Latest / Hopalong Cassidy | Old Time Radio / Hoppy and the Iron Horse [episode 39], Broadcast 9/24/1950

Transcript

Hoppy and the Iron Horse [episode 39], Broadcast 9/24/1950 · Hopalong Cassidy | Old Time Radio

• 0:02
  Speaker 1: The West of eighteen ninety is a mighty rugged place.
• 0:06
  Speaker 1: Folks have live in it are used to hardship, peaceful scenery,
• 0:09
  Speaker 1: and dangerous living things. Are not so used to are
• 0:13
  Speaker 1: the new fangled inventions of the East, inventions that are
• 0:17
  Speaker 1: just beginning to increase.
• 0:18
  Speaker 2: West.
• 0:31
  Speaker 3: We don't get to see a train very often.
• 0:33
  Speaker 4: Sure looks good, dear, Just gliding along makes you wish
• 0:37
  Speaker 4: you were setting on them nice cushions each Not only
• 0:41
  Speaker 4: you mean you.
• 0:42
  Speaker 3: Aren't used to the feel of a saddle after spending
• 0:44
  Speaker 3: a lifetime and one I should have known you couldn't
• 0:47
  Speaker 3: stand this long trip.
• 0:49
  Speaker 4: Oh what are you talking about? How before I am
• 0:52
  Speaker 4: fresher to Daisy, I was only.
• 0:54
  Speaker 3: Thinking I wore out. You've been looking. Well, we're not
• 0:58
  Speaker 3: very far from Wheeler and we can relax. This fellow
• 1:02
  Speaker 3: will go to see he's working for the railroading, He
• 1:04
  Speaker 3: ohoned the vice president of the Lion. Vice president, go on,
• 1:08
  Speaker 3: maybe he'll let me run one of then engines in
• 1:10
  Speaker 3: heaven helped the jack rabbits.
• 1:12
  Speaker 4: If he does, no, no, no, you win in turning
• 1:14
  Speaker 4: off either over there over horror man's wailing at her
• 1:19
  Speaker 4: kind of a frantic way.
• 1:21
  Speaker 3: Let's go see what they want. Something we can do
• 1:31
  Speaker 3: for you, mistern, Do you know anything about poisoned water?
• 1:34
  Speaker 3: Poison what kind? I don't know?
• 1:37
  Speaker 4: Must have been in the water. My wife's pretty sick. Yeah, man, yeah,
• 1:41
  Speaker 4: I haven't known what to do. I couldn't leave her
• 1:44
  Speaker 4: to right into wheeler.
• 1:46
  Speaker 3: You better relax of it, or can't do her any
• 1:48
  Speaker 3: good when you're this upset.
• 1:49
  Speaker 2: I know it.
• 1:51
  Speaker 3: It's just that I'm responsible. Let's see what we can
• 1:54
  Speaker 3: do for California. Take care of the horses. Well, say sure,
• 2:01
  Speaker 3: ye what have you been just outside?
• 2:03
  Speaker 5: Jesse?
• 2:04
  Speaker 3: I stopped this gentleman. He's going to help you, hope,
• 2:07
  Speaker 3: he tad.
• 2:08
  Speaker 5: I feel sick enough to die.
• 2:10
  Speaker 3: Oh, Jesse, Now you are not dying. This is uh
• 2:13
  Speaker 3: uh Garving. I'm Lee Garvin and miss Jesse, and let's see.
• 2:17
  Speaker 3: Uh he's your breakfast dishes? Well, yes, well, don't think
• 2:22
  Speaker 3: you have too much to worry about them. Just the
• 2:24
  Speaker 3: case of local weed poisoning. I can smell out the
• 2:26
  Speaker 3: water local weed, and it isn't deadly, no, but it
• 2:31
  Speaker 3: can make you awfully sick.
• 2:33
  Speaker 5: He certainly can.
• 2:34
  Speaker 3: I think I can fix up something it'll help. Is
• 2:37
  Speaker 3: there any hot water without local weed? And some baking soda.
