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One on One: Billy Burke · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in you, I am all in with
• 0:18
  Speaker 1: Scott Patterson and I Hurt Radio podcast. All right, everybody,
• 0:22
  Speaker 1: we're here with Billy Burke, uh, who is so far
• 0:27
  Speaker 1: my favorite uh guy for lorli um. And I don't
• 0:35
  Speaker 1: know how you can possibly say that, but thanks, because
• 0:40
  Speaker 1: I think you're You're just You're just a very cool cat.
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  Speaker 1: You know, You're a mellow kind of kind of cool guy,
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  Speaker 1: and you seem very confident and comfortable in your own skin.
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  Speaker 1: And I just it's just a nice balance between the
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  Speaker 1: two of you, and I enjoy watching it. Thank you,
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  Speaker 1: and I think you're a terrific act. During you you
• 1:01
  Speaker 1: really underplay everything and just but everything is h you know,
• 1:04
  Speaker 1: it was louder because of it, So it's it's it's
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  Speaker 1: it's a great relief actually because I U, I take
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  Speaker 1: exception with most of her um potential love interests, but
• 1:18
  Speaker 1: not here. I I like, I like how this feels,
• 1:21
  Speaker 1: and I like you just dropped her off and gave
• 1:23
  Speaker 1: her a kiss and she was hungry. You did your
• 1:25
  Speaker 1: weekend in New York City, and uh, I like probably
• 1:29
  Speaker 1: because that probably has mostly to do with the fact
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  Speaker 1: that I had zero idea what I was walking into
• 1:35
  Speaker 1: and I came on the show, I know, right, Yeah,
• 1:42
  Speaker 1: it was. I mean, I as far as I recollect
• 1:46
  Speaker 1: I you know, Lauren and I had done um, this
• 1:51
  Speaker 1: little independent movie together a couple of years prior called
• 1:55
  Speaker 1: deal Scallion, and it was a fake documentary about a
• 1:57
  Speaker 1: country singer, and so I played this country singer and
• 2:00
  Speaker 1: go on the road and I meet her and she
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  Speaker 1: becomes my girlfriend and um, and so within that process,
• 2:07
  Speaker 1: I mean, we had the greatest time making that movie.
• 2:09
  Speaker 1: But Laura and I just became really good friends during that.
• 2:11
  Speaker 1: So I had always assumed that it was a couple
• 2:14
  Speaker 1: of years later that when we got the call to
• 2:17
  Speaker 1: come and do Gilmore Girls. I had just assumed that
• 2:21
  Speaker 1: maybe she had made a request or something like that.
• 2:24
  Speaker 1: But I don't know if that's the case or not.
• 2:26
  Speaker 1: It never got discussed between here Kerr and I or
• 2:28
  Speaker 1: anybody else. So it could have been could have been
• 2:31
  Speaker 1: just an accident, It could have been could have been
• 2:32
  Speaker 1: against her will for all I know. Yeah, I think
• 2:38
  Speaker 1: she was so busy they didn't consult her on much,
• 2:41
  Speaker 1: but she probably gave them a list, you know, I know,
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  Speaker 1: people she did want to work with and people she
• 2:46
  Speaker 1: didn't want to work with and you know, absolute nos
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  Speaker 1: and um. Yeah, So so tell us about you know,
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  Speaker 1: how you got the job. Was it just a straight offer?
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  Speaker 1: Did you audition first day on the set, that kind
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  Speaker 1: of thing? Reunited It came in as an offer they
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  Speaker 1: I think it probably was one of those situations where
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  Speaker 1: they asked if you want to come do one episode
• 3:17
  Speaker 1: with the potential for for more. But uh, I think
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  Speaker 1: it was always supposed to be a one to three
• 3:24
  Speaker 1: episode arc. I believe I ended up doing three. Um.
• 3:28
  Speaker 1: But yeah, like I said, it just kind of came in.
• 3:31
  Speaker 1: So my assumption was, oh, you know, my friend Lauren
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  Speaker 1: probably just trying to see if I want to come
• 3:38
  Speaker 1: and do some of the show, and I'd be more
• 3:41
  Speaker 1: than happy to obviously, so I said yes immediately, right right,
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  Speaker 1: Um again, not having any idea have I mean, had
• 3:51
  Speaker 1: not seen it prior to that, had not experienced the
• 3:55
  Speaker 1: tone and tempo and um all that up, which is
• 4:00
  Speaker 1: very specific to that shown, very specific to to a
• 4:05
  Speaker 1: lot of I think what Amy Paladino does. Yeah. Yeah,
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  Speaker 1: that's why That's why I particularly like what you did
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  Speaker 1: with that character, because you didn't allow yourself to get
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  Speaker 1: caught up in their rhythm and their speed. You had
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  Speaker 1: your own yet it was so smooth and it didn't
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  Speaker 1: throw anybody off. It just kept feeding and feeding it,
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  Speaker 1: feeding it because you know, they're going a mile a minute, um,
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  Speaker 1: but you provided this real i don't know, not an
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  Speaker 1: escape from it, but it relaxed the scenes and they
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  Speaker 1: just seemed more real as a result, so, you know,
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  Speaker 1: as as an actor and that and that was my
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  Speaker 1: challenge too, because Luke was a whole different you know,
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  Speaker 1: he was a whole different vibe. But sometimes you couldn't
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  Speaker 1: help but get caught in, caught up in the speed
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  Speaker 1: what was going on, and it was you. You were
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  Speaker 1: you were the cool, relaxed guy on the show. If
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  Speaker 1: I recall, oh no, no, no, no no. Well sometimes
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  Speaker 1: and then you came along and it was like, okay,
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  Speaker 1: that's what it's supposed to be. No, that's really that's
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  Speaker 1: exactly what I was trying to achieve is what you achieved.
