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Final Hope E12: Grape Juice Cosmic NOVA! · The Multiverse Collective

• 0:00
  Yeah, I'm so excited to eat this after we're done.
• 0:02
  It's going to be my perfect tonight.
• 0:05
  So I got some papusa, some gorditas, and then a what is
• 0:09
  called bread quesadilla, where essentially what they do is they
• 0:13
  soak a piece of Wonder bread in sweetened condensed milk.
• 0:17
  They put it inside of a quesadilla with a shit load of
• 0:19
  cheese like Chihuahua cheese and then they grill it.
• 0:22
  Holy shit. It's.
• 0:25
  Wild. It's wild.
• 0:27
  I had the same reaction. Look, I tried to be a good role
• 0:32
  model with Murph. He's a good kid.
• 0:36
  But this mafia girl, something about her, it's bad news and I
• 0:40
  know it too. We ended up meeting her lovely
• 0:44
  family by non consensually agreeing to fight her brother to
• 0:51
  the death in a Colosseum made-up of every God and goddess I've
• 0:55
  ever heard of. Where's that bottle of green
• 0:58
  booze? Oh, and the best part?
• 1:01
  Our warm up, I say this with air quotes, was a monster called
• 1:06
  Scylla. But when we were finally
• 1:08
  starting to get the edge over that, that motherfucker Aries
• 1:13
  came in. Well, we were already weak.
• 1:15
  I didn't even get my affairs in order.
• 1:18
  Who's going to inherit MY4O1K? Yeah.
• 1:31
  So we returned to the scene of Murphy, Max and Spencer in this
• 1:36
  Colosseum with a Clevedon half Silla and in the split carcass
• 1:45
  you see Aries in his Obsidian plate male armour with like a
• 1:51
  fine red mist spritzed across. He starts walking towards our
• 1:56
  ranges and every step you can feel the gravity of the
• 2:00
  situation getting worse and worse.
• 2:03
  And Murphy you can you can tell this, you know, this is this is
• 2:07
  now or never. This is the fight.
• 2:09
  This is this is the fight for your woman.
• 2:12
  This is, you know, this information is coming into your
• 2:16
  head. You know, for the longest time,
• 2:17
  this is who she used to love. This is the man who she was
• 2:21
  cheating on her husband with all the time.
• 2:24
  He blinked her. Murphy.
• 2:26
  He blinked her. Not the blinking.
• 2:28
  So yeah, how, how, how do you react to Aries just fucking
• 2:33
  showing up and taking your kill and then acting like he's the
• 2:35
  fucking shit? Yeah, he the first thing Murphy
• 2:39
  does is drop the now empty gun after he shot the tentacle off
• 2:42
  of Cilla. And then he he reforms the the
• 2:46
  swords out of the metal. How how far away are we, I, I
• 2:50
  assume? I assume he's a lot closer to
• 2:53
  Spencer than Mac than Murphy. Yeah, more than likely because
• 2:59
  Spencer was up close and personal.
• 3:01
  OK, so maybe he'll form. He'll form the bow instead of
• 3:05
  the swords. I think what he wants to do is
• 3:10
  he's going to grab the grapple arrow and he's going to fire it
• 3:15
  at Spencer's back to get her away.
• 3:18
  From Aries OK roll plus this would.
• 3:23
  Probably be unleash my powers because I'm using a trick arrow,
• 3:27
  yeah. Which?
• 3:28
  Is plus freak I think, which is unfortunate because I think I
• 3:31
  have a -1 to breed. You know what I should have
• 3:34
  really done during that break on your book?
• 3:36
  I spy on that fucking book. OK, I got a nine even with the
• 3:40
  -1. So I think the easiest thing to
• 3:43
  mark at this point with that would be anger, right?
• 3:47
  Yeah, 100%. Yeah, he, he's mad.
• 3:49
  He wants to fight Aries, even though I know Spencer, he wants,
• 3:52
  he knew Spencer wanted to do it. But this is this is Murphy's
• 3:56
  fight in his eyes. Yeah, 100%.
