Latest / Movie Meltdown / 189: HoboCast

Transcript

189: HoboCast · Movie Meltdown

• 0:00
  Speaker 1: I really hate when there's someone playing live music when
• 0:02
  Speaker 1: I'm eating.
• 0:02
  Speaker 2: Near the end and the beginning.
• 0:03
  Speaker 3: Yeah, because you want to talk, and you're like.
• 0:10
  Speaker 5: That's exactly the sound you make.
• 0:12
  Speaker 3: It's like you have to drop it before you go.
• 0:13
  Speaker 1: Did you see the look on that guy's face pushing
• 0:15
  Speaker 1: two babies? Like, yep, this is my life.
• 0:18
  Speaker 6: Yeah, don't ever have kids.
• 0:19
  Speaker 5: But see, the thing is, that guy, he lives for
• 0:21
  Speaker 5: that little... It's like, thank you, thank you.
• 0:23
  Speaker 2: Good to be appreciated. You know, I'm here every single night.
• 0:27
  Speaker 2: Five to seven. If you have any requests, just let
• 0:30
  Speaker 2: me know. This upcoming Monday, I'm going to have another
• 0:33
  Speaker 2: friend here.
• 0:35
  Speaker 5: She's going to be out. She's going to have her lute.
• 0:36
  Speaker 7: Nancy.
• 0:37
  Speaker 2: She's a good friend of mine. We're just going to
• 0:42
  Speaker 2: play any kind of famous... It'll maybe be like a
• 0:44
  Speaker 2: Russian night.
• 0:46
  Speaker 5: Fans of Russian music.
• 0:47
  Speaker 1: You're like the Bob Ross of.
• 0:50
  Speaker 5: Rambling.
• 0:51
  Speaker 1: Yeah. You had that calm.
• 0:54
  Speaker 3: Don't be afraid of the rambling now.
• 0:55
  Speaker 8: We're just going to provide vocals for things you can't see.
• 1:00
  Speaker 8: It's a visual gag. You guys at home will appreciate.
• 1:07
  Speaker 3: This. This is Amy Simons, and you're listening to Movie Meltdown.
• 1:25
  Speaker 1: That was me melting down. It's showtime.
• 1:40
  Speaker 9: The following feature has been rated R by the Motion
• 1:43
  Speaker 9: Picture Association of America. It is intended for mature audiences
• 1:48
  Speaker 9: and parental discretion is advised.
• 1:50
  Speaker 1: Our nuclear reactor pumping out one million kilowatts of power.
• 2:24
  Speaker 10: He was like a god walking amongst mere mortals. He
• 2:30
  Speaker 10: had a voice that could make a wolverine purr. And
• 2:35
  Speaker 10: suits so fine, they made Sinatra look like a hobo.
• 2:42
  Speaker 11: Way down among Brazilians, coffee beans grow by the billions.
• 2:47
  Speaker 11: So they've got to find those extra cups to fill.
• 2:51
  Speaker 11: They got an awful lot of coffee in Brazil.
• 2:56
  Speaker 8: What's up and welcome to Movie Meltdown. I'm Brian.
• 2:59
  Speaker 12: I'm Fred.
• 3:00
  Speaker 8: I'm Bo.
• 3:01
  Speaker 1: I'm Marlena.
• 3:02
  Speaker 6: I'm Greg.
• 3:02
  Speaker 3: I'm Ben.
• 3:03
  Speaker 8: And it's time for another session of the Caffeinated Movie Geek.
• 3:06
  Speaker 3: Cappuccino my butt. I still drink coffee.
• 3:10
  Speaker 9: The last fucking thing you need is another cup of coffee.
• 3:13
  Speaker 12: It's time for Decaffeinated Movie Geek.
• 3:16
  Speaker 8: We are coming to you live via digital recording from
• 3:18
  Speaker 8: Nancy's Bagel Grounds, where we will get together, drink coffee,
• 3:21
  Speaker 8: talk movies, and make fun of people passing by outside, usually.
• 3:25
  Speaker 8: And with that, we would like to welcome a new
• 3:28
  Speaker 8: recruit slash victim to the show. We would like to
• 3:32
  Speaker 8: welcome Erin.
• 3:34
  Speaker 4: Hi.
• 3:34
  Speaker 6: Hi.
• 3:36
  Speaker 8: Um, this goes against her better judgment, I suppose, but
• 3:41
  Speaker 8: for quite a while now, you have seemed interested, and
• 3:45
  Speaker 8: I've been trying to, like, keep you at bay. I've
• 3:47
  Speaker 8: been trying to protect you, really. I'm just like, no, no, no.
• 3:50
  Speaker 8: This is like the whole summer of, like, no, you
• 3:52
  Speaker 8: really don't want anything to do. No, it's really, you
• 3:54
  Speaker 8: really better not, no. And it continued on, and every week,
• 3:58
  Speaker 8: but What are you guys talking about this week? Okay,
• 4:02
  Speaker 8: but you really don't want to... Yeah, it just continued
• 4:05
  Speaker 8: on until finally, like, you just want to be on
• 4:08
  Speaker 8: the show. So, I believe, should we also inform them
• 4:12
  Speaker 8: of your entry level into geekdom so they're not... This
• 4:16
  Speaker 8: seems to be our new thing. We seem to be
• 4:20
  Speaker 8: taking on, like, projects to turn people into geeks, really.
• 4:24
  Speaker 1: Yeah.
• 4:25
  Speaker 8: After our adventures with Rose, Erin considers herself just a
• 4:29
  Speaker 8: minor geek at this point, so we're trying to school
• 4:32
  Speaker 8: her in the ways of geekdom and bring her up
• 4:34
  Speaker 8: to speed. Our level of, oh, God, we can't leave
• 4:37
  Speaker 8: the house. Or the lack thereof. Yeah, it's really sad.
• 4:40
  Speaker 9: Is what it is.
• 4:41
  Speaker 8: So this is what you have to aspire to.
• 4:43
  Speaker 1: I can't wait.
• 4:46
  Speaker 6: That's so sad.
• 4:47
  Speaker 12: Okay.
• 4:48
  Speaker 6: Okay.
• 4:49
  Speaker 8: So, with that, again, being the new victim, Erin, I
• 4:54
  Speaker 8: ask you, what blend of coffee are we drinking this week?
• 4:57
  Speaker 1: We are drinking Pacific Blacktail.
• 4:59
  Speaker 3: Excellent.
• 5:00
  Speaker 8: I think we're going to keep you around just for that.
• 5:02
  Speaker 6: That is the first good name we've ever had.
• 5:05
  Speaker 8: Quite professional. Unlike everyone else who's ever done it on
• 5:09
  Speaker 8: this show.
• 5:09
  Speaker 6: Insult the company.
• 5:10
  Speaker 5: Well, it's only when it's Oregon Trail, dudes.
• 5:12
  Speaker 8: Have you been here for Thundermuck? I mean, come on.
• 5:15
  Speaker 13: No, Lucy did Pacific Blacktail once, but she made it sound, like, nasty.
• 5:21
  Speaker 6: And then there was the.
• 5:22
  Speaker 8: That's Lucy.
• 5:23
  Speaker 6: What's the Himalayan Yak Scat?
• 5:25
  Speaker 8: That's just you. You made that up because you're kind
• 5:28
  Speaker 8: of creepy.
• 5:29
  Speaker 1: Right.
• 5:30
  Speaker 6: I don't even remember the original coffee that.
• 5:32
  Speaker 3: The best part of waking up is yak scallops in
• 5:35
  Speaker 3: your cup.
• 5:36
  Speaker 8: Yeah, that's really an insult because it came from me.
• 5:38
  Speaker 6: Of all people to call me creepy.
• 5:40
  Speaker 8: That's right.
• 5:40
  Speaker 4: Take that.
• 5:41
  Speaker 12: Was it Oregon breakfast? Is that what it was?
• 5:43
  Speaker 2: No.
• 5:45
  Speaker 6: All right.
• 5:45
  Speaker 8: So, it's been a while since several of the people
• 5:49
  Speaker 8: here have actually been on board. So, I figured we
• 5:52
  Speaker 8: probably just ought to let loose the Titans and just
• 5:55
  Speaker 8: let people tell what's been going on for them. And
• 5:57
  Speaker 8: that will probably take over the entire show. So... Do
• 6:01
  Speaker 8: you want me to get mine out of the way
• 6:02
  Speaker 8: and then let you go? Sure. Okay. Well, I've got
• 6:06
  Speaker 8: two things I was going to mention. Then I've got
• 6:08
  Speaker 8: a movie I can come back to if we haven't, like,
• 6:10
  Speaker 8: I don't want to take up all the time since
• 6:11
  Speaker 8: I've actually been here recently. So, number one, this one,
• 6:18
  Speaker 8: and I just thought it was a funny story because
• 6:21
  Speaker 8: much as we try to do on this show, it
• 6:23
  Speaker 8: sort of has, like, show the ways that the movie
• 6:26
  Speaker 8: world seeps into our real lives and vice versa. And
• 6:29
  Speaker 8: it's sort of the opposite of what we were just
• 6:31
  Speaker 8: doing last week. Last week, how we were casting the
• 6:33
  Speaker 8: movie of this podcast. I recently sort of did that
• 6:37
  Speaker 8: in reverse. So this will be fun because it's a
• 6:39
  Speaker 8: work story. So I'm at work with a certain co-worker.
• 6:44
  Speaker 8: And there's this chick who works here that she decided
• 6:47
  Speaker 8: was a mean girl. And from that, we decided that
• 6:51
  Speaker 8: our situation was very similar to mean girls. So then
• 6:55
  Speaker 8: we started casting real life around that. So the mean
• 7:01
  Speaker 8: girl in question was obviously the Regina George.
