26:57
of
26:58
the
26:58
listener.
26:59
It's
26:59
one
26:59
of
26:59
those
26:59
pieces
27:00
of
27:00
music
27:00
where
27:01
like,
27:02
sound
27:02
design
27:02
and
27:03
like
27:03
soundtracking
27:04
is
27:04
so.
27:05
Can
27:05
be
27:06
used
27:06
so
27:07
well
27:08
to
27:08
kind
27:08
of
27:08
like,
27:09
not
27:09
only
27:09
enhance
27:10
the
27:10
scene,
27:10
but
27:10
to
27:11
kind
27:11
of
27:11
indicate
27:12
where
27:12
a
27:12
scene
27:12
is
27:12
going
27:12
to
27:13
like,
27:13
kind
27:13
of
27:13
prepare
27:14
the
27:14
audience
27:14
member.
27:15
There's
27:15
no
27:15
way
27:15
that
27:16
you're
27:16
watching
27:16
that
27:16
scene
27:16
thinking
27:17
that
27:17
girl's
27:17
gonna
27:18
live
27:18
with
27:18
that
27:18
music
27:19
playing.
27:19
Like,
27:21
you
27:22
just
27:22
know
27:22
something
27:23
bad,
27:23
something
27:23
horrible.
27:24
Yes,
27:24
exactly.
27:25
It
27:25
is
27:25
hopeless.
27:26
It
27:26
is
27:26
like.
27:27
It's
27:27
heart
27:27
wrenching.
27:28
So,
27:28
yeah,
27:29
you
27:29
know,
27:29
you
27:30
know
27:30
bad
27:30
things
27:30
are
27:30
gonna
27:31
happen
27:31
when
27:31
you
27:31
hear
27:31
that
27:31
song.
27:32
Yeah,
27:33
it's
27:34
really
27:34
indicating
27:35
something
27:35
that
27:36
like,
27:36
you
27:37
already
27:37
know.
27:38
Right.
27:39
But
27:40
it's
27:40
like,
27:40
oh,
27:41
now
27:41
I
27:41
know
27:41
for
27:42
sure.
27:43
All
27:44
right,
27:44
so
27:45
I
27:46
think
27:46
we'll
27:46
just
27:46
move
27:47
into
27:47
our
27:47
little
27:48
redstream
27:48
corner
27:49
for
27:49
today.
27:50
I've
27:50
connected
27:51
the
27:51
dots.
27:52
You
27:52
didn't
27:52
connect,
27:53
so
27:54
it's
27:54
not
27:55
really
27:55
a
27:55
parallel.
27:56
But
27:56
we,
27:57
we
27:57
do
27:57
see
27:58
Ronnie
27:58
Cooper
27:59
back
27:59
as
27:59
captain
28:00
of
28:00
the.
28:00
I
28:01
think
28:01
it's
28:01
the
28:01
136.
28:02
Well,
28:03
because
28:03
we
28:03
see
28:03
Lena
28:04
and
28:04
it's
28:04
her,
28:04
her
28:05
station
28:05
that
28:05
comes
28:06
to
28:07
the
28:07
fight
28:08
club
28:08
call
28:09
and
28:09
we
28:10
see
28:10
Ronnie
28:10
Cooper
28:10
back.
28:11
And
28:11
the
28:11
last
28:11
time
28:11
we
28:12
saw
28:12
him,
28:12
he
28:13
got
28:13
his
28:13
arm
28:13
amputated
28:14
in
28:15
303.
28:16
Yes,
28:17
303.
28:18
And
28:18
I
28:18
was
28:18
like,
28:19
wait,
28:19
what?
28:22
Right.
28:23
Doesn't
28:24
that
28:24
mean.
28:24
Right.
28:25
Like,
28:25
he
28:25
wouldn't.
28:26
I
28:26
don't
28:27
know.
28:27
I
28:27
don't
28:27
know
28:27
what
28:28
the
28:28
deal
28:28
is
28:29
with,
28:30
like,
28:30
if
28:30
you
28:31
just
28:31
got
28:31
your
28:31
arm
28:32
amputated,
28:32
doesn't
28:33
that
28:33
mean
28:33
you
28:33
probably
28:34
shouldn't
28:34
be
28:35
still
28:35
working?
28:36
I
28:37
don't
28:37
know.
28:37
As
28:37
the
28:38
captain,
28:38
as
28:38
a
28:39
fire
28:39
station.
28:41
I
28:41
don't
28:41
know.
28:41
Physically
28:42
demanding
28:42
job.
28:43
Like,
28:43
I
28:43
don't
28:44
even
28:44
know
28:44
that
28:44
enough
28:44
time
28:45
has
28:45
passed
28:45
for
28:45
him
28:45
to,
28:45
like,
28:46
have
28:46
been
28:46
in
28:46
rehab
28:47
and,
28:47
like,
28:47
have
28:47
a
28:48
very
28:49
working,
28:49
functional
28:50
prosthetic
28:50
arm.
28:51
Exactly.
28:53
So
28:53
I
28:53
just
28:53
thought.
28:53
I
28:54
just
28:54
thought
28:54
that
28:54
was
28:54
interesting
28:55
because
28:55
I
28:55
was
28:55
like,
28:55
wait,
28:55
Ronnie
28:56
Cooper?
28:57
And.
28:57
And
28:57
I
28:57
was
28:58
so
28:58
confused.
28:58
And
28:58
I
28:58
watched
28:59
it
28:59
again,
29:00
and
29:00
I
29:00
was
29:00
like.
29:01
I
29:01
was
29:01
like,
29:01
does
29:02
he
29:02
have
29:02
an
29:02
arm?
29:03
And
29:04
you
29:04
can
29:05
see
29:05
his
29:05
prosthetic,
29:06
I
29:06
think,
29:07
at
29:07
the
29:07
point
29:07
where
29:08
they're
29:08
about
29:08
to
29:09
leave
29:09
the
29:09
scene,
29:09
and
29:10
he
29:10
says.
29:10
He
29:11
calls
29:11
Lena,
29:12
says
29:12
that
29:12
they're,
29:12
like,
29:13
on
29:13
their
29:13
way
29:13
out,
29:13
and
29:13
you
29:14
can
29:14
see
29:14
he
29:14
does
29:14
have
29:15
a
29:15
prosthetic.
29:15
Prosthetic.
29:16
So
29:16
I
29:16
thought
29:16
that
29:17
was
29:17
really
29:17
interesting.
29:18
Then
29:19
in
29:19
the
29:20
context
29:21
of
29:21
everything
29:22
that
29:23
maybe
29:23
Buck
29:24
went
29:24
through
29:25
with
29:26
his
29:26
injuries,
29:26
first
29:27
the
29:27
crush
29:27
injury
29:28
for
29:28
the
29:28
leg,
29:28
and
29:28
then
29:29
all
29:29
the.
29:30
Everything
29:30
else
29:31
that
29:31
has
29:31
happened,
29:32
and
29:33
it's
29:33
like,
29:33
oh,
29:34
maybe
29:34
it
29:35
really.
29:35
It
29:35
really
29:35
was.
29:36
Bobby
29:36
was
29:37
preventing
29:37
him
29:37
from
29:38
coming
29:38
back
29:40
because.
29:40
Yeah.
29:41
Lost
29:41
a
29:42
whole
29:42
ass
29:42
arm.
29:43
Yeah.
29:43
So
29:44
I
29:44
thought
29:44
that
29:44
was
29:44
interesting
29:45
at
29:45
first.
29:45
I
29:46
thought.
29:46
I
29:46
thought
29:46
we
29:46
were
29:47
gonna
29:47
catch
29:47
them
29:47
out
29:47
for,
29:48
like,
29:48
inconsistency,
29:50
but
29:50
then
29:50
I
29:50
saw
29:51
the
29:51
prosthetic,
29:51
and
29:51
I
29:52
was
29:52
like,
29:52
oh,
29:52
good.
29:52
All
29:53
right.
29:53
Well,
29:53
that's
29:54
good,
29:54
because
29:54
that.
29:55
You
29:55
pointed
29:55
that
29:56
out,
29:56
and
29:56
I
29:56
was
29:56
like,
29:56
did
29:57
they
29:57
just
29:57
forget?
29:58
Yeah,
29:58
they
29:58
just
29:58
didn't
29:59
want
29:59
to
29:59
come
29:59
up
29:59
with
29:59
a
29:59
new
29:59
name,
30:00
but.
30:00
Okay,
30:00
that's
30:00
what
30:01
I.
30:01
That's
30:01
what
30:02
I
30:02
said.
30:02
I
30:02
was
30:02
like,
30:02
is
30:03
it.
30:03
Is
30:03
it
30:03
the
30:04
same
30:04
actor
30:04
who
30:04
played
30:04
Ronnie
30:05
Cooper?
30:05
And
30:05
it
30:05
is.
30:05
And
30:06
I
30:06
was
30:06
like,
30:06
what?
30:07
So
30:07
then
30:07
I
30:07
had
30:07
to
30:08
check
30:08
again,
30:08
and
30:08
I
30:08
saw.
30:09
So
30:09
he's
30:09
still.
30:09
He's
30:10
still
30:10
captaining,
30:11
which
30:11
good
30:11
for
30:12
him.
30:12
And
30:12
I
30:13
guess
30:13
that
30:13
kind
30:13
of
30:13
goes
30:14
back
30:14
to
30:14
the
30:14
Papa
30:15
Roach
30:15
song
30:15
about,
30:16
you
30:16
know,
30:17
disabilities
30:17
and
30:17
stuff.
30:18
Yeah,
30:19
I
30:19
was
30:20
just
30:20
thinking
30:20
about.
30:20
There's.
30:21
There's
30:21
a
30:21
fic
30:22
where
30:22
Buck
30:23
actually
30:23
has
30:23
to
30:23
get,
30:24
like,
30:24
from
30:24
the
30:25
knee
30:25
down,
30:25
amputated
30:26
after
30:27
the
30:27
fire
30:27
truck.
30:28
But
30:28
he
30:28
does
30:29
go
30:30
back
30:30
to
30:30
work,
30:30
but
30:30
it's
30:31
like,
30:31
a
30:31
very
30:31
long
30:31
road.
30:32
Okay.
30:32
And
30:32
then
30:33
just
30:33
for
30:33
a
30:33
bit
30:33
of
30:34
foreshadowing,
30:35
it
30:35
was
30:35
mostly,
30:36
like,
30:36
within
30:37
the
30:37
episode,
30:38
but,
30:39
you
30:39
know,
30:39
in
30:39
that
30:39
first
30:40
ambulance
30:41
ride
30:41
to
30:42
the
30:42
warehouse,
30:43
we
30:43
get
30:43
the
30:43
Chekhov
30:44
green
30:44
light
30:45
on
30:46
route
30:46
to
30:46
the
30:47
warehouse
30:47
call,
30:47
where
30:47
it
30:48
shows
30:48
hen
30:49
pushing
30:49
the
30:49
button,
30:50
and
30:50
it
30:50
cuts
30:51
to
30:51
the
30:51
light
30:51
turning
30:52
green.
30:53
And
30:53
that's
30:54
very
30:54
important
30:54
for
30:55
establishing
30:56
what
30:56
happens
30:57
later
30:57
on.
30:58
So
30:59
you
30:59
always
30:59
have
30:59
to
31:00
have.
31:00
And.
31:00
And
31:00
like
31:01
Chekhov's
31:01
gun
31:02
is
31:03
something
31:04
in
31:05
visual
31:05
media
31:05
where
31:06
you
31:06
show
31:06
something
31:07
earlier
31:08
on
31:09
in
31:09
a
31:09
story
31:10
and
31:10
then
31:10
it
31:10
becomes
31:11
more
31:11
important
31:11
later.
31:12
But
31:12
you
31:12
have
31:12
to
31:12
have
31:12
some.
31:13
You
31:13
have
31:13
to
31:14
establish
31:14
it
31:15
earlier
31:15
in
31:16
order
31:16
for
31:16
it
31:16
to
31:17
come
31:17
back
31:17
and
31:18
hold
31:18
that
31:18
importance
31:19
later
31:19
on.
31:20
So
31:20
it
31:20
was
31:20
the.
31:21
The
31:21
Chekhov
31:22
screen
31:22
light.
31:22
I
31:22
have.
31:23
I
31:23
have
31:23
more
31:23
that
31:23
I
31:24
want
31:24
to
31:24
talk
31:24
about
31:24
that
31:25
with
31:25
the
31:25
way
31:26
they,
31:26
like,
31:26
film
31:26
that
31:26
stuff
31:27
later.
31:28
I
31:28
will
31:28
just
31:28
say
31:29
that
31:29
there's
31:29
a
31:29
couple
31:29
parallels
31:31
in
31:31
between
31:32
characters.
31:32
Oh,
31:33
yeah.
31:33
In
31:34
this
31:34
episode.
31:34
So,
31:35
like,
31:35
we
31:35
have.
31:37
We
31:37
have
31:37
a
31:37
lot
31:37
of
31:37
paralleling
31:38
with
31:39
not
31:39
just
31:40
Eddie
31:41
and
31:41
Maddie,
31:41
but
31:42
Eddie
31:42
and
31:42
Hen.
31:43
And
31:43
I
31:43
just
31:43
think
31:43
that's
31:45
so
31:45
interesting.
31:46
So,
31:47
like,
31:47
Eddie.
31:48
Eddie
31:48
and
31:48
Hen
31:49
are
31:49
both
31:49
angry
31:50
about
31:50
situations
31:51
that,
31:51
like,
31:52
they
31:52
feel
31:53
like
31:53
they
31:53
shouldn't
31:54
be
31:54
angry
31:54
at.
31:54
Like,
31:54
he's
31:55
like,
31:55
I'm
31:55
angry
31:55
at
31:55
a
31:55
dead
31:56
person.
31:56
And
31:56
she's
31:56
like,
31:57
I
31:57
feel
31:57
so
31:57
bad
31:58
about
31:58
being
31:58
angry
31:58
at
31:59
her,
31:59
but
31:59
I
31:59
am.
32:00
And
32:00
then
32:01
with
32:01
Maddie,
32:02
it's.
32:03
It's
32:03
the
32:03
whole,
32:03
like,
32:05
yeah,
32:05
no,
32:05
I
32:05
went
32:06
crazy
32:06
and
32:06
did
32:07
something
32:09
and
32:09
wanted
32:10
to
32:10
lie
32:10
about
32:10
it,
32:11
but
32:11
you're
32:11
making
32:11
me
32:12
come
32:12
out
32:13
and
32:13
talk
32:13
to
32:13
my
32:13
brother
32:14
about
32:14
it,
32:15
and
32:16
Eddie's
32:16
in
32:16
the
32:16
middle
32:17
of
32:17
his
32:17
doing
32:18
something
32:18
crazy
32:19
that
32:19
he
32:19
didn't
32:19
talk
32:20
to
32:20
anybody
32:20
about.
32:21
Yeah,
32:21
I
32:21
just
32:21
thought
32:22
that
32:22
was
32:22
interesting.
32:23
I.
32:23
I
32:23
like
32:24
that
32:24
they,
32:24
like,
32:25
kind
32:25
of
32:25
pair
32:25
up
32:26
all
32:26
of
32:26
those
32:27
together,
32:27
and
32:28
then
32:28
you
32:28
have
32:29
in.
32:29
In
32:29
that
32:29
instance,
32:30
like,
32:31
Chimney
32:32
and.
32:32
And
32:32
like,
32:33
Bobby
32:33
and
32:33
Athena,
32:34
who
32:34
are
32:34
all
32:34
just,
32:34
like,
32:34
very
32:35
concerned.
32:36
It's
32:36
less
32:36
like
32:37
paralleling.
32:37
I
32:37
think
32:37
it
32:37
would
32:38
be
32:38
more
32:38
like
32:38
Buck
32:39
and
32:39
Chimney
32:39
parallel
32:40
in
32:40
that
32:41
instance.
32:42
Yeah.
32:42
Because
32:42
they're
32:42
both
32:42
going,
32:43
what's
32:43
going
32:43
on
32:44
with
32:44
my
32:44
partner
32:44
at
32:45
work?
32:46
When
32:46
I
32:46
was
32:46
watching
32:46
the
32:46
episode,
32:47
I
32:47
was
32:47
just
32:47
thinking
32:47
about,
32:47
like,
32:47
how.
32:48
How
32:49
everyone
32:49
is,
32:49
like,
32:50
someone
32:50
is
32:51
worried
32:51
and,
32:52
like,
32:52
re
32:52
trying
32:52
to
32:53
reach
32:53
out
32:53
to
32:53
their
32:54
partner.
32:54
Like,
32:54
hen
32:55
is
32:55
trying
32:55
to
32:55
reach
32:55
out
32:55
towards.
32:57
Hen
32:57
is
32:57
trying
32:57
to
32:57
reach
32:58
for
32:59
Karen.
33:00
Jimmy's,
33:01
you
33:01
know,
33:01
reaching
33:01
out
33:02
to
33:02
Hen
33:02
or
33:02
trying
33:03
to
33:03
be
33:03
there
33:03
for
33:03
Hen.
33:04
Buck
33:05
is
33:05
worried
33:05
about
33:05
Eddie.
33:06
Bobby's
33:07
worried
33:07
of.
33:07
Well,
33:08
we
33:08
don't
33:08
get
33:08
to
33:08
see
33:09
that
33:10
because,
33:10
like,
33:10
obviously
33:11
that,
33:11
like,
33:12
that
33:12
episode's
33:12
past
33:12
Athena
33:13
begins
33:13
and
33:13
all
33:13
that.
33:13
But
33:14
I
33:14
know,
33:14
like,
33:14
Bobby
33:15
at
33:15
some
33:15
point
33:15
was
33:15
worried
33:15
about
33:16
Athena.
33:16
Like,
33:17
everyone's
33:17
kind
33:17
of,
33:17
like,
33:18
definitely
33:18
paired
33:19
off.
33:19
Everyone's
33:20
paired
33:20
off.
33:20
It
33:21
makes
33:21
sense.
33:21
They're
33:21
concerned
33:22
for
33:22
their
33:22
partner
33:23
because
33:23
why
33:23
they
33:23
want
33:24
to
33:24
have
33:24
their
33:24
partners
33:25
back.
33:26
Anyways,
33:26
okay,
33:27
themes.
33:28
Let's
33:28
go.
33:36
Flash
33:36
over.
33:42
All
33:42
right,
33:42
so
33:43
I
33:43
think
33:43
the,
33:44
like,
33:45
the
33:45
overarching
33:46
theme
33:46
of
33:47
this
33:47
episode
33:48
is
33:48
so
33:48
much
33:49
about
33:49
control
33:50
and
33:51
kind
33:51
of
33:51
like
33:52
the
33:52
tenuous
33:52
grip
33:53
one
33:53
may
33:54
have
33:54
on
33:54
control,
33:55
like
33:55
having
33:55
it
33:55
and
33:56
losing
33:56
it.
33:57
And
33:57
I
33:57
think
33:57
that
33:58
kind
33:58
of
33:58
comes
33:59
up
33:59
in
33:59
a
33:59
couple
34:00
different
34:00
ways.
34:01
So
34:02
very
34:02
obviously
34:03
we
34:03
get
34:04
malfunctioning,
34:05
which
34:05
is
34:06
Malfunction,
34:06
the
34:06
name
34:07
of
34:07
the
34:07
episode,
34:07
you
34:08
know,
34:08
classic
34:08
911
34:09
style
34:10
where
34:10
we
34:10
have
34:11
it
34:11
in
34:11
a
34:11
couple
34:11
different
34:11
ways
34:12
also.
34:12
Right.
34:13
So
34:13
we
34:13
have
34:13
malfunctioning
34:14
in
34:14
the
34:14
way
34:15
that
34:16
the
34:16
trust
34:16
that
34:17
we
34:17
have
34:17
in
34:17
technology.
34:18
So
34:18
like
34:18
the
34:19
benefits
34:20
of
34:20
technology
34:20
but
34:21
also
34:21
when
34:22
things
34:22
go
34:22
wrong
34:24
and
34:25
the
34:25
pros
34:26
and
34:26
cons
34:26
there.
34:26
So
34:27
you
34:27
have
34:27
like
34:27
the
34:28
self
34:28
driving
34:28
car,
34:29
the
34:29
robot
34:29
employees,
34:31
pen
34:31
pressing
34:31
the
34:31
button
34:32
and
34:33
all
34:33
of
34:33
those
34:33
things,
34:34
like
34:34
what
34:34
happens
34:34
when
34:35
those
34:35
that
34:36
are
34:36
meant
34:36
to
34:37
be
34:37
helpful
34:37
and
34:37
productive
34:38
malfunction
34:40
and
34:41
not
34:41
just
34:41
technology,
34:42
but
34:42
what
34:42
happens
34:42
when
34:43
we
34:43
as
34:44
humans
34:44
malfunction.
34:45
Like
34:46
it's
34:46
tending
34:46
to
34:47
operate
34:47
in
34:47
a
34:48
way
34:48
that's
34:48
not
34:48
typical
34:49
to
34:50
the
34:50
character.
34:51
So
34:51
Maddie
34:52
stalking
34:52
Tara,
34:53
Eddie
34:54
doing
34:54
fight
34:54
club
34:55
and
34:55
his
34:55
impulse
34:56
truck
34:56
buy,
34:57
you
34:57
know,
34:57
Hen
34:57
distracted
34:58
on
34:58
the
34:58
job
34:58
and
34:59
not
34:59
compartmentalizing
35:00
like
35:00
she
35:00
normally
35:01
does.
35:01
All
35:02
of
35:02
these
35:02
are
35:02
ways
35:03
in
35:03
which
35:03
like
35:04
the
35:04
characters
35:05
are
35:05
malfunctioning
35:06
kind
35:07
of
35:07
from
35:07
the
35:08
way
35:08
that,
35:08
that
35:09
they
35:10
typically
35:10
act.
35:11
Right.
35:11
Because
35:11
something
35:12
is
35:12
wrong.
35:13
So
35:13
it's,
35:13
it's
35:14
a,
35:14
it's
35:15
a
35:15
cause
35:15
and
35:15
effect
35:15
sort
35:16
of
35:16
thing.
35:16
And
35:16
then
35:17
in
35:18
like
35:18
still
35:18
under
35:19
the
35:19
umbrella
35:19
of
35:19
control
35:20
is
35:20
anger
35:21
which
35:21
is
35:22
something
35:23
that
35:23
we've
35:23
seen
35:24
a
35:24
lot
35:25
of
35:25
in
35:25
the,
35:26
this
35:26
first
35:26
half
35:27
of
35:27
season
35:27
three.
35:28
So
35:29
we
35:29
see
35:29
it
35:30
in
35:30
this
35:30
episode
35:31
specifically
35:32
as
35:33
part
35:33
of
35:33
grief
35:34
for
35:35
Hen
35:35
and
35:35
Karen
35:36
for
35:36
Eddie.
35:37
And
35:37
then
35:38
we
35:38
have,
35:38
which
35:39
was
35:39
started
35:40
a
35:40
little
35:41
I
35:41
think
35:42
with
35:42
either
35:43
rage
35:43
or
35:44
triggers
35:45
with
35:46
the
35:46
interpersonal
35:47
conflict.
35:47
So
35:48
like
35:48
fighting
35:49
anger
35:49
and
35:50
fighting
35:50
each
35:51
other
35:51
or
35:51
amongst
35:52
each
35:52
other
35:52
or
35:53
arguing.
35:54
So
35:54
you
35:54
have
35:54
like
35:55
Ken
35:55
and
35:55
Karen
35:56
there.
35:56
Eddie
35:56
is
35:57
physically
35:57
fighting
35:58
all
35:58
of
35:58
these
35:59
things
35:59
and
36:00
also
36:00
hating
36:01
yourself
36:02
for
36:02
being
36:03
angry.
36:03
Like
36:03
you
36:03
don't
36:04
want
36:04
to
36:04
be
36:04
angry
36:05
however
36:05
you
36:05
are
36:06
and
36:07
you
36:07
don't
36:07
want
36:07
to
36:07
be
36:08
because
36:08
like
36:08
you
36:08
said,
36:09
both
36:09
Hen
36:10
and
36:10
Eddie
36:11
are
36:12
angry
36:13
at
36:13
themselves.
36:13
For
36:14
being
36:14
angry
36:14
and,
36:15
and
36:15
it
36:16
sounds
36:16
really
36:16
productive
36:17
guys.
36:18
And
36:18
then,
36:19
and
36:19
then
36:20
we
36:20
have
36:21
subverting
36:21
expectations.
36:23
So
36:23
I
36:23
think
36:23
this
36:24
is
36:24
kind
36:24
of
36:25
a
36:25
more
36:25
subtle
36:26
theme,
36:27
but
36:27
it's,
36:28
it's
36:28
a
36:28
little
36:29
connected
36:29
to
36:30
that,
36:30
that
36:31
malfunction,
36:32
right.
36:32
Of,
36:33
of
36:33
people.
36:34
Because
36:35
you
36:35
know,
36:35
Hen,
36:36
who
36:36
is
36:36
usually
36:36
so
36:37
good
36:37
at
36:37
compartmentalizing,
36:38
putting
36:38
it
36:38
away,
36:39
right.
36:39
Or
36:40
letting
36:40
go.
36:41
Sorry.
36:41
And,
36:42
and
36:42
she's
36:42
so
36:42
distracted
36:43
like
36:43
at
36:43
work
36:44
and
36:44
Eddie
36:44
being
36:44
impulsive
36:46
and.
36:46
But
36:47
then
36:47
you
36:47
also
36:47
have
36:47
like
36:48
Bobby
36:48
being
36:48
a
36:48
figure
36:49
skater,
36:49
so
36:50
he's
36:50
subverting
36:51
those
36:51
expectations.
36:52
Right.
36:52
Because
36:52
they
36:53
thought
36:53
he
36:53
was
36:53
a
36:53
hockey
36:54
player.
36:54
You
36:54
can
36:54
be
36:55
both.
36:55
And
36:56
I
36:56
think
36:56
they
36:57
do
36:57
a
36:57
lot
36:57
of
36:57
subverting
36:58
expectations
36:59
visually
36:59
as
37:00
well.
37:00
And
37:00
then
37:01
communication,
37:02
again,
37:03
big
37:03
theme
37:04
for
37:04
this
37:04
episode.
37:05
So
37:05
there's
37:06
a
37:06
lot
37:06
of
37:06
focus
37:07
on
37:08
imploring
37:08
people
37:09
to
37:10
confide
37:10
in
37:11
or
37:11
talk
37:11
to
37:11
someone
37:12
specifically.
37:13
Like
37:13
when
37:14
Lena
37:14
tells
37:14
Eddie
37:15
and.
37:16
Or
37:17
hen
37:17
is
37:17
confiding
37:18
in
37:18
Athena,
37:19
Eddie
37:20
finally
37:20
confides
37:21
in
37:21
Bobby.
37:22
But
37:22
then
37:22
there's
37:23
also
37:23
with
37:24
communication,
37:24
this
37:24
like
37:25
playing
37:25
a
37:26
game
37:26
of
37:26
telephone.
37:27
Right.
37:27
Which
37:28
is
37:28
kind
37:29
of
37:29
like
37:29
the
37:29
rumor
37:29
mill
37:30
of
37:30
the
37:30
118.
37:31
Because.
37:32
Because
37:32
you
37:33
tell
37:33
one
37:33
person
37:33
and
37:34
that
37:34
one
37:34
person
37:34
tells
37:34
somebody.
37:35
Somebody.
37:35
Somebody
37:35
else,
37:36
and
37:36
that
37:36
person
37:36
tells
37:36
somebody
37:37
else.
37:37
We
37:37
also
37:38
saw
37:38
this
37:38
just
37:39
like
37:39
not
37:39
that
37:40
long
37:40
ago
37:40
in
37:40
8:17.
37:41
This
37:41
is
37:42
a.
37:43
A
37:44
really
37:45
like
37:45
a
37:46
fixture
37:46
of
37:47
the
37:47
118
37:47
and
37:48
how
37:48
they
37:49
operate
37:49
as.
37:49
As
37:50
a
37:50
group
37:50
like
37:50
that.
37:51
That
37:51
communication
37:52
style
37:53
where
37:53
it
37:53
kind
37:53
of
37:53
like
37:54
goes
37:54
through
37:54
the
37:54
grapevine
37:55
where
37:55
everybody
37:55
knows
37:55
everybody's
37:56
business.
37:57
So
37:57
kind
37:57
of
37:57
on
37:57
that.
37:58
On
37:58
that
37:58
aspect,
37:58
like,
37:59
privacy
38:00
and
38:00
like,
38:01
who
38:01
has
38:01
the
38:01
right
38:01
to
38:02
know
38:02
certain
38:02
things.
38:04
And
38:04
then
38:04
there's
38:05
stuff
38:05
about
38:06
SIM
38:07
similar
38:07
to
38:07
technology.
38:08
Stuff
38:09
like
38:09
the
38:10
future
38:10
is
38:10
here.
38:11
Right.
38:12
So
38:12
I
38:13
thought
38:13
of
38:13
that
38:13
more
38:14
in
38:14
terms
38:14
of,
38:14
like,
38:14
personal
38:15
dreams
38:15
or
38:16
goals,
38:17
which
38:17
may
38:18
pertain
38:18
to,
38:18
like,
38:19
career
38:19
and
38:19
purpose
38:20
stuff.
38:20
So
38:21
you
38:21
have
38:21
like
38:21
the
38:22
ice
38:22
skaters,
38:22
the
38:23
cellist,
38:24
Athena
38:24
being
38:24
suspended,
38:26
Buck
38:26
trying
38:26
to
38:26
stay
38:26
on
38:27
Bobby's
38:27
good
38:27
side.
38:29
Specifically,
38:29
like,
38:30
I
38:30
like
38:30
both
38:30
of
38:31
your.
38:31
Both
38:32
of
38:32
your
38:32
cooking,
38:33
Eddie's
38:34
illegal
38:34
extracurriculars,
38:35
like,
38:36
all
38:36
of
38:36
those
38:37
things.
38:37
And
38:37
like,
38:38
what
38:38
sacrifices
38:39
one
38:40
makes
38:40
to
38:40
either
38:41
get
38:41
there
38:42
or
38:42
the
38:42
consequences
38:44
that
38:45
you
38:45
could
38:45
face
38:46
for
38:46
doing
38:47
something
38:47
that.
38:48
That
38:48
like,
38:48
contradicts
38:49
it.
38:50
Right.
38:51
And
38:51
consequences
38:52
is.
38:52
Is
38:52
another.
38:53
Another
38:54
theme
38:54
because
38:54
we
38:54
see.
38:54
We
38:55
see
38:55
again,
38:55
Athena
38:56
being
38:56
suspended
38:57
and
38:57
Eddie's
38:58
illegal
38:58
stuff.
38:59
The
38:59
consequences
39:00
of,
39:01
you
39:01
know,
39:01
trusting
39:01
technology
39:02
with
39:02
Hen
39:03
or.
39:03
Or
39:03
that
39:03
investigation
39:04
that.
39:04
That
39:05
will
39:05
be
39:05
impending.
39:06
So
39:07
there's
39:07
a
39:07
lot
39:07
here,
39:08
but
39:08
I
39:08
think
39:09
that's
39:09
mostly
39:09
it.
39:14
Who's
39:14
cooking?
39:18
All
39:19
right,
39:19
so
39:19
hen
39:20
Henrietta,
39:22
she
39:23
is
39:24
showing
39:24
up
39:24
for
39:24
work,
39:25
acting
39:26
like
39:27
I
39:27
do,
39:27
which
39:28
is
39:28
out
39:28
of
39:29
it.
39:29
So
39:30
not.
39:32
Not
39:32
super
39:33
normal
39:33
for
39:33
her
39:35
when
39:35
she
39:35
hands
39:36
chimney,
39:36
like
39:36
the
39:37
completely
39:37
wrong
39:37
thing.
39:38
And
39:38
he's
39:38
just
39:38
like,
39:39
like,
39:39
looking
39:40
at.
39:40
Her
39:40
like
39:40
she
39:40
has
39:41
three
39:41
heads,
39:42
like,
39:42
who
39:42
are
39:42
you?
39:43
Who
39:43
body
39:44
snatched
39:44
my
39:44
best
39:44
friend.
39:45
Yeah.
39:46
And
39:46
that's
39:47
how,
39:47
you
39:47
know,
39:47
like,
39:47
right
39:47
off
39:48
the
39:48
bat
39:48
that
39:49
something,
39:49
something
39:50
is
39:50
a
39:50
myth.
39:50
A
39:51
myth,
39:52
something.
39:52
What
39:53
is
39:53
it?
39:53
Something
39:54
is
39:54
rotten
39:54
in
39:55
the
39:55
state
39:55
of
39:55
Denmark.
39:56
I'm
39:56
on
39:56
a
39:56
Shakespeare
39:57
kick
39:57
right
39:57
now.
39:58
Like,
39:59
clearly
39:59
no
40:00
reason.
40:01
No,
40:01
I
40:02
mean,
40:02
also
40:02
like
40:02
what
40:02
we
40:02
were
40:03
just
40:03
talking
40:03
about
40:03
with
40:04
our
40:04
817Kitchens
40:05
kitchen
40:06
scene
40:06
with,
40:06
like,
40:07
the.
40:07
Oh,
40:07
yeah.
40:08
We
40:08
were
40:08
like,
40:08
oh,
40:08
Yorick.
40:09
And,
40:09
you
40:10
know,
40:10
so
40:11
there
40:12
it's
40:12
been
40:12
on
40:12
my
40:13
mind
40:13
because
40:13
of
40:13
that.
40:14
I
40:14
don't
40:14
know
40:15
for
40:15
sure.
40:16
By
40:16
the
40:17
time
40:17
this
40:17
comes
40:17
out,
40:17
they'll
40:17
forget.
40:22
Okay.
40:22
Anyway,
40:23
so
40:24
Pen
40:24
is.
40:26
Is
40:26
not
40:26
doing
40:26
well
40:27
because
40:28
her
40:28
foundations
40:29
at
40:29
home
40:30
are
40:30
all
40:30
out
40:31
of
40:31
sorts.
40:32
And
40:32
I
40:32
think
40:32
that's.
40:33
We're
40:33
seeing
40:34
that.
40:34
That
40:34
is
40:34
really
40:35
where
40:35
she
40:35
gets
40:35
her
40:36
kind
40:36
of
40:36
strength
40:37
dead
40:37
fast.
40:38
Just
40:39
totally
40:40
focused
40:41
energy
40:41
from.
40:42
Yeah.
40:42
It's
40:42
like
40:42
when.
40:43
When
40:43
her
40:44
home
40:44
life
40:45
is
40:46
in
40:46
order
40:46
and
40:47
everything
40:47
has
40:47
its
40:47
place,
40:48
it
40:48
is
40:49
so
40:49
much
40:49
easier
40:49
for
40:50
her
40:50
to
40:50
compartmentalize
40:52
because
40:52
that
40:52
is
40:53
so.
40:53
Because
40:54
that
40:54
is
40:54
so
40:55
neat
40:55
and
40:56
organized
40:56
at
40:56
home.
40:57
Like,
40:58
they
40:58
may
40:58
have
40:58
some
40:58
issues
40:59
here
40:59
and
40:59
there,
40:59
but
41:00
then
41:01
she's
41:01
still
41:01
able
41:01
to
41:02
put
41:03
that
41:03
aside
41:03
because
41:03
that
41:04
is
41:04
home
41:04
life.
41:05
But
41:05
she
41:05
can't
41:05
do
41:05
that
41:06
this
41:06
time
41:06
because
41:06
she
41:07
has
41:07
to.
41:07
She
41:08
has
41:08
to
41:08
kind
41:08
of,
41:08
like,
41:08
pick
41:09
up
41:09
some
41:10
of.
41:10
I
41:10
don't
41:10
want
41:10
to
41:11
say
41:11
the
41:11
slack
41:11
because
41:11
that's
41:12
not
41:13
super
41:13
complimentary,
41:14
but
41:14
she.
41:15
She
41:15
has
41:15
to
41:16
kind
41:16
of
41:17
pick
41:17
up
41:17
the
41:17
slack
41:18
a
41:18
little
41:18
bit.
41:18
She's
41:18
getting
41:18
these
41:19
concerning
41:19
calls,
41:20
and
41:20
I
41:20
think
41:20
Denny
41:21
calls
41:21
her
41:21
at
41:21
some
41:22
point.
41:22
So,
41:22
you
41:23
know,
41:23
it's
41:23
like,
41:24
ooh,
41:24
not
41:25
great.
41:25
She
41:26
can't
41:26
lean
41:27
on.
41:28
On
41:28
Karen
41:29
right
41:29
now
41:30
to,
41:31
like,
41:31
emotionally
41:32
or,
41:33
like,
41:33
even
41:34
completely
41:34
as
41:35
a
41:35
partner.
41:35
Like.
41:36
Right.
41:36
Like,
41:36
she.
41:37
It's
41:37
kind
41:38
of
41:38
implied
41:38
that
41:38
she
41:39
had
41:39
to
41:40
do
41:40
something
41:40
that
41:41
normally
41:42
wouldn't
41:42
be
41:42
done
41:42
by
41:42
her,
41:43
which
41:43
is
41:43
take
41:43
Denny
41:44
to
41:44
school.
