Latest / Frightmares / Ep. 405 - Superstition (1982)

Transcript

Ep. 405 - Superstition (1982) · Frightmares

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions Podcast Network.
• 0:07
  Speaker 1: Hello and welcome to Tumbleweeds and TV Cowboys. My name
• 0:10
  Speaker 1: is Hunter. In this podcast, I'll be joined by a
• 0:12
  Speaker 1: different guest each week to discuss a classic Western movie
• 0:15
  Speaker 1: or TV show. I've been a fan of classic Westerns
• 0:18
  Speaker 1: for as long as I can remember, and in recent years,
• 0:20
  Speaker 1: they've become very nostalgic for me. I love the aesthetic,
• 0:23
  Speaker 1: the tropes, and I love seeing different filmmakers' takes on them.
• 0:27
  Speaker 1: At their best, they're incredibly entertaining, rewatchable, and some of
• 0:30
  Speaker 1: my all-time favorite movies are westerns. We'll mostly focus on
• 0:33
  Speaker 1: western movies made in Hollywood, but we'll also be covering
• 0:36
  Speaker 1: spaghetti westerns, and one thing I'm very excited to get
• 0:38
  Speaker 1: into are western TV shows. I've got some amazing guests
• 0:41
  Speaker 1: coming on the show, film professors, historians, and podcasters, and
• 0:45
  Speaker 1: Tumbleweeds and TV Cowboys is part of the Someone's Favorite
• 0:48
  Speaker 1: Productions podcast network, and many guests on the show will
• 0:51
  Speaker 1: be from other shows on the network.
• 0:53
  Speaker 2: Thanks for listening.
• 0:54
  Speaker 3: The following podcast will contain spoilers, tangents, hot takes and
• 0:59
  Speaker 3: excessive foul language. Viewer discretion is advised.
• 1:03
  Speaker 4: Enjoy the show.
• 1:45
  Speaker 2: Welcome back to Frighteners Podcast. I'm your host, Austin Proctor,
• 1:48
  Speaker 2: and joining me today for episode 405 is my good friend,
• 1:51
  Speaker 2: Derek Ferreira. What's up, dude?
• 1:54
  Speaker 3: No, not much.
• 1:55
  Speaker 2: Yeah, it's just, it's a day. It's a day of
• 1:59
  Speaker 2: the week.
• 2:00
  Speaker 3: Maybe, maybe too much. I don't know.
• 2:02
  Speaker 2: Maybe all the things, everything, everywhere, all at once, basically,
• 2:06
  Speaker 2: is what we're trying to say here. Today on another
• 2:09
  Speaker 2: installment of Warlocktober's Hex, we're discussing our international pick Superstition
• 2:13
  Speaker 2: from 1982, a movie that clearly saw scanners the year
• 2:18
  Speaker 2: prior to this and was like a head explosion in
• 2:21
  Speaker 2: 12 minutes. We can do better than that. Let's see
• 2:23
  Speaker 2: where this lands on the Nightmare Index. All right, Derek,
• 2:32
  Speaker 2: what have we been watching? If we have been watching anything.
• 2:36
  Speaker 3: I don't know. A lot of Friday the 13th because
• 2:39
  Speaker 3: it's there. But it's all the TV cut because I've
• 2:42
  Speaker 3: been watching them through YouTube out of pure laziness.
• 2:44
  Speaker 2: Oh, wow.
• 2:45
  Speaker 3: So, yeah, it's kind of reminiscent of when I was
• 2:48
  Speaker 3: a kid watching them. I've watched Ice Cream Man. I've
• 2:51
  Speaker 3: watched a lot of older things. Black Roses. Decoys. What's
• 2:58
  Speaker 3: Black Roses? Black Roses is a heavy metal horror kind
• 3:04
  Speaker 3: of reminiscent of Trick or Treat. Just an alien.
• 3:08
  Speaker 2: I think I've seen this.
• 3:09
  Speaker 3: I have. Yeah. Okay.
• 3:11
  Speaker 2: I think Jason, I think Jason recommended this one to me.
• 3:14
  Speaker 3: Yeah.
• 3:14
  Speaker 2: I gave it a three out of five. Yes. I
• 3:16
  Speaker 2: remember that.
• 3:17
  Speaker 3: Yeah.
• 3:17
  Speaker 2: I cannot forget.
• 3:19
  Speaker 3: Yeah.
• 3:19
  Speaker 2: That's why I know it. Cause that poster.
• 3:21
  Speaker 3: Yeah.
• 3:21
  Speaker 2: That's, that's a deep cut for sure. Is it, where'd you,
• 3:24
  Speaker 2: is that one streaming? Is it on YouTube? Where's that
• 3:26
  Speaker 2: one at?
• 3:26
  Speaker 3: Oh, it's on shutter.
• 3:27
  Speaker 2: Oh, it's on shutter. Look at them. Good for them.
• 3:30
  Speaker 3: All right.
• 3:31
  Speaker 2: What else?
• 3:32
  Speaker 3: That's a, and that's something that could really use a,
• 3:36
  Speaker 3: an upgrade because apparently it got put out by synapse
• 3:38
  Speaker 3: but only on dvd or yeah was it synapse yeah
• 3:43
  Speaker 3: one of those fucking companies.
• 3:44
  Speaker 2: I was gonna say this definitely feels like a synapse
• 3:47
  Speaker 2: or a severin for sure so uh.
• 3:49
  Speaker 3: Yeah i re-watched it and then was like oh yeah
• 3:53
  Speaker 3: okay i did really like this or you know moderately
• 3:56
  Speaker 3: like i don't know the threes are weird for me
• 3:59
  Speaker 3: because it's like the whatever Uh, but yeah, so I
• 4:02
  Speaker 3: went to look to see if it had a Blu-ray
• 4:04
  Speaker 3: and we were getting nothing. So I was like, oh,
• 4:07
  Speaker 3: and I don't know. I synapse my memory. Okay. It
• 4:12
  Speaker 3: was synapse. Yeah.
• 4:13
  Speaker 2: DVD synapse from damn. They released that in 2007. We
• 4:18
  Speaker 2: are like way overdue.
• 4:20
  Speaker 3: For way overdue.
• 4:22
  Speaker 2: Yeah. No Blu-ray for the U S what about, what
• 4:25
  Speaker 2: if I do all countries? Uh, it looks like there
• 4:28
  Speaker 2: was one, was that Indonesia? Wow. Okay. Oh, German. German, yeah.
• 4:34
  Speaker 2: They always get the most random stuff that we don't get. Bastards.
• 4:38
  Speaker 2: But yeah, Black Roses. Fun time. Definitely recommend that one. Also,
• 4:42
  Speaker 2: trick or treat. And while you're at it, throw Deathgasm
• 4:46
  Speaker 2: in there. Fuck it.
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  Speaker 3: You know, funny enough, when I just posted my review,
• 4:50
  Speaker 3: or edited and posted my review for Black Roses, the
• 4:53
  Speaker 3: two movies that I said, if you like this or that,
• 4:56
  Speaker 3: were Trick or Treat and Deathgasm. Boom.
• 4:59
  Speaker 2: Okay.
• 5:00
  Speaker 3: Good throw. But other than that, I honestly, I don't
• 5:04
  Speaker 3: fucking remember what I've watched.
• 5:05
  Speaker 2: So lucky for me, I am obsessive with, you know,
• 5:12
  Speaker 2: rating and reviewing all this shit. So I have plenty
• 5:16
  Speaker 2: of stuff to talk about here. I recently watched the
• 5:19
  Speaker 2: Prowler for the first time and do need to give
• 5:23
  Speaker 2: it a rewatch because I was not in the best mood.
• 5:27
  Speaker 2: And I was kind of dozing in and out like, like,
• 5:30
  Speaker 2: you know, you know, that kind of just like where
• 5:31
  Speaker 2: you aren't sleeping, but every now and again you blink
• 5:34
  Speaker 2: and then you look up and it's been like a
• 5:35
  Speaker 2: couple minutes. So that's what was going on during the movie.
• 5:39
  Speaker 2: I still gave it a three and a half, but
• 5:41
  Speaker 2: I guess I just wanted to like it more, but
• 5:43
  Speaker 2: I also was not anywhere near the right state of mind.
• 5:47
  Speaker 3: No, I could be just that it is a three
• 5:49
  Speaker 3: and a half. Yeah. I think that's what I have
• 5:51
  Speaker 3: it rated as true. It could be, you know, ratings sometimes, man,
• 5:57
  Speaker 3: because I love The Prowler, but then I sit here
• 5:58
  Speaker 3: and say it's at a three and a half. It's
• 6:00
  Speaker 3: not a five-star movie. I still love it.
• 6:02
  Speaker 2: Yeah, I mean, really anything that's three-star or above is
• 6:07
  Speaker 2: still a good movie, in my opinion, so I did
• 6:09
  Speaker 2: enjoy it. I mean, that was Tom Savini. That was
• 6:12
  Speaker 2: a Hooptober prompt for a film that Tom Savini worked on,
• 6:16
  Speaker 2: and I had never seen it. I mean, the slasher
• 6:19
  Speaker 2: himself is ten out of ten. That is such a
• 6:22
  Speaker 2: unique slasher look with the It's like, you know, was
• 6:26
  Speaker 2: it World War II or some fucking war? I don't know.
• 6:29
  Speaker 3: Yeah, I believe it was supposed to be.
• 6:31
  Speaker 2: Yeah, and so it's great. And then, oh my God,
• 6:34
  Speaker 2: some of the effects. I mean, there's one point where
• 6:36
  Speaker 2: a knife goes through someone's head and then their eyes
• 6:39
  Speaker 2: turn like white. And I was like, this is, I mean,
• 6:42
  Speaker 2: it's Tom Savini. I mean, what should you expect other
• 6:45
  Speaker 2: than greatness? Then I watched for Hooptober, bad kid film.
• 6:51
  Speaker 2: I watched The Brood by David Cronenberg. This was probably
• 6:57
  Speaker 2: the most un-Cronenberg movie I've seen from him because, you know,
• 7:02
  Speaker 2: typically he's the body horror guy. And that's like his
• 7:05
  Speaker 2: big thing, especially in the 80s, early 90s. And this
• 7:08
  Speaker 2: was more like, we'll get to the body horror. Just
• 7:11
  Speaker 2: wait till the third act. And I was like, oh,
• 7:14
  Speaker 2: I was like, oh, my God, what is happening? Great film, though.
• 7:17
  Speaker 2: I mean, holy shit. This is it's Cronenberg. It's yet
• 7:21
  Speaker 2: another fucking director. that I just love. Well, I guess
• 7:25
  Speaker 2: Tom Savini is not a director, but nonetheless, another person
• 7:28
  Speaker 2: in the horror realm that I love.
• 7:29
  Speaker 3: No, no, no, no. He directed a movie. At least
• 7:33
  Speaker 3: he did night writers.
• 7:34
  Speaker 2: He did. Oh, wait, he did. Didn't he do the
• 7:36
  Speaker 2: remake of night, night of the living dead in 19
• 7:39
  Speaker 2: from 1990. Didn't he do that?
• 7:40
  Speaker 3: Am I, am I, I believe that's also accurate. Okay.
• 7:44
  Speaker 2: So, so then there you go. Another director. Yeah, this
• 7:46
  Speaker 2: was fantastic. It's so, it's so much more psychological than,
• 7:51
  Speaker 2: And I really enjoyed it. This is his, I think
• 7:53
  Speaker 2: it was his fourth movie because Shivers was 75. And
• 7:57
  Speaker 2: then he had something in 77, which, oh, Rabid in 77.
• 8:01
  Speaker 2: Something else in 79 that was like a drama sports movie.
• 8:05
  Speaker 2: And then this one. Yeah, I was like, okay, so
• 8:08
  Speaker 2: we did Shivers and then we did Rabid and then
• 8:10
  Speaker 2: we did Fast Company. That's what it's called. I was like,
• 8:13
  Speaker 2: and then we did The Brood. Something is out of
• 8:16
  Speaker 2: place here, but I really enjoy The Brood. Gave it
• 8:19
  Speaker 2: a four and a half. You can really see, because
• 8:22
  Speaker 2: his 70s work is a lot different than his 80s work.
• 8:25
  Speaker 2: And you can see how he's honing his craft in
• 8:29
  Speaker 2: the 70s, and then by the time Scanners comes around
• 8:31
  Speaker 2: in 1981, you're like, yeah, it's there. It's totally there.
• 8:34
  Speaker 3: Can I just throw out, I've never seen, I almost
• 8:37
  Speaker 3: said no Cronenberg. I've seen The Fly.
• 8:39
  Speaker 2: Okay.
• 8:41
  Speaker 3: And I saw Rabid so long ago, I don't remember
• 8:43
  Speaker 3: anything about it.
• 8:44
  Speaker 2: Rabid is definitely not my favorite. I still think it's good, but...
• 8:50
  Speaker 2: Are those the only two you've seen?
• 8:51
  Speaker 3: Yeah. Yeah. I've never deep dived his stuff, bro.
• 8:56
  Speaker 2: I'd almost just say start from scanners because the man
• 9:00
  Speaker 2: has just a diabolical eighties run. So you have scanners
• 9:05
  Speaker 2: in 1981. Then you have videodrome in 1984, uh, the
• 9:10
  Speaker 2: dead zone, which I think is actually 1983.