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  Speaker 1: And I was like, that's how I saw Luke. But
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  Speaker 1: they kept whipping me to go faster, so I guess
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  Speaker 1: I go faster. Yeah, I'm always I mean, I'm you know,
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  Speaker 1: I'm I'm confined to what's on the page in terms
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  Speaker 1: of in terms of bourbage and uh sentiment and dynamic
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  Speaker 1: and all that kind of stuff. Um, but I just
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  Speaker 1: I probably just didn't know what else to do but
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  Speaker 1: settle into into how I saw it. You know, if
• 5:49
  Speaker 1: I were going to reach beyond that and try to
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  Speaker 1: attain there, um, you know, their tempo, it would have
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  Speaker 1: been a disaster. Yeah. And that's and when I and
• 6:05
  Speaker 1: when it happened to me. And I'm now I'm saying
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  Speaker 1: because I never saw it before, I cringe. God, I
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  Speaker 1: cringe uh at being at being duped into their tempo.
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  Speaker 1: And it's like, okay, yeah, damn it. Um, but that's
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  Speaker 1: I guess all those people were so good at it,
• 6:24
  Speaker 1: right right. I mean you know I include you on
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  Speaker 1: this too. I mean you you were on the show
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  Speaker 1: for a long time. I mean that's whatever whatever everybody
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  Speaker 1: was doing was was obviously working. Hey man, Hey, I
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  Speaker 1: had to learn to go that fast. I didn't like it.
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  Speaker 1: I struggled with it. I never felt comfortable going that fast.
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  Speaker 1: They were great at it. I mean, Lauren, it's just
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  Speaker 1: like you know, she's that that's just another brain, that's
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  Speaker 1: another level there. She's always had it since I since
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  Speaker 1: right knowing her. I mean, she's just she's a rocket ship.
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  Speaker 1: She just she's yeah, yeah, it's it's why she can
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  Speaker 1: do those uh And where I think she really is
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  Speaker 1: best with with her comedy is in those moments where
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  Speaker 1: she's got a stumble and fumble and and she does
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  Speaker 1: it so she does it so quickly and with while
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  Speaker 1: also delaying things, and I it's amazing how she can
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  Speaker 1: do it. She did it in this episode in the
• 7:29
  Speaker 1: scene with with the band in her kitchen and she
• 7:33
  Speaker 1: kind of let the cat out of the bag about
• 7:34
  Speaker 1: how uh Lane and Dave were dating, and she tried
• 7:39
  Speaker 1: to take it back, and I really laughed out loud.
• 7:43
  Speaker 1: I mean, she's very, very fun, she's very gifted, she's
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  Speaker 1: very yeah. And it's and I think it comes from
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  Speaker 1: she's got an old school heart when it comes to
• 7:53
  Speaker 1: when it comes to television and that kind of comedy.
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  Speaker 1: I mean I liken it to kind the like the
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  Speaker 1: Bob new Hearts of the Right, you know what I mean,
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  Speaker 1: where Bob Newhart was like he wasn't it didn't feel
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  Speaker 1: like he was doing something perfect or precious, because but
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  Speaker 1: he was. It just felt so natural for him, right,
• 8:16
  Speaker 1: I feel the same way. Yeah, just as as quick
• 8:20
  Speaker 1: as lightning, that one unbelievable. Um. Um, So look the fans,
• 8:26
  Speaker 1: they they they email questions and they want to know.
• 8:31
  Speaker 1: They're very excited about you being on the show. Um aside,
• 8:37
  Speaker 1: and they want to know. Okay, here's here's uh, Jennifer
• 8:41
  Speaker 1: from God, I I hope I can answer this, Okay, Um, well, okay,
• 8:49
  Speaker 1: you can probably answer this. Uh from from Houston, Texas.
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  Speaker 1: Jennifer from Houston, Texas. Uh, Billy Park is so cool.
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  Speaker 1: I agree, Jennifer, h what do you think? What? What
• 9:01
  Speaker 1: did you think of your character Alex? Are you anything
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  Speaker 1: like him? Huh? Again? I mean I really don't remember
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  Speaker 1: the character that well. I mean I probably should have.
