Latest / Murder Files Unsealed / Court documents reveal new details in Celeste Rivas murder case
Transcript
- 0:00Speaker 1: So picture this. It is the evening of September ninth,
- 0:03twenty twenty five. Thousands of teenagers are just, you know,
- 0:07packed into this massive venue in Minneapolis, right the base
- 0:10from the sound system is literally vibrating the floorboards, the
- 0:14lights go down, the crowd absolutely erupts, and this nineteen
- 0:18year old pop star steps up to the microphone.
- 0:21Speaker 2: A totally electric atmosphere.
- 0:22Speaker 1: Exactly, and he starts singing these songs about heartbreak and
- 0:27obsession and this really dark romance. I mean, it is
- 0:31basically the pinnacle of a gen Z Cinderella story.
- 0:33Speaker 2: Yeah. But and this is where it gets incredibly dark.
- 0:36If we rewind the clock just twenty four hours and
- 0:39we move like roughly fifteen hundred miles southwest to this
- 0:44sweltering industrial tow yard in Hollywood, California.
- 0:47Speaker 1: Oh man, the contrast is just jarring.
- 0:50Speaker 2: It really is. Employees at that towyard are dialing nine
- 0:53to one one because of a horrific odor and it's
- 0:56coming from the front trunk of a parked tesla.
- 0:58Speaker 1: And not just any tesla.
- 0:59Speaker 2: No, a tesla registered to the exact same nineteen year
- 1:02old who is currently standing on that stage in Minneapolis.
- 1:05Speaker 1: The temporal dissonance between those two events is almost I mean,
- 1:08it's impossible to wrap your head around.
- 1:09Speaker 2: It's mind blowing. On one side of the country you
- 1:12have absolute adulation, thousands of cell phone flashlights waving in
- 1:16the air, and on the other side, investigators are literally
- 1:20unzipping black cadaver bags containing the dismembered remains of a
- 1:24fourteen year old girl.
- 1:25Speaker 1: And that horrific collision of realities is exactly why we
- 1:29are here today. Welcome to this deep dive.
- 1:31Speaker 2: Glad to be here.
- 1:32Speaker 1: If you are a curious mind, you know, trying to
- 1:35make sense of how a digital fairy tale turned into
- 1:38a waking nightmare, you are absolutely in the right place, absolutely,
- 1:42because our mission today is to unpack this massive stack
- 1:46of explosive, newly unsealed court documents out of Texas.
- 1:51Speaker 2: Documents that completely pull back the curtain on the Celestrevus
- 1:54murder investigation.
- 1:55Speaker 1: Right and at the center of this massive storm is
- 1:58David Anthony Burke, known to millions as the rising pop star.
- 2:02Speaker 2: D four med We really need to establish the stakes
- 2:05here immediately, yeah, because what we are looking at, you know,
- 2:08is not a movie spirit. It is a profoundly tragic
- 2:11highly complex and ongoing legal investigation, and it's currently crossing
- 2:16multiple state lines.
- 2:17Speaker 1: Yeah, it involves a grueling forensic puzzle, the secret grand
- 2:21jury operating behind locked doors in LA and a young
- 2:24musician facing allegations that are almost beyond comprehension, right, And
- 2:28our goal for.
- 2:28Speaker 2: You today is to look at the raw facts of
- 2:30this case completely, impartially exactly.
- 2:33Speaker 1: We are going to explore the precise legal mechanisms and
- 2:37the timeline without you know, sensationalizing the loss of a young.
- 2:41Speaker 2: Life, because the tragedy of Celestereevas is devastating on its own.
- 2:45Speaker 1: It really is what we want to dissect for you
- 2:47today is how multiple entirely isolated systems like the architecture
- 2:52of digital platforms, the bureaucratic realities of local law.
- 2:55Speaker 2: Enforcement, and the complex machinery of interstate judiciaries.
- 2:58Speaker 1: Right, how all those things violently intercepted in this single case.
- 3:02Speaker 2: And to understand how that happened, we really have to
- 3:04start with the physical endpoint. We have to look at
- 3:06the discovery on Bluebird Avenue in the Hollywood Hills.
- 3:09Speaker 1: So let's look at the first week of September twenty
- 3:11twenty five. Bluebird Avenue. Is it's a quintessential Hollywood Hills
- 3:17location right.
- 3:18Speaker 2: Oh, completely. We are talking about winding, narrow roads, multimillion
- 3:22dollar properties, and just a heavy, heavy presence of luxury vehicles.
- 3:26Speaker 1: So a Tesla fits right in exactly.
- 3:28Speaker 2: On September third, a Tesla Sedan is sitting parked on
- 3:31the street in that neighborhood. It is essentially background noise.
- 3:35It blends in perfectly.
- 3:36Speaker 1: But this specific vehicle, registered to David Anthony Burke gets
- 3:41flagged for a standard seventy two hour parking violation.
- 3:45Speaker 2: Yeah, it has just been sitting there completely abandoned.
- 3:47Speaker 1: And parking ticket starts a very slow, very bureaucratic.
- 3:50Speaker 2: Clock right between September fifth and September eighth, the City
- 3:54of Los Angeles simply processes the violation.
- 3:56Speaker 1: A tow truck makes its way up into the hills,
- 3:59hitches the lugy ev and pulls it down into the
- 4:02city grid and they drop it at a Hollywood impound yard.
- 4:05Speaker 2: And an impound yard in September is a brutal environment.
- 4:08Speaker 1: Oh, I can only imagine it.
- 4:09Speaker 2: Is essentially an asphalt skillet baking in the southern California
- 4:13sun cars are packed and shoulder to shoulder.
- 4:15Speaker 1: And that environmental shift is critical to what happens next.
- 4:18Speaker 2: Isn't it. It is everything on September eighth, which, by
- 4:22the way, carries an immense emotional weight because it is
- 4:25exactly one day before the victim would have celebrated her
- 4:28fifteenth birthday.
- 4:29Speaker 1: Wow, that is just heartbreaking.
- 4:32Speaker 2: It is. The towyard employees notice an overpowering foul odor
- 4:37coming from the tesla.