• 9:13
  Speaker 3: Was it dead zone him? I have seen that. Okay. Yeah.
• 9:16
  Speaker 2: Then you have the fly. Then you have dead ringers
• 9:18
  Speaker 2: and then you have naked lunch. Crash and Existence. All
• 9:22
  Speaker 2: of those. I mean, literally, there's every single movie that
• 9:25
  Speaker 2: I just mentioned from Scanners to Crash is either a four,
• 9:29
  Speaker 2: four and a half, or a five for me. The
• 9:31
  Speaker 2: man does not miss. Even his later stuff, like A
• 9:34
  Speaker 2: History of Violence, Eastern Promises, those are good too. They're
• 9:37
  Speaker 2: just not horror movies, but I think they both star
• 9:40
  Speaker 2: Viggo Mortensen. Correct. They're more like crime kind of thrillery movies,
• 9:45
  Speaker 2: but Viggo is kicking some ass in A History of Violence.
• 9:47
  Speaker 2: I still need to see The Shrouds. That he did
• 9:50
  Speaker 2: from like last year. The year before. But I did
• 9:53
  Speaker 2: see Crimes of the Future. I don't know if you
• 9:55
  Speaker 2: remember Crimes of the Future. uh, or the hype behind it,
• 10:00
  Speaker 2: but I remember seeing like so many people.
• 10:03
  Speaker 3: Yeah.
• 10:03
  Speaker 2: So many people were throwing up in the theaters and
• 10:05
  Speaker 2: the third act is just so crazy. And me, I'm like, Oh, okay.
• 10:10
  Speaker 2: If people are throwing up at a Cronenberg movie, I like,
• 10:13
  Speaker 2: I've seen most of his work. This is going to
• 10:14
  Speaker 2: be crazy. So I had this expectation in my head
• 10:17
  Speaker 2: going into the movie and I was like, sure, that
• 10:20
  Speaker 2: was good, a third act, but I don't know why
• 10:23
  Speaker 2: people are throwing up. That's what I hate about hype
• 10:26
  Speaker 2: around movies sometimes, but that's a whole other discussion. So yeah,
• 10:28
  Speaker 2: definitely go down David Cronenberg's filmography because that man, he's
• 10:34
  Speaker 2: like so many directors I've mentioned lately on the podcast.
• 10:37
  Speaker 2: I just want to live in their head for like
• 10:38
  Speaker 2: a day and see what's going on in there because
• 10:41
  Speaker 2: I don't know where they come up with this shit.
• 10:43
  Speaker 2: Then I watched Other Mommy. I think I already talked
• 10:46
  Speaker 2: about that one. I think I already did. I don't know.
• 10:49
  Speaker 2: I enjoyed it. It was a fun time.
• 10:50
  Speaker 3: I was going to say, I saw that you gave
• 10:52
  Speaker 3: it a three and a half, and I was like, ooh,
• 10:53
  Speaker 3: Austin actually liked it.
• 10:55
  Speaker 2: It's a good jump scare movie. Someone said that it
• 10:58
  Speaker 2: has a jump scare every minute and a half, and
• 11:01
  Speaker 2: I don't think that person knows what a jump scare is,
• 11:04
  Speaker 2: because there's definitely not a jump scare every minute and
• 11:07
  Speaker 2: a half, unless I was just blissfully unaware.
• 11:12
  Speaker 3: That would be... Uh, that would be almost like impossible
• 11:17
  Speaker 3: to pull off, you know, hour and a half hour,
• 11:21
  Speaker 3: 40 minute long movie.
• 11:22
  Speaker 2: I mean, I'm going to watch it again and I'll, uh,
• 11:24
  Speaker 2: I will, uh, time it at some point, but yeah,
• 11:27
  Speaker 2: if someone was like, it's every minute and a half, whatever, uh,
• 11:30
  Speaker 2: another movie on the lines of like death chasm and stuff, uh,
• 11:33
  Speaker 2: the devil's candy. If you haven't seen that very heavy
• 11:36
  Speaker 2: metal movie with some fucking crazy shit going on in
• 11:40
  Speaker 2: that movie, highly recommend the devil's candy. not to be
• 11:44
  Speaker 2: confused with the devil's honey, which is a Lucio Fulci joint, uh,
• 11:48
  Speaker 2: completely different movies. Devil's candy, 2015. Uh, let's see. I
• 11:52
  Speaker 2: watched do, do, do all this stuff I've already talked about.
• 11:56
  Speaker 2: We're going through the Halloween franchise again, or at least
• 12:00
  Speaker 2: I am. Cause my wife told me, she was like,
• 12:02
  Speaker 2: you know, I haven't seen most of the Halloween movies.
• 12:05
  Speaker 2: And I looked at her and I was like, how
• 12:07
  Speaker 2: we've been together. This today is actually our anniversary. She's, uh,
• 12:11
  Speaker 2: laying down with the kiddo because the kiddo refuses to
• 12:13
  Speaker 2: sleep by herself for naps. So we've been together, married
• 12:17
  Speaker 2: for seven years. And I'm like, how have we not, how?
• 12:22
  Speaker 2: So we're going through all of them and we're going to,
• 12:24
  Speaker 2: she's ranking them as she goes along. We watched one, two,
• 12:28
  Speaker 2: she's already seen three. So we skipped that for now,
• 12:30
  Speaker 2: even though that's my favorite, we'll come back around. And
• 12:32
  Speaker 2: then we went from two to H2O for the Laurie Strode,
• 12:37
  Speaker 2: the original Laurie Strode timeline. Then we're going to do
• 12:39
  Speaker 2: Resurrection and And we're going to back it up and
• 12:41
  Speaker 2: do four, five, six, and then jump to the new ones.
• 12:45
  Speaker 2: Cause she's seen, or a jump to zombies too. Cause
• 12:48
  Speaker 2: she hasn't seen the second Rob zombie, which isn't the best,
• 12:51
  Speaker 2: but nonetheless.
• 12:52
  Speaker 3: No, it's not.
• 12:54
  Speaker 2: The director's cut, I will say is much better than
• 12:57
  Speaker 2: the theatrical cut, but, uh, yeah. I can admire what
• 13:02
  Speaker 2: he tried to go for. He didn't, he didn't want to,
• 13:05
  Speaker 2: he didn't want to make it like he did not
• 13:06
  Speaker 2: even want to make a Halloween too. He was kind
• 13:08
  Speaker 2: of forced to contractually or something like that. So he
• 13:11
  Speaker 2: kind of just did whatever the fuck you wanted. And
• 13:12
  Speaker 2: I kind of admire that in one way. So, um,
• 13:16
  Speaker 2: let's see, I watched whale fall in theaters with my,
• 13:19
  Speaker 2: with Spencer and I thought that was going to be
• 13:22
  Speaker 2: a horror movie. It's not labeled as a horror movie
• 13:25
  Speaker 2: and it completely wrecked me mentally. I was more worried
• 13:30
  Speaker 2: about Austin Abrams emotional state than I was the fact
• 13:33
  Speaker 2: he was inside of a whale.
• 13:36
  Speaker 3: That's fair. So many people have been like, Oh, a
• 13:39
  Speaker 3: new horror movie whale fall. And I'm like, this movie
• 13:42
  Speaker 3: is not a fucking horror movie. Why did people think
• 13:44
  Speaker 3: that just because big whale, I.
• 13:46
  Speaker 2: Mean, big whale and eaten, you know, and I was like,
• 13:49
  Speaker 2: it's this, I thought, but I looked it up before
• 13:51
  Speaker 2: we went. I was like, Oh, it's not a horror movie.
• 13:53
  Speaker 3: Okay.
• 13:54
  Speaker 2: So, but yeah, it's just, it's just really funny because
• 13:56
  Speaker 2: I almost forgot he was inside of a whale for
• 13:58
  Speaker 2: 90% of the movie, but he's going through a lot
• 14:01
  Speaker 2: of emotional things with his father and memories and stuff
• 14:05
  Speaker 2: like that. And I was like, I'm so concerned for
• 14:07
  Speaker 2: your mental state. I don't care that you're in a whale.
• 14:10
  Speaker 2: You'll figure it out.
• 14:11
  Speaker 3: Yeah. Like, I mean, I remember watching the trailer being like,
• 14:14
  Speaker 3: you know, this movie looks good, but like all these
• 14:17
  Speaker 3: content creators were like, oh yeah, check out this new
• 14:19
  Speaker 3: horror movie coming out. And I'm like, yeah, it's okay.
• 14:22
  Speaker 3: If you want to just talk movies with your content,
• 14:24
  Speaker 3: you don't have to make everything a horror movie.
• 14:27
  Speaker 2: Well, and some people, I know some people will just,
• 14:30
  Speaker 2: I go by what IMDB says.
• 14:32
  Speaker 3: I don't know.
• 14:32
  Speaker 2: That's just what I go by. I go by IMDB
• 14:34
  Speaker 2: or Letterboxd. If it's listed horror in one of those spots,
• 14:37
  Speaker 2: I'll consider it a horror movie. But some people are like,
• 14:40
  Speaker 2: I don't care what these things say. It's a horror movie.
• 14:42
  Speaker 2: And I'm like, all right, well, I'm going by the
• 14:44
  Speaker 2: things that actually... Because IMDB and Letterboxd, whoever is putting
• 14:48
  Speaker 2: that information on there is usually part of the team
• 14:52
  Speaker 2: or whoever.
• 14:53
  Speaker 3: Yeah, exactly.
• 14:54
  Speaker 2: They are putting... It's not like IMDB is just self-categorizing
• 14:57
  Speaker 2: these movies. When I put my wife's short movie up
• 15:02
  Speaker 2: on TMDB because getting it on IMDB is a lot
• 15:05
  Speaker 2: more complicated. But when I put it up on TMDB,
• 15:08
  Speaker 2: you choose the genres. So if someone's putting that up
• 15:12
  Speaker 2: there and not calling it a horror movie, then it's
• 15:14
  Speaker 2: not a horror movie. I don't know. That was just
• 15:17
  Speaker 2: my opinion.
• 15:17
  Speaker 3: Fight me!
• 15:18
  Speaker 2: Yeah, fucking round two, fight. So that's just my opinion.
• 15:23
  Speaker 2: What else here? A couple more things, I think. Oh,
• 15:26
  Speaker 2: I saw a brand new movie called If It... God
• 15:29
  Speaker 2: damn it. I fucking, every time, if Casey Walker's listening
• 15:32
  Speaker 2: to this, he's going to be punching his face. And
• 15:36
  Speaker 2: it's just going to be like banging his head into
• 15:38
  Speaker 2: the table. I think it's called Itaqua. And it is
• 15:40
  Speaker 2: a drama, western, horror, thriller, all the above. And it
• 15:46
  Speaker 2: is coming out in February. And I had an interview
• 15:49
  Speaker 2: with him a couple days ago that'll be out at
• 15:51
  Speaker 2: the end of the month. And that movie was fucking
• 15:54
  Speaker 2: banana sandwich. It's got Luke Hemsworth in it. It's got
• 15:58
  Speaker 2: Oh God, I already forgot his name.
• 16:01
  Speaker 3: Oh God.
• 16:02
  Speaker 2: I know Aaron Poole is in it, but then the
• 16:03
  Speaker 2: other guy, oh my God, the guy I said that
• 16:05
  Speaker 2: was underrated that I can now not think of his name.
• 16:08
  Speaker 2: Let me pull that up because I feel terrible now.
• 16:11
  Speaker 2: I'm going to see it and be like, oh, yep,
• 16:13
  Speaker 2: Kevin Durant. There we go. Jesus Christ. So you've got
• 16:16
  Speaker 2: Kevin Durant, Luke Hemsworth, Aaron Poole. It is basically like
• 16:21
  Speaker 2: the Hateful Eight meets Ravenous meets The Ritual. I'll leave
• 16:25
  Speaker 2: it at that. It's crazy. It's got some Native American
• 16:27
  Speaker 2: folklore in there, all set in 1821 at a fur
• 16:31
  Speaker 2: trading post at Fort Thomas. Check that out when it releases,
• 16:36
  Speaker 2: because you're not going to want to miss that. And
• 16:38
  Speaker 2: then I thought I watched another new one. Oh, no,
• 16:41
  Speaker 2: me and the wife are going to see Wildwood tomorrow,
• 16:44
  Speaker 2: the new Laika Studios. Actually, first horror movie, because apparently
• 16:49
  Speaker 2: Paranorman is not, for some reason.
• 16:52
  Speaker 4: Um that's debatable regardless of what imdb that is one
• 16:58
  Speaker 4: where i could see somebody fighting you because yeah i
• 17:02
  Speaker 4: would fight for that.
• 17:03
  Speaker 2: It's literally called paranormal so what are we doing here
• 17:07
  Speaker 2: um let's see uh animation adventure comedy family fantasy mystery
• 17:13
  Speaker 2: that's like one where i'm like but there's zombies and there's,
• 17:18
  Speaker 2: there's a Halloween and a Michael Myers rep or, and
• 17:22
  Speaker 2: a Friday the 13th. What are we doing? There's ghosts.
• 17:26
  Speaker 3: What?
