Latest / The Mixed Vibez Podcast / Kendrick Lamar's Halftime Show

Transcript

Kendrick Lamar's Halftime Show · The Mixed Vibez Podcast

• 0:03
  Speaker 1: you y'all know what time it is.
• 0:04
  Speaker 1: Another episode of the mixed vibes podcast, your favorite amateur podcast.
• 0:09
  Speaker 1: You can find us if you get your podcast you're an advisor, support mr bill aka.
• 0:17
  Speaker 2: Say your name upon his pod might not put you to mind, man, you know what I'm saying, but we're gonna get to get it cracking.
• 0:23
  Speaker 2: We're going to get it going.
• 0:24
  Speaker 2: We got some guests in the building First off.
• 0:27
  Speaker 2: What up, rick?
• 0:29
  Speaker 3: What up, man?
• 0:29
  Speaker 3: It's been a while since I've been on the Mixed Vibes.
• 0:31
  Speaker 3: Man, I'm happy to be here.
• 0:33
  Speaker 2: We're glad to have you, we're glad to have you.
• 0:35
  Speaker 2: And then y'all already know, mr, what's going on with you, man, glad to be here you know what I'm saying Real quick, shameless plug.
• 0:47
  Speaker 2: You know I'm doing a series with these brothers.
• 0:51
  Speaker 2: We're ranking the legacies of all these different record labels in hip-hop.
• 0:55
  Speaker 2: We already did Aftermath and Young.
• 0:58
  Speaker 2: Well, aftermath, cash and Money.
• 1:00
  Speaker 2: We did G-Unit.
• 1:01
  Speaker 2: We got some more coming up Bad Boy, so South Delph.
• 1:05
  Speaker 2: So make sure y'all go over and look up, hold Up Another thing and y'all can check those out.
• 1:10
  Speaker 2: But yeah shout out to Joe, the president of the DEI situation.
• 1:13
  Speaker 2: That's what we're going to call it.
• 1:15
  Speaker 2: He's the president.
• 1:16
  Speaker 2: We got the white guy in charge of DEI.
• 1:19
  Speaker 2: You know what I mean Over here.
• 1:20
  Speaker 2: You think you think it's a bad idea for you.
• 1:25
  Speaker 2: I mean, it's a predominantly black company, so why not have the white guy charge the I'm?
• 1:32
  Speaker 1: gonna get in all the politics and whatnot.
• 1:35
  Speaker 2: Man, y'all get it alright, that's enough, alright, ben you can't do that, bro.
• 1:42
  Speaker 1: You can't put him in charge of that.
• 1:43
  Speaker 1: See what happens.
• 1:44
  Speaker 1: Why they was afraid?
• 1:45
  Speaker 1: Because they thought it was going to break a whole bunch of us in there.
• 1:47
  Speaker 1: So now he's going to break a whole bunch of them in here.
• 1:52
  Speaker 2: Hey, that's not going to happen.
• 1:53
  Speaker 2: Last time I checked, I run this.
• 1:56
  Speaker 1: That's what you think.
• 1:57
  Speaker 1: See, that's how I got started.
• 2:00
  Speaker 2: Hey, that's what I know.
• 2:01
  Speaker 2: That ain't what I know.
• 2:03
  Speaker 2: It ain't too much I know in this world.
• 2:05
  Speaker 1: But they took over a whole country bro.
• 2:08
  Speaker 2: They ain't going to take over this company, they can just take over a company, but they took over a country.
• 2:12
  Speaker 2: Not this one.
• 2:14
  Speaker 2: They can create a new one, but they ain't going to take over this one.
• 2:17
  Speaker 1: They said United, we stand, we taking this land.
• 2:20
  Speaker 2: Yeah, all right, they can take that land, but they ain't taking these mics.
• 2:22
  Speaker 2: Let me tell you that.
• 2:23
  Speaker 2: I can tell you that right now.
• 2:25
  Speaker 1: Hey, y'all ain't know.
• 2:26
  Speaker 1: They already tried to take over the company, but we got them up out of here.
• 2:30
  Speaker 2: They can take over the land, but they ain't taking over these mics.
• 2:34
  Speaker 1: They already tried it.
• 2:36
  Speaker 2: Going to get you up out the paint, my boy, that's not it, that that nah, we ain't going to do with that one.
• 2:41
  Speaker 2: That was her, me.
• 2:43
  Speaker 2: I bet Ain't no jurors here.
• 2:47
  Speaker 3: We're not going to do an ex-jurors.
• 2:49
  Speaker 2: But I am going to ask the fellas this If you could have lunch with any celebrity, who would it be?
• 2:57
  Speaker 2: And I'm going to put the caveat on it they got to be living, they got to be what they got to be living.
• 3:05
  Speaker 2: They got to be what they got to be living.
• 3:08
  Speaker 2: All right, you said what?
• 3:10
  Speaker 1: They got to be alive.
• 3:11
  Speaker 2: They got to be alive.
• 3:13
  Speaker 2: So any celebrity.
• 3:14
  Speaker 2: It could be a sports figure, it could be an entertainer, it could be a politician, it could be anybody.
• 3:24
  Speaker 2: But you only get to have lunch with one person, will.
• 3:27
  Speaker 2: Who would it be?
• 3:29
  Speaker 1: You can make me go first and you can make me do it immediately.
• 3:32
  Speaker 2: Yeah, make you go first Jeez, mr Breakglass himself.
• 3:39
  Speaker 1: I'm always available.
• 3:40
  Speaker 1: I'm going to go with a politician.
• 3:46
  Speaker 1: I would like to meet with Barack Obama.
• 3:54
  Speaker 2: That's a solid choice.
• 3:55
  Speaker 2: That's a solid choice.
• 3:56
  Speaker 2: Why Barack?
• 3:58
  Speaker 1: Well, first of all, at this point he's not just a politician anymore.
• 4:02
  Speaker 1: He's crossed so many different industries now, so you can pick his brain about so many different things, not just politics.
• 4:11
  Speaker 1: But I don't know, I think this would be a.
• 4:13
  Speaker 1: I wouldn't really go in with the intent of learning much.
• 4:18
  Speaker 1: I would go in with the intent of gaining a friend.
• 4:22
  Speaker 1: I'm not here to pick your brain.
• 4:24
  Speaker 1: I'm here to get to know you better.
• 4:24
  Speaker 1: Gaining a friend.
• 4:25
  Speaker 1: Okay, I'm here to pick your brain.
• 4:26
  Speaker 1: I'm here to get to know you better as a person and get closer to you.
• 4:32
  Speaker 2: So, yeah, all right, I'll rock with it.
• 4:36
  Speaker 2: All right, ray, who you got?
• 4:38
  Speaker 2: Ah damn, that's hard, I was going to say, but you knew it was coming.
• 4:44
  Speaker 3: You said a date.
• 4:44
  Speaker 3: No a, it was coming man.
• 4:45
  Speaker 3: You said a date uh, no, a lunch ah, I said a lunch yeah, I do like a.
• 4:53
  Speaker 3: I do like a man.
• 4:56
  Speaker 3: It's a hard one, you know I be like hey, bro, invite your homies.
• 4:59
  Speaker 3: You know what.
• 5:01
  Speaker 3: I don't wanna sit down with Kanye.
• 5:03
  Speaker 3: Be like man.
• 5:04
  Speaker 3: What the fuck's going on with you, bro?
• 5:05
  Speaker 3: You know what.
• 5:05
  Speaker 3: I don't want to sit down with kanye like man.
• 5:06
  Speaker 3: What the fuck's going on with you, bro, you know, let me.
• 5:08
  Speaker 3: Let's have a, let's have a deep heart to heart.
• 5:10
  Speaker 3: Bro, don't be getting on your little hey, lock the doors.
• 5:13
  Speaker 3: I'm gonna tell the restaurant, lock the doors, bro.
• 5:15
  Speaker 3: This nigga ain't going nowhere, bro, we're getting, we're getting to the bottom of this shit, bro, let me be your therapist for a moment.
• 5:21
  Speaker 3: Let me be your homie and your therapist.
• 5:22
  Speaker 3: Man, man, let's get you back to the old Kanye or whatever, bro, you know.
• 5:27
  Speaker 2: I like that one.
• 5:27
  Speaker 2: I like that one.
• 5:29
  Speaker 2: We're going to turn this into a counseling section.
• 5:32
  Speaker 2: You know, tell me what's on your mind and why you doing the things that you do.
• 5:37
  Speaker 3: Bring your girl too.
• 5:38
  Speaker 3: I'd like to have something to look at.
• 5:39
  Speaker 3: I know you're going to dress all crazy and shit.
• 5:41
  Speaker 3: I wouldn't mind that either, but the primary thing is the conversation.
• 5:48
  Speaker 2: Red said you was going so well.
• 5:49
  Speaker 2: Red.
• 5:50
  Speaker 2: But then you know, you was doing so well.
• 5:54
  Speaker 3: Hey, I said you going to dress me.
• 5:55
  Speaker 3: You can go ahead and bring your man, I'll watch, I'll look.
• 5:59
  Speaker 2: Alright man Quay, why Boosie?
• 6:06
  Speaker 1: You say Boosie.
• 6:07
  Speaker 2: Yeah, I think you're just going with Boosie Reddits.
• 6:09
  Speaker 2: That ain't who you're going with.
• 6:11
  Speaker 1: I'm not even going with a male.
• 6:12
  Speaker 1: I'm going with Jocelyn from Love Hip Hop.
• 6:18
  Speaker 2: That's a wild one right there.
• 6:20
  Speaker 2: Okay, why, jocelyn?
• 6:22
  Speaker 1: She get low, she like to party too, Okay, watch out, she get low.
• 6:23
  Speaker 1: She like to party too.
• 6:28
  Speaker 1: Look, this lunch will turn into a dinner and turn into breakfast in the next morning, hey, All right, cool, cool.
• 6:40
  Speaker 2: I should have known something like that was coming with you.
• 6:42
  Speaker 2: I should have known.
• 6:43
  Speaker 2: Quaid got her trying to get it in Red, trying to save a man.
• 6:49
  Speaker 2: We are trying to be a friend and you got hurt just trying.
• 6:55
  Speaker 2: Okay, cool, I should have known.
• 6:57
  Speaker 2: I should have known.
• 6:59
  Speaker 2: Off the top of my head.
• 7:02
  Speaker 2: My choice was Sizzle, my choice was Sizzle and my choice was Sizzle One because, like Rand said, it's something nice to look at.
• 7:08
  Speaker 2: But I really want to ask her how do you feel about the Drake and Kendrick beef?
• 7:12
  Speaker 2: What?
• 7:14
  Speaker 2: Because you cool with both of them?
