Latest / Father Brown | G. K. Chesterton Detective Stories / The Mistake of the Machine: Can a Machine Prove Guilt? | Father Brown
Transcript
- 0:08Speaker 1: We present The Mistake of the Machine, adapted by John
- 0:11Speaker 1: Scottney with Andrew Sachs as Father Brown.
- 0:16Speaker 2: Hey, what in tarnation? Where's my flashlight? Hey, who's there? Hey, you,
- 0:26Speaker 2: come here, you, come here.
- 0:27Speaker 3: Now, stop, stop. Stevie.
- 0:30Speaker 2: Leave me, please. Why, come here now. I got a gun.
- 0:34Speaker 2: I don't mind using it. Don't shoot me. I didn't. Oh, Jesus. Well, well,
- 0:39Speaker 2: I just wonder where you're running from, friend. At this
- 0:42Speaker 2: time of night, too.
- 0:43Speaker 3: That's it.
- 0:43Speaker 2: Now, slowly does it. Into the light of my flashlight here.
- 0:47Speaker 2: Let's have a look at you. Look, don't. Don't. Keep
- 0:50Speaker 2: your hands high. Say, you sure are one very unlucky
- 0:54Speaker 2: Irishman to run into me this time of night. Who
- 0:57Speaker 2: the devil are you? The name's Greywood Usher. I'm governor
- 1:00Speaker 2: of the jail here. And I guess I got a
- 1:03Speaker 2: pretty fair idea who the devil you are, stranger. Come
- 1:06Speaker 2: on now, this way. And I strongly advise you don't
- 1:10Speaker 2: try anything funny.
- 1:14Speaker 4: Help yourself to sugar, John.
- 1:15Speaker 5: Oh, thank you, yes. Do you know, this is the
- 1:19Speaker 5: first proper cup of tea I've had since I arrived
- 1:22Speaker 5: in America.
- 1:24Speaker 4: Ah.
- 1:26Speaker 1: Mm.
- 1:27Speaker 5: Mm-hmm-hmm. Well, well, it's good to see you again, old friend.
- 1:34Speaker 5: Tell me, how does the life of a prison chaplain
- 1:37Speaker 5: suit you?
- 1:38Speaker 3: Well, not so bad, John, not so bad. Apart from
- 1:41Speaker 3: the difficulty in getting hold of decency. Yes, and the
- 1:45Speaker 3: governor's theories.
- 1:46Speaker 5: The governor's theories? How do you mean?
- 1:49Speaker 3: Oh, he's a decent enough body, sure enough. Fell in
- 1:51Speaker 3: the name of Greywood Usher. But he's all these ideas
- 1:55Speaker 3: about the Application of scientific method to the detection and
- 1:58Speaker 3: prevention of crime.
- 2:00Speaker 5: Oh.
- 2:01Speaker 3: Yes. And the gadgets, huh?
- 2:04Speaker 5: The gadgets.
- 2:04Speaker 2: Yes.
- 2:05Speaker 3: See, he's got this place full of gadgets. All designed
- 2:08Speaker 3: to demonstrate these theories of his. I can tell you,
- 2:12Speaker 3: they make the good St. Thomas' ontological proof of God's
- 2:15Speaker 3: existence seem simple.
- 2:18Speaker 5: Yes, good old Aquinas. Uh. I wonder how many times
- 2:23Speaker 5: at the seminary we sat up half the night arguing
- 2:25Speaker 5: about him.
- 2:26Speaker 3: Yes. Setting the world and Mother Church to rights.
- 2:30Speaker 4: Ah, the Magrandes.
- 2:31Speaker 1: Amen.
- 2:33Speaker 5: That they were. How on earth did you know I
- 2:37Speaker 5: was in Chicago, Jim?
- 2:39Speaker 3: I read it in the Pink Press.
- 2:41Speaker 5: The Pink.
- 2:41Speaker 3: The terrible so-called society papers they have here. The famous
- 2:45Speaker 3: Father John Brown is visiting our city. Really? Yes, and
- 2:50Speaker 3: I thought to meself, Can that be the little stubby
- 2:53Speaker 3: English fella I knew all those years ago when we
- 2:56Speaker 3: were both studying for the priesthood?
- 2:57Speaker 5: Dear, oh, dear, all this fuss. It's terribly embarrassing.
- 3:00Speaker 3: Not to worry. You've been eclipsed by another visitor from
- 3:04Speaker 3: over the water. Come to grace our fair city, as
- 3:08Speaker 3: they say here.
- 3:09Speaker 4: Seat yourself.
- 3:11Speaker 5: Good heavens. This paper really is pink. Last trick, Todd.
- 3:20Speaker 5: Last trick, Todd. Society's brightest widower is once again on
- 3:24Speaker 5: the freak dinner stunt.
- 3:27Speaker 3: Freak dinner?
- 3:28Speaker 1: Hmm.
- 3:29Speaker 5: This time it's a slum evening. What on earth is
- 3:32Speaker 5: all this about? It's a need, it's idea.
