Latest / Uncomfortable Conversations with Josh Szeps / Comedy Kingmaker on Speaking Fearlessly & Living Well
Transcript
- 0:03You don't.
- 0:04I'm very good.
- 0:05Well, you want to know the truth?
- 0:06Yeah, truth.
- 0:07Yeah, sure.
- 0:07I had a lot of aggravation today because, you know, we're opening this new...
- 0:11Yes.
- 0:14And, um...
- 0:14This new...
- 0:15This will be your fifth...
- 0:17venue it's our fifth stage we have two stages in one of the places in Manhattan yeah I was including Las Vegas no it's our sixth sixth yeah so we have here we have Village Underground and two upstairs right great um
- 0:33And we're a year past.
- 0:36We're supposed to be open for New Year's last year.
- 0:38Yeah, right.
- 0:39In fact, I think there are things on the internet that say 2024.
- 0:42Was that ever going to happen?
- 0:46New Year's 2020.
- 0:47No, not 2024.
- 0:48And it's just one thing after another, after another, after another.
- 0:54And it's, you know, of course it costs a fortune, but it's not...
- 0:59And when I say, if I tell you what it, I joke sometimes, if I tell you what it cost me, you couldn't possibly feel sorry for me.
- 1:08Well, but also, I mean, I wouldn't feel sorry for you because it's going to make back, I mean, it's going to make, it's going to be profitable.
- 1:14You're not doing this as a charity.
- 1:15No, no, it'll be profitable.
- 1:17But we're not doing it for the money, as you might think, to be honest.
- 1:20But it will be profitable.
- 1:21Why are you doing it?
- 1:23It takes a certain amount of years to make back money you lose.
- 1:30Um, I need something to do.
- 1:33No, no.
- 1:33It's like, it's like, it's okay.
- 1:36So you have a podcast, you have five comedy venues, you have the arguably the most influential, uh, you know, comedy, uh, live comedy enterprise in the United States.
- 1:50You have a huge platform through your podcast and your colleagues.
- 1:55Huge.
- 1:55Hundreds of people.
- 1:56No, no.
- 1:57That's not true.
- 1:58Do you know, last time we were at this desk, and thank you for hosting me here, because last time we were here, I was on your show in, I think it was May, and the following day, I'm on the subway, and someone's looking at me constantly from across the way, and I'm like, am I about to get mugged?
- 2:16And as he gets off the subway, he says, excuse me, are you Josh Sepps?
- 2:20And I was like, oh, isn't it great that even my podcast has made me famous in New York?
- 2:24And he shows me his phone, and it's me on your show.
- 2:26Well, you got very, very lucky.
- 2:29No, we have, you know...
- 2:32It's not huge, but it is actually influential in a certain way.
- 2:36A lot of, I'm very flattered that a lot of people that I would have, you know, only hoped would ever hear about me, listen to it with some regularity.
- 2:43Yeah, and you are influential.
- 2:45I mean, I think you've done an amazing job in the past, I guess, decade to go from being someone who, as far as I was aware, which was not aware of you at all, a person who was behind the scenes, who was essentially a business person in comedy, to being someone who is making a case about...
- 3:00about what it means to live in a flourishing society, about free speech, about how to get along with each other, about Western civilization, about a whole lot of things that bring a certain community of a certain type of comedian and kind of podcast bro together.
- 3:14Well, that's nice of you to say.
- 3:17Can I tell you the answer about why I'm opening the place?
- 3:20Yeah.
- 3:21Because it's forcing me to think about it.
- 3:22So money...
- 3:28You know, a lot of people have, I think, an unhealthy psychological relationship with money.
- 3:34But I was raised, my father practically beat it into me that money is for enjoying, for buying things, for living your life.
- 3:45He used to say, we don't do this for money.
- 3:47Money is a fortunate byproduct.
- 3:49And he used to tell me why I didn't become a lawyer.
- 3:52He used to tell me, no, everybody you know.
- 3:56Living for the weekend.
- 3:57They can't wait for the weekend because they can't wait for a day off work.
- 4:00He says, I love to go to work every day.
- 4:03I hate it when there's no work to do.
- 4:05So that's the way I've always lived my life.
- 4:07And so the money from this place, and we're much more successful now than when my father was alive.
- 4:12Not because I'm a better operator than he was.
- 4:16Just, um... Well...