41:44
And
41:44
that's
41:45
why
41:45
she
41:45
was
41:45
late
41:45
for
41:45
work.
41:46
So
41:46
it's,
41:46
like,
41:47
talked
41:47
about
41:47
how,
41:47
like.
41:48
Like
41:48
he's
41:49
kind
41:49
of
41:49
just
41:49
being
41:50
fed,
41:50
like,
41:50
processed
41:51
stuff
41:51
and
41:52
everything's
41:53
a
41:53
mess.
41:53
So
41:53
it's
41:54
like
41:54
she.
41:54
She's
41:55
having
41:55
to
41:55
do
41:55
extra
41:55
work,
41:56
but
41:56
it's.
41:57
I
41:57
think
41:57
it's
41:58
less
41:58
that
41:58
and
41:58
more
41:59
so
41:59
that,
41:59
like,
41:59
she
41:59
just
42:00
doesn't
42:00
have
42:01
the
42:01
emotional
42:02
support
42:03
of.
42:04
Of
42:04
her.
42:05
And
42:05
it.
42:06
Yeah.
42:06
There's
42:06
just,
42:06
like,
42:07
such
42:07
a
42:07
distance.
42:08
And
42:08
I
42:08
think
42:08
that's
42:09
really
42:09
what
42:09
is
42:09
creating
42:10
the
42:11
problems
42:11
for
42:11
her.
42:12
But
42:12
it's
42:12
exacerbated
42:13
because
42:14
everything
42:15
is,
42:15
like,
42:15
the
42:15
other
42:15
stuff
42:16
out
42:16
of
42:16
routine.
42:17
So,
42:17
like,
42:18
when.
42:19
So
42:19
she
42:20
compartmentalizes
42:21
well
42:21
because
42:21
she
42:21
has
42:21
a
42:22
routine
42:22
at
42:23
home
42:23
that
42:24
is
42:24
very.
42:24
That
42:25
is
42:26
very
42:26
adhered
42:26
to.
42:27
So.
42:27
Because
42:28
that
42:28
is
42:28
off
42:28
its
42:29
foundations
42:30
because
42:31
of
42:32
what's
42:32
going
42:32
on
42:32
with
42:33
Karen.
42:33
That
42:33
just,
42:34
you
42:34
know,
42:36
really.
42:37
I'm
42:37
trying
42:37
to
42:38
think
42:38
of,
42:38
like,
42:38
not
42:39
an
42:39
earthquake
42:40
metaphor,
42:40
but,
42:42
like,
42:42
it
42:42
displaces
42:43
everything
42:43
else,
42:44
I
42:44
guess.
42:45
I
42:45
think
42:45
the
42:45
conversation
42:46
in
42:46
the.
42:47
In
42:47
their
42:47
bedroom
42:48
is
42:48
so
42:48
interesting
42:49
because
42:49
of
42:50
how
42:51
we
42:51
know
42:51
that
42:52
that
42:52
hen
42:52
is
42:53
really
42:54
good
42:54
at
42:54
compartmentalizing
42:56
and
42:56
that's
42:57
what
42:57
Karen
42:57
sees,
42:59
actually,
42:59
because
43:00
she
43:00
makes
43:00
a
43:00
comment
43:01
about,
43:01
like,
43:01
oh,
43:02
I
43:02
don't
43:02
know
43:02
how
43:02
to
43:02
do
43:03
what
43:03
you
43:03
do.
43:04
Hen.
43:04
Meanwhile,
43:06
Hen
43:06
is
43:07
so
43:07
worried.
43:08
Yeah.
43:09
And
43:09
so,
43:10
I
43:10
mean,
43:10
and
43:11
the
43:11
anger
43:11
just
43:11
develops
43:12
throughout
43:12
the
43:12
episode.
43:13
But,
43:13
like,
43:13
it's.
43:13
It's.
43:14
Karen
43:15
is
43:15
so
43:15
out
43:15
of
43:15
reach
43:15
for
43:16
her.
43:16
That.
43:17
And
43:17
in
43:17
both
43:17
ways,
43:18
like,
43:18
Karen.
43:19
Karen
43:19
can't
43:20
see
43:21
how
43:21
it's
43:21
affecting
43:22
her
43:23
because
43:24
she
43:24
thinks
43:25
that
43:25
it
43:26
was
43:26
like,
43:26
losing,
43:27
like,
43:27
having
43:27
a
43:28
family
43:28
was
43:28
just
43:28
an
43:28
idea
43:29
to
43:29
her.
43:29
Meanwhile,
43:29
like,
43:30
the
43:30
embryos
43:31
were
43:31
a
43:31
part
43:31
of
43:31
her.
43:32
Like,
43:32
she.
43:33
It,
43:33
like,
43:33
definitely,
43:34
like,
43:34
a
43:34
major
43:35
disconnect
43:35
between
43:36
the
43:36
two.
43:36
Yeah.
43:37
I
43:37
thought
43:37
that
43:38
whole
43:38
scene
43:38
was
43:39
so
43:40
interesting
43:40
because
43:41
it's
43:41
so
43:41
telling
43:41
of
43:42
Hen
43:42
and
43:43
Karen
43:43
because
43:44
they're
43:45
so
43:45
not
43:46
where
43:46
they
43:46
usually
43:47
are.
43:47
But
43:48
also.
43:49
Sorry,
43:49
I'm.
43:50
I'm.
43:50
I'm
43:50
going
43:51
to
43:51
parallel
43:51
it
43:51
to
43:52
8:17
43:53
with
43:53
buck
43:54
and
43:54
Eddie.
43:55
Right.
43:55
Because
43:55
still,
43:56
like
43:56
you
43:56
just
43:56
said,
43:57
Karen
43:57
is
43:57
so
43:58
unreachable.
44:00
And
44:01
here
44:01
Karen
44:02
is,
44:02
like,
44:02
grieving
44:03
and
44:03
thinking
44:04
that
44:04
Hen
44:04
is
44:05
fine.
44:05
And
44:05
that
44:06
is
44:06
very
44:06
similar
44:07
to
44:07
kind
44:07
of
44:07
what
44:08
we
44:08
see
44:08
in
44:08
that
44:08
kitchen
44:09
where
44:09
Buck
44:10
is,
44:11
you
44:11
know,
44:11
I'm
44:11
sorry
44:12
that
44:12
Bobby's
44:13
like,
44:13
sorry
44:14
that
44:14
I'm
44:15
sad
44:15
that
44:15
Bobby's
44:16
dead.
44:16
And,
44:16
like,
44:16
he's.
44:17
He's
44:18
going
44:18
through
44:18
this
44:18
grief
44:19
and
44:19
it
44:19
doesn't
44:20
really
44:20
feel
44:21
or
44:21
seem
44:21
to
44:22
him
44:22
that
44:22
anybody
44:23
else
44:23
is
44:23
feeling
44:24
it
44:24
as
44:24
deeply
44:25
as
44:25
he
44:25
is.
44:27
And
44:27
meanwhile,
44:28
Eddie
44:28
is
44:28
also
44:29
grieving,
44:30
but
44:30
Buck
44:31
is
44:31
so
44:31
unreachable
44:32
for
44:32
him.
44:33
So
44:33
that's
44:33
also
44:34
another
44:35
Eddie
44:35
and
44:35
Hen
44:36
parallel,
44:37
I
44:37
think,
44:37
too.
44:38
But
44:38
just.
44:39
Just
44:39
the
44:39
way
44:39
that,
44:39
like,
44:40
both
44:40
of
44:41
these
44:41
scenes
44:42
kind
44:42
of
44:42
set
44:42
up
44:43
this,
44:43
like,
44:44
this
44:44
expectation
44:45
of
44:46
one
44:46
of
44:46
them
44:46
who
44:47
is
44:47
grieving,
44:47
doesn't
44:48
think
44:48
the
44:48
other
44:48
one
44:49
is
44:49
grieving
44:49
as
44:50
hard
44:50
as
44:50
they
44:50
are,
44:51
but
44:51
are
44:51
also,
44:52
still,
44:52
like,
44:52
so
44:53
unreachable
44:53
for
44:53
the
44:54
other
44:54
one
44:54
who
44:54
is
44:54
grieving.
44:55
And.
44:55
And
44:55
it's
44:56
just
44:56
like
44:56
these.
44:57
These
44:57
passing
44:57
ships,
44:58
like,
44:58
they're
44:58
just
44:58
not
44:59
on
44:59
the
44:59
same
44:59
page.
45:01
So
45:01
I
45:01
think
45:01
that's,
45:01
like,
45:02
really
45:02
interesting
45:02
to
45:03
look
45:03
at
45:03
both
45:03
of
45:03
those
45:04
together
45:04
because
45:05
Karen
45:06
says,
45:06
like,
45:06
I'm
45:07
sorry
45:07
my
45:07
grief
45:08
is
45:08
taking
45:08
so
45:09
long.
45:10
And
45:10
she
45:10
thinks
45:10
Hen
45:10
is
45:11
doing
45:11
fine.
45:11
Hen
45:11
is
45:11
not
45:12
doing
45:12
fine,
45:13
but
45:13
Hen
45:13
is
45:14
kind
45:14
of
45:14
a
45:14
little
45:14
more
45:15
worried
45:15
about
45:15
the
45:15
state
45:16
of
45:16
her
45:16
family
45:17
right
45:17
now,
45:17
as
45:18
opposed
45:18
to
45:19
a
45:20
prospective
45:21
future
45:22
family.
45:22
Right.
45:23
So
45:23
I
45:23
think
45:24
they're.
45:24
I
45:24
think
45:24
they're
45:25
grieving
45:25
in
45:25
different
45:26
ways
45:27
a
45:27
little
45:27
bit.
45:27
Like.
45:28
Like,
45:28
Karen
45:28
is
45:29
so
45:29
in
45:30
the
45:30
what
45:31
could
45:31
be
45:32
or
45:32
what
45:32
could
45:32
have
45:33
been.
45:33
And
45:33
Hen
45:34
is
45:34
like,
45:34
well,
45:35
my.
45:35
We're
45:35
also
45:36
here.
45:36
We're
45:36
here
45:37
right
45:37
now.
45:37
And
45:38
she
45:38
says
45:38
that
45:38
to
45:38
Athena.
45:39
Yeah,
45:39
she's
45:39
she's
45:40
kind
45:40
of
45:40
grieving
45:41
the.
45:41
The
45:41
right
45:42
now
45:42
because
45:43
things
45:43
are
45:43
not
45:44
how
45:44
they're
45:44
supposed
45:45
to
45:45
be.
45:45
Yeah.
45:46
Espe.
45:46
Especially
45:47
for.
45:47
For
45:47
Karen,
45:48
because
45:48
for
45:48
her,
45:49
she
45:49
says
45:49
it
45:49
wasn't
45:50
an
45:50
idea,
45:50
it
45:50
was
45:51
a
45:51
part
45:51
of
45:51
her.
45:52
And
45:52
even
45:52
though
45:53
hen
45:53
is
45:53
trying
45:54
to
45:54
reach
45:54
out
45:54
to
45:54
her,
45:55
it
45:55
looks
45:55
like
45:56
it's
45:56
working.
45:56
And.
45:56
And
45:57
it's
45:57
not
45:57
that
45:57
hen
45:58
says
45:58
anything
45:58
wrong
45:59
either.
45:59
It's
46:00
just
46:00
the.
46:00
I
46:01
think
46:01
the
46:01
way
46:01
that
46:01
they're
46:02
communicating
46:02
are
46:03
just
46:03
like
46:03
a
46:03
slight
46:04
mess
46:05
to
46:05
each
46:05
other.
46:06
Because
46:06
Hen,
46:07
you
46:07
see.
46:08
You
46:08
see
46:08
Karen
46:09
kind
46:09
of
46:09
like
46:09
get
46:09
a
46:09
little
46:10
bit
46:10
of
46:10
light
46:11
back
46:11
in.
46:11
Into
46:12
her.
46:12
Her
46:13
eyes
46:13
when
46:14
Denny
46:14
comes
46:14
in.
46:15
And
46:15
then
46:15
Karen
46:16
realizes,
46:17
like,
46:17
has
46:17
a.
46:18
Has
46:18
a
46:18
moment
46:19
of
46:19
clarity
46:19
almost
46:20
that,
46:20
like,
46:21
you
46:21
know,
46:21
she
46:21
can't
46:21
be
46:22
mad
46:22
at
46:22
Denny
46:22
because
46:23
he's
46:23
trying
46:23
to
46:23
do
46:23
something
46:24
so
46:24
nice.
46:24
And.
46:25
And
46:25
hen
46:26
gets
46:26
Karen
46:27
to
46:27
agree
46:27
to,
46:28
you
46:28
know,
46:28
go
46:28
have
46:29
dinner
46:29
all
46:29
together
46:29
a
46:30
family.
46:30
The
46:30
family
46:31
that
46:31
they
46:31
have
46:31
right
46:31
now.
46:32
And
46:33
Hen,
46:34
like,
46:34
they're
46:35
almost
46:35
there.
46:36
They're
46:36
almost
46:36
there.
46:36
And
46:36
then
46:37
hen
46:37
said,
46:37
like,
46:37
I
46:38
was
46:38
attached
46:38
to
46:38
the
46:38
idea.
46:39
And
46:39
that's
46:40
where
46:40
Karen
46:40
kind
46:41
of,
46:41
like,
46:41
reverts
46:41
back
46:42
into
46:42
herself
46:43
and.
46:43
And
46:43
isolates.
46:44
Because
46:44
hen
46:45
doesn't
46:45
understand
46:46
what
46:46
it
46:46
was
46:47
like
46:47
for
46:47
her.
46:48
But,
46:48
like,
46:49
that's
46:49
why
46:49
they
46:50
have
46:50
to
46:50
communicate
46:51
about
46:51
it.
46:52
But
46:52
she.
46:52
She's
46:53
communicating
46:53
about
46:53
it,
46:54
but.
46:54
But
46:54
they're
46:54
not.
46:55
But
46:55
not,
46:56
like,
46:56
enough,
46:56
you
46:56
know?
46:57
Yeah.
46:58
Yeah.
46:58
So
46:58
it's.
46:59
It's
46:59
really
46:59
difficult
46:59
for
47:00
hen
47:00
because
47:01
she
47:01
doesn't
47:02
feel
47:02
like
47:02
she
47:03
has
47:03
Karen
47:03
to
47:04
lean
47:04
on
47:04
right
47:04
now
47:04
because
47:04
she's
47:05
so
47:05
worried
47:05
about
47:05
her.
47:06
So
47:06
who
47:06
does
47:06
she
47:06
lean
47:07
on?
47:07
It's
47:08
Athena.
47:08
Athena.
47:09
Yeah.
47:10
And
47:11
it's
47:11
interesting,
47:12
too,
47:12
again
47:13
with
47:13
all
47:13
of
47:13
this
47:14
communicate,
47:14
this
47:15
topic
47:16
of
47:16
communication
47:17
and
47:17
leaning
47:18
on
47:18
somebody
47:18
that
47:19
Athena
47:19
said
47:20
when
47:20
they
47:20
go
47:20
to
47:21
sit
47:21
down
47:22
at.
47:23
In.
47:23
On
47:24
the
47:24
patio
47:24
of
47:24
Athena's
47:25
house,
47:25
that
47:25
Athena
47:26
heard
47:27
what
47:27
happened
47:27
with
47:28
the
47:28
ivf.
47:29
So
47:29
Athena
47:30
didn't
47:30
even
47:30
tell,
47:30
or
47:31
hen
47:31
didn't
47:32
even
47:32
tell
47:32
Athena.
47:33
It
47:33
was
47:33
chimney
47:34
told
47:34
Bobby
47:34
and
47:35
Bobby
47:35
told
47:35
Athena.
47:36
So
47:36
we
47:36
have
47:36
that,
47:36
like,
47:37
through
47:37
the
47:37
grapevine
47:38
thing
47:38
again,
47:38
where
47:39
everybody's
47:39
privacy
47:40
is.
47:40
Like,
47:41
not
47:41
like
47:41
there's
47:42
just
47:42
no
47:42
privacy.
47:43
Yeah.
47:43
Everybody
47:44
knows
47:44
everybody's
47:45
business
47:45
here.
47:46
But
47:46
I
47:46
think
47:47
it.
47:47
It
47:48
bothers
47:48
hen
47:49
a
47:49
little
47:49
less
47:49
at
47:50
that
47:50
moment
47:50
because
47:50
she
47:51
just
47:51
needs
47:51
to.
47:52
She
47:52
needs
47:53
to
47:53
be
47:53
able
47:53
to
47:53
talk
47:54
to
47:54
Athena
47:54
about
47:55
this.
47:56
And
47:56
I
47:57
think.
47:57
So
47:58
you
47:58
said.
47:58
You
47:58
said
47:59
what.
47:59
What
47:59
Hen
48:00
says
48:00
with
48:00
the.
48:01
We're
48:01
still
48:01
here
48:01
and
48:02
we
48:02
need
48:02
you.
48:03
And
48:03
Athena
48:05
recognizes
48:05
that.
48:05
And
48:06
she
48:06
is
48:06
there
48:06
for
48:07
her
48:07
because
48:08
she.
48:08
She
48:08
understands
48:09
that
48:10
hen
48:10
is,
48:11
I
48:11
think
48:11
she
48:11
said,
48:12
worried
48:12
and
48:12
exhausted
48:13
and.
48:13
And
48:13
they're
48:14
scared
48:15
yeah.
48:15
She
48:15
says,
48:15
I
48:16
want
48:16
to
48:16
scream
48:16
at
48:16
her
48:17
that
48:17
we're
48:17
still
48:17
here,
48:18
your
48:19
actual,
48:19
living,
48:20
breathing
48:20
son
48:21
and
48:21
your
48:22
wife.
48:22
We're
48:22
here
48:23
and
48:23
we
48:23
need
48:24
you.
48:24
And
48:24
she
48:25
also
48:25
says,
48:25
like,
48:25
oh,
48:26
I
48:26
feel
48:26
so
48:26
terrible
48:26
for
48:27
saying
48:27
that
48:27
out
48:27
loud.
48:29
Yeah.
48:29
Like,
48:29
she's
48:30
like.
48:30
She's
48:31
really
48:31
kind
48:32
of
48:32
kicking
48:32
herself
48:33
that
48:33
she's
48:34
so
48:35
angry
48:35
at
48:35
herself
48:36
for
48:36
being
48:36
angry
48:36
with
48:37
Karen.
48:37
Because
48:38
there.
48:38
Here
48:39
you
48:39
have
48:39
that
48:39
war
48:40
with
48:40
Hen
48:40
again
48:40
between,
48:41
like,
48:41
the
48:41
logic
48:42
and.
48:42
And
48:42
emotions
48:43
where,
48:43
like,
48:44
she
48:44
knows
48:45
that
48:45
Karen
48:46
is
48:46
going
48:46
through
48:46
something,
48:47
that
48:47
she.
48:48
Going
48:48
through
48:48
this
48:49
grieving
48:49
process
48:49
differently
48:51
than
48:51
she
48:51
is,
48:51
and
48:52
she
48:52
respects
48:53
it,
48:53
but
48:53
it's
48:53
also.
48:54
She's.
48:54
She
48:55
hates
48:55
being
48:56
angry
48:56
at
48:56
her
48:57
because
48:58
logically
48:59
she
48:59
shouldn't
49:00
have
49:00
to
49:00
be.
49:01
But
49:01
that's
49:02
not.
49:03
Emotions
49:03
aren't
49:03
dictated
49:04
by
49:04
logic.
49:05
So.
49:06
So
49:06
you
49:06
have
49:06
this,
49:06
like,
49:07
lack
49:07
of
49:07
compartmentalization
49:08
between
49:09
her
49:10
emotions
49:10
and
49:10
logic
49:11
here,
49:11
which
49:11
just
49:12
make
49:13
everything
49:13
so
49:13
much
49:13
worse,
49:14
too.
49:14
So
49:15
it's
49:15
like
49:15
after.
49:16
After
49:16
she
49:17
talks
49:17
to
49:17
Athena,
49:18
I
49:18
think
49:18
it
49:19
really
49:19
helps
49:19
because
49:20
then,
49:20
you
49:21
know,
49:21
or
49:21
it
49:22
helps
49:22
in
49:22
part
49:23
because
49:24
she
49:24
and
49:24
Chimney
49:25
are
49:26
on
49:26
their
49:26
way
49:26
to
49:27
the
49:27
warehouse
49:27
call,
49:27
and
49:28
Chimney
49:28
also
49:28
kind
49:29
of
49:29
like,
49:29
pleads
49:30
with
49:30
her,
49:30
like,
49:30
hey,
49:31
I
49:31
need.
49:31
I
49:31
need
49:31
you
49:31
back.
49:32
I
49:32
need
49:32
you
49:32
with
49:33
me.
49:33
I
49:33
need
49:33
you
49:33
to
49:33
be
49:33
my
49:34
partner.
49:34
Like,
49:34
get
49:35
it
49:35
together
49:35
a
49:35
little
49:36
bit.
49:36
And
49:36
Hannah's.
49:37
He's
49:37
like,
49:37
I
49:37
can't
49:37
do
49:37
this
49:37
without
49:38
you.
49:38
And
49:38
it's
49:39
kind
49:39
of
49:39
like
49:40
him
49:40
saying
49:40
to
49:41
her
49:41
how
49:41
she
49:41
feels
49:42
about
49:42
Karen.
49:43
Really,
49:43
like,
49:44
kind
49:44
of
49:44
hit
49:45
her
49:45
and
49:45
made
49:45
her
49:45
wake
49:46
up.
49:47
Yeah.
49:47
On
49:48
the
49:48
job,
49:48
at
49:48
least.
49:49
Yeah.
49:50
So
49:50
then
49:50
it's
49:50
like
49:51
when
49:51
they're
49:52
at
49:52
the
49:52
warehouse,
49:52
she's
49:53
finally
49:53
back
49:54
to
49:54
regular
49:55
hen.
49:56
It's
49:56
not
49:56
that
49:57
she's
49:57
not
49:58
grieving
49:58
and
49:58
still
49:59
having
49:59
all
49:59
of
49:59
these
49:59
emotions.
50:00
She's
50:00
just
50:00
able
50:00
to
50:00
focus
50:01
more.
50:01
And
50:02
she
50:02
anticipates
50:03
Chimney's
50:04
knees
50:04
and.
50:05
And
50:05
she
50:05
hands
50:06
him
50:06
the.
50:07
The
50:07
tool
50:07
that
50:07
he
50:07
actually
50:08
needs
50:08
to
50:08
use,
50:09
as
50:09
opposed
50:10
to
50:10
the
50:10
ice
50:11
skating
50:11
one
50:11
where.
50:11
Where
50:12
he
50:12
looked
50:12
at
50:12
her
50:12
like
50:13
she
50:13
was
50:14
crazy.
50:14
And
50:15
then
50:15
it's
50:15
like
50:15
she's
50:16
back.
50:16
She's
50:17
back,
50:17
and
50:18
then
50:18
the
50:18
worst
50:19
thing
50:19
that
50:20
could
50:20
have
50:20
possibly
50:20
happened
50:21
happens.
50:22
So,
50:22
like,
50:23
you
50:23
know,
50:24
the
50:24
one
50:24
step
50:24
forward,
50:25
two
50:25
steps
50:25
back
50:25
sort
50:25
of
50:26
thing.
50:26
So
50:26
it's
50:26
like
50:26
she's
50:26
finally
50:27
getting
50:27
back
50:28
to
50:29
usual
50:29
hen.
50:30
She's
50:30
kind.
50:30
It
50:31
seems
50:31
like
50:31
she's
50:31
kind
50:31
of
50:31
ready
50:32
to
50:32
tackle
50:33
things
50:34
in
50:34
a
50:34
new
50:34
perspective
50:35
and
50:35
with
50:36
maybe
50:36
a
50:36
little
50:36
more
50:37
grace.
50:38
And
50:38
then
50:39
the.
50:39
The
50:40
ambulance
50:41
crash.
50:41
Totally.
50:42
Well,
50:42
flip
50:43
that
50:43
on
50:43
his
50:43
head.
50:44
Not
50:44
what
50:44
she
50:44
needed.
50:45
Literally
50:46
the
50:46
last
50:46
thing.
50:47
The
50:48
last
50:48
thing.
50:49
It's
50:49
like
50:49
Murphy's
50:50
Law
50:51
sort
50:51
of
50:51
situation.
50:53
It's
50:53
bad.
50:54
It's
50:54
just
50:54
bad,
50:55
bad
50:55
for
50:56
Hen.
50:56
She
50:57
was
50:57
on
50:57
her
50:57
way
50:58
back
50:59
and
50:59
then
50:59
just
51:00
because
51:00
of
51:00
a
51:00
malfunction.
51:02
Okay,
51:03
okay,
51:04
Are
51:04
we
51:04
ready
51:05
for
51:05
this
51:05
downer
51:05
of
51:05
a
51:06
scene
51:06
dissection?
51:07
Oh
51:07
my
51:07
God.
51:10
Jesus.
51:10
Okay.
51:14
Hey.
51:17
Where'S
51:17
the
51:17
fire?
51:23
So
51:24
for
51:24
the
51:24
scene
51:24
dissection,
51:25
we
51:25
are
51:25
talking
51:26
about
51:26
the
51:27
ambulance
51:27
crash
51:28
at
51:28
the
51:29
very
51:29
end
51:29
with
51:29
the
51:30
montage
51:30
and,
51:30
and
51:30
all
51:31
the,
51:32
everything
51:32
connected
51:32
to
51:32
that.
51:33
So
51:33
I,
51:34
I
51:35
mentioned
51:35
this
51:35
a
51:35
little
51:35
earlier.
51:36
I.
51:36
About
51:36
the
51:36
Chekhov's
51:37
green
51:37
light
51:38
on
51:38
en
51:39
route
51:39
to
51:39
the
51:40
warehouse
51:40
call,
51:41
where
51:42
I
51:42
just,
51:42
I
51:43
really
51:43
loved
51:44
the
51:44
way
51:44
that
51:45
this
51:45
whole
51:45
sequence
51:47
was
51:47
filmed
51:48
or
51:48
like
51:49
both
51:49
sequences
51:49
in
51:50
the
51:50
ambulance
51:51
from
51:51
Hen's
51:52
perspective.
51:53
So.
51:53
So
51:53
the
51:53
first
51:54
time
51:55
when
51:55
they're
51:55
going
51:55
to
51:56
the
51:56
warehouse
51:56
and
51:57
I
51:58
mentioned
51:58
there's
51:59
like
51:59
that
51:59
kind
51:59
of
52:00
uneasy
52:01
sound
52:01
in
52:02
there
52:02
with
52:02
all
52:03
of
52:03
the
52:03
beeping
52:04
and
52:05
on,
52:05
on
52:06
the
52:06
way
52:06
to
52:06
the
52:06
warehouse,
52:07
there
52:07
is
52:08
a
52:08
close
52:08
up
52:08
on
52:08
Hen
52:09
pushing
52:10
the
52:10
traffic
52:10
preempt
52:11
button.
52:12
And
52:13
the,
52:14
the
52:14
way
52:15
that
52:15
it's
52:16
shot
52:16
the
52:16
first
52:16
time
52:17
is
52:17
the
52:18
aerial
52:18
shot
52:18
of
52:18
the
52:19
drone
52:19
with
52:19
the
52:19
ambulance
52:20
going
52:20
from
52:20
right
52:20
to
52:21
left
52:21
on
52:21
the
52:21
screen.
52:22
Kind
52:22
of
52:22
like
52:22
bird's
52:22
eye
52:23
view.
52:23
And
52:24
then
52:24
shows
52:25
the
52:26
red
52:26
light
52:27
Hen
52:27
pressing
52:28
the
52:28
button
52:29
and
52:29
then
52:29
it
52:30
turns
52:30
green.
52:31
Right.
52:31
So
52:32
it's
52:32
setting
52:32
up
52:32
an
52:32
expectation
52:34
for
52:34
the
52:34
second,
52:35
for
52:35
the,
52:35
the
52:36
second
52:36
ambulance
52:37
drive
52:37
after
52:38
the
52:38
warehouse.
52:38
You
52:38
know,
52:39
like
52:39
right
52:39
before
52:39
the
52:39
crash,
52:40
there
52:41
is
52:42
no
52:42
cut
52:42
to
52:43
the
52:43
traffic
52:43
light,
52:44
so
52:44
it's
52:44
just
52:45
the
52:45
collision.
52:45
So
52:46
the,
52:46
the
52:46
shot
52:46
sequence
52:47
is
52:48
red
52:48
light,
52:49
pen
52:49
clicks.
52:50
The
52:50
preempt
52:50
button,
52:51
which
52:51
she
52:51
does
52:51
press,
52:52
it
52:52
is
52:52
the
52:52
correct
52:52
button.
52:53
Red
52:53
light
52:54
preempt
52:54
button,
52:55
absolute
52:56
crash.
52:57
So
52:58
it's.
52:58
This
52:58
is
52:59
based
52:59
on,
52:59
on
53:00
the
53:01
established
53:01
pattern
53:02
from
53:02
earlier
53:03
where
53:03
we're
53:03
led
53:03
to
53:04
expect
53:05
that
53:05
pen
53:06
pushes
53:06
the
53:06
button,
53:07
it
53:07
turns
53:07
green.
53:08
Hooray.
53:09
But
53:09
it
53:09
subverts
53:10
this
53:10
expectation.
53:11
Right?
53:12
And
53:13
then
53:13
when
53:14
we
53:14
see
53:15
from
53:15
Evelyn's
53:16
perspective,
53:17
when
53:17
we
53:18
do
53:18
that
53:18
little
53:19
snippet
53:20
from
53:20
of
53:20
her
53:21
getting
53:21
ready
53:21
for
53:22
the
53:22
philharmonic
53:23
and
53:23
she's
53:23
driving.
53:24
We
53:24
see
53:24
this
53:24
aerial
53:25
drone
53:25
shot
53:26
again
53:26
of
53:26
her
53:27
little
53:27
blue
53:27
car
53:28
coming
53:28
from
53:28
left
53:28
to
53:29
right
53:29
across
53:29
the
53:29
screen.
53:30
And
53:31
we
53:31
don't
53:31
see
53:32
the
53:32
traffic
53:33
light
53:33
on
53:33
her
53:34
end
53:35
until
53:35
the
53:35
collision
53:36
has
53:36
already
53:36
happened.
53:37
And
53:37
there's
53:37
a
53:38
shot
53:38
of
53:38
like
53:38
the
53:39
ambulance
53:39
and
53:39
her
53:39
car
53:40
already
53:40
crashed.
53:41
And
53:41
you
53:41
see
53:41
it
53:42
kind
53:42
of
53:42
in
53:42
the
53:42
background,
53:43
it's
53:43
like
53:43
on
53:43
the
53:43
right
53:44
hand
53:44
side
53:45
and
53:45
it
53:45
is
53:45
green
53:46
and
53:46
it's
53:46
on
53:47
the
53:47
side
53:47
of
53:47
the
53:47
road
53:48
that
53:48
Evelyn
53:48
was
53:48
driving.
53:50
So
53:50
the
53:51
use
53:51
of
53:52
the
53:52
aerial
53:53
shot
53:53
for
53:53
Evelyn
53:54
having
53:55
the
53:55
green
53:56
light,
53:56
I
53:56
think
53:57
is
53:58
an
53:58
interesting
53:59
parallel
53:59
there
53:59
from
54:00
the
54:00
ambulance
54:01
earlier.
54:02
Because
54:02
we
54:03
like.
54:03
Does
54:03
that
54:03
make
54:03
sense?
54:04
We
54:04
see
54:04
the
54:05
aerial
54:05
shot,
54:06
we're
54:06
expected
54:07
to
54:08
think
54:08
that
54:09
there's
54:09
going
54:09
to
54:09
be
54:10
a
54:10
green
54:10
light
54:10
with
54:10
hen.
54:11
So
54:11
we
54:12
see
54:12
the
54:12
aerial
54:12
shot
54:13
again,
54:13
and
54:14
there
54:14
is
54:14
the
54:14
green
54:14
light,
54:15
even
54:15
though
54:15
there
54:15
wasn't
54:16
supposed
54:16
to
54:16
be
54:17
this
54:17
time.
54:17
So
54:18
I
54:18
just
54:18
thought
54:18
the
54:18
way
54:19
that.
54:19
I
54:20
feel
54:20
like
54:20
I'm
54:20
explaining
54:21
it
54:21
kind
54:21
of
54:21
poorly,
54:21
but
54:22
when
54:22
you
54:22
look
54:23
at
54:23
all
54:24
three
54:24
of
54:24
those
54:25
shot
54:25
sequences
54:26
is
54:26
very
54:27
interesting
54:27
because
54:28
there's
54:28
a
54:29
setup
54:29
for
54:29
an
54:29
expectation,
54:30
a
54:31
subversion,
54:32
and
54:32
then
54:32
a
54:32
parallel
54:33
to
54:33
that
54:33
first
54:34
sequence.
54:35
So
54:35
I
54:36
thought
54:36
that
54:36
was
54:36
very
54:36
well
54:36
done.
54:37
So,
54:37
like,
54:38
major
54:38
props
54:38
to
54:39
Joaquin
54:39
Sidio
54:39
and
54:40
Dwayne
54:41
Milwaukee
54:42
for
54:42
director
54:43
of
54:43
photography.
54:43
I
54:44
just.
54:44
I
54:44
just
54:44
really
54:45
love
54:45
that
54:45
sequence.
54:46
And
54:47
then,
54:47
just
54:47
very
54:48
briefly,
54:48
we
54:49
do
54:49
see
54:49
with
54:49
that
54:50
cutting
54:50
back
54:51
to
54:51
Evelyn
54:51
and
54:52
getting
54:52
ready
54:52
for
54:52
her
54:53
day,
54:53
and.
54:53
And
54:54
it's
54:54
kind
54:54
of
54:54
like
54:55
a
54:55
weird
54:55
tonal
54:55
shift.
54:56
Right.
54:56
I'm
54:56
assuming
54:57
it
54:57
would
54:57
have
54:57
been
54:57
after
54:57
a
54:58
commercial
54:58
break,
54:58
so
54:59
it
54:59
would
54:59
have
54:59
started
54:59
you
54:59
off
55:00
anew.
55:00
That's
55:01
another
55:01
use
55:02
of
55:02
the
55:02
Rashomon
55:03
effect,
55:03
which
55:04
we
55:04
saw
55:04
very
55:05
early
55:05
in
55:05
season
55:06
three
55:06
with
55:07
302
55:07
and
55:07
303.
55:08
So
55:08
just
55:09
as
55:09
a
55:09
reminder,
55:09
it's
55:10
the
55:10
phenomenon
55:10
of
55:11
the
55:11
unreliability
55:12
of
55:12
eyewitnesses,
55:13
which
55:13
I
55:13
think
55:13
can
55:14
definitely
55:15
will
55:15
play
55:16
into.
55:16
The
55:17
effect
55:17
was
55:17
named
55:18
after
55:18
a
55:19
Japanese
55:19
filmmaker.
55:20
It
55:20
is
55:21
a
55:21
visual
55:21
storytelling
55:22
tool
55:23
where
55:23
an
55:23
event
55:23
is
55:24
being
55:24
shown
55:25
by
55:26
different
55:26
perspectives
55:27
of
55:27
people
55:27
involved
55:28
of
55:28
the
55:28
same
55:29
incident.
55:29
So
55:29
we
55:29
have,
55:30
like,
55:30
different
55:30
POVs.
55:31
So
55:32
I
55:32
thought
55:32
that
55:32
was,
55:32
like,
55:32
a
55:33
really
55:33
great
55:34
way
55:34
to.
55:34
To
55:35
utilize
55:35
that
55:35
Rashomon
55:36
effect,
55:36
too.
55:37
That's
55:38
my.
55:38
That's
55:38
my
55:39
very,
55:39
like,
55:39
technical
55:40
side
55:40
of
55:40
the
55:41
scene
55:41
dissection
55:42
done.
55:42
Thank
55:42
you
55:42
for
55:42
bearing
55:43
with
55:43
me.
55:43
I
55:43
just
55:44
thought
55:44
it
55:44
was
55:44
so
55:44
interesting,
55:45
it
55:45
made
55:45
my
55:45
brain
55:45
go
55:46
like.
55:47
No,
55:47
it
55:47
is
55:47
interesting.
55:48
I
55:48
just
55:48
don't
55:48
have
55:48
anything
55:48
to
55:49
add.
55:49
No,
55:49
that's
55:50
fine.
55:51
Now
55:51
we
55:51
can
55:51
actually
55:52
talk
55:52
about
55:52
what
55:52
it
55:52
means
55:52
for
55:52
the
55:53
characters.
55:53
Sorry.
55:55
Sometimes
55:56
I
55:56
really
55:56
hone
55:57
in
55:57
on,
55:57
like,
55:57
the
55:57
technical
55:58
aspects,
55:59
but
55:59
I
55:59
don't
55:59
always
56:00
have,
56:00
like,
56:00
the.
