Latest / The Art of Public Speaking / Foliage Various Poems - William Henry Davies
Transcript
- 0:01Speaker 1: Section one of Foliage by William Henry Davies. This is
- 0:06Speaker 1: a LibriVox recording. All LibriVox recordings are in the public domain.
- 0:12Speaker 1: For more information or to volunteer, please visit LibriVox dot org.
- 0:17Speaker 1: This has been read by Rosslyn Carlyle. Foliage by William
- 0:23Speaker 1: Henry Davies. Thunder Storms. My mind has thunder storms that
- 0:33Speaker 1: brood for heavy hours until they rain me words. My
- 0:39Speaker 1: thoughts are drooping flowers and sulking silent birds. Yet come
- 0:46Speaker 1: dark thunder storms, and brood your heavy hours, for when
- 0:52Speaker 1: you rein me. Words, my thoughts are dancing flowers and
- 0:57Speaker 1: joyful singing birds. End of poem. This recording is in
- 1:03Speaker 1: the public domain. Strong Moments written by William Henry Davies,
- 1:16Speaker 1: read for librovokx dot org by Roslyn Carlyle. Sometimes I
- 1:23Speaker 1: hear fine ladies sing. Sometimes I smoke and drink with men.
- 1:31Speaker 1: Sometimes I play at games of cards. Judge me to
- 1:36Speaker 1: be no strong man. Then the strongest moment of my
- 1:41Speaker 1: life is when I think about the poor. When, like
- 1:45Speaker 1: a spring that rain has fed, my pity rises more
- 1:49Speaker 1: and more. The flower that loves the warmth and light
- 1:54Speaker 1: has all its mornings bathed in dew. My heart has moments,
- 2:00Speaker 1: it's wet with tears. My weakness is they are so few.
- 2:07Speaker 1: End of poem. This recording is in the public domain.
- 2:17Speaker 1: A greeting written by William Henry Davies read for LibriVox
- 2:23Speaker 1: dot Org by Rosslyn Carlyle. Good Morning, life and all
- 2:31Speaker 1: things glad and beautiful. My pockets nothing hold but he
- 2:37Speaker 1: that owns the gold. The sun is my great friend.
- 2:42Speaker 1: His spending has no end. Hail to the morning sky,
- 2:47Speaker 1: which bright clouds measure high. Hail to you birds whose
- 2:52Speaker 1: throats would number leaves by notes. Hail to you shady bowers,
- 2:59Speaker 1: and you green fields of flowers. Hail to you women
- 3:04Speaker 1: fair that make a show so rare in cloth as
- 3:08Speaker 1: white as milk, beat calico or silk. Good morning, life,
- 3:14Speaker 1: and all things glad and beautiful. End of poem. This
- 3:20Speaker 1: recording is in the public domain.
- 3:28Speaker 2: Sweet Stay at Home by William Henry Davies read for
- 3:31Speaker 2: librebox dot Org by Ashley. Sweet Stay at Home, Sweet
- 3:37Speaker 2: well content, Thou knowest of no strange continent, Thou hast
- 3:41Speaker 2: not felt thy bosom. Keep a gentle motion with the
- 3:44Speaker 2: deep thaous not sailed in Indian seas where scent comes
- 3:48Speaker 2: forth in every breeze. Thao has not seen the rich
- 3:52Speaker 2: grape grow for miles as far as eyes can go.
- 3:56Speaker 2: Thou hast not seen a summer's night when maids could
- 3:58Speaker 2: sow by a worm's light, nor the North sea in
- 4:01Speaker 2: spring send out bright hues that, like birds flit about
- 4:04Speaker 2: in solid cages of white ice. Sweet stay at home,
- 4:09Speaker 2: Sweet love one place. Thou hast not seen black fingers
- 4:14Speaker 2: pick white cotton when the bloom is thick, nor heard
- 4:18Speaker 2: black throats in harmony. Nor hast thou sat on stones
- 4:21Speaker 2: that lie flat on the earth that once did rise
- 4:25Speaker 2: to hide proud kings from the common eyes. Thou hast
- 4:29Speaker 2: not seen plains full of bloom, where green things had
- 4:32Speaker 2: such little room. They please the eye like fear of flowers.
- 4:36Speaker 2: Sweet stay at home all these long hours, Sweet well content,
- 4:41Speaker 2: Sweet love one place, Sweet simple maid. Bless thy dear face,
- 4:46Speaker 2: For thou hast made more homely stuff, nurture thy gentle
- 4:49Speaker 2: self enough. I love thee for a heart that's kind,
- 4:53Speaker 2: not for the knowledge in thy mind. End of poem.
- 5:00Speaker 2: Recording is in the public domain.
- 5:08Speaker 1: The Starved by William Henry Davies read for Librovokes Dot
- 5:14Speaker 1: org by Rosslyn Carlyle. My little lamb, what is a mess?
- 5:20Speaker 1: If there was milk in mother's kiss, you would not
- 5:23Speaker 1: look as white as les the wolf of hunger. It
- 5:27Speaker 1: is he that takes away thy milk from me, and
- 5:30Speaker 1: I have much to do for thee. If thou couldst
- 5:34Speaker 1: live on love, I know no babe in all the
- 5:37Speaker 1: land could show more rosy cheeks and louder crow thy
- 5:43Speaker 1: father's dead. Alas for THEE, I cannot keep this wolf
- 5:48Speaker 1: from me that takes thy milk so bold and free.
- 5:53Speaker 1: If thy dear father lived, he'd drive away this beast
- 5:57Speaker 1: with whom I strive, And thou, my pretty lamb, woodst thrive. Ah,
- 6:04Speaker 1: My poor babe, My love's so great. I'd swallow common
- 6:08Speaker 1: rags for meat if they could make milk rich and sweet,
- 6:13Speaker 1: My little lamb, what is a mess? Come? I must
- 6:18Speaker 1: wake thee with a kiss, for death would own a
- 6:21Speaker 1: sleep like this. End of poem. This recording is in
- 6:26Speaker 1: the public domain. A May Morning written by William Henry
- 6:37Speaker 1: Davies read for LibriVox dot Org by Rosslyn Carlyle. The
- 6:44Speaker 1: sky is clear, the sun is bright. The cows are red,
- 6:51Speaker 1: the sheep are white. Trees in the meadows make happy shadows.
- 6:58Speaker 1: Birds in the hedge are perched and sing. Swallows and
- 7:03Speaker 1: larks are on the wing. Two merry cuckoos are making echoes.
- 7:12Speaker 1: Bird and the beast have the dew. Yet my road
- 7:16Speaker 1: shines dry. There's bright and wet. Death gives no warning
- 7:22Speaker 1: on this May morning. I see no Christ nailed on
- 7:28Speaker 1: a tree, dying for sin, no sin. I see no
- 7:34Speaker 1: thoughts for sadness, all thoughts for gladness. End of poem.
- 7:41Speaker 1: This recording is in the public domain.
- 7:49Speaker 3: And The Lonely Dreamer by William Henry Davis read four
- 7:55Speaker 3: LibriVox dot Org by A saff coss lives his lonely life,
- 8:01Speaker 3: and when he dies, a thousand hearts may be will
- 8:05Speaker 3: utter sighs because they liked his songs. And now their
- 8:10Speaker 3: bird slips with his head beneath his wing unheard. But
- 8:15Speaker 3: what kind hand will tant his grave and bring those
- 8:19Speaker 3: blossoms there of which he used to sing? Who will
- 8:24Speaker 3: kiss his mound and wish the time would come to
- 8:27Speaker 3: lie with him inside that silent tomb? And will forget
- 8:32Speaker 3: the dreamer's skill and shed a tear because a loving
- 8:36Speaker 3: heart is dead. I ho for gossip than and common size,
- 8:41Speaker 3: and let his death bring tears in no one's eyes.
