Latest / Reality Writes / To AI Or Not To AI—That is the Question (for Writers)
Transcript
- 0:05Ellie Alexander: Hello, hello, hello, and welcome to another episode of Reality Writes.
- 0:10Ellie Alexander: I am author Ellie Alexander, and this is the podcast where we talk about all things bookish, writer-ish, and we try to take you behind the scenes to give you a sense of what it's like from the writer's lens, the reader's lens, and everything else in between.
- 0:24Ellie Alexander: And I am here with the Tech Guy.
- 0:26Tech Guy: Hello, hello.
- 0:28Tech Guy: Yeah, and today we are definitely going behind the scenes.
- 0:31Tech Guy: So we're going to talk about some writer-ish topics, but that also impact readers, right?
- 0:37Ellie Alexander: The topic that we're going to do a deep dive on today, from my perspective as a writer, but also as a reader, I don't think is escapable in any way, shape, or form.
- 0:47Ellie Alexander: Darlings, I guarantee you that this is in your world right now, whether you want it to be or not.
- 0:54Tech Guy: Yeah, it is everywhere.
- 0:55Tech Guy: Uh, it is inescapable.
- 0:57Tech Guy: And I think that there are definitely different differing opinions on this, but we're going to come at it from our viewpoints and make a case, and we'll go from there.
- 1:07Ellie Alexander: That's right.
- 1:08Ellie Alexander: So let's get right into it.
- 1:09Ellie Alexander: Today, we're going to do an episode that I am titling To AI or Not To AI.
- 1:17Ellie Alexander: That is the question.
- 1:18Ellie Alexander: And let me tell you, darlings, you might already have guessed this, but spoiler alert, I already know the answer to that question, and it is no.
- 1:27Tech Guy: When it comes to writing a book specifically or just in general?
- 1:32Ellie Alexander: Uh, you know, I mean, definitely from this viewpoint, let's talk about it from a writing perspective.
- 1:37Ellie Alexander: But there are so many other issues that I think we need to be tackling as a culture in terms of the environment, like so many pieces.
- 1:44Ellie Alexander: But we're gonna narrow our focus and talk about this from a reading, writing, creative lens.
- 1:50Tech Guy: Awesome.
- 1:50Tech Guy: So where do you want to start with it?
- 1:53Ellie Alexander: Well, let's start from the beginning, which is when AI first came onto the scene and suddenly all of us had access to Chat GPT and large language models.
- 2:02Ellie Alexander: This was three or four years ago.
- 2:04Ellie Alexander: And when it first came on, I sort of thought, like, oh my gosh, maybe there is an opportunity here for me, never from a writing perspective.
- 2:12Ellie Alexander: And we'll get into why.
- 2:14Ellie Alexander: A lot of what I do with myself and with writing students that I'm coaching is talking about the why we write.
- 2:21Ellie Alexander: And that is so important to me in the whole reason that I write.
- 2:24Ellie Alexander: But that's a little teaser.
- 2:25Ellie Alexander: We'll come back to that.
- 2:26Ellie Alexander: I did think, like for the first time, I could create pastries that I imagine tort creates and has in their pastry case.
- 2:36Ellie Alexander: So when I'm writing the Bake Shop Mysteries and Jules is making this beautiful eight-layered torte and she's hand piping flowers and everything, I know what I imagine that to be.
- 2:47Ellie Alexander: But if I'm baking that in my own kitchen, it doesn't come out looking like that.
- 2:52Ellie Alexander: So initially I was like, oh, this could be great.
- 2:55Ellie Alexander: And I think early on we shared a few images of like, oh, this is what tort could look like, or I would have Chat GPT like make me a map of what I thought Redwood Grove would look like just for my own purposes.
- 3:07Ellie Alexander: But my whole slant has always been authenticity.
- 3:12Ellie Alexander: And so immediately in, after like two or three times of posting an image that now I can so clearly identify immediately an AI image, and it gives me a visceral reaction, right?
- 3:25Ellie Alexander: It's not authentic.
- 3:26Ellie Alexander: When I am writing the bake shop mysteries, I am literally baking everything that you see at the back of the book, and I'm baking it two or three times in our home kitchen here.
- 3:36Ellie Alexander: And they don't look perfect, and that's the reality.
- 3:39Ellie Alexander: This podcast is called Reality Rights.
- 3:42Ellie Alexander: So I think immediately I realized, like, no, this isn't gonna jive with me showing up in an authentic way, which is very important to me.
- 3:51Tech Guy: And I can attest that she definitely does bake everything that uh is in the in the in the bake shop mysteries and and other books.
- 4:00Tech Guy: And and those are the just the final recipes.
- 4:03Tech Guy: So there's a lot of testing that goes into it before that.
