Latest / Stuff You Should Know / Short Stuff: Suicide Forest
Transcript
- 0:04Speaker 1: Hey, and welcome to the short Stuff. I'm Josh, and
- 0:06Speaker 1: there's Chuck. Jerry's here, Dave's here, you know how Dave's
- 0:09Speaker 1: here and this is short stuff.
- 0:12Speaker 2: That's right. This is a shorty from Dave Bruce, still
- 0:16Speaker 2: a contributor to houstie works dot com, which is great.
- 0:19Speaker 2: And this one everyone, we want to issue a big
- 0:22Speaker 2: trigger warning. It is about the Aoki Gahara Forest in Japan.
- 0:28Speaker 2: It has another name that people have called it the
- 0:30Speaker 2: suicide forest, and we're going to be talking about that
- 0:33Speaker 2: in this episode. And obviously that's a very touchy subject.
- 0:38Speaker 2: We don't want anyone to be unnecessarily triggered by it,
- 0:42Speaker 2: So don't listen if it's not your jam. And obviously,
- 0:46Speaker 2: if you have some deep seated issues going on in
- 0:50Speaker 2: your life and you've had these kinds of thoughts, you
- 0:52Speaker 2: should call nine to eight eight, the National Suicide Prevention Lifeline.
- 0:56Speaker 1: Yeah, good, good call, Chuck, get a good call.
- 0:59Speaker 2: That's right.
- 1:00Speaker 1: So one of the other names for the Aoki Gahara
- 1:04Speaker 1: Forest is the Jukai, which means the sea of trees,
- 1:07Speaker 1: and it's because it's a huge swath of forest just
- 1:12Speaker 1: in the uniformous forest. Yeah, that's that flanks Mount Fuji,
- 1:15Speaker 1: has beautiful views of Mount Fuji. It's about a couple
- 1:19Speaker 1: hours drive from Tokyo, and I think it built up
- 1:24Speaker 1: over like a lava flow, that from an eruption in
- 1:28Speaker 1: eight sixty four. And one of the reasons that it's
- 1:31Speaker 1: it's famous not just for its views of Mount Fuji,
- 1:34Speaker 1: but because, like you said, it's come to be known
- 1:36Speaker 1: as the suicide Forest, because so many people travel to
- 1:41Speaker 1: Aoki Gihara and never come out on purpose.
- 1:46Speaker 2: That's right. There are no statistics anymore, and I think
- 1:51Speaker 2: this is great that the government of Japan has stopped.
- 1:55Speaker 2: I don't know if they stopped counting, but they at
- 1:57Speaker 2: the very least stopped listing out statistic sticks on the
- 2:01Speaker 2: number of suicides there. I think there were. They stopped
- 2:05Speaker 2: that in sort of the mid twenty teens, but needless
- 2:08Speaker 2: to say, it had happened a lot, and so they said,
- 2:12Speaker 2: we're not going to, you know, publish these numbers anymore,
- 2:13Speaker 2: which is I think the right thing to do. But
- 2:17Speaker 2: where this all came from is sort of an interesting
- 2:20Speaker 2: story because no one knows exactly what it is. We
- 2:23Speaker 2: have some decent ideas. It's probably from these two books.
- 2:28Speaker 2: That came along much later. But for a while people
- 2:30Speaker 2: said it might have been this practice from like when
- 2:34Speaker 2: was this actually.
- 2:36Speaker 1: The show kusimbutsu.
- 2:39Speaker 2: Yeah, Adka had a date on that.
- 2:42Speaker 1: I don't know, Chuck, but it said that it's been
- 2:46Speaker 1: going on for at least a thousand years, or that
- 2:48Speaker 1: it went on for a thousand years, so it went
- 2:51Speaker 1: back quite quite a while.
- 2:53Speaker 2: Yeah, but what we're talking about is a certain sect
- 2:55Speaker 2: of Buddhist monks, aescetic Buddhist monks who would go to
- 3:00Speaker 2: forrests to meditate eventually until they died. They would supposedly
- 3:08Speaker 2: go for like a thousand days. They would subsist on
- 3:10Speaker 2: leaves and bark, and then they would bury themselves alive
- 3:15Speaker 2: and scare quotes to continue that meditation in an underground
- 3:20Speaker 2: crypt in order to sort of mummify themselves while still alive.