• 2:40
  Speaker 3: M Yes, right here, we drew this water yesterday. That
• 2:46
  Speaker 3: was before the local we'd got in your well. We
• 2:49
  Speaker 3: may as well get things straight, mister. That poison was
• 2:53
  Speaker 3: put in our well.
• 2:54
  Speaker 5: See.
• 2:55
  Speaker 4: And if you're riding on the wheeler, mister, don't let
• 2:58
  Speaker 4: anybody know you stopped at Lee gar because if you do,
• 3:01
  Speaker 4: they'll suspect you and watch you and give you every
• 3:04
  Speaker 4: kind of.
• 3:04
  Speaker 3: A raw deal. They might even try to kill you.
• 3:14
  Speaker 1: Happy is greatly disturbed by his visit with Lee Garvin
• 3:18
  Speaker 1: and his wife, who seemed to be living in a
• 3:20
  Speaker 1: terrible kind of fear. Hoppy can't forget them as he
• 3:23
  Speaker 1: in California. Right on into the rail yard at Wheeler
• 3:27
  Speaker 1: the well passed sundown, they find Tom Smith still in
• 3:30
  Speaker 1: his office. Tom has been anxiously awaiting Happy, and he
• 3:34
  Speaker 1: too seems to have a pretty big problem on his hands.
• 3:39
  Speaker 1: Those who are complete reports Happy there have been a
• 3:43
  Speaker 1: series of accidents, and seems they have all been directed
• 3:46
  Speaker 1: at me. I still don't see what that has to
• 3:48
  Speaker 1: do with your son in law.
• 3:49
  Speaker 3: And it's a terrible thing. They have to say, Happy,
• 3:52
  Speaker 3: But every one of those accidents has happened when he
• 3:55
  Speaker 3: was somewhere close by, and he's breaking here in the line,
• 3:59
  Speaker 3: and that's where Jesse met him. Jesse, Yes, her name's
• 4:02
  Speaker 3: Garvin now and her husband is League Garvin. Yeah. Hm,
• 4:07
  Speaker 3: he didn't seem like that kind of a boy to me.
• 4:10
  Speaker 3: Oh do you know him? Just nothing on my way
• 4:12
  Speaker 3: on the wheeler. Why would he want to injure you? Why?
• 4:16
  Speaker 3: Because I'm a rich man. He knows that Jesse's gonna
• 4:19
  Speaker 3: get out all when I die. Oh, you must be mistaken, Tom. Besides,
• 4:24
  Speaker 3: how did you get so rich? I didn't have no note,
• 4:27
  Speaker 3: there's so much money in railroad. Well the reason't Actually
• 4:32
  Speaker 3: I bought a piece of Oklahoma land last year turned
• 4:35
  Speaker 3: out to be in the middle of a new oil field.
• 4:37
  Speaker 3: So you told Jesse about it? No, not a word.
• 4:40
  Speaker 3: I didn't tell anybody. And on the night after I
• 4:43
  Speaker 3: got the news and the letter from the oil company,
• 4:46
  Speaker 3: I was awakened by a noise here in my office.
• 4:49
  Speaker 3: By the time I got my done tiptoed in, he
• 4:51
  Speaker 3: was gone. Well Robert was too late to see him. Also,
• 4:55
  Speaker 3: you're a secretary. Yeah, noise. It awakened his boat. Whoever
• 4:59
  Speaker 3: he he was, he was more interested in my mail
• 5:02
  Speaker 3: and the robbery. The cash box was still locked. I
• 5:05
  Speaker 3: feel sure it was Garvin. We're spying on me? Then,
• 5:09
  Speaker 3: I only have one suggestion. What's that? I think you'd
• 5:12
  Speaker 3: better arrange for two men to go to work here.
• 5:15
  Speaker 3: I knew I could depend on you. Happy. If you'll
• 5:18
  Speaker 3: dig the Javi storekeeper, you'll be at the spot where
• 5:21
  Speaker 3: you'll hear all the grape vine gossip. Hoppy, Poppy.