• 17:26
  Speaker 2: So that, that is one contradictory to what I just said, uh,
• 17:32
  Speaker 2: where I'm like, how did we not label this a
• 17:35
  Speaker 2: horror movie? It's called pair run Norman para paranormal. Okay.
• 17:40
  Speaker 2: I'm just whatever. But Wildwood has a 4.4 out of
• 17:45
  Speaker 2: 5 on Letterboxd, which is just crazy.
• 17:50
  Speaker 3: Did I get a trailer for that from Pixel Scene
• 17:52
  Speaker 3: Media and I'm forgetting?
• 17:52
  Speaker 2: I don't know. Probably. But it's 8.8 out of 10
• 17:59
  Speaker 2: on IMDb. It's also Leica Studios' longest movie at 2
• 18:04
  Speaker 2: hours 12 minutes.
• 18:06
  Speaker 3: Holy fuck.
• 18:07
  Speaker 2: Yeah, I heard they made over like 145,000 sculptures for
• 18:13
  Speaker 2: expressions and stuff like that. So definitely go check that out.
• 18:17
  Speaker 2: Support like a studios, please, because it takes them so
• 18:19
  Speaker 2: long to make movies, but they're also amazing. And they're
• 18:23
  Speaker 2: like the, it's true. They're like the only ones still
• 18:25
  Speaker 2: doing stop motion outside of the people who do Wallace
• 18:28
  Speaker 2: and Gromit and, uh, maybe a couple horror shorts here
• 18:31
  Speaker 2: and there, but check that out. Um, Oh, it's listed
• 18:35
  Speaker 2: as an animation and venture fantasy. What the fuck is okay.
• 18:38
  Speaker 2: Is my wife lying to me? She said it was
• 18:40
  Speaker 2: listed as a horror movie. This lady, I tell you what,
• 18:44
  Speaker 2: or maybe.
• 18:45
  Speaker 3: Sometimes Google will list things differently than IMDb though.
• 18:49
  Speaker 2: So if she just Googled it, animation, fantasy adventure, God
• 18:53
  Speaker 2: damn it. This woman's lying to me.
• 18:55
  Speaker 3: It's fine.
• 18:55
  Speaker 2: Still love you. Uh, all right. So I think that's
• 18:58
  Speaker 2: enough movie talk here. I am stocking my cameras outside
• 19:02
  Speaker 2: because I have a package being delivered, uh, between one
• 19:05
  Speaker 2: 45 and three 45. And of course that's, Oh, and
• 19:07
  Speaker 2: now it's raining too.
• 19:08
  Speaker 3: Even better.
• 19:09
  Speaker 2: Love that for me. All right, let's roll into the
• 19:12
  Speaker 2: body count here. All right, so this is Superstition from 1982,
• 19:21
  Speaker 2: released on March 12th of that year in Canada, because
• 19:25
  Speaker 2: this is a Canadian film, but not till January 2nd
• 19:29
  Speaker 2: of 1985 in the US. So three-year gap there. No
• 19:33
  Speaker 2: sex and nudity, severe violence and gore, no profanity, mild alcohol,
• 19:37
  Speaker 2: drugs and smoking, and severe frightening and intense scenes. Coming
• 19:40
  Speaker 2: in at a brisk hour and 25 minutes, this movie
• 19:43
  Speaker 2: flew by in a good way. Listed as a straight
• 19:47
  Speaker 2: horror movie, sure. Going back to the randomness of genres.
• 19:51
  Speaker 2: Directed by a man named James W. Roberson. He has
• 19:55
  Speaker 2: a Roberson, maybe. He's only done three other movies, but
• 19:58
  Speaker 2: has like 60 cinematography credits. And weirdly enough, he worked
• 20:04
  Speaker 2: on a lot of television movies. And he did 38
• 20:07
  Speaker 2: episodes of the King of Queens. So there's that.
• 20:11
  Speaker 3: I like that show.
• 20:12
  Speaker 2: I love that show. Has not aged very well because
• 20:15
  Speaker 2: I did rewatch all of it. Did rewatch all of
• 20:17
  Speaker 2: it recently. And at some moments I was like, okay. Anyways,
• 20:22
  Speaker 2: written by entirely too many fucking people. Written by four people. God.
• 20:28
  Speaker 2: Galen Thompson, who also wrote The Evil from 1978. Michael O. Sajbel,
• 20:34
  Speaker 2: who also wrote Adventures of the Wilderness Family 3, 1979.
• 20:37
  Speaker 2: I love that movie.
• 20:41
  Speaker 3: Love that.
• 20:41
  Speaker 2: It's my favorite Adventures of the Wilderness Family movie. I
• 20:45
  Speaker 2: don't even know if there's more. Then we have Brett Thompson-Plate,
• 20:49
  Speaker 2: who only wrote this movie, and Brad White, who wrote
• 20:53
  Speaker 2: Grey Eagle, 1977. So there you go. composed by David Gibney,
• 20:59
  Speaker 2: who composed one other movie from 1994 called Down Under,
• 21:03
  Speaker 2: cinematography by Leon Blank, who only did this movie, edited
• 21:08
  Speaker 2: by Al Rabinowitz, who only edited this movie. Just a
• 21:14
  Speaker 2: whole bunch of fucking A-listers here. Starring James Houghton as
• 21:20
  Speaker 2: Reverend David Thompson, who was also in More American Graffiti.
• 21:25
  Speaker 2: As someone, I forgot to write his name down. Albert
• 21:27
  Speaker 2: Salmi as Inspector Sturgis, who was in Caddyshack as Mr. Noonan.
• 21:32
  Speaker 2: Lynn Carlin as Melinda Leahy, who was also in Dead
• 21:36
  Speaker 2: of Night as Christine Brooks. Larry Pinnell as Reverend George Leahy,
• 21:41
  Speaker 2: who was also in Baba Hotep as Kim Asabi. Jacqueline
• 21:45
  Speaker 2: Hyde as Elvira Chirac. She was in House of Terror
• 21:48
  Speaker 2: as Tara? House of Terror as Marsha Kramer. There we go.
• 21:52
  Speaker 2: And then Robert Simmons as Reverend Andrew Pike, who was
• 21:55
  Speaker 2: in The Exorcist as Dr.
• 21:56
  Speaker 3: Tanny.
• 21:57
  Speaker 2: Estimated budget of NA, grossing NA. Filmed, weirdly enough, in California,
• 22:02
  Speaker 2: but its country of origin is Canada. Don't know what's
• 22:05
  Speaker 2: going on there. Canada is a much better place to
• 22:08
  Speaker 2: shoot because they give you film incentives and money. So
• 22:12
  Speaker 2: I'm not sure why we went to LA, but okay.
• 22:17
  Speaker 2: I'm not in the business.
• 22:18
  Speaker 3: Maybe they were hoping for some sort of push that
• 22:22
  Speaker 3: they filmed it somewhere else.
• 22:24
  Speaker 2: Yeah. So you can watch this on Amazon for, for
• 22:26
  Speaker 2: a two 99 rental movies that came out around the
• 22:29
  Speaker 2: same time. Conan, the barbarian cat people, death wish to
• 22:33
  Speaker 2: eating Raul, super underrated movie, the sword and the sorcerer.
• 22:37
  Speaker 3: Yes, it is. Yeah.
• 22:38
  Speaker 2: So good. Forbidden world, the beast within mortuary vice squad
• 22:42
  Speaker 2: and deadly games. IMDb summary, a witch put to death
• 22:46
  Speaker 2: in 1692 swears vengeance on her persecutors and returns to
• 22:50
  Speaker 2: the present day to punish their descendants. Let's go into
• 22:54
  Speaker 2: the autopsy. All right, so first time watch for both
• 23:00
  Speaker 2: of us, right?
• 23:01
  Speaker 3: Correct, yeah.
• 23:02
  Speaker 2: Yeah, so what are your overall thoughts for Superstitions?
• 23:06
  Speaker 3: It moved goddamn fast. I was like, oh shit. And
• 23:10
  Speaker 3: then it slowed down for a second, but then came
• 23:13
  Speaker 3: right back. I really enjoyed it. And I, when you
• 23:16
  Speaker 3: said that it was a Canadian film that kind of
• 23:18
  Speaker 3: like hit a spot because of like, I don't know, I,
• 23:22
  Speaker 3: my 31 days of October always gets fucked up because
• 23:25
  Speaker 3: of work or life or whatever. But when I started
• 23:29
  Speaker 3: at the beginning of the month, A lot of the
• 23:32
  Speaker 3: stuff that I was throwing on happened to be Canadian
• 23:34
  Speaker 3: horror movies. Black Roses was, Decoys was, there was something
• 23:38
  Speaker 3: else that I watched that was. And it made me
• 23:40
  Speaker 3: realize how much I like Canadian horror movies. They're usually basic.
• 23:45
  Speaker 3: There's not like this grief or depth or anything to it.
• 23:49
  Speaker 3: So yeah, I was glad to hear that that's what
• 23:51
  Speaker 3: this was because that's probably why I enjoyed it.
• 23:54
  Speaker 2: Well, fun fact, David Cronenberg is in fact Canadian, so
• 23:58
  Speaker 2: I guarantee you'll like him.
• 24:00
  Speaker 3: Okay, well then.
• 24:01
  Speaker 2: Yeah, you will like most of his work if you
• 24:03
  Speaker 2: like Canadian horror movies. There's not really a lot to
• 24:07
  Speaker 2: his films plot-wise, I would say, but visually. I mean, okay,
• 24:13
  Speaker 2: Videodrome is definitely like a mindfuck for sure, but most
• 24:17
  Speaker 2: of his movies just involve just gratuitous amounts of body horror,
• 24:21
  Speaker 2: so I highly recommend that movie. My overall thoughts are
• 24:25
  Speaker 2: whatever you want to say. Fucking stuttering. I fucking love
• 24:29
  Speaker 2: this movie. I had completely different, completely different expectations going
• 24:36
  Speaker 2: into this based on the summary. I don't think this
• 24:38
  Speaker 2: is an accurate summary because really that's kind of not
• 24:42
  Speaker 2: a twist in the movie, but that's kind of like
• 24:44
  Speaker 2: a reveal. Because I read this and I'm like, oh, cool.
• 24:51
  Speaker 2: We're probably going to start out in 1692 and then
• 24:54
  Speaker 2: see what happens and then jump to the future. Now
• 24:57
  Speaker 2: we start in the future. Well, in the present, whatever
• 25:00
  Speaker 2: you want to call it with everyone involved in the story,
• 25:04
  Speaker 2: except for the first four people in the movie, just
• 25:06
  Speaker 2: fuck off. Well, two of them die and then two
• 25:08
  Speaker 2: of them fuck off. So you don't get that all
• 25:11
  Speaker 2: of this is even a witch until Elvira out in
• 25:15
  Speaker 2: the fucking shack is like, oh yeah, by the way,
• 25:18
  Speaker 2: there's a witch here. Go look for this book at
• 25:20
  Speaker 2: this place. So honestly, terrible description because I, and maybe
• 25:26
  Speaker 2: that's why, I don't know. Usually when I have expectations
• 25:28
  Speaker 2: for a movie and I don't get that, I typically,
• 25:31
  Speaker 2: typically am not happy because I was expecting something else.
• 25:36
  Speaker 2: I mean, This does live up to, you know, this
• 25:39
  Speaker 2: does happen in the movie, but I really didn't. I
• 25:42
  Speaker 2: thought it was going to be much more pivotal to
• 25:43
  Speaker 2: the plot.
• 25:45
  Speaker 3: Yeah, I thought I was going into much more of
• 25:47
  Speaker 3: a witch movie than I actually went into.
• 25:49
  Speaker 2: Yeah, I exactly. I expected a lot more period like
• 25:54
  Speaker 2: sets and dressings and stuff like that. And really, you
• 25:57
  Speaker 2: get a couple of flashbacks in that. That's it, which
• 25:59
  Speaker 2: I'm fine with. It's just, they set it up so weirdly.
• 26:03
  Speaker 2: And then what we got, I was like, this is
• 26:05
  Speaker 2: infinitely better than what you described in the IMDb summary. Like,
• 26:11
  Speaker 2: not that there was anything wrong with it, but I
• 26:13
  Speaker 2: was like, man, this is so much cooler. So let's
• 26:17
  Speaker 2: dive in here. Let me get my notes. I mean,
• 26:19
  Speaker 2: I don't know. I've been taking a different approach to
• 26:22
  Speaker 2: every movie lately. Sometimes I'm like, let's just talk about
• 26:25
  Speaker 2: the themes, like what we did with Hokum. But this one,
• 26:28
  Speaker 2: I'm like, we just got to go through this movie
• 26:29
  Speaker 2: and talk about the craziness of this fucking movie. So
• 26:34
  Speaker 2: the movie literally starts out. You've got two people making
• 26:36
  Speaker 2: out in a car. They don't fucking matter at all
• 26:39
  Speaker 2: because they fuck off for the rest of the movie.
• 26:44
  Speaker 2: I thought this was going to be a central couple
• 26:47
  Speaker 2: in the movie. And they were just setting us up. Oh,
• 26:49
  Speaker 2: we're out by this creepy house we're making out. And
• 26:51
  Speaker 2: he's trying to get in her pants or whatever. And
• 26:53
  Speaker 2: then someone... I think their names are Charlie and Artie
• 26:58
  Speaker 2: scares them. And they drive off into the night, never
• 27:02
  Speaker 2: to be seen again in this movie. I'm like, okay.