56:00
The
56:01
right
56:01
language
56:02
to.
56:02
To
56:03
describe
56:03
it.
56:03
You'd
56:04
have
56:04
to
56:04
start
56:05
learning
56:05
some
56:06
filmography.
56:07
Yeah,
56:08
I
56:08
would
56:08
like
56:08
to.
56:09
So
56:10
Hen,
56:10
I
56:11
think,
56:11
blacks
56:12
out.
56:12
Yeah.
56:13
From
56:13
the
56:14
impact.
56:14
Yeah.
56:15
And
56:15
then
56:16
she's
56:16
in
56:16
shock.
56:16
Yeah.
56:17
Then
56:17
she
56:17
is
56:17
in
56:18
shock
56:19
in
56:19
more
56:19
than
56:19
one
56:19
way.
56:20
Like,
56:20
physically
56:21
and
56:21
mentally.
56:22
You
56:22
know,
56:22
she
56:23
tries.
56:24
She
56:24
tries
56:24
her
56:25
very
56:25
best
56:25
to
56:26
save
56:26
this
56:26
woman,
56:27
even
56:27
though,
56:27
like,
56:27
she
56:28
shouldn't
56:28
be
56:29
the
56:29
person
56:29
who's
56:30
trying
56:30
to
56:30
save
56:30
her
56:31
because.
56:31
Well,
56:32
first
56:32
of
56:32
all,
56:32
she's
56:33
the
56:33
one
56:33
who
56:33
hit
56:33
her.
56:33
She
56:34
was
56:34
part
56:34
of
56:34
the
56:34
accident.
56:35
And
56:35
second
56:35
of
56:35
all,
56:35
she
56:36
literally
56:36
just
56:36
blacked
56:37
out.
56:37
Like,
56:38
she
56:38
probably
56:39
has
56:39
a
56:39
concussion.
56:40
Medical
56:40
care.
56:40
She
56:41
needs
56:41
medical
56:41
care.
56:42
But
56:42
I
56:42
think.
56:42
I
56:42
think
56:43
that
56:43
also
56:43
just
56:44
like,
56:44
so
56:45
kind
56:45
of
56:45
like
56:45
what
56:46
we
56:46
saw
56:46
with
56:46
Eddie,
56:47
where
56:47
he
56:48
rushed
56:48
in
56:49
to
56:49
help
56:49
the
56:49
guy
56:50
that
56:50
he
56:50
almost
56:50
killed.
56:51
Yeah,
56:51
it's
56:52
autopilot.
56:52
Yeah.
56:52
It's
56:53
hen
56:53
being
56:53
autopilot
56:54
that's
56:54
so
56:54
core
56:54
to
56:55
who
56:55
she
56:55
is.
56:55
Like,
56:56
she
56:56
wants
56:56
to
56:56
help,
56:57
but
56:57
then
56:57
she
56:58
gets
56:58
pushed
56:59
to
56:59
the
56:59
sideline.
57:00
Bobby
57:00
is
57:01
just
57:01
like,
57:02
literally,
57:02
like,
57:02
physically
57:03
forcing
57:03
her
57:04
away
57:04
because
57:04
it's
57:05
procedure,
57:05
and
57:06
he's
57:06
protecting
57:06
her
57:07
because
57:07
of
57:08
that,
57:08
even
57:08
though
57:09
she
57:09
is
57:10
absolutely
57:10
distraught.
57:11
But
57:11
even
57:11
before
57:11
they
57:12
get
57:12
there,
57:12
Bobby's
57:13
calling
57:13
Athena
57:14
so
57:14
Athena
57:15
can
57:15
call
57:15
her.
57:15
He
57:15
called
57:15
her
57:16
on
57:16
the
57:16
way,
57:16
for
57:16
sure.
57:17
You
57:17
know,
57:17
and
57:17
before
57:18
we
57:18
even
57:18
see
57:19
them
57:19
leave
57:19
the
57:20
scene,
57:20
Eddie,
57:21
Buck
57:22
and
57:22
Bobby
57:23
were
57:23
still,
57:23
like,
57:23
back
57:24
at
57:24
the
57:24
scene.
57:24
Packing
57:24
up.
57:25
Yeah.
57:25
Finishing
57:25
packing
57:26
up
57:26
the
57:26
truck.
57:26
He
57:26
gets.
57:27
They
57:27
get
57:27
the
57:27
call
57:28
from
57:28
Chim
57:29
for,
57:29
like,
57:29
they
57:29
need
57:29
the
57:30
backup.
57:30
They
57:30
need
57:30
another
57:31
medical
57:31
transport.
57:32
Da,
57:32
da,
57:32
da,
57:32
da.
57:33
And
57:33
then
57:34
Buck's
57:34
like,
57:35
who
57:35
was
57:35
driving?
57:36
Like,
57:36
fearfully
57:37
asking
57:37
who
57:38
is
57:38
driving
57:38
the
57:39
ambulance?
57:39
Like,
57:39
who
57:40
was
57:40
driving
57:40
it?
57:41
And
57:41
he's
57:41
like,
57:42
hen.
57:42
And
57:42
then.
57:43
And
57:43
it's
57:43
double
57:43
time.
57:44
They're
57:44
moving.
57:44
Yeah.
57:45
Because
57:45
it's
57:45
one
57:45
of
57:45
their
57:45
own.
57:46
As
57:46
fast
57:46
as
57:46
they
57:46
possibly
57:47
can.
57:47
Yeah.
57:48
But.
57:48
But
57:48
the
57:48
way
57:49
that
57:49
Bobby
57:49
knew
57:50
to
57:51
call,
57:51
like,
57:52
it
57:52
was
57:52
immediate.
57:53
He.
57:54
He
57:54
had
57:54
Athena
57:55
on
57:55
the
57:55
phone
57:55
within,
57:56
like,
57:56
milliseconds,
57:58
like,
57:58
knowing
57:59
that
58:00
hen
58:00
has
58:00
been
58:01
going
58:01
through
58:01
a
58:02
difficult
58:02
time
58:03
and.
58:03
And
58:03
that
58:03
she
58:03
hasn't
58:04
been
58:05
like,
58:05
her
58:06
usual
58:06
self,
58:07
but
58:08
knowing
58:08
that
58:08
this
58:09
would
58:09
be
58:09
just.
58:10
This
58:10
would
58:10
destroy
58:11
her
58:11
even
58:11
if
58:11
she
58:11
hadn't
58:12
been
58:12
having
58:12
her.
58:12
Oh,
58:13
exactly.
58:14
It's
58:14
just.
58:15
Oh.
58:16
Literally
58:16
the
58:16
last
58:17
thing
58:17
she
58:17
needs.
58:18
So
58:18
he
58:18
knows
58:19
that.
58:20
That
58:20
Athena
58:21
is
58:21
who
58:22
hen
58:22
can
58:23
lean
58:23
on.
58:24
And
58:25
I
58:25
think.
58:25
I
58:25
think
58:26
it's
58:26
a
58:26
really
58:26
lovely
58:26
thing
58:26
that
58:27
he
58:27
does.
58:28
And
58:28
just
58:28
the
58:28
way
58:29
that
58:29
he
58:29
knows.
58:29
He
58:30
knows
58:30
Hen,
58:30
and
58:30
he
58:30
knows
58:31
that
58:31
she
58:31
needs
58:32
someone
58:33
to.
58:33
To
58:34
lean
58:34
on
58:34
in
58:34
this
58:35
moment.
58:35
And
58:35
also
58:35
because
58:35
he's
58:36
kind
58:36
of
58:36
like,
58:36
when.
58:37
Yeah,
58:37
that's
58:38
kind
58:38
of
58:38
like,
58:39
in
58:39
a
58:39
way,
58:39
a
58:39
little.
58:40
It's
58:40
just.
58:41
It's
58:41
just
58:41
these
58:41
little
58:41
things
58:42
that
58:42
happen
58:42
behind
58:42
the
58:43
scenes
58:43
because
58:43
they
58:43
don't
58:43
show
58:43
us
58:44
that.
58:44
But,
58:44
like,
58:45
you
58:45
know,
58:45
Buck
58:45
obviously
58:46
called
58:46
bobby
58:47
for
58:48
in
58:48
217
58:50
when
58:50
Shannon
58:51
died,
58:51
because
58:51
Bobby
58:52
shows
58:52
up
58:52
at
58:52
the
58:52
hospital.
58:53
Yeah.
58:53
And
58:54
he
58:54
was
58:54
also
58:55
suspended.
58:57
Oh,
58:57
yeah.
58:57
That's
58:57
an
58:58
interesting
58:58
parallel.
58:59
Yeah.
59:00
But
59:00
it.
59:00
It
59:00
also
59:01
kind
59:01
of
59:01
continues
59:02
with
59:02
that,
59:02
like
59:03
the
59:03
118
59:04
through
59:04
the
59:05
grapevine.
59:06
Yeah.
59:06
Telephone
59:07
tree.
59:08
Right.
59:09
Yeah.
59:10
Everybody
59:10
knows
59:11
everybody's
59:11
business.
59:11
But
59:12
it's
59:12
also
59:12
like,
59:13
for
59:13
good
59:13
reason
59:14
because
59:14
they're
59:14
all
59:15
leaning
59:16
on
59:16
each
59:16
other.
59:17
Yeah.
59:17
So
59:18
Athena.
59:18
Athena
59:19
shows
59:19
up
59:19
and
59:19
she
59:20
is
59:20
trying
59:20
to
59:20
hold
59:21
Hen
59:21
together.
59:21
She
59:21
is
59:22
Trying
59:22
to
59:22
support
59:23
her
59:23
friend
59:23
while
59:23
also
59:24
professionally
59:25
be
59:25
like,
59:26
you
59:26
need.
59:27
You
59:27
need
59:27
to
59:28
be
59:28
silent.
59:29
Oh,
59:29
my
59:29
God.
59:30
Incriminate
59:30
yourself.
59:31
You
59:32
need
59:32
to
59:32
not
59:32
say
59:33
your
59:33
feelings
59:34
out
59:34
loud
59:35
because
59:35
your
59:35
feelings
59:35
are
59:36
not
59:36
the
59:36
truth.
59:36
Your
59:37
feelings
59:37
are
59:37
not
59:37
what
59:37
happened.
59:39
I
59:39
think
59:39
that's
59:39
so
59:40
interesting,
59:40
too,
59:40
with
59:41
an
59:41
episode
59:42
so
59:42
focused
59:42
on
59:42
communication
59:43
and
59:43
talking
59:43
to
59:44
people
59:44
that
59:45
this
59:45
is
59:45
the
59:45
moment
59:46
where
59:46
it's
59:46
like,
59:46
okay,
59:47
you
59:47
need
59:47
to
59:47
stop.
59:48
You
59:48
need
59:48
to
59:48
stop
59:48
talking
59:49
because
59:49
it's
59:50
not
59:50
actually
59:50
going
59:50
to
59:51
do
59:51
you
59:51
any
59:51
good
59:52
in
59:52
this
59:52
instance.
59:53
Even
59:53
though
59:53
Hannah's
59:54
like,
59:54
I
59:54
want
59:54
to
59:55
tell
59:55
the
59:55
truth.
59:55
And
59:55
Athena's
59:56
like,
59:56
you
59:56
can.
59:57
You
59:57
can.
59:58
But
59:59
all
59:59
of
59:59
the.
1:00:00
All
1:00:00
of
1:00:00
the
1:00:00
feeling,
1:00:01
all
1:00:01
of
1:00:01
the,
1:00:02
you
1:00:03
know,
1:00:03
subjective
1:00:04
stuff
1:00:04
that
1:00:05
this
1:00:05
whole
1:00:05
episode
1:00:06
has
1:00:06
been
1:00:06
in,
1:00:07
like,
1:00:08
encouraging
1:00:08
and
1:00:08
employing,
1:00:09
imploring.
1:00:10
Yeah.
1:00:10
People
1:00:11
to
1:00:11
do.
1:00:12
It's
1:00:12
like,
1:00:12
no,
1:00:12
cut
1:00:12
that
1:00:13
out.
1:00:13
You
1:00:13
talk
1:00:14
about
1:00:14
their
1:00:14
feelings.
1:00:14
It's
1:00:14
like,
1:00:15
no,
1:00:15
once
1:00:15
the
1:00:16
police
1:00:16
get
1:00:16
involved,
1:00:17
we
1:00:17
don't
1:00:17
talk
1:00:17
about
1:00:17
our
1:00:17
feelings.
1:00:18
We
1:00:18
talk
1:00:18
about
1:00:18
facts.
1:00:19
Yeah.
1:00:20
So
1:00:20
while.
1:00:20
While
1:00:21
Athena
1:00:21
is.
1:00:22
Is
1:00:22
trying
1:00:22
to,
1:00:23
like,
1:00:23
physically
1:00:24
and
1:00:24
emotionally
1:00:25
hold
1:00:25
and
1:00:26
together,
1:00:26
you
1:00:26
see
1:00:27
the
1:00:27
rest
1:00:27
of
1:00:27
the
1:00:27
team
1:00:28
trying
1:00:28
to
1:00:28
revive
1:00:29
Evelyn.
1:00:30
Yeah,
1:00:30
Evelyn.
1:00:31
Trying
1:00:31
to
1:00:31
revive
1:00:32
Evelyn.
1:00:32
And
1:00:32
it's
1:00:32
like
1:00:33
it's
1:00:33
in
1:00:33
slow
1:00:33
motion.
1:00:34
Right.
1:00:34
I
1:00:35
think
1:00:35
some
1:00:35
of
1:00:35
it
1:00:35
is.
1:00:36
Some
1:00:36
of
1:00:36
it's
1:00:37
in
1:00:37
slow.
1:00:37
I
1:00:37
think
1:00:37
a
1:00:37
lot
1:00:38
of
1:00:38
the
1:00:38
time
1:00:38
when
1:00:38
it
1:00:38
pans
1:00:38
back
1:00:39
over
1:00:39
to.
1:00:39
To
1:00:39
the
1:00:39
team,
1:00:40
it
1:00:40
is
1:00:40
slow
1:00:41
motion.
1:00:41
Which
1:00:41
is
1:00:41
probably
1:00:42
from
1:00:42
hen's
1:00:43
pov.
1:00:43
Hen's
1:00:44
point
1:00:44
of
1:00:44
view.
1:00:44
Yeah.
1:00:45
Just
1:00:45
like,
1:00:46
you
1:00:46
know,
1:00:46
things
1:00:46
moving
1:00:46
so
1:00:47
fast,
1:00:47
but
1:00:47
she.
1:00:48
She's
1:00:48
like.
1:00:49
She's
1:00:49
stuck
1:00:50
in
1:00:50
this
1:00:50
moment.
1:00:51
Oh,
1:00:51
yeah,
1:00:52
you
1:00:52
said
1:00:52
it,
1:00:53
not
1:00:53
me.
1:00:53
Yeah.
1:00:54
Because
1:00:54
I
1:00:54
don't
1:00:54
think
1:00:55
about
1:00:55
it
1:00:55
before
1:00:55
I
1:00:55
say
1:00:56
it.
1:00:59
Normal
1:00:59
word
1:00:59
to
1:01:00
me.
1:01:02
I'm
1:01:02
sorry.
1:01:05
But
1:01:05
yeah.
1:01:05
So
1:01:06
some
1:01:07
of
1:01:07
the
1:01:07
team,
1:01:07
I
1:01:08
think,
1:01:08
like,
1:01:08
one
1:01:08
by
1:01:08
one,
1:01:08
they
1:01:09
keep,
1:01:09
like,
1:01:09
looking
1:01:09
up
1:01:10
at
1:01:10
her
1:01:11
at
1:01:11
some
1:01:11
point
1:01:11
worriedly.
1:01:12
But
1:01:13
at
1:01:14
one
1:01:14
point,
1:01:14
Eddie
1:01:14
kind
1:01:15
of
1:01:15
has
1:01:15
his,
1:01:16
you
1:01:16
know,
1:01:17
his
1:01:17
hands
1:01:17
on
1:01:17
Evelyn's
1:01:18
a
1:01:18
Tigger
1:01:18
pulse
1:01:19
and
1:01:19
like,
1:01:19
shakes
1:01:20
his
1:01:20
head
1:01:20
really
1:01:20
minutely,
1:01:22
like
1:01:22
they're
1:01:22
obviously.
1:01:23
Calling
1:01:23
time
1:01:23
of
1:01:24
death.
1:01:24
Yeah.
1:01:25
And
1:01:25
then
1:01:25
it's
1:01:26
just
1:01:26
like
1:01:26
this
1:01:27
really
1:01:28
incredible.
1:01:29
But
1:01:30
I'm
1:01:31
trying
1:01:31
to
1:01:31
think
1:01:31
of
1:01:31
a
1:01:31
word
1:01:32
that
1:01:32
isn't
1:01:32
just
1:01:32
depressing.
1:01:33
Devastating.
1:01:34
Yeah.
1:01:34
It's
1:01:35
an
1:01:35
incredible.
1:01:35
But
1:01:35
devastating,
1:01:37
like,
1:01:37
again,
1:01:38
slow,
1:01:39
slow
1:01:40
mo
1:01:40
of
1:01:41
each.
1:01:42
Each
1:01:42
member
1:01:43
of
1:01:43
the
1:01:43
118
1:01:44
kind
1:01:44
of
1:01:44
like
1:01:45
standing
1:01:45
up,
1:01:46
looking
1:01:46
over
1:01:46
at
1:01:46
Hen
1:01:47
Chimney's
1:01:47
walking
1:01:48
towards
1:01:48
her
1:01:49
and
1:01:49
they
1:01:49
all,
1:01:50
like,
1:01:51
look
1:01:51
heartbroken.
1:01:52
Yeah.
1:01:52
Because
1:01:52
it's
1:01:53
hard
1:01:53
to
1:01:53
lose
1:01:53
someone
1:01:53
on
1:01:54
the
1:01:54
job
1:01:54
anytime.
1:01:55
But
1:01:56
when
1:01:57
it
1:01:57
was
1:01:58
your
1:01:59
fault.
1:02:01
When
1:02:01
it
1:02:01
was
1:02:01
your
1:02:01
fault.
1:02:02
Quoting
1:02:03
Fingers.
1:02:03
Unimaginable.
1:02:04
Because
1:02:04
that's
1:02:04
just
1:02:04
like
1:02:05
the
1:02:05
antithesis
1:02:05
of
1:02:05
like
1:02:06
what,
1:02:06
what
1:02:07
your
1:02:07
job
1:02:07
is,
1:02:07
what
1:02:08
you
1:02:08
want
1:02:08
to
1:02:08
do?
1:02:09
Yeah,
1:02:09
like
1:02:10
it's,
1:02:11
it's
1:02:11
this
1:02:11
double
1:02:11
whammy
1:02:12
of
1:02:12
losing.
1:02:14
Losing
1:02:14
a
1:02:14
patient
1:02:15
or
1:02:15
losing
1:02:15
a
1:02:15
victim
1:02:16
because
1:02:17
there
1:02:17
wasn't
1:02:17
anything
1:02:18
they
1:02:18
could
1:02:19
have
1:02:19
done
1:02:19
to
1:02:20
save
1:02:20
her.
1:02:20
Even
1:02:21
with
1:02:21
all
1:02:22
of
1:02:22
their
1:02:22
training
1:02:23
and
1:02:23
everything
1:02:23
that
1:02:24
they
1:02:24
do.
1:02:24
Like,
1:02:25
that
1:02:25
is
1:02:25
who
1:02:25
they
1:02:25
are
1:02:26
as
1:02:26
first
1:02:26
responders.
1:02:27
They're.
1:02:27
They're
1:02:27
trying
1:02:27
to
1:02:28
save
1:02:28
people.
1:02:29
So
1:02:29
it's,
1:02:30
it's
1:02:30
losing
1:02:31
that,
1:02:31
but
1:02:31
also
1:02:33
knowing
1:02:33
how
1:02:34
deeply
1:02:35
it's
1:02:35
going
1:02:35
to
1:02:36
affect
1:02:36
Hen.
1:02:37
And
1:02:37
like,
1:02:38
Chimney
1:02:38
looks.
1:02:39
Looks
1:02:39
so
1:02:39
concerned.
1:02:41
The
1:02:41
way
1:02:41
Buck
1:02:42
is
1:02:42
looking
1:02:42
over
1:02:43
at
1:02:43
Hen
1:02:44
breaks
1:02:44
my
1:02:45
heart
1:02:45
every
1:02:46
time.
1:02:46
Just
1:02:46
like
1:02:47
he,
1:02:48
he
1:02:48
looks
1:02:49
like
1:02:49
they
1:02:49
all
1:02:49
just
1:02:50
look
1:02:50
so
1:02:50
despondent
1:02:51
because
1:02:51
they
1:02:52
know
1:02:52
how
1:02:52
it's
1:02:53
going
1:02:53
to
1:02:54
affect
1:02:54
Hen
1:02:55
and,
1:02:55
but.
1:02:55
And
1:02:56
they
1:02:56
also
1:02:56
don't
1:02:57
know
1:02:57
at
1:02:57
that
1:02:57
point
1:02:58
that
1:02:59
Hen
1:02:59
is
1:03:00
not
1:03:00
at
1:03:00
fault.
1:03:02
Like,
1:03:02
actually
1:03:02
technically,
1:03:03
like,
1:03:03
there
1:03:03
was
1:03:04
a
1:03:04
malfunction
1:03:05
there.
1:03:05
So,
1:03:05
like,
1:03:05
as
1:03:06
far
1:03:06
as
1:03:06
they
1:03:06
know,
1:03:07
she
1:03:08
killed
1:03:08
a
1:03:08
person
1:03:09
and
1:03:11
then
1:03:11
has.
1:03:12
Will
1:03:12
have
1:03:12
to
1:03:12
live
1:03:13
with
1:03:13
it.
1:03:13
So
1:03:13
it's
1:03:13
like
1:03:13
they're
1:03:14
also
1:03:14
maybe
1:03:15
seeing.
1:03:16
Seeing
1:03:17
how
1:03:18
that
1:03:19
will
1:03:20
affect
1:03:20
her
1:03:21
going
1:03:21
forward
1:03:22
with
1:03:22
that
1:03:22
knowledge
1:03:23
of,
1:03:23
like,
1:03:24
someone
1:03:24
who
1:03:25
has
1:03:25
dedicated
1:03:25
their
1:03:26
lives
1:03:26
to
1:03:26
saving
1:03:26
people
1:03:26
has
1:03:27
now
1:03:27
killed
1:03:28
someone.
1:03:28
Which.
1:03:29
Which
1:03:29
again
1:03:30
is
1:03:30
so
1:03:31
interesting
1:03:31
when
1:03:31
you
1:03:32
parallel
1:03:33
Hen
1:03:33
and
1:03:33
Eddie
1:03:34
in
1:03:34
this
1:03:34
episode
1:03:35
where
1:03:36
they're
1:03:37
both
1:03:38
these
1:03:38
people
1:03:38
who
1:03:39
help
1:03:39
and
1:03:39
heal
1:03:40
and
1:03:40
have
1:03:40
dedicated
1:03:41
their
1:03:41
lives
1:03:41
to
1:03:41
that,
1:03:42
but
1:03:42
end
1:03:42
up
1:03:43
causing
1:03:43
hurt
1:03:43
and
1:03:44
physical
1:03:44
damage
1:03:45
to
1:03:45
someone.
1:03:47
And
1:03:47
how
1:03:47
that,
1:03:48
again,
1:03:48
subverts
1:03:49
that
1:03:49
expectation
1:03:51
that
1:03:52
we
1:03:52
have
1:03:52
of
1:03:52
them
1:03:53
but
1:03:53
that
1:03:53
they
1:03:53
have
1:03:54
for
1:03:54
themselves
1:03:54
as
1:03:55
well
1:03:55
and
1:03:56
is
1:03:56
like
1:03:56
just
1:03:57
one
1:03:57
of
1:03:57
those.
1:03:59
For
1:03:59
Hen,
1:04:00
this
1:04:00
was
1:04:00
out
1:04:00
of
1:04:00
her
1:04:00
control.
1:04:01
This
1:04:01
was
1:04:01
actually
1:04:01
out
1:04:01
of
1:04:02
her
1:04:02
control.
1:04:02
She
1:04:03
doesn't
1:04:03
know
1:04:03
it
1:04:03
yet,
1:04:04
so
1:04:04
she
1:04:04
thinks
1:04:04
she's
1:04:05
just
1:04:05
as
1:04:06
at
1:04:06
fault
1:04:06
and
1:04:07
she's
1:04:07
putting
1:04:07
that
1:04:07
burden
1:04:08
on
1:04:08
her
1:04:08
shoulders
1:04:09
just
1:04:09
like
1:04:09
Eddie
1:04:09
puts
1:04:10
it
1:04:10
on
1:04:10
his
1:04:10
shoulders.
1:04:11
So
1:04:12
it's
1:04:12
that
1:04:13
assumption
1:04:13
of
1:04:13
responsibility
1:04:14
as
1:04:14
well.
1:04:15
And
1:04:15
just
1:04:15
like,
1:04:16
gosh,
1:04:16
there's
1:04:17
like,
1:04:17
literally
1:04:18
they're
1:04:18
just
1:04:18
going
1:04:18
through,
1:04:19
like,
1:04:19
the
1:04:19
same
1:04:19
thing
1:04:20
so
1:04:20
much
1:04:20
in
1:04:21
this
1:04:21
episode.
1:04:21
It's.
1:04:22
It's
1:04:22
a
1:04:22
lot.
1:04:23
Well,
1:04:23
it's.
1:04:24
So
1:04:24
it's.
1:04:25
When
1:04:25
you
1:04:25
work
1:04:25
in
1:04:25
the
1:04:25
medical
1:04:26
profession,
1:04:26
like,
1:04:27
everyone
1:04:27
has
1:04:28
to
1:04:28
deal
1:04:28
with
1:04:30
not
1:04:30
just
1:04:30
losing
1:04:30
patients
1:04:31
because,
1:04:32
like,
1:04:32
you
1:04:33
know,
1:04:33
some
1:04:33
patients
1:04:33
just
1:04:33
can't
1:04:34
be
1:04:34
saved.
1:04:34
Making
1:04:35
a
1:04:35
mistake
1:04:36
that
1:04:36
costs
1:04:36
a
1:04:36
patient
1:04:37
their
1:04:37
life,
1:04:38
like,
1:04:38
that's
1:04:38
just.
1:04:39
It
1:04:40
happens
1:04:40
to
1:04:40
everyone.
1:04:41
This
1:04:41
is
1:04:42
very
1:04:42
different
1:04:43
because
1:04:43
this
1:04:43
wasn't
1:04:44
a
1:04:44
patient,
1:04:45
this
1:04:45
was,
1:04:46
you
1:04:46
know,
1:04:47
an
1:04:47
innocent
1:04:48
transport
1:04:48
with
1:04:49
a
1:04:49
patient,
1:04:49
just
1:04:50
someone
1:04:50
else
1:04:50
on
1:04:50
the
1:04:51
road.
1:04:52
So
1:04:52
it's
1:04:53
very
1:04:53
different.
1:04:54
Repercussions,
1:04:55
I
1:04:55
guess,
1:04:55
like,
1:04:56
emotionally.
1:04:57
It's
1:04:57
repercussions
1:04:58
emotionally,
1:04:59
but
1:04:59
also
1:04:59
when
1:05:00
Athena
1:05:01
tries
1:05:02
and
1:05:02
Hen
1:05:03
isn't
1:05:03
hearing
1:05:03
her
1:05:03
But
1:05:04
Athena
1:05:04
tries
1:05:04
to
1:05:05
like,
1:05:05
really
1:05:06
instill
1:05:06
in
1:05:06
her
1:05:07
this
1:05:07
idea
1:05:07
of
1:05:07
like,
1:05:08
you
1:05:08
know,
1:05:08
there's
1:05:08
going
1:05:08
to
1:05:08
be
1:05:09
an
1:05:09
investigation,
1:05:09
you
1:05:10
need
1:05:10
to
1:05:10
stop
1:05:11
doing
1:05:11
what
1:05:11
you're
1:05:11
doing.
1:05:11
So
1:05:12
there's
1:05:12
also
1:05:13
this
1:05:14
impending
1:05:16
consequences
1:05:17
that
1:05:17
are
1:05:18
going
1:05:18
to
1:05:18
be
1:05:19
hovering
1:05:19
over
1:05:19
Hen's
1:05:20
head.
1:05:21
And
1:05:21
I
1:05:21
think
1:05:22
that's
1:05:22
interesting
1:05:22
too
1:05:23
because
1:05:23
like
1:05:24
you
1:05:24
said,
1:05:24
Athena
1:05:25
is
1:05:25
currently
1:05:26
living
1:05:26
through
1:05:27
the
1:05:27
consequences
1:05:28
of
1:05:28
her
1:05:28
actions
1:05:29
by
1:05:29
being
1:05:30
suspended
1:05:30
after
1:05:31
going
1:05:31
after
1:05:31
Dennis
1:05:32
Jenkins
1:05:32
from
1:05:32
Athena
1:05:33
Begins
1:05:34
also
1:05:35
similarly
1:05:35
to
1:05:36
like
1:05:36
you
1:05:36
said,
1:05:37
with
1:05:38
Bobby
1:05:39
being
1:05:39
suspended
1:05:40
and.
1:05:41
When
1:05:42
he
1:05:42
was
1:05:42
suspended
1:05:43
because
1:05:43
they
1:05:43
found
1:05:43
out
1:05:43
that
1:05:44
he
1:05:44
lied.
1:05:44
Yeah.
1:05:45
So
1:05:45
like
1:05:46
consequences
1:05:47
or
1:05:47
repercussions
1:05:48
emotionally
1:05:49
and
1:05:49
consequences
1:05:49
professionally.
1:05:50
Yeah.
1:05:51
Even
1:05:51
though
1:05:52
she'll
1:05:52
be
1:05:52
absolved
1:05:53
of
1:05:53
them,
1:05:54
will
1:05:54
she
1:05:54
absolve
1:05:55
herself?
1:05:56
Herself?
1:05:57
I
1:05:57
do
1:05:57
want
1:05:57
to
1:05:57
talk
1:05:57
a
1:05:58
little
1:05:58
bit
1:05:58
about
1:05:58
like
1:05:58
some
1:05:59
of
1:05:59
the
1:05:59
details
1:06:00
and
1:06:00
some
1:06:00
of
1:06:00
these
1:06:01
shots
1:06:01
that
1:06:01
were
1:06:02
just
1:06:02
so
1:06:02
like,
1:06:03
I
1:06:04
don't
1:06:04
know,
1:06:04
just
1:06:04
add
1:06:04
to
1:06:04
the
1:06:05
like
1:06:05
surreal.
1:06:06
Mm.
1:06:07
Like
1:06:07
kind
1:06:08
of
1:06:08
out
1:06:08
of
1:06:09
body
1:06:09
ness,
1:06:10
I
1:06:10
guess
1:06:10
that.
1:06:10
That
1:06:11
Hen's
1:06:11
probably
1:06:11
experiencing.
1:06:13
It's
1:06:13
particularly
1:06:14
these
1:06:14
two
1:06:14
things.
1:06:15
The
1:06:15
first
1:06:15
is
1:06:16
when
1:06:17
they
1:06:17
are
1:06:18
pulling
1:06:18
her
1:06:18
out
1:06:19
of
1:06:19
finally
1:06:19
pulling
1:06:19
Evelyn
1:06:20
out
1:06:20
of
1:06:20
the
1:06:20
car
1:06:21
and
1:06:22
all
1:06:22
of
1:06:23
this
1:06:23
bloody
1:06:23
sheet
1:06:24
music
1:06:25
just
1:06:26
spills
1:06:26
out
1:06:27
on
1:06:27
her.
1:06:28
Spilling
1:06:28
out
1:06:28
like
1:06:29
flying
1:06:29
out
1:06:29
of
1:06:29
the
1:06:29
car.
1:06:30
Just
1:06:31
crazy
1:06:31
work.
1:06:33
And
1:06:33
then
1:06:34
it
1:06:34
also
1:06:34
cuts
1:06:34
to
1:06:35
a
1:06:35
shot
1:06:35
of
1:06:36
her
1:06:36
cello
1:06:37
case,
1:06:38
like.
1:06:38
Yeah.
1:06:38
Demolished
1:06:40
outside
1:06:40
of
1:06:41
the
1:06:41
car.
1:06:42
So
1:06:42
I
1:06:43
think
1:06:43
those
1:06:43
two
1:06:44
things
1:06:44
just
1:06:44
alone
1:06:45
kind
1:06:45
of
1:06:46
really
1:06:46
giving
1:06:47
you
1:06:47
an
1:06:47
idea
1:06:47
of
1:06:47
how
1:06:48
hard
1:06:49
of
1:06:49
a
1:06:49
force
1:06:50
this
1:06:51
car
1:06:51
was
1:06:51
hit
1:06:51
with.
1:06:53
Yeah.
1:06:53
And
1:06:54
by
1:06:54
car,
1:06:54
I
1:06:55
mean
1:06:55
Evelyn.
1:06:56
Exactly.
1:06:57
I
1:06:57
think
1:06:57
because
1:06:58
she
1:06:58
was
1:06:58
in
1:06:58
a.
1:06:58
Little
1:06:58
tiny
1:06:59
like
1:06:59
fuel
1:06:59
efficient
1:07:00
sedan,
1:07:00
so
1:07:01
she
1:07:01
had
1:07:02
no
1:07:02
chance
1:07:03
against
1:07:04
a
1:07:04
tank
1:07:04
of
1:07:05
an
1:07:05
ambulance.
1:07:05
Yeah.
1:07:06
Yeah.
1:07:06
Especially
1:07:06
going.
1:07:07
I
1:07:07
think
1:07:07
they
1:07:08
do
1:07:08
a
1:07:08
very
1:07:09
impressive
1:07:09
job
1:07:10
of
1:07:10
showing
1:07:11
the
1:07:12
catastrophic
1:07:13
damage
1:07:14
that
1:07:15
that
1:07:15
would
1:07:15
be
1:07:15
done
1:07:16
here.
1:07:16
Because
1:07:16
if
1:07:16
you
1:07:16
think
1:07:17
about
1:07:17
it,
1:07:17
an
1:07:17
ambulance
1:07:18
is
1:07:18
already
1:07:18
going.
1:07:19
I
1:07:19
don't
1:07:19
know
1:07:19
how
1:07:20
fast
1:07:20
they
1:07:20
actually
1:07:20
drive,
1:07:21
but
1:07:21
they're
1:07:21
going
1:07:21
fast.
1:07:22
I
1:07:22
think
1:07:23
it
1:07:23
just
1:07:23
depends,
1:07:24
like,
1:07:24
because
1:07:24
especially
1:07:24
when
1:07:25
you're
1:07:25
in
1:07:25
a
1:07:25
city.
1:07:25
Yeah.
1:07:26
It's
1:07:26
hard
1:07:26
to
1:07:27
go
1:07:27
fast
1:07:27
but.
1:07:28
But
1:07:28
they
1:07:28
go
1:07:28
fast
1:07:29
anyways
1:07:30
and
1:07:30
they
1:07:30
usually
1:07:31
get
1:07:31
the
1:07:32
green
1:07:32
light.
1:07:32
So
1:07:33
like
1:07:33
why
1:07:33
they
1:07:33
wouldn't
1:07:34
even
1:07:35
have
1:07:35
to
1:07:36
stop
1:07:36
in
1:07:37
that.
1:07:37
In
1:07:37
an
1:07:38
instance
1:07:38
like
1:07:38
that.
1:07:39
So
1:07:39
it
1:07:39
is
1:07:39
going
1:07:39
full
1:07:40
force.
1:07:41
And
1:07:41
so
1:07:41
was
1:07:42
Evelyn
1:07:42
at
1:07:42
like
1:07:43
probably
1:07:43
the
1:07:43
speed
1:07:43
limit.
1:07:44
So
1:07:44
it's
1:07:44
just
1:07:45
like,
1:07:45
oof.
1:07:46
Big,
1:07:47
big
1:07:47
collision.
1:07:48
Like,
1:07:48
like
1:07:48
the
1:07:49
physicality
1:07:49
of
1:07:50
it.
1:07:50
I
1:07:50
think
1:07:50
you're
1:07:50
right.
1:07:50
Is.
1:07:51
Is
1:07:51
really
1:07:52
impressive.
1:07:52
Like
1:07:52
that's.
1:07:53
That's
1:07:53
just
1:07:53
something
1:07:53
that
1:07:54
911
1:07:55
does
1:07:55
pretty
1:07:55
well,
1:07:56
I
1:07:56
think.
1:07:57
Like,
1:07:57
like
1:07:57
with
1:07:58
these
1:07:58
emergencies
1:07:59
they
1:07:59
make.
1:07:59
That's
1:08:00
where
1:08:00
the.
1:08:01
That's
1:08:01
where
1:08:01
the
1:08:01
realism
1:08:02
is.
1:08:03
Yeah.
1:08:03
And
1:08:03
it's.
1:08:04
Well,
1:08:04
the
1:08:04
realism
1:08:05
is
1:08:05
always
1:08:05
in
1:08:05
the
1:08:05
emotion
1:08:06
of
1:08:06
the
1:08:07
characters.
