Transcript

Rain Tonight · Suspense

0:00
Speaker 1: William N. Robeson.
0:02
Speaker 2: No amount of well-intentioned euphemisms can change the fact that
0:05
Speaker 2: a prison is a prison. Call them maximum or minimum
0:10
Speaker 2: security institutions. Call their inhabitants inmates. But the man on
0:16
Speaker 2: the inside knows better. He's a convict, and he's in stir.
0:20
Speaker 2: And he never stops dreaming of getting out. The author
0:24
Speaker 2: of the tale of suspense you're about to hear knows
0:26
Speaker 2: this well. He spent five years of his life in
0:29
Speaker 2: San Quentin Penitentiary. And the story he tells is based
0:33
Speaker 2: on fact. Listen, listen then as John McIntyre stars in
0:38
Speaker 2: Rain Tonight, which begins in just a moment.
0:42
Speaker 3: Another visit with Joe and Daphne Forsythe.
0:46
Speaker 4: Joe?
0:48
Speaker 1: Yeah, Daphne?
0:49
Speaker 5: Look at this story about savings bonds in the paper.
0:53
Speaker 1: Yeah. What about it?
0:55
Speaker 5: Do you think that's the best way to tell people
0:57
Speaker 5: about savings bonds?
0:58
Speaker 1: Why not?
1:00
Speaker 3: Look, see, it says here that savings bonds are a
1:03
Speaker 3: guaranteed investment. Right now they pay off at the rate
1:06
Speaker 3: of four bucks of maturity for every three bucks invested.
1:12
Speaker 4: Uh-uh.
1:13
Speaker 3: You're not convinced?
1:14
Speaker 1: Uh-uh.
1:15
Speaker 6: Why not?
1:17
Speaker 4: No salesmanship.
1:18
Speaker 1: No salesmanship? What more do you need to know? Well,
1:22
Speaker 1: right now, more.
1:23
Speaker 3: Than 8 million Americans are buying saving bonds regularly through
1:27
Speaker 3: the payroll savings plan. So?
1:30
Speaker 1: So what?
1:32
Speaker 5: That's what I say.
1:33
Speaker 7: So what?
1:34
Speaker 3: Now, look, Daphne, if millions of Americans are convinced that
1:37
Speaker 3: saving bonds are their best investment, not only financially, but
1:42
Speaker 3: for the future of their country, what the heck is
1:45
Speaker 3: bothering you?
1:46
Speaker 5: Well, I think they could sell a lot more with salesmanship.
1:49
Speaker 5: You know, slogans and jingles. Listen, if you're spending more
1:55
Speaker 5: and saving less, try a savings bond.
1:59
Speaker 1: Oh, boy.
2:00
Speaker 5: Or maybe a savings bond pay good, like an investment should.
2:06
Speaker 1: Daffney.
2:07
Speaker 5: You get a lot to like in a savings bond. Interest,
2:11
Speaker 5: earnings guaranteed.
2:13
Speaker 1: Wow.
2:14
Speaker 5: Well, did I sell you?
2:16
Speaker 3: Yeah, but I forgot what it was you were selling.
2:19
Speaker 5: Savings bond.
2:20
Speaker 1: I'll take a hundred. Oh, Joe.
2:24
Speaker 4: And now, Rain Tonight, starring John McIntyre. A tale well
2:32
Speaker 4: calculated to keep you in suspense.
2:51
Speaker 1: It's like I've always said about these joints. Somewhere they
2:55
Speaker 1: forgot something. Somewhere there's a weak point. And if a
2:59
Speaker 1: guy just waits long enough and looks hard enough, he
3:04
Speaker 1: finds it. Sure.
3:06
Speaker 6: You sell those bars?
3:10
Speaker 1: Catalyze? You think I'm stir-happy, don't you?
3:15
Speaker 2: Me?
3:17
Speaker 1: No.
3:19
Speaker 6: But I still could use a light.
3:22
Speaker 1: Here. How long have you known me?
3:27
Speaker 6: Eight years now. Eight years in just this one lock-up.
3:34
Speaker 6: Eight years and 17 before that in another joint. Thinking
3:39
Speaker 6: the same thoughts you've been thinking... And I'm still here.
3:45
Speaker 6: We're all still here.
3:47
Speaker 1: A man wasn't born to live in a cage like this.
3:53
Speaker 1: They didn't send for us, Ben. I know that.