• 7:16
  Speaker 2: Hell, you dated Drake.
• 7:17
  Speaker 2: What do you think?
• 7:19
  Speaker 2: What?
• 7:20
  Speaker 2: What's your?
• 7:21
  Speaker 2: You know you going on tour with Kendrick, but you was just on the song with Drake.
• 7:25
  Speaker 2: What's your perspective of the whole beef?
• 7:28
  Speaker 2: You think somebody took you too far.
• 7:30
  Speaker 2: You think somebody wrong?
• 7:31
  Speaker 2: You think yeah so my choice would be Sizzle.
• 7:36
  Speaker 3: Can we do male and female?
• 7:37
  Speaker 2: Yeah, you can do whatever you want.
• 7:39
  Speaker 2: I'm talking about one dude.
• 7:41
  Speaker 2: Oh, so one of each sex?
• 7:43
  Speaker 2: All right, cool, we could do that.
• 7:45
  Speaker 2: So, quag, you gotta come over the male, I'll do two.
• 7:48
  Speaker 2: Where you gotta come over the female, all right, go ahead, except me.
• 7:52
  Speaker 2: Yeah, you, the one, came up with the idea, so I thought you had one.
• 7:55
  Speaker 3: Hey, kind of like quaggy man, I would invite uh scotty with a body from baddies.
• 8:01
  Speaker 3: Um no, what is that?
• 8:01
  Speaker 3: Yeah, baddies?
• 8:02
  Speaker 3: Fine as hell.
• 8:04
  Speaker 3: Let me google her real quick.
• 8:07
  Speaker 1: I don't want whoa, whoa, whoa, whoa, whoa.
• 8:10
  Speaker 1: So, man, you don't hurt yourself, man I don't know who it is.
• 8:13
  Speaker 2: Let me do a quick google.
• 8:14
  Speaker 2: She's cold man.
• 8:16
  Speaker 3: You said scotty yeah she went to uh eku scotty lynn ryan or some shit.
• 8:24
  Speaker 1: Scottie Lynn Ryan or some shit.
• 8:28
  Speaker 2: All right, man, who would you go with?
• 8:32
  Speaker 2: Can I get a little space on this?
• 8:34
  Speaker 2: Am I having to be first?
• 8:35
  Speaker 2: Okay, okay, okay, all right, cool, cool, cool, go ahead.
• 8:37
  Speaker 2: Who would the male?
• 8:43
  Speaker 1: be for you, probably Jonathan Majors for real hmm, he be now making a friend, not really picking the brain a little bit.
• 8:58
  Speaker 1: I just want to see you know what type of nigga be dealing with here, cause he be talking that MLK talk.
• 9:06
  Speaker 1: He'd be dancing, that shucking and jiving.
• 9:09
  Speaker 1: He'd be doing all that.
• 9:12
  Speaker 1: I need to know what's really behind the music, what's behind the mask.
• 9:20
  Speaker 1: Okay, is he really this abusive?
• 9:23
  Speaker 1: He out here calling the white woman Coretta?
• 9:26
  Speaker 1: I need to know what's going on with this man for real like, is it just a play?
• 9:33
  Speaker 1: Like, is you really like you know nigga from the block or something like that?
• 9:40
  Speaker 1: You just you know dressing it up real, real, real nice, like you know.
• 9:43
  Speaker 1: Are you really you know dressing it up real, real, real, nice, like you know?
• 9:45
  Speaker 1: Are you really Juilliard like you say?
• 9:47
  Speaker 1: You are Just pick and bring, you know, not really picking, though I need to know.
• 9:55
  Speaker 1: I don't need to know, but we need to know.
• 10:00
  Speaker 2: He's still with Megan Good, ain't he?
• 10:01
  Speaker 2: Yeah, hell, james Franklin, megan Good's ex.
• 10:05
  Speaker 2: He just proposed to someone I don't want to say someone, because that sounds bad, but I don't know who the young lady was but they just proposed down in Hawaii.
• 10:13
  Speaker 2: So shout out and congratulations to them.
• 10:15
  Speaker 2: But all right, will, is this far to go now?
• 10:20
  Speaker 1: Okay, I'm so high, boo.
• 10:22
  Speaker 1: Okay, I'm sorry, boo.
• 10:25
  Speaker 1: So me personally, man, I'm a person who likes to stick to my goals, even if it's a long time.
• 10:33
  Speaker 1: I may never achieve some of them, but I keep them in my mind all the time.
• 10:37
  Speaker 1: So even since I was a lad, a wee little lad, growing up on the west side of Louisville, kentucky, I seen this lady on TV young woman, and her name was something that's hard to pronounce.
• 10:51
  Speaker 1: At first it was Beyonce.
• 10:53
  Speaker 1: So I'm going to keep chasing that dream.
• 10:58
  Speaker 1: I can sit down with her and talk for a little while.
• 11:01
  Speaker 1: You know that nigga's always busy.
• 11:05
  Speaker 1: Alright, bro, sit down with the queen bro.
• 11:14
  Speaker 2: Alright, go sit down with the queen.
• 11:15
  Speaker 2: I respect it, I ain't mad at it, I ain't mad.
• 11:19
  Speaker 1: I listen to the whole country album and everything.
• 11:22
  Speaker 1: It was Grammy award winning.
• 11:23
  Speaker 1: Shit was fire.
• 11:26
  Speaker 1: I got a question for y'all.
• 11:30
  Speaker 1: I seen that the Beehive is mad that non-Beyonce fans is buying her tickets so they can sell them.
• 11:39
  Speaker 1: Everybody would have to come up.
• 11:40
  Speaker 1: You don't have to miss out on the hustle People who don't.
• 11:44
  Speaker 1: We're Jordans by Jordans.
• 11:45
  Speaker 1: What you mean?
• 11:46
  Speaker 1: Get out of here.
• 11:48
  Speaker 3: Nah, I was mad about them.
• 11:49
  Speaker 3: Jackie Robinson dunks man.
• 11:51
  Speaker 3: A whole bunch of white people got them.
• 11:52
  Speaker 3: I'm trying to buy shoes from my brother.
• 11:58
  Speaker 1: You know it's all about the hustle.
• 12:00
  Speaker 1: Be all safe, man.
• 12:01
  Speaker 1: You got to understand this.
• 12:03
  Speaker 1: Is Y'all seen that me?
• 12:06
  Speaker 1: You got to be quicker than that.
• 12:07
  Speaker 1: So you know that's where we are with Beyonce.
• 12:12
  Speaker 1: You got to be a little quick.
• 12:14
  Speaker 1: You can't fight the robots.
• 12:15
  Speaker 1: They still struggling to get payday rent from the last tour.
• 12:19
  Speaker 1: Y'all ready to go back on another one?
• 12:23
  Speaker 1: Yeah, they go anywhere she go.
• 12:25
  Speaker 1: Let somebody else have it.
• 12:26
  Speaker 1: Loyalty I would argue that Beyonce fans are more devoted than a lot of religions.
• 12:40
  Speaker 3: Half of them probably say like oh, I don't listen to country on a normal day.
• 12:43
  Speaker 3: You know they trying to go listen to her perform some country.
• 12:46
  Speaker 1: So it's like I may never listen to country before Beyonce came out with that country, and probably I never listened to nobody else that was already in the country.
• 12:55
  Speaker 1: Yeah, or Shabuzy, I mean they probably listen to the.
• 12:57
  Speaker 3: Shabuzy.
• 12:59
  Speaker 1: Yeah, I mean, you know radio hits, I can't tell you.
• 13:10
  Speaker 1: First time I heard of Shaboos it was his Super Bowl commercial.
• 13:12
  Speaker 1: I just never find myself in the mood to listen to it.
• 13:17
  Speaker 1: They say he's cool, ain't he everybody in the club getting tips, ain't that him Ain't.
• 13:23
  Speaker 3: So, man, he got that song about the drink.
• 13:24
  Speaker 3: The drink don't need no mix or something like that.
• 13:26
  Speaker 3: I don't know what the fuck song is, but drink don't need no mix everybody in this bitch getting tips.
• 13:36
  Speaker 1: Hey to Isha Young yeah, I'm gonna go see, I'm gonna go.
• 13:44
  Speaker 1: You know I'm sitting down with me, I'll take.
• 13:45
  Speaker 1: Look, q.
• 13:46
  Speaker 1: Q said Scissor, did y'all see the new Scissor movie, the Scissor?
• 13:49
  Speaker 1: And Kiki Palmer?
• 13:49
  Speaker 1: He's the one.
• 13:52
  Speaker 1: Nah, I ain't seen that yet.
• 13:54
  Speaker 1: Yeah, he's seen that.
• 13:57
  Speaker 1: I ain't gonna hug.
• 13:59
  Speaker 1: It's decent.
• 14:00
  Speaker 1: Now I.
• 14:02
  Speaker 1: I just equated it to the female version of Lottery Ticket, but I like Lottery Ticket personally.
• 14:07
  Speaker 1: This a real thing.
• 14:10
  Speaker 1: No, it's a real movie.
• 14:11
  Speaker 1: Yeah, like in theaters it's called One of them Days, or Just that Day, or something, something Days.
• 14:22
  Speaker 2: No, I think you had it right the first time One of them Days.
• 14:24
  Speaker 1: One of them Days.
• 14:25
  Speaker 1: Yeah, it was decent, though we had them.
• 14:27
  Speaker 1: Cat was in there, lil Real.
• 14:33
  Speaker 1: I guess he's really Lil Real now.
• 14:37
  Speaker 1: Hey, can I Say it again you?
• 14:42
  Speaker 3: saw it at the theaters.
• 14:43
  Speaker 3: Nah man, come on, bro.
• 14:44
  Speaker 3: You know I'm an honest man, I like to support.
• 14:45
  Speaker 3: Say it again you saw it at the O's.
• 14:46
  Speaker 3: Nah man, come on, bro.
• 14:46
  Speaker 3: You know I'm an honest man, I like to support yeah, I feel it.
• 14:51
  Speaker 1: I stopped going to the movies when they started shooting movies up.
• 14:56
  Speaker 2: I feel that hey, can I, can I say something here and y'all, y'all tell me if I'm wrong for saying this or if I'm out of my pocket.
• 15:03
  Speaker 2: And y'all tell me if I'm wrong for saying this or if I'm out of pocket.
• 15:05
  Speaker 2: I don't know if L'Oreal took some meds.
• 15:07
  Speaker 2: I don't know if he on the stuff or he took the shots, or whatever.
• 15:10
  Speaker 2: He look a little out, don't he?
• 15:14
  Speaker 2: He lost all that weight.
• 15:17
  Speaker 1: Yeah, bro, he got classic issue when you go from being a little.
