Latest / The Breakfast Club / Teyana Taylor Interview to What Are the Rules to 3 Somes?

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Teyana Taylor Interview to What Are the Rules to 3 Somes? · The Breakfast Club

• 0:02
  Speaker 1: Room anywhere else, So your brother yo Friday the world
• 0:08
  Speaker 1: stagers want to show the cameras the mother. I agree.
• 0:12
  Speaker 1: What jo is listen is so d Harry, the captain
• 0:18
  Speaker 1: of this the only one who can keep these guys
• 0:21
  Speaker 1: in Jolomne the god. This is the breface competition. Good
• 0:36
  Speaker 1: morning Usa yo yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo,
• 0:45
  Speaker 1: Good morning angela Ye, good money Amy Cholomagne. The gud
• 0:48
  Speaker 1: piece of the planet is Friday. Yes, it's Friday. The
• 0:52
  Speaker 1: weekend is hell is Friday? Right? Yes? I was thrown
• 0:56
  Speaker 1: off a little because the therapy yesterday. You can go
• 0:59
  Speaker 1: to therapy Friday at three, but I went yesterday at
• 1:01
  Speaker 1: three forty five. Did you go yesterday in an emergency session?
• 1:04
  Speaker 1: I didn't have an emergency session. I just haven't. I
• 1:07
  Speaker 1: haven't been in like on vacation. So I haven't been
• 1:10
  Speaker 1: in like two weeks because the week before she was
• 1:12
  Speaker 1: on vacation. Gotcha. I just needed to get back in there.
• 1:14
  Speaker 1: You know what I'm saying. The therapist is on vacation.
• 1:18
  Speaker 1: I mean you got stuff like talk space you could
• 1:20
  Speaker 1: call if you wanted to, you know, but did you
• 1:23
  Speaker 1: call a talkspace? No? I didn't call it up. Well,
• 1:26
  Speaker 1: don't worry. We'll be talking about Charlotte Man in front
• 1:28
  Speaker 1: page News this morning. But for at Page News the
• 1:29
  Speaker 1: rumors both both. Oh my goodness, it might even be
• 1:33
  Speaker 1: a topic. Also, is my guy in the news. My
• 1:36
  Speaker 1: therapy was late yesterday? Yeah, what's your therapist name? You
• 1:39
  Speaker 1: call a doctor called it my first names. That's confidential,
• 1:45
  Speaker 1: Like he'd be like, hey, Marcy, or they'd be like missus, hell,
• 1:48
  Speaker 1: how are you doing. You know, I'm just curious. It
• 1:50
  Speaker 1: wouldn't be missus, it would be doctor. They say doctor. Hello.
• 1:52
  Speaker 1: Do you say hey Mercy, and y'all like how close? Yeah,
• 1:55
  Speaker 1: I'm just curious. You know. It's interesting. But I don't
• 1:58
  Speaker 1: think I've ever called my therapist bar a name. You
• 2:00
  Speaker 1: just call her my therapist. Word is born because when
• 2:03
  Speaker 1: I walk in, you know, you walk in, you sit down,
• 2:05
  Speaker 1: you immediately just thought, you know, you know what I'm saying. Hi?
• 2:08
  Speaker 1: I mean course, you say hi, Hey, how are you?
• 2:10
  Speaker 1: But I'm not. I've never called her by her name.
• 2:12
  Speaker 1: You don't say her name, you just say I'm going
• 2:14
  Speaker 1: to see my therapy, my therapist. That's it. Okay, that's
• 2:16
  Speaker 1: a fact. Wow, let's let's dig deeper into that. And
• 2:20
  Speaker 1: what why do you think that it is that you've
• 2:22
  Speaker 1: never said your therapist name. I don't think she's ever
• 2:24
  Speaker 1: said my name either, not that i'm thinking about it.
• 2:28
  Speaker 1: I've never heard her call my name. He has like
• 2:30
  Speaker 1: a very impersonal session. It's actually very personal, kind of weird.
• 2:34
  Speaker 1: I don't think we talk to each other. You guys
• 2:36
  Speaker 1: are both anonymous to each other. I mean we know
• 2:38
  Speaker 1: we know of each other each other. Yes, we know
• 2:41
  Speaker 1: when we're gonna meet every week. All right, Well, Tiana,
• 2:44
  Speaker 1: Taylor and a man shump but will be joining us
• 2:46
  Speaker 1: this morning. Yes, Tiana got the album. I'll keep that
• 2:48
  Speaker 1: same energy, you know. So we'll kick it with them
• 2:51
  Speaker 1: a little bit later. And then we got front pages.
• 2:52
  Speaker 1: What else are we talking about besides our own Charlemagne?
• 2:56
  Speaker 1: I mean, I think that's going to be the topic
• 2:59
  Speaker 1: huge story us. We'll be talking about Charlemagne and this
• 3:02
  Speaker 1: alleged rape case. That doesn't even it will, all right,
• 3:06
  Speaker 1: I mean it's what it is, all right, Well, we'll
• 3:07
  Speaker 1: get into it next. Keep it Loctice the Breakfast Lub
• 3:09
  Speaker 1: Morning Morning. Everybody is DJ Envy, Angela, Ye, Charlemagne and God.
• 3:14
  Speaker 1: We are the Breakfast Club. Let's get in some front
• 3:16
  Speaker 1: page news. See the God Charlemagne. Leonard. Yes, this story
• 3:22
  Speaker 1: is close to home as it involves one of our
• 3:24
  Speaker 1: hosts on the Breakfast Club, and we've been waiting for
• 3:26
  Speaker 1: all of the information to come out before we could
• 3:28
  Speaker 1: report it. But it has been announced that there was
• 3:31
  Speaker 1: a seventeen year old rape case against Leonard McKelvey aka Charlemagne,
• 3:36
  Speaker 1: and that case will not be reopened now. He was
• 3:39
  Speaker 1: arrested back in two thousand and one on suspicion of
• 3:42
  Speaker 1: raping a fifteen year old girl. Back in two thousand
• 3:45
  Speaker 1: and two, Leonard McKelvey made a plea agreement and he
• 3:48
  Speaker 1: pleaded guilty to the lesser charge of contributing to the
• 3:51
  Speaker 1: delinquency of a minor. The rape charge was dismissed and
• 3:54
  Speaker 1: that case cannot be reopened now. According to the prosecutor.
• 4:00
  Speaker 1: South Carolina law is clear that once it defendant enters
• 4:03
  Speaker 1: plea negotiations and a plea agreement is accepted by the court,
• 4:05
  Speaker 1: due process requires the state to honor the agreement. The
• 4:08
  Speaker 1: state's prosecution has ended and the dismischarge against mister mckelby
• 4:12
  Speaker 1: will not be resurrected. And I cooperated with authorities, yes,
• 4:16
  Speaker 1: anticipated in multiple interviews and submitted to DNA testing right
• 4:20
  Speaker 1: or the sexual assault charge was dismissed. Now Charlemagne aka
• 4:25
  Speaker 1: Leonard mckelvey's attorney said he never had sexual relations or
• 4:28
  Speaker 1: any physical contact with the accuser and even provided DNA
• 4:32
  Speaker 1: to prove it. So that's the situation with that. I
• 4:35
  Speaker 1: know a lot of people were waiting for us to
• 4:37
  Speaker 1: speak on it, and there's all the facts of what
• 4:41
  Speaker 1: we know. I'm just praying for everybody involved in all
• 4:45
  Speaker 1: victims of sexual assault. But those are the facts of
• 4:49
  Speaker 1: my situation, all right, So Laria have it. I'm sure
• 4:52
  Speaker 1: we'll talk more about it later. Now, Elon Musk has
• 4:54
  Speaker 1: found himself a new philanthropic campaign. He's actually going to
• 4:58
  Speaker 1: be helping all of the who don't have clean water
• 5:02
  Speaker 1: in their homes in Flint, Michigan. He said, please consider
• 5:05
  Speaker 1: this a commitment that I will fund fixing the water
• 5:07
  Speaker 1: in any house in Flint that has water contamination above
• 5:11
  Speaker 1: FDA levels. No kidding, so he said. Flint. Twitter users
• 5:14
  Speaker 1: can reply to his tweet with their PPM and PPB
• 5:17
  Speaker 1: test results. If they do exceed federal limits, he will
• 5:20
  Speaker 1: send someone to install a water filter. He also has
• 5:22
  Speaker 1: an email address Flint at x dot com, and he
• 5:26
  Speaker 1: said that's going to start working and you can now
• 5:29
  Speaker 1: go ahead an email there with that information if you
• 5:31
  Speaker 1: need to get clean water in your home. They said
• 5:33
  Speaker 1: that most homes in Flint do have safe water, but
• 5:36
  Speaker 1: many in the city have lost faith in the government's
• 5:38
  Speaker 1: test results. So he's going to organize a weekend in
• 5:40
  Speaker 1: Flint to provide filters to houses that need them. I
• 5:43
  Speaker 1: don't think we're paying attention enough to Elon Musk with
• 5:45
  Speaker 1: Elon Musk is like the real life Bruce Wayne. Yeah,
• 5:48
  Speaker 1: he went and sent the submarine. No, no, no, he
• 5:50
  Speaker 1: said he was gonna send the submarine, but did he
• 5:52
  Speaker 1: ever really send it. He did send it, but they
• 5:54
  Speaker 1: ultimately denied it. Need it got you, But he did
• 5:57
  Speaker 1: send it, Yes, he did. Go. Elon Muski is the
• 6:00
  Speaker 1: real life Bruce Wayne Man. It don't be surprised if
• 6:02
  Speaker 1: you start seeing running around in the Batman costume with
• 6:04
  Speaker 1: a batmobile. All right, well that is your front page news,
• 6:09
  Speaker 1: all right now when we come back, get it off
• 6:11
  Speaker 1: your chest. Eight hundred five eight five one oh five one.
• 6:14
  Speaker 1: If you need to vent, hit us up right now.
• 6:16
  Speaker 1: Maybe you're pissed off about something and you just want
• 6:18
  Speaker 1: to get it off your chest, or maybe you want
• 6:20
  Speaker 1: to spread some positivity. Eight hundred five eight five one
• 6:23
  Speaker 1: oh five one. Get it off your chest is to
• 6:24
  Speaker 1: breakfast club. Good morning, the breakfast Club. Pick up the
• 6:32
  Speaker 1: mother mother phone and die. This is your time to
• 6:34
  Speaker 1: get it off your chat nother. You're mad, We want
• 6:38
  Speaker 1: to hear from you on the breakfast Club. You better
• 6:40
  Speaker 1: have the same energy. Hello, who's this? Good morning? Listen Nicole, Nicole,
• 6:45
  Speaker 1: Good morning, Nicole. How are you guard? Good? Good? Good?
• 6:48
  Speaker 1: What's up? Mama? All right, real quick, let me tell
• 6:51
  Speaker 1: you where I'm mad. I'm just mad because of court.
• 6:53
  Speaker 1: Of course, I drove five hours about work for two
• 6:56
  Speaker 1: days and I get there and I'm done with a
• 6:58
  Speaker 1: substitute does and she's not familiar with my case, and
• 7:02
  Speaker 1: so she had to dismiss it for which they reopened
• 7:06
  Speaker 1: it because she's up in there, so I have to
• 7:07
  Speaker 1: go back again. And before I guess the real judge,
• 7:10
  Speaker 1: that judge was a social worker, and so she was
• 7:13
  Speaker 1: a little lost, And to me, that's not fair. Don't
• 7:15
  Speaker 1: put nobody up there that's not familiar with all of
• 7:17
  Speaker 1: the law. Wasted your time, right, Yes, what did you
• 7:21
  Speaker 1: do anyway? What do you accuse that? What are you
• 7:23
  Speaker 1: accused of? It wasn't accused. I was going to court
• 7:27
  Speaker 1: for violations for the father not allowing me to see
• 7:30
  Speaker 1: the child. Okay, dang you now this is a role reversal.
• 7:33
  Speaker 1: You leave the other way around. This was even strange.
• 7:37
  Speaker 1: I actually had the child the whole time of birth,
• 7:39
  Speaker 1: but up until five. Then finally I decided to reach
• 7:41
  Speaker 1: out and say, hey, you have a son, and we
• 7:43
  Speaker 1: did a DNA test. He's the father, and immediately he
• 7:46
  Speaker 1: went for custody and one because he was in the
• 7:48
  Speaker 1: military and he was more staple than me, which to
• 7:51
  Speaker 1: me is crazy, doing me, a judge of to take
• 7:53
  Speaker 1: a child from a mother, that is ridiculous. I'm gonna
• 7:57
  Speaker 1: I'm gonna say for you what I say to everybody.
• 7:58
  Speaker 1: A child needed both parents. A child definitely needs his mom.
• 8:01
  Speaker 1: I'm sorry, mama. Alrighty, don't have a good day. Praying
• 8:04
  Speaker 1: for you, Praying for you, Helloyd, have your child just
• 8:07
  Speaker 1: taken from you? Hello, guys, guys, good morning. This all
• 8:11
  Speaker 1: homies from California. Yes, hey, you guys be up early
• 8:18
  Speaker 1: this morning too. Not hi, no, no, unfortunately not unfortunately.
• 8:23
  Speaker 1: All right, we'll get it off your chest. Well, we
• 8:25
  Speaker 1: want to say we're blessed again two days in a row,
• 8:28
  Speaker 1: and we want to give a shout out to our
• 8:31
  Speaker 1: five friends, Um, Corey and um what's it called Aubrey nsaka.
• 8:40
  Speaker 1: These are all our friends that we we have a
• 8:42
  Speaker 1: little click that we friends. You have eight friends now
• 8:46
  Speaker 1: we are your friends. Now ya, we'll tell we'll tell
• 8:50
  Speaker 1: the game. Okay, well, thank you very much, of and
• 8:54
  Speaker 1: keep your circle just that small bull Do we have
• 8:56
  Speaker 1: like a group texting? No, well, we kind of. We
• 9:01
  Speaker 1: went around our little circle and told everyone that we
• 9:05
  Speaker 1: got through the phone yesterday and we're gonna tell everyone today.
• 9:10
  Speaker 1: So we're cool now, Hey gang gang, you also recorded
• 9:14
  Speaker 1: us to play it back later for everybody. Oh, it's
• 9:17
  Speaker 1: on you know it's on the YouTube. Okay, okay for
• 9:20
  Speaker 1: telling us, Thank you, mamma. We know it's on YouTube too.
• 9:23
  Speaker 1: Thank you though. Hello, who's this? It's channeling from Coolum,
• 9:26
  Speaker 1: so y'all doing chandelan man? What's up? Get you up
• 9:29
  Speaker 1: your chests? Bro? Good morning, good morning, good morning. Just
• 9:32
  Speaker 1: been a little rough two weeks my car went down again.
• 9:36
  Speaker 1: Cars back in the shop, and I gotta kind of
• 9:39
  Speaker 1: hold that back because I got a trial for custody
• 9:42
  Speaker 1: and my daughter next week, and I gotta pay my
• 9:44
  Speaker 1: lawyer three stacks, which is crazy, but uh, you just
• 9:47
  Speaker 1: want to let everybody know it could always be worse.