- 4:18No, partly the momentum of what he built and partly luck and partly comedy as much as a boom and, you know, and some smart decisions.
- 4:28So just to clarify, he was an immigrant, as was your mom.
- 4:32They both came over from Israel and.
- 4:34My mother's still alive.
- 4:35Yeah.
- 4:36Yes, sorry.
- 4:37And I didn't mean to imply she is an immigrant, but she's not currently in the process of immigrating.
- 4:44And he created the Comedy Cellar?
- 4:49He, he, well, you know, even he didn't create it.
- 4:53There was a guy named Bill Grunfest, who I'm still friends with, who actually came in and the place was kind of empty at the time, the basement of the olive tree.
- 5:02And he had the idea.
- 5:03He said, hey, I'll bring some comedians here and, you know, you can take the drinks.
- 5:06I'll take the door, that kind of thing.
- 5:08And it was mostly just like a treading water thing for a room that wasn't really doing anything.
- 5:13And just to clarify for people who aren't New Yorkers or aren't familiar with the geography, this block and this portion of the city was incredibly influential in the 60s.
- 5:24Like, when are we talking about?
- 5:26Because this was where, I mean, you could roll off the names better than I could.
- 5:30But for everyone.
- 5:31This is where Dylan and the Loving's Bullseye, James Taylor, Joan Baez, Bill Cosby, Richard Pryor, Lenny Bruce, they all were on this block.
- 5:40All started right here on this block.
- 5:42Yeah.
- 5:43And my father had the Café Fienjan, which is a very, very famous place at the time, too.
- 5:48But it was Middle Eastern and Israeli, so it's not legendary.
- 5:53But anyway, this was 1981 when the village was already not that anymore.
- 5:58Right.
- 5:58OK.
- 5:59But my father was still doing well.
- 6:00He had moved his Café Fienjan next door to where the Café Wah is now.
- 6:05Another iconic place, Café Watt.
- 6:09The original Café Watt closed in 1968.
- 6:10Okay.
- 6:12And then when I, now I'm fast forwarding another six, 17 years, when I reopened the Café Watt,
- 6:18I just took the name because I remembered it from when I was a kid.
- 6:21Oh, you didn't even have to pay for it.
- 6:23No, it was abandoned.
- 6:24And the Fat Black Pussycat was also an abandoned name from when I was a kid.
- 6:27Right.
- 6:28So I started plucking these names from when I was a kid.
- 6:30Nobody had any idea what the Café Wa was.
- 6:33I remember trying to tell people why the Café Wa seemed like a stupid name.
- 6:37Yeah, and if people haven't seen it written, it's like, what?
- 6:39W-H-A question mark.
- 6:40Like W-H-A question mark.
- 6:41What?
- 6:41What?
- 6:42Cafe What?
- 6:42Yeah, Cafe What.
- 6:43And that was, again, Bob Dylan and all those kinds of people played the original.
- 6:47Well, Jimi Hendrix was discovered.
- 6:49Hendrix, amazing.
- 6:50So you just come in and pilfer.
- 6:53You essentially scavenge the name.
- 6:55Well, we actually, I mean, I'm going to so many different things.
- 6:58We were friends with Manny Roth, who was the actual originator and owner of the Cafe What.
- 7:03Okay.
- 7:03Okay.
- 7:04I knew he had some kind of blessing.
- 7:05Yeah.
- 7:06And he and so we told him we were going to do it.
- 7:09And he wasn't happy, but he was David.
- 7:11He was David Lee Roth's uncle.
- 7:13I thought you were going to say that you asked him and he gave you his blessing.
- 7:16But instead, you told him and he didn't like it.
- 7:19We asked him how he felt about it.
- 7:22And he he was ambivalent.
- 7:27And then in the end, he said, OK, so I think if he had if he had said, listen, I really don't want you to do this.
- 7:35I don't think it wasn't.
- 7:37It didn't seem that important at the time.
- 7:40But the argument to him was and it's true.
- 7:43It actually it happened exactly as I said to him.
- 7:46I said, this will reanimate, revive the history of the Café WI and that will lead to you.
- 7:55I remember saying this to him.
- 7:56And if the if I'm successful with this, you will then become known.
- 8:00Just dangle a little bit of ego and glory in front of a man.
- 8:04Well, yeah, but it was true.
- 8:05And it's exactly what's happened.
- 8:06If you if you read about Manny Roth now, he's he's he has a whole story about him now, which because people think he was the owner of the cafe while that I own.