- 4:06Tech Guy: But if you go back and look at the history of your social media channels, you'll see that authenticity because you'll see that maybe what you describe on the page and what shows up in real life in the photos doesn't always match exactly.
- 4:22Tech Guy: Or there you do make something that does look beautiful, and there are crumbs on the counter to in the upper right hand part of the picture.
- 4:30Tech Guy: You know, it's just it it there's always something, and that's because it's real life, it is really happening that way.
- 4:37Tech Guy: Uh, so what you see is exactly what what we're seeing.
- 4:42Ellie Alexander: Yeah, and I think especially from a writing lens, it is so critical that you approach writing from a place of authenticity and writing from the core and who you are.
- 4:52Ellie Alexander: And so if I'm doing that in any other way, shape, or form, that doesn't feel authentic or true.
- 4:58Ellie Alexander: And, you know, I love seeing the reality of like people who I admire and their kitchens are a mess.
- 5:07Ellie Alexander: They're covered in flour.
- 5:08Ellie Alexander: It's not always like beautiful sunshine and roses in this glossy pastry case where everything is perfect.
- 5:13Ellie Alexander: So that was my initial entry into any sort of large language model.
- 5:20Ellie Alexander: And after about a month or two, I stopped using it and have never used anything since.
- 5:25Ellie Alexander: I don't have it on my computer.
- 5:27Ellie Alexander: I don't have an account.
- 5:28Ellie Alexander: I'm not interested.
- 5:29Ellie Alexander: Now, about the same time, I learned that I was part of the largest creative lawsuit in the history of the United States, where Anthropic and Meta used pirated copies of pretty much every book that has been published prior to 2022 to train said large language models.
- 5:50Ellie Alexander: So, my number one reason that I do not will not use any sort of large language model in any form of my writing is because it is ultimately plagiarism.
- 6:05Ellie Alexander: And this is a message that I keep having to have with new writers and students.
- 6:10Ellie Alexander: And I think it's easy to kind of fall into this idea of like, oh, okay, well, it's gonna make my writing better.
- 6:17Ellie Alexander: I just had a couple coaching sessions last week where writers are like, well, I write myself and then I put chapters into a large language model and I tell it to make it better.
- 6:27Ellie Alexander: Okay, that's not making it better.
- 6:30Ellie Alexander: That's not finding your own voice.
- 6:32Ellie Alexander: That's using other writers' voices to try to make it sound like your own.
- 6:38Ellie Alexander: And then you just sound like everyone else.
- 6:40Tech Guy: Sound like a robot.
- 6:41Tech Guy: Yeah, right.
- 6:43Tech Guy: And I'm not sure that a lot of the writers out there who are using large language models understand that that is what is happening.
- 6:51Tech Guy: This isn't some objective, unique, creative programming that can take what you put into it and just, you know, quote unquote, make it better.
- 7:03Tech Guy: What it's doing is it's using all of the things that it's quote unquote again learned.
- 7:10Ellie Alexander: Trained on, yeah.
- 7:12Tech Guy: Through being trained on uh works that are both legally and illegally obtained and violating copyrights and so on and so forth.
- 7:22Tech Guy: And it's essentially applying all of that to what you've written.
- 7:27Tech Guy: So it would be the same as a writer writing something and then bringing those chapters to you, Ellie Alexander, and saying, hey, make this better, and then you handing them over to Gigi Pantian and saying, Hey, Gigi, you make this better, and then handing and then Gigi hands those to another author and says, Hey, you make this better, and then they give it back to the writer.
- 7:51Tech Guy: And and now maybe it is better, maybe it's not, but it's not that writer's content anymore.
- 7:58Tech Guy: It ceased to be their content at all the second that you asked multiple people to have inputs on it.
- 8:06Ellie Alexander: Absolutely.
- 8:06Ellie Alexander: And you know, you could take it a step further because one important piece of becoming a writer is finding your voice.
- 8:14Ellie Alexander: And that doesn't happen overnight.
- 8:16Ellie Alexander: That takes time, and that's okay.
- 8:18Ellie Alexander: Like I talk a lot about the fact that practice drafts and all of the bad manuscripts that are never going to see the light of day, or books that you didn't finish, or pieces of things.
- 8:27Ellie Alexander: That's all part of you learning how to develop your voice.
- 8:30Ellie Alexander: So if you used this same model of thinking, you could go to the library or bookstore and just take swaths of, you know, writing from any book on the shelf and decide, like, I'm gonna make it my own.
- 8:45Ellie Alexander: You would not do that.
- 8:47Ellie Alexander: That's just outright plagiarism.
- 8:48Ellie Alexander: But I don't think we wrap our heads around it the same way because it's like, oh, it's this abstract model that's doing this magical thing.
