Latest / Ridiculous History / CLASSIC: Ben Franklin Tried To Reinvent the Alphabet
Transcript
- 0:00Speaker 1: No, we got a Ben Franklin episode.
- 0:02Speaker 2: Yeah, we do. Your name's Ben too, that's weird. My
- 0:06Speaker 2: name is Noel, but yeah, Ben Franklin right, former president
- 0:10Speaker 2: Ben Franklin right, not a president, dang it. He's on
- 0:14Speaker 2: the money though, he's on those hondos. He had sure
- 0:19Speaker 2: sure did? He potentially also like to mess around with
- 0:23Speaker 2: uh with dead bodies. That's an episode for another day.
- 0:26Speaker 2: That's not today's episode. Today's is much more the ABC's
- 0:30Speaker 2: of Ben Franklin.
- 0:31Speaker 1: If you will hashtag no pun left behind, let's ABC
- 0:36Speaker 1: about it. Ridiculous History is a production of iHeartRadio. Welcome
- 1:05Speaker 1: to the show, Friends and Neighbors. My favorite letter of
- 1:07Speaker 1: the English alphabet is Z, and my name is Ben.
- 1:11Speaker 2: My name is Noel, and my favorite song is the
- 1:14Speaker 2: ABC song. And for the purposes of today's episode, it
- 1:18Speaker 2: goes like this, A B D E F G H I,
- 1:23Speaker 2: K L M N O, P R S t U
- 1:26Speaker 2: V Z app and I don't know how to pronounce
- 1:31Speaker 2: these characters thing of characters.
- 1:35Speaker 1: Right, Ben Franklin, Oh boy? And also, Noel, you laughed
- 1:38Speaker 1: at me. We were hanging out yesterday and I tried
- 1:41Speaker 1: singing that song with this folks. You may notice that
- 1:46Speaker 1: in the rendition of the alphabet song you just heard,
- 1:49Speaker 1: there were some prominent letters missing. And it turns out
- 1:54Speaker 1: that's not an accident. This was on purpose.
- 1:57Speaker 2: You see.
- 1:58Speaker 1: There was a fellow, a found father named Benjamin Franklin
- 2:02Speaker 1: who did many, many things right. He was a renaissance man.
- 2:05Speaker 2: He was a polymath of sorts, a genius. Most people
- 2:09Speaker 2: consider him an elder statesman and as you say, a
- 2:13Speaker 2: founding father, but also an inventor, a scientist, a postmaster,
- 2:19Speaker 2: and a diplomat. And he just kind of did all
- 2:21Speaker 2: the things.
- 2:22Speaker 1: And today he is sort of an American legend. And
- 2:27Speaker 1: there are a lot of stories about the guy that
- 2:29Speaker 1: turn out later not to be entirely true, you know,
- 2:33Speaker 1: but it is true that he was a prolific renaissance man.
- 2:38Speaker 1: As an inventor, he created things like bifocals, He created
- 2:42Speaker 1: the lightning rod. He created some swimming flipper sets for
- 2:47Speaker 1: hands of flexible catheters, which is weird that there was
- 2:51Speaker 1: a time when there were inflexible catheters ouch, I know,
- 2:55Speaker 1: and the odometer. But one of the things that people
- 2:59Speaker 1: might not know about Benjamin Franklin is that, in addition
- 3:02Speaker 1: to inventing things. He also improved a lot of things,
- 3:05Speaker 1: or attempted to, and one of the things that he
- 3:08Speaker 1: attempted to improve was the English language itself.
- 3:11Speaker 2: Yeah, and it's like, you know, we all know that
- 3:13Speaker 2: odominers are around still, swimming flippers are around still, bifocals.
- 3:17Speaker 2: No one's really made them much better than old Ben Franklin.
- 3:20Speaker 2: But you know, we don't really hear much about a
- 3:24Speaker 2: redone English alphabet that sticks around to this day, and
- 3:29Speaker 2: that's because it was a bit of a flop. But
- 3:30Speaker 2: before we get into its ridiculous, abysmal failure, let's talk
- 3:34Speaker 2: a little bit about what this thing was Ben absolutely noel.
- 3:38Speaker 1: Do you recall hooked on Phonics? Were you hooked on phonics?
- 3:41Speaker 2: Kid? It worked for me, there we go. Yeah.
