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Suspense - 431019 (062) Lazarus Walks · Suspense

• 0:00
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• 0:42
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• 0:44
  Speaker 3: Dunaidial. There's an accent on the E. Do you mean.
• 0:48
  Speaker 2: Yes, I got it on Dundale Cars.
• 0:50
  Speaker 5: Lift?
• 0:51
  Speaker 6: Please.
• 0:51
  Speaker 3: Are you going past Kimmage?
• 0:53
  Speaker 7: Oh, Kimmage.
• 0:54
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• 0:55
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• 0:59
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• 1:30
  Speaker 8: Hi, I'm Gerald. As a full-time carer, I was on
• 1:32
  Speaker 8: my feet all day. I developed plantar fasciitis and was
• 1:36
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• 1:39
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• 1:42
  Speaker 8: recommended custom-made orthotics and supportive footwear. Within a couple of weeks,
• 1:46
  Speaker 8: the pain was gone and I was back to being
• 1:48
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• 1:50
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• 1:52
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• 1:56
  Speaker 1: store today.
• 2:12
  Speaker 9: Oh, such friends.
• 2:19
  Speaker 10: Oh, such friends.
• 2:43
  Speaker 9: For you men and.
• 2:49
  Speaker 10: Women....
• 3:10
  Speaker 11: In the armed forces of the United Nations, we present
• 3:13
  Speaker 11: one of America's top spine thinkers. A radio rebroadcast of
• 3:20
  Speaker 11: a program dedicated to the mysterious, the unusual, and sometimes
• 3:26
  Speaker 11: the supernatural.
• 3:28
  Speaker 10: A program of....
• 3:32
  Speaker 9: Suspense!
• 3:38
  Speaker 10: This is the truth. You understand? The truth. It must
• 3:43
  Speaker 10: be the truth. It has to be. I, Robert Winsley Graham,
• 3:56
  Speaker 10: a doctor and psychiatrist by profession, do hereby of my
• 3:58
  Speaker 10: own free will and volition, albeit with deepest regret, make
• 4:02
  Speaker 10: the following full and complete statement relative to that all
• 4:05
  Speaker 10: but unbelievable series of events which has brought such disaster
• 4:09
  Speaker 10: and misfortune to my house. particularly to my poor wife, Isabel.
• 4:12
  Speaker 10: It had its beginning, properly speaking, some two months ago,
• 4:16
  Speaker 10: to be exact, on the evening of July 25th. We
• 4:20
  Speaker 10: were in the drawing room, Isabel at the piano, practicing things,
• 4:22
  Speaker 10: she said. Her Aunt Jane and I on the opposite
• 4:25
  Speaker 10: side of the room.
• 4:31
  Speaker 6: Isabel, what's the matter? I don't know.
• 4:35
  Speaker 12: I can't seem to keep my mind on anything anymore,
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  Speaker 12: even my music.
• 4:39
  Speaker 4: It's embarrassing.
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  Speaker 10: No. Isabel.
• 4:42
  Speaker 8: Yes, Robert?
• 4:43
  Speaker 10: I don't wish to distress you, but it's been going
• 4:46
  Speaker 10: on for quite a little while now. It's not getting
• 4:47
  Speaker 10: any better.
• 4:48
  Speaker 6: I know.
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  Speaker 12: Let's not discuss it, shall we?
• 4:51
  Speaker 10: You should let me prescribe treatment for you.
• 4:53
  Speaker 13: I could prescribe something for her.
• 4:55
  Speaker 10: You can do remarkable things now. It's just the common
• 4:58
  Speaker 10: old drugs under proper control.
• 5:00
  Speaker 14: Drugs?
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  Speaker 6: It's not drugs that she needs. It's to get out
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  Speaker 6: of this house for a while.
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  Speaker 13: It's to get back to the concert stage where she belongs.
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  Speaker 10: It's worth.
• 5:10
  Speaker 6: I don't believe in beating around the bush. You're an artist.
• 5:13
  Speaker 6: You've got talent.
• 5:14
  Speaker 14: There's no sense in your trying to subordinate yourself to
• 5:16
  Speaker 14: somebody else.
• 5:17
  Speaker 12: Aunt Jane, that's enough. I'm not subordinating myself to anyone.
• 5:21
  Speaker 10: Really, Aunt Jane, you mustn't interfere, you know.
• 5:22
  Speaker 5: Robert doesn't want me to go back on the stage.
• 5:25
  Speaker 10: Darling, it isn't that I don't want you to go back.
• 5:27
  Speaker 10: I'm proud of you. You know that. Only because I think...
• 5:31
  Speaker 10: Because I know that going back to a professional career
• 5:34
  Speaker 10: in your present mental condition would be terribly harmful.
• 5:37
  Speaker 4: I know, Robert.
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  Speaker 9: I know you're not.
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  Speaker 10: After all, I'm a doctor. It's my business to know
• 5:42
  Speaker 10: these things. I get it. Probably the hospital. Hello?
• 5:46
  Speaker 4: Hello?
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  Speaker 10: Yes, it's Dr. Graham. Oh, yes. Who? Well, when would
• 5:59
  Speaker 10: you like to see me? All right.
• 6:03
  Speaker 6: Fine.
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  Speaker 10: No, no, no.
• 6:05
  Speaker 6: Trouble is all. I.