- 8:55Ellie Alexander: No, it's not.
- 8:56Ellie Alexander: It's spitting back material based on what it has been trained on, which is every other author's work.
- 9:02Tech Guy: Illegally trained on every other author's work.
- 9:06Tech Guy: Um, yeah, because that is a huge lawsuit.
- 9:09Tech Guy: And it continues to be a problem today, even after the lawsuit.
- 9:13Ellie Alexander: Yeah, there are ongoing issues as we speak where you know we're going back to court over new issues, things like the fact that many big AI companies are buying up copies of books and scanning them and destroying them.
- 9:29Ellie Alexander: Um, you know, the legal ramifications are far reaching, and I don't think we're gonna see how that plays out for a while.
- 9:36Ellie Alexander: But to your point, you sound like a robot, you sound like everyone else.
- 9:40Ellie Alexander: It is really easy for me to spot AI writing, and I see it everywhere.
- 9:44Ellie Alexander: I can see it in social media posts, I see it in emails, I see it potentially in sample chapters that writers send me.
- 9:51Ellie Alexander: It all sounds the same.
- 9:52Ellie Alexander: Large language models have this cadence, and it might seem like, oh, it's zippy and you're making it better, but I promise you you're not.
- 9:59Ellie Alexander: And I will tell you from the publishing side of things, I've had so many conversations with agents and editors and people in the publishing business, and they are desperate to read anything that sounds like it is written by a human.
- 10:12Ellie Alexander: In fact, one agent was talking about the fact that they get so much AI slop where they can just tell, like, okay, this is just another person who's put it in and said, make it better, whatever that means, that when they see bad writing or maybe writing that has some room to grow, they're like, Yeah, send me those pages.
- 10:29Ellie Alexander: Where maybe 10 years ago they would have been like, oh, this one's not quite ready, but now they're like, you're a human.
- 10:34Ellie Alexander: I want to read that.
- 10:35Tech Guy: And it's not even necessarily that it's writing that has room to grow, but it's human writing.
- 10:41Tech Guy: It's it's unique writing.
- 10:43Tech Guy: It has a unique voice, it has character, it has personality, it has depth.
- 10:49Tech Guy: I mean, you talked about seeing examples of AI writing, you know, every day, and we and we do, because you must get, I don't know, a dozen or more AI solicitations every day, and they all have the exact same phrases, and you can spot them a mile away.
- 11:07Tech Guy: What stood out to me, what impacted me most, what was immediately apparent.
- 11:11Tech Guy: These are all things that no one talks like that.
- 11:15Tech Guy: Nobody talks like that.
- 11:17Tech Guy: It just doesn't, it it it should be obvious to everyone, but it it unfortunately it's not.
- 11:25Tech Guy: And I think a lot of the times the trap that people fall into with LLMs is they'll put something in and say, hey, make this better.
- 11:34Tech Guy: And because what comes out may to them sound smarter, sound more mature, whatever, they think, oh, that's better.
- 11:45Tech Guy: But it's not better.
- 11:46Tech Guy: It's different.
- 11:47Tech Guy: And it's different from the way you would have written it, which makes it not yours any longer.
- 11:53Tech Guy: And it makes it just like all of those solicitations that we see every single day, and it's embarrassing.
- 12:00Ellie Alexander: Yeah, I know.
- 12:01Ellie Alexander: Okay, well, let's circle back to the why we write, because I think creativity is the best gift you can give yourself.
- 12:09Ellie Alexander: I've talked about this on many occasions, but I came to writing through grief.
- 12:14Ellie Alexander: The very first book that I wrote was a memoir about losing my mom to young onset when we had just had our first and only child, and that process of watching her lose all of the same skills that he was gaining developmentally.
- 12:28Ellie Alexander: And writing that book was so cathartic and it made her whole again.
- 12:34Ellie Alexander: And I got to explore my grief and sit with it and transform it too.
- 12:40Ellie Alexander: You know, that once we write and share that story, whether you're sharing that for yourself or whether it's something you want to share with the broader world, you are turning your emotional experience into something else.
- 12:51Ellie Alexander: After I wrote that book, I kept thinking, like, what do I want to write now?
- 12:55Ellie Alexander: Like that was that first book that I absolutely had to write.
- 12:58Ellie Alexander: And I kept asking myself, like, oh, what do I want to write?
- 13:01Ellie Alexander: Well, I think I would like to write a mystery.
- 13:03Ellie Alexander: Like it would be so fun to write a mystery.
- 13:05Ellie Alexander: And for me, then, the entire length of my career, the last 20 years, whenever I'm here in front of my computer and I'm slipping into a fictional world, I'm healing a little part of myself.
- 13:18Ellie Alexander: It is my antidote to grief because if I'm feeling sad, if I'm in a dark place, I put that on the page.