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  Speaker 1: I probably should have done some research and gone back
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  Speaker 1: and taken a look. But then again, and then I'd
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  Speaker 1: be in your shoes, cringing it stuff, and I don't
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  Speaker 1: want to do that. So, um, let let me help
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  Speaker 1: let me. I doubt I doubt it. I doubt there
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  Speaker 1: was anything familiar to me about what he was supposed
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  Speaker 1: to be. I probably was just doing my best to
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  Speaker 1: you know, not offend anybody. Well that's that's it. Why
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  Speaker 1: strategy that was easy to do? Um? Um, all right,
• 9:54
  Speaker 1: here's here's one hang on, uh This is from Robert
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  Speaker 1: from Seattle. I thank you yours. Yeah, you're close, right, Okay,
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  Speaker 1: I spent all my formative years in downtown Seattle, from
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  Speaker 1: okay to uh. He wants to know any favorite memories
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  Speaker 1: working with Lauren or Melissa McCarthy. Did I have scenes
• 10:27
  Speaker 1: with Melissa hum just outside when you went to see
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  Speaker 1: the Broadway show that everybody hated and she was there
• 10:35
  Speaker 1: with Jackson out theater after the theater. I'm sure it was.
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  Speaker 1: I'm sure it was beyond pleasant. Um. Everybody on the
• 10:46
  Speaker 1: show was obviously, I mean, given my sort of fish
• 10:50
  Speaker 1: out of water feeling about myself, everybody was was so kind. Um.
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  Speaker 1: I don't have any specific recollections about that. Laura and
• 11:00
  Speaker 1: I have always I mean, as I was saying before,
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  Speaker 1: we we did a little independent movie beforehand a few
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  Speaker 1: years prior, and we had we had what I would
• 11:12
  Speaker 1: consider to be one of those sort of automatic oh
• 11:17
  Speaker 1: I get you, I get what you're doing. Um, And
• 11:20
  Speaker 1: so we had one of those kind of friendships, and
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  Speaker 1: I think that translated, hopefully translated into into the stuff
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  Speaker 1: on screen. Every every moment working with Lauren is always
• 11:35
  Speaker 1: a joy, right, Okay, So let's change gears. Talk about
• 11:44
  Speaker 1: a little bit Twilight. There's so many Twilight, uh questions, emails?
• 11:49
  Speaker 1: Good god, there were so many. So you're about to
• 11:52
  Speaker 1: say there's so many Twilight movies, which there are? Good god,
• 11:57
  Speaker 1: how many of them? Uh? Uh? Um, okay, who this is? Uh?
• 12:05
  Speaker 1: This is Robert Roberta from Albuquerque. You've worked steady since
• 12:11
  Speaker 1: the nineties, but many fans no use Charlotte Swan, Bella's
• 12:14
  Speaker 1: dad and Twilight. Ah, in those five years the franchise,
• 12:20
  Speaker 1: was it hard to walk outside without being recognized. Um
• 12:26
  Speaker 1: those five years were probably my most recognizable. Um I
• 12:34
  Speaker 1: without without just the the Charlie Swan porn stash, without
• 12:44
  Speaker 1: just that on my face. Um, I kind of disappear
• 12:48
  Speaker 1: into myself most of the time. So it depends on
• 12:51
  Speaker 1: what facial hair I have at the time, going on
• 12:54
  Speaker 1: how recognized, how recognizable I am. But but yeah, during
• 12:59
  Speaker 1: those five years, um, look, it was it was just
• 13:03
  Speaker 1: nice to be a part of something that people were
• 13:05
  Speaker 1: paying attention to, you know, as as she said herself,
• 13:09
  Speaker 1: I've been working since the early nineties, and you know,
• 13:12
  Speaker 1: I had a lot of good successes and and some
• 13:15
  Speaker 1: dips and and as all careers do, and uh and
• 13:20
  Speaker 1: so Yeah, it was. It was nice to be a
• 13:23
  Speaker 1: part of that, UM, but I don't necessarily love not
• 13:29
  Speaker 1: having an unim anonymity. However, you say that word, you know,
• 13:35
  Speaker 1: um right, uh? And so did it what you were
• 13:40
  Speaker 1: doing the music? Then you were pretty serious about recording
• 13:46
  Speaker 1: and releasing songs and was at that time I used
• 13:51
  Speaker 1: that around that time when the first Twilight came out,
• 13:55
  Speaker 1: That's when Twitter was still kind of burgeoning. Uh. I
• 14:00
  Speaker 1: didn't get the concept, still kind of don't um. But
• 14:04
  Speaker 1: somebody approached me saying, UM, this is gonna be a
• 14:08
  Speaker 1: necessary tool for you. You're gonna you're gonna want to
• 14:10
  Speaker 1: have this. I said, I don't know that, I am.