• 4:00
  So you shoot this arrow and it attaches onto the back of
• 4:03
  Spencer's Ranger armour, and I'm assuming you just yank.
• 4:08
  Yeah, like, what the fuck? And yeah, now, now no one is in
• 4:16
  between you and Aries. You know how how does that feel
• 4:20
  to Spencer? Like being taken away from the
• 4:23
  one enemy you wanted to fight. Oh, Spencer's fucking pissed.
• 4:27
  She was already angry that this kill got taken because she had
• 4:30
  like a plan, but you know the back up plan has now been ripped
• 4:35
  out from under her. She's already pissed off that
• 4:38
  Murphy has been canoodling with a woman that looks exactly like
• 4:42
  Regina. This is the final fucking straw.
• 4:44
  She is livid. She's livid.
• 4:48
  Like she wants to kill something.
• 4:50
  I think Max goes to like catch Spencer and just like puts her
• 4:54
  on the ground and I think Max is just like sitting there like
• 5:00
  Serenity now, Serenity now. Yeah, she she shoves Max off.
• 5:06
  She's not thinking. She is.
• 5:09
  Yeah, she's fully enraged. Anger.
• 5:12
  Max flies up next to Spencer and just gets like, right next to
• 5:15
  her face and it's just like, I wasn't talking to you.
• 5:19
  Go crazy. Yeah.
• 5:26
  Yeah. I mean, I imagine that that
• 5:28
  would take Spencer's action away for this, this particular turn
• 5:32
  and she. Actually turn.
• 5:33
  Again, on the next turn, I think she'd start moving back in that
• 5:36
  direction, but the opposite way of Murphy, if that makes sense.
• 5:42
  Yeah, yeah. OK.
• 5:44
  Yeah. We're going to go back to the
• 5:45
  top because I feel like Max comfort in you would also be the
• 5:48
  use of his or catching you would be the use of his action.
• 5:52
  So, Murphy, what is your first move against this fucking?
• 5:56
  Basically as soon as he's like done the action to pull Spencer
• 6:00
  away, the bow disappears and it just morphs into instead of two
• 6:04
  swords it's one long. Basically imagine the staff but
• 6:07
  it's swords on both ends. So it's a double bladed sword
• 6:10
  and he just sprints full speed at Aries.
• 6:16
  Oh nice. And he is going to just try and
• 6:19
  take him down with martial arts with his staff to directly
• 6:22
  engage a threat. Yeah, I was going to say we'll
• 6:24
  directly engage a threat. I got a six unfortunately so.
• 6:29
  Yeah, you attempt to like, use your martial arts skills that
• 6:33
  you've been honing over these years to beat down Aries.
• 6:37
  But you know, this guy has millennia of practice battle
• 6:42
  like before you were even fucking born to learn all these
• 6:46
  moves. And every single attack that
• 6:49
  you're doing is parrying or just deflecting.
• 6:52
  And he, 100% my effort, sweeps your leg and just kicks you
• 6:57
  straight in the stomach and sends you flying back.
• 7:00
  I'm going to give you the condition.
• 7:02
  Insecure or afraid? One of those two, I think.
• 7:04
  I think either one would work better or work OK.
• 7:07
  I think afraid would be better because this is he's in over his
• 7:11
  head at this point, but he doesn't give a shit.
• 7:13
  And yeah, he so he he slides on the ground and he stands up and
• 7:16
  he looks at Aries and he goes. You can't have her.
• 7:20
  She's mine, you know this, this clash comes back again, you see
• 7:24
  just sparks every now and again. Max is just in the background
• 7:32
  like wait didn't she say these were all family?
• 7:36
  Yep. What the fuck?
• 7:40
  Gross and I think with that Spencer is going to dead Sprint
• 7:46
  towards the corpse of Cilla and like use it to get some serious
• 7:51
  elevation because she wants to drop down and suplex Aries like
• 7:58
  get like a full running start from the top of Cilla's cleaved
• 8:03
  into corpse. Would you say that his A Festus
• 8:06
  forged armor is like an insurmountable obstacle perhaps
• 8:10
  to suplex through? Oh, 100%.