• 15:23
  Speaker 1: In his case he wasn't really a really big dude, he was just like we would have called him just kind of chunky.
• 15:29
  Speaker 1: Back in the day he was not super big.
• 15:32
  Speaker 1: But then you go from being little, you end up looking like a bobblehead.
• 15:36
  Speaker 1: It's still common.
• 15:40
  Speaker 1: You do the math, bro.
• 15:41
  Speaker 1: If you enter the math on a calculator, I lose all this weight.
• 15:45
  Speaker 1: And now I'm this size, they're going to be like oh, bobblehead, that's going to be the solution, bro.
• 15:49
  Speaker 1: He's.
• 15:49
  Speaker 2: Al Sharpton to me, that's what he remind me of.
• 15:52
  Speaker 2: Like Al Sharpton, his head just ain't as big.
• 15:54
  Speaker 2: But you know, al Sharpton got a globe on his shoulders, but but little real.
• 16:03
  Speaker 2: Look.
• 16:03
  Speaker 2: I don't know, dog, some of these people they get on that and they take all that stuff, they lose all that weight.
• 16:08
  Speaker 3: they don't look yeah, I think he just need to buff up, like I mean, he look up to Kevin Hart and shit yeah.
• 16:18
  Speaker 1: Walmart.
• 16:18
  Speaker 1: Kevin Hart.
• 16:19
  Speaker 1: Can't.
• 16:19
  Speaker 1: Nobody look up to Kevin Hart, short ass, his man's up that's his man.
• 16:27
  Speaker 2: Yeah, like you know, somebody look up to Kevin Hart's short ass.
• 16:29
  Speaker 2: His man's up.
• 16:30
  Speaker 2: That's his man.
• 16:30
  Speaker 2: Yeah like you know, he don't get like his dog.
• 16:33
  Speaker 1: Yeah, he cool dude.
• 16:33
  Speaker 1: But I'm saying muscle ain't for everybody, though he probably can't hold the muscle.
• 16:37
  Speaker 3: He need to take some steroids.
• 16:38
  Speaker 3: Man, Go ahead, get big am I wrong, though?
• 16:43
  Speaker 2: tell me he don't look a little funny he look weird in the movie.
• 16:46
  Speaker 1: He came out with the American Eagle shirt on, like some little tight shit.
• 16:51
  Speaker 2: I said damn Lil Rel you little for real, bro, and I think Lil Rel is funny like the comedian.
• 16:57
  Speaker 2: Lil Rel dude is funny to me.
• 16:59
  Speaker 2: I done watched a couple of his stand ups, but seeing him now, hey bro, it just don't.
• 17:06
  Speaker 2: I don't know, man, maybe he just ain't laying in front of me.
• 17:08
  Speaker 2: My bad.
• 17:09
  Speaker 3: Maybe I'm used to seeing the brother one way.
• 17:12
  Speaker 2: And now I'm looking at him concerned, Like hey, you all right.
• 17:16
  Speaker 1: Now you on his neck because he done dropped the weight.
• 17:20
  Speaker 2: Yeah, but I'm saying all right, bro, hold on, let's be real, you wouldn't look at me that way.
• 17:23
  Speaker 2: If I dropped out that way and came out looking like Lil Rel, you wouldn't be looking at me the same way.
• 17:27
  Speaker 2: Not like damn bro, stop lying bro.
• 17:31
  Speaker 2: Yeah, you would bro.
• 17:34
  Speaker 1: You achieving that bobblehead effect I was talking about.
• 17:37
  Speaker 1: So I'm going to tell you as you get in there.
• 17:39
  Speaker 2: Thank you.
• 17:39
  Speaker 2: It wouldn't be nothing but jokes.
• 17:40
  Speaker 2: It wouldn't be nothing but jokes If I went down, if I start slimming down, looking like Lil Rel man, looking like I'm out here on some stuff.
• 17:49
  Speaker 1: I'm not going to ask you are you all right?
• 17:51
  Speaker 1: I'm going to be concerned, I'm going to ask.
• 17:54
  Speaker 1: I mean, you know, if you on the Zip, you on the Zip?
• 17:57
  Speaker 1: As soon as I tell you I'm on the Zip it ain't, I'm going to tell you to use that shit consciously.
• 18:07
  Speaker 1: There's got to be a lick of.
• 18:08
  Speaker 1: If you turn up looking like Lil Ray, I'm going to tell you to slow down.
• 18:12
  Speaker 2: Hey, don't do so many injections, bro.
• 18:16
  Speaker 1: Hey bro, get off of them, Leave them alone.
• 18:21
  Speaker 2: That's all I'm saying, bro.
• 18:22
  Speaker 2: That's all I'm saying.
• 18:23
  Speaker 2: No disrespect to the man, I think he's funny, but I saying, bro, that's all I'm saying.
• 18:25
  Speaker 2: No disrespect to the man, I think he's funny, but I don't know.
• 18:28
  Speaker 2: That's all I'm saying.
• 18:31
  Speaker 1: A little zimp, that's all.
• 18:32
  Speaker 1: Maybe too much zimp.
• 18:36
  Speaker 2: He took one too many shots, one too many ejections.
• 18:40
  Speaker 2: There's a few people like that.
• 18:41
  Speaker 2: I ain't going to say no names.
• 18:44
  Speaker 2: I ain't going to say no more names.
• 18:45
  Speaker 2: I ain't going to say no names.
• 18:46
  Speaker 2: I ain't going to say no more names.
• 18:47
  Speaker 1: I ain't going to say no more names.
• 18:49
  Speaker 1: Lizzo, I heard two horror stories.
• 18:51
  Speaker 1: Lizzo just came out with her.
• 18:54
  Speaker 1: You know she just released some pictures.
• 18:58
  Speaker 2: I thought hers was all natural.
• 19:01
  Speaker 1: Can I address the whole Lizzo thing too?
• 19:03
  Speaker 1: I'm glad I got that.
• 19:05
  Speaker 1: I'm glad you brought her up.
• 19:06
  Speaker 1: So I seen the pictures you talking about where she.
• 19:09
  Speaker 1: It was an old picture of her and she wrote something on that.
• 19:12
  Speaker 1: Yeah yeah, like I knew it wasn't a good match To me.
• 19:18
  Speaker 1: That's kind of messed up.
• 19:19
  Speaker 1: Like that's still you, my nigga.
• 19:22
  Speaker 1: Like that's still you, my nigga.
• 19:29
  Speaker 1: Like at the end of the day, I don't care if I lost a lot of weight.
• 19:31
  Speaker 1: That don't look like that.
• 19:32
  Speaker 1: No more, that's still me.
• 19:34
  Speaker 2: I'm still the same person, yeah.
• 19:37
  Speaker 1: I don't know, that came off a little weird to me.
• 19:40
  Speaker 1: You know I might not, maybe I'm looking at it a different way than what it really is, but that's how I've seen it.
• 19:50
  Speaker 3: She's still big.
• 19:52
  Speaker 3: But you know I respect the hustle.
• 19:54
  Speaker 3: You know you got to.
• 19:55
  Speaker 3: You know, even with Lil Rel, you know what I'm saying.
• 19:57
  Speaker 3: I respect it.
• 19:57
  Speaker 3: I'm happy for them.
• 19:58
  Speaker 3: You know they're going to be healthy as a result.
• 20:02
  Speaker 2: But you know she's still got some work to do.
• 20:03
  Speaker 2: Yeah, man, she's still got some work to do.
• 20:05
  Speaker 2: Yeah, she's still big.
• 20:06
  Speaker 2: Yeah, but, like I said, I thought hers was natural.
• 20:12
  Speaker 1: She's in the gym doing the thing, she naturally took them shots when she woke up.
• 20:17
  Speaker 2: My bad, that's a misunderstanding on my bad People doesn't actually Losing weight like doing a workout weight and changing your eating habits.
• 20:26
  Speaker 2: That's a task.
• 20:28
  Speaker 1: Yeah, bro, A lot of people right now, like, since the Olympic came out, bro, it's like when they released crack, you feel me?
• 20:36
  Speaker 1: Everybody on it.
• 20:37
  Speaker 1: They get to see the way to get what they want and how they want it bro, so they just go out there and get it.
• 20:42
  Speaker 1: I don't Like I'm hearing about people who ain't even big doing ozempic.
• 20:46
  Speaker 1: So come on, bro, when it gets to that point you already smiled on it Get out of here, bro.
• 20:51
  Speaker 1: You're doing light ozempic, watering it down and shit man.
• 20:55
  Speaker 1: Get the hell up out of here, bro.
• 20:57
  Speaker 2: No, I got to say, man, I hollered at my doctor about it.
• 21:02
  Speaker 2: She told me, boy, if you don't work out, if you don't just change the way you eat, she said, all you got to do is do some push-ups and push away from the table, but you can get the results you want.
• 21:11
  Speaker 2: Yeah, so yeah, man.
• 21:14
  Speaker 2: That's why I said, man, shout out to people that's actually that's not doing it.
• 21:17
  Speaker 1: You're going to end up with an ozempic booty.
• 21:18
  Speaker 1: I know be thinking of the head yeah you got an Olympic booty, nigga.
• 21:25
  Speaker 1: When you start taking those shots, nigga, your ass drop like it's hot, nigga.
• 21:31
  Speaker 2: Out here looking like you got a diaper on and shit.
• 21:33
  Speaker 1: Walking around here looking like you about to flap away at that motherfucker.
• 21:36
  Speaker 1: You got a little tail on that motherfucker, but you a duck.
• 21:40
  Speaker 2: I ain't cool, dog, I ain't cool, I ain't know what that means.
• 21:47
  Speaker 1: I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know, I ain't know.
• 22:04
  Speaker 2: I ain't know.
• 22:05
  Speaker 2: You did all that.
• 22:05
  Speaker 2: You did some man Alright bet.
• 22:08
  Speaker 2: Let me go back Before we get into entertainment news.
• 22:11
  Speaker 2: The mail out because I said I would take SZA.
• 22:15
  Speaker 2: I would take Vladimir Putin, the president of Russia.
• 22:20
  Speaker 1: What the how you getting killed, nigga, you fucked up.
• 22:25
  Speaker 2: Hopefully I can survive.
• 22:26
  Speaker 2: Hopefully I can survive.
• 22:27
  Speaker 2: I wouldn't survive, because the question I would want to ask him is man, you've been fighting Ukraine for this long and you still ain't got the country.
• 22:36
  Speaker 2: How do you feel about that?
• 22:37
  Speaker 2: That would literally be my question how do you feel about not taking over this country that you thought was going to be taken down in two months?
• 22:48
  Speaker 2: It's going on two years and you still losing the war.