- 4:39Speaker 1: And this isn't just you know, the smell of fast
- 4:41food left in a hot car, No.
- 4:42Speaker 2: Not at all. It's the specific biological marker of decay.
- 4:46It triggers this primal alarm bell in the human brain.
- 4:49Speaker 1: Right, which prompts the employees to immediately call the authorities.
- 4:53Police arrive and force open the front trunk.
- 4:55Speaker 2: And for anyone unfamiliar with electric vehicles, the lack of
- 4:58an internal combustion engine leaves a large storage compartment right under.
- 5:01Speaker 1: The hood, commonly called the fronk.
- 5:03Speaker 2: Right exactly inside that space, investigators find two black cadaver
- 5:07bags teeming with insect activity. Oh my god, one ba
- 5:10contains a severely decomposed head and torso. The second holds
- 5:14additional severed body parts.
- 5:15Speaker 1: Okay, let's unpack this for a second. The fronk of
- 5:18a luxury ev is basically acting like a modern day
- 5:21telltale heart here.
- 5:23Speaker 2: That is a very accurate analogy, and from a forensic
- 5:26pathology standpoint, the environment of that specific storage compartment creates
- 5:31an immediate nightmare.
- 5:32Speaker 1: An insurmountable nightmare for the La County medical examiner. Yes,
- 5:36so break down the actual thermodynamics of that for me, Like,
- 5:39why is a fronk worse than say, a shallow grave
- 5:43in the woods.
- 5:44Speaker 2: A fronk is essentially a sealed box. It is made
- 5:47of high density poly ordane in metal. Okay, when you
- 5:50place organic material inside a sealed container like that and
- 5:53you leave it in the sun, you create a hyper
- 5:55accelerated greenhouse.
- 5:57Speaker 1: Effect because there's no airflow at all.
- 5:58Speaker 2: Right, there's zero ventilation. The ambient heat is trapped and multiplied,
- 6:02which supercharges the rate of tissue degradation and insect colonization.
- 6:06Oh wow, So the cellular evidence, the microscopic clues the
- 6:10toxicologists and pathologists rely on to determine exactly how a
- 6:13body systems failed, is rapidly destroyed by that trapped heat, and.
- 6:17Speaker 1: That environmental destruction is exactly why. The unsealed documents show
- 6:22the medical examiner had to make a very frustrating conclusion.
- 6:25Speaker 2: Yeah, the official cause of death is listed as deferred.
- 6:28Speaker 1: Which means they physically cannot tell the courts how this
- 6:32fourteen year old died because the trauma has been literally
- 6:35erased by time and the elements.
- 6:37Speaker 2: Right, it is a massive hurdle for the prosecution when
- 6:41a cause of death is deferred. The visible trauma is
- 6:44so compromised that they can't definitively point to a.
- 6:47Speaker 1: Specific action, Like they can't say, oh, it was asphyxiation
- 6:50or blunt force trauma exactly.
- 6:52Speaker 2: They can't say this is what stopped the heart. And
- 6:55compounding this, early in the investigation, there was a working
- 6:58theory that the remains had been frozen and thowed previously.
- 7:02Speaker 1: Which would imply someone kept the remains in like a
- 7:05commercial or chess freezer before transferring them to the car.
- 7:08Speaker 2: Right though, the LAPD had to publicly step in and
- 7:11clarify that the body was explicitly not frozen upon its
- 7:15actual discovery in the towyard, and she.
- 7:17Speaker 1: Wasn't decapitated either, right, I know, there was a lot
- 7:19of wild online speculation.
- 7:21Speaker 2: Correct the police had to push back against that rampant
- 7:24online misinformation. But the mere possibility of a freeze saw
- 7:29cycle further complicates the pathology.
- 7:31Speaker 1: Because freezing expands the water in the.
- 7:33Speaker 2: Cells exactly, it bursts the cell walls and destroys even
- 7:37more evidence once it thaws.
- 7:38Speaker 1: The forensics are a literal nightmare. But if we step
- 7:42back from the biology for a second and look at
- 7:44the psychology of the crime scene, it's bathing right. You
- 7:47buy specific black cadaver bags, you engage in the greesome,
- 7:52highly organized logistics of dismemberment, but then you take your
- 7:57primary getaway vehicle.
- 7:58Speaker 2: Which is legally registered to your real.
- 7:59Speaker 1: Ness, Yeah, and you leave it parked on a public
- 8:02street in the Hollywood Hills to get ticketed by a
- 8:04meter mate. I mean, the sheer incompetence of that is staggering,
- 8:07it really is. Is this just the absolute panic of
- 8:09an amateur or did whoever did this just assume their
- 8:12celebrity status made them untouchable.
- 8:14Speaker 2: Well, investigators firmly believe they're looking at an aborted plan.
- 8:18According to the police sources cited in the unsealed documents,
- 8:21the working theory is that the killer most likely had.
- 8:24Speaker 1: Help help dismembering and disposing of the body.
- 8:27Speaker 2: Yes, dismemberment is incredibly physically demanding and psychologically taxing. It
- 8:33strongly suggests accomplices.
- 8:34Speaker 1: But leaving the registered car to accrue parking tickets.
- 8:38Speaker 2: That indicates a catastrophic breakdown in the disposal strategy. Someone
- 8:42lost their nerve or the logistics just became too difficult.
- 8:46Speaker 1: It is the ultimate collision of a calculated cover up
- 8:49and staggering sloppiness.
- 8:51Speaker 2: The don't methodically packaged remains into cadaver bags only to
- 8:54abandon the vehicle in a monitored seventy two hour parking zone,
- 8:58not unless the original plan was interrupted.
- 9:00Speaker 1: And that interruption left a direct, undeniable physical and paper
- 9:04trails Straight back to David Anthony Burke, it did. But
- 9:07to understand how a fourteen year old girl ends up
- 9:09in the front trunk of that specific car, we have
- 9:12to look far beyond the Hollywood Hills, We really do.