3:58
Speaker 6: I'm tired, Ben. Tired of hearing.
4:02
Speaker 1: What everyone's gonna do. All the angles they got figured.
4:07
Speaker 1: Except nobody can tell you how to stay out of
4:10
Speaker 1: one of these places. That's square, John. Fuck.
4:13
Speaker 6: Maybe so.
4:16
Speaker 1: But we had it. They've thrown away the key for
4:21
Speaker 1: you and me. And you know it.
4:25
Speaker 6: The only way out of here is through that front
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Speaker 6: gate with a piece of parole paper in your hand.
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Speaker 6: Which we'll never have. By the back gate in the
4:36
Speaker 6: black wagon. That's how we're going out, Ben. At Batgate Parole.
4:44
Speaker 1: We'll see.
4:46
Speaker 6: Yeah, we'll see. Must be some of the boys coming
4:53
Speaker 6: back from the board.
4:55
Speaker 1: You know something that's always struck me funny about this place?
4:58
Speaker 8: What?
4:59
Speaker 1: That. Con's ringing a bell to get inside one of
5:03
Speaker 1: these cell blocks, ringing a bell asking to get locked up.
5:06
Speaker 6: Where else are they going to go? This is home.
5:14
Speaker 1: There goes the little saint. Hey, Dominic. Nick. Who's calling?
5:20
Speaker 4: Here, 1410.
5:23
Speaker 1: You want something? You been to the board? Yeah. You
5:27
Speaker 1: must be getting short. I got my time set. I'm
5:30
Speaker 1: going home in 30 days. Good, kid, good. Listen, Dominic,
5:35
Speaker 1: don't let anyone know your business. Especially when it comes
5:38
Speaker 1: to hitting those streets. The kid's happy. He wants to
5:42
Speaker 1: tell everybody the good news, don't you, kid?
5:45
Speaker 9: Yeah, sure.
5:47
Speaker 6: Kid, there are guys in here that don't want you
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Speaker 6: to root those streets. Because they can't. They'll cause you
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Speaker 6: any kind of trouble to make you lose your parole date.
5:59
Speaker 6: Because that's the most precious thing a man can own
6:02
Speaker 6: in here.
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Speaker 10: I don't understand.
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Speaker 1: Why would anyone want to.
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Speaker 6: Go on, go on, shove off.
6:07
Speaker 1: I'll be pulling your cell bar any minute. Mind what
6:10
Speaker 1: I told you.
6:12
Speaker 9: Yeah, sure. Well, thanks, Pop.
6:14
Speaker 1: I'll be seeing you.
6:16
Speaker 9: Huh?
6:17
Speaker 1: Pop, he called you.
6:19
Speaker 6: He's a good kid.
6:22
Speaker 1: There are rare commodities around here. Works in the chapel,
6:26
Speaker 1: don't he?
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Speaker 6: Father O'Day's altar boy. That's why everybody calls him the
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Speaker 6: little saint.
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Speaker 1: Quite a handle. Kids should have never been in here
6:37
Speaker 1: in the first place. What was it? Joy riding with
6:41
Speaker 1: someone else's heap?
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Speaker 6: That's what I hear.
6:45
Speaker 1: I'm going to turn in. Yeah, me too. Sorry I've
6:52
Speaker 1: been so preachy, Ben. But you know how it is.
6:55
Speaker 1: We all get a little tight strong at times. Yeah,
6:59
Speaker 1: I understand. Sure. You know something?
7:06
Speaker 4: What?
7:08
Speaker 1: I think I'll go to chapel this Sunday. Maybe the
7:12
Speaker 1: little saint can show me the way to heaven. Hey, you.
7:26
Speaker 1: Where's the kid? It's the kid. Where's Dominic? You can't
7:32
Speaker 1: talk to him now. He's with the father, serving mass.
7:35
Speaker 1: When's all this over? In a few minutes. Okay, when
7:42
Speaker 1: the kids sue up there, tell them I want to
7:43
Speaker 1: see them. Shh, yourself. Tell them it's real important.
7:50
Speaker 2: Shh.
8:02
Speaker 1: Hey, kid.
8:03
Speaker 7: Huh?
8:04
Speaker 1: Yeah, you.
8:05
Speaker 8: What do you want?
8:07
Speaker 1: I got a favor to ask you. Let's take a
8:10
Speaker 1: walk to the yard. What kind of a favor? Well, you're...