1:08:08
Right.
1:08:09
So
1:08:10
again,
1:08:10
I
1:08:11
know
1:08:11
I
1:08:11
mentioned
1:08:12
general
1:08:12
thoughts.
1:08:13
I
1:08:14
mentioned
1:08:14
this
1:08:14
earlier
1:08:14
in
1:08:14
general
1:08:15
thoughts.
1:08:15
I'm
1:08:15
gonna
1:08:15
bring
1:08:15
it
1:08:15
up
1:08:16
again.
1:08:16
I
1:08:17
knew
1:08:17
Evelyn
1:08:17
for,
1:08:17
like,
1:08:18
two
1:08:18
minutes.
1:08:19
And
1:08:20
this
1:08:20
was,
1:08:20
like,
1:08:22
so
1:08:22
emotionally
1:08:23
impactful.
1:08:24
So
1:08:24
emotionally
1:08:24
impactful.
1:08:25
Yeah.
1:08:27
Like,
1:08:28
it's
1:08:28
so
1:08:29
well
1:08:29
done
1:08:30
because
1:08:30
they
1:08:30
really
1:08:31
put
1:08:31
us
1:08:32
in
1:08:33
her
1:08:33
POV
1:08:34
with
1:08:35
that
1:08:35
Rashomon
1:08:36
effect,
1:08:36
showing
1:08:37
her
1:08:37
little
1:08:38
slice
1:08:38
of
1:08:38
life.
1:08:39
It's
1:08:39
the
1:08:39
most
1:08:40
exciting
1:08:40
day
1:08:40
for
1:08:41
her
1:08:41
professionally.
1:08:42
Like,
1:08:42
she's.
1:08:42
Yeah,
1:08:42
she
1:08:42
doesn't
1:08:43
even.
1:08:43
Just
1:08:43
Like
1:08:43
a
1:08:43
normal
1:08:44
day.
1:08:44
She's
1:08:44
a
1:08:44
normal
1:08:45
person.
1:08:45
Like,
1:08:45
no,
1:08:46
she's
1:08:46
a
1:08:46
musical
1:08:46
savant.
1:08:47
Yeah.
1:08:48
And
1:08:48
the
1:08:48
youngest
1:08:49
person
1:08:49
to
1:08:49
ever
1:08:49
be
1:08:50
in
1:08:50
the
1:08:50
Philharmon.
1:08:51
Like.
1:08:51
Like,
1:08:52
she.
1:08:53
She
1:08:53
has
1:08:53
so
1:08:53
much
1:08:53
to
1:08:54
live
1:08:54
for
1:08:54
sort
1:08:55
of
1:08:55
thing.
1:08:55
She's
1:08:55
reaching.
1:08:56
She's
1:08:57
reaching
1:08:57
her
1:08:57
dreams
1:08:58
again.
1:08:59
Like,
1:08:59
her
1:08:59
future
1:08:59
is
1:09:00
here.
1:09:01
Right.
1:09:01
And
1:09:02
then
1:09:02
for
1:09:03
everything.
1:09:04
And
1:09:04
it's.
1:09:05
It's
1:09:05
the
1:09:05
little
1:09:05
stuff,
1:09:06
too.
1:09:06
It's.
1:09:06
It's
1:09:07
her
1:09:07
grandma
1:09:08
who
1:09:08
is
1:09:08
so
1:09:08
supportive
1:09:09
of
1:09:09
her.
1:09:09
It's
1:09:10
her
1:09:10
mom
1:09:10
and
1:09:10
her
1:09:11
dad
1:09:11
who
1:09:11
are,
1:09:11
like,
1:09:12
so
1:09:12
excited,
1:09:12
but
1:09:12
also,
1:09:13
like,
1:09:13
a
1:09:13
little,
1:09:14
like,
1:09:14
helicoptery.
1:09:15
And
1:09:16
her
1:09:16
just
1:09:16
being
1:09:17
so
1:09:17
proud
1:09:17
of
1:09:17
herself,
1:09:18
like,
1:09:18
seeing
1:09:18
all
1:09:18
these,
1:09:19
like,
1:09:19
comments
1:09:20
on
1:09:20
Instagram
1:09:21
of
1:09:21
everyone,
1:09:21
like,
1:09:22
so
1:09:22
excited,
1:09:22
and
1:09:22
then
1:09:23
just
1:09:23
to
1:09:23
have
1:09:24
all
1:09:24
of
1:09:24
that,
1:09:25
like,
1:09:25
ripped
1:09:26
away
1:09:26
from
1:09:26
her
1:09:26
in
1:09:27
a
1:09:27
second
1:09:27
because
1:09:28
of
1:09:28
a
1:09:29
technical
1:09:29
issue,
1:09:30
a
1:09:30
technical
1:09:31
malfunction,
1:09:32
and
1:09:32
that
1:09:33
is
1:09:33
heartbreaking
1:09:34
because
1:09:35
all
1:09:35
of
1:09:36
the
1:09:36
control
1:09:37
is
1:09:37
in
1:09:37
no
1:09:38
one's
1:09:38
hands.
1:09:38
It's
1:09:38
nobody's
1:09:39
fault.
1:09:40
And
1:09:40
that
1:09:40
makes
1:09:40
it
1:09:40
all
1:09:41
the
1:09:41
more
1:09:41
heartbreaking
1:09:42
because,
1:09:42
like,
1:09:42
it's
1:09:42
one
1:09:43
of
1:09:43
those
1:09:43
things
1:09:43
that,
1:09:43
like,
1:09:43
didn't
1:09:44
have
1:09:44
to
1:09:44
happen,
1:09:46
but
1:09:46
did.
1:09:47
It
1:09:47
does
1:09:47
a
1:09:47
really
1:09:48
great
1:09:48
job
1:09:48
of
1:09:49
introducing
1:09:49
Evelyn
1:09:50
as
1:09:50
a
1:09:50
character,
1:09:51
giving
1:09:51
us
1:09:51
a
1:09:51
very
1:09:52
full
1:09:53
picture
1:09:54
in
1:09:54
a
1:09:54
very
1:09:54
short
1:09:55
amount
1:09:55
of
1:09:55
time.
1:09:56
So
1:09:57
that
1:09:57
way
1:09:57
we
1:09:58
emotionally
1:09:59
connect
1:10:00
with
1:10:00
her,
1:10:01
especially
1:10:01
with
1:10:02
the
1:10:03
instrumental
1:10:04
music,
1:10:04
like
1:10:05
that
1:10:05
cello
1:10:05
sweet
1:10:06
number
1:10:07
one.
1:10:07
And
1:10:08
having
1:10:08
Yo
1:10:08
Yo
1:10:08
Ma's
1:10:09
interpretation
1:10:10
of.
1:10:10
Of
1:10:10
something
1:10:11
violent
1:10:12
coming
1:10:12
in
1:10:12
and
1:10:13
interrupting
1:10:13
the
1:10:13
flow
1:10:14
of
1:10:14
everything
1:10:14
like
1:10:14
that,
1:10:15
that
1:10:15
makes
1:10:16
it,
1:10:16
like,
1:10:16
even
1:10:16
more
1:10:16
poignant.
1:10:17
Yeah.
1:10:18
So
1:10:18
it's
1:10:19
emotional
1:10:19
from
1:10:20
that,
1:10:20
but
1:10:20
it's
1:10:20
also
1:10:21
emotional
1:10:21
from
1:10:21
the
1:10:22
other
1:10:22
side
1:10:22
because
1:10:23
from
1:10:23
everything
1:10:24
that.
1:10:24
That
1:10:25
hen
1:10:25
thinks
1:10:26
she
1:10:26
did
1:10:27
at
1:10:27
this
1:10:27
point.
1:10:28
So
1:10:29
she's
1:10:29
just
1:10:30
immediately
1:10:30
carrying
1:10:31
the
1:10:31
burden,
1:10:31
but
1:10:32
is
1:10:32
also
1:10:32
in
1:10:32
shock
1:10:32
and
1:10:33
every.
1:10:33
Oh,
1:10:33
my
1:10:33
God.
1:10:34
I
1:10:34
just.
1:10:35
I
1:10:35
think
1:10:35
I
1:10:35
wrote
1:10:35
devastating,
1:10:36
like,
1:10:36
five
1:10:37
times
1:10:37
in
1:10:37
my
1:10:37
notes.
1:10:38
That's
1:10:39
the
1:10:39
only
1:10:39
word
1:10:39
I
1:10:39
have.
1:10:40
They
1:10:40
built
1:10:40
up
1:10:40
that
1:10:41
story
1:10:41
and
1:10:42
made
1:10:42
it
1:10:42
have
1:10:42
such
1:10:42
an
1:10:43
emotional
1:10:43
impact
1:10:43
and.
1:10:44
Like,
1:10:44
five
1:10:45
minutes
1:10:46
less
1:10:46
than.
1:10:46
Yeah.
1:10:48
Where
1:10:48
was
1:10:48
this
1:10:49
energy
1:10:49
at
1:10:50
8:15.
1:10:51
It
1:10:51
was
1:10:52
in
1:10:52
709.
1:10:53
Oh,
1:10:53
it
1:10:54
was
1:10:54
in
1:10:54
709.
1:10:55
And
1:10:55
that's
1:10:55
when
1:10:55
they
1:10:55
did
1:10:56
it.
1:10:56
So
1:10:58
anyway,
1:10:58
we
1:10:59
know
1:10:59
our
1:10:59
Thoughts
1:10:59
on
1:10:59
that
1:11:01
incredible
1:11:01
scene.
1:11:02
Hate
1:11:02
it.
1:11:04
Hate
1:11:04
it
1:11:04
so
1:11:04
much
1:11:04
because
1:11:05
it
1:11:05
makes
1:11:05
us
1:11:05
feel
1:11:06
bad
1:11:06
things.
1:11:07
I
1:11:08
just
1:11:08
cry.
1:11:09
Yeah,
1:11:09
I
1:11:10
was.
1:11:10
I
1:11:10
cried
1:11:11
the
1:11:11
first
1:11:11
time.
1:11:11
I
1:11:11
don't
1:11:11
think
1:11:12
I've
1:11:12
cried
1:11:12
again.
1:11:13
I
1:11:13
didn't
1:11:14
cry
1:11:14
watching
1:11:14
it.
1:11:15
The
1:11:15
two
1:11:15
times
1:11:15
that
1:11:16
I
1:11:16
watched
1:11:16
it.
1:11:17
Yeah,
1:11:17
I
1:11:17
was.
1:11:17
I
1:11:18
was
1:11:18
a
1:11:18
little
1:11:19
wires
1:11:19
crossed.
1:11:20
No,
1:11:20
no,
1:11:20
I
1:11:20
think.
1:11:21
No,
1:11:21
I
1:11:21
think
1:11:21
I
1:11:22
was
1:11:22
very
1:11:22
focused
1:11:23
on
1:11:23
like
1:11:23
the
1:11:23
visual
1:11:24
and
1:11:24
the
1:11:24
technical
1:11:25
stuff.
1:11:25
So
1:11:26
I
1:11:26
was
1:11:26
like,
1:11:27
not
1:11:27
as
1:11:27
in
1:11:27
it
1:11:27
emotionally.
1:11:29
Well,
1:11:29
I
1:11:30
was,
1:11:30
but
1:11:30
like,
1:11:31
you
1:11:31
know
1:11:31
what
1:11:31
I
1:11:31
mean?
1:11:32
I
1:11:32
wasn't.
1:11:33
Yeah.
1:11:33
It's
1:11:33
like
1:11:33
you're
1:11:34
mentally
1:11:34
taking
1:11:35
notes.
1:11:35
Yes.
1:11:36
Yeah,
1:11:36
I
1:11:36
get
1:11:36
it.
1:11:37
I
1:11:37
was
1:11:37
physically
1:11:37
taking
1:11:38
notes.
1:11:38
But
1:11:39
I
1:11:39
think
1:11:39
they
1:11:39
do
1:11:39
a
1:11:39
good
1:11:40
job
1:11:40
of
1:11:40
putting
1:11:40
us
1:11:40
in
1:11:41
hen's
1:11:42
headspace
1:11:42
too.
1:11:43
They
1:11:43
do.
1:11:44
Especially
1:11:44
with
1:11:44
some
1:11:45
of
1:11:45
the
1:11:45
sound
1:11:45
and
1:11:45
the
1:11:46
distortion.
1:11:47
You're
1:11:47
hearing
1:11:48
the
1:11:48
people,
1:11:48
the
1:11:48
spectators
1:11:49
in
1:11:49
the
1:11:49
background
1:11:49
being
1:11:50
like,
1:11:50
oh,
1:11:50
she's
1:11:51
the
1:11:51
one
1:11:51
who.
1:11:52
I
1:11:52
think
1:11:52
she's
1:11:53
the
1:11:53
one
1:11:53
who
1:11:53
hit
1:11:53
that
1:11:54
car.
1:11:54
And
1:11:55
meanwhile
1:11:55
she's
1:11:56
just
1:11:56
having
1:11:57
a
1:11:57
breakdown.
1:11:58
Like
1:11:58
she.
1:11:58
She's
1:11:58
not
1:11:59
hearing
1:11:59
them
1:12:00
properly.
1:12:00
Well,
1:12:01
she
1:12:01
really
1:12:01
can't.
1:12:02
She
1:12:02
shouldn't
1:12:02
be.
1:12:03
Yeah.
1:12:03
And
1:12:03
then
1:12:04
I
1:12:04
love
1:12:04
how
1:12:04
like
1:12:04
as
1:12:05
soon
1:12:05
as
1:12:05
Athena
1:12:06
comes
1:12:06
in,
1:12:06
then
1:12:06
it
1:12:06
like
1:12:07
clears
1:12:07
up
1:12:08
the.
1:12:08
Just
1:12:09
the
1:12:09
sound.
1:12:09
Like
1:12:10
how
1:12:10
they
1:12:10
incorporated
1:12:11
that.
1:12:11
Yeah,
1:12:12
those
1:12:12
effects
1:12:13
in
1:12:13
there.
1:12:13
That's
1:12:14
so
1:12:14
interesting.
1:12:14
It's
1:12:15
kind
1:12:15
of
1:12:15
like
1:12:15
801.
1:12:16
Yes.
1:12:16
Yeah,
1:12:17
a
1:12:17
little
1:12:17
bit.
1:12:17
The.
1:12:18
Yeah.
1:12:18
The
1:12:18
sound
1:12:18
design,
1:12:19
everything
1:12:19
about
1:12:20
that
1:12:21
scene
1:12:21
is
1:12:22
so
1:12:23
well
1:12:23
executed.
1:12:24
So
1:12:24
much
1:12:25
thought
1:12:25
put
1:12:25
into
1:12:25
it
1:12:25
to
1:12:26
like
1:12:26
have
1:12:26
it
1:12:27
make
1:12:27
the
1:12:27
most
1:12:27
emotional
1:12:28
impact
1:12:28
possible.
1:12:29
Was
1:12:30
this
1:12:30
the
1:12:30
mid
1:12:30
season
1:12:31
finale?
1:12:31
No,
1:12:32
there
1:12:33
were
1:12:33
two
1:12:33
more
1:12:33
episodes.
1:12:34
Oh,
1:12:35
the
1:12:35
mid
1:12:35
season
1:12:35
finale
1:12:36
was
1:12:36
310
1:12:37
season.
1:12:37
Bro.
1:12:37
I'd
1:12:38
be
1:12:38
so
1:12:38
angry.
1:12:40
That
1:12:40
would
1:12:40
be
1:12:40
awful.
1:12:41
Oh,
1:12:42
my
1:12:42
God.
1:12:44
That
1:12:45
would
1:12:45
be
1:12:45
terrifying.
1:12:47
This
1:12:48
aired,
1:12:48
I
1:12:48
think
1:12:49
November
1:12:49
11th.
1:12:50
There
1:12:50
was
1:12:51
309
1:12:51
fallout.
1:12:52
The
1:12:52
next
1:12:52
one
1:12:53
was
1:12:53
November
1:12:53
25th.
1:12:54
So
1:12:54
that
1:12:54
was
1:12:54
like
1:12:55
that.
1:12:55
Okay.
1:12:56
Around
1:12:56
the
1:12:56
week
1:12:56
of
1:12:56
Thanksgiving.
1:12:57
And
1:12:57
then
1:12:57
they
1:12:57
had
1:12:57
one
1:12:58
more.
1:12:58
That
1:12:59
was
1:12:59
Seize
1:12:59
the
1:12:59
day.
1:12:59
That's
1:13:00
one
1:13:01
of
1:13:01
the
1:13:01
Christmas.
1:13:01
That's
1:13:01
the
1:13:01
Christmas
1:13:02
episode.
1:13:02
That
1:13:03
was
1:13:03
December
1:13:03
3rd.
1:13:04
That
1:13:04
was
1:13:04
the
1:13:05
diagnosis.
1:13:06
Yay.
1:13:06
Okay,
1:13:07
that
1:13:07
makes
1:13:07
sense.
1:13:07
Never
1:13:08
mind.
1:13:08
That
1:13:09
is
1:13:09
the
1:13:09
mid
1:13:10
season
1:13:11
emotional
1:13:11
cliffhanger.
1:13:13
All
1:13:14
right,
1:13:14
are
1:13:14
we
1:13:14
on
1:13:14
to
1:13:15
Eddie
1:13:15
now?
1:13:16
Sure.
1:13:16
The
1:13:17
one
1:13:17
and
1:13:17
only
1:13:18
person
1:13:18
that
1:13:18
makes
1:13:19
us
1:13:19
malfunction.
1:13:20
Sorry.
1:13:21
That
1:13:21
was
1:13:21
really
1:13:21
bad.
1:13:22
It's
1:13:22
not
1:13:22
my
1:13:22
brand.
1:13:23
It's
1:13:24
not
1:13:24
even
1:13:24
true.
1:13:27
Not
1:13:27
the
1:13:27
one
1:13:28
and
1:13:28
only.
1:13:31
I'm
1:13:32
sorry.
1:13:34
He
1:13:34
box.
1:13:36
He
1:13:36
boxed
1:13:37
too
1:13:37
much.
1:13:37
He
1:13:38
bought
1:13:38
a
1:13:38
truck.
1:13:39
Then
1:13:39
he
1:13:39
got
1:13:39
in
1:13:39
trouble.
1:13:40
How
1:13:40
much
1:13:40
was
1:13:40
he
1:13:41
making
1:13:41
at
1:13:41
these
1:13:41
fights?
1:13:42
It
1:13:42
looked
1:13:42
like
1:13:43
a
1:13:43
lot.
1:13:43
Do
1:13:43
we
1:13:43
need
1:13:44
to
1:13:44
look
1:13:44
up
1:13:44
how
1:13:44
much
1:13:45
a
1:13:45
Denali
1:13:45
is
1:13:46
like.
1:13:46
Yes.
1:13:47
What
1:13:47
year
1:13:47
was
1:13:47
this?
1:13:48
2019.
1:13:50
Yeah.
1:13:50
So
1:13:50
it
1:13:50
was
1:13:50
probably
1:13:51
a
1:13:51
2020.
1:13:52
Don't
1:13:52
say
1:13:52
we're
1:13:53
not
1:13:53
thorough
1:13:54
in
1:13:54
our
1:13:55
research.
1:13:56
This
1:13:56
is
1:13:56
for
1:13:57
you,
1:13:57
Tim.
1:13:57
This
1:13:57
is
1:13:57
for
1:13:58
realism.
1:14:01
In
1:14:01
2020.
1:14:02
GMC
1:14:02
Sierra
1:14:03
1500
1:14:04
Denali,
1:14:05
when
1:14:06
new
1:14:06
in
1:14:06
2019,
1:14:07
typically
1:14:07
range
1:14:07
between
1:14:08
55,
1:14:09
400
1:14:10
to
1:14:11
60,495.
1:14:12
Wow.
1:14:13
Okay.
1:14:14
So
1:14:14
he
1:14:14
was
1:14:14
making
1:14:14
bank.
1:14:15
I
1:14:15
was
1:14:15
like,
1:14:16
are
1:14:16
you
1:14:16
gonna
1:14:16
Google
1:14:16
how
1:14:17
much
1:14:17
can
1:14:18
someone
1:14:18
make
1:14:18
at
1:14:18
a
1:14:19
fight
1:14:19
club?
1:14:19
No,
1:14:20
I
1:14:20
don't
1:14:20
need
1:14:20
to
1:14:20
be
1:14:20
on
1:14:21
lists.
1:14:25
Makes
1:14:25
it
1:14:26
so
1:14:26
understandable
1:14:26
now
1:14:26
why
1:14:27
Buck
1:14:27
was
1:14:27
like,
1:14:28
don't
1:14:28
come
1:14:29
crawling
1:14:29
to
1:14:29
me
1:14:30
when
1:14:30
you're
1:14:30
asking
1:14:30
for.
1:14:31
For
1:14:31
extra
1:14:32
shifts
1:14:32
to
1:14:32
cover
1:14:32
the
1:14:32
car
1:14:33
payments.
1:14:33
Yeah,
1:14:34
that's
1:14:34
the
1:14:34
best.
1:14:35
That
1:14:35
is
1:14:36
expensive.
1:14:37
Yeah.
1:14:38
This
1:14:38
man,
1:14:39
he's
1:14:39
not
1:14:39
acting
1:14:40
like
1:14:40
himself.
1:14:41
I,
1:14:42
like,
1:14:42
I
1:14:42
can't
1:14:42
really
1:14:42
blame
1:14:43
him
1:14:43
because
1:14:44
he
1:14:44
was
1:14:44
never
1:14:45
taught
1:14:45
or
1:14:46
given
1:14:46
the
1:14:46
tools
1:14:46
to,
1:14:47
like,
1:14:47
really
1:14:48
talk
1:14:48
about
1:14:48
his
1:14:49
feelings.
1:14:50
So
1:14:52
I
1:14:52
can't
1:14:53
blame
1:14:53
him
1:14:53
to
1:14:53
a
1:14:53
certain
1:14:54
extent.
1:14:54
But
1:14:54
this
1:14:54
is
1:14:55
actually
1:14:55
just
1:14:56
crazy.
1:14:57
Like,
1:14:57
he
1:14:57
could
1:14:58
have
1:14:58
just
1:14:59
joined
1:15:00
a
1:15:00
boxing
1:15:00
gym
1:15:01
or
1:15:01
an
1:15:01
MMA
1:15:02
age.
1:15:02
Like,
1:15:02
he
1:15:03
could
1:15:03
literally,
1:15:04
he
1:15:04
could
1:15:04
have
1:15:04
done
1:15:05
this,
1:15:05
like,
1:15:06
legally.
1:15:07
But
1:15:07
I
1:15:07
feel
1:15:07
like
1:15:07
the
1:15:08
part
1:15:08
of
1:15:08
it
1:15:08
being
1:15:08
legal
1:15:09
was
1:15:09
just
1:15:09
some
1:15:10
added
1:15:11
layer
1:15:11
of,
1:15:12
like,
1:15:12
punishment.
1:15:14
If
1:15:15
he
1:15:15
were
1:15:15
to
1:15:15
get
1:15:16
caught
1:15:16
and,
1:15:17
like,
1:15:17
get
1:15:18
thrown
1:15:18
in
1:15:18
jail
1:15:19
or
1:15:19
something
1:15:19
like
1:15:19
that,
1:15:20
that
1:15:20
would
1:15:21
be
1:15:21
additional
1:15:22
punishment
1:15:22
for
1:15:22
him
1:15:22
too.
1:15:23
Yeah.
1:15:24
Because
1:15:24
he's
1:15:24
not
1:15:25
supposed
1:15:25
to
1:15:25
be
1:15:25
doing
1:15:26
well.
1:15:26
No,
1:15:27
it's
1:15:28
extra
1:15:28
crazy
1:15:28
because,
1:15:29
like,
1:15:29
he
1:15:30
hasn't
1:15:30
even
1:15:30
put
1:15:30
Buck
1:15:31
in
1:15:31
his
1:15:31
will
1:15:31
yet.
1:15:32
So,
1:15:33
like,
1:15:33
if
1:15:33
he
1:15:34
was
1:15:34
gonna
1:15:34
go
1:15:34
to
1:15:34
jail,
1:15:35
his
1:15:35
kid
1:15:35
would
1:15:35
go
1:15:36
to
1:15:36
his
1:15:36
grandparents.
1:15:38
Yeah.
1:15:38
And
1:15:39
this
1:15:39
is
1:15:39
really
1:15:39
where
1:15:39
we
1:15:40
see,
1:15:40
like,
1:15:41
when
1:15:41
Eddie
1:15:41
does
1:15:42
things
1:15:43
for
1:15:43
himself,
1:15:45
which
1:15:46
are
1:15:46
usually
1:15:47
actually
1:15:47
out
1:15:48
of,
1:15:48
like.
1:15:49
He'S
1:15:49
doing
1:15:49
them
1:15:50
to
1:15:50
himself.
1:15:51
Punishment
1:15:51
as,
1:15:52
like,
1:15:53
self
1:15:53
flagellants.
1:15:54
When.
1:15:55
When
1:15:55
he
1:15:55
does
1:15:55
that
1:15:56
stuff,
1:15:57
it's
1:15:57
because
1:15:58
he
1:15:58
doesn't
1:15:58
talk
1:15:59
to
1:15:59
anybody
1:15:59
else
1:16:00
about
1:16:00
it.
1:16:00
Again
1:16:01
with
1:16:01
the
1:16:01
communication
1:16:02
stuff.
1:16:02
It's
1:16:03
a
1:16:03
form
1:16:03
of
1:16:03
self
1:16:03
punishment
1:16:04
because
1:16:04
if
1:16:04
he
1:16:05
talks
1:16:05
to
1:16:05
someone
1:16:05
about
1:16:05
it,
1:16:06
then
1:16:06
they'll
1:16:06
talk
1:16:06
him
1:16:06
out
1:16:06
of
1:16:07
it
1:16:07
or
1:16:07
they'll
1:16:07
talk
1:16:08
him,
1:16:08
like,
1:16:08
into
1:16:08
seeing
1:16:09
sense,
1:16:10
and
1:16:10
it's
1:16:11
just
1:16:11
like,
1:16:11
no,
1:16:11
that's
1:16:12
just
1:16:12
for
1:16:12
me.
1:16:13
But
1:16:13
all
1:16:13
of
1:16:13
those
1:16:14
choices
1:16:14
that
1:16:14
he
1:16:14
makes
1:16:15
just
1:16:15
for
1:16:15
him.
1:16:16
It's
1:16:16
not
1:16:16
just
1:16:16
for
1:16:17
him,
1:16:17
are
1:16:17
so
1:16:18
bad
1:16:18
because
1:16:18
they're
1:16:19
born
1:16:19
out
1:16:19
of
1:16:19
self
1:16:19
punishment.
1:16:20
Self
1:16:20
flagellation
1:16:21
and
1:16:21
a
1:16:21
little
1:16:22
bit
1:16:22
of
1:16:22
self
1:16:22
hatred,
1:16:23
self
1:16:23
anger.
1:16:25
That's
1:16:25
the
1:16:25
root
1:16:26
of
1:16:26
all
1:16:26
of
1:16:26
that,
1:16:27
really.
1:16:27
I
1:16:28
mean,
1:16:28
he's
1:16:28
also
1:16:29
angry
1:16:29
with
1:16:29
Shannon,
1:16:30
and
1:16:30
she's
1:16:31
dead.
1:16:31
So
1:16:31
I
1:16:31
don't
1:16:32
know.
1:16:32
Angry
1:16:33
with,
1:16:33
like,
1:16:34
Shannon
1:16:34
and
1:16:35
maybe
1:16:35
the
1:16:35
universe.
1:16:36
I
1:16:36
know
1:16:36
he
1:16:36
doesn't
1:16:36
believe
1:16:36
it,
1:16:37
but,
1:16:37
like,
1:16:37
the
1:16:37
universe,
1:16:38
because
1:16:38
so
1:16:38
much
1:16:39
of
1:16:39
that
1:16:39
was
1:16:39
out
1:16:40
of
1:16:40
his
1:16:40
control.
1:16:41
So
1:16:41
for
1:16:41
him,
1:16:42
like,
1:16:42
with
1:16:42
that
1:16:43
conversation
1:16:43
that
1:16:43
he
1:16:43
has
1:16:44
with
1:16:44
Bobby,
1:16:44
it
1:16:44
really
1:16:44
is
1:16:45
about
1:16:45
control
1:16:46
so
1:16:46
much,
1:16:46
and.
1:16:46
And
1:16:47
him,
1:16:47
like,
1:16:47
trying
1:16:48
to
1:16:48
have
1:16:48
an
1:16:48
iron
1:16:49
grip
1:16:49
on
1:16:49
this
1:16:49
control
1:16:50
that
1:16:51
when
1:16:51
he.
1:16:52
He
1:16:52
holds
1:16:52
on
1:16:52
too
1:16:53
tightly,
1:16:54
it
1:16:54
ends
1:16:54
up
1:16:55
really
1:16:55
bad.
1:16:56
Really,
1:16:57
like,
1:16:57
extremely
1:16:58
bad.
1:16:59
So,
1:16:59
like,
1:17:00
the
1:17:00
first
1:17:00
fight
1:17:01
scene
1:17:01
we
1:17:01
get,
1:17:02
you're
1:17:02
like,
1:17:02
okay,
1:17:03
you're
1:17:03
still
1:17:03
being
1:17:04
crazy
1:17:04
and
1:17:04
you're
1:17:04
making
1:17:05
money.
1:17:05
All
1:17:05
right?
1:17:06
Then
1:17:06
you're
1:17:06
like,
1:17:07
you
1:17:07
just.
1:17:07
Impulse,
1:17:08
but
1:17:08
a
1:17:08
truck
1:17:08
still
1:17:09
being
1:17:09
crazy.
1:17:09
Okay?
1:17:11
He's
1:17:11
like,
1:17:11
well,
1:17:11
the
1:17:11
AC
1:17:12
was
1:17:12
broken
1:17:12
and
1:17:13
there
1:17:13
was
1:17:13
a
1:17:13
car
1:17:13
dealership
1:17:14
right
1:17:14
there.
1:17:14
He's
1:17:15
finding
1:17:15
excuses
1:17:16
left,
1:17:16
right,
1:17:17
and
1:17:17
center.
1:17:18
And
1:17:18
that's
1:17:18
the
1:17:19
thing,
1:17:19
too.
1:17:20
He
1:17:20
keeps
1:17:20
excusing
1:17:22
these
1:17:22
behaviors
1:17:23
that
1:17:23
are
1:17:23
so
1:17:24
unlike
1:17:24
him.
1:17:25
He
1:17:25
says
1:17:26
that
1:17:26
with
1:17:26
the
1:17:26
truck
1:17:27
to
1:17:27
Buck.
1:17:27
He
1:17:28
says
1:17:28
that
1:17:28
to
1:17:29
Lena.
1:17:29
Like,
1:17:29
I.
1:17:30
I
1:17:30
was
1:17:30
supposed
1:17:31
to
1:17:31
find
1:17:31
an
1:17:31
outlet.
1:17:32
And.
1:17:33
And
1:17:33
it's
1:17:33
just
1:17:33
like,
1:17:34
these
1:17:34
are
1:17:34
so
1:17:34
flimsy
1:17:36
excuses.
1:17:36
Buck
1:17:37
tells
1:17:37
Eddie
1:17:37
with
1:17:38
the
1:17:38
truck,
1:17:38
like,
1:17:38
that's
1:17:38
not
1:17:39
like
1:17:39
you
1:17:39
at
1:17:39
all.
1:17:40
And
1:17:40
Eddie's
1:17:40
like,
1:17:41
maybe
1:17:41
it
1:17:41
should
1:17:41
be.
1:17:42
So
1:17:42
he's.
1:17:43
It's
1:17:44
this,
1:17:44
like,
1:17:44
weird.
1:17:45
Like,
1:17:46
he's
1:17:46
not
1:17:46
exactly
1:17:47
living
1:17:47
up
1:17:47
to
1:17:48
expectations
1:17:49
because
1:17:49
he's
1:17:49
being
1:17:50
bet
1:17:50
against
1:17:51
in
1:17:51
the
1:17:51
fights
1:17:52
where
1:17:52
he's,
1:17:52
like,
1:17:52
more
1:17:52
of
1:17:52
an
1:17:53
underdog
1:17:53
in
1:17:53
that
1:17:53
way.
1:17:54
But.
1:17:54
But
1:17:54
the
1:17:54
way
1:17:54
he's
1:17:55
acting
1:17:55
is
1:17:55
just,
1:17:56
like,
1:17:56
not
1:17:57
him.
1:17:58
So
1:17:58
I
1:17:58
think
1:17:59
with
1:17:59
that,
1:18:00
it's.
1:18:00
It's
1:18:01
almost
1:18:01
like
1:18:02
the
1:18:02
way
1:18:03
he
1:18:03
thinks
1:18:04
he
1:18:04
should
1:18:04
be
1:18:04
operating
1:18:05
in
1:18:05
the
1:18:05
world.
1:18:06
Almost
1:18:06
like
1:18:06
he's
1:18:06
trying
1:18:07
to
1:18:07
assert
1:18:07
his
1:18:08
own
1:18:08
identity
1:18:09
through.
1:18:10
Like
1:18:10
I
1:18:11
said,
1:18:11
like,
1:18:12
assert
1:18:12
his
1:18:12
own
1:18:12
identity
1:18:13
through
1:18:13
socially
1:18:14
expected
1:18:15
means.
1:18:16
But
1:18:16
that
1:18:17
doesn't
1:18:17
fit
1:18:18
with
1:18:18
who
1:18:18
he
1:18:19
is.
1:18:20
It's
1:18:20
kind
1:18:20
of
1:18:21
like
1:18:21
he's
1:18:21
trying
1:18:21
to
1:18:21
cosplay
1:18:22
as
1:18:22
someone
1:18:22
who
1:18:23
doesn't
1:18:24
give
1:18:24
a
1:18:24
shit
1:18:25
because
1:18:25
he
1:18:25
would
1:18:26
really
1:18:26
like
1:18:26
to
1:18:26
not
1:18:27
give
1:18:27
a
1:18:27
shit.
1:18:28
That's
1:18:28
what
1:18:28
I
1:18:28
was
1:18:28
trying
1:18:28
to
1:18:29
say
1:18:29
in
1:18:30
a
1:18:30
much
1:18:30
less
1:18:30
pretentious
1:18:31
manner.
1:18:32
Thank
1:18:33
you.
1:18:33
Yeah,
1:18:34
you're
1:18:34
welcome.
1:18:35
I'm
1:18:35
just
1:18:35
like,
1:18:36
assert
1:18:36
his
1:18:37
own
1:18:37
identity
1:18:37
through
1:18:37
socially
1:18:38
expected
1:18:38
means.
1:18:40
No,
1:18:40
I
1:18:40
mean,
1:18:40
it
1:18:40
makes
1:18:41
sense,
1:18:41
but
1:18:41
I
1:18:41
just,
1:18:42
like,
1:18:42
had
1:18:42
that.
1:18:42
That
1:18:43
moment
1:18:43
where
1:18:43
I
1:18:43
was
1:18:43
like,
1:18:43
no,
1:18:44
actually
1:18:44
thinking
1:18:45
of
1:18:45
that
1:18:45
line,
1:18:45
because,
1:18:45
I
1:18:45
mean,
1:18:46
I
1:18:46
did.
1:18:46
I
1:18:46
did
1:18:46
go.
1:18:46
That's
1:18:47
interesting
1:18:47
for
1:18:48
him
1:18:48
to
1:18:48
say.
1:18:48
Maybe
1:18:49
it
1:18:49
should
1:18:49
be.
1:18:50
That's
1:18:50
not
1:18:50
like
1:18:50
you
1:18:50
at
1:18:50
all.
1:18:51
Maybe
1:18:51
it
1:18:51
should
1:18:51
be.
1:18:52
And,
1:18:52
I
1:18:52
mean,
1:18:52
we've
1:18:52
talked
1:18:53
about
1:18:53
it
1:18:54
many
1:18:54
times
1:18:54
already.
1:18:55
How
1:18:55
Eddie
1:18:55
hates
1:18:56
himself
1:18:57
right
1:18:58
now
1:18:58
is
1:18:58
the
1:18:58
most
1:18:58
he's
1:18:59
ever
1:18:59
hated
1:18:59
himself.
1:18:59
So
1:19:00
he's
1:19:00
really
1:19:00
going
1:19:00
through
1:19:01
it.
1:19:01
And,
1:19:01
like,
1:19:01
he
1:19:01
does
1:19:02
not.
1:19:02
He
1:19:02
does
1:19:03
not
1:19:03
want
1:19:03
to
1:19:03
be
1:19:03
the
1:19:03
guy
1:19:04
who,
1:19:05
you
1:19:05
know,
1:19:06
got
1:19:06
rejected
1:19:07
and
1:19:07
left
1:19:07
again
1:19:08
and
1:19:09
lost,
1:19:10
who
1:19:10
was
1:19:10
his
1:19:10
best
1:19:11
friend
1:19:12
and
1:19:12
dealt
1:19:13
with
1:19:13
everything
1:19:14
else
1:19:15
that
1:19:15
happened
1:19:15
and
1:19:15
has,
1:19:16
you
1:19:16
know,
1:19:17
trauma.