• 7:03
  Speaker 1: I know who you are.
• 7:05
  Speaker 8: Wait, wait. That's where I'm going. Then she's got a
• 7:08
  Speaker 8: pseudo-Tody that we decided is sort of a mixture between
• 7:12
  Speaker 8: Seafree and Chalbert. She's kind of like both in her
• 7:14
  Speaker 8: own weird way. There's another one who could be the
• 7:18
  Speaker 8: low hand of the story. She sort of was innocent
• 7:21
  Speaker 8: when she came in, and then working around us, we totally...
• 7:24
  Speaker 8: Just beat that out of her. So, you know, it
• 7:26
  Speaker 8: comes around just like in the movie. But this was
• 7:28
  Speaker 8: my favorite part, was midway into this, I was like,
• 7:31
  Speaker 8: so if we're following suit, I guess that makes me
• 7:34
  Speaker 8: the Janice Ian of this world. And my favorite part
• 7:38
  Speaker 8: is she just sort of laughed and agreed. There was
• 7:40
  Speaker 8: no questioning that I was obviously the Janice Ian.
• 7:43
  Speaker 1: Yeah, totally.
• 7:44
  Speaker 8: I don't know. I just thought that was funny. I
• 7:46
  Speaker 8: am the Janice Ian of this world.
• 7:48
  Speaker 1: Lizzie Kaplan is babe, so.
• 7:50
  Speaker 8: I'm not going to argue that because Lizzie Kaplan's hot.
• 7:52
  Speaker 8: Which one is she? The reject.
• 7:55
  Speaker 3: The reject, oh.
• 7:57
  Speaker 8: The square peg, if ever there was one.
• 7:59
  Speaker 1: Wasn't she in that show, The Pits? Yes.
• 8:04
  Speaker 8: One of my favorite, maybe you'll get six episodes on
• 8:08
  Speaker 8: Fox shows. They canceled that real fast. Not that Fox
• 8:12
  Speaker 8: ever does that with a show.
• 8:14
  Speaker 6: Right.
• 8:15
  Speaker 8: So the only other thing that, again, these are sort
• 8:18
  Speaker 8: of like side movie related, but this one, just to
• 8:22
  Speaker 8: point out, If other people weren't aware of this, I
• 8:24
  Speaker 8: felt it was my geek duty to get out there
• 8:27
  Speaker 8: and make sure everybody's aware of the new series of Legos.
• 8:31
  Speaker 8: Have you seen the Monster Fighters?
• 8:32
  Speaker 1: I have.
• 8:33
  Speaker 6: Yes.
• 8:33
  Speaker 1: They're awesome.
• 8:35
  Speaker 8: Thank you. I can't fight it. It's ridiculous. So if
• 8:40
  Speaker 8: you're a super geek and you like Legos, if you're
• 8:43
  Speaker 8: a super geek and you like monsters, or any mixture
• 8:45
  Speaker 8: of the two. So, yeah, basically they're doing classic movie
• 8:49
  Speaker 8: monsters in Lego form. And they're hitting all. I mean,
• 8:53
  Speaker 8: there's a werewolf. There's a Dracula. There's a Frankenstein lab.
• 8:58
  Speaker 8: I'm still waiting. The big money is somewhere down the line.
• 9:01
  Speaker 8: In the next month or so, they're coming out with
• 9:02
  Speaker 8: a full haunted house.
• 9:04
  Speaker 2: Yeah, the haunted house is astounding looking.
• 9:06
  Speaker 5: It's probably going to be like $.
• 9:07
  Speaker 6: 500, though. I don't think.
• 9:08
  Speaker 8: It's that much.
• 9:10
  Speaker 5: Legos are expensive. Legos are expensive.
• 9:12
  Speaker 2: Probably pound for pound, it's more than gold.
• 9:16
  Speaker 8: Probably, since there's no real weight to them. And they
• 9:19
  Speaker 8: cost a damn fortune. So if nothing else, people should
• 9:22
  Speaker 8: save money.
• 9:22
  Speaker 2: They've also done the Lord of the Rings ones, too,
• 9:25
  Speaker 2: that have just come out, which, you know, some of
• 9:27
  Speaker 2: those are admittedly kind of cool, too. I mean, I
• 9:30
  Speaker 2: got some of the monster ones and some of the
• 9:32
  Speaker 2: Lord of the Rings ones, and I hadn't bought Legos
• 9:34
  Speaker 2: in years. But I was like, you know, for the
• 9:36
  Speaker 2: surgery that I'm going to have, I know I'm going
• 9:38
  Speaker 2: to be doped up afterwards. And that's seriously how I spent, like,
• 9:41
  Speaker 2: the first couple of days coming out of anesthesia was
• 9:43
  Speaker 2: just building Legos with this very childlike, you know, just
• 9:48
  Speaker 2: awe of what I was constructing and watching movies and
• 9:52
  Speaker 2: then suddenly like it's mid-August.
• 9:55
  Speaker 5: It's a good time.
• 9:56
  Speaker 8: So yeah, if nothing else, I thought I'd make sure
• 10:00
  Speaker 8: everyone was aware. Go out, seek them out. Cause yeah, monsters, Legos,
• 10:04
  Speaker 8: it's all good mixture there. So, uh, I can come
• 10:07
  Speaker 8: back if we've got time for a movie, but I'll,
• 10:09
  Speaker 8: I'll let you guys go at it. So who wants
• 10:11
  Speaker 8: to be next?
• 10:13
  Speaker 3: I've been reviewing the sight and sound top 10 revision, uh,
• 10:20
  Speaker 3: this past week and just kind of reflecting on it. Um,
• 10:23
  Speaker 3: I didn't know what you guys thought about like the
• 10:26
  Speaker 3: whole quote unquote controversy of vertigo dethroning citizen Kane, but I,
• 10:31
  Speaker 3: for one could give a shit. I think both movies
• 10:34
  Speaker 3: are great. So it's not really like, yeah, it's, it's,
• 10:38
  Speaker 3: you can't quantify that. So I just, I'm just, I
• 10:40
  Speaker 3: have been reading these long extensive out, like these critics
• 10:44
  Speaker 3: who like, I like, they're just, they're outraged. Like how
• 10:47
  Speaker 3: could you disrespect vertigo? And it's, I don't know, these thousand-word-long...
• 10:53
  Speaker 3: It doesn't seem worth it. I don't know.
• 10:54
  Speaker 6: I don't know. Just watch the movie. That's odd.
• 10:57
  Speaker 12: They both seem like flawed masterpieces to me.
• 11:01
  Speaker 2: A couple years ago, Empire Magazine did a very, very
• 11:03
  Speaker 2: cool poll to where they did the top 500 films
• 11:06
  Speaker 2: of all time.
• 11:07
  Speaker 5: Did you ever see that?
• 11:08
  Speaker 2: And the way they did it was they actually sent
• 11:10
  Speaker 2: out just ballots to... 10,000 of their readers and film
• 11:15
  Speaker 2: directors and screenwriters and critics all over the world and
• 11:18
  Speaker 2: just the ballot simply said write down your top 10
• 11:21
  Speaker 2: favorite movies and that was it and they just took
• 11:23
  Speaker 2: all these write-in ballots and just totaled them up and
• 11:27
  Speaker 2: so it's a very eclectic list because I mean you
• 11:32
  Speaker 2: have like Kurosawa films that are mixed in with like
• 11:34
  Speaker 2: Dark Knight I mean it's a very offbeat list but
• 11:37
  Speaker 2: on that one the number one that they had was
• 11:40
  Speaker 2: The Godfather and I could kind of see that one
• 11:42
  Speaker 2: as well because Citizen Kane, I think, was in the
• 11:45
  Speaker 2: 20s on that list.
• 11:47
  Speaker 3: And to me, like, an eclectic, like, movie list is
• 11:51
  Speaker 3: the only list worth having. I mean, if you're just
• 11:53
  Speaker 3: going to have the same old, same old, like, Citizen Kane, Sergers,
• 11:56
  Speaker 3: 8 1⁄2, like, it's, those movies are awesome, but just,
• 12:01
  Speaker 3: you know, it doesn't seem to be starting conversation about anything,
• 12:05
  Speaker 3: I guess.
• 12:05
  Speaker 2: That's what I thought was kind of cool about that list,
• 12:08
  Speaker 2: because you were just going out and asking so many
• 12:11
  Speaker 2: regular people what they thought. It was more of a,
• 12:13
  Speaker 2: general consensus list versus something that was made by elitist
• 12:17
  Speaker 2: critics or anything else like that.
• 12:20
  Speaker 6: I think what you get out of that list is
• 12:22
  Speaker 6: when you say favorites and not the best, then you
• 12:25
  Speaker 6: get into people, because if you were told me, if
• 12:31
  Speaker 6: I were told to list the best 10 films of
• 12:35
  Speaker 6: all time, I would have to sit down and think,
• 12:37
  Speaker 6: what would I have to put on this list in
• 12:39
  Speaker 6: order to be considered valid? by anyone that really cared
• 12:44
  Speaker 6: to read it. And so I would have to put
• 12:46
  Speaker 6: five films in that I may not care. I may
• 12:49
  Speaker 6: consider them a masterpiece, but I may not care whether
• 12:52
  Speaker 6: or not I ever watch it again. And so therefore,
• 12:54
  Speaker 6: if it's favorite, it really goes on a personal opinion.
• 12:58
  Speaker 8: That's a very different list.
• 13:00
  Speaker 6: I think that's a more pure list.
• 13:01
  Speaker 2: Yeah, I think the exact phrase they had on the
• 13:03
  Speaker 2: ballot was, list your top ten personal movies, I think
• 13:07
  Speaker 2: is what it was. So, I mean, it sort of
• 13:09
  Speaker 2: made it ambiguous as to, is this favorites? Is this
• 13:12
  Speaker 2: top ten best films I've ever seen, like me personally?