- 9:15We have to look at the exact kind of systemic
- 9:17cracks that make a person invisible long before they ever
- 9:20go missing. We need to talk about Celeste Abigail Revs Hernandez.
- 9:24Speaker 2: Celeste was from Lake Elsinor, California, that's the city in
- 9:27Riverside County, roughly seventy miles southeast.
- 9:30Speaker 1: Of Los Angeles, So geographically and socioeconomically, it is a
- 9:34completely different universe from the wealth of the Hollywood.
- 9:37Speaker 2: Hills, completely different. She was born to El Salvadoran immigrant parents,
- 9:42growing up in a first generation household that, by all
- 9:46public accounts, was deeply turbulent.
- 9:48Speaker 1: Yeah, the Riverside County Sheriff's Office records show that Celeste
- 9:52was reported missing at least three times in the year
- 9:55twenty twenty four alone.
- 9:56Speaker 2: Three times.
- 9:58Speaker 1: That isn't a teenager getting lost at the mom. That
- 10:00is a siren blaring that a child is actively trying
- 10:03to escape her environment.
- 10:05Speaker 2: We have context for that urge to escape. Media outlets
- 10:08spoke with her ex boyfriend, Damian Hernandez.
- 10:11Speaker 1: What did he say?
- 10:11Speaker 2: He explicitly stated that Celeste frequently ran away because her
- 10:15parents were quote really mean and she dreaded being in
- 10:18that house.
- 10:18Speaker 1: Yet we also see her mother, Mercedes Martinez, making tearful
- 10:22pleas on local television every time she vanished, just begging
- 10:25her to come home.
- 10:26Speaker 2: Right and after the remains were identified, family friends actually
- 10:29launched a GoFundMe to cover funeral expenses. It really highlighted
- 10:34the family's profound heartbreak.
- 10:35Speaker 1: It is this agonizing duality, you know, a family earning
- 10:39a beloved daughter juxtaposed against a home life that the
- 10:43daughter was repeatedly fleeing.
- 10:45Speaker 2: And that duality highlights a profound systemic vulnerability. When a
- 10:51miner is reported missing multiple times in a single calendar year,
- 10:54the bureaucratic machinery often succumbs to something. What's that is
- 10:58what sociologists called passion fatigue.
- 11:01Speaker 1: Okay, break down how compassion fatigue actually operates inside a
- 11:05police precinct. Why does the response change?
- 11:08Speaker 2: It basically comes down to resource allocation and perceived threat.
- 11:12The first time a fourteen year old vanishes, it is
- 11:14treated as a critical emergency.
- 11:16Speaker 1: Right, helicopters are deployed, Amber alerts are considered detectives are
- 11:20working around the clock exactly.
- 11:21Speaker 2: But by the third time she vanishes in eight months,
- 11:24the classification in the minds of the authorities often subtly shifts.
- 11:27Speaker 1: She is no longer viewed as an abduction risk.
- 11:30Speaker 2: Right, she is classified as a habitual runaway. The bureaucratic
- 11:33response slows down. The underlying assumption becomes well, she left
- 11:36on her own accord. She's rebelling, she knows how to survive,
- 11:40and she.
- 11:41Speaker 1: Will return when she runs out of options.
- 11:43Speaker 2: Exactly. The system stops treating the disappearance as an imminent
- 11:47threat to life and starts treating it as a recurring
- 11:50behavioral issue to be managed.
- 11:52Speaker 1: Now, I understand the strain on police resources, but it
- 11:55feels like we're almost putting her under a microscope for
- 11:58running away.
- 11:59Speaker 2: We have to be careful with that, Yeah.
- 12:01Speaker 1: I mean, should we be careful not to victim blame here?
- 12:04Her seeking an escape shouldn't be the focus over the
- 12:07predator who opened the door.
- 12:08Speaker 2: Absolutely not. We aren't analyzing her turbulent home life to
- 12:12assign her any blame for what happened. Analyzing her vulnerability
- 12:16is about exposing the exact architectural blueprint that a predator
- 12:20uses to hunt.
- 12:21Speaker 1: Because predators don't typically target the kid who is securely
- 12:25anchored in a stable community, right They.
- 12:27Speaker 2: Don't want the kid with hypervigilant parents tracking their location.
- 12:30They look for the child who was already drifting.
- 12:33Speaker 1: The child whom the systemic safety nets have already written
- 12:35off as a runaway.
- 12:36Speaker 2: Because if an habitual runaway disappears, the predator knows the
- 12:40police aren't going to knock down doors looking.
- 12:42Speaker 1: For her, and the timeline of her disappearance proves exactly
- 12:46how wide that crack in the system was. She was
- 12:49physically last seen and officially reported missing on April fifth,
- 12:53twenty twenty four.
- 12:55Speaker 2: But digital forensics later proved she was alive and actively
- 12:58communicating online well into September twenty.
- 13:01Speaker 1: Twenty four, and potentially as late as January twenty twenty five.
- 13:05She existed as a ghost in the physical world for
- 13:08nearly nine months while living a highly active life in
- 13:11the digital world, which.
- 13:13Speaker 2: Is a terrifying testament to how easily of vulnerable youth
- 13:16can be absorbed into a completely isolated digital ecosystem, all
- 13:20while the real world just stops looking for them.
- 13:23Speaker 1: And while Celeste is navigating this transient, incredibly dangerous existence,
- 13:28the man whose car she will eventually be found in,
- 13:30is experiencing a completely different reality.
- 13:33Speaker 2: A meteoric rise to global fame.
- 13:35Speaker 1: A rise that, when you look at his art, carries
- 13:37a deeply unsettling thematic irony. Let's talk about D four VD.
- 13:41Speaker 2: David Anthony Burke's origin story is basically the defining blueprint
- 13:45of the modern creator economy.
- 13:46Speaker 1: He was born in Queens in March two thousand and five,
- 13:49but raised in Houston, right.
- 13:50Speaker 2: He didn't come up through the traditional Hollywood machine. At
- 13:53seventeen years old, he was just a kid in his
- 13:55bedroom making gameplay montages.