1:19:17
He's
1:19:17
Like,
1:19:17
I
1:19:18
just
1:19:18
need
1:19:18
to
1:19:18
be
1:19:18
something
1:19:19
different.
1:19:19
Because
1:19:19
obviously,
1:19:20
you
1:19:20
know,
1:19:21
if
1:19:21
you
1:19:21
think
1:19:21
about
1:19:21
the
1:19:21
talk
1:19:21
he
1:19:22
had
1:19:22
with
1:19:22
Bobby
1:19:23
where
1:19:23
he's
1:19:23
like,
1:19:23
I
1:19:24
forgave
1:19:24
her
1:19:24
for
1:19:24
everything.
1:19:25
I
1:19:25
wasn't
1:19:25
enough.
1:19:27
He's
1:19:27
like,
1:19:27
I
1:19:28
wasn't
1:19:28
enough
1:19:28
for
1:19:28
her.
1:19:29
And,
1:19:30
you
1:19:30
know,
1:19:31
he
1:19:31
probably
1:19:32
was
1:19:32
still
1:19:32
feeling
1:19:32
that
1:19:33
when
1:19:33
the
1:19:33
lawsuit
1:19:33
was
1:19:34
still
1:19:34
going
1:19:34
on.
1:19:35
Oh,
1:19:35
definitely.
1:19:36
You
1:19:36
know,
1:19:36
with
1:19:36
Buck,
1:19:37
if
1:19:37
he's
1:19:37
still.
1:19:37
Feeling
1:19:38
it
1:19:38
now,
1:19:38
like.
1:19:38
Yeah.
1:19:39
Oh,
1:19:39
yeah.
1:19:40
Yeah.
1:19:40
In
1:19:41
that
1:19:41
way.
1:19:42
It's
1:19:42
also
1:19:42
when
1:19:43
he
1:19:43
makes
1:19:43
these,
1:19:44
like,
1:19:44
big
1:19:44
kind
1:19:44
of
1:19:45
crazy
1:19:46
moves.
1:19:47
These,
1:19:47
like,
1:19:47
wild,
1:19:48
like,
1:19:49
left
1:19:49
steps
1:19:51
where
1:19:51
he
1:19:51
does
1:19:52
things
1:19:52
that
1:19:52
are
1:19:53
so
1:19:53
unlike
1:19:54
him.
1:19:54
I
1:19:54
think
1:19:55
that
1:19:55
is
1:19:55
also
1:19:56
like,
1:19:56
him
1:19:57
trying
1:19:57
to.
1:19:57
Trying
1:19:58
on,
1:19:58
like,
1:19:59
different
1:19:59
identities.
1:20:00
It's
1:20:00
him
1:20:00
trying
1:20:01
to
1:20:01
get
1:20:01
himself
1:20:02
out
1:20:03
of
1:20:03
his
1:20:04
self
1:20:05
and
1:20:05
trying,
1:20:05
like,
1:20:06
cosplaying
1:20:07
as
1:20:07
someone
1:20:07
that
1:20:08
he
1:20:08
wants
1:20:08
to
1:20:08
be.
1:20:09
And
1:20:09
that's
1:20:09
one
1:20:10
of
1:20:10
the
1:20:10
reasons
1:20:10
why
1:20:11
it
1:20:11
always
1:20:12
backfires
1:20:12
so
1:20:13
hard
1:20:13
for
1:20:13
him,
1:20:14
because
1:20:15
that
1:20:15
doesn't
1:20:16
belong
1:20:16
to
1:20:16
him,
1:20:17
but
1:20:17
also
1:20:17
because
1:20:18
he's
1:20:18
never
1:20:18
really
1:20:18
been
1:20:19
able
1:20:19
to
1:20:20
explore
1:20:21
who
1:20:21
he
1:20:22
is
1:20:22
anyways.
1:20:22
I'm
1:20:23
not
1:20:23
even
1:20:23
talking
1:20:23
about,
1:20:23
like,
1:20:24
the
1:20:24
gay
1:20:24
stuff.
1:20:24
I'm
1:20:24
talking
1:20:25
about,
1:20:25
like,
1:20:25
who
1:20:25
he
1:20:25
is.
1:20:26
Who
1:20:26
he
1:20:26
is
1:20:27
on
1:20:27
a
1:20:28
base
1:20:28
level.
1:20:29
Yeah,
1:20:29
yeah,
1:20:30
yeah.
1:20:31
So
1:20:32
the
1:20:32
second
1:20:32
fight,
1:20:33
he's
1:20:34
just
1:20:34
like.
1:20:35
There's
1:20:35
so
1:20:35
many
1:20:35
things
1:20:36
about
1:20:36
that
1:20:36
second
1:20:36
fight
1:20:37
in
1:20:37
the
1:20:37
aftermath,
1:20:38
the
1:20:38
way
1:20:38
it
1:20:39
was
1:20:39
shot,
1:20:40
that
1:20:40
are
1:20:40
so
1:20:41
interesting
1:20:41
to
1:20:41
me
1:20:42
with,
1:20:42
like,
1:20:42
the
1:20:42
lighting.
1:20:43
Yeah.
1:20:44
Like,
1:20:44
especially
1:20:44
when
1:20:44
he's,
1:20:45
like,
1:20:45
up
1:20:45
in
1:20:45
the
1:20:45
loft
1:20:46
or
1:20:46
whatever
1:20:46
it
1:20:46
is,
1:20:47
he's.
1:20:47
All,
1:20:47
like,
1:20:48
shadowed
1:20:48
and.
1:20:49
Well,
1:20:49
it's
1:20:49
shadow.
1:20:50
But
1:20:50
there's
1:20:51
also,
1:20:51
like,
1:20:51
this
1:20:52
very
1:20:52
warm.
1:20:53
Like,
1:20:54
orange
1:20:55
light,
1:20:56
but
1:20:56
not
1:20:56
warm
1:20:57
and,
1:20:57
like,
1:20:58
inviting.
1:20:58
It's
1:20:58
very
1:20:59
orange.
1:20:59
So
1:20:59
it's,
1:21:00
like,
1:21:00
off
1:21:00
putting.
1:21:01
It's
1:21:01
like
1:21:01
caution.
1:21:02
Caution
1:21:03
signs
1:21:03
everywhere.
1:21:05
That
1:21:05
was.
1:21:05
It's
1:21:06
great
1:21:06
lighting
1:21:06
in
1:21:06
that
1:21:06
warehouse.
1:21:07
It's
1:21:07
so
1:21:07
interesting.
1:21:08
It
1:21:08
is
1:21:08
really
1:21:09
cool.
1:21:09
I
1:21:09
think
1:21:10
it's
1:21:10
so
1:21:10
interesting
1:21:11
with
1:21:11
this
1:21:11
fight,
1:21:12
too,
1:21:12
that
1:21:13
there's
1:21:13
so
1:21:13
much
1:21:14
duality
1:21:14
going
1:21:15
on
1:21:15
for
1:21:15
Eddie.
1:21:16
And,
1:21:16
like,
1:21:17
this
1:21:17
goes
1:21:17
for
1:21:17
Hen
1:21:18
as
1:21:18
well.
1:21:18
And
1:21:18
I'll
1:21:18
talk
1:21:19
about
1:21:19
that
1:21:19
in
1:21:19
scene
1:21:20
dissection.
1:21:20
But
1:21:20
for
1:21:21
Eddie,
1:21:21
you
1:21:22
know,
1:21:22
he's.
1:21:22
He's
1:21:22
already
1:21:23
doing
1:21:23
these
1:21:23
very,
1:21:24
like,
1:21:24
unedi
1:21:24
things
1:21:25
by
1:21:25
joining
1:21:26
this
1:21:26
fight
1:21:26
club
1:21:27
and
1:21:27
everything.
1:21:27
But,
1:21:28
you
1:21:28
know,
1:21:28
the
1:21:28
Eddie
1:21:29
that
1:21:29
we
1:21:29
know
1:21:29
is
1:21:30
someone
1:21:30
who
1:21:30
helps
1:21:31
and
1:21:31
heals.
1:21:32
And
1:21:33
it's.
1:21:33
It's
1:21:34
interesting
1:21:34
that
1:21:34
the
1:21:35
person
1:21:35
that
1:21:35
he's
1:21:35
trying
1:21:35
to
1:21:36
be
1:21:36
is
1:21:36
the
1:21:36
person
1:21:37
who
1:21:37
almost
1:21:37
kills
1:21:37
a
1:21:37
man
1:21:38
by
1:21:38
kicking
1:21:39
his
1:21:39
nose
1:21:40
into
1:21:40
his
1:21:40
brain
1:21:42
and
1:21:42
then
1:21:42
he
1:21:42
tries
1:21:42
to,
1:21:43
like,
1:21:43
save
1:21:43
him.
1:21:43
But
1:21:43
so
1:21:44
there's,
1:21:44
like,
1:21:44
this
1:21:44
duality
1:21:45
here
1:21:46
that
1:21:46
I
1:21:46
find
1:21:46
really
1:21:47
interesting.
1:21:48
And
1:21:48
it
1:21:48
kind
1:21:48
of
1:21:48
made
1:21:49
me
1:21:49
think
1:21:49
a
1:21:49
little
1:21:50
bit
1:21:50
about,
1:21:50
like,
1:21:51
kind
1:21:51
of
1:21:51
this
1:21:52
throwaway
1:21:52
line
1:21:53
which
1:21:54
haven't
1:21:54
pulled
1:21:54
this
1:21:54
out
1:21:55
for
1:21:55
a
1:21:55
little
1:21:55
bit.
1:21:55
But
1:21:55
there
1:21:55
are
1:21:56
no
1:21:56
throwaway
1:21:56
lines
1:21:56
in
1:21:56
911
1:21:57
from
1:21:58
the
1:21:58
ice
1:21:58
skating
1:21:59
call
1:21:59
when
1:21:59
Bobby
1:22:00
reveals
1:22:00
that
1:22:00
he
1:22:00
was
1:22:01
junior
1:22:01
pairs
1:22:02
champion
1:22:03
ice
1:22:03
skater.
1:22:04
And
1:22:04
everyone's
1:22:05
like,
1:22:05
what?
1:22:07
Lord
1:22:07
drop?
1:22:08
But
1:22:09
Eddie
1:22:09
is
1:22:09
the
1:22:09
one
1:22:09
that
1:22:10
said,
1:22:10
I
1:22:10
thought
1:22:10
you
1:22:10
were
1:22:11
a
1:22:11
hockey
1:22:11
player.
1:22:12
And
1:22:12
Bobby
1:22:13
responds
1:22:13
with,
1:22:13
who
1:22:14
says
1:22:14
you
1:22:14
can't
1:22:14
do
1:22:15
both?
1:22:16
So
1:22:16
there's
1:22:16
something
1:22:16
about
1:22:17
this,
1:22:17
like,
1:22:17
duality
1:22:18
of
1:22:19
balancing
1:22:20
masculine
1:22:22
activities
1:22:22
with,
1:22:23
like,
1:22:23
something
1:22:23
more
1:22:24
typically
1:22:24
feminine.
1:22:25
Right.
1:22:25
Because
1:22:25
everybody
1:22:26
thinks
1:22:26
figure
1:22:26
skating
1:22:27
is
1:22:27
more
1:22:27
of
1:22:27
a
1:22:28
women's
1:22:28
sport.
1:22:29
And
1:22:30
the
1:22:30
way
1:22:31
that
1:22:32
that
1:22:32
scene
1:22:33
is
1:22:33
immediately
1:22:34
followed
1:22:34
by
1:22:35
that
1:22:35
first
1:22:35
fight
1:22:36
for
1:22:36
Eddie,
1:22:38
that
1:22:38
first
1:22:38
match.
1:22:39
So
1:22:39
it's
1:22:40
Eddie
1:22:41
leaning
1:22:42
into
1:22:42
this
1:22:42
hyper
1:22:43
masculinity,
1:22:44
which
1:22:44
I
1:22:45
think
1:22:45
could
1:22:45
probably
1:22:46
read
1:22:46
into
1:22:47
some
1:22:47
more
1:22:47
stuff
1:22:48
about
1:22:48
how,
1:22:48
like,
1:22:49
you
1:22:49
know,
1:22:49
healing
1:22:50
people,
1:22:51
nursing
1:22:52
and
1:22:52
medic
1:22:53
stuff
1:22:53
is
1:22:53
sometimes
1:22:54
thought
1:22:54
of
1:22:54
as,
1:22:54
like,
1:22:54
a
1:22:55
woman's
1:22:55
thing
1:22:56
and
1:22:56
which
1:22:57
it's
1:22:57
not.
1:22:57
But,
1:22:57
you
1:22:57
know,
1:22:58
those,
1:22:58
like,
1:22:58
really
1:22:58
stupid
1:23:00
gender
1:23:00
roles
1:23:01
and
1:23:01
how
1:23:02
Eddie
1:23:02
is
1:23:02
kind
1:23:03
of.
1:23:03
By
1:23:04
almost
1:23:04
killing
1:23:05
a
1:23:05
guy
1:23:05
in
1:23:05
this
1:23:05
very
1:23:06
hyper
1:23:06
masculine
1:23:07
arena
1:23:08
and
1:23:08
then
1:23:09
saving
1:23:09
him
1:23:10
and
1:23:10
do.
1:23:10
It's.
1:23:11
He's
1:23:11
kind
1:23:12
of
1:23:12
like
1:23:12
living
1:23:13
in
1:23:13
both
1:23:13
of
1:23:13
those
1:23:14
at
1:23:15
the
1:23:15
same
1:23:15
time.
1:23:16
Also
1:23:16
not
1:23:16
reveal
1:23:17
yet,
1:23:17
but
1:23:18
the
1:23:18
ballroom
1:23:18
dancing.
1:23:19
Yeah.
1:23:20
So
1:23:21
there's
1:23:21
like,
1:23:21
there's
1:23:21
that
1:23:22
little
1:23:23
Bobby
1:23:23
Eddie
1:23:24
nugget
1:23:25
for
1:23:25
you.
1:23:26
Bobby
1:23:26
being
1:23:26
a
1:23:26
figure
1:23:27
skater
1:23:27
and
1:23:28
Eddie
1:23:28
being
1:23:29
a
1:23:29
ballroom
1:23:30
dancer.
1:23:31
I
1:23:31
also
1:23:32
think
1:23:32
it's
1:23:32
very
1:23:32
much
1:23:33
like.
1:23:33
You
1:23:34
can
1:23:34
see,
1:23:34
like,
1:23:35
we.
1:23:35
The
1:23:35
audience
1:23:36
knows
1:23:36
who
1:23:36
Eddie
1:23:36
is,
1:23:36
and
1:23:37
then
1:23:37
we're
1:23:37
reminded
1:23:37
of
1:23:37
who
1:23:38
Eddie
1:23:38
is,
1:23:38
and
1:23:39
he
1:23:39
kind
1:23:40
of
1:23:40
is
1:23:40
to
1:23:40
a
1:23:40
certain
1:23:41
extent
1:23:41
where
1:23:41
it's
1:23:42
like,
1:23:42
yeah,
1:23:43
oh,
1:23:43
I'm
1:23:43
a
1:23:43
fighter.
1:23:44
But
1:23:44
as
1:23:44
soon
1:23:44
as
1:23:45
someone
1:23:45
is
1:23:45
in
1:23:45
danger,
1:23:46
it's
1:23:47
not,
1:23:47
oh,
1:23:47
I'm
1:23:47
out
1:23:48
to
1:23:48
protect
1:23:49
myself,
1:23:49
save
1:23:49
myself
1:23:49
and
1:23:50
get
1:23:50
out
1:23:50
of
1:23:50
there.
1:23:50
Which
1:23:51
is
1:23:51
what
1:23:51
most
1:23:52
people
1:23:52
would
1:23:52
have
1:23:52
done.
1:23:53
Yeah.
1:23:53
It
1:23:53
was
1:23:54
no,
1:23:54
like,
1:23:54
I
1:23:55
need
1:23:55
to
1:23:55
save
1:23:55
this
1:23:55
guy.
1:23:56
And
1:23:56
it
1:23:56
wasn't
1:23:56
even
1:23:56
because
1:23:56
he
1:23:57
hurt
1:23:57
him.
1:23:57
It's
1:23:58
just
1:23:58
the
1:23:58
right
1:23:58
thing
1:23:58
to
1:23:58
do.
1:23:59
It's
1:23:59
just
1:23:59
the
1:24:00
right
1:24:00
thing
1:24:00
to
1:24:00
do,
1:24:00
and
1:24:00
he
1:24:01
has
1:24:01
the
1:24:01
means
1:24:01
to
1:24:02
do
1:24:02
it.
1:24:02
That's
1:24:02
what's
1:24:03
so
1:24:03
ingrained
1:24:03
in
1:24:04
Eddie.
1:24:04
That's,
1:24:04
like,
1:24:05
at
1:24:05
the
1:24:05
core
1:24:06
who
1:24:06
Eddie
1:24:06
is,
1:24:07
someone
1:24:07
who
1:24:08
wants
1:24:08
to
1:24:08
help
1:24:08
people.
1:24:09
He
1:24:09
even
1:24:09
does
1:24:10
it
1:24:10
to
1:24:10
his
1:24:10
own
1:24:10
detriment.
1:24:11
Like,
1:24:11
he
1:24:11
calls
1:24:11
911
1:24:12
and
1:24:13
basically
1:24:14
almost
1:24:14
rats
1:24:15
himself
1:24:15
out
1:24:16
because
1:24:16
he
1:24:16
could
1:24:17
very
1:24:17
easily
1:24:18
have
1:24:18
been
1:24:19
picked
1:24:19
up
1:24:19
by
1:24:20
the
1:24:20
police
1:24:21
again,
1:24:21
and
1:24:21
they
1:24:22
probably
1:24:22
wouldn't
1:24:22
be
1:24:23
so
1:24:23
lenient
1:24:24
this
1:24:24
time.
1:24:24
And
1:24:24
he
1:24:25
could
1:24:25
have
1:24:25
left.
1:24:25
He
1:24:25
could
1:24:26
have
1:24:26
left
1:24:26
then
1:24:26
after
1:24:26
he
1:24:27
called
1:24:27
91
1:24:27
1,
1:24:27
but
1:24:27
he
1:24:28
wanted
1:24:28
to
1:24:28
stay
1:24:28
and
1:24:28
see
1:24:29
that
1:24:29
the
1:24:29
guy
1:24:29
was
1:24:29
okay.
1:24:30
He
1:24:30
wanted
1:24:31
to
1:24:31
make
1:24:31
sure
1:24:31
he
1:24:31
was
1:24:31
okay
1:24:32
even.
1:24:33
Even
1:24:33
after
1:24:33
he.
1:24:34
Stupid
1:24:34
But
1:24:35
I
1:24:35
know
1:24:35
even
1:24:35
after
1:24:36
he
1:24:37
asks
1:24:37
Lena
1:24:37
to,
1:24:38
to
1:24:38
let
1:24:38
him
1:24:39
know
1:24:39
when
1:24:40
like
1:24:40
which
1:24:40
hospital
1:24:41
they're
1:24:41
bringing
1:24:41
him
1:24:41
to.
1:24:42
And
1:24:42
I
1:24:42
think
1:24:42
that's
1:24:43
that
1:24:43
responsible
1:24:44
Eddie
1:24:44
coming
1:24:45
back
1:24:45
in.
1:24:46
It's
1:24:46
like
1:24:46
he
1:24:46
really
1:24:47
can't
1:24:47
escape
1:24:48
the
1:24:48
person
1:24:48
who
1:24:49
he
1:24:49
is,
1:24:49
even
1:24:50
though
1:24:50
he's
1:24:50
trying
1:24:50
so
1:24:51
hard
1:24:51
to
1:24:51
because
1:24:52
he
1:24:52
hates
1:24:52
it
1:24:52
and
1:24:53
he
1:24:53
hates
1:24:53
hating
1:24:53
it.
1:24:54
No
1:24:54
matter
1:24:54
where
1:24:55
you
1:24:55
go,
1:24:55
there
1:24:55
you
1:24:56
are.
1:24:57
And
1:24:57
I
1:24:57
think
1:24:59
Ryan's
1:24:59
performance
1:25:00
with
1:25:01
Eddie
1:25:01
in
1:25:02
like
1:25:03
this
1:25:03
episode,
1:25:04
this
1:25:04
scene,
1:25:04
and
1:25:04
also
1:25:05
when
1:25:05
he
1:25:05
talks
1:25:06
to
1:25:06
Bobby
1:25:06
as
1:25:06
well
1:25:07
is
1:25:07
so
1:25:08
good
1:25:08
because
1:25:08
he
1:25:08
just
1:25:09
looks
1:25:09
so,
1:25:10
boom,
1:25:11
tired
1:25:12
and
1:25:12
done
1:25:12
with
1:25:13
everything.
1:25:13
It's
1:25:13
like
1:25:14
those
1:25:14
half
1:25:14
lidded
1:25:14
eyes.
1:25:15
Just
1:25:15
like
1:25:16
he.
1:25:16
There's
1:25:17
like
1:25:17
almost
1:25:17
no
1:25:17
life
1:25:18
in
1:25:18
him
1:25:19
at
1:25:19
this
1:25:20
moment.
1:25:20
Even
1:25:20
though
1:25:21
like
1:25:22
to
1:25:22
the
1:25:22
outside
1:25:23
it.
1:25:23
It
1:25:23
looks
1:25:24
like
1:25:24
he's
1:25:24
doing
1:25:24
fine.
1:25:25
Again,
1:25:25
you're
1:25:26
seeing
1:25:26
that
1:25:26
with,
1:25:26
with
1:25:27
hen
1:25:28
where
1:25:28
two
1:25:29
other
1:25:29
people,
1:25:30
they
1:25:30
look
1:25:30
like
1:25:30
they're
1:25:31
fine
1:25:31
and
1:25:31
they're
1:25:31
not
1:25:31
going
1:25:32
through
1:25:32
shit,
1:25:32
but
1:25:33
they
1:25:33
really
1:25:34
are.
1:25:34
And
1:25:35
it's
1:25:35
just
1:25:36
like
1:25:36
he.
1:25:37
It's
1:25:37
done
1:25:38
so
1:25:38
well.
1:25:39
It's
1:25:39
done
1:25:39
so
1:25:40
well.
1:25:40
Like
1:25:40
Eddie,
1:25:41
when
1:25:42
he's
1:25:42
talking
1:25:42
to,
1:25:42
to
1:25:43
Lena,
1:25:43
like
1:25:43
he
1:25:43
hates
1:25:44
hearing
1:25:44
what
1:25:44
he
1:25:45
knows
1:25:45
to
1:25:45
be
1:25:45
true.
1:25:46
Like
1:25:46
she's
1:25:46
talking
1:25:47
sense.
1:25:48
Yeah,
1:25:49
he.
1:25:49
He
1:25:49
knows
1:25:50
what
1:25:50
she's
1:25:50
saying
1:25:50
is
1:25:50
true
1:25:51
and
1:25:51
correct
1:25:51
and
1:25:51
he
1:25:52
should
1:25:52
listen
1:25:52
to
1:25:52
her,
1:25:53
but
1:25:53
he's
1:25:54
trying
1:25:54
to
1:25:54
bury
1:25:54
it
1:25:54
down
1:25:55
anyway.
1:25:55
He's
1:25:55
so
1:25:56
like,
1:25:57
like
1:25:57
kind
1:25:57
of
1:25:58
batting
1:25:58
her
1:25:58
away
1:25:59
and
1:25:59
her
1:25:59
concern,
1:26:00
he's
1:26:00
just
1:26:00
like,
1:26:01
whatever,
1:26:02
fine,
1:26:02
go
1:26:02
away.
1:26:03
But
1:26:03
I
1:26:03
think
1:26:03
that's
1:26:04
like,
1:26:04
it's
1:26:04
acted
1:26:05
very
1:26:05
well.
1:26:06
And
1:26:06
then
1:26:06
can
1:26:06
we
1:26:07
talk
1:26:07
about
1:26:07
finally
1:26:08
Eddie
1:26:08
talking
1:26:08
to
1:26:09
somebody,
1:26:10
confiding
1:26:10
in
1:26:11
somebody,
1:26:11
finally
1:26:12
communicating
1:26:12
to
1:26:13
somebody?
1:26:13
Thank
1:26:14
God.
1:26:15
Not
1:26:15
everything,
1:26:16
but
1:26:16
he
1:26:16
was
1:26:16
kind
1:26:17
of
1:26:17
forced
1:26:17
to.
1:26:17
Yeah.
1:26:19
Yes,
1:26:20
his
1:26:20
hand
1:26:20
was
1:26:20
forced.
1:26:21
Come
1:26:21
sit
1:26:21
down.
1:26:22
I'm
1:26:22
your
1:26:22
friend.
1:26:22
Bobby
1:26:23
was
1:26:23
like
1:26:24
that.
1:26:24
I
1:26:25
am
1:26:25
your
1:26:25
dad.
1:26:25
Boss.
1:26:26
Here's
1:26:27
my
1:26:27
disappointed,
1:26:28
angry
1:26:28
face.
1:26:30
Like,
1:26:30
talk
1:26:30
to
1:26:30
me.
1:26:31
I
1:26:31
love
1:26:32
this
1:26:32
scene.
1:26:32
It's
1:26:32
one
1:26:32
of
1:26:33
my
1:26:33
favorite
1:26:33
Eddie
1:26:33
scenes,
1:26:34
actually.
1:26:35
It
1:26:35
is
1:26:35
so
1:26:36
much
1:26:36
of
1:26:36
the
1:26:36
core
1:26:36
of
1:26:37
like,
1:26:37
who
1:26:38
he
1:26:38
still
1:26:38
is.
1:26:39
Like,
1:26:40
he
1:26:40
still
1:26:40
still
1:26:40
has
1:26:41
a
1:26:41
lot
1:26:41
of
1:26:41
these
1:26:42
same
1:26:42
problems.
1:26:43
Not
1:26:43
to
1:26:43
the
1:26:44
same
1:26:44
extent,
1:26:44
but
1:26:44
it
1:26:45
is
1:26:45
very
1:26:45
much
1:26:45
like
1:26:46
I'm
1:26:46
all
1:26:46
he
1:26:46
has.
1:26:47
Like
1:26:48
I
1:26:48
have
1:26:48
to
1:26:48
hold
1:26:49
it
1:26:49
together,
1:26:50
that
1:26:50
control.
1:26:50
Like
1:26:51
I
1:26:51
have
1:26:51
to
1:26:51
be
1:26:51
strong.
1:26:52
Right.
1:26:53
And
1:26:54
I
1:26:55
just
1:26:55
don't
1:26:55
think
1:26:55
he
1:26:56
ever
1:26:57
learned
1:26:57
how
1:26:57
to
1:26:58
let
1:26:58
go
1:26:58
of
1:26:59
this
1:26:59
anger
1:27:00
with
1:27:00
Shannon
1:27:01
and
1:27:01
I,
1:27:02
underneath
1:27:02
all
1:27:02
the
1:27:03
anger
1:27:03
with
1:27:03
Shannon
1:27:03
is
1:27:04
just
1:27:04
hurt.
1:27:04
It's
1:27:05
just
1:27:05
feeling
1:27:07
hurt
1:27:07
and
1:27:07
rejected
1:27:08
and
1:27:08
left
1:27:09
again.
1:27:09
And
1:27:09
it's
1:27:09
not
1:27:09
even
1:27:10
that
1:27:10
she
1:27:10
died,
1:27:10
it's
1:27:10
that
1:27:11
she
1:27:11
was
1:27:11
already
1:27:11
leaving.
1:27:12
And
1:27:13
you
1:27:13
see
1:27:13
that
1:27:13
moment
1:27:14
of
1:27:14
realization
1:27:15
cross
1:27:15
Bobby's
1:27:16
face
1:27:16
when
1:27:16
it
1:27:16
just
1:27:16
completely
1:27:17
like
1:27:17
softens
1:27:18
when
1:27:18
he
1:27:19
Confesses
1:27:20
that,
1:27:20
like,
1:27:20
when
1:27:21
he's
1:27:21
like,
1:27:21
you
1:27:22
know,
1:27:22
she
1:27:22
left
1:27:23
again.
1:27:23
And
1:27:24
he's
1:27:24
like,
1:27:24
she
1:27:24
died.
1:27:24
And
1:27:25
he's
1:27:25
like,
1:27:25
no,
1:27:26
she
1:27:26
wanted
1:27:26
a
1:27:27
divorce.
1:27:27
And
1:27:27
his.
1:27:28
And
1:27:28
Bobby's
1:27:28
face
1:27:29
is
1:27:29
like,
1:27:29
yeah,
1:27:30
everything
1:27:30
about
1:27:31
you
1:27:31
makes
1:27:31
sense
1:27:31
now.
1:27:32
Yeah.
1:27:32
Because
1:27:33
it's
1:27:33
Bobby
1:27:34
finally
1:27:34
realizing
1:27:35
and
1:27:35
understanding
1:27:36
what.
1:27:36
Why
1:27:36
Eddie
1:27:37
thinks
1:27:37
he's
1:27:38
such
1:27:38
a
1:27:38
failure
1:27:39
for
1:27:39
everything
1:27:39
that
1:27:40
he's
1:27:40
done.
1:27:40
Right
1:27:40
for
1:27:41
Christopher,
1:27:41
right
1:27:42
in
1:27:42
his
1:27:42
career
1:27:43
and
1:27:43
every.
1:27:43
It
1:27:44
really
1:27:44
seems
1:27:45
that
1:27:45
Bobby
1:27:46
sees
1:27:46
Eddie
1:27:47
in
1:27:47
this
1:27:48
moment.
1:27:48
And
1:27:49
I
1:27:49
think
1:27:49
sometimes
1:27:50
maybe
1:27:51
more
1:27:51
than,
1:27:51
like,
1:27:51
Bobby
1:27:52
had
1:27:52
seen
1:27:53
Buck,
1:27:53
you
1:27:53
know?
1:27:54
Oh,
1:27:54
he
1:27:54
always
1:27:54
saw
1:27:54
Eddie
1:27:55
better
1:27:55
than
1:27:55
he
1:27:55
saw
1:27:56
Buck.
1:27:56
There's
1:27:56
also
1:27:57
something
1:27:58
so
1:27:58
deep
1:27:59
that
1:27:59
Bobby
1:27:59
can
1:28:00
relate
1:28:00
to
1:28:00
with
1:28:01
Eddie
1:28:01
in
1:28:02
losing
1:28:02
Shannon
1:28:03
and
1:28:03
hating
1:28:04
yourself
1:28:05
for.
1:28:05
For
1:28:06
things
1:28:06
that
1:28:07
are
1:28:07
out
1:28:07
of
1:28:07
your
1:28:07
control.
1:28:08
I
1:28:08
think
1:28:09
they
1:28:09
handle
1:28:09
emotions
1:28:10
the
1:28:10
same
1:28:10
way,
1:28:10
too.
1:28:11
So
1:28:11
it's
1:28:11
just
1:28:11
easier
1:28:12
for
1:28:12
him
1:28:12
to
1:28:12
understand
1:28:13
how
1:28:14
Eddie's
1:28:15
brain
1:28:15
works.
1:28:16
Yeah.
1:28:17
Yeah,
1:28:17
I
1:28:17
think.
1:28:17
I
1:28:18
think
1:28:18
they
1:28:18
do
1:28:18
operate
1:28:19
much
1:28:20
more
1:28:20
similarly
1:28:23
and.
1:28:24
Yeah.
1:28:24
So.
1:28:24
So
1:28:25
that
1:28:25
whole
1:28:25
conversation,
1:28:26
it's
1:28:26
all
1:28:26
about,
1:28:26
like.
1:28:27
Bobby
1:28:27
really
1:28:27
gets
1:28:28
to
1:28:28
the.
1:28:29
To
1:28:29
the
1:28:29
nitty
1:28:30
gritty
1:28:30
of
1:28:30
it,
1:28:30
where
1:28:31
it's
1:28:31
like.
1:28:31
It's
1:28:31
all
1:28:31
about
1:28:31
control
1:28:32
and
1:28:33
because
1:28:34
Eddie
1:28:34
is
1:28:35
the
1:28:35
person
1:28:35
who
1:28:36
keeps
1:28:36
it
1:28:36
together
1:28:36
no
1:28:37
matter
1:28:37
what
1:28:37
life
1:28:37
throws
1:28:38
at
1:28:38
him.
1:28:38
And
1:28:39
Eddie
1:28:39
says,
1:28:40
lots
1:28:40
of
1:28:40
people
1:28:40
have
1:28:41
it
1:28:41
worse.
1:28:42
And
1:28:42
it's
1:28:42
just
1:28:42
like.
1:28:44
Which
1:28:44
is
1:28:44
just
1:28:44
such
1:28:45
a
1:28:45
bullshit
1:28:46
thing
1:28:46
because
1:28:46
it's
1:28:47
like,
1:28:47
sure,
1:28:48
people
1:28:48
have
1:28:48
it
1:28:48
worse.
1:28:49
Does
1:28:49
that
1:28:49
make
1:28:49
your
1:28:50
own
1:28:51
needs
1:28:51
and
1:28:51
feelings
1:28:52
and
1:28:52
wants
1:28:53
any
1:28:54
less
1:28:54
meaningless
1:28:55
or.
1:28:55
Less
1:28:56
valuable
1:28:56
or
1:28:56
less
1:28:56
valid?
1:28:57
Absolutely
1:28:57
not.
1:28:58
That's
1:28:59
your
1:28:59
experience
1:28:59
that
1:29:00
you're
1:29:00
living
1:29:00
in.
1:29:00
Like,
1:29:01
that's
1:29:01
also
1:29:01
not
1:29:01
how
1:29:02
psychology
1:29:02
works.
1:29:02
You
1:29:03
can't
1:29:03
go,
1:29:03
well,
1:29:03
suck
1:29:03
it
1:29:04
up,
1:29:04
because,
1:29:04
you
1:29:05
know,
1:29:05
people
1:29:05
have
1:29:06
it
1:29:06
worse
1:29:06
than
1:29:06
you.
1:29:07
What?
1:29:08
That's
1:29:08
probably
1:29:09
something
1:29:09
that
1:29:09
he
1:29:10
learned
1:29:10
growing
1:29:11
up,
1:29:11
for
1:29:12
sure.
1:29:12
That
1:29:13
sounds
1:29:13
like
1:29:13
a
1:29:13
Ramonism.
1:29:15
It
1:29:15
is
1:29:15
a
1:29:15
Ramonism,
1:29:16
Sure.
1:29:17
Well,
1:29:17
actually,
1:29:17
no,
1:29:18
it's
1:29:18
both
1:29:18
of
1:29:18
them.
1:29:18
Yeah.
1:29:19
It
1:29:20
goes
1:29:20
along
1:29:20
with
1:29:20
the
1:29:20
whole,
1:29:21
like,
1:29:21
just
1:29:21
suck
1:29:21
it
1:29:22
up.
1:29:22
Yeah.
1:29:23
It's
1:29:23
the.
1:29:23
It's
1:29:24
all
1:29:24
of
1:29:24
that
1:29:24
kind
1:29:25
of
1:29:25
just
1:29:25
toxic.
1:29:26
The
1:29:26
toxic
1:29:27
masculinity
1:29:28
of
1:29:28
like.
1:29:28
Yes.
1:29:29
One
1:29:29
of
1:29:29
the
1:29:29
reasons
1:29:30
why
1:29:30
men's
1:29:31
mental
1:29:31
health
1:29:31
really
1:29:32
needs
1:29:32
to
1:29:32
be
1:29:32
destigmatized
1:29:33
is
1:29:34
because
1:29:34
they
1:29:34
are
1:29:35
taught
1:29:35
this
1:29:35
kind
1:29:35
of.
1:29:36
Exactly.
1:29:37
Right.
1:29:38
It's
1:29:39
very
1:29:39
normal
1:29:39
for
1:29:39
women
1:29:40
to
1:29:40
be
1:29:41
emotional,
1:29:41
to
1:29:42
show
1:29:42
their
1:29:42
emotions
1:29:42
outward,
1:29:43
to
1:29:43
talk
1:29:43
about
1:29:43
their
1:29:44
emotions
1:29:44
with
1:29:44
their
1:29:44
friends.
1:29:45
That
1:29:45
communication
1:29:46
is
1:29:46
a
1:29:46
lot
1:29:47
easier.
1:29:48
It's.
1:29:48
It's
1:29:48
not
1:29:48
only
1:29:49
expected,
1:29:49
it's.
1:29:50
It's
1:29:50
something
1:29:51
that
1:29:51
good
1:29:51
friends,
1:29:52
like,
1:29:53
try
1:29:53
and
1:29:54
people
1:29:55
to.
1:29:55
To
1:29:55
do.
1:29:56
Yeah.
1:29:56
See,
1:29:57
their
1:29:57
friend
1:29:57
is
1:29:57
going
1:29:57
through
1:29:58
something.
1:29:58
How
1:29:58
people
1:29:59
bond.
1:30:00
Yeah.
