Latest / Aaron Mahnke's Cabinet of Curiosities / Handiwork
Transcript
- 0:04Speaker 1: Welcome to Aaron Benky's Cabinet of Curiosities, a production of
- 0:07Speaker 1: I Heart Radio and Grim and Mild. Our world is
- 0:13Speaker 1: full of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales are right there on display,
- 0:22Speaker 1: just waiting for us to explore. Welcome to the Cabinet
- 0:27Speaker 1: of Curiosities. Many people go their entire lives on a
- 0:38Speaker 1: single track. They go to school, find a comfortable career,
- 0:42Speaker 1: and stay in that career until it's time to retire.
- 0:45Speaker 1: But every once in a while, someone gets tired of
- 0:48Speaker 1: their daily grind. They yearn for something else, something more
- 0:51Speaker 1: fulfilling than what they were trained to do, like Robert Norman.
- 0:55Speaker 1: Robert was born in Daytona Beach, Florida. In His father
- 0:59Speaker 1: was a opener while his mother worked as a waitress.
- 1:02Speaker 1: Robert loved animals, and when faced with an injured squirrel
- 1:06Speaker 1: or a snake, he wouldn't hesitate to take them in
- 1:08Speaker 1: and nurse them back to health. He once kept a
- 1:10Speaker 1: baby alligator in his bathtub until it was healthy enough
- 1:13Speaker 1: to release back into the wild. Robert dropped out of
- 1:17Speaker 1: school once he reached the ninth grade and went to
- 1:19Speaker 1: work with his father as a carpenter. A mishap with
- 1:22Speaker 1: one of his tools, though, resulted in the partial loss
- 1:24Speaker 1: of his left index finger, but the injury didn't keep
- 1:28Speaker 1: him from joining the Air Force when he was eighteen.
- 1:30Speaker 1: Robert served as a medical records technician and was even
- 1:33Speaker 1: stationed at Ailson Air Force Base in Alaska. His time
- 1:36Speaker 1: there seemed to transform him to living in Florida. He
- 1:39Speaker 1: had never seen mountains or snow before, and the majesty
- 1:42Speaker 1: of the Alaskan landscape stayed with him for the rest
- 1:45Speaker 1: of his life, but he eventually realized the military just
- 1:49Speaker 1: wasn't for him for one. Aside from his duties as
- 1:52Speaker 1: a records technician, Robert also served as a basic training instructor,
- 1:56Speaker 1: the guy whose job it was to yell at new
- 1:58Speaker 1: recruits about making their beds or cleaning the latrines. He
- 2:02Speaker 1: hated it, and he swore if he ever left the
- 2:04Speaker 1: military he would never raise his voice toward another person again.
- 2:08Speaker 1: But instead of dwelling on the negative, Robert channeled his
- 2:11Speaker 1: energy into something more creative. When he found out that
- 2:14Speaker 1: the Anchorage USO Club was holding art classes, he decided
- 2:17Speaker 1: to attend one. However, despite his newfound love of painting.
- 2:21Speaker 1: He took issue with the way his instructors taught him.
- 2:24Speaker 1: They were more interested in abstract art rather than showing
- 2:27Speaker 1: students how to paint what they saw around them. The
- 2:29Speaker 1: way he put it, they tell you what makes a tree,
- 2:32Speaker 1: but they wouldn't tell you how to paint a tree.
- 2:35Speaker 1: Robert eventually got a job as a bartender, but he
- 2:37Speaker 1: continued to pursue his art. While bartending, he came across
- 2:41Speaker 1: a television program hosted by a German painter named Bill Alexander.
- 2:45Speaker 1: Now Alexander worked in oil, using an old technique known
- 2:48Speaker 1: as wet on wet, in which he would apply wet
- 2:51Speaker 1: paint on top of wet paint instead of letting the
- 2:53Speaker 1: different layers dry first. Unlike the other methods that took
- 2:57Speaker 1: hours to complete, this technique allowed him to finish a
- 2:59Speaker 1: paint teen in just half an hour. Robert adopted Alexander's
- 3:03Speaker 1: style for himself and began painting on his lunch breaks.