- 3:34Speaker 3: They all go about in fancy dress. Last time, they
- 3:38Speaker 3: had to dress up as babies or nurses. I saw
- 3:41Speaker 3: them myself. His house, Pilgrim's Pond, he calls it. It's
- 3:46Speaker 3: just down the road from here. Now, this time, It's
- 3:49Speaker 3: a slum dinner. They all have to go as tramps,
- 3:54Speaker 3: down and outs and so forth. Oh, good heavens. But
- 3:56Speaker 3: that wasn't the part I meant.
- 3:57Speaker 4: Here.
- 3:59Speaker 3: Listen to this. Tonight, the hospitable Todd entertains Lord Falcon Roy,
- 4:07Speaker 3: a true-blooded British aristocrat fresh from England's Oak Grove.
- 4:12Speaker 5: Oh, say, how can they use that?
- 4:14Speaker 4: Go on, go on. Read the rest of it yourself.
- 4:17Speaker 5: Let me see. Lord Falkenroy is said to have been
- 4:20Speaker 5: in the States in his youth. Fashion rumours a maybe
- 4:25Speaker 5: reason for his return... Fashion rumours a maybe reason for
- 4:31Speaker 5: his return in the person of last trick's only child,
- 4:35Speaker 5: Miss Etta Todd, who comes into a fortune of $ 12 million.
- 4:39Speaker 3: Yes, and they call themselves Republicans. And what do you
- 4:43Speaker 3: make of it, John?
- 4:43Speaker 5: I think the journalist who wrote it should be put
- 4:45Speaker 5: on a charge of murder.
- 4:47Speaker 4: What?
- 4:48Speaker 5: For murdering the English language.
- 4:50Speaker 4: Oh, come in, please.
- 4:52Speaker 2: Father O'Connor.
- 4:53Speaker 4: Oh, Governor.
- 4:54Speaker 2: I didn't know you had company here.
- 4:55Speaker 4: Yes, come in. We were just talking about something, weren't we?
- 5:00Speaker 2: Sit down. Ah, thank you.
- 5:03Speaker 3: Governor, this is an old friend of mine from England,
- 5:06Speaker 3: Father Brown.
- 5:07Speaker 2: Ah, Father... Say, uh... Are you the Father Brown, the
- 5:11Speaker 2: noted criminologist?
- 5:12Speaker 5: Well, I don't know, am I?
- 5:13Speaker 2: Well, didn't I read about you?
- 5:15Speaker 5: Oh, in the pink newspapers.
- 5:17Speaker 4: Oh, dear, yes.
- 5:18Speaker 5: I rather fear you may have done.
- 5:19Speaker 2: Oh, Father Brown, let me shake you by the hand.
- 5:23Speaker 5: Oh, yes.
- 5:24Speaker 2: Usher's the name. Gravewood Usher. It's an honor to have
- 5:28Speaker 2: you in my jail.
- 5:29Speaker 4: Thank you.
- 5:30Speaker 2: If you can spare the time, I'd sure like to
- 5:32Speaker 2: discuss a few matters of mutual interest with you. But
- 5:35Speaker 2: right now, I've got some pretty urgent business with Father
- 5:37Speaker 2: O'Connor here. Now, Father, this is important. In your visits
- 5:42Speaker 2: to the Sequa convict settlement, did you ever come across
- 5:45Speaker 2: one Oscar Ryan? Now, you must know him. He's an
- 5:48Speaker 2: Irish Catholic.
- 5:50Speaker 3: Oscar Ryan?
- 5:50Speaker 4: Yes.
- 5:51Speaker 1: No.
- 5:51Speaker 6: What?
- 5:52Speaker 3: I don't think so. Oscar Ryan? It does sound.
- 5:55Speaker 5: Yeah, yeah.
- 5:57Speaker 1: No.
- 5:57Speaker 5: Sorry, no.
- 5:58Speaker 2: Now, that is a pity. I was hoping you might
- 6:00Speaker 2: be able to identify him. After all, he is a Catholic.
- 6:04Speaker 2: You sure you don't know him?
- 6:05Speaker 4: I'm sure I've come across the name somewhere, though.
- 6:08Speaker 2: Why, you sure have. It's right there in that newspaper
- 6:11Speaker 2: you got in your hand. There, you see? Convict Escapes
- 6:15Speaker 2: from Sequa. That's a convict settlement, Father Brown, about 30
- 6:18Speaker 2: miles from here.
- 6:19Speaker 5: Now, I see.
- 6:20Speaker 2: Apparently, this fella, Oscar Ryan, overpowered the warder on the
- 6:24Speaker 2: north wall and took his gun and jumped down. They
- 6:27Speaker 2: only had one guy on patrol on account it's so
- 6:30Speaker 2: steep and dangerous there.
- 6:32Speaker 3: Didn't they find a note or something?
- 6:33Speaker 2: Well, they sure did. Here, it's in the paper. The
- 6:37Speaker 2: warder was found bound and gagged. Beside him was a
- 6:39Speaker 2: note reading, I've taken the gun, but will use it
- 6:42Speaker 2: only for self-defense.
- 6:43Speaker 5: I mean no.