- 8:46Speaker 3: And of poem. This recording is in the public domain.
- 8:57Speaker 1: Christmas by William Henry Davies gread for Librovoks dot Org
- 9:02Speaker 1: by Rosslyn Carlyle. Christmas has come. Let's eat and drink.
- 9:08Speaker 1: This is no time to sit and think, for well,
- 9:11Speaker 1: to study books and pen and Welcome to all kinds
- 9:15Speaker 1: of men. Let all men now get rid of care,
- 9:18Speaker 1: and what one has, let others share. Then tis the same,
- 9:22Speaker 1: no matter which of us is poor or which is rich.
- 9:25Speaker 1: Let each man have enough this day, since those that
- 9:29Speaker 1: can are glad to pay. There's nothing now to rich
- 9:32Speaker 1: or good for poor men, not the king's own food. Now,
- 9:36Speaker 1: like a singing bird, my feet touch earth, and I
- 9:39Speaker 1: must drink and eat. Welcome to all men. I'll not
- 9:43Speaker 1: care what any of my fellows wear. We'll not let
- 9:46Speaker 1: cloth divide our souls. They'll swim stark naked in the bowls. Welcome,
- 9:51Speaker 1: poor beggar. I'll not see that hand of yours dislodge
- 9:55Speaker 1: a flea while you sit at my side and beg
- 9:58Speaker 1: or right foot scratching your left leg. Fairwell, restraint. We
- 10:03Speaker 1: will not now measure the ale our brains allow, but
- 10:07Speaker 1: drink as much as we can hold. Will count no
- 10:09Speaker 1: change when we spend gold. This is no time to save,
- 10:13Speaker 1: but spend to give for nothing, not to lend. Let
- 10:16Speaker 1: foos make friends. Let them forget the mischief, making dead
- 10:20Speaker 1: that fret the living with complaint like this, he wronged
- 10:24Speaker 1: us once, hate him and his Christmas has come. Let
- 10:29Speaker 1: every man eat, drink, be merry all he can. Ail's
- 10:33Speaker 1: my best mark. But if fort wine or whiskey's yours,
- 10:36Speaker 1: let it be mine. No matter what lies in the balls,
- 10:41Speaker 1: We'll make it rich with our own souls. Fairwell to
- 10:44Speaker 1: study books and pain, and welcome to all kinds of men.
- 10:51Speaker 1: End of poem. This recording is in the public domain.
- 11:00Speaker 1: Laughing Rose written by William Henry Davies, read for LibriVox
- 11:07Speaker 1: dot Org by Rosslyn Carlyle. If I were gusty April, now,
- 11:16Speaker 1: how I would blow at Laughing Rose. I'd make her
- 11:20Speaker 1: ribbons slip their knots, and all her hair come loose.
- 11:26Speaker 1: If I were merry April, now, how I would pelt
- 11:30Speaker 1: her cheeks with showers. I'd make carnations rich and warm
- 11:35Speaker 1: of her vermelion flowers. Since she will laugh in April's face,
- 11:42Speaker 1: no matter how he rains or blows. Then, oh that
- 11:45Speaker 1: I wild April were to play with laughing Rose. End
- 11:52Speaker 1: of poem. This recording is in the public domain.
- 12:00Speaker 4: Seeking Joy by William Henry Davies red for Librevox dot
- 12:08Speaker 4: org by Shakira s Earl.
- 12:13Speaker 5: Joy.
- 12:13Speaker 4: How I sought thee silver I spent and gold on
- 12:19Speaker 4: the pleasures of this world, in splendid garments clad. The
- 12:25Speaker 4: wine I drank was sweet, rich morsels I did eat, Oh,
- 12:32Speaker 4: but my life was sad. Joy, How I sought thee joy.
- 12:40Speaker 4: I have found thee far from the halls of mirth,
- 12:45Speaker 4: back to the soft green earth, where people are not many.
- 12:52Speaker 4: I find thee joy in ours, with clouds and birds
- 12:57Speaker 4: and flowers. Thou dost not charge one penny? Joy, I
- 13:04Speaker 4: have found thee end of poem. This recording is in
- 13:11Speaker 4: the public domain.
- 13:18Speaker 3: The Old Oak Tree by William Henry Davis, read for
- 13:23Speaker 3: LibriVox dot org by a sough course. I sit beneath
- 13:28Speaker 3: your leaves, old Oak, you mighty one of all the
- 13:31Speaker 3: trees within whose hollow trun command could stable his big
- 13:36Speaker 3: horse with ease. I see your knuckles are and strong,
- 13:41Speaker 3: but I have no fear they'll come to blows. Your
- 13:44Speaker 3: life is long, and miney is short. But which has
- 13:47Speaker 3: known the greater woes? Thou hast not seen starved women here,
- 13:52Speaker 3: or man gone mad because ill fed, who stares at
- 13:56Speaker 3: stones in city streets, mistaking them for hunks of bread.
- 14:01Speaker 3: Thou hast not felt the shivering backs of homeless children
- 14:05Speaker 3: lying down and sleeping in the cold night air like
- 14:09Speaker 3: doors and walls in London town. Knowing thou hast not
- 14:14Speaker 3: known such shame, And only storms have come thy way.
- 14:18Speaker 3: Methinks I could in comfort spend my summer with thee
- 14:22Speaker 3: day by day, to lie by day in thy green shade,
- 14:26Speaker 3: and in thy hollow rest. At night, and through the
- 14:30Speaker 3: open doorway sea, the stars turn over leaves of light
- 14:36Speaker 3: and of pom. This recording is in the public domain.
- 14:46Speaker 3: Poor King's by William Henry Davis, read for LibriVox dot Org.
- 14:53Speaker 3: By a saff course. God's pity on poor kings. They
- 14:58Speaker 3: know no gentle rest the north and south cry out
- 15:02Speaker 3: cries come from east and west. Come open this new
- 15:06Speaker 3: dock building, bazaar, or fair lord, what a wretched life
- 15:10Speaker 3: such man must bear? There followed watched and spied no
- 15:16Speaker 3: liberty they know some I will watch them still, no
- 15:21Speaker 3: matter where they go. When in green lanes I muse alone,
- 15:26Speaker 3: and here birds sing God's pity, then say I on
- 15:31Speaker 3: some poor king and of poem. This recording is in
- 15:37Speaker 3: the public domain.
- 15:45Speaker 4: Love and the Muse by William Henry Davies read for
- 15:51Speaker 4: Librivos dot Org by Shaki Assul. My back is turned
- 16:00Speaker 4: on spring and all her flowers. The birds no longer
- 16:05Speaker 4: charm from tree to tree. The cuckoo had his home
- 16:10Speaker 4: in this green world. Ten days before his voice was
- 16:16Speaker 4: heard by me. Had I an answer from a dear
- 16:21Speaker 4: one's lips.
- 16:23Speaker 3: My love of.
- 16:24Speaker 4: Life would soon regain its power and suckle my sweet
- 16:29Speaker 4: dreams that tug my heart and whimper to be nourish'd
- 16:35Speaker 4: every hour. Give me that answer now, and then, my muse,
- 16:42Speaker 4: that for my sweet life's sake must never die, will
- 16:47Speaker 4: rise like that great wave that leaps and hangs the
- 16:52Speaker 4: sea weed on a vessel's mast top high end of palm.
- 16:59Speaker 4: This recording is in the public domain.
