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Peaky Blinders: The Real Horror Behind the Myth · Creepy Horror Stories

0:03
Speaker 1: There is a name that most people think they know.
0:06
Speaker 1: A razor blade hidden in a flat cap. A man
0:09
Speaker 1: named Shelby. A criminal empire built on intimidation and style.
0:15
Speaker 1: The television show made it iconic, but the truth behind
0:19
Speaker 1: the name is stranger, darker, and in some ways more
0:23
Speaker 1: disturbing than anything a screenwriter invented. This story sat with
0:28
Speaker 1: me longer than I expected it to. The gap between
0:32
Speaker 1: the myth and the reality... kept pulling me back. In
0:36
Speaker 1: the autumn of 1890, a word appeared in Birmingham newspapers
0:40
Speaker 1: that journalists reached for when they needed to describe the
0:43
Speaker 1: young men terrorizing the Bullring District. Not a single gang name.
0:48
Speaker 1: Not an organization with a leader and a hierarchy. Just
0:52
Speaker 1: a word. Peaky. Blinder. Used the same way you might
0:56
Speaker 1: say thug or ruffian. Interchangeable with another local term. Slogger.
1:02
Speaker 1: Meaning someone who hits. That word would eventually travel across
1:06
Speaker 1: a century, cross the Atlantic, and attach itself to one
1:10
Speaker 1: of the most successful television dramas in recent memory. And
1:14
Speaker 1: almost nothing the show tells you about where it came
1:17
Speaker 1: from is accurate to understand what the Peaky Blinders actually were.
1:21
Speaker 1: You have to stand inside Birmingham in the 1880s and
1:26
Speaker 1: 80s and feel the weight of a city expanding faster
1:30
Speaker 1: than any human system could absorb it. Birmingham had grown
1:35
Speaker 1: on canals. Goods moved through it on water before roads
1:38
Speaker 1: could carry them. And that canal infrastructure pulled an industry
1:42
Speaker 1: after industry. Buttons, pins, jewelry, bicycle parts. The factories needed labor,
1:49
Speaker 1: and the labor needed somewhere to live. What they got
1:53
Speaker 1: were back-to-back houses, terraced, rows, sharing walls, and sometimes ceilings, packed.
2:00
Speaker 1: so tightly that 44,000 of them housed roughly 200,000 people
2:06
Speaker 1: at once. Nearly 40% of Birmingham's entire population crammed into
2:11
Speaker 1: a single district around the Bull Ring, streets that barely
2:14
Speaker 1: qualified as streets, yards shared among dozens of families, toilets,
2:20
Speaker 1: one per block, air that never fully cleared. Boys as
2:24
Speaker 1: young as eight began working in the factories during this period.
2:27
Speaker 1: By the time they were in their early teens, Many
2:30
Speaker 1: had been earning wages for years, which meant they had money, autonomy, autonomy,
2:36
Speaker 1: and no structured place to put either one. The Corporation
2:39
Speaker 1: Street Improvement Scheme, a grand urban redevelopment plan, displaced thousands
2:45
Speaker 1: of those families from the center of the city without
2:48
Speaker 1: providing adequate housing elsewhere. The overcrowding did not ease. It concentrated.
2:53
Speaker 1: Birmingham's gang problem did not begin with the Peaky Blinders.
2:58
Speaker 1: It began in the late 1860s, a full generation before
3:02
Speaker 1: the name existed. The street gangs of the bullring were
3:06
Speaker 1: already a known feature of city life by the time
3:09
Speaker 1: the term emerged. And Birmingham was not exceptional. Manchester had
3:13
Speaker 1: its scuttlers. Liverpool had its cornermen. London had its street ruffians.
3:20
Speaker 1: The violence was an industrial era phenomenon, a predictable pressure
3:24
Speaker 1: valve for young men living in conditions that offered them
3:27
Speaker 1: almost nothing and threatened them with almost everything. Carl Chin,
3:32
Speaker 1: the Birmingham historian who has done more than anyone to
3:35
Speaker 1: document the real gang culture of that era, carries some
3:39
Speaker 1: of this history inside his own family. His great-great-uncle, John Derrick,
3:45
Speaker 1: led the Sparkbrook slogging gang. His great-grandfather, Edward Derrick, was
3:50
Speaker 1: a violent petty thief with a documented record. Chin does
3:55
Speaker 1: not mention this to romanticize it. He mentions it because
3:58
Speaker 1: it grounds what the gangs actually were. Not glamorous criminal enterprises,
4:04
Speaker 1: but neighborhood survival cultures that turned dangerous under pressure and poverty.