- 13:25Ellie Alexander: I just heard from a reader uh who had the uh, I don't know, like gift of getting to see an early copy of the Pumpkin Vice Cafe.
- 13:35Ellie Alexander: And they sent me a DM saying, like, oh my gosh, I really cried at the last few chapters.
- 13:39Ellie Alexander: That was so beautiful.
- 13:40Ellie Alexander: I'm like, well, I cried when I was writing it because I was tapping into all these feelings that I had that I still will carry with me for the rest of my life of losing someone so important to me.
- 13:52Ellie Alexander: And so, you know, I'm not in a in a place where writing for me is a daily chore of needing to like work through big feelings, but it happens.
- 14:01Ellie Alexander: Or like other examples might be um when Sky Guy, our son, was getting ready to leave for college.
- 14:07Ellie Alexander: Like you can see that in every book that I wrote for those two years, because there's a lot of angst that comes up with being a mother and letting your child fly and all those things.
- 14:18Ellie Alexander: So if you are present when you're writing, you are taking an emotional piece of your own burden and you're putting it on the page and you're transforming it.
- 14:28Ellie Alexander: There is no large language model that can do that for you in any way, shape, or form.
- 14:33Tech Guy: No, they're not going to generate real human feelings.
- 14:36Tech Guy: They're not going to generate real human emotions or relationships.
- 14:39Tech Guy: They're going to be able to put words on a page, but they're all going to sound the same.
- 14:44Tech Guy: And there are people who will argue with me and say, oh no, you tech guy, you just need to learn how to prompt LLMs correctly, and you can, you know, you can make it sound like a unique voice and everything.
- 14:55Tech Guy: And I'm here to tell you, no, you can't.
- 14:57Tech Guy: There's you can get things that sound different.
- 15:00Tech Guy: They're still going to be detected as AI writing.
- 15:04Tech Guy: Well, 100% they will be detected as AI writing.
- 15:08Tech Guy: And we've already talked about authors on on Reality Writes here who have gotten caught essentially using AI to write books and then leaving things like the prompt or the response in the actual book when it got published.
- 15:22Tech Guy: And that is just, it's so disingenuous.
- 15:26Tech Guy: When I think of going out to buy a book, which we buy way too many books, but is that a thing?
- 15:34Tech Guy: It's probably there's no such thing.
- 15:36Ellie Alexander: Absolutely not, especially right now.
- 15:37Ellie Alexander: Buy them all.
- 15:38Ellie Alexander: Let's go.
- 15:39Tech Guy: That's right.
- 15:40Tech Guy: No, but but that is exactly my point.
- 15:43Tech Guy: When you when you as a reader are going to buy a book, you're going to buy a book that was written by a human, that was written with that emotion, with that depth that you were just talking about.
- 15:53Tech Guy: You're not going to buy a book that was written in a few seconds of somebody typing a prompt in and saying, hey, write a mystery for me.
- 16:01Tech Guy: Like that, why would you pay for that?
- 16:04Tech Guy: You could do that yourself if you're okay with that.
- 16:07Tech Guy: Do it yourself.
- 16:08Tech Guy: Don't like, what are you doing?
- 16:10Tech Guy: But you're going out there to buy a book that was written by a human that was written based on real thought, real creativity, real experiences, and has that emotional depth and content on the page.
- 16:25Ellie Alexander: That's right.
- 16:25Ellie Alexander: Well, and I feel like you're somebody who can speak with some authority about this idea of like prompts, because you, in your daily work job, uh, you know, you're required to use AI, and you're somebody who knows how to fine-tune a prompt and everything like that.
- 16:41Ellie Alexander: So let's imagine, even that it gets to a point, these large language models get to a point where they can just mimic somebody's voice completely.
- 16:49Ellie Alexander: You are still cheating yourself.
- 16:51Ellie Alexander: I am telling you, like my creative process is part of what keeps me grounded and what has helped me grow emotionally.
- 17:00Ellie Alexander: So even if a large language model could somehow replicate my voice word for word, I'm still cheating myself out of that entire experience of discovery.
- 17:12Tech Guy: Yeah, and I'm here to tell you because you're right.
- 17:16Tech Guy: In my job, I am it, I have to.
- 17:19Tech Guy: It's we're we're directed to use AI tools in in what we do.
- 17:24Tech Guy: And you there is a lot that you can do with it.
- 17:27Tech Guy: And there's a lot that AI can do.
- 17:29Tech Guy: And I'm conflicted every day because of the environmental and social aspects of AI, the impacts of AI, especially data centers.
- 17:39Tech Guy: So outside of just the writing piece, there are ramifications for that.
- 17:44Tech Guy: But it even with super skilled prompting and everything, it's still at the end of the day, it is not human-created content.