• 6:07
  Speaker 10: Well, I'll be expecting you. Goodbye. What do you suppose
• 6:13
  Speaker 10: that was?
• 6:13
  Speaker 6: Who?
• 6:14
  Speaker 10: Roger Holcomb. You remember the case?
• 6:16
  Speaker 9: Roger Holcomb?
• 6:17
  Speaker 6: I remember it.
• 6:18
  Speaker 10: What did you do? The fellow was brought back from
• 6:20
  Speaker 10: the dead, as the newspapers put it, about a year ago.
• 6:22
  Speaker 6: Oh, man.
• 6:24
  Speaker 10: He really was dead for four minutes, as far as
• 6:26
  Speaker 10: medical science was concerned. Then they brought him around. It
• 6:29
  Speaker 10: was a nine-day wonder at the time.
• 6:31
  Speaker 6: What did he want to see you about?
• 6:32
  Speaker 10: Nothing to do with his experience, obviously. It was a
• 6:34
  Speaker 10: terribly agitated state for a fellow to.
• 6:36
  Speaker 14: Be walking up and down... For another hour, trying.
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  Speaker 10: To get up courage to ring the bell. Finally, phone
• 6:40
  Speaker 10: from the corner drug store. Why, the poor man.
• 6:42
  Speaker 12: Why in the world should.
• 6:43
  Speaker 10: He do that? The anxiety in Europe did think. Hounded him,
• 6:46
  Speaker 10: you know, in the most shocking way.
• 6:47
  Speaker 14: Got out of the hospital.
• 6:49
  Speaker 10: Preachers and spiritualists and movie agents and plain fakers. People
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  Speaker 10: trying to find out if he remembered anything of the
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  Speaker 10: four minutes. He was supposed to be dead. People just
• 6:58
  Speaker 10: trying to exploit him. Oh, must be welcome now. Take
• 7:03
  Speaker 10: him into the office. Dr.
• 7:10
  Speaker 6: Graham?
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  Speaker 10: Yes, you're Roger Holcomb? Yes. Come in. Pleasure to meet you, Mr.
• 7:15
  Speaker 14: Holcomb.
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  Speaker 9: Pleasure.
• 7:16
  Speaker 10: You come this way, please, to my office. Not to
• 7:20
  Speaker 10: sit down anywhere. Lie down on the couch, if you like.
• 7:23
  Speaker 10: You're tired. I am tired. Tired and... Give me a hand, please.
• 7:27
  Speaker 6: For heaven's sake, there's nothing wrong with my pulse. Of
• 7:29
  Speaker 6: course you think it is.
• 7:30
  Speaker 10: I'll go. Why did you come to me, Mr. Holcomb?
• 7:34
  Speaker 6: You know my history?
• 7:35
  Speaker 10: Yes, most medical men do. Up until you're... Disappearance? Yeah.
• 7:40
  Speaker 6: Most medical men do, all right. Then they tell me
• 7:43
  Speaker 6: I'm crazy.
• 7:44
  Speaker 10: You think you are, Mr. Holcomb? Oh, I see.
• 7:46
  Speaker 6: You're like all the rest. Let go of me, please.
• 7:48
  Speaker 10: Just a minute, Mr. Holcomb. You came to me for advice. Treatment.
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  Speaker 10: I suggest you tell me your story.
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  Speaker 6: Well, I was told you specialized in strange cases. Think
• 8:02
  Speaker 6: that other men can't.
• 8:03
  Speaker 10: That's true in a way.
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  Speaker 6: You know what happened when I fell out of the hospital.
• 8:06
  Speaker 7: Yes.
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  Speaker 6: Followed me, questioned.
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  Speaker 13: Me, founded me, day and night, trying to find out
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  Speaker 13: if I remembered anything, had experienced anything.
• 8:14
  Speaker 10: Beyond the grave. Yes, I remember that.
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  Speaker 6: Well, then you remember that my answer was always the same.
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  Speaker 6: I remembered nothing, but I knew nothing.
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  Speaker 10: I was wrong. What did you experience during those four minutes?
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  Speaker 6: I don't know. There must have been something. Something I
• 8:35
  Speaker 6: don't even dare to think about.
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  Speaker 10: How do you know this?
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  Speaker 13: Well, it happened the first time on a boat trip,
• 8:42
  Speaker 13: which I'd taken to recover my health. I found myself
• 8:45
  Speaker 13: chatting with a woman who was seated at my.
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  Speaker 10: Table in the dining saloon.
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  Speaker 6: She found occasion, as such women often will, to mention
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  Speaker 6: her age. She said, after all, I'm not yet 40.
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  Speaker 6: And then it happened.
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  Speaker 10: What happened?
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  Speaker 13: Well, from somewhere came crashing.
• 9:00
  Speaker 6: Into my mind a certain knowledge of the exact day
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  Speaker 6: and year of that woman's birth. And with it, A
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  Speaker 6: compulsion to speak out. A compulsion which I could no
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  Speaker 6: more have resisted than I could have resisted breathing.
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  Speaker 13: I said, Madam, you were born in May, weren't you?
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  Speaker 10: May 30th.
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  Speaker 6: She looked at me in such astonishment.
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  Speaker 10: We'd never even seen.
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  Speaker 6: Each other before in our lives. And said, yes. And
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  Speaker 6: then I added the date.
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  Speaker 10: The year 1900.
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  Speaker 13: See, she was well over 40. She'd lied to me.