- 13:58Speaker 1: Of Fortnite, uploading them to utube, tube and TikTok. But
- 14:01the economics of YouTube are super strict.
- 14:03Speaker 2: Yeah, if you use copyrighted music in your background track,
- 14:06the platform's algorithm flags it, it strikes your channel, and
- 14:10it demonetizes your video.
- 14:12Speaker 1: So to circumvent those copyright strikes and keep his ad revenue,
- 14:15this teenager downloads a freeium audio editing app called band
- 14:20Lab onto his smartphone.
- 14:21Speaker 2: He literally steps into his sister's closet because the hanging
- 14:25clothes provide cheap acoustic dampening, and.
- 14:27Speaker 1: He starts producing his own background beats and vocals. It
- 14:31is the ultimate democratization of music production.
- 14:34Speaker 2: He didn't need studio time or a producer, He just
- 14:36needed a phone and an Internet connection, and.
- 14:38Speaker 1: The Internet responded massively. Tracks he made in that closet
- 14:41like Romantic Homicide and Here with Me went stratospheric on TikTok.
- 14:46Speaker 2: Romantic Homicide actually peeped at number three on the Hot
- 14:49Alternative Songs chart. Here with Me cracked the Billboard Hot
- 14:52one hundred.
- 14:53Speaker 1: And this viral momentum lands him a major label deal
- 14:56with Dark Room Innerscope. He releases multiple epis pedals to
- 15:00Thorns the Lost Pedals, and.
- 15:02Speaker 2: By April twenty twenty five, right around the time investigators
- 15:06suspects Celeste's murdered, he drops his debut studio album, Withered.
- 15:10Speaker 1: Which hits number thirteen on the Billboard two hundred. I
- 15:14mean he is opening for massive artists like SCA. He
- 15:17is doing world tours. It's the ultimate gen Z Cinderella story.
- 15:20You go from a closet to opening for SAA and
- 15:23living in a Hollywood Hills rental.
- 15:24Speaker 2: But look at the thematic core of the art that
- 15:26made him famous. His music blends indie rock, alternative R
- 15:31and B, and pop, but his lyricism is almost exclusively
- 15:35focused on themes of dark, obsessive.
- 15:37Speaker 1: Love, severe emotional pain, and raw heartbreak.
- 15:40Speaker 2: The very song that launched his career is titled Romantic Homicide.
- 15:44He was being globally celebrated and financially rewarded for articulating
- 15:48a very dark, violent, strain of adolescent emotional.
- 15:51Speaker 1: Turbulence, and now he is the formal target of a
- 15:53California penal code section one eight seven a investigation And.
- 15:57Speaker 2: For anyone not steeped in the California legal system, one
- 16:00eight seven eight isn't a mysdemeter.
- 16:02Speaker 1: No, that is a specific penal code for murder.
- 16:05Speaker 2: The dissonance between his carefully cultivated, artistic persona of the sensitive,
- 16:10heartbroken teenager and the reality of a dismembered child and
- 16:15is vehicle is chilling.
- 16:16Speaker 1: But does that kind of overnight internet fueled fame warp
- 16:20a nineteen year old sense of reality and consequence?
- 16:24Speaker 2: If we look at the neurobiology and the sociology of
- 16:26that kind of overnight fame, the danger becomes very apparent.
- 16:30How So, well, at eighteen or nineteen years old, the
- 16:33human brain's prefrontal cortex, the region responsible for risk assessment
- 16:37and impulse control, is still years away from being fully developed.
- 16:41Speaker 1: So biologically he is still a teenager trying to figure
- 16:43out how the world works exactly.
- 16:45Speaker 2: Now, take that developing brain and suddenly inject it with
- 16:48millions of dollars. Yea a legion of devoted fans who
- 16:51worship every move.
- 16:52Speaker 1: At a corporate machinery of managers and handlers whose own
- 16:55livelihoods depend entirely on keeping the talent happy.
- 16:57Speaker 2: You create an ecosystem where the word no is completely
- 17:00eradicated from his daily life. The normal societal friction that
- 17:04teaches a young person boundaries is just removed.
- 17:08Speaker 1: When you are financially insulated from a consequence and socially
- 17:11elevated to the status of an idol. Dark or predatory
- 17:15impulses can easily flourish unchecked.
- 17:18Speaker 2: Because the environment actively enables them.
- 17:20Speaker 1: And that environment isn't just a physical entourage, it is
- 17:23a digital empire, which brings us to the most disturbing
- 17:27intersection of this entire case.
- 17:29Speaker 2: They didn't cross paths at a concert or a coffee shop.
- 17:31Speaker 1: Now Celeste was pulled directly into the architecture of his fame.
- 17:35Speaker 2: The unsealed documents reveal a highly disturbing digital timeline. Celeste
- 17:40was actively participating in D four vd's official discord server
- 17:44as early as twenty twenty two.
- 17:46Speaker 1: Let's contextualize those ages for a second. In twenty twenty two,
- 17:49D four VD is seventeen turning eighteen.
- 17:52Speaker 2: And Celeste is twelve turning thirteen.
- 17:54Speaker 1: A middle schooler, and within this discord server, other users
- 17:57were reportedly already referring to her as his girlfriend.
- 18:00Speaker 2: Following the discovery of her body, screenshots and chatlogs begin
- 18:03resurfacing online. They allege a history of grooming and actual
- 18:07sexual encounters.
- 18:08Speaker 1: We really have to understand the specific power dynamics of
- 18:11a discord server built around a single creator.
- 18:14Speaker 2: It operates essentially as a digital fiefdom. The creator sits
- 18:18at the absolute apex of the hierarchy. They are the
- 18:22sun that the entire community orbits around.
- 18:24Speaker 1: So for a vulnerable twelve year old girl who feels
- 18:27alienated and unloved in her physical home.
- 18:29Speaker 2: Being selected, acknowledged, and elevated by the king of this
- 18:33digital world is an intoxicating, overpowering form of validation.