- 3:44Speaker 1: Hooked on Phonics was this program in the US, at
- 3:48Speaker 1: least in the US, possibly in other places, that taught
- 3:52Speaker 1: children how to pronounce letters and combinations of letters in
- 3:58Speaker 1: English based on sound them out.
- 4:00Speaker 2: It worked so well for me, though, that I ended
- 4:02Speaker 2: up in phonics rehab. Oh yeah, you had to. I
- 4:04Speaker 2: had a problem. I had a real phonics problem. Monkey
- 4:07Speaker 2: on my back. But I'm cool now. Yeah, Yeah, I
- 4:10Speaker 2: don't pronounce anything correctly. It's one day at.
- 4:13Speaker 1: A time, right, So Ben Franklin invented a phonetic alphabet.
- 4:19Speaker 1: He did successfully invent this. He hoped that other people
- 4:23Speaker 1: would be fans of the invention and that this alphabet
- 4:26Speaker 1: would ultimately replace the alphabet we used to date, and
- 4:30Speaker 1: he started by removing letters.
- 4:33Speaker 2: Yeah, he did. Franklin's alphabet basically asked six letters, and
- 4:39Speaker 2: those were C, JQ, W, X, and Y. You'll notice
- 4:42Speaker 2: they were missing from My Little Alphabet Diddy at the
- 4:45Speaker 2: beginning of the show, because he thought they were redundant, right.
- 4:49Speaker 2: He argued that, for example, the letter K could handle
- 4:53Speaker 2: the hard C sounds, so no need for C. You
- 4:56Speaker 2: can use a K for that. And then the letter
- 4:58Speaker 2: S could give a soft sea sound, so C was gone.
- 5:03Speaker 2: And then he also added six more characters, which, for
- 5:07Speaker 2: my money, are unpronounceable. When you see them, they look
- 5:10Speaker 2: like something out of an ecronomicon, but they were pretty
- 5:14Speaker 2: functional from Franklin's perspective. There were basically two vowels and
- 5:18Speaker 2: four new consonants, and his idea was to add clarity
- 5:22Speaker 2: in pronunciation, and his characters were specifically based around sounds. So,
- 5:28Speaker 2: for example, he had a new continent that made the
- 5:32Speaker 2: en g sound at the end of like running or
- 5:36Speaker 2: or reaping or seeking.
- 5:39Speaker 1: Right, Yeah, you can see you can see the gist here,
- 5:41Speaker 1: the simplification, or at least the well intentioned steps toward simplification.
- 5:49Speaker 1: Franklin worked on this for a long time. He initially
- 5:53Speaker 1: developed the alphabet in seventeen sixty eight, but he didn't
- 5:58Speaker 1: start publishing it or or floating it around until a
- 6:02Speaker 1: little more than ten years later, in seventeen seventy nine.
- 6:06Speaker 1: He also published some letters that he had written in
- 6:10Speaker 1: this language, and in seventeen eighty nine Noah Webster, who
- 6:15Speaker 1: had heard of Franklin's proposal, included a description of it
- 6:18Speaker 1: in his book Dissertations on the English Language. However, there
- 6:23Speaker 1: was a problem. Webster, you see, did not have the
- 6:26Speaker 1: correct type blocks, because at the time they had to
- 6:30Speaker 1: use blocks, handcut blocks for printing presses, and he couldn't
- 6:36Speaker 1: really describe the alphabet. Webster couldn't because he didn't have
- 6:41Speaker 1: those special six characters cut out in a block, so
- 6:45Speaker 1: he couldn't really illustrate Franklin's changes, and the alphabet itself
- 6:51Speaker 1: really didn't you know. People didn't get it or see
- 6:54Speaker 1: it in action until Franklin had new blocks cast to
- 6:57Speaker 1: print the alphabet for his seventeen ten seventy nine collection
- 7:02Speaker 1: called Political, Miscellaneous and Philosophical Pieces.