• 13:15
  Speaker 12: Well, you know, there's no right answer to it.
• 13:20
  Speaker 13: But in things where there is a right answer, they
• 13:23
  Speaker 13: say that experts are not as good at coming up
• 13:27
  Speaker 13: with a right answer as a crowd. If the crowd
• 13:31
  Speaker 13: is under the right conditions, it's like it can't have,
• 13:35
  Speaker 13: like a cascade where everybody just says what everybody else says.
• 13:39
  Speaker 13: Everybody has to be free to voice their opinion, and
• 13:43
  Speaker 13: it's better if it's diverse. And then, like, if they're
• 13:47
  Speaker 13: going to guess how many jelly beans are in a jar,
• 13:51
  Speaker 13: the crowd is always going to come up with a
• 13:53
  Speaker 13: better answer than experts on jelly beans.
• 13:57
  Speaker 6: In jars or whatever.
• 13:58
  Speaker 12: I don't know who would be an expert on that.
• 14:00
  Speaker 3: Kirsten Dunst and Melancholia, sorry.
• 14:03
  Speaker 12: Yeah, there's that.
• 14:04
  Speaker 13: There's that book, The Wisdom of Crowds, and the guy
• 14:07
  Speaker 13: goes around with this theory, which goes back to Scottish
• 14:11
  Speaker 13: philosophers or something. But he says every time he tries
• 14:15
  Speaker 13: to do it live, he thinks it won't work. Like
• 14:19
  Speaker 13: he tries to have radio call in people, like, guess
• 14:22
  Speaker 13: how many books are in his study. And every time
• 14:25
  Speaker 13: it works, the crowd has a better answer than, I
• 14:29
  Speaker 13: don't know.
• 14:29
  Speaker 12: Experts on how many books he has.
• 14:31
  Speaker 8: People that have been to his studies.
• 14:33
  Speaker 12: I don't know who the experts are in that field.
• 14:36
  Speaker 2: It also makes sense, though, for doing something like that
• 14:38
  Speaker 2: for films, because films are designed for a crowd and audience.
• 14:42
  Speaker 8: Well, I think most of those lists are just made...
• 14:46
  Speaker 8: For people to fight on the internet. Like anything.
• 14:49
  Speaker 3: At this point, yes. It's all about fighting on the internet.
• 14:52
  Speaker 8: They just make their own personal top ten and post
• 14:54
  Speaker 8: it somewhere so that people will.
• 14:56
  Speaker 3: Argue with them. That's totally right. I was going to say,
• 14:57
  Speaker 3: in every single response article I've read, there's always been like, well,
• 15:01
  Speaker 3: here's what I think. And there's their own top ten.
• 15:04
  Speaker 3: And I was like, you know what? I think that's
• 15:06
  Speaker 3: a good thing that it had that reaction. Not like, yes,
• 15:10
  Speaker 3: I agree. Well done.
• 15:12
  Speaker 12: Fighting on the internet is fun, man.
• 15:14
  Speaker 8: It's like a full-time job. But as long as you
• 15:18
  Speaker 8: don't put any merit behind it, and I think that's
• 15:20
  Speaker 8: the problem with this list, is they actually act like
• 15:23
  Speaker 8: it means something. It's a list like everybody else's list.
• 15:27
  Speaker 8: That's why I don't understand why they need to be numbered.
• 15:29
  Speaker 8: If you can just group 10 together, because then nobody fights.
• 15:33
  Speaker 8: I can't believe this was an 11. That's a lot
• 15:35
  Speaker 8: more rare than, why is this number 1 and this
• 15:37
  Speaker 8: number 3? Yeah.
• 15:39
  Speaker 13: Yeah, the whole idea of a winner in the arts
• 15:43
  Speaker 13: is always ridiculous.
• 15:45
  Speaker 14: It is.
• 15:47
  Speaker 3: First place.
• 15:49
  Speaker 6: Except for the AFI. They believe that theirs is the
• 15:52
  Speaker 6: holy grail of lists.
• 15:53
  Speaker 5: Yeah.
• 15:54
  Speaker 6: The top 100.
• 15:56
  Speaker 3: I'm not, yeah, I don't agree with AFI.
• 15:57
  Speaker 2: First, I mean, just the very fact that it's elitist
• 15:59
  Speaker 2: and it's just American films only.
• 16:01
  Speaker 8: Right.
• 16:02
  Speaker 3: Yeah.
• 16:03
  Speaker 8: That's the way we are.
• 16:04
  Speaker 3: It can only be American.
• 16:06
  Speaker 8: Well, that's the thing that's funny about that list is
• 16:08
  Speaker 8: it's also like it shows you how much things change. Well,
• 16:11
  Speaker 8: even with the AFI, they change it every 10 years.
• 16:13
  Speaker 8: But like people hated Vertigo. Like when it came out,
• 16:16
  Speaker 8: nobody cared about it.
• 16:16
  Speaker 3: Yeah, it didn't show up on any list until like
• 16:19
  Speaker 3: the late 70s or something.
• 16:20
  Speaker 5: Later than that.
• 16:21
  Speaker 8: It was like the 90s. It's like when they restored it,
• 16:23
  Speaker 8: all of a sudden they went, oh, wow, this is
• 16:25
  Speaker 8: a masterpiece. And like nobody seemed to care before that.
• 16:28
  Speaker 12: Well, it has problems, you know. It has some issues.
• 16:30
  Speaker 4: It does.
• 16:31
  Speaker 3: It is kind of like, I don't want to say bad.
• 16:33
  Speaker 3: bloated that's the wrong word but it's like.
• 16:36
  Speaker 12: And fractured it is right it's.
• 16:37
  Speaker 3: Very fractured and it doesn't like and it hinges.
• 16:41
  Speaker 2: Largely on coincidence working too that's the other thing and.
• 16:45
  Speaker 3: It's not yeah sorry it's not like pound for pound
• 16:48
  Speaker 3: entertaining as like north by north northwest or something.
• 16:51
  Speaker 13: You know or rear window yes that's pretty solid yeah
• 16:57
  Speaker 13: yeah that's pretty dapper.
• 17:02
  Speaker 1: Sorry, I got distracted. He had suspenders on. I'm going
• 17:04
  Speaker 1: to look.
• 17:05
  Speaker 5: Sorry, I was waiting for somebody.
• 17:06
  Speaker 8: As I said, making fun of people out the window.
• 17:09
  Speaker 8: He smiled at us.
• 17:09
  Speaker 6: He knew that something was going down.
• 17:11
  Speaker 8: He smiled at me.
• 17:12
  Speaker 1: He smiled at me. All the posters for Vertigo say,
• 17:16
  Speaker 1: you have to watch it from the beginning, but I
• 17:18
  Speaker 1: really only watched it from the middle to the end.
• 17:20
  Speaker 12: Damn it.
• 17:21
  Speaker 8: Hitchcock is talking to you personally.
• 17:24
  Speaker 4: I know.
• 17:25
  Speaker 6: This is the same thing.
• 17:27
  Speaker 12: Why would a movie even bother to tell you You
• 17:29
  Speaker 12: have to watch it from the beginning.
• 17:31
  Speaker 6: They did that with Psycho as well. They said, you
• 17:33
  Speaker 6: have to watch this.
• 17:34
  Speaker 8: I think it's just, I mean, you know better than anybody,
• 17:37
  Speaker 8: I guess. Do they just let random people in the
• 17:40
  Speaker 8: theaters now when it's halfway over? Because it seems like
• 17:42
  Speaker 8: in the old days, they'd just be, whatever, wander on in.
• 17:45
  Speaker 3: Speaking, no.
• 17:46
  Speaker 2: I always tell the staff, right about at the 20-minute mark,
• 17:51
  Speaker 2: that's stop letting people in.
• 17:53
  Speaker 5: Because that's about....
• 17:56
  Speaker 2: The preview is about 10 minutes, and then 10 minutes
• 17:58
  Speaker 2: into the movie itself, it's like, after that, I'm not
• 18:00
  Speaker 2: concerned about that person going in and missing what's going on.
• 18:03
  Speaker 2: I just think it's a distraction to the other people.
• 18:05
  Speaker 5: Who are already in it.
• 18:07
  Speaker 8: And you could almost catch up 10 minutes in, but
• 18:10
  Speaker 8: if you're like, you know, half an hour, what's the
• 18:12
  Speaker 8: point at that point?
• 18:14
  Speaker 6: It just depends on what movie it is, too.
• 18:16
  Speaker 12: If it's Jackass 3D, Vertigo, then no.
• 18:19
  Speaker 5: It says on the movie.
• 18:25
  Speaker 8: I think that should be the rule, damn it. If
• 18:26
  Speaker 8: you can't get there within a reasonable amount of time,
• 18:28
  Speaker 8: you stay out in the lobby. Wait around for an
• 18:31
  Speaker 8: hour and a half. You'll be fine.
• 18:32
  Speaker 1: I'll have to watch it from the beginning.
• 18:34
  Speaker 8: I would hope so.
• 18:35
  Speaker 2: I'm not going to diss other competing theaters, but they
• 18:38
  Speaker 2: do have the bad habit of putting 20 to 30
• 18:41
  Speaker 2: minutes previews on stuff, and that.
• 18:43
  Speaker 6: Makes other people.
• 18:45
  Speaker 2: They assume we do the same.
• 18:46
  Speaker 5: That's always kind of the.
• 18:47
  Speaker 6: I've honestly, in some theaters, forgotten what movie I was
• 18:51
  Speaker 6: going to see during that.
• 18:52
  Speaker 3: That has happened to me, too. That sounds like a joke,
• 18:55
  Speaker 3: but no, it gets that bad. You're like, what's about
• 18:58
  Speaker 3: to start?