8:16
Speaker 1: You're real short for the streets and a man as
8:19
Speaker 1: short as you just can't afford any sort of trouble,
8:21
Speaker 1: can he? That's for sure. I'm going to keep my
8:24
Speaker 1: nose clean. And you've got some folks outside? Yes. Mother, father, brothers, sisters?
8:30
Speaker 1: I got two brothers. I bet they want to see
8:33
Speaker 1: you real bad. You them too, huh? I ought to
8:37
Speaker 1: be splitting, really. I got some things to do. Wait
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Speaker 1: a minute, kid. You're being awfully impolite to a friend.
8:44
Speaker 1: I still haven't asked a favor I wanted to ask.
8:47
Speaker 1: What is it? Man, how would you like to help
8:51
Speaker 1: an old con like me go home Say, even before
8:54
Speaker 1: you do, how wouldn't that make you feel good?
8:57
Speaker 2: Look, I got a shove.
9:00
Speaker 1: I think you ought to wait, kid. Hear me out. Why?
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Speaker 1: Because you and me are going to form a partnership.
9:08
Speaker 1: We're both going to need each other. Me to make
9:10
Speaker 1: sure I let you keep your health and your parole date.
9:13
Speaker 1: And you to help me crash out of this lousy joint.
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Speaker 7: You're crazy.
9:18
Speaker 1: I don't want anything to do with you. You see
9:22
Speaker 1: that sky up there? That says storm, lots of rain,
9:26
Speaker 1: probably by tomorrow night. Tomorrow afternoon, I want you to
9:30
Speaker 1: see that I get a ducat, that I get called
9:33
Speaker 1: to see the chaplain. Make up any kind of story,
9:35
Speaker 1: personal troubles, my old lady, anything, but make it good.
9:39
Speaker 1: Because before tomorrow night's over, either I'm going to be
9:43
Speaker 1: free or you're going to be dead.
9:52
Speaker 8: In a moment, we can.
10:00
Speaker 4: With the second act of.
10:01
Speaker 10: Suspense.
10:04
Speaker 9: How can heroism be acknowledged and symbolized? Recognition of outstanding
10:09
Speaker 9: heroism takes the form of America's supreme military decoration, the
10:14
Speaker 9: Medal of Honor. It is awarded to those members of
10:17
Speaker 9: the United States Armed Forces who distinguish themselves conspicuously by
10:22
Speaker 9: gallantry and intrepidity at the risk of life above and
10:27
Speaker 9: beyond the call of duty in action involving actual conflict
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Speaker 9: with an enemy. For recipients in the Army and Air Force,
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Speaker 9: the medal is a gold-finished bronze star with the head
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Speaker 9: of the ancient goddess Minerva in the center. A laurel
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Speaker 9: wreath in green enamel surrounds the five-pointed star, which is
10:48
Speaker 9: suspended by two links from a bar bearing the inscription, Valor,
10:54
Speaker 9: and surmounted by an eagle with wings outstretched. The ribbon
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Speaker 9: pad directly above is light blue, with thirteen white stars
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Speaker 9: arranged in the form of a triple chevron. The President
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Speaker 9: of the United States is the only government official authorized
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Speaker 9: to present the Medal of Honor. The award is made
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Speaker 9: by the Commander-in-Chief in the name of Congress, thus accounting
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Speaker 9: for why this highly esteemed decoration is sometimes incorrectly referred
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Speaker 9: to as the Congressional Medal of Honor. Only a very
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Speaker 9: small number of the many millions of U.S. Armed Forces personnel,
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Speaker 9: past and present, have been presented this great symbol of
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Speaker 9: courage to which free men can aspire, the Medal of Honor.
11:44
Speaker 4: And now, starring John McIntyre, Act II of Rain Tonight.
12:04
Speaker 1: Looks like a real star was cooking up. It's early
12:09
Speaker 1: still and already it looks like the middle.
12:11
Speaker 6: Of the night outside.
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Speaker 1: What time is it anyway?
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Speaker 5: 5.30.
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Speaker 6: You know, I used to like the rain as a boy.
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Speaker 6: But in here, it depresses a man. It even sometimes
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Speaker 6: makes him feel afraid and alone. Onion makes everything gray
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Speaker 6: and dreary. Like the preparation for someone to die.
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Speaker 1: Ray! Yeah, 99439. You've got to duck it to the chapel.