- 3:07Speaker 1: Some of his earliest landscapes were painting on old gold
- 3:10Speaker 1: mining pans, which he was able to complete in a
- 3:12Speaker 1: matter of minutes. He then sold them for twenty five
- 3:15Speaker 1: dollars a piece, before moving on to canvases. Robert eventually
- 3:19Speaker 1: sold so many paintings that he out earned his Air
- 3:22Speaker 1: Force salary. After twenty years in the service, he retired
- 3:25Speaker 1: in nineteen eighty one with the rank of Master sergeant.
- 3:29Speaker 1: He left Alaska for the warm sands of his home
- 3:31Speaker 1: state of Florida, where he connected with his TV teacher
- 3:34Speaker 1: Bill Alexander. Alexander hired him to work with his art
- 3:38Speaker 1: supply company as an instructor and traveling salesman, and sometime
- 3:42Speaker 1: during his travels, Robert met a woman naming net Kowalski
- 3:45Speaker 1: who also attended one of his classes and gave him
- 3:48Speaker 1: some advice. She believed that he could do much better
- 3:50Speaker 1: working on his own rather than for someone else, so Annette,
- 3:54Speaker 1: along with Robert and his wife, put their money together
- 3:57Speaker 1: to build a new company. It almost didn't re vibe,
- 4:00Speaker 1: but Robert managed to turn things around with a television
- 4:03Speaker 1: show of his own, which launched on PBS. Through it,
- 4:09Speaker 1: Robert breathed life into thousands of blank canvasses over eleven years,
- 4:13Speaker 1: from happy little trees to happy little mountains. Robert Norman Ross,
- 4:18Speaker 1: simply Bob Ross the viewers of the Joy of Painting,
- 4:21Speaker 1: was the quiet artist with the perfect perm and he
- 4:24Speaker 1: was true to his word too. After leaving the Air Force,
- 4:27Speaker 1: he almost never raised his voice against another person. But
- 4:31Speaker 1: the military wasn't all that bad after all. It helped
- 4:34Speaker 1: him find his true passion. I guess you could call
- 4:37Speaker 1: that a happy accident. Necessity is the mother of invention.
- 4:55Speaker 1: When we want to see change in our own lives,
- 4:57Speaker 1: we tend to make it happen for ourselves rather than
- 4:59Speaker 1: wait for someone else to come along and do it
- 5:01Speaker 1: for us. And even if someone beats us to it,
- 5:04Speaker 1: that doesn't mean we can't try and do it better
- 5:06Speaker 1: than them. Those who come first often become the rungs
- 5:09Speaker 1: on the ladder for the people climbing up. James Moray
- 5:12Speaker 1: was not the first in his field, nor would he
- 5:14Speaker 1: be the last, but in his short time on Earth,
- 5:17Speaker 1: he changed the game for everyone by doing things his way.
- 5:21Speaker 1: James was born in Greenville, Mississippi, in nineteen thirty six.
- 5:24Speaker 1: His mother and father raised him in Mississippi until the
- 5:26Speaker 1: late forties when they moved north to Maryland. James had
- 5:29Speaker 1: a simple childhood, but it turned upside down once the
- 5:32Speaker 1: family bought their first television set. It was a life
- 5:35Speaker 1: changing moment for young James. As he came face to
- 5:38Speaker 1: face with the people in programs that would influence him
- 5:41Speaker 1: for the rest of his life. He gravitated toward performers
- 5:44Speaker 1: who entertained with their hands and used funny voices to
- 5:47Speaker 1: create different characters, in other words, ventriloquists, people like Edgar
- 5:52Speaker 1: Bergen and his dummy Charlie McCarthy. James began following in
- 5:56Speaker 1: their footsteps from a young age, performing shows for his
- 5:59Speaker 1: clubs out Troop with homemade puppets. As he got older,
- 6:02Speaker 1: he branched out into other mediums. His teenage years, for example,
- 6:06Speaker 1: were spent in his school's theater department building sets. He
- 6:10Speaker 1: even drew a comic strip for his high school yearbook.
- 6:13Speaker 1: And it was during his senior year when James was
- 6:15Speaker 1: given a great opportunity. His local television station had come
- 6:18Speaker 1: up with an idea for a new show. It would
- 6:21Speaker 1: be produced by kids four kids, with young people acting
- 6:24Speaker 1: as on air talent and as the puppeteers behind the scenes.