• 14:14
  Speaker 1: I don't know that I will ever use it. And
• 14:16
  Speaker 1: then I started thinking, oh, because I was in the
• 14:19
  Speaker 1: throes of kind of putting together an album for myself
• 14:23
  Speaker 1: of just stuff that I've been running over the years,
• 14:25
  Speaker 1: and so I figured, h, I will use that for
• 14:30
  Speaker 1: what I can and what I can do is use
• 14:32
  Speaker 1: it as a promotional tool for that. UM. And so yes,
• 14:38
  Speaker 1: during that time, I put out a record and we did,
• 14:43
  Speaker 1: and probably only because of Twilight fans, we did. We
• 14:47
  Speaker 1: released it on a format called CD Baby, and we
• 14:52
  Speaker 1: had their biggest single day day opening sales record of
• 14:56
  Speaker 1: all time at the time, which was great. Um So
• 15:02
  Speaker 1: in those cases, social media pretty useful. But did you
• 15:06
  Speaker 1: did you get music? Did you get did you get into?
• 15:09
  Speaker 1: We did? We did one? We did one album released
• 15:12
  Speaker 1: show in Los Angeles at the House of Blues which
• 15:17
  Speaker 1: people came from being everywhere to come and see, which
• 15:21
  Speaker 1: was was really great. Um but no, no tour. I can't.
• 15:29
  Speaker 1: It's impossible to keep a band together if you're if
• 15:33
  Speaker 1: your main career is is moving in television. You just
• 15:36
  Speaker 1: can't do. I mean, I know some guys do, but
• 15:40
  Speaker 1: we don't. We don't see him very often the way
• 15:43
  Speaker 1: h m hm. Did A did a label step up? Oh? No, no,
• 15:52
  Speaker 1: And I didn't expect that to happen. I mean, my
• 15:55
  Speaker 1: music was very sort of eclectic and kind of specific
• 15:59
  Speaker 1: to myself els and my thought patterns, And I mean,
• 16:04
  Speaker 1: I think it's couched in really good melodic music, American
• 16:07
  Speaker 1: style music, but it's but content wise and lyrically, it's
• 16:11
  Speaker 1: I don't know that that's gonna identify with the masses.
• 16:15
  Speaker 1: So if I were the record label, I know I
• 16:18
  Speaker 1: might enjoy the momentary popularity for a second and say, oh,
• 16:23
  Speaker 1: we can make something out of this, but long run.
• 16:26
  Speaker 1: H So, who are who are some of your big
• 16:29
  Speaker 1: musical influences growing up and currently what informs your writing?
• 16:36
  Speaker 1: I grew up with mostly my mother's music, which was
• 16:40
  Speaker 1: a lot of singer songwriters, um, the Jim Croaches and
• 16:45
  Speaker 1: in James Taylor's uh early early Billy Joel early Elton
• 16:52
  Speaker 1: John was a huge influence. Um Bowie Um always sort
• 16:59
  Speaker 1: of all the sort of artisans of that period. Yeah.
• 17:04
  Speaker 1: What always amazed me about Bowie is his very early
• 17:07
  Speaker 1: career and his his his right. The songwriting in his
• 17:11
  Speaker 1: teens was so vulnerable, it was so odd even. It
• 17:17
  Speaker 1: was just all of these very childlike, delicate little songs
• 17:22
  Speaker 1: that where he created this very safe world for those
• 17:26
  Speaker 1: characters to an habit. And then he writes what was
• 17:31
  Speaker 1: his big breakthrough a song? It was was it space
• 17:34
  Speaker 1: Oddity or was it um? I think space Ody put
• 17:38
  Speaker 1: him on the the big map right right right, But
• 17:43
  Speaker 1: there was one before that It was like wow, um, yeah,
• 17:49
  Speaker 1: you know I was, I was, really I was. I
• 17:52
  Speaker 1: mean I was born in sixty six, so uh so
• 17:56
  Speaker 1: that was that kind of knowledge was was beyond at
• 18:00
  Speaker 1: that point. I didn't get into Bowie Bowie until I
• 18:02
  Speaker 1: was you know, early teens, right. Um, So I'm no scholar.
• 18:08
  Speaker 1: I can't answer your question about when something came out
• 18:12
  Speaker 1: damn it. Um, but yeah, that early stuff. You're absolutely
• 18:18
  Speaker 1: right what he was doing. I just don't know that
• 18:20
  Speaker 1: there's any parallel to it whatsoever. I mean, not only
• 18:24
  Speaker 1: was it vulnerable, but it was so just weirdly insightful
• 18:30
  Speaker 1: and and uh and communicated to so many people in
• 18:35
  Speaker 1: so many different ways, in such specific ways. Um. Yeah,
• 18:40
  Speaker 1: I mean he's the the ultimate uh, the ultimate outsider,
• 18:46
  Speaker 1: absolutely who made somehow everybody go like that's probably the
• 18:51
  Speaker 1: coolest guy in the world. And yeah, yeah, for his
• 18:56
  Speaker 1: entire life or his entire A pony just he just
• 19:01
  Speaker 1: kept doing it. He just kept he kept changing until
• 19:04
  Speaker 1: until the day he died. He was kept doing his thing. Yeah,
• 19:07
  Speaker 1: Oh my god, I still watch He was on Jules
• 19:13
  Speaker 1: Holland in two thousand and God, what was it, two
• 19:16
  Speaker 1: thousand and two. I may have seen this on YouTube.