• 22:52
  Speaker 2: Hell they in your country taking land now.
• 22:55
  Speaker 3: Hey, to break the ice, you should tell them a joke.
• 22:58
  Speaker 3: You should say, hey, you can't do that.
• 23:01
  Speaker 2: I'm really going to die if I get that.
• 23:04
  Speaker 1: I think you look at it wrong.
• 23:05
  Speaker 1: I think pooch type type of nigga who, like you remember, back in the day there was always that one dude in the neighborhood who liked to fight.
• 23:12
  Speaker 1: Yeah, like he wasn't like a psych Most of us we would fight if we had to.
• 23:17
  Speaker 1: You know we didn't go around looking for it.
• 23:19
  Speaker 1: But there was that one dude who like he fiend to fight.
• 23:28
  Speaker 2: I think that's what Putin is.
• 23:28
  Speaker 2: Yeah, but I didn't think he was going to be fighting.
• 23:29
  Speaker 2: I think he thought he was going to be fighting something different by now Not the same people he thought he was going to take them.
• 23:34
  Speaker 2: He was out here ready to go country to country.
• 23:37
  Speaker 2: He's still on country one.
• 23:40
  Speaker 2: I don't think that's what he thought was going to happen.
• 23:43
  Speaker 2: I just want to ask him what do you feel about this and what's your extra strategy?
• 23:50
  Speaker 1: Are you still going to keep going?
• 23:51
  Speaker 1: You know extra strategy.
• 23:52
  Speaker 1: I think I'm taking over, is what he's saying.
• 23:54
  Speaker 1: So there's only one way to complete this goal, and that's to take what I want.
• 23:58
  Speaker 1: All right, bet bet.
• 24:02
  Speaker 2: Yeah, that's where I'm going to go.
• 24:03
  Speaker 2: All right, man, let's get to the entertainment news.
• 24:04
  Speaker 2: All right, let's start around.
• 24:05
  Speaker 2: Let's just start with the halftime show.
• 24:07
  Speaker 2: Man Kendrick Lamar performed at this past year's Super Bowl halftime show.
• 24:12
  Speaker 2: We haven't had the opportunity to discuss, but we're going to go ahead and get into it now.
• 24:16
  Speaker 2: He sent a lot of messages in this performance.
• 24:20
  Speaker 2: It wasn't just about Drake Everybody sees that.
• 24:23
  Speaker 2: He talked about Drake but he also did the Uncle Sam, which was really like an Uncle Tom.
• 24:28
  Speaker 2: He also did, uh, the street light.
• 24:32
  Speaker 2: When he was performing on the street lights, it reminds you of, you know, black people.
• 24:37
  Speaker 2: They tell us to get home before the street lights go off, before the street lights come on.
• 24:40
  Speaker 2: He also did the uh, the playstation controller.
• 24:46
  Speaker 2: He also did the inmate situation.
• 24:48
  Speaker 2: He also had black people dressed up as the flag.
• 24:51
  Speaker 2: And then, of course, we had Serena Williams crip walking on stage, which everybody points to.
• 24:56
  Speaker 2: That that's Drake's ex, but the other symbolization in that was she was doing a crip walk, which she got a lot of heat for when she won Wimbledon, I think about 10, 15 years ago, something like that.
• 25:10
  Speaker 2: So there's a lot of messages in this.
• 25:11
  Speaker 2: What do y'all?
• 25:13
  Speaker 2: Before we get into the messages and the jerk shots and all of that, let's just give overall grade.
• 25:17
  Speaker 2: What did you think about the performance Red?
• 25:19
  Speaker 2: What'd you think?
• 25:21
  Speaker 3: Man.
• 25:21
  Speaker 3: So for me it's like I ain't even I boycotted this shit man.
• 25:25
  Speaker 3: For me it's like I boycotted this shit man, fuck Kendrick.
• 25:27
  Speaker 3: Lil Wayne should have been doing it.
• 25:28
  Speaker 3: Mr Cool should have been on the goddamn stage.
• 25:30
  Speaker 3: Juvenile, all them motherfuckers.
• 25:33
  Speaker 3: You know, if you're from the NOLA, that's how they should have advertised it.
• 25:37
  Speaker 3: It's the NOLA show.
• 25:38
  Speaker 3: You know what I'm saying and that's how we're going to fucking do it.
• 25:43
  Speaker 3: But you know they got Kendrick up there, you know.
• 25:44
  Speaker 3: So I boycotted the shit.
• 25:45
  Speaker 3: I didn't watch it.
• 25:45
  Speaker 3: But you know, I watched the video and everything and you know I went to work.
• 25:51
  Speaker 3: You got a lot of like people not like us that go up there.
• 25:55
  Speaker 3: You know they're like oh man, that was terrible.
• 25:57
  Speaker 3: That was the worst halftime performance, you know.
• 26:00
  Speaker 3: Like then I'm like, all right, you know, now I gotta go watch it and see, because it couldn't have been that bad.
• 26:04
  Speaker 3: It's Kendrick.
• 26:05
  Speaker 3: Even though I'm hating, I understand that Kendrick is a fucking generational act.
• 26:10
  Speaker 3: That dude is good.
• 26:12
  Speaker 3: He got songs that I like, even though I'm hating right now.
• 26:15
  Speaker 3: He got songs that I grew up with and that I enjoy.
• 26:18
  Speaker 3: So I go look at it and I'm like bro, it's not that bad.
• 26:22
  Speaker 3: But at the same time I got gotta understand like not everybody is in the rap, you know, and I think he could have done better by performing his bigger hits instead of, like, you know, a lot of it was on his newer album and stuff like that.
• 26:34
  Speaker 3: So yeah, he could have definitely done better by performing his newer hits, but at the same time, it's like I don't know.
• 26:39
  Speaker 3: It's kind of crazy to see the divide where some people's like, oh, it was bad.
• 26:43
  Speaker 3: But it's like man, even with him performing the new album, it wasn't that bad.
• 26:48
  Speaker 3: It was pretty good, well choreographed, I like the storytelling and everything.
• 26:53
  Speaker 3: So I just think, like I said, rap it kind of makes you realize, like rap, even though it has, you know, passed some barriers and everything, it's still predominantly Black.
• 27:06
  Speaker 3: You know, pass some barriers and everything, it's still predominantly black.
• 27:07
  Speaker 3: You know, and some people still don't see across that line other than the crossover shit.
• 27:13
  Speaker 3: Like you know, hotline Bling or something you know, referencing Drake, they're going to fucking fuck with that shit, but then you know they're going to come back to fucking Kendrick Lamar and his shit that's not seen by the Caucasian community and he'd be like man, what the fuck is this shit?
• 27:28
  Speaker 3: You know what I'm saying.
• 27:29
  Speaker 3: So it's kind of crazy, but I was like bro, I guarantee you, if a country motherfucker came up and did the same thing, y'all going to be praising that shit and acting like that shit was the best ever, you know.
• 27:37
  Speaker 3: So I think it was good, you know, and like I forgot who tweeted it, I think it might have been Jermaine Dupri.
• 27:43
  Speaker 3: The motherfucker didn't have no backing tracks on some of them.
• 27:46
  Speaker 3: Songs you know went out there.
• 27:49
  Speaker 3: Good breath control, all that shit.
• 27:50
  Speaker 3: You gotta think I mean that was a pretty goddamn good show.
• 27:56
  Speaker 2: Alright, so what you giving it Like a, B, an.
• 27:58
  Speaker 3: A.
• 27:58
  Speaker 3: If I'm gonna rate it, I'm gonna give it like a.
• 28:01
  Speaker 3: I'm gonna give it like an F, because Lil Wayne should have been there.
• 28:05
  Speaker 2: All right, bro Like.
• 28:06
  Speaker 1: All right bro Like you know, you can get at me, you can get up there and say the F of fuck that shit, and then you're going to wheeze again.
• 28:14
  Speaker 2: All right bro, all right Will.
• 28:16
  Speaker 2: What you think of just the performance itself?
• 28:20
  Speaker 1: Shit.
• 28:20
  Speaker 1: So, all right, I'm giving it.
• 28:23
  Speaker 1: I'm just going to have my school right off the top, I'm not going to try to talk myself in or anything.
• 28:28
  Speaker 1: I'm giving it a five out of 10.
• 28:30
  Speaker 1: So because now I'll give you why I just I don't know, all my years of watching Super Bowl performances and I've seen a lot it just didn't.
• 28:47
  Speaker 1: I didn't get the same vibe from it.
• 28:49
  Speaker 1: Maybe there wasn't enough, like extra people featured in it besides SZA and that that song.
• 28:55
  Speaker 1: I really wasn't feeling that for real.
• 28:57
  Speaker 1: And then you had Musta come out, you know, and he didn't do nothing but just beat her.
• 29:04
  Speaker 1: So I and when somebody tells me a story, I want them to just tell me a story and want it to be flat right.
• 29:11
  Speaker 1: I want them to get from A to B.
• 29:13
  Speaker 1: I want to understand it.
• 29:14
  Speaker 1: I don't want to have to dive deep three days later to understand your performance, like, oh, it's a controller.
• 29:21
  Speaker 1: Because you know this is a game, what like?
• 29:24
  Speaker 1: Why do we have to look that deep into it?
• 29:27
  Speaker 1: If it's going to be a story, put it out there, like, write it out simple, don't give me hidden messages.
• 29:34
  Speaker 1: I don't want to go look for easter eggs.
• 29:35
  Speaker 1: That's not the type of view where I am.
• 29:38
  Speaker 1: Uh, and as far as the song choices, I mean, I knew, I think two maybe of the songs I don't know how many performed in that short amount of time.
• 29:48
  Speaker 1: He did have good breath control.
• 29:50
  Speaker 1: That's why I give him points, but I was not.
• 29:54
  Speaker 1: I mean, I wasn't really looking forward to it though, because I'm not the biggest fan.
• 30:01
  Speaker 1: So I guess I can understand what some people say when they say they didn't, they didn't like it.
• 30:07
  Speaker 1: It wasn't one that they would turn back in time and look at again, because you know, that's how I kind of feel too.
• 30:17
  Speaker 1: So it's just that wasn't for me, it wasn't this year, wasn't my year.
• 30:23
  Speaker 2: Okay, you gave me five out of ten Quag my brother.
• 30:27
  Speaker 2: I feel like I got to defend Kendrick Chris, because I already know where this is going.
• 30:34
  Speaker 2: You know where it's going.
• 30:35
  Speaker 2: I know where this is going, bro.
• 30:37
  Speaker 2: I know where this is going.
• 30:38
  Speaker 2: Prove me wrong.
• 30:42
  Speaker 1: But I feel like I know where this is going.
• 30:43
  Speaker 1: Did I enjoy the halftime show?
