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The Long Good Friday · Citizen Frame

• 0:00
  Music.
• 0:06
  Were there any peculiarities? Unusual crowd.
• 0:10
  Regular punters, nothing really. Were no strangers? A few Arabs.
• 0:15
  It's a good night. Nothing unusual?
• 0:18
  Nothing unusual, he says. Eric's been blown to smithereens.
• 0:23
  Colin's been carved up. And I've
• 0:25
  got a bomb in me casino. You say nothing unusual? You know what I mean.
• 0:30
  Parking. Meeting King George V Doc now. Now, he's put out a story the bomb in
• 0:35
  the car was a gas leak by some time. Nice one.
• 0:38
  There was nothing unusual when I was in New York, was there?
• 0:46
  Nothing at all. Nothing alien?
• 0:47
  Music.
• 0:56
  All right, everyone, welcome back. We are back now to talk a little more crime drama.
• 1:02
  British crime drama, that is. We talked about Dead Man's Shoes.
• 1:07
  Quite a pretty effective little outing there for the Shane Meadows and the crew.
• 1:13
  Doesn't have a lot of replay value for me because it's fucking depressing as hell.
• 1:18
  But we're going to turn the tables here a bit. And Trevor has now picked a gritty
• 1:24
  crime drama from 1980, and it is called The Long Good Friday.
• 1:31
  Friday it's called that because it takes place on a good Friday and it's a long
• 1:37
  day yeah yeah but also as well I think that there were sort of the long good
• 1:44
  ban all the were sort of tapping into there so yeah.
• 1:48
  But I think it had a working title. It was something completely different,
• 1:51
  but it just escapes me at the moment.
• 1:53
  But yeah, but it's not just a long day, but it's actually a long weekend.
• 1:56
  It should have been called the Long Easter Weekend.
• 1:58
  But it started on Good Friday with all the, you know, assassinations.
• 2:04
  All right, we'll jump into it here.
• 2:06
  Before I begin, I do got to correct myself on the movie They Live.
• 2:09
  It's very minor, but I'm a classy guy.
• 2:13
  I'm very classy. And I admit if a mistake has been made.
• 2:18
  It's very minor, but out of respect to the writer Ray Harris,
• 2:24
  the short story that They Live was based from, it was called 3 o'clock in the
• 2:30
  morning. I call it 3 a.m. in the morning.
• 2:33
  I know. Was it not 8 o'clock in the morning? I'm serious. Is it 8 o'clock in the morning?
• 2:40
  Give me a second. I have, right, I'm going to check this now.
• 2:43
  Give me a second. I thought it was 3 o'clock in the morning.
• 2:45
  If you just give me a second. I thought it was 8 o'clock in the morning.
• 2:49
  I don't know. Quick double check.
• 2:51
  Check up Ray Harris short story, They Live, and they'll pop right up. Yeah.
• 2:57
  Well, basically, I haven't read the story. I think it might be,
• 3:01
  if you're probably with me, I'm just going to check it now.
• 3:06
  Yeah. They Live.
• 3:09
  Or maybe we're both wrong. That's so funny I get this wrong.
• 3:14
  I probably did say 8am, but my notes, I put 3. I don't know.
• 3:19
  So fucking professional. I'm getting it.
• 3:23
  I'm serious. Oh my god, dude. Give me a second. I'll do it. Short story.
• 3:27
  No, no, no, no. This is work to me. I'll not sleep. I'll not sleep.
• 3:32
  Ray Harris, may he live. Short story. See, there's not much coming up.
• 3:41
  8 o'clock in the morning. Yes, 8 o'clock in the morning. And it's Ray Nelson.
• 3:46
  It's 8 o'clock in the morning. Okay, it's 8.
• 3:49
  Okay, so I'm retracting the retraction. Ray Nelson, 8 o'clock in the morning.
• 3:53
  Yeah, so it's 8 o'clock in the morning.
• 3:58
  I think I said 8 a.m. in the morning, more 3. I don't know. Either way,
• 4:02
  I'm correcting it. I'm correcting the name. Just in case.
• 4:05
  Because, you know, yes, it's his work, And he certainly, you know,
• 4:10
  even though it's something minor, whether an O'clock or an AM,
• 4:14
  it's still out of respect to the author.
• 4:17
  All right, let's dive back into The Long Good Friday. Long Good Friday is my
• 4:22
  first time watching it, so I like watching new stuff.
• 4:25
  There's a funny story about how they were concerned about Bob Hoskins' accent.
• 4:32
  Set and they dubbed him for the American side because they were concerned so
• 4:38
  the Americans wouldn't get his dialogue.
• 4:41
  And obviously he sued yada, yada, yada. They decided not to do it. I'm glad they did it.
• 4:46
  You know, it's not fair to the actor, of course.
• 4:50
  But I got to say, I can see where they're coming from. Now, I've lived in the
• 4:54
  UK now for about, you know, a good 12 years here.
• 4:57
  And I've never had a problem with accents.
• 5:00
  I've adapted, I think, quite well.
• 5:03
  But before anyone watches this, especially if you're stateside,
• 5:09
  I will say that it's kind of like subtitles with Bob Hoskins.
• 5:15
  Once you start reading the subtitles, you kind of forget you're reading them.
• 5:20
  So once you start just getting into the characters, his accent gets clearer and clearer.
• 5:26
  That makes any sense of what I'm saying? I understand it perfectly,
• 5:28
  but here's the issue. It's not even so much, I don't think, the accent.
• 5:31
  There is a lot of Cockney slang used.
• 5:34
  So if you're not up to speed with Cockney slang, which is basically arguably
• 5:38
  a different, you know, sort of, you know, it's made up sort of slang words for
• 5:42
  regular words in the English language.
• 5:45
  So there's a fair bit of Cockney slang going on here too.
• 5:48
  I, you know, I don't even, yeah, I mean, that could be a two,
• 5:51
  but I, Bob Hoskins in this character, he talks really fast, so all of his words blend.
• 5:59
  So that's where the problem, but you eventually, you kind of.
• 6:03
  Adjust. You kind of start adjusting. Yeah. And you start adapting to it.
• 6:08
  So the first 10, 15 minutes, it's like, I can't, I have to turn this off.
• 6:11
  What's he fucking saying?
• 6:13
  What's he saying? Fucking leave it out, you slag. Yeah.
• 6:18
  And I was like he didn't sound anything like this when he was talking to Roger
• 6:21
  Rabbit or when he was Super Mario yeah but.
