Latest / The Drift / The Drift 2nd October
Transcript
- 0:34SPEAKER_12: Welcome to the drift with your host Andreas Online.
- 0:41SPEAKER_12: Yes, thank you very much.
- 0:43SPEAKER_12: It's another week, it's another episode of this eclective literature, and today we're gonna go back to the 60s and play this band, Question Mark and the Mysteries.
- 1:03SPEAKER_16: Two minutes you drop for one heart to be crying Two minutes you drop for one heart to carry on You're way on the top down You're always leftin Way down at me But watch out now I'm gonna get failed We'll be together For just a little while And then I'm gonna put you Way downhill And you'll start trying to take still And when the sun comes up I'll be on top You be right down there Looking up And I'm my way Come up here But I don't see you Wavin' how I'm way down here Wonder how I'm gonna get cheered But I know now I'll just cry I'll just cry Two minute teardrop For one heart To be crying Two minute teardrop For one heart To carry on Yo's gonna track Light is dick to gonna track Light is dick to gonna track Crack crack crack You'll gonna track Crack crack crack That is dick to Come on let me hear you cry now stick to us I wanna hear you back and dick Yeah All night long A nine is dick deal Crack crack crack Come on baby Let me hear you cry now All night long A nine is dick Cheers Yeah Come on now A nine is stick to Wells.
- 5:14SPEAKER_12: Yes beautiful Josh Home for the Stone Age Next up is Garnet Mim and this beautiful song that I recorded in 1964 called As Long As I Have You Garden Yes Gonna find my way up to the sun lost and summer But let me tell you You ain't seen nothing Yeah There's something in this You ain't see nothing yet nothing in this I can't get as long as I get gonna be all right And I won't have straight your own What do you feel when you're here arrested like Tupac in the morning?
- 8:01SPEAKER_09: Right, but don't you feel like that creates uh tension between East and West?
- 8:06SPEAKER_09: He's talking about killing people I had sex with your wife and not in those words.
- 8:12SPEAKER_09: But he's talking about I wanna see you deceased.
- 8:22SPEAKER_13: Still the only place for me that never raises To Living Don LA, where every day we try to fatten our pockets.
- 8:28SPEAKER_13: Us niggas hustle for the cash, so it's hard to knock.
- 8:31SPEAKER_13: Everybody got their own thing coming, she chasin' worldwide through the hard times, worrying faces.
- 8:37SPEAKER_13: Shed tears as we bury niggas close to all.
- 8:39SPEAKER_13: Or what's a friend that would ghost in the dark?
- 8:42SPEAKER_13: Cold part about it, nigga got smoke by feet.
- 8:44SPEAKER_13: Tryna flaws on the blind to a broken man's dream.
- 8:47SPEAKER_13: A hard lesson, court cases, keep me guessing.
- 8:50SPEAKER_13: Fleet bargain ain't an option now, so I'm stressing.
- 8:53SPEAKER_13: Cost me more to be free than a life in the pen, making money off of cuss words right in the game.
- 8:58SPEAKER_13: Learn how to think ahead, so I fight with my pin.
- 9:01SPEAKER_13: Late night down, sunset, like in the sea.
- 9:04SPEAKER_13: What's the worst they can do to a nigga got me lost in hell to live in Donnelly?
- 9:09SPEAKER_13: On bills, my hands.
- 9:12SPEAKER_18: It's the place to be.
- 9:23SPEAKER_13: It's the place to be, to come to be that to know it when everybody wants to be cities of angels in constant danger.
- 9:35SPEAKER_13: South Central LA can't get no stranger.
- 9:38SPEAKER_13: Full of drama like a soap opera on the curve, watching the kettlebell helicopters.
- 9:42SPEAKER_13: I observe so many niggas getting three strikes, off some jail.
- 9:46SPEAKER_13: Sweat appear right across from L.
- 9:48SPEAKER_13: I can't cry, cause it's home now.
- 9:50SPEAKER_13: I'm just a nigga on his own now, living life thug staff.
- 9:53SPEAKER_13: So I can't smile right into my people's when they ask for pictures.
- 9:57SPEAKER_13: Thinking Cali just fun and bitches.
- 10:00SPEAKER_13: Better learn about the dress code B's and C's.
- 10:03SPEAKER_13: All them other niggas copycats and D's is G's.
- 10:05SPEAKER_13: I love Cali like I love women.
- 10:07SPEAKER_13: Cause every nigga in LA got a little bit of thug in him.