• 5:37
  Speaker 4: I'm on an important errand for paints the art master.
• 5:41
  Speaker 4: The five fifty two is clean out a red signal oil.
• 5:44
  Speaker 3: No read eh, yep. And now this doctor is still
• 5:50
  Speaker 3: kind of lowing me. I know where the green is.
• 5:53
  Speaker 4: Oh, you can see you don't know much about railroad
• 5:55
  Speaker 4: and hoppy. A train's gotta have red lights too, you know.
• 5:59
  Speaker 3: Yeah, seems to me. I heard one of the boys
• 6:02
  Speaker 3: say that if you mix a bucket of steam with
• 6:04
  Speaker 3: that green signal oil, it'll turn red. You don't say, yeah,
• 6:09
  Speaker 3: here's a bucket, you'll go get the steam out of
• 6:12
  Speaker 3: that engine over on track two.
• 6:14
  Speaker 4: But that fellow base, the yard master, he told me
• 6:17
  Speaker 4: to stay away from the engines.
• 6:18
  Speaker 3: Just tell him what you're doing. He'll understand.
• 6:21
  Speaker 4: Yes, he wills it a five point fifty two got
• 6:25
  Speaker 4: a him red light.
• 6:27
  Speaker 3: Excuse me? Say your friends getting along fine? Mister Cassidy.
• 6:32
  Speaker 3: Oh sure, California can take care of himself. What can
• 6:35
  Speaker 3: I do for you, mister Roberts, Oh nothing, nothing at all.
• 6:38
  Speaker 3: I just dropped into chat. Matter of fact is I
• 6:43
  Speaker 3: wanted to warn you all.
• 6:45
  Speaker 6: Well, speaking not as a mister Smith's secretary, but as
• 6:50
  Speaker 6: Lee Garvin's friend. I wanted to tell you that Lee
• 6:53
  Speaker 6: is pretty riled up. I heard him out there talking
• 6:56
  Speaker 6: to Banks a minute ago. What about Well, Lee found
• 7:00
  Speaker 6: that you and mister Smith are friends. He says you
• 7:02
  Speaker 6: didn't tell him when he started buy his cabinet. He say,
• 7:04
  Speaker 6: he's pretty touchy.
• 7:05
  Speaker 3: You know, I'm beginning to learn. Let's see if we
• 7:08
  Speaker 3: can't calm him down. Oh it looks like we're a
• 7:14
  Speaker 3: little late for that. Tom swing on me. What are you?
• 7:19
  Speaker 3: You are dirty inverts? And I'm tired of hold on?
• 7:21
  Speaker 3: What's this all about?
• 7:22
  Speaker 4: I don't know Lee Garvin wired into me. I'll tell
• 7:25
  Speaker 4: you what it's about, Cassidy. I just don't like beings
• 7:28
  Speaker 4: spied on.
• 7:29
  Speaker 3: Well, if you got to hide nothing, then you have
• 7:32
  Speaker 3: nothing to be worried about it. He's going on here.
• 7:35
  Speaker 3: No trouble.
• 7:36
  Speaker 4: Tom, Lee and I were just rub house in a
• 7:38
  Speaker 4: jee has been too much like a discipline around here lately,
• 7:41
  Speaker 4: bench a yard master.
• 7:42
  Speaker 3: This sort of thing doesn't become you. Yes, sure that
• 7:44
  Speaker 3: goes for you too, Lee. Don't think you can take
• 7:46
  Speaker 3: advantage of our relationship. Don't worry. I'm not even proud
• 7:50
  Speaker 3: of it than you are. That boy is so hot headed.
• 7:55
  Speaker 3: I can't help flanking him. And I thought you were
• 7:58
  Speaker 3: a good judge of man. Well, I guess I better
• 8:00
  Speaker 3: get back of the storeroom. Yes, I want to check
• 8:03
  Speaker 3: over next month's orderless. I still think something can be
• 8:07
  Speaker 3: worth that Tom Jesse. He loves him, He's infatuated with him.