• 30:44
  Speaker 1: It was an experience.
• 30:47
  Speaker 1: I don't get up enjoy the halftime show.
• 30:49
  Speaker 1: It was, it was an experience.
• 30:50
  Speaker 1: I don't get up for the halftime show anyway.
• 30:51
  Speaker 1: That's usually my nap time.
• 30:52
  Speaker 1: I usually go to sleep halfway through the second, wake up in the fourth.
• 30:55
  Speaker 1: That's usually how they go this time.
• 30:57
  Speaker 1: You know, I needed to see.
• 31:01
  Speaker 1: I needed to be right there, okay.
• 31:05
  Speaker 3: And.
• 31:09
  Speaker 1: Let me just start out by saying Kendrick needs to be locked up in the same asylum.
• 31:16
  Speaker 2: Like I said, I knew where this was going.
• 31:17
  Speaker 2: Why?
• 31:19
  Speaker 1: He looked this man dead.
• 31:21
  Speaker 2: He looked dead in the camera.
• 31:22
  Speaker 2: We ain't talking about that, we just talking about the performance and all that's part of the performance.
• 31:27
  Speaker 2: You going straight to the drink, shit.
• 31:29
  Speaker 2: I just want to talk about the overall performance.
• 31:32
  Speaker 1: Go ahead and looked him dead in the eye.
• 31:34
  Speaker 1: No, no, no, no, no, that shit was out of pocket.
• 31:39
  Speaker 1: Respect it, though I respect it.
• 31:45
  Speaker 2: We can't do nothing but respect it.
• 31:48
  Speaker 1: Overall, if I got to give it a 1 to 10, I'm going to give it a five as well, because you know it ain't holding.
• 31:58
  Speaker 1: I watched it but I also enjoyed my portions and I was looking more at the food than I was at the TV.
• 32:11
  Speaker 1: I didn't see all the symbolism and all that.
• 32:14
  Speaker 1: I seen them making a flag and then shaping this, shaping that blood, whatever white people, all that kind of shit.
• 32:21
  Speaker 1: I saw all that.
• 32:21
  Speaker 1: The Sizzler shit was short, but it was there, man.
• 32:30
  Speaker 1: It's not for me, man, all right, cool.
• 32:38
  Speaker 2: Now I feel like I'm in a position where I got to feed Kendrick.
• 32:40
  Speaker 2: Oh, really, the first thing I do nah, you're right, I don't have to First thing I do want to say is you pointed to that was my biggest takeaway was the SZA shit.
• 32:48
  Speaker 2: I do, I do.
• 32:50
  Speaker 2: I wish SZA was able to get a song off of hers, not just her features on Kendrick songs.
• 32:57
  Speaker 2: That is my biggest takeaway, because when they said SZA's going to be there too, I'm thinking I know they're going to do songs that she's on with Kendrick, but I figured she was going to get at least Snooze off or something.
• 33:07
  Speaker 2: So that's my biggest critique is that SZA didn't get the performance of Osama.
• 33:14
  Speaker 2: Of course you know I'm a male.
• 33:15
  Speaker 2: Of course I want to look at SZA.
• 33:16
  Speaker 2: You know what I mean.
• 33:17
  Speaker 2: Let's keep it above um.
• 33:21
  Speaker 2: As far as the overall performance, I think I gave it a.
• 33:25
  Speaker 2: I give it a B because, like, like Red said, from the jump he did it without backtracks and he did it.
• 33:35
  Speaker 2: He actually did a performance.
• 33:36
  Speaker 2: Most rappers like I was just downstairs watching Jello perform Tweaker at the All-Star Weekend.
• 33:43
  Speaker 2: I heard the music in the background.
• 33:46
  Speaker 2: I don't even hear him saying his words.
• 33:48
  Speaker 2: I heard the words performing through the speaker.
• 33:50
  Speaker 2: Now, if you a rapper, perform your words, you know your.
• 33:52
  Speaker 2: Now, if you a rapper perform your words, you know your song, especially if you jello.
• 33:57
  Speaker 3: Like bro you only got one.
• 33:58
  Speaker 2: You only got one big song.
• 33:59
  Speaker 2: What we doing.
• 34:00
  Speaker 2: You should know these words.
• 34:02
  Speaker 2: You know what I'm saying.
• 34:02
  Speaker 2: You should know these words.
• 34:03
  Speaker 2: Kendrick took the time, knew all his words and was able to do the take care of the breath control and all that.
• 34:10
  Speaker 2: So I give him credit for that.
• 34:12
  Speaker 2: I give him credit for the messages that was in there.
• 34:15
  Speaker 2: The problem with it, the problem with the messages, is, like Will said, you kind of got to eat the egg on them and then they also.
• 34:23
  Speaker 2: The presentation was kind of it's kind of boring a little bit.
• 34:26
  Speaker 2: The thing I give him credit for everybody was waiting on the jerk shit.
• 34:31
  Speaker 2: Was he going to perform?
• 34:33
  Speaker 2: Not like us?
• 34:34
  Speaker 2: We always waiting on that.
• 34:35
  Speaker 2: Everybody was waiting on that.
• 34:36
  Speaker 2: That's the way and, let's be real, that's why you fool, that's why you watch it and you normally sleep.
• 34:40
  Speaker 2: You want to see what bro was going to do.
• 34:42
  Speaker 2: If he really was going to take it there, he took it there.
• 34:45
  Speaker 2: I like the fact that he built up to it.
• 34:47
  Speaker 2: It was like I'm going to keep y'all guessing.
• 34:51
  Speaker 2: I'm going to keep y'all anticipating what we're going to get her in a gather.
• 34:57
  Speaker 2: I also give him credit for bringing out Mustard because, let's be real, the wobble, the TV off, joint, the wobble up or whatever, and not like us, them shits went because Mustard made these dope ass beats.
• 35:11
  Speaker 2: I'm glad that he brought out Mustard, these dope-ass beats, so I'm glad that he brought up Mustard.
• 35:15
  Speaker 2: So I did my beat.
• 35:16
  Speaker 2: You know before that it was kind of slow Before the build-ups, plus shout-out to Samuel.
• 35:27
  Speaker 2: He put a show together.
• 35:28
  Speaker 2: Is it a brand show, like Beyonce or Taylor Swift would have put together?
• 35:31
  Speaker 2: No, but he took a Kendrick Lamar show to the half and I give him credit for that.
• 35:37
  Speaker 2: It should have been Master P.
• 35:40
  Speaker 2: Okay, you say that?
• 35:42
  Speaker 2: Stop, it should not have been Master P.
• 35:44
  Speaker 2: That's great.
• 35:45
  Speaker 2: It should have been Murder Inc.
• 35:47
  Speaker 2: Whatever, it should have been Wayne.
• 35:49
  Speaker 2: If it was going to be anybody, it was going to be Wayne, but we got to stop playing this.
• 35:52
  Speaker 2: So if it's new or no new Orleans, we got to do new Orleans artists, cause that's not they normally.
• 35:56
  Speaker 2: They typically don't do that.
• 35:57
  Speaker 2: They typically don't have somebody that's from the city perform.
• 36:01
  Speaker 1: That's a new thing.
• 36:04
  Speaker 2: That ain't never been the history of of, if anybody.
• 36:08
  Speaker 2: If you want a New Orleans and let's be real, we all know Lil Wayne ain't the best performer I think that's fair to say.
• 36:17
  Speaker 2: Can Lil Wayne carry the whole halftime show, dog?
• 36:21
  Speaker 2: I don't know.
• 36:21
  Speaker 2: I think he could do it for real.
• 36:23
  Speaker 2: Your better bet to get a Wayne appearance would have been Drake in the halftime show, and then he brings out Wayne.
• 36:31
  Speaker 3: Or Lil Wayne bringing out his artists.
• 36:33
  Speaker 3: You know what?
• 36:34
  Speaker 2: I'm saying Even Juvenile.
• 36:36
  Speaker 3: I feel like Juvenile would have probably killed the shit.
• 36:37
  Speaker 1: Juvenile's not going to stop.
• 36:39
  Speaker 2: You start with.
• 36:39
  Speaker 3: Hot Boys and you end with Young Money.
• 36:41
  Speaker 2: You end with Tiger and Nicki Minaj and all them motherfuckers you know Right, juvenile's not a big enough artist to perform at the Hat Trap Show.
• 36:47
  Speaker 3: What you talking about, Bro.
• 36:49
  Speaker 3: You go into any white club, bro, and you know which song you're going to fucking hear at that white club.
• 36:53
  Speaker 2: You're right, big Enough Back.
• 36:55
  Speaker 2: That Ass Up is a iconic song.
• 36:57
  Speaker 2: We already discussed that.
• 36:59
  Speaker 2: We know that.
• 36:59
  Speaker 2: Yeah, that's true.
• 37:01
  Speaker 2: But as far as other songs, stop, stop.
• 37:04
  Speaker 2: Juvenile's not a big enough artist.
• 37:06
  Speaker 2: That's why you said Master B, come on man.
• 37:08
  Speaker 3: You only need one song if it's Lil Wayne's performance, it's a head turn, yeah, and you got two more.
• 37:14
  Speaker 1: You got that rodeo and that slow motion and you don't have any white persons that don't know them.
• 37:19
  Speaker 1: But he only need one song.
• 37:21
  Speaker 3: That's it.
• 37:22
  Speaker 3: Lil Wayne got his songs.
• 37:23
  Speaker 3: You got Nicki Minaj he going to do a song with her.
• 37:26
  Speaker 3: You got Drake He'll do a song with him.
• 37:28
  Speaker 3: You know what I'm saying.
• 37:29
  Speaker 3: You got.
• 37:29
  Speaker 3: You know what I'm saying.
• 37:30
  Speaker 3: You got a whole bunch.
• 37:31
  Speaker 3: He can even do what is it with T-Pain?
• 37:35
  Speaker 2: you know, got Money we black people hold on, man, the black people, the black people.
• 37:41
  Speaker 2: We starting to feel entitled and now we think the halftime show is ours.
• 37:44
  Speaker 2: We can just get anybody out.
• 37:45
  Speaker 2: We can't just get anybody out.
• 37:47
  Speaker 2: It's the halftime show.
• 37:48
  Speaker 2: Super Bowl.
• 37:49
  Speaker 2: You gotta be a name, you gotta be a star.
• 37:51
  Speaker 2: You can't just be, you can't be hood famous.
• 37:55
  Speaker 3: Hood, famous man T-Pain could kill that shit by himself.
• 38:00
  Speaker 2: Stop it, quag.
• 38:01
  Speaker 2: Tell me I'm wrong.
• 38:03
  Speaker 1: Why you trying to drag me into it.
