Latest / Midnight Mystery Stories / Andrew Garfield _ Good Hang with Amy Poehler

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Andrew Garfield _ Good Hang with Amy Poehler · Midnight Mystery Stories

• 0:05
  Speaker 1: Hello, everyone, and welcome to another episode of Good Hang.
• 0:08
  Speaker 1: We have Andrew Garfield on today. Andrew is just the best,
• 0:12
  Speaker 1: a real tenderoni and hilarious and talented and star of
• 0:18
  Speaker 1: film and Broadway. And we are going to get into
• 0:21
  Speaker 1: so many things today. We're going to talk about how Munich...
• 0:24
  Speaker 1: has the best felt. We're going to talk about having
• 0:27
  Speaker 1: that competitive spirit, especially when it comes to board games.
• 0:29
  Speaker 2: We're going to talk about being method, but not being
• 0:32
  Speaker 2: a jerk. And we're going to talk about.
• 0:33
  Speaker 1: His new movie, The Uprising, which is out now and
• 0:37
  Speaker 1: looks incredible, like all of the stuff that Andrew does.
• 0:39
  Speaker 1: So we're very, very excited to get started, but we
• 0:43
  Speaker 1: always start our episodes by speaking to somebody who knows
• 0:46
  Speaker 1: our guest, who has worked with our guest, has.
• 0:49
  Speaker 2: Good things to say about our guests behind their back.
• 0:52
  Speaker 1: And we're going to talk to A legend, Lin-Manuel Miranda.
• 0:57
  Speaker 1: You know him from, oh, I don't know, Hamilton and
• 1:01
  Speaker 1: Moana and the upcoming Warriors musical and five other million
• 1:05
  Speaker 1: things that he's won 10 EGOTs for.
• 1:08
  Speaker 3: Lin? Hi. Hi.
• 1:17
  Speaker 2: This episode is brought to you by Uber.
• 1:19
  Speaker 1: You know those little choices you make that give you
• 1:22
  Speaker 1: more comfort throughout the day, like planning your outfit the
• 1:25
  Speaker 1: night before, sharing your location with a friend when heading
• 1:28
  Speaker 1: home late, taking the actual lunch break away from your desk?
• 1:32
  Speaker 2: Uber has one too.
• 1:33
  Speaker 1: It's called Women Preferences, and it lets women riders request
• 1:37
  Speaker 1: a woman driver directly in the app, because sometimes having
• 1:41
  Speaker 1: a little more choice can make a big difference. It's
• 1:43
  Speaker 1: a simple option that can help women feel more comfortable
• 1:46
  Speaker 1: during their ride.
• 1:47
  Speaker 2: Learn more on the Uber app. Lynn?
• 2:01
  Speaker 4: Hi!
• 2:02
  Speaker 5: Hi!
• 2:02
  Speaker 2: I can't wait to get you into the stude.
• 2:04
  Speaker 3: Can I tell you, I had a nightmare about that once.
• 2:07
  Speaker 1: You did?
• 2:08
  Speaker 3: I had a nightmare that like, you invited me on,
• 2:11
  Speaker 3: but you didn't, I could tell you didn't really want
• 2:13
  Speaker 3: me to be on. Like someone had you and you
• 2:15
  Speaker 3: were like, come in, I guess.
• 2:18
  Speaker 2: That's making me nauseous.
• 2:19
  Speaker 3: Like you were very unenthusiastic about it. And you're like,
• 2:23
  Speaker 3: sit down, I guess. And it wasn't your usual set.
• 2:25
  Speaker 3: It was just like some apartment where I was like,
• 2:27
  Speaker 3: I was like a pity guest.
• 2:29
  Speaker 2: Oh, that's giving everybody the chills in here. That is
• 2:34
  Speaker 2: a proper stress dream.
• 2:36
  Speaker 4: Woke up in a sweat.
• 2:38
  Speaker 3: I can handle a lot of things I cannot handle
• 2:40
  Speaker 3: not being a good hang with you.
• 2:42
  Speaker 1: I'm so sorry that I was that way in your
• 2:45
  Speaker 1: dream in real life. And we are awake and I
• 2:49
  Speaker 1: can't wait to get you in here. I am such
• 2:51
  Speaker 1: a fan of your work. Love would love to talk
• 2:54
  Speaker 1: to you and would be. So happy to be talking
• 2:57
  Speaker 1: to you.
• 2:57
  Speaker 3: Oh my goodness gracious.
• 2:58
  Speaker 2: Yes, yes, yes.
• 2:59
  Speaker 1: And so happy to be talking to you today. It
• 3:02
  Speaker 1: looks like you're in some kind of studio. There's a
• 3:03
  Speaker 1: piano behind you.
• 3:04
  Speaker 3: Yes, we are in day two of our workshop for
• 3:09
  Speaker 3: our next musical.
• 3:10
  Speaker 4: Warriors!
• 3:12
  Speaker 3: Warriors!
• 3:13
  Speaker 2: Come out to play!
• 3:15
  Speaker 3: That's the one! So Issa Davis and I are here
• 3:20
  Speaker 3: in the room. There are actors learning songs in the
• 3:22
  Speaker 3: next room.
• 3:22
  Speaker 1: There must be no better feeling than like working with
• 3:26
  Speaker 1: the piano and like hearing people sing in the other
• 3:28
  Speaker 1: room and just the workshopping of it all.
• 3:30
  Speaker 3: Yeah. Well, it's the, it's the thing of like other people,
• 3:34
  Speaker 3: you get the solitude of writing and then you also
• 3:36
  Speaker 3: get to like bring in a song and then people
• 3:39
  Speaker 3: who sing much better than you sound beautiful on it.
• 3:41
  Speaker 3: And it's, it's, you know, I had so much fun
• 3:44
  Speaker 3: with your episode with Groff, who is also like one
• 3:46
  Speaker 3: of my closest friends because just the joy off him
• 3:50
  Speaker 3: is like, we're in the play. We get to be
• 3:52
  Speaker 3: in the school play. And we're all still chasing that high.
• 3:56
  Speaker 2: Yes.
• 3:57
  Speaker 1: Well, I feel that way, you know, about you, Lynn.
• 4:00
  Speaker 1: Like I feel I know that everybody that works with
• 4:02
  Speaker 1: you feels that way. Like you're such a collaborator. You
• 4:05
  Speaker 1: love the process. You love making things better. You know,
• 4:10
  Speaker 1: you know, letting the best idea win. Like you can
• 4:13
  Speaker 1: feel that. And also you're a fan.
• 4:18
  Speaker 2: Like you've never stopped being a fan of the thing
• 4:20
  Speaker 2: that you're doing.
• 4:21
  Speaker 3: Absolutely. Yeah.
• 4:22
  Speaker 4: Yeah.
• 4:22
  Speaker 3: No, it's, it is. I mean, it's why I had
• 4:24
  Speaker 3: so much fun when I was on SNL. It was, it's,
• 4:27
  Speaker 3: it's the school play on steroids. It's like a supercharged
• 4:31
  Speaker 3: version of the thing that got me hooked on this
• 4:35
  Speaker 3: art form of like, we get to make it like,
• 4:38
  Speaker 3: and we get to make something bigger than any of
• 4:40
  Speaker 3: us can make alone, I think is the big thing.
• 4:42
  Speaker 4: Yes.
• 4:43
  Speaker 2: So well said. So well said. Um, And you got
• 4:47
  Speaker 2: to work with sweet Andrew Garfield.
• 4:50
  Speaker 3: Sweet, sweet Andrew Garfield.
• 4:51
  Speaker 2: First of all, congratulations on Tick, Tick, Boom. What a
• 4:53
  Speaker 2: beautiful film.
• 4:55
  Speaker 3: It makes my life that you even know what that
• 4:57
  Speaker 3: is and have seen it. Of course.
• 4:59
  Speaker 2: I loved the performance. Loved your direction.
• 5:02
  Speaker 1: Incredible cast. Can we talk about it just for a second?
• 5:06
  Speaker 1: Because I know it was.
• 5:09
  Speaker 2: Personal material.
• 5:10
  Speaker 1: It's also about a person's life who, and Andrew is
• 5:13
  Speaker 1: kind of actor who's played a lot of real people
• 5:15
  Speaker 1: as I've been looking.
• 5:16
  Speaker 2: At his career.
• 5:17
  Speaker 1: And like, could you imagine even a more considerate and
• 5:21
  Speaker 1: nicer person to like take somebody's real life into their hands?
• 5:25
  Speaker 1: But can you just tell me, how did you guys
• 5:28
  Speaker 1: come together to make that?
• 5:29
  Speaker 2: How did that, how did that happen?
• 5:31
  Speaker 3: Sure. I, I, you know, most of my familiarity with
• 5:37
  Speaker 3: Andrew's work was actually theater. Like I was lucky enough
• 5:40
  Speaker 3: to see him in Death of a Salesman with Philip
• 5:43
  Speaker 3: Seymour Hoffman. And he was unreal in that. And then
• 5:47
  Speaker 3: I saw him in Angels in America, both parts, which
• 5:54
  Speaker 3: is like, it's a day. It's your day. You go
• 5:57
  Speaker 3: to the matinee to see part one, you eat dinner,
• 5:59
  Speaker 3: you see part two, they're both three hours long. And
• 6:03
  Speaker 3: I didn't know whether he had a musical bone in
• 6:05
  Speaker 3: his body, but It's such an endurance test, that play.
• 6:09
  Speaker 3: And he was so magnificent in it that I was
• 6:12
  Speaker 3: just like, this guy can do anything. I just thought,
• 6:15
  Speaker 3: I don't know if he can sing, but I think
• 6:17
  Speaker 3: he can do anything.
• 6:19
  Speaker 4: Yeah.
• 6:20
  Speaker 3: Andrew and I had exchanged an email or two in
• 6:22
  Speaker 3: our lives. He was a fan of Hamilton. And so
• 6:25
  Speaker 3: I said, can we go out to dinner before your performance?
• 6:29
  Speaker 3: He was doing Angels on Broadway at the time. And
• 6:33
  Speaker 3: I took him out to sushi and I told him
• 6:37
  Speaker 3: about the movie we were working on. And I said,
• 6:40
  Speaker 3: can you sing? And he said, when are you making this?
• 6:45
  Speaker 3: And I go, not for a year. And he goes,
• 6:47
  Speaker 3: then I can sing.
• 6:49
  Speaker 1: Amazing.
• 6:50
  Speaker 3: And I was like, oh my God, he's going to learn.
• 6:53
  Speaker 1: Well, that's kind of like the theme of what I
• 6:56
  Speaker 1: want to talk to him about today is that he
• 6:57
  Speaker 1: works very hard. He's a really hard worker and takes,
• 7:01
  Speaker 1: I think, a lot of um, pride in that.
• 7:04
  Speaker 3: Yeah. Yeah, absolutely. He, he wants the work. He wants the,
• 7:08
  Speaker 3: the discipline. And like, you have to be a monk
• 7:10
  Speaker 3: to do eight shows a week. Like you actually have
• 7:12
  Speaker 3: to like know when you're eating, know exactly what you're
• 7:15
  Speaker 3: putting in your body so that you are at your
• 7:17
  Speaker 3: peak at 7 PM, 8 PM that night. He has
• 7:21
  Speaker 3: played a monk and like live, like lives it. Like
• 7:26
  Speaker 3: he truly lives it.
• 7:27
  Speaker 2: And you know how I feel about Broadway? Absolutely too
• 7:30
  Speaker 2: many shows. I've said this.
• 7:33
  Speaker 3: Well, to quote you in Wet Hot American Summer, theater
• 7:36
  Speaker 3: is now and it's you.
• 7:38
  Speaker 4: That is true.
• 7:40
  Speaker 3: Which I watch maybe once a month. I watch that
• 7:43
  Speaker 3: speech to myself.
• 7:44
  Speaker 2: It was very obtuse. Yeah, it makes perfect sense. It's
• 7:49
  Speaker 2: now and it's you.
• 7:50
  Speaker 3: I mean, you basically played me at 14 in that
• 7:54
  Speaker 3: movie like, guys, this is serious.
• 7:57
  Speaker 4: And then you learn.
• 7:59
  Speaker 3: Well, you learn, oh, no one wants to work with
• 8:02
  Speaker 3: that person. Like, your job is to make the most
• 8:05
  Speaker 3: fun room possible so that people choose doing the play
• 8:09
  Speaker 3: over basketball, over debate team. Like, no, no, actually, this
• 8:12
  Speaker 3: is the most fun place to be. Not guys. We're
• 8:15
  Speaker 3: going to work steps.
• 8:17
  Speaker 2: Story of my life. Story of my life, which is
• 8:19
  Speaker 2: just like, just chill out.
• 8:22
  Speaker 4: Chill out.
• 8:22
  Speaker 3: Chill out.
• 8:25
  Speaker 1: Just pump the brakes on whatever you're saying. Okay, so
• 8:31
  Speaker 1: do you have a question you think I should ask
• 8:33
  Speaker 1: Andrew today?
• 8:34
  Speaker 2: Anything big, small?
• 8:36
  Speaker 3: Well, yeah, my question comes with a story, which is
• 8:39
  Speaker 3: that famously Andrew learned to sing, took a year, and
• 8:45
  Speaker 3: then came out on the other end and was just
• 8:46
  Speaker 3: an amazing singer for my movie. And there was a
• 8:49
  Speaker 3: sequence we had to shoot that was a swimming pool scene.