• 9:50
  Speaker 1: All right, Well, we wish you luck man in court.
• 9:53
  Speaker 1: Oh thank you. And by the way, b J and
• 9:55
  Speaker 1: Vy Charlotmagne bothered you and that shoulder challenge thing. Hey, hey,
• 9:59
  Speaker 1: caitl with the shoulders, who was just better killing with
• 10:02
  Speaker 1: the shoulders? Oh that's not even a fair competition, y'all know,
• 10:08
  Speaker 1: my dressing is trash, that shoulders like that? You know,
• 10:11
  Speaker 1: Charlotte made more sassy. I went talking T shirts. Listen,
• 10:14
  Speaker 1: First of all, I has nothing to do with sass.
• 10:16
  Speaker 1: You got sas, Okay, I do have a little sass,
• 10:18
  Speaker 1: all right, I'm a sassy savage. Here you go. I'm
• 10:20
  Speaker 1: not on a little busy levels, but I'm here. Get
• 10:22
  Speaker 1: it off your chests. Eight hundred five eight five one
• 10:24
  Speaker 1: oh five one, hit us up. It's the Breakfast Club
• 10:26
  Speaker 1: of one Morning, the Breakfast Club. Wake up, wake up,
• 10:31
  Speaker 1: wake ya, you're trying to get it off your chest,
• 10:37
  Speaker 1: your man or blessed. We want to hear from you
• 10:39
  Speaker 1: on the breakfast clove. Hello, who's this here? Calling from Atlanta? Hey,
• 10:44
  Speaker 1: I'm gonna get it off your chests atl Okay for earlier,
• 10:47
  Speaker 1: Charlotte Mayne, you were talking about Jendi e quality. Well,
• 10:50
  Speaker 1: basically that whole equality thing that's a white one of
• 10:53
  Speaker 1: the gender. They don't give a damn about Black people,
• 10:56
  Speaker 1: so we don't want it quality. There's certain roles for
• 10:59
  Speaker 1: men's there's certain road for women, and that's what I
• 11:01
  Speaker 1: gotta say. I'm not I can't let you speak for
• 11:04
  Speaker 1: all black women on this one, but I respect your opinion.
• 11:07
  Speaker 1: All right, baby, Hello, who's that? She was mad? Big
• 11:10
  Speaker 1: Mike's happening? Get it off her chance? Brother James calling,
• 11:15
  Speaker 1: y'all just got a question. Are y'all knowle y'all got
• 11:18
  Speaker 1: daughters and your little your female I'm a seven. I mean,
• 11:21
  Speaker 1: I got a seventeen year old daughter, single father, and
• 11:24
  Speaker 1: I went, you know, last month to put her on
• 11:26
  Speaker 1: birth control. A lot of my buddies are telling me
• 11:28
  Speaker 1: I'm giving her permission to have sex. Now, I don't
• 11:30
  Speaker 1: play that. And she does have a boy friend. But
• 11:32
  Speaker 1: you know I got that on the locker cheek. You
• 11:34
  Speaker 1: don't go to the movie without daddy. You don't do
• 11:36
  Speaker 1: much without daddy at work right now? Right? Yeah, but
• 11:40
  Speaker 1: she home, she with her mother and her grandfather right now.
• 11:42
  Speaker 1: Don't put no thoughts in this man head. Don't act
• 11:44
  Speaker 1: like you don't got a thirteen year old walking around
• 11:46
  Speaker 1: he sixteen year old. I got cameras in my house.
• 11:49
  Speaker 1: But you know what I will say, it is important
• 11:51
  Speaker 1: to have these discussions with your daughter early on. I'm
• 11:54
  Speaker 1: not Yeah, you have to. He's a single father. Take that,
• 11:57
  Speaker 1: dear mama, right well, this single father. So he went
• 11:59
  Speaker 1: to make short. She lived with me majority of the time,
• 12:03
  Speaker 1: not feeling. All you gotta do is let her know
• 12:05
  Speaker 1: if she bring any boys in this house, you might
• 12:06
  Speaker 1: have to hurt him. Nothing. He's got preventative measures. So
• 12:09
  Speaker 1: at least I was wrong for putting her on our
• 12:11
  Speaker 1: birth control. But why did you put her on? And
• 12:14
  Speaker 1: she's not even having sex? You know, she's being a girl.
• 12:18
  Speaker 1: I think I think that I think that you are
• 12:21
  Speaker 1: being a realist, sir, And I respect all realists, and
• 12:24
  Speaker 1: you know what I'm saying, like we're all delusional in
• 12:26
  Speaker 1: lying on ourselves if we don't think our daughters not
• 12:28
  Speaker 1: having sex because we all having sex with somebody. Daughter. Now,
• 12:30
  Speaker 1: did she tell you that she's she's only seventeen though,
• 12:32
  Speaker 1: Did she tell you she's a virgin? Yes, and you
• 12:35
  Speaker 1: know she she ain't even Yeah, she gets. I mean,
• 12:38
  Speaker 1: but you said, you said, you said you found he's
• 12:40
  Speaker 1: on her next. But she's getting there. So the other
• 12:41
  Speaker 1: conversation I would have with her is about condoms. You
• 12:44
  Speaker 1: know what I'm saying, Because birth control don't stop best TDS,
• 12:46
  Speaker 1: that is true pregnancy, Well, good luck. I don't I
• 12:50
  Speaker 1: don't wish hundred percent effective. But that's what you're gonna do. Man,
• 12:55
  Speaker 1: what you're gonna do? Every What am I gonna do
• 12:57
  Speaker 1: with his Daughter's gonna let gear handle that? No, I'm
• 13:00
  Speaker 1: gonna handle that. I mean, I'm gonna have a conversation
• 13:02
  Speaker 1: with that man told to keep that little keep his
• 13:03
  Speaker 1: little lips off my daughter's neck. Listen, that's all we
• 13:06
  Speaker 1: can do in the coming Yes, when I was seventeen,
• 13:08
  Speaker 1: I was in college. You know what I'm saying. So
• 13:10
  Speaker 1: what can you really do? I'm not even at home. Yeah,
• 13:13
  Speaker 1: we can't stop it, but we can only hope to
• 13:14
  Speaker 1: contain it for as long as we can. Salute, and
• 13:16
  Speaker 1: make sure that you let her know she could come
• 13:18
  Speaker 1: and talk to you about anything instead of being scared
• 13:20
  Speaker 1: to tell you the truth because you're making her feel
• 13:22
  Speaker 1: like she can't do certain things. Yeah, but men got
• 13:24
  Speaker 1: to stop being delusion or like our mothers have sex,
• 13:27
  Speaker 1: our grandmothers have sex, our daughters have sex, or on
• 13:29
  Speaker 1: to have sex. We're married and having sex with somebody's daughter. Like,
• 13:32
  Speaker 1: that's just the reality of life. So I'm not mad
• 13:34
  Speaker 1: at you, That's what I feel. So just make sure
• 13:37
  Speaker 1: that she knows that she could talk to you about anything.
• 13:40
  Speaker 1: Give me anxiety. I can't talk to you anymore. My
• 13:43
  Speaker 1: daughter ten and two. I don't got to worry about
• 13:45
  Speaker 1: that for a while, right, well, my daughters how old exteen,
• 13:49
  Speaker 1: and I ain't gotta worried about that for about another
• 13:50
  Speaker 1: ten years. You hope, you pray you don't. She's leaving
• 13:53
  Speaker 1: for college soon, so and we all leave in a
• 13:55
  Speaker 1: college soon. There's nothing you can do about it. If
• 13:58
  Speaker 1: she went to an HBCU. You know how it was,
• 14:02
  Speaker 1: wow away from home from my dad who's been taping
• 14:05
  Speaker 1: running white people all her life, raising that nice little neighborhood.
• 14:08
  Speaker 1: She going to an HBC Well, you know when she
• 14:11
  Speaker 1: goes to HBCU, that's when I actually leave the breakfast club.
• 14:14
  Speaker 1: But I'm going to hand people broadcast from Virginia every morning,
• 14:18
  Speaker 1: every more, broadcasting for Virginia. All right, we got rumors
• 14:21
  Speaker 1: on the way. Yes, Takashi is trying to get out
• 14:23
  Speaker 1: of jail, but it looks like it's not gonna happen
• 14:25
  Speaker 1: anytime soon. Also, there was a rumor of that Nicki
• 14:28
  Speaker 1: mcna's boat CARDI be a five thousand dollars gift basket.
• 14:31
  Speaker 1: We'll tell you what Carti had to say about that.
• 14:33
  Speaker 1: All right, we'll get into all that when we come back.
• 14:35
  Speaker 1: Keep a lock as the Breakfast Club. Good morning, the
• 14:37
  Speaker 1: Breakfast Club Friday the thirteenth. Does that mean anything to
• 14:42
  Speaker 1: anybody in this room? Yeah? Really, y'all still believe in
• 14:45
  Speaker 1: like the bad luck. No, No, it's payday today, Yes,
• 14:49
  Speaker 1: because we usually get paid on the fifteenth, but when
• 14:51
  Speaker 1: today's Friday the thirteenth, So because it's Sundays the fifteenth,
• 14:54
  Speaker 1: we get paid. So the irs IRUs is playing Jason
• 14:57
  Speaker 1: Vohees because they're cutting a big chunk out of our
• 14:59
  Speaker 1: tax absolutely all money. Yes, Okay, got you all right,
• 15:02
  Speaker 1: Well let's get to the rulers. Let's talk rappers getting arrested. Listen,
• 15:06
  Speaker 1: it's just report, guys. It's well. YG is facing a
• 15:17
  Speaker 1: felony robbery charts. This was from an incident that happened
• 15:19
  Speaker 1: back in May at the Cosmopolitan in Vegas around four am.
• 15:23
  Speaker 1: A man approached him and asked for a picture, but
• 15:26
  Speaker 1: Hyg's crew was like, get out of here. And the
• 15:29
  Speaker 1: guy told YG then that he's not a real celebrity.
• 15:32
  Speaker 1: Asked him one for a picture and then tell him
• 15:34
  Speaker 1: they're not a real celebrity. That's when YG retaliated by
• 15:38
  Speaker 1: snatching his chain off his neck. The chain fell on
• 15:40
  Speaker 1: the ground and then on video they see YG picking
• 15:43
  Speaker 1: up the pendant. They said it's value between three and
• 15:46
  Speaker 1: nine thousand dollars. YG then took off, So the man
• 15:49
  Speaker 1: did sue, and he's also suing YG because he said
• 15:53
  Speaker 1: that YG's goons beat him up before snatching his jewelry.
• 15:56
  Speaker 1: He went at least two hundred and fifty thousand dollars.
• 15:59
  Speaker 1: So basically, HyG proved and white, right, why do you
• 16:01
  Speaker 1: said I'm not a real celebrity, I'm a goddamn good
• 16:03
  Speaker 1: Give me your freaking change. All right, man, I don't
• 16:06
  Speaker 1: know how you can't get mad if somebody tells, you know,
• 16:08
  Speaker 1: for a picture. You know, I understand if somebody's like
• 16:11
  Speaker 1: nasty and rude to you, but but not celebrity. I
• 16:18
  Speaker 1: don't even know if that really happened, but the story sounds.
• 16:20
  Speaker 1: But they had video footage. Oh dropping a clue bomb
• 16:22
  Speaker 1: for Wig. All right, So he did turn himself in
• 16:25
  Speaker 1: on Thursday yesterday, and then he actually was released on Bill.
• 16:29
  Speaker 1: He's not a real celebrity. He's just he's a goon.
• 16:31
  Speaker 1: He just said, remind you. All right. Let's talk about
• 16:35
  Speaker 1: Emmy nominations, and some of your favorites were nominated. Now
• 16:39
  Speaker 1: for Outstanding Comedy Series. What do you think should win? Barry, Atlanta,
• 16:44
  Speaker 1: b Blackish, Some of these shows I don't know, Marvelous, Missus, Mizel,
• 16:48
  Speaker 1: Silicon Valley and break Up both, Kimy Schmidt, Curb Your
• 16:50
  Speaker 1: Enthusiasm or Glow, Blackish, Unbreakable, Kimmy Smiths and Barry are
• 16:54
  Speaker 1: very good. No, yeah, I'm gonna go with Blakish. Atlant
• 16:56
  Speaker 1: is very good too, but I gotta go to blackkish
• 16:58
  Speaker 1: On and I love Curb Your enthusiasm. I didn't watch
• 17:00
  Speaker 1: the new season the Crabs. Man That's Blackish is definitely great.
• 17:04
  Speaker 1: I loved Atlanta though. I love this Lea. I know
• 17:06
  Speaker 1: some people didn't really like this last season of Atlanta,
• 17:08
  Speaker 1: but I loved it. It got stronger towards the end.
• 17:10
  Speaker 1: All Right, Um for Outstanding Drama Series. I already know
• 17:13
  Speaker 1: what you're gonna say. V The Americans, The Crown, Game
• 17:16
  Speaker 1: of Thrones, The Handmaid's Tale, Stranger Things. This is US
• 17:19
  Speaker 1: or Westworld? West World? I mean this is US as
• 17:22
  Speaker 1: going in there no Game of Throne. I'm just joking
• 17:25
  Speaker 1: every date. This is the last season coming up to Game.
• 17:28
  Speaker 1: Oh bros. Now other nominations. Easter Ray is nominated for
• 17:32
  Speaker 1: Outstanding Lead Actress in a Comedy Series for her role
• 17:35
  Speaker 1: on Insecure. Donald Glover also got a nomination for an
• 17:38
  Speaker 1: Outstanding Lead Actor in a Comedy Series. He's up against
• 17:41
  Speaker 1: Anthony Anderson and Larry David Um and East Rays up
• 17:45
  Speaker 1: against Tracy Eellis Rush for Blackish. Also also, John Legend
• 17:49
  Speaker 1: might get his egot now if you remember he was
• 17:52
  Speaker 1: on The Breakfast Club talking about getting an egot because
• 17:55
  Speaker 1: he got his first nomination for his role in Jesus
• 17:58
  Speaker 1: Christ Superstar Live and Answer. Here's a flashback to when
• 18:01
  Speaker 1: John Legend was on the Breakfast Club talking about potentially
• 18:04
  Speaker 1: getting an egot. You won award away from an egot,
• 18:07
  Speaker 1: if that's something you're aiming for, aiming for I wouldn't
• 18:09
  Speaker 1: say aiming for it, but I wouldn't be mad if
• 18:11
  Speaker 1: I got it. I mean it would be nice. I mean,
• 18:15
  Speaker 1: we just did something on television. It's eligible. It's hard
• 18:20
  Speaker 1: to create from that perspective though, Like when you know
• 18:22
  Speaker 1: I am I can win an Emmy. No, because if
• 18:25
  Speaker 1: you start thinking like that, then you I think that's
• 18:27
  Speaker 1: when you go straight creatively, if you start thinking, well,
• 18:29
  Speaker 1: how can I win an award for this? I think
• 18:31
  Speaker 1: if you go into it thinking I need to make
• 18:33
  Speaker 1: this amazing, then the awards will come. Even though Jesus
• 18:37
  Speaker 1: was black, I don't think they're gonna let a black
• 18:38
  Speaker 1: man win an Emmy for playing Jesus. And just so
• 18:41
  Speaker 1: you know what the egot is, it's an Emmy, Grammy,
• 18:43
  Speaker 1: Oscar and Tony. So I think the reason they gave
• 18:46
  Speaker 1: him the Emmy is because it was Jesus. It's not
• 18:47
  Speaker 1: you know, when you're walking down the streeting somebody hand.