1:30:01
But
1:30:02
I
1:30:02
just
1:30:02
know
1:30:02
that,
1:30:02
like,
1:30:03
kids.
1:30:03
I
1:30:03
mean,
1:30:04
I
1:30:04
can
1:30:04
tell
1:30:04
you
1:30:04
just
1:30:04
like,
1:30:05
with
1:30:05
two
1:30:05
Younger
1:30:05
brothers.
1:30:06
The
1:30:06
way
1:30:06
I
1:30:07
was
1:30:07
taught
1:30:07
to
1:30:08
deal
1:30:08
with
1:30:08
my
1:30:08
emotions,
1:30:09
it's
1:30:09
different
1:30:10
from
1:30:10
the
1:30:10
way
1:30:10
they
1:30:10
were
1:30:10
taught
1:30:11
to
1:30:11
deal
1:30:11
with.
1:30:11
Their
1:30:11
emotions,
1:30:12
which
1:30:12
is
1:30:12
wild,
1:30:13
because
1:30:13
you
1:30:13
would
1:30:13
think,
1:30:14
you
1:30:14
know,
1:30:15
siblings
1:30:15
would
1:30:16
be
1:30:16
taught
1:30:16
the
1:30:16
same
1:30:16
thing.
1:30:17
No.
1:30:18
So,
1:30:18
yeah,
1:30:18
that's
1:30:19
absolutely
1:30:19
instilled
1:30:20
in
1:30:20
him
1:30:20
from
1:30:20
his
1:30:20
parents
1:30:22
and
1:30:22
still
1:30:22
fucking
1:30:23
him
1:30:23
up
1:30:23
to
1:30:23
this
1:30:23
day.
1:30:26
So
1:30:26
I
1:30:26
also
1:30:26
think
1:30:27
that
1:30:28
when
1:30:28
Bobby
1:30:29
says,
1:30:29
I
1:30:29
just
1:30:30
don't
1:30:30
want
1:30:30
you
1:30:30
to
1:30:30
have
1:30:31
to
1:30:31
lose
1:30:31
everything
1:30:31
before
1:30:32
you
1:30:32
allow
1:30:32
yourself
1:30:33
to
1:30:33
feel
1:30:33
something.
1:30:34
I
1:30:35
love
1:30:35
that
1:30:35
line.
1:30:36
I
1:30:36
love
1:30:36
it.
1:30:36
It's
1:30:37
so
1:30:37
good.
1:30:37
It
1:30:37
works
1:30:38
for
1:30:39
Eddie
1:30:39
so
1:30:39
well.
1:30:40
But
1:30:40
Bobby
1:30:41
would
1:30:41
know.
1:30:42
Bobby
1:30:42
would
1:30:43
know,
1:30:43
because
1:30:44
rock
1:30:44
bottom,
1:30:45
you
1:30:45
know,
1:30:45
we
1:30:45
now
1:30:46
know
1:30:46
in
1:30:46
hindsight,
1:30:47
everything
1:30:48
that.
1:30:48
That
1:30:48
happened
1:30:49
to
1:30:49
him
1:30:49
that
1:30:50
led
1:30:50
to
1:30:50
his,
1:30:50
like,
1:30:51
addiction
1:30:51
was
1:30:51
from
1:30:52
his
1:30:52
childhood,
1:30:52
and
1:30:53
he
1:30:53
never
1:30:53
dealt
1:30:55
with
1:30:55
that.
1:30:56
He
1:30:56
never
1:30:57
dealt
1:30:57
with
1:30:57
all
1:30:57
of
1:30:57
the
1:30:57
trauma
1:30:58
from
1:30:58
his
1:30:58
father,
1:30:59
and
1:30:59
that
1:31:00
led
1:31:00
him
1:31:00
to
1:31:00
his
1:31:01
addiction,
1:31:01
which
1:31:01
led
1:31:01
to
1:31:02
him
1:31:02
losing
1:31:02
his
1:31:02
family
1:31:03
in
1:31:03
one
1:31:03
of.
1:31:03
The
1:31:03
most
1:31:03
traumatic
1:31:04
ways
1:31:04
possible.
1:31:05
Yes.
1:31:06
And
1:31:06
then
1:31:06
it
1:31:06
wasn't
1:31:07
until
1:31:07
after
1:31:07
that
1:31:07
happened
1:31:08
that
1:31:08
he
1:31:08
allowed
1:31:08
himself
1:31:09
to
1:31:09
open
1:31:10
up
1:31:10
and
1:31:10
deal
1:31:10
with
1:31:10
those
1:31:11
feelings.
1:31:11
And,
1:31:12
you
1:31:12
know,
1:31:12
for
1:31:12
Bobby,
1:31:13
it
1:31:13
was
1:31:13
him
1:31:13
reaching
1:31:14
rock
1:31:14
bottom
1:31:14
again
1:31:15
at
1:31:15
the
1:31:15
very
1:31:16
end
1:31:16
of
1:31:17
104.
1:31:17
Worst
1:31:18
day
1:31:18
ever,
1:31:19
where
1:31:19
Hen
1:31:19
and
1:31:20
buck
1:31:20
find
1:31:21
him
1:31:21
having
1:31:22
relapsed,
1:31:22
and
1:31:23
he
1:31:23
just,
1:31:23
like,
1:31:24
collapses
1:31:26
and
1:31:26
asks
1:31:26
for
1:31:26
help.
1:31:27
So
1:31:28
all
1:31:28
of
1:31:29
that
1:31:29
feeling
1:31:29
that
1:31:29
he
1:31:30
was
1:31:30
pushing
1:31:30
away
1:31:31
just
1:31:32
like.
1:31:32
Sorry.
1:31:33
Washes
1:31:34
over
1:31:34
him
1:31:34
like
1:31:34
a
1:31:34
tidal
1:31:35
wave.
1:31:36
So
1:31:36
he.
1:31:37
I'm
1:31:37
sorry.
1:31:38
So
1:31:39
he
1:31:40
really
1:31:40
understands
1:31:42
the.
1:31:42
The
1:31:42
potential
1:31:43
for
1:31:43
Eddie
1:31:43
to
1:31:44
fall
1:31:44
even
1:31:45
further
1:31:45
than
1:31:46
he
1:31:46
is
1:31:46
right
1:31:47
now.
1:31:47
At
1:31:47
what
1:31:47
point
1:31:48
would
1:31:48
it
1:31:48
be
1:31:48
too
1:31:48
late?
1:31:49
And
1:31:49
I
1:31:49
think
1:31:49
he
1:31:49
also
1:31:50
is
1:31:50
protective
1:31:51
of
1:31:51
Eddie
1:31:52
because
1:31:52
Eddie
1:31:53
also
1:31:53
has
1:31:53
Christopher,
1:31:54
and
1:31:54
he
1:31:54
knows
1:31:54
how
1:31:55
important
1:31:55
Christopher
1:31:56
is
1:31:56
to
1:31:56
him,
1:31:56
too,
1:31:57
and
1:31:58
doesn't
1:31:58
want
1:31:58
Eddie
1:31:59
to
1:31:59
do
1:31:59
anything
1:31:59
to
1:32:00
jeopardize
1:32:00
that,
1:32:00
because
1:32:01
realistically,
1:32:02
him
1:32:02
being
1:32:02
in
1:32:03
Fight
1:32:03
Club
1:32:03
is
1:32:04
very
1:32:05
potentially
1:32:05
jeopardizing
1:32:06
to.
1:32:07
Yeah.
1:32:07
Having.
1:32:08
Keeping
1:32:08
Chris
1:32:08
having
1:32:09
custody
1:32:09
of
1:32:09
his
1:32:09
child.
1:32:10
Yeah.
1:32:11
So,
1:32:11
like,
1:32:11
it's
1:32:11
at
1:32:12
that
1:32:12
moment,
1:32:13
it's
1:32:13
that
1:32:13
line
1:32:14
that
1:32:14
Bobby
1:32:14
says
1:32:15
that
1:32:15
kind
1:32:16
of
1:32:16
gives
1:32:17
Eddie
1:32:17
permission
1:32:18
to
1:32:18
break
1:32:19
down.
1:32:19
And
1:32:19
I
1:32:19
think
1:32:20
we
1:32:20
see
1:32:20
this
1:32:20
a
1:32:20
lot
1:32:21
when
1:32:21
he
1:32:21
has
1:32:22
these
1:32:22
really
1:32:23
emotional,
1:32:24
like,
1:32:24
breakthroughs
1:32:25
or.
1:32:25
Or
1:32:25
moments.
1:32:26
It's
1:32:26
because
1:32:27
somebody
1:32:28
kind
1:32:28
of
1:32:28
prods
1:32:29
him
1:32:29
a
1:32:29
little
1:32:29
bit,
1:32:30
gives
1:32:30
him
1:32:30
permission
1:32:31
to
1:32:32
open
1:32:32
up
1:32:32
those
1:32:33
floodgates
1:32:34
because
1:32:35
he's
1:32:35
trying
1:32:36
so
1:32:36
hard
1:32:36
to
1:32:36
keep
1:32:37
them
1:32:37
at
1:32:37
bay
1:32:38
and
1:32:38
keep
1:32:38
them
1:32:38
closed.
1:32:39
But
1:32:39
if
1:32:40
someone
1:32:40
else
1:32:40
gives
1:32:40
him
1:32:41
permission,
1:32:42
then
1:32:43
he
1:32:43
kind
1:32:43
of
1:32:43
allows
1:32:44
himself
1:32:44
to.
1:32:45
To,
1:32:46
you
1:32:46
know,
1:32:47
be
1:32:47
swept
1:32:47
away
1:32:48
with
1:32:48
that.
1:32:48
And
1:32:49
he.
1:32:50
He
1:32:50
tells.
1:32:51
He
1:32:51
tells
1:32:51
Bobby
1:32:52
about
1:32:52
Shannon
1:32:52
and
1:32:52
about
1:32:53
the
1:32:53
divorce,
1:32:53
and
1:32:53
it's.
1:32:54
I
1:32:54
think
1:32:54
it's
1:32:54
the
1:32:55
first
1:32:55
time,
1:32:56
the
1:32:56
only
1:32:56
person
1:32:57
that
1:32:57
any
1:32:58
time
1:32:58
he
1:32:58
ever.
1:32:58
Talks
1:32:59
about
1:32:59
anyone
1:33:01
Ever
1:33:01
talks
1:33:01
about
1:33:01
it
1:33:01
again.
1:33:02
Because
1:33:02
it
1:33:03
probably
1:33:03
doesn't
1:33:03
even
1:33:03
tell
1:33:04
Frank.
1:33:05
No.
1:33:05
Why
1:33:05
would
1:33:05
he
1:33:06
tell
1:33:06
Frank?
1:33:07
But
1:33:08
like,
1:33:08
everything.
1:33:09
So
1:33:10
everything
1:33:10
that
1:33:10
Eddie
1:33:11
says
1:33:12
about,
1:33:12
like,
1:33:13
Chris
1:33:13
needs
1:33:14
him
1:33:14
to
1:33:14
be
1:33:14
in
1:33:15
control
1:33:15
because
1:33:16
he
1:33:16
can't.
1:33:16
Because
1:33:16
Eddie
1:33:17
can't
1:33:17
let
1:33:17
him
1:33:17
down
1:33:17
again.
1:33:18
And
1:33:18
all
1:33:19
of
1:33:19
these
1:33:19
things
1:33:19
that
1:33:19
he
1:33:19
says
1:33:20
where
1:33:21
he
1:33:21
stayed
1:33:22
away
1:33:22
too
1:33:22
long
1:33:22
and
1:33:22
it
1:33:23
broke
1:33:23
Shannon.
1:33:23
He.
1:33:24
He
1:33:24
couldn't
1:33:24
stop
1:33:24
her
1:33:24
from
1:33:25
running
1:33:25
away.
1:33:26
He
1:33:26
couldn't
1:33:26
bring
1:33:26
her
1:33:27
back
1:33:27
home.
1:33:27
He
1:33:28
let
1:33:28
her
1:33:28
back
1:33:29
into
1:33:29
his
1:33:29
life.
1:33:30
All
1:33:30
of
1:33:30
these
1:33:30
things.
1:33:31
He
1:33:31
knew
1:33:31
better
1:33:32
that
1:33:33
Shannon
1:33:33
was
1:33:34
going
1:33:34
to
1:33:34
break
1:33:34
Christopher's
1:33:35
heart
1:33:35
again.
1:33:35
All
1:33:35
of
1:33:35
those
1:33:36
things
1:33:37
he
1:33:37
is
1:33:37
putting
1:33:38
himself
1:33:39
to
1:33:39
blame
1:33:39
for.
1:33:40
Oh,
1:33:40
yeah.
1:33:41
So
1:33:41
deeply.
1:33:42
Call
1:33:42
that.
1:33:42
It's
1:33:43
not
1:33:43
a
1:33:43
savior
1:33:43
complex,
1:33:44
it's
1:33:45
a
1:33:45
martyr
1:33:45
complex.
1:33:46
Maybe
1:33:47
something
1:33:47
similar
1:33:48
like
1:33:48
that.
1:33:48
But
1:33:48
taking
1:33:49
on
1:33:50
the.
1:33:50
The
1:33:50
fault
1:33:51
of
1:33:51
all
1:33:51
of
1:33:51
these
1:33:52
things.
1:33:52
That
1:33:52
are
1:33:52
not
1:33:53
a
1:33:53
fault
1:33:53
because,
1:33:53
like,
1:33:54
he
1:33:54
was
1:33:54
doing
1:33:54
that
1:33:55
his
1:33:55
entire
1:33:55
childhood
1:33:56
too.
1:33:56
So
1:33:56
again,
1:33:56
that's
1:33:56
why
1:33:57
it's.
1:33:58
It's
1:33:58
all
1:33:58
of
1:33:59
that
1:33:59
responsibility
1:33:59
that
1:34:00
Eddie
1:34:00
was
1:34:00
brought
1:34:01
up
1:34:01
to
1:34:02
take
1:34:02
on.
1:34:02
And
1:34:03
again,
1:34:03
he
1:34:03
never
1:34:03
learned
1:34:04
that,
1:34:05
like,
1:34:05
some
1:34:05
things
1:34:06
don't
1:34:07
have
1:34:07
to
1:34:07
be
1:34:07
your
1:34:07
responsibility.
1:34:08
Some
1:34:08
things
1:34:09
you
1:34:10
don't
1:34:10
have
1:34:10
to.
1:34:10
Individual
1:34:10
actions
1:34:11
are
1:34:11
their
1:34:11
own
1:34:12
responsibility.
1:34:13
In.
1:34:14
In
1:34:14
addition
1:34:14
to
1:34:14
what
1:34:15
we
1:34:15
just
1:34:15
said
1:34:16
about
1:34:16
how
1:34:16
Bobby
1:34:17
sees
1:34:17
Eddie
1:34:17
and
1:34:18
they
1:34:18
have
1:34:18
like,
1:34:18
that
1:34:18
connection
1:34:19
there.
1:34:20
Remember
1:34:20
like
1:34:20
with
1:34:20
Dose
1:34:21
when
1:34:21
we
1:34:21
were
1:34:22
talking
1:34:22
about
1:34:22
Bobby
1:34:23
being
1:34:23
Atlas
1:34:23
and
1:34:23
shouldering
1:34:24
the
1:34:25
universe
1:34:25
and
1:34:25
everything?
1:34:26
Eddie
1:34:26
does
1:34:26
that
1:34:27
too,
1:34:27
kind
1:34:27
of
1:34:27
to
1:34:28
a
1:34:28
little
1:34:28
bit
1:34:28
smaller
1:34:29
scale,
1:34:30
but
1:34:30
it's
1:34:31
the
1:34:31
same
1:34:31
thing.
1:34:31
He's
1:34:32
just
1:34:32
shouldering
1:34:33
so
1:34:33
much
1:34:33
that
1:34:34
he
1:34:34
doesn't
1:34:34
need
1:34:35
to.
1:34:36
And
1:34:36
it's
1:34:36
also.
1:34:37
I
1:34:37
think
1:34:37
it's
1:34:38
very
1:34:38
interesting
1:34:39
phrasing
1:34:40
when
1:34:40
he
1:34:40
says
1:34:40
he
1:34:41
knew
1:34:41
that
1:34:42
Shannon
1:34:42
would
1:34:42
break
1:34:42
Christopher's
1:34:43
heart
1:34:44
again.
1:34:45
He
1:34:45
never
1:34:45
talks
1:34:46
about
1:34:46
his
1:34:46
own.
1:34:46
It's
1:34:47
always
1:34:47
Christopher.
1:34:48
But
1:34:48
see,
1:34:49
and
1:34:49
that's
1:34:50
where
1:34:50
sometimes
1:34:50
I.
1:34:51
That's
1:34:51
where
1:34:51
I
1:34:51
feel
1:34:52
like
1:34:52
he
1:34:52
uses
1:34:52
Christopher
1:34:53
as
1:34:53
like
1:34:53
a
1:34:53
substitute
1:34:54
or
1:34:54
like
1:34:55
a
1:34:55
shield.
1:34:56
A
1:34:56
shield.
1:34:57
Because
1:34:57
to
1:34:57
me,
1:34:58
I
1:34:58
can
1:34:58
just.
1:34:59
To
1:34:59
me,
1:34:59
I'm
1:34:59
like,
1:34:59
reading
1:35:00
between
1:35:00
the
1:35:00
lines
1:35:01
when
1:35:01
he
1:35:01
brings
1:35:02
up.
1:35:02
Christopher
1:35:02
really
1:35:03
feel
1:35:04
like
1:35:04
it's
1:35:04
his
1:35:05
way
1:35:05
of
1:35:05
also
1:35:06
kind
1:35:06
of
1:35:06
like
1:35:06
talking
1:35:06
about
1:35:07
himself,
1:35:08
but
1:35:08
without
1:35:08
realizing
1:35:09
that
1:35:09
he
1:35:09
actually
1:35:10
is
1:35:10
admitting
1:35:11
to
1:35:11
that.
1:35:11
I
1:35:12
think
1:35:12
that's
1:35:12
exactly
1:35:12
what
1:35:13
it
1:35:13
is.
1:35:13
It
1:35:14
truly
1:35:14
is.
1:35:14
Like
1:35:15
both
1:35:15
layers.
1:35:15
Yeah.
1:35:16
See?
1:35:16
Both
1:35:17
things.
1:35:17
Because
1:35:17
it's.
1:35:18
She
1:35:18
didn't
1:35:18
break
1:35:19
his
1:35:19
heart.
1:35:19
As
1:35:20
in
1:35:20
he
1:35:20
was
1:35:20
heartbroken
1:35:21
that
1:35:21
she
1:35:22
didn't
1:35:22
want
1:35:22
to
1:35:22
be
1:35:22
with
1:35:22
him.
1:35:23
No,
1:35:23
it
1:35:23
was.
1:35:24
It
1:35:24
was
1:35:24
the
1:35:24
heartbreak
1:35:25
of
1:35:25
being
1:35:25
left
1:35:26
and
1:35:26
not
1:35:27
being
1:35:27
enough
1:35:27
and
1:35:28
not
1:35:28
wanting.
1:35:28
To
1:35:28
be
1:35:28
with
1:35:29
Christopher
1:35:29
and.
1:35:30
Yeah.
1:35:30
Yeah.
1:35:31
And
1:35:31
so
1:35:31
he's
1:35:32
just.
1:35:32
He's
1:35:32
just
1:35:33
so
1:35:33
mad
1:35:33
at
1:35:33
himself
1:35:35
and.
1:35:35
And
1:35:35
he
1:35:35
says,
1:35:35
like,
1:35:36
at
1:35:36
the
1:35:36
conclusion,
1:35:37
he's
1:35:37
like,
1:35:37
he's.
1:35:38
He's
1:35:38
so
1:35:39
mad
1:35:39
at
1:35:39
her,
1:35:40
and
1:35:40
he's
1:35:40
mad
1:35:40
at
1:35:41
himself
1:35:41
because
1:35:41
he's
1:35:41
mad
1:35:42
at
1:35:42
a
1:35:42
dead
1:35:42
person,
1:35:43
but
1:35:43
also
1:35:44
because
1:35:45
he's
1:35:45
mad
1:35:45
at
1:35:45
himself
1:35:46
because
1:35:47
he
1:35:47
forgave
1:35:47
her
1:35:48
for
1:35:49
everything,
1:35:50
but
1:35:50
it
1:35:50
wasn't
1:35:50
enough
1:35:51
and
1:35:51
he
1:35:51
wasn't
1:35:51
enough.
1:35:52
So
1:35:52
it's.
1:35:53
It's
1:35:53
all
1:35:53
of
1:35:53
that.
1:35:54
This
1:35:54
is.
1:35:54
This
1:35:55
is
1:35:55
like
1:35:55
one
1:35:55
of
1:35:56
those
1:35:56
pivotal,
1:35:56
like,
1:35:57
Eddie
1:35:57
scenes
1:35:58
where
1:35:58
it's
1:35:58
just,
1:35:58
like,
1:35:59
you
1:35:59
see
1:35:59
so
1:36:00
much
1:36:00
of
1:36:00
him
1:36:01
emotionally,
1:36:03
and
1:36:03
so
1:36:03
much
1:36:04
of
1:36:04
that
1:36:04
is
1:36:04
just
1:36:05
like,
1:36:05
that
1:36:06
rage
1:36:07
turned
1:36:07
inward
1:36:08
on
1:36:08
himself,
1:36:09
wanting
1:36:09
to
1:36:09
be
1:36:10
enough,
1:36:10
being
1:36:11
too
1:36:11
responsible,
1:36:13
trying
1:36:13
to
1:36:13
maintain
1:36:14
control,
1:36:14
and,
1:36:14
like,
1:36:15
hating
1:36:16
all
1:36:16
of
1:36:16
that.
1:36:16
That.
1:36:17
That's
1:36:17
his
1:36:17
plight.
1:36:18
If
1:36:18
you
1:36:19
take
1:36:19
this
1:36:20
conversation,
1:36:21
especially
1:36:21
that
1:36:21
part
1:36:21
of
1:36:21
the
1:36:22
conversation,
1:36:23
and
1:36:23
you
1:36:23
put
1:36:23
it
1:36:23
side
1:36:24
by
1:36:24
side.
1:36:24
Oh,
1:36:25
man.
1:36:25
The
1:36:25
conversation
1:36:26
he
1:36:26
has
1:36:26
in
1:36:26
709
1:36:27
with
1:36:28
Big
1:36:28
Shannon.
1:36:29
Yeah.
1:36:30
Big
1:36:30
Shannon.
1:36:31
It's
1:36:31
the
1:36:32
same
1:36:32
thing.
1:36:32
It
1:36:32
is,
1:36:33
yeah.
1:36:34
He
1:36:34
never
1:36:34
dealt
1:36:35
with
1:36:35
any
1:36:35
of
1:36:35
this.
1:36:37
It's
1:36:37
broken.
1:36:37
I'm
1:36:38
broken.
1:36:40
It's.
1:36:41
You
1:36:41
left.
1:36:42
I
1:36:42
didn't
1:36:42
get
1:36:42
a
1:36:43
goodbye.
1:36:43
Like,
1:36:43
it's
1:36:44
the
1:36:44
same.
1:36:44
Like,
1:36:45
he
1:36:45
never
1:36:45
dealt
1:36:46
with
1:36:46
this.
1:36:46
Yeah.
1:36:47
And
1:36:47
it's
1:36:48
like,
1:36:48
it's
1:36:48
not
1:36:48
one
1:36:48
of
1:36:48
those
1:36:49
things
1:36:49
that
1:36:49
you
1:36:49
can,
1:36:50
like,
1:36:50
be
1:36:50
done
1:36:51
with
1:36:51
dealing
1:36:51
with.
1:36:52
Right?
1:36:53
No,
1:36:53
but
1:36:53
you
1:36:53
have
1:36:54
to.
1:36:54
But
1:36:54
you
1:36:54
have
1:36:54
to.
1:36:56
But
1:36:56
you
1:36:56
have
1:36:57
to,
1:36:57
like,
1:36:57
learn
1:36:58
coping
1:36:59
mechanisms
1:36:59
to
1:37:00
be
1:37:00
able
1:37:00
to,
1:37:00
like,
1:37:01
deal
1:37:01
with
1:37:02
it
1:37:02
on
1:37:02
the
1:37:02
daily.
1:37:03
Shannon
1:37:03
is
1:37:03
the
1:37:03
most
1:37:03
therapy
1:37:04
he's
1:37:04
had
1:37:04
about
1:37:05
that.
1:37:05
Yeah.
1:37:07
Because
1:37:07
I
1:37:07
remember,
1:37:08
like,
1:37:08
her
1:37:08
showing
1:37:08
up
1:37:09
and
1:37:09
us
1:37:09
being
1:37:09
like,
1:37:10
oh,
1:37:10
no,
1:37:11
no,
1:37:11
no,
1:37:12
leave,
1:37:12
leave.
1:37:12
And
1:37:13
we
1:37:13
were.
1:37:13
Then
1:37:13
I
1:37:14
think
1:37:14
Sil
1:37:14
was
1:37:14
like,
1:37:14
wait,
1:37:14
maybe
1:37:15
it's
1:37:15
therapy.
1:37:18
It
1:37:18
was
1:37:18
role
1:37:19
play
1:37:19
therapy,
1:37:19
which
1:37:20
is
1:37:23
great,
1:37:23
but.
1:37:23
No,
1:37:25
it's
1:37:25
better
1:37:25
than
1:37:25
the
1:37:26
nothing
1:37:26
that
1:37:26
we've
1:37:27
had
1:37:27
for
1:37:28
the
1:37:28
past
1:37:28
at
1:37:28
least.
1:37:28
He
1:37:29
was
1:37:29
six
1:37:29
years
1:37:29
confronting
1:37:30
himself
1:37:31
about
1:37:31
some
1:37:32
of
1:37:32
it.
1:37:32
And,
1:37:32
like,
1:37:33
it
1:37:34
hand.
1:37:34
You're
1:37:34
right.
1:37:34
It
1:37:35
really
1:37:35
is.
1:37:35
I
1:37:36
would
1:37:36
love
1:37:36
to
1:37:36
look
1:37:37
at
1:37:37
these
1:37:37
scenes
1:37:38
together
1:37:38
and,
1:37:38
like,
1:37:39
compare
1:37:39
them.
1:37:39
Yeah,
1:37:40
maybe
1:37:40
we
1:37:40
can
1:37:40
do
1:37:41
that
1:37:41
sometime.
1:37:41
But
1:37:41
it's.
1:37:42
It's
1:37:42
just
1:37:43
like
1:37:43
this
1:37:43
is
1:37:43
who
1:37:44
Eddie
1:37:44
is,
1:37:44
like,
1:37:45
at
1:37:45
his,
1:37:46
like,
1:37:46
bearing
1:37:47
it
1:37:47
all.
1:37:48
Mm.
1:37:49
This
1:37:49
is
1:37:49
his
1:37:49
root.
1:37:50
His
1:37:51
root
1:37:51
trauma,
1:37:51
his
1:37:52
root
1:37:52
driving
1:37:53
force.
1:37:53
It.
1:37:54
It.
1:37:54
It.
1:37:54
Like,
1:37:54
if
1:37:55
you
1:37:55
want
1:37:55
to
1:37:55
show
1:37:55
someone
1:37:56
who
1:37:56
Eddie
1:37:56
is,
1:37:57
just
1:37:57
show
1:37:57
them
1:37:58
this
1:37:58
conversation.
1:37:59
Like,
1:38:00
it
1:38:00
shows
1:38:00
you
1:38:00
what
1:38:01
he's
1:38:01
motivated
1:38:01
by.
1:38:01
And
1:38:02
that's
1:38:02
Christopher.
1:38:04
It's
1:38:04
doing
1:38:05
everything
1:38:05
for
1:38:05
Christopher.
1:38:06
He
1:38:06
does
1:38:06
not
1:38:06
care.
1:38:08
He
1:38:08
does
1:38:08
not
1:38:08
care
1:38:09
about
1:38:09
himself,
1:38:09
like,
1:38:09
at
1:38:09
all.
1:38:10
No,
1:38:10
it's
1:38:11
showing
1:38:11
the
1:38:11
motivation
1:38:11
as
1:38:12
Christopher.
1:38:12
It's
1:38:12
showing
1:38:13
that
1:38:14
he
1:38:14
blames
1:38:14
himself
1:38:15
for
1:38:15
literally
1:38:15
everything
1:38:16
that
1:38:16
ever
1:38:17
goes
1:38:17
wrong
1:38:18
ever
1:38:18
with
1:38:18
Christopher.
1:38:19
Not
1:38:19
ever.
1:38:20
Not
1:38:20
for
1:38:20
everything.
1:38:20
Just
1:38:21
with
1:38:21
Christopher.
1:38:21
Yeah.
1:38:22
That's
1:38:22
fair.
1:38:23
With
1:38:23
everyone
1:38:23
else,
1:38:24
that's
1:38:24
A
1:38:24
different
1:38:24
story.
1:38:25
That's.
1:38:26
That's
1:38:26
a
1:38:26
different
1:38:27
conversation
1:38:28
completely.
1:38:28
But
1:38:29
with
1:38:29
Christopher,
1:38:30
his
1:38:30
fault
1:38:31
always
1:38:32
shows
1:38:32
you
1:38:33
that
1:38:33
he
1:38:33
has
1:38:34
capital
1:38:35
a
1:38:36
abandonment
1:38:37
issues.
1:38:38
Yes.
1:38:38
And
1:38:39
that
1:38:39
he
1:38:39
has
1:38:40
never
1:38:40
felt
1:38:40
like
1:38:40
he's
1:38:41
enough.
1:38:42
He
1:38:42
never
1:38:42
felt
1:38:42
like
1:38:42
he
1:38:42
was
1:38:43
enough
1:38:43
for
1:38:43
his
1:38:43
parents.
1:38:44
He
1:38:44
never
1:38:44
felt
1:38:44
like
1:38:44
he
1:38:44
was
1:38:45
enough
1:38:45
for
1:38:45
Shannon.
1:38:45
He
1:38:45
never
1:38:46
felt
1:38:46
like
1:38:46
he
1:38:46
was
1:38:46
enough
1:38:46
for
1:38:46
Christopher.
1:38:48
Like,
1:38:48
that's
1:38:48
just
1:38:48
it.
1:38:49
That's
1:38:49
his
1:38:49
character.
1:38:49
I
1:38:50
wonder
1:38:50
if
1:38:50
there's
1:38:50
ever
1:38:50
a
1:38:51
point
1:38:51
where
1:38:51
he
1:38:51
felt
1:38:51
like
1:38:52
enough
1:38:53
ish.
1:38:54
If
1:38:54
like
1:38:55
maybe
1:38:56
like
1:38:56
moments
1:38:57
when
1:38:57
he's
1:38:57
on
1:38:57
the
1:38:57
job
1:38:58
or
1:38:58
like
1:38:59
moments
1:38:59
when
1:38:59
he
1:38:59
was
1:39:00
in
1:39:00
the
1:39:00
army,
1:39:01
but
1:39:01
I
1:39:01
don't
1:39:01
think
1:39:01
so
1:39:01
because
1:39:02
so
1:39:02
much
1:39:02
of
1:39:02
that
1:39:02
is
1:39:03
attached
1:39:04
to
1:39:05
the
1:39:05
not
1:39:05
enough
1:39:06
parts.
1:39:07
No,
1:39:07
he
1:39:07
doesn't
1:39:07
think
1:39:08
he's
1:39:08
enough.
1:39:08
Like
1:39:08
when
1:39:08
you
1:39:08
think
1:39:09
about
1:39:09
like
1:39:09
how
1:39:10
he
1:39:11
save
1:39:11
people
1:39:12
in
1:39:12
the
1:39:13
actual,
1:39:13
like
1:39:14
while
1:39:14
he
1:39:14
was
1:39:14
in
1:39:14
the
1:39:14
army
1:39:15
and
1:39:15
he
1:39:15
was
1:39:16
like,
1:39:16
oh,
1:39:16
I
1:39:17
just
1:39:17
did
1:39:17
the
1:39:17
right
1:39:17
thing,
1:39:18
even
1:39:18
though
1:39:18
I
1:39:18
got
1:39:18
a
1:39:18
silver,
1:39:19
he
1:39:19
doesn't
1:39:19
think
1:39:19
he's
1:39:20
worthy
1:39:20
of.
1:39:20
Worthy
1:39:21
enough.
1:39:21
Even
1:39:22
though
1:39:22
he
1:39:22
was
1:39:22
of
1:39:23
the
1:39:23
commendation.
1:39:24
Yeah.
1:39:25
When
1:39:25
you
1:39:26
look
1:39:26
at
1:39:26
moments
1:39:26
like
1:39:27
in
1:39:27
704,
1:39:28
right,
1:39:28
where
1:39:29
he
1:39:29
does
1:39:29
the
1:39:29
partial
1:39:29
raboa
1:39:31
and
1:39:31
you
1:39:31
see
1:39:31
that
1:39:31
like
1:39:32
one
1:39:32
eight,
1:39:33
sorry,
1:39:33
eight
1:39:33
hundred
1:39:33
four.
1:39:34
And
1:39:34
he
1:39:34
has
1:39:34
that
1:39:35
brief
1:39:36
moment
1:39:36
of
1:39:37
like,
1:39:37
elation
1:39:37
of
1:39:38
like,
1:39:38
oh
1:39:38
my
1:39:38
God,
1:39:38
like
1:39:39
I
1:39:39
saved
1:39:39
him
1:39:40
immediately.
1:39:41
And
1:39:41
then
1:39:41
the
1:39:42
kid
1:39:42
calls
1:39:42
him
1:39:43
dad
1:39:43
and
1:39:43
all
1:39:44
the
1:39:44
guilt
1:39:45
and
1:39:45
the
1:39:45
shame
1:39:45
and
1:39:45
the
1:39:46
self
1:39:46
hatred
1:39:46
just
1:39:47
rushes
1:39:47
right
1:39:47
back.
1:39:48
No
1:39:48
fucking
1:39:49
semi
1:39:50
truck.
1:39:50
Oh
1:39:50
my
1:39:51
God,
1:39:51
you're
1:39:52
so
1:39:52
right.
1:39:52
Any
1:39:53
moment
1:39:53
where
1:39:53
I
1:39:54
think
1:39:54
he
1:39:54
does
1:39:54
feel
1:39:54
like
1:39:55
enough,
1:39:55
I
1:39:55
think
1:39:56
is
1:39:56
immediately
1:39:57
superseded
1:39:58
by.
1:39:59
Yeah.
1:39:59
Feelings
1:39:59
of
1:40:00
self
1:40:00
hatred.
1:40:00
And
1:40:01
he
1:40:01
punishes
1:40:01
himself.
1:40:02
We
1:40:02
know
1:40:02
this.
1:40:03
I
1:40:03
mean,
1:40:03
we
1:40:03
knew
1:40:03
this
1:40:03
before
1:40:04
Father
1:40:04
Brian
1:40:05
pointed
1:40:05
it
1:40:05
out,
1:40:06
but
1:40:08
you
1:40:08
know,
1:40:08
we
1:40:08
know
1:40:09
it
1:40:09
for
1:40:09
sure
1:40:09
now
1:40:10
after
1:40:10
season
1:40:10
eight.
1:40:11
Or
1:40:11
it's
1:40:11
like
1:40:11
you
1:40:12
don't
1:40:12
feel
1:40:12
worthy
1:40:12
of
1:40:13
joy
1:40:13
or
1:40:14
forgiveness.
1:40:15
And
1:40:15
he
1:40:15
punishes
1:40:16
himself.
1:40:16
Like
1:40:17
he's
1:40:17
been
1:40:18
doing
1:40:18
that
1:40:18
earlier
1:40:19
than
1:40:19
Chris
1:40:20
leaving.
1:40:21
I
1:40:21
think
1:40:21
he's
1:40:21
been
1:40:22
doing
1:40:22
that
1:40:22
earlier
1:40:23
than
1:40:23
we
1:40:24
met
1:40:24
him.
1:40:24
Oh,
1:40:25
for
1:40:25
sure.
1:40:25
But
1:40:26
it's
1:40:26
like
1:40:26
anytime
1:40:26
he
1:40:27
feels
1:40:27
like
1:40:27
he
1:40:27
did
1:40:27
something
1:40:28
good,
1:40:28
I'm
1:40:29
sure
1:40:29
verbally
1:40:29
he's
1:40:30
like,
1:40:30
but
1:40:30
remember
1:40:31
this
1:40:31
one
1:40:31
thing
1:40:31
he
1:40:31
did?
1:40:32
Yeah.
1:40:32
Remember
1:40:33
this
1:40:33
other
1:40:33
thing
1:40:33
you
1:40:33
did?
1:40:34
Like,
1:40:35
I
1:40:35
just
1:40:35
don't
1:40:35
think
1:40:35
that
1:40:36
he
1:40:37
allows
1:40:38
himself
1:40:38
to
1:40:39
like,
1:40:39
ever
1:40:40
feel
1:40:40
comfortable,
1:40:41
confident.