4:09
Speaker 1: The name Peaky Blinder, when it appeared in 1890, referred
4:12
Speaker 1: to no single gang. There were multiple competing crews operating
4:19
Speaker 1: out of the Bullring area. The Park Street Gang, the
4:23
Speaker 1: Milk Street Gang, the Barford Street Gang, the Sparkbrook Gang.
4:28
Speaker 1: They fought each other as often as they threatened anyone else.
4:31
Speaker 1: The idea of a unified Peaky Blinders organization with a
4:35
Speaker 1: patriarch and a boardroom and a long-term criminal strategy belongs
4:39
Speaker 1: entirely to television. In the streets, they actually walked. These
4:43
Speaker 1: gangs were fragmented, territorial, and perpetually unstable, and the image
4:49
Speaker 1: that the show made iconic, the razor blade sewn into
4:53
Speaker 1: the flat cap peak, ready to slash an opponent's eyes,
4:56
Speaker 1: that is myth. The original Peaky Blinders did not wear
5:01
Speaker 1: flat caps. They wore billycock hats, a rounded style more
5:06
Speaker 1: common in that period. The flat cap did not become
5:09
Speaker 1: widely popular until the mid to late 1890s, years after
5:14
Speaker 1: the name first appeared. Some historians have suggested the word
5:18
Speaker 1: peaky may simply refer to the peaked brim of a cap.
5:23
Speaker 1: Others that it described a particular look, pale or drawn,
5:27
Speaker 1: common among malnourished urban youth. The razor blade story appears
5:31
Speaker 1: nowhere in contemporaneous court records or newspaper accounts. Their actual
5:36
Speaker 1: weapons were less cinematic. Boots, caches, knives, bricks, belts, swungs,
5:45
Speaker 1: in a slashing motion, the same toolkit used by Manchester
5:49
Speaker 1: scuttlers and London street gangs, because the problem was everywhere
5:54
Speaker 1: and so were the solutions. These were men who had
5:57
Speaker 1: grown up with their hands and who settled things with
6:00
Speaker 1: their hands inside a legal system that mostly looked the
6:03
Speaker 1: other way until a constable ended up dead. Three constables
6:07
Speaker 1: did end up dead or as close to dead as
6:10
Speaker 1: makes no difference. And those deaths are where the story
6:13
Speaker 1: stops being background history and starts being something that follows you.
6:18
Speaker 1: Three constables died. That detail was left open deliberately, because
6:24
Speaker 1: the manner of each death tells you something the mythology
6:26
Speaker 1: never bothered to record. The first was P.C. Lyons. In 1875,
6:32
Speaker 1: Jeremiah Corcoran beat him badly enough that Lyons survived just
6:38
Speaker 1: long enough to name his attacker. That window of consciousness,
6:43
Speaker 1: a dying man gathering the last of himself to point
6:46
Speaker 1: a finger, sent Corcoran to the gallows. It was not
6:49
Speaker 1: a gang execution in any dramatic sense. It was a
6:53
Speaker 1: slogger who went too far on an ordinary night in
6:56
Speaker 1: an ordinary Birmingham street and a constable who refused to
7:00
Speaker 1: go quietly. The courts called it murder. The neighborhood called
7:05
Speaker 1: it Tuesday. 22 years passed before the next constable fell.
7:11
Speaker 1: In 1897, P.C. Snipe was killed by a brick thrown
7:16
Speaker 1: during a crowd attack. The courts needed someone to hang
7:19
Speaker 1: this on and they settled on George Williams, known in
7:23
Speaker 1: the district as Cloggy. Historians who have examined the case
7:27
Speaker 1: since describe Williams as a fall guy, the man whose
7:31
Speaker 1: conviction was conviction was convenient rather than certain. No one
7:36
Speaker 1: disputed that a crowd threw bricks. No one could prove
7:39
Speaker 1: with confidence that cloggy Williams threw the one that mattered,
7:43
Speaker 1: he was convicted anyway. The machine of Victorian justice required
7:48
Speaker 1: a name, and Williams supplied one. Then came 1901. P.C.