• 18:58
  Speaker 8: Oh, yeah. Seven previews later, you're like, wait, what?
• 19:01
  Speaker 2: Somebody came in and threw a handful of glitter in
• 19:03
  Speaker 2: my eyes, and now I'm like, wait, what? But speaking
• 19:08
  Speaker 2: of Hitchcock and upcoming films, Segway.
• 19:11
  Speaker 8: Look at that Segway.
• 19:13
  Speaker 12: I know.
• 19:14
  Speaker 5: Is there someone on the street?
• 19:15
  Speaker 2: Has anyone seen the shot of Anthony Hopkins circulating online?
• 19:19
  Speaker 3: I have, and it's kind of... disturbing in a way.
• 19:24
  Speaker 3: There's two parts of my brain that don't want to mesh.
• 19:27
  Speaker 3: It's like Sir Anthony Hopkins and that image of Hitchcock,
• 19:32
  Speaker 3: and they're two totally different looking people, but in the same...
• 19:36
  Speaker 3: I don't know. It's weird. Whatever he's going to be in,
• 19:40
  Speaker 3: I'll watch it and I'll be like, I can't get
• 19:41
  Speaker 3: used to this.
• 19:42
  Speaker 13: And I'll have to you know what it's gonna be
• 19:44
  Speaker 13: like it's gonna be like Nixon and.
• 19:48
  Speaker 3: Exactly what it's.
• 19:50
  Speaker 13: Like impression of Nixon that people did that was like
• 19:54
  Speaker 13: not really anything like Nixon yeah you know when people
• 19:57
  Speaker 13: started doing Nixon oh or Ed Sullivan is an even
• 20:03
  Speaker 13: better one like they started doing an impression of Ed
• 20:06
  Speaker 13: Sullivan and And it had.
• 20:08
  Speaker 12: Nothing to do with Ed Sullivan. He didn't say that.
• 20:11
  Speaker 12: He didn't do that. But everybody just accepted it.
• 20:15
  Speaker 13: Oh, that's a new Ed Sullivan that we have created
• 20:19
  Speaker 13: who goes around saying a really big show.
• 20:23
  Speaker 8: As long as everybody knows who it is you're doing,
• 20:25
  Speaker 8: it works.
• 20:26
  Speaker 1: Yeah.
• 20:27
  Speaker 12: So that's what it's going to be. He's going to create.
• 20:30
  Speaker 12: A Hitchcock that has never existed before.
• 20:34
  Speaker 8: He didn't go really heavy on the trying to be Nixon.
• 20:38
  Speaker 8: He just sort of got the makeup on and tried
• 20:40
  Speaker 8: to do what he wanted. I gave him credit for
• 20:42
  Speaker 8: not doing a bad impression of him. He just sort
• 20:44
  Speaker 8: of did his thing. Anthony Hopkins kind of thing.
• 20:47
  Speaker 2: See, the trick on any of those movies is always
• 20:49
  Speaker 2: getting beyond the barrier of sitting there and thinking, wow,
• 20:52
  Speaker 2: Anthony Hopkins is doing a good job doing Hitchcock to
• 20:56
  Speaker 2: actually just feeling like you're watching Hitchcock. And in those cases,
• 20:59
  Speaker 2: I would feel almost like it's better to go with
• 21:01
  Speaker 2: a semi-unknown.
• 21:03
  Speaker 10: Yeah.
• 21:04
  Speaker 8: It does make it more difficult to get past who
• 21:07
  Speaker 8: it is.
• 21:07
  Speaker 1: I feel like Philip Seymour Hoffman's probably the best character actor.
• 21:11
  Speaker 1: Anytime he plays someone else, I just totally buy it.
• 21:14
  Speaker 1: I forget that he's not.
• 21:16
  Speaker 8: There's that weird guy in real life.
• 21:18
  Speaker 3: Well, Capote, I didn't really know. I had seen him
• 21:22
  Speaker 3: in other movies before that, but I didn't know him
• 21:24
  Speaker 3: as an actor. That's how I was like, oh, that's
• 21:26
  Speaker 3: who Capote... I haven't seen that much footage of him
• 21:30
  Speaker 3: in real life or anything.
• 21:31
  Speaker 9: I met him.
• 21:33
  Speaker 3: Really?
• 21:34
  Speaker 1: Wow.
• 21:35
  Speaker 12: There's a story there.
• 21:38
  Speaker 13: I rode to one of his talks, and for some reason,
• 21:40
  Speaker 13: my parents put me in the back seat with him.
• 21:45
  Speaker 14: All right.
• 21:45
  Speaker 8: Continue on.
• 21:47
  Speaker 3: First John Carpenter, let's just leave you with these just
• 21:49
  Speaker 3: obscure celebrities.
• 21:49
  Speaker 5: He put his hand on my thigh.
• 21:51
  Speaker 8: Really weird.
• 21:53
  Speaker 13: He went and gave this talk, and he told a story,
• 21:56
  Speaker 13: like the moral quandary of a guy who's out on
• 21:58
  Speaker 13: a date, and he's bouncing a ball. And he bounces
• 22:02
  Speaker 13: the ball out the window and the dog jumps after it.
• 22:05
  Speaker 13: And so what does he do? Does he tell the
• 22:07
  Speaker 13: woman when she comes back in the room that your
• 22:09
  Speaker 13: dog just leapt to his death? Or does he go
• 22:13
  Speaker 13: out on the date and then later go, oh, Ann,
• 22:16
  Speaker 13: by the way.
• 22:17
  Speaker 12: And I thought he was a comedian. You know, the
• 22:21
  Speaker 12: whole night he was hilarious and I just thought he
• 22:23
  Speaker 12: was a comedian.
• 22:25
  Speaker 8: Who's that weird guy we went to?
• 22:27
  Speaker 3: Yeah. Yeah.
• 22:30
  Speaker 13: Philip Seymour Hoffman. I don't buy him as himself. That
• 22:34
  Speaker 13: always seems affected. I would get somebody else to play
• 22:38
  Speaker 13: Philip Seymour Hoffman.
• 22:41
  Speaker 2: I do want to see the master though. I mean,
• 22:42
  Speaker 2: that looks like it's going to be pretty intriguing.
• 22:46
  Speaker 6: Yeah. I, I, I think that's going to be, I
• 22:49
  Speaker 6: still have, I don't know. Phoenix is, uh, I don't
• 22:53
  Speaker 6: know something about him after the whole, I'm still here thing. Uh, right. I,
• 23:00
  Speaker 6: I can't hardly look at him anymore. I tried to
• 23:02
  Speaker 6: watch that movie. I got most of the way through it.
• 23:06
  Speaker 6: And I became physically ill with him, I think. I
• 23:10
  Speaker 6: don't know.
• 23:11
  Speaker 1: That pretty much killed his career.
• 23:12
  Speaker 6: I think so. And so maybe this is, I mean,
• 23:15
  Speaker 6: what a great director. Yeah, what a great director to
• 23:18
  Speaker 6: start back up with.
• 23:19
  Speaker 3: The way they're building this movie up, it's, I mean,
• 23:23
  Speaker 3: they're just like, Oscar, Oscar. Like, just great director, you know,
• 23:27
  Speaker 3: has all the actors. It's going to be good.
• 23:30
  Speaker 2: Which is funny because for the better part, I mean,
• 23:32
  Speaker 2: he was overlooked quite a bit until There Will Be Blood. Because,
• 23:36
  Speaker 2: I mean, Punch Drunk Love and Boogie Nights and Magnolia,
• 23:40
  Speaker 2: they did receive acclaim, but all three of them I
• 23:42
  Speaker 2: felt like developed more of a following after they came out,
• 23:46
  Speaker 2: more of an appreciation afterwards versus at the time.
• 23:50
  Speaker 3: That's true.
• 23:51
  Speaker 6: Well, Punch Drunk Love, I think, was hindered by Adam Sandler.
• 23:55
  Speaker 6: There's a lot of perception that goes along with him.
• 23:58
  Speaker 2: Well, I think that was the whole problem with that
• 24:00
  Speaker 2: movie is you have two camps. You have the camp
• 24:02
  Speaker 2: that love Adam Sandler movies, and they went in to
• 24:04
  Speaker 2: see that, and it's not the typical Adam Sandler movie.
• 24:07
  Speaker 2: And then there's the camp that doesn't like Adam Sandler
• 24:09
  Speaker 2: movies that didn't want to go see it because he
• 24:11
  Speaker 2: was in it. But for me, I feel like it's
• 24:13
  Speaker 2: actually a really good performance for him because, I mean,
• 24:16
  Speaker 2: I've seen very few of his comedies because I don't
• 24:18
  Speaker 2: find him that funny.
• 24:19
  Speaker 5: And when I was watching.
• 24:20
  Speaker 2: That movie and the more I've seen it, I feel
• 24:21
  Speaker 2: like okay, that character that he's playing in Punch Drunk Love,
• 24:25
  Speaker 2: it's like, what if you took the typical Adam Sandler
• 24:27
  Speaker 2: character from all of his other comedies and dropped him
• 24:30
  Speaker 2: in the real world? And suddenly you realize.
• 24:32
  Speaker 5: That he's very pathetic.
• 24:34
  Speaker 3: It's not as funny. Yeah, it is sad.
• 24:36
  Speaker 2: Yeah, it's very sad.
• 24:37
  Speaker 3: People are like, what's wrong with you, man?
• 24:40
  Speaker 6: And any time you put a Louise Guzman in a movie,
• 24:42
  Speaker 6: it's a great movie. That's my other take on it. Yeah, no,
• 24:48
  Speaker 6: I am looking forward to The Master. I think that's
• 24:50
  Speaker 6: probably one of the ones of this year that I'm
• 24:54
  Speaker 6: looking forward to the most.
