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Flashback The Lox and Issa Rae Interview · The Breakfast Club

• 0:00
  Speaker 1: Right, come on, wake ye and Charlomagne wa. Come on
• 0:04
  Speaker 1: everybody that anybody comes through the Breakfast Club. You know
• 0:07
  Speaker 1: you get voice to people that would be voiceless. Right now,
• 0:11
  Speaker 1: your show has the post of the culture. Yeah, everyone
• 0:15
  Speaker 1: smells rich, successful for all that now and nobody saying
• 0:19
  Speaker 1: I don't stop for the team at the Breakfast Club.
• 0:22
  Speaker 1: Wait what you wake your podcast up? Did your time
• 0:27
  Speaker 1: to get it off your chests? Whether you're man or blessed,
• 0:29
  Speaker 1: So we better have the same endtry. We want to
• 0:31
  Speaker 1: hear from you on the Breakfast Club. Hello, who's this yo?
• 0:36
  Speaker 1: DJ m D Charlotmagne the God angela Ye, good morning,
• 0:40
  Speaker 1: good morning morning. So what I want to get off
• 0:42
  Speaker 1: my chest? I know, DJMB you go through this all
• 0:44
  Speaker 1: the time. I'm half black. People come up for me
• 0:48
  Speaker 1: to ask me what my nationalities and doing that. I'm
• 0:51
  Speaker 1: spanished for the Rican, but my dad's black, my mom's wife.
• 0:55
  Speaker 1: It gets me frustrated sometimes I want to know what
• 0:57
  Speaker 1: you do about that? How the hell would we know
• 1:00
  Speaker 1: you talked about me. I don't pay any mind. I
• 1:02
  Speaker 1: don't pay it any mine. I mean I don't care.
• 1:04
  Speaker 1: I mean it doesn't bother me. It's not like something like,
• 1:06
  Speaker 1: oh my god, this grinding my gears. No, I don't care.
• 1:09
  Speaker 1: You don't like when people say you domnd again, so
• 1:11
  Speaker 1: I'll joke back. I'm saying black, but I don't upset
• 1:14
  Speaker 1: me to the point where I'm going to corner cry.
• 1:15
  Speaker 1: But people are asking you. If they ask you, what
• 1:17
  Speaker 1: are you? Make up your mind you just you just
• 1:21
  Speaker 1: say it's not a problem. But now you're saying you're
• 1:23
  Speaker 1: not to get that mad, and that I'm saying, I'm
• 1:25
  Speaker 1: trying to understand. So people just say what are you? Yeah,
• 1:28
  Speaker 1: they ask you what my nationality is? I'm like, I
• 1:31
  Speaker 1: told him to guess, and they usually go a Spanish
• 1:38
  Speaker 1: I wish envy would I wish Envy would human me
• 1:40
  Speaker 1: one day and say guess what I am. Now I
• 1:43
  Speaker 1: understand now he's annoyed that people come up to him
• 1:46
  Speaker 1: that don't even know him and just say what's your nationality? Like, yeah,
• 1:50
  Speaker 1: I get it. It's annoying, Thank you, brother. I don't
• 1:52
  Speaker 1: have a problem. Like, I never really understand why people
• 1:55
  Speaker 1: get mad at that. There's so many nationalities and so
• 1:57
  Speaker 1: many people. If you see somebody you want to ask,
• 2:00
  Speaker 1: does that bother people? I don't understand well, he's bad.
• 2:02
  Speaker 1: He's inquisitive, like what are you? Oh, you're this and that? Okay,
• 2:05
  Speaker 1: that's dope. I'man. They're titled to be bothered. But if
• 2:07
  Speaker 1: you have something in your mind, you know what I mean? Like,
• 2:09
  Speaker 1: if you in your mind you know what you are,
• 2:11
  Speaker 1: I can see why that would be annoying because you
• 2:14
  Speaker 1: think you would hope everybody else sees it too. But
• 2:16
  Speaker 1: what are you showing me? Black? One percent? Pure God? Okay,
• 2:21
  Speaker 1: you don't look black to me? Hello? Who's this look
• 2:24
  Speaker 1: on the white side? I'm ninety s I'm actually ninety
• 2:26
  Speaker 1: seven percent West African. I've done my African ancestry. Hello,
• 2:30
  Speaker 1: who's this yo? What's going on? Phillip Brown? Listen? Yesterday
• 2:35
  Speaker 1: was school crazy. Everybody stupid or a social media man
• 2:39
  Speaker 1: and needs to all get off of it. Social media
• 2:42
  Speaker 1: is just an ever last thing shape of fool of
• 2:44
  Speaker 1: a fool bo people we don't care about That's right.
• 2:47
  Speaker 1: How did you know everybody was going crazy over it?
• 2:49
  Speaker 1: Where'd you see that anything about? Yeah? It was news
• 2:56
  Speaker 1: like it was on CNN, MSNBC. I'm like, oh, case,
• 3:00
  Speaker 1: so you don't use social media? No, I'm only that
• 3:03
  Speaker 1: because you know what I'm saying, you start preparing yourself
• 3:05
  Speaker 1: for people who do put up the highlight charm. I literally,
• 3:10
  Speaker 1: I said, I told Duval this is about a week ago.
• 3:13
  Speaker 1: I was like, your winded. Social media become like a
• 3:15
  Speaker 1: university of higher learning, like I remember ten years ago,
• 3:18
  Speaker 1: and it was literally just the playground. It was literally
• 3:20
  Speaker 1: just a place we went to have fun. We unplugged.
• 3:24
  Speaker 1: People don't unplugged no more. Nope, Hello, who's this? You
• 3:27
  Speaker 1: know what's up? Broke it off your chest. I want
• 3:32
  Speaker 1: to send a shout out to this miserable person I
• 3:35
  Speaker 1: met this week and who worked at the Barclay Center.
• 3:38
  Speaker 1: If you are a miserable person, do not pass it
• 3:40
  Speaker 1: on the other people. What happened? All right? So I
• 3:44
  Speaker 1: was working a j Cole concert. First of all, he's
• 3:46
  Speaker 1: my favorite artist. I was praying to work this concert.
• 3:50
  Speaker 1: I worked the concert. Um, I'm also an artist, So
• 3:53
  Speaker 1: I'm like, man, I hope I could get a chance
• 3:55
  Speaker 1: to shoot my shot tonight. I'm standing on the side
• 3:58
  Speaker 1: of the stage right and Jay Cole stuck in leg
• 4:02
  Speaker 1: up on the speaker and it ended up falling off
• 4:04
  Speaker 1: the stage. I caught the speaker. We put the speaker
• 4:07
  Speaker 1: back on Now if you have seen it, you would
• 4:10
  Speaker 1: have known that whole chain of speakers would have fell up.
• 4:13
  Speaker 1: So okay, I just saved that from happening. Some woman
• 4:17
  Speaker 1: sees me, Yeah, she goes, uh, yeah, you don't belong
• 4:20
  Speaker 1: over here. You gotta you gotta go. I'm like, okay,
• 4:24
  Speaker 1: now I go to where I'm supposed to be. But
• 4:28
  Speaker 1: you know, and you guys have been to the Bark
• 4:29
  Speaker 1: Clay Center, you know where where the cars come into
• 4:32
  Speaker 1: where downstairs, And I just waited over there respectfully. You know,
• 4:37
  Speaker 1: I could have pretended I was a part of the entourage,
• 4:39
  Speaker 1: snuck back there. I didn't do anything like that. I
• 4:42
  Speaker 1: just waited quietly, um while, you know, while going back
• 4:46
  Speaker 1: and forth and working, and the same miserable worker came over,
• 4:51
  Speaker 1: where do you belong? Oh you don't belong here now
• 4:54
  Speaker 1: reporting me and a whole bunch of nonsense. But you
• 4:58
  Speaker 1: could just tell man just a minimble person. And she
• 5:01
  Speaker 1: wanted to pass that on to whoever else. You know.
• 5:04
  Speaker 1: Now you're leaving out the part where you was trying
• 5:06
  Speaker 1: to slip J Cole your mixtape, and you're telling J
• 5:08
  Speaker 1: Cole you rap on. I just said that he said
• 5:11
  Speaker 1: that wasn't a mixtape. And and I don't get that.
• 5:14
  Speaker 1: You just said shoot your shot. I didn't want to.
• 5:16
  Speaker 1: I didn't want it. That could go any that could
• 5:17
  Speaker 1: mean anything. You said, shoot you she's a manager. But
• 5:20
  Speaker 1: was she a manager? No, she wasn't a manager because
• 5:22
  Speaker 1: because she could have got in trouble, maybe Jay Cole's
• 5:24
  Speaker 1: people would have called to respect that. It was just
• 5:28
  Speaker 1: the way she went about it. The way she went
• 5:30
  Speaker 1: about it was just nasty and Charlo Man, come on,
• 5:33
  Speaker 1: I'm about to shoot my shot. What you want of
• 5:35
  Speaker 1: these men? Man? You said shoot your shot? Didn't he
• 5:38
  Speaker 1: say that? You said you wanted to shot my artists
• 5:39
  Speaker 1: before I said that you shot. I'm worried about. I
• 5:42
  Speaker 1: don't know what kind of picture you wanted to paint.
• 5:44
  Speaker 1: But I was but where Okay, I got a question?
• 5:47
  Speaker 1: Where are you? Where are you not where you were
• 5:49
  Speaker 1: supposed to be? Though? He wasn't you know, he was
• 5:51
  Speaker 1: somewhere else? No, No No, I wasn't. I wasn't where I
• 5:53
  Speaker 1: was supposed to be. I mean, like, it's not like
• 5:55
  Speaker 1: I was making a disruption or or like I went
• 5:59
  Speaker 1: about it like you know, I work in production, so
• 6:01
  Speaker 1: I'm trying not to invade people's face, I get it. Yeah,
• 6:05
  Speaker 1: but she was she was she was security. But I
• 6:09
  Speaker 1: will say, out of every venue that I've ever been to,
• 6:12
  Speaker 1: any any concert hall or any arena, the ball Layers
• 6:15
  Speaker 1: usually the nicest people I've ever been to. A lot
• 6:19
  Speaker 1: of people work at the Black Lads. This is the
• 6:21
  Speaker 1: nicest place. I was surprised because at the at the
• 6:25
  Speaker 1: Garden that like that. Yeah, I would say, you know,
• 6:28
  Speaker 1: I love the I would say the ball Lace is
• 6:29
  Speaker 1: better than the Garden to me and embody on all
• 6:31
  Speaker 1: these arenas, but I did love it the Garden to
• 6:33
  Speaker 1: We gotta do your job, bro, that's it. Good job,
• 6:35
  Speaker 1: all right, Joel Man, He's like man five eight five
• 6:40
  Speaker 1: one oh five one that we got rooms all the way. Well,
• 6:42
  Speaker 1: this sounds like true love. Imagine you have to right
• 6:45
  Speaker 1: the Breakfast Club I'm I'm doing. This is your time
• 6:57
  Speaker 1: to get it off your chest, whether you're mad or
• 6:59
  Speaker 1: black eight one, we want to hear from you on
• 7:03
  Speaker 1: the Breakfast Club. Hello, who's this? Hey? What's going on?
• 7:08
  Speaker 1: My name is James? James? What I'm getting off your chest?
• 7:11
  Speaker 1: Just found out my daughter is in mind biologically and
• 7:14
  Speaker 1: I'm going through a lot of emotions right now. Damn
• 7:17
  Speaker 1: how old she had a homeboy that happened to back
• 7:19
  Speaker 1: in the day, man, how old is she? Yeah, she'll
• 7:22
  Speaker 1: be ten in a couple of weeks. Well, I'm gonna
• 7:25
  Speaker 1: tell you something. There's no getting out of her life. Now.
• 7:28
  Speaker 1: I know that sounds crazy, but it's true. Like I
• 7:30
  Speaker 1: had a homeboy that happened too. But once you have
• 7:33
  Speaker 1: that emotional spiritual connection with a child, like you know,
• 7:36
  Speaker 1: you're not you're not you can't turn that off. Yeah,
• 7:38
  Speaker 1: most definitely not. That's always my baby girl. What made
• 7:41
  Speaker 1: what made you get tested? Well? I didn't have the
• 7:44
  Speaker 1: resources before because I was on child support going back
• 7:48
  Speaker 1: and forth with my daughter's mom. But I got a
• 7:51
  Speaker 1: new job so I was able to scrap up the
• 7:54
  Speaker 1: money and actually do the task. Well, I'm sending you
• 7:57
  Speaker 1: healing energy. Can't you just remember that's not that child? Man?
• 8:00
  Speaker 1: And you know you gotta look at it from on
• 8:01
  Speaker 1: a different angle. You know, you're the person that God
• 8:04
  Speaker 1: put in her life to raise them and be her
• 8:06
  Speaker 1: father figure, you know what I mean. I didn't even
• 8:08
  Speaker 1: think about it like that. But you don't gotta pay
• 8:10
  Speaker 1: child support no more. You can just raise and pay
• 8:12
  Speaker 1: what you want to pay. Correct. I don't know. Nah,
• 8:15
  Speaker 1: I think according to New York State, I got to them. Yeah,
• 8:18
  Speaker 1: I think you still have to pay. Yeah, but I
• 8:21
  Speaker 1: think honestly, man ten years old, you've been with that
• 8:23
  Speaker 1: young lady ten years, you probably want to you know,
• 8:25
  Speaker 1: you might not want to pay the mother though, you
• 8:27
  Speaker 1: might just want to take care of his daughter exactly.
• 8:29
  Speaker 1: It's a weird law though, that even though you find
• 8:32
  Speaker 1: out a child's not yours, you've been raising her as
• 8:34
  Speaker 1: if she is yours, and then you still have to
• 8:36
  Speaker 1: continue to pay child support. Yeah, what's her biological father? King,
• 8:41
  Speaker 1: No clue. See, that's that's my point. That's why I say.
• 8:44
  Speaker 1: You know, God put you in that young lady's life
• 8:47
  Speaker 1: for a reason, man, so should hold that position down.
• 8:50
  Speaker 1: He shouldn't have to pay child support though. Yeah, I shouldn't. No,
• 8:54
  Speaker 1: not at all. I'm looking into lawyers now so I
• 8:56
  Speaker 1: can try and take care of this situation. I'll always
• 8:59
  Speaker 1: be there for her, but I don't want to support
• 9:01
  Speaker 1: her mother. Absolutely agree with you too, brother, I get
• 9:03
  Speaker 1: it all right, man, have a good one. Man, God
• 9:05
  Speaker 1: bless you. Brother. All right, Hello, who's this hello? I
• 9:10
  Speaker 1: just want to say you blood to the morning everybody.
• 9:13
  Speaker 1: Stone was having brother. What's up? Charlotte made a god
• 9:17
  Speaker 1: what's up? Angela? Red? You don't never speak, but what's up? Red? Hey?
• 9:27
  Speaker 1: I just want to shout out my board real quick.
• 9:28
  Speaker 1: He just came out with a new project. The name
• 9:30
  Speaker 1: is Patient Steve Underscore. He's Haitian obviously follow him on
• 9:37
  Speaker 1: B H A I E I A and Steve stev
• 9:42
  Speaker 1: E Underscore And uh what I wanted to sell y
• 9:45
  Speaker 1: all the story? So last off the train and Woodbridge
• 9:49
  Speaker 1: and I come off the train and I see a
• 9:51
  Speaker 1: black dude on the platforms. I say, what's up? I
• 9:53
  Speaker 1: give him the head nod, like when black people see
• 9:55
  Speaker 1: each other, we give each other the head nod. Right,
• 9:57
  Speaker 1: So he gave me the head nod and starts, don't
• 10:00
  Speaker 1: have me crazy? Let's rum with that. No, but it
• 10:03
  Speaker 1: was a crazy smile. It was like like, hey, like
• 10:06
  Speaker 1: I want to Holly smile. Listen, Sharan Stone, don't get
• 10:09
  Speaker 1: down that way. Man, are you Sewn Stone? Why can't
• 10:11
  Speaker 1: you just take it as a confidence. Why are you
• 10:13
  Speaker 1: referring to yourself as Shaun Stone or not? Listen? The
• 10:18
  Speaker 1: matter of fact, I went down the serious When I
• 10:20
  Speaker 1: look behind me, this dude is following me. So I said, hey,
• 10:23
  Speaker 1: why are you following me? Man? So you was like no,
• 10:26
  Speaker 1: and then ran back up seeing them home on the train. Crazy.
• 10:30
  Speaker 1: I mean, you shouldn't be winking that brothers on the
• 10:33
  Speaker 1: train for the platform, right, I didn't wink. I'll sell you.
• 10:35
  Speaker 1: What's up? I head? Now, that's not that's not a wink.
• 10:38
  Speaker 1: Bro Okay, let's just be flat. Just be flattered. Yeah,
• 10:41
  Speaker 1: just be flattered. It ain't was cute, all right, get
• 10:45
  Speaker 1: into a few chests eight hundred five eight five one
• 10:47
  Speaker 1: on five one if you need to venteit this up now.
• 10:49
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Everybody
• 10:55
  Speaker 1: is tj Envy Angela Ye, Charlemagne the guy. We are
• 10:59
  Speaker 1: the Breakfast Club. We got a special guest in the building,
• 11:02
  Speaker 1: Wayne Brady. Yes, it is a pleasure in person. I
• 11:06
  Speaker 1: get to see y'all face to face. Yeah. We spoke
• 11:08
  Speaker 1: to him during the pandemic zoom. Yeah, how was your pandemic?