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Speaker 1: I'll pull a bar in a few minutes. Be ready
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Speaker 1: to come out of yourself. Yes, sir.
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Speaker 6: What's with this chapel bit?
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Speaker 1: I asked to see the father. You asked to see
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Speaker 1: the father? Yeah, what's wrong with that? Nothing with that.
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Speaker 1: Never quite figured you going to any priest. I got problems.
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Speaker 6: Only problem I've ever known you to have is how
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Speaker 6: to crash out of the place.
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Speaker 1: Suppose you cut the question so I don't have to
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Speaker 1: give you silly answers. Okay.
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Speaker 6: Oh, I get it. I saw you in the yard
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Speaker 6: talking to the little saint yesterday. Now you're getting the ducat.
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Speaker 6: There's got to be a connection.
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Speaker 1: Pop, you're forgetting something you and me learned in the
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Speaker 1: streets a long, long time ago. When nobody knows nothing,
13:34
Speaker 1: then nobody can tell nothing. All out, force here. Well,
13:40
Speaker 1: here I go.
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Speaker 8: You men who are going on ducking, either to school,
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Speaker 8: the chapel.
13:55
Speaker 1: Or the captain's office, you ought to be here at.
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Speaker 8: Five, folks, when your business is complete.
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Speaker 1: You understand?
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Speaker 8: Yeah, I do, I do.
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Speaker 1: When you return here.
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Speaker 8: You'll be taken back to the block for lockup and count.
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Speaker 8: All right, when I call your names, you can leave.
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Speaker 8: Poole Duckett.
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Speaker 1: Johnson. Yes, sir. Jackson. Yes, sir. Chappell. Riggs.
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Speaker 8: Yes, sir. Captain Dawson. Yes, sir.
14:35
Speaker 1: Oh, it's really coming down. Oh, hi, kid. You'll have
14:39
Speaker 1: to wait to see the father. There's somebody ahead of you. Oh,
14:42
Speaker 1: that's fine with me, kid. That gives us time to talk.
14:45
Speaker 1: I can. I've got some things to do. They can wait.
14:48
Speaker 1: This can't. I thought you wanted to see the father.
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Speaker 1: I do, but you first. While we're talking, why don't
14:57
Speaker 1: I take one of these books and be reading?
15:00
Speaker 8: Yeah. Yeah.
15:03
Speaker 1: Let's sit here. Which book should we look at? What's
15:09
Speaker 1: wrong with the Bible? Nothing. Isn't there something in there about...
15:16
Speaker 1: The gates of hell shall never have enough bars or
15:22
Speaker 1: guards around them... That a man of God can't lead
15:25
Speaker 1: his children through? Look, Ben.
15:29
Speaker 6: Why do you want to see the Father?
15:32
Speaker 1: He's getting me out of here. Why? Relax, kid. You
15:35
Speaker 1: ain't going to get hurt. Nobody is unless they get careless.
15:39
Speaker 1: I don't want anything to happen to nobody. I just
15:41
Speaker 1: want out of here. I've looked at these walls long enough.
15:45
Speaker 1: I've tried to beat them twice. I've tried to figure
15:47
Speaker 1: out how to go over them, through them, under them.
15:50
Speaker 1: I've rotted in solitary because of them. And it came
15:54
Speaker 1: to me. You and the father.
15:57
Speaker 6: Why us?
15:58
Speaker 1: I'll tell you why. He came to me the other
16:01
Speaker 1: day when you come by the cell after getting back
16:03
Speaker 1: from the board. I can see the chapel here from
16:06
Speaker 1: my tear window. In fact, I've seen you go to
16:09
Speaker 1: the front gate area with the father almost every night
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Speaker 1: as long as you've been here, kid. That's a little
16:14
Speaker 1: over two years now. He always carries personal stuff in
16:18
Speaker 1: a small traveling case. He leaves every night just around
16:22
Speaker 1: this time, don't he? Yes. Well, how far do you
16:24
Speaker 1: go with him to the front gate? Why? I'm asking you,
16:27
Speaker 1: how far do you go with him?
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Speaker 2: Uh.
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Speaker 1: Right to the gate. Well, then what happened? I hand
16:33
Speaker 1: him his bag. Is that all? You sure now? Yes.
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Speaker 6: All right.