• 8:52
  Speaker 3: Jonathan Larson like would swim to get his ideas. And
• 8:55
  Speaker 3: he wrote this great stream of consciousness song and he
• 8:57
  Speaker 3: gets the idea while he's doing laps. And I, you know,
• 9:02
  Speaker 3: had three days in the actual pool. Larson swam in,
• 9:06
  Speaker 3: in the village and, uh, you know, had a stunt
• 9:09
  Speaker 3: double for all of the like complicated underwater photography, had
• 9:13
  Speaker 3: a special underwater photographer. And then I found out Andrew
• 9:17
  Speaker 3: is basically Michael Phelps. Like his dad is a swim instructor.
• 9:22
  Speaker 2: That's right.
• 9:23
  Speaker 3: And Andrew swam better than my stunt double. So my
• 9:27
  Speaker 3: question is like, one, what are the other superpowers you
• 9:30
  Speaker 3: have that a director hasn't tapped yet? And one, like
• 9:35
  Speaker 3: what feels like even too much of a challenge? Like
• 9:39
  Speaker 3: he learned to sing for me. Martin Scorsese like threw
• 9:43
  Speaker 3: him into the wild. Like he's really taken on some
• 9:48
  Speaker 3: I think he gets very excited by the challenges. Like
• 9:51
  Speaker 3: what's one where, what's something that really scares him that
• 9:54
  Speaker 3: he would still probably do?
• 9:56
  Speaker 2: That's a great question.
• 9:57
  Speaker 1: And I think he's gonna love it because i think
• 10:00
  Speaker 1: he's i think he is very driven exactly by what
• 10:03
  Speaker 1: you said by the challenge of what to do next
• 10:05
  Speaker 1: and and uh yeah and i never know what he's
• 10:07
  Speaker 1: gonna do next it's always really interesting i mean his
• 10:09
  Speaker 1: new film that's out is about a peasant revolt yeah and.
• 10:13
  Speaker 3: Then he goes from that to sam altman Like it's crazy.
• 10:16
  Speaker 4: I know.
• 10:17
  Speaker 2: Crazy. Well, Lynn, I loved talking to you.
• 10:21
  Speaker 1: I think we're going to have a very good time
• 10:22
  Speaker 1: and not a scary dream time.
• 10:24
  Speaker 2: When we see each other.
• 10:25
  Speaker 4: Thank you.
• 10:25
  Speaker 3: I appreciate that.
• 10:28
  Speaker 2: And thanks for stepping away.
• 10:30
  Speaker 3: Absolutely. Have fun with Andrew. He's a lovey, lovey, love.
• 10:32
  Speaker 4: Okay.
• 10:32
  Speaker 2: Take care. Thanks again.
• 10:33
  Speaker 3: Awesome. Bye.
• 10:37
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• 11:11
  Speaker 2: Picture this.
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  Speaker 1: It's 3 p.m. The day started strong. Spirits were high.
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• 11:42
  Speaker 2: Andrew Garfield is here. We're talking about smells. Do you
• 11:46
  Speaker 2: feel like you have a delicate... Do you feel like
• 11:47
  Speaker 2: you have a sensitive nose? Can you smell things?
• 11:52
  Speaker 3: I do.
• 11:53
  Speaker 2: I feel like I'm a super smeller. Do you not?
• 11:59
  Speaker 2: Do not.
• 12:03
  Speaker 1: I bet you are sensitive to smells.
• 12:07
  Speaker 2: If I can't deal with... Smell is my number one...
• 12:12
  Speaker 2: My number one sense.
• 12:14
  Speaker 4: Sense.
• 12:15
  Speaker 2: I'm the best at it. What do you think is
• 12:22
  Speaker 2: your best of the five senses?
• 12:23
  Speaker 4: What is your best? What's my best sense? What's my
• 12:25
  Speaker 4: most accomplished sense?
• 12:27
  Speaker 2: We've got smell.
• 12:29
  Speaker 4: Remind me of the answer.
• 12:30
  Speaker 2: Okay, we've got smell. We've got hearing.
• 12:32
  Speaker 4: Ah, yep.
• 12:33
  Speaker 2: We've got sight. We've got touch. And what's the other one?
• 12:38
  Speaker 3: Taste.
• 12:39
  Speaker 4: Oh, yeah. I always forget taste.
• 12:42
  Speaker 2: Are you kidding?
• 12:44
  Speaker 4: I'm not going to be humble about this. Don't be.
• 12:48
  Speaker 4: And I don't mean to brag at the same time.
• 12:50
  Speaker 4: I'm kind of trying to be neutral.
• 12:51
  Speaker 2: I love a brag.
• 12:52
  Speaker 4: I'd say touch.
• 12:54
  Speaker 1: Dang. This is the beginning of the worst or the
• 13:09
  Speaker 1: best date ever.
• 13:12
  Speaker 2: But touch, so do you, okay, let me ask you
• 13:14
  Speaker 2: a touch question. Yeah, please do. Because I enjoy, I enjoy,
• 13:18
  Speaker 2: I like how things feel.
• 13:19
  Speaker 4: Like, I like the texture. Yes, you're a tactile.
• 13:21
  Speaker 2: I'm a tactile person as well.
• 13:22
  Speaker 4: Yeah.
• 13:23
  Speaker 1: When you're shopping for clothes, do you do what I do,
• 13:27
  Speaker 1: which is you just, you go like this.
• 13:30
  Speaker 4: You just go like this.
• 13:32
  Speaker 2: For real, if it's not soft, I'm not interested.
• 13:34
  Speaker 4: Yeah.
• 13:36
  Speaker 2: You sniff it and.
• 13:38
  Speaker 4: Then you touch it. Fabric. Yeah. You know what I love? Yes.
• 13:47
  Speaker 4: Can I tell you anyway?
• 13:48
  Speaker 3: Yes.
• 13:52
  Speaker 4: Felt.
• 13:53
  Speaker 2: I fucking love felt.
• 13:55
  Speaker 4: Fucking hell. What do we got?
• 13:57
  Speaker 2: Hold on.
• 13:57
  Speaker 4: Stand by. We're going to start the interview. I know
• 14:00
  Speaker 4: where the felt is in this room. I'm like a
• 14:01
  Speaker 4: divining rod for felt.
• 14:03
  Speaker 1: Hold on.
• 14:03
  Speaker 2: Okay, this is... We're recording in New York. I have
• 14:06
  Speaker 2: more felt in L.A.
• 14:07
  Speaker 4: Okay.
• 14:08
  Speaker 5: Yeah, L.A.
• 14:08
  Speaker 4: Is much more felt friendly.
• 14:11
  Speaker 2: This is a fake cheeseburger. Open that up.
• 14:13
  Speaker 3: Oh, my God.
• 14:15
  Speaker 2: That's a hard felt.
• 14:17
  Speaker 4: It's a little hard, this felt. Yeah, it's a little hard.
• 14:20
  Speaker 4: That's what she said. It's not Munich felt. I was
• 14:23
  Speaker 4: just in Munich. Munich felt. Yeah. I told you I
• 14:27
  Speaker 4: like felt. Say more. Munich is known for its felt making.
• 14:32
  Speaker 3: Whoa, cool.
• 14:32
  Speaker 4: That's all I got.
• 14:33
  Speaker 2: And it has like specific.
• 14:35
  Speaker 4: You can tell. Beautifully made felt. So I was shooting
• 14:39
  Speaker 4: in Munich. This is a great podcast story. I was
• 14:42
  Speaker 4: shooting in Munich.
• 14:43
  Speaker 1: Yes.
• 14:44
  Speaker 4: And I didn't have much time on my hands. I
• 14:48
  Speaker 4: was shooting like intensely. But the time I did have
• 14:52
  Speaker 4: was spent in the felt store.
• 14:54
  Speaker 2: Were you playing somebody who had to felt?
• 14:56
  Speaker 4: No, I was playing a peasant.
• 14:58
  Speaker 2: Right. This is this new movie, The Uprising.
• 15:00
  Speaker 4: Yes, called The Uprising.
• 15:02
  Speaker 1: We want to talk about it. And I want to
• 15:03
  Speaker 1: talk about the fact that you are, look at you.
• 15:05
  Speaker 1: You really do like touches of very important sense.
• 15:09
  Speaker 2: Look at you touching.
• 15:10
  Speaker 4: I would never lie to you about something so vital.
• 15:12
  Speaker 4: Hold on.
• 15:12
  Speaker 1: Sorry, but I just want to indulge your touch fantasy here,
• 15:15
  Speaker 1: which is look at this.
• 15:16
  Speaker 4: What do you got?
• 15:18
  Speaker 2: Another cheeseburger.
• 15:19
  Speaker 4: This fell too hard for me. Yeah, sorry.
• 15:21
  Speaker 2: That wasn't good. Give that a squeeze.
• 15:23
  Speaker 4: Oh, that's lovely.
• 15:24
  Speaker 2: That's what she said.
• 15:25
  Speaker 4: That's really lovely. I'm really glad it doesn't squeak.
• 15:28
  Speaker 1: I'm glad it doesn't squeak because I'm an adult.
• 15:30
  Speaker 2: You know what I mean?
• 15:31
  Speaker 4: Yeah, you're a mature lady. I'm a mature adult.
• 15:33
  Speaker 2: I don't need a dog toy.
• 15:34
  Speaker 4: I don't need to get excited by sounds in the
• 15:36
  Speaker 4: way that a dog might.
• 15:37
  Speaker 3: No.
• 15:38
  Speaker 1: There's actually no worse feeling than when you bring home
• 15:40
  Speaker 1: a toy for a child or a dog and you
• 15:42
  Speaker 1: realize that it squeaks.
• 15:43
  Speaker 2: You're like, oh, fuck.
• 15:43
  Speaker 4: Oh, fuck. Why didn't I check that? Yeah. What's cool
• 15:47
  Speaker 4: about this... Yeah?
• 15:50
  Speaker 3: Yeah.
• 15:51
  Speaker 4: What's cool about this.
• 15:55
  Speaker 2: Let me smell it while you talk about it. I've
• 15:59
  Speaker 2: never smelt it. It's not bad. You know, sometimes these
• 16:02
  Speaker 2: smell like they come.
• 16:04
  Speaker 4: Yeah, yeah, yeah. Okay. You all know.
• 16:07
  Speaker 2: You all know.
• 16:08
  Speaker 4: You all know what we're about to say.
• 16:09
  Speaker 1: You guys know how your fake cheeseburgers sometimes smell in
• 16:12
  Speaker 1: your office. You know.
• 16:16
  Speaker 2: We, Andrew Garfield is here.
• 16:21
  Speaker 4: That's all the time we have.
• 16:23
  Speaker 2: But you're talking about the uprising. I want to talk
• 16:24
  Speaker 2: to you about this because I... I want to talk
• 16:26
  Speaker 2: about everything. Okay, I've been thinking about my theme for you.
• 16:29
  Speaker 3: Theme?
• 16:30
  Speaker 1: Yeah, about what to talk to you about today because
• 16:32
  Speaker 1: I feel like we could talk forever.
• 16:33
  Speaker 3: Yes.
• 16:33
  Speaker 2: And I love talking to you.
• 16:35
  Speaker 4: Me too. Same. I love this, by the way. What
• 16:38
  Speaker 4: you're doing here is so beautiful.
• 16:39
  Speaker 5: Thank you.
• 16:40
  Speaker 4: And I'm like, it's about time. There's another podcast.
• 16:42
  Speaker 5: Yeah.
• 16:43
  Speaker 2: I know there wasn't enough. Weirdly, people hadn't... Weirdly, they
• 16:46
  Speaker 2: were like, we have room for one more?
• 16:48
  Speaker 4: I just said, one more. And I was like, No,
• 16:51
  Speaker 4: but if anyone should in this world have this room,
• 16:54
  Speaker 4: it is Polar.
• 16:55
  Speaker 2: Thank you for that. It's really fun.
• 16:58
  Speaker 4: Yeah, man. It's really fun. Yeah.
• 17:01
  Speaker 1: I've been paying attention to, as I've been thinking about
• 17:04
  Speaker 1: and prepping for today, about your work and your life
• 17:07
  Speaker 1: and you. And I'm fascinated by your love of hard work.
• 17:13
  Speaker 2: You just love to work hard.
• 17:15
  Speaker 4: Yeah, I do.
• 17:15
  Speaker 2: You love it.
• 17:16
  Speaker 4: You do too.
• 17:17
  Speaker 2: Yes, but not as much as I used to.
• 17:19
  Speaker 4: Not anymore. That's why I have a podcast, baby.
• 17:21
  Speaker 2: Just realizing.
• 17:22
  Speaker 4: Sitting down with a.
• 17:25
  Speaker 1: But your, your work ethic is really something it's, I'm,
• 17:29
  Speaker 1: it's very admirable. I'm, I know you, you care, like
• 17:32
  Speaker 1: your love language feels like it's like acts of service,
• 17:35
  Speaker 1: like You do things for people, right?
• 17:38
  Speaker 2: I got you.
• 17:39
  Speaker 3: Very funny.
• 17:40
  Speaker 4: Yes, you're on. You're dead on.
• 17:41
  Speaker 1: That is how you show your passion for stuff, your
• 17:44
  Speaker 1: love for people, and how you show up in your work.
• 17:47
  Speaker 1: And you're always working so hard in everything you're doing.
• 17:51
  Speaker 2: You're training. You're starving. You're learning how to sing. This
• 17:56
  Speaker 2: new movie looks so hard. And dirty and hard. And
• 18:06
  Speaker 2: that's all. I just want you to just take it.
• 18:09
  Speaker 4: I want to talk to your team.
• 18:10
  Speaker 1: Take it easier.