• 8:13
  OK, sick sick. So obviously we're going to use
• 8:17
  one of our special moves, and because I have already increased
• 8:21
  my danger, I want to make a case for physics.
• 8:25
  What physics? Obviously.
• 8:27
  So I'm going to unleash my powers, using my plus three
• 8:30
  danger instead of my normal freak to attempt to suplex Aries
• 8:34
  through his armor. And I'm going to hope I don't
• 8:38
  roll snake eyes, because that would really suck.
• 8:42
  No, we didn't roll snake eyes, boys.
• 8:44
  We rolled the opposite 15 sucking Aries.
• 8:50
  I mean, this is this is the most serious you've ever seen
• 8:52
  Spencer. She's never been this pissed
• 8:54
  off. She's pissed off not only at
• 8:55
  Aries for stealing her fucking kill because she was gonna get
• 8:58
  it, She's also pissed off at Murphy for shooting her with a
• 9:01
  fucking arrow out of nowhere. He's been acting like a little
• 9:04
  asshole for six days, fucking around with this woman that he
• 9:08
  doesn't know. It's a stranger that picked us
• 9:10
  up in a casino and got onto our ship.
• 9:14
  She's pissed off at Max because he's the adult here and he's
• 9:16
  just letting it fucking happen like all of the adults in her
• 9:19
  life do. They just keep letting bad shit
• 9:21
  happen to her and here she is on another planet fighting a
• 9:24
  fucking God and she's pissed. So she's going to suplex the
• 9:27
  shit out of this guy because she doesn't know what else to do.
• 9:30
  Damn. OK.
• 9:31
  Yeah, fair. This is all of the rage in her
• 9:35
  body. Elbow drop off. 100% corpse.
• 9:41
  Of Zilla. You're back certain just
• 9:42
  thinking about it. You full on suplex areas.
• 9:48
  I imagine he's like mid swing with this great sword into
• 9:51
  Ward's Murphy. And as he's like halfway
• 9:54
  through, you land, elbow drop straight on like his trap.
• 10:00
  And you see, you see this Obsidian armour crack and you
• 10:05
  see his feet push into the ground and this crater be
• 10:09
  formed. And he buckles and he falls.
• 10:11
  And you're, you know, you stand up and you're like towering over
• 10:16
  this God, which is unheard of for someone who is mortal.
• 10:21
  Spencer yeah, lets out like a, you know, like a rage scream
• 10:25
  like. A.
• 10:27
  But obviously a lot louder. I've just, I have neighbors and
• 10:30
  I'm not going to do that to them.
• 10:35
  That's why I don't do the rage screams for Rex, because I have
• 10:38
  a sleeping mother next door who already complaints that I wake
• 10:40
  her up. Absolutely fair.
• 10:50
  Max, you see Spencer absolutely just fucking suplex the shit out
• 10:56
  of Aries. All right.
• 10:58
  Max is going to assess the situation.
• 11:02
  OK, That is a 10 exactly. A10 exactly is 2 questions ask
• 11:08
  away. All right, the first question is
• 11:10
  what here is in the greatest danger?
• 11:13
  Aries is bitch ass. Speaking frankly, the three of
• 11:16
  you are in the greatest danger. So we're like all three of us
• 11:19
  are in equal danger. Oh yeah, 100%.
• 11:21
  Great. All right.
• 11:23
  Second question, how could we best end this quickly?
• 11:26
  Let me roll something. I'm not sure if there is a way
• 11:33
  to end this clip quickly. Great.
• 11:35
  A way that a way that Max would be happy to end this quickly.
• 11:40
  I I'm curious because the because I don't think the I
• 11:47
  don't think the I'll. Put it in layman's terms.
• 11:51
  The problem here is Aphrodite. The quickest way to get rid of
• 11:55
  the problem is to get rid of Aphrodite.
• 11:57
  Max is going to Max is going to Can Max see Aphrodite?
• 12:03
  Oh yeah, she sat like in the Colosseum.
• 12:07
  Max is going to fly over and scoop her up.
• 12:10
  OK roll roll plus superior for me.
• 12:16
  That is going to be the cleanest 12 you've ever seen, baby.