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  Speaker 13: Innocent or nothing, but I had known the truth. And
• 9:31
  Speaker 13: I had been forced to speak. And I had been innocent.
• 9:36
  Speaker 13: It's a phenomenon that's occurred often.
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  Speaker 6: More times than I can remember.
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  Speaker 13: Every time a direct lie, no matter how trivial, is
• 9:44
  Speaker 13: uttered in my presence, I suddenly know the answer to
• 9:48
  Speaker 13: that lie.
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  Speaker 10: I know the truth.
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  Speaker 6: And I'm compelled to speak it.
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  Speaker 10: And this condition has existed only since your.
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  Speaker 6: Since my four minutes beyond the grave Quite. It's as
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  Speaker 6: though in that brief time I glimpsed eternity.
• 10:05
  Speaker 13: If I'd seen reveal all truth of all the ages,
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  Speaker 13: I can never tell you how horrible such things are.
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  Speaker 13: I've found men, even the most honest of men, live
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  Speaker 13: by lies.
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  Speaker 10: Tell me. You have a family, friends who are understanding.
• 10:20
  Speaker 6: Oh, for heaven's sake, doctor, don't you understand what this
• 10:23
  Speaker 6: has done to me? Yes, I have a family and friends,
• 10:25
  Speaker 6: but still I'm.
• 10:26
  Speaker 10: Going to marry.
• 10:28
  Speaker 6: Today I'm an outcast, a pariah. I'm shunned. See it?
• 10:32
  Speaker 6: I hate it. I hate it.
• 10:34
  Speaker 7: Mr.
• 10:35
  Speaker 10: Hogan.
• 10:36
  Speaker 7: Mr.
• 10:37
  Speaker 10: Hogan, I believe that this condition is very real to you.
• 10:39
  Speaker 10: It causes you very real anguish. I want to help you.
• 10:43
  Speaker 6: Do you think you can?
• 10:45
  Speaker 10: I'm confident that I can. I thought you could arrange
• 10:47
  Speaker 10: to stay with me here at my home for a
• 10:49
  Speaker 10: matter of weeks or months, if necessary.
• 10:51
  Speaker 6: Well, I'll do anything.
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  Speaker 10: Go on.
• 10:52
  Speaker 6: Anything in the world to be a normal man again, but.
• 10:54
  Speaker 10: But what?
• 10:56
  Speaker 6: Dr.
• 10:57
  Speaker 10: Graham, I.
• 10:58
  Speaker 6: I can see that you still don't believe me right now.
• 11:00
  Speaker 6: I beg of you.
• 11:01
  Speaker 13: You don't know the terrible responsibility I'd be dealing with.
• 11:04
  Speaker 13: I'd be like a spy, like some inexorable prosecutor from
• 11:07
  Speaker 13: another world.
• 11:07
  Speaker 10: Oh, come on. Let me worry about that. All right.
• 11:14
  Speaker 6: Is there anyone else in your household who might object?
• 11:16
  Speaker 10: Oh, there's only my wife and her aunt.
• 11:18
  Speaker 14: Have your own quarters.
• 11:18
  Speaker 10: They're quite comfortable, actually.
• 11:20
  Speaker 6: I'm sure I do.
• 11:21
  Speaker 14: It's a lovely house, what I've seen of it.
• 11:23
  Speaker 10: Yes, I'm rather lucky. I'm interested in research primarily, not
• 11:26
  Speaker 10: much money in that, you know, but a couple.
• 11:28
  Speaker 14: Of years ago I came into quite a nice inheritance.
• 11:30
  Speaker 14: I'll point with it.
• 11:33
  Speaker 10: What is it? What's the matter?
• 11:35
  Speaker 6: The inheritance was not yours. It was your wife's. The
• 11:41
  Speaker 6: house is your wife's. You were penniless.
• 11:51
  Speaker 10: That's true. I don't know why I lied to you.
• 11:55
  Speaker 10: I tried, I suppose. I'm sorry.
• 11:58
  Speaker 6: I told you I couldn't help it.
• 12:00
  Speaker 2: No, no.
• 12:00
  Speaker 6: I'll go now.
• 12:01
  Speaker 10: Please. Mr. Holcomb, it's my fault. It doesn't matter.
• 12:05
  Speaker 6: But you see now that I.
• 12:06
  Speaker 10: I want to help you.
• 12:07
  Speaker 6: Do you believe me now?
• 12:10
  Speaker 10: I believe Mr. Holcomb. I know that you are far
• 12:13
  Speaker 10: more ill than I realize, but it must have come.
• 12:18
  Speaker 10: You and I must venture into a realm never before
• 12:21
  Speaker 10: explored by mortal man. It was utterly fantastic, and yet
• 12:34
  Speaker 10: it was true. I checked the facts again and again.
• 12:38
  Speaker 10: He could not possibly have known, and yet he knew.
• 12:42
  Speaker 10: Could you imagine what this meant to a man of science?
• 12:45
  Speaker 14: If I could.
• 12:47
  Speaker 10: Fathom the depths of Roger Holcomb's mind, I could make
• 12:50
  Speaker 10: a contribution to the body of scientific knowledge absolutely without
• 12:54
  Speaker 10: parallel in modern times. I could be more famous than Factura, Eric.