- 6:44Speaker 2: Harm to any man but one. I'm keeping the bullet
- 6:46Speaker 2: for Pilgrim's Pond.
- 6:48Speaker 5: Pilgrim's Pond, Jim? Isn't that where the.
- 6:50Speaker 4: Yes, it is.
- 6:51Speaker 2: Anyway, boys, have I got news for you.
- 6:54Speaker 4: Yeah.
- 6:57Speaker 2: Jack Hill, he's the governor of secrecy. He's sure going
- 7:00Speaker 2: to eat dirt when he hears what I've got to
- 7:02Speaker 2: tell him. He sure is.
- 7:09Speaker 5: And what's that, Mr.
- 7:10Speaker 4: Archer?
- 7:11Speaker 2: Why, don't you see? I got him. I got him.
- 7:14Speaker 2: I got Oscar Ryan and Cell 25. I got the
- 7:17Speaker 2: guy that bust out of his jail. Locked up safe
- 7:20Speaker 2: in mine. I was out walking. Like the walk in
- 7:25Speaker 2: the evening gives me time to think. That's when I
- 7:27Speaker 2: get my best ideas. Anyway, I saw this figure. Reckon
- 7:30Speaker 2: I know an escaped convict when I see one after
- 7:33Speaker 2: all these years.
- 7:35Speaker 3: How, Governor?
- 7:37Speaker 2: The obviously stolen, rough, ill-fitting clothes. The furtive, frightened manner
- 7:42Speaker 2: when I turn my flashlight on him. That becomes second nature.
- 7:45Speaker 2: You should know that. Didn't recognize him when I first
- 7:48Speaker 2: saw him, though. Then I realized it had to be Ryan. Why? Well,
- 7:54Speaker 2: first there was the Irish accent. Ryan is Irish.
- 7:59Speaker 3: But there are plenty of Irish in these parts, Governor.
- 8:02Speaker 3: I'm glad it wasn't me you saw.
- 8:03Speaker 2: Ah, but he was also in the environs of Pilgrim's Pond.
- 8:08Speaker 2: It wasn't a quarter of a mile behind him. And
- 8:10Speaker 2: that's the place Ryan said he was making for in
- 8:12Speaker 2: his note.
- 8:13Speaker 5: And what about the gun? The gun?
- 8:17Speaker 4: Yes.
- 8:19Speaker 5: Didn't he also say in the note that he was
- 8:20Speaker 5: keeping a bullet for Pilgrim's Pond? I'm sure a bullet
- 8:24Speaker 5: isn't half so useful without a gun.
- 8:26Speaker 2: Well, we found no gun on him. Luckily for me,
- 8:29Speaker 2: I reckon, he must have got rid of it for
- 8:32Speaker 2: some reason.
- 8:32Speaker 5: Or perhaps it had fulfilled its purpose.
- 8:35Speaker 4: Well, I don't know.
- 8:36Speaker 2: Well, say, I'd better go and tell old man Todd
- 8:40Speaker 2: the heat's off. You gentlemen feel like strolling over to
- 8:43Speaker 2: Pilgrim's Pond with me?
- 8:44Speaker 5: I'm afraid I have things to do, Governor.
- 8:47Speaker 1: Ah.
- 8:48Speaker 2: Father Brown, I'd greatly appreciate your company and conversation.
- 8:51Speaker 5: Yes, I'd like a breather there. I find prison slightly enclosed.
- 9:01Speaker 2: As I said, Father Brown, Ayrton Todd is quite character.
- 9:05Speaker 2: He's one of those millionaires who rose on stepping stone.
- 9:09Speaker 5: Oh, yes, of our dead selves to higher things, perhaps.
- 9:14Speaker 3: Yes, yes, that's it.
- 9:15Speaker 2: You know, You English don't do justice to the climbing
- 9:19Speaker 2: and aspiring power of our more remarkable citizens. Now, you
- 9:24Speaker 2: see a good-looking gray-haired man in evening dress, and you
- 9:27Speaker 2: don't realize that ten years ago he might have been
- 9:30Speaker 2: in a tenement or in jail. Todd's like that. He
- 9:34Speaker 2: made his pile pretty fast with the automobile craze. Ten
- 9:38Speaker 2: years ago, he was nothing. You see, I looked him
- 9:42Speaker 2: up in our records. I'm proud of our record system.
- 9:46Speaker 2: I invented it myself.
- 9:47Speaker 1: Oh.
- 9:48Speaker 2: Yes, and I got the jackpot. Seems his little daughter, Etta,
- 9:53Speaker 2: had a childhood sweetheart, an Irish laborer. And when old
- 9:57Speaker 2: man Todd got rich, he threw this idea... Irish fella
- 10:00Speaker 2: out on his ear. Now, you know what his name was?
- 10:03Speaker 3: Uh, no.
- 10:06Speaker 5: No, I can't say that I do.
- 10:07Speaker 2: Ryan O'Shea. Remind you of anything, Ryan O'Shea?
- 10:12Speaker 5: Well, it sounds rather like Oscar Ryan reversed.