• 12:21
  Let's go, we're rolling So fucking hot tonight, boys.
• 12:25
  Except for those two threes. Those don't count.
• 12:31
  You swoop over and pick Aphrodite up out of the seat and
• 12:36
  start floating with her. Oh no, I'm flying out of this
• 12:39
  Coliseum like I am flying full speed out of this Coliseum.
• 12:43
  I'm I'm turning to Spencer and y'all got it.
• 12:48
  She salutes. There's a plan.
• 12:49
  Yeah, Spencer just salutes. There's a plan.
• 12:52
  Don't die and Max flies away with Aphrodite.
• 13:00
  Are are you flying, are you flying straight up or are you
• 13:03
  going to fly over the Colosseum? I'm flying.
• 13:06
  I'm flying like up, up and away. Up and away.
• 13:11
  OK. I'm going to have depending on
• 13:13
  how these next few moves go, we might unlock the trauma and.
• 13:18
  I I think. Is Max gonna die?
• 13:21
  No. Is Max gonna kill Murphy and
• 13:24
  Spencer by leaving? We'll find out.
• 13:27
  God. Can can I attempt to hit Max
• 13:31
  with an arrow of some sort before he leaves my like range?
• 13:36
  Or is that? Or is he just too fast and too
• 13:38
  far away? I feel like it's gonna be a a
• 13:41
  case of too far away. If you want to try it, you've
• 13:44
  already gone. Too far away.
• 13:45
  Too far away. I, I I just I I had an idea if I
• 13:47
  could do it, and if I can't do it then I have another idea.
• 13:50
  OK, I'll let you roll it if you want, but yeah, it'd be at
• 13:55
  disadvantage. All right, I'll take it.
• 13:57
  I'll take the shot. So as as Max as he as Murphy
• 14:01
  sees Max grab Athena and start to fly away his Aphrodite.
• 14:07
  It's cool there's. So many develops earlier and for
• 14:09
  some reason that's stuck in my head.
• 14:12
  I've already hit her once. So as Murphy sees Max scoop up
• 14:18
  Aphrodite and start to fly away, his swords morph back into the
• 14:23
  bow and he takes a shot with an arrow.
• 14:27
  It's a seven. OK, which sucks.
• 14:30
  If I if I had been a disadvantage, it would have been
• 14:32
  9. OK, so I'm going to say you
• 14:36
  shoot this arrow, but because of the onslaught from you know, I'm
• 14:43
  going to say this is at the point where Spencer is suplexing
• 14:49
  Aries and you know, you take aim as this swords coming towards
• 14:53
  you and you're like ready to take the blow from the sword so
• 14:57
  you can get Max. But then this suplex happens and
• 15:02
  it shakes the ground that violent, obviously making the
• 15:05
  crater. And you're stood that close that
• 15:08
  you shoot and you don't end up hitting Max, you end up hitting
• 15:12
  Cersei. And where were you teleporting
• 15:15
  them to? So, so the way I imagine these
• 15:19
  tip transport arrows, because there's a pair of them, is that
• 15:21
  I would have to have another one as like a marker.
• 15:24
  My goal was to hit him with the first one and then bring him to
• 15:26
  a second arrow. If I missed him with the first
• 15:29
  one, I'm not going to tell use the teleport side.
• 15:31
  I'm just going to dispel that arrow basically.
• 15:33
  So she'll still get hit by the arrow.
• 15:34
  I'm just going to basically melt it, OK?
• 15:36
  Yeah. So you just I'm square on here.
• 15:39
  So I was going to bring Max directly down in front of me if
• 15:42
  I could. And you see Solemnicus get
• 15:46
  slightly enraged. Oh, cool.
• 15:49
  No issue. Let's do this.
• 15:51
  Yeah. So that'll be my turn.
• 15:53
  OK, at this point, Aries is standing back up and you know,
• 16:02
  he's like, he's not even noticed that Aphrodite is being flown
• 16:06
  into space. And how would he when he was
• 16:10
  fucking elbow dropped through the floor?