- 17:08Speaker 5: My Youth by William Henry Davies read for Librivax dot
- 17:12Speaker 5: Org by Anusha Ayir. My youth was my old age,
- 17:18Speaker 5: weary and long. It had too many cares to think
- 17:23Speaker 5: of song. My molten days all came when I was young.
- 17:29Speaker 5: Now in life's prime, my soul comes out in flower. Late,
- 17:35Speaker 5: as with Robin comes my singing power. I was not
- 17:40Speaker 5: born to joy till this late hour. End of poem.
- 17:46Speaker 5: This recording is in the public domain.
- 17:56Speaker 1: Smiles by William Henry Day read for LibriVox dot Org
- 18:02Speaker 1: by Rosslyn Carlyle. I saw a black girl once as
- 18:08Speaker 1: black as winter's night, till through her parted lips there
- 18:13Speaker 1: came a flood of light. It was the milky way
- 18:16Speaker 1: across her face, so black. Her two lips closed again,
- 18:21Speaker 1: and night came back. I see a maiden now fair
- 18:26Speaker 1: as a summer's day. Yet through her parted lips, I
- 18:30Speaker 1: see the milky way It makes the broad daylight and
- 18:34Speaker 1: summertime luke black. Her two lips close again, and night
- 18:39Speaker 1: comes back. End of poem. This recording is in the
- 18:44Speaker 1: public domain. Mad Paul by William Henry Davies read for
- 18:55Speaker 1: LibriVox dot Org by Rosslyn Carlyle. There goes Mad Paul,
- 19:02Speaker 1: dressed in wild flowers. Poor crazy Paul, now old and
- 19:07Speaker 1: wan her hair all down like any child. She swings
- 19:11Speaker 1: her two arms like a man. Poor crazy Paul is
- 19:16Speaker 1: never sad. She never misses one that dies. When neighbors
- 19:21Speaker 1: show their newborn babes, they seem familiar to her eyes.
- 19:26Speaker 1: Her bonnet's always in her hand or on the ground
- 19:29Speaker 1: and lying near. She thinks it is a thing for
- 19:32Speaker 1: play or pretty show, and not to wear. She gives
- 19:37Speaker 1: the sick no sympathy. She never soothes a child that cries.
- 19:41Speaker 1: She never whimpers night or day. She makes no moons,
- 19:45Speaker 1: she makes no sighs. She talks about some battle old
- 19:50Speaker 1: fought many a day from yesterday, and when that war
- 19:53Speaker 1: is done, her love ha ha Paul laughs and skips away.
- 20:00Speaker 1: End of poem. This recording is in the public domain.
- 20:08Speaker 5: Joy Supreme by William Henry Davies, Readful LibriVox dot Org
- 20:15Speaker 5: by Anusha Ayir. The birds are pirates of her notes.
- 20:21Speaker 5: The blossoms steel her face's light. The stars in ambush
- 20:26Speaker 5: lie all day to take her glances for the night.
- 20:31Speaker 5: Her voice kin shame, rain, pulsed leaves. Young Robin has
- 20:36Speaker 5: no notes as sweet in autumn, when the air is
- 20:40Speaker 5: still and all the other birds are mute. When I
- 20:46Speaker 5: set eyes on ripe red plums that seem a sin
- 20:51Speaker 5: and shame to bite. Such are her lips, which I
- 20:56Speaker 5: would kiss, and still would keep before my sight. When
- 21:02Speaker 5: I behold proud gossamer make silent billows in the air,
- 21:08Speaker 5: then think I of her head's fine stuff, finer than gossamer's.
- 21:14Speaker 5: I swear the miser has his joy with gold beneath
- 21:20Speaker 5: his pillow. In the night, my head shall lie on
- 21:24Speaker 5: soft warm hair, And misers know not that delight. Captains
- 21:31Speaker 5: that own their ships can boast their joy to feel
- 21:35Speaker 5: the rolling brine. But I shall lie near her and
- 21:40Speaker 5: feel her soft, warm bosom swell on mine. End of poem.
- 21:47Speaker 5: This recording is in the public domain.
- 21:55Speaker 6: Francis Thompson by William Henry Davis read for Libervox dot
- 22:00Speaker 6: Org by Marianne. Thou hast no home, and thou couldt
- 22:06Speaker 6: see in every street the window's light dragging thy limbs
- 22:10Speaker 6: about all night. No window kept alight for thee. However
- 22:16Speaker 6: much thou wert distressed or tired of moving, and felt sick,
- 22:21Speaker 6: Thy life was on the open deck. Thou hast no
- 22:25Speaker 6: cabin for thy rest. Thy bark was helpless neath the sky.
- 22:32Speaker 6: No pilot thought thee worth his pains to guide for
- 22:35Speaker 6: love or money gains. Like phantom ships, the rich sailed
- 22:40Speaker 6: by thy shadow mocked thee night and day, thy life's
- 22:46Speaker 6: companion it alone. It did not sigh, It did not moan,
- 22:52Speaker 6: but mocked thy moves in every way in spite of
- 22:57Speaker 6: all the mind had force, and like a stream whose
- 23:02Speaker 6: surface flows the wrong way when a strong wind blows
- 23:06Speaker 6: it underneath, maintained its course oft. Didst thou think thy
- 23:11Speaker 6: mind would flower too late for good? As some bruised
- 23:15Speaker 6: tree that blooms in autumn, and we see fruit not
- 23:19Speaker 6: worth picking, hard and sour. Some poets feign their wounds
- 23:25Speaker 6: and scars. If they had known real suffering hours, they'd
- 23:30Speaker 6: show in place of fancy's flowers, more of imaginations stars.
- 23:37Speaker 6: So if thy fruits of poesy are rich, it is
- 23:42Speaker 6: at this dear cost that they were nipped by sorrows, frost,
- 23:47Speaker 6: in nights of homeless misery and of poem. This recording
- 23:54Speaker 6: is in the public domain.
- 24:01Speaker 1: The Birdman by William Henry Davies read for librovox dot
- 24:06Speaker 1: Org by Rosslyn carlyle Man is a bird. He rises
- 24:12Speaker 1: on fine wings into the heaven's clear light. He flies
- 24:16Speaker 1: away and sings. There's music in his flight. Man is
- 24:21Speaker 1: a bird in swiftest speed. He burns with twist and
- 24:26Speaker 1: dive and leap. A bird whose sudden turns can drive
- 24:30Speaker 1: the fryne sheep Man is a bird over the mountain
- 24:35Speaker 1: high whose head is in the skies, cut from its
- 24:39Speaker 1: shoulder by a cloud. The birdman flies man is a
- 24:43Speaker 1: bird eagles from mountain crag swooped down to prove his worth,
- 24:49Speaker 1: But now they rise to drag him down from heaven
- 24:53Speaker 1: to Earth. End of poem. This recording is in the
- 24:58Speaker 1: public domain.
- 25:05Speaker 5: Winter's Beauty by William Henry Davies Readfullybrivox dot Org by
- 25:11Speaker 5: Anusha Ayear. Is it not fine to walk in spring?
- 25:17Speaker 5: When leaves are born, and here birds sing? And when
- 25:21Speaker 5: they lose their singing powers in summer, watch the bees
- 25:26Speaker 5: at flowers? Is it not fine when summers past to half?
- 25:33Speaker 5: The leaves no longer fast biting my heel where'er I go?
- 25:38Speaker 5: Or dancing lightly on my toe? Now winters here and
- 25:43Speaker 5: rivers freeze. As I walk out, I see the trees
- 25:48Speaker 5: wherein the pretty squills sleep, all standing in the snow
- 25:53Speaker 5: so deep, And every twig, however small, is blossomed white
- 25:59Speaker 5: and beautiful. Then welcome winter with thy power, to make
- 26:06Speaker 5: this tree a big white flower, To make this tree
- 26:09Speaker 5: a lovely sight, with fifty brown arms draped in white,
- 26:15Speaker 5: while thousands of small fingers show in soft white gloves
- 26:21Speaker 5: of purest snow. End of poem. This recording is in
- 26:25Speaker 5: the public domain.