- 7:05Speaker 2: It's interesting too, because Webster was one of the very
- 7:08Speaker 2: very few supporters of this new alphabet, because he was
- 7:14Speaker 2: all about standardizing American spelling, and this was a big
- 7:20Speaker 2: thing for Franklin too. He argued that his alphabet would
- 7:25Speaker 2: help people spell better, whild would reduce spelling errors. And
- 7:29Speaker 2: it's interesting there are a few letters that Franklin exchanged
- 7:33Speaker 2: with his friend and confidante, Polly Stevenson, who was the
- 7:38Speaker 2: daughter of his landlady in London, and he gave her
- 7:42Speaker 2: away at her wedding, and it was a very important
- 7:44Speaker 2: person in his life, and she had some interesting objections
- 7:48Speaker 2: to this new alphabet, and here Franklin responds to a
- 7:54Speaker 2: few of them. I give you a quote from this letter. Here.
- 7:58Speaker 2: The objection you make to rectify our alphabet, that it
- 8:01Speaker 2: will be attended with inconveniences and difficulties is a natural one,
- 8:05Speaker 2: for always occurs when any reformation is proposed, whether in religion,
- 8:10Speaker 2: government laws, and even down as low as roads and
- 8:13Speaker 2: wheel carriages. The true question, then is not whether there
- 8:16Speaker 2: will be no difficulties or inconveniences, but whether the conveniences
- 8:20Speaker 2: will not, on the whole, be greater than the inconveniences.
- 8:24Speaker 2: So you know, the whole make an omelet. You've got
- 8:26Speaker 2: to break a few eggs argument, right, right.
- 8:28Speaker 1: It's asking people a lot to change the way that
- 8:32Speaker 1: they speak and write. Because if you've ever looked into
- 8:39Speaker 1: an Encyclopedia entry and you've seen the pronunciation guide, you
- 8:42Speaker 1: know where they have the strange characters. They tell you
- 8:45Speaker 1: this is a glottal sound, right, this is the schwa yeah, yeah,
- 8:49Speaker 1: the unstressed central vowel build upside down e in the
- 8:54Speaker 1: International Phonetic Alphabet. When you see that, you can if
- 8:59Speaker 1: you're not familiar with pronunciation guides, then you can kind
- 9:02Speaker 1: of get a sense of how someone would feel reading
- 9:05Speaker 1: a letter in Ben Franklin English versus you know, English
- 9:10Speaker 1: English totally.
- 9:11Speaker 2: And when you read some of these excerpts that he
- 9:13Speaker 2: wrote in this alphabet, your brain kind of has to
- 9:18Speaker 2: kind of like do some gymnastics to even parse that file,
- 9:23Speaker 2: and once it does, it does kind of click for you.
- 9:26Speaker 2: It's really interesting where you can make that leap. But
- 9:30Speaker 2: another interesting criticism from Franklin's friend Polly Stevenson was the
- 9:36Speaker 2: idea that changing the language would obscure etymology of words
- 9:43Speaker 2: and their meaning, and Franklin could not disagree more. His
- 9:47Speaker 2: response was this, etymologies are at present very uncertain, but
- 9:52Speaker 2: such as they are, the old books would still preserve them.
- 9:56Speaker 2: An etymologist would there find them. Words in the course
- 9:59Speaker 2: of time change their meaning as well as their spelling
- 10:01Speaker 2: and pronunciation, and we do not look to etymology for
- 10:05Speaker 2: their present meanings. So he really had a deep philosophical
- 10:09Speaker 2: belief that this was the right thing to do. And
- 10:12Speaker 2: it's interesting because, you know, we talked about at the
- 10:14Speaker 2: top of the show what a renaissance man Franklin was
- 10:17Speaker 2: and all the things he invented. But one of his
- 10:20Speaker 2: biographers kind of referred to this whole exercise as taking
- 10:26Speaker 2: Franklin's passion for social improvement to radical extremes right.
- 10:31Speaker 1: And one of the reasons that he did find some
- 10:35Speaker 1: prominent supporters is because there was an ideological and political
- 10:40Speaker 1: aspect to the generation of this language, or the revision
- 10:45Speaker 1: of the language from across the Atlantic. In his piece
- 10:49Speaker 1: in seventeen eighty nine, Noah Webster argues the following Chevrel, Shirkumsteince.