- 10:15Speaker 2: Father Brown, I can see your reputation's deserved. Now, it
- 10:19Speaker 2: all makes sense, you see. O'Shea, or Ryan, goes to
- 10:23Speaker 2: the bad. He's jailed for five years. In jail, he
- 10:27Speaker 2: reads all about this English lord and his little Etta,
- 10:30Speaker 2: his childhood sweetheart.
- 10:32Speaker 4: I see.
- 10:32Speaker 2: Anyway, here we are. This is Pilgrim's Pond. I'll ring
- 10:36Speaker 2: the bell. Now, he gets all riled up and decides
- 10:40Speaker 2: to bust out of jail so as to gun for
- 10:43Speaker 2: Iart and Todd, who he believes has ruined his life.
- 10:46Speaker 3: I see.
- 10:49Speaker 4: Good evening, sir.
- 10:50Speaker 3: That it is.
- 10:52Speaker 2: I'm Governor Usher from the penitentiary.
- 10:55Speaker 4: I'd like to speak to Mr. Todd. I'm afraid Mr.
- 10:57Speaker 4: Todd is out, sir. Out? I thought he was having
- 11:01Speaker 4: a party. One of the guests has gone missing, sir.
- 11:04Speaker 4: Lord Falkenroy.
- 11:06Speaker 5: Mr.
- 11:06Speaker 4: Todd and the other guests are out trying to find him. Well,
- 11:09Speaker 4: I'll be. Lord Falkenroy.
- 11:13Speaker 2: Is Miss Etta about?
- 11:14Speaker 4: I believe I saw Miss Etta and a companion getting
- 11:17Speaker 4: into her motor car. Ah. It seems you have just
- 11:21Speaker 4: missed her.
- 11:22Speaker 2: I expect she's helping in the search.
- 11:24Speaker 4: No doubt, sir. Well, when Mr.
- 11:27Speaker 2: Todd gets back, you just tell him not to worry,
- 11:29Speaker 2: because I've caught Oscar Ryan. That's me personally, Governor Usher.
- 11:35Speaker 4: I will convey that message to him, Mr. Usher. What
- 11:41Speaker 4: a fool I've been, Father Brown.
- 11:42Speaker 5: Oh, surely not, Mr.
- 11:43Speaker 4: Usher.
- 11:44Speaker 2: I stupidly thought it was Todd that Ryan was gunning for,
- 11:47Speaker 2: and I was wrong.
- 11:49Speaker 5: Ah.
- 11:49Speaker 1: Nope.
- 11:50Speaker 2: Ryan was after his rival, the Lord Falkenroy, and he
- 11:54Speaker 2: got him. The English Lord Falkenroy, who he learned, was
- 11:57Speaker 2: sweet on his little Etta Todd. That's why he threw
- 12:00Speaker 2: the gun away. He'd slain his rival.
- 12:02Speaker 5: Oh?
- 12:03Speaker 4: It was a.
- 12:03Speaker 2: Crime of jealousy, a crime passionale. After he'd shot Falkenroy,
- 12:10Speaker 2: he'd no further use for the gun and threw the
- 12:12Speaker 2: body in the pond, Pilgrim's Pond itself. It's a pretty
- 12:16Speaker 2: deep pond, that is.
- 12:17Speaker 4: It is?
- 12:18Speaker 3: Yes, it is.
- 12:20Speaker 2: Never mind. I got a trick or two up my
- 12:22Speaker 2: sleeve still, Reverend. Let's get back. There's one or two
- 12:26Speaker 2: things I'd like to show you at the pen. Might
- 12:28Speaker 2: well interest a famous criminologist like yourself.
- 12:34Speaker 4: Did you ever see.
- 12:35Speaker 2: A psychometric detector put into practice?
- 12:38Speaker 3: A what?
- 12:39Speaker 2: It's a pulsometer strapped to a man's wrist. It measures
- 12:43Speaker 2: the heartbeats.
- 12:44Speaker 4: Good heavens, why?
- 12:45Speaker 2: Well, the variations in pulse rate tell me if he's lying.
- 12:49Speaker 3: What?
- 12:50Speaker 2: How? I reckon you English don't cotton to the march
- 12:54Speaker 2: of science in these matters. I intend using the machine
- 12:58Speaker 2: on Oscar Ryan, and in my opinion, the machine can't lie.
- 13:02Speaker 5: No machine can lie, Mr. Usher, nor can it tell
- 13:05Speaker 5: the truth. But how does your machine work?
- 13:08Speaker 2: Well, I simply read a list of words to the
- 13:11Speaker 2: subject and ask him in each case to reply with
- 13:14Speaker 2: the first word that comes into his head. The machine
- 13:18Speaker 2: records variations in his pulse. Now, the trick is to
- 13:22Speaker 2: introduce some word connected with something quite different, yet in
- 13:26Speaker 2: a list in which it occurs quite naturally.
- 13:29Speaker 3: Oh, I see.
- 13:30Speaker 4: I think I do.
- 13:31Speaker 5: If he's agitated by the word, his pulse will jump?
- 13:34Speaker 2: I'll prove to you it works. Now, here's Ryan's cell.
- 13:38Speaker 2: I posted a warder outside.