• 11:12
  Speaker 1: We I mean we've seen some of it on social
• 11:14
  Speaker 1: media of how you live for people that don't know,
• 11:16
  Speaker 1: how did you spend your pandemic time? I spend my
• 11:19
  Speaker 1: pandemic healing. I didn't realize that that I missed my
• 11:23
  Speaker 1: family as much as I did. I'm basically at the
• 11:26
  Speaker 1: heart of my homebody. I live for my family. I
• 11:29
  Speaker 1: love my daughter. She is my universe. My ex wife
• 11:33
  Speaker 1: is my best friend, and her boyfriend is one of
• 11:36
  Speaker 1: my best friends. And I'd been on the road so
• 11:39
  Speaker 1: much in filming and working, which is the blessing. But
• 11:42
  Speaker 1: I got to spend this uninterrupted time with my daughter
• 11:46
  Speaker 1: and connect with her as a young lady because during
• 11:49
  Speaker 1: the pandemic, she was like from sixteen and a half
• 11:52
  Speaker 1: to just turning eighteen, so that was a really formative
• 11:55
  Speaker 1: year and a half of I could be with her,
• 11:57
  Speaker 1: talk to her. She got her first boyfriend right as
• 12:01
  Speaker 1: the pandemic begun, so all these issues that happened, thank
• 12:04
  Speaker 1: god I was present. Yeah, people found it so unusual
• 12:08
  Speaker 1: that you could be best friends with your ex wife
• 12:10
  Speaker 1: and co parent the way that you are. I see,
• 12:12
  Speaker 1: they adopted a child and you're also going to be
• 12:14
  Speaker 1: co parenting with that baby as well. But how do
• 12:18
  Speaker 1: you get to that space? I know I wasn't an
• 12:19
  Speaker 1: easy road. That's the sitcom that I really want to
• 12:23
  Speaker 1: make because that's the real is you look at it
• 12:26
  Speaker 1: on TikTok and I talk about Mandy. You know, shout
• 12:29
  Speaker 1: out to Mandy. My ex wife is my best friend. No,
• 12:31
  Speaker 1: she actually gets mad when I say, man name my
• 12:33
  Speaker 1: ex wife because folks just distiller down to that. She
• 12:36
  Speaker 1: is an amazing creative in her own right. And I
• 12:39
  Speaker 1: give her so much credit for my early success because
• 12:42
  Speaker 1: she put up with all my early ideas and told
• 12:44
  Speaker 1: me to go for it. She's brilliant and she runs
• 12:47
  Speaker 1: my company. When we got divorced, we loved each other.
• 12:51
  Speaker 1: But then we have this kid and I'm running nuts.
• 12:53
  Speaker 1: It was my first time being single, so I'm being
• 12:56
  Speaker 1: an idiot and we couldn't agree on co parenting. We're
• 13:00
  Speaker 1: constantly fighting and I'm just being an asshole. And and
• 13:03
  Speaker 1: there's a moment when you're like, I just want some peace,
• 13:06
  Speaker 1: and you learned that in order to get peace, we
• 13:09
  Speaker 1: need to be on the same page. So I need
• 13:11
  Speaker 1: to be respectful as the father of this beautiful daughter.
• 13:15
  Speaker 1: I need to give her mother all respect and praise
• 13:18
  Speaker 1: and do so. I need to pull back on my
• 13:21
  Speaker 1: nonsense and actually listen to her, which was part part
• 13:24
  Speaker 1: of the problem. Didn't know what this nonsense is because
• 13:26
  Speaker 1: when you said you were being an ass like to
• 13:28
  Speaker 1: find that Oh, I just think in the sense of
• 13:30
  Speaker 1: it had to be my way or the highway. And
• 13:33
  Speaker 1: at the time she was dating one of my dancers,
• 13:36
  Speaker 1: which is Jason. So Jason was one of my dancers
• 13:38
  Speaker 1: in my Vega show. They they they got together. How
• 13:42
  Speaker 1: did that work out? Jason? You see every day start
• 13:45
  Speaker 1: dating your ex and how did you take that? Now
• 13:49
  Speaker 1: you gotta now, you gotta fight because you've been around
• 13:51
  Speaker 1: all this time. Now you only five minutes Jason, you
• 13:54
  Speaker 1: know what I mean. See I'm saying it like it's
• 13:56
  Speaker 1: a joke, but there there was a time. Thank god
• 13:59
  Speaker 1: that Jason is. I give Jason credit as well. Man
• 14:02
  Speaker 1: to man, Jason is a beautifully either Jason at that
• 14:06
  Speaker 1: time was beautifully evolved or just so whatever that my
• 14:13
  Speaker 1: rara and my agitation towards him, he really didn't let
• 14:17
  Speaker 1: it get to him. And now, in hindsight, at a
• 14:20
  Speaker 1: one point I went when they were dating. I pulled
• 14:23
  Speaker 1: up outside of her house like at nine or ten
• 14:26
  Speaker 1: o'clock at night. It't always happens, even like one of
• 14:28
  Speaker 1: those old R and B songs when you've had a
• 14:31
  Speaker 1: couple of drinks above your head. Listen, I'm just a
• 14:35
  Speaker 1: guy just standing outside I'm like, you know what, tonights
• 14:38
  Speaker 1: and night, I'm not gonna let him. He's not gonna
• 14:40
  Speaker 1: raise my daughter. I wouldn't become in that house. I
• 14:43
  Speaker 1: pay for this house, like I was leading a bad
• 14:46
  Speaker 1: Tyler Perry movie. I paid for this house. You don't
• 14:48
  Speaker 1: come outside right now? Mother? What an idiot? What did
• 14:53
  Speaker 1: Jason Dowdy come outside? He's like, hey, man, what's going on?
• 14:56
  Speaker 1: I tell you what's going on? And for years I
• 14:59
  Speaker 1: was on that track. Once I was able to start
• 15:01
  Speaker 1: going to therapy, which which I have to advocate the
• 15:04
  Speaker 1: best thing that I ever did for my mental health
• 15:07
  Speaker 1: and for my relationship with my daughter and just for
• 15:10
  Speaker 1: me walking around in the world going to therapy. What
• 15:13
  Speaker 1: got you there? And did you fire Jason when when
• 15:15
  Speaker 1: you find out like he's your dancer, you find out
• 15:17
  Speaker 1: he's dating your ex? Did like you're fired? Well, well,
• 15:20
  Speaker 1: just to clarify for folks listening, we were separated and
• 15:23
  Speaker 1: getting the divorce papers right at so many didn't do
• 15:26
  Speaker 1: anything wrong. Nobody was running around, which makes me which
• 15:29
  Speaker 1: is why I claim my stupidity. I claim my ignorance.
• 15:33
  Speaker 1: People do say that's against the bro code, though, like
• 15:36
  Speaker 1: were your friends you and Jason friends, We were friends,
• 15:39
  Speaker 1: but you know, the reality is he was working for me.
• 15:42
  Speaker 1: He wasn't like a dude that I would take a
• 15:44
  Speaker 1: bullet for no offense. Jason damage like at the time
• 15:50
  Speaker 1: he was on my payroll. I signed your chest. Now
• 15:53
  Speaker 1: you'll call nine one one right now, I'll call one.
• 15:55
  Speaker 1: Oh my god, he shot quick. Please He's got a baby.
• 15:59
  Speaker 1: So yeah, But but then I should not have taken
• 16:02
  Speaker 1: that stance. Jason didn't owe me anything, so in that instance,
• 16:05
  Speaker 1: the bro code didn't apply. And Mandy Mandy, she didn't
• 16:10
  Speaker 1: have to ask me. Mandy said to me, Wayne, I
• 16:13
  Speaker 1: am going to start dating. We'd already been separated for
• 16:15
  Speaker 1: a couple of years. When I'd like to start dating.
• 16:19
  Speaker 1: I believe that Jason and I have a connection. I
• 16:23
  Speaker 1: was like, oh, sure, yeah, do what you want. I'm grown,
• 16:26
  Speaker 1: I'm in Vegas. H No, I should have expressed my
• 16:31
  Speaker 1: true opinion. So she told you she was real. She
• 16:33
  Speaker 1: told me she I gave it a fake blessing, gave
• 16:38
  Speaker 1: it the Pope wave. What were you doing? Damn man,
• 16:43
  Speaker 1: everything everyone just you know, just being messy. How did
• 16:47
  Speaker 1: you end up in the house. How was that conversation?
• 16:49
  Speaker 1: So the pandemic happened, La is crazy. Everybody scared? Did
• 16:53
  Speaker 1: you make the phone call? And he'd be like, hey,
• 16:54
  Speaker 1: I'm home now, can I Can I come over? Like
• 16:56
  Speaker 1: how did that conversation happen? So we were close enough
• 16:59
  Speaker 1: that we said, okay, well, this pandemic is happening, we
• 17:01
  Speaker 1: need to circle the wagons. And I lived with them
• 17:05
  Speaker 1: earlier that year because my house was being renovated, so
• 17:09
  Speaker 1: I actually lived in the house with her, Jason and Miley.
• 17:12
  Speaker 1: So that's when we even started talking about trying to
• 17:15
  Speaker 1: write a sitcom because we just thought this is really funny.
• 17:18
  Speaker 1: We have an insular village, like we are strong, more
• 17:22
  Speaker 1: support more supportive, and he knows that I've got his back.
• 17:26
  Speaker 1: All right, we got more with Wayne Brady when we
• 17:28
  Speaker 1: come back, don't move. It's the Breakfast Club. Good Morning,
• 17:31
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee. Charlemagne,
• 17:38
  Speaker 1: the guy we are to Breakfast Club was still kicking
• 17:40
  Speaker 1: it with Wayne Brady. Now you have a show now
• 17:42
  Speaker 1: where people didn't necessarily love what you were doing. Let's
• 17:45
  Speaker 1: make a deal. Some white people were leaving messages and
• 17:47
  Speaker 1: they were racist messages and all that. So what happened.
• 17:50
  Speaker 1: What did you do to that? We'll see you know.
• 17:54
  Speaker 1: On the flip side, I'm blakendy blakenty black now too
• 17:57
  Speaker 1: black for some people and not black enough for Bingo
• 18:00
  Speaker 1: was like a cbfour remember because I'm black, y'all. I'm black, y'all.
• 18:05
  Speaker 1: That's the funniest thing. If you go on the let's
• 18:07
  Speaker 1: make a deal message boards, depending on the day of
• 18:10
  Speaker 1: the week, I'll have some white folks. I am not
• 18:13
  Speaker 1: watching this one one, dude. I saved save this one
• 18:16
  Speaker 1: because I sent it to the vice president of the network.
• 18:20
  Speaker 1: I loved this show at one point, but now it's
• 18:23
  Speaker 1: like I'm watching a show on dot dot dot b et. Wow, discriminatory.
• 18:30
  Speaker 1: I like you first, Wayne Brady, but all you do
• 18:33
  Speaker 1: is you pick black people four messages down. You're a disgrace,
• 18:37
  Speaker 1: Wayne Brady. Whose ass are you kissing all these white
• 18:40
  Speaker 1: people that you're always making deals with? You you don't
• 18:43
  Speaker 1: want us to get ahead. I'm like, you all watch
• 18:46
  Speaker 1: the same damn show. They had to completely opposite react.
• 18:50
  Speaker 1: It's the same show. So at this point I'm like, look,
• 18:52
  Speaker 1: you know what it is. What it is, And the
• 18:55
  Speaker 1: thing is, I don't pick the people, so spoiler alert.
• 18:58
  Speaker 1: But I will say what is good and I'm not
• 19:00
  Speaker 1: going to apologize for this and shout out to the
• 19:03
  Speaker 1: production crew and fremantle of Let's make a deal. We
• 19:06
  Speaker 1: have made sure that that show is inclusive of black,
• 19:10
  Speaker 1: people of Latin, people of gay, people of trans, people
• 19:13
  Speaker 1: of gay couples with the folks that will play. But
• 19:16
  Speaker 1: because if you look at a lot of game shows,
• 19:18
  Speaker 1: there's not a lot of people of color, and when
• 19:20
  Speaker 1: there are people of color, they've been carefully curated to
• 19:24
  Speaker 1: let's just say show one particular side of us that
• 19:27
  Speaker 1: then the producers can frame some of the games like, oh, well,
• 19:32
  Speaker 1: I'm sorry Mark Quita that you couldn't answer that question. No,
• 19:38
  Speaker 1: there's none of that. So if you're gonna get mad
• 19:40
  Speaker 1: at me because we are giving everyone an equal shot, sure,
• 19:43
  Speaker 1: And yeah, like that dude did did a He had
• 19:45
  Speaker 1: his fifteen min minutes of fame leaving me that that
• 19:48
  Speaker 1: message on on the CBS Voiceline. But they just played
• 19:52
  Speaker 1: that one. I get those every other day. Oh yeah,
• 19:56
  Speaker 1: oh yeah, it's the world we live in. Act Like,
• 20:00
  Speaker 1: isn't you know I don't see color. I don't expect
• 20:03
  Speaker 1: Come on, that's the most racist thing that you can say,
• 20:05
  Speaker 1: there's no way that you can't look at someone and
• 20:07
  Speaker 1: see color. You can see color, but respect the person.
• 20:11
  Speaker 1: And so to not see some someone's colors a blatant
• 20:16
  Speaker 1: being in the face of their culture. I want to
• 20:18
  Speaker 1: be able to look at someone and go, oh you
• 20:20
  Speaker 1: are Latin. I love the Latin culture. Oh you are Asian.
• 20:23
  Speaker 1: I love this. And I'm not gonna go oh no, no, no, no.
• 20:26
  Speaker 1: All I see is Jeffrey No, I'm not going to
• 20:29
  Speaker 1: say no, Wayne Brady. This was amazing. It is a
• 20:35
  Speaker 1: different vibe having you here in person, absolutely, man, And
• 20:38
  Speaker 1: can I say you know, like, I'm such a fan
• 20:40
  Speaker 1: and I want to thank you, thank you all, and
• 20:43
  Speaker 1: I'm so proud of what you all mean to the
• 20:46
  Speaker 1: culture and come and conversation, especially in the past few years,
• 20:50
  Speaker 1: and the issues that you guys tackle because when you
• 20:53
  Speaker 1: speak and when you have people on here, and I
• 20:55
  Speaker 1: know this is a major platform for us, and when
• 20:58
  Speaker 1: you have people on here, folks listen, and so it's
• 21:02
  Speaker 1: it's humbling to be in this space. So thank you,
• 21:04
  Speaker 1: so so thanks man. We really appreciate it. Man, and
• 21:07
  Speaker 1: definitely catch you on Broadway. Tell them how they can
• 21:09
  Speaker 1: get tickets. What all other stuff, so people can come support.
• 21:13
  Speaker 1: It's called Freestyle Love Supreme. I'm in the show this week,
• 21:16
  Speaker 1: but it's a revolving cast of people. Lynn Manuel is
• 21:20
  Speaker 1: in it. If you're a fan of Hamilton, if you've
• 21:22
  Speaker 1: seen it on Disney Plus or on Broadway. Chris Jackson
• 21:24
  Speaker 1: who played Washington, Chris is in it. James Iglehart, who
• 21:28
  Speaker 1: was the original Genie and Aladdin, now he's in Hamilton's
• 21:31
  Speaker 1: He's in it. If you're a Broadway fan, if you're
• 21:33
  Speaker 1: a fan of hip hop, if you're a fan of comedy,
• 21:36
  Speaker 1: it's at the Booth Theater. I believe it's forty fifth
• 21:39
  Speaker 1: and Broadway. I'm in it until this Saturday night is
• 21:43
  Speaker 1: my last show. You can buy tickets at Freestyle Love
• 21:46
  Speaker 1: Supreme dot com. And in fact, you guys have an
• 21:49
  Speaker 1: open invitation. I would love to give you tickets. If
• 21:52
  Speaker 1: you're free any night, please come check it out. Absolutely sound.
• 21:55
  Speaker 1: Oh wait wait before you leave, just three quick answers
• 21:58
  Speaker 1: to these quick questions. Okay, yes, all right, and priv
• 22:01
  Speaker 1: versus scripted. Uh it's a tie, that's not you can't
• 22:05
  Speaker 1: do that. I can't choose choose one. No, I can't.
• 22:09
  Speaker 1: I can't all right, TV host versus a Broadway Broadway
• 22:13
  Speaker 1: and married life versus single life, single life until I
• 22:20
  Speaker 1: find that person that i'd like to be married too,
• 22:23
  Speaker 1: you'll do it again. Oh yeah, Um, are you single? Yeah?
• 22:26
  Speaker 1: Oh no, I'm not married. But I'm a no, no
• 22:29
  Speaker 1: and just And I wasn't because I was just saying,
• 22:32
  Speaker 1: because I guess if you're not married, are you considered single?
• 22:35
  Speaker 1: If you're not married, no, no, no no relationship, Yeah, I
• 22:38
  Speaker 1: can't like it's a different like. Being being single has
• 22:41
  Speaker 1: its space, and so I'm single, and I like that space.
• 22:44
  Speaker 1: I like going home. I like playing my Xbox in
• 22:46
  Speaker 1: my drawers. I like doing what you do that though,
• 22:49
  Speaker 1: if you're married you can. But I don't like the
• 22:52
  Speaker 1: part of being married or being a relationship that I
• 22:54
  Speaker 1: realized I don't like is I don't like being beholden
• 22:57
  Speaker 1: in the best way. Hey, hey, baby, No, I'll be there. No,
• 23:00
  Speaker 1: I'll be there in ten minute. Okay, sweetie, all right,
• 23:02
  Speaker 1: they didn't get a house next to your house and
• 23:04
  Speaker 1: you be in between if we if I do get
• 23:07
  Speaker 1: together somewhere, I am going to follow that model. I'm
• 23:10
  Speaker 1: gonna have my own house and she'll have hers. Okay, Yeah,
• 23:12
  Speaker 1: good luck. Well, that's why I'm waiting. Alright. It's Wayne Brady.