- 8:15Right.
- 8:15Right.
- 8:16Right.
- 8:16Right.
- 8:16I don't care.
- 8:16And so the original Comedy Cellar, which is now, because I want to just sort of get to your expansion of this business and how it takes place.
- 8:23Yeah, I want to talk about the money too.
- 8:25And the money, yes.
- 8:25We're going to get to the money.
- 8:26And we're also going to get to enjoying life instead of money because I've got an anecdote about that.
- 8:29So remind me if I don't tell you.
- 8:32So 81, New York's in the doldrums, is it?
- 8:35It's kind of dirty and crime-ridden.
- 8:36It's definitely.
- 8:37It's definitely dirty and crime-ridden, yes.
- 8:39And so your dad opens a comedy club because he can, because this block is a former heyday and now kind of derelict.
- 8:47Is that right?
- 8:48He had an empty room.
- 8:49It was a nice little room.
- 8:50They were doing...
- 8:51There was a Brazilian girl was coming named Ana, and she was doing Brazilian music with guitar one night a week.
- 8:57It was just like...
- 8:57Treading water is the best way to put it.
- 8:59Yeah.
- 9:00And then Bill came in with this vision, and then he...
- 9:04was the house MC for, I don't know, five, six years and booked the acts.
- 9:11Was he a good comic?
- 9:12He was a, he was a good comic and a very good MC.
- 9:16And he was also friends.
- 9:18Um, he didn't take himself that seriously.
- 9:22He, he saw his function was what a good MC does, which is to, to make the room happy, to, to, to, um, cast a spell of informality.
- 9:32Yeah.
- 9:33to the audience such that they were in the proper mood to receive the comedians when they come up.
- 9:39And he was very good at that.
- 9:40And I'm sure he was good as an act as well, but I never really saw him as an actor.
- 9:45Is it also an emcee's job if a comedian tanks to get the crowd back up before the next person comes on?
- 9:52Absolutely.
- 9:52And he was very good at that, too.
- 9:54He was very good.
- 9:55Hey humans, just jumping in here quickly to make sure you're aware that this is just a preview.
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- 10:22catalog of mind expanding bullshit free, uncomfortable conversations back to the show.
- 10:28He has a great sense of humor.
- 10:29He, he later went on to become the head writer for mad about you, the Paul Reiser show.
- 10:34So he's, you know, he's a real comic mind.
- 10:38Speaking of money.
- 10:39Speaking of money.
- 10:39Money and being a head writer of a big primetime sitcom.
- 10:43I don't know.
- 10:44Maybe, probably.
- 10:46So, but he was also very, very smart and would do everything with a purpose.
- 10:54He's like, okay, I'm an emcee.
- 10:55This is my function as an emcee.
- 10:57So let me set about...
- 10:59uh, doing the best job at emceeing that I can do without regard to the brilliant classical music.
- 11:07I want to play, you know, this is this, I'm, I'm writing commercial jingles now, so I'm going to write commercial jingles.
- 11:11Very valuable.
- 11:12Yeah.
- 11:12So he, and he, and that's the way he approaches everything, which is why he's very successful.
- 11:16He knows what he wants to accomplish and that's what he does.
- 11:19So somebody could see something like that and they, and they could, uh, uh, under, underestimate his talent.
- 11:25Um,
- 11:27But actually... Because they only saw one piece of the jigsaw.
- 11:29Yeah, but it's actually because he's focused.
- 11:32And not out for ego.
- 11:33Okay.
- 11:34So what did he want to achieve with the comedy salon?
- 11:36Did he?
- 11:37Did he?
- 11:38Yeah.
- 11:39He wanted stage time, I think.
- 11:40And he wanted... Who knows?
- 11:42He was young at the time, in his 20s.
- 11:44And then he left.
- 11:45And then...
- 11:47You know, and he and my father hit it off very, very well and very intimately.
- 11:52They thought alike.
- 11:53They had similar Jewish backgrounds, American Jewish backgrounds.
- 11:58And my father thought the world of Bill.
- 12:01And then when Bill left, my father, I remember him saying, do you think we can make it without him?
- 12:08You know, we didn't know.
- 12:08We'll try.
- 12:09And what were you doing?
- 12:11Yeah.
- 12:12At this time, I was running the Café Rois.
- 12:14So that's, you know, I had the Café Rois.
- 12:17I was in the band.