• 8:17
  Speaker 4: You wouldn't jerk me out of the way up here.
• 8:19
  Speaker 4: I'd be into the wheels of that baggage truck. Now
• 8:22
  Speaker 4: it was rolling pretty fast.
• 8:24
  Speaker 3: Someone started that truck rolling towards me. Looks that way, Tom,
• 8:28
  Speaker 3: What happened? What happened? Chief? I heard a cry Roberts.
• 8:31
  Speaker 3: Did you see Lee Garvin touch that baggage truck? We'll
• 8:35
  Speaker 3: speak up. Don't try to shield him this time.
• 8:38
  Speaker 6: Well, Chief, he was leaning against it when I walked away.
• 8:42
  Speaker 6: But I know if he started it rolling it was
• 8:44
  Speaker 6: an accident.
• 9:00
  Speaker 4: Mm hmm, gully they shore pulled in the sidewalks at
• 9:07
  Speaker 4: nine o'clock in his here, little bird.
• 9:09
  Speaker 3: Yeah, well, the whole town is railroad folks when they
• 9:13
  Speaker 3: keep early hours, and he'd rest when he worked hard.
• 9:16
  Speaker 4: Do you remember that there.
• 9:18
  Speaker 3: Showing Casey Jones, case Jones sitting at the travel Wait
• 9:25
  Speaker 3: a minute, you want to give him nightmares? Hey, hey, hey,
• 9:31
  Speaker 3: silly ex No, he generally goes right home after work. Yeah,
• 9:39
  Speaker 3: good little boy, They are good, tell you. But look,
• 9:48
  Speaker 3: zam get just fell all the bell watch, huppy. You
• 9:56
  Speaker 3: know I see that hobo around the yards earlier today. Yeah,
• 10:00
  Speaker 3: and the riders through town. I guess I wonder what
• 10:02
  Speaker 3: he wants with Lee. I'm really curious myself. Look they
• 10:07
  Speaker 3: just met over there in front of the saloon. Yeah,
• 10:10
  Speaker 3: that's that easily happy.
• 10:13
  Speaker 2: You see what I see?
• 10:14
  Speaker 3: Uh huh. That's a mighty big roll of bills that
• 10:17
  Speaker 3: leaves given him. Now that whole boy's hurting him to
• 10:21
  Speaker 3: go in the shaloon. Don't go on. Why can't that
• 10:24
  Speaker 3: boy stop acting like this? Well it looks like this
• 10:26
  Speaker 3: the night for activity a horse is rid a town
• 10:29
  Speaker 3: on the trail. I wonder who's coming to Well, if
• 10:33
  Speaker 3: it isn't, missus starving, must be feeling better.
• 10:36
  Speaker 5: I'm fine now, just worried you wore?
• 10:39
  Speaker 3: What about man?
• 10:40
  Speaker 5: I'm afraid something's happened to Lee. He didn't come home
• 10:43
  Speaker 5: to supper.
• 10:44
  Speaker 3: Well, ye, but he can take care of himself. You know,
• 10:48
  Speaker 3: railroaders don't worry about meal times.
• 10:50
  Speaker 5: Then you think nothing's happened. Of course, not all right,
• 10:54
  Speaker 5: I suppose I'm silly to worry.
• 10:56
  Speaker 3: There. There's just one thing I've been concerned about, missus dark.
• 11:00
  Speaker 3: I know it's none of my business, but go on,
• 11:04
  Speaker 3: when you met Lee? Uh, were you engaged to somebody else,
• 11:07
  Speaker 3: anybody who'd be liable to make trouble?
• 11:10
  Speaker 5: Why? No, I was never engaged to anyone but Lee.
• 11:13
  Speaker 3: Not to Harmon Roberts, certainly not.
• 11:16
  Speaker 5: Harmon's always been a good friend, and he likes Lee
• 11:19
  Speaker 5: a lot. Plee, I've been worried about you.