• 19:21
  Speaker 1: He does you know he did? Well, maybe it was
• 19:26
  Speaker 1: maybe it was two thousand and ten, but I'm thinking
• 19:28
  Speaker 1: two tho. Jules Holland. Oh jeez, what just happened? I
• 19:33
  Speaker 1: don't know oh good. Sorry, Um, he did Rebel Rebel
• 19:38
  Speaker 1: uh in the studio and travel live audience, and it
• 19:40
  Speaker 1: was just I don't know, every time I listened to
• 19:44
  Speaker 1: it, it it brings a tear. It's just it's such a
• 19:47
  Speaker 1: huge song. It's such a great range. It's just such
• 19:51
  Speaker 1: a big moment, you know. It's just the audience was
• 19:55
  Speaker 1: so happy. Yeah. They were just and quintessential rock and roll.
• 20:03
  Speaker 1: That's yeah, wherever you are, and he placed time that
• 20:07
  Speaker 1: riff starts you know where you're back again? Yeah, yeah,
• 20:11
  Speaker 1: and the and the vocal he laid down on that
• 20:14
  Speaker 1: with such ease, and it's just like, God, damn, this
• 20:17
  Speaker 1: guy was magic. Yeah, he made he made everything look easy.
• 20:21
  Speaker 1: It was part of it, you know, the movement, yes,
• 20:26
  Speaker 1: you know everything. The phenomenal musicianship that he put into everything.
• 20:31
  Speaker 1: I mean, he played so many instruments and was so
• 20:35
  Speaker 1: knowledgeable about notes. I mean, yeah, there will never be another. Yea.
• 20:45
  Speaker 1: I share your your fascination and respect with it with
• 20:50
  Speaker 1: with that artist. My god, he's my probably my favorite
• 20:56
  Speaker 1: artist of all time, at least in the last sixty years,
• 20:59
  Speaker 1: seventy years. Um, I can't think of anybody Desert Island wise,
• 21:05
  Speaker 1: if you're gonna bring somebody's music with you, and you
• 21:07
  Speaker 1: only have one. I can't. I can't think of anybody else. Yeah,
• 21:13
  Speaker 1: there's one that, there's one of them for me. There's
• 21:18
  Speaker 1: one that that is sort of competing right now. And
• 21:22
  Speaker 1: I'm not even gonna say it because I'm I'll be
• 21:25
  Speaker 1: embarrassed to say it. But somebody, somebody present day Yah, yeah, yeah,
• 21:32
  Speaker 1: who's extraordinary in every way? I mean just master songwriter, singer, performer,
• 21:40
  Speaker 1: it's just the whole thing. But anyway, male or female female?
• 21:47
  Speaker 1: Do I have an idea of who you're talking about?
• 21:50
  Speaker 1: I don't know. Maybe think about it for me when
• 21:56
  Speaker 1: you say all those things, Phoebe Bridges comes to mind
• 21:59
  Speaker 1: for me. Oh, you know what I'm gonna. I'm gonna.
• 22:04
  Speaker 1: I'm gonna check her stuff out. I'm not really versed
• 22:07
  Speaker 1: within her, so, but I will because I've heard great
• 22:11
  Speaker 1: I've heard yl songwriter Okay, right, okay, So I'm gonna
• 22:15
  Speaker 1: check it out because I love songwriters above and beyond everybody.
• 22:19
  Speaker 1: I love songwriters. And you can tell me who you're
• 22:22
  Speaker 1: talking about when we when we get off this thing.
• 22:27
  Speaker 1: You're not gonna believe it. You're just gonna laugh Okay,
• 22:35
  Speaker 1: here's here's another question. But you have a daughter. Do
• 22:42
  Speaker 1: you wanna Do you want to talk about your daughter
• 22:44
  Speaker 1: at all? Or we don't have to, But if if
• 22:46
  Speaker 1: you don't want to, that's fine. But I'm okay talking
• 22:49
  Speaker 1: about her. I don't think that I'll be revealing any secrets,
• 22:53
  Speaker 1: but she wouldn't want me to. Okay. So here's uh,
• 22:58
  Speaker 1: Mary Anne from New York, New York. That's where I am.
• 23:05
  Speaker 1: Five five huge films and five years and your daughter
• 23:09
  Speaker 1: was born during the first one. How did you manage
• 23:12
  Speaker 1: that work schedule? Did you ever get a break? Uh?