• 16:13
  And he stands back up and this immense pressure that you were
• 16:18
  feeling before, it gets even heavier as you hear this sort of
• 16:24
  low, gruff laugh coming from him.
• 16:28
  He's like, yes, this is the fight I've been aching for for
• 16:32
  years. And then you get like, the
• 16:36
  cracks on the armour start getting deeper and deeper as
• 16:41
  like this aura of just pure malice like, seeps out of him.
• 16:49
  And yeah, what would you, what does Spencer do now that this
• 16:53
  anger? Oh, as this is happening, the
• 16:56
  behemoth that is inhabiting your suit, Spencer, is getting
• 17:01
  angrier and angrier. Yeah, I think, I think it's like
• 17:05
  snowballing out of control. It's like an avalanche of, of
• 17:09
  rage at this point. And it was so validating and
• 17:13
  cathartic when she managed to drop Aries, a fucking God,
• 17:18
  through the floor just by leaping and slamming him down.
• 17:23
  And so I think she's going to, like I said, pop up as fast as
• 17:26
  she can and turn and like square up to him.
• 17:30
  And I think she's going to try and aim a kick straight in his
• 17:35
  fucking head. I think it would just be
• 17:38
  directly engage a threat. I don't want it to be unleasured
• 17:41
  powers because I want to use plus danger if at all possible.
• 17:45
  OK, yeah, go for it. Roll.
• 17:48
  Fuck sake. Why?
• 17:50
  Why is it? Why is it 85 paragraph?
• 17:52
  This is like a cookbook. This.
• 17:54
  Yeah. So directly engage a threat.
• 17:56
  Would be I feel your pain at the moment.
• 17:57
  Would be plus. Danger roll plus danger.
• 18:00
  I rolled A6 on a die but my danger makes it an 8, so with
• 18:06
  that I get to pick 2. No, sorry, I get to pick one.
• 18:10
  Shouldn't it be a nine? Be a nine.
• 18:13
  Because you're right, I can't do.
• 18:14
  Math. You've got 3 in your danger,
• 18:15
  yeah. Yeah.
• 18:16
  OK. None of those kind of.
• 18:18
  Don't worry, I still get to only pick one, which is either
• 18:22
  impress, surprise or frighten the opposition.
• 18:23
  Create an opportunity for my allies.
• 18:25
  Take something from them or resist or avoid their blows.
• 18:29
  And I think the only thing that Spencer cares about right now is
• 18:33
  resisting this onslaught and being able to take a fucking
• 18:36
  punch from Aries. She doesn't care about helping
• 18:39
  Murphy. Murphy's pissed her the fuck
• 18:41
  off. Max is all the way up in the
• 18:42
  sky. There's nothing she can do to
• 18:44
  help him right now. She's not trying to take
• 18:47
  anything off of Aries. If she wins this and is a big
• 18:49
  contributor in Zeus's eyes, she gets her own special armor
• 18:52
  anyway and she's not trying to impress anyone.
• 18:54
  She just wants a fucking fight. OK, yeah.
• 18:56
  You know, you kick him in the head and he sort of doesn't
• 19:00
  flinch from it. And he gets up and he uppercuts
• 19:04
  and it hits you on the jaw, but you don't flinch from it.
• 19:07
  You know, it's like one of those scenes from an action movie
• 19:10
  where the rage has just taken full effect, and it's like
• 19:14
  punching a wall, sort of. You know, you're not moving.
• 19:16
  He's not moving. It's just going to be a slugfest
• 19:19
  from here on out. Yeah, absolutely.
• 19:20
  This is Spencer's favorite kind of fight.
• 19:22
  An equal exchange of blows. This is a, it's a test of
• 19:26
  strength there. There's not an element of of
• 19:29
  skill in this. For her at least.
• 19:31
  She's here to punch and be punched in return.
• 19:38
  Max, what are you doing with Aphrodite?
• 19:42
  What is the upper bound of Max's flight speed, would you say?
• 19:49
  Well, that is a good question. I'm going to say, you know, it
• 19:52
  uses light, right? Obviously I'm not going to say
• 19:55
  it can travel the speed of light because that'll be fucking
• 19:58
  opiate shit, but I'm going to say it can.