• 11:24
  Speaker 4: Hello, Lee, I thought I told you to keep out
• 11:27
  Speaker 4: of my business.
• 11:27
  Speaker 5: Cassidy, plea, please, mister Cassidy's trying to help, that's right,
• 11:32
  Speaker 5: take the other person's side.
• 11:33
  Speaker 3: I'm always wrong, but you are this time. Why do
• 11:36
  Speaker 3: you put up with me?
• 11:37
  Speaker 2: Why?
• 11:37
  Speaker 3: As you go back to your father. Then you all
• 11:38
  Speaker 3: be happy.
• 11:39
  Speaker 5: That's a wonderful idea good night, good bye.
• 11:43
  Speaker 3: Well there they go, California.
• 11:45
  Speaker 4: Yeah, in opposite directions.
• 11:58
  Speaker 5: Dad, it's all over between Lee and myself.
• 12:02
  Speaker 3: Oh what is that good for? Nothing done to you now.
• 12:05
  Speaker 5: Doesn't matter, Dad. I'm here with you now.
• 12:10
  Speaker 3: There's there now, Honey, I why didn't you go climb
• 12:14
  Speaker 3: in your little old bed and have a good sleep
• 12:16
  Speaker 3: if we don't talk things over in the morning. All right, Dad,
• 12:19
  Speaker 3: I'm gonna check over some figures. Won't take me long though,
• 12:23
  Speaker 3: and I'll be right here at my desk if you
• 12:25
  Speaker 3: want anything n nine Honey sleep well. Uh, let's see
• 12:41
  Speaker 3: eighteen and nine hundred and forty three times in January
• 12:49
  Speaker 3: A thousand, four hundred and thirty one Ship West Yah
• 12:56
  Speaker 3: nine hundred and fifty eight, or ditty you six thousand,
• 13:06
  Speaker 3: four hundred and forty two Dad City.
• 13:24
  Speaker 1: Tom Smith is overwrought by the Thuttman series of accidents
• 13:28
  Speaker 1: that have recurred since his daughter married Lee Garvin. Seated
• 13:32
  Speaker 1: at his desk, he made a perfect target for one
• 13:34
  Speaker 1: mysterious killer outside his window.
• 13:37
  Speaker 3: Somebody took the shot at the seat through the window.
• 13:39
  Speaker 3: Did you hear that? Tom? Smith was hot? Who was
• 13:42
  Speaker 3: who was hurt? I don't think so.
• 13:45
  Speaker 6: I'm going after the doctor and constable reared little trouble here.
• 13:48
  Speaker 3: Oh, mister Cassidy, I'm glad you're here. Mister Smith's been wounded. Wounded?
• 13:53
  Speaker 3: You here on the brown behind the winder. What what
• 13:57
  Speaker 3: is it? Banks folk? Go dot hurt? You looks like
• 13:59
  Speaker 3: the who parted the old man dropped it. See, I've
• 14:03
  Speaker 3: seen that somewhere before. Yeah, I remember seeing a hobo
• 14:06
  Speaker 3: around the yard. He was wearing one of these things
• 14:09
  Speaker 3: around his neck. That's it, that's it, I remember. Now
• 14:12
  Speaker 3: did anybody see him this evening? Did you, Cashudy? I've
• 14:15
  Speaker 3: I've been in my room all evening. I haven't seen anybody. Well,
• 14:18
  Speaker 3: I saw him this evening. He was down on main Street.
• 14:21
  Speaker 4: Talking talking to who Robert Well, it looked like Lee.
• 14:41
  Speaker 3: What am I going to do? They're throwing everything at me, everybody.
• 14:45
  Speaker 3: I rode out here to try to help you, Lee,
• 14:47
  Speaker 3: But you'll have to trust me. I'll try. Now we
• 14:51
  Speaker 3: have much time. Where's this hobo? Watch? I don't know.