• 23:17
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Your
• 23:20
  Speaker 1: morning's will never be the same. Hey, what up y'all?
• 23:23
  Speaker 1: A sdej Envy from The Breakfast Club, brought to you
• 23:26
  Speaker 1: by the Matrix. Resurrections from Warner Brothers. Pictures from director
• 23:29
  Speaker 1: Lena with Chowski, Keano Reeves and Carrie Anne Marks Surprise
• 23:33
  Speaker 1: the iconic roles as Neo in Trinity return to the
• 23:36
  Speaker 1: Sour Seed in theaters and HBO Max now playing tickets
• 23:38
  Speaker 1: on sale, now experiencing I Max rate it all under
• 23:42
  Speaker 1: seventeen not permitted without a parent. It's topic time called
• 23:52
  Speaker 1: eight hundred five eight five one oh five. Want to
• 23:54
  Speaker 1: join it to the discussion with the Breakfast Club, talk
• 23:56
  Speaker 1: about it morning. Everybody is DJ Envy and angela Ye,
• 24:00
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. It's Friday,
• 24:03
  Speaker 1: so you know what that means. It's freaky freaky freaky Friday.
• 24:07
  Speaker 1: Not a freaky freaky freaky Friday. Question. As we're talking
• 24:09
  Speaker 1: about sugar daddies now, angeli Ye said she hasn't had
• 24:13
  Speaker 1: a sugar daddy now Charlomagne, would you like to confess
• 24:17
  Speaker 1: about anything? I don't know what you're talking about. What
• 24:19
  Speaker 1: you're about to lie about, I'm not gonna lie. You
• 24:21
  Speaker 1: didn't have an older person that you that was giving
• 24:23
  Speaker 1: you money? The older person that was giving me money?
• 24:25
  Speaker 1: What are you talking about? WHOA? You had an older
• 24:29
  Speaker 1: lady that was giving you some money. But how did
• 24:31
  Speaker 1: that make her a sugar daddy? What sugar mommy? What
• 24:33
  Speaker 1: are you trying to say about this woman? I'm asking you?
• 24:35
  Speaker 1: Did you have I need to know what you're trying
• 24:37
  Speaker 1: to say about this woman? You had a sugar mama?
• 24:39
  Speaker 1: I did I have a sugar mama? Yeah, that's what you.
• 24:41
  Speaker 1: I didn't know you could have a sugar mama. But
• 24:43
  Speaker 1: I definitely had an older woman back in the day. Now,
• 24:46
  Speaker 1: what was she giving you money for sex? I wish
• 24:50
  Speaker 1: your sex worth? She would give me like two three
• 24:52
  Speaker 1: dollar dollars before she would give me Frida Chicken. She
• 24:59
  Speaker 1: would give me Frida chick. She give me fried chicken
• 25:01
  Speaker 1: and twinkies. And she would always give me like two
• 25:03
  Speaker 1: three thousand dollars and a cost service home. Your sex
• 25:06
  Speaker 1: is worths fried chicken and twinkies and two three thousand
• 25:08
  Speaker 1: dollars and a cost service hole. You never said two
• 25:11
  Speaker 1: or three thousand before. That's a lie. I've always said
• 25:13
  Speaker 1: two or three dollars. So wait a minute. So what
• 25:15
  Speaker 1: I got to do with sugar daddies though? With grandchild
• 25:18
  Speaker 1: twinkies that you eat changing on a grand head you
• 25:20
  Speaker 1: speak to. Now we'll say this, I'm looking at these
• 25:23
  Speaker 1: rules right to know about sugar dating. What the first stating,
• 25:28
  Speaker 1: can diabetic sugar dat stay realistic? Successful men sick us
• 25:34
  Speaker 1: sugar babies for a reason, and you need to stay
• 25:36
  Speaker 1: in tune with that. Have the terms and details laid out.
• 25:39
  Speaker 1: They also said the best way is to back yourself unquestionably.
• 25:42
  Speaker 1: So you have to be a fantastic companion and he'll
• 25:45
  Speaker 1: believe it too, and be gracious. They're gonna shower you
• 25:47
  Speaker 1: and gifts, likely from the very first date. To be
• 25:49
  Speaker 1: gracious about it, from new outfits to money for a
• 25:52
  Speaker 1: new haircut before a nice dinner. It's all part of
• 25:54
  Speaker 1: the arrangement. Okay, all right, Well we had destity on
• 25:57
  Speaker 1: a lot of dastity. Good morning, fine, good morning. Now
• 26:00
  Speaker 1: you had a sugar daddy that he definitely had a
• 26:02
  Speaker 1: sugar daddy. How old was he And how old were you?
• 26:05
  Speaker 1: I was eighteen years old. He's about fifty years old,
• 26:08
  Speaker 1: Jesus Christ. And how much money did he give you? Oh?
• 26:12
  Speaker 1: He was money to me, my brother, my sgar Now
• 26:18
  Speaker 1: and what do you have to do? Nothing gives in conversation, day,
• 26:22
  Speaker 1: that's conversation. Did you ever have to have sex with him? No?
• 26:27
  Speaker 1: He wanted. And want to know how did he leave
• 26:34
  Speaker 1: you in his will? No, he didn't die. Oh he's
• 26:37
  Speaker 1: still alive. Why do you think he's dead? How old
• 26:40
  Speaker 1: are you now? I'm twenty two now I ted twenty
• 26:43
  Speaker 1: three on the thirteen. Oh so he only liked fifty four?
• 26:46
  Speaker 1: Now he young? Do you still speak to him? No? No,
• 26:49
  Speaker 1: you at all? Sugar? Oh he wanted, he wanted to.
• 26:54
  Speaker 1: So that's the thing is are you a sugar daddy
• 26:57
  Speaker 1: if you're not getting none of the sugar. That's part
• 27:00
  Speaker 1: of the thing I told you, partillar, that sugar daddy
• 27:03
  Speaker 1: doesn't the stuff that you're giving enough to a younger person.
• 27:07
  Speaker 1: But when she started access for sugar my one, Oh
• 27:11
  Speaker 1: my sugar daddy, do you miss him? No? Not one bit? Okay?
• 27:15
  Speaker 1: Was he white and black? Okay? Okay, that's a sodium daddy.
• 27:20
  Speaker 1: That's manny. Hello, Melissa, Hey Melissa, you gotta sugar daddy? No,
• 27:28
  Speaker 1: my daughter? What how was your daughter? Wow? Okay? How
• 27:33
  Speaker 1: old is her? Sugar daddy? She gives he gives them money? Yeah?
• 27:38
  Speaker 1: Does she have to give up some sugar? Yes? Wow?
• 27:42
  Speaker 1: How do you feel about that? Mom? Don't know, I
• 27:45
  Speaker 1: don't know how to see? Did you ever, sugar daddy?
• 27:48
  Speaker 1: Did she learn from you? Yeah? You know she did
• 27:50
  Speaker 1: know what she learned from my cousin. Either way, diabetes
• 27:55
  Speaker 1: runs in your family. Okay, everybody you get daddy gets
• 27:58
  Speaker 1: that for you too. No, I'm not really Is he
• 28:02
  Speaker 1: older than you? Yes? God, damn kind of disgusting though
• 28:05
  Speaker 1: today y'all don't adopted the granddaddy? Oh my god? Is
• 28:09
  Speaker 1: he a nice guy at least here taking care of
• 28:13
  Speaker 1: the whole house? And what does he do for a living? Yeah? Yeah, hustle?
• 28:17
  Speaker 1: Is he white and black? Oh? You mean here? A
• 28:20
  Speaker 1: hustle like a drug deal? Yet drug deal he worked
• 28:24
  Speaker 1: out over the town. Okay, well, congratulations, man, that's crazy, y'all.
• 28:28
  Speaker 1: Enjoy y'all Friday. Okay, that's wow. Can you imagine your
• 28:32
  Speaker 1: mom's calling and talking about my daughter? Got a sugar? Daddy.
• 28:35
  Speaker 1: Ain't my daughter gets to sugar well to tell you, bro,
• 28:39
  Speaker 1: that's her mom. Isn't your mommy best friend? I don't know.
• 28:42
  Speaker 1: I don't know. Man. Hello, who's this? This is lazing?
• 28:46
  Speaker 1: Good morning, y'all. Yes, I've had one. I told him
• 28:51
  Speaker 1: seventy five. He's kind of like sixty eight to seventy,
• 28:55
  Speaker 1: but he's but he doesn't want nothing from me, like
• 28:58
  Speaker 1: you don't want to take me out? And showed me
• 29:00
  Speaker 1: a good time, like he never asked for anything. Like
• 29:03
  Speaker 1: he helped me tart my LLC and everything. Like, yeah,
• 29:08
  Speaker 1: I'm talking about I'm well when I'm twenty five right now.
• 29:11
  Speaker 1: That was literally like probably two years ago. But wow,
• 29:14
  Speaker 1: how'd you find him? How'd you find him? He actually
• 29:17
  Speaker 1: started coming to my job, like where I used to
• 29:19
  Speaker 1: work at. I used to work at, UM, a little
• 29:21
  Speaker 1: convenience store. I called Parkers down here, and um, yeah,
• 29:23
  Speaker 1: he's been coming there all the time because he does construction.
• 29:25
  Speaker 1: He got to own his own councip business Parkers, Yes girl, yes,
• 29:30
  Speaker 1: Savannah area. Yeah, so he took you out of Parkers.
• 29:33
  Speaker 1: He got you your own LLC. What's the LLC called?
• 29:35
  Speaker 1: I love my granddaddy age LLC. What is you said? Yeah,
• 29:40
  Speaker 1: what's your LLC called? Listen? I make lip blows. It's
• 29:43
  Speaker 1: called dope bloss, dope glass on Instagram, dope Bloss underscore.
• 29:48
  Speaker 1: And where he at now? Whether he at now? He
• 29:51
  Speaker 1: is in view for he's literally like an hour away
• 29:53
  Speaker 1: from me right now. Listen. It's so crazy because we
• 29:57
  Speaker 1: barely even called. He just really message with me like
• 30:00
  Speaker 1: I could call him anytime and he'll be there. I
• 30:02
  Speaker 1: like to do whatever it is that I need. What's
• 30:03
  Speaker 1: the most gave you? What's the motive ever gave me?
• 30:06
  Speaker 1: I was? I would just say he just does things
• 30:08
  Speaker 1: for me, Like he helped me with my car. You know,
• 30:11
  Speaker 1: he never really gives me money money. He just helped
• 30:14
  Speaker 1: me do things that I need to be doing to
• 30:16
  Speaker 1: get me I respected. I didn't know that you could
• 30:19
  Speaker 1: be a sugar daddy if you wasn't actually sleeping with
• 30:22
  Speaker 1: said individual. I learned something that you listen, y'all. But
• 30:27
  Speaker 1: before y'all came up on me, I sit all three
• 30:30
  Speaker 1: of y'all video yesterday like I want ya to help
• 30:32
  Speaker 1: me get my credit right, and like how that lady was,
• 30:34
  Speaker 1: I'm only don't call your granddaddy, call you call your
• 30:37
  Speaker 1: call your granddaddy, call your granddaddy asking to help me
• 30:41
  Speaker 1: get get your credit right now, don't do that. Oh,
• 30:45
  Speaker 1: I have won my question for you. But you have
• 30:47
  Speaker 1: a sugar daddy. Can you have a boyfriend and then
• 30:49
  Speaker 1: also have a sugar daddy? Helped fun things on the side.
• 30:52
  Speaker 1: I did, But see the situway told the boyfriend he
• 30:56
  Speaker 1: was in jail. But yeah, just gonna that's all right
• 31:00
  Speaker 1: when when you're coming home. Oh no, I don't, okay,
• 31:04
  Speaker 1: ye out of him. Yeah, I mean he won't be
• 31:06
  Speaker 1: home till you he your sugar daddy eggs. That's what
• 31:08
  Speaker 1: you're telling us right now, that he cheated on the jail. Yeah, definitely,
• 31:12
  Speaker 1: that's what it was in jail. Oh okay, yeah, at
• 31:20
  Speaker 1: y'all everybody to get another good story. I'm not hearing
• 31:26
  Speaker 1: no successful sugar daddy stories. Man, where's the happy ending?
• 31:29
  Speaker 1: Where's the old man? That success is? It's not something
• 31:32
  Speaker 1: that goes on forever. It's just a period of time.
• 31:34
  Speaker 1: We don't have to sleep with them. They just give
• 31:36
  Speaker 1: you money. They help you out when you need it.
• 31:38
  Speaker 1: Andy Night, treat you well. You ain't gonna do nothing
• 31:40
  Speaker 1: but provide some conversation. Ain't no marriage or nothing. They
• 31:44
  Speaker 1: wanted to hit sugar Daddy died and left you with
• 31:45
  Speaker 1: a fortune. Yeah something, It ain't all about dad, that's
• 31:49
  Speaker 1: not the point of it. Well, and Nicole said different,
• 31:52
  Speaker 1: God bless the day. Didn't an Nicole get left with
• 31:54
  Speaker 1: a big fortune something? All right? Well, what's the up
• 31:56
  Speaker 1: moral of the story. I have no idea what the
• 31:58
  Speaker 1: moral of the story, because I'm totally going U was
• 32:00
  Speaker 1: on what sugar Daddy is. When I think sugar Daddy,
• 32:02
  Speaker 1: I think I always think of an Nicole Smip. We
• 32:05
  Speaker 1: got more coming up next to don't Move, Happy Holidays,
• 32:08
  Speaker 1: don't go anywhere. It's the Breakfast Club. Good morning, the
• 32:11
  Speaker 1: Breakfast Club, DJ mv Angela, Yee, Charlomagne the guy. We
• 32:19
  Speaker 1: are the Breakfast Club. We got a special special guests
• 32:23
  Speaker 1: in the building, Legends, some icons, some legends got the locks. Yeah,
• 32:30
  Speaker 1: that's well. I gotta apologize to y'all for ever front
• 32:32
  Speaker 1: and on y'all anniverses and thinking set had a chance.
• 32:36
  Speaker 1: He wasn't alone, no dog to everybody thought the set
• 32:39
  Speaker 1: was gonna win with lyrical ability. We all know lyrically
• 32:43
  Speaker 1: the locks of superior. It was about the anthems I
• 32:45
  Speaker 1: just thought they had bigger records, bigger records. Just for
• 32:48
  Speaker 1: the record, I said that I felt like the Locks
• 32:51
  Speaker 1: was going to be more prepared and organized and off. Well,
• 32:59
  Speaker 1: first of all, did they approach you to do the
• 33:01
  Speaker 1: dip said battle or was it somebody else? At first?
• 33:03
  Speaker 1: Switch with me and then Cam? Was there anything like?
• 33:07
  Speaker 1: You know what? Maybe we shouldn't do it, because at
• 33:09
  Speaker 1: one time it was getting so disrespectful. I seen the
• 33:11
  Speaker 1: old the old ghosts coming back out. I'm not gonna
• 33:21
  Speaker 1: mess up this fruit the veggie. We we was never
• 33:27
  Speaker 1: gonna cross the line. Shut up. That's New York. That's
• 33:32
  Speaker 1: New York. I thought the FMD was coming, y'all. I'm
• 33:35
  Speaker 1: not gonna lie. We were. We said that that we
• 33:37
  Speaker 1: said before. We've seen Cam, you know, rehearsals early in
• 33:41
  Speaker 1: the garden. No Frank standing, don't don't, don't swing in
• 33:45
  Speaker 1: my face. We're gonna get from the jump you yea
• 34:05
  Speaker 1: hold on, listen, listen society always, she remembers the last
• 34:08
  Speaker 1: most of pactful thing. Now she didn't throw the band
• 34:11
  Speaker 1: down and kiss and jewels would have just pushed through
• 34:14
  Speaker 1: both of us rock like were all having fun. We
• 34:17
  Speaker 1: let him do it. It's like a game dog like,
• 34:19
  Speaker 1: you gotta make sure you count every count, push them back.
• 34:23
  Speaker 1: He took that to Slim the band. It's nineties talk.
• 34:27
  Speaker 1: What happened with you and Jim in the corn You
• 34:29
  Speaker 1: Cam in the corner with we looked like you're ripping
• 34:32
  Speaker 1: sneaker and she turns you down picked him off the floor.
• 34:38
  Speaker 1: Looked like he was laughing. I sat on the chair.
• 34:43
  Speaker 1: The beach ship broke like somebody looking at the foot.
• 34:51
  Speaker 1: Cam is looking at me like what is he doing?
• 34:55
  Speaker 1: I just want I saw Cam kick you. You grabbed
• 35:00
  Speaker 1: his foot. You you laughed out, repeat, repeat, She the guy,
• 35:07
  Speaker 1: What did you see? He kicked you? You grabbed the
• 35:10
  Speaker 1: foot and then you flexed the last. Let me go
• 35:14
  Speaker 1: because when he kicked me. If you noticed when he
• 35:16
  Speaker 1: kicked me, I was in the middle of my verse. Boy,
• 35:19
  Speaker 1: he hit me again. You know he caught me. He
• 35:21
  Speaker 1: only kicked me in my hip. He didn't kicked my
• 35:23
  Speaker 1: bikey kicking my head. I'm glad you seated. Thank God
• 35:28
  Speaker 1: on broad raiding. Thought first, I sat on the chair.
• 35:33
  Speaker 1: The chair broke boof. He went to nudge me. I
• 35:36
  Speaker 1: didn't move did He went to do it again? Then
• 35:38
  Speaker 1: I grabbed his foot because I was performing. Then when
• 35:41
  Speaker 1: I finished with my verse, I was a little in
• 35:43
  Speaker 1: the mix ship, but I just go over there. I'm glad.
• 35:55
  Speaker 1: I'm crazy crazy, but I crazy didn't. I didn't see
• 36:00
  Speaker 1: that the single pet Chill even was what about me?