- 17:54Tech Guy: It just isn't.
- 17:55Ellie Alexander: No.
- 17:56Ellie Alexander: Okay.
- 17:56Ellie Alexander: And the last thing I'll say about this emotional piece, and then we'll get into um another thing that's come up quite a bit in a few of my coaching sessions over the last couple of weeks, is uh it is also not um news to many of you, darlings, that I have struggled with anxiety over the years.
- 18:13Ellie Alexander: When I was in my 20s, I would have debilitating panic attacks.
- 18:16Ellie Alexander: I have always had an overactive imagination, for better or for worse.
- 18:22Ellie Alexander: In fact, in my first mystery series, the Meg Reed books, uh, Meg is often um bringing in little touches of me because you can't separate yourself out from who your characters become either, because they're all a part of me, right?
- 18:37Ellie Alexander: I'm generating them in some way, shape, or form in my own human brain.
- 18:41Ellie Alexander: Like Meg talks about the creative curse, that this thing that is so fantastic that helps me create stories will also make my brain go to really worst-case scenarios.
- 18:53Ellie Alexander: And writing is a way for me to channel and funnel that anxiety because I'm using that then to create stories or build worlds or think about ways I can kill off people who I don't like.
- 19:07Ellie Alexander: Um so I don't have as much time then when I'm spinning out and imagining all the horrible things that can happen in the world because I'm focusing that energy into creating something that hopefully then you're gonna enjoy, darlings.
- 19:23Tech Guy: Absolutely.
- 19:24Tech Guy: All right, what's the next topic that you wanted to roll to?
- 19:28Ellie Alexander: Okay, I've had this come up with two different coaching clients in the last few weeks, and they're using large language models to help brainstorm characters and plots.
- 19:39Ellie Alexander: And again, I understand the draw and why that might seem like it's something that's quick and easy.
- 19:46Ellie Alexander: But if you're using a computer to brainstorm with, I mean, first of all, do that with a human.
- 19:53Ellie Alexander: It's gonna be so much more fun.
- 19:55Ellie Alexander: Like go for a walk, go out for coffee.
- 19:57Ellie Alexander: Like, um, even if you don't have a human to bounce ideas off of, like, go do it yourself and and see what happens.
- 20:03Ellie Alexander: But that aside, they sort of have lost the plot.
- 20:08Ellie Alexander: They're they're struggling to figure out, like, oh now, how does that character connect?
- 20:13Ellie Alexander: How does this person, what happens at this point?
- 20:15Ellie Alexander: Because it's not their own.
- 20:19Ellie Alexander: They're having this generated for them.
- 20:21Ellie Alexander: If I map out a story, which I do, in fact, I've talked about this and shown this, but I happen to have one for any of you darlings listening.
- 20:29Ellie Alexander: This is Death by Candlelight.
- 20:31Ellie Alexander: I've used the same process for every book that I've written, all 50 plus mysteries.
- 20:37Ellie Alexander: I have a blueprint for murder that I start with.
- 20:39Ellie Alexander: I know that there's gonna be a murder.
- 20:42Ellie Alexander: I've got five or six, five or six suspects.
- 20:45Ellie Alexander: They all have a reason for wanting the person dead.
- 20:47Ellie Alexander: And I know at the end there's gonna be resolution.
- 20:50Ellie Alexander: One of them did it, and somebody's gonna be caught and brought to justice.
- 20:54Ellie Alexander: But what happens along the way, I have no idea.
- 20:59Ellie Alexander: So I'm working on this book.
- 21:01Ellie Alexander: It's this is the next in the novel detectives book.
- 21:04Ellie Alexander: Well, not next, it will be a future novel detective's book.
- 21:07Ellie Alexander: Uh, and this one is set um at a po speakeasy.
- 21:12Ellie Alexander: And so I'm writing a scene where this po actor is on the stage reciting this gothic poem, and there's such a big um taped X in the middle of the stage.
- 21:22Ellie Alexander: I'm just writing this.
- 21:23Ellie Alexander: I have no idea.
- 21:24Ellie Alexander: This just comes out of my brain as I'm writing.
- 21:26Ellie Alexander: And I make a note and I'm like, what is the X for?
- 21:30Ellie Alexander: I don't know.
- 21:31Ellie Alexander: I have no idea.
- 21:32Ellie Alexander: So I keep writing and I'm like, okay, well, the X, like the killer might have put the X there to put the victim in a special place on the stage.
- 21:41Ellie Alexander: Or maybe we're gonna find out at the end that somebody just accidentally put it there, or like tape got stuck to their foot, or who knows.
- 21:50Ellie Alexander: But the point is, I don't know either because I am following the creative energy and I get to decide, but I know because.