• 24:55
  Speaker 2: Samsara is the other big one I'm looking forward to
• 24:57
  Speaker 2: because I think that's just going to look gorgeous on
• 25:00
  Speaker 2: the big screen.
• 25:01
  Speaker 3: Well, I just was going to add that the sight
• 25:04
  Speaker 3: and sound, it's interesting about the sight and sound, like
• 25:07
  Speaker 3: top ten, is that I thought that people would be
• 25:10
  Speaker 3: surprised by how much silent movie love that this particular
• 25:14
  Speaker 3: list had.
• 25:14
  Speaker 1: Yeah.
• 25:15
  Speaker 3: And I thought that would be talked about, but instead, no,
• 25:17
  Speaker 3: it's just the old, age-old, Citizen Kane is better than Burton.
• 25:20
  Speaker 3: I was like, I've heard this before. I think it's interesting.
• 25:23
  Speaker 3: They had Passionate Joan of Arc and Sunrise and Man
• 25:26
  Speaker 3: with a Movie Camera. I'm like, wow, those are interesting choices.
• 25:32
  Speaker 3: That should be talked about.
• 25:33
  Speaker 2: I almost feel like, to an extent, they dethroned Citizen
• 25:35
  Speaker 2: Kane so people would pay attention to it.
• 25:39
  Speaker 5: Yeah, exactly.
• 25:41
  Speaker 2: It's like, oh, controversy, look at our list.
• 25:44
  Speaker 13: Yeah, that's like Bernard Shaw said when he started writing
• 25:47
  Speaker 13: about Shakespeare and he made fun of Shakespeare and belittled
• 25:52
  Speaker 13: Shakespeare and compared himself favorably to Shakespeare. But he said
• 25:56
  Speaker 13: when he started writing about Shakespeare, everybody in England went
• 26:00
  Speaker 13: to see Shakespeare maybe once a year to say they did.
• 26:03
  Speaker 13: But when he finished writing about him, everybody was going.
• 26:06
  Speaker 2: To Shakespeare all the time.
• 26:09
  Speaker 12: Because he stirred up interest in it. So I don't know.
• 26:13
  Speaker 12: Maybe it's like that.
• 26:14
  Speaker 8: It obviously worked because everybody's heard that going on.
• 26:20
  Speaker 1: I think in the last month we've all seen, if
• 26:24
  Speaker 1: you're just constantly talking about something, people are like, oh, yeah.
• 26:29
  Speaker 1: You know, like with the whole Chick-fil-A thing, regardless of
• 26:31
  Speaker 1: people's opinions on Chick-fil-A, they're like, oh, yeah, Chick-fil-A, that
• 26:34
  Speaker 1: actually sounds kind of good.
• 26:36
  Speaker 8: See, yeah, that's what I was... Yeah, on that one,
• 26:38
  Speaker 8: I'm like, good or bad, that's probably more press than
• 26:41
  Speaker 8: they've ever had.
• 26:41
  Speaker 3: You know there's going to be some kind of documentary
• 26:43
  Speaker 3: about this coming out. Yeah.
• 26:46
  Speaker 1: I mean, you know, like, you can talk about how
• 26:48
  Speaker 1: disgusting something is or how bad it is or... anything,
• 26:54
  Speaker 1: and you're talking about it, and people are going to
• 26:56
  Speaker 1: be like, oh, yeah.
• 26:57
  Speaker 13: Yeah, I mean, if you keep saying you never go ass-to-mouth,
• 27:01
  Speaker 13: pretty soon people are going to be going ass-to-mouth.
• 27:03
  Speaker 5: It's going to become a thing, isn't it?
• 27:06
  Speaker 1: I've got to see what this is about.
• 27:07
  Speaker 8: You know what I keep hearing about.
• 27:09
  Speaker 5: Welcome to the show, Aaron.
• 27:10
  Speaker 8: Yes. This is how we roll. So, do we want
• 27:15
  Speaker 8: to move on? On that note, would you like to
• 27:18
  Speaker 8: throw yours out?
• 27:18
  Speaker 6: My mom's not listening now.
• 27:20
  Speaker 3: My movie, I was going to say my... Geeking out
• 27:23
  Speaker 3: was really boring this time. It's like, the sight and
• 27:25
  Speaker 3: sound was not the... Usually I have something more excited
• 27:30
  Speaker 3: to rant about.
• 27:31
  Speaker 12: Yeah, I was going to defer entirely.
• 27:33
  Speaker 13: I've been watching Breaking Bad one after another.
• 27:37
  Speaker 8: So you listen to them.
• 27:38
  Speaker 3: I'm missing out.
• 27:40
  Speaker 12: I do enjoy it, but I don't know if I
• 27:42
  Speaker 12: would rank it up there with the.
• 27:46
  Speaker 3: Sopranos?
• 27:47
  Speaker 13: With the Sopranos or The Wire or even Deadwood.
• 27:51
  Speaker 5: I'd It's very plot-driven.
• 27:53
  Speaker 13: I'm not sure I quite agree about the quality of
• 27:57
  Speaker 13: the acting and writing all the time. Sometimes it feels
• 28:02
  Speaker 13: a little bit like they only have time to do
• 28:07
  Speaker 13: so much.
• 28:09
  Speaker 6: Right.
• 28:09
  Speaker 3: You're reminded it's a TV show.
• 28:11
  Speaker 6: Yeah.
• 28:12
  Speaker 3: It has that formula.
• 28:13
  Speaker 12: Yeah, sometimes it feels like, you know, it's still TV.
• 28:15
  Speaker 3: That's the thing about Sopranos. There's no, I mean, maybe,
• 28:18
  Speaker 3: that could be, you could make an argument that that's
• 28:20
  Speaker 3: all due to commercials, really. That you have to structure
• 28:22
  Speaker 3: it around a commercial break and a cliffhanger. And Sopranos
• 28:25
  Speaker 3: didn't have to worry about that. So there wasn't like,
• 28:27
  Speaker 3: like in Lost, like, we're going to blow up the hatch.
• 28:30
  Speaker 1: Boom.
• 28:31
  Speaker 3: Like that kind of deal. You didn't have to worry
• 28:33
  Speaker 3: about that kind of stuff.
• 28:34
  Speaker 13: I remember seeing like footage of them rehearsing a scene
• 28:37
  Speaker 13: for the Sopranos and it looked like such crap.
• 28:41
  Speaker 12: Like really?
• 28:42
  Speaker 14: Yeah.
• 28:43
  Speaker 12: And it's like, well, how do they shoot it?
• 28:45
  Speaker 13: So it always looks good and it's intriguing and, and
• 28:49
  Speaker 13: you know, it's always like picking out like the stuff
• 28:53
  Speaker 13: you want to see.
• 28:53
  Speaker 3: Yeah.
• 28:54
  Speaker 13: Because like just from another camera there when like, I
• 28:58
  Speaker 13: don't know, Meadow wrecks her car or something.
• 29:01
  Speaker 12: This looks like some crappy TV show.
• 29:03
  Speaker 8: Yeah. I don't know.
• 29:05
  Speaker 10: Yeah.
• 29:06
  Speaker 6: Yeah.
• 29:06
  Speaker 13: I guess they just really work that hard to make
• 29:10
  Speaker 13: sure that what comes before our faces is exactly what's
• 29:16
  Speaker 13: going to keep our interest.
• 29:17
  Speaker 12: I don't know.
• 29:19
  Speaker 6: I've been watching a lot of Breaking Bad, too. It
• 29:22
  Speaker 6: was just now released last season, so I can watch
• 29:26
  Speaker 6: it because I won't pay for cable. And it's almost
• 29:32
  Speaker 6: starting to feel just redundant. Like, we're not really progressing anything.
• 29:36
  Speaker 6: We're just going to, oh, I know where this entire
• 29:39
  Speaker 6: season's going. I can probably tell you how they're plotting
• 29:41
  Speaker 6: it out.
• 29:41
  Speaker 3: Like they're stretching it out.
• 29:42
  Speaker 6: Yeah. And I keep, you know, there's a certain amount
• 29:47
  Speaker 6: of suspension of disbelief that you can have with a show.
• 29:54
  Speaker 6: And maybe when you're watching it all compressed like I do,
• 29:56
  Speaker 6: so I don't have to wait a week or two
• 29:58
  Speaker 6: weeks to see it, But you're like, there's no way
• 30:02
  Speaker 6: that any of these people would let this guy live.
• 30:04
  Speaker 6: There's no way that, you know, it just seems like it,
• 30:08
  Speaker 6: I don't know. And, yeah, there are maybe two or
• 30:11
  Speaker 6: three actors on this show that I am impressed with
• 30:14
  Speaker 6: their abilities. The rest, I'm like, eh, it could be
• 30:17
  Speaker 6: a soap opera.
• 30:18
  Speaker 8: Yeah.
• 30:19
  Speaker 12: Well, that guy Tuco, he was a horrible actor. I'm
• 30:23
  Speaker 12: glad he died.
• 30:24
  Speaker 8: Hey, some people have it.
• 30:26
  Speaker 3: He was a terrible actor. Was he the one with
• 30:29
  Speaker 3: the accent and he was real stoic?
• 30:31
  Speaker 13: He was the guy with the grill early on. He
• 30:35
  Speaker 13: was like their first distributor guy.
• 30:38
  Speaker 3: Okay.
• 30:39
  Speaker 8: Some shows just aren't made to be watched. I mean, again,
• 30:42
  Speaker 8: it goes back to the way they used to run
• 30:44
  Speaker 8: shows when there was no other option. You had to
• 30:46
  Speaker 8: wait until next week so they could structure them however
• 30:48
  Speaker 8: they wanted. But now that you've got that option of
• 30:50
  Speaker 8: just streamlining it, running them all together, I think there
• 30:54
  Speaker 8: are shows that suffer from that. And you start to see...