• 18:49
  Speaker 1: You're a pamphlet of Jesus. You don't throw it away.
• 18:51
  Speaker 1: So if you see that something about Jesus is nominated
• 18:54
  Speaker 1: for an Emmy, you gotta kind of do it if
• 18:55
  Speaker 1: you want to get it. At least. Let's also say
• 18:58
  Speaker 1: he performed the night before, and who came here that
• 19:00
  Speaker 1: morning right from the performance straight here said out pretty back.
• 19:03
  Speaker 1: He's a professional. Absolutely now. Chrissy tweeted out thirteen nominations
• 19:07
  Speaker 1: for Jesus Christ Superstar this morning. John got two Emmy nominations.
• 19:11
  Speaker 1: If he wins, he will complete his egot and my
• 19:13
  Speaker 1: Spike TV Award will probably be moved. But it's okay,
• 19:16
  Speaker 1: I'm so proud, amazing, drop on a clues box with
• 19:19
  Speaker 1: John legends. Yea, only twelve people have ever gotten an egot.
• 19:23
  Speaker 1: You've got to nominate Jesus Christ superstart with Dart Awards
• 19:25
  Speaker 1: and don't nominate something with Jesus for awards, all right.
• 19:27
  Speaker 1: And Takashi six nine, he cannot get out because he's
• 19:31
  Speaker 1: a flight risk according to the judge, So there's no
• 19:34
  Speaker 1: bill for Takasi. They were in court yesterday asking the
• 19:37
  Speaker 1: judge to let him out on bail for when he
• 19:39
  Speaker 1: was arrested for an outstanding ward in Texas, where he
• 19:43
  Speaker 1: allegedly choked a teenager in the mall. He told the
• 19:45
  Speaker 1: judge he's learned his lesson while sitting behind bars for
• 19:47
  Speaker 1: the day. He said he needs to support his mom
• 19:49
  Speaker 1: and other family members. But the Jets said negative. They
• 19:52
  Speaker 1: said Takashi was just in Europe and he didn't appear
• 19:55
  Speaker 1: to be taking this Texas case very seriously, So no bail.
• 19:58
  Speaker 1: He will remain locked up until his hearing, which is
• 20:01
  Speaker 1: July twentieth, and that's when he'll get extra ditted to Texas.
• 20:04
  Speaker 1: I thought he was on toll he was. He came
• 20:07
  Speaker 1: back to go to the courtney. No, he just came
• 20:09
  Speaker 1: back because the tour was over, and then they arrested.
• 20:11
  Speaker 1: He's locked up in Houston. He's in New York. They
• 20:16
  Speaker 1: so he's gonna be locked up in Houston. Yeah, that's
• 20:18
  Speaker 1: of su and he nobel us in Houston telling people
• 20:22
  Speaker 1: to SMD. Yeah, that's got a sup. All right, well
• 20:25
  Speaker 1: literally all rights report. All right. Now, when we come back,
• 20:30
  Speaker 1: Tiana Taylor and a Man Shumper will be joining us.
• 20:32
  Speaker 1: We'll kicking with them. Of course, she has a new albumut,
• 20:34
  Speaker 1: so we'll talked about all that same energy as the
• 20:36
  Speaker 1: name of her album, It's an Ope Moves to Breakfast Club.
• 20:38
  Speaker 1: Good Morning, Morning, everybody is DJ. You want to do
• 20:42
  Speaker 1: this because you're practicing before an The morning guys is
• 20:48
  Speaker 1: d J, Envy, Charlotta Magne, the Guy, Angie and we
• 20:51
  Speaker 1: are the Breakfast Club. We got some special guests in
• 20:58
  Speaker 1: the building, Tiana Taylor and Mine Sumford. They're back. They're back.
• 21:02
  Speaker 1: Albums out. I love the album. I don't know, but
• 21:08
  Speaker 1: I love everybody like I love it too, Okay, I
• 21:13
  Speaker 1: just would have loved the longer version. And That's what
• 21:16
  Speaker 1: I'm saying. It ain't nothing wrong with the album. I
• 21:19
  Speaker 1: think the album is fire. The longer version is coming though,
• 21:22
  Speaker 1: right I'm sure. I ain't making no more promises. I'm
• 21:25
  Speaker 1: just away for him to drop, you know what I'm saying,
• 21:28
  Speaker 1: Like I'd rather have the link ready and just be like,
• 21:31
  Speaker 1: you know what, gus out, But I'm not. I'm not
• 21:33
  Speaker 1: doing no more promises, no more. It's coming out next
• 21:36
  Speaker 1: week and then the next week coming it don't come out.
• 21:38
  Speaker 1: I ain't making no more promises. No'm missing what don't
• 21:41
  Speaker 1: you love about it? If you don't love like what
• 21:42
  Speaker 1: what's what's as a musician, what didn't you hear? You've
• 21:45
  Speaker 1: seen what I posted on my page would push you.
• 21:46
  Speaker 1: I think he worried everything perfectly. It was like you know,
• 21:49
  Speaker 1: you you I got the demo itis, and you know
• 21:52
  Speaker 1: I lived with these records. You know, this is very
• 21:54
  Speaker 1: vulnerable album for me. You know what I'm saying, It's
• 21:56
  Speaker 1: very vulnerable, very personal for me. So like living with
• 21:59
  Speaker 1: that and like expressing myself through my music and through
• 22:02
  Speaker 1: this album. That was what I fell in love with.
• 22:05
  Speaker 1: So then at the last minute, it might be an
• 22:08
  Speaker 1: extra drum or three, or an extra sample or eighteen,
• 22:11
  Speaker 1: and it's just like it was a lot of stuff
• 22:14
  Speaker 1: at it at the last It's just so different because
• 22:15
  Speaker 1: before you had to submit the album ahead of time
• 22:18
  Speaker 1: and wait for him to come out and whatever. But
• 22:20
  Speaker 1: now it's like I put it out and uploaded and
• 22:23
  Speaker 1: it comes out immediately. Yeah. It's just like you know
• 22:25
  Speaker 1: when when you wake up the morning the album come
• 22:26
  Speaker 1: out and you hear a completely different album, you know
• 22:29
  Speaker 1: what I'm saying, Like even what never would have made it,
• 22:31
  Speaker 1: you know, it was about my mom and Junie and
• 22:33
  Speaker 1: just like the doubters and different things like that, and
• 22:36
  Speaker 1: if you notice, it was only one verse on the record,
• 22:39
  Speaker 1: So I was like, where's my verse about Junie? Like
• 22:41
  Speaker 1: you know what I'm saying? Person like that, Like I
• 22:44
  Speaker 1: was hurt, like I was feeling the type of way
• 22:45
  Speaker 1: you know what I'm saying, like my mom and my
• 22:48
  Speaker 1: daughter now, God, Like if y'all would have heard the
• 22:50
  Speaker 1: whole record, it would have just made it. Like you know,
• 22:53
  Speaker 1: you stage him as different than well exactly like you
• 22:55
  Speaker 1: start feeling it the second verse when you get into
• 22:58
  Speaker 1: the record, you know what I'm saying. So, having like
• 23:00
  Speaker 1: a song with one verse, I just thought it was
• 23:01
  Speaker 1: just too far. That's how I feel about going to
• 23:03
  Speaker 1: make it. Yeah, I feel like that should be longer.
• 23:06
  Speaker 1: I'm not gonna make it. What was it called gotta
• 23:08
  Speaker 1: love Gonna love me? Yes? Yeah, I feel like that
• 23:11
  Speaker 1: should be long. Love you, But I can't tell you
• 23:14
  Speaker 1: Janney Jackson stroke him listen, Yes, listen. I was gonna
• 23:26
  Speaker 1: act because I saw you with Jane the other day.
• 23:27
  Speaker 1: I was gonna ask you when you and Janne're gonna
• 23:29
  Speaker 1: do a song or album, But I can't hear her
• 23:32
  Speaker 1: on that. I can't wait. Wait jan video together, that's
• 23:36
  Speaker 1: gonna be amazing and the Yoot video. So Janet Jackson
• 23:46
  Speaker 1: in New York. They shooting the video to day in
• 23:47
  Speaker 1: New York talking about the rumor, Yeah you got you
• 23:54
  Speaker 1: the other day. I was supposed to a video today.
• 24:04
  Speaker 1: Was not with Jenna. I supposed to the video today,
• 24:06
  Speaker 1: but I came here. I pushed it back to my work.
• 24:09
  Speaker 1: Okay and the work. This cat worked. This cat hell
• 24:13
  Speaker 1: on Instagram like mommy was I. I was running my
• 24:21
  Speaker 1: mom for a solid thirty minutes, bro, and like she
• 24:24
  Speaker 1: was not paying me. No mone I forgot she was
• 24:26
  Speaker 1: in a car and then I say that word. I'm like,
• 24:32
  Speaker 1: Junie the cat cat. So did you have the conversation
• 24:36
  Speaker 1: with her afterwards? Are you just Yeah? That's when Lindy
• 24:39
  Speaker 1: came through. My assistant came through in the close. She
• 24:41
  Speaker 1: was like, what what sound does a cat make? And
• 24:43
  Speaker 1: I was like, yeah, you know it was It's a
• 24:46
  Speaker 1: little early for that conversation. Yeah, But at the same time,
• 24:48
  Speaker 1: I'd rather say cat. What say cat is saying? The
• 24:52
  Speaker 1: cartoons still say pussy cat, right, still a kid, that's
• 24:55
  Speaker 1: still a kid thing. Now she just say worked. They
• 24:58
  Speaker 1: say pretty princess. That's it. I was. I was looking
• 25:01
  Speaker 1: at this post on Instagram. I don't know if you
• 25:02
  Speaker 1: saw it where the woman was talking about how her
• 25:04
  Speaker 1: daughter took the cat to her grandmother's house with her.
• 25:07
  Speaker 1: Did you see that post? The daughter overheard the mom
• 25:11
  Speaker 1: that she was going to her grandmother's house, and the
• 25:13
  Speaker 1: daughter heard the mom talking to her dad like he whispered,
• 25:16
  Speaker 1: I'm gonna kill that cat later, and she thought, oh boy,
• 25:21
  Speaker 1: that he was talking about her cat. So she took
• 25:24
  Speaker 1: the cat with her to her grandmother's house. And then
• 25:27
  Speaker 1: the grandmother was like, yo, you know, why did you
• 25:29
  Speaker 1: let her bring the cat? And she asked her daughter,
• 25:31
  Speaker 1: why did you bring the cat? She was like, because
• 25:32
  Speaker 1: daddy said he was going to ring the cat. That's
• 25:35
  Speaker 1: what I'm saying, like, kid, it's so innocent. It's so innocent.
• 25:41
  Speaker 1: And had that convo with you though never I wasn't
• 25:44
  Speaker 1: because at that age I wasn't. I wasn't talking about
• 25:47
  Speaker 1: cat and stuff because I gotta let your kids know
• 25:48
  Speaker 1: about their private and not touching him. I know my
• 25:50
  Speaker 1: wife has had that convo with my daughter. I've had
• 25:52
  Speaker 1: as far as that, Like you know, all of that
• 25:55
  Speaker 1: comes in you have as you go. It wasn't like
• 25:57
  Speaker 1: a okay, sit down, got you you know, it's just
• 26:00
  Speaker 1: conversations as you go, like what parents should do? You know?
• 26:04
  Speaker 1: So I'm assuming Janet Jackson's favorite song on the album
• 26:06
  Speaker 1: is Gonna Love Me. I'm sure when you saw her
• 26:09
  Speaker 1: the other night, she complimented you on the album and
• 26:12
  Speaker 1: told you a song she liked we was keeking, I
• 26:14
  Speaker 1: mean doing in my feeling challenge or like giggling like
• 26:18
  Speaker 1: giggling video later leave Alone, she recorded her vocal j
• 26:27
  Speaker 1: vocals Jane, you have Jane said you can't put this
• 26:32
  Speaker 1: out yet, So just the last I can't hear her
• 26:34
  Speaker 1: on that record. I would what you mean said you
• 26:38
  Speaker 1: can hear her head. I can just hear it out
• 26:41
  Speaker 1: like the little whisper things she'd be doing. You know what?
• 26:45
  Speaker 1: Shut up? Man, oh man, are you pleased? Could you
• 26:50
  Speaker 1: say it was a song that you was hoping they
• 26:52
  Speaker 1: put on the album? Did that song nick the album? Yeah?
• 26:54
  Speaker 1: The one that made I was talking about Rosen at
• 26:58
  Speaker 1: one point, got you at one point. Um, I remember
• 27:01
  Speaker 1: when they were discussing it because they they were trying
• 27:04
  Speaker 1: to figure out the direction if it was gonna be
• 27:06
  Speaker 1: like more sexy or dance or street like. Before that,
• 27:10
  Speaker 1: because she got a bunch of records. So it's like
• 27:12
  Speaker 1: before they had picked a direction, I'm like, please, whatever direction,
• 27:16
  Speaker 1: just don't take that one off, you know what I mean?
• 27:19
  Speaker 1: It was but they put it like a little what
• 27:21
  Speaker 1: you called on it that kind of made them man,
• 27:23
  Speaker 1: but it's still to me, it was still. I was
• 27:26
  Speaker 1: kind of like hurt that I liked it so much
• 27:28
  Speaker 1: like I didn't. So I'm like, yo, they did it.
• 27:38
  Speaker 1: She like the lasers in there, I say, but it
• 27:41
  Speaker 1: kind of like brought it no, you know issues he
• 27:44
  Speaker 1: was like. At first when I heard it, I was like,
• 27:46
  Speaker 1: I don't know what that is the laser tag in
• 27:48
  Speaker 1: the beginning, but play super Mario. I thought about it.
• 27:52
  Speaker 1: Then about it, I'm like, he just showing you where
• 27:54
  Speaker 1: the sample came from and bringing it to the future,
• 27:57
  Speaker 1: and then your voice come on and the sample cut off.