7:54
Speaker 1: Gunter was bricked to death while simply telling a party
7:58
Speaker 1: to disperse, not investigating a crime, not pursuing a fugitive,
8:03
Speaker 1: telling people to move along. The brick that killed him
8:06
Speaker 1: was thrown from somewhere in the crowd, from an anonymous arm.
8:10
Speaker 1: and no one gave the name. That anonymity is its
8:14
Speaker 1: own kind of terror. The first killing had a face.
8:18
Speaker 1: The second had a face, even if it was the
8:21
Speaker 1: wrong one. The third had nothing but a crowd and
8:24
Speaker 1: a darkness that closed around it. The rational explanation for
8:29
Speaker 1: gang violence is poverty, overcrowding, and idleness. Three dead constables
8:35
Speaker 1: over 26 years seems almost manageable against the scale of 200,000
8:40
Speaker 1: people crammed into back-to-back houses with shared pipes and no
8:44
Speaker 1: room to breathe. Historians have applied that framework, and it
8:48
Speaker 1: holds up to a point. Here is where it stops holding.
8:52
Speaker 1: Chief Constable Charles Horton Rafter arrived with a reform agenda.
8:57
Speaker 1: He recruited larger, physically capable officers. He pushed for stiffer
9:02
Speaker 1: sentencing on assaults against police. These were sensible, measurable changes,
9:08
Speaker 1: and they produced results, documented results, recorded in court statistics
9:14
Speaker 1: and newspaper coverage. Gang activity declined. The beatings became less frequent.
9:19
Speaker 1: The sloggers found other occupations or moved on. By 1905,
9:25
Speaker 1: Birmingham newspapers were already declaring the palmy days of the
9:30
Speaker 1: Peaky Blinders finished. By 1910, the papers said they were
9:34
Speaker 1: gone entirely. And yet, by 1915, a Birmingham newspaper ran apiece,
9:42
Speaker 1: asking a question that should not have needed, asking if
9:45
Speaker 1: the explanation were complete. What happened to the Peaky Blinders?
9:51
Speaker 1: The answer the paper offered was fragmented. Some were at
9:55
Speaker 1: the front, fighting in the war. Others were in munitions factories.
10:00
Speaker 1: earning wages for the first time in their lives. Legitimate
10:03
Speaker 1: work and legitimate death had done what policing alone could not.
10:08
Speaker 1: The gangs did not dissolve because society fixed the conditions
10:12
Speaker 1: that created them. The conditions barely changed. The gangs dissolved.
10:17
Speaker 1: because the economy briefly needed them for something else. That
10:20
Speaker 1: is not a comfortable answer. Rafter's reforms get the credit
10:24
Speaker 1: in the institutional record. But the timing suggests something colder.
10:29
Speaker 1: That the men who had been beating constables and slashing
10:32
Speaker 1: rivals with belts simply redirected their capacity for organized violence
10:37
Speaker 1: toward available opportunities. Some went to the trenches. Others went
10:42
Speaker 1: to the racecourses. Billy Kimber is the hinge point of
10:45
Speaker 1: the whole story. And he is where the rational framework
10:48
Speaker 1: finally gives way. Kimber came from Summer Lane, Birmingham, which
10:53
Speaker 1: placed him squarely inside the geography of slogger culture. He
10:56
Speaker 1: had multiple arrests for violence before he reached adulthood. By
11:01
Speaker 1: any measure, he was exactly the kind of man the
11:04
Speaker 1: Rafter reforms were meant to contain. Documented, known to police,
11:08
Speaker 1: repeatedly processed through the courts. The system saw him clearly.
11:13
Speaker 1: The system did not stop him. What Kimber did after
11:16
Speaker 1: the Peaky Blinders supposedly ended is the detail that changes
11:19
Speaker 1: the shape of everything established in the sections before this one.
11:23
Speaker 1: He did not reform. He did not go to the
11:27
Speaker 1: factory floor. He organized. He gathered former Peaky Blinders. Men,
11:33
Speaker 1: the newspapers had already declared, gone. And he moved their
11:37
Speaker 1: operation from Birmingham's back streets to the racecourses of England.
11:42
Speaker 1: The gang that the papers eulogized in 1905 was recruiting
11:46
Speaker 1: again by the time the ink was dry. This became
11:49
Speaker 1: the Birmingham Gang. And the Birmingham Gang went to war.