- 26:33Speaker 1: The Church Organ by William Henry Davies read for librivoks
- 26:38Speaker 1: dot org by Roslyn Carlyle. The homeless man has heard
- 26:43Speaker 1: thy voice. Its sound doth move his memory deep. He
- 26:47Speaker 1: stares bewildered as a man that shook by earthquake in
- 26:51Speaker 1: his sleep. Thy solemn voice doth bring to mind the
- 26:55Speaker 1: days that are forever gone. Thou bringst to mind our
- 27:00Speaker 1: early days. Yere we made sacond homes or none. End
- 27:05Speaker 1: of poem. This recording is in the public domain.
- 27:13Speaker 6: High Ho the Rain by William Henry Davies read for
- 27:18Speaker 6: LibriVox dot org by Marianne. The lark that in the
- 27:24Speaker 6: heaven dim can match a rainy hour with his own
- 27:27Speaker 6: music's shower, can make me sing like him. High Ho
- 27:33Speaker 6: the rain sing when a nightingale pours forth her own
- 27:39Speaker 6: sweet soul to hear dread thunder roll into a tearful tale.
- 27:44Speaker 6: High Ho the rain sing when a sparrow's seen trying
- 27:50Speaker 6: to lie at rest by pressing his warm breast to
- 27:53Speaker 6: leaves so wet and green high ho the rain and
- 28:00Speaker 6: of poem. This recording is in the public domain. Love's
- 28:10Speaker 6: Inspiration by William Henry Davies read for LibriVox dot Org
- 28:15Speaker 6: by Marianne. Give me the chance, and I will make
- 28:21Speaker 6: thy thoughts of me like worms this day, take wings
- 28:25Speaker 6: and change to butterflies, that in the golden light shall
- 28:29Speaker 6: play thy cold, clear heart. The quiet pool that never
- 28:34Speaker 6: heard Love's nightingale, shall hear his music night and day,
- 28:39Speaker 6: and in no seasons shall it fail. I'll make thy
- 28:44Speaker 6: happy heart my port, where all my thoughts are anchored, fast,
- 28:49Speaker 6: thy meditations, full of praise, the flags of glory on
- 28:53Speaker 6: each mast. I'll make my soul thy shepherd, soon with
- 28:59Speaker 6: all thy thoughts my grateful flock, And thou shalt say
- 29:03Speaker 6: each time I go, how long my love ere thoalt
- 29:08Speaker 6: come back? End of poem. This recording is in the
- 29:14Speaker 6: public domain.
- 29:21Speaker 1: Night Wanderers by William Henry Davies read for librovoks dot
- 29:27Speaker 1: org by Rosslyn Carlyle. They hear the bell of midnight
- 29:32Speaker 1: tall and shiver in their flesh and soul. They lie
- 29:38Speaker 1: on hard cold wood or stone, iron, and ache in
- 29:43Speaker 1: every bone. They hate the night. They see no eyes
- 29:48Speaker 1: of loved ones in the starlit skies, they see the
- 29:53Speaker 1: cold dark water near. They dare not take long looks,
- 29:58Speaker 1: for fear delf fall. Like those poor birds that see
- 30:03Speaker 1: a snake's eyes staring at their tree. Some of them laugh,
- 30:08Speaker 1: half mad, and some all through the chilly night or
- 30:12Speaker 1: dam like poor weak infants. Some converse and cough like giants,
- 30:19Speaker 1: deep and hoarse. End of poem. This recording is in
- 30:25Speaker 1: the public domain. Young Beauty by William Henry Davis read
- 30:36Speaker 1: for Librovoks dot Org by Rosslyn Carlile. When at each
- 30:42Speaker 1: door the ruffian winds have laid a dying man to groan,
- 30:46Speaker 1: and filled the air on winter nights with cries of
- 30:49Speaker 1: infants left alone, and everything that has a bed will
- 30:54Speaker 1: sigh for others that have none. On such a night,
- 31:00Speaker 1: when bitter cold, Young Beauty, full of love thoughts sweet,
- 31:05Speaker 1: can reiden in her looking glass with but one gown on.
- 31:09Speaker 1: In bare feet, she from her own reflected charms, can
- 31:14Speaker 1: feel the joy of summer's heat. End of poem. This
- 31:20Speaker 1: recording is in the public domain.
- 31:27Speaker 4: Who I know?
- 31:28Speaker 6: By William Henry Davies read for LibriVox dot org by Marianne.
- 31:34Speaker 6: I do not know his grace, the duke outside, whose
- 31:37Speaker 6: guilted gait there died of want, a feeble poor old man,
- 31:43Speaker 6: with but his shadow at his side. I do not
- 31:47Speaker 6: know his lady fair, who in a bath of milk
- 31:50Speaker 6: doth lie more milk than could feed fifty babes, that,
- 31:55Speaker 6: for the want of it, must die. But well I
- 31:59Speaker 6: know the mother poor three pounds of flesh wrapped in
- 32:03Speaker 6: her shawl, A puny babe that stripped at home looks
- 32:08Speaker 6: like a rabbit skinned so small. And well I know
- 32:12Speaker 6: the homeless waif fed by the poorest of the poor,
- 32:17Speaker 6: since I have seen that child alone, crying against a
- 32:20Speaker 6: bolted door, and of poem. This recording is in the
- 32:26Speaker 6: public domain.
- 32:33Speaker 1: Sweet Birds I come by William Henry Davies right for
- 32:39Speaker 1: librivoks dot org by Rosslyn Carlyle. The bird that now
- 32:45Speaker 1: on bush and tree near leaves so green, looks down
- 32:49Speaker 1: to see flowers. Looking up, he either sings and aches
- 32:54Speaker 1: to see, or claps his wings. Why should I slave
- 33:00Speaker 1: for finer dress or ornaments? Will flowers smile less for
- 33:06Speaker 1: rags than silk, Are birds less dumb for tramp and
- 33:11Speaker 1: squire sweet birds? I come. End of poem. This recording
- 33:18Speaker 1: is in the public domain. The Two Lives by William
- 33:27Speaker 1: Henry Davies read for Librevoks dot org by Roslyn Carlyle. Now,
- 33:34Speaker 1: how could I, with gold to spare, who know the
- 33:38Speaker 1: harlot's arms and wine, sit in this green field all alone?
- 33:44Speaker 1: If nature was not truly mine? That pleasure life wakes
- 33:49Speaker 1: stale at morn from heavy sleep that no rest brings.
- 33:55Speaker 1: This life of quiet joy wakes fresh and claps its
- 34:00Speaker 1: wings at morn and sings. So here sit I alone
- 34:05Speaker 1: till noon, in one long dream of quiet bliss. I
- 34:09Speaker 1: hear the lark and share his joy with no more
- 34:12Speaker 1: wine drops than were his. Such nature is thy charm
- 34:18Speaker 1: and power. Since I have made the muse my wife,
- 34:22Speaker 1: to keep me from the harlot's arms and save me
- 34:25Speaker 1: from a drunkard's life. End of poem. This recording is
- 34:30Speaker 1: in the public domain.
- 34:37Speaker 6: Hidden Love by William Henry Davies, read for LibriVox dot
- 34:41Speaker 6: org by Marianne. The bird of Fortune sings when free.
- 34:46Speaker 6: The captured soon grows dumb, and we to hear his
- 34:51Speaker 6: fast declining powers must soon forget that he is ours.