1:40:42
No,
1:40:43
I
1:40:43
don't
1:40:43
think
1:40:44
it's
1:40:44
ever
1:40:44
been
1:40:45
enough.
1:40:45
I
1:40:45
don't
1:40:45
think
1:40:45
he's
1:40:46
ever
1:40:46
like
1:40:47
gone
1:40:47
through
1:40:47
a
1:40:47
day
1:40:48
and
1:40:48
been
1:40:48
like,
1:40:48
I
1:40:49
did
1:40:49
good
1:40:49
today.
1:40:50
I
1:40:50
feel
1:40:50
satisfied.
1:40:51
That
1:40:52
inner
1:40:52
self
1:40:52
critic
1:40:53
in
1:40:53
him
1:40:54
is
1:40:55
so
1:40:55
loud
1:40:55
that
1:40:56
it
1:40:56
almost
1:40:56
takes
1:40:56
up
1:40:57
all
1:40:57
of
1:40:57
his
1:40:58
brain
1:40:58
space.
1:40:59
And
1:40:59
I
1:40:59
think
1:40:59
it's
1:41:00
this
1:41:01
makes
1:41:01
it
1:41:02
even
1:41:02
that
1:41:02
much
1:41:02
more
1:41:03
interesting
1:41:04
when
1:41:04
we
1:41:04
look
1:41:05
at
1:41:05
how
1:41:05
we
1:41:06
were
1:41:06
introduced
1:41:06
to
1:41:06
Eddie
1:41:07
with
1:41:07
that
1:41:07
veneer
1:41:08
of
1:41:09
competency
1:41:10
and
1:41:10
confidence.
1:41:11
And
1:41:12
like,
1:41:13
we're
1:41:13
seeing
1:41:14
now
1:41:14
with.
1:41:14
I
1:41:15
mean,
1:41:15
we
1:41:15
knew
1:41:15
it
1:41:15
was
1:41:16
a
1:41:16
mask,
1:41:17
Right?
1:41:17
But,
1:41:18
like,
1:41:18
it's
1:41:18
so
1:41:19
fascinating
1:41:20
to
1:41:20
see
1:41:20
how
1:41:21
shallow
1:41:21
that
1:41:22
mask
1:41:22
is
1:41:22
and
1:41:22
how
1:41:23
deep
1:41:23
everything
1:41:24
else
1:41:24
is
1:41:25
that
1:41:25
he's.
1:41:25
That
1:41:26
he's
1:41:26
trying
1:41:26
to
1:41:26
push
1:41:26
down
1:41:27
so
1:41:27
hard
1:41:28
because
1:41:29
it's
1:41:29
just,
1:41:29
like,
1:41:30
he
1:41:30
does
1:41:30
not
1:41:30
feel
1:41:31
this
1:41:31
in
1:41:31
the
1:41:31
slightest,
1:41:32
but
1:41:32
he.
1:41:33
But
1:41:33
he
1:41:33
puts
1:41:33
it
1:41:34
on
1:41:34
and
1:41:35
he
1:41:35
plays
1:41:35
the
1:41:35
part
1:41:36
because
1:41:36
that's
1:41:36
what's
1:41:37
expected
1:41:37
of
1:41:38
him.
1:41:38
And
1:41:40
it's
1:41:40
that
1:41:40
eldest
1:41:41
daughter
1:41:41
syndrome
1:41:42
for
1:41:42
real.
1:41:42
Making
1:41:43
sure,
1:41:43
like,
1:41:43
everything
1:41:45
outside
1:41:46
is,
1:41:46
you
1:41:46
know,
1:41:47
perfect,
1:41:47
being
1:41:48
successful
1:41:49
outwardly,
1:41:50
that
1:41:50
nothing
1:41:51
can
1:41:51
go
1:41:51
wrong.
1:41:52
Meanwhile,
1:41:53
you're,
1:41:53
like,
1:41:53
beating
1:41:54
yourself
1:41:54
up
1:41:55
internally.
1:41:57
Yeah.
1:41:57
I
1:41:58
think
1:41:58
the
1:41:58
closest.
1:41:58
And,
1:41:59
like,
1:41:59
we
1:41:59
don't
1:41:59
ever
1:41:59
see
1:42:00
this,
1:42:00
but
1:42:00
I
1:42:00
feel
1:42:01
like
1:42:01
the
1:42:01
closest
1:42:01
he
1:42:01
ever
1:42:02
comes
1:42:02
to,
1:42:02
like,
1:42:03
a
1:42:03
full
1:42:03
day
1:42:04
of
1:42:04
just,
1:42:04
like,
1:42:05
not
1:42:05
beating
1:42:06
himself
1:42:06
up
1:42:07
is,
1:42:07
like,
1:42:07
when
1:42:08
it's
1:42:08
just
1:42:08
him
1:42:09
and
1:42:09
Chris
1:42:10
for
1:42:10
a
1:42:10
whole
1:42:10
day
1:42:11
or
1:42:11
him
1:42:11
and
1:42:11
Buck
1:42:11
and
1:42:11
Chris
1:42:12
and
1:42:13
they're
1:42:13
doing
1:42:13
something
1:42:13
that
1:42:14
is
1:42:14
focused
1:42:15
on
1:42:15
Chris,
1:42:16
and,
1:42:16
like,
1:42:17
he's
1:42:17
really
1:42:17
happy,
1:42:18
and
1:42:18
then
1:42:18
he
1:42:18
can
1:42:18
just,
1:42:18
like,
1:42:19
not
1:42:19
think
1:42:19
about
1:42:20
it.
1:42:21
Also,
1:42:21
maybe
1:42:22
the
1:42:22
basketball
1:42:23
pickup
1:42:23
game
1:42:23
before
1:42:24
he
1:42:24
gets
1:42:24
injured.
1:42:24
Why
1:42:25
would
1:42:25
you.
1:42:26
He
1:42:26
looked
1:42:27
like
1:42:27
he
1:42:27
was
1:42:27
having
1:42:27
so
1:42:28
much
1:42:28
fun.
1:42:29
He
1:42:29
was.
1:42:29
Yeah.
1:42:29
Because
1:42:30
his
1:42:30
book
1:42:30
was
1:42:30
fun
1:42:30
and
1:42:31
fancy
1:42:31
free.
1:42:32
Yeah,
1:42:32
exactly.
1:42:33
And
1:42:33
then
1:42:33
his
1:42:33
book
1:42:33
did.
1:42:35
So
1:42:35
it
1:42:35
wasn't
1:42:35
a
1:42:36
full
1:42:36
day,
1:42:36
but
1:42:36
it
1:42:36
was
1:42:36
momentary.
1:42:37
Maybe.
1:42:38
How
1:42:38
did
1:42:38
you
1:42:38
get
1:42:38
him
1:42:38
to
1:42:38
come?
1:42:39
He
1:42:39
always
1:42:39
says
1:42:39
no.
1:42:40
What?
1:42:40
I
1:42:40
ask.
1:42:41
Yeah.
1:42:42
Oh,
1:42:42
my
1:42:42
God,
1:42:43
Eddie,
1:42:43
why
1:42:43
are
1:42:43
you
1:42:44
the
1:42:44
character.
1:42:44
The
1:42:45
most
1:42:45
character
1:42:45
ever?
1:42:46
Like,
1:42:46
the
1:42:47
best
1:42:47
character
1:42:48
of
1:42:48
all
1:42:48
time.
1:42:50
Anyway,
1:42:51
I
1:42:51
need
1:42:51
more
1:42:51
Eddie.
1:42:51
A
1:42:52
plot.
1:42:52
Yeah.
1:42:53
Yes,
1:42:53
please.
1:42:54
He's
1:42:55
so
1:42:55
interesting.
1:42:56
There's
1:42:56
so
1:42:56
much
1:42:57
to
1:42:57
do
1:42:57
with
1:42:58
him.
1:42:58
Because
1:42:58
you've
1:42:59
let
1:42:59
him
1:42:59
wallow
1:43:00
in
1:43:00
all
1:43:01
the.
1:43:02
For
1:43:02
so
1:43:02
long.
1:43:02
It's
1:43:03
still
1:43:03
there.
1:43:03
Like,
1:43:04
there's
1:43:04
still
1:43:05
so
1:43:05
much
1:43:05
of
1:43:05
that
1:43:05
to
1:43:06
dig
1:43:06
into,
1:43:06
and
1:43:06
it's
1:43:07
not
1:43:07
even.
1:43:07
That
1:43:07
far
1:43:07
under
1:43:07
the
1:43:08
surface.
1:43:08
It's.
1:43:08
It's
1:43:09
there.
1:43:11
This
1:43:11
has
1:43:11
been
1:43:12
a
1:43:12
evisceration
1:43:13
of
1:43:14
Amunda
1:43:14
Diaz's
1:43:15
psyche.
1:43:16
I
1:43:16
mean,
1:43:16
it's
1:43:16
not
1:43:17
our
1:43:17
fault.
1:43:19
The
1:43:19
episode
1:43:20
was.
1:43:21
Yeah,
1:43:21
it's
1:43:22
true.
1:43:23
But
1:43:23
it's
1:43:23
so
1:43:23
interesting.
1:43:25
All
1:43:25
right,
1:43:26
let's.
1:43:26
Let's.
1:43:27
Let's
1:43:27
talk
1:43:27
about
1:43:27
some
1:43:28
gay
1:43:28
stuff,
1:43:29
please.
1:43:29
My
1:43:30
God.
1:43:39
Okay.
1:43:40
All
1:43:40
right.
1:43:40
I'm
1:43:41
gonna
1:43:41
start
1:43:41
off
1:43:41
with
1:43:41
my
1:43:42
grasping
1:43:42
for
1:43:42
straws
1:43:43
things.
1:43:43
Love
1:43:43
it.
1:43:44
So,
1:43:44
like,
1:43:45
Rachel
1:43:46
was
1:43:46
talking
1:43:46
about
1:43:47
subverting
1:43:48
masculine
1:43:49
expectations
1:43:50
earlier,
1:43:50
and
1:43:50
I
1:43:50
went,
1:43:50
oh,
1:43:51
interesting.
1:43:52
About,
1:43:52
like,
1:43:53
at
1:43:53
the
1:43:53
ice
1:43:54
skating
1:43:54
rink
1:43:55
when,
1:43:55
like,
1:43:55
they
1:43:56
find,
1:43:56
like,
1:43:56
Bobby
1:43:56
reveals
1:43:57
that
1:43:57
he
1:43:57
was
1:43:58
a
1:43:58
champion
1:43:59
pairs
1:43:59
figure
1:44:00
skater,
1:44:00
and
1:44:02
Eddie
1:44:02
thought
1:44:02
he
1:44:02
was
1:44:02
just
1:44:03
a
1:44:03
hockey
1:44:03
player.
1:44:04
I
1:44:04
thought
1:44:04
you
1:44:04
Played
1:44:04
hockey,
1:44:05
and
1:44:05
he's
1:44:05
like,
1:44:05
you
1:44:06
can
1:44:06
do
1:44:06
both.
1:44:07
Walks
1:44:07
away
1:44:08
so.
1:44:08
Well,
1:44:09
first
1:44:09
of
1:44:09
all,
1:44:09
this
1:44:10
piece
1:44:10
of
1:44:10
lore
1:44:10
did
1:44:11
not
1:44:11
exist
1:44:11
then,
1:44:11
but,
1:44:11
like,
1:44:12
looking
1:44:12
at
1:44:13
that
1:44:13
now,
1:44:14
especially
1:44:15
knowing
1:44:15
that
1:44:15
Eddie.
1:44:16
Ballroom
1:44:17
dancing.
1:44:18
So
1:44:18
interesting.
1:44:19
So
1:44:20
interesting
1:44:21
because
1:44:21
he
1:44:21
does.
1:44:22
He
1:44:22
does
1:44:23
ballroom
1:44:23
dancing,
1:44:24
which
1:44:24
is
1:44:24
looked
1:44:24
at
1:44:24
as
1:44:24
more
1:44:25
of,
1:44:25
like,
1:44:25
a
1:44:25
feminine
1:44:25
thing.
1:44:26
And
1:44:26
he
1:44:27
also
1:44:27
does,
1:44:27
like,
1:44:28
what.
1:44:28
What
1:44:28
does
1:44:29
his
1:44:29
character
1:44:29
do?
1:44:29
It's
1:44:29
not
1:44:29
mma.
1:44:31
Thai.
1:44:32
Muay
1:44:32
Thai.
1:44:33
Yes.
1:44:33
You
1:44:34
know,
1:44:34
he
1:44:34
does
1:44:35
that
1:44:35
and
1:44:35
he
1:44:35
boxes.
1:44:36
He
1:44:36
does
1:44:36
all
1:44:37
these
1:44:37
masculine
1:44:37
things.
1:44:38
So
1:44:39
I
1:44:39
don't
1:44:39
know,
1:44:39
just
1:44:40
something
1:44:40
about
1:44:40
subverting
1:44:41
masculine
1:44:41
expectations.
1:44:42
And
1:44:42
like,
1:44:42
Eddie,
1:44:43
you
1:44:43
can
1:44:43
be
1:44:43
both.
1:44:43
You
1:44:43
can
1:44:44
be
1:44:44
masculine,
1:44:45
but
1:44:45
also
1:44:45
soft.
1:44:46
And
1:44:46
also.
1:44:47
And.
1:44:47
And
1:44:48
also
1:44:48
for
1:44:48
Buck,
1:44:48
like,
1:44:49
also
1:44:49
watch
1:44:49
telenovelas.
1:44:50
Yes,
1:44:51
both
1:44:51
is
1:44:51
good.
1:44:51
Yeah.
1:44:52
And
1:44:52
he
1:44:52
watches
1:44:52
telenovelas
1:44:53
too.
1:44:53
Exactly.
1:44:54
So,
1:44:54
like,
1:44:55
again,
1:44:55
Eddie
1:44:55
really
1:44:56
does
1:44:57
kind
1:44:57
of
1:44:57
exist
1:44:58
in
1:44:58
this
1:44:59
middle,
1:44:59
like.
1:45:00
Like
1:45:00
the
1:45:00
middle
1:45:01
of
1:45:01
a
1:45:01
Venn
1:45:01
diagram.
1:45:03
Right
1:45:04
in.
1:45:04
In
1:45:04
that.
1:45:04
And.
1:45:05
But
1:45:05
he.
1:45:06
But
1:45:06
so
1:45:06
often
1:45:06
he
1:45:07
feels
1:45:07
like
1:45:07
he
1:45:07
has
1:45:07
to
1:45:08
lean
1:45:08
one
1:45:09
way.
1:45:09
Oh,
1:45:09
yeah.
1:45:10
Thanks,
1:45:10
Ramon.
1:45:11
And
1:45:11
Helena,
1:45:12
I
1:45:13
hate
1:45:13
you
1:45:13
feeling
1:45:14
like.
1:45:14
He
1:45:14
has
1:45:14
to
1:45:14
perform.
1:45:17
But
1:45:17
also
1:45:18
this.
1:45:18
This
1:45:19
can
1:45:19
go
1:45:19
for
1:45:19
Buck,
1:45:19
too,
1:45:20
with,
1:45:20
like.
1:45:20
You
1:45:20
can
1:45:21
do
1:45:21
both.
1:45:21
Okay.
1:45:22
No.
1:45:22
Last
1:45:22
dose.
1:45:23
My
1:45:24
sexuality.
1:45:25
Sure.
1:45:26
I
1:45:26
think
1:45:26
I
1:45:27
specifically
1:45:27
glommed
1:45:27
on
1:45:28
to
1:45:28
Eddie
1:45:28
because.
1:45:28
Yeah,
1:45:29
that's
1:45:29
the
1:45:29
more
1:45:29
to
1:45:29
Eddie.
1:45:31
Exactly.
1:45:31
Then
1:45:31
we
1:45:31
have
1:45:31
that
1:45:32
whole
1:45:32
scene
1:45:32
with
1:45:32
Buck
1:45:33
and
1:45:33
Eddie
1:45:33
when
1:45:33
Eddie
1:45:34
pulls
1:45:34
up
1:45:34
in
1:45:34
his.
1:45:35
What
1:45:36
I
1:45:36
like
1:45:36
to
1:45:36
call
1:45:36
his
1:45:36
denial
1:45:37
truck.
1:45:39
Oh,
1:45:40
my
1:45:40
God.
1:45:41
How
1:45:42
have
1:45:42
we
1:45:42
not
1:45:42
been
1:45:43
saying
1:45:43
that
1:45:43
the
1:45:44
whole
1:45:44
time?
1:45:44
I
1:45:44
say
1:45:44
it
1:45:45
in
1:45:45
my
1:45:45
head.
1:45:45
No,
1:45:46
you
1:45:46
should.
1:45:46
You
1:45:47
should
1:45:47
have
1:45:47
said
1:45:47
that
1:45:47
out
1:45:48
loud,
1:45:48
like,
1:45:48
a
1:45:49
while
1:45:49
ago.
1:45:51
The
1:45:52
denial
1:45:52
truck.
1:45:54
I
1:45:54
love
1:45:54
that
1:45:55
there's.
1:45:55
So
1:45:55
what
1:45:55
is
1:45:55
he
1:45:56
denying?
1:45:56
So
1:45:56
many
1:45:57
things.
1:45:57
Everything.
1:45:58
So
1:45:58
many
1:45:59
things.
1:45:59
But
1:45:59
he
1:45:59
rolls
1:46:00
up
1:46:00
in
1:46:00
it,
1:46:00
and
1:46:00
Buck
1:46:00
is
1:46:01
like,
1:46:01
what
1:46:01
the
1:46:02
fuck
1:46:02
is
1:46:02
happening?
1:46:04
Like,
1:46:04
he's
1:46:04
making.
1:46:05
He's
1:46:05
making
1:46:05
the
1:46:05
small
1:46:06
talk,
1:46:06
and
1:46:06
he's
1:46:07
smiling,
1:46:07
but
1:46:08
he's,
1:46:09
like,
1:46:09
so
1:46:10
interesting.
1:46:11
Why
1:46:11
did
1:46:12
you
1:46:12
get
1:46:12
this?
1:46:13
He
1:46:13
says,
1:46:13
I
1:46:13
didn't
1:46:13
know
1:46:14
that
1:46:14
you
1:46:14
were
1:46:14
thinking
1:46:14
of
1:46:14
getting
1:46:15
a
1:46:15
new
1:46:15
car.
1:46:15
Turns
1:46:16
out
1:46:16
he
1:46:16
wasn't.
1:46:17
But
1:46:17
also,
1:46:17
I
1:46:17
had
1:46:17
a
1:46:18
flash
1:46:19
forward.
1:46:19
A
1:46:20
flash
1:46:20
forward
1:46:20
to
1:46:21
809.
1:46:23
Yes,
1:46:24
I
1:46:24
did,
1:46:24
too.
1:46:24
I
1:46:24
had
1:46:24
this,
1:46:25
like,
1:46:25
flash
1:46:25
forward,
1:46:26
but.
1:46:26
Eddie's
1:46:26
like,
1:46:27
I
1:46:27
didn't
1:46:27
know
1:46:27
you
1:46:27
were
1:46:28
thinking
1:46:28
about
1:46:28
adopting
1:46:28
a
1:46:29
dog.
1:46:29
It's
1:46:29
like,
1:46:29
because
1:46:30
they
1:46:30
tell
1:46:30
each
1:46:30
other
1:46:30
everything.
1:46:32
Like,
1:46:32
they
1:46:32
can't
1:46:32
make
1:46:33
major
1:46:33
life
1:46:33
decisions,
1:46:34
approach
1:46:34
each
1:46:34
other
1:46:35
without
1:46:35
consulting
1:46:36
the
1:46:36
other
1:46:36
person.
1:46:36
That's
1:46:37
married
1:46:37
behavior.
1:46:38
They
1:46:38
tell
1:46:38
each
1:46:38
other
1:46:38
everything.
1:46:39
Except
1:46:40
when
1:46:40
Eddie
1:46:40
doesn't
1:46:41
tell
1:46:41
Buck
1:46:41
about
1:46:42
the
1:46:42
big
1:46:42
stuff
1:46:43
that
1:46:43
he
1:46:44
should
1:46:44
absolutely.
1:46:44
Oh,
1:46:45
yeah.
1:46:45
Be
1:46:45
telling
1:46:45
Buck
1:46:46
about.
1:46:46
But
1:46:47
that's
1:46:47
not
1:46:47
usually
1:46:48
on
1:46:48
an
1:46:48
impulse
1:46:49
like
1:46:49
this,
1:46:50
which
1:46:50
is
1:46:50
why
1:46:51
it's
1:46:51
so
1:46:51
weird
1:46:52
in
1:46:52
Buck's
1:46:53
POV
1:46:54
Then
1:46:54
the
1:46:54
scene.
1:46:54
In
1:46:55
Buck's
1:46:55
kitchen
1:46:56
were
1:46:56
talking
1:46:56
about
1:46:57
hen,
1:46:57
like
1:46:58
his
1:46:58
chimney
1:46:58
is
1:46:58
like,
1:46:59
there's
1:46:59
something
1:46:59
going
1:47:00
on
1:47:00
with
1:47:00
her,
1:47:00
but
1:47:01
she
1:47:01
won't
1:47:01
talk
1:47:01
to
1:47:02
me.
1:47:02
And
1:47:03
Buck's
1:47:03
like,
1:47:04
yeah,
1:47:04
there's
1:47:04
something
1:47:04
definitely
1:47:04
going
1:47:05
on
1:47:05
with
1:47:05
her.
1:47:05
Eddie
1:47:06
too.
1:47:07
It's
1:47:07
like
1:47:08
purpose
1:47:08
of
1:47:08
nothing.
1:47:10
Do
1:47:10
you
1:47:11
think
1:47:11
it's
1:47:11
the
1:47:11
Santa
1:47:11
Ana?
1:47:12
Do
1:47:12
you
1:47:13
think
1:47:13
your
1:47:13
best
1:47:14
friend
1:47:14
purchased
1:47:15
a
1:47:15
$60,000
1:47:16
truck
1:47:17
because
1:47:17
of
1:47:17
the
1:47:17
Santa
1:47:18
Anna
1:47:18
winds?
1:47:20
He
1:47:20
just
1:47:20
really
1:47:21
wanted
1:47:21
to
1:47:21
talk
1:47:21
about.
1:47:22
He
1:47:22
didn't
1:47:23
really
1:47:23
want
1:47:23
to
1:47:23
talk
1:47:23
about
1:47:23
Eddie.
1:47:24
He
1:47:24
was,
1:47:24
it's
1:47:25
relatable.
1:47:25
He
1:47:25
was
1:47:25
looking
1:47:26
for
1:47:26
any
1:47:26
excuse.
1:47:27
So
1:47:27
then,
1:47:27
you
1:47:28
know,
1:47:28
chimney
1:47:29
basically
1:47:29
outs
1:47:30
Maddie.
1:47:30
Makes
1:47:30
her.
1:47:31
Oh,
1:47:31
my
1:47:32
God.
1:47:32
Yeah.
1:47:32
Makes
1:47:33
her,
1:47:33
you
1:47:33
know,
1:47:33
tell
1:47:34
that
1:47:34
story
1:47:35
and.
1:47:35
But
1:47:35
then
1:47:35
chimney's
1:47:36
like,
1:47:36
wait,
1:47:37
so
1:47:37
what's.
1:47:37
Going
1:47:37
on
1:47:38
with
1:47:38
Eddie?
1:47:39
Sammy
1:47:39
So,
1:47:39
so
1:47:40
confused
1:47:40
because
1:47:41
no
1:47:42
one
1:47:42
noticed
1:47:42
that
1:47:43
anything
1:47:43
was
1:47:43
off
1:47:43
about
1:47:44
Eddie
1:47:44
other
1:47:44
than
1:47:45
Buck.
1:47:45
That's
1:47:46
so
1:47:46
true.
1:47:48
Not
1:47:48
even
1:47:48
bobby.
1:47:49
Everyone
1:47:49
noticed
1:47:50
10.
1:47:51
Yeah,
1:47:52
everyone
1:47:52
clocked
1:47:52
that
1:47:53
because
1:47:53
she
1:47:53
visibly.
1:47:54
Wasn'T
1:47:54
the
1:47:54
same
1:47:55
at
1:47:55
work.
1:47:55
But
1:47:55
like,
1:47:55
Eddie
1:47:56
is
1:47:56
so
1:47:56
good
1:47:56
at
1:47:57
his
1:47:57
masks.
1:47:58
Yeah.
1:47:58
His
1:47:58
neat
1:47:59
little
1:47:59
masks.
1:48:00
So
1:48:00
he
1:48:00
was
1:48:00
completely
1:48:01
the
1:48:01
same
1:48:01
at
1:48:01
work.
1:48:01
It's
1:48:02
how.
1:48:02
It's
1:48:02
like
1:48:03
how
1:48:03
Bobby
1:48:03
describes
1:48:03
him.
1:48:04
Oh,
1:48:04
you're
1:48:04
the
1:48:04
guy
1:48:04
who
1:48:04
always,
1:48:05
like,
1:48:05
seems
1:48:05
to
1:48:06
keep
1:48:06
it
1:48:06
together.
1:48:06
Exactly.
1:48:07
Keyword
1:48:08
seems.
1:48:09
Exactly.
1:48:09
But
1:48:09
it's
1:48:09
also
1:48:10
so
1:48:10
interesting
1:48:10
too
1:48:11
that
1:48:11
nobody
1:48:11
else
1:48:11
noticed
1:48:12
because,
1:48:12
like
1:48:13
what
1:48:13
we
1:48:13
were
1:48:13
talking
1:48:13
about
1:48:13
with
1:48:14
Eddie,
1:48:14
he's
1:48:14
just
1:48:15
like,
1:48:15
his
1:48:15
eyes
1:48:16
are
1:48:16
half
1:48:16
masked.
1:48:16
He's
1:48:17
got
1:48:17
no
1:48:17
light
1:48:18
in
1:48:18
them.
1:48:18
He's
1:48:19
just
1:48:19
like,
1:48:19
you
1:48:20
know,
1:48:20
a
1:48:20
little
1:48:20
short
1:48:21
tempered
1:48:22
and
1:48:22
just
1:48:22
like
1:48:23
a
1:48:23
little
1:48:23
dodgy
1:48:23
with
1:48:24
things.
1:48:24
And
1:48:24
nobody
1:48:25
noticed
1:48:25
except
1:48:26
for
1:48:26
Buck.
1:48:26
Like,
1:48:26
that's
1:48:26
not
1:48:27
like
1:48:27
you
1:48:27
at
1:48:27
all.
1:48:28
Yes,
1:48:29
that's
1:48:29
what
1:48:29
I
1:48:29
wanted
1:48:29
to
1:48:30
talk
1:48:30
about
1:48:30
too.
1:48:30
He
1:48:31
noticed
1:48:31
because
1:48:31
of
1:48:32
like
1:48:32
the
1:48:32
truck,
1:48:32
obviously.
1:48:33
He
1:48:33
was
1:48:33
like,
1:48:34
that's
1:48:34
a
1:48:34
big
1:48:34
red
1:48:34
spot.
1:48:35
That's
1:48:35
not
1:48:35
like
1:48:35
you.
1:48:36
That's
1:48:36
not
1:48:37
impulsive,
1:48:38
Eddie.
1:48:40
But
1:48:40
I
1:48:40
also
1:48:40
think
1:48:40
he
1:48:40
was
1:48:41
flashing
1:48:41
back
1:48:41
to
1:48:41
like
1:48:42
a
1:48:42
couple
1:48:42
other
1:48:42
things,
1:48:43
including,
1:48:43
like
1:48:43
the
1:48:44
bruises.
1:48:44
Yes,
1:48:45
the
1:48:45
bruises.
1:48:46
And
1:48:47
when
1:48:47
they
1:48:48
hug,
1:48:49
he
1:48:49
gave
1:48:49
him
1:48:49
that
1:48:49
look
1:48:50
that
1:48:50
he
1:48:50
was
1:48:50
like,
1:48:51
why
1:48:52
are
1:48:52
you
1:48:52
in
1:48:52
pain
1:48:52
from
1:48:53
a
1:48:53
hug?
1:48:53
What
1:48:53
is
1:48:53
happening?
1:48:54
Why
1:48:54
did
1:48:54
you
1:48:54
cringe
1:48:54
back
1:48:55
from
1:48:55
our
1:48:55
very
1:48:55
lovely
1:48:56
super
1:48:56
bro
1:48:57
hug?
1:48:59
Why
1:49:00
do
1:49:00
you
1:49:00
hate
1:49:00
me,
1:49:00
bro?
1:49:02
Why
1:49:02
do
1:49:02
you
1:49:02
hate
1:49:02
me?
1:49:03
You
1:49:03
want
1:49:03
me
1:49:03
dead?
1:49:03
Why
1:49:03
didn't
1:49:04
you
1:49:04
want
1:49:04
to
1:49:04
hug
1:49:04
longer
1:49:05
when
1:49:05
we
1:49:05
were
1:49:05
making
1:49:05
up
1:49:06
after
1:49:06
our
1:49:06
divorce?
1:49:07
And
1:49:07
then
1:49:07
you
1:49:07
looked
1:49:08
like
1:49:08
you
1:49:08
were
1:49:08
in
1:49:08
pain.
1:49:10
Yeah,
1:49:10
I
1:49:10
think
1:49:10
he's
1:49:10
really
1:49:11
connecting
1:49:11
the
1:49:11
dots
1:49:12
of
1:49:12
like,
1:49:13
there's
1:49:14
something
1:49:14
to
1:49:14
miss
1:49:14
here.
1:49:14
He
1:49:15
is
1:49:15
not.
1:49:16
He
1:49:16
is
1:49:17
not
1:49:17
himself.
1:49:19
Something's
1:49:19
going
1:49:19
on,
1:49:20
but
1:49:20
he
1:49:20
doesn't
1:49:21
like.
1:49:21
He
1:49:21
has
1:49:21
no
1:49:21
idea
1:49:22
what,
1:49:22
but
1:49:22
he
1:49:22
Knows
1:49:22
that
1:49:22
something's
1:49:23
up.
1:49:23
And
1:49:24
that's
1:49:24
just
1:49:24
such
1:49:24
a.
1:49:25
Like
1:49:25
when
1:49:26
you're
1:49:26
part
1:49:26
partners,
1:49:27
romantic
1:49:28
partners.
1:49:28
With
1:49:28
someone.
1:49:30
You,
1:49:31
you
1:49:31
should,
1:49:31
if
1:49:31
it's
1:49:32
like
1:49:32
a
1:49:32
healthy
1:49:32
relationship,
1:49:33
know
1:49:33
them
1:49:34
better
1:49:34
than
1:49:34
anyone
1:49:35
else.
1:49:35
Like
1:49:35
you
1:49:35
know
1:49:35
them
1:49:36
better
1:49:36
than
1:49:36
their
1:49:36
best
1:49:36
friend.
1:49:36
You
1:49:37
know
1:49:37
them
1:49:37
better
1:49:37
than
1:49:37
their
1:49:37
family.
1:49:38
Inside
1:49:39
and
1:49:39
out.
1:49:39
Yeah,
1:49:40
inside
1:49:40
and
1:49:40
out.
1:49:40
So
1:49:41
you
1:49:41
will
1:49:41
pick
1:49:41
up
1:49:41
on
1:49:41
little
1:49:42
things
1:49:42
that
1:49:42
other
1:49:42
people
1:49:43
won't.
1:49:43
Okay,
1:49:44
so
1:49:45
back
1:49:45
to
1:49:46
the
1:49:46
ice
1:49:47
skating
1:49:47
pile
1:49:48
up.
1:49:48
The
1:49:49
cold
1:49:49
opens
1:49:49
for
1:49:50
this
1:49:50
kind
1:49:50
of
1:49:50
stuff
1:49:51
are
1:49:51
so
1:49:51
interesting
1:49:51
because
1:49:52
it
1:49:52
actually
1:49:52
like
1:49:53
gives
1:49:53
you
1:49:53
so
1:49:53
much
1:49:54
in
1:49:54
there.
1:49:54
So
1:49:55
you
1:49:55
have
1:49:56
the
1:49:56
two
1:49:57
skaters
1:49:58
who
1:49:58
are
1:49:58
playing
1:49:59
Hansel
1:49:59
and
1:50:00
Gretel.
1:50:01
I
1:50:01
don't
1:50:01
remember
1:50:01
their
1:50:02
names.
1:50:02
They're
1:50:03
obvious.
1:50:03
They
1:50:04
were
1:50:04
in
1:50:04
a
1:50:04
relationship.
1:50:05
They
1:50:05
were
1:50:05
breaking.
1:50:06
They
1:50:06
were
1:50:06
currently
1:50:06
in
1:50:07
the
1:50:07
process
1:50:07
of
1:50:07
breaking
1:50:08
up.
1:50:08
Which
1:50:09
also
1:50:09
like,
1:50:10
who
1:50:10
else
1:50:10
have
1:50:10
we
1:50:11
seen
1:50:11
have
1:50:12
a.
1:50:12
Have
1:50:13
a
1:50:13
divorce
1:50:13
slash
1:50:13
breakup
1:50:14
in
1:50:15
this.
1:50:15
Season
1:50:15
because
1:50:15
they
1:50:16
wanted
1:50:16
to
1:50:16
let
1:50:16
go.
1:50:17
Let.
1:50:17
Let
1:50:17
them
1:50:18
do
1:50:18
something.
1:50:19
You
1:50:19
know
1:50:19
what
1:50:19
I
1:50:19
mean?
1:50:20
Yeah.
1:50:20
So
1:50:20
that's
1:50:20
part
1:50:21
of
1:50:21
it
1:50:21
too.
1:50:21
So
1:50:22
when
1:50:22
they
1:50:23
are
1:50:23
fighting
1:50:24
and
1:50:24
breaking
1:50:25
up
1:50:25
and
1:50:25
just
1:50:26
like
1:50:26
having
1:50:27
a
1:50:27
literal
1:50:27
lover's
1:50:28
spat,
1:50:28
it's
1:50:29
the,
1:50:29
the,
1:50:30
the
1:50:30
witch
1:50:31
Randy
1:50:31
again
1:50:32
who
1:50:32
is
1:50:33
hilarious
1:50:34
and
1:50:34
just
1:50:34
says,
1:50:35
you
1:50:35
two
1:50:35
are
1:50:35
exhausting.
1:50:37
Where
1:50:37
have
1:50:37
we
1:50:38
heard
1:50:38
that
1:50:39
before?
1:50:40
Except
1:50:41
it's
1:50:41
a
1:50:42
direct
1:50:42
callback
1:50:43
to
1:50:43
the
1:50:44
grocery
1:50:44
store
1:50:44
fight
1:50:45
with
1:50:45
Buck
1:50:45
and
1:50:45
Eddie
1:50:46
because
1:50:46
Eddie
1:50:47
called
1:50:47
Buck.
1:50:48
Eddie
1:50:48
said,
1:50:49
you're
1:50:49
exhausting
1:50:50
to
1:50:50
Buck.
1:50:51
So
1:50:51
you
1:50:52
have
1:50:52
the
1:50:53
use
1:50:53
of.
1:50:54
Of
1:50:54
this
1:50:54
same
1:50:55
phrasing
1:50:55
here
1:50:56
in
1:50:56
relation
1:50:57
to
1:50:57
an
1:50:58
actual
1:50:58
romantic
1:50:59
couple
1:51:00
going
1:51:00
through
1:51:00
a
1:51:00
breakup.
1:51:01
And
1:51:02
the
1:51:02
same
1:51:03
stuff
1:51:03
was
1:51:03
said.
1:51:04
Like
1:51:05
it.
1:51:05
It
1:51:06
absolutely
1:51:07
recontextualizes
1:51:08
the
1:51:09
grocery
1:51:09
store
1:51:10
scene
1:51:11
as
1:51:11
romantic
1:51:12
too.
1:51:13
Like
1:51:13
no
1:51:13
if,
1:51:14
ands
1:51:14
or
1:51:15
buts
1:51:15
about
1:51:15
it.
1:51:16
And
1:51:16
then
1:51:17
they're
1:51:18
also
1:51:18
talking
1:51:18
about
1:51:19
how
1:51:20
the
1:51:20
skater
1:51:20
who
1:51:20
plays
1:51:20
Gretel
1:51:21
is
1:51:21
Hansel's
1:51:22
partner.
1:51:22
Like
1:51:22
they
1:51:23
wanted
1:51:23
to
1:51:23
be
1:51:23
partners
1:51:24
and,
1:51:24
and
1:51:25
he,
1:51:25
he
1:51:26
was
1:51:26
breaking
1:51:26
up
1:51:26
with
1:51:26
her
1:51:27
because
1:51:27
he
1:51:28
wanted
1:51:28
her
1:51:29
so
1:51:29
like
1:51:29
you
1:51:30
said,
1:51:30
to
1:51:30
live
1:51:30
her
1:51:31
dream.
1:51:32
But
1:51:32
her,
1:51:33
her
1:51:33
of
1:51:34
being
1:51:34
on
1:51:34
Disney
1:51:35
on
1:51:35
Ice.
1:51:36
But
1:51:36
she
1:51:37
was
1:51:37
kind
1:51:38
of.