- 6:29Speaker 1: He didn't quite know what he was doing just yet,
- 6:31Speaker 1: but he got a job building and creating puppets for
- 6:34Speaker 1: the show. Sadly, it only lasted for two episodes before
- 6:37Speaker 1: getting pulled, but James had learned a lot while working
- 6:40Speaker 1: on it. He'd also made important industry connections that would
- 6:44Speaker 1: come in handy later in life. He eventually graduated high
- 6:47Speaker 1: school and moved on to college, attending the University of Maryland,
- 6:51Speaker 1: where he studied graphic arts, textiles, and home economics. However,
- 6:55Speaker 1: while many college students take their time in finding out
- 6:58Speaker 1: what they wanted to do for the rest of their lives,
- 7:00Speaker 1: James fell into his future pretty quickly. It all started
- 7:03Speaker 1: with a single class. He enrolled in a puppetry class
- 7:07Speaker 1: where he met a senior named Jane Nevill, a young
- 7:09Speaker 1: woman who would eventually become his wife. The two became
- 7:12Speaker 1: fast friends and got to work on a project for
- 7:14Speaker 1: local television affiliate w r C TV. James came up
- 7:19Speaker 1: with lots of ideas for the show, ideas that went
- 7:22Speaker 1: on to define how televised puppet shows would be performed
- 7:25Speaker 1: for generations to come. Unlike the Wooden Charlie McCarthy dummies
- 7:29Speaker 1: of his use, he made his puppets out of foam.
- 7:33Speaker 1: He also oriented the camera so that the puppets and
- 7:36Speaker 1: the sets were the only things in the frame. This way,
- 7:39Speaker 1: it looked like the characters were moving on their own
- 7:41Speaker 1: while the puppeteers were crouched down out of the shot
- 7:44Speaker 1: to preserve the illusion. He called his show Sam and Friends,
- 7:48Speaker 1: a character's program about a human puppet named Sam and
- 7:51Speaker 1: his many companions like Harry the Hipster, Professor Madcliffe, and
- 7:56Speaker 1: a curious green lizard. This lizard was instructed from an
- 8:00Speaker 1: old coat that had belonged to James's mother. He'd cut
- 8:03Speaker 1: it up and stitched it back together, giving this creature
- 8:06Speaker 1: a kind of tube shaped body with a pointed, expressive mouth.
- 8:10Speaker 1: His eyes were made from two halves of a ping
- 8:13Speaker 1: pong ball attached on top. He didn't know it at
- 8:16Speaker 1: the time, but James's character was going to leap off
- 8:19Speaker 1: the screen and into the hearts of children and adults
- 8:21Speaker 1: around the world. You see. He originally started out as
- 8:24Speaker 1: a generic lizard, but over time the creature evolved, as
- 8:28Speaker 1: most creatures do. Subsequent iterations added a pointy color around
- 8:32Speaker 1: his neck, and the pale green of the coat was
- 8:35Speaker 1: replaced with the fabric of a more verdant hue. He
- 8:38Speaker 1: also changed species. The character was now clearly labeled as
- 8:41Speaker 1: being a frog. So what two things did James Murray
- 8:45Speaker 1: Henson keep from his original design. First there were the
- 8:49Speaker 1: friendly white ping pong ball eyes and second the characters
- 8:53Speaker 1: soon to be iconic name Kermit the Frog. I hope
- 9:01Speaker 1: you've enjoyed today's guided tour of the Cabinet of Curiosities.
- 9:04Speaker 1: Subscribe for free on Apple Podcasts, or learn more about
- 9:07Speaker 1: the show by visiting Curiosities podcast dot com. The show
- 9:12Speaker 1: was created by me Aaron Mankey in partnership with how
- 9:15Speaker 1: Stuff Works. I make another award winning show called Lore,
- 9:19Speaker 1: which is a podcast, book series, and television show, and
- 9:23Speaker 1: you can learn all about it over at the World
- 9:25Speaker 1: of Lore dot com. And until next time, stay curious. Yeah,