• 27:04
  Speaker 2: And then you focus on Charlie and Artie who are
• 27:08
  Speaker 2: this house, just a house and fucking woods. And they're
• 27:12
  Speaker 2: going around and then things end very poorly for them.
• 27:18
  Speaker 2: Things end very poorly. I'm pretty sure. I don't know
• 27:22
  Speaker 2: how Artie's head got cut off. but it does. And
• 27:27
  Speaker 2: it ends up in the microwave because Charlie is like, Artie,
• 27:30
  Speaker 2: we got to go.
• 27:31
  Speaker 3: Come on.
• 27:32
  Speaker 2: Where are you? And then he gets drawn to the microwave,
• 27:35
  Speaker 2: which opens. And then after it opens, Artie's head just
• 27:40
  Speaker 2: fucking explodes for no reason. And I was like, oh, okay,
• 27:46
  Speaker 2: this is what we're doing. And then Charlie goes to
• 27:48
  Speaker 2: leave and he tries to jump out the window and
• 27:50
  Speaker 2: then just gets fucking cut in half. And I was like,
• 27:53
  Speaker 2: Did I put on the right movie? Did you have
• 27:55
  Speaker 2: that same feeling? Were you like, is this the right movie?
• 27:59
  Speaker 3: Yeah, no, absolutely. I was just like, okay, did not
• 28:01
  Speaker 3: expect over-the-top gore right off the rip. I will say
• 28:06
  Speaker 3: the couple, I just expected them to die, if anything. Yeah,
• 28:11
  Speaker 3: that was completely thrown off. I was like, okay, didn't
• 28:17
  Speaker 3: realize that this was a slasher, because I think Amazon
• 28:23
  Speaker 3: had it labeled as a slasher when I rented it.
• 28:28
  Speaker 2: Okay. I, uh, weirdly enough, even though I own it,
• 28:31
  Speaker 2: I did rent it as well because, um, sometimes I
• 28:35
  Speaker 2: have to watch movies on my iPad because the circumstances,
• 28:39
  Speaker 2: but the cool thing is, is you can, you can
• 28:41
  Speaker 2: put it at like 1.25 speed so I can finish
• 28:43
  Speaker 2: it a little bit quicker. Um, and honestly it makes
• 28:46
  Speaker 2: the movie experience just a little more enjoyable because it's
• 28:49
  Speaker 2: kind of funny to seeing things sped up ever so slightly.
• 28:52
  Speaker 2: So on my app, it lists it as a dark
• 28:55
  Speaker 2: haunting horror.
• 28:57
  Speaker 3: Sure. Okay.
• 28:58
  Speaker 2: Not even a witch, but all right. So yeah, that's
• 29:02
  Speaker 2: your opening. You get this weird fake out with, it's
• 29:05
  Speaker 2: almost like scream, right? You have Casey, who you think
• 29:09
  Speaker 2: is going to be in the movie the whole time,
• 29:11
  Speaker 2: but instead of Casey dying, Casey fucks off and people
• 29:15
  Speaker 2: come in behind her and then they're the ones that die.
• 29:17
  Speaker 2: And you're like, it was the most jarring intro in
• 29:20
  Speaker 2: the best way possible. Like, that's the best way I
• 29:23
  Speaker 2: can put it. I mean, you have an exploding head
• 29:26
  Speaker 2: in a microwave, someone getting cut in half, let's fucking go.
• 29:29
  Speaker 2: And then before 20 minutes into the movie, you have
• 29:32
  Speaker 2: the people that are investigating it. One of the guys, Hollister,
• 29:34
  Speaker 2: just gets pulled into the lake. Just, just he's dropped
• 29:38
  Speaker 2: some quarters. He's picking them up, pulled right into the lake.
• 29:40
  Speaker 2: And literally I was like, what's happening? What is going
• 29:44
  Speaker 2: on in this? Where's the witch? Where is 1692? I
• 29:48
  Speaker 2: had three questions in my head. It was who in
• 29:51
  Speaker 2: the fuck is Mary? Cause I don't know who you are.
• 29:55
  Speaker 2: Who is this lady living on the grounds that says
• 29:57
  Speaker 2: she can't go into the house? Why is everyone dying immediately?
• 30:00
  Speaker 2: What's happening? This is just 80s insanity in a nutshell
• 30:05
  Speaker 2: because they also set you up with a great red
• 30:07
  Speaker 2: herring in the form of Arlen, who's like the house's caretaker.
• 30:12
  Speaker 2: I think they also said that he was Elvira's son,
• 30:16
  Speaker 2: if I'm not mistaken.
• 30:17
  Speaker 3: He was Elvira's son and.
• 30:20
  Speaker 3: Essentially trying to appease the witch is what i got from.
• 30:23
  Speaker 2: It yeah and i think she also said oh my
• 30:25
  Speaker 2: son is dead to me or something like that i'm
• 30:27
  Speaker 2: like nah he's literally running around the same area as
• 30:31
  Speaker 2: but okay okay elvira i love a good kooky old
• 30:34
  Speaker 2: lady and she was fucking 10 out of 10 for
• 30:36
  Speaker 2: elvira also a 10 out of 10 name i should
• 30:40
  Speaker 2: have looked this up and i will look it up
• 30:41
  Speaker 2: while we're talking but i'm wondering if which which elvira
• 30:45
  Speaker 2: which elvira was first I think the Elvira was, but yeah,
• 30:52
  Speaker 2: I thought it was hilarious because I'm like, this old
• 30:54
  Speaker 2: lady is my favorite person because she's so fucking vague.
• 30:57
  Speaker 2: The whole movie, she's like a little troll who's like,
• 31:01
  Speaker 2: answer me, these are Riddles 3. And sending this fucking
• 31:05
  Speaker 2: guy on Scooby-Doo mystery adventures with the whole book. She's like,
• 31:10
  Speaker 2: oh yeah, why don't you go roam the basement of
• 31:12
  Speaker 2: the Catholic church? And, uh, or whatever church it was
• 31:16
  Speaker 2: and go find, go find the answers. Like, why don't
• 31:19
  Speaker 2: you just fucking tell me that'd be like so much
• 31:21
  Speaker 2: more convenient because you clearly know what's going on and
• 31:23
  Speaker 2: I don't. Um, but no, she sent this man on
• 31:26
  Speaker 2: a fucking quest to go find this book. It's like
• 31:29
  Speaker 2: this lady is, I love this lady. Um, so yeah,
• 31:33
  Speaker 2: you have Arlen and, uh, he is suspected of killing
• 31:37
  Speaker 2: Hollister cause they were in the same area together. And
• 31:41
  Speaker 2: Arlen is there and Hollister's not. So obviously murder, right?
• 31:46
  Speaker 2: That makes sense.
• 31:48
  Speaker 3: He was taking out everybody.
• 31:51
  Speaker 2: He really was. Oh my God. The, the, when, when
• 31:53
  Speaker 2: he's confronted by the cops and David, he just decks
• 31:57
  Speaker 2: a cop in the face, does like a barrel roll
• 32:00
  Speaker 2: over the car. pushes another cop into the lake, like,
• 32:04
  Speaker 2: from a hill, like, pushes him down the hill into
• 32:07
  Speaker 2: the lake and fucking hauls ass into the woods as, like,
• 32:10
  Speaker 2: two other cops are just fucking blasting shots off. I'm like,
• 32:14
  Speaker 2: what is this movie? Like, again, in the best way possible,
• 32:19
  Speaker 2: what is this movie? 80s fucking insanity is what I'm
• 32:23
  Speaker 2: gonna label this as. And then you've got this family,
• 32:29
  Speaker 2: the Leahy family, Do you watch Trailer Park Boys by
• 32:33
  Speaker 2: any chance?
• 32:34
  Speaker 3: No.
• 32:34
  Speaker 2: You mentioned like in Canadian things and they're Canadian. So
• 32:36
  Speaker 2: there's a show called Trailer Park Boys and Mr. Jim
• 32:39
  Speaker 2: Leahy is main character. And that's all I could think
• 32:44
  Speaker 2: of is that guy because he spells it differently instead
• 32:48
  Speaker 2: of L-E-A-H-Y. It's L-A-H-E-Y. But whatever. They still pronounce it Leahy.
• 32:53
  Speaker 2: I guess maybe that's a common Canadian last name. Who
• 32:56
  Speaker 2: fucking knows?
• 32:57
  Speaker 3: Most likely. Yeah.
• 32:58
  Speaker 2: So despite all of these shenanigans going down at this house,
• 33:02
  Speaker 2: by this point, you've had four deaths there and this
• 33:05
  Speaker 2: entire family just moves in. David allows this. David is
• 33:08
  Speaker 2: like the proprietor of this establishment and he lets them
• 33:12
  Speaker 2: move in. What a terrible landlord.
• 33:15
  Speaker 3: I mean, really? four people have well it's yeah but
• 33:19
  Speaker 3: it's supposed to be like the new pastor for the
• 33:21
  Speaker 3: church or some shit.
• 33:23
  Speaker 2: Even worse he's going to hell twice and i'm not
• 33:25
  Speaker 2: even religious it's just crazy i was like i can't
• 33:30
  Speaker 2: believe you're letting this man doesn't even mention i don't
• 33:33
  Speaker 2: think all the all the craziness going on i can't
• 33:36
  Speaker 2: remember like this movie is just so banana sandwich so
• 33:38
  Speaker 2: you've got justin cheryl and george and lynn And as
• 33:42
  Speaker 2: soon as they all moved in, I was like, all
• 33:44
  Speaker 2: of these people are going to die. All of them.
• 33:48
  Speaker 2: And I nailed that right on the head because literally
• 33:51
  Speaker 2: none of them survive. No one survives, actually, now that
• 33:54
  Speaker 2: I think about it.
• 33:54
  Speaker 3: Nope, not a single person.
• 33:56
  Speaker 2: At least in the main cast. Spoiler alert, but that's
• 33:59
  Speaker 2: why there's a warning at the beginning of this show.
• 34:03
  Speaker 3: It's fucking 40 years old.
• 34:04
  Speaker 2: Yeah, it's also 44 years old, so. But yeah, I
• 34:08
  Speaker 2: was like every, the second I saw everyone go inside
• 34:11
  Speaker 2: the house, I was like, they're all dead. And I, but,
• 34:13
  Speaker 2: but I was, I was, I was wondering if they
• 34:15
  Speaker 2: would actually kill Justin. Cause he's a kid, eighties movies
• 34:18
  Speaker 2: and kids are kind of a mixed bag. I mean,
• 34:21
  Speaker 2: you have a movie from 1979 called the prophecy where
• 34:24
  Speaker 2: a kid in a sleeping bag gets yeeted into a
• 34:26
  Speaker 2: tree at the speed of light and disintegrates and disintegrates
• 34:30
  Speaker 2: into feathers. And then you have other movies, you know,
• 34:34
  Speaker 2: some Friday the 13th movies where maybe, you know, the
• 34:36
  Speaker 2: kids don't die or whatever.
• 34:37
  Speaker 3: But yeah, it was a common trope that the kid
• 34:40
  Speaker 3: usually didn't die. I was kind of surprised.
• 34:44
  Speaker 1: Yeah.
• 34:44
  Speaker 2: Sometimes they did, but he did in this one and they, they,
• 34:46
  Speaker 2: it was definitely an on or sorry, an off screen kill.
• 34:49
  Speaker 2: Cause he kind of just gets yoked up into the
• 34:51
  Speaker 2: like basement ceiling and then does my favorite thing. Literally
• 34:56
  Speaker 2: one of my favorite things from like the seventies and
• 34:58
  Speaker 2: eighties is when a dead body or a corpse just
• 35:02
  Speaker 2: swings down from the ceiling for no reason. That is not.
• 35:07
  Speaker 3: And I think that happened a couple of times in
• 35:09
  Speaker 3: this movie.
• 35:09
  Speaker 2: I think it happened twice.
• 35:11
  Speaker 3: Yeah.
• 35:11
  Speaker 2: Because like he gets yoked up to the ceiling and
• 35:14
  Speaker 2: then like 20 minutes later is when his mom is
• 35:17
  Speaker 2: looking around for Justin. She opens the door and just
• 35:20
  Speaker 2: swings right at her and just like keep swaying back
• 35:23
  Speaker 2: and forth. I'm like, I don't know who started this.
• 35:26
  Speaker 2: But it's literally one of my favorite things because it
• 35:28
  Speaker 2: just makes no sense.
• 35:29
  Speaker 3: I love dummies and movies. Was it like a caretaker
• 35:37
  Speaker 3: or whatever who falls down the elevator shaft?
• 35:39
  Speaker 2: Oh, yeah.
• 35:40
  Speaker 3: But they purposely used it. I mean, like the dummy
• 35:43
  Speaker 3: was so obvious. And I love that.
• 35:45
  Speaker 2: I love a good dummy. There was one recently. Oh God,
• 35:48
  Speaker 2: what was I watching? It was like a car chase.
• 35:51
  Speaker 2: And right before the guy crashed, you could just like,
• 35:55
  Speaker 2: you had like a snapshot of it was just clearly
• 35:57
  Speaker 2: a dummy. And I was like, yes, I love it.