• 6:26
  Trust me go with it everyone else is fine but for some reason yeah his sticks out but uh,
• 6:33
  I'm glad they didn't dub it it's not fair to the actor apparently they were
• 6:38
  going to dub it with a Midlands accent which I suppose is a bit softer but it
• 6:41
  wouldn't make any sense in terms of it's set in the East End docklands so you know Yeah, but again,
• 6:48
  if it's going to a different market outside the UK, maybe that wouldn't matter.
• 6:52
  They would get away with it, yeah. Yeah, but out of respect to the actor, all good.
• 6:57
  And this is directed by a man called John McKenzie. I just looked him up.
• 7:01
  He's done a couple of stuff I really enjoyed, including a Pierce Bronson action
• 7:04
  film called Fourth Protocol, which is kind of a fun movie.
• 7:07
  He did in the late eighties. We'll certainly get to our boy Pierce.
• 7:10
  And then he did a movie you guys know as Blue Heat. I know it as the last of
• 7:15
  the finest, which I really enjoyed.
• 7:18
  Last of the finest started a really cool ensemble of character actors,
• 7:21
  Jeff Fahey, Joe Pettiniano, I know, but it had the great Bill Paxton and Brian Dennehy.
• 7:29
  Yeah. I remember Blue Heat. Yeah. So. There was no one here.
• 7:33
  Yeah. Yeah. So, you know, check those, those are, you know, quite,
• 7:36
  quite solid little films there.
• 7:38
  And he's kind of done his own thing. He's always been working,
• 7:41
  but never found the success as he did with this Long Good Friday.
• 7:46
  It's pretty well. I think he's done a bit of TV as well.
• 7:48
  Yeah. But like I said, he's, you know, like a lot of directors in the eighties,
• 7:52
  we talked about all that with peter hyams and john biden they
• 7:55
  all still all still direct but pretty much in
• 7:58
  tv now but you know good on him this this this
• 8:01
  one here was actually originally made for
• 8:04
  tv then i believe it was the bbc got cold
• 8:07
  feet i think it was made for the bbc they got cold they
• 8:10
  were going to edit it um heavily anyway you know because of the violence the
• 8:14
  scenes of violence but i think they got cold feet luke great or was it michael
• 8:18
  greatest son i don't know but anyway they because of the The troubles were raging
• 8:22
  at the time because they saw it as glorifying the IRA, which is bollocks, it's not.
• 8:28
  But so then it was Ringo Starrs, the Beatle, Ringo Starrs handmade films that
• 8:34
  come in and they took it on and it got then a cinema release. I didn't know that.
• 8:41
  It's, you know, it's like I said before we started this gritty crime drama.
• 8:47
  Gritty doesn't necessarily mean violent. It's the, it's the mood and the setting
• 8:51
  and the atmosphere of the film that makes it gritty yeah, there's violence in it, but again,
• 8:56
  it's one of those it's, it's images that you can see being played out in modern,
• 9:02
  in the, in the real world.
• 9:04
  So that's what gives that gritty rawness doesn't necessarily,
• 9:07
  you're going to see a head man and man's head exploding because this movie is
• 9:12
  more for the grittiness,
• 9:14
  more of the way swearing and the characters and the unlikeability of all these
• 9:19
  characters and you know, it's rather than the violence.
• 9:23
  The violence is quite tame in this.
• 9:26
  I would say as well that, although when the violence does happen,
• 9:29
  it does pack quite a punch, but I would say as well that a big part of the grittiness of this film.
• 9:36
  Be it's obviously heavily inspired by real life east
• 9:39
  end gang gangsters from the 60s and stuff likes of
• 9:43
  the cray twins mad frankie fraser people like that in fact the the cray twins
• 9:47
  they're sort of basically crime a business was known as the firm here they're
• 9:53
  called what is it they're called the oh flip it's something that's some very
• 9:58
  like the firm it's that's not the business but it's it's,
• 10:02
  But the company or something like that,
• 10:05
  but it's obviously a take on their, you know, their, the firm.
• 10:09
  Yeah, I mean, like, everything comes from something when it comes to the gritty crime drama.
• 10:13
  We talked about that with the French Connection based on the real life of Popeye
• 10:17
  Doyle, the Warriors based on real-life gangs in New York during the 70s.
• 10:23
  That's kind of where the gritty crime drama really is.
• 10:26
  Okay, so we'll jump into this here. We've got Harold, Victoria,
• 10:30
  Colin, Phil, Bill, Jeff Razors Harris, Carol, and he's credited as the first
• 10:36
  Irishman who's played by a very young Pierce Brosnan.
• 10:40
  Yes. Bob Hoskins, a very young Helen Mirren, Paul Freeman, Belloc, Alan Ford.
• 10:47
  It's so funny. You see Alan Ford. Now, anyone stateside you or anyone outside
• 10:53
  the UK, you would know Alan Ford if you saw his face.
• 10:56
  Over here in the UK, he's kind of a household name. name it's funny
• 10:59
  because he has to go a one-off line here and he's in the
• 11:01
  background in some of the scenes but if you know alan
• 11:04
  ford over here he is like anytime you see
• 11:07
  his face you think head monster guy yeah it's
• 11:11
  he's the go-to east end cockney gangster for the last 20 or 30 years you know
• 11:16
  probably longer but yeah he's also in american war wolf in london yeah that
• 11:20
  very small role yeah yeah he's in that and then you had i don't from i started
• 11:25
  lock talk and two smoking Guy Ritchie uses him a lot.
• 11:29
  Yeah, he's in Snatch. Yeah. Yeah, so.
• 11:32
  Bricktop. So you have a lot of young cast in here.
• 11:35
  Of all up-and-comers, including Dexter Fletcher, which is a funny as hell cameo.
• 11:40
  I know. We'll get into that one.
• 11:44
  So we opened up, we had this music, and I think it's hilarious, the music.
• 11:48
  So it's like a, it's almost like the band Goblin.
• 11:53
  Yeah. Dio Gentil's Goblin. But
• 11:56
  for gangster films? It is. It sounds like Goblin mixed with disco music.
• 12:00
  Yeah. Yeah, very late 70s, early 80s. Yeah, that transition where they didn't
• 12:06
  know where music was going.
• 12:09
  It was so bad. It was catchy. I was into it.
• 12:14
  There was some editing issues in the beginning here. I don't know.
• 12:17
  I'm sure you might have caught this.