• 36:07
  Speaker 1: He came out calling them the vagina word. I told
• 36:09
  Speaker 1: him to see that the bad guy. Even kids. When
• 36:17
  Speaker 1: kids said, you know you hear y'all neighbors. Even though
• 36:20
  Speaker 1: that's the old five verse, people thought that was new
• 36:22
  Speaker 1: just for that battle, and you were just disrespecting. It
• 36:26
  Speaker 1: wasn't on five dun. I thought the beginning that was emp.
• 36:31
  Speaker 1: The dope got it. The younger generation thought it was
• 36:34
  Speaker 1: a new freestyle. They thought brand new. I'm sitting like
• 36:37
  Speaker 1: young Jim made it a single. Now, what did you
• 36:42
  Speaker 1: think the last name? Oh my god? What did you
• 36:46
  Speaker 1: think when the freestyle? I felt bad when I that
• 36:49
  Speaker 1: killer is nice. He rattled them up when we started
• 36:53
  Speaker 1: going live and doing freestyles. He got that in them.
• 36:57
  Speaker 1: But he probably didn't prepare to do that, and he
• 36:59
  Speaker 1: was about to one that he had and probably was
• 37:02
  Speaker 1: a little turbulen like I was getting. You can't boot,
• 37:06
  Speaker 1: can't that's your fault. I definitely trying to get on it. Kids,
• 37:12
  Speaker 1: How did you plan this out? Because after the Fab Battle, right,
• 37:15
  Speaker 1: people thought you're gonna lose the Fat Battle, right, That's
• 37:17
  Speaker 1: not I said, kids, was gonna watch FA a lot
• 37:21
  Speaker 1: of people. Somebody something put me somewhere. I'm the only
• 37:25
  Speaker 1: person to do versus twice. You missed the verses. You
• 37:29
  Speaker 1: missed the verse. Now now after the Fab Battle, right,
• 37:35
  Speaker 1: that was DJ and you came to the side. He
• 37:36
  Speaker 1: was like, that was my plan. I planned this out.
• 37:39
  Speaker 1: I was gonna push him where he didn't want to
• 37:41
  Speaker 1: do the Lady Records no more. And then you said,
• 37:43
  Speaker 1: I got him. Now, how did you plan this one out?
• 37:46
  Speaker 1: What was your mind set on plan doing? Going live,
• 37:49
  Speaker 1: going off the instrumentals, giving them live things, and doing
• 37:52
  Speaker 1: the freestyles. We know they didn't playing on doing that, y'all.
• 37:54
  Speaker 1: Let's give it up for Technician. The DJ. Y'all was
• 37:58
  Speaker 1: running the picking roll when he's a perfectionist from the
• 38:05
  Speaker 1: Bronx New York Audibles. Tech Ning was being baby. Tell
• 38:09
  Speaker 1: me when where the Audibles were? I mean, like when
• 38:11
  Speaker 1: he said, y'all gonna mess with the chicks. Yeah, we
• 38:16
  Speaker 1: had ready for you said, somebody said it was like wrestling.
• 38:22
  Speaker 1: I couldn't believe, he said, I don't like. Yeah, I
• 38:26
  Speaker 1: was ready for that one. I love how she edited
• 38:28
  Speaker 1: himself too, he said to B word one time. But
• 38:30
  Speaker 1: then you caught yourself because you realize you're in twenty
• 38:32
  Speaker 1: twenty one, and you said, lad, now do you think
• 38:38
  Speaker 1: that they were songs dips that should have done that
• 38:40
  Speaker 1: they didn't because I felt like, definitely, they most definitely
• 38:44
  Speaker 1: left some joints out that I'm so worried. I'm so happy,
• 38:47
  Speaker 1: I love I'm so happy didn't have. It was like,
• 38:51
  Speaker 1: I don't even know this record. Kids. Did you write
• 38:55
  Speaker 1: Horse and Carriage? That's been an internet rumor since the verses? Okay, okay,
• 38:59
  Speaker 1: I was. It wasn't even in the studio session for that.
• 39:02
  Speaker 1: I just heard that when he came up. Could happened
• 39:04
  Speaker 1: with Mace? I heard you guys were supposed to bring
• 39:06
  Speaker 1: out Mace. We was gonna bring we just gonna bring
• 39:10
  Speaker 1: Mason Diddy out and Mike mangled. I'm glad we didn't. Yeah,
• 39:16
  Speaker 1: I was against it from the beginning, but the whole
• 39:19
  Speaker 1: time I really wanted to show what who would have
• 39:21
  Speaker 1: been back? You know what I mean? The probably but
• 39:23
  Speaker 1: you know what we loved, you know crazy, it would
• 39:28
  Speaker 1: have tried that maze from Hall wrong with Yonkers, that
• 39:35
  Speaker 1: would have been they would have tried to task Mason.
• 39:37
  Speaker 1: They definitely wouldn't. We would have protected were a versus
• 39:43
  Speaker 1: guy and Yonkers though they would have made it. Mason
• 39:49
  Speaker 1: was heavy on called me and why y'all to have
• 39:53
  Speaker 1: a record to come out of mixtape? Seven songs? Nothing,
• 39:57
  Speaker 1: just back, just bel let's sit back. And then the
• 40:01
  Speaker 1: day we was gonna go make the record, we got
• 40:03
  Speaker 1: called to go do the Kanye record. What he met?
• 40:06
  Speaker 1: You've been writing on Kanye projects for a minute though,
• 40:08
  Speaker 1: right stars. Yeah, so it was that pre planning before
• 40:12
  Speaker 1: the verses that you guys were going to Atlanta. No,
• 40:15
  Speaker 1: not at all. Nothing. I don't think Kanye knew the
• 40:17
  Speaker 1: locks on Monday. That's all about that kid, who's somebody
• 40:22
  Speaker 1: that's been fronting on y'all for years, but they kind
• 40:24
  Speaker 1: of on your your frank Now after the verses, I'm
• 40:27
  Speaker 1: kind of like a change we formed person. Now it's
• 40:32
  Speaker 1: a platforms unbelieving some of these calls and dms and meetings,
• 40:37
  Speaker 1: and I mean it's beautiful him the number of me
• 40:40
  Speaker 1: I hate kids to say congratulations. Nah, never changed my number.
• 40:43
  Speaker 1: He just didn't respond. He gotta get me a passion president.
• 40:49
  Speaker 1: Everybody my second grade teacher, I still didn't check. Obama
• 40:53
  Speaker 1: hit you Okay, we got more with the locks when
• 40:58
  Speaker 1: we come back, don't move. It's the Breakfast Club morning,
• 41:00
  Speaker 1: everybody lay. Charlomagne, the guy we are the Breakfast Club
• 41:05
  Speaker 1: was still kicking it with she Kluch styles, p and
• 41:08
  Speaker 1: Jada kiss the locks. Charlomagne, you know I heard she
• 41:10
  Speaker 1: going show and you were saying that did he told
• 41:12
  Speaker 1: yall to do the freestyles that day? Was there any
• 41:16
  Speaker 1: hesitation to do him? No? That just sealed it. Seven
• 41:23
  Speaker 1: in the moon man we want. I wanted to do
• 41:25
  Speaker 1: way more records, way more freestyle. Stop even he told
• 41:29
  Speaker 1: me about him that he had kiss was catching every passing,
• 41:31
  Speaker 1: throwing them bombs like, don't take him out of the game,
• 41:33
  Speaker 1: let's go. I think difference a lot of a lot
• 41:38
  Speaker 1: of groups. You need to understand. You gotta know where
• 41:41
  Speaker 1: to place you're ego on, how to move like a vehicle,
• 41:43
  Speaker 1: and who's the machine. For as long as we win,
• 41:49
  Speaker 1: I always want the MVP. So but if he come
• 41:53
  Speaker 1: in and he's hitting, keep hiding. Let's stick to it,
• 41:58
  Speaker 1: stick to the playing. Plus that's where we said. I
• 42:01
  Speaker 1: was trying to get them hype. I was playing dip
• 42:03
  Speaker 1: set videos the distant. I was trying to get them hype.
• 42:06
  Speaker 1: Let's go, let's get in here. I was popping crap
• 42:09
  Speaker 1: from the jump side. But you know it was more
• 42:11
  Speaker 1: than just let's go. And especially if Kim would have
• 42:15
  Speaker 1: came out. If Jim and I think Jews would have
• 42:17
  Speaker 1: kept that in mind with Kim, it would have been
• 42:19
  Speaker 1: a different It would have been a different day. They
• 42:22
  Speaker 1: didn't have the energy. Yeah, if you'd have came out
• 42:24
  Speaker 1: with that Cam energy and or something, it would have been,
• 42:27
  Speaker 1: it could have the venue probably would have went a
• 42:28
  Speaker 1: lot different, like it was. Cam really about to leave.
• 42:31
  Speaker 1: I don't know we went out. We said we're going out.
• 42:34
  Speaker 1: We don't really know. We heard that though. We was
• 42:36
  Speaker 1: kind of crappy when we heard that. Get us to
• 42:38
  Speaker 1: the stage. Yeah, now, so y'all heard heard that. I
• 42:43
  Speaker 1: told them we're going out yet you know you had
• 42:48
  Speaker 1: to squash the beef. Was that the money because I
• 42:50
  Speaker 1: seen y'all y'all do a live Yeah, yeah, yeah, man,
• 42:52
  Speaker 1: all the promoters across the world, Man, I think we
• 42:55
  Speaker 1: want that money. Yeah, so it was some gang. They
• 42:58
  Speaker 1: got scared of some gang. When Jones tapped me and
• 43:01
  Speaker 1: said whatever he said about the gang, thing pulled out
• 43:06
  Speaker 1: from Yeah, yeah, you shout it out too, that little
• 43:12
  Speaker 1: you know. It's the sad part about it. Regardless, they
• 43:14
  Speaker 1: should look how big that knight was and him hop
• 43:16
  Speaker 1: all the companies involved, Magic Square, Garden, bloods, cribs, no games, everybody,
• 43:22
  Speaker 1: no altercations, and that, no matter how chippy it was,
• 43:25
  Speaker 1: we left there together saying peace, hugging, chilling, laughing and
• 43:29
  Speaker 1: smiling with each other's brothers calling each other later. And
• 43:33
  Speaker 1: they such gentlemen. And I tip my hat to um
• 43:35
  Speaker 1: all of them because they all reached out hit us
• 43:38
  Speaker 1: personally as gentlemen of this game, like yeah, good night.
• 43:42
  Speaker 1: You know, I wonder because y'all performed so much together,
• 43:46
  Speaker 1: like when you see kids put on the performance he
• 43:49
  Speaker 1: put on in the garden. We've heard everybody else rave
• 43:51
  Speaker 1: about it. How did y'all feel, like, y'all, he's in
• 43:53
  Speaker 1: the zone, let him go, beautiful mute night. Yeah, you
• 43:59
  Speaker 1: know what I mean. That's the good thing about having
• 44:01
  Speaker 1: a three man group. Some nights just loot at the
• 44:04
  Speaker 1: helm and he is just add living and holding him
• 44:07
  Speaker 1: down something you can't fit chemistry man, just like it's
• 44:13
  Speaker 1: it is his night, let him do his night. I
• 44:16
  Speaker 1: created a mode called a ro war. You made me
• 44:20
  Speaker 1: want to do that. I wasn't doing all you said
• 44:23
  Speaker 1: that though, No, I was in at a roll war
• 44:26
  Speaker 1: So in my mind, I can't be here the next
• 44:30
  Speaker 1: day asking him if I producing dan because he's done all.
• 44:34
  Speaker 1: In my mind, I was in, I was going at
• 44:36
  Speaker 1: a roll and I was in war mode. I thought
• 44:40
  Speaker 1: about getting one, but I didn't need one because I
• 44:42
  Speaker 1: already felt like I was over. I was over here
• 44:45
  Speaker 1: and that's what I'm so good, like you want to
• 44:47
  Speaker 1: go in there like that he was. I remember walking
• 44:49
  Speaker 1: out the room when the thing he was like at
• 44:52
  Speaker 1: a royal war ball, going focused on walking because very
• 45:01
  Speaker 1: boys that he check, we're trying to boost and it
• 45:06
  Speaker 1: wasn't working. Then when he came out and said, Yo
• 45:09
  Speaker 1: Young said, because she's like smart Hulk, like smart home,
• 45:24
  Speaker 1: like the bra and the brain together, so he's always
• 45:26
  Speaker 1: ready when it comes to clothes. Right, Because obviously DIPSAD
• 45:29
  Speaker 1: is known for their gear. Did you think about that too,
• 45:32
  Speaker 1: because I knew they was gonna try to use everything
• 45:34
  Speaker 1: except the element of hip hop, the demographics of that.
• 45:39
  Speaker 1: We've been from yagers and we didn't in manhat so close.
• 45:43
  Speaker 1: They said sugar Jay there with Minx and this, and
• 45:46
  Speaker 1: we knew there was besides, when we've been performing for
• 45:50
  Speaker 1: fifty million years, we got all of that. I love
• 45:53
  Speaker 1: you guys and everything. Let me yom, you really don't
• 45:58
  Speaker 1: want to be layered up. That was like we're in
• 46:01
  Speaker 1: the ring. It was a battle. Ya look already have
• 46:05
  Speaker 1: gear tied that you can get busy. I love the
• 46:08
  Speaker 1: way y'all respect each other. Right. And the reason I
• 46:10
  Speaker 1: say that is like doing an interview, right if she
• 46:13
  Speaker 1: talk and say, yo, kids, chillis you don't see. But
• 46:16
  Speaker 1: only brothers could do that because it's no ego involved.
• 46:19
  Speaker 1: There's no egos. But I like even when when you
• 46:20
  Speaker 1: when you said shut the up at the event, I
• 46:23
  Speaker 1: could see it was one of the things like now
• 46:24
  Speaker 1: I'm gonna keep talking and I'm gonna keep talking like
• 46:26
  Speaker 1: it was it was a little thing like you controlled
• 46:28
  Speaker 1: like chill out, hey, like like you don't really get that,
• 46:33
  Speaker 1: like y'all really trust each other, old catch feelers when
• 46:36
  Speaker 1: each other, like yo, let me talk to you after this,
• 46:37
  Speaker 1: never at all or whatever second pleasant it's like the studio,
• 46:47
  Speaker 1: like you know what I'm saying saying, it's not just shows,
• 46:49
  Speaker 1: its studio, it's regular life is you know, if I'm
• 46:52
  Speaker 1: doing something stupid or I'm wrong, hold me back if
• 46:55
  Speaker 1: I say I got it, believe me that I got it,
• 46:57
  Speaker 1: Know what I'm saying. So that that brotherhood it really
• 47:00
  Speaker 1: comes with beyond beyond beyond music. I think we've cold
• 47:05
  Speaker 1: that we said we was gonna do before we got
• 47:07
  Speaker 1: his what kept us here and on a hamster wheelers know,
• 47:10
  Speaker 1: don't let the money or the women break up the group.
• 47:13
  Speaker 1: Look at all other groups and don't be them. I
• 47:16
  Speaker 1: don't ever been without talking to each other doing COVID
• 47:20
  Speaker 1: maybe a little, and we probably was about making sure
• 47:26
  Speaker 1: everybody was taking like even all the years people asked
• 47:29
  Speaker 1: for the locks al when people don't understand we own
• 47:31
  Speaker 1: a studio together like they see each other week, every
• 47:35
  Speaker 1: day or every day, like you know what I mean.
• 47:37
  Speaker 1: So it's kind of like when everybody else is looking
• 47:40
  Speaker 1: at the group. Yere where a group, but the group
• 47:43
  Speaker 1: is beyond music, like you know what I'm saying. So
• 47:45
  Speaker 1: I think when you have that understanding and that's like
• 47:48
  Speaker 1: you can't be mad at your brother fire always being
• 47:51
  Speaker 1: Let's like saying I'm mad at Looch because the women
• 47:54
  Speaker 1: think he sex here, you know, like I'm trying Friday
• 48:21
  Speaker 1: hold on. Speaking of that kiss is Tyler the creator
• 48:23
  Speaker 1: reached out to you. Yeah, he gave you some high praise.
• 48:26
  Speaker 1: Tyler created chill out. I like, you know, I just
• 48:33
  Speaker 1: mean that he tapped into our frequency and he loved versus.
• 48:36
  Speaker 1: So I didn't take it as dishes. But what he
• 48:39
  Speaker 1: said he expounded, and he was just like yeah, but
• 48:42
  Speaker 1: he get expounded and said he said you care. He said,
• 48:45
  Speaker 1: that's what he got. He was like kissing the Locks
• 48:47
  Speaker 1: care about the craft of rat every time. Very smart
• 48:53
  Speaker 1: and what's wrong with the fact from Juan Man? You know,
• 48:55
  Speaker 1: I mean, that's another time I got caught in the moment.
• 48:58
  Speaker 1: But I asked him that before it started doing him.
• 49:07
  Speaker 1: That's my dos not getting the key to the city.
• 49:16
  Speaker 1: Where was y'all a chicken kiss? Um? I was booked
• 49:19
  Speaker 1: in the temple? Okay, he just landed that forgot Chi
• 49:23
  Speaker 1: was watching the prices right, That's what I don't. Let's
• 49:36
  Speaker 1: get into a Locks mini mix. It's the Breakfast Club,
• 49:38
  Speaker 1: Good Morning, it is DJ Envy Angela yee. Charlemagne the
• 49:43
  Speaker 1: guy we are the breakfast club. We're still kicking in
• 49:45
  Speaker 1: with the locks, Charlemagne. Why didn't y'all do breathe easy?