• 23:20
  Speaker 1: Those five years were a kind of a blur. Um. Yeah,
• 23:28
  Speaker 1: it was go go go all the time. Her mother
• 23:31
  Speaker 1: and I were still married at the time, of course,
• 23:34
  Speaker 1: and so that made it a lot easier. She Uh,
• 23:37
  Speaker 1: she had to do a lot of work in terms
• 23:39
  Speaker 1: of you know, just the day to day while I
• 23:43
  Speaker 1: was off, you know, playing Make Belief, and uh, it
• 23:50
  Speaker 1: was it was busy, but yeah, it was. I mean,
• 23:53
  Speaker 1: those were some of my favorite years with my with
• 23:56
  Speaker 1: my kid because we traveled a bit in like different places.
• 24:00
  Speaker 1: She'd come to the set m once in a while,
• 24:02
  Speaker 1: and and uh it was it was good times. But
• 24:08
  Speaker 1: it wasn't under onelm right. She now, um though, speaking
• 24:16
  Speaker 1: of the sunch a good hand. Although she hasn't uh
• 24:22
  Speaker 1: seen more girls, apparently it's repopularized with a lot of
• 24:27
  Speaker 1: kids age now as friends and all these things that
• 24:30
  Speaker 1: had resurgences and so so she did like sometime last
• 24:36
  Speaker 1: year I think it was, came home and said, do
• 24:39
  Speaker 1: you want the Gilmore Girls? Oh? Yeah, I was. She's like, yeah,
• 24:44
  Speaker 1: my friends were watching it, they said they. I said, okay, Well, um, yeah,
• 24:49
  Speaker 1: I've been around a while. Have you kept in touch
• 24:53
  Speaker 1: with any of the Twilight cast? And that's uh Eva
• 24:59
  Speaker 1: from Los Angeles. You must to know that. Yeah, I
• 25:02
  Speaker 1: wouldn't say Captain Touch. I have run into one or
• 25:08
  Speaker 1: two or six of them from time to time over
• 25:11
  Speaker 1: the years, and uh it's always a pleasant sight. Um Again,
• 25:17
  Speaker 1: not one objectionable person in that castor crew that I
• 25:22
  Speaker 1: can remember either all really and and you know, at
• 25:26
  Speaker 1: the time, I could tell I can tell some stuff
• 25:31
  Speaker 1: that was going on with some of those people, Um,
• 25:35
  Speaker 1: a few in particular. I'm not going to name any names,
• 25:37
  Speaker 1: but but I could see that there was gonna be
• 25:42
  Speaker 1: some great stuff beyond what we were doing at present
• 25:45
  Speaker 1: as well. For some of those people. Um, okay, I
• 25:52
  Speaker 1: have a question for this form me. You worked with
• 25:56
  Speaker 1: Anthony Hopkins, I did the right Anthony Hopkins the the
• 26:03
  Speaker 1: Is there anything that he does that you that just
• 26:09
  Speaker 1: set you back on your heels because it's unlike other
• 26:13
  Speaker 1: actors are doing it? What makes him so great? While
• 26:17
  Speaker 1: you got a chance because you worked with him a lot.
• 26:20
  Speaker 1: Actually in that film? What was it? What was the
• 26:22
  Speaker 1: name of that film you were having in a fan
• 26:24
  Speaker 1: of his wife? You were a detective, right, it was
• 26:29
  Speaker 1: it was him and Gosling, Right, I was the foil
• 26:35
  Speaker 1: um And it was called why are you asking me this? Now? Now?
• 26:40
  Speaker 1: I mean now, I'm gonna blank on the on the title. Um,
• 26:46
  Speaker 1: it was one of those you know titles. It was
• 26:49
  Speaker 1: like a yes, yes, yes, yes, you know look you guys,
• 27:02
  Speaker 1: Figger than the film that's understandable, the best, the best
• 27:05
  Speaker 1: time in my life? What was the film called? Uh? So,
• 27:12
  Speaker 1: that's a great question because what was what turned out
• 27:17
  Speaker 1: to be shocking was the opposite of what you just said.
• 27:20
  Speaker 1: There was nothing that he did, um, that I looked
• 27:25
  Speaker 1: at and watched and experienced and uh there was really
• 27:29
  Speaker 1: anything different than I do myself. He's one of those
• 27:33
  Speaker 1: guys that and you know, in between scenes we'll you know,
• 27:39
  Speaker 1: we'll go back and sit in our chairs, and you know,
• 27:41
  Speaker 1: she'd a little bit just talk about nothing, this and
• 27:44
  Speaker 1: that and and then he's the guy who's reading the
• 27:48
  Speaker 1: l A times da Dad, Mr Hopkins, were ready for you? Okay,
• 27:52
  Speaker 1: hold up the paper, goes to work, right. There's not
• 27:56
  Speaker 1: a lot of there's not a lot of extraneous thought
• 27:58
  Speaker 1: that's put into it. He's he knows what he's he
• 28:00
  Speaker 1: knows what he's doing before he gets thereright, And and
• 28:04
  Speaker 1: that's what I saw. What's what's it? What's he like?