- 12:18I was playing five nights a week.
- 12:19It was a huge success.
- 12:21And that's why you went half deaf?
- 12:23That's why I'm three-quarters deaf.
- 12:24Three-quarters deaf.
- 12:25I was being polite.
- 12:26What's that?
- 12:27I was being polite.
- 12:29So you're there.
- 12:30So just to give me the short version of how you expand into this empire that you currently command from your father having won.
- 12:40Okay, so I got out of law school and I didn't want to be a lawyer for the reasons I already told you.
- 12:45So my father said.
- 12:46I mean, some people like being lawyers.
- 12:50I think people who do public interest work, appellate lawyer, there are certain areas of the law which are very intellectually rewarding where I think people like them and maybe even ambulance chasing for the adventure of it.
- 13:04I mean, I know I have a lawyer friend who is one of the best like defamation, like protecting people who are probably and also –
- 13:14who are probably bad, right, but have been, but have nonetheless been wronged in some way, or, you know, someone has said something about them that technically this wouldn't fly in America, obviously, because of your First Amendment.
- 13:25But in Australia, if you say something that's untrue about somebody that could cast aspersions on them, then that, you know, you can get sued.
- 13:33And he likes it.
- 13:34Yeah.
- 13:35Great time.
- 13:36Yeah, it's like a lot of journalists like ruining people.
- 13:38Yeah, yeah, it's true.
- 13:40It's true.
- 13:40So, but most of the lawyers I met
- 13:47You know, they just couldn't wait for their sabbatical they'd get after eight years.
- 13:51They were just miserable.
- 13:53Now, you know, there is part of what we're describing isn't the law.
- 13:57It's that people who are their own boss are generally happier.
- 14:02So certain areas of the law allow you to be your own boss.
- 14:05We're using the describing this guy who works for himself.
- 14:07Yeah, yeah.
- 14:08As opposed to working for a law firm, which is where most people work.
- 14:11Well, it does work for a firm, but it's so high up that it can take whatever cases it wants to.
- 14:15And, you know, it doesn't have to be.
- 14:17Yes, I agree.
- 14:18Being on the clock and having to punch in and punch out and do the paperwork submissions.
- 14:22And to answer to somebody.
- 14:24Yeah.
- 14:24For your mistakes or to get permission for a vacation or how come you're late or I'm just so I mean, it's it's a miserable way to live.
- 14:33Oh, my God.
- 14:33Getting permission for a vacation is the weirdest thing.
- 14:36No, I got a I remember getting my first job job.
- 14:40Because in this game, like, I don't think I've ever gotten a job that was advertised as a job.
- 14:46And so I've always just, like, wrangled my way into something and slithered in and then they've just let me stay.
- 14:52But one time I was, I got a job as a radio producer when I was fresh out of college.
- 14:57And I remember my, I wanted to go and see my grandmother in New Zealand.
- 15:03And I'd been working there a few months and I was like,
- 15:06can I take a week off in, you know, three or four weeks time, but don't pay me, obviously, you know, I don't need you to pay me.
- 15:12And they were like, no, you haven't earned enough holidays yet.
- 15:16And I was like, yeah, I get the, I said, you don't have to pay me.
- 15:19Like, I just want to, I just want a week off, but you know, and, and,
- 15:25They wouldn't let me take unpaid.
- 15:27Like it was like I was asking them for, you know, could you please shave a turkey and hand it to me in the studio.
- 15:34I was like, they were so by the book.
- 15:37And this is normal.
- 15:38Yeah.
- 15:39Like everyone listening to this is probably like, well, yeah, of course, that's the way it works.
- 15:42It was completely new to me.
- 15:43And I was out of there within the year.
- 15:45And I've never had a job like that since.
- 15:46Well, let's keep talking about how miserable it is to be an employee.
- 15:49So that Steve, our engineer, fucking sabotages the recording.
- 15:53Yes, Steve.
- 15:54What's it like to be a loser?
- 15:56I need to take some days off.
- 16:00But this is one of the pleasures of running your own business is that you're completely autonomous.
- 16:06You do what you want.
- 16:07And by the way, you don't take a lot of vacations because...
- 16:10You're worried about your business, but it's your own child.
- 16:14Well, you can – Yes, that's true.
- 16:15It's not you're not babysitting, it's your own child.
- 16:17You can take semi-vacations.
- 16:19I used to work for Arianna Huffington when she was at the peak of her powers.