• 49:48
  Speaker 1: We wanted it might be you don't really you know
• 49:53
  Speaker 1: what I mean? And that was haring in them scalling
• 49:57
  Speaker 1: really many weather promotions they wanted in the one of
• 50:00
  Speaker 1: another one. Who woud y'all do next? If there was
• 50:03
  Speaker 1: an opportunity, who would y'all love to see that? Man?
• 50:05
  Speaker 1: We don't pick up ponents. We just prepared for whoever
• 50:08
  Speaker 1: they access the gold. At this point, I can only
• 50:10
  Speaker 1: see g Unit say that that's that's the only one
• 50:13
  Speaker 1: I could really see. I'd be kind of bad, but
• 50:16
  Speaker 1: I was listening to I was listening to the Problem
• 50:18
  Speaker 1: y'all freestyle all week. That would be kind of bad
• 50:23
  Speaker 1: because you know why because everybody after the verses, that's
• 50:26
  Speaker 1: all you heard was locks everywhere right the ball shop.
• 50:29
  Speaker 1: That was. I went to my guy studio, who's a
• 50:31
  Speaker 1: white guy, six white guys, and they're listening to the
• 50:32
  Speaker 1: Locks and so Problem y'all freestyle just came on randomly
• 50:36
  Speaker 1: and I was like, Yo, that was that's that was bad.
• 50:38
  Speaker 1: Like y'all really was disrespectful speaking on that. We knew
• 50:41
  Speaker 1: a lot of the youth don't didn't know our history, right,
• 50:43
  Speaker 1: ain't going to work when it's time to go to work,
• 50:45
  Speaker 1: like we we're gonna go to work. They said something,
• 50:49
  Speaker 1: we're listening to it and for the hour in the
• 50:53
  Speaker 1: studio like we're listening to the dis smoking, laughing at it.
• 50:56
  Speaker 1: Oh it's good, this is fun. And within hour or
• 51:00
  Speaker 1: two with literally in the studio getting to work. How
• 51:03
  Speaker 1: did y'all transition from streets to saying, okay, this is internet? Right?
• 51:07
  Speaker 1: Remember the state property beef? Right, It got to the
• 51:09
  Speaker 1: point where they had to stop it because somebody was
• 51:11
  Speaker 1: gonna die. Right. That was when everybody had guns on them,
• 51:16
  Speaker 1: And it was yeah, we were, we were. We were
• 51:18
  Speaker 1: younger and dumber and more egotistical and pride food so
• 51:22
  Speaker 1: definitely smarter. I used to drive to Mitchell the Nest
• 51:25
  Speaker 1: with my hand on me back then. The only way
• 51:27
  Speaker 1: to fill Never do that right now, just to get jerseys. Yea.
• 51:34
  Speaker 1: The time it was on, we squashed it in Riverside
• 51:37
  Speaker 1: Park and I know I hadn't gun on me. I
• 51:40
  Speaker 1: know single probably it probably was wold guns. It was
• 51:43
  Speaker 1: State Police. Then it was the stupid how bad did
• 51:47
  Speaker 1: you want the jersey? It wasn't. It was some type
• 51:57
  Speaker 1: of event going on in Riverside Park. I think it
• 51:59
  Speaker 1: was an Nike hip hop some something. I don't remember
• 52:02
  Speaker 1: what d I called me this yo, come down. They
• 52:05
  Speaker 1: all did, so, you know, ripped up. I know they
• 52:08
  Speaker 1: was gripped up and men. She just walked off somewhere
• 52:11
  Speaker 1: in the parking kicked. Let's clip some of this internet stuff. Though.
• 52:16
  Speaker 1: They said, okay, we know you didn't write Horse and Cash.
• 52:18
  Speaker 1: You just said that because they ended up going crazy.
• 52:20
  Speaker 1: They said, Jada wrote Biggies verse on last Day. I'm serious.
• 52:26
  Speaker 1: They said, so what sight is this? This is a
• 52:29
  Speaker 1: boxed tings boxed in. They said, Jada wrote Biggie's verse
• 52:32
  Speaker 1: on only. You say you wrote bigg even They said,
• 52:36
  Speaker 1: you wrote Biggie and did the verse on more Money,
• 52:39
  Speaker 1: more Problems. But I did have a verse on that
• 52:41
  Speaker 1: that they never used. You probably here when I'm dead.
• 52:44
  Speaker 1: And they said, you wrote the whole Jenny from the
• 52:46
  Speaker 1: Block thing, Jenny from the Never Farley, the most wrong
• 52:59
  Speaker 1: lady can be. Okay, what about this one? They said
• 53:01
  Speaker 1: that Biggie made you rewrite your verse for last Day. Yeah, okay,
• 53:05
  Speaker 1: I add another verse you like, no, you could come harder,
• 53:08
  Speaker 1: and and when I gave him the one I came with,
• 53:10
  Speaker 1: he loved. Now, let me ask you this. There were
• 53:12
  Speaker 1: people that I'm sure y'all a cool with and know
• 53:14
  Speaker 1: you guys personally, and you might have seen people talking
• 53:17
  Speaker 1: ish online about who was gonna win. Did you confront
• 53:21
  Speaker 1: any of those people whom I decided with? Dip said
• 53:23
  Speaker 1: the only one ps mad a is Kevin Durant at
• 53:25
  Speaker 1: DJ Drama Kim I did against the Grills. I ain't
• 53:28
  Speaker 1: mad at so much money right now. His is is
• 53:34
  Speaker 1: a little messed up. I wasn't mad, but it was like, man,
• 53:37
  Speaker 1: you know, he said that, My son said, Lebron would
• 53:41
  Speaker 1: have never said that. The only question he thought he
• 53:49
  Speaker 1: was gonna hit that last shot in the overtime. I
• 53:52
  Speaker 1: was hurt by that. For him to shade out to me,
• 53:54
  Speaker 1: he literally heard that. Man, to do with your skill,
• 54:00
  Speaker 1: he didn't have a ring, I said he was better
• 54:01
  Speaker 1: than Lebron he had. Yeah, yeah, he would have been.
• 54:13
  Speaker 1: He would have seen I've never seen like I'm not
• 54:18
  Speaker 1: even joking like that was one of the greatest performances
• 54:20
  Speaker 1: I've ever seen in the garden of any any any industry.
• 54:23
  Speaker 1: This was what was crazy. I seen Michael Buffer. That
• 54:27
  Speaker 1: was crazy. I see you could go back and pull
• 54:32
  Speaker 1: the tapes of the Garden. I seen Michael Buffer. It
• 54:34
  Speaker 1: wasn't with me. We was you know. They was in
• 54:36
  Speaker 1: the back and walked out. Look at the ranging Michael Buffer.
• 54:39
  Speaker 1: First thing I did bow down a straight bow. That's
• 54:42
  Speaker 1: Michael Buffer, like holy state. I've talked with Michael Buffer, chilling.
• 54:47
  Speaker 1: We're taking it. I'm telling I watched this documentary with
• 54:50
  Speaker 1: his brubble all that Michael Buffer, super cool child to him.
• 54:53
  Speaker 1: Kiss comes by, does the same exact thing. He was
• 54:57
  Speaker 1: in sick with the Garden brotherhood loose, can't see them
• 55:02
  Speaker 1: loots too big for the bottle, Michael Buff And you're like,
• 55:13
  Speaker 1: say good money though, So I think with just me
• 55:16
  Speaker 1: and the sync, with everything rottery, everything was even when
• 55:19
  Speaker 1: they was like she don't she you wrap, You ain't
• 55:21
  Speaker 1: got nothing, man, So y'all thought to do everything absolutely. Yeah,
• 55:28
  Speaker 1: that was that chest seven hours on Monday. I know
• 55:33
  Speaker 1: when he's gonna get out of breath, he knows what
• 55:35
  Speaker 1: what word to catch for me, or when you're going
• 55:37
  Speaker 1: to get a drink, or whatever. I'm I'm gonna talk
• 55:39
  Speaker 1: to the crowd. You was expecting that from Dip said,
• 55:41
  Speaker 1: you ain't gonna see that with him. They don't move
• 55:42
  Speaker 1: like that. You know what I mean? If you go
• 55:44
  Speaker 1: back and watch this warts where I'm not saying nothing
• 55:46
  Speaker 1: and they're saying my part yeah, and he was going
• 55:49
  Speaker 1: out with Kim I was doing and then you can
• 55:56
  Speaker 1: anticipate what they were gonna do and what they were
• 55:58
  Speaker 1: gonna say. To tell us, Yo, if you overhere, you
• 56:01
  Speaker 1: need to be on that side of the stage, like
• 56:02
  Speaker 1: always occupied at the stage. I try to take this
• 56:06
  Speaker 1: now you we should give it to him because that's
• 56:07
  Speaker 1: gonna keep the culture alive. To be honest, like learn
• 56:10
  Speaker 1: about your show, learning not just standing on stage looking cool.
• 56:13
  Speaker 1: If your song you gotta know what yah, and especially
• 56:19
  Speaker 1: the honoragers, you gotta you gotta hold your people down.
• 56:21
  Speaker 1: Being an artist comes with being a businessman, being a showman,
• 56:26
  Speaker 1: being a gentleman, and then being a beast. So I
• 56:28
  Speaker 1: think a lot of kids, you know, especially nowadays, where
• 56:31
  Speaker 1: you get these so much money, getting so much money
• 56:33
  Speaker 1: and he's you know, they don't got a and rs
• 56:36
  Speaker 1: like bad Boy had Rough Riders had deaf jam, they're
• 56:39
  Speaker 1: not developing these artists and um, and I'm gonna give
• 56:43
  Speaker 1: you an example, not to kind of throw it out there,
• 56:45
  Speaker 1: but if you if you're gonna be on cancel culture,
• 56:49
  Speaker 1: you can't be with mental health culture either. Who trained
• 56:52
  Speaker 1: the baby to say? All right, you in this industry, now,
• 56:55
  Speaker 1: this is how it's gonna go. This was what's going doing.
• 56:57
  Speaker 1: Because I'm pretty sure he's been around plenty of gay people.
• 57:00
  Speaker 1: He has, he's in the industry, he's been styled by them,
• 57:03
  Speaker 1: he's been dressed by him, he's done deals, but no
• 57:05
  Speaker 1: one's speaking up on him in his behalf saying all right,
• 57:08
  Speaker 1: I'm not the say I'm speaking. I'm saying he did
• 57:10
  Speaker 1: something wrong. But who developed them in that building? And say,
• 57:13
  Speaker 1: young man, you're getting multiple millions now when you're around
• 57:16
  Speaker 1: corporate this is how it goes. When he's around this
• 57:19
  Speaker 1: is this? So now nobody's teaching. Then you want again,
• 57:24
  Speaker 1: then you're gonna cancel them on. I'm saying because if
• 57:26
  Speaker 1: you say something or do something out of line to
• 57:29
  Speaker 1: the world in front of the world, that's kind of
• 57:31
  Speaker 1: a mental health issue. Not saying you all the way
• 57:33
  Speaker 1: out there, you might just snap for a minute. But
• 57:35
  Speaker 1: you just can't keep canceling everybody and saying you're concerned
• 57:38
  Speaker 1: about mental health and not developing them, and showing like
• 57:41
  Speaker 1: he was selling probably drugs three years ago in North
• 57:44
  Speaker 1: Carolina he got I mean gun, selling drugs and the
• 57:47
  Speaker 1: things like what makes you think he got all of
• 57:50
  Speaker 1: that money? And if y're not there to guide him
• 57:52
  Speaker 1: in these exection you know, older artists and even parents
• 57:56
  Speaker 1: who's in a good position saying, yo, bro, we can't
• 57:58
  Speaker 1: do this, we can't do that, and you know, help
• 58:01
  Speaker 1: the brother. Don't apologize. He didn't apologize. I think he did,
• 58:06
  Speaker 1: but somebody got to tell people how to apologize to
• 58:10
  Speaker 1: like sometimes like he probably didn't mean it, but his
• 58:13
  Speaker 1: apology probably wasn't homely enough for people who felt the
• 58:17
  Speaker 1: damn it. So they don't have enough to teach these
• 58:20
  Speaker 1: kids what's going on. And then look, his was really
• 58:24
  Speaker 1: up about it. You ain't just canceling him. You're canceling
• 58:27
  Speaker 1: his kids, his baby mom, team, security team, and security.
• 58:31
  Speaker 1: So we got to start that. I'm not saying nobody
• 58:34
  Speaker 1: deserves to get canceled. I'm just saying when his kids,
• 58:36
  Speaker 1: we got to start thinking about their mental situation overlooked
• 58:45
  Speaker 1: that are coming together that one I just have a
• 58:47
  Speaker 1: conversation with him to make it a teachable thing, and
• 58:50
  Speaker 1: they're like, look, we want to talk to you because
• 58:52
  Speaker 1: there's a lot of people that do feel the way
• 58:54
  Speaker 1: that he does. So this is a great opportunity for
• 58:56
  Speaker 1: him to learn and then for other people to learn.
• 58:59
  Speaker 1: It's a very in line between counseling and canceling. Need
• 59:03
  Speaker 1: more counseling and instead of you just getting mad at
• 59:05
  Speaker 1: dead and these kids, and even with y'all that was
• 59:07
  Speaker 1: interested because like old nineties hip hop was crazy. It
• 59:11
  Speaker 1: was crazy, right, So they were slurs that was said
• 59:14
  Speaker 1: at verses, but I could tell somebody caught it. It
• 59:16
  Speaker 1: was like, yo, don't don't let that go again, you
• 59:19
  Speaker 1: know what I mean. Yeah, but we also said that,
• 59:20
  Speaker 1: you know, some of them slurs weren't meant to be slurs,
• 59:24
  Speaker 1: like some of those words you were saying somebody was soft. Yeah,
• 59:27
  Speaker 1: I mean, I mean we wanted to show y'all some
• 59:30
  Speaker 1: love this morning to give you. That's why we got
• 59:32
  Speaker 1: the balloon and everything. I try to get your size,
• 59:35
  Speaker 1: we gave you. We gave y'all, We gave y'all flowers love.
• 59:40
  Speaker 1: No man trying to get your sizes. We're gonna get
• 59:44
  Speaker 1: you at your all tims man. Yeah, we got food
• 59:46
  Speaker 1: out definite, y'all. We gave y'all flowers. Weed. Y'all got
• 59:50
  Speaker 1: the weed, right, y'all got the weed the whole world flowers.
• 1:00:00
  Speaker 1: We got some people, man, And that's all. I just
• 1:00:06
  Speaker 1: want to say that you'll always show up for me
• 1:00:08
  Speaker 1: no matter what it is. What I need was his
• 1:00:11
  Speaker 1: birthday houses, whatever, whatever you need, because we still got
• 1:00:15
  Speaker 1: to open the juice bar man Monks corner. Yes on
• 1:00:18
  Speaker 1: South Carolina. What's up? He got the demographic adn't no
• 1:00:28
  Speaker 1: one to spot. Let's do that. Let's make that happen soon, please,
• 1:00:32
  Speaker 1: and thanks. I give two styles the pharmacy for like
• 1:00:36
  Speaker 1: the pharmacy some life. My wife told me, make sure brain,
• 1:00:39
  Speaker 1: thank you so much. It's a capsule. Yeah, that's what
• 1:00:43
  Speaker 1: we do. We do this. Yeah, you get that, negotiate.
• 1:00:51
  Speaker 1: What was their last album on the wall? Tell them
• 1:00:54
  Speaker 1: the last ones? The kids is small, one, two, three,
• 1:00:56
  Speaker 1: and four. Man, just google us to go to Apple
• 1:00:59
  Speaker 1: orthing and get everything there you go. Yeah, well, it's
• 1:01:03
  Speaker 1: the Breakfast Club. It's the Locks. Shout out the Breakfast Club.
• 1:01:07
  Speaker 1: Your mornings will never be the same, Hey what up y'alla?
• 1:01:10
  Speaker 1: Stej Envy from The Breakfast Club brought to you by
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  Speaker 1: the Matrix, resurrections from Warner Brothers, pictures from director Lena
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• 1:01:29
  Speaker 1: not permitted without a parent. Let's don't be a dusting
• 1:01:32
  Speaker 1: because right now you want some red. It's time for
• 1:01:36
  Speaker 1: Donkey of the Day. So if we ever feel I
• 1:01:38
  Speaker 1: need to be a dark man with the hero, did
• 1:01:42
  Speaker 1: she getting I had become Donkey of the Day club bitches.
• 1:01:48
  Speaker 1: Donkey of the Day goes to Lukisha Golden now according
• 1:01:53
  Speaker 1: to her goal fund me and says she's from Nashville, Tennessee.