• 30:57
  Speaker 8: Because I know I heard somebody make this, if you
• 31:00
  Speaker 8: watch House on a through line for the whole season,
• 31:03
  Speaker 8: it's the same show every week. It's the same situation.
• 31:07
  Speaker 8: It's the same structure that they have in every episode.
• 31:10
  Speaker 8: And from week to week, you don't really notice that much.
• 31:12
  Speaker 8: I mean, yeah, it's familiar, but it's like, if you
• 31:15
  Speaker 8: sit there and watch four of them in a row,
• 31:16
  Speaker 8: you're like, why did I just watch these four shows?
• 31:18
  Speaker 9: Yeah.
• 31:19
  Speaker 8: There are some that are so structure-oriented, like any procedural
• 31:24
  Speaker 8: kind of thing. I think those will suffer. If it's
• 31:26
  Speaker 8: a big, arcing storyline, I don't think it hurts it
• 31:29
  Speaker 8: so much. But there's some stuff that's still made to
• 31:31
  Speaker 8: be watched like it's in the 50s. See you next week,
• 31:34
  Speaker 8: we'll be here. I think it's just the new media
• 31:39
  Speaker 8: kind of thing.
• 31:40
  Speaker 13: In a way, I think it's the thematic elements. I
• 31:44
  Speaker 13: love Deadwood, but what it's really interested in It's just
• 31:49
  Speaker 13: how these random self-interested scum of the earth people begin
• 31:54
  Speaker 13: to form like a society and begin to even like
• 32:00
  Speaker 13: hating each other. They build a kind of community. And
• 32:04
  Speaker 13: I think that's got a shelf life. I mean, eventually,
• 32:08
  Speaker 13: it's not really the same show.
• 32:10
  Speaker 12: I hate to say it. It may be for the
• 32:13
  Speaker 12: best that it didn't keep rolling on because... After a while,
• 32:17
  Speaker 12: it's not really the same thing.
• 32:19
  Speaker 8: I think most shows have a limited run. I mean,
• 32:23
  Speaker 8: once you go past four or five years, it's like
• 32:25
  Speaker 8: you really need to reevaluate.
• 32:28
  Speaker 6: Yeah.
• 32:29
  Speaker 12: Yeah, but Sopranos was just.
• 32:31
  Speaker 6: I thought.
• 32:32
  Speaker 3: Yeah, that was amazing how long they went.
• 32:34
  Speaker 13: Late in the game, and then they'd still be just
• 32:37
  Speaker 13: right on the heart of the show.
• 32:39
  Speaker 3: Yeah, they never felt like... Nothing felt stretched out, and
• 32:42
  Speaker 3: it never felt like a conscious writer's like, oh, we
• 32:44
  Speaker 3: have to keep this going forever. like it was just
• 32:47
  Speaker 3: it was just the characters like you were just watching
• 32:49
  Speaker 3: the characters in this like like free fall in real
• 32:53
  Speaker 3: time just yeah I don't know it was they just
• 32:56
  Speaker 3: did it really well uh.
• 32:58
  Speaker 12: Yeah yeah I might go back and watch that all.
• 33:01
  Speaker 2: Over again yeah well I had one of my most
• 33:05
  Speaker 2: pleasurable movie experiences in a long time not too long
• 33:09
  Speaker 2: ago wait I thought we weren't supposed to talk about
• 33:10
  Speaker 2: those kind of movies no it wasn't like a Fred
• 33:13
  Speaker 2: Willard sort of pleasurable movie experience uh But, I mean,
• 33:18
  Speaker 2: I'm going to go ahead before I even say the
• 33:20
  Speaker 2: title of the movie, because I realize it will probably, like,
• 33:24
  Speaker 2: you know, come under fire. I'll preface it with saying
• 33:27
  Speaker 2: it was the first film I watched post-surgery, so the
• 33:30
  Speaker 2: anesthetic was still wearing off.
• 33:33
  Speaker 8: I don't think we outed you on last episode, so
• 33:36
  Speaker 8: if you need to give people, you know, the fact
• 33:38
  Speaker 8: that you were just having surgery done.
• 33:40
  Speaker 2: Yeah, I just had knee surgery because I was rock climbing,
• 33:43
  Speaker 2: and my spine... I had a fellow that was about
• 33:46
  Speaker 2: half my weight who wanted to belay me.
• 33:48
  Speaker 6: And I said, are you sure that you're heavy enough
• 33:51
  Speaker 6: to do that?
• 33:52
  Speaker 5: And he's like, I've got upper body strength. I was like,
• 33:55
  Speaker 5: all right. It didn't work out too well.
• 34:01
  Speaker 2: But anyway, it was the first post-surgery film I was watching.
• 34:05
  Speaker 2: And as I was watching it, I just had tears
• 34:09
  Speaker 2: in my eyes thinking, I'm like, God, this is so beautiful.
• 34:12
  Speaker 3: I was just completely.
• 34:13
  Speaker 2: Awestruck by it. And I didn't even remember how much
• 34:16
  Speaker 2: I was even taken aback by it until the next morning.
• 34:18
  Speaker 2: I got all these texts from friends. I was doing
• 34:20
  Speaker 2: a constant text update about the film. I was just like,
• 34:24
  Speaker 2: this movie is blowing my mind.
• 34:26
  Speaker 6: It is just.
• 34:27
  Speaker 2: Why is our world no longer like this?
• 34:31
  Speaker 8: People should not be allowed to text or tweet while
• 34:34
  Speaker 8: drugged up.
• 34:35
  Speaker 2: And the film that I'm referring to is Saturday Night Fever.
• 34:39
  Speaker 6: Of course.
• 34:41
  Speaker 13: Wow.
• 34:41
  Speaker 1: I was hoping you'd say Porky's or something.
• 34:44
  Speaker 8: I was hoping it was an earnest movie.
• 34:45
  Speaker 12: That really was kind of a good movie in a way.
• 34:48
  Speaker 2: I remember just like during the whole disco sequences, I mean,
• 34:51
  Speaker 2: I sent out texts to friends that said, the text
• 34:53
  Speaker 2: was like, you know, it's blowing my mind watching John
• 34:57
  Speaker 2: Travolta dance. Why did this die? Why is this not
• 35:01
  Speaker 2: in our society anymore? And it's just, I sent it
• 35:03
  Speaker 2: out to like blanket 20.
• 35:04
  Speaker 8: 30 people. And they were like, what the hell is
• 35:07
  Speaker 8: wrong with you? Oh, medication.
• 35:09
  Speaker 13: But it was like, you know, they were, what town
• 35:12
  Speaker 13: was that set in? It was like a little industrial town.
• 35:15
  Speaker 13: It was dying and nobody had any money or any future.
• 35:18
  Speaker 13: And then they'd put on their big suits with the
• 35:20
  Speaker 13: big lapels and go out and dance.
• 35:23
  Speaker 5: I mean, it was almost like Rebel Without a Cause,
• 35:25
  Speaker 5: but with disco.
• 35:26
  Speaker 12: Yeah, it was, kind of.
• 35:28
  Speaker 5: It's funny. And then I re-watched it a few days later.
• 35:31
  Speaker 2: And I was like, I still stand by it.
• 35:32
  Speaker 5: I like this movie.
• 35:34
  Speaker 8: I think it's one of those that gain respect over
• 35:36
  Speaker 8: the years.
• 35:36
  Speaker 13: I never saw it when it came out, but then
• 35:38
  Speaker 13: a friend of mine actually told me, yeah, that was
• 35:40
  Speaker 13: a really pretty good movie, and I went and saw
• 35:44
  Speaker 13: it maybe like last year.
• 35:46
  Speaker 3: Hmm.
• 35:47
  Speaker 13: And then also what's unexpectedly good was Samurai Night Fever.
• 35:53
  Speaker 3: If you saw John Belushi's masterpiece.
• 35:56
  Speaker 6: It really was.
• 35:56
  Speaker 13: Because you could follow the movie and you got the
• 36:00
  Speaker 13: whole sense of the.
• 36:01
  Speaker 12: the world they lived in, just from the grunts that
• 36:04
  Speaker 12: he made as a samurai.
• 36:08
  Speaker 3: You really did.
• 36:09
  Speaker 12: It kind of worked. It said everything you needed to
• 36:15
  Speaker 12: know about his world and his life.
• 36:19
  Speaker 2: Prior to that, it's like I'd never realized how beautiful
• 36:21
  Speaker 2: the late 70s were.
• 36:22
  Speaker 8: Because they're usually presented so lovely on TV.
• 36:29
  Speaker 6: You know, that's the kind of movie... I don't think
• 36:33
  Speaker 6: I ever saw the original Rocky until I'd seen maybe
• 36:37
  Speaker 6: Rocky 4. You know, 2, 3, and 4. And I
• 36:41
  Speaker 6: had this perception of what Rocky 1 was going to
• 36:43
  Speaker 6: be like, or Rocky. It's completely different. It's completely different.
• 36:48
  Speaker 6: And you're like, oh, this is a good movie.
• 36:49
  Speaker 3: It's like a real movie.
• 36:50
  Speaker 12: Before it became a franchise.
• 36:52
  Speaker 5: It was an actual movie.
• 36:54
  Speaker 6: It was completely... It was almost the difference between... Halloween
• 36:58
  Speaker 6: 1 and 2 and Halloween 3.
• 36:59
  Speaker 3: Or even the.
• 37:01
  Speaker 5: Rambo movies too, comparing any of them to First Blood.