- 10:11SPEAKER_13: We might fight amongst each other, but I promise you this, we'll burn this bitch down, kill us piss to live in Don LA.
- 10:19SPEAKER_18: It's the place to be that my angel say.
- 10:32SPEAKER_13: To live in Don LA.
- 10:41SPEAKER_13: Black love, brown pride in the sex again.
- 10:44unknown: Pete Wilson tryna see us all broke.
- 10:46unknown: I'm on some bullshit.
- 10:47unknown: Out for everything they owe.
- 10:49SPEAKER_13: Remember K Day, we dance, Chris Shaw, MLK, automatics rank free.
- 10:54SPEAKER_13: Niggas lost their weight.
- 10:55SPEAKER_13: Gang signs being shown.
- 10:56SPEAKER_13: Nigga, love your hood, but recognize that it's all good.
- 11:00SPEAKER_13: Where the weed at?
- 11:01SPEAKER_13: Niggas getting churned out.
- 11:02SPEAKER_13: Snoop Dogg in this motherfucker permed out.
- 11:05SPEAKER_13: Mm-hmm, big shield, getting a lolo, bounce and turn, dog pound in the legs, with an ounce to burn.
- 11:12SPEAKER_13: Got them watch niggas with me.
- 11:13SPEAKER_13: Oh OMCB.
- 11:14SPEAKER_13: They got some hash, took the stabs, left the rest for me.
- 11:17SPEAKER_13: Neckbone, trade, hair run, one, she two, beat, rock, got nah.
- 11:21SPEAKER_13: But this one's for you.
- 11:22SPEAKER_13: I hit the studio and drop a true.
- 11:24SPEAKER_13: Open the peg.
- 11:26SPEAKER_13: I watch the time flop.
- 11:27SPEAKER_13: To live in Don LA.
- 11:31SPEAKER_18: It's the place to be.
- 11:42SPEAKER_18: It's the place to be To live in Don LA.
- 11:51SPEAKER_13: Let's go out for 92.3 106.
- 11:55SPEAKER_13: All the radio stations that be bumping my shit, making my shit sound.
- 11:59SPEAKER_13: Catruple, catropal platinum.
- 12:02SPEAKER_13: Just go out to all the magazines that support a nigga.
- 12:06SPEAKER_13: All the real motherfuckers.
- 12:07SPEAKER_13: All the stores, the mama pop spots.
- 12:10SPEAKER_12: And all your two-pack to live and die in LA.
- 12:14SPEAKER_12: We're gonna move on and we're gonna play Odetta next.
- 12:17SPEAKER_12: Uh the great singer referred to as the voice of the civil rights movement.
- 13:48SPEAKER_04: Maybe you don't want me.
- 13:58SPEAKER_04: Everybody, everybody safe.
- 14:00SPEAKER_04: Be everybody else.
- 14:07SPEAKER_05: You gotta be Just like if you gotta be Baby, you'll want me Oh my la la la la.
- 14:45SPEAKER_04: I gotta be me.
- 14:54SPEAKER_04: Just like this.
- 14:56SPEAKER_04: I gotta be me.
- 14:59SPEAKER_04: You don't miss me.
- 15:05SPEAKER_04: I'm all by myself.
- 15:08SPEAKER_04: I'm trying to be everybody else, but now I see I gotta be me.
- 15:30SPEAKER_04: Baby, hit on this, baby hit on this like this, I gotta be me.
- 15:47SPEAKER_04: You know miss whatever.
- 15:56SPEAKER_10: I went down to the beach and saw Kiki.
- 15:58SPEAKER_10: She was all like, eh, and I'm like, whatever.
- 16:04SPEAKER_10: And this chick comes up to me and she's all like, hey, aren't you that dude?
- 16:07SPEAKER_10: And I'm like, yeah, whatever.
- 16:11SPEAKER_10: So later I'm I'm at the pool hall and this girl comes up and she's all like uh and I'm like, yeah, whatever.
- 16:19SPEAKER_08: This is my you daddy, take some water.
- 16:25SPEAKER_08: And this is my you daddy take the water.
- 16:31SPEAKER_08: And this is my you daddy, take some water.
- 16:38SPEAKER_10: And then it's 3 a.m.
- 16:39SPEAKER_10: I'm on the corner wearing my leather.
- 16:41SPEAKER_10: This dude comes up and he's like, yeah, punk.
- 16:43SPEAKER_10: I'm like, yeah, what up?
- 16:47SPEAKER_10: Then I'm throwing dice in the alley, officer Leero comes up and he's like, hey, I'm done.