• 13:00
  Speaker 10: I remained the problem of Ithabel. Not aware of the danger,
• 13:03
  Speaker 10: of course, I was acutely aware of the peculiarly delicate
• 13:05
  Speaker 10: balance of the mind at that time. The fact that
• 13:08
  Speaker 10: the presence of a man like Roger Holcomb... might be
• 13:11
  Speaker 10: seriously detrimental to my rather well-conceived plans for Isabel. I
• 13:16
  Speaker 10: believed I could control the situation. I determined to proceed. Actually,
• 13:21
  Speaker 10: Holton's presence made itself felt almost immediately. The first incident
• 13:25
  Speaker 10: came after.
• 13:33
  Speaker 10: Isabel, please stop that playing and listen to me.
• 13:37
  Speaker 12: And, Jane, you know Robert has said I mustn't talk
• 13:39
  Speaker 12: about it. That it's bad for me.
• 13:40
  Speaker 14: I don't care what Robert says.
• 13:42
  Speaker 4: But he's my.
• 13:42
  Speaker 5: Doctor and my husband.
• 13:43
  Speaker 6: And I'm not sure that he should be either. Oh, Jane.
• 13:48
  Speaker 14: I don't know much about psychiatry, but I do know.
• 13:50
  Speaker 12: That making trouble between a husband and a wife... I'm
• 13:52
  Speaker 12: not making anything that.
• 13:53
  Speaker 14: Isn't there already.
• 13:54
  Speaker 6: And you know it. Good heavens, girls.
• 13:57
  Speaker 12: Look at yourselves.
• 13:58
  Speaker 13: Look what's happened to.
• 13:59
  Speaker 14: You since your marriage.
• 14:00
  Speaker 10: I've been sick.
• 14:00
  Speaker 12: He's made you sick. That's ridiculous.
• 14:02
  Speaker 13: Maybe it's just that he's afraid.
• 14:04
  Speaker 6: Of losing you. Maybe he's even afraid of losing your money.
• 14:08
  Speaker 12: But I'm absolutely convinced that whether he's meant to or not,
• 14:11
  Speaker 12: he's made you believe there's something the matter with you
• 14:12
  Speaker 12: that isn't. Aunt Jane, I simply forbid you to talk
• 14:15
  Speaker 12: this way.
• 14:15
  Speaker 13: And now he brings this psychopath into the house.
• 14:17
  Speaker 12: And don't bring Roger into it. He's Robert's patient. It's
• 14:21
  Speaker 12: Robert's work and it's none of our business.
• 14:22
  Speaker 6: What about your own work?
• 14:24
  Speaker 12: It doesn't matter.
• 14:24
  Speaker 6: It doesn't matter?
• 14:25
  Speaker 12: Aunt Jane, you simply don't understand.
• 14:28
  Speaker 5: Robert is my husband.
• 14:30
  Speaker 10: I trust him and I love him.
• 14:32
  Speaker 12: Nothing can ever come between us.
• 14:34
  Speaker 10: I'd destroy anything.
• 14:37
  Speaker 6: I'd kill anyone who tried. Isabel. Isabel, do something.
• 14:41
  Speaker 10: Before it's too late, do her. Get away.
• 14:43
  Speaker 6: Leave him. Divorce him. Anything. Oh, I hope we're not interrupting.
• 14:47
  Speaker 14: Of course not, darling.
• 14:49
  Speaker 12: Hello, Roger.
• 14:49
  Speaker 9: Hello, Isabel.
• 14:51
  Speaker 3: Good afternoon.
• 14:52
  Speaker 12: How are you feeling, Roger?
• 14:54
  Speaker 10: I'm better, I think. I think it would be better
• 14:56
  Speaker 10: if we didn't.
• 14:57
  Speaker 14: Discuss our state of mind, Isabel.
• 15:00
  Speaker 6: Oh, of course. I'm sorry.
• 15:02
  Speaker 7: Well, would you like me to.
• 15:04
  Speaker 12: Play something for you?
• 15:05
  Speaker 14: You know, I think I'm beginning to get the feel
• 15:07
  Speaker 14: of it again.
• 15:08
  Speaker 6: Really, I do.
• 15:09
  Speaker 10: I'm sure we haven't interrupted some conversation.
• 15:11
  Speaker 6: Of course not.
• 15:12
  Speaker 13: We were just discussing how helpful you've been in getting
• 15:15
  Speaker 13: Isabel back to her work again.
• 15:17
  Speaker 10: Roger.
• 15:20
  Speaker 9: No.
• 15:21
  Speaker 6: No, you're not. You were telling Isabel to divorce her husband.
• 15:30
  Speaker 6: I'm sorry. I'm sorry.
• 15:32
  Speaker 12: Sergeant, come back.
• 15:33
  Speaker 10: Isabel, is that true?
• 15:35
  Speaker 6: You brought in in here deliberately. Is that true? It
• 15:37
  Speaker 6: doesn't matter, I suppose.
• 15:38
  Speaker 12: You've known how I felt for a long time.
• 15:40
  Speaker 10: Yes, I'm afraid I have.
• 15:40
  Speaker 12: Robert, it was also silly.
• 15:42
  Speaker 7: She didn't mean it.
• 15:42
  Speaker 10: I did mean it.
• 15:43
  Speaker 6: But I did mean it.
• 15:44
  Speaker 13: I'm sorry, Isabel.
• 15:46
  Speaker 10: But I've been under this roof too long, as it is.
• 15:47
  Speaker 14: Oh, Jane, you're not leaving us.