• 28:07
  Speaker 1: In rehearsal um? We didn't really as far as I remember,
• 28:14
  Speaker 1: we didn't rehearse a lot. We um. We set up
• 28:18
  Speaker 1: the scenes. We uh, you know, maybe ran the dialogue
• 28:23
  Speaker 1: for for blocking and placement a little bit um, but
• 28:28
  Speaker 1: we never did any hardcore rehearsal um. I think we
• 28:33
  Speaker 1: did a little bit before. I remember doing a little
• 28:35
  Speaker 1: bit beforehand with with the director and with with Gosling,
• 28:40
  Speaker 1: but uh not with uh not with Hopkins. And on
• 28:44
  Speaker 1: set we didn't do much rehearsal either. I mean, I
• 28:47
  Speaker 1: I think again, I'm assuming he's he's like me when
• 28:51
  Speaker 1: it comes to that as well, I kind of come, uh,
• 28:55
  Speaker 1: you know, having thoughts and ideas already kind of built in,
• 29:00
  Speaker 1: and I don't really want to. I'd rather shake him
• 29:03
  Speaker 1: out on camera and and fix it from there, because
• 29:06
  Speaker 1: if we get me happy accidents along the way, that's
• 29:11
  Speaker 1: what we like, right, that's what we like. Yeah, absolutely, yeah,
• 29:16
  Speaker 1: absolutely let it you know, just you know, doing a
• 29:20
  Speaker 1: rehearsal by the numbers for camera and then just let
• 29:23
  Speaker 1: it fly. Yep, absolutely, Okay, here we go. Uh. This
• 29:29
  Speaker 1: is from Benizio. Benizio from Boston, Massachusets as steady working
• 29:36
  Speaker 1: actors since the nineties. What advice would you give someone
• 29:41
  Speaker 1: just starting out? It is a whole different business today.
• 29:46
  Speaker 1: Can you agree it is a full different business? Yeah?
• 29:50
  Speaker 1: Nothing like Yeah, I wouldn't be. I mean, I would
• 29:53
  Speaker 1: be the last person to ask for advice because somebody,
• 29:58
  Speaker 1: somebody who's having some successes starting out right now, would
• 30:02
  Speaker 1: have some way better answers than I would. I'm I
• 30:05
  Speaker 1: get confused every day. I'm about to go back to
• 30:08
  Speaker 1: work here, I'm leaving after tomorrow as a matter of factum,
• 30:14
  Speaker 1: and to start another TV series and I what it
• 30:21
  Speaker 1: is now and how it works now and with all
• 30:24
  Speaker 1: the bump reguards and safety rails and uh and uh
• 30:30
  Speaker 1: politics that has to go on just to get something made.
• 30:36
  Speaker 1: As an actor, Well, here's one thing I would say,
• 30:44
  Speaker 1: get some ownership not only of what you do and
• 30:49
  Speaker 1: what you bring with your personal part of the of
• 30:53
  Speaker 1: the puzzle when you're put together a story piece of drama, um,
• 30:59
  Speaker 1: business wise, find a way to navigate the system and
• 31:03
  Speaker 1: get in there on getting some ownership because you will
• 31:07
  Speaker 1: not want to be just a hired hand actor forever. Yes,
• 31:13
  Speaker 1: well said, great, that's great advice because look what happened
• 31:18
  Speaker 1: with Goodwill Hunting but those two guys, look what happened
• 31:22
  Speaker 1: with Swingers with Vince Vaughn and Jon Favro. You know, yeah,
• 31:28
  Speaker 1: if you can write and and produce a small, classy
• 31:32
  Speaker 1: indie film that doesn't have to do huge numbers, but
• 31:35
  Speaker 1: you've proved, you've shown the industry that you've got some knowledge,
• 31:39
  Speaker 1: that's right, some credit, get yourself some Yeah, that'll give
• 31:44
  Speaker 1: you a lot of credit. So that's that's very very
• 31:46
  Speaker 1: good advice. What are you so, what are you doing?
• 31:47
  Speaker 1: What are you getting ready to do? What pilot you're
• 31:49
  Speaker 1: doing a pilot or is it picked up already. It's
• 31:52
  Speaker 1: it's uh, it's coming out this fall on CBS. It's
• 31:56
  Speaker 1: called Fire Country, and it is based around, um, sort
• 32:03
  Speaker 1: of a family that lives and has always lived in
• 32:06
  Speaker 1: this northern California area where uh, you know, they worked
• 32:09
  Speaker 1: for cal Fire and they and and um and you
• 32:14
  Speaker 1: know they that's what they do every day. Um. But
• 32:18
  Speaker 1: we couple that with their there's a program with prisons
• 32:23
  Speaker 1: where um, you can sort of get some benefits and
• 32:29
  Speaker 1: possibly even shorten your sentence if you go out and
• 32:31
  Speaker 1: fight fires with Califire. Oh yeah, right, sure, that's the
• 32:34
  Speaker 1: real thing. That's that's what our story is based on.
