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We are out of Food (S3 E11 "I Solemnly Swear”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all In. Oh that's you. I Am all
• 0:17
  Speaker 1: In with Scott Patterson and I heart radio podcast. I
• 0:21
  Speaker 1: solemnly swear and Emily gets sued. Emily gets sued by
• 0:24
  Speaker 1: a maid. Those are good scenes if it makes you
• 0:27
  Speaker 1: feel that. I restarted twice because I couldn't get into it.
• 0:30
  Speaker 1: How did it start? Though? It did? It start off
• 0:32
  Speaker 1: with the maid? It's Friday night dinner and there's the
• 0:35
  Speaker 1: new maid at the door and Emily's freaking out because
• 0:37
  Speaker 1: she's on the phone with a lawyer. You know it
• 0:40
  Speaker 1: started out well. I thought it was a good episode overall.
• 0:43
  Speaker 1: Are we all know? We're not yet, but we should be.
• 0:46
  Speaker 1: This is good because I agree, I agree with you. Yeah,
• 0:49
  Speaker 1: I thought it started off really well. Start the pod.
• 0:52
  Speaker 1: We're not on the area are you talking about? We're
• 0:54
  Speaker 1: starting on horses out of the barn? Well, you want
• 0:59
  Speaker 1: me to do the official and here's Johnny. I thought
• 1:08
  Speaker 1: we were like being cool and just sort of it's
• 1:11
  Speaker 1: you know, people download it starts right right. I like
• 1:16
  Speaker 1: it right because we everyone made fun of you for
• 1:18
  Speaker 1: always saying it's Scott Patterson and the I Am All
• 1:20
  Speaker 1: In Podcast because everyone had to click on it so
• 1:23
  Speaker 1: they know where they are. Yeah, I know, but still,
• 1:26
  Speaker 1: you know, I was doing my Ryan Seacrest invitation, trying
• 1:28
  Speaker 1: it again. I like it. You're pretty good, Ryan Seacrest.
• 1:30
  Speaker 1: You're a pretty good host, dude. I gotta take my chanty.
• 1:34
  Speaker 1: I listened to a secret. I listen to Kiss FM
• 1:36
  Speaker 1: on the way to the gym and back, I do.
• 1:39
  Speaker 1: I listen to listen to Ryan. Well, they only play
• 1:42
  Speaker 1: two songs, lea, No, no, no, no, they don't know.
• 1:46
  Speaker 1: They play they play Styles. They play Harry Styles as
• 1:50
  Speaker 1: it were or as it is or whatever. Right, right,
• 1:54
  Speaker 1: that's a little little, nice little song to drive to, right,
• 1:57
  Speaker 1: you know. And then and then they're talking to the
• 1:59
  Speaker 1: Harry Styles face club on the zoom. Right, I think
• 2:01
  Speaker 1: I understand this right now, not me. I did you
• 2:05
  Speaker 1: young and you like that stuff and it's all dreamy
• 2:09
  Speaker 1: and sweet and it's all great, right, and then they
• 2:11
  Speaker 1: play this other song a girl talks about you know,
• 2:14
  Speaker 1: you know, it's like and what is it the hook?
• 2:18
  Speaker 1: It's like and you go at me for hours and
• 2:20
  Speaker 1: hours and hours and it's like and it's like a bluesy,
• 2:25
  Speaker 1: cool hip sexy song. So every time I turn and
• 2:28
  Speaker 1: kiss FM, they play they play the Harry style song
• 2:31
  Speaker 1: and then to play that song. It's like four times
• 2:33
  Speaker 1: in a row. These people what they want, They're in heavy,
• 2:35
  Speaker 1: heavy rotation. Right, people people wanna, you know, listen to
• 2:39
  Speaker 1: Harry and then they want to go to the bond
• 2:42
  Speaker 1: want to do? They want to listen to us talk
• 2:46
  Speaker 1: about I solemnly swear that's what they want to listen to. That.
• 2:49
  Speaker 1: That was just what a transition. This is your I
• 2:55
  Speaker 1: am all In podcast. Hi, I'm Scott Patterson coming to
• 2:59
  Speaker 1: you a live um studio, City, California. I'm joined by
• 3:03
  Speaker 1: out with I Heart Radio and want to let in production.
• 3:05
  Speaker 1: I'm joined by Danielle Romo Taras and the innotable Amy Sugarman.
• 3:12
  Speaker 1: Take it away, guys, I mean, poor Emily just getting sued.
• 3:18
  Speaker 1: She's what does excuse me? First of all, you know,
• 3:22
  Speaker 1: I had a thought I want to share it. Where
• 3:25
  Speaker 1: does Emily And this is getting a little too deep
• 3:28
  Speaker 1: into it right from the back, But where does she
• 3:31
  Speaker 1: get off lecturing anybody about family loyalty? So excellent point
• 3:38
  Speaker 1: that we need to break down. So I'm just gonna
• 3:40
  Speaker 1: say that, right and then we'll go ahead, Well, let's
• 3:44
  Speaker 1: start this thing. Go ahead, let's start this let's just okay.
• 3:47
  Speaker 1: So so we start with the Friday night dinner and
• 3:50
  Speaker 1: immediately Emily is freaking out Tara. Tara read the synopsis.
• 3:57
  Speaker 1: Thanks thanks for me, I appreciate it. Season three, Episode eleven,
• 4:03
  Speaker 1: I solemnly swear. Air date January two thousand three. Synopsis.
• 4:08
  Speaker 1: Emily is getting sued by a former maid, and Lori
• 4:11
  Speaker 1: La has to do a deposition on her behalf. Rory's
• 4:14
  Speaker 1: friendship with Paris is put to the test by the
• 4:16
  Speaker 1: manipulation of Francy plus Suki accidentally goes on a date
• 4:21
  Speaker 1: with a former friend and Lori La meets someone new
• 4:25
  Speaker 1: Juicy Juicy, Juicy Juice. So I know this might be
• 4:31
  Speaker 1: an unpopular opinion, but like I thought, even though Emily
• 4:34
  Speaker 1: is terrible, terrible to the staff, she did make a
• 4:38
  Speaker 1: good argument. I agree. I was like, you're terrible, but
• 4:43
  Speaker 1: you're making a good argument. I did not disagree with her. Yeah,
• 4:47
  Speaker 1: I did not disagree, but I'm also not surprised she's
• 4:51
  Speaker 1: getting sued. Yeah, to your point, though, I was like,
• 4:55
  Speaker 1: oh my god, Emily, you're a wretched And then she
• 4:58
  Speaker 1: made that comparison between first class and coach, and I
• 5:01
  Speaker 1: was like, you know what, I tipped my hat off
• 5:04
  Speaker 1: to you. That was I was a good analogy. Yeah,
• 5:09
  Speaker 1: she's you know, she said she's paying top dollars. She
• 5:12
  Speaker 1: lets him know up front what she expects. She probably says,
• 5:16
  Speaker 1: if if you violate any of these, you're gone. No clumping,
• 5:20
  Speaker 1: no clumping. Yeah, I would definitely be fired. I walk
• 5:24
  Speaker 1: like an elephant. Here's my question, I do I'm loud.
• 5:31
  Speaker 1: I'm a want LAURAA deposed on her side, Like just
• 5:36
  Speaker 1: don't have lawa Lae. Do you know what I'm saying?