• 15:49
  Speaker 6: It's death, Isabel.
• 15:50
  Speaker 10: Yes? Yes, I think it's unquestionably death. Death that you
• 15:56
  Speaker 10: go at once. She left us, of course. I'd always
• 16:05
  Speaker 10: believed that Jane exercised an unfortunate influence over Isabel. I
• 16:09
  Speaker 10: did not dream that it reached such a point at this.
• 16:12
  Speaker 10: Yet this incident gave me my first insight into the
• 16:15
  Speaker 10: relationship which was destined to develop between Isabel, Roger, and myself.
• 16:21
  Speaker 10: The first and most obvious result was that within a
• 16:23
  Speaker 10: matter of weeks, Isabel was to lose every friend she had.
• 16:28
  Speaker 10: We became further estranged. C'est pas. It was difficult to
• 16:32
  Speaker 10: speak of even the most casual things with this strangely
• 16:36
  Speaker 10: terrifying specter of truth. How was I held on? The
• 16:42
  Speaker 10: situation reached its inevitable climax the evening that Leopold Serinsky,
• 16:46
  Speaker 10: the famous conductor of the Los Angeles Symphony of the Column,
• 16:48
  Speaker 10: is about with a beautiful resumption of her professional career
• 16:50
  Speaker 10: under his auspices. I gave a great deal of thought
• 16:53
  Speaker 10: to that evening. It had to be handled with great.
• 16:59
  Speaker 10: Robert, you will help me, won't you? Of course I will, darling.
• 17:01
  Speaker 5: I don't know whether you'll realize how important it is
• 17:03
  Speaker 5: to me. I have nothing but the music now. I've
• 17:07
  Speaker 5: been working so hard. It's paying sometimes half the night,
• 17:10
  Speaker 5: are you okay?
• 17:10
  Speaker 10: Yes, I've heard you.
• 17:12
  Speaker 5: Sometimes it seems that... that the piano's all that's helping
• 17:16
  Speaker 5: me to keep my sanity.
• 17:17
  Speaker 10: My darling, I want you to let me prescribe something
• 17:20
  Speaker 10: for you. Time with Facebook thing, you'll trouble, I mean.
• 17:23
  Speaker 12: Robert, does he have to have dinner with us tonight?
• 17:27
  Speaker 10: Roger that. Isabel, you know how I stand on that.
• 17:30
  Speaker 12: Oh, yes, because they want.
• 17:30
  Speaker 10: Now, even once, Isabel, keep him in his room like
• 17:34
  Speaker 10: a spoiled child and we have guests. Isabel, it might
• 17:39
  Speaker 10: undo everything I've accomplished in weeks.
• 17:41
  Speaker 6: Oh, come.
• 17:42
  Speaker 9: No, no.
• 17:43
  Speaker 10: Roger, come in. Robert, I.
• 17:46
  Speaker 6: I was wondering if I might be excused. Just a minute.
• 17:49
  Speaker 10: You're having dinner with us, Roger?
• 17:51
  Speaker 6: Must I?
• 17:52
  Speaker 10: No, you must, Roger. And you know why.
• 17:54
  Speaker 12: Why, Roger, don't you want to meet the great Leopold Surinsky?
• 17:56
  Speaker 14: He's really a wonderful person.
• 17:58
  Speaker 6: Yes, indeed I would very much.
• 17:59
  Speaker 12: You know, I made my debut with him in 1934.
• 18:02
  Speaker 14: I did a concert with him every year until my.
• 18:05
  Speaker 12: Until I.
• 18:06
  Speaker 10: Isabel was very talented, you know. I was?
• 18:10
  Speaker 4: I am.
• 18:10
  Speaker 5: Oh, Roger, I'm going to play with him again.
• 18:13
  Speaker 12: He wants me to open the season in November. Can
• 18:16
  Speaker 12: you imagine what that means to me?
• 18:17
  Speaker 10: I'm so glad, Isabel.
• 18:18
  Speaker 12: And Robert has finally given his consent. Haven't you, dear?
• 18:21
  Speaker 10: I'm sorry. What did you say, Isabel?
• 18:25
  Speaker 12: I said you'd given your consent to my playing with Serinsky.
• 18:27
  Speaker 6: Well, Isabel, you.
• 18:30
  Speaker 10: You know I don't want you to think that I'd
• 18:33
  Speaker 10: ever stand in your way.
• 18:34
  Speaker 6: I know, dear.
• 18:36
  Speaker 5: Roger, I'll do the Emperor Concerto, and you will come
• 18:40
  Speaker 5: to hear me.
• 18:40
  Speaker 12: You do want to, don't you, Roger?
• 18:42
  Speaker 6: Please, Isabel, don't ask things of me that.
• 18:44
  Speaker 10: What's the matter?
• 18:46
  Speaker 12: What's the matter with both of you? You acted as
• 18:48
  Speaker 12: though you thought I wouldn't be able to appear. As
• 18:51
  Speaker 12: though the whole idea were hopeless or something.
• 18:53
  Speaker 10: Isabel, please. I am going to play.
• 18:56
  Speaker 12: I'll be better than I ever was. You know I will,
• 18:58
  Speaker 12: don't you?
• 18:59
  Speaker 6: Don't you?
• 18:59
  Speaker 14: Of course, Isabel.
• 19:00
  Speaker 10: You play wonderfully. Roger.