• 14:55
  Speaker 3: I left him in the saloon. Why didn't you give
• 14:56
  Speaker 3: him money to keep him? Wie about something?
• 15:01
  Speaker 4: It couldn't be prison right, all right, I'm a jail
• 15:07
  Speaker 4: birdy did want to follow you here to Wheeling.
• 15:10
  Speaker 3: No, just my usual luck.
• 15:12
  Speaker 4: He was riding a freight through, stopped off when he
• 15:15
  Speaker 4: saw I was good for some easy dough.
• 15:18
  Speaker 3: Hoppy Hoppy is the Constable, right, California here, Lee, get
• 15:22
  Speaker 3: behind this. Luckily we may be able to keep searching
• 15:25
  Speaker 3: the cabin. He left his pipe urning quick, California in
• 15:28
  Speaker 3: your mouth, Oh, Garvin, HiT's all. I'm all, Constable. You're late.
• 15:39
  Speaker 3: Oh Hee's gone. Eh. I'm my partner and I thought
• 15:42
  Speaker 3: we'd wait around he might come back. Well, I appreciate it. Cassidy, Hi, California.
• 15:48
  Speaker 3: Never felt a bit better. Eh, maybe a better look
• 15:52
  Speaker 3: around the cabin while I'm here. I'll never last. Oh,
• 15:56
  Speaker 3: we've searched it clear through, Constable, Hey, California. Brooks are good. Yes,
• 16:01
  Speaker 3: she ain't used the excitement you Well, have you back
• 16:05
  Speaker 3: to town along, confortable. I'm Friday, California. Nobody'd ever suspect
• 16:13
  Speaker 3: that you weren't used to smoking a pipe. Nobody ship leave.
• 16:36
  Speaker 3: I've searched every into this yard, California. That hobo watched
• 16:39
  Speaker 3: just an inn it there's only one place left, dad
• 16:42
  Speaker 3: out going free.
• 16:43
  Speaker 4: Yeah, I already checked the first time carriage.
• 16:46
  Speaker 3: Good. I'll go to the rear of the train. You
• 16:49
  Speaker 3: cover these next one, all right here? Five three seven?
• 16:54
  Speaker 3: Bring that tuck around here? Come on, you man, alright on? Hello?
• 17:04
  Speaker 3: What huh? So you have a gun? Little car? All
• 17:07
  Speaker 3: of yourself? Don't move. Hey, I didn't shoot anybody. That
• 17:11
  Speaker 3: was my gun. They're lying? Who's lying? What? What's who's lying?
• 17:18
  Speaker 3: Are you all right? Cassidy? Robert right with you, Cassidy.
• 17:22
  Speaker 3: As soon as I climbed down off this street car, Hey,
• 17:24
  Speaker 3: tell us? Who will you be if we've found the hobo?
• 17:26
  Speaker 5: What?
• 17:27
  Speaker 2: What?
• 17:27
  Speaker 3: Who's lying? Over here? It's gone? All a bar found
• 17:30
  Speaker 3: the hobo. Oh, I'm glad you cornered him, Cassidy. When
• 17:34
  Speaker 3: did you shoot him? Robert? I saw him pull a
• 17:37
  Speaker 3: gun on you. What are you talking about? He didn't
• 17:38
  Speaker 3: even have one. Yeah, here's a gun under him. I
• 17:42
  Speaker 3: see banks heave it for the corner. Let him decide
• 17:46
  Speaker 3: whose gun it is. I don't like your attitude, Cassidy.
• 17:49
  Speaker 3: I'm sorry I bothered to help you. I'm not too
• 17:51
  Speaker 3: happy about it myself. See you later, Robert, come close here.
• 17:57
  Speaker 3: What's trying to see something. Yeah, he is a compassion
• 18:01
  Speaker 3: Well you better listen close. Thanks, he might have some
• 18:04
  Speaker 3: uppy something happening. I'll say something's happening. There's a dead
• 18:07
  Speaker 3: man in that car. But by calling that Banks and Roberts,
• 18:10
  Speaker 3: he's still talking.