• 18:10
  Speaker 4: You want me to take it easier? Yeah.
• 18:12
  Speaker 1: No, but I'm really into your relationship to work because
• 18:15
  Speaker 1: I think it's like, it's very admirable. And also I
• 18:18
  Speaker 1: think it's very, I think it's your way into stuff.
• 18:23
  Speaker 2: Would you agree?
• 18:24
  Speaker 4: Yeah, I mean, you know, I keep, because one of
• 18:27
  Speaker 4: my favorite episodes that you've done is with Cole Escola. Oh, yeah.
• 18:31
  Speaker 4: it's heaven it's a heaven conversation and just the running
• 18:35
  Speaker 4: bit of I just like.
• 18:37
  Speaker 5: Playing it's just all it's all play to me like
• 18:40
  Speaker 5: the play is the thing and like honestly I'm just
• 18:43
  Speaker 5: like I can never go on Amy's podcast because I
• 18:46
  Speaker 5: will be the guy actually saying that for real.
• 18:49
  Speaker 4: I know what you mean it's really impossible you guys
• 18:52
  Speaker 4: have made it impossible to have a serious conversation.
• 18:54
  Speaker 1: About creativity I know what you mean but I think
• 18:57
  Speaker 1: I can speak for myself and I'd like to speak
• 18:59
  Speaker 1: for Cole okay But I'm very interested in what motivates people.
• 19:03
  Speaker 4: Yeah, sure, of course.
• 19:04
  Speaker 1: Like how people move through the world. And that's the
• 19:06
  Speaker 1: coolest thing about these convos.
• 19:08
  Speaker 4: Yeah.
• 19:09
  Speaker 1: Were you always like a hard worker? What did work
• 19:12
  Speaker 1: look like in your house, in your family?
• 19:14
  Speaker 4: Yeah, no, it's, yeah. Oh, boy. I know we're going to.
• 19:18
  Speaker 3: No, I know.
• 19:18
  Speaker 4: Do you want to hold something?
• 19:19
  Speaker 2: Do you want to touch something? Do you want to
• 19:21
  Speaker 2: squeeze something?
• 19:21
  Speaker 4: Is there any felt that's softer?
• 19:23
  Speaker 2: There's no, no, there's no Munich felt.
• 19:26
  Speaker 4: There's no Munich felt in here?
• 19:27
  Speaker 3: No.
• 19:28
  Speaker 2: I know, it's a disgusting studio. Jenna, get the Munich bell.
• 19:33
  Speaker 4: Bring out the Munich bell, Jenna. So, yes. You worked hard.
• 19:41
  Speaker 3: Okay, fine.
• 19:41
  Speaker 2: I'll just ask you another question.
• 19:43
  Speaker 4: No, no, no. I really love what you're... I just
• 19:47
  Speaker 4: ironically tucked my hair behind my ears.
• 19:49
  Speaker 3: By the way.
• 19:49
  Speaker 4: your hair is incredible. We're in the same position right now.
• 19:53
  Speaker 2: Your hair is great.
• 19:54
  Speaker 4: Propecia. Great. You know what?
• 19:57
  Speaker 2: People should know that.
• 19:57
  Speaker 3: People?
• 19:58
  Speaker 2: I don't... Every man I know is on Propecia.
• 20:01
  Speaker 4: You just outed every single man in your life that
• 20:04
  Speaker 4: you know, including your young nephews and sons. I don't know.
• 20:08
  Speaker 4: Like every single male.
• 20:11
  Speaker 2: Propecia is incredible. And thank you for saying that. You
• 20:14
  Speaker 2: have naturally very thick hair. You always have. You have. Congrats. Incredible.
• 20:20
  Speaker 2: And I bet you grew it like that. And you
• 20:22
  Speaker 2: bet you don't even comb it in the morning and
• 20:25
  Speaker 2: it looks incredible.
• 20:25
  Speaker 4: I lied about the Propecia. It's just all natural. I'm
• 20:27
  Speaker 4: just trying to be relatable to other guys out there.
• 20:30
  Speaker 2: But your hair looks great. But anyway, sorry. You talked
• 20:32
  Speaker 2: fine earlier.
• 20:32
  Speaker 4: I'm going to say something controversial. Sometimes people are great.
• 20:39
  Speaker 4: Do you know what I mean? Sometimes people are really great.
• 20:42
  Speaker 4: And I know that's a hot take.
• 20:43
  Speaker 2: That is controversial, Andrew. But that's so you.
• 20:48
  Speaker 1: I mean, there's a real humanity to the stuff you do.
• 20:52
  Speaker 1: There's also, you're just a delightful person to be around.
• 20:55
  Speaker 2: You're a real tenderoni.
• 20:56
  Speaker 4: I am a tenderoni. I will co-sign that.
• 20:59
  Speaker 2: You're a real tenderoni.
• 21:00
  Speaker 4: You and me both. Yes.
• 21:02
  Speaker 2: And people are great. So say more.
• 21:04
  Speaker 4: Some people, some human beings can be really wonderful and
• 21:08
  Speaker 4: add beautiful things to the earth and to the world.
• 21:12
  Speaker 4: And- I guess I'm curious as well about what is
• 21:17
  Speaker 4: it that makes us feel compelled to do that? My
• 21:23
  Speaker 4: mother was one of those people in every single moment
• 21:28
  Speaker 4: of her life. I have this image of her now
• 21:30
  Speaker 4: that she's passed. And it came very like a flash
• 21:34
  Speaker 4: in a dream or like an awakening. I don't know
• 21:37
  Speaker 4: what it was, but I had this image of her.
• 21:40
  Speaker 4: being reunited with her tribe after she passed. And it
• 21:45
  Speaker 4: made sense to me why she could be so hard
• 21:49
  Speaker 4: on herself in Carnet when she was alive. I was like, oh,
• 21:54
  Speaker 4: you knew you were meant to be in a thousand
• 21:58
  Speaker 4: different places at once giving goodness to people. And you
• 22:03
  Speaker 4: knew in some unconscious way that you were being restricted
• 22:06
  Speaker 4: by this vessel of a body, by the vessel of
• 22:10
  Speaker 4: restriction of time and space. So when she passed, I could,
• 22:14
  Speaker 4: I just, I don't know, like I don't even have
• 22:16
  Speaker 4: had this experience with someone who's passed, but it's like
• 22:18
  Speaker 4: in the first month or two, I felt more connected
• 22:23
  Speaker 4: to her than I ever felt connected to her when
• 22:25
  Speaker 4: she was incarnate, when she was alive. Let's put it
• 22:30
  Speaker 4: in quotation marks. I do believe that she's here right
• 22:33
  Speaker 4: now and she's everywhere all at once. I do believe that.
• 22:36
  Speaker 4: And I have a knowing of that. So there was
• 22:40
  Speaker 4: something about seeing maybe seeing my mother in a very
• 22:45
  Speaker 4: specific kind of hard work. that was so naturally occurring
• 22:50
  Speaker 4: for her. And I was always someone, in the same
• 22:52
  Speaker 4: way that you just did with me, I was always
• 22:53
  Speaker 4: someone with her who was like, just take a trip.
• 22:56
  Speaker 2: Just relax.
• 22:57
  Speaker 4: You're enough. You're the most beautiful angel on earth. You
• 23:03
  Speaker 4: can give yourself what you need. give to others. And
• 23:07
  Speaker 4: it doesn't make you selfish. It doesn't make you any
• 23:11
  Speaker 4: which way. But after she passed, I had this real
• 23:14
  Speaker 4: understanding of like, oh no, that was just inherently who
• 23:17
  Speaker 4: she was. I don't know whether it was nurture or not.
• 23:18
  Speaker 4: I have no idea, but it was just the activating,
• 23:22
  Speaker 4: the animating spirit of her, of her essential nature, of
• 23:27
  Speaker 4: her essential being. And I guess you could call that
• 23:31
  Speaker 4: hard work or you could, I don't know, there's something
• 23:34
  Speaker 4: otherworldly about it. As I say, after she passed, I
• 23:36
  Speaker 4: was like, oh, she's back. She's actually back. She's back
• 23:40
  Speaker 4: where she's meant to be running around with her like
• 23:43
  Speaker 4: good angel brigade, like giving people who need a miracle,
• 23:46
  Speaker 4: a miracle, like times a million. I could just feel it.
• 23:50
  Speaker 4: And I was just one of the people that she was...
• 23:52
  Speaker 4: Hanging out with. Beautiful.
• 23:54
  Speaker 1: I mean, the idea that her spirit and one spirit
• 23:57
  Speaker 1: can be kind of like released once they leave their body.
• 24:01
  Speaker 2: Just the idea that somebody is bigger than their body.
• 24:06
  Speaker 4: Yes.
• 24:07
  Speaker 1: And that's so interesting that you talk about your mom
• 24:10
  Speaker 1: when I ask you that question, because there is something
• 24:13
  Speaker 1: in your work that feels really not only curious, but
• 24:18
  Speaker 1: very unbridled.
• 24:19
  Speaker 2: Like you like to kind of go... go places.
• 24:22
  Speaker 1: As I'm trying to like psychoanalyze, and again, I am
• 24:25
  Speaker 1: no therapist, but I do feel like I am.
• 24:29
  Speaker 2: And that's what this podcast is about.
• 24:30
  Speaker 4: Again, she says again.
• 24:31
  Speaker 2: And I will give you a prescription at the end
• 24:33
  Speaker 2: of this.
• 24:35
  Speaker 1: No, but I think it's also very interesting that you talk,
• 24:38
  Speaker 1: even though you're British in many ways, you were born
• 24:42
  Speaker 1: in the US and you talk, like I find you
• 24:44
  Speaker 1: toggle back and forth between those things culturally very easy.
• 24:49
  Speaker 1: And I had a question for you, which is, What
• 24:51
  Speaker 1: do you think is the most American thing about you?
• 24:54
  Speaker 4: My love of hamburgers. I love hamburgers.
• 24:59
  Speaker 2: You have very youthful energy as a person. You're a
• 25:02
  Speaker 2: little brother.
• 25:03
  Speaker 4: Yes, I am. And your older brother is a doctor.
• 25:05
  Speaker 4: He's a doctor, a heart and lung doctor in London.
• 25:07
  Speaker 3: Oh, my God.
• 25:07
  Speaker 4: Yeah, the good son. The good, yeah. He's the one
• 25:11
  Speaker 4: that made good.
• 25:12
  Speaker 1: Yeah.
• 25:12
  Speaker 4: He made good, yeah.
• 25:13
  Speaker 2: Did he always? Was he always?
• 25:14
  Speaker 4: Yeah, he was head boy at school. He was catching
• 25:16
  Speaker 4: the swimming team. He was a fucking son of a bitch. Yeah.
• 25:19
  Speaker 4: He was a son of a bitch.
• 25:20
  Speaker 2: How many years older than you?
• 25:21
  Speaker 4: Three years older.
• 25:22
  Speaker 3: Yeah, yeah.
• 25:22
  Speaker 4: I was fucked. I was fucked from day one. And
• 25:24
  Speaker 4: he gave me meningitis. Day two of my life. He
• 25:28
  Speaker 4: brings home meningitis.
• 25:30
  Speaker 2: And then he became a doctor to heal you from it.
• 25:32
  Speaker 4: You really should prescribe at the end of this. And yeah,
• 25:38
  Speaker 4: I think being raised in a competitive household is definitely
• 25:41
  Speaker 4: a part... In the nuts and bolts of the therapy,
• 25:44
  Speaker 4: it would be like, yeah, we don't feel enough, the
• 25:46
  Speaker 4: Garfield men. There is a kind of.
• 25:49
  Speaker 2: But competition sometimes gets a bad rap.
• 25:51
  Speaker 4: I love competition. I love games. God, I love it too.
• 25:55
  Speaker 4: I fucking.
• 25:56
  Speaker 2: What kind of game player are you? You know what
• 25:58
  Speaker 2: I mean? Like, do you get too intense?
• 26:00
  Speaker 4: Yes.
• 26:01
  Speaker 2: Yeah, me too.
• 26:01
  Speaker 4: I think you would have to ask my friends this,
• 26:03
  Speaker 4: but I would say I do, I have, I can
• 26:06
  Speaker 4: upset people.
• 26:07
  Speaker 2: Yeah, I have as well.
• 26:08
  Speaker 1: I work on it because obviously, like, everyone wants to
• 26:11
  Speaker 1: have a good time. But when people say things like,
• 26:15
  Speaker 1: I know, when people say things like, who really cares?
• 26:17
  Speaker 2: I'm like, What are we doing?
• 26:20
  Speaker 4: What do you mean?
• 26:20
  Speaker 2: Like, we're playing a game. Like, we have to try
• 26:23
  Speaker 2: to win as best we can.
• 26:25
  Speaker 4: Otherwise, you're ruining the game.
• 26:26
  Speaker 5: Yeah.
• 26:27
  Speaker 4: Anyone who, like, says, yeah, I'll play, and then it's like.
• 26:29
  Speaker 2: Yeah, like, this is so stupid.
• 26:30
  Speaker 4: It's like... Don't fucking play. Don't fucking play. Yeah, don't
• 26:32
  Speaker 4: show up.
• 26:33
  Speaker 2: And also, I'm treating you... I'm being rough on you
• 26:37
  Speaker 2: because I believe in you.
• 26:38
  Speaker 4: And I love you. Yeah, for sure.
• 26:40
  Speaker 2: I mean, I expect the best from you.
• 26:42
  Speaker 4: Yeah, and I want you to grow.