- 34:56Speaker 6: So when I win that maid, no doubt love soon
- 35:01Speaker 6: will seem to be half out, Like blighted leaves drooped
- 35:05Speaker 6: to the ground, whose roots are still untouched and sound.
- 35:10Speaker 6: So will our love's root still be strong when others
- 35:13Speaker 6: think the leaves go wrong. Though we may quarrel, twill
- 35:17Speaker 6: not prove that she and I are less in love.
- 35:21Speaker 6: The parrot, though he mocked the dove, died when she died,
- 35:26Speaker 6: and proved his love. When merry springtime comes, we hear
- 35:31Speaker 6: how all things into love must stir, how birds would
- 35:35Speaker 6: rather sing than eat, How joyful sheep would rather bleat,
- 35:40Speaker 6: and daffodils gnawed heads of gold and dance in April's
- 35:44Speaker 6: sparkling cold. So in our early love did we dance much,
- 35:49Speaker 6: and skip and laugh with glee. But let none think
- 35:53Speaker 6: that our love is flown. If when we're married, littles
- 35:57Speaker 6: shone e'n, though our life be dumb of song, our
- 36:02Speaker 6: hearts can still be singing, strong and of poem. This
- 36:09Speaker 6: recording is in the public domain. Life is Jolly by
- 36:18Speaker 6: William Henry Davies read for LibriVox dot Org by Mirianne.
- 36:24Speaker 6: This life is jolly Oh. I envy no man's lot.
- 36:29Speaker 6: My eyes can much admire, and still my heart crave not.
- 36:34Speaker 6: There's no true joy in gold. It breeds desire for more.
- 36:39Speaker 6: Whatever wealth man has desire can keep him poor. This
- 36:45Speaker 6: life is jolly Oh. Power has his fawning slaves, but
- 36:51Speaker 6: if he rests his mind, those wretches turn bold knaves.
- 36:56Speaker 6: Fame's field is full of flowers. It dazzles as we pass,
- 37:01Speaker 6: But men who walk that field starve for the common grass.
- 37:07Speaker 6: This life is jolly Oh. Let others know they die
- 37:12Speaker 6: enough to know I live, and make no question why
- 37:17Speaker 6: I care, not whence I came, nor whither I shall go.
- 37:21Speaker 6: Let others think of these. This life is jolly oh.
- 37:28Speaker 6: End of poem. This recording is in the public domain.
- 37:36Speaker 7: The Fog by William Henry Davies read for LibriVox dot
- 37:41Speaker 7: Org by Spyra. I saw the fog grow thick, which
- 37:46Speaker 7: soon made blind myken. It made tall men of boys,
- 37:51Speaker 7: and giants of tall men. It clutched my throat. I coughed.
- 37:56Speaker 7: Nothing was in my head except two heavy eyes, like
- 38:00Speaker 7: balls of burning lead. And when it grew so black
- 38:05Speaker 7: that I could know no place. I lost all judgment
- 38:08Speaker 7: then of distance and of space. The street lamps and
- 38:13Speaker 7: the lights upon the halted cars could either be on
- 38:17Speaker 7: earth or be the heavenly stars. A man passed by
- 38:22Speaker 7: me close. I asked my way. He said, come follow me,
- 38:27Speaker 7: my friend. I followed where he led. He wrapped the
- 38:31Speaker 7: stones in front. Trust me, he said, and come I
- 38:36Speaker 7: followed like a child. A blind man led me home.
- 38:41Speaker 7: End of poem. This recording is in the public domain.
- 38:50Speaker 7: A Woman's Charms by William Henry Davies read Forlibrivox dot
- 38:56Speaker 7: Org by Spira. My purse is yours, sweetheart, For eye
- 39:01Speaker 7: can count no coins with you close by. I scorn
- 39:05Speaker 7: like sailors them when they have drawn on shore their
- 39:09Speaker 7: deep sea. Pay only my thoughts I value now, which,
- 39:14Speaker 7: like the simple glow worms, throw their beams to greet
- 39:18Speaker 7: thee bravely love their glorious light in heaven above. Since
- 39:23Speaker 7: I have felt thy waves of light beating against my soul,
- 39:27Speaker 7: the sight of gems from Afric's continents move me to
- 39:32Speaker 7: no great wonderment. Since I, sweetheart, have known thine hair,
- 39:37Speaker 7: the fur of ermine, sable bear, or silver fox. For
- 39:42Speaker 7: me can keep no more to praise than common sheep.
- 39:46Speaker 7: Though ten Isaiah's souls were mine, they could not sing
- 39:50Speaker 7: such charms as thine. Two little hands that show with pride,
- 39:55Speaker 7: two timid little feet that hide, two eyes no dark sin,
- 40:00Speaker 7: or as show they're burning like in Mexico, two coral gates,
- 40:05Speaker 7: wherein is shown your queen of charms, on a white throne,
- 40:10Speaker 7: Your queen of charms. The lovely smile that on its
- 40:14Speaker 7: white throne could beguile. The mastiff from his gates in hell,
- 40:18Speaker 7: who buy no wine nor bark, could tell his masters
- 40:22Speaker 7: what thing made him go, And countless other charms. I
- 40:26Speaker 7: know October's hedge has far less hues than thou hast
- 40:31Speaker 7: charms from which to choose. End of poem. This recording
- 40:37Speaker 7: is in the public domain.
- 40:44Speaker 1: Dreams of the Sea by William Henry Davies. I know
- 40:51Speaker 1: not why I yearn for thee again to sail once
- 40:55Speaker 1: more upon thy fickle flood. I'll hear thy waves under
- 41:00Speaker 1: my deaf bed. Thy salt is lodged forever in my blood.
- 41:06Speaker 1: Yet I have seen thee lashed the vessel's sides in
- 41:10Speaker 1: fury with thy many tailed whip. And I have seen
- 41:14Speaker 1: thee too like Galilee, when Jesus walked in peace to
- 41:18Speaker 1: Simon's ship. And I have seen thy gentle breeze as
- 41:23Speaker 1: soft as summers, when it makes the cornfields run. And
- 41:28Speaker 1: I have seen thy rude and lusty gale make ships
- 41:32Speaker 1: show half their bellies to the sun. Thou knowest the
- 41:37Speaker 1: way to time the wildest life. Thou knowest the way
- 41:41Speaker 1: to bend the great and proud. I think of that armada,
- 41:45Speaker 1: whose puffed sails, greedy and large, came swallowing every cloud.
- 41:52Speaker 1: But I have seen the sea boy, young and drowned,
- 41:56Speaker 1: lying on shore, and by thy cruel hand, as seaweed
- 42:00Speaker 1: beard was on his tender chin. His heaven blue eyes
- 42:04Speaker 1: were filled with common sand. And yet for all I
- 42:10Speaker 1: yearn for thee again tis sail once more upon thy
- 42:13Speaker 1: fickle flood. I'll hear thy waves wash under my death bed.
- 42:19Speaker 1: Thy salt is lodged forever in my blood. End of poem.
- 42:25Speaker 1: This recording is in the public domain. The Wonder Maker
- 42:34Speaker 1: by William Henry Davies. Come, if thou art cold, to
- 42:40Speaker 1: Summer's charms, her clouds of green, her starry flowers, And
- 42:45Speaker 1: let this bird, this wandering bird, make his fine wonder yours.
- 42:51Speaker 1: He hiding in the leaves so green, when sampling this
- 42:55Speaker 1: fair world of ours, cries cuckoo, clear and like Lot's wife.
- 43:02Speaker 1: I look, though it should cost my life when I
- 43:06Speaker 1: can hear that charmed one's voice. I taste of immortality.