• 5:39
  Speaker 1: Who else is going to do it? Why do they
• 5:41
  Speaker 1: need anybody else? Like, just she could be deposed and
• 5:44
  Speaker 1: give her first class thing. Laura is the only one
• 5:47
  Speaker 1: that can do it. It's their only kid, right. But like,
• 5:52
  Speaker 1: if you're a lawyer, I'm the lawyer. But I wouldn't
• 5:55
  Speaker 1: call somebody in for a deposition that I know isn't
• 5:58
  Speaker 1: going to be on my side. Happens every day. What
• 6:01
  Speaker 1: are you talking about? You deposed people that are on
• 6:03
  Speaker 1: your side, and the other side deposes people that are
• 6:06
  Speaker 1: on their side. They get cross examined. Right, But she
• 6:10
  Speaker 1: was being called bye, I assume Emily's lawyer because Emily's
• 6:14
  Speaker 1: lawyer called her so It would be one thing if
• 6:17
  Speaker 1: the other lawyer called her, But why would you put
• 6:19
  Speaker 1: somebody up that's gonna you know, thinks you're like a
• 6:22
  Speaker 1: bad boss. Do you see what I'm saying. I'm explaining
• 6:25
  Speaker 1: this right? You think? No, she expected Laura Lae to
• 6:29
  Speaker 1: be loyal and say nice things. Right, but but again,
• 6:34
  Speaker 1: why does why does she expect Laureaae to be loyal
• 6:38
  Speaker 1: to her when she's been trashing Laura la her entire
• 6:42
  Speaker 1: life and to her face and behind her back, and
• 6:44
  Speaker 1: what a shame she is to the family, and she
• 6:46
  Speaker 1: told all her friends and all of a sudden she's
• 6:48
  Speaker 1: in a little bit of trouble, and she expects all
• 6:50
  Speaker 1: this loyalty and she even admits it. Richard thinks she's
• 6:53
  Speaker 1: too tough on the maids. So why he not getting
• 6:57
  Speaker 1: to posed because he'd say much was a little bit me. Oh,
• 7:01
  Speaker 1: I'm right, it's it's not a lawyer, just a dramatic device.
• 7:06
  Speaker 1: We're all being manipulated by these don't fall for it.
• 7:10
  Speaker 1: You look peeved? Who remember that line? Making I've been
• 7:22
  Speaker 1: waiting all day to say that, And they kind of
• 7:24
  Speaker 1: moved it along like Richard's in London, helping tricks so
• 7:28
  Speaker 1: I guess we're going to see more of tricks. The
• 7:30
  Speaker 1: mere mention of that name. You don't care for Marian Rod.
• 7:36
  Speaker 1: I do I love Marion Ross. I do not character
• 7:40
  Speaker 1: I think I established it. But yeah, I thought it
• 7:43
  Speaker 1: was a really seamless, well acted, beautifully paced, well lit
• 7:49
  Speaker 1: uh episode and the beginning it's really started out really
• 7:53
  Speaker 1: well and it was smooth and seamless, and it was
• 7:55
  Speaker 1: really put together very nicely. All the elements were woven
• 8:00
  Speaker 1: together really really nicely. That house is fancy, yeah, and
• 8:03
  Speaker 1: I didn't notice the house more in this one, and
• 8:05
  Speaker 1: it looked really great. And especially yes, I noticed the
• 8:10
  Speaker 1: same thing like when they're in that. Maybe it's just
• 8:11
  Speaker 1: we got a different angle at it, but it's like
• 8:13
  Speaker 1: that is a grand living, right, They're not messing around.
• 8:18
  Speaker 1: There's a lot of beautiful fireplaces in this episode. Did
• 8:23
  Speaker 1: you guys notice that there was a lot of fires
• 8:25
  Speaker 1: going multiple winter right, so it's like, yeah, cozy. There
• 8:30
  Speaker 1: was a lot of beanies again, a lot of scarfs,
• 8:33
  Speaker 1: a lot of beanies. At least there was one scene
• 8:35
  Speaker 1: where it was at night where I'm like, okay, the
• 8:37
  Speaker 1: temperature probably dropped a bit set yeah, but then the
• 8:42
  Speaker 1: asphalt is so wet. How do they do that again?
• 8:44
  Speaker 1: I know you've told us down you never shoot at
• 8:49
  Speaker 1: night without hosing it down. Even daytime. They just hose
• 8:52
  Speaker 1: it down before they shoot because it glistens, it looks better. Yeah,
• 8:57
  Speaker 1: which it did. So I noticed right a way that
• 9:00
  Speaker 1: Billy Burke was in the credits right away, right, I
• 9:04
  Speaker 1: like that guy Harley from Twilight. Yep, he went on
• 9:07
  Speaker 1: to do Twilight, so this was sort of like preliminary
• 9:10
  Speaker 1: and then he also is on Star now is he
• 9:16
  Speaker 1: played sort of? Oh that's one of those shows, right, well,
• 9:19
  Speaker 1: they do. They do like twenty of them. There's right,
• 9:22
  Speaker 1: There's nine one one Los Angeles nine one, and he
• 9:25
  Speaker 1: played like sort of a jerk who comes around. But
• 9:27
  Speaker 1: I like him, and he was in twenty four season two.
• 9:31
  Speaker 1: He was a very bad guy on that. So okay,
• 9:35
  Speaker 1: I know I'm jumping ahead, but we saw his name
• 9:36
  Speaker 1: the credits. How you feeling, Scott about what your girl's
• 9:41
  Speaker 1: got a new guy? It doesn't phase me. It's just
• 9:47
  Speaker 1: some qupie doll with a poofy hair haircut. Who cares?
• 9:52
  Speaker 1: I have to say. He was very smooth, like I
• 9:56
  Speaker 1: I thought he um is Lorelie speed with like their
• 10:00
  Speaker 1: wit and their humor, Like he was able to banter
• 10:02
  Speaker 1: her back and forth with her, and the way he
• 10:05
  Speaker 1: asked her out. I was like, that's yeah, I like it.
• 10:09
  Speaker 1: I love the Michelle gave gave him luralized number two
• 10:15
  Speaker 1: at home, say she's up until three am whatever. Yeah.
• 10:20
  Speaker 1: I didn't think their banter was quite as on when
• 10:22
  Speaker 1: they were at the whatever. That terrible. Yeah. I think
• 10:29
  Speaker 1: he was caught off guard at first, but I think
• 10:31
  Speaker 1: he can hang, just based off of my initial thought
• 10:33
  Speaker 1: of him. He can definitely hang, and he has the
• 10:36
  Speaker 1: same wit that Loralai does. He just wasn't expecting it
• 10:39
  Speaker 1: at first. Yeah, he had like CE game and then
• 10:42
  Speaker 1: a game. Scott thoughts, we see your wheels spin in
• 10:47
  Speaker 1: there next. Do you think you can watch it with
• 10:54
  Speaker 1: fair eyes? No? Yeah, That's why I'm not really going
• 10:59
  Speaker 1: to comment. Yeah, it's just they just keep doing this now.
• 11:03
  Speaker 1: I'm like, you know, it's like, all right, been there,
• 11:07
  Speaker 1: done that. He's not gonna make the gray. I get it.
• 11:12
  Speaker 1: Oh yeah, Daniel, there's a few more coming before. I'm
• 11:15
  Speaker 1: still not quite over Max Medina. Medina. I was like
• 11:18
  Speaker 1: really hopeful for that one, but that's you were hopeful
• 11:23
  Speaker 1: for that one you weren't. It was like the first
• 11:26
  Speaker 1: one I got, you know, that was too I liked him. Yeah,
• 11:31
  Speaker 1: I like Christopher. I mean obviously sorry, sorry Luke. All right,
• 11:42
  Speaker 1: So then we go to the kitchen and there's a
• 11:47
  Speaker 1: big old fight between Stookie and Jackson that was kind
• 11:50
  Speaker 1: of like ugly over pee tendrils and Brussels sprouts, and
• 11:52
  Speaker 1: then it ends with like I love you, kiss kiss.
• 11:55
  Speaker 1: It's always about so toxic. I was just like whoa
• 11:59
  Speaker 1: just yelling at each other and then with the flip
• 12:01
  Speaker 1: of a switch, they're like, love you. What do you think?