• 18:32
  Speaker 4: Hello, mister Smith Lee, Mister Cassidy said you were going
• 18:36
  Speaker 4: to talk.
• 18:36
  Speaker 3: With me, so he decided to come here. After all.
• 18:41
  Speaker 4: I appreciate you seeing me. I thought i'd better tell
• 18:44
  Speaker 4: you some things.
• 18:45
  Speaker 3: I'll start by telling me why you sent your old
• 18:48
  Speaker 3: Sarah mate watch here to shoot me last night? But
• 18:51
  Speaker 3: I didn't. That's a cooked up story. And uh, so's
• 18:55
  Speaker 3: the one about your jail term. I suppose that part's true.
• 19:00
  Speaker 3: But I had nothing to do with the shooting. I'll
• 19:02
  Speaker 3: take a dying man for it. You mean Watts. Of
• 19:05
  Speaker 3: course he confessed before he died. He told him all
• 19:09
  Speaker 3: about you. He told who boy, He told Roberts, why
• 19:15
  Speaker 3: did you do that? Well? He was reaching for the gun,
• 19:18
  Speaker 3: wasn't he? No, he wasn't. Sorry, Cheef, I slipped in
• 19:22
  Speaker 3: to see that you were all right. I guess I'm
• 19:24
  Speaker 3: just on edge. It's my mistake, I should think so
• 19:27
  Speaker 3: I told you I wouldn't need any help. I have
• 19:29
  Speaker 3: my own gun handy in your desk drawer. Why yes,
• 19:35
  Speaker 3: is it to load it? Of course it's loaded, Roberts.
• 19:39
  Speaker 3: What are you doing? Roberts? Turn that gun away? Are
• 19:43
  Speaker 3: you in Shane? Not at all?
• 19:46
  Speaker 6: Chief?
• 19:46
  Speaker 3: You see it? It always out nicely. When the constable
• 19:50
  Speaker 3: gets here, you'll see that Lee came here and threatened you.
• 19:54
  Speaker 3: So you drew this gun. He grabbed it and killed
• 19:57
  Speaker 3: you just like this.
• 20:02
  Speaker 1: Hop along, Cassidy.
• 20:04
  Speaker 5: I found this note from Lee, mister Cassidy. He he
• 20:08
  Speaker 5: wants me to know that he didn't shoot Dad, but
• 20:10
  Speaker 5: he can't prove it, so he's got to stay hidden.
• 20:13
  Speaker 5: But but er, he wants me to remember that I'm
• 20:17
  Speaker 5: still his wife and he'll never give me up.
• 20:21
  Speaker 3: Where are you going East?
• 20:23
  Speaker 5: I I have to Dad didn't leave me any money.
• 20:27
  Speaker 3: But your father owned the controlling interest in the railroad.
• 20:30
  Speaker 5: He used to had to sell all his stocks a
• 20:33
  Speaker 5: year ago. Harmon Roberts showed me the transfer.
• 20:36
  Speaker 3: Roberts bought the stock to help Dad out.
• 20:40
  Speaker 5: Seems he had a little nest egg.
• 20:41
  Speaker 3: What about the oil land your father owned oil land?
• 20:45
  Speaker 5: You must be mistaken.
• 20:47
  Speaker 3: I'm afraid you're the one who's mistaken. Jesse.
• 20:50
  Speaker 5: Oh, I don't know what you're insuing, mister Cassidy. But
• 20:53
  Speaker 5: Harmon Roberts knows much more about my father's affairs than
• 20:56
  Speaker 5: anyone else could.
• 20:57
  Speaker 3: I'm sure of that. What in Tarnae? Now we're riding
• 21:08
  Speaker 3: up this trail of her We've seen enough trouble already.
• 21:11
  Speaker 3: Who says we're edting for trouble? It's the only thing
• 21:13
  Speaker 3: that ever makes you ride this your way. This is
• 21:15
  Speaker 3: the turn off the old toe of my mind. It's deserted,
• 21:19
  Speaker 3: maybe not completely. Fight around the open chat Lee, Lee island.