- 21:59Ellie Alexander: It's my story that I'm going to find a way to the finish, whether that becomes a red herring or whether that is a critical clue in the mystery.
- 22:07Ellie Alexander: If you're having a large language model try to like give you one clue after another after another, like you can't track that because they're not coming from you.
- 22:17Tech Guy: That's right.
- 22:18Tech Guy: Okay.
- 22:18Tech Guy: So I'm going to put this in context of an 80s villain.
- 22:22Ellie Alexander: Okay.
- 22:23Tech Guy: An 80s 80s high school movie, let's say.
- 22:26Tech Guy: So you've got the bully, and the bully is like making the the nerdy geeky kid do his homework, right?
- 22:35Tech Guy: Take like give him all the answers for the tests and everything.
- 22:38Tech Guy: Inevitably, something happens, hilarity ensues, and the the nerdy geeky kid can't get the bully the correct answers.
- 22:48Tech Guy: So the bully now has to perform on their own.
- 22:51Tech Guy: And what happens?
- 22:52Tech Guy: What happens every single time?
- 22:55Ellie Alexander: Every time the bully fails.
- 22:59Tech Guy: And that this is my warning to new and experienced writers out there who are relying more and more and more on LLMs, it's all going to come crashing down at some point.
- 23:14Tech Guy: And so if you're relying on LLMs to do all the work and you haven't learned the process yourself, you haven't developed your own process, you haven't strengthened that muscle, to put it in your terms, but you always talk about that writing muscle.
- 23:29Tech Guy: When it goes away, or when you no longer have access to it anymore, what are you going to do?
- 23:35Ellie Alexander: Yeah.
- 23:36Ellie Alexander: Yeah.
- 23:36Tech Guy: What are you going to do if all publishers decide to start screening and not accepting anything?
- 23:44Tech Guy: Anything where AI has been used to develop the book?
- 23:48Ellie Alexander: Which is already happening.
- 23:50Tech Guy: Which is already happening.
- 23:51Tech Guy: What are you going to do when agents stop accepting anything where AI was used to help develop the book?
- 23:58Tech Guy: What are you going to do when all the online booksellers decide they're just going to put all AI-generated content over here in this section that's labeled AI content?
- 24:11Tech Guy: And now three quarters or more of your readership is like, well, I'm never going in that section.
- 24:16Tech Guy: Yeah.
- 24:16Tech Guy: Right?
- 24:17Tech Guy: That'll be like the scary room with the curtain at the old video stores that you didn't go into.
- 24:25Tech Guy: That's that's where all the AI content will be.
- 24:27Tech Guy: Yeah.
- 24:28Tech Guy: I mean, what are you like?
- 24:29Tech Guy: People need to start thinking about that because that is going to be a reality.
- 24:33Tech Guy: And if you haven't done the work and you haven't built your own process and learned the skills yourself, you are going to be that 80s bully stuck in the room, taking a test that you have no idea how to pass.
- 24:48Ellie Alexander: That's right.
- 24:48Ellie Alexander: Yeah.
- 24:49Ellie Alexander: And I mean, this is already happening in the publishing industry.
- 24:53Ellie Alexander: There have been numerous stories just within the last few weeks about big contracts being canceled because things are being run through AI detectors and coming back as AI.
- 25:05Ellie Alexander: Now, that's also tricky because it's like, okay, uh, let's pick somebody like Stephen King or myself or who what whomever.
- 25:12Ellie Alexander: All of our works were used to train the large language model.
- 25:15Ellie Alexander: So then there's this whole thing of like, oh, there are some authors that are also scared of that because they're like, well, wait a minute.
- 25:20Ellie Alexander: It might sound like my voice, but I actually wrote that in.
- 25:23Ellie Alexander: Anyway, but yes, the publishers, agents, I guarantee you, darlings, these conversations are happening as we speak and people are trying to get out ahead of this.
- 25:34Ellie Alexander: It's even things like having the receipts, like, oh, I'm gonna show you.
- 25:38Ellie Alexander: Like, I handwrite this, I have my handwritten stack of notes, I print out a copy, I handwrite my edits.
- 25:46Ellie Alexander: I mean, I was talking to an editor last week who was like, you know what?
- 25:49Ellie Alexander: Part of me is wondering if we're gonna go back to like the only way I'm gonna take submissions is a handwritten manuscript, which I mean is obviously a joke at this point, but I don't know, maybe who's to say as we go deeper down this rabbit hole.
- 26:04Tech Guy: Exactly.
- 26:05Tech Guy: Well, and the other thing I would say to writers out there who are using large language models, and and especially like you said, with some of your coaching clients and others who are uploading chapters or sometimes whole manuscripts, these large language model companies, these are the most dishonest companies on the planet, people.