• 12:19
  You have this whole opening sequence, about nine minutes long, and you have a house.
• 12:25
  Yes. And then you have people in the house, and they're talking, shooting shit.
• 12:29
  Shit and then you have we see belloc
• 12:33
  um calling his
• 12:36
  name's calling but i'm gonna call him belloc you know what's just gonna happen
• 12:40
  and he's got a briefcase the briefcase gets delivered back to the house that
• 12:45
  we quickly get to then belloc goes to a gay bar to hit on men and then those men get
• 12:55
  killed and the bodies are dumped in front
• 12:57
  of the house which is where the money was dropped off
• 13:00
  because they're going to take that money from them
• 13:03
  it's quite a confusing opening yeah i was fucking
• 13:06
  lost when you watch it yeah it does sort of make sense later on whenever it's
• 13:11
  all explained what colin was up to along with spoiler jeff and councillor harris
• 13:17
  but it for when you're just like sort of watching this for the first time you're
• 13:21
  going what the hell's going on here okay well Well, let's dive into it.
• 13:24
  I mean, people who's been listening have seen it, so. Yeah. Yeah.
• 13:28
  This is the story here. So Jeff, no, Harris. Yes. The lawyer.
• 13:35
  No, it's a counselor. The counselor.
• 13:38
  Lawyer. Yes. No, no. Counselor means he's a politician, basically. Oh, okay.
• 13:44
  Okay, the politician hires Jeff to take the money to the IRA and then take it back?
• 13:53
  No, no, what it is. I'm confused. used councillor harris
• 13:57
  controls a lot of you know basically stuff around
• 14:00
  east end of london and stuff along with harold you
• 14:03
  know bob hoskins character but on the building along
• 14:06
  with building sites and companies and stuff but the irish
• 14:09
  builders which there's a big irish community you know
• 14:11
  over in london and there was at the time the irish builders are talking
• 14:14
  about going on strike so councillor harris i
• 14:17
  think this is right wants to get the
• 14:20
  ira to basically come over and put
• 14:23
  the shits up the irish builders so that they don't strike
• 14:26
  there's money involved and colin skims
• 14:30
  the money so he does and it pisses the ira off so the ira but the ira also gf
• 14:40
  is involved gf went to work with colin and the ira are of the opinion that basically
• 14:45
  this isn't just gf and colin which which it was,
• 14:48
  this is also Bob Hoskins and his firm, you know, his company,
• 14:51
  for want of a better term, his criminal company.
• 14:54
  So they're basically out for revenge. All right, so let me get this straight.
• 14:59
  So Harris tells them, give them the money so we can get them to come over here
• 15:04
  and work, you know, the Irish workers, whatever, right? Yes,
• 15:07
  stop them from going on strike.
• 15:09
  Colin and Jeff drop off the money, and this is the opening scene here.
• 15:13
  So Colin and Jeff drop off the money IRA. ira colin
• 15:17
  goes deliberately to try to pick up two gay men
• 15:20
  get them out of the bar has them kidnapped and then
• 15:23
  killed and dropped them from the farmhouse why
• 15:27
  as far as i'm aware the the gay
• 15:30
  man the young gay man and you know the other ones in the bar
• 15:33
  the ira mistook them for basically
• 15:36
  cronies of bob hoskins and colin and stuff as far
• 15:40
  as i know they were they're basically killed in the crossfire they they
• 15:43
  were basically falsely falsely believed to
• 15:46
  be part of bob hoskins sort
• 15:49
  of criminal empire but why kill them at the warp i
• 15:52
  don't understand this because they're brutal because they're fucking no i don't
• 15:55
  know no no who okay so jeff and colin had those men killed no the ira killed
• 16:03
  them believing that they were
• 16:05
  associates criminal associates of jeff and Colin and Bob Hoskins Harold.
• 16:13
  Okay, so this, okay, so. Do you know what I mean? But you understand what I'm
• 16:17
  saying. This whole editing is very choppy. Oh, no, no, and it's confusion.
• 16:19
  So when they, the money gets dropped off at the IRA's house,
• 16:23
  and then we see the guns pop up through the windows.
• 16:26
  Yes. So that, is that Jeff and Colin robbing the money back?
• 16:34
  And then. They're stealing the money, yeah. Yeah, then, okay,
• 16:37
  they give the money, then they take it back. It's kind of really confusing here.
• 16:40
  Yes. And then they go to the gay bar to set up two men because when they walk
• 16:45
  out in front of – They're not setting them up.
• 16:49
  They're not setting them up. Colin's just looking basically a fun time.
• 16:52
  Oh, so he is looking to hook up. He's not trying to set these men up.
• 16:55
  Yes, yes. No, no. Colin was just looking to rip the IRA off.
• 16:58
  Whenever he's in the bar and he's looking to pick up that guy and he does pick
• 17:02
  him up, he's just basically looking to shag.
• 17:05
  So the two gay guys are from the fire.
• 17:09
  Yes, exactly. Exactly. Because they were associated with Colin that night.
• 17:13
  Yes. And the IRA ones thought that they were part of the criminal underworld
• 17:18
  of the East End, controlled by Harold. Okay.
• 17:21
  All right. Well, guys, just go ahead and watch it. Trust me,
• 17:25
  the questions I'm asking do make sense.
• 17:27
  As far as my understanding, that is correct.
• 17:30
  Okay. All right. It does have.
• 17:33
  That kind of feel where, what the fuck? Like when we see Carol at the funeral,
• 17:39
  she's driving a funeral possession, she gets out and spits on Jeff.
• 17:42
  You have no idea what the fuck that means until near the end.
• 17:46
  Because her husband was killed by the IRA in retaliation for them ripping off
• 17:53
  the money. Yes, and he was just a poor, innocent driver.
• 17:55
  He did nothing wrong. Yes, exactly. He was the getaway driver.
• 17:59
  Okay. We'll kind of finalize that all
• 18:02
  we just talked about guys in the last minute of the podcast fucking
• 18:06
  hell all right so harold is harold so
• 18:09
  i take it harold's a guy trying to become clean
• 18:12
  he's trying to go straight no no harold's story is basically he's a bad bastard
• 18:18
  but for the last 10 years through ruthless means he has also he has brought
• 18:25
  peace throughout london and the underworld you know but but i But he rules with an iron fist,
• 18:31
  you know, but he runs a show, basically.
• 18:34
  But he has also meant that there's no shit.
• 18:37
  Nobody gives him shit. But also, that's why the cops are also more than happy
• 18:41
  to go along with him, because he is basically making their lives a lot easier.