• 38:05
  Speaker 2: Nah, because bro you on the pod bro, say something.
• 38:07
  Speaker 2: Am I wrong?
• 38:08
  Speaker 2: Tell me I'm wrong.
• 38:10
  Speaker 2: T-pain.
• 38:12
  Speaker 3: Bro, T-Pain got a lot of hits.
• 38:14
  Speaker 1: No, I'm asking Q.
• 38:15
  Speaker 1: You saying T-Pain, can't.
• 38:17
  Speaker 2: He's saying okay, we're not talking about T-Pain, let's not move, let's not move the goalposts.
• 38:21
  Speaker 2: That was the question.
• 38:25
  Speaker 3: He's talking about Juvenile.
• 38:26
  Speaker 3: Oh Nah, you bringing it back to this.
• 38:29
  Speaker 3: I ain't.
• 38:29
  Speaker 3: I said he could do one, one song.
• 38:35
  Speaker 1: I'm not even going to hold you.
• 38:37
  Speaker 1: I'm glad Lil Wayne didn't get this Super Bowl, because who wanted to see that?
• 38:41
  Speaker 1: You want to see the Chiefs get their ass whooped and then watch Lil Wayne?
• 38:45
  Speaker 1: There was, no, I didn't enjoy this one.
• 38:47
  Speaker 1: So why would I enjoy watching the Chiefs get their ass whooped, then have to watch Lil Wayne go out there and perform and then go back to watching the Chiefs get their ass whooped again?
• 38:59
  Speaker 1: I'll pass and you a Chiefs fan?
• 39:02
  Speaker 1: No Me.
• 39:04
  Speaker 1: And how many points did the Chiefs have at halftime?
• 39:09
  Speaker 1: I forgot, that's my peeps.
• 39:13
  Speaker 2: What's the my point is?
• 39:15
  Speaker 1: How many points did the Chiefs have at halftime?
• 39:19
  Speaker 2: Zero, if I remember right.
• 39:20
  Speaker 2: Yeah, zero, because they didn't get past.
• 39:22
  Speaker 2: They didn't get past, they didn't get past midfield Until the second quarter.
• 39:26
  Speaker 2: They went through the third quarter.
• 39:30
  Speaker 1: So Lil' Wayne probably got about four more dreads than Steve's had points.
• 39:35
  Speaker 1: Did nobody want to see that perfect?
• 39:37
  Speaker 1: Probably nobody want to see that Wayne out there.
• 39:39
  Speaker 1: But I want Wayne.
• 39:41
  Speaker 1: But they got to get in the time machine.
• 39:44
  Speaker 2: That's all I'm saying.
• 39:45
  Speaker 2: That's all.
• 39:46
  Speaker 2: Hold on.
• 39:47
  Speaker 2: Does Wayne have the yes?
• 39:49
  Speaker 2: But can Wayne perform enough to be a Super Bowl anti-magic?
• 39:53
  Speaker 3: No, yeah, but I think he got so many features and shit that he would have been there to make up for it and I would have liked to have seen that man, all the people that he's going to bring out, right, wayne, don't even know to look for his songs.
• 40:06
  Speaker 1: That does make me want to think about this, though If they did do Wayne, if Wayne didn't do any of his actual songs and just did features and brought out all other artists, similar to the LA show for Dre, I think it would be better than the LA show.
• 40:25
  Speaker 2: Okay, I can see that.
• 40:26
  Speaker 2: That I can see, but it would still be based on Wayne, and then Wayne don't even know the lyrics to his songs.
• 40:33
  Speaker 2: Yeah, he do, bro, he was performing on.
• 40:35
  Speaker 3: ESPN doing freestyles and shit.
• 40:37
  Speaker 3: Bro, literally wrote a song for the NBA green and yellow.
• 40:40
  Speaker 3: Bro, you can't say this man ain't put on for sports.
• 40:45
  Speaker 1: I just heard him on the uh, the tweaker remix.
• 40:47
  Speaker 1: He killed shit, he killed shit you talking about Jello.
• 40:50
  Speaker 1: So that means he's super relevant.
• 40:53
  Speaker 1: So his relevant.
• 40:53
  Speaker 1: You can't say he wasn't relevant enough to do the Super Bowl cause he had to.
• 40:58
  Speaker 3: He said I'm gonna cross your ass up like Jesus.
• 41:00
  Speaker 3: Man.
• 41:00
  Speaker 3: What the fuck that shit hard yeah, you missing the point.
• 41:05
  Speaker 2: Nobody said he couldn't rap.
• 41:06
  Speaker 2: You missing the point.
• 41:07
  Speaker 2: I didn't say.
• 41:08
  Speaker 2: I didn't say Wayne couldn't rap.
• 41:09
  Speaker 2: I said Wayne can't perform well enough to do a halftime show.
• 41:14
  Speaker 2: I think he can.
• 41:15
  Speaker 2: People go to Wayne's shows now and complain they ain't never buying them seats again.
• 41:18
  Speaker 2: Their tickets are getting.
• 41:20
  Speaker 1: When he came here my sister said that she was like I'm glad I saw it, but I hate that I saw it.
• 41:28
  Speaker 2: Wayne's not a good performer.
• 41:29
  Speaker 2: Wayne is a rapper.
• 41:30
  Speaker 2: Wayne can rap his ass off.
• 41:32
  Speaker 2: Wayne is not a performer.
• 41:34
  Speaker 3: I'd say 50-50, man.
• 41:35
  Speaker 1: I think now he's talking about a performance back in the day he used to be.
• 41:39
  Speaker 2: Cool, you're right.
• 41:40
  Speaker 2: Okay, I dig that.
• 41:41
  Speaker 2: But, like you said, we're talking about now.
• 41:44
  Speaker 1: I wouldn't, but I said like I said, I want the time machine, I'll go back.
• 41:48
  Speaker 2: Yeah, yeah, but no, I ain't rocking with it.
• 41:50
  Speaker 2: I went down a little thing.
• 41:53
  Speaker 2: Kendrick's taking shots of Drake the Game Over the Serena Williams, because as much as they trying to say it's the women and shit, it's also because it's Drake's ex, so it's not a scholar's space.
• 42:04
  Speaker 2: Right, you know what I'm saying.
• 42:05
  Speaker 2: It can have multiple meanings, but that is one of the meanings that you had his ex doing the not like us shit.
• 42:09
  Speaker 2: The mean is that you had his ex doing not like a shit Will, when he looked in the camera, like Koye said, and said say Drake, you take it too far.
• 42:23
  Speaker 1: Nah, when it's to this, it's to this man, it's to this what it is.
• 42:31
  Speaker 1: There's no rules to this shit.
• 42:34
  Speaker 1: It's like fighting in the schoolyard.
• 42:37
  Speaker 1: I throw some dirt in your face real quick.
• 42:41
  Speaker 1: It's just what it is yeah, I don't know, man.
• 42:48
  Speaker 2: I don't know, red, what you think.
• 42:51
  Speaker 3: I'm going to take the high road type of guy man.
• 42:53
  Speaker 3: Like I said, I've been hating on Kendrick bro, but I think nah, I don't even think he should have performed, Not Like Us.
• 43:03
  Speaker 3: Fuck that shit.
• 43:04
  Speaker 1: Nigga do your old record.
• 43:05
  Speaker 1: I don't think he should have performed it either.
• 43:06
  Speaker 1: That's because of fatigue.
• 43:09
  Speaker 3: You got a whole bunch of other songs you could do.
• 43:11
  Speaker 3: It ain't no reason for you to continue to bring this up.
• 43:15
  Speaker 3: Brother, I don't even think you should have won a Grammy on that dish record, you know, because at the end of the day, it's a whole bunch of better rap artists and better rap songs that came out that didn't even get nominated, you know.
• 43:26
  Speaker 3: But you don't win on a dish record, you know.
• 43:28
  Speaker 3: I don't rap with it, I don't, I don't, I don't rap with it, I don't.
• 43:34
  Speaker 3: And I don't think that he should have brought beef into the super bowl.
• 43:36
  Speaker 3: He should have took the high road and performed off merit, you know, versus trying to.
• 43:41
  Speaker 3: Oh well, you know.
• 43:42
  Speaker 3: So I mean, I kind of understand why he did it.
• 43:44
  Speaker 3: That is a big record.
• 43:45
  Speaker 3: People like it, you know, even if it's not a crossover record, the shit didn't cross over.
• 43:50
  Speaker 3: You know to where you got people that's not in the rap community for real coming over and be like oh man, not like us man, Kind of getting into the beef in the rap game, but at the same time I ain't fucked with it All right.
• 44:08
  Speaker 2: Can I read this from a white person before you go quick?
• 44:11
  Speaker 2: This white person said the shit was fine.
• 44:16
  Speaker 2: Talking about the Super Bowl halftime, he said but I hate my fucking people, bro, a lot of middle-aged old white prejudice with white people complaining.
• 44:25
  Speaker 2: I hate my people.
• 44:26
  Speaker 2: So he's saying he liked it, but it was a lot of prejudice, prejudice white people that complained about the halftime show because of the beef situation, because it brought that in.
• 44:40
  Speaker 2: Greg, what you think?
• 44:49
  Speaker 1: Come on, bro.
• 44:50
  Speaker 1: Hey man, White people say anything, man.
• 44:52
  Speaker 1: This ain't anything, won't they?
• 44:55
  Speaker 1: This ain't got nothing to do with white people and they'll say anything I respect it.
• 45:06
  Speaker 2: He looked in that man, he looked in the camera and said that man's name dog, that's your dog Out of pocket, out of pocket, out of pocket.
• 45:14
  Speaker 2: Yeah, nah, I think he had to perform it Because, from my perspective, I think that's why he got the halftime show in the first place.
• 45:23
  Speaker 2: It was because of Sam Riker.
• 45:25
  Speaker 2: He had the year that he had because of Not Like Us.
• 45:29
  Speaker 2: So you gotta perform the song.
• 45:31
  Speaker 2: You gotta perform the song.
• 45:32
  Speaker 2: You gotta perform the song.
• 45:33
  Speaker 2: It ain't no other, it ain't no, really, no other way around it.
• 45:36
  Speaker 2: You gotta perform that song Saying that man's saying that man's name is crazy.
• 45:45
  Speaker 3: And when I seen it I said man ain't nothing left for Drake to do.
• 45:47
  Speaker 2: You gotta fight that man At this point, like ain't no, you can't.
• 45:51
  Speaker 2: He said your name in front that man At this point, like I know you can't.
• 45:54
  Speaker 2: He said your name in front of 160 million people.
• 45:59
  Speaker 1: I think I would do what Drake did, though I think I would do exactly what he did and release music.