- 26:22Tech Guy: I mean, wake up, you gotta wake up, like you're giving your work to a company, and you might be like, Oh, well, I pay my $20 a month, so they promise to never train on my model and everything.
- 26:35Tech Guy: Are you kidding me right now with that?
- 26:38Tech Guy: What?
- 26:39Tech Guy: Like, no, that they are what come on, I'm like I'm going into after party mode already with my rant, but no, you you are running a huge risk.
- 26:51Tech Guy: And if you put any effort into writing a book, you should not be uploading it into any system, no matter what they say their privacy policy is or or not.
- 27:02Tech Guy: All in all, like even if it's the most honest, secure company on the planet, your stuff is now out there on a server somewhere that is out of your control.
- 27:15Tech Guy: If that company goes out of business, if they're hacked, whatever, and now your manuscript is in somebody else's hands, maybe thousands of other people's hands.
- 27:25Tech Guy: And so the same tool that you're using to make your writing sound like everyone else's is now going to start making other people's writing sound like yours.
- 27:35Tech Guy: So think about that for a second.
- 27:37Tech Guy: That is not like this is just a problem that's going to compound.
- 27:41Tech Guy: Uh it's gonna snowball and it's good, it's it's gonna get out of control.
- 27:46Ellie Alexander: Yeah, yeah.
- 27:47Ellie Alexander: Okay, the last thing that I will say about feedback that I I hear in the zeitgeist from new writers and people in the creative space is like, well, no, AI is offering accessibility.
- 28:01Ellie Alexander: I I can't write fast, or I don't know how to write.
- 28:05Ellie Alexander: And so I wasn't able to before.
- 28:08Ellie Alexander: It was a barrier.
- 28:09Ellie Alexander: There were gatekeepers.
- 28:10Ellie Alexander: And so the only way that now I'm able to write and enter this marketplace is because of large language models.
- 28:16Ellie Alexander: Okay, well, first of all, let's circle back to plagiarism first and foremost, right?
- 28:21Ellie Alexander: Stolen works, stolen works, people, stolen works.
- 28:24Ellie Alexander: There's that.
- 28:25Ellie Alexander: That's always just gonna be my baseline.
- 28:27Ellie Alexander: But part of developing your writing muscle is just that that you said it has taken me 20 years.
- 28:33Ellie Alexander: And the first book that I wrote took me three years to write, and then the next one took me a year, and then I got a book contract, and it was like, oh, I'm publishing two series a year.
- 28:42Ellie Alexander: And so then I got faster.
- 28:45Ellie Alexander: And you develop your process, you develop your voice, you develop your rhythm and how many books you can produce in a year.
- 28:52Ellie Alexander: I was looking back to 2013 or 14.
- 28:57Ellie Alexander: No, no, it must have been 15 or 16.
- 29:00Ellie Alexander: I was working on four series.
- 29:01Ellie Alexander: This was long, long before AI models, but I'd been writing for 10 years at this point in time.
- 29:06Ellie Alexander: And so I knew.
- 29:07Ellie Alexander: And one thing you learn, especially when you're a series writer, is you have to write well and you have to write fast.
- 29:13Ellie Alexander: But that doesn't happen overnight.
- 29:14Ellie Alexander: That comes with time and practice.
- 29:16Ellie Alexander: And this idea that then somehow that was a barrier to entry is just a myth.
- 29:23Ellie Alexander: It's not true.
- 29:24Tech Guy: And the thing is, there are going to be exceptions to the rule because I know there are people out there who are going to be listening to this podcast and they're gonna say, oh, Ellie, oh, tech guy, this is like all doom and gloom.
- 29:34Tech Guy: Like I know people who've used LLMs and they're making a lot of money writing and everything.
- 29:39Tech Guy: And that's probably true.
- 29:40Tech Guy: There probably are.
- 29:41Tech Guy: But you need to decide as a reader is that the content that you're willing to pay for?
- 29:48Tech Guy: Is that what you're going to support?
- 29:51Tech Guy: Is that the human creativity that you're craving, or is it just words on a page?
- 29:56Tech Guy: Doesn't matter how they were created, how they were stolen, whether or not they were stolen, you know, whatever it is.
- 30:03Tech Guy: It there are always exceptions to the rule.
- 30:06Tech Guy: So if you want to try and become one of those exceptions, great.
- 30:10Tech Guy: But I'm here to tell you, like, again, going back to the doom and gloom piece, it will all come crashing down at some point.
- 30:19Tech Guy: For those of you who are around for the dot-com bomb, when the bubble burst, we are headed in that direction with AI.
- 30:26Tech Guy: And the more people become become reliant on it, the more it's gonna hurt when it happens.
- 30:33Ellie Alexander: Yeah.