- 16:51SPEAKER_10: I told you and I'm like, yeah, what up.
- 16:58SPEAKER_10: Then up comes Zapphil.
- 17:00SPEAKER_10: I'm like, yo, Zapph, what's up?
- 17:01SPEAKER_10: He's like, no, I'm like, that's cool.
- 17:09SPEAKER_08: This is not you not yes.
- 17:19SPEAKER_12: What should we play next?
- 17:20SPEAKER_12: Um I really thought we're playing this actually.
- 17:22SPEAKER_12: This is uh black machine.
- 18:20SPEAKER_01: That's a must stop, that's a star, each innovate away to go to the screen, that's what I started in the way the way to go to the screen, that's a star, that's what I started, each of the fan away to go to the screen.
- 19:15SPEAKER_01: That's a star, that's a star.
- 19:19SPEAKER_01: That's a star, each in the fate away to go for the scrap, that's a star, that's a star, each in the fate away to go for the scrap, put the jet, out, the jet, put the jet, I think, put the jet, put the jump next, put the jump, put the jump, put the jump.
- 20:54SPEAKER_01: That's a must stop, that's a star, each innovate away to go for the screen, that's what I started, out, each innovation with the both the scrap, that's a star, that's what I started, each in the fade away to go for the scrap, express, out of tea, that the jet express, express, out tea, express, express, out, express, express, out, express, express, out, each innovation when it comes to scrap, that's a must stop, that's a must stop, these are innovate away to go to the scrap.
- 23:46SPEAKER_02: She was a big lay layout.
- 25:03SPEAKER_17: What a beautiful face I found in this place that is circling around the sun.
- 25:11SPEAKER_17: What a beautiful dream that could crash on the screen in a blink of an eye and be gone from me.
- 25:20SPEAKER_17: Soft and sweet.
- 25:22SPEAKER_17: Let me hold it close and keep it here.
- 25:26SPEAKER_17: What me And one day we will die on our ashes of blood from the air of plane over the sea.
- 25:42SPEAKER_17: But for now we are young, let us play in the sun and count everyone see me in the eyes of the moon.
- 27:51SPEAKER_17: I'll be laughing everyone.
- 30:48SPEAKER_12: Known as the father of South African jazz.
- 30:54SPEAKER_12: Next up is the fashion mode.
- 30:55SPEAKER_12: My grandfather bought his album Black Celebration in 1986 because he had a discount in the store because he was the ex manager of the store.
- 31:24SPEAKER_07: Let's get away.
- 31:26SPEAKER_07: Just go ahead.
- 32:20SPEAKER_07: Take my hands, come back to the land, where everything saw a few months.
- 46:21SPEAKER_12: Yes, Nadine Shaw.
- 46:24SPEAKER_12: Fantastic.
- 46:25SPEAKER_12: We got like three, three, four more songs, I think.
- 46:28SPEAKER_12: Let's play jungle.
- 46:29SPEAKER_12: Or should we play no, let's play Curtis Harding first.
- 46:32SPEAKER_12: This is uh a great song that was released a couple of years ago called Where's the Love What if one day love couldn't be found?
- 47:03SPEAKER_13: You searched the highest mountain, even looked underground.
- 47:08SPEAKER_13: You couldn't quite prove it as a natural fact It jumps up and vanished with no sign of coming back.
- 47:18SPEAKER_13: Where is the love?
- 47:23unknown: Where is the love?
- 47:28unknown: Where is the love?
- 47:34unknown: Where is the love?
- 47:40SPEAKER_13: And what I've lost love is just a point of view.
- 47:45SPEAKER_13: A world covered in darkness, despair disease, too.
- 47:50SPEAKER_13: The science of pathology couldn't even explain The effects to our bodies, the feeling of disdain, an insatiable home, no one or nothing could feel.
- 48:06SPEAKER_13: A deep bottom is a home, a real wrong deal.
- 48:12SPEAKER_13: It's only because of love that I'm obliged to tell That if we have a law, this would be a living hell.
- 48:21unknown: Where is the love?
- 48:26unknown: Where is the love?
- 48:32unknown: Where is the love?
- 48:37unknown: Where is the love?
- 48:43SPEAKER_13: What if the loss of made the earthquake?
- 48:49SPEAKER_13: The room for the tides, for all love's sake.
- 48:54SPEAKER_13: It's only because of my love I feel I should say that if I ever lost it, I wouldn't care anyway.
- 56:11SPEAKER_12: Andreas Almo, but as always, we're gonna finish off in style, ladies and gentlemen, the straight cats, runaway boys.