- 43:12Speaker 1: My joys so great that on my heart doth lie eternity,
- 43:19Speaker 1: as light as any little flower, so strong a wonder
- 43:23Speaker 1: works in me. Cuckoo, he cries and fills my soul
- 43:28Speaker 1: with all that's rich and beautiful. End of poem. This
- 43:34Speaker 1: recording is in the public domain. The Helpless by William
- 43:44Speaker 1: Henry Davies. Those poor heart broken wretches doomed to hear
- 43:51Speaker 1: at night the clock's hard tones. They have no beds
- 43:56Speaker 1: to warm their limbs, but with those limbs must warm
- 44:00Speaker 1: cold stones. Those poor weak men, whose coughs and ailings
- 44:08Speaker 1: force them to tear at iron railings. Those helpless men
- 44:16Speaker 1: that starve my pity, whose waking day is never done,
- 44:21Speaker 1: who save for their own shadows, are doomed night and
- 44:25Speaker 1: day to walk alone. They know no bright face, but
- 44:31Speaker 1: the sun's so cold and dark are human ones. End
- 44:39Speaker 1: of poem. This recording is in the public domain. An
- 44:48Speaker 1: Early Love by William Henry Davies. Ah, sweet young blood,
- 44:55Speaker 1: that makes thee heart so full of joy and light
- 45:00Speaker 1: that dying children dance with it. From early morn till night,
- 45:05Speaker 1: My dreams were blossoms. HER's the fruit. She was My
- 45:08Speaker 1: dearest care with gentle hand, and for it eye made
- 45:13Speaker 1: playthings of her hair. I made my fingers rings of gold,
- 45:19Speaker 1: and bangles for my wrist. You should have felt this soft,
- 45:23Speaker 1: warm thing I made to glove my fist, and she
- 45:28Speaker 1: should have a crown. I swore with only gold enough
- 45:32Speaker 1: to keep together stones more rich than that fine metal stuff.
- 45:39Speaker 1: Her golden hair gave me more joy than Jason's heart
- 45:42Speaker 1: could hold when all his men cried out, Ah, look
- 45:46Speaker 1: he has the fleece of gold. End of poem. This
- 45:51Speaker 1: recording is in the public domain.
- 45:59Speaker 5: Dream Tragedy by William Henry Davies read fulibrivax dot Org
- 46:04Speaker 5: by Anusha a year Mumbai. Thou art not always kind
- 46:10Speaker 5: o sleep? What awful secrets them dost keep in store?
- 46:15Speaker 5: And ofttimes make us know what hero has not fallen
- 46:20Speaker 5: low in sleep before a monster, grim and wind from
- 46:25Speaker 5: mercy unto him. Knights, constables and men at arms have
- 46:30Speaker 5: quail'd and wind in sleep's alarms. Thou wert not kind
- 46:35Speaker 5: last night to make me like a very coward, shake, shake,
- 46:40Speaker 5: like a thin red currant bush robbed of its fruit
- 46:44Speaker 5: by a strong thrush. I felt this earth did move
- 46:50Speaker 5: more slow and slower, yet began to go, and not
- 46:55Speaker 5: a bird was heard to sing. Men and great beasts
- 47:00Speaker 5: were shivering. All living things knew well that when this
- 47:04Speaker 5: earth stood still, destruction then would follow with a mighty crash.
- 47:10Speaker 5: Twas then I broke that awful hush e'en as mother
- 47:16Speaker 5: who does come running in haste back to her home
- 47:19Speaker 5: and looks at once and lo, the child she left
- 47:24Speaker 5: asleep is gone and wild. She shrieks and loud. So
- 47:29Speaker 5: did I break with a mad cry that dream and wake.
- 47:35Speaker 5: End of poem. This recording is in the public domain.
- 47:45Speaker 1: Children at Play by William Henry Davies read for librovox
- 47:50Speaker 1: dot Org by Rosslyn Carlyle. I hear a merry noise. Indeed,
- 47:56Speaker 1: is it the geese and ducks that take their first place,
- 48:00Speaker 1: plunge in a quiet pond, that into scores of ripples
- 48:03Speaker 1: break or children make this merry sound? I see an
- 48:08Speaker 1: oak tree. Its strong back could not be bent an inch,
- 48:12Speaker 1: though all its leaves were stone or iron. Even a
- 48:17Speaker 1: boy with many a lusty call rides on a bough
- 48:20Speaker 1: bare back through heaven. I see two children dig a
- 48:25Speaker 1: hole and planting it a cherry stone. We'll come tomorrow,
- 48:30Speaker 1: one child said, And then the tree will be full grown,
- 48:34Speaker 1: and all its boughs have cherries. Red Ah, children, what
- 48:39Speaker 1: a life to lead. You love the flowers, But when
- 48:42Speaker 1: they're past, no flowers are missed by your bright eyes.
- 48:46Speaker 1: And when cold winter comes at last, snowflakes shall be
- 48:50Speaker 1: your butterflies. End of poem. This recording is in the
- 48:55Speaker 1: public domain. When the Cuckoo Sings by William Henry Davies
- 49:07Speaker 1: in summer, when the cuckoo sings and clouds like greater
- 49:11Speaker 1: moons can shine, when every leafy tree doth hold a
- 49:16Speaker 1: loving heart that beats with mine. Now when the brute
- 49:20Speaker 1: has Chriss's green as well as stones to check his pace,
- 49:24Speaker 1: and if the owl appears, he's forced by small birds
- 49:28Speaker 1: to some hiding place. Then, like red Robin in the spring,
- 49:33Speaker 1: I shun those haunts where men are found. My house
- 49:37Speaker 1: holds little joy until leaves fall and birds can make
- 49:41Speaker 1: no sound. Let none invade that wilderness into whose dark
- 49:46Speaker 1: green depths. I go save some fine lady, all in
- 49:50Speaker 1: white comes like a pillar of pure snow. End of poem.
- 49:57Speaker 1: This recording is in the public domain.
- 50:05Speaker 6: Return to Nature by William Henry Davies read for LibriVox
- 50:09Speaker 6: dot Org by Marianne. My song is of that city
- 50:14Speaker 6: which has men too poor and men too rich, Where
- 50:18Speaker 6: some are sick, too richly fed, while others take the
- 50:23Speaker 6: sparrow's bread. Where some have beds to warm their bones,
- 50:28Speaker 6: while others sleep on hard, cold stones that suck away
- 50:32Speaker 6: their body's heat. Where men are drunk in every street,
- 50:37Speaker 6: men full of poison, like those flies that still attack
- 50:41Speaker 6: the horses eyes. Where some men freeze for want of cloth,
- 50:47Speaker 6: while others show their jewels worth and dress in satin
- 50:51Speaker 6: fur or silk. Where fine rich ladies wash in milk,
- 50:56Speaker 6: while starving mothers have no food to make them fit
- 51:00Speaker 6: in flesh and blood, so that their watery breasts can
- 51:03Speaker 6: give their babies milk and make them live. Where one
- 51:08Speaker 6: man does the work of four and dies worn out
- 51:11Speaker 6: before his hour, while some seek work in vain and
- 51:16Speaker 6: grief doth make their fretful lives as brief, Where ragged
- 51:21Speaker 6: men are seen to wait for charity that's small and late,
- 51:26Speaker 6: while others haunt in idle leisure theater doors to pay
- 51:29Speaker 6: for pleasure. No more, I'll walk those crowded places and
- 51:35Speaker 6: take hot dreams from Harlot's faces. I'll know no more
- 51:40Speaker 6: those passions dreams while musing near these quiet streams. That
- 51:46Speaker 6: biting state of savage lust which true love absent, burns
- 51:51Speaker 6: to dust. Gold's rattle shall not rob my ears of
- 51:55Speaker 6: the sweet music of the spheres. I'll walk abroad with
- 51:59Speaker 6: fancy free each leafy summer's morn. I'll see the trees,
- 52:05Speaker 6: all legs or bodies when they vary in their shapes
- 52:08Speaker 6: like men. I'll walk abroad and see again how quiet
- 52:13Speaker 6: pools are pricked by rain, and you shall hear a
- 52:17Speaker 6: song as sweet as when green leaves and rain drops meet.