11:53
Speaker 1: A real gang war. The first gang war against the
11:56
Speaker 1: Sabini Gang and their Anglo-Jewish allies fought across racecourse, enclosures,
12:02
Speaker 1: and bookmakers' stands. The geography had expanded from the bullring
12:07
Speaker 1: to the entire English racing circuit. The violence escalated. had
12:11
Speaker 1: professionalized the organizational structure that the narrative said did not exist,
12:16
Speaker 1: that no single organized Peaky Blinders gang ever existed, had
12:20
Speaker 1: apparently organized itself quite efficiently. The moment a larger market appeared,
12:26
Speaker 1: here is what cannot be comfortably resolved. Every historian who
12:30
Speaker 1: has looked at this material confirms that the Peaky Blinders
12:33
Speaker 1: were never one gang. They were a loose, competing cluster
12:36
Speaker 1: of neighborhood outfits, sharing a name the newspapers applied generically.
12:40
Speaker 1: That is the established, documented conclusion. But the same men
12:46
Speaker 1: who belonged to those supposedly unorganized neighborhood outfits followed Kimber
12:51
Speaker 1: into a structured criminal enterprise that shaped the London-organized crime
12:55
Speaker 1: scene for decades. The Sabini gang's eventual dominance of Clerkenwell,
13:00
Speaker 1: King's Cross, and Soho traces directly back to the pressure
13:04
Speaker 1: the Birmingham gang put on the racecourses. One historian has
13:07
Speaker 1: described that Sabini control as the origin point of London's
13:11
Speaker 1: organized crime geography as it would exist through the 20th century.
13:15
Speaker 1: The rational explanation for how this happened begins with poverty
13:20
Speaker 1: and ends with opportunity. It is not wrong, but it
13:23
Speaker 1: does not explain why the mythology traveled in the opposite direction.
13:27
Speaker 1: Why the organized, consequential, historically traceable network got simplified into
13:33
Speaker 1: a television legend about razors in flat caps, while the
13:37
Speaker 1: actual lineage of English organized crime runs from Summer Lane
13:41
Speaker 1: to Clerkenwell to every crime story that came after. There
13:45
Speaker 1: is no version of this story where the gap between
13:47
Speaker 1: what happened and what got remembered makes complete sense. The
13:52
Speaker 1: Shelby family does not exist, that much is certain, but
13:56
Speaker 1: Samuel Sheldon does, a real Peaky Blinder, confirmed in the
14:01
Speaker 1: historical record. confirmed in a historical record, whose surname is
14:06
Speaker 1: close enough to the fictional name that historians have noted
14:09
Speaker 1: the connection without being able to prove it was deliberate.
14:14
Speaker 1: The Shelbys of the television series are written as Romany Gypsies,
14:19
Speaker 1: which gives them a mythology, a heritage, a code, a
14:23
Speaker 1: spiritual remove from the world around them. The actual Sheldons
14:27
Speaker 1: were from Dudley. There is no historical basis for the
14:30
Speaker 1: Romany framing, The Romanese who actually lived in Birmingham's orbit
14:34
Speaker 1: during this period settled on the Black Patch, a margin
14:37
Speaker 1: of land, a marginal existence, persistently, persistently. Their king was
14:43
Speaker 1: Esau Smith. The television series borrowed the aesthetic of marginalization
14:48
Speaker 1: without the specific history of the people who actually lived it.
14:51
Speaker 1: That substitution is not an accident of adaptation. It is
14:56
Speaker 1: a choice about which marginalized community makes for more compelling television, mythology.
15:03
Speaker 1: Carl Chin's family is the thread that pulls all of
15:07
Speaker 1: this into something human. His great-great-uncle John Derrick led the
15:11
Speaker 1: Sparkbrook Slogging Gang. His great-grandfather, Edward Derrick, was a violent
15:17
Speaker 1: petty thief. Chin became Birmingham's foremost working-class historian. The lineage
15:23
Speaker 1: from the Backstreet Gang to the Academic Archive is only
15:26
Speaker 1: two generations long. That is not enough distance. for the
15:31
Speaker 1: history to feel safely past. What persists, after all the
15:37
Speaker 1: rational frameworks have been applied, is this, the conditions that
15:41
Speaker 1: produced the Peaky Blinders were not fixed. The back-to-back houses
15:46
Speaker 1: came down eventually, but displacement continued. The Corporation Street Improvement
15:52
Speaker 1: Scheme pushed people out of one overcrowded district and into another.