• 12:05
  Speaker 1: I thought it was great? You know it wasn't. It
• 12:07
  Speaker 1: wasn't real real, But I mean, you know, yeah, you
• 12:12
  Speaker 1: argue with your spouse at times and it can get
• 12:14
  Speaker 1: pretty loud and you're kissing makeup. I mean it's not
• 12:19
  Speaker 1: it's not ever that fast. You know. That's you know,
• 12:25
  Speaker 1: that's compressed reality. There. What are p tendrils? I have
• 12:29
  Speaker 1: no idea. I like Brussels sprouts. Do you love I
• 12:34
  Speaker 1: do brussel? It depends. I mean if you dip them
• 12:37
  Speaker 1: in some kind of butter sauce, throaka and then cover
• 12:41
  Speaker 1: them in chocolate, I still just I'm blown away by
• 12:44
  Speaker 1: how the kitchen just is always I know I say
• 12:48
  Speaker 1: it every week, but it's just like filled with the
• 12:49
  Speaker 1: most amazing cakes and things. There was a lot of
• 12:54
  Speaker 1: stuff in that kitchen, all right. So then we go
• 12:57
  Speaker 1: to Chilton. Way, did you see this still image? I did?
• 13:03
  Speaker 1: I did, and I noticed it, and you're so right, Yeah,
• 13:07
  Speaker 1: thank you so much? Way too obvious of what the
• 13:11
  Speaker 1: clown pillow? No, what are you talking about? So you
• 13:15
  Speaker 1: know I've been complaining about like when they show the
• 13:18
  Speaker 1: exterior of the inn and they show the exterior of
• 13:20
  Speaker 1: Chilton's photo, they did it again, and this one I
• 13:24
  Speaker 1: didn't notice it. We're going to start now that I
• 13:29
  Speaker 1: pointed it out. Yeah, I think now that you said it,
• 13:32
  Speaker 1: how I'm like, especially you said it was Chilton and
• 13:34
  Speaker 1: where else it was the house in oh and there
• 13:37
  Speaker 1: was one of the house. But that got better in
• 13:40
  Speaker 1: this episode because I liked that exterior shot of her
• 13:42
  Speaker 1: still on the phone. But Scott like, what is that
• 13:45
  Speaker 1: just cheaper to use a photo so that they don't
• 13:48
  Speaker 1: have to go and like, shoot, I don't know that
• 13:51
  Speaker 1: that's a photo. I mean, that's probably not a photo.
• 13:54
  Speaker 1: It's a you know, they they shot that with the
• 13:58
  Speaker 1: with the movie camera, you know, Yeah, can you go
• 14:02
  Speaker 1: back and look at it and come back to me
• 14:04
  Speaker 1: on this? I can think of is like maybe the
• 14:08
  Speaker 1: interior is obviously a set, so the exterior isn't well wait, Scott, Yeah,
• 14:14
  Speaker 1: where was Chilton? It wasn't on the lot, right, Chiltern. No,
• 14:21
  Speaker 1: it's somewhere else did I make that? God? Where where?
• 14:26
  Speaker 1: I don't know where they shot you. Maybe someone can
• 14:27
  Speaker 1: do a quick google on that. And interestingly, the inn,
• 14:31
  Speaker 1: what the inn exterior isn't on the lot either, So
• 14:34
  Speaker 1: they're using images because they don't have them. But even
• 14:40
  Speaker 1: if they would have shot video Greystone Manner Mansion, that
• 14:45
  Speaker 1: probably that sounds right. Yeah, because we shot we I
• 14:48
  Speaker 1: think we shot the hurt Rory's graduation over there, Beverly Hills,
• 14:52
  Speaker 1: Greystone there. We should take up field trip there too
• 14:58
  Speaker 1: and just take selfies everywhere. Yeah, okay, so we're seeing
• 15:08
  Speaker 1: sort of this is Paris, and Paris was a baller.
• 15:11
  Speaker 1: At first, I thought she was so baller because she
• 15:14
  Speaker 1: completely knew what Francy was up to and was like,
• 15:17
  Speaker 1: I already negotiated it for the Wadsworth mansion and we
• 15:21
  Speaker 1: saved money and we're giving the telescope and I was like, Bravo, Yeah, yeah,
• 15:27
  Speaker 1: she knows what she's doing. Francy is uh, you know,
• 15:32
  Speaker 1: as diabolical and as clever as she tried to appear
• 15:37
  Speaker 1: to be. Can I ask you something just a logic
• 15:41
  Speaker 1: thing and it could be really obvious to you guys,
• 15:43
  Speaker 1: And I just don't get it. Please, Um, where did
• 15:48
  Speaker 1: she get the photos? So I'm assuming took the photos?
• 15:53
  Speaker 1: And why didn't Rory say who took these photos? Or no?
• 15:56
  Speaker 1: When she was handing them to Paris and saying, you know,
• 15:58
  Speaker 1: Roy stabbed in the back. Why didn't Paris, who's so smart,
• 16:02
  Speaker 1: say wait a minute, where did you get these photos?
• 16:04
  Speaker 1: Who took them? You're setting Rory up? I mean, what
• 16:08
  Speaker 1: is going on with these photos? Seemed so I'm assuming
• 16:12
  Speaker 1: someone was hiding in the garage. Somebody was hiding in
• 16:15
  Speaker 1: the garage. How did she get her hands ahold of them? Well?
• 16:18
  Speaker 1: And also where was that garage? Like that a lot.
• 16:23
  Speaker 1: I have a lot to think about the garage Of
• 16:26
  Speaker 1: all places you as somebody to meet you, why would
• 16:29
  Speaker 1: you say dark garage like literally that? When that scene
• 16:34
  Speaker 1: opened up, I was like, oh, and this is the
• 16:36
  Speaker 1: part of Gilmore Girls where Rory gets kidnapped. Okay, So
• 16:40
  Speaker 1: that whole scene wasn't homage to um uh the Watergate
• 16:45
  Speaker 1: movie All the President's Men with Robert Redford and Dustin
• 16:49
  Speaker 1: Hoffman in that was they exactly. They did a very
• 16:53
  Speaker 1: good job depicting that Deep Throat scene too. So so
• 16:57
  Speaker 1: Robert Redford had a source inside the White House feeding
• 17:00
  Speaker 1: him information, and he was communicating with him in unusual ways,
• 17:05
  Speaker 1: like Robert Redford could not contact this guy via phone
• 17:10
  Speaker 1: or meet him. It's like put a red flag in
• 17:12
  Speaker 1: your flower, put on your balcony airplane, and this is
• 17:15
  Speaker 1: where we'll meet and I'll tell you. And and so
• 17:18
  Speaker 1: how Holbrook played Deep Throat and this was a real
• 17:22
  Speaker 1: These are based on real events, right right. They just
• 17:24
  Speaker 1: had a CNN documentary. So you know, Deep Throat would
• 17:28
  Speaker 1: would feed Robert Redford clues because Robert Redford played a
• 17:32
  Speaker 1: reporter for the he played you know, Burnt it was
• 17:34
  Speaker 1: Woodward and Bernstein Um for the Washington Post when Ben
• 17:39
  Speaker 1: Bradley was the senior editor um at the heyday of
• 17:42
  Speaker 1: the Washington Post, Um when it was a truly powerful,
• 17:47
  Speaker 1: uh bastion of of great journalism. But but anyway, so
• 17:52
  Speaker 1: that whole scene that you saw with between Gilmore was
• 17:55
  Speaker 1: it was an homage to that scene. So Emily what's
• 17:59
  Speaker 1: her Name's her name? Francy Francie was playing deep throat
• 18:02
  Speaker 1: and and uh Rory was supposed to be Robert Redford. Yeah,
• 18:06
  Speaker 1: you wouldn't think that if Paris is so quick and
• 18:09
  Speaker 1: so smart, which she is, which like we already just
• 18:12
  Speaker 1: saw it with what she did about the mansion and
• 18:14
  Speaker 1: the whole meeting, and she's she was rightfully pissed at
• 18:17
  Speaker 1: the teacher. I thought that made sense, like why was
• 18:19
  Speaker 1: the teacher just letting this impromptu meeting happen? But anyway,
• 18:23
  Speaker 1: but why didn't you question the photos? And why would
• 18:26
  Speaker 1: she just assume we all know Francis? Why would we
• 18:30
  Speaker 1: just Pis questions said, like, you set Rory up, you
• 18:34
  Speaker 1: took photos, you're giving me the photos, You're trying to
• 18:36
  Speaker 1: dupe me? What the hell is going on with this
• 18:38
  Speaker 1: power play? It's it's in the fencing class. She kind
• 18:41
  Speaker 1: of she said that she knew she was being manipulated,
• 18:44
  Speaker 1: that she knew that Francy was just being a dumb
• 18:46
  Speaker 1: dumb and that she was just like, but why did
• 18:49
  Speaker 1: you tell her about Jamie? Right? I thought Harris made
• 18:52
  Speaker 1: a great point there. It was like she did Paris
• 18:55
  Speaker 1: was probably right. She just was like wait, defencing with
• 19:03
  Speaker 1: the parking garage, like does Chiltern have that big of
• 19:05
  Speaker 1: a parking that. I was like, that's what threw me off,
• 19:09
  Speaker 1: more like yes, like it was very weird. And then
• 19:11
  Speaker 1: she disappeared. But I was like, where is this parking garage?