16:39
Speaker 1: Tell it to me step by step. What do you
16:42
Speaker 1: two do when you leave the chapel for the front gate? Well, I.
16:49
Speaker 6: I carry the father's bag. And he tells me about
16:53
Speaker 6: what he wants me to do for him the next day.
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Speaker 1: I walk with him to the gate area... We get
16:58
Speaker 1: a highball from the gate tower, and then we go
17:01
Speaker 1: up to the steel gate, and I hand the father
17:04
Speaker 1: his bag. And then he goes to the main gate
17:07
Speaker 1: by himself. I make that steel gate, and I'm on
17:12
Speaker 1: my way out. Well, what about me? You'll think I'm
17:15
Speaker 1: mixed up with... Tell me up. Nobody's going to get
17:18
Speaker 1: hurt unless they try to play hero. What are you
17:20
Speaker 1: going to do with the father? Nothing permanent. He stays
17:24
Speaker 1: right here in the chapel. Just you and me take
17:26
Speaker 1: that big walk.
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Speaker 4: In a moment, we continue with the third act of.
17:44
Speaker 10: Suspense.
17:48
Speaker 7: We have together a full capacity in freedom to defend freedom.
17:54
Speaker 7: This is NATO, the North Atlantic Treaty Organization. By their alliance,
18:01
Speaker 7: NATO nations pledge settlement of international problems by negotiations in
18:05
Speaker 7: accord with legitimate interests of all. NATO nations seek to
18:10
Speaker 7: end world tensions, to promote peace, economic prosperity, and social
18:15
Speaker 7: progress throughout the world. The United States of America is
18:19
Speaker 7: a part of NATO. You should be aware of and
18:22
Speaker 7: alert to the objectives and programs of the North Atlantic
18:26
Speaker 7: Treaty Organizations.
18:28
Speaker 4: And now, starring John McIntyre, Act 3 of Rain Tonight.
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Speaker 1: Let's get going and tell the father I'm here. No
18:50
Speaker 1: pig-blatting either. What are you going to do with the father?
18:53
Speaker 1: That's not your worry. You tell the father I'm ready
18:56
Speaker 1: to see him. Yes? Riggs is here to see you, Father. Oh, yes, yes.
19:06
Speaker 1: Send him in, please.
19:08
Speaker 7: You can go on in.
19:09
Speaker 1: You too, kid. You come in with me. But you
19:11
Speaker 1: don't need me. Oh, yes, I do. We all stay together.
19:14
Speaker 1: Let's go. So come in, Mr.
19:17
Speaker 8: Riggs.
19:19
Speaker 1: Dominic, you might as well tend to your last-minute chores.
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Speaker 1: I'll be ready to leave shortly. He stays here, Father. Father,
19:26
Speaker 1: he wants to use you to... Shut up. Sit down,
19:27
Speaker 1: the both of you. What is this? I'm sorry, Father,
19:31
Speaker 1: but like I've been telling the kid here, I ain't
19:33
Speaker 1: got no choice. I want to get out of this joint,
19:35
Speaker 1: and you two are my only key. Nobody tries nothing,
19:39
Speaker 1: nobody gets hurt. The shiv I'm holding is just as
19:42
Speaker 1: deadly as any gun. I think you're being very foolish.
19:46
Speaker 1: Whatever unfortunate scheme you have in mind will only end
19:49
Speaker 1: up with someone getting seriously hurt now we can talk
19:53
Speaker 1: things out I'm sure you're a little too late for
19:55
Speaker 1: that father quite a few years too late they've thrown
19:59
Speaker 1: away the key on me so I'm making my own
20:01
Speaker 1: way out please listen to me you can't get out
20:05
Speaker 1: of here this way all they can do is kill
20:07
Speaker 1: me father they can't give me any more time I
20:09
Speaker 1: got it all But why involve Dominic? He's your altar boy, Father.
20:14
Speaker 1: Your right hand. If he wasn't with you every night
20:16
Speaker 1: you'd leave, the bulls would start wondering. That's why he's here, Father.
20:21
Speaker 4: What you have in mind, how does it concern young
20:23
Speaker 4: Dominic or myself?
20:26
Speaker 1: Am I to be ashamed? No, Father. You're in luck.
20:28
Speaker 1: Just me and the kid here take the chances. I
20:31
Speaker 1: can't let you do this. You have no choice. I
20:34
Speaker 1: have a telephone. That was very foolish, Father. You might
20:42
Speaker 1: have got hurt. Now listen to me. You and me,
20:47
Speaker 1: we ain't too much different in size, are we? So
20:49
Speaker 1: all we do is change clothes real quick like. I see.