• 1:01:56
  Speaker 1: Who is Lukisha Golden? Well, believe it or not, even
• 1:01:58
  Speaker 1: though she's the one getting done Monkey of to Day
• 1:02:00
  Speaker 1: to day, A lot of you have something in common
• 1:02:02
  Speaker 1: with Lakeisha Golden. See a lot of y'all going to
• 1:02:05
  Speaker 1: prison for COVID nineteen loan fraud cases. I don't want
• 1:02:09
  Speaker 1: to hear it. You knew you was lying when you
• 1:02:11
  Speaker 1: filled out the application. Okay. As of April fifteen, twenty
• 1:02:15
  Speaker 1: twenty one, there's over one hundred and eighty nine billion
• 1:02:18
  Speaker 1: dollars in questionable PPP loans. Okay. I read an article
• 1:02:21
  Speaker 1: on pogo dot org that said, when it comes to
• 1:02:24
  Speaker 1: PPP fraud cases, law enforcement is just scratching the surface. Oh,
• 1:02:28
  Speaker 1: they just getting started. Okay. The pogo article spoke on
• 1:02:31
  Speaker 1: how the SPA's oversight of its taxpayer backed lending programs
• 1:02:36
  Speaker 1: proved inadequate because they became a feeding ground for frosts,
• 1:02:41
  Speaker 1: a bunch of hit man scammy scams. Well, guess what,
• 1:02:44
  Speaker 1: uncle scam, Uncle Sam wants you. And by want you,
• 1:02:48
  Speaker 1: I meed want your ass in prison. Okay. The Justice
• 1:02:50
  Speaker 1: Department has brought criminal charges against at least two hundred
• 1:02:53
  Speaker 1: and nine individuals and one hundred and nineteen cases related
• 1:02:57
  Speaker 1: to PPP fraud since banks and other lenses gained processing
• 1:03:00
  Speaker 1: loan applications on behalf of the SBA. Okay on April third,
• 1:03:04
  Speaker 1: twenty twenty and according to pogo dot org, this is
• 1:03:08
  Speaker 1: just the beginning. Let me tell you something. I have
• 1:03:11
  Speaker 1: never claimed to be the highest grade of weed in
• 1:03:12
  Speaker 1: the dispensary. I have told you over and over that
• 1:03:15
  Speaker 1: I am not the strongest avenger. But I told you
• 1:03:17
  Speaker 1: all last year, in the middle of this pandemic, when
• 1:03:19
  Speaker 1: they started giving out these damn PPP loans, that a
• 1:03:22
  Speaker 1: bunch of y'all was going to prison. LC twitter was
• 1:03:26
  Speaker 1: born during the pandemic. Okay, all of y'all with your
• 1:03:29
  Speaker 1: dumbass LLC names. You got your slave master's last name LLC,
• 1:03:34
  Speaker 1: Jenkins LLC, and Johnson LLC and Jackson LLC naming LLC's
• 1:03:39
  Speaker 1: after things going on in your life. Ain't got no
• 1:03:42
  Speaker 1: job LLC, living with mom at thirty two LLC only
• 1:03:46
  Speaker 1: smoke exotic LLC. I hate you niggas LLC. Well that's
• 1:03:50
  Speaker 1: that's mine, that's my LLC. I just established that in
• 1:03:52
  Speaker 1: my brain for people I don't talk to after five PM,
• 1:03:55
  Speaker 1: and that's you. Okay, but listen, who told y'all the
• 1:03:58
  Speaker 1: government was giving out free money? You negroes. Believe in
• 1:04:01
  Speaker 1: every BS conspiracy theory. Oh, five G towers are causing COVID.
• 1:04:05
  Speaker 1: Oh the earth is really flat. But when it comes
• 1:04:08
  Speaker 1: to the paycheck Protection program lending out seven hundred and
• 1:04:11
  Speaker 1: fifty five billion dollars to businesses as of April eleventh.
• 1:04:15
  Speaker 1: You thought it was all good. You thought that the
• 1:04:17
  Speaker 1: government's cup just run up over and they are finally
• 1:04:20
  Speaker 1: going to do right by the American people. Know it
• 1:04:22
  Speaker 1: was a trap, okay. Was it a way to help
• 1:04:24
  Speaker 1: legitimate small businesses, Yes, but they all also knew the
• 1:04:27
  Speaker 1: poor and disenfranchise among us, who were in dire needs
• 1:04:30
  Speaker 1: at the time, would take advantage of these loans. That's
• 1:04:32
  Speaker 1: why they didn't stop the alleged fraud, because they were
• 1:04:34
  Speaker 1: playing the long game. Take the money ball out. We're
• 1:04:38
  Speaker 1: gonna come get your ass later, okay, and throw you
• 1:04:41
  Speaker 1: under the jail and get some free label out your ass.
• 1:04:43
  Speaker 1: Fraudulent PPP loans making false statements to the SPA carry
• 1:04:47
  Speaker 1: a fine of up to a million dollars in thirty
• 1:04:50
  Speaker 1: years of federal imprisonment. And guess who doesn't feel sorry
• 1:04:54
  Speaker 1: for you? Me? Okay, because you llc Twitter niggas. No, okay,
• 1:04:59
  Speaker 1: y'all know every think about everyone else's business, but don't
• 1:05:01
  Speaker 1: know how to handle your own. And now, okay, eventually
• 1:05:04
  Speaker 1: you will find yourself in a situation like Lakisha Golden
• 1:05:07
  Speaker 1: is in. First of all, let me tell you something
• 1:05:09
  Speaker 1: I respect Lakeisha Golden, and I'm gonna tell you why.
• 1:05:12
  Speaker 1: She's honest. See, Lakeisha started to go fund me with
• 1:05:15
  Speaker 1: the title help me pay back the PPP loan and
• 1:05:20
  Speaker 1: the details of the loan she said, and I'm gonna
• 1:05:22
  Speaker 1: read it just the way she typed it. I got
• 1:05:24
  Speaker 1: twenty thousand PPP loan. Now the Feds after me, PLZ help.
• 1:05:30
  Speaker 1: I can't do jail. I got three kids that dat
• 1:05:35
  Speaker 1: need me. So far, she's raised three thousand, five hundred
• 1:05:38
  Speaker 1: and thirteen dollars. Who are you, captain savor niggas? Okay,
• 1:05:42
  Speaker 1: sometimes you must get out of the way of the
• 1:05:44
  Speaker 1: lesson God's trying to teach a person. Lakisha, you can't
• 1:05:47
  Speaker 1: use the same excuse you use when you applied for
• 1:05:49
  Speaker 1: the loan. Okay. I need to see what your LLC
• 1:05:52
  Speaker 1: name is? Can we look that up? Can we look
• 1:05:53
  Speaker 1: up what Lakisha Golden's LLC name is. I'm thinking it's
• 1:05:56
  Speaker 1: something like living Life Golden LLC, Golden Girl LLC, gold
• 1:06:00
  Speaker 1: in my watch, gold in my chain LLC? Or was
• 1:06:02
  Speaker 1: it all golden everything LLC? I hate when I can
• 1:06:06
  Speaker 1: smell niggatry. I like to send on my niggatry subtle. Okay, anyway,
• 1:06:11
  Speaker 1: you can't use the same excuse you use when you
• 1:06:13
  Speaker 1: applied for the loan. I guarantee when you can when
• 1:06:15
  Speaker 1: you convinced yourself to commit this crime, you said you
• 1:06:18
  Speaker 1: have to do what you got to do. You got
• 1:06:20
  Speaker 1: three kids, dat needs you. Now that you're facing jail time.
• 1:06:24
  Speaker 1: You can't go to jail because you got three kids,
• 1:06:27
  Speaker 1: DAT need you now. She's got ninety one donors. I
• 1:06:32
  Speaker 1: saw her post an update. She said, keep donations coming, y'all.
• 1:06:36
  Speaker 1: My kids need me. Y'aut here fr fr If you
• 1:06:40
  Speaker 1: don't speak fluid nigga, that means for real, for real.
• 1:06:42
  Speaker 1: What I don't understand is the people donating money and
• 1:06:45
  Speaker 1: scolding her at the same time. Okay, three hours ago,
• 1:06:48
  Speaker 1: someone donated five dollars and said, dumb ass, how you
• 1:06:50
  Speaker 1: blow through twenty k? Some anonymous person donated a thousand dollars.
• 1:06:55
  Speaker 1: I need you to know, anonymous, that God is not
• 1:06:57
  Speaker 1: pleased with that. You're getting in the way of what
• 1:06:59
  Speaker 1: God is trying to teach. Lukisha, Golden Lukisha. This isn't
• 1:07:02
  Speaker 1: your first poor choice in life, okay, and God is tired.
• 1:07:05
  Speaker 1: He's been sending all your prairie quest to spam folder
• 1:07:08
  Speaker 1: because you just don't listen. All right. Somebody named Claue
• 1:07:11
  Speaker 1: cl donated one thousand dollars. Clause why clause? If your
• 1:07:16
  Speaker 1: first name is in Santa, I don't see the need
• 1:07:18
  Speaker 1: for the gift. Katie Sweeney Dooty donated six hundred dollars.
• 1:07:21
  Speaker 1: She donated one hundred dollars once and another five hundred later. Katie,
• 1:07:25
  Speaker 1: I know you might be trying to create some good
• 1:07:27
  Speaker 1: comma for yourself, but this isn't the way. Whatever happens
• 1:07:30
  Speaker 1: to Lukisha Golden, she earned it, Okay. What she didn't
• 1:07:32
  Speaker 1: earn was that twenty thousand dollars. But she earned that
• 1:07:34
  Speaker 1: time she's gonna get. Yes, I don't want to see
• 1:07:36
  Speaker 1: her away from her kids, but guess what, she shouldn't
• 1:07:39
  Speaker 1: want to see herself away from her kids. Therefore, she
• 1:07:41
  Speaker 1: needs to make better choices. I love everybody donating just
• 1:07:44
  Speaker 1: to get jokes off, but you're donating too much. Five
• 1:07:46
  Speaker 1: dollars is too much. Okay, donate a dollar to get
• 1:07:48
  Speaker 1: these jokes off. Somebody donated five dollars and put tell
• 1:07:52
  Speaker 1: me you're a broke ass be without telling me you're
• 1:07:54
  Speaker 1: a broke ass be somebody put prison jumpsuit designer for
• 1:07:58
  Speaker 1: five dollars, somebody else have fun in jail girl buy
• 1:08:02
  Speaker 1: not by bye buy, and then they donated donated five dollars.
• 1:08:09
  Speaker 1: I don't know, man, you know, let me not knock
• 1:08:11
  Speaker 1: this woman's hustle. If y'all want to give this woman
• 1:08:13
  Speaker 1: twenty thousand dollars to pay her PPP loans off, that's
• 1:08:16
  Speaker 1: on you. But when do people learn from their mistakes
• 1:08:19
  Speaker 1: if they never have to deal with the consequences of
• 1:08:21
  Speaker 1: said mistake, how will Lakishi go than ever, no true
• 1:08:24
  Speaker 1: responsibility if she can just for nest the system for
• 1:08:26
  Speaker 1: twenty dollars when she's broke and then for nest people
• 1:08:29
  Speaker 1: with a sob story to pay that money back. No no, no,
• 1:08:32
  Speaker 1: no no no no, no, no no no. Listen. Message
• 1:08:36
  Speaker 1: for all you future convicts who are going to jail
• 1:08:38
  Speaker 1: for PPP fraud. I hope the double y trailer you
• 1:08:41
  Speaker 1: bought in the country was worth it. Okay, don't be
• 1:08:44
  Speaker 1: surprised if they take that back if you can't pay
• 1:08:46
  Speaker 1: the loan back, Okay. I hope the trip to Miami
• 1:08:48
  Speaker 1: was worth it. Finger Licking is a good ass restaurant.
• 1:08:50
  Speaker 1: Isn't it. You stay that fountain blue. You enjoyed the cookies, Okay, great,
• 1:08:54
  Speaker 1: those memories will get you through those long, lonely nights
• 1:08:57
  Speaker 1: in that cell. I don't feel sorry for you. I
• 1:09:00
  Speaker 1: know real legitimate small businesses who have to go under
• 1:09:02
  Speaker 1: because they couldn't get no money from these PPP loans.
• 1:09:05
  Speaker 1: So I have no remorse for your finess and ass Okay.
• 1:09:08
  Speaker 1: The word of the day is accountability. All right. You
• 1:09:11
  Speaker 1: either make yourself accountable or you will be made accountable
• 1:09:14
  Speaker 1: by your circumstances. Please let me give Lakeisha Golden the
• 1:09:18
  Speaker 1: biggest he are he ha, he ha. You stupid mother?
• 1:09:22
  Speaker 1: Are you? And you better not be over there on
• 1:09:24
  Speaker 1: your phone donating her envy? I am you know, um,
• 1:09:29
  Speaker 1: I just I wasn't paying attention. Um I just heard
• 1:09:32
  Speaker 1: PPP scam. You want to play a game? No, no,
• 1:09:36
  Speaker 1: need to play a game with this one, that's all
• 1:09:41
  Speaker 1: this is. No, no, no, no, don't need to play
• 1:09:44
  Speaker 1: a game. Man. We know exactly what this is and
• 1:09:46
  Speaker 1: who this is. Don't do that. That's black people. It
• 1:09:52
  Speaker 1: ain't number niggas. Where's her go find me at? Now? Well,
• 1:10:02
  Speaker 1: ain't bash getting there the breakfast club? Everybody it's TJ Envy,
• 1:10:11
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 1:10:13
  Speaker 1: We got a special guest in the building, Big Boss
• 1:10:16
  Speaker 1: rain Big Boss Rain back. What's up? Guy? Come in
• 1:10:20
  Speaker 1: here looking off fly don't know how I'm not gonna
• 1:10:24
  Speaker 1: lie yea if I take this off my nipples show.
• 1:10:27
  Speaker 1: I was told, well, that's what five years, three hundred
• 1:10:29
  Speaker 1: million dollars look like. She got the NBA Max deal. Baby,
• 1:10:36
  Speaker 1: come on, give me But to ask the FLA, what
• 1:10:44
  Speaker 1: did you think this? Wasn't y'all be having hell of
• 1:10:47
  Speaker 1: stuff in here? True? What's your name? No? One of
• 1:10:52
  Speaker 1: the wasn't blowing up. They're deflated. Okay, that's okay. I'll
• 1:10:56
  Speaker 1: take what I can get. But we got food, and
• 1:10:57
  Speaker 1: we got champagne secco. Give me something. We want to
• 1:11:04
  Speaker 1: give you your flowers. Appreciate your word, and that's your flowers. Flowers.
• 1:11:10
  Speaker 1: Do you realize the impact you have on black people,
• 1:11:12
  Speaker 1: but especially young black women? I mean I try not
• 1:11:15
  Speaker 1: to think about all that, but people have been really
• 1:11:17
  Speaker 1: generous about like saying, you know, how the show might
• 1:11:20
  Speaker 1: have influenced them, how to how it might have made
• 1:11:22
  Speaker 1: them feel like they could do it and that that's
• 1:11:25
  Speaker 1: special to me. We've been doing this show for eleven
• 1:11:27
  Speaker 1: years and I've never seen a lot of black women
• 1:11:30
  Speaker 1: here is excited for you coming to day. Like those
• 1:11:33
  Speaker 1: three women out there work on my TV show, Rachel
• 1:11:35
  Speaker 1: Breed and Leilanie, and they were all super excited to
• 1:11:38
  Speaker 1: see you. Not even that Taylor my best friend. I
• 1:11:42
  Speaker 1: was like, who's your best friend? I never met. I'm like,
• 1:11:45
  Speaker 1: get out, get out, get out Nila who works up here,
• 1:11:47
  Speaker 1: She got her makeup done, put on a fresh shirt,
• 1:11:50
  Speaker 1: all because that's that's surreal seeing that. The impact, Hell yeah, surreal.
• 1:11:57
  Speaker 1: I don't think it really hit me until we announced
• 1:11:59
  Speaker 1: that the show is gonna be ending, and then it
• 1:12:01
  Speaker 1: was just like all the love. It made me emotional.
• 1:12:05
  Speaker 1: And when I think about you know, I've talked about
• 1:12:07
  Speaker 1: it a million times before, the shows from the nineties
• 1:12:10
  Speaker 1: and the impact that they had on me. I hope that,
• 1:12:13
  Speaker 1: you know, we'll have an impact on the next generation
• 1:12:15
  Speaker 1: in the same way where they cherish it with their
• 1:12:17
  Speaker 1: own memory. Well, let's get to the why why do
• 1:12:19
  Speaker 1: you decided to kill off Lawrence this season? Um, you know,
• 1:12:23
  Speaker 1: he he just had to go. He had this time
• 1:12:27
  Speaker 1: just because he just had a baby. I mean, m
• 1:12:30
  Speaker 1: his baby's gotta die outside baby and out of die. Okay,
• 1:12:45
  Speaker 1: I don't know why are you ending Insecure? I mean
• 1:12:48
  Speaker 1: since season one I knew that I want to have
• 1:12:50
  Speaker 1: five seasons and I talked to Apprentice about it. He
• 1:12:53
  Speaker 1: was like, how long you want to go? And I
• 1:12:54
  Speaker 1: was like five and he was like what guy sounds
• 1:12:56
  Speaker 1: about right? But it felt like that's the the amount
• 1:12:58
  Speaker 1: of time to tell a concise worry. I like shows
• 1:13:01
  Speaker 1: that I could watch with endings, and I like to
• 1:13:04
  Speaker 1: leave when I feel that you're high. Yeah, like don't overstay,
• 1:13:08
  Speaker 1: You're welcome is a big motto. And also, just like
• 1:13:13
  Speaker 1: I've been saying professionally, it's one thing to be a
• 1:13:16
  Speaker 1: part of a show that you love, but like asking
• 1:13:20
  Speaker 1: people to give five years, actors, writers, whatever it is
• 1:13:23
  Speaker 1: of their life to a show felt like, you know,
• 1:13:26
  Speaker 1: it feels like a lot. I don't think they would complain.
• 1:13:28
  Speaker 1: I don't know, man, Like I feel like it at
• 1:13:31
  Speaker 1: the right time, like we all still love each other.
• 1:13:33
  Speaker 1: People get other opportunities, So I felt like that was
• 1:13:36
  Speaker 1: also just timeline wise, good movie is that is? That's impossible?
• 1:13:46
  Speaker 1: That No, not even I just don't want to do
• 1:13:49
  Speaker 1: a movie. What do you need a movie for? Like
• 1:13:51
  Speaker 1: we did it for for five years. I just and
• 1:13:53
  Speaker 1: I don't get hype upon movies. I like the Sex
• 1:13:55
  Speaker 1: in the City movie, but any other show movie. I've
• 1:13:58
  Speaker 1: never been like, yes, whoa my girlfriend's at a movie,
• 1:14:01
  Speaker 1: we'd get hyped. I mean, yeah, sure, I love my
• 1:14:05
  Speaker 1: girlfriends as it is. But actually to your point, like
• 1:14:07
  Speaker 1: so that they can feel like because it strikes everything else. Right,
• 1:14:11
  Speaker 1: they didn't have dated, but you are having closure on this,
• 1:14:14
  Speaker 1: we're having closure. But yes, I actually I could see
• 1:14:17
  Speaker 1: that because they don't have the same question. Now, let's
• 1:14:18
  Speaker 1: get to some real topics from the last season, because
• 1:14:21
  Speaker 1: we got a flashback. So you and Molly may Or
• 1:14:23
  Speaker 1: may not be friends again, right, are there things because
• 1:14:26
  Speaker 1: sometimes friendships go through ups and downs that are unforgivable.