• 19:14
  Speaker 1: And they that giant parking lot? Why lord l I
• 19:17
  Speaker 1: always gets to park the jeep right in front and
• 19:19
  Speaker 1: runs down below that was supposed to be the children
• 19:22
  Speaker 1: parking garage because it certainly look like cy parking garage.
• 19:25
  Speaker 1: It did not look like literally thought it was Century City. Yeah,
• 19:28
  Speaker 1: that's what they were going for the homage to all
• 19:31
  Speaker 1: the presidents. Meant, okay, thank you for that, because I
• 19:33
  Speaker 1: was not. And they nailed it too, because because as
• 19:36
  Speaker 1: soon as I saw that first shot at the garage,
• 19:38
  Speaker 1: I go, oh, they're going to do an homage to
• 19:40
  Speaker 1: all the presidents because they nailed it. They nailed it,
• 19:43
  Speaker 1: like scene for scene or shot for shot one of us.
• 19:47
  Speaker 1: It was really even with the car alarm going off.
• 19:50
  Speaker 1: I don't think they didn't have car alarms back then,
• 19:52
  Speaker 1: but at least it was kind of spooky, because remember
• 19:57
  Speaker 1: when she gets the plane and then all of a sudden,
• 19:59
  Speaker 1: like the was gone, Like it was like there was
• 20:04
  Speaker 1: a little and Francis lighter and the later. But that's
• 20:08
  Speaker 1: but that's the mood that they created in the original
• 20:10
  Speaker 1: and all the President's men is that, oh my god,
• 20:13
  Speaker 1: this could be a setup to get assassinated, to get shot,
• 20:16
  Speaker 1: because I mean people were you know, people were gonna
• 20:18
  Speaker 1: you know, Nixon was disappearing people. Yeah, it was, it was.
• 20:22
  Speaker 1: It was really a dead on homage. That's funny. It
• 20:26
  Speaker 1: was funny when they told what's our doozy to hum
• 20:28
  Speaker 1: to herself? Madeline, Oh my god, and Louise is like,
• 20:33
  Speaker 1: hum to yourself. And then Paris says like, hey, can
• 20:36
  Speaker 1: you poke John Williams and tell him that cut the score?
• 20:41
  Speaker 1: That was a very clever line. So okay, so now
• 20:47
  Speaker 1: it's just on it's Rory versus Francy. So pretend we
• 20:50
  Speaker 1: haven't gotten to the garage Seene yet and we're just
• 20:53
  Speaker 1: backed up to the you know, student council meeting, and
• 20:57
  Speaker 1: it's like, oh, those two and I mean Francie has
• 21:02
  Speaker 1: just gone totally evil, totally evil. But if Paris doesn't
• 21:08
  Speaker 1: question where the photos came from, and why she's feeding
• 21:10
  Speaker 1: her this information? Then I'm not going along for the ride.
• 21:14
  Speaker 1: So I don't think she's evil. I think it's kind
• 21:16
  Speaker 1: of dumb. I don't disagree. Paris got emotional instead of
• 21:22
  Speaker 1: like steady about it, where she's like, wait, Murray's not
• 21:25
  Speaker 1: going to like screw me over Francy? Is Johnny done
• 21:29
  Speaker 1: it once? Anyway? And so again again it's an homage.
• 21:36
  Speaker 1: I don't know that there were photographs ever produced in
• 21:39
  Speaker 1: any scene in the garage with how Redford. I don't
• 21:44
  Speaker 1: think there were. It was just quiet conversation and obscure clues.
• 21:49
  Speaker 1: He wouldn't tell him anything directly. And now Emily's lawyer
• 21:52
  Speaker 1: is calling and Lorela is going to be deposed. Have
• 21:54
  Speaker 1: you ever been deposed? Have you guys? Mm hmmm, A
• 22:01
  Speaker 1: couple of couple of times? Is it terrible? What's it like? Um? Gosh, Well,
• 22:10
  Speaker 1: it depends on the lawyer. The lawyer that was deposing
• 22:12
  Speaker 1: me was so stupid that um uh, I just kept
• 22:18
  Speaker 1: correcting him, and so it was frustrating for him and
• 22:21
  Speaker 1: kind of easy for me. And then the second time
• 22:25
  Speaker 1: I was deposed it was a fancier lawyer, but they
• 22:29
  Speaker 1: were equally as dumb because and it's like in a conference,
• 22:33
  Speaker 1: rate don't Yeah, but the thing is is um um
• 22:40
  Speaker 1: when you when you're when you're on the side of right,
• 22:43
  Speaker 1: when you're telling the truth, it's it's it's easy to
• 22:46
  Speaker 1: be relaxed and and confident when the other side is
• 22:54
  Speaker 1: lying there trying too hard. You know. Oh, I kind
• 23:00
  Speaker 1: of wish. So now we go to truly the most
• 23:06
  Speaker 1: boring like class whatever that was presentation, Like, how did
• 23:11
  Speaker 1: that guy get his voice to be so boring? Oh?
• 23:14
  Speaker 1: That was great? Like and then they made a cootie catcher.
• 23:21
  Speaker 1: Remember those? I didn't know that's what it was called.
• 23:24
  Speaker 1: I didn't know that's what it was called either. They
• 23:26
  Speaker 1: said it in the episode because there was the other
• 23:29
  Speaker 1: name for it, fortune teller. Like literally we all did those, yeah,
• 23:34
  Speaker 1: a little for we had those. We had slam books.
• 23:36
  Speaker 1: Did you ever have slam books? No, it's a slam book.
• 23:40
  Speaker 1: I don't remember. But you'd write in it and then
• 23:42
  Speaker 1: you'd pass it along. You wouldn't know, and you'd write
• 23:45
  Speaker 1: all these like what do you think about Marcy? That
• 23:48
  Speaker 1: is now called the burn Book. That's called a book
• 23:51
  Speaker 1: called a slam book? What about Mash remember mash back house,
• 24:00
  Speaker 1: So you'd like draw something out that said mash, and
• 24:03
  Speaker 1: then you'd like you make like a spiral and then
• 24:06
  Speaker 1: the person says stuck, and then you count the lines
• 24:09
  Speaker 1: and then you figure out like who they're going to marry,
• 24:11
  Speaker 1: how many kids are gonna have? Are they a brother
• 24:13
  Speaker 1: to mansion, an apartment, a shack or a house pet pet? Yeah, yeah,
• 24:19
  Speaker 1: you'd go counting around. Yeah, that's what that's like. My
• 24:24
  Speaker 1: son's your book. I just went through it in all
• 24:27
  Speaker 1: the fifth graders did their thing and the hags. It's like,
• 24:35
  Speaker 1: I'm going to go to Harvard. I'm going to be
• 24:37
  Speaker 1: a colder and then I'm going to live in a
• 24:40
  Speaker 1: huge house and I'm going to have a dog, two kids,
• 24:43
  Speaker 1: and a wife. Like, oh my god, wait they write hags?