• 37:03
  Speaker 6: To the First Blood, right. And going back and watching,
• 37:08
  Speaker 6: basically the difference in watching Rocky as an adult, you're like,
• 37:12
  Speaker 6: this is a really well shot and well written movie.
• 37:18
  Speaker 6: It just wouldn't even have to be about boxing, is
• 37:23
  Speaker 6: the other.
• 37:23
  Speaker 5: Part of it.
• 37:23
  Speaker 6: It could be about anything and it would still work. Well,
• 37:27
  Speaker 6: maybe not anything.
• 37:29
  Speaker 12: Except maybe playing upright bass. I don't think you can
• 37:33
  Speaker 12: do it.
• 37:35
  Speaker 3: Right when you said that, he like, okay, I thought
• 37:37
  Speaker 3: he was getting off. He's like, I'm done.
• 37:39
  Speaker 8: They won't quit talking about it.
• 37:40
  Speaker 3: I will play bass no more forever.
• 37:43
  Speaker 2: Ryan's just wishing we would actually pay attention to the show.
• 37:45
  Speaker 5: Since we're talking about it.
• 37:46
  Speaker 3: Going back to 70s, late 70s movies and like that
• 37:49
  Speaker 3: grimy just look.
• 37:52
  Speaker 6: It's the feel of Taxi Driver.
• 37:54
  Speaker 3: Yeah, even the great ones, like just kind of like
• 37:56
  Speaker 3: you'll never, like I will never say, as much as
• 37:59
  Speaker 3: I love those movies, I will never say, wow, that,
• 38:01
  Speaker 3: Sidney Lumet movie felt like a painting. It was just...
• 38:05
  Speaker 3: It's not... They just all had that kind of garbage, pale,
• 38:10
  Speaker 3: I don't know what.
• 38:11
  Speaker 13: See, when I saw American Beauty, I had read a
• 38:13
  Speaker 13: review of it and about what a different kind of
• 38:16
  Speaker 13: movie it was, and then they mentioned.
• 38:19
  Speaker 12: The bag blowing... And I was so disappointed when I
• 38:22
  Speaker 12: saw it because I wanted.
• 38:24
  Speaker 3: It to be trash.
• 38:26
  Speaker 13: I wanted it to be garbage, and for him to
• 38:28
  Speaker 13: see that that was somehow... like the 70s, right?
• 38:34
  Speaker 3: That would have been more devastating, like an emotional of
• 38:36
  Speaker 3: a moment to him just realized, no, that's it. There's
• 38:39
  Speaker 3: nothing to it. There's no hope.
• 38:42
  Speaker 13: I don't know. The review gave me the impression of
• 38:47
  Speaker 13: such a great movie that I was really disappointed when
• 38:51
  Speaker 13: I saw it because it's like, no, that Well, you know,
• 38:54
  Speaker 13: if you read really well-written reviews, then by the time
• 38:57
  Speaker 13: you see the movie, it's like.
• 38:59
  Speaker 12: Oh, yeah, I remember that.
• 39:00
  Speaker 9: I enjoyed it.
• 39:01
  Speaker 12: Then you go see it, and it's like, oh, this
• 39:03
  Speaker 12: is a different movie than the impression I had.
• 39:07
  Speaker 8: That's why I don't... think it's a good idea to
• 39:09
  Speaker 8: read reviews. Definitely not beforehand.
• 39:12
  Speaker 3: Especially these days. Critics don't even care about spoiling things anymore.
• 39:17
  Speaker 8: But even if they don't spoil it, it sets you
• 39:19
  Speaker 8: up with their impression of what you're going to see
• 39:21
  Speaker 8: versus just letting you have your own. Then after the fact,
• 39:25
  Speaker 8: you could read it and be like, well, no, I
• 39:27
  Speaker 8: think you're wrong here, or I agree with you here, but... yeah,
• 39:30
  Speaker 8: I think beforehand seems kind of stupid in my opinion.
• 39:33
  Speaker 6: I don't like reading them after either because I've already
• 39:36
  Speaker 6: formed my opinion on what I thought and I, how
• 39:38
  Speaker 6: dare they try to convince me otherwise.
• 39:40
  Speaker 8: Well, that's the geek thing though.
• 39:41
  Speaker 3: We like to disagree with you.
• 39:43
  Speaker 6: I do enjoy disagreeing. I, you know, you speak of
• 39:47
  Speaker 6: the paper bag, um, plastic bag you're right it was
• 39:52
  Speaker 6: paper or plastic yeah plastic that was uh be careful
• 39:55
  Speaker 6: was it not another teen movie that the kid was
• 39:59
  Speaker 6: filming the the bag floating around and I just remember
• 40:04
  Speaker 6: um it was back I think I that was on
• 40:06
  Speaker 6: I was watching we had one of the free channels
• 40:08
  Speaker 6: or something like that for a while right after I
• 40:11
  Speaker 6: mean the first kid was born and you know you're
• 40:14
  Speaker 6: up late with a kid and so there you're trying
• 40:16
  Speaker 6: to get him to sleep you watch a movie so
• 40:17
  Speaker 6: I watched not another I think it was not another
• 40:19
  Speaker 6: teen movie And I knew it was coming on again,
• 40:22
  Speaker 6: like on the West Coast feed or something like that.
• 40:24
  Speaker 6: And I was like, I've got to watch that again
• 40:26
  Speaker 6: just for that little moment. Because it was such a
• 40:29
  Speaker 6: good job of spoofing that movie.
• 40:33
  Speaker 14: Yeah.
• 40:33
  Speaker 6: You saw how... stupid of a moment that was.
• 40:37
  Speaker 3: That movie just so deserves to get made fun of.
• 40:40
  Speaker 3: It's just like it's pressing the buttons. It's like you
• 40:44
  Speaker 3: will think this is cool and interesting and artistic.
• 40:47
  Speaker 13: Well, I did think it was sort of manipulative like that,
• 40:49
  Speaker 13: and it's basically the movie that Hollywood has been making
• 40:53
  Speaker 13: for artistic types over and over since Cuckoo's Nest. It's
• 40:58
  Speaker 13: like you take a repressed community... You bring in.
• 41:01
  Speaker 12: A character who's sort of like a wild.
• 41:03
  Speaker 6: Card, and he liberates.
• 41:05
  Speaker 12: And they've done that over and over.
• 41:07
  Speaker 13: They've done that with the asylum and then Dead Poets Society.
• 41:13
  Speaker 3: Dead Poets Society might be the worst of that.
• 41:17
  Speaker 12: Even foreign films like Babette's Feast. But there are a
• 41:21
  Speaker 12: bunch of movies that's like that.
• 41:22
  Speaker 13: And so in this one, it's like a suburban guy
• 41:25
  Speaker 13: and a pot dealer. It's basically become a Hollywood formula
• 41:30
  Speaker 13: film now, and some of them are better than others,
• 41:32
  Speaker 13: but I'm always aware that, oh, this is the movie
• 41:38
  Speaker 13: they make for people who think they're different and artsy.
• 41:44
  Speaker 6: It's also the, you know, what is it, like the
• 41:47
  Speaker 6: stand-by-me kind of formula, too, where you have the downtrodden
• 41:51
  Speaker 6: school and Morgan Freeman comes in.
• 41:53
  Speaker 7: And, Ah.
• 41:54
  Speaker 6: Wakes them up.
• 41:55
  Speaker 5: It goes all the way back to, like, Blackboard Jungle.
• 41:57
  Speaker 6: You're right.
• 41:58
  Speaker 12: The music in you. Let's not stand by me, though.
• 42:00
  Speaker 8: Lean on me.
• 42:00
  Speaker 6: Lean on me. Yeah.
• 42:02
  Speaker 3: Well, you know. Morgan Freeman.
• 42:03
  Speaker 14: Yeah.
• 42:04
  Speaker 6: Morgan's in me.
• 42:05
  Speaker 5: Yeah, Stan by me and Morgan Freeman.
• 42:09
  Speaker 3: He's the narrator. Him and Richard Dreyfuss took turns.
• 42:13
  Speaker 8: No, he's the fat kid in Stan by me. He
• 42:15
  Speaker 8: grew up to be Morgan Freeman.
• 42:16
  Speaker 3: Can you believe that? And he married the supermodel?
• 42:20
  Speaker 8: And he married his granddaughter.
• 42:21
  Speaker 3: Anyway. But it's just like, that movie is just saying, oh,
• 42:29
  Speaker 3: the suburbs are really weird. Isn't that crazy? I'm... Again,
• 42:33
  Speaker 3: going back, I'll watch Blue Velvet for that kind of thing.
• 42:36
  Speaker 3: That movie is awesome.
• 42:37
  Speaker 8: Speaking of the 70s, haven't they been doing that since
• 42:40
  Speaker 8: the 70s?
• 42:40
  Speaker 3: It all goes back to Blue Velvet.
• 42:42
  Speaker 12: What's-his-name is really good in it, though. Kevin Spacey? Yeah,
• 42:46
  Speaker 12: and Thora Birch.
• 42:48
  Speaker 13: She ought to be doing more stuff, I don't know.
• 42:50
  Speaker 6: I love Thora Birch. Annette Bening does a fantastic job.
• 42:55
  Speaker 12: Of being gross.
• 42:57
  Speaker 8: Which is usually what she does.
• 42:59
  Speaker 6: I can't think of a role she's been in that
• 43:01
  Speaker 6: I've liked her character.
• 43:02
  Speaker 12: Yeah, she's hard to like.
• 43:05
  Speaker 1: She made a really good butch lesbian in that one movie.
• 43:07
  Speaker 12: Oh, yeah.
• 43:08
  Speaker 5: The kids are all right.
• 43:09
  Speaker 13: Yeah, she was kind of, I guess that's probably her
• 43:11
  Speaker 13: most likable role. When she got onto the Joni Mitchell thing,
• 43:15
  Speaker 13: I'm like, I'm right with you.