- 13:40Speaker 5: I thought your system made that unnecessary.
- 13:42Speaker 4: Well, this is a special case. McGurk, how's the prisoner
- 13:46Speaker 4: been behaving?
- 13:47Speaker 5: Not too badly, sir. He seems a bit resentful.
- 13:51Speaker 6: He keeps on demanding to make a telephone call.
- 13:55Speaker 4: A telephone call? Well, open up, will you?
- 14:00Speaker 3: Come on, Roy.
- 14:02Speaker 4: Come on, out you come. There's the governor to see you.
- 14:05Speaker 2: All right. Look, I can't stick this much word.
- 14:08Speaker 4: If you want to.
- 14:09Speaker 5: Know all about.
- 14:10Speaker 4: Trust the governor, sir. Oh, very well. Sir, I.
- 14:13Speaker 2: Sir!
- 14:15Speaker 6: Sir!
- 14:15Speaker 3: Sir!
- 14:19Speaker 2: I said quiet.
- 14:24Speaker 4: Now or you will be in trouble. You were saying, Ryan? Nothing.
- 14:30Speaker 5: What do you want to do with me?
- 14:32Speaker 4: Just a few simple tests. This way.
- 14:42Speaker 2: Now, Ryan, I'm going to say some words to you
- 14:46Speaker 2: And I want you to reply with the first thing
- 14:48Speaker 2: that comes into your head.
- 14:49Speaker 4: Very well.
- 14:50Speaker 3: Right.
- 14:52Speaker 2: Bird. Brain. Oh. Robin.
- 14:58Speaker 7: Good fellow.
- 14:59Speaker 3: Owl.
- 15:00Speaker 2: Waverly pen.
- 15:02Speaker 1: What?
- 15:03Speaker 5: It's an advertisement on the railway. They come as a
- 15:06Speaker 5: boon and a blessing to men, the pickwick, the owl,
- 15:08Speaker 5: and the waverly pen.
- 15:09Speaker 6: Oh.
- 15:11Speaker 4: Wren.
- 15:12Speaker 3: Jenny.
- 15:13Speaker 2: Falcon.
- 15:14Speaker 4: What?
- 15:15Speaker 3: What did you say? Falcon, I said, Mr. Ryan.
- 15:18Speaker 2: Falcon. As in falconery. Falconer.
- 15:25Speaker 5: Canary. Yellow.
- 15:27Speaker 1: All right.
- 15:28Speaker 4: That'll do.
- 15:29Speaker 2: And my telephone call.
- 15:33Speaker 5: McGurk.
- 15:35Speaker 3: Sir.
- 15:36Speaker 2: Take the prisoner to a telephone.
- 15:38Speaker 3: Yes, sir.
- 15:39Speaker 2: Oh, and McGurk, give me your notepad. Oh, yes.
- 15:42Speaker 5: Here it is.
- 15:44Speaker 4: All right.
- 15:45Speaker 2: Now look this up in the files and call me.
- 15:47Speaker 5: Ah, yes, I understand.
- 15:50Speaker 4: Come this way, you.
- 15:58Speaker 2: Well, Father Brown, you saw the way that needle jumped
- 16:01Speaker 2: when I mentioned Falcon. And boy, did you see how
- 16:04Speaker 2: it bounded when I began to make an R afterwards,
- 16:07Speaker 2: like in Falcon Roy, the man he just killed. I
- 16:11Speaker 2: reckon that's a sight more conclusive than a whole lot
- 16:14Speaker 2: of gabble from unreliable human witnesses.
- 16:16Speaker 5: Well, yes, yes, that's just the trouble. Human beings are
- 16:21Speaker 5: so unreliable. Your reliable machine has to be worked by
- 16:25Speaker 5: an unreliable machine.
- 16:27Speaker 2: What unreliable machine?
- 16:28Speaker 5: I mean man, the most unreliable machine I know of.
- 16:32Speaker 2: Do you mean that I.
- 16:32Speaker 5: No, no, no, I don't want to be rude. And
- 16:35Speaker 5: I don't think you will consider man to be an
- 16:37Speaker 5: offensive or inaccurate description of yourself. You observed his manner,
- 16:43Speaker 5: the man you call Ryan, but who's to say he
- 16:47Speaker 5: did not observe yours?
- 16:48Speaker 4: What do you mean?
- 16:50Speaker 5: If you could tell by his manner that the word
- 16:52Speaker 5: that might send him to the electrical chair had come,
- 16:55Speaker 5: why shouldn't he be able to tell from your manner
- 16:58Speaker 5: that you were about to speak that word?
- 17:00Speaker 4: I was cool as a cucumber.
- 17:02Speaker 3: Oh, yes.
- 17:04Speaker 5: Well, criminals can be as cool as cucumbers, too. Though not,
- 17:07Speaker 5: I think, this one. Yes, I'm sure you're fundamentally right.
- 17:12Speaker 5: He was frightened of something.
- 17:13Speaker 4: Well, I'm mightily glad to hear you agree with.
- 17:16Speaker 2: Me about something, Father Brown.