• 24:48
  Speaker 1: Do they still do? K I T? Keep in touch
• 24:53
  Speaker 1: and I didn't have no hags was definitely the vibe. Yeah,
• 24:59
  Speaker 1: keep in touch, k I T. I mean I'm from them.
• 25:03
  Speaker 1: We turned into have a great Summer. Oh okay, so
• 25:07
  Speaker 1: truly the most boring class. But at least we get
• 25:10
  Speaker 1: to the feet cookies and we meet Joe and Alex
• 25:14
  Speaker 1: Billy Burke, and then that's pretty funny. Did you think
• 25:17
  Speaker 1: it was funny with Melissa McCarthy and Joe That was
• 25:20
  Speaker 1: the best scene. That was the best scene in the
• 25:23
  Speaker 1: entire uh episode. That was Melissa at her best. Yeah,
• 25:30
  Speaker 1: Bung the Feldster, Oh god. And that the other guy
• 25:34
  Speaker 1: was great too. I mean they just matched up beautifully.
• 25:36
  Speaker 1: They were great, He was great, and they were just
• 25:42
  Speaker 1: both on fire. Those are really hard scenes to play
• 25:46
  Speaker 1: because of the energy that's required, the speed of him
• 25:48
  Speaker 1: in the excitement. She's just she's wonderful to watch, didn't
• 25:51
  Speaker 1: she right times? Oh my god. It's really sad that
• 25:56
  Speaker 1: it took her I don't know what ten years before
• 25:59
  Speaker 1: she got what she Mike and Molly in two thousand
• 26:01
  Speaker 1: and ten. Yeah, she was kind of blowing up at
• 26:03
  Speaker 1: the same time when she got Bridesmaids. But wait a minute,
• 26:06
  Speaker 1: no, no no, she did Mike and Molly and then she
• 26:08
  Speaker 1: did bridesmaid right, It was kind of simultaneous, so it
• 26:11
  Speaker 1: was sort of like she probably had shot Bridesmaids. I
• 26:13
  Speaker 1: don't know. She had to fight to get Mike and Molly.
• 26:16
  Speaker 1: That was a Warner Brothers show, and she still had
• 26:17
  Speaker 1: to fight to get that well, and she was very
• 26:20
  Speaker 1: secondary in Bridesmaids. She was not Yeah, yeah, but she
• 26:24
  Speaker 1: won an oscar? Didn't she got not? Didn't she win
• 26:27
  Speaker 1: or she got nominated. Somebody's gonna have to look that.
• 26:30
  Speaker 1: I think she won an oscar. She was nominated for
• 26:32
  Speaker 1: an Oscar. For bridesmaid she won the Emmy. Oh, somebody's
• 26:36
  Speaker 1: gonna it's a movie. Mike and Molly was from sixteen
• 26:40
  Speaker 1: in Bridesmaids was even so yeah the beginning to She
• 26:46
  Speaker 1: has won two Oscars, one for Best Actress in nineteen,
• 26:50
  Speaker 1: which was from a movie that weird movie where she
• 26:53
  Speaker 1: was like a book librarian or plagiarizing people. Best Supporting
• 26:57
  Speaker 1: and best Supporting in for Bridesmaids. I believe you because
• 27:02
  Speaker 1: Bridesmaids come out, Oh yeah, that would make I mean,
• 27:06
  Speaker 1: but I agree with you. That scene, you're like, they
• 27:08
  Speaker 1: were making it so funny, and then it was funny
• 27:11
  Speaker 1: to see Lora like, oh what about fat So and
• 27:14
  Speaker 1: Bruiser Bacon or whatever she was saying, like they're kind
• 27:17
  Speaker 1: of doing the bid. Yeah right, yeah, she she's gotta
• 27:21
  Speaker 1: she's gotta be honey, honey youngman. Throughout her entire waking,
• 27:25
  Speaker 1: she was best supporting for Bridesmaids, right, best supporting. Yeah,
• 27:30
  Speaker 1: and she won. Right small part, guys, her part was
• 27:33
  Speaker 1: not that big. The most memorable like scenes, that's the thing, right,
• 27:38
  Speaker 1: did you notice something at the end of that scene
• 27:40
  Speaker 1: when they're at the so the scene where it's Suki
• 27:46
  Speaker 1: and Joe talking about the Feldster and the whole thing,
• 27:49
  Speaker 1: and then Billy Burke, Alex and Loraaly are chatting and
• 27:53
  Speaker 1: then he walks away and they're looking they're looking behind
• 27:57
  Speaker 1: each other. He looks back and then he goes on,
• 28:01
  Speaker 1: and then she looks back and it was like, I
• 28:04
  Speaker 1: think he's a cutie. I agree, same. All right, So
• 28:13
  Speaker 1: we're back at the cafeteria in Paris and Rory your
• 28:15
  Speaker 1: friends and parents of drinking our red bull and Rory's
• 28:18
  Speaker 1: having our handsons. Oh you know what's got you go? First? Start?
• 28:21
  Speaker 1: You gotta say I forgot about Handson's, Like I was
• 28:24
  Speaker 1: watching the episode, like do they still sell them? I
• 28:27
  Speaker 1: don't know. It sort of became Lacroix. Don't you think
• 28:30
  Speaker 1: I love the handsOn anyway? Sorry, Hanson was filled with sugar,
• 28:33
  Speaker 1: but we have to google and everything scot sugar. What
• 28:36
  Speaker 1: isn't filled with sugar? Yogurt's got shared her apple sauces water.
• 28:42
  Speaker 1: I'm talking about brand name soft drinks. Yeah, but did
• 28:46
  Speaker 1: you know yogurt and apple sauce are just like for
• 28:49
  Speaker 1: sure everything bread, breadhash, sugar just like turn to sugar.
• 28:55
  Speaker 1: You know, salt has sugar in it, pepper sugar. I
• 28:59
  Speaker 1: love sugar some Uh, Scott, here's my question for you.
• 29:02
  Speaker 1: So you're doing a cafeteria scene right like that, right,
• 29:06
  Speaker 1: and we hear them talking, but we hear ambient noise
• 29:09
  Speaker 1: right after scene in the cafeteria at Chiltern So Paris
• 29:15
  Speaker 1: and where you're sitting there and they're talking and you
• 29:17
  Speaker 1: hear them perfectly, but you also know you're in the cafeteria.
• 29:20
  Speaker 1: Is that added later? Oh wow? Okay, so it's very
• 29:25
  Speaker 1: quiet in there they do their lines. Yeah, they're all
• 29:29
  Speaker 1: they're all miming. They're all background miming. They're not making
• 29:32
  Speaker 1: I mean, they make a tiny little bit of noise
• 29:34
  Speaker 1: they have to when they move or they lift or whatever.
• 29:37
  Speaker 1: But you know, the first a D is like everybody
• 29:40
  Speaker 1: in the background quiet and just moving your mouths, no words,
• 29:44
  Speaker 1: don't click your forks on the plate, don't move around
• 29:47
  Speaker 1: too much. You know this kind of god, background acting
• 29:49
  Speaker 1: is so hard, like even when I just opened my drink,
• 29:51
  Speaker 1: it makes noise, like we're not good at that. You
• 29:55
  Speaker 1: couldn't do that in the background scene. You don't open
• 29:57
  Speaker 1: up a can and you can't have a science experiments
• 30:01
  Speaker 1: going on. Yeah, we don't really watch the background noise
• 30:04
  Speaker 1: on this. Can everybody hear my phone beeping in the
• 30:07
  Speaker 1: other room? It's so bad? Okay, so the plane comes in.
• 30:12
  Speaker 1: Now we've set up the parking lot meeting, which we
• 30:14
  Speaker 1: kind of talked about. I knew Francie was full of crap.
• 30:19
  Speaker 1: Oh yeah, oh yeah bombed. Rory fell for it me too.