• 18:45
  You know, he runs London, basically. Yeah, there's a lot of inconsistency with Harold.
• 18:53
  Oh, as a character? Yes. What I mean is, he seems very professional, blah, blah, blah.
• 18:59
  And then he'll turn on a dime, but he won't turn on.
• 19:03
  He seems to kind of like a pussy when it comes to people outside of his circle,
• 19:09
  but he'll, he'll slap Jeff around. He slaps the cop around.
• 19:13
  He'll, he'll easily pick on them. But when it comes to any type,
• 19:17
  anybody, he doesn't really know. He kind of cowards down a bit.
• 19:21
  So I didn't understand if he's really a bad guy or I'm confused here.
• 19:26
  I think he, well, he's an old school East End gangster. Because,
• 19:30
  I mean, there's certain, it's a bit on the nose, actually.
• 19:32
  You know, whenever he sees the kids and all in the street and,
• 19:35
  you know, this is like a who's, by the way, this is like a who's who of British
• 19:39
  character actors in the 70s and 80s. Yeah, yeah, yeah.
• 19:41
  Yeah, there's so many of them. But anyway, but there's a lot of things where
• 19:45
  he says, you know, this used to be a nice neighborhood and stuff.
• 19:48
  So he's old school like the craze apparently you know
• 19:51
  where it's the you know it's old school you know like you know look after
• 19:54
  your own and respect your neighborhood and respect
• 19:57
  your elders and stuff it's all this here and you know it's basically nostalgia
• 20:02
  for a time that didn't exist you know people people looked after each other
• 20:05
  it's a working class thing yeah so it is okay you know so colin gets colin once
• 20:11
  pierce bronson shows up and his little technical speedos and then we have Fat Burt Reynolds.
• 20:17
  This guy looks just like a Fat Burt Reynolds. I call him Chubby Burt Reynolds.
• 20:20
  He is, Pierce Bronson and Chubby Burt Reynolds are the two Irish hitmen.
• 20:26
  That's it, IRA, man. Yes. Yeah. And then you got Pierce, he's like,
• 20:30
  they're at the pool. He's like, hmm, yeah, huh?
• 20:33
  Yeah, I don't know who Pierce is yet. And I was like, I'm not watching James Bond and Belloc.
• 20:37
  I can't. No disrespect to whatever lifestyle you want to live.
• 20:41
  I'm not watching Belloc and James Bond hit it in the shower.
• 20:46
  Luckily, it's a setup. They kill Belloc.
• 20:50
  Yeah. Well, he gets cut. So, yeah. And the swimming pool showers. Pretty quick.
• 20:57
  Pretty much a cameo. He probably had to leave because he was doing Raiders.
• 21:02
  That's it. He was too busy. Yeah. He was too busy being a Frenchman who was
• 21:06
  trying to double-cross Indiana Jones instead of the IRA. Yeah.
• 21:11
  He fucked over the IRA and he fucked over Indiana Jones.
• 21:16
  Well, he tried to fuck over James Bond, but James Bond was He's so young.
• 21:22
  All right, Dom. Pierce Branson. Yeah. Yeah. But guys, watch it when Pierce is
• 21:27
  kind of trying to put on the moves to Belloc, he's Belloc swimming.
• 21:32
  And I say, his name's Colin, not to confuse people, but who gives a fuck.
• 21:38
  But you'll see Chubby Burt Reynolds just leaning down, watching all this go
• 21:44
  down. And I started laughing.
• 21:45
  It's so funny. You got to check it out. Chubby Burt Reynolds.
• 21:51
  Yes. But these two guys. The bomb goes off as well.
• 21:54
  What was that? The bomb goes off as well on a separate incident.
• 21:58
  Yes. Well, we're not there yet, but since you brought it up.
• 22:02
  Wow, Trevor. I'm just keeping you right. 8 o'clock in the morning.
• 22:06
  So, fuck off. I retract the retraction.
• 22:13
  So, yeah. Yeah, some innocent bastard, Eric, gets blown up during Good Friday
• 22:20
  Mass, hence the title, because this is when these assassinations start happening on Good Friday.
• 22:25
  And it was meant for Harold's mom.
• 22:29
  Yes. No, I think it was meant for Harold.
• 22:32
  No, it was meant for Harold's mom. I think it was meant for Harold himself. Was it?
• 22:35
  Again, it's not fully explained, but I was of the belief that it was for Harold
• 22:40
  himself. but he just like he arranges for the driver to take us as our mom back
• 22:45
  to the church you know for mass.
• 22:48
  I think there's the dialogue by Bob Hoskins I think it was meant for Bob Hoskins
• 22:53
  as was the later bomb in the bar in the bar yeah okay okay,
• 23:00
  I like Parkey he's a
• 23:03
  pretty good character he's the cop he kind of gives them little
• 23:06
  tidbits yeah yes but it's very
• 23:10
  much by the way Bob Hoskins is fantastic in this he's really
• 23:13
  believable as that type of sort of you know
• 23:16
  basically thug yeah but with
• 23:19
  delusions of being a business man you know
• 23:22
  i think the problem i have with the character is what
• 23:24
  i said it's too inconsistent sloppy with it
• 23:28
  seems like a pretty good guy and then he's sloppy
• 23:31
  and then he's got emotions all over the place and
• 23:35
  so i didn't know where to go with him i
• 23:38
  didn't know if i wanted to like him or not i think no well
• 23:40
  that's that's the genius of it because he he's
• 23:44
  like a fully rounded sort of human character where you
• 23:47
  are conflicted because at one at one point he
• 23:50
  is sort of like good to his friends and all you know all this
• 23:52
  here and he is charismatic like so many of these big gangsters are and uh but
• 23:57
  then other times he's like he you see his his human frailties you know it's
• 24:03
  it's very it's very well written and performed by huskins you know he feels
• 24:07
  like a real fucking proper east end gangster okay but But also a human character.
• 24:12
  It plays a lot like Scorsese's early work, like Mean Streets.
• 24:18
  Yeah. It does have a, you're right, more of a British version of Goodfellas.
• 24:24
  Yeah. Where you have these, you get to know this small little cluster of gangsters
• 24:29
  and you kind of, you kind of like them.
• 24:32
  I liked his men, him, I'm still, you know, I mean, during this whole chaos,
• 24:38
  he's trying to merge with these two businessmen from the States. Hero mafia.