- 3:25Speaker 2: And this is something that really happened. They have some
- 3:28Speaker 2: of these mummies on display around Japan, even though scientists
- 3:31Speaker 2: now think that they were mummified after they had passed away.
- 3:35Speaker 1: Yeah, and it wasn't just a process of I'm going
- 3:37Speaker 1: to go bury myself in an underground crypt and stop
- 3:40Speaker 1: eating and drinking like this went on like you said,
- 3:43Speaker 1: for a thousand days, like almost three years. Yeah, and
- 3:47Speaker 1: they would purposely, like eat very little amounts and drink
- 3:50Speaker 1: very little amounts to mummify themselves, right, rather than just die.
- 3:55Speaker 2: Yeah. And so this idea, some people for a while said,
- 3:58Speaker 2: maybe is where people got the idea that this forest
- 4:02Speaker 2: is where you might want to go to do this.
- 4:05Speaker 2: I don't think that's probably true, but maybe we should
- 4:07Speaker 2: take a break and we'll talk about these couple of
- 4:09Speaker 2: books that are probably where this idea came from. All right,
- 4:36Speaker 2: nineteen sixty there's a short story written by a gentleman name.
- 4:41Speaker 2: How would you pronounce that first name? Say, Echo Matsumoto, Yeah, yeah,
- 4:47Speaker 2: all right, and it was called Tower of Waves. Always
- 4:49Speaker 2: depend on you for Japanese pronunciation.
- 4:51Speaker 1: Well, then technically it's Matsumoto. What I say, I'm just
- 4:56Speaker 1: saying if you're depending No, I don't want to misguide you.
- 4:59Speaker 2: No, no, no, no, that's fine. Why are you hitting me with
- 5:03Speaker 2: the ruler right now? It was called Tower of Waves,
- 5:07Speaker 2: and it's basically like a Romeo and Juliet esque plot,
- 5:11Speaker 2: and that there are these young kids in love who
- 5:15Speaker 2: are kept apart by something they can't control, and in
- 5:19Speaker 2: the last scene, the woman writes a farewell letter it's
- 5:23Speaker 2: very clearly Romeo and Juliet and takes a bottle of
- 5:25Speaker 2: pills and goes into that very forest to die. And
- 5:30Speaker 2: so a lot of people say, well, this is the
- 5:32Speaker 2: actual you know, for the first time that forest has
- 5:35Speaker 2: been linked to a suicide, at least in literature.
- 5:39Speaker 1: Yeah, and that's probably part of it for sure. But
- 5:42Speaker 1: I mean in the same way that the so kushimbutsu
- 5:45Speaker 1: maybe gave people the idea of going off to the
- 5:47Speaker 1: woods to die, and this story gave them the idea
- 5:51Speaker 1: of going specifically the Aokigahara forest to die. There was
- 5:59Speaker 1: so we just have to say real quick, the West,
- 6:02Speaker 1: in particular uses the Japanese approach to suicide is kind
- 6:07Speaker 1: of like a Pureian lens to like look through and
- 6:10Speaker 1: be like, wow, this is like, can we can shed
- 6:12Speaker 1: our own baggage or morality about suicide, because to us,
- 6:17Speaker 1: Japanese people are like, sure, kill yourself, that's your own
- 6:20Speaker 1: that's your jam, right, and that's not fair. That's not
- 6:24Speaker 1: how Japanese culture actually views suicide, and in particular, modern
- 6:28Speaker 1: Japanese culture abhors suicide and takes pains to prevent it's
- 6:33Speaker 1: it's a scar on the national psyche. But back in
- 6:36Speaker 1: the day, we would kind of look in on Japan
- 6:40Speaker 1: and see that they had like actual rashes of like
- 6:45Speaker 1: mass hysteria that would lead teenage girls to go jump
- 6:48Speaker 1: in volcanoes, which happened from the twenties to the thirties.
- 6:52Speaker 1: There was one girl in particular whose name was Kiyoko,
- 6:56Speaker 1: and she threw herself into a volcano, an active volcan
- 7:00Speaker 1: know Mount Mahara that wasn't in Ioka Gahara forests, but
- 7:05Speaker 1: it was another example of people going to nature to
- 7:09Speaker 1: take their own lives. And there was an article in
- 7:13Speaker 1: Time from nineteen thirty five that basically almost tongue in cheek,
- 7:17Speaker 1: covered this strange phenomenon in Japan. It really it's not
- 7:24Speaker 1: very kind at all, especially if you step back and
- 7:27Speaker 1: consider the material. But it's a good example of how
- 7:31Speaker 1: we just kind of misunderstand the Japanese approach to suicide.