• 19:04
  Speaker 6: Now, Robert, you're very certain that Isabel will be prevented
• 19:09
  Speaker 6: from ever playing again. I can't.
• 19:15
  Speaker 14: Death?
• 19:16
  Speaker 10: Oh, Isabel, forgive me. Forgive me, please.
• 19:20
  Speaker 12: My death.
• 19:21
  Speaker 4: No.
• 19:23
  Speaker 9: Oh, no.
• 19:24
  Speaker 12: Please, Roger, it's not true. Tell me it isn't.
• 19:28
  Speaker 10: Roger, answer me.
• 19:31
  Speaker 14: Answer me.
• 19:32
  Speaker 12: Roger, do you hear me?
• 19:33
  Speaker 10: Answer me. Answer me!
• 19:46
  Speaker 14: When Serinsky arrived, I told him it would be quite
• 19:48
  Speaker 14: impossible for Isabel.
• 19:48
  Speaker 10: To leave her room. The concert was cancelled, and indeed,
• 19:51
  Speaker 10: to my knowledge, she'd never touched the piano since that day.
• 19:53
  Speaker 10: By now, to even the most casual observer, it must
• 19:56
  Speaker 10: appear only natural that Isabel had every motive for a desperate,
• 20:00
  Speaker 10: almost paranoid hatred of Roger Holmgren. This much is clear
• 20:03
  Speaker 10: to me. The rest, not yet. But one thing from
• 20:07
  Speaker 10: any point of view was certain. I had to keep
• 20:09
  Speaker 10: Roger and Isabel apart. Perhaps what I feared was indeed inevitable.
• 20:14
  Speaker 10: I honestly did not think it so at the time.
• 20:17
  Speaker 14: The precautionary measure, however, I prescribed the drug for Isabel.
• 20:20
  Speaker 10: Which she had not consented to take. I gave her
• 20:22
  Speaker 10: her own supply. She'd minute to do it, though. And
• 20:25
  Speaker 10: I had directed it. Roger?
• 20:29
  Speaker 9: Roger?
• 20:30
  Speaker 10: Yes?
• 20:31
  Speaker 6: It is a miracle. What do you want?
• 20:37
  Speaker 14: Let me in, please.
• 20:39
  Speaker 4: No.
• 20:39
  Speaker 10: Please, it's terribly important.
• 20:41
  Speaker 15: I know.
• 20:43
  Speaker 12: But he said it would be all right this time.
• 20:45
  Speaker 6: You said? Yes.
• 20:47
  Speaker 10: Yes, please.
• 20:49
  Speaker 6: Now, what do you want?
• 20:53
  Speaker 12: I want to talk to you, that's all.
• 20:55
  Speaker 6: What about it?
• 20:56
  Speaker 10: It's so important.
• 20:58
  Speaker 12: Roger, why don't you ever leave your room anymore?
• 21:02
  Speaker 10: Don't you get?
• 21:03
  Speaker 5: Do you think I hate you?
• 21:06
  Speaker 6: Isabel, I don't know what to think anymore.
• 21:08
  Speaker 12: You do, don't you?
• 21:09
  Speaker 6: I warned him. I told him it would happen. Now
• 21:12
  Speaker 6: I'm going mad up here thinking of the anguish I've
• 21:14
  Speaker 6: caused you.
• 21:14
  Speaker 12: But, Roger, I don't.
• 21:16
  Speaker 6: You must believe me.
• 21:17
  Speaker 10: I know what it's been.
• 21:17
  Speaker 6: Like for you having me here.
• 21:20
  Speaker 5: For the first time in my life, I think my
• 21:23
  Speaker 5: husband is wrong about something.
• 21:26
  Speaker 10: Wrong?
• 21:26
  Speaker 12: Yes. Don't you see? He's been worried about both of us.
• 21:30
  Speaker 12: And so this disgust is blown up between us.
• 21:33
  Speaker 6: Well, I don't disgust you. You've been more wonderful.
• 21:36
  Speaker 9: Than either of us.
• 21:37
  Speaker 12: But you're afraid of me. And that amounts to the
• 21:40
  Speaker 12: same thing.
• 21:41
  Speaker 14: And it's bad for the both of us.
• 21:43
  Speaker 12: It's hurting both of us.
• 21:45
  Speaker 6: Well, I've often felt I wanted to talk to you
• 21:47
  Speaker 6: and beg your pardon.
• 21:48
  Speaker 12: Oh, you don't have to do that. We're both sick.
• 21:52
  Speaker 12: But I think if we saw each other sometimes, if
• 21:54
  Speaker 12: we talked the whole thing out, it would help us both.
• 21:57
  Speaker 6: Does Robert think so, too? No. Then he didn't tell
• 22:03
  Speaker 6: you it was all right to see him?
• 22:05
  Speaker 10: No.
• 22:06
  Speaker 13: I lied to him.
• 22:08
  Speaker 10: You what? I lied to him.
• 22:11
  Speaker 6: You lied to him?
• 22:12
  Speaker 12: And it didn't happen.
• 22:14
  Speaker 10: Isabel, don't you see? I am getting worried.
• 22:16
  Speaker 6: It didn't happen.
• 22:17
  Speaker 10: I know. I don't think it does happen anymore. Except
• 22:22
  Speaker 10: it's probable. It's probable?
• 22:24
  Speaker 6: What makes you think it is?