• 30:26
  Speaker 1: I thought she was, you know, smarter. Yeah, Jesus, she
• 30:30
  Speaker 1: got sucked in. She but that's her nature. She she
• 30:33
  Speaker 1: she wants to be friends, she wants to be positive,
• 30:36
  Speaker 1: she wants to trust people. Yeah, like last week we
• 30:38
  Speaker 1: saw her defending pairs and then now it's like she's
• 30:41
  Speaker 1: still in the middle where she's like naive and trying
• 30:44
  Speaker 1: to help at some time. Yeah, and Francis like no
• 30:47
  Speaker 1: more fighty fight e and then like Rory shook her hand.
• 30:52
  Speaker 1: Friends sort of, it was such a b Yes, did
• 30:56
  Speaker 1: you know? It was a weird choice. And I don't
• 30:58
  Speaker 1: know if it was like directed or what she starts
• 31:00
  Speaker 1: putting on eyeliner. That's a random. I kind of liked
• 31:05
  Speaker 1: it because that was her stick Like she was all
• 31:07
  Speaker 1: about like the hem on the skirt, and I was
• 31:11
  Speaker 1: like her the photos. I just wrote my notes. I
• 31:15
  Speaker 1: don't believe her. Don't fall for that. All right, Okay,
• 31:21
  Speaker 1: So now we're at the end and Suki realizes she's
• 31:25
  Speaker 1: on a date, and that was freaking hilarious. Um, I'm
• 31:31
  Speaker 1: a whore. That's nice. Favorite line of the whole episode is, yeah,
• 31:38
  Speaker 1: that's up there for me. You know what was gross? Though?
• 31:41
  Speaker 1: You guys tell me you guys noticed the grossest thing ever?
• 31:45
  Speaker 1: What thank from kitchen? Yes? Um to gross things. Joe
• 31:56
  Speaker 1: did not wash his hands and started cutting up personally
• 32:02
  Speaker 1: grosser than that, they take the spoon to taste. They
• 32:09
  Speaker 1: they do that all the time though in this show,
• 32:11
  Speaker 1: like Suba's all the time. That's so gross. Please tell
• 32:15
  Speaker 1: me they don't do that in real kitchens. Has anyone
• 32:20
  Speaker 1: here worked in a rail restaurant? Like, I know you
• 32:22
  Speaker 1: owned our scot but like, have you ever worked in
• 32:25
  Speaker 1: a restaurant? God? Yeah? Many? Were you a waiter? Ever? Yes?
• 32:35
  Speaker 1: I was a waiter in God? Where was I? No?
• 32:38
  Speaker 1: I never really did those jobs when I lived in
• 32:40
  Speaker 1: New York, Um, what did I was a waiter in
• 32:45
  Speaker 1: North Carolina. I was I sucked at it. I really was,
• 32:50
  Speaker 1: Oh my god, wait, were you guys ever waiters? I
• 32:53
  Speaker 1: worked every job you can imagine. I worked only at
• 32:56
  Speaker 1: Lord's ice Cream And like, I'm sure we did gross
• 32:59
  Speaker 1: stuff it. Like I used to say, I used to
• 33:02
  Speaker 1: sell Cartridge Inc. To offices at five am printing printer
• 33:11
  Speaker 1: two people who didn't lamp this Life of a Star. Right,
• 33:16
  Speaker 1: all right, so Joe's there. What if we think about
• 33:19
  Speaker 1: that whole sort of back and forth. I thought it
• 33:22
  Speaker 1: was cute. I thought it was cute. I also was like,
• 33:25
  Speaker 1: this is so suki or shoot, just go right over
• 33:28
  Speaker 1: her head, like had no clue what she was signing
• 33:32
  Speaker 1: up for. That guy was darling. We kind of get
• 33:36
  Speaker 1: through that, and then we had to Luke's. We see
• 33:40
  Speaker 1: Luke and you ran out of food. No, it was
• 33:44
  Speaker 1: just his fault. It was the only mentioned of just
• 33:46
  Speaker 1: this episode. He was supposed to the food. He was
• 33:48
  Speaker 1: given the responsibility. He didn't fulfill it. Something Luke's ever
• 33:54
  Speaker 1: giving him that responsibility. But yet, what you gotta you know,
• 34:00
  Speaker 1: how is he gonna learn responsibility unless you can depend
• 34:05
  Speaker 1: on him, and you know he screwed up. True, Okay,
• 34:09
  Speaker 1: I will say it was a little um, what's the
• 34:13
  Speaker 1: right word, not tough, but like I definitely missed just
• 34:18
  Speaker 1: and Dean in this episode. Yeah, this episode was a
• 34:21
  Speaker 1: little flat, wasn't it. It lacked real punch and I
• 34:25
  Speaker 1: know that they tried to provide the kitty punch with
• 34:29
  Speaker 1: with the Paris and Francine and Rory stuff, but it
• 34:32
  Speaker 1: just didn't. It just just didn't miss her up when
• 34:35
  Speaker 1: you have so many episodes back to back about Dean
• 34:38
  Speaker 1: and Jess and then you just go to like you
• 34:40
  Speaker 1: don't even see that. You're right, that's what's missing. Yeah, Yeah,
• 34:43
  Speaker 1: you're right, that's what was missing in this. You know,
• 34:46
  Speaker 1: they got us, right, they got us kind of addicted
• 34:50
  Speaker 1: to this whole thing, and then they just pull the
• 34:51
  Speaker 1: rug out and it's not there, and you know, you're
• 34:54
  Speaker 1: dealing with this sort of illogical sort of story Shenani. Yeah,
• 35:00
  Speaker 1: and it's just but I gotta tell you, I thought
• 35:04
  Speaker 1: the you know, minus the logic holes, it was great.
• 35:09
  Speaker 1: It was a really seamless episode in terms of the acting. Yeah.
• 35:12
  Speaker 1: I don't mind, no, no no, but really it did lack
• 35:15
  Speaker 1: some punch. I agree with you girls. Yeah, even though
• 35:18
  Speaker 1: you guys are kind of like talking about it, it's
• 35:20
  Speaker 1: very you know, not to dude, Like, there's not like
• 35:25
  Speaker 1: any drama. There's not anything. It's very cute episode. There's
• 35:31
  Speaker 1: nothing polarizing about it, like you're watching it, but there's
• 35:34
  Speaker 1: not really much of an opinion to be had. Yeah, right,
• 35:39
  Speaker 1: because we also are notf so like horrified by Emily,
• 35:43
  Speaker 1: Like we know she's kind of like bad to her employees,
• 35:46
  Speaker 1: and we're like, look at that tracks And then I
• 35:49
  Speaker 1: think the only gut punches when Paris and Rory are
• 35:52
  Speaker 1: fencing and they're trying to like sort of go back
• 35:54
  Speaker 1: and forth about this, and Harris is like, you were
• 35:57
  Speaker 1: my best friend. I thought you were my best friend.
• 36:00
  Speaker 1: That was like a little bit. I was sad that
• 36:03
  Speaker 1: hurt me. Yeah. I do have to give it to
• 36:06
  Speaker 1: Paris for bringing her own soap to the bathroom. That
• 36:10
  Speaker 1: was very progressive of her. Did anyway I miss that
• 36:13
  Speaker 1: you missed it? Rewind is the bathroom scene where Francy
• 36:17
  Speaker 1: goes up to Paris and Paris is like, you know whatever,
• 36:20
  Speaker 1: and then she puts a soap back in her first.
• 36:23
  Speaker 1: That's so she was ahead every time. Oh my god.
• 36:29
  Speaker 1: All right, So then we go back to the Gilmore's
• 36:30
  Speaker 1: and we're Emily's reading the transcripts from the deposition, which
• 36:36
  Speaker 1: was funny. It was funny. It was funny. But again
• 36:40
  Speaker 1: it's like, where do you get off asking for family
• 36:43
  Speaker 1: loyalty when you've been trashing your daughter since she's got pregnant.