- 10:55Speaker 1: Just render a future sheparation of the American talking from
- 10:58Speaker 1: the English necessary and I'm doing a Webster voice. Numerouslbcal
- 11:03Speaker 1: causes such as a new country, new associations of people,
- 11:07Speaker 1: new combinations of ideas and arts and science, and some
- 11:10Speaker 1: intercourse with tribes wholly unknown in Europe will introduce new
- 11:14Speaker 1: words to the American tongue. So he was arguing that
- 11:20Speaker 1: Ben Franklin's concept was timely and prescient, and that American
- 11:27Speaker 1: English would need to have the opportunity to become its
- 11:32Speaker 1: own thing. And we do see, we do see different
- 11:35Speaker 1: versions of the English language dividing, you know, at least
- 11:38Speaker 1: in terms of slang or figures of speech. But this
- 11:42Speaker 1: idea was radical. This this idea was paving the way
- 11:47Speaker 1: for a written version of American English to be unintelligible
- 11:52Speaker 1: to another English speaker.
- 11:54Speaker 2: Yeah, one hundred percent. And to Franklin, language was beach
- 12:00Speaker 2: before writing. And then in a lot of ways, writing
- 12:03Speaker 2: was sort of an inconvenient byproduct of language. It was
- 12:05Speaker 2: just like a thing you had to do to preserve
- 12:09Speaker 2: stories and data and such. But it was ultimately a
- 12:13Speaker 2: byproduct and not the first and foremost concern to Franklin
- 12:17Speaker 2: at least right. Another quote from one of these letters
- 12:20Speaker 2: to Polly Stevenson addressed her third objection, which was that
- 12:24Speaker 2: all books already written would become useless. And you know
- 12:29Speaker 2: to that, and I agree with this, Franklin responds, this
- 12:32Speaker 2: inconvenience would only come on gradually. In a course of ages,
- 12:37Speaker 2: you and other now living readers would hardly forget the
- 12:41Speaker 2: use of them. People would long learn to read the
- 12:44Speaker 2: old writings though they practiced the new, and the inconvenience
- 12:48Speaker 2: is not greater than what has actually happened in a
- 12:50Speaker 2: similar case in Italy. And you know this been formerly
- 12:53Speaker 2: Italian spoke and wrote in Latin, doesn't mean that they
- 12:56Speaker 2: burned all the books that were in Latin. They're still
- 12:58Speaker 2: even today around here people that speak Latin and that
- 13:01Speaker 2: do translations. And translations becomes a very important thing, because
- 13:06Speaker 2: you know, you have to know the original language and
- 13:09Speaker 2: the context and be able to translate the nuances of it. So,
- 13:14Speaker 2: you know, I mean to say that to reinvent a
- 13:16Speaker 2: language is inherently bad, I think is false, agreed, especially
- 13:21Speaker 2: if it is a living language. A living language is
- 13:25Speaker 2: defined as a language that has living native speakers. And
- 13:32Speaker 2: you know, we know that there are dead languages in
- 13:35Speaker 2: the world, unfortunately, throughout history. And we can see the
- 13:39Speaker 2: written evidence of these languages, and we can hear them
- 13:42Speaker 2: reference to read them referenced in other works of the
- 13:45Speaker 2: same rough historical era, but we don't know for sure
- 13:50Speaker 2: how these sounded languages change over time. One of my
- 13:55Speaker 2: favorite things about American English is that anything can be
- 13:59Speaker 2: a verb. Anything could be a verb. You just just
- 14:03Speaker 2: name something and then add I in G and now
- 14:05Speaker 2: it's a verb. Balling.
- 14:07Speaker 1: Let's see walling. You know, Ben Bollaning, Noel Brownanan, Yeah, exactly,
- 14:13Speaker 1: Noel Brownanan.
- 14:14Speaker 2: Noel Brown too, the brown ing.
- 14:17Speaker 1: Yeah, I think I added an extra syllable there. But
- 14:20Speaker 1: you know what, we're going to keep it. And as
- 14:23Speaker 1: ambitious as it might sound, you and I were talking
- 14:26Speaker 1: off air about the kind of chutzpus someone would have
- 14:29Speaker 1: to have to see.
- 14:30Speaker 2: There you go, Yeah, because I would say, living language,
- 14:35Speaker 2: my friend.
- 14:43Speaker 1: So how irritated does someone have to be by what
- 14:47Speaker 1: is essentially a tomato tomato argument to say I am
- 14:52Speaker 1: going to change the entire language. Everyone who's already speaking
- 14:57Speaker 1: this needs to conform to my expectation of what language
- 15:01Speaker 1: would be There's a really interesting thing that happens. At
- 15:03Speaker 1: some point when most people are learning the basics of
- 15:07Speaker 1: a new language, there will typically be a moment where
- 15:10Speaker 1: they say, well, why do you do it that way?