- 17:18Speaker 4: Oh, that must be McGurk.
- 17:22Speaker 2: Yes, McGurk?
- 17:24Speaker 4: Ah, good, good. That's fine.
- 17:26Speaker 2: Mighty fine. We'll be right over.
- 17:30Speaker 1: Uh....
- 17:32Speaker 2: I asked McGurk to check the files on Drugger Doyle.
- 17:35Speaker 2: You recall the name the other prisoner called out when
- 17:37Speaker 2: he saw Ryan?
- 17:38Speaker 5: Yes, yes, Drugger Doyle. It seemed to produce a sort
- 17:41Speaker 5: of reticence in him.
- 17:42Speaker 2: Yeah, well, it seems like McGurk's found something.
- 17:47Speaker 6: Doyle, William, Michael, origin unknown, Quarry, Ireland.
- 17:51Speaker 2: There, you see? Hmm.
- 17:53Speaker 6: Nicknamed Drugger Doyle.
- 17:54Speaker 5: Yes, why was that, Mr McGurk? Well, it seems it.
- 17:57Speaker 6: Was to do with his modus operandi, Father. Apparently he
- 18:00Speaker 6: was a handsome, well-bred semen book.
- 18:02Speaker 2: Well, that fits our man, anyhow.
- 18:04Speaker 6: Oh, that it does, sir. He used to make himself
- 18:07Speaker 6: agreeable to barmaids and shop girls, that sort of poor,
- 18:10Speaker 6: silly creature, and tricked them out of their money.
- 18:13Speaker 5: Oh, he was a species of grafter.
- 18:15Speaker 6: Sometimes, though, he went a great deal farther, and they
- 18:18Speaker 6: were found drugged. With cigarettes or chocolates. And all their property,
- 18:23Speaker 6: everything they had was missing.
- 18:25Speaker 2: Hence the nickname.
- 18:26Speaker 3: Ah, yes, sir.
- 18:27Speaker 6: By then, though, he'd moved on to a bigger game.
- 18:30Speaker 6: The spoiled daughters of the rich. You know the sort.
- 18:34Speaker 6: Rich little darlings whose parents can't refuse them anything.
- 18:39Speaker 2: Eric, I'll have none of your socialism here.
- 18:42Speaker 3: Sorry, sir, sorry.
- 18:43Speaker 6: Anyhow, he was sent down several times. Never got too
- 18:47Speaker 6: long a sentence. Then one day... He overdid the dose.
- 18:51Speaker 6: One of his victims was found dead, and Doyle disappeared
- 18:54Speaker 6: from Chicago.
- 18:55Speaker 5: What a mean, depraved creature this Doyle sounds.
- 18:58Speaker 4: Sure does, Father.
- 19:00Speaker 2: Well, with this against him, he'll be lucky to escape
- 19:03Speaker 2: the chair.
- 19:04Speaker 4: Even if we don't find Falcon.
- 19:06Speaker 6: Sir, sir, it says here that a character answering Doyle's
- 19:09Speaker 6: description later turned up in New York, suspected of defrauding
- 19:14Speaker 6: a wealthy widow out of over a million dollars.
- 19:17Speaker 4: What?
- 19:18Speaker 6: Then he disappeared. That was 1908, sir.
- 19:22Speaker 2: Five years ago, just about the time Ryan was put away.
- 19:25Speaker 2: I reckon my machine and my record system have just
- 19:29Speaker 2: about done for Ryan. Ryan equals Doyle equals the electric
- 19:33Speaker 2: hot seat.
- 19:34Speaker 5: What your methods have done for Mr. Ryan, whoever he
- 19:37Speaker 5: may be.
- 19:38Speaker 4: What?
- 19:39Speaker 5: Is save him from the electric chair.
- 19:41Speaker 4: Mr.
- 19:41Speaker 5: Usher, you've proved that Drugger Doyle, the wanted murderer, couldn't
- 19:45Speaker 5: possibly be your Mr.
- 19:46Speaker 3: Ryan.
- 19:47Speaker 4: How do you mean, Father?
- 19:48Speaker 5: Why, bless us all. because Oscar Ryan is unlikely to
- 19:52Speaker 5: be guilty of all these mean, cowardly acts.
- 19:55Speaker 4: Mr.
- 19:55Speaker 5: McGurk here. It tells us that drugger Doyle spent years
- 19:59Speaker 5: wheedling small sums out of needy young girls.
- 20:02Speaker 2: Oh, that's right, sir.
- 20:03Speaker 5: And that he drugged and cheated and lied?
- 20:05Speaker 3: Yes, yes.
- 20:06Speaker 5: Is that the kind of man who would dare to
- 20:08Speaker 5: attack an armed warder, though unarmed himself?
- 20:10Speaker 4: Well.
- 20:11Speaker 5: Would he leap down from a high wall at considerable
- 20:14Speaker 5: risk to his life? Would a man whose whole life
- 20:16Speaker 5: is deception and lies leave a note to the police
- 20:19Speaker 5: telling them where to look for him?
- 20:21Speaker 2: You mean the message about Pilgrim's Pond?