• 24:43
  Who are a lot wiser than he thinks, because it does show up. And.
• 24:49
  You had Victoria, who's pretty much probably smarter, honestly, than Harold is.
• 24:55
  I was just about to say that. She's probably the smartest character out of them
• 24:59
  all, out of his whole sort of criminal underworld gang, because she's the one
• 25:04
  that susses out Jeff as well.
• 25:06
  Yeah, yeah. That Jeff character was weird, but he was good in it. Oh, yeah, yeah.
• 25:12
  There's a scene where I was confused because I thought there was an affair going
• 25:18
  on between Victoria and Jeff.
• 25:19
  Because as you know, when Jeff walks into the penthouse, he makes the comment,
• 25:24
  I want to lick your body all over.
• 25:26
  I want to lick your other... Well, yeah, that's foreshadowing that Jeff's loyalty or lack of to Harold.
• 25:32
  I would say as well, Derek Thompson, who plays Jeff, that was his first film
• 25:36
  role, he went to primary school with my own mother.
• 25:40
  He's now obviously very well known for the British soap set on a hospital casualty.
• 25:46
  But yeah he's from just down the road from me originally so
• 25:50
  there you go a bit of a bit of useless information for you
• 25:53
  there you go if anyone gets anything from this uh-huh that's
• 25:57
  what you take so good actor he's got in this first first role now when he tells
• 26:05
  parky i need to know what's going on here i got confused here parky gives him
• 26:11
  a name which is his informant and the informant knows everything.
• 26:17
  But he wants, Parkey wants, he goes, I trust my guy, I'll ask him.
• 26:21
  He goes, no, you'll tell me who's your informant and I'll give you a percentage of the sale, whatever.
• 26:26
  Yeah. And we find out that's Errol and who's horse from Fomanti.
• 26:33
  I'd also, he played Denzel for many years in the classic British sitcom, Only Fools and Horses.
• 26:39
  Okay, yeah, I just reckon, I know that voice and then you see him in Fomanti,
• 26:43
  he's the old dude older guy the scouser voice yeah he's obviously much younger than us but you know.
• 26:49
  So he cuts him quite a, so let me ask you this. Yes. You've got Razor who's
• 26:55
  got a cut down his face, right?
• 26:57
  Wait, Razor's? Razor's got. He has to replace him? Well, let me finish.
• 27:00
  So you got Razor's who's cut, who he shows, he shows in all of his cuts and
• 27:06
  he's got a razor face, you know, he's got that blade in his face.
• 27:09
  You know, he's got, he's got the scar. Yes. I can't say the fucking word scar.
• 27:13
  He's basically a Bond villain. Yeah. He's good. I actually like Razor's.
• 27:16
  Well the actor who plays him is harry the hatchet and luck's talking to smoking
• 27:20
  barrels yeah these guys all seem to work together don't they yes yes very small pool of actors.
• 27:27
  My point is when he shows him all the wounds and then on his face well you can't
• 27:32
  miss the one on his face right there before he cuts enro errol yes is did bob
• 27:38
  hoskins do that to razors.
• 27:40
  No no that's just it's not explained but it's just more i think that's from a previous
• 27:45
  on scene sort of skirmish perhaps
• 27:49
  10 years before whenever they were before they had peace in
• 27:52
  the east end gangland you know okay okay so
• 27:55
  that's just a previous scar because he's a bad bastard all right so he's
• 27:58
  been razored before he's been that's why it's called razors yeah
• 28:02
  he's got he's been cut up so he does that to
• 28:04
  other people now yes well it's i think he would do it anyway because he's like
• 28:09
  bad bastard henchman he's an evil bastard but you know you wouldn't fuck with
• 28:13
  them but basically no i think they were from previous skirmishes you know i
• 28:18
  think he's very loyal and it's proved in this that he's very loyal to harold
• 28:21
  when he talked about after they
• 28:24
  try to get information from errol who doesn't know anything yes
• 28:28
  he's so young dexter flexer like he's one
• 28:30
  of the kids and he gives him some money for watching the car and he
• 28:34
  ended up directing you know rocket man and directing ghost directed
• 28:37
  bohemian rhapsody and he's also an actor obviously so
• 28:41
  he's so young but he still looks the same i know
• 28:44
  he's still he was he was quite a well sort of well-known child actor i mean
• 28:48
  not just for this but for other things but then he was in it he was in it like
• 28:52
  a kid's show a british kid's show called press gang and stuff and then he sort
• 28:56
  of made the transformation to being an adult actor where you know he starred
• 29:01
  in lock stock and two smoking barrels and the like.
• 29:04
  Yeah, I mean, I recognize him as an actor for a drag. You know,
• 29:07
  he didn't do directing until later in his life, obviously.
• 29:10
  I didn't know he was a director until I was looking into this. Oh yeah, I know.
• 29:14
  He was nominated for Rocketman and he pretty much did all, once Brian Singer
• 29:18
  stepped away from the industry because of his troubles, his naughty time,
• 29:21
  he took over and directed Bohemian Rhapsody.
• 29:25
  I didn't know that. Yeah. So, yeah, so I do think it's, I don't know if it's
• 29:30
  meant to be funny, but with all this chaos going on, Victoria is trying to keep
• 29:36
  the peace so these two Americans don't see what's going on.
• 29:39
  And they go, oh man, we're going to bring you to this great fucking blah, blah, blah.
• 29:43
  You're going to love the food. And then it blows up as they get there.
• 29:47
  I will have to admit, really bad timing for the IRA here. They keep missing.
• 29:51
  Yeah. They really miss it. I know. They're boating these kills here.
• 29:55
  Yeah. So when it blows up, they, oh, sorry, mate. It was a fucking, it was a gas leak.
• 30:03
  And the two Americans are like, oh, okay. Well, I knew.
• 30:07
  And so when Victoria takes him aside, he goes, listen, I'll bring you to another restaurant.
• 30:12
  And the minute they get her alone, the two Americans going, we're not fucking
• 30:16
  stupid. What the fuck's going on here? Yeah, exactly.
• 30:19
  Exactly. And Councillor Harris is there. He's on the drink and he's behaving.
• 30:23
  But then you sort of start to find clues that there's something going on between
• 30:28
  him and Jeff, which obviously there is. But let me ask you this then.
• 30:33
  The whole time you think Harris is the douche, but he's not because he was there
• 30:39
  to help do what he was supposed to do.
• 30:42
  It was Jeff and Colin that did the stealing, not Harris.