• 26:45
  Speaker 2: I want you to grow at... At celebrity or whatever
• 26:49
  Speaker 2: we're playing.
• 26:49
  Speaker 4: Traitors, werewolves.
• 26:51
  Speaker 3: Okay.
• 26:51
  Speaker 2: Do you like playing mafia?
• 26:52
  Speaker 4: Yeah. Well, I play werewolf is the version I play. Yeah.
• 26:55
  Speaker 2: I'm not, I'm.
• 26:56
  Speaker 4: I'm bad at being the werewolf.
• 26:58
  Speaker 2: Dude, me too. I hate it. And when I get it,
• 27:00
  Speaker 2: I'm like, oh fuck.
• 27:01
  Speaker 1: I know.
• 27:02
  Speaker 4: I hate it.
• 27:02
  Speaker 2: I hate it.
• 27:03
  Speaker 4: I hate.
• 27:03
  Speaker 1: I hate the lying, I hate the- Deception, I know.
• 27:06
  Speaker 1: I know, but I love accusing.
• 27:09
  Speaker 4: Yes, of course. With John Proctoring. And also defending oneself.
• 27:13
  Speaker 3: Of course.
• 27:14
  Speaker 2: Being like, how dare you think that I'm.
• 27:16
  Speaker 4: Like, it was my name! You could not take my name!
• 27:20
  Speaker 4: And everyone's just like, drinking their beers, and just like,
• 27:24
  Speaker 4: wanting to go to the bathroom. Like, thou shalt not!
• 27:28
  Speaker 2: Okay. So let's get in. I do want to ask
• 27:32
  Speaker 2: you a couple of questions about your work. Okay. I
• 27:34
  Speaker 2: have to.
• 27:34
  Speaker 4: Okay.
• 27:36
  Speaker 1: Your first film, you're with Meryl Streep and Cruz and
• 27:40
  Speaker 1: Robert Redford.
• 27:41
  Speaker 3: Yeah.
• 27:41
  Speaker 4: How old are you then? I'm 23, I want to say.
• 27:44
  Speaker 1: So you're coming onto that set. Like we all, you know,
• 27:48
  Speaker 1: you have the, everyone has the jitters of like any
• 27:51
  Speaker 1: first day on any job.
• 27:52
  Speaker 3: Yeah.
• 27:52
  Speaker 2: Like, I'm just going to be cool. Just don't talk
• 27:57
  Speaker 2: too much.
• 27:57
  Speaker 1: Like, that's what I would say to myself. Just listen
• 28:00
  Speaker 1: more than you talk. They'll get to know you. Whatever
• 28:03
  Speaker 1: you're saying to yourself. As you're driving to set or whatever,
• 28:06
  Speaker 1: what are you saying to yourself when you're approaching that set?
• 28:09
  Speaker 2: That's a really intimidating set. That's so intimidating. Oh, my God.
• 28:13
  Speaker 2: What was it like to work with Robert Redford?
• 28:15
  Speaker 4: I don't know what I was telling myself. So, first
• 28:19
  Speaker 4: of all, Bob Redford, God rest his soul, beautiful soul
• 28:24
  Speaker 4: of service that man had a soul for service like
• 28:27
  Speaker 4: what he did with Sundance and like and what that
• 28:30
  Speaker 4: sprung from came out it came out of him I
• 28:33
  Speaker 4: think helping out his new neighbor in Utah who was
• 28:36
  Speaker 4: about to be foreclosed on he said I'll buy your
• 28:38
  Speaker 4: farm so you can keep it I'm gonna have to
• 28:39
  Speaker 4: make some some money out of it and we'll set
• 28:42
  Speaker 4: up a like a lab for young filmmakers so it
• 28:45
  Speaker 4: came out of him helping out his neighbor it's just
• 28:47
  Speaker 4: like he was he was a beautiful beautiful man And
• 28:51
  Speaker 4: very late all the time to everything. So I say
• 28:55
  Speaker 4: it with love. So I'm like, yeah, terrified and nervous
• 28:59
  Speaker 4: and pinching myself. And then Bob is four hours late.
• 29:03
  Speaker 4: And it's just like, by that time, I'm just pissed.
• 29:07
  Speaker 4: I'm just angry. Okay, let's talk about this.
• 29:10
  Speaker 2: No, it wasn't really.
• 29:12
  Speaker 4: Yeah, yeah. But a lot of the nerves had kind
• 29:14
  Speaker 4: of dissipated because he was so loose and casual. And
• 29:19
  Speaker 4: he was so cool. And he still dressed like he
• 29:23
  Speaker 4: was in his 20s with the double denim. And he
• 29:26
  Speaker 4: wasn't aware that he was late. He was just like
• 29:28
  Speaker 4: on his own Redford time. And he was famously late.
• 29:32
  Speaker 4: I'm not like telling tales out of school. He was
• 29:34
  Speaker 4: like a famously late.
• 29:35
  Speaker 2: Well, God is fair.
• 29:36
  Speaker 1: I mean, you know, like he's so handsome, like there's
• 29:38
  Speaker 1: going to be something wrong with him. I mean, what
• 29:41
  Speaker 1: if he was like on time?
• 29:42
  Speaker 2: I'm like, okay, great. So he's late. Like you'd be
• 29:45
  Speaker 2: a little annoyed with the guy.
• 29:47
  Speaker 4: So he's late.
• 29:47
  Speaker 3: Yeah.
• 29:48
  Speaker 2: He's like, I was too handsome.
• 29:50
  Speaker 4: I couldn't get in my car. I couldn't stop looking.
• 29:53
  Speaker 4: I felt guilty.
• 29:54
  Speaker 2: So you were feeling less nervous.
• 29:56
  Speaker 4: It helped. Well, he was so relaxed. Yeah, he was
• 29:58
  Speaker 4: so relaxed. He was so relaxed, and he would shoot
• 30:02
  Speaker 4: his own coverage first. He would shoot himself, and then
• 30:06
  Speaker 4: he would look at me after his first take, and
• 30:08
  Speaker 4: he'd be like, what do you think? Because he was
• 30:10
  Speaker 4: directing as well, so all my scenes were with him,
• 30:12
  Speaker 4: and he was like, what do you think? And I
• 30:15
  Speaker 4: was like, I get it. Great.
• 30:17
  Speaker 1: Really good.
• 30:17
  Speaker 4: He's really good, Robert Redford. And he's like, okay.
• 30:20
  Speaker 2: Oh, that's really generous.
• 30:21
  Speaker 4: I'll do it again. I'll do it again. But yeah,
• 30:23
  Speaker 4: tell me if you see anything that you think. And
• 30:25
  Speaker 4: I'm like, oh my God.
• 30:26
  Speaker 2: Oh, that's a really interesting move, right?
• 30:28
  Speaker 4: It was heaven.
• 30:28
  Speaker 2: Because he's trying to like.
• 30:29
  Speaker 4: Yeah, just make me feel like it was my set
• 30:32
  Speaker 4: and make me feel like I was an equal and
• 30:33
  Speaker 4: like it was my first movie.
• 30:35
  Speaker 2: Yeah, that's very nice.
• 30:37
  Speaker 4: Oh, he was so nice. He was so beautiful. And
• 30:39
  Speaker 4: it was like a theater play and I'd done only
• 30:41
  Speaker 4: theater at that point. It was a lot of dialogue
• 30:43
  Speaker 4: and it was like a.
• 30:44
  Speaker 2: Well, you are a theater person. You're a theater boy.
• 30:47
  Speaker 4: I love theater.
• 30:48
  Speaker 2: That is your first love.
• 30:50
  Speaker 4: That is my first love. That was like my first
• 30:54
  Speaker 4: exit of the Truman Show. You know what I mean?
• 30:56
  Speaker 4: Like opening that door in the sky and then it
• 30:58
  Speaker 4: was like there's a whole world out there that I
• 31:02
  Speaker 4: had no idea existed.
• 31:03
  Speaker 2: When you were working on that film, were you still
• 31:05
  Speaker 2: working at Starbucks?
• 31:07
  Speaker 3: No, no, no.
• 31:07
  Speaker 2: You had quit Starbucks.
• 31:08
  Speaker 4: I had quit Starbucks.
• 31:11
  Speaker 2: No, because there is always this weird thing sometimes when
• 31:13
  Speaker 2: you're acting.
• 31:14
  Speaker 4: No, I wasn't ready to fully let go of it.
• 31:15
  Speaker 5: Of course.
• 31:15
  Speaker 4: I wasn't like, you know, I'm not going to say
• 31:17
  Speaker 4: that that era is over.
• 31:18
  Speaker 3: Right?
• 31:19
  Speaker 4: I had a little bit of a shock straight out
• 31:21
  Speaker 4: of drama school. I did two plays in a row,
• 31:24
  Speaker 4: and then I was like, I'm set.
• 31:26
  Speaker 3: Yeah.
• 31:26
  Speaker 4: And I did like a Doritos commercial in Spain.
• 31:28
  Speaker 2: Yes.
• 31:28
  Speaker 4: And I'm like, that's that. I guess so. Wrap it up, fellas.
• 31:34
  Speaker 4: Wrap it up. That's my kind of like the rest
• 31:38
  Speaker 4: of my life is going to be the occasional Doritos
• 31:40
  Speaker 4: crisp commercial and great theater work. I'm good. And then
• 31:45
  Speaker 4: I didn't work for a year. And then I started
• 31:47
  Speaker 4: having to wait tables again and be a bartender. And
• 31:51
  Speaker 4: I broke up with my girlfriend. So it was like
• 31:53
  Speaker 4: a really great year of.
• 31:56
  Speaker 4: You know, you're never safe. Yeah. Like this destabilized kind
• 32:01
  Speaker 4: of place. I still have it. I'm sure that you
• 32:04
  Speaker 4: do too, even at the top of this swanky building
• 32:07
  Speaker 4: or not. You're like, no, I'm pretty much set.
• 32:09
  Speaker 2: No, you know, it's funny. It's funny you say that.
• 32:11
  Speaker 2: I know what you mean.
• 32:12
  Speaker 1: Like, I still just feel like you have to have
• 32:14
  Speaker 1: a plan always just if everything goes away.
• 32:18
  Speaker 4: Yeah. What's yours?
• 32:20
  Speaker 1: Well, I mean, it's funny. I, I still have dreams
• 32:25
  Speaker 1: sometimes about going back being a waitress because I liked
• 32:30
  Speaker 1: waiting tables a lot. Because working in the service industry
• 32:35
  Speaker 1: in general, I liked a lot because there was just
• 32:37
  Speaker 1: certain things that felt like you just completed your night.
• 32:40
  Speaker 1: Like your night had a system and you completed it.
• 32:42
  Speaker 1: You interacted with people enough that you performed a little bit.
• 32:46
  Speaker 1: You were with people who also worked very hard. But
• 32:49
  Speaker 1: the idea of like doing a good job still means
• 32:52
  Speaker 1: a lot to me. I know it means a lot
• 32:54
  Speaker 1: to you. I get a lot of self-esteem from work.
• 32:58
  Speaker 4: Yeah.
• 33:06
  Speaker 2: Do you consider yourself a method actor?
• 33:08
  Speaker 4: So the method....
• 33:14
  Speaker 2: And if so, who am I speaking to?
• 33:18
  Speaker 1: But it's like, because it is, you do go pretty
• 33:23
  Speaker 1: deep when you're playing coach.
• 33:25
  Speaker 2: You do.
• 33:25
  Speaker 4: You got that trickster look in your eye. You're looking
• 33:28
  Speaker 4: for the clickbait headline. You're like, is he going to
• 33:31
  Speaker 4: give me the juice?
• 33:32
  Speaker 2: Babe, you lost all this weight.
• 33:35
  Speaker 1: You studied for a year being a monk.
• 33:40
  Speaker 2: You go for it. You vote for it.
• 33:42
  Speaker 4: Are you method?
• 33:43
  Speaker 3: I do.
• 33:44
  Speaker 4: Are you method? Answer the question. Are you method? It's
• 33:47
  Speaker 4: a yes or no question.
• 33:47
  Speaker 3: I mean, are.
• 33:52
  Speaker 2: You though?
• 33:54
  Speaker 4: Don't try and get.
• 33:56
  Speaker 5: Cute with it.
• 33:56
  Speaker 2: Okay, okay, okay.
• 33:58
  Speaker 3: Are you? But are you?
• 33:59
  Speaker 4: No, but I want to know. In a way, yes,
• 34:03
  Speaker 4: but I think, yeah, better. I think the term has
• 34:08
  Speaker 4: been massively mischaracterized, misunderstood and co-opted by people that don't know.
• 34:12
  Speaker 4: A method is basically having a method. And like the
• 34:17
  Speaker 4: Stanislavski method, the Strasberg method is about trying to live
• 34:21
  Speaker 4: truthfully under imagined circumstances and having it feel personal, having
• 34:27
  Speaker 4: it feel connected to something that's interior, that is not just...
• 34:34
  Speaker 4: a kind of more performative exterior abstraction. So I feel like, yes,
• 34:42
  Speaker 4: but I don't... I think there's a way of doing
• 34:46
  Speaker 4: it that's generous. I think there's a way of accessing
• 34:48
  Speaker 4: that work and that style of working that doesn't fuck
• 34:51
  Speaker 4: with the rest of the cast, that doesn't fuck with
• 34:53
  Speaker 4: the rest of the crew, that you don't have to
• 34:56
  Speaker 4: lose a bunch of weight. That's playful.
• 34:58
  Speaker 3: Yeah.