• 36:00
  Speaker 2: I would so much rather see that than terrible CG
• 36:03
  Speaker 2: any day of the week. Cause someone handcrafted that puppet
• 36:05
  Speaker 2: to look or puppet, um, doll or whatever.
• 36:09
  Speaker 3: Puppet mannequin doll whatever to look.
• 36:11
  Speaker 2: Vaguely similar to the person enough uh so yeah that
• 36:16
  Speaker 2: was great i loved i loved a good a doll
• 36:18
  Speaker 2: and i mean the kills alone in this movie were
• 36:21
  Speaker 2: so creative.
• 36:23
  Speaker 3: Dude that saw blade end of the priest.
• 36:26
  Speaker 2: One of the most outlandish kills but so fucking satisfying
• 36:33
  Speaker 2: let me set the scene for you just in case
• 36:35
  Speaker 2: you have not seen this movie because I'll reiterate again,
• 36:38
  Speaker 2: there are some people who listen to this movie or
• 36:40
  Speaker 2: this show who aren't really horror fans, but they like
• 36:43
  Speaker 2: hearing about them. So this guy, this fucking priest, Reverend
• 36:46
  Speaker 2: who's his face. He doesn't matter. He's only in there
• 36:49
  Speaker 2: for about 15 minutes. He's just fucking sitting there minding
• 36:52
  Speaker 2: his own goddamn business. And while they're doing renovations on
• 36:55
  Speaker 2: this house, there's a guy who has a circular saw
• 36:59
  Speaker 2: and he's just cutting something. And then again, for seemingly
• 37:02
  Speaker 2: no reason, it just, the blade just pops off. ping
• 37:06
  Speaker 2: pongs off the floor, like go, I think it bounces twice.
• 37:09
  Speaker 2: If I'm not, it bounces at least once, if not twice,
• 37:13
  Speaker 2: right into the guy's chest. And instead of just stopping there,
• 37:17
  Speaker 2: like gravity would, you know, allow. The saw just keeps
• 37:21
  Speaker 2: spinning for no fucking reason. And I was cackling with
• 37:28
  Speaker 2: just absolute joy, like joyful, joyful, whatever you want to
• 37:32
  Speaker 2: call it. I was cackling. I'm like, this is so unnecessary,
• 37:38
  Speaker 2: but it's so much fun.
• 37:39
  Speaker 3: So that was so much fun.
• 37:41
  Speaker 2: That was one of the greatest kills. And even before that,
• 37:44
  Speaker 2: so like, like I said, you have already who got
• 37:45
  Speaker 2: beheaded and then microwaved. You've got Charlie who was cut
• 37:48
  Speaker 2: in half by a window. Uh, look, and it looks,
• 37:50
  Speaker 2: the effects were great.
• 37:52
  Speaker 3: It looks good.
• 37:53
  Speaker 2: Hollister was just pulled into the lake. Reverend Henry. There
• 37:56
  Speaker 2: we go. Circular, circular saw to the chest. Fred is
• 38:00
  Speaker 2: the guy who was working on the elevator, which you
• 38:02
  Speaker 2: see like twice in this movie, uh, who got hung
• 38:05
  Speaker 2: by a wire. And then when he fell, that's when
• 38:08
  Speaker 2: they dropped the dummy. Um, Andrew, or sorry, Justin pulled
• 38:11
  Speaker 2: to the ceiling. Andrew Pike, the guy from, you know,
• 38:15
  Speaker 2: the 1690s got crushed to death in like an ancient
• 38:18
  Speaker 2: torture device. That was really cool. Melinda just gets thrown
• 38:22
  Speaker 2: around the kitchen like a rag doll and then winds
• 38:25
  Speaker 2: up on the bed upstairs dead. And when George is
• 38:28
  Speaker 2: looking for her, he gets killed by an exploding window
• 38:31
  Speaker 2: with glass shards. Love it. Cheryl, unfortunately, gets the worst
• 38:35
  Speaker 2: of it. She gets a stake through the eyeball and
• 38:38
  Speaker 2: it gets hammered in a couple times. So that sucks.
• 38:42
  Speaker 2: And then Anne was just killed off screen. But you
• 38:45
  Speaker 2: get so many unrealistically amazing kills. And then you even, oh,
• 38:48
  Speaker 2: they kill two kids because they kill Mary. Even though
• 38:51
  Speaker 2: Mary is like the manifestation of the witch or whatever,
• 38:54
  Speaker 2: she gets a crucifix to the heart. That fucking sucks.
• 38:57
  Speaker 2: And then, of course, our main guy, David, just gets
• 39:00
  Speaker 2: pulled into the lake and everybody dies.
• 39:04
  Speaker 3: Movie over.
• 39:04
  Speaker 2: All right, let's go into the final cut. That's all.
• 39:06
  Speaker 2: That's all we have to say.
• 39:10
  Speaker 3: So, one question.
• 39:12
  Speaker 2: Oh, yes. What do you have?
• 39:14
  Speaker 3: Well, I got a couple questions. This one doesn't have
• 39:17
  Speaker 3: to do. Okay, so they never explained the back. Like,
• 39:21
  Speaker 3: the father character is like this mopey, depressed, like, seems
• 39:27
  Speaker 3: like he has some sort of background as to why
• 39:29
  Speaker 3: they're there. and they never really give you anything about
• 39:33
  Speaker 3: that they.
• 39:34
  Speaker 2: Don't know though yeah george is clearly an alcoholic because
• 39:40
  Speaker 2: as a former alcoholic I know the signs and he
• 39:44
  Speaker 2: was literally going into, he went into the attic.
• 39:47
  Speaker 3: I think, I think it was the basement or something.
• 39:50
  Speaker 2: He went somewhere to hide and drink because when his
• 39:53
  Speaker 2: son comes up to approach him, he's like, Oh, what
• 39:55
  Speaker 2: are you doing here? Don't tell mom about this. And, uh,
• 39:58
  Speaker 2: for some reason, the witch, which also seems to be
• 40:01
  Speaker 2: a ghost at sometimes it's very unclear because she knocks
• 40:03
  Speaker 2: over that liquor bottle. This fucking witch hates booze does
• 40:08
  Speaker 2: not like, because even back, even back in 1692, she
• 40:11
  Speaker 2: was popping all the, the tops off the wine and
• 40:14
  Speaker 2: Andrew Pike's place. So fucking don't bring alcohol around this witch,
• 40:18
  Speaker 2: not a fan. But they don't explain that at all.
• 40:20
  Speaker 2: There's a family dynamic there that they don't really dive into.
• 40:23
  Speaker 2: And I think it probably would have bogged the story
• 40:25
  Speaker 2: down if they did, but why even put that in
• 40:28
  Speaker 2: there at all?
• 40:29
  Speaker 3: You know, it's like, yeah, like they could have just
• 40:31
  Speaker 3: been like a happy family rather than like a disgruntled family.
• 40:35
  Speaker 2: Yeah, because even the kids, too, the two daughters especially,
• 40:38
  Speaker 2: because they have two daughters, two older, like, I would
• 40:41
  Speaker 2: say Anne and Cheryl are roughly the same age, and
• 40:44
  Speaker 2: then Justin is probably like five or eight years younger.
• 40:47
  Speaker 2: Cheryl and Anne both have varying opinions on their father.
• 40:50
  Speaker 2: One of them kind of worships this man, and the
• 40:53
  Speaker 2: other one is like, he's a burnout, he's a loser, like, blah, blah, blah, blah.
• 40:57
  Speaker 2: And then, I don't remember who slaps who, but someone,
• 40:59
  Speaker 2: she was like, stop your bitchy whining, and just slaps
• 41:03
  Speaker 2: her straight across the face. I was like, God damn,
• 41:05
  Speaker 2: this family's fucked up, man. My goodness. So there's definitely
• 41:09
  Speaker 2: an odd family dynamic, which would probably make a great
• 41:13
  Speaker 2: other movie. That family dynamic was so disjointed, that could
• 41:19
  Speaker 2: make an entire other story. Let's make a prequel to
• 41:21
  Speaker 2: Superstition where we focus on this family, what happened to
• 41:26
  Speaker 2: them prior, and why they moved. I would love to
• 41:29
  Speaker 2: do that.
• 41:30
  Speaker 3: But yeah, so we'll just have to cut in a
• 41:32
  Speaker 3: witch ghost. Maybe they've already dealt with one witch ghost and.
• 41:37
  Speaker 2: George is fucking fed up. He's turned to the drink
• 41:42
  Speaker 2: because he can't handle it.
• 41:43
  Speaker 3: All right.
• 41:44
  Speaker 2: What's your, what's your other questions?
• 41:45
  Speaker 3: Yeah. Okay. This one is off screen in a sense
• 41:50
  Speaker 3: of like, so when movies, especially like lower budget movies,
• 41:56
  Speaker 3: decide they're going to use the same house twice. But
• 41:58
  Speaker 3: in the first scene, it's an utter wreck. And then
• 42:01
  Speaker 3: in the next scene, it's livable.
• 42:04
  Speaker 1: Yeah.
• 42:05
  Speaker 3: What a fucking pain in the ass. Like, how do
• 42:06
  Speaker 3: they film that? Do you think they film the good
• 42:10
  Speaker 3: stuff first and then the bad stuff? Or do you
• 42:12
  Speaker 3: think they trash it and then clean it up and
• 42:14
  Speaker 3: film it that way?
• 42:16
  Speaker 2: I guess it really depends on how, because I can
• 42:20
  Speaker 2: look at this from both ways. It would seem easier
• 42:22
  Speaker 2: to find a shitty house to make better But that
• 42:26
  Speaker 2: does seem like a lot of work, but alternatively, the
• 42:29
  Speaker 2: other way seems like just as much work. I guess
• 42:31
  Speaker 2: it really depends on what state, like, cause obviously you
• 42:34
  Speaker 2: have to go location scouting. And so I guess it's
• 42:37
  Speaker 2: whatever you come across that you find, you're like, all right,
• 42:39
  Speaker 2: we need this in a good condition and a bad condition.
• 42:42
  Speaker 2: This is in bad condition. So we shoot that first
• 42:45
  Speaker 2: and then we remodel it. You know, like.
• 42:51
  Speaker 3: Cause like, Oh my God, like what, what effort put
• 42:54
  Speaker 3: it like, you know, boarded up windows and Mike, like,
• 42:57
  Speaker 3: obviously there's plenty of the house that you don't even see,
• 43:00
  Speaker 3: but like the few rooms that they do trash for
• 43:03
  Speaker 3: the beginning of the movie, it's like, man, that's a
• 43:05
  Speaker 3: lot of shit to lug in and out to make
• 43:07
  Speaker 3: it beautiful after. Yeah. Oh yeah.
• 43:10
  Speaker 2: I mean, especially in the very beginning of the movie,
• 43:12
  Speaker 2: when the two kids are roaming around there, I mean,
• 43:15
  Speaker 2: the house is just absolutely. I think in this instance,
• 43:19
  Speaker 2: it would make more sense to film it, the good
• 43:22
  Speaker 2: stuff first, and then slowly trash it because the ending
• 43:25
  Speaker 2: of the, or the beginning of the movie is where
• 43:27
  Speaker 2: it is the worst. And I feel like they had
• 43:30
  Speaker 2: to have shot that last with, you know, which is
• 43:34
  Speaker 2: usually how movies, you know, you don't shoot movies in order.
• 43:37
  Speaker 2: So I feel like they found a house that was
• 43:39
  Speaker 2: in decent enough condition to make look good, and then
• 43:41
  Speaker 2: they promptly made it look terrible. That's my speculation. But yeah,
• 43:45
  Speaker 2: what a nightmare. I mean, you already have to film
• 43:48
  Speaker 2: a movie, and now you've got to do like fucking,
• 43:50
  Speaker 2: what's that one show? extreme home makeover you got to
• 43:52
  Speaker 2: do that as well jesus christ this is a lot
• 43:55
  Speaker 2: of work.
• 43:56
  Speaker 3: And then you're like fuck that was all the budget
• 43:58
  Speaker 3: uh so that and special effects are what we're going
• 44:00
  Speaker 3: with here yep backstory of the family who cares.
• 44:03
  Speaker 2: We don't have enough time for that not enough time
• 44:05
  Speaker 2: to explain don't ask questions uh but yeah i do
• 44:09
  Speaker 2: find that interesting because it raised some questions that i
• 44:14
  Speaker 2: i you know i would have liked to have answered
• 44:16
  Speaker 2: but in the grand scheme of things i'm like it
• 44:18
  Speaker 2: didn't really matter, but yeah. Why, why give such depth
• 44:22
  Speaker 2: to that family? If we're not going to dig into that.
• 44:25
  Speaker 3: And the time, I will say the time jumps in
• 44:27
  Speaker 3: this movie are a little weird too. Cause like you
• 44:30
  Speaker 3: see the beginning with the kids and already getting cut
• 44:33
  Speaker 3: and whatnot. And then how much, how much like time
• 44:36
  Speaker 3: has passed that they've cleaned up the house that much
• 44:39
  Speaker 3: before this family got there.
• 44:41
  Speaker 2: So the beginning of the movie, And then I think
• 44:44
  Speaker 2: it was a priest and a couple officers go see
• 44:47
  Speaker 2: David to talk about all this.
• 44:50
  Speaker 3: Oh, that's right. I did forget about that scene.