• 27:59
  Speaker 1: So I'm like, I'm I got I got where they
• 28:02
  Speaker 1: was going with it, but I just felt like they
• 28:05
  Speaker 1: could have kept it too, only because like the lasers
• 28:07
  Speaker 1: was coming, maybe they could have been a little bit
• 28:09
  Speaker 1: more tucked, like I have an ear like I. So
• 28:12
  Speaker 1: it's bigger than just like that. It's not about like
• 28:14
  Speaker 1: not liking the lasers. It's like they could have been
• 28:16
  Speaker 1: turned down a little bit, like even on certain vocals,
• 28:19
  Speaker 1: like if you wanted to have a whole bunch of
• 28:20
  Speaker 1: them in the beginning, So dude, you want to do
• 28:22
  Speaker 1: But I'm getting my vocals in and it's coming through
• 28:25
  Speaker 1: the vocals and my broder is just like bras And
• 28:29
  Speaker 1: that's all inside baseball conversation the general public. Bro with
• 28:35
  Speaker 1: some laser beams on that or even with cop Shot
• 28:41
  Speaker 1: the kid with the nas like the samples so high
• 28:44
  Speaker 1: you can't hear nasir people. They definitely, especially with R
• 28:49
  Speaker 1: and B something when you when you vibing, and the
• 28:52
  Speaker 1: kind of record that issues is it could have done
• 28:54
  Speaker 1: without the lasers. It just was a vibe and did
• 28:56
  Speaker 1: you hear It's like it wasn't needed. All right. We
• 29:01
  Speaker 1: got more with Tiana Taylor and a man shampoo when
• 29:03
  Speaker 1: we come back. Don't move. It's the Breakfast Club the Morning,
• 29:06
  Speaker 1: The Breakfast Club the Morning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 29:13
  Speaker 1: the guy. We are the Breakfast Club. We have Tiana
• 29:15
  Speaker 1: Taylor and a mon Chumper in the building. Now in
• 29:18
  Speaker 1: the song three Way, you expose a lot in this song,
• 29:21
  Speaker 1: Oh Lord, now you open up your life to the
• 29:23
  Speaker 1: world and in a major way. Why you decide to
• 29:26
  Speaker 1: do that joint? But I decided to do three way
• 29:28
  Speaker 1: because I just felt like, you know, after hearing you
• 29:31
  Speaker 1: know seven and like that, it's to the point where
• 29:34
  Speaker 1: all of our all of ours, whether it's me or
• 29:36
  Speaker 1: anybody else, all of our love song is kind of
• 29:38
  Speaker 1: starting to sound alike. So I just wanted to get
• 29:40
  Speaker 1: more creative, you know what I'm saying, and not the
• 29:42
  Speaker 1: typical what I was already doing, you know, with seven.
• 29:45
  Speaker 1: It was just time to take it up a notch.
• 29:47
  Speaker 1: Like how many people hit y'all up after that? Like, so,
• 29:49
  Speaker 1: I don't know, I'll the third party, this got crazy?
• 29:56
  Speaker 1: Don't know what dede right now? Respective another woman like
• 30:02
  Speaker 1: I'm shut up, Sorry, I don't know what I mean.
• 30:08
  Speaker 1: I didn't know. I don't know what I meant. Y'all
• 30:18
  Speaker 1: know what I meant. Man, it was a girl, y'all
• 30:20
  Speaker 1: up saying I would be the third person that context. Yeah,
• 30:28
  Speaker 1: I just thought it's early though, we gonna give you
• 30:31
  Speaker 1: that plan. That's not I was speaking from the perspective
• 30:37
  Speaker 1: you gotta jump in the body and like make a
• 30:39
  Speaker 1: different voice. But I read the third person you said, yeah,
• 30:48
  Speaker 1: But you can't even speak from the perspective of a
• 30:50
  Speaker 1: side bitch because sidebitch is completely different from somebody that
• 30:54
  Speaker 1: we just like bust down if we having a good
• 30:56
  Speaker 1: time somewhere. I'm saying, you know, I'm I'm like, you know,
• 31:02
  Speaker 1: but you know, how how them how them sound bites go?
• 31:05
  Speaker 1: Just be worried that I'm saying, So, how was that
• 31:07
  Speaker 1: conversation the first time? The first time yall had that
• 31:09
  Speaker 1: conversation was brought up by you. It was bought up
• 31:13
  Speaker 1: by me exactly first of all. But you know what's crazy, though,
• 31:19
  Speaker 1: I really like, I really feeling bad because I want
• 31:23
  Speaker 1: to do this. I want to try to say, hey,
• 31:25
  Speaker 1: come on, I just you know he played that if
• 31:29
  Speaker 1: he said bag come on, and that was that. Can
• 31:34
  Speaker 1: I get them some context or what this is? Because
• 31:36
  Speaker 1: after that clip came out, now everybody in my DM's like,
• 31:39
  Speaker 1: why you didn't want to do it or you was
• 31:41
  Speaker 1: trying to play I never said he didn't want to
• 31:43
  Speaker 1: do it. I got it. No, they saying like they
• 31:46
  Speaker 1: said that you because you did the voice like she
• 31:49
  Speaker 1: did the voice and everything like, b what are you doing?
• 31:52
  Speaker 1: So my starter was funny and I'm like, just don't
• 31:54
  Speaker 1: believe that, Like, it's just what she did was. I
• 31:57
  Speaker 1: didn't expect it. We had a great night, we already
• 32:00
  Speaker 1: had something we had going on, we already in the hotel,
• 32:05
  Speaker 1: and then this walks out and then come back with
• 32:11
  Speaker 1: a shot, And I'm like, you know what I'm saying,
• 32:15
  Speaker 1: Like I I didn't have a contact, I didn't have
• 32:18
  Speaker 1: got dot. Yeah, it was just random. I go from
• 32:21
  Speaker 1: looking down taking my shoes off to like, what so,
• 32:24
  Speaker 1: what did you do with mon? And Mom's in here?
• 32:26
  Speaker 1: I ain't on that. I'm working it where you got
• 32:32
  Speaker 1: to get into detail. But I'm saying, once once you
• 32:35
  Speaker 1: once you saw making something, voice change like something, voice
• 32:38
  Speaker 1: don't something? Yes, And I am the explorer and I
• 32:49
  Speaker 1: got poor diego here with me the funniest thing earlier morning.
• 33:00
  Speaker 1: Oh yeah, I got to volve the bangs, the book bag,
• 33:02
  Speaker 1: everything everything. But what I'm saying the moral of the story.
• 33:05
  Speaker 1: The moral of the story is it's just funny. How
• 33:08
  Speaker 1: like the ten people that was mad out of the
• 33:12
  Speaker 1: million people that actually enjoyed the song, it was like,
• 33:15
  Speaker 1: oh that's crazy what women to do to save their marriage.
• 33:18
  Speaker 1: And it's like, baby, I don't do anything up that
• 33:20
  Speaker 1: sort to save anything I do what I want to
• 33:22
  Speaker 1: do on a more serious note, honestly, like what I
• 33:25
  Speaker 1: do to keep anything in life that I love, Like
• 33:30
  Speaker 1: I focus on how to be a better meet now
• 33:32
  Speaker 1: as far as my sexual preference and what I want
• 33:34
  Speaker 1: to do, that's me. That's never. I don't do anything
• 33:37
  Speaker 1: sexual to keep my man. The sex is crazy regardless.
• 33:41
  Speaker 1: It's never like even before that, it was never even
• 33:42
  Speaker 1: a conversation of so baby, you're gonna give a three time?
• 33:45
  Speaker 1: It was never that, you know what I'm saying. And
• 33:47
  Speaker 1: I also feel like if sex is already crazy before
• 33:50
  Speaker 1: y'all married, you're just boyfriend and girlfriend, Like what's next,
• 33:53
  Speaker 1: Like I'm gonna said as terry, So I can't you know,
• 33:58
  Speaker 1: to be turned like I be turned as a terry?
• 34:00
  Speaker 1: Is we need? Let's let's try. Let's let's do it
• 34:04
  Speaker 1: running trains with Jonemi. Not even just say not just
• 34:09
  Speaker 1: say it like that, but I'm saying, like it don't
• 34:11
  Speaker 1: be like on something like I've had girls be like
• 34:13
  Speaker 1: on some well you better stare at her like and
• 34:16
  Speaker 1: it'd be like if it's a that's a natural reaction.
• 34:19
  Speaker 1: Now he ain't stupid now. And another thing to be clear,
• 34:22
  Speaker 1: this ain't no everyday thing like this, ain't that's what
• 34:24
  Speaker 1: people and started was like a thing where it's like
• 34:27
  Speaker 1: every day we're trying to every day music. It's a
• 34:37
  Speaker 1: fantasy that she created. But don't but don't but don't
• 34:39
  Speaker 1: get it twisted. The DMS was little anybody, anybody We've
• 34:45
  Speaker 1: been in a club and they be like this, they
• 34:48
  Speaker 1: tone that line. She said anything he wants. So now
• 34:53
  Speaker 1: girls like go super hard trying to get the iron
• 34:56
  Speaker 1: som on. So when the girl comes in the room,
• 34:59
  Speaker 1: set first of happen. You didn't get scared, like this
• 35:01
  Speaker 1: is a setup. I didn't. It wasn't even the set up.
• 35:05
  Speaker 1: It was like I thought she was more so into that.
• 35:09
  Speaker 1: Women liked her a lot, but to to be in
• 35:13
  Speaker 1: love with a woman's body and not even like some
• 35:15
  Speaker 1: girls they say, I'll go gay for her, which they
• 35:17
  Speaker 1: really don't want to do nothing gay with her, but
• 35:19
  Speaker 1: they just want to stare at hume, put her on
• 35:21
  Speaker 1: the wall type of thing, you know what I mean.
• 35:23
  Speaker 1: And it's like when it was that, I thought, maybe
• 35:25
  Speaker 1: she's just entertaining that. So when she's on phone, going
• 35:35
  Speaker 1: on the low, wait till Thanksgiving man, I right, but
• 35:41
  Speaker 1: it was it was one of them things where it's like, um,
• 35:43
  Speaker 1: you know it happened, and when I look up and
• 35:46
  Speaker 1: I see I'm like, oh you And then that's when
• 35:49
  Speaker 1: the line comes in. Soon as we done, she leaving
• 35:51
  Speaker 1: right out. It wasn't no key key right, Like he
• 35:54
  Speaker 1: wasn't sitting there, Like I wasn't sing it watching the
• 35:56
  Speaker 1: Tiana anymore. So I wasn't sitting there watching hit the floor.
• 35:58
  Speaker 1: You got gout back. This ain't that Tania was funny
• 36:03
  Speaker 1: is because after that we actually like he went out
• 36:07
  Speaker 1: when he was coming back to the hotel, she was
• 36:09
  Speaker 1: coming back to right like, this ain't that she was hanging.
• 36:16
  Speaker 1: But at the same time, I'm never gonna put myself
• 36:18
  Speaker 1: in a position that like I'm not like a you know,
• 36:22
  Speaker 1: like I'm not I'm not that type of time, because
• 36:24
  Speaker 1: a lot of people hit me up all the time
• 36:25
  Speaker 1: asking about three and the rules and like how can
• 36:29
  Speaker 1: I get my girl to do a threesome? Or women
• 36:31
  Speaker 1: want to ask I want to do a threesome? Well
• 36:33
  Speaker 1: that question was already answered because when the song came out,
• 36:35
  Speaker 1: but she was like it got me thinking and a
• 36:39
  Speaker 1: lot of just thanking me. But it's crazy because I
• 36:40
  Speaker 1: told me I'm like, Yo, this is gonna be like
• 36:44
  Speaker 1: the woman is supposed to pick the other woman, right,
• 36:47
  Speaker 1: you say no, I mean I love the thing though,
• 36:55
  Speaker 1: and this is what and this is why, because this
• 36:58
  Speaker 1: is why I'm glad she made it. No, some girls
• 37:00
  Speaker 1: reels are like, Okay, he can't have intercourse with the
• 37:02
  Speaker 1: other one. But it's oh, yeah, I'm not. I'm saying
• 37:04
  Speaker 1: that's that goes without saying though. He's what I'm saying. No,
• 37:10
  Speaker 1: I'm not going to jay down without her. He said
• 37:12
  Speaker 1: without her. Oh no, but I'm not. You don't know that.
• 37:16
  Speaker 1: What I'm saying, he ain't eat anybody else box, Yeah,
• 37:19
  Speaker 1: I got to get strap to the point he ain't
• 37:20
  Speaker 1: eat anybody else box weird. That's what I'm saying that. Yeah,
• 37:29
  Speaker 1: it ain't fun. Let's the homie get something whatever she
• 37:32
  Speaker 1: wanted to live like half the time the girl want
• 37:33
  Speaker 1: to live a fantasy. Cool, we just give her to
• 37:36
  Speaker 1: ride out short like what you know? It was crazy.
• 37:38
  Speaker 1: But I feel what you're saying. No, because for advice
• 37:40
  Speaker 1: for like other girls, First of all, don't do anything
• 37:42
  Speaker 1: you don't want to do. Don't do nothing to don't
• 37:44
  Speaker 1: do anything of that sort. Don't do no threesome to
• 37:47
  Speaker 1: keep your right. Your bond is your bond, you knowee
• 37:49
  Speaker 1: what I'm saying, like you gotta know you're worth and
• 37:52
  Speaker 1: you know whatever it is like in the beginning, you
• 37:55
  Speaker 1: can't plan it, That's what I'm saying. Like I used
• 37:57
  Speaker 1: to be that way, Like in the beginning, it was
• 38:00
  Speaker 1: just like I want to do this, like I want
• 38:02
  Speaker 1: to try this for the bitch. Can't be able to
• 38:03
  Speaker 1: speak English and gotta be over in Brazil somewhere, and
• 38:08
  Speaker 1: you know what I'm saying. But then it's just like
• 38:11
  Speaker 1: what about just wanted I'm not flying only to Brazil.
• 38:14
  Speaker 1: We're gonna find a little bad little joint. We're gonna
• 38:16
  Speaker 1: do that. But like he can't finish on her. You know,
• 38:19
  Speaker 1: it's crazy. And one thing, one thing I give to
• 38:22
  Speaker 1: him is I didn't We didn't have that discussion, and
• 38:24
  Speaker 1: just naturally he didn't. He she couldn't get him like
• 38:27
  Speaker 1: it was like I haven't my wife when it was
• 38:31
  Speaker 1: time to you know, he couldn't. He could not do that.
• 38:36
  Speaker 1: And it was no offense. He was like I need
• 38:37
  Speaker 1: my wife, like you know she understood what about kissing
• 38:42
  Speaker 1: was like so ky, like I know what about kissing,
• 38:45
  Speaker 1: Like can't he kiss that other woman? Three way screams
• 38:48
  Speaker 1: about to go crazy on all social media platform Yeah,
• 38:53
  Speaker 1: it's just really though, I'm gonna say this too for
• 38:55
  Speaker 1: the for the for the guys. If you do get
• 38:57
  Speaker 1: a three way, Joe, I just don't think you should
• 39:00
  Speaker 1: be worried about you and the other girl, Like it's
• 39:02
  Speaker 1: a way doper to look at them too. Yeah, but
• 39:03
  Speaker 1: what about when that girl even better than you though
• 39:06
  Speaker 1: she a fee she can't do nothing after that? Did
• 39:08
  Speaker 1: she ever forget about that? You're there? Like Tiana and
• 39:10
  Speaker 1: the other girl so into it, that's how they But she, Mama,
• 39:22
  Speaker 1: I think I think the dope part about it is
• 39:23
  Speaker 1: I think people think that, you know, guys want to
• 39:25
  Speaker 1: do its fake it for like they're cheating or it's
• 39:27
  Speaker 1: called sharing, and it's not that. And it's like, honestly,
• 39:30
  Speaker 1: the times that we have done it, like it's always
• 39:33
  Speaker 1: been me and him is still making love, you know
• 39:35
  Speaker 1: what I'm saying. Like, introduced the song through Right Now,
• 39:38
  Speaker 1: introduced the song three Way Wanting Everybody is DJ Envy,
• 39:43
  Speaker 1: Angela Yee, Charlomagne, the guy we Are the Breakfast Club,
• 39:46
  Speaker 1: Tiana Taylor and a mon Chumper in the building. How
• 39:49
  Speaker 1: was the conversation with Kanye, because we heard the conversation
• 39:51
  Speaker 1: with Pushing T you told us about it. How was
• 39:52
  Speaker 1: that conversation with Kanye when you call Kanye about the album? Um,
• 39:57
  Speaker 1: are you still speaking to Kanye right now? Hell yeah,
• 39:59
  Speaker 1: I mean we we family. One thing about it is
• 40:02
  Speaker 1: like yay is infamous for like telling somebody like y'all
• 40:06
  Speaker 1: needed to fix it because Sianna is gonna go little
• 40:09
  Speaker 1: Yayo me if y'all don't fix it. You know what
• 40:11
  Speaker 1: I'm saying. So you got to push you and Steve
• 40:14
  Speaker 1: and you know what I'm saying, Ricky and Jay and
• 40:16
  Speaker 1: port On. Those are all my brothers. But yeah, everybody
• 40:19
  Speaker 1: I go down the line, everybody gets the call, you know.