• 34:59
  Speaker 4: Well, yeah. That's playful. Totally. And generous. And my personal
• 35:05
  Speaker 4: taste and my personal... Sidney Lumet... The great, one of
• 35:10
  Speaker 4: my favorite filmmakers of all time who seemed to vanish
• 35:13
  Speaker 4: as a director in his movies in the sense that
• 35:15
  Speaker 4: like he let his movies be the movies rather than
• 35:19
  Speaker 4: letting people know that he directed them. Yes. You know
• 35:21
  Speaker 4: what I mean? Like every movie is such a different flavor,
• 35:23
  Speaker 4: such a different feel.
• 35:24
  Speaker 2: Alan Parker is like that too for me.
• 35:26
  Speaker 4: Alan Parker. I was thinking about Alan Parker and so very...
• 35:29
  Speaker 4: One of my favorite films of all time, Bugsy Malone,
• 35:31
  Speaker 4: Alan Parker. And then he does Angel Heart. Yeah. Holy fuck.
• 35:35
  Speaker 2: Yeah.
• 35:35
  Speaker 4: And so... He says in his great little book, Making Movies,
• 35:40
  Speaker 4: I don't know if you've read, he tells a story
• 35:43
  Speaker 4: about Paul Newman, I think. Yeah, he tells a story
• 35:45
  Speaker 4: about Paul Newman in, what was the movie they made together?
• 35:48
  Speaker 4: It'll come back. But he's like, Paul Newman came with,
• 35:52
  Speaker 4: he did this scene and Lumet was like, okay, I
• 35:57
  Speaker 4: think we're going to reshoot this tomorrow because I think
• 35:59
  Speaker 4: you need to find out what this scene's about inside yourself.
• 36:04
  Speaker 4: And there was something very personal that he was referring to.
• 36:07
  Speaker 4: He was like, I think you know what this moment
• 36:09
  Speaker 4: is and I think you're resisting going there. And Paul
• 36:13
  Speaker 4: Newman came back and he did the scene and it
• 36:15
  Speaker 4: was one of the great scenes of any Céline Lumet movie.
• 36:18
  Speaker 4: And he describes it as personal revelation. Céline Lumet is like,
• 36:21
  Speaker 4: the actor's job is personal revelation while the cameras are rolling.
• 36:26
  Speaker 4: The actors that I respond to in the storytelling that
• 36:28
  Speaker 4: I respond to feels... like personal revelation. Yeah. And through
• 36:33
  Speaker 4: the lens of a character, I think about like, and
• 36:35
  Speaker 4: I've talked about this openly, about Tick, Tick, Boom, which
• 36:38
  Speaker 4: is a film that I'm very proud of and I
• 36:40
  Speaker 4: really love. Beautiful performance. Thanks. But I can talk about
• 36:45
  Speaker 4: it because it feels very personal and also not personal
• 36:49
  Speaker 4: at all in a way. It does feel like that
• 36:51
  Speaker 4: kind of liminal place of letting another spirit move through
• 36:56
  Speaker 4: intermingling with my own spirit, but also my mother's spirit
• 37:00
  Speaker 4: is so much in that film. But it was very,
• 37:04
  Speaker 4: very personal because I just lost my mom and we
• 37:06
  Speaker 4: were making this movie and it's about the shortness of life.
• 37:09
  Speaker 4: It's about the shortness, the sacredness of life. It's about
• 37:13
  Speaker 4: being of service. It's about living out your own calling,
• 37:16
  Speaker 4: your own destiny. in a way, we're talking about waiting
• 37:20
  Speaker 4: tables and that year off. How do you hang on
• 37:25
  Speaker 4: by hook or by crook to the note that you
• 37:29
  Speaker 4: hear in your head that you have to follow? How
• 37:31
  Speaker 4: do you play your note? How do you not fall
• 37:34
  Speaker 4: asleep to your note, even though you're a salmon swimming
• 37:37
  Speaker 4: upstream of a world telling you to drop it and
• 37:41
  Speaker 4: take the nine to five or whatever it is?
• 37:44
  Speaker 2: You mentioned directors. You've worked with really interesting directors. You
• 37:49
  Speaker 2: always do.
• 37:49
  Speaker 1: I have a question that I want to ask. Fincher
• 37:53
  Speaker 1: is one of my favorite directors. I love his films.
• 37:56
  Speaker 3: Mm-hmm.
• 37:58
  Speaker 2: Rashida was in Social Network.
• 37:59
  Speaker 4: I know.
• 38:00
  Speaker 1: And I was like, what was it like working with
• 38:02
  Speaker 1: David Fincher? And he's so incredible to work with. But
• 38:07
  Speaker 1: I really want to know genuinely, and I'm not like
• 38:09
  Speaker 1: digging for some, I want to know what does the many,
• 38:12
  Speaker 1: many takes do? How does it help you as an actor?
• 38:17
  Speaker 1: How is it not frustrating?
• 38:20
  Speaker 4: It can be.
• 38:21
  Speaker 2: Yeah. I love it. You love it.
• 38:25
  Speaker 4: I fucking love it. Because I love acting and I
• 38:28
  Speaker 4: love hard work and I love sports and I love
• 38:33
  Speaker 4: not going home with anything left to give. And yeah,
• 38:36
  Speaker 4: there's nothing worse, as you know, than going home going,
• 38:39
  Speaker 4: I could have done that better. Yeah. It sucks to
• 38:44
  Speaker 4: feel like you're in bed and you're just like ruminating
• 38:46
  Speaker 4: of like.
• 38:47
  Speaker 2: Oh, yeah.
• 38:49
  Speaker 4: My father put me through drama school. he worked so
• 38:52
  Speaker 4: hard and now I've just done like a half job
• 38:56
  Speaker 4: at like this thing that I'm so lucky to do.
• 39:00
  Speaker 4: And so, yeah, I love it. And also I find
• 39:04
  Speaker 4: it pleasure. I just find the work really deeply pleasurable.
• 39:07
  Speaker 1: I love positive reinforcement i do i i genuinely do
• 39:11
  Speaker 1: it works on me like i don't i don't the
• 39:14
  Speaker 1: challenger in me i what i'm i'm relating to is
• 39:18
  Speaker 1: the competitiveness of like tapping into like fuck yeah i'll
• 39:21
  Speaker 1: do this fucking 30 times i don't give a shit
• 39:23
  Speaker 1: i can tap into that but i need sometimes like
• 39:26
  Speaker 1: i don't like and I'm sure it david isn't like
• 39:29
  Speaker 1: this but but i i i don't do well when
• 39:32
  Speaker 1: i like like when someone's nagging me like i just.
• 39:36
  Speaker 4: Kind of quit to use the phrase from the pickup
• 39:39
  Speaker 4: artist are you talking about mystery sorry mystery sorry just
• 39:42
  Speaker 4: a quick sidebar shout out to mystery we miss you guys.
• 39:47
  Speaker 1: Mystery it didn't work between us but that doesn't mean that.
• 39:50
  Speaker 2: You can't find love Obsessed with the pickup artist.
• 39:53
  Speaker 4: She didn't love the negging, though.
• 39:56
  Speaker 2: It does not work on me. When someone comes up,
• 39:58
  Speaker 2: I'm like, hey, you're ugly, whatever. I'm like, okay. Why
• 40:03
  Speaker 2: are you so ugly at this bar? Whatever that... It does.
• 40:08
  Speaker 2: I'm not even good at pretending to do it. I just,
• 40:11
  Speaker 2: I'm like, huh? It does not work on me. It
• 40:13
  Speaker 2: does not work on me.
• 40:15
  Speaker 1: But like an exercise class, right? If someone's like, you're
• 40:18
  Speaker 1: going to work super hard in here.
• 40:20
  Speaker 2: And like, you know, and I'm just like, no, I'm not.
• 40:23
  Speaker 4: Not anymore, I'm not. Not anymore. You could have had me.
• 40:25
  Speaker 4: You could have had all this.
• 40:26
  Speaker 2: But when someone's like, you got here no matter what.
• 40:28
  Speaker 1: It's 7 a.m. I'm like, fuck yeah. I'm just telling
• 40:32
  Speaker 1: for me, for me. So in any of those repetitive takes,
• 40:38
  Speaker 1: whether it's with David or another director, do you like,
• 40:42
  Speaker 1: do you trust when you get positive feedback?
• 40:44
  Speaker 4: With David, I do.
• 40:46
  Speaker 2: Okay.
• 40:46
  Speaker 4: I did.
• 40:46
  Speaker 2: And he would give it?
• 40:48
  Speaker 4: Yep. Okay, good. But what's so cool about David is
• 40:52
  Speaker 4: that he's that dad. He's that dad that knows that
• 40:57
  Speaker 4: you need that. Uh-huh. And he'll give it to you
• 41:00
  Speaker 4: in abundance when you've like... when you've really shown how
• 41:04
  Speaker 4: much you care. It's that kind of coach.
• 41:07
  Speaker 2: Right, I can see that.
• 41:08
  Speaker 4: I love a sports coach like that. Me too. Like
• 41:11
  Speaker 4: Paul Greengrass on the film The Uprising is like that.
• 41:14
  Speaker 4: He's an incredible team captain. He's just like... We were
• 41:18
  Speaker 4: like a football team, English football team, and he was
• 41:23
  Speaker 4: our man. And he was so full of beautiful, positive reinforcement.
• 41:29
  Speaker 4: David would be... Fincher would be less quick with it,
• 41:33
  Speaker 4: for sure. But when you got it, it was like...
• 41:39
  Speaker 4: You would be stoic about it. You would receive it
• 41:41
  Speaker 4: and you would want to cry. But you would be like, thanks, yeah,
• 41:43
  Speaker 4: it's cool. It was like that level of like it
• 41:45
  Speaker 4: meant so much. And the big scene with like the
• 41:48
  Speaker 4: smashing of the laptop thing in that movie.
• 41:50
  Speaker 1: Yes, in the social network for anyone who doesn't know
• 41:51
  Speaker 1: what we're talking about.
• 41:52
  Speaker 4: Yeah, social network. And we did a lot of takes
• 41:55
  Speaker 4: of it. And there was like a few rounds of
• 41:59
  Speaker 4: takes where I was like, he's going to call it.
• 42:01
  Speaker 4: He's going to call it soon. He's going to call it. Okay,
• 42:04
  Speaker 4: one more time, Andrew. And I'm like, okay.
• 42:06
  Speaker 5: Oh, wow.
• 42:06
  Speaker 3: Yeah.
• 42:08
  Speaker 4: And then on the third round of 10 or 15 takes,
• 42:12
  Speaker 4: I didn't hear anything. I was just like on the
• 42:14
  Speaker 4: floor with like, I was exhausted and like, just like
• 42:18
  Speaker 4: snotty and just like crying. And I'm just like waiting
• 42:22
  Speaker 4: for like, and at that point you're broken in a
• 42:24
  Speaker 4: way that's like so beautiful. It's so beautiful. It's the
• 42:29
  Speaker 4: best fucking feeling in the world. It's the best fucking
• 42:33
  Speaker 4: feeling in the world. Okay, you say so. And I
• 42:40
  Speaker 4: just feel like a shadow approaching, like covering, like the
• 42:44
  Speaker 4: light that was on me just gets like kind of
• 42:46
  Speaker 4: covered by a figure. And I look at his shoes
• 42:48
  Speaker 4: and I look up and he looks down at me.
• 42:50
  Speaker 4: He just puts his hand down and he takes my
• 42:53
  Speaker 4: hand and he shakes my hand and he lifts me up.
• 42:55
  Speaker 4: He's like, okay, moving on. And I'm like. So withholding.
• 43:01
  Speaker 4: So hot.
• 43:06
  Speaker 2: I don't know. I'm sorry, but you haven't sold me.
• 43:10
  Speaker 2: You haven't sold me.
• 43:10
  Speaker 4: All right, let me tell you a different story.
• 43:11
  Speaker 2: Because I would have liked him at take 10 to say, you're.
• 43:14
  Speaker 4: Doing a great job. Hey, babe.
• 43:17
  Speaker 2: Hey, babe, you're doing great.
• 43:18
  Speaker 4: Hey, babe, you're doing so great.
• 43:19
  Speaker 2: I would have liked, this is what I would have liked.
• 43:21
  Speaker 2: You're doing great, but you know me. I have to
• 43:23
  Speaker 2: do 25 more. That's what I would have liked.
• 43:25
  Speaker 4: I feel you. Let me say one more thing about David,
• 43:27
  Speaker 4: because I feel like I need to protect David as
• 43:30
  Speaker 4: a father on set now. You can feel that he's
• 43:34
  Speaker 4: proud of you.
• 43:35
  Speaker 2: Yeah, yeah, yeah.
• 43:35
  Speaker 4: Because of what you're giving.
• 43:36
  Speaker 2: He's such a talented director.
• 43:37
  Speaker 4: But you can feel it. He's not withholding. It's not
• 43:41
  Speaker 4: like you're doing a bad job. And it's not like
• 43:44
  Speaker 4: I'm not going to give you the banana. It's like
• 43:47
  Speaker 4: you can feel when he's like, we're going to keep going.
• 43:52
  Speaker 4: We'll do another one. Think about this. Think about that.
• 43:54
  Speaker 4: He's a tender, tender guy. He really, really is.
• 43:57
  Speaker 1: Getting back to the very beginning of what we're talking
• 43:59
  Speaker 1: about is this idea that caring about something is, like,
• 44:04
  Speaker 1: this is, like, very important. And I'll self-reveal because you're
• 44:10
  Speaker 1: really doing it.