15:57
Speaker 1: Boys who worked from the age of eight in button
15:59
Speaker 1: factories and pin workshops grew into men who understood that
16:03
Speaker 1: organized violence was a more reliable income than factory wages.
16:08
Speaker 1: And they were not wrong about that in any short-term sense.
16:12
Speaker 1: The ones who found their way to Kimber's racecourse operation
16:15
Speaker 1: proved it. What the mythology preserved, the flat cap, the razor,
16:20
Speaker 1: the family empire, is a story about power that feels
16:23
Speaker 1: earned and contained. What the history preserved is something harder
16:30
Speaker 1: to look at directly, that the same organizational capacity that
16:34
Speaker 1: built a criminal network capable of reshaping London's underworld grew
16:40
Speaker 1: out of 44,000 houses where 200,000 people were packed so
16:46
Speaker 1: tightly that violence was one of the few things no
16:49
Speaker 1: one could take from you. The Peaky Blinders are gone.
16:53
Speaker 1: Birmingham's newspapers said so. in 1910. But Kimber's men were
16:58
Speaker 1: already at the races, and the geography they contested became
17:02
Speaker 1: the map of organized crime that London would live inside
17:06
Speaker 1: for the rest of the century. Some things end on
17:08
Speaker 1: paper long before they actually stop moving. By 1905, Birmingham's
17:14
Speaker 1: newspapers had already written the obituary. The palmy days of
17:18
Speaker 1: the Peaky Blinders, they announced, were finished. Five years later,
17:23
Speaker 1: they went further, The gangs were gone entirely, and by 1915,
17:27
Speaker 1: one paper asked the question aloud, what happened to the
17:31
Speaker 1: Peaky Blinders? The answer was scattered across two continents. Some
17:36
Speaker 1: were in the trenches of the Western Front. Others were
17:39
Speaker 1: clocking into munitions factories, earning honest wages for the first
17:44
Speaker 1: time in their lives, building the machinery of a war
17:48
Speaker 1: that would outlast everything they had built in the back
17:51
Speaker 1: streets of Birmingham. There is something almost unbearable in that image.
17:56
Speaker 1: Men who had slashed with belts in the shadows of
17:58
Speaker 1: the bullring, now soldering shell casings under electric light. The
18:04
Speaker 1: city that produced them had finally found a use for
18:07
Speaker 1: their aggression that the state could sanction. But disappearance is
18:10
Speaker 1: not the same as ending. Billy Kimber, who had grown
18:14
Speaker 1: up on Summer Lane and learned his trade in the
18:18
Speaker 1: same alleyways as the gangs he ran with, did not
18:21
Speaker 1: go to the front and did not go to the factory.
18:24
Speaker 1: He organized. He took the men who remained, former Peaky Blinders,
18:28
Speaker 1: dispersed and unmoored, and moved them onto the racecourses, where
18:33
Speaker 1: money changed hands in quantities that made street extortion look small.
18:38
Speaker 1: The Birmingham gang was not nostalgia. It was evolution. And
18:42
Speaker 1: when it collided with the Sabini gang, which controlled Clerkenwell,
18:46
Speaker 1: King's Cross, and Soho with the kind of territorial precision
18:51
Speaker 1: the Peaky Blinders had never managed. The result was the
18:54
Speaker 1: first gang war. Not a street brawl. Not a street brawl.
18:59
Speaker 1: Not a crowd attack on a lone constable, but organized
19:03
Speaker 1: criminal warfare across the south of England. The Sabini gang's
19:07
Speaker 1: eventual dominance of those London neighborhoods is now considered the
19:11
Speaker 1: origin point of the city's modern organized crime structure, which
19:16
Speaker 1: means the line runs straight from the back-to-back houses of
19:20
Speaker 1: the Bull Ring through the racecourses, into the heart of
19:23
Speaker 1: London's criminal geography, the Peaky Blinders did not disappear. They metastasized.