• 40:23
  Speaker 1: And I mean it's respectful. I'm just passionate, you know
• 40:25
  Speaker 1: what I'm saying. It's like, how many times have I
• 40:27
  Speaker 1: been up here? Probably out of a hundred times and
• 40:29
  Speaker 1: really only two times for records, Like that's an issue
• 40:32
  Speaker 1: for me. And then it looked like, oh, like why
• 40:35
  Speaker 1: are you eating there? And it's like, don't get it
• 40:37
  Speaker 1: twisted me. Nigs want me up here, but I'm tired
• 40:40
  Speaker 1: of being up here for other shop that don't have
• 40:42
  Speaker 1: anything to do with my music. I'm just passionate about mine,
• 40:46
  Speaker 1: and like having such a long break like that after
• 40:48
  Speaker 1: seven came out, and already feeling like seven didn't get
• 40:51
  Speaker 1: the proper push that it deserved. It's like this sophomore album,
• 40:55
  Speaker 1: I really felt like, yo, this it got to be perfect.
• 40:58
  Speaker 1: I can't afford to have a one verse record. I
• 41:02
  Speaker 1: can't afford a twenty two minute album. So if like
• 41:04
  Speaker 1: I'm gonna have seven minutes, I need the old school.
• 41:07
  Speaker 1: I need seven minute long, seven minute long records like period.
• 41:11
  Speaker 1: So I was just more nervous and I'm just like
• 41:13
  Speaker 1: y'alls is not listening and push you. You ain't listening
• 41:16
  Speaker 1: to neither, right, like I've been album. The album was
• 41:26
  Speaker 1: short and sweet. I put it for the people that
• 41:29
  Speaker 1: don't know who I am, that never heard of me,
• 41:31
  Speaker 1: they put the album. But the people that know me,
• 41:33
  Speaker 1: and that's been like where the album at. The album
• 41:35
  Speaker 1: at is like I waited four years and you're gonna
• 41:38
  Speaker 1: give me twenty two That's what I'm saying. And if
• 41:41
  Speaker 1: different from him hop, don't get me wrong, I don't
• 41:43
  Speaker 1: have another album sitting in the stats. That's like, this
• 41:45
  Speaker 1: is the incomplete album. This is the like the incorrect
• 41:48
  Speaker 1: album and here's a correct album. It's not that I
• 41:51
  Speaker 1: just wanted all the records to be extended, you know
• 41:53
  Speaker 1: what I'm saying. And it's probably like two other records
• 41:55
  Speaker 1: that was supposed to go on an album. But besides that,
• 41:58
  Speaker 1: it was just more so like I know how I
• 42:00
  Speaker 1: am and i'm the same way like I got mad
• 42:02
  Speaker 1: at Rihanna when she did the James joint um on
• 42:05
  Speaker 1: her album UH with font Leroy, and it was like
• 42:09
  Speaker 1: one verse in one hook and I know that feeling
• 42:12
  Speaker 1: up I need more, Like this is I need this,
• 42:16
  Speaker 1: I need more? You know, is over so fast. So
• 42:20
  Speaker 1: for me to turn around and then like drop a
• 42:23
  Speaker 1: whole album that's over so fast, it's like now I
• 42:26
  Speaker 1: see where people's frustration come from, you know what I'm saying.
• 42:29
  Speaker 1: And then at least read she's consistent. She got album
• 42:31
  Speaker 1: at the album you know, single after sing at the
• 42:34
  Speaker 1: single with me is like album four years, go buy
• 42:37
  Speaker 1: another album and then it's only twenty three minutes, Like
• 42:40
  Speaker 1: it just wasn't enough. That's pretty much my only problem
• 42:43
  Speaker 1: with the rollout. I just thought it needed radio. I
• 42:45
  Speaker 1: needed I feel like radio visual it need a visual
• 42:49
  Speaker 1: We need a radio. It needed a proper like old
• 42:52
  Speaker 1: school like rollout for me. Yeah, I needed singles. I
• 42:56
  Speaker 1: needed all that. I'm a visual artist. People like want
• 42:59
  Speaker 1: to see me, and they want to see me in
• 43:01
  Speaker 1: hearing me, and I feel like, especially like but the
• 43:03
  Speaker 1: faith thing or all that, like they visually have to
• 43:06
  Speaker 1: see what's going on, and our attention span is so
• 43:10
  Speaker 1: short in this generation that it's like they want to
• 43:13
  Speaker 1: see and sometimes you gotta see the video to understand
• 43:15
  Speaker 1: the song more. I've heard records that I wasn't really
• 43:18
  Speaker 1: cool like that. I didn't even like that until I
• 43:19
  Speaker 1: saw the video. And then the video you see you're
• 43:22
  Speaker 1: like okay. When we originally talked, it was like, yeah,
• 43:25
  Speaker 1: we're gonna drop push it and then me gonna drop you.
• 43:27
  Speaker 1: I knew it was like me and push it. And
• 43:30
  Speaker 1: then later on down the line, the day that he
• 43:33
  Speaker 1: tweeted my album, it was like, yeah, I'm doing my
• 43:36
  Speaker 1: album or I'm doing naws Me and Cutty got one.
• 43:39
  Speaker 1: It was just overwhelming and it was like, yeah, this legends, baby,
• 43:43
  Speaker 1: don't put me in that lineup, like I got more.
• 43:46
  Speaker 1: I was already scared from then, you know, but he
• 43:48
  Speaker 1: was like na, I'm gonna be crazy, like you got
• 43:50
  Speaker 1: the best batch of beat. Like NI. I was sold.
• 43:53
  Speaker 1: I ain't gonna front. I was sold like this got me,
• 43:56
  Speaker 1: you know what I'm saying. I was cool with it,
• 43:58
  Speaker 1: but at that point I knew it was like, this
• 43:59
  Speaker 1: is a Wyoming project. So I don't even really probably
• 44:02
  Speaker 1: consider it myself more album. It was really like a
• 44:04
  Speaker 1: Wyoming project. However, five albums, ten albums, or twenty albums.
• 44:08
  Speaker 1: I did not know that it wasn't gonna be a
• 44:10
  Speaker 1: rollout as far as a single and the visual What's
• 44:13
  Speaker 1: the reason why I agreed to do a lot of
• 44:14
  Speaker 1: shows that I did because I was like, oh, y'all
• 44:16
  Speaker 1: have a single, work into Duda whatever. When I perform
• 44:19
  Speaker 1: at BT experience like I'll have the new album out.
• 44:21
  Speaker 1: I thought that. So when we were getting close and close,
• 44:24
  Speaker 1: I'm like, Yo, what's up with a single video Dada?
• 44:27
  Speaker 1: And the next thing you know, the album is out.
• 44:29
  Speaker 1: There's no visuals and I'm like, I'm not about to
• 44:32
  Speaker 1: look like I was. I was like, oh, I'm okay
• 44:34
  Speaker 1: with that, Like I know what I need. I don't
• 44:36
  Speaker 1: want to think that I'm sitting somewhere like that. I'm
• 44:38
  Speaker 1: Tiana Taylor, I could drop an album, you know exactly.
• 44:43
  Speaker 1: But the thing about it is I understand where Kanyeum
• 44:45
  Speaker 1: was going because I've been signsing him for so long
• 44:47
  Speaker 1: and he appreciate my talent. So to him, it's like,
• 44:50
  Speaker 1: bit you that bitch like, But to me, I'm like, yeah, yeah,
• 44:54
  Speaker 1: I'm sure I'm that bitch underground, but I still got
• 44:58
  Speaker 1: a lot to prove. You feel me, Like, give me
• 45:00
  Speaker 1: some visuals, like I'm cool with that young I've always been.
• 45:04
  Speaker 1: I got a lot to prove. I ain't got time
• 45:05
  Speaker 1: for that. Like y'all legends, y'all actually don't even have
• 45:08
  Speaker 1: to drop these projects right now, y'all have to drop
• 45:10
  Speaker 1: the project ever again, Yeah I do. I owe seventy
• 45:14
  Speaker 1: eight songs. Put it eight behind that seven You're like,
• 45:17
  Speaker 1: I always that, So when I see frustrated, I get
• 45:19
  Speaker 1: it right. You know what I'm saying. All of and
• 45:21
  Speaker 1: all of the people's opinions, that was confirmed that I
• 45:24
  Speaker 1: was already kind of like saying. But nonetheless, the album
• 45:28
  Speaker 1: is definitely I definitely hit him. It was like, Yo,
• 45:31
  Speaker 1: Tianna need radio, all right. So shout out to Tiana
• 45:35
  Speaker 1: Taylor and the Moan Shumpert for joining us that pick
• 45:38
  Speaker 1: up our album that's out right now. It's The Breakfast Club,
• 45:40
  Speaker 1: Good Morning Rumors on the Way, The Breakfast Club, The
• 45:46
  Speaker 1: Tough Tune Man. Yeah, Shannon Jackson is gonna sound real
• 45:49
  Speaker 1: good on that record. Janne Jackson is gonna sound real
• 45:52
  Speaker 1: good on that record. We'll see. I think I think
• 45:55
  Speaker 1: that's gonna happen. Okay, I hope I think that's gonna happen.
• 45:57
  Speaker 1: I hope it happens. Anyway, let's get to the rumors now,
• 46:00
  Speaker 1: let's talk a Chance to Rapple. This is the Ruble
• 46:03
  Speaker 1: Report with angela year. Well, Chance the Rapper did an
• 46:12
  Speaker 1: interview with Wendy City Live because you know, he does
• 46:15
  Speaker 1: also have the fiftieth anniversary Special Olympics taking place in Chicago,
• 46:19
  Speaker 1: where he's doing the concert for it with Usher, Smokey
• 46:21
  Speaker 1: Robinson and more that happens on July twenty first. Well,
• 46:25
  Speaker 1: he sat down and talked about Kanye West coming to
• 46:28
  Speaker 1: Chicago to work on their album together. He said, that's
• 46:31
  Speaker 1: going to happen this month. Check it out. Kanye West
• 46:34
  Speaker 1: is like my first image of like, you know, a
• 46:38
  Speaker 1: free black man in the industry, and I just always
• 46:41
  Speaker 1: like loved him for that, loved his music, love this creativity,
• 46:43
  Speaker 1: but loved his voice, loved his fearlessness, and so working
• 46:47
  Speaker 1: under him, working with him on his albums is crazy.
• 46:50
  Speaker 1: But having him tell me that he wants to produce
• 46:52
  Speaker 1: my album and come to Chicago and work with me,
• 46:55
  Speaker 1: and it's like, that's so he's gonna come here and
• 46:58
  Speaker 1: like work with you and start here. Yeah, this month
• 47:01
  Speaker 1: we're working. We're working in Chicago. I think that's exactly
• 47:04
  Speaker 1: what Kanye was needs. You needed to smell some of
• 47:06
  Speaker 1: that fresh Chicago air. I think that Chicago air will
• 47:09
  Speaker 1: hit him and it'll be like getting that camera phone
• 47:12
  Speaker 1: light flash in your face when you in the sunky place.
• 47:14
  Speaker 1: I think that's exactly what he needed to be hope.
• 47:15
  Speaker 1: So now. He also talked about his recent engagement, which
• 47:18
  Speaker 1: went viral. Here's what he had to say about that.
• 47:20
  Speaker 1: Me and my girl never got a chance to have
• 47:22
  Speaker 1: a quiet moment or have any like real discussion on
• 47:24
  Speaker 1: how we were going to announce it to the world
• 47:26
  Speaker 1: or if we would announce it to the world, how
• 47:28
  Speaker 1: much we wanted the world to be in there. But
• 47:30
  Speaker 1: because of how much you know, a lot of publications
• 47:33
  Speaker 1: and gossip blogs, how much accessibility to have to my
• 47:37
  Speaker 1: life through my friends. Our stuff was out there immediately
• 47:39
  Speaker 1: before I could even really get up and make a toast.
• 47:41
  Speaker 1: It was on Shade Room and everything. So were you
• 47:43
  Speaker 1: only that quick? Oh yeah. It immediately makes you kind
• 47:46
  Speaker 1: of want to shy away from the public and have
• 47:48
  Speaker 1: more moments to yourself. But as an artist, it gave
• 47:51
  Speaker 1: me a lot to work with because it showed me
• 47:53
  Speaker 1: how small of a perspective everybody can have with the
• 47:55
  Speaker 1: little information they get about my life. It's impossible to
• 47:58
  Speaker 1: shy away from the public if you go into the
• 48:00
  Speaker 1: public at all, unless you plan to like just sit
• 48:03
  Speaker 1: in your house all day long. When you go out
• 48:05
  Speaker 1: in the public, you're gonna have interactions with the public.
• 48:07
  Speaker 1: And even if you're not recording the situation, somebody other
• 48:09
  Speaker 1: people will be absolutely yeah, So I guess somebody must
• 48:12
  Speaker 1: have sent it in. How did that even work? Or
• 48:14
  Speaker 1: did he posted? Our friend could have posted on their
• 48:17
  Speaker 1: page and then tag somebody tag Shade Room of bail
• 48:20
  Speaker 1: alert and then it just pops up that way all
• 48:22
  Speaker 1: right now, Lea Shaw McCoy, there's more information on what
• 48:26
  Speaker 1: both sides are saying. As far as Celicia Cordon, his
• 48:30
  Speaker 1: ex girlfriend. You guys saw what her face looked like
• 48:33
  Speaker 1: when someone broke into the home and pistol whipped her,
• 48:36
  Speaker 1: according to her side of the story. Now we also
• 48:39
  Speaker 1: have the nine one one call. Here is that first call. Well,
• 48:43
  Speaker 1: here's the call when she's first talking about somebody breaking
• 48:47
  Speaker 1: into the home. So bok from my house the money
• 48:52
  Speaker 1: and jewelry and must send is listening. Okay, we're weapons involved?