• 22:25
  Speaker 10: I don't know.
• 22:25
  Speaker 14: Something about the way he acts.
• 22:30
  Speaker 6: I'm not sure what he is. Oh, but he is.
• 22:32
  Speaker 6: He is sharing that. Perhaps you shouldn't have come up
• 22:34
  Speaker 6: with that. No, no, don't you understand? We must see
• 22:36
  Speaker 6: each other.
• 22:36
  Speaker 12: We must talk.
• 22:37
  Speaker 6: Oh, listen to me.
• 22:39
  Speaker 9: Isabel. Robert.
• 22:41
  Speaker 6: Something's happened that.
• 22:41
  Speaker 10: I must talk about. Please, you're completely overwrought. Oh, but Robert,
• 22:43
  Speaker 10: it's not.
• 22:44
  Speaker 6: I must insist. Isabel, why did you do this?
• 22:45
  Speaker 10: I'm sorry. I'm going to send it to you right away. Isabel,
• 22:47
  Speaker 10: get the bottle from your room.
• 22:48
  Speaker 5: Mine?
• 22:49
  Speaker 10: Yes, please hurry.
• 22:50
  Speaker 9: All right.
• 22:51
  Speaker 10: Robert, she lied to me. Yes, I know. But, Roger,
• 22:54
  Speaker 10: I must ask you to forbid you to talk now.
• 22:55
  Speaker 10: You must trust me.
• 22:56
  Speaker 14: Oh, but.
• 22:57
  Speaker 6: Later, I want to have a long talk with you.
• 22:58
  Speaker 10: Of course we shall.
• 22:59
  Speaker 9: Here it is.
• 23:01
  Speaker 14: I thought I had to give it to you.
• 23:02
  Speaker 10: I'm glad you did. The other one's in his leg.
• 23:04
  Speaker 10: I'm going to give it to you. All right. I'm sorry,
• 23:07
  Speaker 10: but this is upsetting me rather badly. My hands are shaking.
• 23:09
  Speaker 6: Robert, I'm terribly sorry.
• 23:10
  Speaker 10: I don't know. Give him the epidemic. That's right. Thank you.
• 23:16
  Speaker 10: Leave it now.
• 23:16
  Speaker 6: Be visible.
• 23:16
  Speaker 10: All right. How are you feeling now, Roger?
• 23:21
  Speaker 6: Well, I'm fine, Robert.
• 23:23
  Speaker 10: I'm fine.
• 23:23
  Speaker 6: I think I'm better than I've been in months.
• 23:25
  Speaker 10: I know you're better. Why are you so upset to
• 23:27
  Speaker 10: see me?
• 23:28
  Speaker 6: That's why, Robert.
• 23:29
  Speaker 10: I can't tell you all my reasons now, but you
• 23:31
  Speaker 10: must trust me and believe it.
• 23:32
  Speaker 6: Oh, I do, but.
• 23:34
  Speaker 4: Only that I'm afraid for your health.
• 23:37
  Speaker 9: Roger.
• 23:40
  Speaker 6: No. You're afraid of murder.
• 23:44
  Speaker 10: What? Murder.
• 23:46
  Speaker 14: Roger, listen to me.
• 23:48
  Speaker 10: Roger. Murder. Roger, what are you talking about? Roger! Roger!
• 23:57
  Speaker 9: Roger!
• 24:03
  Speaker 10: It was clear to me now. I knew I must
• 24:08
  Speaker 10: take immediate action. I knew that the most terrible consequences
• 24:11
  Speaker 10: might result in that I were alone with Roger. Even
• 24:13
  Speaker 10: for a moment. But he knew that he said there
• 24:16
  Speaker 10: was no other explanation. I thought it through most carefully.
• 24:19
  Speaker 10: And yet no plans were perfected. No man is infallible.
• 24:33
  Speaker 6: Isabel!
• 24:34
  Speaker 10: What are you doing?
• 24:37
  Speaker 9: Nothing.
• 24:37
  Speaker 10: Don't lie to me, Isabel. I'm not. You were coming
• 24:39
  Speaker 10: from Roger's room. No.
• 24:41
  Speaker 5: No, I swear I was.
• 24:42
  Speaker 10: Isabel, don't you understand that you're sick? And I've insisted
• 24:45
  Speaker 10: on these things for your own good, and his. All right.
• 24:49
  Speaker 12: I was going to talk to him, but I can't.
• 24:50
  Speaker 14: Oh, Isabel.
• 24:52
  Speaker 10: Why do you try to tell me that?
• 24:53
  Speaker 6: It is true, Robert.
• 24:54
  Speaker 9: Really true.
• 24:55
  Speaker 4: Is it?
• 24:57
  Speaker 10: Roger? Roger? What's the matter? Look. Robert.
• 25:11
  Speaker 6: No, it couldn't be.
• 25:12
  Speaker 10: It is. He's dead.
• 25:14
  Speaker 9: Dead?
• 25:15
  Speaker 10: Hypodermic by inside. The drug. Your drug. Your hypodermic.
• 25:18
  Speaker 12: But it's only a fantasy.
• 25:19
  Speaker 10: Except in large enough quarters, it's fatal. You knew that.
• 25:21
  Speaker 12: Oh, Robert, don't listen to me.
• 25:22
  Speaker 10: Isabel, why? Why, I've warned you.
• 25:24
  Speaker 12: Robert, look at me.