- 18:37Speaker 1: It fulfills the exact emotional deficit she is running away
- 18:40from in the real world. Yes, but practically speaking, here's
- 18:43where it gets really interesting. A discord server for a
- 18:46massive artist has thousands, if not tens of thousands of
- 18:49active users. The chat feed scrolls by at the speed
- 18:53of light. How does a random twelve year old from
- 18:55Lake Elsin or even get noticed by the star? There
- 18:58has to be a mechanism or accomplices filtering these young
- 19:02fans directly to him.
- 19:04Speaker 2: That is the insidious nature of the creator pipeline. High
- 19:07profile figures rarely interact with the raw, chaotic feed of
- 19:11their general servers.
- 19:12Speaker 1: They employ or deputize moderators exactly.
- 19:16Speaker 2: These moderators act as gatekeepers. In many documented cases of
- 19:21online grooming. Within creator communities, there is a secondary layer
- 19:24of enablers.
- 19:25Speaker 1: Trusted members who scour the general chats right.
- 19:28Speaker 2: They identify the young, compliant or vulnerable fans, grant them
- 19:32VIP rolls, and funnel them into locked private voice channels.
- 19:36Speaker 1: Or direct messages where the creator can interact with them
- 19:38away from public scrutiny. Law enforcement is undoubtedly combing through
- 19:42those server logs right now to identify the digital accomplices
- 19:46who facilitated that access.
- 19:48Speaker 2: And that grooming didn't stay confined to a chat room.
- 19:51Speaker 1: No, it manifested in a deeply disturbing physical branding. The
- 19:54unsealed records and digital photos corroborated by Celeste's own mother
- 19:59confirmed that this four ten year old girl and this
- 20:01pop star shared matching tattoos, and.
- 20:03Speaker 2: Not just any design. They had. The word ahhh followed
- 20:08by an ellipsis tattooed in red ink on their right
- 20:11index fingers.
- 20:12Speaker 1: The universal physical gesture for silencing someone. The psychology of
- 20:16that is horrifying. You are an adult, or at the
- 20:20very least, a legally emancipated young man, with millions of dollars,
- 20:23and you are taking a middle schooler and permanently etching
- 20:26a command for silence into her skin.
- 20:28Speaker 2: A tattoo is an anchor. It is a permanent physical
- 20:32claim of ownership. But to explicitly choose the word sh
- 20:37is to literally brand the victim with the primary rule
- 20:41of the predatory dynamic.
- 20:42Speaker 1: It enforces the isolation.
- 20:44Speaker 2: It is a constant physical reminder stating our relationship is
- 20:48a secret and you are forbidden from speaking about it.
- 20:51It binds the vulnerable child to the powerful adult through
- 20:54shared transgression, and.
- 20:55Speaker 1: That digital grooming and physical branding eventually culminated in physical obstrud.
- 21:00This wasn't a girl who just wandered out the front
- 21:02door into the unknown.
- 21:03Speaker 2: No Celest's brother gave a statement to NBCLA noting that
- 21:07when Celeste originally disappeared, she was picked up by a
- 21:10man named David driving at.
- 21:11Speaker 1: Tesla, connecting the digital grooming directly to her physical disappearance.
- 21:15She stepped out of her turbulent home and directly into
- 21:18the vehicle that would eventually become her tomb.
- 21:20Speaker 2: Which sets the stage for a timeline of events in
- 21:23twenty twenty five that requires a staggering level of compartmentalization
- 21:28from the suspect.
- 21:29Speaker 1: Let's lay out the dates, because seeing them side by
- 21:31side is genuinely chilling. Based on the deferred autopsy and
- 21:36investigative timelines, Police suspect Celeste died in the spring of
- 21:40twenty twenty five, right around May.
- 21:42Speaker 2: The documents note a trip to Santa Barbara County during
- 21:45this window that is under intense scrutiny, though the specific
- 21:49events of that trip remain sealed.
- 21:51Speaker 1: And keep in mind the professional context. May twenty twenty
- 21:54five's exactly when D four VD is writing the massive
- 21:57wave of his debut album Withered, which draws in April.
- 22:01Speaker 2: His career is operating at maximum velocity while a murder
- 22:05is allegedly being covered up.
- 22:06Speaker 1: We move into the late summer. July twenty twenty five,
- 22:09D four VideA officially kicks off the Withered World tour.
- 22:11He is flying across the country doing press performing every night,
- 22:15and all the.
- 22:15Speaker 2: While his registered tesla is sitting completely stationary part on Bluebird.
- 22:20Speaker 1: Avenue, harboring the remains. Then we hit the cascade of September.
- 22:24September eighth, the towyard employees discover the cadaver bags in
- 22:28the front. It immediately hits the police wire, the LAPD
- 22:32mobilizes a massive forensic.
- 22:34Speaker 2: Response, and the very next day, September ninth, which again
- 22:38Celeste's fifteenth birthday, D four VD takes the stage for
- 22:42a massive arena concert in Minneapolis.
- 22:45Speaker 1: To play a show the day after the discovery. I mean,
- 22:48is that the ultimate show of sociopathy? Or is it
- 22:51the behavior of a kid who has completely dissociated from
- 22:54reality on the advice of handlers.
- 22:56Speaker 2: The psychological fortitude required to execute that performance is deeply unsettling.
- 23:01To stand under the stage lights, looking out at thousands
- 23:04of screaming teenagers.
- 23:05Speaker 1: Singing lyrics about heartbreak and violence, knowing that less.
- 23:08Speaker 2: Than twenty four hours earlier, law enforcement unzipped cadaver bags
- 23:12in the front trunk of a vehicle registered to your name.
- 23:14It defies the boundaries of normal human empathy and panic.
- 23:18Speaker 1: But is it him or is it his crisis management team,
- 23:20because you have to imagine his lawyers and managers are saying,
- 23:23do not cancel the show. If you cancel the show
- 23:25the day the car is found, it signals consciousness of guilt.
- 23:29Get on stage and pretend nothing happened.
- 23:31Speaker 2: It's almost certainly a combination of the two. High net
- 23:34worth crisis management dictates maintaining a facade of absolute normalcy
- 23:39until a legal defense is fortified.