• 32:38
  Speaker 1: The interesting Um yeah, my yeah, it comes out. It
• 32:45
  Speaker 1: comes out this fall. I can't I mean, I don't
• 32:47
  Speaker 1: want to say too much about it obviously because I
• 32:49
  Speaker 1: don't know what I'm supposed to say. And nothing but
• 32:53
  Speaker 1: CBS this fall, I think, Right, Okay, yeah, well you're
• 32:58
  Speaker 1: gonna Are you gonna shoot it in northern California? Well
• 33:02
  Speaker 1: you would think, wouldn't you? But but but no, are
• 33:05
  Speaker 1: you going to Canada? You're going to Canada? Oh yeah?
• 33:10
  Speaker 1: Are you going to Vaca, Yes, one of Vancouver, where
• 33:14
  Speaker 1: I've spent I don't know. I mean probably a good
• 33:19
  Speaker 1: third of my career. I guess where I am and
• 33:23
  Speaker 1: right now I'm in I'm in Nova, Scotia. Are you Yeah,
• 33:27
  Speaker 1: I'm shooting something up here. Yeah. It's beautiful. It's I've
• 33:29
  Speaker 1: never been here before. It's gorgeous. I've never been there. Yeah,
• 33:33
  Speaker 1: I've heard it's great up there. I'm doing a show
• 33:37
  Speaker 1: called Sullivan's Crossing. Uh. It's like Fremantle and Bell Media
• 33:43
  Speaker 1: up here and SEETV. So it's uh one of these
• 33:47
  Speaker 1: shows that they're gonna sell all over the world. Um,
• 33:50
  Speaker 1: are you a Canadian national? No? No, no no, No, I'm
• 33:54
  Speaker 1: from I'm from New Jersey. Yeah that's not Canadian no.
• 34:05
  Speaker 1: Um So anyway, so when that when's that come out? Oh? God,
• 34:09
  Speaker 1: I don't know. I mean we're we're on what don't
• 34:12
  Speaker 1: We shot two or three episodes so far? We got
• 34:15
  Speaker 1: we're shooting ten. Uh so we're done like mid September,
• 34:20
  Speaker 1: third week in September. I don't know when it's coming out.
• 34:24
  Speaker 1: I guess I guess it would come out early. I
• 34:27
  Speaker 1: mean they'd want to pump it up, right, so probably
• 34:30
  Speaker 1: early three. I don't know. I don't know, right, Maybe
• 34:36
  Speaker 1: I don't Yeah, I don't know. Um anyway, look, um
• 34:41
  Speaker 1: damn it, you're working because I was gonna try to
• 34:43
  Speaker 1: get you up here because I want to. I want
• 34:44
  Speaker 1: to work with you. I will, dude, just you know
• 34:49
  Speaker 1: all you gotta do, Billy, You're you're available. I like
• 34:56
  Speaker 1: to work. You're the coolest guy in the business. You're
• 35:01
  Speaker 1: You're like one of those guys. So it's like, I
• 35:05
  Speaker 1: got to get this guy's vibe up here, man, because
• 35:07
  Speaker 1: he's cool as hell, and you're I'm not sure I
• 35:11
  Speaker 1: have anybody to, you know, make that comparison with for myself.
• 35:16
  Speaker 1: So but thanks. I appreciate it because you're because you're
• 35:20
  Speaker 1: the coolest guy and there's nobody else and that's it.
• 35:22
  Speaker 1: You know, You're you're like the eldest of actors. You know,
• 35:24
  Speaker 1: you're just like it's like you do your thing and
• 35:27
  Speaker 1: it's like that's enough, Billy, just laid it down. Let's
• 35:31
  Speaker 1: walk away. Right, We're done. We're done the scene. Drop listen. Good.
• 35:39
  Speaker 1: It was good. Uh, finally getting a chance to meet
• 35:43
  Speaker 1: you officially and talk to you. I didn't get the
• 35:45
  Speaker 1: chance to meet you when you we're on the set. Um,
• 35:52
  Speaker 1: it really was And come back anytime, um uh and
• 35:57
  Speaker 1: tell us how it's going up there in Vancouver, and
• 36:00
  Speaker 1: and uh we'll keep in touch and and be well. Okay,
• 36:03
  Speaker 1: have a great shoot and and really nice talking to you. Okay,
• 36:07
  Speaker 1: you too appreciate all right, but take care of hey everybody,
• 36:40
  Speaker 1: and don't forget follow us on Instagram at I Am
• 36:44
  Speaker 1: all In podcast and email us at Gilmore at I
• 36:48
  Speaker 1: heart radio dot com. Oh you gil More fans. If
• 36:51
  Speaker 1: you're looking for the best cup of coffee in the world,
• 36:53
  Speaker 1: go to my website for my company scott ep dot com,
• 36:57
  Speaker 1: s c O T t y P dot com, scotty
• 37:00
  Speaker 1: p dot com Grade one especially coffee. Yeah h