- 20:24Speaker 5: Yes, yes. Doyle would only have said he was going
- 20:26Speaker 5: to Pilgrim's Pond if he had no intention of going
- 20:28Speaker 5: near the place. Saints alive, the two men's characters are
- 20:31Speaker 5: utterly different. Draga Doyle would never risk his life and
- 20:35Speaker 5: his freedom to carry out an act of vengeance.
- 20:38Speaker 2: So the man I've got isn't Drug or do I?
- 20:41Speaker 5: No, that's not what I said. I said Oscar Ryan
- 20:46Speaker 5: isn't your man.
- 20:46Speaker 2: Well, then, saving your cloth, Father, what in hell do
- 20:51Speaker 2: you mean?
- 20:51Speaker 5: You remember your prisoner made a telephone call? And unless
- 20:57Speaker 5: I'm very much mistaken, he's already got his response. Who
- 21:02Speaker 5: is it?
- 21:02Speaker 2: Come in.
- 21:04Speaker 4: It's only me, Governor.
- 21:07Speaker 2: Father O'Connor, I'm extremely busy.
- 21:09Speaker 3: Well, now, I'm truly sorry, Governor, but there's someone here
- 21:12Speaker 3: who insists on seeing you.
- 21:13Speaker 2: Yes, I do. Now, see here, you... Don't you talk
- 21:17Speaker 2: to Governor Rush like that. Father O'Connor, I fully appreciate
- 21:20Speaker 2: that as a priest, it is your duty to tend
- 21:23Speaker 2: to tramps and hobos or whatever kind of down-and-out this fellow.
- 21:27Speaker 3: Is, but.
- 21:27Speaker 2: Are you, Usher, the idiot that came to my house?
- 21:31Speaker 5: What?
- 21:32Speaker 2: See here, Usher.
- 21:33Speaker 7: You leave go of my guest. Keep him here for
- 21:35Speaker 7: a split instant longer, and you'll feel pretty mean. I
- 21:39Speaker 7: reckon I'm not a man with no blow. Who is
- 21:41Speaker 7: this hobo?
- 21:42Speaker 2: Is the cosmos cracked or something?
- 21:44Speaker 7: Now, see here, Usher, I won't... Who the hell are you,
- 21:47Speaker 7: you bum?
- 21:48Speaker 3: The gentleman's name is Mr. Todd, Mr. Ireton Todd.
- 21:53Speaker 5: I fear you don't read the society papers properly, Mr.
- 21:56Speaker 4: Usher.
- 21:57Speaker 5: Remember, there's been a slum dinner at Pilgrim's Pond tonight,
- 22:00Speaker 5: and one of the guests disappeared. Mr. Todd is a
- 22:04Speaker 5: good host. He's come to collect his guest without even
- 22:06Speaker 5: pausing to take off his slum fancy dress.
- 22:10Speaker 4: Wait a minute.
- 22:11Speaker 2: What guest do you mean?
- 22:12Speaker 4: Why, Lord Falconroy, of course.
- 22:14Speaker 2: Didn't my butler tell you? Lord Falconroy?
- 22:18Speaker 3: Yes.
- 22:20Speaker 4: Mr.
- 22:20Speaker 2: Todd, I apologize that I didn't recognize you, but I've
- 22:25Speaker 2: got to tell you that I'm sorry to say that
- 22:27Speaker 2: your guest, Lord Falconroy, is dead.
- 22:32Speaker 3: Dead?
- 22:33Speaker 4: The man's mad. See here, you.
- 22:36Speaker 7: Lord Falconroy telephoned me not ten minutes ago.
- 22:40Speaker 5: I think, Mr. Usher, that Lord Falconroy is not dead.
- 22:44Speaker 3: I think I understand you, John. He is, in fact, gentlemen,
- 22:49Speaker 3: in cell number 25.
- 22:51Speaker 5: Thank you.
- 22:52Speaker 2: Someone's making sense at last.
- 22:55Speaker 5: Cell 25.
- 22:57Speaker 2: I'll go and collect him myself. Hold on there. Are
- 23:00Speaker 2: you saying that the man in rags I caught was
- 23:03Speaker 2: Lord Falconroy?
- 23:05Speaker 3: That's right.
- 23:06Speaker 5: Dressed in his fancy dress costume for the slum dinner.
- 23:09Speaker 5: You said your machine couldn't make a mistake, and in
- 23:12Speaker 5: one sense it didn't. But the other machine did. The
- 23:15Speaker 5: machine that worked it. You assumed that the man in
- 23:18Speaker 5: rags jumped at the name of Lord Falconroy because he
- 23:20Speaker 5: was Lord Falconroy's murderer. He jumped at the name because
- 23:24Speaker 5: he himself was Lord Falconroy.
- 23:26Speaker 2: Then why the blazes didn't he say so?
- 23:28Speaker 3: Perhaps he felt his flight and panic were hardly patrician.
- 23:32Speaker 5: Yes, yes, perhaps in his terror he was glad to
- 23:35Speaker 5: escape from the avenging arm of Oscar Ryan into the
- 23:38Speaker 5: comparative security of a prison cell. I suspect he was
- 23:42Speaker 5: just going to tell you who he really was when
- 23:45Speaker 5: that fellow in the other cell opposite saw him and
- 23:48Speaker 5: found another name for him.