- 15:13Speaker 2: That's dumb?
- 15:14Speaker 1: Why does why does every noun have to have a
- 15:18Speaker 1: gender attached to it or something like that? Sure, and
- 15:20Speaker 1: the answer is, because that's the language. That's the way
- 15:23Speaker 1: this language works exactly, and it can feel, it can
- 15:27Speaker 1: feel kind of. I don't know if it's condescending or
- 15:30Speaker 1: if it's self centered for someone learning the language to
- 15:34Speaker 1: tell everybody else already speaking it that they're doing it
- 15:37Speaker 1: wrong and they should change for one person.
- 15:40Speaker 2: Well, I think it's interesting too that one of Franklin's
- 15:43Speaker 2: big concerns in doing this alphabet was to eliminate spelling errors,
- 15:48Speaker 2: which I find utterly pedantic, you know, and absurd, because again,
- 15:52Speaker 2: it's like, you know, if you're a purist, okay, that's fine.
- 15:56Speaker 2: If you're a stickler for the spelling, I get that,
- 15:59Speaker 2: But ultimately, you know, what someone's saying, if the communication
- 16:03Speaker 2: is successful, isn't it successful? Isn't that what matters the most?
- 16:07Speaker 2: And in fact, you know, Webster actually persisted and published books,
- 16:11Speaker 2: as you said, using a sort of adapted orthography that
- 16:15Speaker 2: was a I believe it was not exactly Franklin's, but
- 16:18Speaker 2: he sort of used that as a jumping off point
- 16:20Speaker 2: and developed something of his own. And he was ridiculed
- 16:24Speaker 2: by critics. And this new language was called unsightly and corrupting,
- 16:32Speaker 2: bastardization of the the proper English language. And that's you know,
- 16:37Speaker 2: that's another question, right at what point is it evolution?
- 16:40Speaker 2: And at what point is it devolution? You know, at
- 16:44Speaker 2: what point are they diluting or ruining a language versus
- 16:47Speaker 2: improving Because one alphabet entrepreneur's improvement is another alphabet entrepreneur's
- 16:54Speaker 2: you know, downfall. They see it as the ruination of language.
- 16:57Speaker 2: And Noah Webster did succeed in creating an American spelling
- 17:02Speaker 2: but he did also eventually walk away from alphabet reform,
- 17:07Speaker 2: which he saw is a bit too radical. And it
- 17:11Speaker 2: turns out he was absolutely on the money about the
- 17:15Speaker 2: importance of political identity or exactly you know, and language.
- 17:21Speaker 2: And we see this happening in other countries as well.
- 17:26Speaker 2: There was a cool article in the Atlantic Monthly magazine
- 17:30Speaker 2: in nineteen ninety seven that talked about how alphabet shifts
- 17:35Speaker 2: became common in times of instability. In former Soviet republics,
- 17:39Speaker 2: for instance, alphabet shifts became so common that people started
- 17:45Speaker 2: calling the phenomenon new alphabet disease. So, you know, Azerbaijan
- 17:51Speaker 2: is probably the most famous example. It's changed their alphabet
- 17:54Speaker 2: three times. The whole thing. That's insane in the last
- 17:57Speaker 2: one hundred years. How could you keep up hundred years?
- 18:00Speaker 2: I guess you got time to learn it. But even
- 18:02Speaker 2: still that seems very extreme because, like you said, it's
- 18:05Speaker 2: so tied to national identity, which I think is probably
- 18:08Speaker 2: the main reason that this exercise from mister Franklin just
- 18:13Speaker 2: totally fell flat.
- 18:15Speaker 1: And he you know, I'm getting this sensinel that he
- 18:17Speaker 1: was very much a spaghetti at the wall kind of guy. Absolutely,
- 18:21Speaker 1: if he had stuff, he came up with, he had idea,
- 18:23Speaker 1: he just went for it.