- 52:21Speaker 6: I'll hear the nightingale's fine mood rattling with thunder in
- 52:26Speaker 6: the wood, made bolder by each mighty crash who drives
- 52:31Speaker 6: her notes with every flash of lightning through the summer's night.
- 52:35Speaker 6: No more, I'll walk in that pale light that shows
- 52:38Speaker 6: the homeless man awake, ragged and cold. Harlot and Rake
- 52:44Speaker 6: that have their hearts and rags and die before that
- 52:47Speaker 6: poor wretch they pass by. Nay, I have found a
- 52:52Speaker 6: life so fine that every moment seems divine by shunning
- 52:57Speaker 6: all these pleasures full that bring repentance, cold and dull,
- 53:02Speaker 6: such misery seen in days gone by that made a coward.
- 53:07Speaker 6: Now I fly to green things like a bird. Alas
- 53:11Speaker 6: in days gone by, I could not pass ten men,
- 53:14Speaker 6: but what the eyes of one would burn me for
- 53:17Speaker 6: no kindness done? And wretched women I passed by sent
- 53:21Speaker 6: after me a moan or sigh ah, wretched days, For
- 53:27Speaker 6: in that place my soul's leaves saw the human face,
- 53:31Speaker 6: and not the sun's for warmth and light, and so
- 53:34Speaker 6: was never free from blight. But seek me now, and
- 53:38Speaker 6: you will find me on some soft green bank, reclined,
- 53:42Speaker 6: watching the stately deer close by that in a great
- 53:45Speaker 6: deep hollow lie shaking their tails with all the ease
- 53:49Speaker 6: that lambs can. First look for the trees. Then, if
- 53:55Speaker 6: you seek me, find me quick. Seek me no more
- 53:59Speaker 6: where men are thin, but in green lanes, where I
- 54:02Speaker 6: can walk a mile and still no human folk tread
- 54:05Speaker 6: on my shadow. Seek me where the strange oak tree
- 54:09Speaker 6: is that can bear one white leaved branch. Among the
- 54:12Speaker 6: green which many a woodman has not seen. If you
- 54:17Speaker 6: would find me, go where cows and sheep stand under
- 54:20Speaker 6: shady boughs, where furious squirrels shake a tree as though
- 54:24Speaker 6: they like to bury me under a leaf shower heavy,
- 54:28Speaker 6: And I laugh at them for spite, and stand seek
- 54:32Speaker 6: me no more in human ways? Who am a coward?
- 54:36Speaker 6: Since those days my mind was burned by poor men's
- 54:39Speaker 6: eyes and frozen by poor women's sighs. Then send your
- 54:44Speaker 6: pearls across the sea, your feathers scent and ivory, you
- 54:49Speaker 6: distant lands. But let my bales be brought by cuckoos,
- 54:53Speaker 6: nightingales that come and spring from your far shores, sweet
- 54:58Speaker 6: birds that carry riches, doors that men can dream of
- 55:02Speaker 6: when they prize find silks and pearls for merchandise, and
- 55:06Speaker 6: dream of ships that take the floods sunk to their
- 55:09Speaker 6: decks with such vain goods, bringing the traitor's silk, whose soft,
- 55:15Speaker 6: smooth tongue persuades the poor too oft from sweet content,
- 55:19Speaker 6: and pearls whose fires make ashes of our best desires.
- 55:25Speaker 6: For I have heard the size and whines of rich
- 55:27Speaker 6: men that drink costly wines and eat the best of
- 55:31Speaker 6: fish and fowl, men that have plenty and still growl
- 55:35Speaker 6: because they cannot, like kings, live alas they whine, we
- 55:41Speaker 6: cannot save. Since I have heard those rich ones sigh,
- 55:46Speaker 6: made poor by their desires so high, I cherish more
- 55:50Speaker 6: a simple mind, that I am well, content to find
- 55:54Speaker 6: my pictures in the open air, and let my walls
- 55:57Speaker 6: and floors go bare, that I, with lovely things can
- 56:00Speaker 6: fill my rooms. Whene'er sweet fancy, will I make a
- 56:05Speaker 6: fallen tree my chair, and soon forget no cushions there
- 56:09Speaker 6: I lie upon the grass or straw, and no soft
- 56:12Speaker 6: down do I sigh? For for with me all the
- 56:16Speaker 6: time I keep sweet dreams that do I wake or sleep,
- 56:20Speaker 6: shed on me still their kindly beams. I I am
- 56:25Speaker 6: richer with my dreams than banks where men dull, eyed
- 56:29Speaker 6: and cold, without a tremble shovel gold. A happy life
- 56:33Speaker 6: is this. I walk and hear more birds than people talk.
- 56:38Speaker 6: I hear the birds that sing unseen on boughs now
- 56:42Speaker 6: smothered with leaves green. I sit and watch the swallows
- 56:46Speaker 6: there making a circus in the air, that speed around
- 56:50Speaker 6: straight going crow as sharks around a ship can go.
- 56:54Speaker 6: I hear the sky lark out of sight, hid perfectly
- 56:57Speaker 6: in all this light. The dappled cows and fields. I
- 57:01Speaker 6: pass upon their bosoms in deep grass, old oak trees
- 57:06Speaker 6: with their bowels gone. I see with springs, green finery on.
- 57:11Speaker 6: I watch the buzzing bees for hours, to see them
- 57:14Speaker 6: rush at laughing flowers and butterflies that lie so still.
- 57:19Speaker 6: I see great houses on the hill with shining roofs,
- 57:23Speaker 6: and there shines one. It seems that Heaven has dropped
- 57:26Speaker 6: the sun. I see yon cloudlet sail, the skies racing
- 57:31Speaker 6: with clouds ten times its size. I walk green pathways
- 57:36Speaker 6: where love waits to talk in whispers, at old gates,
- 57:40Speaker 6: past stiles on which I lean alone, carved with the
- 57:45Speaker 6: names of lovers gone. I stand on arches whose dark
- 57:49Speaker 6: stones can turn the wind's soft sighs to groans. I
- 57:53Speaker 6: hear the cuckoo when first he makes this green world's
- 57:56Speaker 6: discovery and recreates it in my mind, proving my eyes
- 58:01Speaker 6: were growing blind. I see the rainbow come forth clear
- 58:05Speaker 6: and wave her colored scarf to cheer the sun long
- 58:09Speaker 6: swallowed by a flood. So do I live in lane
- 58:12Speaker 6: and wood? Let me look forward to each spring as
- 58:17Speaker 6: eager as the birds that sing and feed My eyes
- 58:20Speaker 6: on spring's young flowers, before the bees, by many hours,
- 58:25Speaker 6: my heart to leap and sing her praise before the birds.
- 58:28Speaker 6: By many days go white, my hair and skin go dry.
- 58:34Speaker 6: But let my heart a dewdrop lie inside those leaves
- 58:38Speaker 6: when they go wrong, as fresh as when my life
- 58:42Speaker 6: was young, and of poem. This recording is in the
- 58:47Speaker 6: public domain.