• 48:56
  Speaker 1: Mentioned man, Yes, am, I got me in the face
• 48:59
  Speaker 1: as cooking and okay, my boyfriend all right, does anyone okay,
• 49:06
  Speaker 1: that's does anyone need medical attention? He said, you were
• 49:08
  Speaker 1: hitting the head? Do you need medical? Okay? My thing
• 49:12
  Speaker 1: is abolished for him, I didn't need to know what. Wow,
• 49:16
  Speaker 1: that sounds scary. And then she talks about her ex boyfriend,
• 49:20
  Speaker 1: Lashawn McCoy and how she thinks he's involved. I have
• 49:23
  Speaker 1: cameras all outside my house, and my boyfriend, who I
• 49:26
  Speaker 1: feel like, did this, who set me up? Is gonna
• 49:28
  Speaker 1: seeing the camera. I wouldn't feel like because we're working
• 49:33
  Speaker 1: up and he wants all his jewelry though. All right,
• 49:36
  Speaker 1: Now there's more information too. Apparently there's at least three
• 49:39
  Speaker 1: incidents over the past year for that house that they
• 49:42
  Speaker 1: lived in in Georgia. Now Leshawn McCoy had called the
• 49:45
  Speaker 1: police on Delicia back in July of twenty seventeen. When
• 49:49
  Speaker 1: the cops got there, they saw that he was standing
• 49:51
  Speaker 1: in front of a large amount of her clothing, and
• 49:54
  Speaker 1: he explained they were having issues. They broke up after
• 49:57
  Speaker 1: she accused him of cheating on her. He also said
• 50:00
  Speaker 1: that she had some jewelry that she wouldn't give back.
• 50:04
  Speaker 1: He said that jewelers often loaned them high end jewelry
• 50:07
  Speaker 1: items to wear for events, and she had some of
• 50:09
  Speaker 1: these items that had not returned them. Yes for them
• 50:11
  Speaker 1: multiple times, but he had not returned them. And then
• 50:14
  Speaker 1: he goes on to say that he was concerned that
• 50:16
  Speaker 1: she would make false accusations about him. He stated that
• 50:20
  Speaker 1: he was trying to be very careful about being around
• 50:22
  Speaker 1: her given the climate of domestic abuse in his profession.
• 50:26
  Speaker 1: So this case they're saying could be relevant since Delicia says,
• 50:29
  Speaker 1: whoever broke into her house and pistol whipped her demanded
• 50:32
  Speaker 1: very specific items of jewelry. That's why she feels like
• 50:35
  Speaker 1: he is responsible. And she has told the police. As
• 50:39
  Speaker 1: you heard in those nine when one calls that she
• 50:40
  Speaker 1: fails that he's responsible. She also says that her neighbor
• 50:43
  Speaker 1: has surveillance cameras and she can perhaps get some information
• 50:47
  Speaker 1: from there. Jesus Christ praying for all parties involved in
• 50:50
  Speaker 1: that situation. I hope they figured it out, hope the
• 50:52
  Speaker 1: law figures it out, and I hope they get through
• 50:55
  Speaker 1: it all right now, Cardi b we told you yesterday
• 50:57
  Speaker 1: that Nicki Mnason's to five thousand dollars a gift basket
• 51:01
  Speaker 1: that was that was gangster but a birth of culture.
• 51:03
  Speaker 1: Well true, not true, but it wasn't five thousand dollars.
• 51:07
  Speaker 1: I guess Hollywood and Locke posted the story and she
• 51:09
  Speaker 1: just wrote, not true. She responded, not true, So I
• 51:13
  Speaker 1: don't know what's actually She didn't never the gift at all,
• 51:15
  Speaker 1: or it wasn't five thousand doll listen, it's a d
• 51:18
  Speaker 1: m all. She said, was not true. Well, I don't
• 51:20
  Speaker 1: feel so bad now. I thought they said that. I
• 51:23
  Speaker 1: don't know. I don't I felt bad. I thought they said,
• 51:25
  Speaker 1: card these people called the store that the actual gift
• 51:27
  Speaker 1: came from. An asked if if if Nicky purchased it,
• 51:29
  Speaker 1: and they said no, that's what I thought the story.
• 51:31
  Speaker 1: Nikki didn't put a card on it? Did you put
• 51:33
  Speaker 1: a card on your damn right? You send your name?
• 51:36
  Speaker 1: What I did? I sent to not bed bathroom beyond.
• 51:39
  Speaker 1: They asked you if you want to send a message
• 51:40
  Speaker 1: with it. So I typed in the message I wanted
• 51:42
  Speaker 1: to send. Oh you said yesterday you didn't. No, y'all
• 51:44
  Speaker 1: asked me if I sent the card and it's in
• 51:47
  Speaker 1: a card, But I typed in the card. Is typed
• 51:50
  Speaker 1: the message on bad bathroom beyond cardie. That was me
• 51:52
  Speaker 1: that bought that cart. He that was love to repeat
• 51:54
  Speaker 1: right now? What did they say, nicky bold on? What
• 51:57
  Speaker 1: did they say? It was just a five thousand dollars gift?
• 51:59
  Speaker 1: Was a five dollars That was me that I actually
• 52:02
  Speaker 1: did that, no card on it? That was well, they
• 52:05
  Speaker 1: can call the store and track and see if Envy
• 52:07
  Speaker 1: really sent it? Was my government name, Rashaan. I sent
• 52:10
  Speaker 1: CARDI a Maxi cozy Rachel's old special edition jet said
• 52:14
  Speaker 1: prea eighty five convertible car seat. Okay, why I tell
• 52:17
  Speaker 1: you said yesterday? Why I sound like Ralph you describing
• 52:19
  Speaker 1: the red BB gunning. I didn't even have her information?
• 52:23
  Speaker 1: Did she post it on social media? Old patients actually
• 52:26
  Speaker 1: sent me the retin I didn't even have what Carsey,
• 52:30
  Speaker 1: Maxie Cozy Rachel's those said eighty five convertible and she
• 52:38
  Speaker 1: got a broad text broad text is safer for kids?
• 52:40
  Speaker 1: That was broad text broad text car what she requested,
• 52:43
  Speaker 1: but broad text on like Gord text for babies were
• 52:47
  Speaker 1: were right, Jesus, all right, Well I'm angela yee, and
• 52:50
  Speaker 1: that's your rumor report. I gotta tell you something MV said,
• 52:53
  Speaker 1: but I'll tell you later. My goodness, we'll talk about
• 52:55
  Speaker 1: it in a minute. You know, you know who we
• 52:57
  Speaker 1: were talking about? Three Yeah? What a laugh? Was like,
• 52:59
  Speaker 1: you don't me no, no, yea, before we tease, before
• 53:02
  Speaker 1: we tease, do yes, yes, yea. I'm just read. Don't
• 53:07
  Speaker 1: read the whole thing. Ye okay, he likes to read.
• 53:11
  Speaker 1: I'm gonna tell you show you what what part to read?
• 53:14
  Speaker 1: Too many messages. I cain't go here. Go ahead, he
• 53:17
  Speaker 1: goes right here. Stop doing that to the listeners. Let
• 53:19
  Speaker 1: you go read out loud. Don't laugh at me. But
• 53:21
  Speaker 1: would you be interested in doing some paid posts for
• 53:24
  Speaker 1: fashion nova ments working. I'm not mad at it. Joe
• 53:36
  Speaker 1: Button's doing fashion over man, my ass is looking good.
• 53:39
  Speaker 1: Joe doing fashion over mashon overmen checking me out, Joe,
• 53:42
  Speaker 1: I know you ain't doing sneaky fashion noblemen contacted him. Hey,
• 53:46
  Speaker 1: I think the whole breakfast club should do fashion. Nov
• 53:48
  Speaker 1: I'll do the women. We can have a breakfast club
• 53:50
  Speaker 1: code fashion over looking at my ass. All right, fashion
• 53:53
  Speaker 1: Novak working fashion Nova and your ass have to do it.
• 53:57
  Speaker 1: The jeans. You gotta wear the jeans and fit them up.
• 53:59
  Speaker 1: But good. I'm just happy being open about your potential
• 54:02
  Speaker 1: payola man, what are you talking about? Passion? That music?
• 54:09
  Speaker 1: But Charlomagne, you went in the room, but Envy yelled out,
• 54:12
  Speaker 1: don't say it. I like Dan, but I like girls too. No,
• 54:15
  Speaker 1: that wasn't you didn't say that. Don't lie. That wasn't that.
• 54:18
  Speaker 1: You didn't say that. That was out of contact guy's girls.
• 54:21
  Speaker 1: Come on, Charlemagne, Hey, stop, who are giving your donkey
• 54:24
  Speaker 1: to donkey to day? Going to a young man in Vancouver.
• 54:27
  Speaker 1: I don't think I've ever given a donkey to anybody
• 54:28
  Speaker 1: in Vancouver, but he about to get it this morning.
• 54:30
  Speaker 1: All right, we'll get it to him when we come back.
• 54:32
  Speaker 1: Keep a loge, all right, it's the breakfast club. Good morning.
• 54:42
  Speaker 1: I was born to donkey it's the Donkey of the Death.
• 54:52
  Speaker 1: Don't get that's pretty funny. Charlemagne Devil Breakfast Club. Yeah,
• 55:00
  Speaker 1: donkey today for Friday, July thirteenth, goes the Rye Ward
• 55:04
  Speaker 1: Lot now rides from Vancouver, and I don't think I've
• 55:06
  Speaker 1: ever given someone from Vancouver donkey to day. So this
• 55:09
  Speaker 1: may it may not be your first. Don't quote me
• 55:10
  Speaker 1: on that. I've been doing this for almost h years
• 55:12
  Speaker 1: and my memory is trash. Now, who out there likes
• 55:14
  Speaker 1: escape rooms? Anybody in this room haven't been in an
• 55:16
  Speaker 1: escape room? You now? But I think it's like is
• 55:18
  Speaker 1: it like Saw? Hu? No, I've been in a skate
• 55:21
  Speaker 1: room a couple of time. Yeah, there for her birthday. No,
• 55:25
  Speaker 1: they put you in a room and then you got
• 55:27
  Speaker 1: the different clues you gotta figure out in the room
• 55:29
  Speaker 1: to be able to get out. Isn't that like Saw?
• 55:32
  Speaker 1: I don't know you could die because it's gory enough.
• 55:34
  Speaker 1: You can't die in this thing. It's not that type
• 55:36
  Speaker 1: of thing. You just gotta be able to escape to
• 55:37
  Speaker 1: give about an hour scary movie. I've never done it
• 55:40
  Speaker 1: that I can remember. I've been in like those Halloween
• 55:42
  Speaker 1: rooms that you walk through and people are jumping out
• 55:44
  Speaker 1: at you and grabbing you. But I don't think i'm
• 55:45
  Speaker 1: the house actual escape I've been in escape room. Okay,
• 55:48
  Speaker 1: well you know what. Let's go to KPTV Fox twelve
• 55:51
  Speaker 1: to get a little explanation on what an escape room
• 55:53
  Speaker 1: actually is. You and some friends or maybe co workers
• 55:55
  Speaker 1: are placed inside of a room filled with clues about
• 55:58
  Speaker 1: how to get out. Then you're giving us amount of
• 56:00
  Speaker 1: time to make it out of the room. Okay, how's
• 56:03
  Speaker 1: that the movie saw him took about his difficulty levels?
• 56:06
  Speaker 1: Is you know some for teens, some for older people,
• 56:08
  Speaker 1: some for kids? Like are they really that difficult to
• 56:10
  Speaker 1: get out of? Yes? If you can't figure it out
• 56:13
  Speaker 1: that somebody come get you? Yes? Die? Oh okay, well
• 56:15
  Speaker 1: I already know my anxiety would go through the roof
• 56:17
  Speaker 1: in the escape room. That's why I refused to pay
• 56:19
  Speaker 1: people to scare me. I don't do hard movies, I
• 56:21
  Speaker 1: don't do roller coasters, and it doesn't sound like escape
• 56:23
  Speaker 1: rooms or my thing eitherough. Okay, only escape room I
• 56:25
  Speaker 1: would be in is if it's a room where tiny Timiko,
• 56:28
  Speaker 1: Latasha and sometimes Candy a performance. Now back to today's
• 56:31
  Speaker 1: Donkey Ryan Wardlaw, Ryan Wardlaw sucks it Escape escaping escape rooms.
• 56:36
  Speaker 1: Would you like to know why he sucks it escaping
• 56:38
  Speaker 1: escape rooms by Let's go to KPTV Fox Folve again
• 56:41
  Speaker 1: for the report. Hey burglar, how to call nine one
• 56:43
  Speaker 1: one to get out of an escape room business? Because
• 56:46
  Speaker 1: after breaking in, he couldn't get out, Deputy say, Rye
• 56:50
  Speaker 1: Wardlaw is the suspect. They say he got into trouble
• 56:53
  Speaker 1: when he tried to get out. He broke the doorknobs
• 56:56
  Speaker 1: and then panicked and called nine one one. Deputies say
• 56:59
  Speaker 1: he told that his home was being burglarized, but gave
• 57:02
  Speaker 1: an address that doesn't exist, so they responded to the
• 57:06
  Speaker 1: business here. They were going from escape room to escape room.
• 57:09
  Speaker 1: Deputy say, by the time they got to the strip mall,
• 57:12
  Speaker 1: war Law was out. But get this, they saw him
• 57:14
  Speaker 1: toss a phone that belonged to the business. And there's
• 57:18
  Speaker 1: no escaping that. I ain't even gonna hold you outsided
• 57:21
  Speaker 1: or breaking and entering and not knowing when he was
• 57:24
  Speaker 1: breaking into, Ryan did everything right in this situation. If
• 57:27
  Speaker 1: I was in an escape room and I didn't know
• 57:29
  Speaker 1: how to get out, I would call a nine one
• 57:30
  Speaker 1: one two. I would call nine one one and break
• 57:34
  Speaker 1: everything all right, dead ass The only reason Ryan is
• 57:36
  Speaker 1: getting donkey today is because if you want to commit
• 57:38
  Speaker 1: a burglary, you should attempt to make that burglary as
• 57:41
  Speaker 1: easy as possible in and out. Did you not read
• 57:43
  Speaker 1: the big ass sign on the building that said escape experience?
• 57:46
  Speaker 1: What did you think that was? It does look like
• 57:48
  Speaker 1: a sex store on the outside. I'm not gonna lie
• 57:50
  Speaker 1: to you, but either way, you gotta do some research
• 57:52
  Speaker 1: before you just break into place places. Okay, you had
• 57:55
  Speaker 1: a phone, all right, Google is your friend. Find out
• 57:57
  Speaker 1: what the escape experience is before you just go breaking
• 58:00
  Speaker 1: and entering into places you can't get out of. Because
• 58:02
  Speaker 1: if you would google it a little, you would have
• 58:04
  Speaker 1: realized that the room he was in, called the kill room,
• 58:08
  Speaker 1: is equipped with a panic door that is always unlocked.
• 58:11
  Speaker 1: The kill room, yes, movie, but Ryan had a panic
• 58:15
  Speaker 1: attack before using it, and he called nine one one
• 58:18
  Speaker 1: four times from inside the kill room, and by the
• 58:20
  Speaker 1: time he figured figured out there was a panic door,
• 58:23
  Speaker 1: police had arrived and Ryan was still on the premises
• 58:26
  Speaker 1: and he was taking into custody and confessed to the crime.