- 23:41Speaker 1: Canceling a massive tour date draws immediate investigative and media scrutiny.
- 23:46Speaker 2: However, the internal mechanism required for a nineteen year old
- 23:50to actually follow those instructions to suppress the biological terror
- 23:54of a murder investigation and perform a pop concert it
- 23:58suggests a profound terear verifying ability to dissociate from reality.
- 24:02Speaker 1: But the reality was closing in fast. While he is
- 24:05on tour, the LAPD is executing search warrants.
- 24:08Speaker 2: On September eighteenth, just over a week after the Minneapolis concert,
- 24:12police raid his rental home in the Hollywood Hills.
- 24:14Speaker 1: They seize multiple electronics, servers, and computers. But the most
- 24:18jarring detail buried in the property inventory is the discovery
- 24:21of a burn cage incinerator.
- 24:23Speaker 2: An apparatus explicitly designed for the destruction of material.
- 24:26Speaker 1: So you have a burn cage at the house, but
- 24:28you leave the car on the street. If you are
- 24:31organized enough to buy an incinerator and dismember a body,
- 24:34why does the plan fall apart so spectacularly at the
- 24:37final step.
- 24:38Speaker 2: Because completely incinerating organic human remains is incredibly difficult, right.
- 24:44It requires immense sustained thermal heat that a standard residential
- 24:49burn cage struggles to achieve without drawing massive attention.
- 24:53Speaker 1: The presence of the cage strongly implies the initial intent
- 24:56was the total immolation of the physical evidence, likely with
- 24:59the help of those suspected accomplices.
- 25:01Speaker 2: But they likely realized the smoke, the smell, and the
- 25:04time required would alert the neighbors in a densely populated
- 25:07area like the Hollywood Hills.
- 25:09Speaker 1: The primary, highly calculated plan fractured under the weight of
- 25:12its own logistics and.
- 25:13Speaker 2: The abandonment of the tesla was the secondary, panic driven fallback.
- 25:17Speaker 1: Plan, and that panic creates a literal forensic battlefield. In
- 25:22November twenty twenty five, the case is officially classified as
- 25:25a murder investigation. LAPD Detective Joshua Buyers makes a highly
- 25:29aggressive legal maneuver.
- 25:31Speaker 2: He petitions the courts to have the medical examiner's autopsy
- 25:34report completely sealed under a security hold to protect the
- 25:38integrity of the probe.
- 25:39Speaker 1: Which is an exceedingly rare maneuver. In California, autopsy records
- 25:43are generally considered public information once the next of kin
- 25:47is notified.
- 25:48Speaker 2: It was so rare that the chief Medical Examiner, doctor
- 25:51ode Ukpoh, actually went on the record publicly criticizing the
- 25:55LAPD's request.
- 25:57Speaker 1: He argued against placing a security hold on his off
- 26:00scientific work. It really highlights this intense friction between two
- 26:04different arms of the justice system.
- 26:06Speaker 2: The police are desperate to keep the specific condition of
- 26:09the remains a secret so they can use that withheld
- 26:11information to verify witness statements or confessions.
- 26:15Speaker 1: The medical establishment, however, operates on the principle of transparency
- 26:19and scientific public record.
- 26:20Speaker 2: But the LAPD fought to seal it because they knew
- 26:23how vulnerable their physical case was. The elements had robbed
- 26:26them of a definitive cause of death.
- 26:28Speaker 1: The digital discord logs proved a grooming relationship, but digital
- 26:32logs don't inherently prove a homicide it's.
- 26:35Speaker 2: Exactly the Los Angeles prosecutors realized very quickly that they
- 26:39could not walk into a courtroom relying solely on compromised
- 26:43tissue and chat logs.
- 26:44Speaker 1: They needed human beings to testify. They needed the Inner
- 26:47circle to talk.
- 26:48Speaker 2: And that realization is the catalyst for one of the
- 26:51most explosive trans state legal chess matches in recent.
- 26:55Speaker 1: History, which brings us to the secret grand jury and
- 26:59the catastrophic clerical error that blew this entire case wide open.
- 27:03Let's talk about the Texas loophole.
- 27:05Speaker 2: This is where the machinery of the justice system becomes
- 27:07fascinatingly intricate.
- 27:08Speaker 1: By late twenty twenty five, a secret Los Angeles County
- 27:12grand jury is convene under the direction of a highly
- 27:14aggressive prosecutor named Beth Silverman.
- 27:17Speaker 2: They begin utilizing subpoena power to haul in everyone in
- 27:20D four b's orbit.
- 27:21Speaker 1: They subpoena record label executives, the subpoena his manager, Robert
- 27:25Morgan Roth. They even track down a friend of dfour
- 27:28VDS who had fled to Montana, and.
- 27:30Speaker 2: They utilize interstate warrants to physically arrest and extradite him
- 27:33back to Los Angeles. Simply for failing to appear before
- 27:36the grand jury.
- 27:37Speaker 1: A grand jury is an incredibly powerful investigative weapon for
- 27:40a prosecutor right.
- 27:41Speaker 2: Oh absolutely Unlike a standard trial, there is no judge
- 27:46presiding and no defense attorney permitted in the room to
- 27:48object to questions.
- 27:50Speaker 1: It is a closed door proceeding where the prosecutor presents
- 27:53evidence and compels witnesses to testify under oath, solely to
- 27:57determine if there is enough probable cause to issue a
- 28:00formal criminal indictment.
- 28:02Speaker 2: In January twenty twenty six, the LA prosecutors decide they
- 28:05need to go straight to the bloodline.
- 28:07Speaker 1: They utilize a specific legal mechanism called the Uniform Act
- 28:11to secure the attendance of witnesses from without the state
- 28:14in criminal proceedings.
- 28:15Speaker 2: They use this Act to serve subpoenas on d four
- 28:18Vet's immediate family living in Texas, his father Doward Burke,
- 28:22his mother Colleen Burke, and his brother Caleb Burke.
- 28:25Speaker 1: The court orders them to fly to Los Angeles and
- 28:27testify under oath on February eleventh.