19:30
Speaker 1: There is a detail that has stayed with me through
19:32
Speaker 1: all of this. Carl Chin, the historian whose research dismantled
19:37
Speaker 1: almost every popular myth about these gangs, discovered that his
19:41
Speaker 1: own great-great-uncle had led this Sparkbrook slogging gang. His great-grandfather
19:47
Speaker 1: was a violent, petty thief who lived inside a the
19:50
Speaker 1: so detailed world this episode has been describing. Two generations separated,
19:56
Speaker 1: a gang leader from a man who spent his life
19:59
Speaker 1: documenting the damage gangs caused. That is not irony. That
20:03
Speaker 1: is what cities actually do. They transform people across time
20:08
Speaker 1: in ways no individual moment can predict or control. The
20:12
Speaker 1: reforms worked, but not in the way anyone planned. Chief
20:16
Speaker 1: Constable Rafters physically fit officers in stiffer sentencing applied pressure.
20:21
Speaker 1: Youth clubs and boxing gyms pulled boys away from corner culture.
20:27
Speaker 1: The Corporation Street Improvement Scheme, which had displaced thousands into
20:31
Speaker 1: worse conditions and likely fed the gang violence of the 1890s,
20:36
Speaker 1: eventually gave way to something resembling functional urban infrastructure. None
20:41
Speaker 1: of these changes was clean. None of them arrived on schedule.
20:46
Speaker 1: But the combination, over decades, was enough. The name Peaky
20:50
Speaker 1: Blinder was never the name of an organization. It was
20:54
Speaker 1: a word that a city used to describe a type
20:56
Speaker 1: of person it produced in large numbers. Young. Male. Poor. Poor. Living.
21:04
Speaker 1: Eight to a room tall. in a back-to-back house without
21:07
Speaker 1: running water, working in a button factory from the age
21:10
Speaker 1: of eight, with no framework to imagine anything different. The
21:15
Speaker 1: razor blade in the cap never existed. The flat cap
21:18
Speaker 1: itself came later. What existed was a billycock hat shaped
21:22
Speaker 1: over fire, a belt used for slashing, and a quiff
21:26
Speaker 1: that announced membership in something that had no membership roles,
21:30
Speaker 1: no charter, no single leader, and no fixed address. Samuel
21:36
Speaker 1: Sheldon was real. He was a Peaky Blinder, and his
21:40
Speaker 1: surname is close enough to Shelby to be more than coincidence.
21:44
Speaker 1: But the Sheldons came from Dudley, not from a Romani caravan.
21:49
Speaker 1: The actual Romanies of Birmingham lived on the Black Patch
21:53
Speaker 1: under a man named Esau Smith, and they were persecuted
21:57
Speaker 1: and marginalized in ways the television series never touched. The
22:01
Speaker 1: show borrowed the aesthetics of one community and attached them
22:05
Speaker 1: to the history of another. And the result was a
22:07
Speaker 1: mythology so vivid that it has now largely replaced the
22:11
Speaker 1: truth in public memory. That replacement matters. P.C. Gunter was
22:16
Speaker 1: bricked to death in 1901 while telling a party to disperse.
22:21
Speaker 1: No one was ever convicted. P.C. Snipe died the same
22:25
Speaker 1: way four years earlier, and George Cloggy Williams was convicted
22:30
Speaker 1: in his place. Historians believe he was a fall guy.
22:34
Speaker 1: not the killer. These men did not die in a
22:37
Speaker 1: story with a protagonist and a moral. They died in
22:41
Speaker 1: a crowd, in the dark, in a city that could
22:45
Speaker 1: not yet see them clearly enough to find out who
22:48
Speaker 1: threw the bricks. What the television series gave the world
22:52
Speaker 1: was a usable myth, morally complex, visually arresting, emotionally coherent.
22:58
Speaker 1: What the history gives back is something harder and more honest.
23:03
Speaker 1: A city Under pressure, producing violence. The way a cracked
23:07
Speaker 1: pipe produces water. Not because anyone designed it that way,
23:11
Speaker 1: but because the conditions made it inevitable. The gangs ended.
23:15
Speaker 1: Not because a great man stopped them, but because the
23:18
Speaker 1: pressure changed. The war, the wages, the slow grinding work
23:23
Speaker 1: of reform across 30 years. No one threw a brick
23:26
Speaker 1: that started it. No one caught a brick that ended it.
23:31
Speaker 1: It just stopped. The way most things stop. Gradually, then completely.
23:37
Speaker 1: Until one day, a newspaper asked where the Peaky Blinders
23:40
Speaker 1: had gone. And the men who might have answered were
23:43
Speaker 1: already somewhere else, building something the city needed more than
23:48
Speaker 1: it needed them. This show is made by Oba Media.