• 20:01
  It can travel pretty fast. I'm going to say like, I feel
• 20:03
  like the most he's ever pushed it because he's a responsible
• 20:06
  citizen of Angel Grove is like 60 mile an hour.
• 20:11
  I do you think maths can fly faster than the speed of sound
• 20:15
  at least? I think if he's strained, he's
• 20:17
  strained himself. He probably could.
• 20:20
  He so Max's like going, falls out, and I imagine he picks up
• 20:27
  Aphrodite and there's just a Sonic boom as he leaves the
• 20:33
  Colosseum and flies up into space.
• 20:37
  I would say that's a pretty flamboyant display of my powers.
• 20:41
  So I'm going to use time for the show and that is exactly what I
• 20:45
  needed. I got an 8 so I get to name 1
• 20:49
  NPC present, that being Aphrodite and I will let you
• 20:53
  choose Nile. But the named NPC must either
• 20:57
  volunteer help or information, express admiration or ask for my
• 21:01
  health help. And I think as Max is flying
• 21:05
  further and further up into space, he is just through
• 21:07
  gritted teeth, looking down at Aphrodite with just a disgust
• 21:13
  and like rage that I don't think he's ever felt.
• 21:16
  And he's just through bared teeth as they're flying further
• 21:19
  and further out of this, this atmosphere, he's just like, so
• 21:25
  help me God, if you do not get away from Murphy, I will fly a
• 21:30
  bolt into a fucking black hole. And that will be the end of us.
• 21:33
  Goddamn Bolt. OK, as we have previously
• 21:36
  discussed, Aphrodite looks like Sarah too.
• 21:40
  Oh no, Max doesn't care. You might not care, but it it
• 21:45
  doesn't say that I can't use this to my own advantage.
• 21:49
  You sure can. As you're flying away with
• 21:53
  Aphrodite, who again looks like Sarah, she looks at you and says
• 21:59
  I've always loved you Max, which you know, that is her expressing
• 22:03
  admiration. Right.
• 22:07
  Still didn't expect you to. We're close, but we're 5050 on
• 22:11
  this trauma again. Murphy, what are you doing?
• 22:25
  Oh, OK, let's see. So Aries is currently engaged
• 22:32
  with Spencer. Max is far too out of range to
• 22:37
  do anything about at the moment. Max is in GM stationary orbit.
• 22:45
  Let's see. But what Murphy do I've I've had
• 22:49
  a lot of different things I've been thinking about doing OK,
• 22:54
  all right, so that's that's so I'm going to so Murphy he's
• 22:57
  pissed. Like there's all this shit's
• 22:59
  going on. Spencer is taking his fight that
• 23:02
  he was supposed to take. Max took his woman and something
• 23:07
  within him breaks. So what I'm going to do is I'm
• 23:11
  going to roll what is it 2D6 plus?
• 23:15
  Oh it's plus my current conditions marked so 2 D 6 + 2
• 23:18
  at the moment. OK.
• 23:23
  That's an 11 Sir. That's an 11 which gives me 3
• 23:28
  burn charged up. So I so you channel destructive
• 23:33
  bursts with your power. Spend one burn to directly
• 23:35
  engage a threat using your powers rolling plus freak
• 23:38
  instead of plus danger. If I do, I will cause unwanted
• 23:41
  collateral damage unless I spend another burn.
• 23:44
  Basically what I want to do is I want to fuck up this
• 23:46
  battlefield. Like I'm just want to unleash
• 23:49
  all of this cosmic power. Oh yeah.
• 23:53
  OK, it's not going to be directed at anything
• 23:56
  specifically. It's just going to be everything
• 23:59
  and everyone around me. OK.
• 24:01
  Yeah, OK. OK.
• 24:03
  So I roll plus freak on this. Do it.
• 24:06
  Fucking do it. That's going to change, by the
• 24:08
  way. Now you freak thing.
• 24:10
  But we'll discuss that at a different point.
• 24:12
  That's a 10. Yeah, OK, so oh fuck, I'm not
• 24:16
  going. To spend the extra burden to
• 24:18
  fuck things up or to not fuck things up.