- 28:30Speaker 2: The Uniform Act is essentially a reciprocal treaty between states.
- 28:33California cannot legally force a Texas resident to cross state lines.
- 28:37Speaker 1: But under the Uniform Act, California can present its evidence
- 28:40to a Texas judge, and.
- 28:41Speaker 2: If the Texas judge agrees the witness is necessary, the
- 28:44Texas court will order its own citizen to comply with
- 28:46the California subpoena.
- 28:48Speaker 1: But the Burke family did not submit quietly. The father,
- 28:51Dawud Burke, fights the subpoena tooth and nail.
- 28:53Speaker 2: He hires local council in Waller County, Texas, and files
- 28:57a petition for a writ of habeas corpus.
- 29:00Speaker 1: He is essentially utilizing a legal tool designed to prevent
- 29:03unlawful detention, arguing that California is illegally trying to pull
- 29:07his family across the country based on heavily redacted secret affidavits.
- 29:12Speaker 2: He asked the Texas courts to block the transfer, but
- 29:15the Texas judiciary doesn't buy the argument.
- 29:17Speaker 1: Between February second and February ninth, multiple layers of Texas
- 29:21courts reject do Wood's challenge and order the family to
- 29:24board a plane to La.
- 29:26Speaker 2: And this is where the entire veil of secrecy completely.
- 29:28Speaker 1: Collapses, because in the state of California, grand jury proceedings
- 29:32are mandated by law to be absolutely confidential.
- 29:34Speaker 2: Every subpoena, every piece of evidence, every affidavit filed by
- 29:38Beth Silverman in Los Angeles was under a strict judicial seal.
- 29:42Speaker 1: The public, the media, and even the fans were never
- 29:45supposed to know who the specific target of the grand
- 29:47jury was or what physical evidence had been recovered.
- 29:50Speaker 2: We weren't supposed to know about the cadaver bags, the
- 29:52fronk were the matching.
- 29:53Speaker 1: Tattoos, precisely, So what does this all mean? How did
- 29:57it get out?
- 29:58Speaker 2: Well, because the wood Burke chose to fight the subpoena
- 30:02in his home state, and because the local civil court
- 30:05dockets in Waller County, Texas operate under entirely different transparency
- 30:10laws and were not sealed.
- 30:11Speaker 1: The underlying affidavits that the Los Angeles prosecutors sent over
- 30:15to Texas to justify the subpoenas were simply entered into
- 30:18the public record.
- 30:19Speaker 2: A completely standard clerical filing in a Texas County court
- 30:22house blew the lid off the most secretive murder investigation
- 30:26in Hollywood.
- 30:27Speaker 1: That is the exact mechanism of how the public discovered
- 30:29that D four B is the formal named target of
- 30:32the murder probe.
- 30:33Speaker 2: The LAPD's own internal narratives regarding the decomposition, the burn cage,
- 30:37and the digital grooming were forced into the sunlight by
- 30:39the defense's own attempt to quash a subpoena.
- 30:42Speaker 1: The irony is absolutely staggering. By fighting the subpoena to
- 30:45protect his son, the father inadvertently published the exact horrific
- 30:49details he was trying to suppress.
- 30:51Speaker 2: And the legal justification for forcing the family to testify
- 30:55is compelling. Legal analyst Alison Trizel noted that the Texas
- 30:58courts found the family's potential time testimony material and necessary.
- 31:02Speaker 1: The detectives explicitly highlighted a close relationship between dfour V
- 31:06and his father.
- 31:08Speaker 2: The prosecutor's logic is very clear. If a nineteen year
- 31:11old finds himself in a catastrophic situation involving a deceased
- 31:15minor and a deathperate need for logistical disposal, the very
- 31:19first call he makes for help, guidance, or financial resources
- 31:22is likely to his parents.
- 31:24Speaker 1: The LAPD firmly believes the family holds critical firsthand knowledge
- 31:28about the timeline, the potential accomplices or even direct confessions.
- 31:32Speaker 2: But wait, if DS or VD has the vast financial
- 31:35resources to hire a Hollywood defense powerhouse like Blair Burke,
- 31:39an attorney who represents the absolute upper echelon of a
- 31:42list celebrities, why wouldn't his legal team ensure that Texas
- 31:46filings were sealed too? Do they just get outmaneuvered by
- 31:49the differences in state laws.
- 31:50Speaker 1: It highlights the massive friction of jurisdictional arbitrage. Blair Burke
- 31:54is a titan of California criminal defense, but she cannot
- 31:57practice law in Texas without jumping through specific and.
- 32:00Speaker 2: More importantly, the fight in Texas was a civil subpoena issue,
- 32:04not a criminal trial.
- 32:06Speaker 1: The Burke family retained Local Texas Council to fight the extradition.
- 32:10In the frantic, rapid fire environment of interstate litigation, local
- 32:14council often files a standard writ of habeas corpus, attaching
- 32:18the state's demands as exhibits.
- 32:20Speaker 2: Completely fairing to realize that those exhibits will immediately populate
- 32:24the county's public online docket before any motion to seal
- 32:28can be argued.
- 32:29Speaker 1: It was a localized procedural oversight that caused a national
- 32:32shockwave and.
- 32:33Speaker 2: The Los Angeles prosecutors capitalized on that fight immediately. Reports
- 32:38indicate that LAPD detective Alex Alas actually flew from California
- 32:42to Texas to appear in person at these local subpoena hearings.
- 32:46Speaker 1: That is highly unusual. It proves exactly how vital the
- 32:48prosecution views this family's testimony.
- 32:50Speaker 2: They view the Burks as the lynchpin that will finally
- 32:52break the wall of silence.
- 32:54Speaker 1: Which brings us to the razor's edge. Of the present moment,
- 32:56it is March twenty twenty six. The legal machinery is
- 32:59growning forward, but the fallout is already immense.
- 33:03Speaker 2: We have a family in Riverside County deeply mourning the
- 33:05loss of a fourteen year old girl whose life was
- 33:08cut brutally short.