1:51:38
She
1:51:38
was
1:51:38
kind
1:51:38
of
1:51:38
giving
1:51:39
it
1:51:39
up
1:51:40
because
1:51:40
that's
1:51:40
not
1:51:40
her
1:51:41
dream.
1:51:41
Her
1:51:41
dream
1:51:41
is
1:51:42
to
1:51:42
be
1:51:42
with
1:51:43
her
1:51:43
partner,
1:51:44
the
1:51:44
guy
1:51:44
who
1:51:44
plays
1:51:45
Hansel.
1:51:46
Which
1:51:47
is
1:51:47
also
1:51:47
very
1:51:48
similar
1:51:48
to
1:51:48
Buck
1:51:49
giving
1:51:49
up
1:51:49
the
1:51:49
settlement
1:51:50
to
1:51:51
stay
1:51:51
with
1:51:51
the
1:51:51
118
1:51:52
and
1:51:52
Eddie
1:51:53
as
1:51:53
his
1:51:53
partner.
1:51:54
Like
1:51:54
he
1:51:54
doesn't.
1:51:55
He.
1:51:55
He
1:51:55
wants
1:51:56
to
1:51:56
continue
1:51:57
on
1:51:57
with
1:51:57
his
1:51:57
dream
1:51:58
with
1:51:59
the
1:51:59
people
1:51:59
that
1:52:00
he
1:52:00
loves.
1:52:00
Specifically
1:52:01
Eddie
1:52:01
as
1:52:01
his
1:52:02
partner.
1:52:02
There's
1:52:02
a
1:52:02
lot
1:52:02
of
1:52:02
emphasis
1:52:03
on
1:52:03
partner
1:52:04
here
1:52:04
in
1:52:05
platonic
1:52:06
for
1:52:06
like
1:52:06
chim
1:52:07
and
1:52:07
hen.
1:52:09
But
1:52:09
then
1:52:09
you
1:52:09
also
1:52:09
have
1:52:10
romantic
1:52:10
partners
1:52:11
like
1:52:11
Chimney
1:52:12
and
1:52:12
Maddie
1:52:13
and
1:52:13
Bobby
1:52:13
and
1:52:13
Athena.
1:52:14
And
1:52:15
a
1:52:15
lot
1:52:15
of
1:52:16
that
1:52:16
parallels
1:52:18
Eddie
1:52:19
being
1:52:19
romantic
1:52:20
partners.
1:52:21
That's
1:52:21
All
1:52:21
I
1:52:21
had
1:52:22
about
1:52:22
that.
1:52:22
But
1:52:23
the.
1:52:23
You
1:52:23
two
1:52:23
are
1:52:23
exhausting.
1:52:24
Like,
1:52:24
come
1:52:24
on.
1:52:25
I
1:52:26
don't
1:52:26
know
1:52:26
why
1:52:26
I
1:52:26
didn't.
1:52:27
I.
1:52:27
At.
1:52:27
When
1:52:27
I
1:52:28
watched
1:52:28
it,
1:52:28
I
1:52:28
didn't
1:52:29
connect
1:52:29
it
1:52:29
to
1:52:29
the.
1:52:30
Your
1:52:30
exhausting
1:52:31
scene,
1:52:31
but
1:52:31
I
1:52:31
was
1:52:31
just
1:52:32
like,
1:52:32
wow,
1:52:32
I
1:52:33
feel
1:52:33
like
1:52:33
I've
1:52:33
seen
1:52:33
this
1:52:34
fight
1:52:34
before.
1:52:35
I've
1:52:35
seen
1:52:35
this
1:52:35
film
1:52:36
before.
1:52:36
Because
1:52:36
you
1:52:37
did.
1:52:38
So
1:52:39
interesting.
1:52:40
Because
1:52:41
just
1:52:41
to
1:52:41
bounce
1:52:41
off
1:52:41
of
1:52:42
what
1:52:42
Rachel
1:52:42
was
1:52:42
just
1:52:42
talking
1:52:43
about,
1:52:43
she
1:52:44
says
1:52:44
you
1:52:44
broke
1:52:44
up
1:52:44
with
1:52:45
me
1:52:45
so
1:52:45
I
1:52:45
wouldn't
1:52:45
turn
1:52:46
down
1:52:46
the
1:52:46
job.
1:52:47
What
1:52:47
does
1:52:47
that
1:52:47
sound
1:52:48
like?
1:52:48
If
1:52:48
you
1:52:49
need
1:52:49
to
1:52:49
be
1:52:49
pissed
1:52:49
at
1:52:49
me
1:52:50
to
1:52:50
make
1:52:50
this
1:52:50
easier
1:52:50
for
1:52:51
you,
1:52:51
then
1:52:51
be
1:52:51
pissed
1:52:52
off.
1:52:52
Yep.
1:52:53
Oh,
1:52:54
my
1:52:54
God.
1:52:55
Same
1:52:55
energy.
1:52:56
Also
1:52:57
the
1:52:57
same
1:52:58
energy
1:52:58
as,
1:52:58
like,
1:52:59
trying
1:52:59
to,
1:53:00
you
1:53:00
know,
1:53:01
selflessly
1:53:02
remove
1:53:02
obstacles
1:53:03
from
1:53:03
your
1:53:03
romantic
1:53:04
partner's
1:53:04
life,
1:53:05
even
1:53:05
if
1:53:06
that
1:53:06
obstacle
1:53:06
is
1:53:07
you.
1:53:08
Jesus.
1:53:09
That's
1:53:09
a
1:53:10
great
1:53:10
way
1:53:10
to
1:53:10
put
1:53:10
it.
1:53:11
You
1:53:11
know,
1:53:11
so
1:53:12
like
1:53:12
this.
1:53:13
In
1:53:13
this
1:53:13
case,
1:53:13
it
1:53:14
was
1:53:14
her
1:53:15
career
1:53:15
ambition.
1:53:16
But,
1:53:16
you
1:53:17
know,
1:53:17
with
1:53:17
Buck
1:53:17
and
1:53:18
Eddie
1:53:18
in
1:53:18
season
1:53:18
eight,
1:53:19
it's.
1:53:20
The
1:53:20
obstacle
1:53:21
is
1:53:21
that,
1:53:21
you
1:53:22
know,
1:53:22
Eddie
1:53:22
needs
1:53:22
to
1:53:23
sublet
1:53:24
the
1:53:24
house,
1:53:24
his
1:53:25
house,
1:53:25
so
1:53:25
that
1:53:25
he
1:53:26
can
1:53:26
go
1:53:26
be
1:53:26
with
1:53:26
Christopher
1:53:27
because
1:53:27
he
1:53:27
needs
1:53:27
to
1:53:27
do
1:53:27
that,
1:53:28
because
1:53:28
that's
1:53:28
where
1:53:28
he
1:53:28
belongs.
1:53:30
And,
1:53:30
you
1:53:31
know,
1:53:31
Buck
1:53:32
does
1:53:32
that.
1:53:33
So
1:53:33
interesting.
1:53:34
It's
1:53:35
like
1:53:35
this.
1:53:35
This
1:53:36
sacrifice
1:53:37
or
1:53:38
romantic
1:53:39
partners,
1:53:39
which
1:53:39
I
1:53:40
don't
1:53:40
think
1:53:40
I
1:53:40
really
1:53:40
talked
1:53:41
about
1:53:41
in
1:53:41
themes,
1:53:41
but.
1:53:42
But
1:53:42
sacrifice
1:53:43
I
1:53:43
think
1:53:44
was.
1:53:44
I
1:53:44
think
1:53:45
I
1:53:45
was
1:53:45
grasping
1:53:45
at
1:53:45
straws.
1:53:46
But
1:53:46
it,
1:53:46
like,
1:53:46
makes
1:53:46
more
1:53:47
sense
1:53:47
in
1:53:48
this
1:53:48
context
1:53:49
with.
1:53:49
With
1:53:50
what
1:53:50
you.
1:53:50
I
1:53:51
think
1:53:51
I
1:53:51
mentioned
1:53:51
it
1:53:52
a
1:53:52
little
1:53:52
bit,
1:53:52
but,
1:53:52
like,
1:53:52
specifically
1:53:53
sacrificing
1:53:53
things
1:53:54
for.
1:53:55
For
1:53:56
your
1:53:56
partners,
1:53:57
your
1:53:57
romantic
1:53:57
partners
1:53:59
in.
1:54:00
In
1:54:00
the
1:54:00
context
1:54:01
like
1:54:01
this,
1:54:02
like,
1:54:03
that's.
1:54:03
That's
1:54:04
something.
1:54:06
So
1:54:06
interesting
1:54:07
for
1:54:07
them
1:54:07
to.
1:54:07
Just.
1:54:08
To
1:54:08
continue
1:54:08
paralleling
1:54:10
so
1:54:10
many
1:54:10
people
1:54:10
who
1:54:10
are
1:54:11
romantically
1:54:11
with
1:54:12
each
1:54:12
other
1:54:13
could
1:54:13
mean
1:54:14
nothing.
1:54:15
So.
1:54:15
Sure.
1:54:16
Just
1:54:16
for
1:54:16
kicks
1:54:16
and
1:54:17
gigs,
1:54:18
technically,
1:54:19
we.
1:54:19
Already
1:54:19
talked
1:54:19
about
1:54:20
this
1:54:20
when
1:54:21
I
1:54:21
was
1:54:21
talking
1:54:21
about,
1:54:21
like,
1:54:21
how
1:54:22
interesting
1:54:22
the
1:54:23
conversation
1:54:23
in
1:54:23
the
1:54:23
bedroom
1:54:24
was.
1:54:25
The.
1:54:25
The
1:54:26
Henren
1:54:26
and
1:54:26
Buddy
1:54:27
parallels
1:54:27
with
1:54:27
dealing
1:54:28
with
1:54:28
grief
1:54:28
between
1:54:29
this
1:54:29
and
1:54:29
817.
1:54:30
We
1:54:30
didn't
1:54:31
talk
1:54:31
about
1:54:31
it
1:54:31
in
1:54:31
a
1:54:31
romantic
1:54:32
context.
1:54:32
Dealing
1:54:33
with
1:54:33
grief
1:54:33
and
1:54:33
how
1:54:33
you
1:54:34
process
1:54:34
that
1:54:34
as
1:54:35
a
1:54:35
couple.
1:54:35
Yeah,
1:54:35
we
1:54:36
talked
1:54:36
about
1:54:36
it
1:54:36
in.
1:54:36
In,
1:54:37
like,
1:54:37
a
1:54:37
more
1:54:37
general,
1:54:37
brief
1:54:38
way,
1:54:39
but
1:54:39
just
1:54:39
also
1:54:40
the
1:54:40
fact
1:54:40
that
1:54:40
it
1:54:41
was
1:54:41
Hen
1:54:42
and
1:54:42
Kieran
1:54:42
who
1:54:42
are
1:54:43
romantic
1:54:44
and
1:54:45
how
1:54:45
similarly
1:54:46
that
1:54:46
they're
1:54:47
literally
1:54:47
married
1:54:49
and
1:54:49
how
1:54:49
similarly
1:54:50
that
1:54:50
lines
1:54:50
up
1:54:51
with
1:54:51
817,
1:54:52
which,
1:54:52
again,
1:54:52
we.
1:54:53
We
1:54:53
have
1:54:53
said
1:54:54
that
1:54:54
kitchen
1:54:55
fight.
1:54:55
We've
1:54:56
said
1:54:56
that
1:54:56
is
1:54:56
a
1:54:57
married
1:54:57
couple
1:54:58
having.
1:54:59
Having
1:54:59
a
1:55:00
dispute.
1:55:00
Marital.
1:55:02
Marital
1:55:02
dispute.
1:55:03
Yeah.
1:55:04
And
1:55:04
it's.
1:55:04
I
1:55:04
think
1:55:05
it's
1:55:05
very
1:55:05
normal
1:55:06
when
1:55:06
you
1:55:06
are
1:55:06
grieving
1:55:07
together
1:55:07
as
1:55:07
a
1:55:08
couple.
1:55:08
Something
1:55:09
for
1:55:09
there
1:55:09
to
1:55:10
be
1:55:10
A
1:55:10
lot
1:55:10
of
1:55:10
tension
1:55:10
there
1:55:11
because
1:55:11
everyone
1:55:11
grieves
1:55:12
differently.
1:55:12
And
1:55:13
it's
1:55:13
very
1:55:13
rare,
1:55:14
I
1:55:14
feel
1:55:14
like,
1:55:15
that
1:55:15
people
1:55:16
dating
1:55:16
each
1:55:16
other,
1:55:18
married
1:55:18
to
1:55:18
each
1:55:18
other,
1:55:19
grieve
1:55:19
the
1:55:19
exact
1:55:20
same
1:55:20
way.
1:55:21
So
1:55:22
there's
1:55:22
gonna
1:55:22
be
1:55:22
a
1:55:23
lot
1:55:23
of
1:55:23
just,
1:55:23
like,
1:55:24
layered
1:55:24
emotion,
1:55:25
some
1:55:26
resentment
1:55:26
towards
1:55:26
each
1:55:26
other
1:55:27
because
1:55:28
one
1:55:28
perceives
1:55:28
the
1:55:29
other
1:55:29
is
1:55:29
not
1:55:30
as
1:55:30
sad
1:55:30
as
1:55:31
they
1:55:31
are.
1:55:32
And
1:55:32
it
1:55:32
has
1:55:33
similar
1:55:33
beats
1:55:33
too,
1:55:34
right?
1:55:34
Because,
1:55:35
like,
1:55:35
we
1:55:35
see
1:55:35
Eddie
1:55:36
and
1:55:36
817
1:55:37
talking
1:55:37
to
1:55:38
hen
1:55:39
and
1:55:39
Karen,
1:55:39
the
1:55:40
actual
1:55:40
married
1:55:40
couple.
1:55:41
Oh,
1:55:41
yeah.
1:55:41
And
1:55:42
then
1:55:42
here
1:55:42
we
1:55:42
have
1:55:43
Hen
1:55:43
talking
1:55:44
to
1:55:44
Athena
1:55:44
and
1:55:45
talking
1:55:45
about
1:55:45
how
1:55:45
she's
1:55:45
worried
1:55:46
and
1:55:46
frustrated
1:55:46
and
1:55:47
exhausted
1:55:47
and
1:55:48
I
1:55:48
mean,
1:55:48
so
1:55:49
of
1:55:49
course
1:55:49
the
1:55:49
conversations
1:55:50
are
1:55:50
very
1:55:51
different
1:55:51
because,
1:55:51
like,
1:55:51
Eddie
1:55:52
is
1:55:52
keeping
1:55:52
it
1:55:52
a
1:55:53
little
1:55:53
bit
1:55:53
more
1:55:53
close
1:55:53
to
1:55:53
the
1:55:54
chest
1:55:54
as
1:55:54
opposed
1:55:54
to,
1:55:55
like,
1:55:55
how,
1:55:55
like,
1:55:56
Hen
1:55:56
is
1:55:57
more
1:55:57
comfortable
1:55:57
to
1:55:58
speak
1:55:58
about
1:55:58
it,
1:55:59
which
1:55:59
really
1:55:59
is.
1:56:00
Because
1:56:00
at
1:56:00
the
1:56:00
end
1:56:01
of
1:56:01
the
1:56:01
day,
1:56:01
they're
1:56:01
not
1:56:01
actually
1:56:02
in
1:56:02
that.
1:56:03
In
1:56:03
that
1:56:04
level,
1:56:04
that
1:56:04
stage
1:56:05
of
1:56:05
that
1:56:05
relation,
1:56:06
you
1:56:06
know,
1:56:06
in
1:56:06
their
1:56:07
relationship.
1:56:07
They're
1:56:08
not
1:56:08
married,
1:56:08
even
1:56:09
though
1:56:09
we
1:56:09
all
1:56:09
know
1:56:11
you
1:56:12
might
1:56:12
as
1:56:12
well
1:56:12
be.
1:56:12
That
1:56:13
is
1:56:13
married
1:56:13
coded.
1:56:14
They're
1:56:14
married
1:56:15
coded.
1:56:15
So,
1:56:15
like,
1:56:16
and
1:56:16
that.
1:56:16
And
1:56:16
that's
1:56:17
where,
1:56:17
you
1:56:17
know,
1:56:18
what
1:56:18
is
1:56:18
it?
1:56:18
Oh,
1:56:19
my
1:56:19
nurse
1:56:19
has
1:56:20
said
1:56:20
they
1:56:20
act.
1:56:20
Like
1:56:20
a
1:56:21
couple,
1:56:23
which
1:56:23
is.
1:56:24
I
1:56:24
feel
1:56:24
like
1:56:24
when
1:56:24
Karen
1:56:25
asks
1:56:25
him,
1:56:26
oh,
1:56:26
you're
1:56:26
worried
1:56:27
about
1:56:27
Buck's
1:56:28
level
1:56:28
of
1:56:29
worry.
1:56:29
It's
1:56:29
like,
1:56:30
you
1:56:30
know,
1:56:30
like
1:56:30
side
1:56:31
eye
1:56:31
eyebrow
1:56:32
raising.
1:56:33
Like,
1:56:33
how
1:56:34
interesting.
1:56:34
Yeah,
1:56:35
yeah,
1:56:36
please
1:56:36
say
1:56:36
more.
1:56:37
Even
1:56:37
though
1:56:37
we
1:56:37
know
1:56:38
that
1:56:38
he
1:56:38
wasn't
1:56:38
going
1:56:38
to
1:56:38
say,
1:56:40
honestly,
1:56:41
Hen
1:56:41
kind
1:56:41
of
1:56:42
saves
1:56:42
him
1:56:42
from
1:56:42
saving,
1:56:43
from
1:56:43
having
1:56:43
to
1:56:44
say
1:56:44
more.
1:56:45
Yeah,
1:56:45
shouldn't
1:56:46
have
1:56:46
done
1:56:46
that.
1:56:47
Shouldn't
1:56:47
have
1:56:47
done
1:56:47
that.
1:56:48
But
1:56:48
that
1:56:48
is
1:56:48
such
1:56:48
an
1:56:48
interesting
1:56:49
parallel
1:56:49
that
1:56:50
like,
1:56:50
to
1:56:50
extend
1:56:51
it.
1:56:51
Talk
1:56:51
to
1:56:52
someone
1:56:52
else
1:56:52
about
1:56:52
the,
1:56:53
the
1:56:53
grief.
1:56:53
Yeah,
1:56:54
right.
1:56:54
And
1:56:55
not
1:56:55
just
1:56:55
their
1:56:55
own
1:56:56
grief,
1:56:56
but
1:56:56
the,
1:56:57
the
1:56:57
grief
1:56:57
of
1:56:57
their
1:56:58
partner
1:56:58
and
1:56:58
how
1:56:58
the
1:56:58
grief
1:56:59
of
1:56:59
their
1:56:59
partner
1:56:59
is
1:57:00
affecting
1:57:00
them.
1:57:02
And
1:57:02
then
1:57:03
after
1:57:04
having
1:57:04
that
1:57:04
talk,
1:57:04
went
1:57:05
to
1:57:05
talk
1:57:05
to
1:57:05
their
1:57:06
partner
1:57:06
to
1:57:07
try
1:57:07
and
1:57:07
talk
1:57:07
to
1:57:07
them
1:57:07
about
1:57:08
their
1:57:08
grief,
1:57:09
and
1:57:09
it
1:57:09
goes
1:57:10
horribly.
1:57:13
Yeah.
1:57:13
And
1:57:14
there
1:57:14
ends
1:57:14
up
1:57:14
being
1:57:14
more
1:57:15
resentment
1:57:15
at
1:57:15
the
1:57:16
end
1:57:16
of
1:57:16
conversation
1:57:17
than
1:57:17
there
1:57:17
was
1:57:17
at
1:57:17
the
1:57:17
beginning.
1:57:18
That's
1:57:18
so
1:57:19
clever
1:57:19
of
1:57:20
you
1:57:20
to,
1:57:20
like,
1:57:21
realize,
1:57:21
to
1:57:22
broaden
1:57:22
the
1:57:22
scope
1:57:23
of
1:57:23
this
1:57:23
parallel
1:57:24
here
1:57:25
to
1:57:25
those
1:57:25
other
1:57:25
conversations
1:57:27
is
1:57:28
kind
1:57:28
of
1:57:28
wild.
1:57:29
So
1:57:29
I
1:57:29
think
1:57:29
we
1:57:29
did
1:57:30
talk
1:57:30
about,
1:57:30
like,
1:57:30
the,
1:57:31
like,
1:57:31
how
1:57:31
the
1:57:32
level,
1:57:32
like
1:57:33
everyone's
1:57:33
level
1:57:34
of
1:57:34
grief
1:57:34
or
1:57:34
having
1:57:35
to
1:57:35
go
1:57:36
get
1:57:36
over
1:57:36
grief
1:57:37
is,
1:57:37
like,
1:57:37
different
1:57:38
for
1:57:38
everyone.
1:57:39
But
1:57:40
I
1:57:40
think,
1:57:41
I
1:57:41
think
1:57:41
when
1:57:41
Hen
1:57:42
says
1:57:43
the,
1:57:43
the
1:57:44
line
1:57:44
where
1:57:44
she's
1:57:45
like,
1:57:45
we're
1:57:46
here,
1:57:46
you're,
1:57:47
you're,
1:57:47
you're
1:57:48
living,
1:57:48
breathing
1:57:48
son
1:57:49
is
1:57:49
here,
1:57:49
you
1:57:49
know,
1:57:49
when
1:57:50
she's
1:57:50
expressing
1:57:50
all
1:57:50
of,
1:57:51
all
1:57:51
of
1:57:51
that
1:57:52
to
1:57:52
Athena,
1:57:53
it's
1:57:54
similar
1:57:54
to
1:57:55
like
1:57:55
how,
1:57:56
like
1:57:56
with
1:57:57
Eddie,
1:57:57
how
1:57:57
he
1:57:57
feels,
1:57:58
where
1:57:58
he's.
1:57:59
He
1:57:59
like
1:57:59
that
1:58:00
Buck
1:58:00
hasn't
1:58:01
asked
1:58:01
them
1:58:01
about
1:58:01
like,
1:58:02
how
1:58:02
he's
1:58:03
dealing.
1:58:03
I
1:58:04
feel
1:58:04
like
1:58:04
that's
1:58:04
similar.
1:58:04
It's
1:58:05
like
1:58:06
Buck
1:58:06
is
1:58:06
so
1:58:07
internalized
1:58:07
in
1:58:07
his
1:58:08
own
1:58:08
grief
1:58:08
that
1:58:08
he's
1:58:08
not
1:58:09
like,
1:58:11
you
1:58:11
know,
1:58:11
looking
1:58:11
to
1:58:12
his
1:58:12
surroundings
1:58:13
and
1:58:13
being
1:58:13
there
1:58:13
for
1:58:14
Eddie.
1:58:14
Like,
1:58:14
that's
1:58:15
kind
1:58:15
of
1:58:15
seeing
1:58:16
what
1:58:16
his
1:58:16
partner
1:58:16
needs.
1:58:17
He's
1:58:17
so
1:58:17
wrapped
1:58:18
up
1:58:18
in
1:58:18
his
1:58:18
own
1:58:18
grief,
1:58:18
he's
1:58:19
not
1:58:19
seeing
1:58:19
how
1:58:20
much
1:58:20
his
1:58:20
partner
1:58:20
needs
1:58:21
him.
1:58:21
Which.
1:58:21
Which
1:58:22
we
1:58:22
know
1:58:22
he's
1:58:23
so
1:58:23
attuned
1:58:23
to
1:58:24
Eddie
1:58:24
because
1:58:24
he
1:58:25
notices
1:58:25
things
1:58:26
about
1:58:26
Eddie
1:58:27
when
1:58:27
he's
1:58:27
feeling
1:58:28
off
1:58:28
his
1:58:28
game
1:58:28
that
1:58:28
nobody
1:58:29
else
1:58:29
does.
1:58:30
So
1:58:30
that
1:58:30
really
1:58:30
does
1:58:30
show,
1:58:31
like,
1:58:32
how
1:58:33
deep
1:58:34
Buck
1:58:35
is
1:58:36
that
1:58:36
he
1:58:36
can't
1:58:36
notice
1:58:37
that
1:58:37
because
1:58:37
otherwise.
1:58:38
Otherwise
1:58:39
he
1:58:39
absolutely
1:58:39
would
1:58:40
have.
1:58:40
He
1:58:40
would
1:58:40
have
1:58:41
clocked
1:58:41
it
1:58:41
if
1:58:41
he
1:58:41
weren't
1:58:41
dealing
1:58:42
with
1:58:42
his
1:58:42
own
1:58:43
stuff.
1:58:44
Yeah.
1:58:45
Yeah.
1:58:46
I
1:58:46
can't
1:58:46
wait
1:58:46
to
1:58:47
like,
1:58:47
watch
1:58:48
more.
1:58:52
Good
1:58:53
job
1:58:53
us.
1:58:54
Yeah,
1:58:54
good
1:58:54
job,
1:58:55
Sil.
1:58:55
I
1:58:56
can't
1:58:56
wait
1:58:56
to
1:58:57
like,
1:58:57
kind
1:58:57
of
1:58:57
like
1:58:57
the
1:58:57
same
1:58:58
thing
1:58:58
with
1:58:58
Bethena
1:58:59
parallels.
1:58:59
I
1:58:59
can't
1:58:59
wait
1:58:59
to.
1:59:00
I
1:59:00
feel
1:59:00
like
1:59:00
I'm
1:59:01
more
1:59:01
familiar
1:59:01
with
1:59:02
like
1:59:02
maddening
1:59:02
and
1:59:03
Buddy
1:59:03
perils
1:59:03
than
1:59:04
I
1:59:04
am
1:59:04
with
1:59:04
like
1:59:05
Bethena
1:59:06
and
1:59:06
Bethena
1:59:07
and
1:59:07
then
1:59:07
Henry
1:59:08
paralleling
1:59:09
Buddy.
1:59:10
There's
1:59:10
so
1:59:11
many
1:59:11
Buddy
1:59:12
parallels
1:59:12
are
1:59:12
slept
1:59:12
on.
1:59:13
Yeah.
1:59:14
I
1:59:14
really
1:59:14
feel
1:59:14
like
1:59:15
they
1:59:15
are.
1:59:15
Which
1:59:15
is
1:59:16
so
1:59:16
funny
1:59:16
because
1:59:16
it's
1:59:17
like
1:59:17
it's
1:59:17
the
1:59:17
other
1:59:17
same
1:59:18
sex
1:59:18
couple.
1:59:18
You
1:59:19
would
1:59:19
think,
1:59:19
like.
1:59:19
Yeah,
1:59:20
yeah.
1:59:20
I
1:59:20
think
1:59:20
there's
1:59:21
a
1:59:21
lot
1:59:21
more.
1:59:22
One
1:59:22
of
1:59:22
them
1:59:22
has.
1:59:23
One
1:59:23
of
1:59:23
them
1:59:23
has
1:59:24
a
1:59:24
biological
1:59:25
kid
1:59:25
that
1:59:25
looks
1:59:26
like
1:59:26
the.
1:59:27
The
1:59:27
parent
1:59:27
and
1:59:27
the
1:59:28
other
1:59:28
parent,
1:59:28
the
1:59:28
step
1:59:28
parent.
1:59:29
Well,
1:59:29
it's
1:59:29
not
1:59:30
actually
1:59:30
biologically.
1:59:31
Well,
1:59:31
not
1:59:31
related.
1:59:33
Yeah.
1:59:33
But
1:59:33
it's
1:59:33
like
1:59:34
Denny
1:59:34
still
1:59:34
looks
1:59:35
like
1:59:35
he's
1:59:35
related
1:59:35
to
1:59:35
Karen.
1:59:36
Karen.
1:59:36
Yes.
1:59:37
By
1:59:38
some
1:59:38
like
1:59:38
magic
1:59:38
of
1:59:39
science.
1:59:39
Like.
1:59:40
Yeah.
1:59:41
Yeah.
1:59:41
I
1:59:41
think.
1:59:42
I
1:59:42
think
1:59:42
it's
1:59:42
gonna
1:59:43
be
1:59:43
really
1:59:43
interesting
1:59:43
to
1:59:44
like
1:59:45
hone
1:59:45
in
1:59:45
on
1:59:45
more
1:59:46
of
1:59:46
the
1:59:46
Henry
1:59:47
Buddy
1:59:48
parallels
1:59:48
because
1:59:48
they
1:59:49
are
1:59:49
slept
1:59:49
on.
1:59:50
Like
1:59:50
it.
1:59:50
I
1:59:51
think
1:59:51
you
1:59:51
have
1:59:51
to
1:59:52
just
1:59:52
like
1:59:52
dig
1:59:53
a
1:59:53
little
1:59:53
deeper
1:59:54
for
1:59:54
them.
1:59:55
But
1:59:55
like.
1:59:56
And.
1:59:56
And
1:59:56
maybe
1:59:57
it's
1:59:57
also
1:59:57
because
1:59:58
a
1:59:58
lot
1:59:58
of
1:59:58
those
1:59:59
parallels
1:59:59
are
2:00:00
like
2:00:00
the
2:00:00
Henri
2:00:01
stuff
2:00:01
is
2:00:01
paralleled
2:00:02
to.
2:00:02
To
2:00:02
more
2:00:02
recent
2:00:03
buddy
2:00:03
stuff.
2:00:04
Yes.
2:00:05
Because.
2:00:06
Because
2:00:07
Buddy's
2:00:08
relationship,
2:00:09
like
2:00:09
Eddie's
2:00:10
relationship
2:00:10
have
2:00:11
has
2:00:12
grown
2:00:12
and
2:00:12
developed
2:00:13
and
2:00:13
matured
2:00:14
so
2:00:14
much.
2:00:15
Yeah.
2:00:15
And
2:00:16
with
2:00:16
Hen
2:00:16
and
2:00:17
Karen
2:00:17
being
2:00:17
like
2:00:18
the.
2:00:19
The
2:00:19
most
2:00:19
established
2:00:20
relationship
2:00:21
on
2:00:21
the
2:00:21
show.
2:00:21
Like
2:00:22
they've
2:00:22
been
2:00:22
married
2:00:23
for
2:00:23
longer
2:00:24
than
2:00:24
Bobby
2:00:25
and
2:00:25
Athena
2:00:25
and
2:00:26
Jimmy
2:00:26
and
2:00:26
Maddie.
2:00:27
Yeah.
2:00:27
So
2:00:28
like
2:00:28
they
2:00:28
have
2:00:29
the
2:00:29
longest
2:00:29
relationship.
2:00:30
Yeah.
2:00:31
Compared
2:00:31
to
2:00:32
everyone
2:00:32
else.
2:00:33
So.
2:00:33
Yeah.
2:00:34
Eddie
2:00:35
have
2:00:35
like
2:00:35
the
2:00:36
second
2:00:36
by
2:00:36
far.
2:00:37
Like
2:00:37
how
2:00:37
old.
2:00:38
How
2:00:38
old
2:00:38
is
2:00:38
Denny
2:00:39
in
2:00:39
the
2:00:40
first
2:00:40
season.
2:00:41
Like,
2:00:41
is
2:00:42
he
2:00:42
similar
2:00:43
aged
2:00:43
to
2:00:44
Christopher?
2:00:44
That's
2:00:45
what
2:00:45
I
2:00:45
would
2:00:45
feel
2:00:45
like.
2:00:46
He
2:00:46
was
2:00:46
a
2:00:46
little
2:00:46
younger
2:00:47
though.
2:00:47
So
2:00:48
like
2:00:48
six.
2:00:49
Maybe
2:00:49
like
2:00:49
five
2:00:50
because
2:00:50
he
2:00:51
and
2:00:51
hair.
2:00:51
Well,
2:00:51
he
2:00:52
and
2:00:52
Harry
2:00:52
are
2:00:53
similar.
2:00:53
Okay,
2:00:54
wait,
2:00:54
he
2:00:54
and
2:00:54
Harry
2:00:55
were
2:00:55
similar
2:00:55
ages.
2:00:56
Harry
2:00:57
was
2:00:57
like.
2:00:58
I
2:00:58
think
2:00:58
Harry
2:00:58
was
2:00:59
like
2:00:59
seven.
2:01:00
Wait,
2:01:00
but.
2:01:00
But
2:01:01
Denny
2:01:01
I
2:01:01
think
2:01:01
is
2:01:02
younger
2:01:02
than
2:01:03
Harry.
2:01:04
I
2:01:04
don't
2:01:04
know.
2:01:04
They're
2:01:05
putting
2:01:05
his
2:01:05
birthday
2:01:06
on
2:01:06
91
2:01:07
1.
2:01:07
Wikipedia
2:01:08
as
2:01:09
some
2:01:09
time
2:01:10
between
2:01:10
September
2:01:11
2009
2:01:11
and
2:01:11
May
2:01:12
2010.
2:01:13
Okay,
2:01:14
so
2:01:14
that
2:01:14
would
2:01:14
be
2:01:15
8
2:01:15
at
2:01:16
the
2:01:16
start
2:01:16
of
2:01:16
the
2:01:17
series.
2:01:17
8.
2:01:18
Ish.
2:01:19
So
2:01:19
they've
2:01:19
been
2:01:20
together
2:01:20
for
2:01:21
like
2:01:21
almost
2:01:22
16
2:01:22
years
2:01:24
when
2:01:25
all
2:01:25
these
2:01:25
other
2:01:25
couples
2:01:25
are
2:01:26
starting
2:01:26
to
2:01:26
get
2:01:26
together
2:01:26
the
2:01:27
beginning
2:01:27
seasons,
2:01:27
like,
2:01:28
they've
2:01:28
been
2:01:28
together
2:01:28
for
2:01:29
eight
2:01:29
years.
2:01:30
Henry
2:01:30
is
2:01:31
our
2:01:31
established
2:01:32
relationship.
2:01:32
AO3
2:01:33
tag.
2:01:37
I
2:01:37
love
2:01:37
it.
2:01:37
Yeah,
2:01:37
I
2:01:37
can't
2:01:38
wait
2:01:38
to
2:01:38
find
2:01:38
more.
2:01:39
Yeah,
2:01:39
it's
2:01:40
like
2:01:40
a
2:01:40
little
2:01:42
like
2:01:42
panning
2:01:42
for
2:01:43
gold.
2:01:44
I
2:01:44
don't
2:01:44
like
2:01:45
a
2:01:45
gold
2:01:45
rush.
2:01:47
Jesus.
2:01:47
Okay,
2:01:49
remember,
2:01:50
don't
2:01:50
join
2:01:51
an
2:01:51
illegal
2:01:51
fighting.
2:01:52
Ring,
2:01:52
but
2:01:52
if
2:01:53
you
2:01:53
do,
2:01:53
take
2:01:54
a
2:01:54
buddy
2:01:54
with
2:01:54
you.
2:01:56
Thank
2:01:56
you
2:01:56
for
2:01:56
listening
2:01:57
to
2:01:57
the
2:01:57
Buddy
2:01:57
System
2:01:58
podcast
2:01:58
from
2:01:58
start
2:01:59
to
2:01:59
finish.
2:02:00
We
2:02:00
literally
2:02:00
cannot
2:02:01
shut
2:02:01
up
2:02:01
about
2:02:02
91
2:02:02
1,
2:02:02
so
2:02:03
please
2:02:03
come
2:02:03
talk
2:02:03
to
2:02:03
us
2:02:04
on
2:02:04
your
2:02:04
favorite
2:02:04
social
2:02:05
media
2:02:05
platform.
2:02:06
We
2:02:06
are
2:02:06
at
2:02:07
Buddy
2:02:07
System
2:02:08
POD
2:02:08
everywhere.
2:02:09
That's
2:02:10
B
2:02:10
U
2:02:11
D
2:02:11
D
2:02:12
IE
2:02:12
System
2:02:13
pod.
2:02:14
Leave
2:02:14
a
2:02:14
five
2:02:15
star
2:02:15
review
2:02:15
on
2:02:15
Spotify
2:02:16
or
2:02:16
Apple
2:02:16
podcasts
2:02:17
to
2:02:17
get
2:02:17
a
2:02:17
personal
2:02:18
shout
2:02:18
out
2:02:18
in
2:02:18
the
2:02:18
next
2:02:19
episode.
2:02:19
The
2:02:20
Buddy
2:02:20
System
2:02:20
is
2:02:21
a
2:02:21
nerd
2:02:21
Virgin
2:02:21
Media
2:02:22
production
2:02:22
featuring
2:02:23
music
2:02:23
from
2:02:23
Divinity.
2:02:24
Can't
2:02:25
get
2:02:25
enough
2:02:25
of
2:02:25
the
2:02:25
buddies?
2:02:26
Subscribe
2:02:26
to
2:02:27
our
2:02:27
Patreon
2:02:27
for
2:02:27
access
2:02:28
to
2:02:28
exclusive
2:02:29
content
2:02:29
in
2:02:29
our
2:02:29
Discord
2:02:30
community.
2:02:31
Catch
2:02:31
you
2:02:31
next
2:02:32
time.
2:02:32
And
2:02:33
don't
2:02:33
forget,
2:02:34
bring
2:02:34
a
2:02:34
buddy
2:02:34
with
2:02:35
you.