• 46:07
  Speaker 1: You just did all my marketing, bro.
• 46:11
  Speaker 2: True, because now Drake got the number one album in the country.
• 46:15
  Speaker 1: Exactly so, like it's like come on, bro, go ahead, keep it up, make some new money.
• 46:22
  Speaker 3: I mean you could argue he wouldn't have been there without Drake.
• 46:25
  Speaker 2: Yeah, that's my whole thing.
• 46:26
  Speaker 2: That's why I think he had to perform the record, because you wouldn't have.
• 46:29
  Speaker 2: I don't want to make it sound like I'm taking something away from Kendrick Lamar.
• 46:33
  Speaker 2: He's a talented artist, he's a great rapper, he might be top 10, top 15, all time.
• 46:39
  Speaker 2: Maybe you know what I'm saying.
• 46:41
  Speaker 2: I want to make sure I give bruhs flowers, but at the same time, kendrick Lamar does not get that half-time show without this jerk.
• 46:49
  Speaker 3: I think he was falling off prior to this whole beef shit.
• 46:53
  Speaker 3: If you ask somebody to name their top rappers, kendrick Lamar he'd probably still be up there, but at the same time it'd be like I think you'd get more people without him on the list until the beef came to be.
• 47:07
  Speaker 3: You know like, came, brought him back and everybody like, oh, kendrick, kendrick, kendrick.
• 47:12
  Speaker 3: But I'm like Brad, like I mean, that's just life.
• 47:14
  Speaker 3: You know people going to forget about you if you ain't really dropping or you ain't really even if you're dropping and your music is not relevant.
• 47:20
  Speaker 3: You know what I'm saying.
• 47:21
  Speaker 3: Same with Lil Wayne Lil Wayne's still dropping heat, but people not really checking for him, so they're not going to put him in the top list anymore.
• 47:27
  Speaker 3: So it's like, like I said, man without Drake and that beef he wouldn't have.
• 47:33
  Speaker 3: Like you said, probably would have got it.
• 47:37
  Speaker 2: I don't think he would have got it, and that's no shade to him, that's no disrespect to him, I just don't think.
• 47:42
  Speaker 2: I think it's kind of the same shit.
• 47:45
  Speaker 2: With 50 Dishes of Ja Rule, you just won the hottest dudes in the game.
• 47:49
  Speaker 2: It's going to gather you a lot of attention.
• 47:52
  Speaker 2: Kendrick was already one of the top three dudes in the game as far as record sales.
• 47:58
  Speaker 2: So then you diss number one in record sales.
• 48:02
  Speaker 2: People don't slur to you.
• 48:03
  Speaker 2: Ain't no shame.
• 48:05
  Speaker 2: But I mean, he did what he had to do.
• 48:07
  Speaker 2: He did what needed to be done, at least from my perspective.
• 48:10
  Speaker 2: Quay, you got anything else you want to say about the Drake and Kendrick 2?
• 48:16
  Speaker 1: Get them up out of here.
• 48:16
  Speaker 1: I ain't listened to the new Drake yet, but get them up out of here.
• 48:19
  Speaker 2: Keep it.
• 48:20
  Speaker 2: Yeah, I'm planning to listen to the new Drake, see what he's talking about.
• 48:25
  Speaker 2: The thing I would will say he said that's what Drake would have had to do was release the music.
• 48:31
  Speaker 2: I think Drake should have took the Lil Flip Game Over record and flipped it and sampled it and came out with a.
• 48:40
  Speaker 2: Came out with a record with him just rapping on it.
• 48:43
  Speaker 2: But make sure it ain't no, you know, make sure it ain't no other rappers, ain't no other writers on it.
• 48:48
  Speaker 2: It's just you.
• 48:49
  Speaker 2: It's just body of shit.
• 48:51
  Speaker 2: I think that's what he should do.
• 48:53
  Speaker 2: You talking about a diss?
• 48:55
  Speaker 2: Nah, just rap.
• 48:57
  Speaker 2: If you throw some subliminal shots, you throw some shots.
• 49:02
  Speaker 1: Let people think, whoever it is you better get in his ear, then you better get the that's right.
• 49:09
  Speaker 2: as soon as I seen Game Over, that's when I was like, ah shit, I would just get that little flip record, flip the little flip record, sample that shit and go ahead and go in.
• 49:19
  Speaker 3: That'd be hard, but I can't see him on that, though.
• 49:21
  Speaker 3: For some reason, I just can't visualize Drake on the Game Over beat.
• 49:24
  Speaker 2: That's why you sample it to make it sound like, make it turn it into a Drake record.
• 49:29
  Speaker 2: You don't use just that beat.
• 49:31
  Speaker 2: Like I said, you sample it, turn it into something that Drake can get on.
• 49:34
  Speaker 2: But Drake actually get on his rapping shit.
• 49:36
  Speaker 2: Buy that shit up.
• 49:39
  Speaker 2: If I was Drake, that's what I would do.
• 49:41
  Speaker 2: You know what I'm saying From my perspective.
• 49:45
  Speaker 2: That's what I would do.
• 49:48
  Speaker 1: I got a question real quick.
• 49:49
  Speaker 1: Two, actually One.
• 49:52
  Speaker 1: It's a statement.
• 49:53
  Speaker 1: The statement is I got a question real quick.
• 49:54
  Speaker 1: Go ahead.
• 49:54
  Speaker 1: Two, actually One.
• 49:54
  Speaker 1: I'm One, I'm just going to ask.
• 49:55
  Speaker 1: It's a moment of statement.
• 49:55
  Speaker 1: Second was a question.
• 49:56
  Speaker 1: The statement is I think that because of this, we're going to maybe not see the hip-hop artists in the Super Bowl, because of the reason you said, because of the white people Pretty angry, right?
• 50:20
  Speaker 1: So it wasn't like with the Snoop and Dre.
• 50:21
  Speaker 1: These are classic hits.
• 50:21
  Speaker 1: They can get with those.
• 50:22
  Speaker 1: I don't think they were mad because the beef was introduced.
• 50:23
  Speaker 1: I think they were mad because the music they couldn't get with it wasn't music that they rocked with.
• 50:27
  Speaker 1: They were just like what is this?
• 50:30
  Speaker 1: Imagine them putting on Tim McGraw.
• 50:32
  Speaker 1: You're going to be like what is this?
• 50:32
  Speaker 1: I mean, imagine them putting on Tim McGraw.
• 50:33
  Speaker 1: You're going to be like what is this?
• 50:34
  Speaker 1: You feel me.
• 50:35
  Speaker 1: So that's why I think it was more than that.
• 50:38
  Speaker 1: But do you think it will change the Super Bowl for the future, going forward?
• 50:43
  Speaker 1: Do you think they'll take the hip-hop act maybe out of it for a few years Because we had a nice little run I mean you can throw Shakira and J-Lo in the middle of it because we had a nice little run.
• 50:50
  Speaker 1: I mean, you can throw Shakira and J-Lo in the middle of it, but for the most part it's been an urban halftime show.
• 50:57
  Speaker 2: Yes, I ain't going to lie.
• 51:01
  Speaker 2: When we got the usher off, matter of fact, I looked at my Facebook memories and I said, hi, y'all, we got to enjoy this one because we ain't going to have another one in a while.
• 51:08
  Speaker 2: Then we turned around and had Kendrick.
• 51:10
  Speaker 2: I think the reason we had Kendrick because, not Like Us was that big of a record.
• 51:15
  Speaker 2: I understand why it won the Grammys for record of the year.
• 51:18
  Speaker 2: I think Glo should have won song of the year.
• 51:20
  Speaker 2: Yeah, glo, but that's a whole other conversation.
• 51:22
  Speaker 2: But I think that record helped put Kendrick in the spotlight.
• 51:27
  Speaker 2: Also, taylor Swift keep turning them down.
• 51:29
  Speaker 2: That's the other thing.
• 51:31
  Speaker 2: Because they keep asking Taylor Swift.
• 51:32
  Speaker 2: She just keeps telling them no, I don't, I do.
• 51:38
  Speaker 2: I'm going to say it again, even though I got it wrong last year because of the book with Kendrick.
• 51:41
  Speaker 2: I don't think it's going to be an Urban X shirt Because, like you said, it's been a trend of nothing but Urban X and I know Jay-Z's in charge.
• 51:49
  Speaker 2: I know it's kind of part of the situation, but you also got to give these.
• 51:52
  Speaker 2: You got to give these non-hip-hop fans I ain't even going to say the congregation people you got to give these non-hip-hop, these non-R&B fans.
• 51:59
  Speaker 2: You got to give them one.
• 52:01
  Speaker 2: You got to give them one.
• 52:02
  Speaker 2: So I'm making sure it's going to be a country person.
• 52:05
  Speaker 2: Who that country person is, do not know, because I can't think of a pop artist off the top of my head because I know I think Katy Perry did it.
• 52:15
  Speaker 2: I think Katy Perry already did it, if I remember right.
• 52:18
  Speaker 2: So I don't know who the pop person or the country person is, but I think it's going.
• 52:22
  Speaker 2: I would think it's going to be country From, at least that's what I think.
• 52:28
  Speaker 3: I was thinking the same thing.
• 52:29
  Speaker 3: But I was thinking the same thing that it you know has been a while with, like you said, urban X and stuff.
• 52:34
  Speaker 3: But I was also thinking about people that could like do it, that's a piece to all crowds and stuff like that, and this I mean I feel like it is a lot.
• 52:45
  Speaker 3: But at the same time I don't know.
• 52:47
  Speaker 3: You know, like that's a, that's a hard thing.
• 52:49
  Speaker 3: Like that's a, that's a hard thing.
• 52:53
  Speaker 3: Like I was like damn, it'd be dope if, like, uh, rick rubin is some shit, where he, you know, he's produced rock acts, he's produced rap artists comes and brings.
• 52:57
  Speaker 3: Like it'd be like rick rubin and friends or some shit like that, but they would, they wouldn't do that.
• 53:01
  Speaker 3: But at the same time, I mean, I had that same thought.
• 53:06
  Speaker 3: Well, I was like, damn man, they didn't have a lot of black artists.
• 53:09
  Speaker 3: Now people were up in arms like, oh man, I wasn't rocking with that.
• 53:12
  Speaker 3: And like I said, they wasn't even rocking with fucking.
• 53:14
  Speaker 3: Uh, when they had a big boy and sleepy brown on stage, I was in the room.
• 53:19
  Speaker 3: People's like who's, who's this?
• 53:20
  Speaker 3: I'm like bruh, all y'all motherfuckers jam out to this shit.
• 53:23
  Speaker 3: You don't even know who.
• 53:24
  Speaker 3: Who the fuck is singing this song, bro, hey, because that record crossed over.