- 23:49Speaker 3: You mean.
- 23:51Speaker 2: Now, wait here... The man I caught really is Drugger Doyle?
- 23:57Speaker 2: Lord Falkenroy is Drugger Doyle?
- 24:00Speaker 4: It seems a strong possibility.
- 24:02Speaker 5: Yes, I think it is probable that Lord Falkenroy and
- 24:05Speaker 5: Drugger Doyle are one and the same.
- 24:07Speaker 7: Oh, I've no idea what you lunatics are talking about.
- 24:10Speaker 7: But I demand that you release my guest immediately.
- 24:14Speaker 1: But.
- 24:16Speaker 3: No, Mr.
- 24:16Speaker 2: Todd, I will not release Lord Falconroy. I'm holding him
- 24:21Speaker 2: pending investigation of a murder that occurred in... You got
- 24:25Speaker 2: the file there, McGurk?
- 24:26Speaker 5: Yes, sir, here.
- 24:28Speaker 4: Thank you.
- 24:31Speaker 2: In 1905 in the state of Illinois under his then
- 24:34Speaker 2: alias of Drugger Doyle.
- 24:36Speaker 4: You'll answer to this, Usher.
- 24:38Speaker 2: I'm quite prepared to do.
- 24:39Speaker 4: That, Mr. Todd.
- 24:40Speaker 3: Mr.
- 24:41Speaker 5: Todd, have you informed the police that your daughter is missing?
- 24:44Speaker 4: How the hell did.
- 24:45Speaker 7: No, sir, I have not. My daughter is a very
- 24:48Speaker 7: independent young lady. She frequently goes off without telling me.
- 24:52Speaker 7: She can look after herself.
- 24:54Speaker 2: She'll be back tomorrow.
- 24:55Speaker 4: I see.
- 24:56Speaker 5: And were any of the guests at your slum dinner
- 24:59Speaker 5: dressed as convicts, may I ask?
- 25:01Speaker 4: Yes. It was my daughter's show.
- 25:04Speaker 2: She had quite a few of her friends dressed like that. Look,
- 25:07Speaker 2: I've had enough.
- 25:08Speaker 4: Of this nonsense.
- 25:10Speaker 7: I'll be round to see Falcon Roy in the morning
- 25:12Speaker 7: with my lawyers.
- 25:14Speaker 4: Good night.
- 25:20Speaker 5: Well, I shall be quite surprised tomorrow if the pink
- 25:24Speaker 5: papers don't report something like astounding elopement of escaped convict
- 25:29Speaker 5: with heiress, her childhood sweetheart.
- 25:31Speaker 2: Well, I'll be. I guess I'd arrange this whole freak
- 25:37Speaker 2: dinner just to cover her.
- 25:38Speaker 4: Getaway with Ryan.
- 25:39Speaker 1: But....
- 25:41Speaker 2: Why did Ryan want to kill Falconroy?
- 25:44Speaker 5: Well, it's all in the foil, sir.
- 25:46Speaker 6: It seems before Todd got rich, Etta was one of
- 25:49Speaker 6: the poor girls that Doyle deceived.
- 25:52Speaker 5: And when Etta told Ryan who Falconroy was, he decided
- 25:56Speaker 5: to combine avenging her with their elopement. Why didn't he
- 26:00Speaker 5: kill him, John? Oh, I imagine Falconroy fled when Ryan
- 26:04Speaker 5: threatened him, and the lovers weren't prepared to jeopardize their
- 26:07Speaker 5: plans to elope by pursuing him. Love mattered more to
- 26:11Speaker 5: them than hatred, it would seem.
- 26:13Speaker 4: That is something.
- 26:16Speaker 2: Imagine Lord High Falkenroy being a fake.
- 26:20Speaker 5: Oh, he's no fake.
- 26:21Speaker 6: What?
- 26:22Speaker 5: No, he's a perfectly genuine peer of the realm. Mr. Usher,
- 26:26Speaker 5: you don't do justice to the, what was it, a
- 26:29Speaker 5: climbing power of our more remarkable citizens. You see a
- 26:33Speaker 5: good-looking gray-haired man with a title, and you don't realize
- 26:36Speaker 5: that ten years ago... He might have been in jail.
- 26:43Speaker 1: In The Mistake of the Machine by G.K. Chesterton, the
- 26:47Speaker 1: part of Father Brown was played by Andrew Sachs, O'Connor
- 26:51Speaker 1: by T.P. McKenna, McGurk by Billy Boyle, Usher by Don Fellows,
- 26:56Speaker 1: The Prisoner by Brian Haynes, Todd by Ed Bishop, The
- 27:01Speaker 1: Butler by Manning Wilson, and The Convict by Stuart Organ.
- 27:06Speaker 1: The Mistake of the Machine was adapted by John Scottney
- 27:10Speaker 1: and the director from Bristol
- 27:11Speaker 3: Was Alec Reid.