• 24:21
  I will hold that extra bird well.
• 24:23
  Max didn't see this, but Spencer, you see this fucking
• 24:26
  blinding light come out of Murphy's eyes, like all seeing
• 24:31
  light come out of Murphy's eyes and out of nowhere these fucking
• 24:37
  ruptures in the Colosseum floor of this rainbow esque light come
• 24:43
  through as as this rage is seeping out of Murphy and you
• 24:49
  know, purple light, blue light, red light, everything is just
• 24:53
  destroying the the ground around you it it's like an atomic bomb
• 24:58
  just went off underneath the the ground of this Colosseum.
• 25:03
  Would I be able to see this from space?
• 25:04
  You'd be able to see the lights you won't be able to see.
• 25:07
  Specifics like. The specifics of what's going
• 25:09
  on? Spencer, you go down there.
• 25:15
  And you can hear muttering from the crowd and going, Oh my God,
• 25:21
  it, it really is his son. Yeah.
• 25:24
  Underrated like a Narcy black Peter Paul McCartney elevated in
• 25:28
  Orari camo me no safari. I'm the life of the party
• 25:32
  homies. Rami Kemosabe making movies.
• 25:34
  Leonardi, please don't make me catch a body making balls moves
• 25:38
  though cartoons make the ground move when I walk through and I
• 25:41
  stand straight like a bar stool and I'm so clean.
• 25:43
  Look at my shoes. I can cop a Billy if I want to.
• 25:46
  I'd be doing things that you can't do.
• 26:01
  They trying to go dropping this shirt, trying to get a little
• 26:03
  cop, but I don't say a word. Yeah, you know I can do what I
• 26:05
  want. Haters on me to follow but I
• 26:07
  won't. Haters on me to slipper.
• 26:09
  But I don't stop trying to come copy mine.
• 26:10
  Get you home. Yeah.
• 26:11
  No, I can do what I want. Haters on me to follow but I
• 26:14
  won't. Haters on me to slipper but I
• 26:16
  don't stop trying to come copy. Yeah, we get it.
• 26:19
  Y'all think that I'm fake. We get it.
• 26:20
  All y'all do is hate. We get it.
• 26:22
  Y'all think that I'm lame. They speak on my name using me
• 26:24
  profane. Yeah.
• 26:25
  You haters are always the same. That money is all on my brain.
• 26:28
  I think that I'm going the same and I'm running, running till
• 26:33
  I'm at the top and my pocket's deeper than a gunshot.
• 26:35
  And you say you harder, but you know you're not.
• 26:37
  When I drop a song, do you know it's hot?
• 26:38
  I got a new Jack put a drop top and you look sad 'cause you got
• 26:42
  dropped and we put you out like a bus stop.
• 26:44
  If you want to make it, you got one shot and I don't make
• 26:46
  mistakes. If you coming my way to get in
• 26:48
  this case like it was my birthday love, homie, you later
• 26:50
  just take your place and I'll spread it now 'cause I need some
• 26:52
  more space. You running out like some
• 26:53
  ammunition? I'm the reincarnated new
• 26:55
  edition. If you roll with us, you gonna
• 26:57
  have to listen girls on my line like we're going fishing.
• 26:59
  No. I can do what I want.
• 27:01
  Haters on me to follow But I won't.
• 27:02
  Haters on me to slipper. But I don't stop trying to come
• 27:05
  copy mine. Get your own.
• 27:06
  Yeah. No.
• 27:06
  I can do what I want. Haters on me to follow but I
• 27:09
  won't. Haters on me to slipper But I
• 27:11
  don't stop trying to copy mine. Get your own.
• 27:13
  Yeah. You know I can do what I want.
• 27:14
  Haters on me to follow but I won't.
• 27:16
  Haters on me to slipper But I don't stop trying to come copy
• 27:19
  mine. Get your own.
• 27:20
  Yeah. No, I can do what I want.
• 27:21
  Haters on me to follow but I won't.
• 27:23
  Haters on me to slipper But I don't stop trying to copy mine.
• 27:26
  Get your own. Yeah.