• 58:29
  Speaker 1: All right, he's been charged with second degree burglary. Poor
• 58:32
  Speaker 1: guy couldn't escape the escape room all the long arm
• 58:34
  Speaker 1: of the law. Please give Ryan Ward Law the biggest
• 58:37
  Speaker 1: hall police. It's actually pretty fun. Nah, that's pretty fun
• 58:44
  Speaker 1: because it's different clues you gotta do to get out,
• 58:46
  Speaker 1: and it's not scary. It's not like the lights go
• 58:48
  Speaker 1: off to Nah. They give you different clues. You gotta
• 58:52
  Speaker 1: figure out how to get out. Its usually it was
• 58:54
  Speaker 1: a team. My daughter took her friends. It was like
• 58:56
  Speaker 1: ten of them and we had to figure out how
• 58:57
  Speaker 1: to get out. It was pretty fun. Why would I
• 58:58
  Speaker 1: want to be in a place that's gonna cause my
• 59:00
  Speaker 1: anxiety to go through the roof. No, but if you're
• 59:03
  Speaker 1: a clusterphobic, no, that's not for you. It's the room.
• 59:06
  Speaker 1: How big is it? Look the side of this this studio. No,
• 59:10
  Speaker 1: I'm cool. It's ten of y'all in there out Okay,
• 59:13
  Speaker 1: we got up all right, Well, thank you for that
• 59:16
  Speaker 1: donkey of the day. Now let's talk Tiana Taylor and
• 59:20
  Speaker 1: Aman Chumper. Now they were up here earlier talking about threesomes,
• 59:24
  Speaker 1: and when they were here, this is what they said.
• 59:27
  Speaker 1: Some girls rules are like, okay, he can't have intercourse
• 59:29
  Speaker 1: with the other one. But oh yeah, I'm not going
• 59:31
  Speaker 1: I'm saying that's that goes without saying, though, that's what
• 59:34
  Speaker 1: I'm saying. No, I'm not going to jay down without her,
• 59:38
  Speaker 1: he said without her. Oh, you know what I'm saying,
• 59:43
  Speaker 1: he ain't eat anybody else box. To get to the point,
• 59:47
  Speaker 1: he ain't eat anybody else boxes, all right. So the
• 59:50
  Speaker 1: question is eight hundred five eighty five one oh five one.
• 59:52
  Speaker 1: If you guys have had threeesoms out there all their
• 59:55
  Speaker 1: threesome rules, that is the question. I know all the
• 59:57
  Speaker 1: rules because I read this book Threesomes for Couples who
• 1:00:00
  Speaker 1: want to know more by Landy Spider. I think the
• 1:00:02
  Speaker 1: rules or whatever the female, whatever your girl or wife
• 1:00:05
  Speaker 1: or for yance is, I think they're the one that
• 1:00:07
  Speaker 1: sets the rules, and the rules very based on what
• 1:00:09
  Speaker 1: it is. Right, Like, if it's you and your significant
• 1:00:12
  Speaker 1: other and a woman, then the rules would be different
• 1:00:14
  Speaker 1: than if it was just you and two randoms, right,
• 1:00:16
  Speaker 1: I'm sure. And then if it's two guys and a girl,
• 1:00:19
  Speaker 1: maybe the rules are different for that. Oh yes, total
• 1:00:22
  Speaker 1: rules would definitely be very deep. Okay. I can only
• 1:00:25
  Speaker 1: imagine what the rules to that story fight would look like.
• 1:00:27
  Speaker 1: My goodness, eight hundred five eight five one five all
• 1:00:31
  Speaker 1: their rules to three when you got a penis in
• 1:00:34
  Speaker 1: your face? Call all right, what's that? We have that
• 1:00:39
  Speaker 1: that clip what he said yesterday what he would do.
• 1:00:40
  Speaker 1: But if it was coming out, I'm tired. I'm tired
• 1:00:42
  Speaker 1: of being taken out of context. We have to do
• 1:00:44
  Speaker 1: we have that. Stop taking this out of context. You
• 1:00:48
  Speaker 1: just said it's the context of the conversation. He said,
• 1:00:51
  Speaker 1: what's taken out of contact? Good to play one? My time?
• 1:00:54
  Speaker 1: I missed it almost good so good to that. I'm
• 1:00:58
  Speaker 1: your face. That's what you're doing it faith what I'm saying.
• 1:01:00
  Speaker 1: All right, Well eight hundred five a five one on
• 1:01:02
  Speaker 1: five one all their rules to a threesome. We just
• 1:01:05
  Speaker 1: got one from Charlomagne. What's that rule again? I'm so good,
• 1:01:09
  Speaker 1: so good to that? All right? You know it's the
• 1:01:11
  Speaker 1: breakfast Club Good Morning. Life is out of context. The
• 1:01:14
  Speaker 1: breakfast club that was through the wire morning. Everybody is
• 1:01:20
  Speaker 1: DJ Envy Angela Ye, Charlomagne the guy. We are the
• 1:01:24
  Speaker 1: breakfast Club Good Morning. Now, if you just joined us,
• 1:01:27
  Speaker 1: we're talking three somes this morning. This conversation comes from
• 1:01:30
  Speaker 1: Tiana Taylor and Aman Schumpert, who were on the show earlier,
• 1:01:33
  Speaker 1: and this is what they said. Some girls rules are
• 1:01:35
  Speaker 1: like Okay, he can't have intercourse with the other one.
• 1:01:37
  Speaker 1: But it's oh yeah, I'm not gonna I'm saying that
• 1:01:39
  Speaker 1: gonna be that's that goes without saying though, he's what
• 1:01:41
  Speaker 1: I'm saying. No, I'm not going to jay down without her.
• 1:01:46
  Speaker 1: He said without her. Oh no, you don't know that.
• 1:01:50
  Speaker 1: I'm saying, he ain't eat aybody else. Box to get
• 1:01:53
  Speaker 1: straight to the point, he ain't eat anybody else box.
• 1:01:56
  Speaker 1: So eight hundred five A five, one oh five one
• 1:01:58
  Speaker 1: all their rules to three. Now you read a book
• 1:02:01
  Speaker 1: about it, right, Yes, Why did you read this book? Well,
• 1:02:04
  Speaker 1: because I had her on my show lip Service. She's
• 1:02:07
  Speaker 1: an author and a writer a penthouse and so the
• 1:02:10
  Speaker 1: rules are the woman is supposed to choose who is
• 1:02:13
  Speaker 1: going to be the third party involved, and of course
• 1:02:16
  Speaker 1: nobody does anything that they're not comfortable with. Also, he
• 1:02:19
  Speaker 1: can't contact her outside of the threesome. So it's really
• 1:02:23
  Speaker 1: up to you whenever you want to do it. So
• 1:02:24
  Speaker 1: they can't go off and have their whole own little
• 1:02:26
  Speaker 1: thing and then be like, Okay, we're all a big
• 1:02:28
  Speaker 1: happy family. Doesn't work like that. I'm usually not a
• 1:02:31
  Speaker 1: great idea for it to be somebody that you're really
• 1:02:33
  Speaker 1: close with, So it either has to be somebody that
• 1:02:36
  Speaker 1: you casually know, or perhaps you'll pick somebody up together
• 1:02:39
  Speaker 1: that wants to be down. Of course, you use protection,
• 1:02:42
  Speaker 1: and personally, I think it's a good idea for the
• 1:02:46
  Speaker 1: guy to finish on her, and then it's up to you,
• 1:02:48
  Speaker 1: guys to decide whether or not he can have intercourse
• 1:02:50
  Speaker 1: with the other women or not. You guys also have
• 1:02:52
  Speaker 1: to make rules about kissing. In general, I would say
• 1:02:55
  Speaker 1: kissing for the man and the third party woman is
• 1:02:59
  Speaker 1: not a good real experience. Breaking it down, I don't
• 1:03:03
  Speaker 1: believe that's no goddamn book. You're talking like you just
• 1:03:06
  Speaker 1: a first person narrative. And and for the women out
• 1:03:09
  Speaker 1: there that are having three SEMs with two men involved
• 1:03:11
  Speaker 1: or three men or three women, these rules apply to you, guys.
• 1:03:14
  Speaker 1: Whoever is in the couple. The person that is um
• 1:03:18
  Speaker 1: you know, deciding the woman makes the rules when it's
• 1:03:21
  Speaker 1: a woman and a man, and then if a man
• 1:03:23
  Speaker 1: wants to be with another man, he should be able
• 1:03:24
  Speaker 1: to pick well. I have nothing to offer this conversation
• 1:03:26
  Speaker 1: because I've never had a three someone my wife or
• 1:03:28
  Speaker 1: my wife now, but in general you have I've had
• 1:03:31
  Speaker 1: one in my life? Would you have? Would you have? You?
• 1:03:32
  Speaker 1: Would you have to through so much? Ill can handle that? Bro,
• 1:03:35
  Speaker 1: I'm be honest with you. I'm um you know, um
• 1:03:38
  Speaker 1: my my ego might be still slightly fragile because if
• 1:03:42
  Speaker 1: his penis is bigger than yours. Who said, you're thinking
• 1:03:46
  Speaker 1: two men? What are you talking about? No, I'm not
• 1:03:51
  Speaker 1: gonna judge you. Let's go to the phone judging you legit? Hello?
• 1:03:56
  Speaker 1: No man? Hello? Hello? Hey, what's up? Bro? We're going on?
• 1:04:00
  Speaker 1: Are there rules to three sons? Broke? That's definitely rung three.
• 1:04:04
  Speaker 1: So Charlomagne said, the other guy's penis can't be bigger
• 1:04:06
  Speaker 1: than now. You can't get too much attention to the
• 1:04:16
  Speaker 1: other person without giving it their partner. That's the fact
• 1:04:20
  Speaker 1: with the venture. Okay, yeah, you don't want you don't
• 1:04:22
  Speaker 1: want your women to feel insecure jealous about it. You women,
• 1:04:25
  Speaker 1: a man, your partner, the lifestyle. So whatever case, they
• 1:04:28
  Speaker 1: can't too much. You know, it's funny. We just talked
• 1:04:30
  Speaker 1: to Charlomagne and he said, I if the man's penis
• 1:04:33
  Speaker 1: was too big, it would bother him. Charlemagne didn't say that.
• 1:04:35
  Speaker 1: You did say that understuing people all week? All right,
• 1:04:38
  Speaker 1: don't be the next one. All right, we got the
• 1:04:40
  Speaker 1: audio so so uncomfortable. Bro, you got to be I
• 1:04:45
  Speaker 1: didn't even say that, my brother. I don't I don't
• 1:04:48
  Speaker 1: need your advice and I don't even say that. Stop charlomn.
• 1:04:52
  Speaker 1: He's been doing people all week. Don't be the next one.
• 1:04:54
  Speaker 1: I'm assuming people. Okay, this guy over here, all right,
• 1:04:59
  Speaker 1: thank you, bro, geez all right, Well, eight hundred five
• 1:05:03
  Speaker 1: A five one on five one. We're just trying to
• 1:05:04
  Speaker 1: ask if their rules to threesomes call us now, it's
• 1:05:07
  Speaker 1: the Breakfast Club. Good morning morning. Everybody is DJ Envy
• 1:05:11
  Speaker 1: and Jela Yee, Charlomagne the guy, we are the breakfast club.
• 1:05:14
  Speaker 1: Now if he just joined us. We spoke to Iman
• 1:05:17
  Speaker 1: Shuppert and Tiana Taylor this morning. They were talking about
• 1:05:19
  Speaker 1: threesomes and this is what they said. Some girls rules
• 1:05:21
  Speaker 1: are like, Okay, he can't have intercourse with the other one.
• 1:05:23
  Speaker 1: But oh yeah, I'm not gonna I'm saying that's that
• 1:05:26
  Speaker 1: goes without saying though, he's what I'm saying. No, I'm
• 1:05:31
  Speaker 1: not going to jay down without her, he said, without her.
• 1:05:33
  Speaker 1: Oh no, you don't know that. I'm saying. This is
• 1:05:37
  Speaker 1: he ain't eat aybody else box to get straight to
• 1:05:40
  Speaker 1: the point. He ain't eat anybody else boxes. So we're
• 1:05:43
  Speaker 1: asking eight hundred five a five one on five one
• 1:05:46
  Speaker 1: are their rules to threeesomes? But you have a threesome? NV?
• 1:05:48
  Speaker 1: Don't your wife? Hell no, I'm what if she wanted it? Nah?
• 1:05:52
  Speaker 1: You know what it is too, because you know when
• 1:05:54
  Speaker 1: in the threesome it's girl on girl action and then
• 1:05:56
  Speaker 1: girl on guy action to a guy on guy guy
• 1:05:59
  Speaker 1: on and my case it would be girl on girl action. Yes,
• 1:06:02
  Speaker 1: So my whole thing is, you know a girl probably
• 1:06:04
  Speaker 1: eats well, I know a woman does eat box better
• 1:06:08
  Speaker 1: than men. Right, So right, if my wife is moaning
• 1:06:10
  Speaker 1: and stutter up over this female, I don't gonna feel
• 1:06:13
  Speaker 1: away because I don't know if I could get it
• 1:06:14
  Speaker 1: to the same point another. But then, but once you
• 1:06:16
  Speaker 1: ask the woman to show you how to do it better,
• 1:06:18
  Speaker 1: it's impossible. You can never do it. Now you Now,
• 1:06:19
  Speaker 1: I do agree that women should teach men how to
• 1:06:22
  Speaker 1: properly do that, but they will never be able to
• 1:06:23
  Speaker 1: do it as good as a woman. But the truth
• 1:06:25
  Speaker 1: of the matter is my ego too fragile for all
• 1:06:28
  Speaker 1: of that. You know what I'm saying. I don't. I
• 1:06:30
  Speaker 1: don't think. I'm at the point in my life where
• 1:06:32
  Speaker 1: I could be in a room with another woman and
• 1:06:35
  Speaker 1: my wife and I no, no, I don't think. So
• 1:06:40
  Speaker 1: what about you? You know, I don't want to have
• 1:06:42
  Speaker 1: a three s But also I'm not attracted to women physically,
• 1:06:45
  Speaker 1: so that's why it really wouldn't happen for me. Okay,
• 1:06:47
  Speaker 1: I'm a very one on one type of person. Even
• 1:06:49
  Speaker 1: when I watch Point, it's always like a man and like,
• 1:06:53
  Speaker 1: it's always just two people. And by the way, I
• 1:06:54
  Speaker 1: don't not nobody who does it, and it's very it's
• 1:06:56
  Speaker 1: always like romantic. I love hearing the story. I love
• 1:06:59
  Speaker 1: hen Tiana and a man talk hello, who's this good morning?
• 1:07:03
  Speaker 1: Or the rules the three sons? Mamma, my boyfriend has
• 1:07:06
  Speaker 1: had to go. And the only thing I say is
• 1:07:09
  Speaker 1: no kissing. Okay, no kissing. That's a decent rule. So
• 1:07:12
  Speaker 1: hold on, what about so you let your boyfriend do
• 1:07:14
  Speaker 1: oral or another woman? Yeah? Oh wow? So what's the portrait?