• 1:14:29
  Speaker 1: While say somebody you've been friends with as long as
• 1:14:31
  Speaker 1: you've been friends with Molly, are there things that she
• 1:14:33
  Speaker 1: can do that you can say I can't ever forgive that. Yeah,
• 1:14:36
  Speaker 1: I mean I'm big on like betrayal if there is.
• 1:14:40
  Speaker 1: To the other point, if a friend of mine, like,
• 1:14:42
  Speaker 1: I've never even thought about entertaining anybody that my friends
• 1:14:45
  Speaker 1: have dated, you know, so that is a big thing, Like,
• 1:14:49
  Speaker 1: don't get my same pond even in the Indus. Isn't
• 1:14:52
  Speaker 1: that kind of hard in the industry though I don't
• 1:14:54
  Speaker 1: really have industry issues like, but I understand. I feel
• 1:14:58
  Speaker 1: like men are more also open to dating the same
• 1:15:01
  Speaker 1: It's weird. It's weird. I've seen it. What was just
• 1:15:06
  Speaker 1: talking about that last week and I'm liked, be passing
• 1:15:11
  Speaker 1: she just gotta fighting with even last week that anybody
• 1:15:20
  Speaker 1: else you don't know about continued? What is it? She's
• 1:15:26
  Speaker 1: posting subliminals about you on social media while y'all are
• 1:15:29
  Speaker 1: going through your riff. That's childish, But I feel like
• 1:15:32
  Speaker 1: if we can come back from it. But it's childish.
• 1:15:34
  Speaker 1: What do he tells your business to people? That's what
• 1:15:37
  Speaker 1: kind of business? You know? Because I had to happen.
• 1:15:40
  Speaker 1: You know, I have friends that have loose slips, but
• 1:15:42
  Speaker 1: you know, it depends on what you're telling, right, They're like,
• 1:15:44
  Speaker 1: you know Esa, gus M, she had gone Ria. That's
• 1:15:50
  Speaker 1: you gotta like, why are you? Why are you loose
• 1:15:52
  Speaker 1: slipped about that? And I don't have gonea Rea, So
• 1:15:55
  Speaker 1: it goes away. Okay, are you sad about the final
• 1:16:00
  Speaker 1: season of Insecure? Have you thought about it, because I
• 1:16:01
  Speaker 1: know you saw I saw you do all Insecure Fest
• 1:16:03
  Speaker 1: the other day, so you had to watch like all
• 1:16:06
  Speaker 1: the seasons. Oh yeah, we're doing so Insecure Fest is
• 1:16:09
  Speaker 1: actually this Sunday we did like a watch party catch
• 1:16:11
  Speaker 1: up okay, and that was really fun and that that
• 1:16:14
  Speaker 1: made me nostalgic. That made me like proud of what
• 1:16:16
  Speaker 1: we had done. It made me look back on some
• 1:16:18
  Speaker 1: stuff like god, damgn this is what I was working with.
• 1:16:20
  Speaker 1: But it was in general, like you know, it was special.
• 1:16:23
  Speaker 1: But I'm not sad. I feel like it's time. Really Yeah,
• 1:16:26
  Speaker 1: I'm excited if anything. I mean, and I'm excited that
• 1:16:28
  Speaker 1: people are excited about the end of the show right now,
• 1:16:32
  Speaker 1: and because I know they're gonna be mad later. Framing up,
• 1:16:37
  Speaker 1: it's going really well. Like I'm in Miami right now
• 1:16:40
  Speaker 1: just making the show, but it's gonna be very different
• 1:16:44
  Speaker 1: and it's like an all new cast for the most part,
• 1:16:46
  Speaker 1: and they're killing it. What's your mind frame when you
• 1:16:48
  Speaker 1: do something new? Do you try to beat Insecure? But
• 1:16:50
  Speaker 1: like I gotta beat these numbers, I gotta beat this record.
• 1:16:52
  Speaker 1: Is that with your mind frame? Isn't because I kill
• 1:16:55
  Speaker 1: myself my mind frame is like I wanted to be different.
• 1:16:58
  Speaker 1: Like there are a couple of scenes that you know,
• 1:17:00
  Speaker 1: I picked out where I was like, oh, I don't
• 1:17:01
  Speaker 1: want people to think about Insecure, Like I wanted to
• 1:17:03
  Speaker 1: stand on its own and be its own body of work.
• 1:17:05
  Speaker 1: But the comparisons are going to be inevitable, you know.
• 1:17:09
  Speaker 1: But I'm hype about it. Is there a soundtrack for
• 1:17:11
  Speaker 1: your label that's gonna go along with rap? Yes? Absolutely,
• 1:17:15
  Speaker 1: like they said. That's why I'm excited about it too,
• 1:17:17
  Speaker 1: because it's set in the music world. It's really music centered,
• 1:17:20
  Speaker 1: so absolutely gonna get a sound check. The music is
• 1:17:23
  Speaker 1: already great. Yeah, lightweight rapper yourself not. After watching this,
• 1:17:27
  Speaker 1: I'm like, I'm never rapping again. Do people walk up
• 1:17:30
  Speaker 1: to you and wrap you in the street randomly? Yeah?
• 1:17:33
  Speaker 1: That just happened to me in Miami. He last me
• 1:17:35
  Speaker 1: eating this. Dude was like, don't make me like, I'll
• 1:17:37
  Speaker 1: wrap alongside you. And I thought he was trying to
• 1:17:39
  Speaker 1: get signed, and I'm like, you're a rapper. He was like,
• 1:17:41
  Speaker 1: oh no, I was just how do you feel about that?
• 1:17:44
  Speaker 1: When they do it? I mean, it's a little awkward.
• 1:17:46
  Speaker 1: I don't know what I'm supposed to to do, but
• 1:17:48
  Speaker 1: I vibe with it. If it's good, I'll vibe with it.
• 1:17:50
  Speaker 1: But I can't do anything for you, you know. Yeah,
• 1:17:53
  Speaker 1: and breed, don't do it. Don't do it. They was
• 1:17:57
  Speaker 1: plotting on it earlier. It was I got just wrap
• 1:18:00
  Speaker 1: up and practices. Don't do it, all right, keep it cool,
• 1:18:04
  Speaker 1: a little awkward, but you know I'll receive it. You
• 1:18:07
  Speaker 1: got to do that to y'all too, right. I'm sure people.
• 1:18:10
  Speaker 1: Has anyone been good like? No? Okay, I tell them
• 1:18:16
  Speaker 1: the two people that you could have had probably back
• 1:18:18
  Speaker 1: in the day. Um, they played me Jacole early on
• 1:18:22
  Speaker 1: Saint John's early early on. Did you actually listen to
• 1:18:25
  Speaker 1: it a little bit? For Jacole? What was your response?
• 1:18:31
  Speaker 1: You know what? It was early on? This is when
• 1:18:32
  Speaker 1: he was in college. My manager and his um, his wife,
• 1:18:36
  Speaker 1: related cousins. They played it early on. I just didn't
• 1:18:40
  Speaker 1: get it yet. I didn't think he was there yet.
• 1:18:44
  Speaker 1: He broke No. I didn't say that, but I'm like,
• 1:18:47
  Speaker 1: he's in college, he's going to come up. I just
• 1:18:51
  Speaker 1: didn't think he was there yet. And then Bryson till
• 1:18:53
  Speaker 1: I just didn't. I didn't hear it was just yes,
• 1:18:57
  Speaker 1: absolutely all right. We got more with eat when we
• 1:18:59
  Speaker 1: come back, don't move. It's the Breakfast Club, Good morning morning.
• 1:19:02
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne and the guy
• 1:19:06
  Speaker 1: we are the Breakfast Club was still kicking it with
• 1:19:08
  Speaker 1: Issa Ray. You got married during the pandemic, So how
• 1:19:11
  Speaker 1: has that been marriaging the pandemic each other all the
• 1:19:14
  Speaker 1: time on top of each other? Literally? But you know, um,
• 1:19:19
  Speaker 1: I mean, I'm I'm happy. I'm good. You know, Like
• 1:19:22
  Speaker 1: we went to France and my friends just happened to
• 1:19:26
  Speaker 1: be there. I was just doing a photo shoot and
• 1:19:28
  Speaker 1: you know, the celebration happened. It's amazing to me that
• 1:19:32
  Speaker 1: you grew up in a generation of overshares, but you
• 1:19:34
  Speaker 1: don't overshare nothing like folks from that generation. I respect
• 1:19:38
  Speaker 1: that about you so much. Like how did you avoid
• 1:19:40
  Speaker 1: being an overshare in the social media era? I think
• 1:19:43
  Speaker 1: I did overshare in the beginning when it was just
• 1:19:44
  Speaker 1: your friends, you know, on Facebook, you know, even early
• 1:19:49
  Speaker 1: Twitter days. I remember like I was a stupid person
• 1:19:52
  Speaker 1: at my job tweeting about how much I hated my
• 1:19:54
  Speaker 1: job to fire somebody once we're not here, but at
• 1:19:59
  Speaker 1: my old job, and I was like I made fun
• 1:20:02
  Speaker 1: of people for doing that, and I was like looking
• 1:20:03
  Speaker 1: at my old tweets and I was like, what did
• 1:20:05
  Speaker 1: I really do this while work? I don't want to
• 1:20:09
  Speaker 1: say there still no, no, I should have been grateful
• 1:20:14
  Speaker 1: to have that job, to be honest, but yeah, I
• 1:20:17
  Speaker 1: mean I'll shut how much. I only really stopped when
• 1:20:20
  Speaker 1: I realized, oh my gosh, I'm getting more attention. And
• 1:20:22
  Speaker 1: I always say like I did post you know, my
• 1:20:24
  Speaker 1: significant other one time, like a vague picture, and one
• 1:20:27
  Speaker 1: time these girls who I didn't know, I saw it
• 1:20:30
  Speaker 1: in the comment. They just wrote something like benign like
• 1:20:33
  Speaker 1: see I told you, And I was like, oh, I'm
• 1:20:36
  Speaker 1: talking about I don't know. I was like, I don't
• 1:20:38
  Speaker 1: know what this. They're talking about something that I don't
• 1:20:41
  Speaker 1: have control over it, and I don't like that feeling.
• 1:20:43
  Speaker 1: And also I'm a like i'd be nosy. I know
• 1:20:46
  Speaker 1: it's like to be nosy, so I don't. I don't
• 1:20:49
  Speaker 1: want that for me me. You won't be posting me
• 1:20:56
  Speaker 1: on your probably would not marry somebody who felt like that.
• 1:21:00
  Speaker 1: I just want to know why you waited to get
• 1:21:01
  Speaker 1: all this money to not floss and you was flossing
• 1:21:04
  Speaker 1: before you have I'm saying you said you used to overshare.
• 1:21:07
  Speaker 1: But I mean looked like what I just respected. I
• 1:21:19
  Speaker 1: respect what Issa has come from and what she's doing.
• 1:21:22
  Speaker 1: That's all this NBA number. He denied it though when
• 1:21:27
  Speaker 1: it first came out, the actual number was five years,
• 1:21:28
  Speaker 1: forty million. I saw you shoot that down immediately. Yes,
• 1:21:31
  Speaker 1: I did. Why because it's incorrect. It was bigger I was,
• 1:21:41
  Speaker 1: but you know, I'm proud. I felt like, you know,
• 1:21:42
  Speaker 1: I worked out. I was. I was lightweight, insulted at
• 1:21:44
  Speaker 1: that number, like for five years. You think I'm gonna
• 1:21:47
  Speaker 1: get my yea that number, but I'm blessed and we're
• 1:21:51
  Speaker 1: getting to work. Did the bundles get better after that?
• 1:21:53
  Speaker 1: Then you're the worst? Yeah? I mean of course they did.
• 1:22:02
  Speaker 1: That's it. That's your interest. I'd like to know. I
• 1:22:04
  Speaker 1: like to know people spending a little bit, you know,
• 1:22:06
  Speaker 1: I mean, I I splurge off. I really only splurge
• 1:22:10
  Speaker 1: on food. There's not much to the flies with me food.
• 1:22:12
  Speaker 1: And then yeah, you be saying, yes, very nice clothes.
• 1:22:17
  Speaker 1: I do, but I get to return them. To be honest,
• 1:22:20
  Speaker 1: if I'm being one hundred percent transparent, like my only spurges,
• 1:22:23
  Speaker 1: you get a lot of free I don't know that,
• 1:22:25
  Speaker 1: but then like promo stuff mostly not a lot of
• 1:22:28
  Speaker 1: times you get free stuff, but it's not like what
• 1:22:30
  Speaker 1: you Yeah, it's shy, it's true. Does your team expect
• 1:22:33
  Speaker 1: you to get the bill when y'all go out? Because
• 1:22:35
  Speaker 1: I would never disrespect you, and you know, try to
• 1:22:36
  Speaker 1: pay for something when I'm what you mean that? Now
• 1:22:39
  Speaker 1: you're a man, so you got to eve and so
• 1:22:41
  Speaker 1: you've been doing it longer, so like I go by
• 1:22:43
  Speaker 1: that really you would have to pay goes By who
• 1:22:46
  Speaker 1: makes more money. He makes more money when you say no,
• 1:22:49
  Speaker 1: I'm doing okay and all right, come on, you've been
• 1:22:51
  Speaker 1: doing it the longest time. So but now my team,
• 1:22:54
  Speaker 1: I wish they would made me pick up the bill,
• 1:22:57
  Speaker 1: absolutely take it out of the check. Hello, exactly what
• 1:23:01
  Speaker 1: did the pandemic teach you? What did you learn about
• 1:23:03
  Speaker 1: Issa Ray during the pandemic? I learned that I'm more
• 1:23:08
  Speaker 1: restless than I thought I was. Um, that I can
• 1:23:11
  Speaker 1: be a saboteur? Um? What what is that? Charlomagne has
• 1:23:17
  Speaker 1: restless ant? No synderman. We were talking about it and
• 1:23:19
  Speaker 1: then you said, the restless just stuck and it needs
• 1:23:23
  Speaker 1: things to do. Wait, what don't listen to people? They're
• 1:23:28
  Speaker 1: insane drinking already. Don't listen to them. What is the
• 1:23:33
  Speaker 1: Angelie reported on that I don't even know what what?
• 1:23:35
  Speaker 1: What is it? Aid have to poop, but then even
• 1:23:39
  Speaker 1: after you actually have to keep on going and it
• 1:23:42
  Speaker 1: just the feeling doesn't go away. I hate how y'all
• 1:23:43
  Speaker 1: interrupted such a nice deep answer that Esa was trying
• 1:23:46
  Speaker 1: to get to. You know what I mean to talk
• 1:23:48
  Speaker 1: about restless anises. This is why this show is the
• 1:23:50
  Speaker 1: way to show that's a metaphor you experienced during the pandemic.
• 1:23:54
  Speaker 1: I shtually feel like that's beautiful. That one word set
• 1:23:56
  Speaker 1: her off, you said, because I looked at you, I
• 1:24:01
  Speaker 1: was like, here go you coming. Yeah, I mean I'm restless,
• 1:24:07
  Speaker 1: and but I really really, really really appreciated the pandemic.
• 1:24:10
  Speaker 1: It made me also realize, like I'm sure a lot
• 1:24:13
  Speaker 1: of us I need a rest. I needed to just chill,
• 1:24:16
  Speaker 1: and I'm my best when I get to have time
• 1:24:18
  Speaker 1: to be creative as opposed to like I wrote during
• 1:24:22
  Speaker 1: the pandemic and then you know it got picked up
• 1:24:25
  Speaker 1: and that was a different thing. But I wouldn't have
• 1:24:26
  Speaker 1: had time if I didn't have that break. Were you
• 1:24:29
  Speaker 1: supposed to get married in twenty twenty I think I
• 1:24:32
  Speaker 1: read that somewhere and then had to did you read
• 1:24:34
  Speaker 1: it kind of Um? I was supposed to. Yeah, the
• 1:24:37
  Speaker 1: photos you got um postponed that. Was there any consideration
• 1:24:42
  Speaker 1: to do an hour this season per episode? No, we
• 1:24:45
  Speaker 1: are a half hour comedy. It is in the description
• 1:24:48
  Speaker 1: of the show that hpel by you can change, so no,
• 1:24:51
  Speaker 1: we can't. We literally can't. Sometimes we like will submit
• 1:24:54
  Speaker 1: episodes for HBOS approval that I like thirty three minutes
• 1:24:57
  Speaker 1: and they'll be like, get it there, I'm twenty eight
• 1:24:59
  Speaker 1: thirty seconds, Like that's it, so it's out of our hands.
• 1:25:02
  Speaker 1: Did you have any pressure right in this season, because
• 1:25:03
  Speaker 1: you know, what's the last seasoned Insecure? My guy? Yes,
• 1:25:09
  Speaker 1: I mean there was tell the pressure. I think one
• 1:25:11
  Speaker 1: through four we were really good about shutting all that out.
• 1:25:14
  Speaker 1: But the weird thing about four was we were in
• 1:25:16
  Speaker 1: the writer's room while the show was airing, and so
• 1:25:19
  Speaker 1: we got to see reactions in real time and that
• 1:25:22
  Speaker 1: was interesting. And then yeah, it just adds the extra
• 1:25:25
  Speaker 1: pressure on people tell you the show means something to them.