• 25:26
  Speaker 5: If Isabel is your wife, you can't... Oh, no.
• 25:29
  Speaker 12: Where are you going?
• 25:30
  Speaker 5: Come back.
• 25:31
  Speaker 6: I'm going to call the police.
• 25:36
  Speaker 15: This perhaps is the most terrible decision a man ever
• 25:46
  Speaker 15: had to make.
• 25:47
  Speaker 10: Even though it did come not as a shock to me,
• 25:50
  Speaker 10: even from my point of view as a scientist, but
• 25:53
  Speaker 10: terrible enough. Yet it had to be done, and I
• 25:57
  Speaker 10: had done it.
• 25:59
  Speaker 14: I did not speak to her.
• 26:00
  Speaker 10: We waited, and she made no further attempt to appeal
• 26:02
  Speaker 10: to me. She seemed utterly stupefied, perhaps as a result
• 26:05
  Speaker 10: of the drug she had herself been taking. Perhaps because
• 26:09
  Speaker 10: she suddenly realized she was hopelessly trapped. When he arrived,
• 26:13
  Speaker 10: I told the story with a little emotion.
• 26:17
  Speaker 9: Yes.
• 26:18
  Speaker 10: Yes, there are fingerprints, all right, on both the bottles.
• 26:20
  Speaker 10: They're my wife's, of course. They don't belong to us.
• 26:23
  Speaker 10: Is that true, Mrs. Graham?
• 26:25
  Speaker 9: Yes. Dr.
• 26:26
  Speaker 11: Graham, do I understand, then, that you are formally charging
• 26:29
  Speaker 11: your wife for the murder of Robert Holcomb?
• 26:30
  Speaker 10: Well, you could hardly expect it, exactly. Except for telling
• 26:33
  Speaker 10: you the fact. You said you hated Holcomb, and you
• 26:36
  Speaker 10: knew it. My wife has been mentally ill for some time,
• 26:38
  Speaker 10: and many people can tell you that.
• 26:40
  Speaker 14: You can tell me.
• 26:42
  Speaker 10: Dr. Graham, I can't tell you how sorry I am, but.
• 26:44
  Speaker 6: things you've told me add up to only one thing.
• 26:47
  Speaker 10: You yourself obviously recognize. Yes.
• 26:50
  Speaker 4: Your wife, Isabel Graham, murdered Roger Holcomb.
• 26:55
  Speaker 10: What did you say?
• 26:56
  Speaker 6: I said your wife, Isabel Graham, murdered Roger Holcomb.
• 27:02
  Speaker 10: No. I murdered I tried to make it appear that
• 27:16
  Speaker 10: Isabelle had done it.
• 27:19
  Speaker 9: And I succeeded.
• 27:22
  Speaker 10: But I killed him.
• 27:25
  Speaker 9: No plans.
• 27:36
  Speaker 10: Are perfect. No man is infallible. Yes, I killed Roger Holcomb.
• 27:48
  Speaker 10: But he himself revealed the truth. I'd planned to dispose
• 27:52
  Speaker 10: of Isabel for many months. I'd never loved her. I'd
• 27:56
  Speaker 10: loved only science. I wanted her money, and Holcomb found
• 28:00
  Speaker 10: it out. That was a risk I made. But any
• 28:04
  Speaker 10: chance to lie in his presence, either by Isabel or myself,
• 28:08
  Speaker 10: would bring out the truth, and it did. There's no
• 28:13
  Speaker 10: alternative once he's discovered that. But to kill him? Easy
• 28:19
  Speaker 10: enough to throw the blame on his adult. I had
• 28:23
  Speaker 10: not counted on that terrible compulsion for the truth. That
• 28:29
  Speaker 10: strange affliction of Roger Hogan. Its power over me. Did
• 28:36
  Speaker 10: it transfer itself at his death to me? Or was it.
• 28:47
  Speaker 4: Uh....
• 29:09
  Speaker 10: And so close is rather as well starring orson welles
• 29:13
  Speaker 10: tonight's tale of suspense.
• 29:22
  Speaker 9: Thank you.
• 30:01
  Speaker 6: This rebroadcast is a presentation of the Armed Forces Radio Service.
• 30:10
  Speaker 3: The car is beautiful. Where did you end up going
• 30:13
  Speaker 3: for it?
• 30:14
  Speaker 2: This exclusive place that Dad has connections with. They have
• 30:17
  Speaker 2: more cars for more dealerships than like anywhere else.
• 30:19
  Speaker 3: You have to put me in touch. What's it called?
• 30:21
  Speaker 2: It's Dunaidial.
• 30:24
  Speaker 6: Where?
• 30:25
  Speaker 2: Dunaidial. There's an accent on the E.
• 30:29
  Speaker 3: Do you mean.
• 30:30
  Speaker 2: Yes, I got it on Dundale Cars.
• 30:31
  Speaker 10: Lift, please.
• 30:32
  Speaker 3: Are you going past Kimmage? Oh, Kimmage.
• 30:36
  Speaker 6: No.
• 30:37
  Speaker 2: Dundale Cars. You couldn't possibly go anywhere else.
• 30:41
  Speaker 7: Migraine affects half a million people in Ireland. Sumatran Relief
• 30:46
  Speaker 7: 50mg tablets containing Sumatriptan is now available over the counter
• 30:51
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• 30:56
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• 30:59
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• 31:04
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