- 18:24Speaker 2: Did you know that he even suggested that the eagle
- 18:27Speaker 2: was not an appropriate icon for America and that it
- 18:30Speaker 2: should instead be the turkey. Yes, yeah, the turkey, which
- 18:35Speaker 2: I think he said was a proud bird exactly he
- 18:38Speaker 2: said it was that the eagle was a bird of
- 18:41Speaker 2: bad moral character. So you know, Franklin was also a
- 18:45Speaker 2: bit of a troll, which I love, you know, But
- 18:47Speaker 2: it's like this whole alphabet thing. When you look at
- 18:50Speaker 2: it from an academic perspective and from the mind of
- 18:53Speaker 2: a brilliant thinker like Ben Franklin, you could see how
- 18:56Speaker 2: maybe he would think this was a good idea, but
- 18:59Speaker 2: in practice it's just too much of a pain in
- 19:02Speaker 2: the ass, right, right it is.
- 19:04Speaker 1: The people are very sensitive about language, especially because we
- 19:09Speaker 1: use it so often. Even if there were higher rates
- 19:13Speaker 1: of illiteracy as there were in this time, people are
- 19:16Speaker 1: still speaking, right, so we're consistently using the rules of language,
- 19:23Speaker 1: even if we're not using the written aspects of it.
- 19:27Speaker 1: And that's why this becomes important for Azerbaijan just to
- 19:32Speaker 1: like walk through real quick what had happened was it
- 19:35Speaker 1: went from Arabic to Latin, then from Latin to Cyrillic.
- 19:40Speaker 1: This was Arabic to Latin nineteen twenties, Latin issrelic in
- 19:43Speaker 1: the nineteen thirties, and then from Cyrillic to Latin again
- 19:47Speaker 1: most recently. And they're not alone. Former North Korean leader
- 19:53Speaker 1: or DPRK leader Kim Jong il was lauded for his
- 19:57Speaker 1: quote immortal feats for unif development of national Language Fearless Leader. Yeah,
- 20:04Speaker 1: he also rewrote the alphabet. They say, sounds about right,
- 20:07Speaker 1: what are you going to do? What else are you
- 20:09Speaker 1: going to do when you're at the top. Are you
- 20:10Speaker 1: trying to get a gift for that dictator in your
- 20:13Speaker 1: life who already has everything? Get them in alphabet?
- 20:16Speaker 2: Yeah, well, you know, he's just trying out different haircuts
- 20:19Speaker 2: and inventing new alphabets. That's what you do.
- 20:22Speaker 1: And people who tried phonetic languages before in the past.
- 20:25Speaker 1: There was a guy we found named William Bullocar, a
- 20:28Speaker 1: sixteenth century printer who created get this a forty letter
- 20:32Speaker 1: phonetic alphabet that seems like too many letters.
- 20:35Speaker 2: Just a lot of letters. It seems like a lot
- 20:36Speaker 2: of lets. What was the function?
- 20:39Speaker 1: The function was, you know how Franklin added those six
- 20:43Speaker 1: new characters to indicate some groups of sounds. This guy
- 20:47Speaker 1: was doing some of the same stuff. There's been a
- 20:50Speaker 1: spate of this over time. People are constantly trying to
- 20:53Speaker 1: come up with their own version of the alphabet, it seems,
- 20:56Speaker 1: and it's kind of treated like cryptocurrency totally might be
- 21:00Speaker 1: a fad here today, gone tomorrow, but typically what we
- 21:05Speaker 1: see in the past is that when people try to
- 21:07Speaker 1: construct these phonetic languages, they do the same thing. Ben
- 21:11Speaker 1: Franklin was doing that. You know, they'll have one letter
- 21:14Speaker 1: that means I in G.
- 21:15Speaker 2: Right, at least Ben Franklin was trying to simplify subtracting
- 21:20Speaker 2: rather than adding, you knowwy five letters. That's insane. You know, though, Ben,
- 21:34Speaker 2: this is still happening today, albeit in something of a
- 21:38Speaker 2: fictional realm. Have you heard of Arabesh?
- 21:43Speaker 1: Is it a language from space?
- 21:47Speaker 2: Why? Yes, Ben, As a matter of fact, it is
- 21:49Speaker 2: from a galaxy far far away. In fact, it first
- 21:53Speaker 2: appeared on like computer readouts or spaceship readouts in Return
- 21:58Speaker 2: of the Jedi, which is part of the original Star
- 22:00Speaker 2: Wars trilogy, and it was in the Death Star actually
- 22:04Speaker 2: and one of Darth Vader's shuttles. This is all according
- 22:07Speaker 2: to wookie Pedia, which is a thing that I love.