• 30:47
  Yes. Yes. Harris was a bit of a douche because he sort of did it,
• 30:50
  arranged it all behind Harold's back.
• 30:53
  But the real douches the real bastards as councillor
• 30:56
  harris says himself were jeff and colin yes
• 31:00
  okay yeah yes yeah okay yeah but the only
• 31:03
  bad thing is harris went behind but harris meant well yes yes he wasn't like
• 31:08
  uh the reason for all of this happening is because of jeff and colin and their
• 31:14
  greed and their sort of the betrayal of harold okay and then parky is the one who,
• 31:21
  then after all the stuff goes down,
• 31:25
  they, the Americans have made this, this ends in 24 hours or we leave. Yes.
• 31:31
  Yes. Parkey finally comes to Harold and tells him, these aren't the guy,
• 31:35
  he was going to torture some guys and they said, nah, this isn't them.
• 31:40
  There's, there's a couple of special guys, special brands for the IRA that did
• 31:44
  this. Yes. That's, that's the guy he said to get in the abattoir.
• 31:48
  And hang upside down? Yeah, but those guys weren't the ones who did it.
• 31:51
  No, they weren't. No, no. No, they were going to try to get something out of
• 31:54
  them, but Parkey shows up and says, no, we found a bomb that didn't go off,
• 31:58
  and this bomb was made by a special branch of the IRA.
• 32:02
  And that's how they kind of know it was these guys. And also with Jeff here
• 32:06
  as well, with the abattoir scene,
• 32:08
  Jeff, and he's obviously acting, he pretends to go psycho to get information
• 32:13
  out of the guys hanging upside down, and they're trying to come.
• 32:17
  He goes, what's the matter with you, Jeff? Jeff, calm it down.
• 32:18
  I don't fucking leave it out. Leave it out, you fucking slag.
• 32:22
  But that's when Jeff's only trying to cover for himself. So he has for something,
• 32:28
  which we don't quite find out until later on.
• 32:30
  There's a nice scene with Helen Mirra and Victoria there, because she's cool
• 32:35
  cat through this whole fucking thing.
• 32:37
  Oh, yeah. And then she finally breaks down.
• 32:43
  Yes. It's actually a really good scene for her character, her because she's
• 32:46
  been so calm and chilled and when they're up
• 32:49
  on the in their pet house she finally says this is
• 32:52
  you know she's scared yes you know we'll see
• 32:55
  that scared her reaction at the
• 32:58
  very very end it's kind of creepy actually if you pause it but she's
• 33:02
  quite posh compared to the rest of them she would be upper middle
• 33:05
  class type yeah i would even say that she's friends with princess
• 33:08
  anne and stuff you know when she played hockey well or the
• 33:11
  cross weather or something like that at the beginning who was
• 33:14
  the guy that was crucified the guy
• 33:17
  that he was some irish informant guy i think and i
• 33:20
  believe that was gf and stuff did
• 33:23
  that to him to shut him up before he spilled the
• 33:26
  beans on them but it is it's not properly it's not
• 33:28
  fully explained they see you had me see there's
• 33:31
  some sloppy here the beginning bad some
• 33:35
  rough editing but you kind of get it once you get the pieces
• 33:37
  together but with this scene
• 33:41
  when the guy's nailed to the to the floor still alive
• 33:44
  yeah but we should have
• 33:47
  been introduced to this guy the thing i think the thing is all of it this is
• 33:52
  pretty tight the script but you have to pay super duper attention to every single
• 33:57
  piece of dialogue and if you're not from the east end of london you have to
• 34:02
  really listen carefully you know because
• 34:05
  those accents and all of the Cockney slang and stuff.
• 34:08
  So yeah, but as far as I can gather, again, this sort of confused me as well,
• 34:12
  but as far as I can gather, he was basically, he was an Irish guy that the reference earlier,
• 34:19
  and they basically, I believe it was Jeff that got that done to him to basically
• 34:26
  shut him up so that he didn't spill the beans to, about Jeff to Harold.
• 34:31
  Okay. I never saw that. I was confused as hell on that whole thing.
• 34:35
  But let me see, this is where things come full circle.
• 34:40
  We finally meet the woman who spat on Jeff. We kind of didn't know what was going on there.
• 34:45
  Yes. While she's at the gravestone of her husband who was killed,
• 34:48
  who was just the innocent driver who Jeff hired to bring Colin to the money
• 34:54
  drop or whatever it was in Belfast.
• 34:56
  Yes. And again, inconsistency, but you might be right.
• 35:01
  It might be one of this old boys take care of their own because he says, I'll take care of you.
• 35:06
  I'll give you the money. Oh, no, that's 100%. I'll give you a hundred pound
• 35:09
  a week. What else do you need?
• 35:11
  Let's get you a better headstone. He actually feels sorry. He does feel sorry for this person.
• 35:17
  It's that old school gangster. That's why I'm still, I don't know, what?
• 35:23
  Yeah, no, no, it's that old school. school because apparently the
• 35:26
  craze when they were alive the cray twins were quite popular
• 35:29
  in their own community because they looked after their own community and stuff
• 35:32
  so this is a play on that where he's yeah you look after your own
• 35:35
  the work class people of the east end and sort of you
• 35:37
  keep your own sort of people right and stuff and you know
• 35:40
  there's constant references to this throughout the film but this is one of them where
• 35:43
  he says i'll keep you right i love so there's that it's this whole
• 35:46
  sort of loyalty amongst thieves you know type thing
• 35:49
  there's a certain loyalty amongst the underworld I mean they're bad bastards
• 35:53
  at the same time but there's that certain sort of unwritten rules where you
• 35:57
  know you look after your dear old mom and you know stuff like that so yes that
• 36:02
  ties in with that where he's speaking to her and saying I'll keep you right
• 36:05
  you know I'll pay you a hundred pound a week or whatever.
• 36:07
  Yeah, yeah. I don't know. He's trying to almost play the Pauly character.
• 36:13
  Paul Savino played in Goodfellas where he's kind of the head dude.
• 36:17
  Very likable. Yeah, he's professional, but don't fuck with him.
• 36:22
  Yes, exactly. 100%. So maybe that's what he was trying to do.
• 36:25
  I just, I don't. Yes, that's what it was. I just think Paul Savino would do it better.
• 36:30
  Yeah. Well, Paul Paulskins came first. I know.