• 21:25
  Speaker 4: Here your problem, crazy hoppy. I've got your covered beyond
• 21:30
  Speaker 4: crazy Lee.
• 21:32
  Speaker 3: We want to talk to you. How did you know
• 21:34
  Speaker 3: where to find me? That note you left Jesse? She
• 21:37
  Speaker 3: apparently didn't notice. But you put the railcade number on
• 21:40
  Speaker 3: this mine on it, didn't you? Where is Jesse? She's leading?
• 21:43
  Speaker 3: Roberts is convinced her or finally left her penniless, so
• 21:46
  Speaker 3: he's taking her ease. Roberts, I'll stop that. You can't
• 21:49
  Speaker 3: do it alone. You'll help me. Come on, planes, don't wait. Oh,
• 22:08
  Speaker 3: that's what's California? But waitless too late for the engineer
• 22:11
  Speaker 3: to stop on the main track. Roberts is going to
• 22:13
  Speaker 3: be surprised. I feel like Jessie James de rail and
• 22:16
  Speaker 3: train is just go on this signing, get ready.
• 22:22
  Speaker 2: Now got you?
• 22:36
  Speaker 6: What do you mean of this?
• 22:37
  Speaker 3: I'm all confortable. Sorry to stop him, but I wanted
• 22:40
  Speaker 3: to turn Lee Garvin over to you. What Cassidy Hallvard
• 22:43
  Speaker 3: dirty double cross the hair? Well, so you caught the killer.
• 22:47
  Speaker 3: I'm about to Roberts in a minute, hold a curiously,
• 22:50
  Speaker 3: wait a minute, Constable. I turned Lee Garvin over to
• 22:54
  Speaker 3: you for protection. This is your man here. Why put
• 22:57
  Speaker 3: the bracelets on Harmon Roberts? Why you insane? Can't be
• 23:02
  Speaker 3: Roberts under arrest for fordre and the murder of Tom Smith.
• 23:05
  Speaker 3: Banks had just signed the full confession. My ries lies.
• 23:09
  Speaker 3: Everybody knows the car, it's all and the confession Roberts
• 23:12
  Speaker 3: Banks confession that game's up, that shoody raft. He can't
• 23:15
  Speaker 3: get away by putting it all on me. I'll be
• 23:18
  Speaker 3: horn swuaggle more during things happened. Ain't even sure who
• 23:22
  Speaker 3: to put the baserch on. This is your man and
• 23:24
  Speaker 3: here's the confession.
• 23:25
  Speaker 7: So I fixed that double crossing. Come on, you should
• 23:33
  Speaker 7: give me a start, mister Cassidy to leave. But it's
• 23:36
  Speaker 7: all cleaned up now I should want to thank you all.
• 23:39
  Speaker 3: Stop wasting time talking to me. Can't you see that's
• 23:42
  Speaker 3: the Vice President's special carver. And there's somebody waving through
• 23:45
  Speaker 3: the window to you. Yeah, yeah there is, See you later, Jesse.
• 23:52
  Speaker 3: Now can we get heading for the bar? Twenty hopping Cassidy.
• 23:56
  Speaker 3: He's get me the wrong paper. This ain't no confession.
• 23:59
  Speaker 3: The banks is a billy seer for two hundred cows. Yeah,
• 24:04
  Speaker 3: the only paper I had on me. Some mighty old gag,
• 24:07
  Speaker 3: isn't it constable? Huh Oh, I knew you weren't taken
• 24:11
  Speaker 3: in not to buy an old clock like that. Funny,
• 24:14
  Speaker 3: isn't it that whiskers all over it? But it works
• 24:17
  Speaker 3: every time? Yeah, yeah, yeah, yeah, it works your time.
• 24:27
  Speaker 2: Yeah.
• 24:43
  Speaker 3: And so an exciting adventure ends for a huff