- 22:12Speaker 2: And then in the nineties a guy named Stephen Crane
- 22:15Speaker 2: kind of transcribed this alphabet for use in a Star
- 22:19Speaker 2: Wars miniature role playing game called Star Wars Miniature's Battle Companion,
- 22:24Speaker 2: and it was given the blessing of Lucasfilm and now
- 22:29Speaker 2: you can get it in font sets. It's a thirty
- 22:31Speaker 2: four letter alphabet, and it actually was expanded to have
- 22:36Speaker 2: punctuation marks in an update to the role playing game
- 22:40Speaker 2: that like a supplement that came out a few years
- 22:42Speaker 2: later in nineteen ninety six. So you know, even though
- 22:45Speaker 2: Ben Franklin's the thing didn't stick around, at least it
- 22:48Speaker 2: perseveres in a nerd culture.
- 22:51Speaker 1: Absolutely. And before you send the email, yes, we are
- 22:55Speaker 1: very aware that Tolkien himself was created languages. A lot
- 23:00Speaker 1: of times you'll hear certain members of our cohort here
- 23:05Speaker 1: at House of Works refer to Tolkien as a linguist
- 23:09Speaker 1: who made up a story to rationalize the languages he
- 23:12Speaker 1: was inventing.
- 23:13Speaker 2: Is that what was used in the Peter Jackson film
- 23:15Speaker 2: when you see the etchings on the one ring.
- 23:18Speaker 1: M Yeah, I think that's the language of Mordor.
- 23:23Speaker 2: That's right, that's right, that's right, that's right exactly.
- 23:25Speaker 1: Yeah, and yeah, the Elvish that they speak was developed
- 23:29Speaker 1: as an actual language. Look at and people are speaking Klingon,
- 23:33Speaker 1: people are doing marriage officiations and clingon.
- 23:36Speaker 2: Man, it's a brave new world, my friend.
- 23:38Speaker 1: And apparently George Bernard Shaw, famous playwright, had a huge
- 23:42Speaker 1: issue with the English language, so much so that he
- 23:47Speaker 1: one time, I don't entirely get this. I want to
- 23:49Speaker 1: see what you think of this. One time he said
- 23:52Speaker 1: that the word fish may as well be written as
- 23:55Speaker 1: gho ti. The gh is from laugh, the O from
- 24:01Speaker 1: women or women, and the ti from nation. So he's
- 24:06Speaker 1: saying the way they fit together phonetically, yeah, doesn't make sense.
- 24:09Speaker 2: Stupid.
- 24:10Speaker 1: Yeah, he said the alphabet was hopelessly inadequate, and when
- 24:15Speaker 1: he died, he left money in his will to develop
- 24:18Speaker 1: a new one, one last, Like Shot from the Dark.
- 24:21Speaker 2: I bet he and Franklin and Webster would have been buddies.
- 24:24Speaker 1: I bet they would have been principle, but then they
- 24:26Speaker 1: probably would have started arguing mine's better. Yeah, exactly. The
- 24:31Speaker 1: George Bernard Shaw Competition attracted four hundred and sixty seven entries,
- 24:36Speaker 1: and the winner was a guy named Kingsley Reid, who
- 24:39Speaker 1: had a phonetically accurate alphabet of forty eight letters, twenty
- 24:43Speaker 1: four vowels, and twenty four consonants. According to the clause
- 24:47Speaker 1: in Shaw's will, this alphabet had to be used alongside
- 24:52Speaker 1: the traditional alphabet in the new posthumous publication of his
- 24:57Speaker 1: play and fifty three thousand copies of Androcles and the
- 25:02Speaker 1: Lion were printed and one copy was given to each
- 25:05Speaker 1: public library in Britain, the Commonwealth, and North and South America,
- 25:09Speaker 1: and to all the national libraries of the world.
- 25:13Speaker 2: So this book is out.
- 25:15Speaker 1: There and you can find that award winning alphabet phonetic alphabet.
- 25:22Speaker 2: It's called, of.
- 25:23Speaker 1: Course, goaty fingers.
- 25:24Speaker 2: Goaty fingers.