• 36:33
  But okay, Paul Savino did it better. um you
• 36:37
  kind of i don't know i wasn't intimidated by
• 36:40
  this guy and you know the problem is and you should
• 36:43
  be you know the problem is bob hoskins height
• 36:46
  or lack of lack of it no because you
• 36:49
  can have that napoleon look at joe pesci you know
• 36:52
  why yes i know but i think you know who would be much more
• 36:55
  intimidating and and would terrify me more
• 36:58
  razors the henchman yeah razors yeah
• 37:02
  pretty good good he's the real bad bastard like yeah
• 37:05
  or an older version of alan ford who's in this yeah yeah
• 37:09
  well alan ford i can't take it well alan ford see alan ford
• 37:12
  has appeared and like knowing me knowing you it was an alan partridge sort
• 37:15
  of spoof chat show playing this like a comedy sketch where he's so he's sort
• 37:19
  of camped up almost the whole sort of cockney geezer you know because you know
• 37:24
  it's snatch he's brick top which is like a funny character so but yeah god damn
• 37:29
  it's not turkish I'll fucking sweeten up and snatch. So yeah.
• 37:35
  I do like when Harold finally loses it because he loves Jeff.
• 37:40
  Jeff's obviously, you could tell the whole film is his go-to,
• 37:42
  but he realizes Jeff's one who's fucked him.
• 37:45
  He calls this, not even Harris at this point, he, he, he obviously stabs him
• 37:50
  in the throat by, by accident.
• 37:52
  He's just. Well, he loses it. He just. Completely by accident. Yeah. Yeah.
• 37:58
  And actually he's the most gruesome death. It's brilliantly played by both actors,
• 38:03
  but especially Hoskins.
• 38:04
  Yeah, because he finally loses it and Victoria and Razors have got to take care of him to get him.
• 38:11
  Then the funky 80s, late 70s music when he's in the shower realizing what he's
• 38:15
  done and they're burning his clothes. The goblins are back.
• 38:19
  Yeah, goblins back with the gospel theme.
• 38:22
  Yeah. I love, I do, my favorite scene is coming up and it's the derby scene,
• 38:30
  when they're going to meet the IRA who they stole from.
• 38:36
  It was funny. There is a funny line where he goes, what the fuck is going on here?
• 38:40
  Yeah, how much was it? 5,000.
• 38:42
  This is all happening for 5,000 fucking pounds? Yeah, I know he said.
• 38:46
  But I think there was a bit more and there was a bit more betrayal going on there.
• 38:50
  Again, it's quite there's a lot going on in the script.
• 38:54
  You know but it was more
• 38:58
  about so it was more about controlling controlling the region
• 39:01
  they were basically looking to step in on harold's ground the ira once they
• 39:06
  were looking to control london not him you know take it from him well here's
• 39:10
  the problem i had i didn't really get that and the problem i had even though
• 39:15
  the derby scene is fucking brutal and awesome i do i do love it i I do love it because,
• 39:20
  hey, where's the IRA guy?
• 39:23
  He's like, he's in this car. He just got to the grunt winning a derby race.
• 39:28
  He's a stock car. We call it over stock car racing. We would call it here. Oh, okay.
• 39:33
  Yeah, so he's a stock car racer as well. It's just like, and then there's a
• 39:37
  random IRA sniper in the background watching him with a gun.
• 39:39
  This is where I'm confused here. So they're going to pay him 60 grand instead of the five grand.
• 39:46
  No, I know what was the setup. I saw the film.
• 39:50
  Yes, I know. Jesus, come on, man. So they're setting, no, they're setting the IRA up.
• 39:57
  Yes, yes. And the IRA are setting them up. Well, I don't think they're setting
• 40:00
  them up. I think the sniper's just there to protect his boss. Yes, yes, exactly.
• 40:05
  But then we see the doors kick open and they blow the shit out of the two IRA
• 40:08
  men. Like razors and stuff, yeah. Yeah, and they fall and get run over by cars. It's pretty awesome.
• 40:13
  But here's why. This was stupid. but this movie is kind of playing it smart pretty well, you know?
• 40:18
  It's a who's who. It's a murder mystery almost, you know? Yes, it is.
• 40:22
  It's got good fellas. It's got Scorsese qualities, Coppola qualities,
• 40:27
  little egg of the Christie thrown in there. It's working for me.
• 40:31
  But this is where it kind of loses its footing a bit.
• 40:34
  How the fuck was he going to get out of this? You just killed a main man of the IRA and his boy.
• 40:41
  How did he think they were not going to get killed? I think they were there
• 40:45
  to basically Put the fear up the air right to kill their main man Which they
• 40:48
  do by the way did you notice Councillor Harris also gets shot in the crossfire By razors and stuff,
• 40:54
  Oh, yeah, but that's nothing. It was a little too fast.
• 40:58
  Yeah, it does a lot. Well, the violence does happen here. It happens very quick.
• 41:01
  Yeah. It's extreme, but it happens very quickly. Yeah.
• 41:04
  But, yes, basically, they were going to war, but with the IRA,
• 41:09
  well, arguably, the IRA had went to war with them first, although you could
• 41:12
  say it was because of Colin.
• 41:14
  And what do you call it, on Jeff, you know, their lack of loyalty and basically... Greed.
• 41:20
  Greed. Agreed. Yeah. Yeah, but essentially this is Bob Hoskins as Harold's efforts
• 41:26
  of going in and putting the fear up the IRA by saying, do not fuck with me.
• 41:31
  Because he'd be, don't forget, he'd be doing this his whole life up to then
• 41:34
  with anyone, including those boys on the other side, the ones he hangs upside down in the abattoir.
• 41:38
  So this is how he deals with how
• 41:41
  he had up to this point, dealing with any rivals. I think it was stupid.
• 41:46
  I think if they played with the 60K, they would have got away with it.
• 41:50
  Well but then the ira would have controlled their patch
• 41:53
  in fact the entire patch yeah well
• 41:57
  they don't get away with it because guess i
• 42:00
  do like the little they get in the cab and there
• 42:03
  it is james bond and chubby burt reynolds they're back from this that's right
• 42:08
  off they've told themselves off there's there's a there's a nice shot which
• 42:12
  i brought up earlier with helen mirren when her car is passing his car and she's
• 42:18
  just got into a cab with the IRA in there. She didn't know who was the IRA.
• 42:22
  And you can see her screaming for help. And also apparently.
• 42:29
  You'd literally blink and you'll miss it. And I missed it, but I was just reading up on it.