- 7:35Speaker 1: They care about people taking their lives, there's just there's
- 7:39Speaker 1: not the like religious morality attached to it. It's still tragic,
- 7:45Speaker 1: it's just not you know, a slap in the face
- 7:47Speaker 1: of God if you do that.
- 7:48Speaker 2: In their culture, Yeah, and the government has really come
- 7:52Speaker 2: a long way and messaging this stuff out. They have
- 7:55Speaker 2: their own, of course, prevention in crisis hotlines and things
- 7:58Speaker 2: like that. In this forest. They have trained the employees
- 8:03Speaker 2: that work there and the volunteers who work there to
- 8:06Speaker 2: look out for people who maybe be by themselves or
- 8:09Speaker 2: look troubled. They have security cameras and stuff like that.
- 8:13Speaker 2: They have messages in this park which we'll get to
- 8:16Speaker 2: at the end, like the sign at the end. But
- 8:18Speaker 2: another book that came along that probably had a lot
- 8:21Speaker 2: to do with it as well, was written in nineteen
- 8:24Speaker 2: ninety three in Japanese only called The Complete Suicide Manual
- 8:29Speaker 2: by Wataru Serami Sarumimi Sarumimi.
- 8:37Speaker 1: When I'm not doing very well, well, it's like su
- 8:42Speaker 1: right yeah, but that are really trips you up, so
- 8:45Speaker 1: you're like tou rumy, but you have to say it
- 8:47Speaker 1: like suui, and it just comes out like you're like
- 8:50Speaker 1: blowing a raspberry.
- 8:52Speaker 2: Right, I gotcha. This is from nineteen ninety three, like
- 8:55Speaker 2: I said, and it is, you know, there's no other
- 8:59Speaker 2: way to say it than it is a sort of
- 9:01Speaker 2: step by step ins and out manual of suicide. Whether
- 9:06Speaker 2: it has merit what the drawbacks might be, different ways
- 9:11Speaker 2: that that can happen in order to be successful. And
- 9:14Speaker 2: there is a portion of that book that talks about
- 9:18Speaker 2: this forest and as the perfect place to die, and
- 9:21Speaker 2: some of these manuals apparently have been found with people
- 9:26Speaker 2: who have gone to this forest to do just that.
- 9:29Speaker 2: And you know, like, here's this beautiful, quiet forest. Your
- 9:33Speaker 2: family's not going to stumble upon you, right, You'll just
- 9:35Speaker 2: go on this trip and not come back.
- 9:38Speaker 1: And that's the thing. I think a lot of people
- 9:40Speaker 1: who do this consider like they're considering their families or
- 9:44Speaker 1: their friends. They're sparing them having to find them. But
- 9:47Speaker 1: somebody else is going to probably find you, and they're
- 9:50Speaker 1: going to be scarred by it. So it's not like
- 9:52Speaker 1: this is this doesn't affect anybody, you know, Like it
- 9:55Speaker 1: definitely affects the people who live near the forest, the
- 9:58Speaker 1: people who volunteer to go clean up the forest, and
- 10:02Speaker 1: the police who have to process these bodies too.
- 10:05Speaker 2: So you know, that's sort of the long and short
- 10:09Speaker 2: of it. There we mentioned a sign because they've taken
- 10:11Speaker 2: great measures now to have more awareness on suicide in
- 10:17Speaker 2: Japan and especially around the forest, but there are signs
- 10:20Speaker 2: in the forest and as you enter the forests that
- 10:22Speaker 2: say your life is a precious gift from your parents.
- 10:26Speaker 2: Please think about your parents, siblings and children. Don't keep
- 10:29Speaker 2: it to yourself, talk about your troubles, and then has
- 10:32Speaker 2: their suicide helpline number included, which.
- 10:36Speaker 1: Is great, It really is. So. Yeah, that's the Ioki
- 10:41Speaker 1: Gahada Forest, one of the most unusual places in Japan
- 10:45Speaker 1: and also one of the most beautiful I've heard.
- 10:47Speaker 2: Yeah, the pictures are amazing.
- 10:49Speaker 1: Yeah, and I guess that's it, right, That's right, okay, everybody, Well,
- 10:54Speaker 1: then short stuff is out.
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