• 44:51
  Speaker 2: So they talk about that. And then I know he goes, well,
• 44:54
  Speaker 2: we have a family moving in. We're going to be
• 44:56
  Speaker 2: remodeling in a new ways. And then the Reverend and
• 44:59
  Speaker 2: David go out there to kind of check out the
• 45:01
  Speaker 2: property while, while it's being renovated. So there's a pretty,
• 45:07
  Speaker 2: pretty decent amount of time in between the beginning and
• 45:10
  Speaker 2: when the family actually moves in. Uh, but yeah, they
• 45:13
  Speaker 2: do seem to get that shit together pretty quickly because yeah,
• 45:17
  Speaker 2: they had to basically renovate an entire house from how.
• 45:20
  Speaker 3: There is a scene. There was a scene too, where
• 45:23
  Speaker 3: they actually mentioned time and I was like, oh, I
• 45:27
  Speaker 3: didn't even realize it was supposed to be a time
• 45:28
  Speaker 3: jump there. They said, ah, fucking blank. And I wish
• 45:31
  Speaker 3: I could remember. It was like, they had mentioned like
• 45:34
  Speaker 3: a couple of days or something.
• 45:35
  Speaker 2: Oh, okay.
• 45:36
  Speaker 3: Yeah.
• 45:37
  Speaker 2: Um, so yeah, that, That's one of my, not issues
• 45:40
  Speaker 2: with movies, but sometimes I don't know how long this is. Like,
• 45:44
  Speaker 2: I don't need you to date stamp it for me.
• 45:46
  Speaker 2: But sometimes it's like, is this a couple of days
• 45:49
  Speaker 2: or are we talking like months here? Sometimes it's, I'm
• 45:52
  Speaker 2: not clear on the timeline. But yeah, so there are some,
• 45:57
  Speaker 2: like I said, it's not a perfect movie. I mean,
• 45:58
  Speaker 2: I gave it a pretty fucking high rating.
• 46:01
  Speaker 3: Yeah, same.
• 46:02
  Speaker 2: This was a, because you know, sometimes, every now and again,
• 46:05
  Speaker 2: I rate a movie just on the fun I had
• 46:08
  Speaker 2: with it. and how goofy or wacky it is. And
• 46:12
  Speaker 2: this movie just surprised the hell out of me. It
• 46:14
  Speaker 2: just came out of nowhere. So I've got a very
• 46:17
  Speaker 2: high rating for it. And then other times, you know,
• 46:19
  Speaker 2: there are where I rate a movie based on its
• 46:21
  Speaker 2: actual merit. But I mean, I don't think this movie,
• 46:24
  Speaker 2: it's not even like this is so bad it's good.
• 46:27
  Speaker 2: The acting is pretty solid across the board. Even the
• 46:30
  Speaker 2: kid Justin, not the worst kid actor I've seen. Practical
• 46:34
  Speaker 2: effects go hard as fuck in this movie. I mean,
• 46:37
  Speaker 2: holy shit. The way that the witch is dressed at
• 46:42
  Speaker 2: the end of the movie with like the shawl and
• 46:44
  Speaker 2: the creepy hands. I mean, there's like a lot of
• 46:47
  Speaker 2: great imagery in this movie. It's filmed very well. It's
• 46:49
  Speaker 2: got a lot of good lighting. I think the production
• 46:51
  Speaker 2: value is honestly very good. So it's not like something
• 46:54
  Speaker 2: that's a shitty movie that I'm just gassing up for
• 46:57
  Speaker 2: no reason. It has a lot of great elements. I
• 46:59
  Speaker 2: just really, really enjoyed it. And at an hour and
• 47:03
  Speaker 2: 25 minutes, all of this happening, I was like, yeah,
• 47:05
  Speaker 2: this is I bought the Blu-ray of it. I was like,
• 47:08
  Speaker 2: this is a fucking keeper for sure. I am going
• 47:11
  Speaker 2: to keep this in the collection. When someone's like, I
• 47:13
  Speaker 2: want a wacky 80s movie, here you go. Superstitious.
• 47:16
  Speaker 3: Seriously.
• 47:17
  Speaker 2: Do you like witches? No, it doesn't matter. She's not
• 47:20
  Speaker 2: involved much anyway. She's mostly a ghost. That's what they
• 47:23
  Speaker 2: should have called this, like witch ghost or something. Ghost witch.
• 47:27
  Speaker 3: Yeah, demon witch. Ooh, demon witch.
• 47:31
  Speaker 2: That's so good. I'm remembering that one. Um, what were
• 47:35
  Speaker 2: your other, did you, did you have more, did you,
• 47:37
  Speaker 2: did you have more, more questions for me?
• 47:39
  Speaker 3: Uh, no, no, no. I think that was it. It
• 47:41
  Speaker 3: goes with, uh, let me.
• 47:42
  Speaker 2: Tell you some of my favorite things that happen in movies. Some, um, oh,
• 47:46
  Speaker 2: let me talk about, sorry. Let me talk about the,
• 47:49
  Speaker 2: hold on. I got to go back to my notes here.
• 47:50
  Speaker 2: All right.
• 47:51
  Speaker 3: Yeah.
• 47:51
  Speaker 2: So let's talk about when the violence begins, when all
• 47:54
  Speaker 2: the craziness happens. So David goes to the old lady, like,
• 47:58
  Speaker 2: you know, like I said, aptly named Elvira. And, uh,
• 48:01
  Speaker 2: she's just speaks in riddles. Tells David that she knows
• 48:05
  Speaker 2: when everything happened. She's like, it happened in 1692. And
• 48:07
  Speaker 2: David's like, 1692? Yeah, that's over 300 years ago. Thanks, professor.
• 48:14
  Speaker 2: Didn't need to do that fucking math. But anyways, it
• 48:18
  Speaker 2: all happened in 1692. And that's when she tells him
• 48:20
  Speaker 2: to go to the church. And I'm like, nobody likes
• 48:24
  Speaker 2: an aloof old person. Can you tell me what's going
• 48:26
  Speaker 2: on here? So no, it's never the case.
• 48:29
  Speaker 3: You're always going to be sent to Scooby-Doo that shit
• 48:31
  Speaker 3: on your own.
• 48:32
  Speaker 2: Go Scooby-Doo this year. I can give you the answer.
• 48:36
  Speaker 3: When he gets to the church and the priest like
• 48:39
  Speaker 3: pulls out the book and he's like reading it to
• 48:41
  Speaker 3: him and he's like, yeah, just give me the book.
• 48:44
  Speaker 3: I'm kind of in a hurry. But then he fucking
• 48:46
  Speaker 3: sits down and proceeds to read it for like nine
• 48:49
  Speaker 3: hours while everybody's getting massacred at the house.
• 48:55
  Speaker 2: Oh, that was so great. Yeah, I love that scene.
• 48:57
  Speaker 2: And the book's name, too, is so cool. It's called
• 48:59
  Speaker 2: the Malleus Malefectorum, which is a fucking 10 out of
• 49:03
  Speaker 2: 10 book name. And it's a book from the Spanish
• 49:07
  Speaker 2: Inquisition about exorcism and the punishment of heresy, according to
• 49:11
  Speaker 2: the priest. And then I love when David chimes in.
• 49:14
  Speaker 2: He's like, and for the methods uh for extracting confession
• 49:17
  Speaker 2: and the priest is like yeah but that was never
• 49:19
  Speaker 2: sanctioned by the church okay buddy well fucking chill um
• 49:24
  Speaker 2: so the book's spine has the last name of shirak
• 49:28
  Speaker 2: which is uh the witch's last name and funny enough
• 49:31
  Speaker 2: it's also elvira's last name so they are related i
• 49:35
  Speaker 2: don't remember how i don't know if they go into
• 49:37
  Speaker 2: that but they're related um And Father Andrew Pike is
• 49:41
  Speaker 2: the one who did the execution of Alondra Sharrock, which
• 49:46
  Speaker 2: was the witch. Then we get some flashbacks. You know,
• 49:49
  Speaker 2: she's tied down and claims to be the daughter of Satan.
• 49:53
  Speaker 2: And the fucking pitch, what's it called? The pitch bend, whatever,
• 49:57
  Speaker 2: of the voice, like the pitch down of her voice
• 50:00
  Speaker 2: when she was talking and it was slowly getting deeper.
• 50:03
  Speaker 2: And then she started laughing maniacally. I was like, for 1982,
• 50:06
  Speaker 2: that's pretty fucking good. Usually like demon voices kind of
• 50:10
  Speaker 2: sound silly. I was like, this one sounds legitimately good.
• 50:13
  Speaker 2: I don't know how you felt about that, but I
• 50:15
  Speaker 2: fucking love that.
• 50:16
  Speaker 3: I guess I never really noticed them sounding shittier in
• 50:20
  Speaker 3: old movies because yeah, I thought it sounded good. I
• 50:22
  Speaker 3: was like, oh, that was like some evil dead shit
• 50:24
  Speaker 3: right there.
• 50:25
  Speaker 2: Yeah. That's what I'm saying. It was like some evil
• 50:28
  Speaker 2: dead shit. And it's not that they sound shittier in
• 50:30
  Speaker 2: older movies, but more times than not, I find it
• 50:33
  Speaker 2: kind of being cheesy, but this one, it like pitched
• 50:36
  Speaker 2: her voice down. And then it got to a point
• 50:39
  Speaker 2: where she was just laughing and cackling with this really
• 50:41
  Speaker 2: deep voice. I was like, this is really creepy. But
• 50:44
  Speaker 2: now I have a question for you, funny enough. So
• 50:47
  Speaker 2: Andrew Pike states that they don't have the proper machinery
• 50:52
  Speaker 2: to force a cleansing of a twisted soul. He can't
• 50:56
  Speaker 2: bring himself to burn her. So I was like, okay,
• 50:59
  Speaker 2: back up, back up. Like you don't have fire to
• 51:01
  Speaker 2: burn her or you don't want to use fire because
• 51:05
  Speaker 2: there are literally torches all over this room. What machinery
• 51:08
  Speaker 2: are you requiring to burn this?
• 51:11
  Speaker 3: What? I didn't get that. Yeah. It made it sound
• 51:16
  Speaker 3: like it was like a conscious decision to not want
• 51:20
  Speaker 3: to burn her alive.
• 51:21
  Speaker 2: I guess, but it's like, that's what you're supposed to,
• 51:23
  Speaker 2: this is what happens when you don't burn witches and
• 51:25
  Speaker 2: you drown them. They fucking possess the lake and the
• 51:30
  Speaker 2: fuck man. So I thought that was like, that was
• 51:32
  Speaker 2: hilarious to me. I don't know. I was laughing.
• 51:35
  Speaker 3: Yeah, no, that was kind of like a, wait, why
• 51:37
  Speaker 3: won't you just burn her?
• 51:39
  Speaker 2: Yeah, was it immoral?
• 51:42
  Speaker 3: Bring her out to the lake on the big fucking
• 51:45
  Speaker 3: tree thing that you have her on, set her on fire,
• 51:48
  Speaker 3: and then to put her out, push her into the lake.
• 51:52
  Speaker 2: Yeah, man, best of both worlds. A little fire and water.
• 51:57
  Speaker 2: So yeah, that was so funny because I don't know
• 51:59
  Speaker 2: what machinery he was. Again, just one of those out-of-pocket
• 52:02
  Speaker 2: things that happens in this movie. I don't know what
• 52:05
  Speaker 2: machinery you need. You had a machine that you got
• 52:08
  Speaker 2: killed with later in the movie. Like, what do you,
• 52:11
  Speaker 2: you clearly have the technology, my friend. So that was hilarious.
• 52:15
  Speaker 2: So anyway, instead of fucking setting her on fire, like
• 52:19
  Speaker 2: you should. he drowns her. And I did like the drown.
• 52:22
  Speaker 2: I thought it was cool because they have her like
• 52:24
  Speaker 2: almost tied up fucking Jesus Christ style crucified kind of,
• 52:28
  Speaker 2: but you know, nothing in the hands. She's on this big,
• 52:30
  Speaker 2: just fucking pole. What do you, what do you even
• 52:33
  Speaker 2: call that?
• 52:34
  Speaker 3: I don't know. It kind of looked like a telephone pole.
• 52:36
  Speaker 3: It looked like a.
• 52:37
  Speaker 2: Square telephone pole. And then they cut this rope for
• 52:40
  Speaker 2: some reason. Cause I guess it's holding it up. And
• 52:42
  Speaker 2: then she just face plants into the water. And since
• 52:45
  Speaker 2: she's tied to this pole, she drowned. And I was like,
• 52:49
  Speaker 2: that's an interesting way to drown somebody. Usually you just,
• 52:51
  Speaker 2: you know, put con, you know, fill their shoes with concrete,
• 52:53
  Speaker 2: but I guess, you know, 1692, they didn't have that. So, um,
• 52:58
  Speaker 2: but then you get the, the great connection here, which
• 53:00
  Speaker 2: is what I really liked. I don't remember David even
• 53:03
  Speaker 2: obtaining this fucking crucifix, but he does.
• 53:08
  Speaker 3: So the crucifix was pulled out of the lake when
• 53:12
  Speaker 3: they were trying to find the police officer. And it
• 53:16
  Speaker 3: didn't really come back into play until he went to
• 53:21
  Speaker 3: the Catholic Church. Right.