- 25:26Speaker 1: Yeah, I know it sounds like something delicious from a
- 25:29Speaker 1: takeout menu. But goats had hooves, yes, but these are
- 25:32Speaker 1: not goat exactly. These are goate Oh I see, I see.
- 25:38Speaker 1: So what are some other invented languages? I know it
- 25:41Speaker 1: seems like so much that we I feel like we're
- 25:44Speaker 1: cutting it short, but I want to let you fly,
- 25:47Speaker 1: Ben oh Man, Okay, yes, thank you for setting me
- 25:50Speaker 1: up there, Noel, Just briefly, we have to mention Esperanto,
- 25:53Speaker 1: which is one of the world's most popular constructed auxiliary languages.
- 25:59Speaker 1: It was this mind not to be necessarily a first language,
- 26:03Speaker 1: but a common tongue that anybody could speak, and it
- 26:05Speaker 1: has like two million speakers worldwide and.
- 26:09Speaker 2: A William Shatner starring movie, if I'm not mistaken.
- 26:12Speaker 1: Right, Yes, his shining moment in the nineteen sixty six
- 26:16Speaker 1: film incubus, which my friends who speak Esperanto tell me
- 26:21Speaker 1: is hilarious due to pronunciation.
- 26:25Speaker 2: Sorry, mister, they made.
- 26:29Speaker 1: A suggested them have us.
- 26:34Speaker 2: Yes, tecto.
- 26:39Speaker 1: Cikla from the last time three time.
- 26:47Speaker 2: Sans beautiful right, speaking of Renaissance men, Yes, exactly. Shatner
- 26:55Speaker 2: and of.
- 26:56Speaker 1: Course Ben Franklin is probably going to be a recurring
- 26:59Speaker 1: character in the story of Ridiculous History because he got
- 27:02Speaker 1: up to some really weird stuff.
- 27:04Speaker 2: He was a kinkster.
- 27:05Speaker 1: Yes, yes, he was keekster. He was a fan of
- 27:08Speaker 1: air baths. People found skeletons a baths.
- 27:12Speaker 2: Yeah, is that like Airbnb?
- 27:15Speaker 1: It could be in an Airbnbka, it's it's you know,
- 27:18Speaker 1: it's reclining in the buff, bathing in the air. He's
- 27:24Speaker 1: hanging out naked.
- 27:25Speaker 2: Oh okay, why not just call it streaking.
- 27:29Speaker 1: It was a different time, okay. He also made improvements
- 27:33Speaker 1: to something called the glass harmonica, which sounds super spooky,
- 27:38Speaker 1: and skeletons were found under one.
- 27:42Speaker 2: Of his old abodes. Not in his closet though, No, no, no,
- 27:47Speaker 2: not in his closet. He was legit. He was legit.
- 27:50Speaker 1: If anything, there were probably medical experiments, but that's a story.
- 27:53Speaker 1: You and I will have to research for another day.
- 27:57Speaker 1: In the meantime, we'd like to hear from you if
- 27:59Speaker 1: you were listening to this, I'm gonna go out on
- 28:01Speaker 1: a limb and say that you probably write stuff in English.
- 28:05Speaker 1: What improvements would you make to the English language?
- 28:09Speaker 2: And hey, if you happen to have invented your own
- 28:12Speaker 2: improved English alphabet, write us something in that. Send us
- 28:15Speaker 2: your phonetic musings to Ridiculous at HowStuffWorks dot com, or
- 28:19Speaker 2: drop us a note on Facebook, where we're also Ridiculous History,
- 28:23Speaker 2: and we're also on Instagram as Ridiculous History. I've driven
- 28:27Speaker 2: this Pinterest joke into the ground, so I'm not even
- 28:29Speaker 2: gonna say it. All I'm gonna say is we're we
- 28:32Speaker 2: will never have a Pinterest. We will never have a Pinterest.
- 28:35Speaker 1: Well, let's put a pin in it.
- 28:37Speaker 2: Not a hard no yet, I don't pin.
- 28:41Speaker 1: Well as Nola and I resolve this. We bid you
- 28:46Speaker 1: Ado and hope you will tune in again very soon
- 28:49Speaker 1: for more Ridiculous History.
- 28:56Speaker 2: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,
- 29:00Speaker 2: or wherever you listen to your favorite shows.