• 44:11
  Speaker 2: You're really acting like my therapist today, which I don't appreciate.
• 44:14
  Speaker 4: I'm sorry.
• 44:15
  Speaker 2: Which I don't appreciate.
• 44:16
  Speaker 4: I'm honestly sorry.
• 44:17
  Speaker 2: Okay. You're my David Fincher, and you're breaking me down.
• 44:22
  Speaker 1: No, but when I feel, like, if I've checked out
• 44:29
  Speaker 1: or I, like, feel like I– I'm acting like I
• 44:32
  Speaker 1: don't care about something.
• 44:33
  Speaker 2: It really means that I've divested.
• 44:35
  Speaker 1: And it's a bummer because it means that I've lost
• 44:39
  Speaker 1: some kind of relationship.
• 44:40
  Speaker 2: Sometimes you have to do it to protect yourself. Sometimes
• 44:42
  Speaker 2: you do it because you don't have anything left to give.
• 44:44
  Speaker 1: Sometimes you do it because you don't feel like the
• 44:45
  Speaker 1: person that you're with earned or deserves.
• 44:48
  Speaker 4: Or can hold it. Yes, totally, totally. All that.
• 44:51
  Speaker 2: But you feel like you've lost something. It's heartbreaking.
• 44:54
  Speaker 4: It is. It's heartbreaking.
• 44:55
  Speaker 1: And you are very, very, as a person, as an actor,
• 44:59
  Speaker 1: you really invest.
• 45:01
  Speaker 2: And it's, like, it must be.
• 45:03
  Speaker 4: Exhausting. It must be exhausting. It's tough.
• 45:06
  Speaker 2: That's why I think you need to take a break
• 45:07
  Speaker 2: from some of these movies.
• 45:08
  Speaker 4: They're too hard. I'm going to take a break. No,
• 45:09
  Speaker 4: I am going to take a break.
• 45:10
  Speaker 2: They're too hard.
• 45:11
  Speaker 4: It's too hard.
• 45:12
  Speaker 3: Too much money.
• 45:12
  Speaker 4: It's too hard being an actor. Being an actor is so.
• 45:15
  Speaker 4: Did you see Cole? Cole knows.
• 45:16
  Speaker 1: It's very hard.
• 45:17
  Speaker 4: Pretending to be things. Pretending to be in a peasant's revolt.
• 45:23
  Speaker 4: It's hard.
• 45:24
  Speaker 2: It's hard.
• 45:24
  Speaker 4: Pretending to be a German magician.
• 45:27
  Speaker 2: I go home at night and I'm like, owie.
• 45:29
  Speaker 4: I had to pretend it was cold. It was actually hot.
• 45:33
  Speaker 2: So, and then.
• 45:34
  Speaker 4: And then... And then....
• 45:39
  Speaker 2: Wait, wait, I do want to.
• 45:40
  Speaker 4: What?
• 45:40
  Speaker 2: Okay.
• 45:43
  Speaker 4: Seriously, whatever. Whatever you want to ask.
• 45:45
  Speaker 2: Well, you know what I... I love your... Hold on.
• 45:50
  Speaker 2: This is an SNL skit.
• 45:55
  Speaker 4: This is an SNL character.
• 45:57
  Speaker 2: I'm trying to be real.
• 45:58
  Speaker 4: Was it you and Fred Armisen or was it Kirsten
• 46:01
  Speaker 4: Wiig that would start a sentence and then never finish
• 46:04
  Speaker 4: the sentence?
• 46:04
  Speaker 3: Yes, Fred.
• 46:05
  Speaker 4: What was that sketch?
• 46:05
  Speaker 2: They played Garth and Kat.
• 46:07
  Speaker 4: That's so good. I love that sketch.
• 46:09
  Speaker 2: Sorry, Fred played a character... Called Nicholas Fane.
• 46:13
  Speaker 4: Have you ever, let me ask you this. Has it
• 46:15
  Speaker 4: ever been a, okay, say you're in summertime. It's summer.
• 46:19
  Speaker 3: Oregon.
• 46:21
  Speaker 4: But there's a dog.
• 46:22
  Speaker 3: Do you have a dog?
• 46:24
  Speaker 4: Wait. Dogs or cats? I do it badly.
• 46:28
  Speaker 1: And I've already told you that, or I said on
• 46:30
  Speaker 1: that podcast, when he would do it, the cue cards
• 46:33
  Speaker 1: would be blank.
• 46:34
  Speaker 3: Mm-hmm.
• 46:35
  Speaker 2: You hosted SNL, right?
• 46:36
  Speaker 4: I did it once. Yeah, I did it.
• 46:37
  Speaker 2: And did you have a good time doing it?
• 46:38
  Speaker 4: I loved it. I absolutely loved it.
• 46:41
  Speaker 3: I bet.
• 46:41
  Speaker 4: And of course, I was so scared. But again, like service,
• 46:44
  Speaker 4: I think the best episodes are when the host supports
• 46:48
  Speaker 4: the cast. Well, that's not.
• 46:49
  Speaker 2: Always like an intuitive thing, which I understand.
• 46:52
  Speaker 1: But like nobody really pulls anybody aside to say like,
• 46:55
  Speaker 1: I know this might feel weird, but you'll have the
• 46:58
  Speaker 1: best time if you... Say yes to the stuff that
• 47:02
  Speaker 1: the cast likes. If you just become an ensemble member,
• 47:06
  Speaker 1: you'll have the best time. But it's not always set
• 47:09
  Speaker 1: up like that. But did you host it for Spider-Man?
• 47:12
  Speaker 2: Was it during Spider-Man?
• 47:13
  Speaker 4: I think it was the second Spider-Man, yeah.
• 47:14
  Speaker 2: I had Tom Holland in here.
• 47:16
  Speaker 3: Sweet.
• 47:17
  Speaker 2: Oh my God.
• 47:17
  Speaker 4: Sweetie Pie.
• 47:18
  Speaker 2: What a Sweetie Pie. Such a doll.
• 47:21
  Speaker 5: A doll.
• 47:22
  Speaker 2: Such a talented actor.
• 47:23
  Speaker 4: So talented.
• 47:24
  Speaker 1: And I just have to say, I love how all
• 47:26
  Speaker 1: of you guys like show up for each other.
• 47:29
  Speaker 2: You talk about each other. You talk about your experience.
• 47:31
  Speaker 4: It's a brotherhood now, which is really, really great. Like
• 47:34
  Speaker 4: I think like doing, doing the one where we're all
• 47:36
  Speaker 4: together really cemented some kind of weird brotherhood that was
• 47:42
  Speaker 4: just beautiful.
• 47:43
  Speaker 3: Yeah.
• 47:43
  Speaker 4: And I had known Toby a little bit before, but
• 47:46
  Speaker 4: He was always my north star with that character. And
• 47:52
  Speaker 4: I loved what Tom's done, and I think that was
• 47:56
  Speaker 4: very healing for all of us to do that together,
• 47:58
  Speaker 4: to feel less alone in that very, very weird singular experience,
• 48:02
  Speaker 4: to be a part of this character's legacy that is maybe,
• 48:06
  Speaker 4: I don't know, arguably one of, if not the most
• 48:09
  Speaker 4: popular fictional character in the history of modern fiction.
• 48:12
  Speaker 2: Really, really true.
• 48:14
  Speaker 4: I don't know another character that is that big. beloved
• 48:17
  Speaker 4: around the world and.
• 48:18
  Speaker 1: Now you know mother of boys I didn't really how
• 48:21
  Speaker 1: old are your boys they're now 16 and almost 18 and.
• 48:24
  Speaker 4: The propitia is helping yeah it's helping a lot yeah
• 48:26
  Speaker 4: I insisted they get on it really like a lot
• 48:29
  Speaker 4: of hair.
• 48:30
  Speaker 2: Now mommy loves a good head of.
• 48:31
  Speaker 4: Hair mommy mommy.
• 48:33
  Speaker 2: You know mother won't be mother will be disappointed.
• 48:37
  Speaker 1: That's what I say I wake them up and I
• 48:39
  Speaker 1: say has your hair grown mother's disappointed have you seen
• 48:45
  Speaker 1: Andrew's hair I say, don't let mother down. That's what
• 48:50
  Speaker 1: I say every day when I close the door. But they,
• 48:57
  Speaker 1: the way in which when that character was introduced into
• 49:01
  Speaker 1: their lives, the way they embodied him, like their bodies
• 49:06
  Speaker 1: want to, it's really wild.
• 49:08
  Speaker 4: It's so wild.
• 49:10
  Speaker 2: Joseph Gamble primitive stuff.
• 49:11
  Speaker 4: That's so interestingly put. That's really interesting.
• 49:15
  Speaker 2: They want to get in that crouch.
• 49:17
  Speaker 3: Yes.
• 49:17
  Speaker 1: And they want to leap and it's so fun with
• 49:21
  Speaker 1: those kinds of films where you watch people come out
• 49:24
  Speaker 1: of the film and they're just moving like dancers to
• 49:27
  Speaker 1: like how it's so cool and um i just want
• 49:29
  Speaker 1: to talk about sally.
• 49:30
  Speaker 4: Field oh my god yeah let's do that.
• 49:32
  Speaker 2: Isn't she wow She's so good at acting.
• 49:36
  Speaker 4: She's one of the best.
• 49:38
  Speaker 2: She really is.
• 49:39
  Speaker 4: She's maybe one of the best.
• 49:40
  Speaker 2: You've worked with some amazing women.
• 49:42
  Speaker 4: Fucking hell.
• 49:42
  Speaker 2: And congratulations. You seem to really love women and everybody
• 49:45
  Speaker 2: can tell.
• 49:46
  Speaker 4: Thank God.
• 49:47
  Speaker 2: Yeah. Women love you and you can tell.
• 49:52
  Speaker 1: And Sally is, I don't know, I just, what was
• 49:55
  Speaker 1: it like to work with her?
• 49:56
  Speaker 2: What is she like to be around?
• 49:58
  Speaker 4: She's beautiful. one of the great people alive or dead
• 50:03
  Speaker 4: for that matter. But she's so weirdly still humble. It's
• 50:12
  Speaker 4: a weird thing. I would say she has legend status.
• 50:16
  Speaker 4: She's like icon legend status as a performer, as an actor,
• 50:20
  Speaker 4: as a person. And somehow she's retained... a kind of homespun, grounded... Again,
• 50:31
  Speaker 4: in the same way that Redford made me relax. Sally
• 50:35
  Speaker 4: is someone that you just feel like you're with the
• 50:38
  Speaker 4: best friend, aunt you could ever wish for. I was
• 50:42
  Speaker 4: thinking about this the other day, actually. I think one
• 50:44
  Speaker 4: of the great... highlights and privileges of my life was
• 50:47
  Speaker 4: to be able to give her a Lifetime Achievement Award
• 50:49
  Speaker 4: at the SAG Awards.
• 50:50
  Speaker 1: A few years ago.
• 50:50
  Speaker 2: Yeah, that was so great.
• 50:52
  Speaker 4: I felt so lucky. I almost said no because I
• 50:54
  Speaker 4: just didn't think that I could handle it because it
• 50:57
  Speaker 4: was so... It was such an honor because she is
• 51:00
  Speaker 4: so beloved and rightly so. And she's so... beautifully extraordinary
• 51:07
  Speaker 4: and ordinary side. She honors her ordinariness in such an inspiring,
• 51:11
  Speaker 4: I really can't believe I can even talk about her
• 51:13
  Speaker 4: in this fashion.
• 51:14
  Speaker 2: It's so funny you say that. She's so, so, so talented.
• 51:17
  Speaker 1: And she's probably her and Meryl, probably the two most
• 51:23
  Speaker 1: influential actresses for me growing up.
• 51:27
  Speaker 2: But she never felt above or below us ever she
• 51:33
  Speaker 2: never put herself that way no no.
• 51:34
  Speaker 4: No it was always just like.
• 51:37
  Speaker 1: Just her there's a million people that would have wanted
• 51:40
  Speaker 1: to talk to me today about you I know.
• 51:42
  Speaker 4: About this part of your thing I'm nervous I'm like
• 51:45
  Speaker 4: excited and nervous and you got.
• 51:47
  Speaker 1: Someone to come and say something you have so many
• 51:48
  Speaker 1: friends you have so many talented friends and they all
• 51:50
  Speaker 1: love you and they all want to it's you know
• 51:53
  Speaker 1: it is it's a really you should know that it's
• 51:56
  Speaker 1: a really nice thing when you have a guest on
• 51:58
  Speaker 1: and there's like so many people that would want.
• 52:00
  Speaker 2: To speak well behind your back.
• 52:02
  Speaker 4: That's crazy.
• 52:03
  Speaker 1: But we talked today to Lin-Manuel Miranda and, um, he
• 52:07
  Speaker 1: talked about the process, you know, of, of working with
• 52:10
  Speaker 1: you and, and how, you know, when he said, you know, um,
• 52:16
  Speaker 1: Can you sing?
• 52:17
  Speaker 2: And you were like, when are you going to make this?
• 52:20
  Speaker 2: And he was like, in a year. And you were like, yes.
• 52:22
  Speaker 2: Which is amazing.
• 52:23
  Speaker 4: I love that.
• 52:24
  Speaker 1: And that is, now knowing a little bit more about
• 52:27
  Speaker 1: your competitive spirit, I understand that.
• 52:28
  Speaker 2: Which is like, I can do it, coach. Yes, yes.
• 52:32
  Speaker 2: So true. His question was, he just spoke a little
• 52:35
  Speaker 2: bit about how.