- 16:22And I remember saying she was in – you know, she was on a yacht in the Greek islands or something like that.
- 16:27And she got back and she said, oh, they were always telling me you've got to get off your phone.
- 16:32You know, I shouldn't be on my phone.
- 16:33I was like, the reason I can be on this yacht is because I'm on my phone.
- 16:37Oh.
- 16:37And she was right.
- 16:38She's always working and she's always able to not work.
- 16:41But like, there is a liability in that, though, as well.
- 16:45I do find that I would love, I think this is a mega version of the problem that we've all encountered with the rise of smartphones and home computers in the past generation, that...
- 16:58I can't believe that like when my parents started working, you could not be reached.
- 17:03You just left home, you left work and you went home and there were no computers.
- 17:08It was the best.
- 17:09That's so bizarre to me that you would not be reachable on your email at 8 p.m. You know, even while you're watching TV, you'd just be scrolling.
- 17:17And if your boss sent you an email, you'd respond to it or something.
- 17:20Listen, I'm so old that I remember the first time we got a home answering machine.
- 17:27before there was a home answering machine, literally, if you were out, you were out and somebody couldn't even leave a message for you.
- 17:34Like, where were you?
- 17:35I was out.
- 17:36Yeah.
- 17:37And I mean, you know, this was great for men who wanted to...
- 17:43have some privacy in their lives.
- 17:45But and now I think it's horrible.
- 17:48I think the fact that that, you know, you're you're reachable 24 hours.
- 17:52And it's not just that you're reachable, is that you know that someone's going to interpret the fact that you're not answering in some way.
- 18:00So you feel tremendous pressure to answer, but you don't want to answer.
- 18:03You just like to have three hours.
- 18:05you know, to think or spend time with your kids or whatever it is.
- 18:09So I think everyone has that on the micro level of not being able to switch off when they go home, unless they're like a laborer or something.
- 18:16And we self-employed people have it on a bigger level, which is that because we love what we do and because what we do,
- 18:24because our success is directly correlated to how much attention we give it.
- 18:29We both have the freedom to not be chained to a desk and also the liability of the fact that when we aren't chained to a desk, we are still always thinking about work, if not actively working.
- 18:42But it's very important to keep perspective.
- 18:43So, I mean, I have people who spent, you know, 40, 50 years
- 18:52working for my family in the kitchen.
- 18:58Five days a week, six days a week, coming and cooking in front of that stove every day.
- 19:03That's how they spent their lives until they retired.
- 19:06And they raised families and they, you know, we had- Wait, your family had a cook?
- 19:13No, I'm saying in our kitchen, in the restaurant.
- 19:16I'm sorry.
- 19:16Professionally.
- 19:17Yeah, yeah.
- 19:17But I'm saying like to-
- 19:21And these were pretty decent jobs.
- 19:24They stayed 40, 50 years.
- 19:25Obviously, they thought the job was okay.
- 19:30But I'm just saying, when you think about
- 19:35the limits of spending your life cooking behind a stove or, and you can extrapolate that to, or compare that to, you know, most jobs, 80, 80% of jobs are some form of that.
- 19:47Right.
- 19:49Um, we, we have no right to, to bellyache about, I mean, nothing's perfect, right?
- 19:54There's always something, but we're so, so, so lucky.
- 19:58And that doesn't even express it.
- 20:00My father used to say,
- 20:03If there was one of these big lottery things, you know, and he said, and every soul... You're doing the visual of like rolling one of those big spherical cage with balls in it.
- 20:15Yeah, exactly.
- 20:15And he said, imagine every soul that's ever lived is a ball inside that.
- 20:20He says, what are the odds you think you could pick out a life happier, preferable to the one that you're leading?
- 20:28You know, yeah.
- 20:290.00001% chance.
- 20:31Yeah, that's great.
- 20:35Almost impossible.
- 20:36That's great.
- 20:36I mean, I would say happier is a tricky thing because happier is somewhat, well, not somewhat, is entirely subjective and somewhat within our control.
- 20:48But in terms of, but like materially better off.
- 20:52I sometimes say, like, imagine throwing a dart at a dartboard.
- 20:54Imagine all of the people, not just who are alive today, but who have ever lived...
- 21:00And if people listening to this are like feeling down or complaining, it's always hard to say this because, you know, everyone has legitimate reasons for their own problems.