• 42:33
  Apparently also in that shot, if you zoom in really closely,
• 42:36
  Wazers has been shot in the head dead as well.
• 42:39
  You know, whenever she's in the car screaming and going, help me! You know?
• 42:43
  Oh, okay. Okay. Yeah. Cause he's kind of a protector. So I, that makes sense.
• 42:48
  But yeah, then you see Bob Hoskins, and it's like a minute, two minutes long
• 42:52
  of him in the back seat just with Pierce Bronson. Goblin back.
• 42:55
  With Goblin back. Bob, Bob, Bob.
• 42:57
  And then Pierce Bronson just looking at him, smiling with the silencer.
• 43:03
  And you see Bob Hoskins like, fuck me.
• 43:07
  He knows he's screwed. And it's brilliantly played by him. Yeah, but he was screwed.
• 43:12
  Oh, yeah. Of course he was. His arrogance got the best of him.
• 43:17
  Yeah. You weren't going to fuck with these guys.
• 43:21
  It's an old story, rise and fall of a gangster, but, you know,
• 43:25
  it's at times confusionally written, but still brilliantly written, if you know.
• 43:31
  But I think, especially by Hoskins, brilliantly performed.
• 43:36
  All right. You know? Is this one of your favorites then?
• 43:41
  I don't know. I don't know if it would be one of my favorites,
• 43:43
  but out of the whole sort of subgenre of British gangster films,
• 43:46
  I would consider it as one of the best. Okay.
• 43:49
  You know, definitely. And it's awfully inspired. I like the guy,
• 43:52
  Richie, with Lockstock and, you know, Snatch and other ones like that.
• 43:55
  But it would certainly be one of the best, if not the best, British sort of
• 44:00
  crime gangster thriller.
• 44:03
  Yeah. What do you think as an American? I enjoyed it.
• 44:06
  I mean, I like all the little sub-genres blended in there.
• 44:12
  Gangster, mystery, and all that stuff. Yeah. Every actor in it is funny.
• 44:16
  Because you recognize them as they're so young and it's kind of fun,
• 44:19
  you know, seeing a young Helen Mirren and not, and seeing Bob Hoskins outside
• 44:24
  talking to a rabbit and, uh, but you know.
• 44:28
  Bellock, not, not harassing Indiana Jones. Bellock trying to, you know.
• 44:32
  Trying it on with James Bond. Yeah, trying to get it on with 007. Oh, double O.
• 44:39
  Um, but yeah, it was, I was entertained. I really, I did, I enjoyed it.
• 44:43
  I don't think it's, I like better crime dramas was
• 44:46
  gangster number one i think is better so i think it's ronnie mcdowell's
• 44:49
  in that one and i like all the
• 44:52
  guy richie stuff uh the gentleman is such a great guy richies are more stylized
• 44:59
  as opposed to well i don't think i don't think they're stylized when it comes
• 45:03
  to his older his new stuff i'd give you yes on that but i think snatch and lock
• 45:08
  stock and two smoking barrels are a pretty.
• 45:10
  Well they're sort of almost Tarantino sort of as well.
• 45:15
  Yeah yeah more of a reservoir dogs feel to them. Oh yeah.
• 45:21
  Yeah, no, it was good. I recommend it. I'd watch it again. Yeah.
• 45:25
  It's something I would revisit easily.
• 45:29
  So it was a fun watch. Everything, you know, everything works.
• 45:35
  But yeah, so there you go, guys. So there you go. What we got?
• 45:39
  We got The Long Good Friday, which was Gets a Pass, and we watched Ability.
• 45:45
  We got Dead Man's Shoes, which you recommended as well.
• 45:50
  Yep. Gets a pass, but there's no re-watchability, A, just because I don't know
• 45:55
  how people can sit back and watch that over and over again.
• 45:58
  I mean, that's just some sick shit.
• 46:01
  And then you've got the Wicker Man, which is utter shit.
• 46:06
  So you've got two passes. Three classics I picked.
• 46:12
  You've got two passes and one pile of shit in the corner.
• 46:16
  Three classics I picked of British cinema. Yeah. The Wicker Man,
• 46:21
  Dead Man's Shoes, and The Long Good Friday.
• 46:26
  We've decided we're going to go something more deeper and thought-provoking now.
• 46:31
  We're going to Art House, aren't we? We're going to go Art House.
• 46:33
  Yes, right. Citizen Frame's going to Art House Cinema as we talk the Roadhouse trilogy.
• 46:40
  We're going to be talking Roadhouse, and yes, there's a sequel called Roadhouse, The Last Call.
• 46:47
  There you go. And then the, the new Roadhouse, which is actually getting decent
• 46:55
  reviews, but it's either you like it or you fucking hate it.
• 47:00
  Apparently, I haven't seen it yet, but I do know that Conor McGregor's performance
• 47:05
  in it has been getting rave reviews for all the wrong reasons.
• 47:08
  Yeah. Yeah. I've seen it, but there'll be fun.
• 47:12
  So we're going to be doing the Roadhouse trilogy. Yeah. And then we'll throw
• 47:16
  another one in there. because these three are going to be very easy to do.
• 47:20
  Yeah. Yeah, cool. Yeah. No, thanks, Trevor, for picking some of those.
• 47:24
  It's nice being introduced to a new film, Long Good Friday. I'd known about
• 47:28
  it. I've seen it. Yeah. It just got released on 4K. It was a big release.
• 47:32
  So I might own it. I might put it in my collection. Okay.
• 47:35
  So it's definitely, Dead Man's Shoes is always, you know, solid little filmmaking.
• 47:41
  Oh, yeah. All right, guys. Guys, give a shout on CitizenFrame underscore podcast
• 47:47
  on Instagram and, of course, Facebook.
• 47:50
  The new issue of Phantasmagoria Hellraiser Edition is out now,
• 47:54
  available on Amazon worldwide, locally in Belfast here in Forbidden Planet,
• 48:00
  and a series of different stores in the United States.
• 48:07
  Yep. Our Hellraiser special.
• 48:11
  Yeppers. We got some cool things coming up when it comes to people involved
• 48:16
  with Hellraiser and stuff.
• 48:18
  Oh, yes. Guys, hold on. We got some treats. We got some treats.
• 48:22
  Watch this space. So we'll just give you some Sweet Feet Roadhouse.
• 48:27
  Just to whet your appetite. Just until we figure out what we're going to do next.
• 48:32
  Alright guys, take care of yourselves. Thanks for listening. Have a good one.
• 48:35
  Music.