• 53:27
  Speaker 3: You said what that record crossed over.
• 53:30
  Speaker 3: That's what I'm saying.
• 53:31
  Speaker 3: So I'm like, bro, how do you not know who this is?
• 53:33
  Speaker 3: And you'll sit there.
• 53:34
  Speaker 3: If it came on at a club, you'd be like, oh, I know the lyrics and all that shit.
• 53:38
  Speaker 3: But you can't even point this motherfucker out.
• 53:39
  Speaker 3: You know what I'm saying and you don't like it now because you don't know who that is singing the song, so I don't know.
• 53:47
  Speaker 3: That is kind.
• 53:48
  Speaker 3: It's kind of interesting.
• 53:51
  Speaker 3: I would like to see who does perform next, you know.
• 53:54
  Speaker 2: Yeah, I think it would be dope.
• 53:57
  Speaker 2: I think I do want to see who's going to come up next.
• 53:59
  Speaker 2: I bet We've been here for a minute.
• 54:01
  Speaker 2: Hey Quay, without further ado.
• 54:05
  Speaker 1: Damn.
• 54:05
  Speaker 1: Today's edition of High Thoughts is brought to you by.
• 54:08
  Speaker 1: You know a little of this, a little of that.
• 54:12
  Speaker 1: You know what I'm smoking on.
• 54:13
  Speaker 1: Life should be on Cinemade.
• 54:17
  Speaker 1: I ain't going to hold you.
• 54:23
  Speaker 1: I already know I was not thinking about a high five at all.
• 54:30
  Speaker 1: You know what I was thinking about.
• 54:31
  Speaker 1: I was thinking, actually I do got a high five at all.
• 54:35
  Speaker 1: You know what I was thinking about.
• 54:36
  Speaker 1: I was thinking, you know, actually I do got a high five.
• 54:37
  Speaker 1: It's crazy too.
• 54:39
  Speaker 3: So we go to the restaurant.
• 54:42
  Speaker 1: last night, you know last night's Valentine's Day, and it's already late, like I get it.
• 54:55
  Speaker 1: You feel me, like me personally.
• 54:56
  Speaker 1: I understand I'm not tripping at all people.
• 55:02
  Speaker 1: They might.
• 55:03
  Speaker 1: It's cool.
• 55:04
  Speaker 1: The food come out.
• 55:07
  Speaker 1: Her food come out, but they only bring the wings and they bring her fries.
• 55:16
  Speaker 1: Her food come out, but they only bring the wings, then they bring her fries separately.
• 55:20
  Speaker 1: Like 10 minutes later I don't have nothing in front of me.
• 55:28
  Speaker 1: So I felt their foot tapping under the table.
• 55:30
  Speaker 1: You know, whatever, whatever, like oh shit, here we go, you're about to go All the wages over.
• 55:36
  Speaker 1: It's Valentine's Day.
• 55:38
  Speaker 1: I'm supposed to be eating with my man and I'm not, so doesn't that seem like a problem to you?
• 55:44
  Speaker 1: I'm sitting there.
• 55:46
  Speaker 1: I'm like oh my God, man, the girl.
• 55:52
  Speaker 1: She's like well, yeah, but you know we have a policy.
• 55:58
  Speaker 1: You know we bring when they come, when they come up, it go out.
• 56:05
  Speaker 1: She was like Make that my problem, get a, get a manager.
• 56:11
  Speaker 1: I'm like come on, man, not today, what you doing.
• 56:18
  Speaker 1: She was on it.
• 56:25
  Speaker 2: Couldn't even be mad, though What'd the manager?
• 56:27
  Speaker 1: do.
• 56:27
  Speaker 1: Took half the meal off.
• 56:30
  Speaker 1: Ah, okay, that's what's up.
• 56:37
  Speaker 1: I mean it is, but I mean we don't got to do all that.
• 56:43
  Speaker 2: So was it an upscale place.
• 56:45
  Speaker 1: It would be the.
• 56:47
  Speaker 2: Oh, come on.
• 56:47
  Speaker 2: What are we doing?
• 56:49
  Speaker 2: Come on.
• 56:49
  Speaker 2: Hey, I can sympathize with you because my mom do that every.
• 56:51
  Speaker 2: What are we doing, come?
• 56:52
  Speaker 3: on.
• 56:53
  Speaker 3: Hey, I can sympathize with you because my mom do that every like it's not even on special occasions every time we go out, and like she always got these specific ass requests and like, god damn mom, like I feel like they end up doing some shit because like she just always gotta look at them, you know.
• 57:12
  Speaker 3: So I kind of sympathize with you a little bit.
• 57:18
  Speaker 2: It's B-dubs though, Like yeah, bro, we ain't got to do that.
• 57:21
  Speaker 2: I don't think it's.
• 57:23
  Speaker 2: I don't know if it's the spot to be doing that at.
• 57:27
  Speaker 1: Yeah, it was cool.
• 57:29
  Speaker 1: I feel it Get on business when money's being spent.
• 57:32
  Speaker 1: I feel it Get on business when money's being spent.
• 57:34
  Speaker 1: I understand it, but I ain't going to hold you.
• 57:38
  Speaker 1: We should have known shit was off, because I looked over to the right Black dude in there with his shorty when we first got there.
• 57:48
  Speaker 1: He's a bigger dude, not that that matters, but Damn bro.
• 57:53
  Speaker 2: Why do you get us destroyed?
• 57:54
  Speaker 2: This is what I was thinking.
• 57:55
  Speaker 1: I'm saying he was higher calorie.
• 57:59
  Speaker 2: Damn bro Now he's higher calorie.
• 58:01
  Speaker 2: I ain't never heard a fat person as far as he was higher calorie, bro.
• 58:05
  Speaker 1: I say that all the time because I be trying to be respectful.
• 58:08
  Speaker 2: All right, bro, this nigga be calling me higher calorie.
• 58:11
  Speaker 1: I don't even know what bro, hey bro, learn something new what I'm saying is I look over to the right.
• 58:18
  Speaker 1: We was in there probably about 10-15 minutes.
• 58:20
  Speaker 1: I look over to the right.
• 58:21
  Speaker 1: His whole burger on the plate on the plate.
• 58:24
  Speaker 1: They gone though.
• 58:25
  Speaker 1: I said, oh, we might not, we might not need to be eating here.
• 58:31
  Speaker 1: Then Appetizer come out.
• 58:34
  Speaker 1: Got the nachos.
• 58:38
  Speaker 1: It's got the cheese on it, the cheese coat, the mozzarella sticks Ain't got no cheese in them, it's just shells.
• 58:52
  Speaker 1: That's why I said I couldn't be.
• 58:53
  Speaker 1: The mozzarella sticks ain't got no cheese in them, it's just shells.
• 58:55
  Speaker 1: Yeah, she should have worked with the parlor.
• 58:56
  Speaker 1: That's why I said I couldn't be mad at it because of the whole night.
• 58:59
  Speaker 2: Okay, now it makes sense.
• 59:01
  Speaker 1: Yeah.
• 59:03
  Speaker 2: It was a build-up.
• 59:04
  Speaker 2: It wasn't just a mop who heard his name.
• 59:08
  Speaker 2: Okay, it was a build-up.
• 59:09
  Speaker 1: No, no, no, yeah, it was.
• 59:10
  Speaker 1: Well, it was.
• 59:14
  Speaker 3: How many people was in this beat-up?
• 59:20
  Speaker 2: Just like Pac?
• 59:21
  Speaker 2: I don't think so.
• 59:25
  Speaker 1: Asshole what you mean by Pac.
• 59:29
  Speaker 3: By every seat taken or something I don't know.
• 59:31
  Speaker 3: That's what it sound like you know it was 10 o'clock.
• 59:35
  Speaker 1: It was.
• 59:35
  Speaker 1: Let me, if I had to say it might have been 10 other people in there.
• 59:44
  Speaker 3: God, yeah, man.
• 59:45
  Speaker 3: Hey, that's good that you got on them, though, man.
• 59:49
  Speaker 2: Okay, okay, now what's?
• 59:50
  Speaker 2: All the details come down.
• 59:51
  Speaker 2: Yeah, that's why you gave.
• 59:52
  Speaker 2: Yeah, yeah, she's why you can't.
• 59:54
  Speaker 2: Yeah, yeah, she was right, she was right.
• 59:57
  Speaker 2: Okay, yeah, but yeah, b-dubs closing with like 12-1.
• 1:00:02
  Speaker 2: So that ain't even an excuse for them One.
• 1:00:05
  Speaker 1: It was like yeah, I would say, it was like 10 o'clock.
• 1:00:07
  Speaker 2: So they had, yeah, that.
• 1:00:08
  Speaker 2: That ain't even an excuse for god damn alright man.
• 1:00:16
  Speaker 2: B-dubs are her wallet.
• 1:00:17
  Speaker 2: That's why I quit going to B-dubs, cause they charge you $30 for a piece of chicken.
• 1:00:22
  Speaker 2: That's this big.
• 1:00:22
  Speaker 2: What are we doing?
• 1:00:25
  Speaker 1: bill was finna be $50 $60.
• 1:00:28
  Speaker 1: No siree, nah got it down to 20.
• 1:00:35
  Speaker 1: She took her business, handled it.
• 1:00:38
  Speaker 1: I ain't mad at it yes, sir yes, sir, but yeah no, valentine's Day.
• 1:00:46
  Speaker 1: We don't celebrate pagan holidays anymore, so we celebrate throughout the year what you said.
• 1:00:56
  Speaker 1: This has been another episode of the Mixed Vibes Podcast, your favorite amateur podcast.
• 1:01:02
  Speaker 1: You can find us wherever you get your podcasts, like Apple, spotify, pandora.
• 1:01:07
  Speaker 1: They fuck with us over there.
• 1:01:08
  Speaker 1: You can hit the Instagram, facebook, twitter for questions, comments, concerns only by Young Quaggity Dream.
• 1:01:16
  Speaker 2: Hey, man Red, I appreciate you.
• 1:01:17
  Speaker 2: Nah, thank you for having me, man.
• 1:01:19
  Speaker 2: Yes, sir, will I appreciate you as well?
• 1:01:22
  Speaker 2: My brother, mr Birdglass himself.
• 1:01:25
  Speaker 1: Man, I'm always happy to be here.
• 1:01:27
  Speaker 2: Yes, sir, yes, sir, man, thank y'all for listening.
• 1:01:29
  Speaker 2: It's your boy, mr Bill aka can't say your name up on this pod, might not put you to mine.
• 1:01:35
  Speaker 2: You know what I'm saying.
• 1:01:36
  Speaker 2: We're going to get that shot on the next one, peace.