• 36:48
  Speaker 1: But imagine how humiliated Laurel I was time and time
• 36:54
  Speaker 1: and time again knowing that her mother was stabbing her
• 36:57
  Speaker 1: in the back to all her friends and all of
• 37:00
  Speaker 1: Richard and Emily's friends and everybody that would listen. What
• 37:02
  Speaker 1: a disappointment this girl is. They do it to her face,
• 37:05
  Speaker 1: they do it behind her back, year after year after year,
• 37:07
  Speaker 1: They condescend to her year after year after year, and
• 37:10
  Speaker 1: then all of a sudden, Hey, I need you right.
• 37:16
  Speaker 1: Do you make an excellent point? You make a completely
• 37:19
  Speaker 1: excellent valid point for me. On top of that is,
• 37:24
  Speaker 1: why are you having somebody tested by on your behalf
• 37:28
  Speaker 1: that you know thinks you're a bad boss. I don't
• 37:33
  Speaker 1: get that. Well, it just shows how much of a
• 37:36
  Speaker 1: bubble Emily lives in. You know, how completely I mean,
• 37:42
  Speaker 1: people throw around this word too much I think narcissistic.
• 37:45
  Speaker 1: She is, but self centered and the world revolves around
• 37:49
  Speaker 1: her and so on and so forth. I mean, my god,
• 37:51
  Speaker 1: this is this is the girl that you just criticize
• 37:55
  Speaker 1: had nausea. I do love when Emily reads it back
• 37:59
  Speaker 1: to Laura was like, yeah, that didn't sound pretty bad. Huh.
• 38:02
  Speaker 1: Like She's like, oh, yeah, that's probably why I shouldn't
• 38:04
  Speaker 1: have said that, and she just goes on so many tangents. Squashes, gross,
• 38:10
  Speaker 1: the blood drid ended up happening in the cafeteria. Didn't
• 38:13
  Speaker 1: Rory stop that? And then I thought she lost the
• 38:17
  Speaker 1: fight or something, because Francy was like, I know the
• 38:19
  Speaker 1: code or whatever, like the you know, yeah, but then
• 38:22
  Speaker 1: they said like dismissed, like they dismissed it. I don't know.
• 38:26
  Speaker 1: I thought that was It's not my favorite episode. I
• 38:31
  Speaker 1: don't think I hated it as much as you all did.
• 38:35
  Speaker 1: There's just nothing really I enjoyed it too. I agree,
• 38:38
  Speaker 1: I enjoyed watching it. I got some chuckles out of it,
• 38:41
  Speaker 1: but when the illogic stuff started popping, it's hard to
• 38:45
  Speaker 1: stay with it. A bad episode of Gilmore is still
• 38:48
  Speaker 1: better than Yeah, but they set the bar so high
• 38:54
  Speaker 1: for that show. Because there's so many like, mind blowingly
• 38:58
  Speaker 1: great shows if one just doesn't you know the scene
• 39:05
  Speaker 1: with Jackson and Suki when she makes him the whole
• 39:07
  Speaker 1: fancy dinner and then he's like, you jated on me.
• 39:10
  Speaker 1: She's like, I accidentally flirted. She was at her best?
• 39:15
  Speaker 1: Don't you think Melissa was really Yeah, this was a
• 39:17
  Speaker 1: big episode for Melissa. Yeah, the last two have been
• 39:20
  Speaker 1: big for Melissa. She's really showing off her skills. She's
• 39:25
  Speaker 1: really really like coming into her own. Um. Yeah, she's great.
• 39:29
  Speaker 1: And then we get the very cute little scene on
• 39:32
  Speaker 1: the phone. Although it looked like Alex lives at Max's apartment,
• 39:36
  Speaker 1: I'm like, did they're just like jigger max is. But
• 39:40
  Speaker 1: I'd always like to make the boy have like a
• 39:42
  Speaker 1: masculine like. I don't know to like established, but anyway,
• 39:47
  Speaker 1: I thought that was very cute. I loved her pink
• 39:49
  Speaker 1: and red sweater as she's talking to him and she's
• 39:52
  Speaker 1: very flirty, and I love the little back and forth.
• 39:53
  Speaker 1: And then I love how the camera goes outside and
• 39:56
  Speaker 1: you see her still talking, you hear her still talking,
• 39:58
  Speaker 1: and the fire very cute. So that's cute. It was
• 40:02
  Speaker 1: so cute. I think it's setting us up for some
• 40:05
  Speaker 1: good episodes to come. I could be done with Francy.
• 40:08
  Speaker 1: I could have been done last week. Yeah, she should
• 40:13
  Speaker 1: have been gone after Rory went up to her in
• 40:14
  Speaker 1: the bathroom. I could have That could have been the end.
• 40:17
  Speaker 1: If you're gonna play mean girl, you have to play
• 40:18
  Speaker 1: at Regina George style or just not at all. Yeah,
• 40:21
  Speaker 1: which one's Regina George the blondie and mean girl? Yeah,
• 40:25
  Speaker 1: Rachel mcgth, Rachel mcgatheth, you have to play it like her.
• 40:29
  Speaker 1: That's a very good point because they she started off
• 40:31
  Speaker 1: like a house on fire. That character. I remember how
• 40:34
  Speaker 1: an hour we were. That character had great potential to
• 40:37
  Speaker 1: be really fun and interesting. Yeah, she's too evil. It's
• 40:42
  Speaker 1: like Harris was sort of evil. She was likable. Yeah,
• 40:46
  Speaker 1: and the made thing was funny, but didn't like kind
• 40:50
  Speaker 1: of You got some good jokes out of it, definitely.
• 40:54
  Speaker 1: The deposition thing was funny. It was fun. It was great,
• 40:57
  Speaker 1: but it wasn't It didn't have the heft of like
• 41:00
  Speaker 1: a Gilmour episode, you know, it didn't have it right.
• 41:02
  Speaker 1: I would say the part I liked was Suki and Joe,
• 41:07
  Speaker 1: because I also like that someone else liked Suki, but
• 41:10
  Speaker 1: we haven't seen that, and that was cute and makes
• 41:12
  Speaker 1: the marriage kind of cuter. And then I like that
• 41:15
  Speaker 1: we're getting a new love interest for lowera Lie because
• 41:17
  Speaker 1: I feel like it's time. So we're coming off that
• 41:19
  Speaker 1: last episode right where we were so just on fire.
• 41:23
  Speaker 1: We're coming off of just wait, No, I messed up?
• 41:29
  Speaker 1: What comes after Thanksgiving? Oh? The Fair, the Winter Fair. Yeah,
• 41:33
  Speaker 1: we're coming off the Dean, the Dean, the West Side Story,
• 41:37
  Speaker 1: Dean and Jess confrontation. Right, we're coming off that stuff.
• 41:40
  Speaker 1: Where is that? Well, guys, it's the it's the early ots.
• 41:47
  Speaker 1: So this was back in the day when February episodes
• 41:51
  Speaker 1: were more important, and we're just in January and November
• 41:54
  Speaker 1: episodes because these were the days of sweeps and those
• 41:57
  Speaker 1: were your big guns you brought out. That was how
• 41:59
  Speaker 1: you termined your advertisers. So it was like, think about it,
• 42:03
  Speaker 1: the Thanksgiving episode and the dance episode. Definitely, we're in
• 42:07
  Speaker 1: November and we're in January right now, which is always
• 42:10
  Speaker 1: going to be sort of the episodes Anuary. And that
• 42:15
  Speaker 1: was pretty good. I have six words. It's give me Luke.
• 42:19
  Speaker 1: Jess and Dean. First of all, uh, you know they're
• 42:29
  Speaker 1: going away from their looks like they're going away from
• 42:32
  Speaker 1: their strength too much. They're sitting there there, big bats
• 42:34
  Speaker 1: on the bench and they're not getting in the game.
• 42:36
  Speaker 1: And you got to watch the B team, you know,
• 42:38
  Speaker 1: and it's it's but it's like you're you're asking, you know,
• 42:43
  Speaker 1: all these minor characters to lift the show. It's like
• 42:48
  Speaker 1: we're missing like you know, Bet and everyone around town,
• 42:51
  Speaker 1: like those little fun you know, Kirk, all of them.