- 30:33Ellie Alexander: And I guess my last plea to you, darlings, as the readers, is to use some discernment.
- 30:41Ellie Alexander: So a writer friend of mine who has been published for many years, writes multiple series for her multiple houses, started noticing that this new cozy series kept showing up on this author's pages.
- 30:56Ellie Alexander: Like clearly, this new author was buying ads based on my author friend's titles, because that happens, right?
- 31:02Ellie Alexander: You're you're like, oh, this is like Gilmore Girls, or this is like whatever.
- 31:06Ellie Alexander: So you can do ad buys based on another book series that something might be like.
- 31:11Ellie Alexander: That's common, that's fine, that's perfect.
- 31:13Tech Guy: It's actually a really smart marketing tactic, honestly.
- 31:17Ellie Alexander: Yeah, exactly.
- 31:17Ellie Alexander: But my author friend started to sleuth it out and was like, wait a minute.
- 31:21Ellie Alexander: The 17 titles have been published in two months, and then went a little farther down the rabbit hole, put their sleuthing cap on because they are a mystery writer, and they're like, wait, there's no social media presence, there's no author picture, there's no, there's nothing.
- 31:38Ellie Alexander: So immediately this author clued into the fact that this is obviously somebody who's just like, okay, I'm gonna publish 17 books in six weeks on AI, and they had like 72 titles ready to go for the year or something like that.
- 31:51Ellie Alexander: But as a reader, I think it's important that we're using discernment then too, that if you see something like that that and it feels wrong and you're seeing a cover that clearly looks like it's also AI, it might be time to just pull back and go, wait a minute, is that made by a real person or not?
- 32:08Tech Guy: And I would just like to remind everybody out there, especially the writers or those who want to become a writer, that prior to 2018, 2019, when the first early, early AI models started showing up, everything, all collected written works before that time, which was probably billions of books and documents, newspapers, magazines, whatever, all of that was written by people.
- 32:38Tech Guy: 100% written by people.
- 32:41Tech Guy: And so you think about all of the absolutely amazing works of art that were created prior to this uh inception of AI.
- 32:50Tech Guy: That's all people, people.
- 32:57Ellie Alexander: Um, okay, so to uh round out this episode, to AI or not to AI, that is not the question, darlings.
- 33:05Ellie Alexander: You should know the answer by now.
- 33:07Ellie Alexander: I'm a solid no in this camp.
- 33:09Ellie Alexander: I will continue to be a no.
- 33:11Ellie Alexander: I've been actually thinking about like how when I'm working with students and coaching students, I'm I'm working on some new policies to make sure I don't, I don't want my name attached to books that are being written with AI tools.
- 33:24Ellie Alexander: I don't want to blur books that are written with AI tools.
- 33:28Ellie Alexander: If you darlings decide you want to read those books, more power to you, but that's a fine line and a boundary for me.
- 33:34Tech Guy: And from my point of view, from the tech guy point of view, I just I want to hear from you.
- 33:38Tech Guy: If you disagree with my viewpoint, let me know.
- 33:41Tech Guy: Uh, I'd love to have a rational adult debate about the subject.
- 33:46Tech Guy: But I'd also like to send out a message to everyone who wants to become a writer out there and is worried that you're not going to be able to do it or to keep up without using AI.
- 33:58Tech Guy: That's garbage.
- 34:00Tech Guy: You need to stop that line of thinking.
- 34:02Tech Guy: You can become a writer, you will become a writer.
- 34:06Tech Guy: You just need to put in the work, you need to learn your own process, you need to develop your writing muscle, and you will be successful in whatever you want to do without AI.
- 34:19Ellie Alexander: Yeah.
- 34:19Ellie Alexander: And I think it's a real golden opportunity right now to circle back to the people that I've had conversations with in the publishing industry.
- 34:28Ellie Alexander: Your work is going to stand out if it is your work.
- 34:31Ellie Alexander: Like even if it's not perfectly polished right now, that's a good thing because it's going to sound like you.
- 34:37Ellie Alexander: And you, as the writer, are going to reap so many benefits for your own mental health and your well-being to be able to take whatever is inside your heart and put it on the page.
- 34:50Tech Guy: Okay.
- 34:50Tech Guy: Well, that was, as you can tell, a very important topic to both of us.
- 34:56Tech Guy: And so I hope, whether you're a writer, reader, somewhere in between, that you got something out of this episode.
- 35:03Tech Guy: But let us know what you think.
- 35:05Tech Guy: Send us a message, leave a comment.
- 35:07Tech Guy: Uh, where do you stand on the issue?
- 35:10Tech Guy: And what do you want to see with regard to AI in the world of writing moving forward?
- 35:16Tech Guy: So, without further ado, until next time.
- 35:20Ellie Alexander: Till next time.