• 52:36
  Speaker 1: What a good swimmer you are and how he didn't
• 52:38
  Speaker 1: know that. And he called you the Michael Phelps of acting.
• 52:43
  Speaker 3: Which, you know.
• 52:45
  Speaker 2: Not that big of a deal.
• 52:46
  Speaker 4: A lot of competition there. No. Who would that be?
• 52:49
  Speaker 4: Me and I don't know who else.
• 52:50
  Speaker 2: Do you swim a lot? Do you like to swim?
• 52:52
  Speaker 4: I still swim.
• 52:53
  Speaker 2: Yeah, I still swim. Yeah, yeah, yeah.
• 52:55
  Speaker 4: I surf now. It's translated. Ah. Yeah, it's like my gymnastics.
• 53:00
  Speaker 4: I was a gymnast when I was a kid. That
• 53:01
  Speaker 4: translated into like, you know, Spider-Man stuff.
• 53:04
  Speaker 3: Yeah.
• 53:05
  Speaker 4: I took all of the stuff that my dad was
• 53:07
  Speaker 4: trying to like discipline me with and I turned into
• 53:09
  Speaker 4: something like a fun version of those things. Like with swimming,
• 53:12
  Speaker 4: it was like up at 5 a.m. You know, swimmers
• 53:13
  Speaker 4: like they train. It's crazy.
• 53:16
  Speaker 2: I know.
• 53:16
  Speaker 4: So I turned that into surfing. So like my paddle
• 53:19
  Speaker 4: is pretty strong and I can, yeah. So I surf
• 53:22
  Speaker 4: more than I swim. But I swim, I don't really
• 53:25
  Speaker 4: swim swim anymore. I'll do like open water swimming and
• 53:28
  Speaker 4: swimming in the sea and like swimming in ponds and
• 53:30
  Speaker 4: like natural places.
• 53:31
  Speaker 3: Yeah.
• 53:32
  Speaker 2: Do you have long arms?
• 53:34
  Speaker 4: I don't think that's any of your business.
• 53:35
  Speaker 3: Fine. Fine.
• 53:38
  Speaker 2: Well, I'm not going to tell you what Lynn said.
• 53:40
  Speaker 4: I know that your least strong sense is your vision.
• 53:44
  Speaker 4: But you could have made an effort to just look
• 53:46
  Speaker 4: at the arms.
• 53:48
  Speaker 2: I'm like, do you have long arms?
• 53:49
  Speaker 4: Do you have long arms? Okay. Can you clear something
• 53:51
  Speaker 4: up for me? This has been bugging me this whole time.
• 53:53
  Speaker 2: I'm like, let me see.
• 53:54
  Speaker 4: Are your arms long or are they short? Where are
• 53:56
  Speaker 4: they in the spectrum?
• 53:57
  Speaker 2: Come closer to me. I need to smell and see
• 53:59
  Speaker 2: if your arms are long.
• 54:01
  Speaker 3: Okay.
• 54:02
  Speaker 1: But he said, first of all, he was like, ask
• 54:05
  Speaker 1: Andrew what.
• 54:08
  Speaker 1: He said.
• 54:08
  Speaker 4: The only way is I can Columbo with this. Oh,
• 54:11
  Speaker 4: my God. The only way I can figure out.
• 54:14
  Speaker 2: Oh, that's a good Peter Falk. Peter Falk, me and
• 54:17
  Speaker 2: him have the same birthday. Not to brag.
• 54:19
  Speaker 4: Let me smell it. Just one more thing. One more thing.
• 54:21
  Speaker 4: Let me smell your arms. Just because the murderer had
• 54:27
  Speaker 4: particularly long swimmer's arms.
• 54:30
  Speaker 1: I don't know.
• 54:31
  Speaker 4: I just... Not wearing my glasses. But my nose is strong.
• 54:36
  Speaker 4: So I'd like to just... Ah, never mind.
• 54:38
  Speaker 3: I'm out.
• 54:40
  Speaker 4: Ah, one more thing.
• 54:41
  Speaker 1: One more thing?
• 54:42
  Speaker 3: Can I smell your arm?
• 54:44
  Speaker 2: This one even smells like chlorine. Have you been in
• 54:48
  Speaker 2: the pool?
• 54:50
  Speaker 3: Oh, shit.
• 54:51
  Speaker 2: God, Peter Falk.
• 54:53
  Speaker 4: Fucking Peter Falk.
• 54:53
  Speaker 1: You guys remember Peter Falk, right? Anyone under the age
• 54:57
  Speaker 1: of 50? Columbo, God damn it.
• 55:00
  Speaker 2: Love Globo so much.
• 55:03
  Speaker 1: But so Lynn's question for you was, what other secret,
• 55:08
  Speaker 1: you know, he had a two-parter. First was like, what
• 55:10
  Speaker 1: other secret, what other secret are you good at that
• 55:12
  Speaker 1: we don't know yet? I know. He's like, tell us
• 55:15
  Speaker 1: now so a.
• 55:17
  Speaker 2: Director can know.
• 55:18
  Speaker 1: But he basically was basically saying like, you know, does
• 55:21
  Speaker 1: anything feel like too much of a challenge? You do
• 55:25
  Speaker 1: a lot of, you really take on a lot of
• 55:27
  Speaker 1: challenges for the work that you do. You're game.
• 55:29
  Speaker 3: Yeah.
• 55:31
  Speaker 4: That's a cool question. It's a question that I've been
• 55:33
  Speaker 4: asking myself. You know what I'm really scared of? Yeah?
• 55:39
  Speaker 4: I'm going to tell you anyway. Being a dad scares
• 55:45
  Speaker 4: the shit out of me. You're going to be so great.
• 55:49
  Speaker 4: It scares me so much.
• 55:51
  Speaker 2: You're going to be so great. Don't even worry.
• 55:58
  Speaker 1: Seriously even if you get 50 mommy's proud of my
• 56:01
  Speaker 1: hair is that what you're saying mother is proud mother
• 56:05
  Speaker 1: is proud if you're gonna be the fact andrew that
• 56:08
  Speaker 1: you even say.
• 56:10
  Speaker 6: It yeah well i mean i think that yeah that
• 56:14
  Speaker 6: would be the biggest most important thing i ever probably
• 56:17
  Speaker 6: do yeah and i and i i know that to
• 56:19
  Speaker 6: be true it makes me want.
• 56:20
  Speaker 4: To Cry thinking about it.
• 56:22
  Speaker 2: Cry, cry, cry, cry. I love when boys cry on here.
• 56:27
  Speaker 4: Cry, cry, cry.
• 56:29
  Speaker 2: Talk about being a dad.
• 56:30
  Speaker 4: It's like, fuck, man.
• 56:33
  Speaker 2: Yes, you'd be so good.
• 56:34
  Speaker 4: I know what it's like to be on the other
• 56:36
  Speaker 4: end of it.
• 56:36
  Speaker 1: Yes, I know.
• 56:37
  Speaker 4: You know what I mean? I've been a child.
• 56:39
  Speaker 2: I know, it's really.
• 56:40
  Speaker 4: I've been a son.
• 56:41
  Speaker 2: Yes, we have all been born from dads. And sometimes not, right?
• 56:46
  Speaker 4: Right? I don't know. Don't cancel us.
• 56:49
  Speaker 2: I'm sorry. We're all born however we want.
• 56:52
  Speaker 4: Fuck.
• 56:59
  Speaker 2: Wait, but let's get back to you crying. But you're
• 57:05
  Speaker 2: going to be such a good dad.
• 57:06
  Speaker 1: You're going to nail it.
• 57:09
  Speaker 4: I want to do it. I do want to do it.
• 57:12
  Speaker 4: You can sometimes feel a bit selfish with I want
• 57:14
  Speaker 4: to be a dad. I'm like, well, I don't know.
• 57:16
  Speaker 4: I don't know. So in terms of a challenge, I
• 57:19
  Speaker 4: can't imagine a greater challenge than taking that kind of responsibility.
• 57:25
  Speaker 4: And then there was another question about stuff I'm good.
• 57:30
  Speaker 3: At.
• 57:31
  Speaker 4: I'll respond in a sad way.
• 57:33
  Speaker 2: Always.
• 57:36
  Speaker 4: And it relates back to the body failing.
• 57:39
  Speaker 2: Oh, my God. What are you going to say?
• 57:43
  Speaker 4: I'm going to have some felt real quick.
• 57:45
  Speaker 2: Just grab something.
• 57:46
  Speaker 4: Get that fell back in my hand. Let's get that
• 57:48
  Speaker 4: touch going. Sweet fell.
• 57:49
  Speaker 2: Let's do a little, yeah.
• 57:52
  Speaker 4: I was playing basketball recently. I love basketball. And I thought,
• 57:58
  Speaker 4: I think I'm pretty good at basketball.
• 58:00
  Speaker 2: I have a theory about this.
• 58:05
  Speaker 1: I think the worst injuries happen with men in their
• 58:08
  Speaker 1: 40s when they play basketball.
• 58:09
  Speaker 4: It's a theory that's backed up with a lot of evidence.
• 58:14
  Speaker 2: Go ahead. What did you do?
• 58:15
  Speaker 4: Columbo's sister. Columbo's sister.
• 58:22
  Speaker 2: She comes and she's like, Columbo, let's get out of here.
• 58:25
  Speaker 2: And he goes, wait a minute.
• 58:28
  Speaker 1: She's like, you said you were leaving like 10 minutes ago.
• 58:36
  Speaker 1: Columbo's sister is like, get in the car. Jesus, you
• 58:41
  Speaker 1: had your keys in your hand for 10 minutes.
• 58:43
  Speaker 2: I've been waiting in the car. Colin was like, just
• 58:46
  Speaker 2: a second.
• 58:50
  Speaker 4: Okay, sorry, sorry. Okay, basketball. Let's get back on track.
• 58:53
  Speaker 4: I was playing basketball with some friends. I was playing
• 58:59
  Speaker 4: with Woody Harrelson.
• 59:00
  Speaker 3: Oh, great.
• 59:01
  Speaker 2: He's a good basketball player.
• 59:02
  Speaker 3: I know that.
• 59:02
  Speaker 4: Why Men Can't Jump is one of my all-time favorite movies.
• 59:06
  Speaker 4: Why am I holding these felts like they're cards in
• 59:08
  Speaker 4: a poker game?
• 59:11
  Speaker 2: I'm like, do you have... Do you have.
• 59:14
  Speaker 4: Put everything into a game.
• 59:15
  Speaker 2: We're just playing Uno. Do you have orange cheese?
• 59:18
  Speaker 1: Crank.
• 59:20
  Speaker 4: Okay, sorry. Come on, Andrew, focus! If anyone's not watching
• 59:25
  Speaker 4: this and just listening to it on the podcast, fuck it,
• 59:28
  Speaker 4: I'm so sorry. We've been holding cheeseburgers.
• 59:31
  Speaker 2: This whole time. I'm so sorry.
• 59:33
  Speaker 4: Oh, Jesus Christ. I was playing with Woody, who I
• 59:37
  Speaker 4: love and I've been a fan of forever. And Why
• 59:40
  Speaker 4: Men Can't Jump is just one of those all-time great movies.
• 59:42
  Speaker 4: And he's just one of my all-time favorite performances of
• 59:44
  Speaker 4: all time. All time, all time, all time. And I
• 59:48
  Speaker 4: was so excited to play with him. And then as
• 59:49
  Speaker 4: soon as we got on the court, I just froze.
• 59:51
  Speaker 4: I was just like... You got it in your head.
• 59:56
  Speaker 4: I was just like the seven-year-old at the party that
• 59:59
  Speaker 4: just wants to go home.
• 1:00:00
  Speaker 2: Oh, God, yes.
• 1:00:01
  Speaker 4: Oh, God, yes. I was just so scared.
• 1:00:03
  Speaker 2: It was like fight or flight or freeze.
• 1:00:05
  Speaker 4: I froze. I folded. I fully froze and folded. And
• 1:00:09
  Speaker 4: I played really badly. I just want to apologize to
• 1:00:12
  Speaker 4: everyone in that game.
• 1:00:13
  Speaker 2: And that's tough for a competitive person like you.
• 1:00:15
  Speaker 5: Yeah.
• 1:00:15
  Speaker 3: I froze.
• 1:00:15
  Speaker 4: I was just like, I love Woody so much. And
• 1:00:17
  Speaker 4: I've been wanting to play with him for so long.
• 1:00:18
  Speaker 4: And it was finally our time. And he still plays great.
• 1:00:22
  Speaker 4: And he's like, you know.
• 1:00:23
  Speaker 2: I don't think he should. Woody, if you're listening, you're
• 1:00:25
  Speaker 2: going to blow out your knee.
• 1:00:26
  Speaker 4: He's taking really good care of himself. But he's fiercely competitive.
• 1:00:30
  Speaker 1: Yeah, yeah.
• 1:00:31
  Speaker 4: And I love it. I absolutely love it. Anyway, so
• 1:00:34
  Speaker 4: a thing that I thought was a hidden talent, Lynn,
• 1:00:38
  Speaker 4: turns out.
• 1:00:40
  Speaker 2: It's gone.
• 1:00:40
  Speaker 4: It was never maybe there. So there we have it.
• 1:00:45
  Speaker 2: You made a movie that took place in 1381. Yeah.
• 1:00:48
  Speaker 2: And it is about a peasant uprising. It looks badass.
• 1:00:53
  Speaker 2: It's cool.
• 1:00:54
  Speaker 1: I saw the trailer for it and the feeling of like, Whoa,
• 1:00:59
  Speaker 1: this is a very political, very interesting movie to make
• 1:01:03
  Speaker 1: right now. And what is it about?