- 33:09Speaker 1: We have a secret grand jury deliberating in downtown Los Angeles,
- 33:13holding the power to issue an indictment that would shatter
- 33:16the music industry.
- 33:17Speaker 2: And we have a global fan base that is viciously
- 33:20toxically divided online. D forty d's management team has issued
- 33:24absolutely zero public statements beyond quietly canceling the remainder of
- 33:29his tour dates.
- 33:30Speaker 1: The silence from his camp is deafening, but legally, remaining
- 33:34silent is the only viable strategy when you are staring
- 33:37down the barrel of a one eight seven a investigation.
- 33:40Speaker 2: Meanwhile, you have thousands of fans warring in common sections,
- 33:44some demanding accountability in justice for Celest while others outright
- 33:47refuse to believe the unsealed court documents.
- 33:49Speaker 1: Claiming the entire investigation is a fabricated set up by
- 33:52the police.
- 33:53Speaker 2: It demonstrates the terrifying power of parasocial loyalty. Because fans
- 33:58have spent hundreds of hours listening to his voice in
- 34:00their headphones, they feel a false sense of intimate knowledge
- 34:03about his character.
- 34:05Speaker 1: They are willing to defend him against empirical forensic evidence
- 34:08and sworn police affidavits because accepting the truth would mean
- 34:12emitting they idolized a predator.
- 34:14Speaker 2: But the justice system does not operate on streaming numbers
- 34:17or fandom. The forensic re examinations of the Tesla are ongoing,
- 34:22the grand jury remains active.
- 34:24Speaker 1: And Celeste's family is currently exploring a civil lawsuit against
- 34:27the LAPD simply to force more transparency regarding the investigation
- 34:32into their daughter's death. They are demanding answers, and they.
- 34:35Speaker 2: Absolutely deserve them.
- 34:37Speaker 1: This case is a labyrinth, but it is one we
- 34:39must navigate. Let's recap the journey of this deep dive,
- 34:42because the ground we have covered today is immense.
- 34:45Speaker 2: We started by looking at a vulnerable fourteen year old girl,
- 34:48Celeste Reevus. She was navigating a deeply turbulent home life
- 34:53and slipping through the widening cracks of a systemic safety
- 34:56net that suffered from bureaucratic compassion fatigue.
- 34:59Speaker 1: We watched her seque refuge in the digital world, only
- 35:01to be pulled into the dark side of a modern
- 35:03Cinderella story.
- 35:05Speaker 2: We broke down the architecture of a discord server, showing
- 35:08how a creator's fiefdom can be weaponized into a grooming pipeline,
- 35:12culminating in a permanent physical branding of silence.
- 35:15Speaker 1: We analyzed the gruesome physical discovery in the Hollywood Hills,
- 35:18unpacking the specific thermodynamics of how an electric vehicle's fronk
- 35:22accelerated decomposition.
- 35:24Speaker 2: Creating a forensic nightmare that robbed the medical examiner of
- 35:27a definitive cause of death.
- 35:29Speaker 1: We explored the chilling cognitive dissonance of a nineteen year
- 35:32old pop star performing for thousands of screaming fans while
- 35:35his abandoned car held a devastating secret.
- 35:38Speaker 2: And finally we untangled the trans state legal chess match.
- 35:42We explained the mechanics of the Uniform Act, the power
- 35:45of a secret grand jury, and how a routine clerical
- 35:48filing in a Texas courthouse accidentally utilized the Texas loophole
- 35:52to expose the entire hidden investigation to the world.
- 35:55Speaker 1: This deep dive serves as a harsh, unforgiving mirror. It
- 35:58reflects the catastrophic systemic failures in how our society protects
- 36:02its runaway youth.
- 36:03Speaker 2: It exposes the terrifying double edged sword of social media fame,
- 36:08proving that the exact same digital platform a creator uses
- 36:11to build an empire can also be meticulously structured as
- 36:15a hunting ground.
- 36:16Speaker 1: And it completely shatters the illusion that immense wealth, celebrity status,
- 36:20and high price Hollywood lawyers can permanently insulate you from
- 36:24the truth.
- 36:25Speaker 2: You simply cannot buy a big enough rug to sweep
- 36:28a tragedy of this magnitude under.
- 36:30Speaker 1: It forces every single one of us to fundamentally reevaluate
- 36:33what we are actually looking at when we look at
- 36:35success and celebrity in the digital.
- 36:37Speaker 2: Age, which brings us back to the very beginning. We
- 36:40like our danger to be visible. We expect terrible things
- 36:43to happen in abandoned warehouses or dark alleyways.
- 36:46Speaker 1: We don't expect the monsters to be on our Spotify
- 36:48wrapped playlists, or headlining massive arena tours, or driving luxury
- 36:52sedans down Bluebird Avenue in the Hollywood Hills.
- 36:55Speaker 2: The digital world and the physical world collided here, and
- 36:58the fallout is absolute DEAs station.
- 37:00Speaker 1: And I want to leave you, our listener, with a
- 37:03final lingering thought to mull over today, something that builds
- 37:07on everything we have unpacked regarding the intersection of art, commerce,
- 37:12and true crime.
- 37:13Speaker 2: When we consume art, especially music that so rawly and
- 37:16violently explores dark emotional themes of obsession, control, and heartbreak,
- 37:22we rarely pause to ask what real world experiences actually
- 37:26fuel that lyricism.
- 37:28Speaker 1: We give artists the benefit of the doubt. We assume
- 37:30it is just a theatrical performance designed for entertainment.
- 37:33Speaker 2: But if an artist's darkest, most violent lyrics are not
- 37:37just performance, but are actually confessions hiding in plain sight.
- 37:41Speaker 1: Does our eager participation in celebrity stand culture make us
- 37:45wilfully blind to the red flags waving right in front
- 37:47of us.
- 37:48Speaker 2: When we stream the music and buy the concert tickets,
- 37:50are we just cheering for the art or are we
- 37:52actively funding and applauding the warning signs of a predator.
- 37:55Speaker 1: Thank you for taking this deep dive. We will see
- 37:57you next time.