- 58:54Speaker 1: A strange city by William Henry Davies, a wondrous city
- 59:02Speaker 1: that had temples there more wretch than that one built
- 59:06Speaker 1: by David's son, which called forth Over's Gold. When Israel
- 59:11Speaker 1: made Lebanon have naked for her sake. I saw white
- 59:16Speaker 1: towers where so called traitors died true men whose tongues
- 59:21Speaker 1: were bells to honest hearts and rang out boldly in
- 59:24Speaker 1: false monarch's ears. Saw old black gateways, on whose arches
- 59:29Speaker 1: crouched stone lions with their bodies gnawed by age. I
- 59:35Speaker 1: looked with awe on iron gates that could tell bloody
- 59:39Speaker 1: stones if they had our tongues. I saw tall mountains,
- 59:43Speaker 1: spires shine in the sun, that stood amidst their army
- 59:49Speaker 1: of low streets. I saw in buildings pictures statues rare
- 59:56Speaker 1: made in those days when Rome was young and new
- 1:00:00Speaker 1: in marbled quarried from Cassara's Hills, statues by sculptors that
- 1:00:05Speaker 1: could almost make fine cobwebs out of stone so light
- 1:00:09Speaker 1: they worked pictures that breathe in us a living soul
- 1:00:13Speaker 1: such as we seldom feel come from that life. The
- 1:00:16Speaker 1: artist copies many a lovely sight, such as the half
- 1:00:20Speaker 1: sunk barge with bales of hay or sparkling coals. Employed
- 1:00:25Speaker 1: my wondering eyes. I saw Old Thames, whose ripples swarmed
- 1:00:30Speaker 1: with stars bread by the sun on that fine summer's day.
- 1:00:35Speaker 1: I saw in fancy fowl and green banks there, and
- 1:00:40Speaker 1: Liza's barge rowed past a thousand Swans. I walked in
- 1:00:44Speaker 1: parks and heard sweet music cry in solemn courtyards midst
- 1:00:49Speaker 1: the men at arms, which suddenly would leap those stony
- 1:00:52Speaker 1: walls and spring up with loud laughter into trees. I
- 1:00:56Speaker 1: walked in busy streets where music offed, went on the
- 1:00:59Speaker 1: mark with men, and oftentimes heard the organ in cathedral
- 1:01:04Speaker 1: when the boys like nightingales sang in that thunder storm.
- 1:01:08Speaker 1: The organ, with its rich and solemn towns as near
- 1:01:11Speaker 1: a God's voice as a man conceives nor ever dreamt
- 1:01:15Speaker 1: the silent misery that solemn organ brought to homeless men.
- 1:01:21Speaker 1: I heard the drums and soft brass instruments, led by
- 1:01:25Speaker 1: the silver cornets, clear and high, whose sounds turned playing
- 1:01:29Speaker 1: children into stones. I saw at night the city's lights
- 1:01:35Speaker 1: shine bright, a greater milky way. How in its spell
- 1:01:40Speaker 1: it fascinated with ten thousand eyes, like those sweet wiles
- 1:01:44Speaker 1: of an enchantress, who would still detain her nightgneald cold
- 1:01:49Speaker 1: in love. It was an iceberg with long arms unseen,
- 1:01:53Speaker 1: that felt the deep for vessels far away. All things
- 1:01:57Speaker 1: seemed strange. I stired, like any child that pours on
- 1:02:01Speaker 1: some old face and sees a world which its familiar
- 1:02:04Speaker 1: Grandad and his dame head with their love and laughter.
- 1:02:08Speaker 1: Until then my feet had not yet felt the cruel
- 1:02:12Speaker 1: rocks beneath the pleasant moss. I seemed to tread. But
- 1:02:16Speaker 1: soon my ears grew weary of that din my eyes
- 1:02:19Speaker 1: grew tired of all that flesh and stone. And as
- 1:02:23Speaker 1: a snail that crawls on a smooth stalk will reach
- 1:02:27Speaker 1: the end and find a sharpened thorn, so did I
- 1:02:31Speaker 1: reach the cruel end. At last I saw the starving
- 1:02:35Speaker 1: mother and her child. Who feared that death would surely
- 1:02:39Speaker 1: end its sleep, and curse the wolf of hunger with
- 1:02:42Speaker 1: her mounds. And yet methought, when first I entered there
- 1:02:48Speaker 1: into that city with my wondering mind, how marvelous its
- 1:02:52Speaker 1: many sights and sounds, the traffic, with its sound of
- 1:02:55Speaker 1: heavy seas that have and would again unseat the rocks.
- 1:03:00Speaker 1: How common then seem'd nature's hills and fields compared with
- 1:03:04Speaker 1: these high domes, and even streets and churches with white
- 1:03:08Speaker 1: towers and bodies black. The Terriffic's sound was music to
- 1:03:12Speaker 1: my ears, a sound of where the white waves, hour
- 1:03:16Speaker 1: by hour, attack a reef of coral rising. Yet, or
- 1:03:21Speaker 1: where a mighty worship in a fog steams into a
- 1:03:24Speaker 1: large fleet of little boots. Aye, And that fog was
- 1:03:28Speaker 1: strange and wonderful, that made men blind and grope their way.
- 1:03:32Speaker 1: At noon, I saw that city with fierce human surge,
- 1:03:36Speaker 1: with millions of dark waves that still spread out to
- 1:03:39Speaker 1: swallow more of their green boundaries. Then came a day
- 1:03:43Speaker 1: that noise so stirred my soul. I called them hellish sounds,
- 1:03:48Speaker 1: and thought red war was better far than peace in
- 1:03:51Speaker 1: such a town to hear that din all day sometimes
- 1:03:57Speaker 1: my mind went crazed, and it seemed stray inge as
- 1:04:00Speaker 1: I were lost in some vast forest full of chattering apes.
- 1:04:05Speaker 1: How sick I grew to hear that lasting noise, and
- 1:04:09Speaker 1: all those people forced across my sight, knowing the acres
- 1:04:12Speaker 1: of green fields and woods that in some country parts
- 1:04:15Speaker 1: outnumbered men. In half an hour ten thousand men I
- 1:04:20Speaker 1: passed more than nine thousand should have been green trees.
- 1:04:25Speaker 1: There on a summer's day, I saw such crowds that
- 1:04:29Speaker 1: where there was no man, man's shadow was millions, all
- 1:04:34Speaker 1: cramped together in one hive, storing methought more bitter stuff
- 1:04:40Speaker 1: than sweet. The air was foul and stale. From their
- 1:04:44Speaker 1: green homes. Young blood had brought its fresh and rosy cheeks,
- 1:04:49Speaker 1: which soon turned color like blue streams in flood. Iye solitude,
- 1:04:55Speaker 1: black solitude. Indeed to meet a million souls, and no
- 1:05:00Speaker 1: not one. This world must soon grow staled, one compelled
- 1:05:05Speaker 1: to look all day that faces strange and cold, oft
- 1:05:10Speaker 1: full of smoke. That town, its summer's day was darker
- 1:05:14Speaker 1: than a summer's night at sea. Poison was there, and
- 1:05:18Speaker 1: stell men rushed for it like cows for acorns that
- 1:05:22Speaker 1: have made them sick, that town was wretch, and old
- 1:05:26Speaker 1: man's flesh was cheap, but common earth was dear to
- 1:05:30Speaker 1: buy one foot. If I must be fenced end, then
- 1:05:35Speaker 1: let my fence be some green hedgerow, under its green sprays,
- 1:05:40Speaker 1: that shake suspended. Let me walk in joy, as I
- 1:05:44Speaker 1: do now in these dear months I love. End of poem.
- 1:05:51Speaker 1: This recording is in the public domain. End of Foliage
- 1:05:56Speaker 1: by William Henry Davies
- 1:06:00Speaker 3: Eight