• 1:01:06
  Speaker 4: Yeah, it's about true events in that period of British history.
• 1:01:11
  Speaker 4: It's called The Peasants' Revolt. And it was a big
• 1:01:16
  Speaker 4: uprising among the British. ordinary folk of the of the
• 1:01:21
  Speaker 4: British Isles that came together in an organized way and
• 1:01:24
  Speaker 4: it's um it's told the story is told in a
• 1:01:27
  Speaker 4: way that is very unique and it's because it's this
• 1:01:30
  Speaker 4: it's one of my favorite directors of all time Paul
• 1:01:32
  Speaker 4: Greengrass who people would have seen a lot of his
• 1:01:35
  Speaker 4: amazing films like Captain Phillips or the Bourne series movies
• 1:01:40
  Speaker 4: with Matt Damon and or United 93 or Bloody Sunday,
• 1:01:46
  Speaker 4: The News of the World with Tom Hanks. Some of
• 1:01:49
  Speaker 4: my favorite films of all time. I've wanted to work
• 1:01:52
  Speaker 4: with Paul forever. And it brings up really interesting questions
• 1:01:55
  Speaker 4: about revolution, about violence in revolution, whether it's needed, whether
• 1:01:58
  Speaker 4: it's not, how change can happen without some form of
• 1:02:02
  Speaker 4: military coup. It's really a visceral story.
• 1:02:07
  Speaker 2: It's so cool. It looks incredible.
• 1:02:09
  Speaker 4: And it's a ride as well. It's also just like
• 1:02:11
  Speaker 4: a really entertaining kind of action film. It's like a
• 1:02:13
  Speaker 4: really cool movie.
• 1:02:13
  Speaker 1: And it also has my scariest kind of villain, which
• 1:02:16
  Speaker 1: is a boy king.
• 1:02:17
  Speaker 4: Oh yeah, boy king. Tyrant boy king.
• 1:02:19
  Speaker 2: Tyrant boy king.
• 1:02:20
  Speaker 4: Oh yeah.
• 1:02:21
  Speaker 2: Oh, there's nothing scarier.
• 1:02:23
  Speaker 4: Yeah, yeah, yeah. And it was real. Richard, this King
• 1:02:26
  Speaker 4: Richard was 14 years old.
• 1:02:27
  Speaker 3: And he had.
• 1:02:29
  Speaker 4: And at that time, this is what's crazy, at that time,
• 1:02:32
  Speaker 4: and it wasn't metaphorical, it was literal, the king was
• 1:02:36
  Speaker 4: the messenger of God's word on the earth. So anything
• 1:02:41
  Speaker 4: that the king uttered was literally treated like it was
• 1:02:46
  Speaker 4: sent from heaven above. And any equivocation of that meant
• 1:02:50
  Speaker 4: you were a treasonous and traitor to the throne. So
• 1:02:53
  Speaker 4: anything that this boy decides, this 14-year-old boy who is
• 1:02:56
  Speaker 4: being governed a lot by these money hoarding, power hoarding,
• 1:03:01
  Speaker 4: land hoarding oligarchs, was treated, there was no question. It
• 1:03:06
  Speaker 4: was just like, that's the way it is. Water is wet.
• 1:03:09
  Speaker 4: Sky is blue. The king is God on earth. Okay.
• 1:03:13
  Speaker 4: That's that. So that level of power, it's a really interesting...
• 1:03:17
  Speaker 4: thing for right now.
• 1:03:18
  Speaker 2: I need to finish our... I need to finish. You
• 1:03:21
  Speaker 2: need to go.
• 1:03:21
  Speaker 1: You have like 45, but 45 other things to do tonight.
• 1:03:24
  Speaker 4: But... No, this is lovely.
• 1:03:26
  Speaker 1: But I want to finish by asking you the question
• 1:03:28
  Speaker 1: I ask everybody, which is, what are you listening to, watching.
• 1:03:32
  Speaker 2: numbing out.
• 1:03:33
  Speaker 4: With what kind of numbing out man.
• 1:03:35
  Speaker 2: Okay what do you what do you what video do
• 1:03:37
  Speaker 2: you like what.
• 1:03:38
  Speaker 1: Movie what video what's your video what's your video sometimes
• 1:03:41
  Speaker 1: it's just a video of like a bird eating.
• 1:03:45
  Speaker 4: What's your video right now we're back.
• 1:03:47
  Speaker 1: On the first date now we're back in the first
• 1:03:49
  Speaker 1: day and you're like what's your favorite video what video
• 1:03:54
  Speaker 1: what video do.
• 1:03:54
  Speaker 2: You watch when you weren't When you want to turn
• 1:04:02
  Speaker 2: off your head.
• 1:04:03
  Speaker 4: Yeah, watch the video.
• 1:04:05
  Speaker 2: What video do you watch?
• 1:04:08
  Speaker 4: My favorite video right now is I've been watching a
• 1:04:11
  Speaker 4: lot of Roy Horn of Siegfried and Roy fame because
• 1:04:14
  Speaker 4: I play Roy Horn in this upcoming Apple TV show
• 1:04:18
  Speaker 4: and we just finished. Do you know this?
• 1:04:20
  Speaker 2: I love this for you.
• 1:04:21
  Speaker 4: Bro, it's really fun.
• 1:04:22
  Speaker 2: You're playing Roy Horn?
• 1:04:23
  Speaker 3: Yeah.
• 1:04:24
  Speaker 4: So I've been watching lots of Roy Horne videos.
• 1:04:26
  Speaker 2: Is that why your hair is so luscious?
• 1:04:27
  Speaker 4: Yes, yes. That's partly. But then we just end up
• 1:04:29
  Speaker 4: putting wigs on of the same hair. Yeah. It's like,
• 1:04:32
  Speaker 4: can I get a wig of this on this hair? Yeah, great.
• 1:04:34
  Speaker 4: That makes sense. No, no, no. It does make sense.
• 1:04:36
  Speaker 3: Oh, my God.
• 1:04:37
  Speaker 4: We're playing them through me and Jude Law. Jude Law's
• 1:04:39
  Speaker 4: playing Siegfried. And we're playing them through the decades, from
• 1:04:42
  Speaker 4: their 20s through to their 60s. It's amazing. So fun.
• 1:04:47
  Speaker 4: It was so hard. Manticore. Manticore.
• 1:04:49
  Speaker 5: Maneater.
• 1:04:49
  Speaker 4: It means Maneater. Excuse me? The name means Maneater.
• 1:04:52
  Speaker 2: I did not know that. The tiger that.
• 1:04:57
  Speaker 4: There was an incident with. We say incident. There was
• 1:05:00
  Speaker 4: an accident.
• 1:05:00
  Speaker 2: There was an accident.
• 1:05:01
  Speaker 4: Was named Manticore, which means man eater.
• 1:05:06
  Speaker 2: I cannot wait for this project.
• 1:05:07
  Speaker 4: And Roy Hand raised him. Yeah. Wow. And Roy, so
• 1:05:12
  Speaker 4: I'm obsessed. Yes. And I'm still obsessed. That's a good
• 1:05:15
  Speaker 4: sign that we were prepping for a year. We shot
• 1:05:18
  Speaker 4: it for six months and I'm still obsessed with Roy.
• 1:05:21
  Speaker 4: I still adore him and his spirit. Yes. So I've
• 1:05:24
  Speaker 4: just been watching lots of footage of him for the
• 1:05:28
  Speaker 4: last year and a half and I continue to watch
• 1:05:30
  Speaker 4: it because I just adore him.
• 1:05:30
  Speaker 2: And have you handled tigers? Have you been near tigers?
• 1:05:34
  Speaker 4: I have been near tigers, yes. But only in a
• 1:05:37
  Speaker 4: very legal and safe way. But I did feed a
• 1:05:40
  Speaker 4: tiger by hand, which was kind of incredible.
• 1:05:44
  Speaker 2: Tigers are amazing. And I say to them, good day, sir.
• 1:05:51
  Speaker 5: Yes.
• 1:05:51
  Speaker 2: I say to tigers, and I, and it is nice
• 1:05:56
  Speaker 2: to meet you.
• 1:05:58
  Speaker 1: And I shall take my leave because tigers scare the fuck.
• 1:06:04
  Speaker 4: Out of me. Yeah. They lived with them.
• 1:06:07
  Speaker 2: I know.
• 1:06:08
  Speaker 4: He hit a thing in the morning. He hit a
• 1:06:11
  Speaker 4: button as he woke up and it sent a bell
• 1:06:15
  Speaker 4: into the garden letting the tiger that he wanted know
• 1:06:19
  Speaker 4: it was time to come and snuggle. The tiger came
• 1:06:22
  Speaker 4: into the house, came up to the bed, jumped on bed,
• 1:06:25
  Speaker 4: and they snuggled to wake Roy up.
• 1:06:27
  Speaker 2: He was something else.
• 1:06:29
  Speaker 1: Yeah, yeah.
• 1:06:30
  Speaker 4: He was something else.
• 1:06:31
  Speaker 2: Andrew Garfield.
• 1:06:33
  Speaker 4: Amy Poehler.
• 1:06:34
  Speaker 2: We have talked so much. This was so fun.
• 1:06:36
  Speaker 4: A lot of yapping. We yapped.
• 1:06:37
  Speaker 2: We yapped.
• 1:06:38
  Speaker 4: We had a yap.
• 1:06:40
  Speaker 2: I knew we would.
• 1:06:41
  Speaker 4: Me too. It's been a while.
• 1:06:42
  Speaker 3: I know.
• 1:06:43
  Speaker 2: It's so fun to be with you. I love talking
• 1:06:46
  Speaker 2: to you.
• 1:06:46
  Speaker 4: I feel like we're from the same planet in some regard.
• 1:06:48
  Speaker 4: I feel like we're from some kind of same universe,
• 1:06:50
  Speaker 4: which I love just being with you and I've always have.
• 1:06:53
  Speaker 4: I remember when I first met you, It was with
• 1:06:55
  Speaker 4: Jane Aronson, Dr. Jane Aronson of the Worldwide Orphans Foundation.
• 1:06:59
  Speaker 4: And I was really nervous to meet you because I'm
• 1:07:00
  Speaker 4: just a huge fan of yours. And I just think
• 1:07:02
  Speaker 4: you're just so wonderful. I hadn't known many famous people
• 1:07:05
  Speaker 4: at that point. And you were just like so warm
• 1:07:10
  Speaker 4: and engulfing and encouraging and caring in such a genuine
• 1:07:16
  Speaker 4: way that made me feel a lot of hope for
• 1:07:20
  Speaker 4: for being a person in this world. You're a beautiful,
• 1:07:24
  Speaker 4: beautiful person. I really adore you.
• 1:07:25
  Speaker 2: Andrew, thank you so much. You smell so good. Everyone
• 1:07:31
  Speaker 2: should know.
• 1:07:32
  Speaker 1: It's my best sense, and I'm here to say, Andrew
• 1:07:36
  Speaker 1: smells great, just like we thought.
• 1:07:37
  Speaker 4: Andrew Garfield, everybody.
• 1:07:44
  Speaker 2: Andrew Garfield, that was so fun. Oh, you're just a
• 1:07:48
  Speaker 2: real silly billy. I had such a good time with you.
• 1:07:51
  Speaker 1: Thank you so much for doing this. And for this
• 1:07:53
  Speaker 1: Polar Plunge, you know, we talked about some great people
• 1:07:55
  Speaker 1: that Andrew worked with, including Sally Field. And I just
• 1:07:59
  Speaker 1: wanted to remind everybody, if you're looking for a movie,
• 1:08:02
  Speaker 1: a beautiful movie that's filled with heart and will make
• 1:08:05
  Speaker 1: you cry, and it's all about like the spirit of
• 1:08:09
  Speaker 1: a woman saving her farm, check out a movie called
• 1:08:13
  Speaker 1: Places in the Heart with Sally Field and Danny Glover.
• 1:08:18
  Speaker 1: and a young John Malkovich, and Ed Harris, and Amy Madigan,
• 1:08:22
  Speaker 1: and it's so, so good. Not enough people talk about
• 1:08:27
  Speaker 1: this movie, and it's one of my favorites. Places in
• 1:08:29
  Speaker 1: the Heart, Sally Field, I love you. Andrew Garfield, we
• 1:08:31
  Speaker 1: love you. Thank you so much for doing this episode,
• 1:08:34
  Speaker 1: and thanks everybody for listening.
• 1:08:36
  Speaker 2: See you soon. You've been listening to Good Hang.
• 1:08:40
  Speaker 1: The executive producers for this show are Bill Simmons, Jenna Weiss-Berman,
• 1:08:43
  Speaker 1: and me, Amy Poehler.
• 1:08:44
  Speaker 2: The show is produced by The Ringer and Paper Kite.
• 1:08:47
  Speaker 1: For The Ringer, production by Jack Wilson, Kat Spillane, Kaya McMullen,
• 1:08:51
  Speaker 1: Alea Zanaris.
• 1:08:52
  Speaker 2: Bridget Geerlings, Paige Garberini, Belle Roman, and Drew Van Steenbergen.
• 1:08:57
  Speaker 1: For Paper Kite, production by Sam Green, Joel, Lovell, and
• 1:09:00
  Speaker 1: Jenna Weiss-Berman.
• 1:09:01
  Speaker 2: Original music by Amy Miles.
• 1:09:04
  Speaker 5: All I ever
• 1:09:05
  Speaker 4: Wanted was a really good day