• 53:22
  Speaker 2: Elvira did mention, she's like, that crucifix, you should have
• 53:27
  Speaker 2: stayed there. You may have just doomed everyone. Now she's free.
• 53:31
  Speaker 2: She doesn't have to just hide under the guise of knights.
• 53:35
  Speaker 2: And in my mind, I'm like, put it fucking back.
• 53:38
  Speaker 2: And he doesn't put it back again. Another just out
• 53:41
  Speaker 2: of pocket thing that happens like you might.
• 53:44
  Speaker 3: And then it's used like a key because it just
• 53:46
  Speaker 3: like holds it up to the locked doors. And it
• 53:50
  Speaker 3: was like finding the key in a Resident Evil game
• 53:53
  Speaker 3: that shaped like a spade.
• 53:54
  Speaker 2: It's so great. So he takes this to the church,
• 53:56
  Speaker 2: of course. And then I think when he's reading the book,
• 54:01
  Speaker 2: like the book kind of lights on fire or something.
• 54:03
  Speaker 2: I don't know.
• 54:03
  Speaker 3: Yeah, it catches on fire for a minute. I don't
• 54:05
  Speaker 3: know if.
• 54:06
  Speaker 2: That was a crucifix's fault or not. But anyways, that
• 54:08
  Speaker 2: crucifix would inevitably connect why everything is happening. So the
• 54:14
  Speaker 2: crucifix was, I guess, buried with the witch, whatever, and
• 54:19
  Speaker 2: used as a seal to kind of tie her and
• 54:22
  Speaker 2: bind her to this lake where she would be trapped. Well,
• 54:25
  Speaker 2: you remove the crucifix and now the bitch is free.
• 54:28
  Speaker 2: So yeah, David kind of really shit the bed on
• 54:31
  Speaker 2: that one by taking it, hearing that he probably caused
• 54:35
  Speaker 2: an issue and then not returning it to said place,
• 54:38
  Speaker 2: but then stabbing a child with it instead. Motivation's off
• 54:42
  Speaker 2: the chart. I don't know where this guy came from,
• 54:44
  Speaker 2: but man, he was definitely not making the best decisions
• 54:48
  Speaker 2: in the movie.
• 54:49
  Speaker 3: He made one good decision like, oh, here, take my
• 54:52
  Speaker 3: keys and get out of here.
• 54:54
  Speaker 2: That's true.
• 54:54
  Speaker 3: And she's dead.
• 54:57
  Speaker 2: She still died. I'm just realizing now how terrible David
• 55:03
  Speaker 2: is at making decisions because everyone is basically dead because
• 55:07
  Speaker 2: of him. I'm just realizing this now. And it's like,
• 55:11
  Speaker 2: he's not even an unlikable person. He's a very likable person.
• 55:15
  Speaker 2: But when you actually think about all the decisions he
• 55:17
  Speaker 2: made and how terribly things went, you're just like, how
• 55:21
  Speaker 2: have you survived this long in life? I mean, I
• 55:24
  Speaker 2: guess he didn't because he does die in the end.
• 55:25
  Speaker 2: He gets dragged into the lake, which is fucking great.
• 55:28
  Speaker 2: So that's how the movie is connected with the crucifix
• 55:30
  Speaker 2: and stuff like that. And I was wondering if they
• 55:32
  Speaker 2: were actually going to explain. And I'm very happy they did.
• 55:36
  Speaker 2: And I'm satisfied with that answer because that actually fucking
• 55:39
  Speaker 2: makes sense.
• 55:40
  Speaker 3: You.
• 55:41
  Speaker 2: seal this person with the holy symbol of something because,
• 55:44
  Speaker 2: you know, she's the daughter of Satan.
• 55:46
  Speaker 3: Cool.
• 55:46
  Speaker 2: That, that works for me. Uh, so I really liked
• 55:49
  Speaker 2: that at that explanation. Uh, I did want to go through,
• 55:51
  Speaker 2: I had some funny quirks here that I wrote down
• 55:53
  Speaker 2: because there was a lot of quirky shit happening in
• 55:55
  Speaker 2: this movie. First one I noticed is one of my
• 55:59
  Speaker 2: favorites just in movies in general. And it's when someone's
• 56:02
  Speaker 2: kind of like in a room, they're not supposed to
• 56:04
  Speaker 2: be like smoking a cigarette or whatever. And someone's like
• 56:07
  Speaker 2: knocks on the door. And they toss a cigarette and
• 56:09
  Speaker 2: they just waft the air like, yep, 10 out of 10,
• 56:12
  Speaker 2: that's not going to smell like a cigarette in there
• 56:13
  Speaker 2: at all.
• 56:15
  Speaker 3: I literally fucking, that scene happened and I turned to
• 56:18
  Speaker 3: the wife and I was just like, bro, like we
• 56:21
  Speaker 3: all know it still stinks like smokes in there.
• 56:23
  Speaker 2: Yeah, we're not solving any problems here. That same man, David,
• 56:29
  Speaker 2: would also go into this house that they were going
• 56:31
  Speaker 2: to renovate. picks something off of the wall with his
• 56:34
  Speaker 2: finger and then licks it and tastes it. This isn't
• 56:38
  Speaker 2: even a common quirk in movies. This was just a
• 56:39
  Speaker 2: quirk in this movie. Dude, that's how you get hepatitis
• 56:42
  Speaker 2: A through Z. What are we doing?
• 56:44
  Speaker 3: I did wonder about that. But then he tells the
• 56:47
  Speaker 3: other guy to smell it. So I was like, was he,
• 56:50
  Speaker 3: was he tasting it or did it just look like that?
• 56:53
  Speaker 3: And he was also smelling it, but he said straight
• 56:56
  Speaker 3: up looked like he fucking tasted it.
• 56:57
  Speaker 2: He said this, Oh, that tastes weird. And I was like,
• 56:59
  Speaker 2: why are we eating this? Oh, yeah. He's like, he
• 57:03
  Speaker 2: mentioned something about the taste. And that's why I was like,
• 57:05
  Speaker 2: did you just put that in your mouth?
• 57:07
  Speaker 3: What?
• 57:08
  Speaker 2: And then you tell this guy to smell it. And
• 57:10
  Speaker 2: he's like, no, I don't want to smell it. It's
• 57:12
  Speaker 2: probably ectoplasm or something.
• 57:13
  Speaker 3: It's like sticking your finger up your ass and then
• 57:16
  Speaker 3: telling somebody to sniff it.
• 57:17
  Speaker 2: Smell funny.
• 57:18
  Speaker 3: Yeah.
• 57:18
  Speaker 2: It smells like your ass. Another quirk that's just related
• 57:23
  Speaker 2: to this movie is that fucking kid. Justin being like,
• 57:25
  Speaker 2: oh my God, everybody, we got a pool brother. That's
• 57:28
  Speaker 2: a lake. That's a whole fucking pond. That's not a pool. My, my, my,
• 57:34
  Speaker 2: my brother in Christ, that is not a pool. Uh,
• 57:37
  Speaker 2: and then I already, we already mentioned the one where
• 57:39
  Speaker 2: the body swings down from the ceiling, just some quirky
• 57:41
  Speaker 2: shit happening in this movie. So I think I'm going
• 57:44
  Speaker 2: to close with this because I'm wondering, can this witch
• 57:48
  Speaker 2: actually be killed? Because no matter what, she seems to
• 57:52
  Speaker 2: survive everything.
• 57:54
  Speaker 3: Oh yeah. Cause he burned her ass and. Yeah. Yeah.
• 57:58
  Speaker 2: And I really liked that idea of throwing the gas
• 58:02
  Speaker 2: on the lake to try and burn the lake to
• 58:03
  Speaker 2: purify it. I was like, that's such a cool idea.
• 58:07
  Speaker 2: And then that's when Mary comes out, and she's like,
• 58:10
  Speaker 2: you can't kill me. I can never be dead. I
• 58:11
  Speaker 2: was like, oh, my God. She's like a fucking manifestation
• 58:16
  Speaker 2: from the witch, because obviously witches can do hooky, spooky stuff.
• 58:19
  Speaker 2: So clearly she is like an avatar of the witch.
• 58:23
  Speaker 2: And then he straight up just stabs her with the crucifix. Uh,
• 58:27
  Speaker 2: she dies, but then he still gets pulled into the lake.
• 58:29
  Speaker 2: So it's almost like this superstition, this, this, this entity
• 58:34
  Speaker 2: is just cannot be defeated in any way, shape or form.
• 58:37
  Speaker 2: And it's kind of a bleak ending because everyone dies.
• 58:39
  Speaker 2: And I think it ends with like the witch cackling.
• 58:42
  Speaker 2: So it's, it's almost like we'd never got part two.
• 58:45
  Speaker 2: Oh my God. I would, I'd love a follow-up to this.
• 58:48
  Speaker 2: You could easily make a sequel to this movie. I'm
• 58:51
  Speaker 2: kind of surprised they didn't, especially given that it was
• 58:53
  Speaker 2: the 80s, and sequels were all the fucking rage in
• 58:57
  Speaker 2: the 80s.
• 58:58
  Speaker 3: I mean... Especially if... Yeah, and it didn't even matter
• 59:00
  Speaker 3: if a movie made money. Right. Still got sequels.
• 59:03
  Speaker 2: So, it's really interesting. It's like, the ending kind of
• 59:07
  Speaker 2: makes the witch's immortality like very clear. Destroying one manifestation
• 59:12
  Speaker 2: is not necessarily going to destroy the underlying supernatural force.
• 59:16
  Speaker 2: Even burning the pond in the crucifix can only temporarily
• 59:20
  Speaker 2: hurt or repel. But neither of them proves to be
• 59:23
  Speaker 2: completely efficient in ending the actual curse. Because before she dies...
• 59:28
  Speaker 2: She curses basically anyone who walks onto that land and
• 59:32
  Speaker 2: literally everybody dies. So she's a woman of her word.
• 59:35
  Speaker 2: She lives up to that word, even if it's been
• 59:38
  Speaker 2: 300 years. So everyone should take the hint and get
• 59:42
  Speaker 2: off that land. But yeah, I mean, this movie is
• 59:46
  Speaker 2: such a wackadoo. goofy yet serious because everyone in the
• 59:52
  Speaker 2: movie is taking it very seriously but as a third
• 59:55
  Speaker 2: party it's just it's like so subjectively funny because you're
• 1:00:00
  Speaker 2: like this is loony like this is a cartoon i'm
• 1:00:03
  Speaker 2: watching a cartoon right now what's fucking happening who's on
• 1:00:06
  Speaker 2: first so ultimately i love this movie i think it's
• 1:00:11
  Speaker 2: such a fun time um could have expanded in some
• 1:00:14
  Speaker 2: areas but could have cut down in other areas, but
• 1:00:18
  Speaker 2: really it's, it's, if you wanted an, like I remember
• 1:00:21
  Speaker 2: positive now, granted I was watching it on like 1.25 speed, whatever,
• 1:00:25
  Speaker 2: but like the first time I actually paused to like
• 1:00:26
  Speaker 2: go to the bathroom, I was at like an hour
• 1:00:28
  Speaker 2: and one minute. And I was like, Oh, there's like
• 1:00:31
  Speaker 2: 20 minutes left of this movie.
• 1:00:32
  Speaker 4: Wow.
• 1:00:33
  Speaker 2: This went by real quick. So it is a very
• 1:00:35
  Speaker 2: good time. I really wish it was streaming more places,
• 1:00:38
  Speaker 2: but it does have a Blu-ray you can grab, uh,
• 1:00:41
  Speaker 2: closing thoughts on a superstition.
• 1:00:43
  Speaker 3: Here, man, right there with you. Just, uh, What did
• 1:00:46
  Speaker 3: you call it? An 80s... What?
• 1:00:49
  Speaker 2: An 80s wackadoo cartoon?
• 1:00:53
  Speaker 3: Yeah, yeah. I'm right there with you on that.
• 1:00:57
  Speaker 2: Yeah, it completely came out of nowhere. This movie's just
• 1:01:01
  Speaker 2: been hiding.
• 1:01:02
  Speaker 3: This movie, I've seen the poster a fucking quadrillion times,
• 1:01:08
  Speaker 3: and it's always been like the backburner kind of movie.
• 1:01:13
  Speaker 3: Glad to finally have watched it.
• 1:01:15
  Speaker 2: Glad yeah i'm glad to have finally uh watched it
• 1:01:18
  Speaker 2: as well all right so that is superstition from 1982
• 1:01:22
  Speaker 2: let's go into the final cut here so taglines you'll
• 1:01:27
  Speaker 2: believe it just before you die dot dot dot dot
• 1:01:31
  Speaker 2: dot dot you should have believed those those those are
• 1:01:35
  Speaker 2: two separate taglines terror oh okay yeah those are two
• 1:01:39
  Speaker 2: two separate ones Terror that grabs the scream right from
• 1:01:42
  Speaker 2: your throat, it's everything you've ever feared, and the victims
• 1:01:46
  Speaker 2: who died were the lucky ones.
• 1:01:49
  Speaker 3: Trivia!