• 1:07:18
  Speaker 1: You know what, some people think kissing is more intimate
• 1:07:20
  Speaker 1: than other sexual activities. So you got a man put
• 1:07:22
  Speaker 1: his mouth on another woman's vagina lips, but not her
• 1:07:25
  Speaker 1: regular lips. Yeah, we had boxing in competition? Who's better?
• 1:07:29
  Speaker 1: I say, I am. I'm not gonna friend drop one
• 1:07:32
  Speaker 1: the clues bombs. That sounds like a dopead Friday at
• 1:07:37
  Speaker 1: box eating competition, pie eating competition. Goddamn it. Wow. All right, well, congrats, mamma,
• 1:07:42
  Speaker 1: thank you, he said, congrats because she always wins. Hello, Yeah,
• 1:07:45
  Speaker 1: pretty much? Hello? Who's this Kim? Hey Kim? We're talking
• 1:07:49
  Speaker 1: about rules to three sums. Do you have three sons
• 1:07:52
  Speaker 1: with your man? Mamma, Yes, all right, and what are
• 1:07:56
  Speaker 1: the rules? All right? So the rules are if we
• 1:08:00
  Speaker 1: are to the point where we want this three thing
• 1:08:03
  Speaker 1: that we're just gonna go hand like there's no like
• 1:08:07
  Speaker 1: he can't you know, touch her a certain way or
• 1:08:10
  Speaker 1: whatever whatever I'm saying. Of course, this all around protection,
• 1:08:13
  Speaker 1: but we're just gonna go like, no holds barred. But
• 1:08:16
  Speaker 1: this has to be a woman that I've chosen. There's
• 1:08:20
  Speaker 1: no contact between that. But that night or that timeframe,
• 1:08:24
  Speaker 1: we're gonna be extremely inforent You said no holds barred.
• 1:08:27
  Speaker 1: How do you agree? How do you figure out whether
• 1:08:29
  Speaker 1: or not you're gonna go raw or not? Because that's
• 1:08:30
  Speaker 1: what you meant by no. No, it's not Charlomagne, why
• 1:08:34
  Speaker 1: are you trying to beat that? Y'all could do whatever
• 1:08:37
  Speaker 1: you want in the bedroom. I'm saying we could do
• 1:08:39
  Speaker 1: whatever we want a bedroom because I feel like if
• 1:08:41
  Speaker 1: you've gotten to the point of wanting a three someday,
• 1:08:44
  Speaker 1: your freak level is already like beyond, Hey, don't touch
• 1:08:48
  Speaker 1: him that way and don't kiss me that way. We're
• 1:08:50
  Speaker 1: already there. So yeah, Flip's all kiss can you can
• 1:08:56
  Speaker 1: he eat her button? Step? I mean either him not you,
• 1:09:00
  Speaker 1: you know, because ill but if it gets there, gets there,
• 1:09:05
  Speaker 1: because I mean we're having sex. I feel like Texas free.
• 1:09:08
  Speaker 1: It is what it is. But we are used to
• 1:09:10
  Speaker 1: protect this. We are not going wrong, not with no
• 1:09:12
  Speaker 1: random Okay, yeah, you can't do that. Okay, thank you, mama,
• 1:09:16
  Speaker 1: You're welcome. All right, Well, what's the morrow to the story, guys?
• 1:09:19
  Speaker 1: The more of the story is the rules is whatever
• 1:09:21
  Speaker 1: you may get. As long as everybody's comfortable with what's
• 1:09:23
  Speaker 1: happening and an a grant and having a good time,
• 1:09:26
  Speaker 1: that's all that matters. And minutes and one feels uncomfortable,
• 1:09:28
  Speaker 1: it's got to stop, right Okay, Now we got rumors
• 1:09:31
  Speaker 1: on the way, Yes, let's find out what former NBA
• 1:09:33
  Speaker 1: player is getting divorced after fourteen years. All right, we'll
• 1:09:36
  Speaker 1: get into all that when we come back. Keep a
• 1:09:38
  Speaker 1: lock this to Breakfast Club. Good morning morning. Everybody is
• 1:09:41
  Speaker 1: DJ Envy, Angela Yee, Charlomagne, the guy. We are the
• 1:09:44
  Speaker 1: Breakfast Club. Let's get to the rumors. Let's talk a
• 1:09:47
  Speaker 1: new BT show. It's about Angela Yee on the Breakfast Club.
• 1:10:00
  Speaker 1: So BT has a new digital series coming and it's
• 1:10:02
  Speaker 1: called Famously Arrested. It's going to be on their BT
• 1:10:05
  Speaker 1: YouTube channel as well as BET dot com and it
• 1:10:08
  Speaker 1: actually starts on July seventeenth, and its celebrities talking about
• 1:10:11
  Speaker 1: their wild arrest stories like Orlando Brown, Atha Heart from
• 1:10:16
  Speaker 1: Love and Hip Hop Atlanta, the one that Benzino was with,
• 1:10:19
  Speaker 1: um Senia Sama from Basketball Wives LA Season six, and
• 1:10:24
  Speaker 1: rapper Mazi. They're gonna talk about their arrest. Check out
• 1:10:26
  Speaker 1: a little clip from what that's going to sound like
• 1:10:28
  Speaker 1: Melano prayer. My name is Mazy, my name is Senia Samar.
• 1:10:32
  Speaker 1: I was famously arrested for smacking them backs. I was
• 1:10:38
  Speaker 1: famously arrested for my baby Mama's bush. So to our undercover.
• 1:10:43
  Speaker 1: Check them on the Highest Feed and the dooky Brown
• 1:10:45
  Speaker 1: turn there are weapons charges, triple homes. They ran through
• 1:10:51
  Speaker 1: the tear gas and everything. Sir, can I at least
• 1:10:56
  Speaker 1: put my phone on. I would like to say that
• 1:10:58
  Speaker 1: I love that I did drop from a clue that
• 1:11:00
  Speaker 1: show and I could not wait to watch. I can't incredible.
• 1:11:04
  Speaker 1: I can't we do like famously, you know, charity or something.
• 1:11:08
  Speaker 1: It seems like makes it cool to be arrested. It
• 1:11:11
  Speaker 1: doesn't make it cool to teen mom, makes people want
• 1:11:15
  Speaker 1: to have babies, to be It's like watching us, well,
• 1:11:20
  Speaker 1: these are things that already happened, so in the past.
• 1:11:22
  Speaker 1: The reason we watched like, you can't talk about anything
• 1:11:25
  Speaker 1: that's ongoing. I don't feel like give him a reward.
• 1:11:26
  Speaker 1: You got arrested. Some money. You watch cops, right, you
• 1:11:30
  Speaker 1: watch a live PD. I watch a P is great raw,
• 1:11:35
  Speaker 1: I watch many do listening and at TV shows. God
• 1:11:39
  Speaker 1: bless you for being better than us. All right, god ything,
• 1:11:43
  Speaker 1: I have nine yank. Well, since we're talking about that,
• 1:11:46
  Speaker 1: let's talk about Charlemagne the Goud It's arrested COPI I
• 1:11:50
  Speaker 1: don't I don't even like, are you gonna be on
• 1:11:52
  Speaker 1: that show? No? But he was arrested and we are
• 1:11:55
  Speaker 1: gonna talk about what happened because this case is not
• 1:11:58
  Speaker 1: going to be reopening. Give you the details from what
• 1:12:01
  Speaker 1: I had from the report. Now, it's a seventeen year
• 1:12:04
  Speaker 1: old rape case against Charlemagne aka Leonard Larry mclvey. He
• 1:12:08
  Speaker 1: was arrested on suspicion of raping a fifteen year old
• 1:12:10
  Speaker 1: girl back in two thousand and one and was charged
• 1:12:13
  Speaker 1: with second degree criminal sexual contact with a minor. However,
• 1:12:17
  Speaker 1: back in two thousand and two, Leonard mclby made a
• 1:12:19
  Speaker 1: plea agreement and he pleaded guilty to the lesser charge.
• 1:12:23
  Speaker 1: That charge was contributing to the delinquency of a miner.
• 1:12:26
  Speaker 1: That rape charge was dismissed. The woman recently said she
• 1:12:29
  Speaker 1: wants to reopen a criminal case, but that case cannot
• 1:12:32
  Speaker 1: be reopened the stage prosecution has ended. The dismisscharge against
• 1:12:36
  Speaker 1: mister mclevey will not be resurrected. Also, according to Leonard
• 1:12:40
  Speaker 1: mcleby's attorney, more than seventeen years ago, Charlemagne was accused
• 1:12:44
  Speaker 1: of a sexual assault. He never had sexual relations or
• 1:12:47
  Speaker 1: any physical contact with the accuser and even provided DNA
• 1:12:50
  Speaker 1: to prove it. So for people saying that he took
• 1:12:53
  Speaker 1: a plea deal, for rape. It was not that there
• 1:12:55
  Speaker 1: was actually contact, no sexual relations d a proof that
• 1:13:00
  Speaker 1: there was no type of contact with the accuser. However,
• 1:13:03
  Speaker 1: he did plea guilty to contributing to the delinquency of
• 1:13:06
  Speaker 1: a minor because you had a party and provided liquor
• 1:13:10
  Speaker 1: and she was drinking and only fifteen years old. All
• 1:13:13
  Speaker 1: right again, and it's unfortunate, you know, if something's happened,
• 1:13:17
  Speaker 1: But Charlemagne was not the person that actually attacked this woman. Yes,
• 1:13:22
  Speaker 1: and my hope in prayers for healing and support and
• 1:13:24
  Speaker 1: for those involved and all victims of sexual assault. Yes,
• 1:13:27
  Speaker 1: of course. All right, And let's talk about a woman
• 1:13:32
  Speaker 1: is going to be directing a new Marvel movie that
• 1:13:35
  Speaker 1: Marvel Studies Studios has hired Kate Shortland to be doing
• 1:13:40
  Speaker 1: the forthcoming Black Widow movie starring Scarlett Johansson. So she's
• 1:13:43
  Speaker 1: going to be the first female directed to do it
• 1:13:46
  Speaker 1: all on her own? Are they all doing a standalone
• 1:13:48
  Speaker 1: Black Widow movie? Oh? You should know these things. I
• 1:13:52
  Speaker 1: think I read that, but I wasn't sure they were
• 1:13:56
  Speaker 1: going to do it a woman co directed Captain Marvel.
• 1:13:58
  Speaker 1: So now they've hired a female director to lead the
• 1:14:00
  Speaker 1: new film all on her by the way, Captain Marvel
• 1:14:02
  Speaker 1: gonna be so dope. Captain Marvel is one of my
• 1:14:04
  Speaker 1: favorite characters in the Marvel universe, Kyle Danvers. So basically,
• 1:14:08
  Speaker 1: at the end of Yours, Evan, you want to see Avenges,
• 1:14:10
  Speaker 1: did you know? But at the end of Avengers, that
• 1:14:13
  Speaker 1: symbol that came up on Samuel Jackson's phone, that was
• 1:14:15
  Speaker 1: Captain Marvel. So basically, what's gonna happen in the next
• 1:14:17
  Speaker 1: Avengance is a white woman that's gonna come and save
• 1:14:19
  Speaker 1: the day. I just want to throw that out there.
• 1:14:20
  Speaker 1: I've seen Black Panther. Isn't that the movie where the
• 1:14:24
  Speaker 1: white man saved the day Black Panther? No, I'm kidding, Oh,
• 1:14:29
  Speaker 1: I see that? Indeed? All right, Mary J. Blide, she
• 1:14:34
  Speaker 1: has a new song out. She posted I've been in
• 1:14:36
  Speaker 1: the studio working on new music and was excited to
• 1:14:38
  Speaker 1: share a little bit with you all. I had a
• 1:14:40
  Speaker 1: year of so many ups and downs and have come
• 1:14:42
  Speaker 1: out the other side with a renewed spirit and a
• 1:14:44
  Speaker 1: fresh perspective. I'm entering my next chapter with an open
• 1:14:48
  Speaker 1: mind and heart. Only love is where I am right now,
• 1:14:51
  Speaker 1: and I couldn't keep it to myself any longer. So
• 1:14:53
  Speaker 1: shout out to Mary. She has been through a whole lot.
• 1:14:56
  Speaker 1: And here is part of her song called only Love
• 1:15:00
  Speaker 1: and you never feeling okay married? What's your sand love?
• 1:15:27
  Speaker 1: Doctor love? Right? Is that right? Sounds right? The guy
• 1:15:31
  Speaker 1: troubling a cluees bond for the cleaning hip Hop sold
• 1:15:33
  Speaker 1: Mary Jay Blocke She's in a good place. Man. I
• 1:15:37
  Speaker 1: like that. I just still feel like we don't give
• 1:15:38
  Speaker 1: married the credit she deserved. I feel like Mary should
• 1:15:40
  Speaker 1: have a statue. You know what I'm saying, Like I
• 1:15:43
  Speaker 1: look at Mary the way people look at Beyonce. That's
• 1:15:45
  Speaker 1: how I look at Mary Jay Black. I mean, I
• 1:15:47
  Speaker 1: still look at Beyonce like she Beyonce, but I look
• 1:15:49
  Speaker 1: at Mary like she's Mary Jake Blie. Do you know
• 1:15:51
  Speaker 1: what I'm saying? She gotta start, But I agree with you.
• 1:15:52
  Speaker 1: She means she gotta start, she gotta started. The Walk
• 1:15:54
  Speaker 1: of Fame. Oh yeah, yeah, yeah, I got you, got you,
• 1:15:56
  Speaker 1: got you? All right? Well I'm Angela Yee And that
• 1:15:58
  Speaker 1: is your rumor report. All right, Thank you, miss Ye.
• 1:16:01
  Speaker 1: Shout to revote. We'll see you guys on Monday. Everybody else,
• 1:16:04
  Speaker 1: shout the little Kim. The other day, it was little
• 1:16:05
  Speaker 1: Kim's birthday, and of course on Friday you throw it back,
• 1:16:09
  Speaker 1: so let's do all little Kim. And it was Little
• 1:16:11
  Speaker 1: Kim's born day. Was also the sixth anniversary of the
• 1:16:16
  Speaker 1: can I Get a Drop moment? You know that's when
• 1:16:18
  Speaker 1: those that those four or five guys tried to jump
• 1:16:21
  Speaker 1: me outside the radio station. And it was actually on
• 1:16:23
  Speaker 1: Little Kim's born day because they said that I was
• 1:16:25
  Speaker 1: a born day president, a little Kim to drop one
• 1:16:27
  Speaker 1: of clues bombs for a little Kim. All right, well
• 1:16:29
  Speaker 1: that was a great a boyn day president that can
• 1:16:31
  Speaker 1: live forever. Kim. All right, all right, well let me um,
• 1:16:34
  Speaker 1: let's get into the mix. Let me know your favorite
• 1:16:36
  Speaker 1: Kim joint or Kim feature. Eight hundred five eighty five
• 1:16:38
  Speaker 1: one five. It's the Breakfast Club. I got one good
• 1:16:41
  Speaker 1: morning