• 1:25:28
  Speaker 1: When I think about other shows that have ended and
• 1:25:31
  Speaker 1: they messed it up, you know, like that that weighs
• 1:25:34
  Speaker 1: on our shoulders. But you know, we got freed later
• 1:25:37
  Speaker 1: when one of our writers was like, we keep acting
• 1:25:39
  Speaker 1: like we're ending the show, and these characters lives aren't ending,
• 1:25:44
  Speaker 1: like they're still gonna live on after this. So let's
• 1:25:46
  Speaker 1: let's treat it like we're gonna write a season six.
• 1:25:49
  Speaker 1: And that really changed the game. So it's open ended.
• 1:25:52
  Speaker 1: Don't leave us with something open it. You already killed Lauren,
• 1:25:54
  Speaker 1: so you can't continue on after season five without Laurence.
• 1:25:57
  Speaker 1: I mean, anything can happen, like a spinoff. Just die
• 1:26:00
  Speaker 1: every day be Yeah, maybe I love that you have
• 1:26:08
  Speaker 1: killed lords up why you kill You saw the script
• 1:26:12
  Speaker 1: and telling people on the air that somebody died. Yeah,
• 1:26:17
  Speaker 1: I saw that that spoiler happened, and I'm like, where
• 1:26:19
  Speaker 1: did this come from. We've never had any spoiler that
• 1:26:23
  Speaker 1: I would be freaking out if a real spoiler lead.
• 1:26:26
  Speaker 1: And so that's not real. That's not a real spoiler.
• 1:26:29
  Speaker 1: Do you care about awards since you have like you're
• 1:26:31
  Speaker 1: so impactful for the culture that the awards matter to you.
• 1:26:34
  Speaker 1: The awards don't matter, like winning awards don't matter, but
• 1:26:37
  Speaker 1: like getting nominated really puts your show on a map.
• 1:26:41
  Speaker 1: But people on the squad definitely have feelings about Like
• 1:26:45
  Speaker 1: ask Princess Penny that question and he's like, we should
• 1:26:47
  Speaker 1: have got every award um, and yeah, I love how
• 1:26:50
  Speaker 1: he rides for us. Is it a real black renaissance
• 1:26:53
  Speaker 1: in Hollywood or is it just like performative. I'm seeing
• 1:26:56
  Speaker 1: behind the scenes a lot of changes, Like it is
• 1:26:58
  Speaker 1: hard to hire and exact right now. It is hard
• 1:27:01
  Speaker 1: because they're getting suited up for stupid money, so I
• 1:27:05
  Speaker 1: can't afford some of the exacts that I want. And
• 1:27:08
  Speaker 1: in that way, like I've always talked about when black
• 1:27:10
  Speaker 1: people are in positions of power, hopefully things will change
• 1:27:14
  Speaker 1: and we'll see if that's true, because a lot of
• 1:27:16
  Speaker 1: them are in positions of power right now. All Right,
• 1:27:18
  Speaker 1: we got more with Ray when we come back, don't move.
• 1:27:20
  Speaker 1: It's the Breakfast Club. Good Morning, the Breakfast Club Morning.
• 1:27:27
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne and the guy
• 1:27:31
  Speaker 1: we are the Breakfast Club was still kicking it with
• 1:27:33
  Speaker 1: Issa Ray Charlomagne. I know it's just acting, but did
• 1:27:36
  Speaker 1: you ever find yourself still in character? Not like anyone
• 1:27:39
  Speaker 1: last season? I Orgin knows how mad I was at
• 1:27:42
  Speaker 1: her and she was really like, She's like Angela. It's
• 1:27:45
  Speaker 1: a character just relaxed. I have never been bad at
• 1:27:49
  Speaker 1: even even after like you don't have to do something.
• 1:27:53
  Speaker 1: In fact, my my real best friend, who is based
• 1:27:56
  Speaker 1: off of she even hit me up and she was like,
• 1:27:58
  Speaker 1: are we cool, like because everybody coming from ali Aka
• 1:28:01
  Speaker 1: coming from me and I was like, no, it's it's
• 1:28:04
  Speaker 1: just a show. This is not like the characters. An't
• 1:28:06
  Speaker 1: you anymore? But Ivan played the role. That's why we
• 1:28:10
  Speaker 1: don't like her. I think that. I think on a
• 1:28:14
  Speaker 1: high key level, it really affected her, like her feelings
• 1:28:17
  Speaker 1: were hurt because people turned on her so quickly. The
• 1:28:19
  Speaker 1: first episode. We were trying to please do, please do.
• 1:28:24
  Speaker 1: I always wanted to know when you grew up in
• 1:28:26
  Speaker 1: Maryland and then you moved to La. How was that
• 1:28:28
  Speaker 1: shell shot from Maryland to the West coast from you know,
• 1:28:32
  Speaker 1: because you said you was it was like an all
• 1:28:33
  Speaker 1: white school, the first family white to black and in law.
• 1:28:36
  Speaker 1: How was that? Yeah? I mean I was born in La.
• 1:28:39
  Speaker 1: We lived in Senegal, which was like, you know, an
• 1:28:42
  Speaker 1: African experience that I had never had, and then we
• 1:28:45
  Speaker 1: went to Maryland and that was a culture shock too
• 1:28:47
  Speaker 1: of just being around said you playing hockey, I was
• 1:28:50
  Speaker 1: not playing hockey. That's what I read since in street
• 1:28:53
  Speaker 1: hockey and swimming street hockey, swomen hockey. No I did it,
• 1:28:58
  Speaker 1: but that's so interesting. But now I was swimming for sure.
• 1:29:02
  Speaker 1: I played soccer. Then I moved back to LA and yeah,
• 1:29:06
  Speaker 1: that was a culture shock. And I was just, you know,
• 1:29:09
  Speaker 1: candidly a little bit lame. And you know, the kids
• 1:29:12
  Speaker 1: there just didn't with me because you were the white
• 1:29:14
  Speaker 1: black girl. I hate that. I hate when people say
• 1:29:17
  Speaker 1: the white black girl. I mean, not you, but I
• 1:29:18
  Speaker 1: just hate when people say that. But I was also lame,
• 1:29:21
  Speaker 1: like I was. I was just too eager, you know,
• 1:29:26
  Speaker 1: I was just pressed to make friends. I liked be
• 1:29:28
  Speaker 1: in the class clowns, and my jokes just weren't hitting
• 1:29:30
  Speaker 1: the same. And then you know, I moved to a
• 1:29:33
  Speaker 1: private school. Uh, and then I was just I realized
• 1:29:37
  Speaker 1: that I've been since that private school experience, I've actually
• 1:29:40
  Speaker 1: been in a black bubble for a very long time
• 1:29:43
  Speaker 1: until even insecure and having to work in black spaces.
• 1:29:46
  Speaker 1: Because even at the private school there was a black group.
• 1:29:48
  Speaker 1: But my mom was still like he quarantined from white people.
• 1:29:51
  Speaker 1: I mean, I guess, I guess, but my mom was
• 1:29:54
  Speaker 1: just like at that private school. She was like, you're
• 1:29:57
  Speaker 1: getting you still too white, Like I don't like this
• 1:29:58
  Speaker 1: and jes so she was like, So then she moved
• 1:30:07
  Speaker 1: me to a high school that was on the border
• 1:30:09
  Speaker 1: of Compton and watch shout out to King. But I
• 1:30:12
  Speaker 1: mean it was amazing because it was kids that wanted
• 1:30:14
  Speaker 1: to be doctors, so from all over. It was a
• 1:30:17
  Speaker 1: magnet school. So it's people from Compton watch from View
• 1:30:20
  Speaker 1: Park like I came from. But we all worked at
• 1:30:23
  Speaker 1: Killer King Hospital, you know, and I thought I wanted
• 1:30:26
  Speaker 1: to be a doctor. And working at that hospital, working
• 1:30:28
  Speaker 1: in triage, seeing you know, the er room, seeing people
• 1:30:31
  Speaker 1: in pain, I was like, oh, I don't want to
• 1:30:33
  Speaker 1: do this. And then you know, after school, like I
• 1:30:36
  Speaker 1: was African American studies, nature, and then after school I
• 1:30:39
  Speaker 1: was working in an African American museum, public theater, all
• 1:30:42
  Speaker 1: those things. So it was just like, oh, I had
• 1:30:45
  Speaker 1: only immersed myself into this weird bubble. And then insecure
• 1:30:50
  Speaker 1: happening and then we were meeting with like, you know,
• 1:30:52
  Speaker 1: other writers, and I expanded my risings. But in the
• 1:30:54
  Speaker 1: writers in my realize, oh, I've only had this experience. Well,
• 1:30:58
  Speaker 1: I want all my daughters to be lamed it. I'm curious,
• 1:31:01
  Speaker 1: you know, but that is the thing that beause my
• 1:31:03
  Speaker 1: daughter was you know, she grow up the same way,
• 1:31:06
  Speaker 1: but now that she's in college, she kind of she's
• 1:31:08
  Speaker 1: almost in that black bubble like she's that So it
• 1:31:10
  Speaker 1: was like it was a shell shot. But where did
• 1:31:12
  Speaker 1: she goes? Okay, yeah, I mean that's where I wanted
• 1:31:16
  Speaker 1: to go too. But one thing you're intentional about is ownership,
• 1:31:19
  Speaker 1: right when it comes to being in your neighborhood in
• 1:31:21
  Speaker 1: La rate and that's an end, you know, being in
• 1:31:24
  Speaker 1: Englewood and all of that, that's important, and I see
• 1:31:28
  Speaker 1: a lot of I'm gonna take that there. I like
• 1:31:33
  Speaker 1: real estate. I like that, but I do see all
• 1:31:36
  Speaker 1: the moves that you're making there. So can you tell
• 1:31:38
  Speaker 1: us some of the things that you have going on?
• 1:31:40
  Speaker 1: H Yeah, I mean I am into the South LA
• 1:31:45
  Speaker 1: is going through heavy gentrification and that is killing me.
• 1:31:48
  Speaker 1: And I really just want to prioritize black residences in
• 1:31:52
  Speaker 1: the community. I want to create pipelines. I want to
• 1:31:54
  Speaker 1: showcase back black businesses. I want the South La Crenshaw
• 1:31:58
  Speaker 1: area to be the black version of what Koreatown is like.
• 1:32:03
  Speaker 1: I want to be able to have everything feeding into
• 1:32:06
  Speaker 1: one another. And that's like the grand vision. I'm nowhere
• 1:32:09
  Speaker 1: near that yet, but I am, you know, buying different
• 1:32:11
  Speaker 1: properties to expand my multi units single year. You haven't
• 1:32:14
  Speaker 1: get My dad is just like that's where's And I
• 1:32:16
  Speaker 1: was like, I haven't because then you have to be
• 1:32:18
  Speaker 1: a landlord, property property management stuff that's extra that'll be
• 1:32:23
  Speaker 1: down the line, hopefully, because I do want to just
• 1:32:25
  Speaker 1: have affordable housing. But yeah, it's just it's a long
• 1:32:28
  Speaker 1: term plan and I'm learning something. Actually, I have so
• 1:32:30
  Speaker 1: much to learn. But I stope I never understood why
• 1:32:32
  Speaker 1: we never did that. Like you see Italian Town in
• 1:32:34
  Speaker 1: New York and see Korea Town, Italian towns called Little Italy,
• 1:32:39
  Speaker 1: Italian Town, Italian Town. Everybody has their old true, It's true, Jesus,
• 1:33:07
  Speaker 1: it's not even that far off. That sounded a lot
• 1:33:10
  Speaker 1: like Nippo. That's what Nipple was trying to do. Yeah,
• 1:33:12
  Speaker 1: And I have so much respect, have some respect for
• 1:33:15
  Speaker 1: what he was doing. And I observed that that was
• 1:33:17
  Speaker 1: aspirational to me, it was inspiring. The whole thing nipp
• 1:33:20
  Speaker 1: was quashing beef. You had a beef you and Lauren
• 1:33:23
  Speaker 1: or something like that alone out of proportion. I'm not
• 1:33:28
  Speaker 1: getting to me and Lauren are great work swimmer beef
• 1:33:32
  Speaker 1: this swimmer first of all, yes, but not all right,
• 1:33:41
  Speaker 1: we saw you a little Italy. We're great. I love
• 1:33:51
  Speaker 1: Laura with all my heart. It was a misunderstanding. And yeah,
• 1:33:55
  Speaker 1: did you and nipp ever talk about like doing something
• 1:33:57
  Speaker 1: like real estate? Wat? No, we never got a chance.
• 1:34:00
  Speaker 1: My first time talking to him was at one of
• 1:34:03
  Speaker 1: did these birthday parties, you know, right before he passed,
• 1:34:05
  Speaker 1: And that was my first time getting to meet meet him.
• 1:34:07
  Speaker 1: But I had been I'd seen what he was doing
• 1:34:10
  Speaker 1: and I wanted to, like, I wanted to reach out,
• 1:34:12
  Speaker 1: and we were actually I do a series called a
• 1:34:15
  Speaker 1: Sip and he was gonna be the gas right before.
• 1:34:19
  Speaker 1: So still like want to make his legacy proud and
• 1:34:23
  Speaker 1: seeing the impact that he's had, you know in my area.
• 1:34:27
  Speaker 1: I love him. You know. Easter really is one of
• 1:34:29
  Speaker 1: the realist though. And the reason I say that is
• 1:34:31
  Speaker 1: like we're airing this on one okay, and that date
• 1:34:35
  Speaker 1: mean something to me because it's my good friend Jasmine Water,
• 1:34:38
  Speaker 1: Jasmine Waters jazz Flies born day. And I say East
• 1:34:41
  Speaker 1: is the realist for a lot of reasons. But I
• 1:34:43
  Speaker 1: want to tell this story because when Jazz was still
• 1:34:45
  Speaker 1: here on this planet. You pulled up on her one
• 1:34:47
  Speaker 1: day and poured into her in a way that impacted
• 1:34:50
  Speaker 1: her so much, and that conversation gave her so much
• 1:34:54
  Speaker 1: hope and so much optimism. And I respect that so
• 1:34:57
  Speaker 1: much because the true measure of a person is how
• 1:34:58
  Speaker 1: to treat someone who can't do anything for them. Man,
• 1:35:02
  Speaker 1: So I read I've told you that before, but I
• 1:35:04
  Speaker 1: wanted to say that publicly because that's the type of
• 1:35:06
  Speaker 1: person you are. Jason was amazing, and you know, rest
• 1:35:10
  Speaker 1: in peace to her. But it's also like she poured
• 1:35:13
  Speaker 1: love in to me when I didn't have, you know, anything,
• 1:35:16
  Speaker 1: and she just invited me to her house to kick
• 1:35:18
  Speaker 1: it and I liked her, and it was just like
• 1:35:21
  Speaker 1: I've never got a chance to say with you, didn't
• 1:35:23
  Speaker 1: get to know you, and that was so fulfilling to me.
• 1:35:25
  Speaker 1: And I wish, you know, I wish I had known.
• 1:35:28
  Speaker 1: But well, you made her day that day. That is
• 1:35:31
  Speaker 1: a fact. Yeah, And I love the fact that like you,
• 1:35:33
  Speaker 1: Like he just said, there's things that you've done for
• 1:35:35
  Speaker 1: people that you didn't have to and that you didn't
• 1:35:38
  Speaker 1: benefit from. Like even when I ran into you and
• 1:35:40
  Speaker 1: you were like, I'm gonna do lip service? What and
• 1:35:42
  Speaker 1: then like I really, I was like, oh word, I
• 1:35:44
  Speaker 1: was like I read, I really followed up and you
• 1:35:46
  Speaker 1: really did it. But that was a big deal for men,
• 1:35:48
  Speaker 1: because I would never even think in my head, all right,
• 1:35:49
  Speaker 1: Easa Ray about to do lip service. I wouldn't even
• 1:35:52
  Speaker 1: have thought to even ask because but it meant a
• 1:35:54
  Speaker 1: lot to me, especially during the pandemic. Fan that's all
• 1:35:57
  Speaker 1: it is. All right, we got a fool for you
• 1:35:59
  Speaker 1: too if you want to, because you want to celebrate
• 1:36:05
  Speaker 1: you by real estate, okay, dollar contract not to be celebrated.
• 1:36:16
  Speaker 1: I appreciate. It's the Breakfast Club. Good morning, the Breakfast Club.
• 1:36:24
  Speaker 1: Your mornings will never be the same. Hey, what up, y'all?
• 1:36:28
  Speaker 1: Is DJ Envy from The Breakfast Club, brought to you
• 1:36:30
  Speaker 1: by the Matrix. Resurrections from Warner Brothers, pictures from director
• 1:36:33
  Speaker 1: Lena with Chowski, Keano Reeves and carry in Marks, Surprise Day,
• 1:36:37
  Speaker 1: iconic roles as Neo in Trinity, Return to the Sour
• 1:36:40
  Speaker 1: Seed in theaters, and HBO Max now playing tickets on sale,
• 1:36:43
  Speaker 1: now experiencing I Max rat it all under seventeen not
• 1:36:46
  Speaker 1: permitted without a parent Morning, Everybody's DJ Envy Angela. Yee,
• 1:36:52
  Speaker 1: Charlomagne the guy. We are the breakfast club. Now, Charlomagne,
• 1:36:55
  Speaker 1: you got a positive note. I do the positive note
• 1:36:57
  Speaker 1: that simply this man give thanks to the law, for
• 1:37:00
  Speaker 1: God is good, God is love, and doors forever. I
• 1:37:03
  Speaker 1: just wanted to say that all praisons do breakfast club.
• 1:37:07
  Speaker 1: You'll finish with y'all dumb