• 42:55
  Speaker 1: I like that they gave Suki a big moment because
• 42:58
  Speaker 1: that was enjoyable. CHRISTI. If it wasn't for Suki, I
• 43:01
  Speaker 1: would have turned this thing off. See. I like the
• 43:04
  Speaker 1: Billie Burke stuff, but I could have done away with Francy.
• 43:06
  Speaker 1: I don't need her. I don't care about her. I
• 43:09
  Speaker 1: like the other two, Madeline and Louise way better. I
• 43:11
  Speaker 1: don't need Francy. Melissa. Melissa stole this episode. She just
• 43:15
  Speaker 1: absolutely owned this episode. I barely even have a favorite
• 43:18
  Speaker 1: line other than the peeved bit. I thought Jackson. I
• 43:21
  Speaker 1: thought Jackson was great too. Yeah, it was his best
• 43:24
  Speaker 1: work so far. He was he was right with her.
• 43:29
  Speaker 1: You know, she's she's challenging. It's hard to keep up
• 43:32
  Speaker 1: with her. She's she's going a million mills and imagine
• 43:35
  Speaker 1: being her scene partner. You better. But you know, the
• 43:39
  Speaker 1: thing is, Melissa's so giving and so generous as an
• 43:42
  Speaker 1: actress that she's giving you so much you can't help.
• 43:45
  Speaker 1: But look in you know what I mean. She she
• 43:47
  Speaker 1: raises your game. So you know what else I like?
• 43:51
  Speaker 1: Is it? Like? So there was like a shout out
• 43:53
  Speaker 1: when they're in the student council meeting to Choke. I
• 43:55
  Speaker 1: like that the references are real places, like that's a
• 43:59
  Speaker 1: real private school, will very similar to children, and they
• 44:01
  Speaker 1: always do that. So I also respect that choke Rosemary Hall. Yeah,
• 44:07
  Speaker 1: where is Choke? I forget, but it's very it's like children.
• 44:10
  Speaker 1: It's in It's either in Connecticut or New York, right,
• 44:14
  Speaker 1: one of those? Yeah, I think it's Connecticut. Oh yeah, Connecticut, Wellingford, Connecticut.
• 44:20
  Speaker 1: Did you guys have favorite lines? I mean yeah, mine
• 44:23
  Speaker 1: was Suki's I'm a whore? Right I accidentally flirted? That
• 44:29
  Speaker 1: was funny. Yeah. I like the the something me say peeved? Yeah,
• 44:35
  Speaker 1: that was mine. Now I have to think of another one.
• 44:39
  Speaker 1: Um god, you know what my favorite line is. Let's
• 44:44
  Speaker 1: just go to pop culture. Thank you. It's going to
• 44:49
  Speaker 1: be my favorite line. I don't want to talk about
• 44:52
  Speaker 1: this episode anymore. What episode is next week? I don't
• 44:55
  Speaker 1: mind when you don't love one, because we can't just
• 44:58
  Speaker 1: be so we love it all. That's that's fair. But listen, listen,
• 45:03
  Speaker 1: I'm being too harsh on it. I think I don't know,
• 45:06
  Speaker 1: you know what. I'm in a bad mood. I'm leaving,
• 45:09
  Speaker 1: you know, because I had to pack tonight and get
• 45:11
  Speaker 1: on a plane and I'm going away all summer and
• 45:13
  Speaker 1: I'm gonna miss my boy and I'm I'm upset. You know. Well,
• 45:17
  Speaker 1: that's fair, that's fair, But you're also correct, like this
• 45:22
  Speaker 1: wasn't It wasn't the best episode, perfect storm. He's all sad.
• 45:30
  Speaker 1: He just needs like a little he needed like the
• 45:32
  Speaker 1: best episode ever, and he got kind of the like
• 45:35
  Speaker 1: needed a better episode than this to cheer me up.
• 45:37
  Speaker 1: But you know, look, I was engaged through the whole thing.
• 45:40
  Speaker 1: I thought it was wonderfully constructed episode. It was. It
• 45:43
  Speaker 1: was well shot, well beautifully acted so much, you know it.
• 45:49
  Speaker 1: I wasn't going to turn it off. I was. I
• 45:51
  Speaker 1: was engaged, but I just didn't think it. I was
• 45:54
  Speaker 1: missing a lot of people. Yeah, I agree, I was
• 45:58
  Speaker 1: missing a lot of people. So you know, it's a
• 46:00
  Speaker 1: big cast. It's hard to get them all in right.
• 46:03
  Speaker 1: And I think I think as a show runner, you
• 46:05
  Speaker 1: want to you want to spread the wealth around, you
• 46:07
  Speaker 1: know what I mean? And you figure you've got a
• 46:10
  Speaker 1: full season order and we're doing great. It's two thousands three,
• 46:13
  Speaker 1: We're on a roll. We gotta hit show, I can,
• 46:15
  Speaker 1: you know, Let's give these other people a chance to
• 46:18
  Speaker 1: really shine. So that's kind of cool, right, So I shouldn't,
• 46:22
  Speaker 1: I shouldn't be so judgy about the show, but I
• 46:25
  Speaker 1: just don't. I just don't like a logic. And I
• 46:28
  Speaker 1: also like that we're not here to just love every
• 46:31
  Speaker 1: second of this. We might have things that we don't like.
• 46:34
  Speaker 1: We have many great episodes to come, by the way,
• 46:37
  Speaker 1: this is like just the beginning. What's next? Season three,
• 46:41
  Speaker 1: episode twelve, Lore Light out of Water. All right, here's
• 46:50
  Speaker 1: here's what stood out a minute second marker ten fifty
• 46:57
  Speaker 1: clown pillow appearance Ladies and Gentlemen number two. Guess who
• 47:03
  Speaker 1: was the voice of Emily's lawyer on Laurelize Answering Machine.
• 47:07
  Speaker 1: You don't tell us a famous person? Well, obviously it
• 47:14
  Speaker 1: could have been like it could have been like um,
• 47:16
  Speaker 1: when Dan Palladino was the like guy climbing the clock
• 47:19
  Speaker 1: tower or whatever that was. Tell us, I don't know,
• 47:21
  Speaker 1: Seth McFarlane, no, oh my god. Um okay. So, the
• 47:27
  Speaker 1: actor that played Suki's friend Joe, also appeared in season
• 47:30
  Speaker 1: one as the waiter at a fancy restaurant where loaurel
• 47:32
  Speaker 1: I had her blind date with Roon. Oh the butter,
• 47:36
  Speaker 1: the butter. The actor's name is Joe Freya. Uh okay.
• 47:43
  Speaker 1: Number four. I want you to notice how Paris brings
• 47:47
  Speaker 1: her own soap to the bathroom. Danielle nice perfect I
• 47:53
  Speaker 1: did not notice that. Um At the number five at
• 47:57
  Speaker 1: the beginning of the fencing scene, Louise has her hair
• 48:01
  Speaker 1: in curlers that I did notice that. Okay, so there
• 48:09
  Speaker 1: you go. Anyway, Thanks everybody for downloading. Uh hey, maybe
• 48:14
  Speaker 1: not our favorite, maybe it wasn't the Gilmore's best, but
• 48:17
  Speaker 1: it was better than everything else that we've seen so
• 48:21
  Speaker 1: in other shows. Thank you, Danielle, thank you Tara, thank
• 48:25
  Speaker 1: you Amy, see you later. We'll see you down the road. Everybody,
• 48:30
  Speaker 1: stay safe. M Hey, everybody, and don't forget Follow us
• 49:03
  Speaker 1: on Instagram at I Am all In podcast and email
• 49:07
  Speaker 1: us at Gilmore at I Heart Radio dot com. Oh
• 49:11
  Speaker 1: you Gilmore fans. If you're looking for the best cup
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  Speaker 1: of coffee in the world, go to my website from
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