20:54
Speaker 1: You are going to leave here as me. Why, they'll
20:57
Speaker 1: see through the disguise in a minute. You hear that?
21:01
Speaker 1: Lightning and thunder. Lots of rain. A real storm outside.
21:04
Speaker 1: You ever try to see very far in the rain?
21:07
Speaker 1: Me and the kid here will be in a hurry
21:08
Speaker 1: to get you out of the rain. The gunpowder bulls
21:11
Speaker 1: will be too. After all, the father shouldn't be kept
21:14
Speaker 1: in the rain any longer than necessary. Do you really
21:17
Speaker 1: think this plan will succeed? I have faith, father. What
21:21
Speaker 1: do you have? A prayer. That you hurt not yourself
21:26
Speaker 1: or any others. All right, take off those robes, quick.
21:29
Speaker 1: I wish you would let me persuade you. Just do
21:32
Speaker 1: as I say, Father. If your mind is set, at
21:35
Speaker 1: least leave the boy here. All right, Father, I can't,
21:38
Speaker 1: but I'll leave him between gates for you if he
21:40
Speaker 1: behaves himself. Now, Father, what I got to do, I
21:44
Speaker 1: don't want to do, but I can't take any chances.
21:46
Speaker 1: I'm going to have to gag and tie you up. Now,
21:48
Speaker 1: let's make it as easy on us as possible. No trouble, huh?
21:52
Speaker 1: The trouble is already ours. And I fear terrible trouble.
22:00
Speaker 10: Okay, kid, let's take that walk.
22:10
Speaker 1: No tricks. Everything like it's always been. I hear you. Okay,
22:19
Speaker 1: let's go. Not so fast, kid. Let's make it look natural, like. Here.
22:25
Speaker 1: I'll be trying to cover you like maybe the father would, huh? Hey,
22:35
Speaker 1: we're near the gate tower. What's the father say? Quick,
22:37
Speaker 1: what's the father say when the tower challenges him? Come on.
22:39
Speaker 1: He just says, Father, go day and escort. That's all.
22:43
Speaker 1: You sure? Yes. All right. Here we go.
22:51
Speaker 8: You down there! Identify yourself, please.
22:56
Speaker 7: Father O'Day and escort.
23:00
Speaker 8: All right, Father.
23:02
Speaker 1: You may go ahead. Okay, Jim, let's go. I'll go
23:06
Speaker 1: through between gates for us to follow quick.
23:12
Speaker 6: Good evening, Father.
23:15
Speaker 1: Sure no nice for anyone to be out. Mm-mm. You
23:20
Speaker 1: should have waited the worst of this storm out, Father.
23:24
Speaker 4: Better let me lend you an umbrella.
23:25
Speaker 1: We have one here. Thank you, I'm fine. Well, watch
23:31
Speaker 1: your step, Father. Here's your valise. Father, you forgot your galoshes.
23:40
Speaker 9: Your feet will get all wet.
23:42
Speaker 1: He's right, Father. Hey, you there, those shoes, those prison shoes...
23:47
Speaker 1: You there, ho!
23:50
Speaker 5: Mother of day!
23:53
Speaker 1: Let go of me, you crumb! Let go of me!
23:57
Speaker 1: I'll get you, kid! I'll get you! I'll kill that
24:00
Speaker 1: little squealer! I'll kill that dirty little rat! I heard
24:05
Speaker 1: it's me. I heard it's me. The kid did you
24:12
Speaker 1: a favor, Ben.
24:14
Speaker 7: You might have gone out in that rain.
24:15
Speaker 1: And caught your death of cold.
24:38
Speaker 4: In which John McIntyre starred in William N. Robeson's production
24:42
Speaker 4: of Rain Tonight by Jules Mapland. Supporting John McIntyre in
24:48
Speaker 4: Rain Tonight were Barney Phillips, Tommy Cook, Norm Alden, Jim Nusser,
24:53
Speaker 4: Jay Novello, and Jack Moyles.
24:56
Speaker 1: Listen.
24:58
Speaker 4: Listen again next week when we return with another tale
25:02
Speaker 4: well calculated to keep you in suspense.
25:06
Speaker 1: Thank you.