• 1:01:49
  Speaker 2: Superstition was actually extremely popular on pre-cert video in the
• 1:01:54
  Speaker 2: UK on the VCT label in the early 80s. It
• 1:01:58
  Speaker 2: was so popular that it actually got a subsequent cinema
• 1:02:00
  Speaker 2: release in 1984 under The Witch, courtesy of Bordeaux Films International.
• 1:02:05
  Speaker 2: This is one of the few times a video release
• 1:02:07
  Speaker 2: was followed up by a theatrical release rather than the
• 1:02:10
  Speaker 2: other way around. It was then re-released on Stablecane under
• 1:02:14
  Speaker 2: the title The Witch, and again on video shortly afterwards.
• 1:02:18
  Speaker 2: So apparently this was gangbusters in the 80s, and I
• 1:02:23
  Speaker 2: can see why. The movie was originally a simple story
• 1:02:26
  Speaker 2: about a family moving into a house haunted by a witch.
• 1:02:29
  Speaker 2: Makes sense. The characters Mary and Arlen... The scenes at
• 1:02:33
  Speaker 2: the lake and the flashback sequences were all added after
• 1:02:36
  Speaker 2: principal photography had wrapped. The producer felt these new elements
• 1:02:40
  Speaker 2: would make the movie more exciting. Can't disagree, honestly. I
• 1:02:44
  Speaker 2: can't say that I... What am I trying to say?
• 1:02:48
  Speaker 2: I'm just going to say I agree. That makes more sense.
• 1:02:50
  Speaker 2: I'm trying to do too many double negatives. That never works.
• 1:02:52
  Speaker 3: That kind of explains the movie then. So it was
• 1:02:55
  Speaker 3: more of like a witch slasher and then they were like, nah,
• 1:02:58
  Speaker 3: let's do this. Let's do this.
• 1:03:03
  Speaker 2: Much like me, after going to rehab, James Houghton had
• 1:03:07
  Speaker 2: quit smoking eight years before he was cast as Reverend
• 1:03:10
  Speaker 2: David Thompson. Director James W. Robertson insisted that the character smoke,
• 1:03:15
  Speaker 2: but Houghton was hesitant because he didn't want to relapse.
• 1:03:18
  Speaker 2: Robertson convinced him to do it, and Houghton picked up
• 1:03:21
  Speaker 2: smoking again for the next several years. Yep, been there.
• 1:03:26
  Speaker 3: I don't even remember him smoking other than in that
• 1:03:29
  Speaker 3: one scene.
• 1:03:30
  Speaker 2: Yeah, but I mean, all it takes is one.
• 1:03:32
  Speaker 3: Oh no, no, no. I know. But like, why, why
• 1:03:34
  Speaker 3: be so adamant just to put it in one seat?
• 1:03:36
  Speaker 3: You asshole.
• 1:03:37
  Speaker 2: Oh yeah. I don't really remember him doing it any
• 1:03:39
  Speaker 2: other time either. That's weird. I'd be like, nah, man,
• 1:03:43
  Speaker 2: I better be fucking smoking a pack a day in
• 1:03:45
  Speaker 2: this movie. If you're making me smoke, uh, here's some,
• 1:03:48
  Speaker 2: here's some just great petty goofs, just the pettiest of goofs. Um,
• 1:03:53
  Speaker 2: so obvious doll used when man is hanged in the elevator.
• 1:03:57
  Speaker 2: No shit. They didn't actually hang someone. Um, The film
• 1:04:02
  Speaker 2: depicts a Catholic priest of St. Luke's Parish leading a
• 1:04:04
  Speaker 2: witch burning in 1692, the year of the Salem witch burnings.
• 1:04:08
  Speaker 2: But there are no Catholic colonies in New England in 1692.
• 1:04:12
  Speaker 2: Catholics had little presence anywhere in the 17th century American
• 1:04:16
  Speaker 2: colonies apart from Maryland. Who fucking cares? Nerd. Nerd! Rated 5.7
• 1:04:22
  Speaker 2: out of 10 on IMDb, 2.85 out of 5 for
• 1:04:23
  Speaker 2: the Nightmare Index. 3.02 out of 5 on Letterboxd. It
• 1:04:31
  Speaker 2: has a dash dash on Rotten Tomatoes for the tomato meter,
• 1:04:36
  Speaker 2: so not enough critics have rated it for it to
• 1:04:40
  Speaker 2: get an aggregate. But it does have a 41% audience score,
• 1:04:44
  Speaker 2: which I think is quite low. But I don't like
• 1:04:46
  Speaker 2: Rotten Tomatoes anyways, so whatever. Derek, what did you give
• 1:04:49
  Speaker 2: this movie?
• 1:04:51
  Speaker 3: I gave it a 3.5.
• 1:04:52
  Speaker 2: Okay, so I enjoyed this a little bit more. I
• 1:04:56
  Speaker 2: gave it a 4.5. For no reason other than the
• 1:05:00
  Speaker 2: fact that it's just so wacky. So that gives us
• 1:05:04
  Speaker 2: a nightmare index of a 3.47. Let's see where that
• 1:05:09
  Speaker 2: lands here down on the list. All right, 3.47 is
• 1:05:13
  Speaker 2: going to be, oh, interesting. I'm going to have to
• 1:05:16
  Speaker 2: get into second decimal places here. So it is above
• 1:05:19
  Speaker 2: the resurrected at a 3.44 and tied as of now,
• 1:05:24
  Speaker 2: I will get back with you, with Silver Bullet at
• 1:05:27
  Speaker 2: a 3.7 out of 5. Also, I forgot to mention
• 1:05:30
  Speaker 2: this up top, but from the corrections department, Hocum is
• 1:05:34
  Speaker 2: tied at number 5 with Renfield at a 3.892, literally,
• 1:05:39
  Speaker 2: a 3.892. Crazy. Just above Ginger Snaps at 3.76 and
• 1:05:43
  Speaker 2: just underneath the others at a 3.89 out of 5.
• 1:05:46
  Speaker 2: So there's your Nightmare Index update. All right, so similar
• 1:05:50
  Speaker 2: movies according to IMDb. We have.
• 1:05:55
  Speaker 2: The Kindred, The Boogans, The Beast Within, Visiting Hours, and
• 1:05:58
  Speaker 2: The Nest. Similar movies, according to Letterboxd, we have Ghost House,
• 1:06:01
  Speaker 2: The Conjuring, The House by the Cemetery, Dead Silence, and
• 1:06:05
  Speaker 2: Halloween IV, The Curse of Michael Myers. Okay.
• 1:06:11
  Speaker 3: Yeah, sure.
• 1:06:12
  Speaker 2: Why not?
• 1:06:13
  Speaker 3: At least the first list of movies I hadn't even seen,
• 1:06:15
  Speaker 3: so I couldn't compare.
• 1:06:16
  Speaker 2: I've seen The Kindred, yes. I've seen Visiting Hours, sure.
• 1:06:22
  Speaker 2: I have the boogans, or no, wait, is that the boogeyman?
• 1:06:24
  Speaker 2: I think I have the boogeyman from Vinegar Syndrome. Anyways,
• 1:06:29
  Speaker 2: funny reviews. Smoke them if you got them. I only
• 1:06:31
  Speaker 2: found two. It's one of those instances where everyone is
• 1:06:35
  Speaker 2: just going on a multi-paragraph thing, which, again, is not
• 1:06:39
  Speaker 2: a problem, but it makes it harder for me to
• 1:06:42
  Speaker 2: find just like a one-sentence thing. So I only have
• 1:06:45
  Speaker 2: two for you, but they're not too bad. Let's see
• 1:06:47
  Speaker 2: what we got here. We got four stars from May I?
• 1:06:51
  Speaker 2: May I? M E Y I never fuck with some
• 1:06:55
  Speaker 2: old witch as she gonna come gunning for you. Oh
• 1:06:57
  Speaker 2: my God. I can't, that's too many, but four and
• 1:07:00
  Speaker 2: a half from Colin superstition is a first rate haunted house,
• 1:07:04
  Speaker 2: which slasher the opening scene alone is better than everything
• 1:07:08
  Speaker 2: in the Friday, the 13th franchise. That is a bold statement.
• 1:07:14
  Speaker 3: That is an extremely bold.
• 1:07:16
  Speaker 2: I don't necessarily agree with that, but whatever. Um, also
• 1:07:20
  Speaker 2: I forgot to give hokum a slap because it did
• 1:07:23
  Speaker 2: qualify as a fright mare certified slap.
• 1:07:25
  Speaker 3: So I'll do it because I also gave that movie
• 1:07:28
  Speaker 3: a five.
• 1:07:28
  Speaker 2: So there you go. That is a all around or
• 1:07:31
  Speaker 2: a certified slap. This one, I guess technically if you
• 1:07:35
  Speaker 2: combine our scores into an aggregate, it would be a
• 1:07:37
  Speaker 2: four out of five. So I guess it's an honorary
• 1:07:39
  Speaker 2: slap for, uh, for, I guess that's the first honorary
• 1:07:43
  Speaker 2: one we've done for, uh, for this movie, because you know,
• 1:07:45
  Speaker 2: if you average out a three and a half and
• 1:07:46
  Speaker 2: a four and a half boom, right in the middle
• 1:07:48
  Speaker 2: math is crazy. Um, if you enjoy, sorry, Derek, where
• 1:07:52
  Speaker 2: can everybody find you on social media that I know
• 1:07:54
  Speaker 2: you forgot that I'm going to make you try to
• 1:07:55
  Speaker 2: remember on the spot right now?
• 1:07:57
  Speaker 3: No, what are you talking about? I'm HFKs movie house
• 1:08:00
  Speaker 3: on Tik TOK. I am on, uh, Instagram as HFK. 48.
• 1:08:10
  Speaker 3: Why can't I just keep my names? Uh, I'm on
• 1:08:13
  Speaker 3: letterboxd as D D.
• 1:08:18
  Speaker 2: And actually, it might be DF. I think it might be.
• 1:08:22
  Speaker 3: You're right. I think it might just be DF. Well,
• 1:08:24
  Speaker 3: that I mean, my letterbox came around long before. And
• 1:08:29
  Speaker 3: I'm actually posting on Facebook, but I haven't been using Facebook.
• 1:08:34
  Speaker 3: I've just been using Instagram to cross post to both.
• 1:08:38
  Speaker 2: It says you rated superstition three lying son of a bitch.
• 1:08:42
  Speaker 3: What? No, I gave it a three and a half.
• 1:08:44
  Speaker 2: I'm looking at a three right now.
• 1:08:46
  Speaker 3: Oh, well remind me to change that. Cause I even
• 1:08:48
  Speaker 3: remember saying it to my wife that it was a
• 1:08:51
  Speaker 3: three and a half.
• 1:08:52
  Speaker 2: Uh, so your, so your actual handle to search for
• 1:08:57
  Speaker 2: is horror film kid 48 on letterbox, but the name
• 1:09:00
  Speaker 2: is going to show up as df dat fucker.
• 1:09:04
  Speaker 3: That fucker yeah that fucking guy i think i tried
• 1:09:08
  Speaker 3: to change that and it just didn't work old man
• 1:09:11
  Speaker 3: yeah one of those old man ferreira That's me.
• 1:09:15
  Speaker 2: Old man Proctor. So if you enjoy the show, guys,
• 1:09:18
  Speaker 2: please rate and review on your favorite podcast app of choice.
• 1:09:20
  Speaker 2: Follow us on Facebook, Instagram, TikTok, Slasher, even though I
• 1:09:24
  Speaker 2: don't post there anymore. Threads and YouTube at Frighteners Podcast.
• 1:09:27
  Speaker 2: Our email is stayspookyatoutlook.com. You can also follow me personally
• 1:09:31
  Speaker 2: on Letterboxd at Dr.
• 1:09:32
  Speaker 3: Proctor.
• 1:09:33
  Speaker 2: All one word. If you'd like to expand your movie
• 1:09:35
  Speaker 2: podcast listening, be sure to check out the Shameless Picture Show.
• 1:09:38
  Speaker 2: the Dead Eye Millennial Film Club, and one week rental
• 1:09:41
  Speaker 2: as well. I don't know. I'm like stroking my beard
• 1:09:43
  Speaker 2: like I'm thinking really hard right now, and I'm just
• 1:09:46
  Speaker 2: reading shit. Next week, Corey and I are going to
• 1:09:49
  Speaker 2: be doing The Covenant from 2006 as our wild card pick.
• 1:09:53
  Speaker 2: This was a request from Corey, and the last time
• 1:09:56
  Speaker 2: he requested a movie was Darkness Falls, which by all
• 1:09:59
  Speaker 2: accounts is not a great movie, but it is a
• 1:10:01
  Speaker 2: fun fucking time, and I expect nothing less from The Covenant.
• 1:10:05
  Speaker 2: It is streaming on Tubi if you want to check
• 1:10:06
  Speaker 2: it out. And that'll be our bonus episode for this month.
• 1:10:11
  Speaker 2: I don't know if I've mentioned it already, but next
• 1:10:13
  Speaker 2: month we are doing cosmic horror slash Lovecraftian horror. It's
• 1:10:16
  Speaker 2: going to be a lot of fun. So until next week, guys,
• 1:10:19
  Speaker 2: stay tuned and stay spooky. Thank you for listening.
• 1:10:59
  Speaker 1: To hear more shows from the Someone's Favorite Productions podcast network,
• 1:11:03
  Speaker 1: please select the link in the description