- 21:11And sometimes you can't get out of a headspace of, you know, you might have clinical depression or whatever.
- 21:15It's hard to wag your finger at somebody and say, you should be happy because look at all of this shit that you've got.
- 21:20But if you had to throw a dart at a dartboard and hit a portion of the board.
- 21:26where, you know, to be reincarnated as one of the people, and like that dartboard is covered in a dot representing every single person who's ever lived anywhere.
- 21:35The odds that you're going to hit someone who is safer and better off materially than you.
- 21:43But he didn't mean it materially.
- 21:45He meant it in terms of fulfillment.
- 21:48And I think that...
- 21:50I'm thinking about this for the first time.
- 21:51So, you know, we sleep a third of our lives.
- 21:54Let's say we sleep eight hours a day, right?
- 21:55And I think many people will imagine the time that they spend working, as I'm describing.
- 22:04Essentially, it's my lost time.
- 22:06It's like sleep time.
- 22:08And then some of those people are left with the rest of the time, which is very fulfilling for them.
- 22:14But somebody like my father, 100% of the time that he wasn't sleeping,
- 22:19was fulfilling time.
- 22:21There was no drudgery in his life.
- 22:24He created his life.
- 22:25So he would not do anything, not even for five minutes that he did not want to do.
- 22:30And this is whether he's playing music, whatever it was, hanging out with the comedians, whatever, this is what he wanted to do.
- 22:36And that's what he did.
- 22:38And so, and so, so this is a relationship and money is fuels that you need money, but money's not the goal for that.
- 22:44Now, just to, just to wrap it up.
- 22:47I'm not opening the comedy club.
- 22:49Let me just pause.
- 22:49Yeah.
- 22:50We'll get to it.
- 22:50Just on your dad.
- 22:51Yeah.
- 22:52Was that a choice, an attitude choice on his part?
- 22:56Not just how he spends his time, but how he looks at spending his time?
- 23:00Or was he naturally a sunny person?
- 23:05He was naturally a sunny person.
- 23:08He was very, very gifted.
- 23:11So, you know, he...
- 23:16he approached life without a net and he succeeded.
- 23:20You know, you can't really advise everybody to do that because most people would probably fail.
- 23:28And, um, he, but he also had a, a, a mentality, which was not typical of his one, 1930, you know, which is raised at the time of the depression and the Holocaust and, and, um,
- 23:44Typical Jews of his age did not have his attitude about life.
- 23:50Where was he raised?
- 23:52He was born in Israel.
- 23:53He came here in 19...
- 23:56So, before it was Israel?
- 23:58Don't get technical now.
- 24:01I thought he might have gone to Israel when Israel came into existence.
- 24:06He was born in occupied Palestine.
- 24:09Yes, yes, right.
- 24:10He was born in Palestine in Jerusalem.
- 24:12I think he was born in 1939, but he was eight years old.
- 24:16G'day humans.
- 24:17Well, if you've listened to this much of the episode, then you must enjoy it, presumably, unless you're just listening for masochistic reasons.
- 24:24So you should listen to the rest of it.
- 24:26And the way you do that is by subscribing to the premium feed, where you not only get to hear the rest of this delightful conversation, and trust me, oh, it gets better than what you just heard, but you also get to hear no ads, zero ads.
- 24:38And previously, up until now, you had to go to the old sub stack.
- 24:42to do that and follow me on Substack and add one more platform to your life if you're not already on Substack.
- 24:48But here's the thing.
- 24:49We are now on Apple premium podcast as well.
- 24:52So with one click, Apple will just subscribe you up to the premium feed.
- 24:55You'll be able to listen to the rest of this conversation right now, right now.
- 24:57Right now.
- 24:58So open up your Apple podcasts, click the old pay old Zepsi button.
- 25:02That's probably what it's called.
- 25:04Pay old Zepsi.
- 25:05And you click the button and then you no longer have to be a free rider.
- 25:09You can feel like you're contributing to the mission of this show, which is really what we're all here for.
- 25:13Better conversations, a freer, more freewheeling attitude towards the things that we can talk about.
- 25:20a way to steel man our opponents and to take the most gracious approach towards disagreement.
- 25:25That is what you're voting for when you vote for Uncomfortable Conversations by going into your Apple Podcasts and clicking subscribe.
- 25:32I love you.
- 25:33If you don't do that, that's fine.
- 25:35I'll see you the next free episode, I guess.
- 25:37Take care.