• 43:17
  Speaker 1: I didn't actually watch the movie, but I saw a preview,
• 43:20
  Speaker 1: and I.
• 43:20
  Speaker 3: Was like, yeah, totally. I can see where she'd be
• 43:23
  Speaker 3: awesome in this.
• 43:24
  Speaker 8: All right. The question is, did you watch the preview
• 43:26
  Speaker 8: from the beginning?
• 43:28
  Speaker 6: I read a full review.
• 43:29
  Speaker 3: Of it, and I thought, Like, I know that movie.
• 43:31
  Speaker 8: I'm on board.
• 43:32
  Speaker 1: I'm on board, yeah.
• 43:33
  Speaker 3: I get this movie.
• 43:34
  Speaker 12: You have to watch it from the middle.
• 43:36
  Speaker 5: And that is.
• 43:38
  Speaker 2: Though that also could rope into the suburbs are weird
• 43:41
  Speaker 2: sort of theme, too, with that movie.
• 43:43
  Speaker 1: I got the Clips notes.
• 43:44
  Speaker 8: Yeah.
• 43:45
  Speaker 13: And, you know, Mary Poppins, you have to cut that
• 43:48
  Speaker 13: off at, like, Feed the Birds.
• 43:51
  Speaker 12: And then it's just excellent.
• 43:53
  Speaker 8: If you want to scar your child for life, sure,
• 43:55
  Speaker 8: go ahead.
• 43:56
  Speaker 3: That's how I was raised.
• 43:58
  Speaker 5: It's... I don't know.
• 44:01
  Speaker 6: Weird experience. Yeah.
• 44:04
  Speaker 3: Just sad note to end that movie on.
• 44:07
  Speaker 2: You could cut that movie off where they're lost in
• 44:09
  Speaker 2: the alleyways and they're picked up by the chimney sweeps.
• 44:11
  Speaker 5: I mean, that's a real upbeat moment to leave off
• 44:13
  Speaker 5: as well. Very frightening, actually.
• 44:15
  Speaker 3: And it's also weird noticing how, like, Dick Van Dyke,
• 44:20
  Speaker 3: his British accent is horrible in that movie.
• 44:24
  Speaker 2: Did he ever apologize to the British for that?
• 44:26
  Speaker 3: He should have. He should have written, like, a giant letter. Oh,
• 44:30
  Speaker 3: that's great.
• 44:31
  Speaker 8: Okay, I think that's... We're always looking for a nice theme.
• 44:34
  Speaker 8: I think we need to have an entire episode of
• 44:36
  Speaker 8: where we all come up with what would happen if
• 44:39
  Speaker 8: we ended a movie at this point.
• 44:40
  Speaker 3: Yeah, right.
• 44:41
  Speaker 8: And then just do our own cuttings of movies.
• 44:45
  Speaker 13: Like my daughter was asking the other day, she said,
• 44:48
  Speaker 13: is there a movie like John Tucker Must Die where
• 44:51
  Speaker 13: they don't get together and he just dies? That would
• 44:56
  Speaker 13: be a good movie.
• 44:58
  Speaker 1: It's called I Know What You Did Last Summer.
• 45:00
  Speaker 3: Yes. The crying game just ended right, you know, when
• 45:04
  Speaker 3: he just gets with the woman at the bar and
• 45:06
  Speaker 3: it's like, oh, this is a nice, you know, he's IRA,
• 45:08
  Speaker 3: but he gets a second chance. It's nice. Nothing bad
• 45:12
  Speaker 3: or crazy is going to happen.
• 45:13
  Speaker 8: This is one of those hookups.
• 45:15
  Speaker 3: This ended on a good note.
• 45:16
  Speaker 1: It's like Pootie Tang. Actually, I don't know what Pootie
• 45:20
  Speaker 1: Tang is.
• 45:21
  Speaker 3: Your gaffer friends will be like, she was really hot.
• 45:23
  Speaker 3: I was like, dude, watch the rest of the movie.
• 45:28
  Speaker 3: Just watch what you say.
• 45:29
  Speaker 6: I still wonder why Pootie Tang doesn't work, but Black
• 45:33
  Speaker 6: Dynamite does.
• 45:35
  Speaker 12: Because Black Dynamite kicks ass.
• 45:38
  Speaker 6: I know. I still say there's enough in Poodie Tang
• 45:41
  Speaker 6: that's just as good.
• 45:42
  Speaker 8: It was entertaining. I don't know about just as good.
• 45:44
  Speaker 1: Yeah, I think so.
• 45:45
  Speaker 6: I don't know.
• 45:46
  Speaker 3: It feels like a really long, short film.
• 45:48
  Speaker 6: I don't know why.
• 45:50
  Speaker 3: It just does. It has some crazy moments that are hilarious,
• 45:53
  Speaker 3: and then it just drags out in these weird stretches
• 45:56
  Speaker 3: that does not make sense. You can tell a lot
• 45:59
  Speaker 3: of it was just cut to pieces.
• 46:01
  Speaker 8: I think the difference is, and we need to get
• 46:04
  Speaker 8: really analytical about Poodie Tang. I think the difference is that, again,
• 46:09
  Speaker 8: it almost comes off a little more slapstick-y. It's almost
• 46:13
  Speaker 8: a little more in the Spartans camp, where Black Dynamite
• 46:16
  Speaker 8: is almost like legit. I mean, those guys love those movies,
• 46:22
  Speaker 8: and they're doing a good version of those movies. Now, granted,
• 46:24
  Speaker 8: at the same time, they know what's silly about them,
• 46:27
  Speaker 8: and they're kind of tweaking that a little and making
• 46:29
  Speaker 8: fun of it, but... It just works as an actual
• 46:32
  Speaker 8: movie where Booty Tank has to be making fun of us.
• 46:35
  Speaker 2: That's what I think works so well about those films.
• 46:36
  Speaker 2: Anytime you do a parody, especially if you're doing it
• 46:38
  Speaker 2: about stuff like that, I mean, you can't have the
• 46:42
  Speaker 2: characters winking at the audience too much because what's endearing
• 46:46
  Speaker 2: about those movies is you have these stars who are
• 46:48
  Speaker 2: just trying their damnedest to do the best of what
• 46:50
  Speaker 2: they have with the material, even though it's just, you know,
• 46:53
  Speaker 2: complete crap half the time.
• 46:54
  Speaker 1: Yeah.
• 46:55
  Speaker 2: But, you know, you have these people who get up
• 46:56
  Speaker 2: and they'll make a legitimate attempt to sell the material
• 46:59
  Speaker 2: and then you go back and you watch it 20,
• 47:00
  Speaker 2: 30 years later and it's laughable and that's why when you,
• 47:03
  Speaker 2: anytime I watch parodies, I'm like, this one worked, this
• 47:05
  Speaker 2: one didn't, is, are the characters trying to sell it?
• 47:08
  Speaker 2: If they're trying to sell it, I think usually then
• 47:10
  Speaker 2: it becomes hilarious. But, I mean, if they're, You know,
• 47:13
  Speaker 2: like all the scary movie stuff. I mean, it's just like, no,
• 47:16
  Speaker 2: that doesn't work for me because it's just too many
• 47:18
  Speaker 2: winks at the audience. It's just, I can't, you keep
• 47:20
  Speaker 2: breaking the fourth wall.
• 47:21
  Speaker 5: I can't focus.
• 47:22
  Speaker 3: One movie I thought that did that very well was
• 47:25
  Speaker 3: Lost Skeleton of Cadavera. Oh, God, I love that.
• 47:28
  Speaker 2: Any of the Larry Blamire stuff is just gold.
• 47:31
  Speaker 3: Climb down these rocks like I do. Dangling skeleton going.
• 47:37
  Speaker 3: I mean, he made the second, did you ever see
• 47:40
  Speaker 3: the sequel? I saw scenes from the sequel, and they
• 47:42
  Speaker 3: look just as funny.
• 47:43
  Speaker 5: Apparently, he's making a third now.
• 47:45
  Speaker 10: Oh, wow.
• 47:45
  Speaker 3: More cartoon. I hope he makes ten.
• 47:50
  Speaker 6: I don't own that, but I want it just so
• 47:54
  Speaker 6: that I can say, here, just watch this. Just take it,
• 48:00
  Speaker 6: watch it. You don't even have to say anything. I
• 48:02
  Speaker 6: just want to know that you watched it.
• 48:03
  Speaker 8: Only to the right people.
• 48:04
  Speaker 2: Right.
• 48:05
  Speaker 8: It wouldn't work forever.
• 48:06
  Speaker 3: There's just some movies that are so weird and outlandish
• 48:09
  Speaker 3: that I just want to show them to my friends
• 48:10
  Speaker 3: who don't care for movies. Just to make them watch.
• 48:14
  Speaker 3: I made you sit through this weird movie. You can
• 48:17
  Speaker 3: never get that out of your head. And that just
• 48:19
  Speaker 3: gives me kind of a weird, sick pleasure. Like showing
• 48:23
  Speaker 3: people How Sue who just don't care for watching any
• 48:26
  Speaker 3: kind of movie.
• 48:28
  Speaker 8: How Sue is so awesome.
• 48:31
  Speaker 6: It's like dog tooth. You can never not watch that.
• 48:34
  Speaker 6: Once you've seen it, you've seen it.
• 48:36
  Speaker 3: That is so true. No, I've seen it.
• 48:38
  Speaker 12: Or Zardoz.
• 48:39
  Speaker 5: It goes back to some episodes ago.
• 48:41
  Speaker 2: It's another one to where it's just get somebody to
• 48:43
  Speaker 2: watch this and let it blow their mind.
• 48:45
  Speaker 3: I still think about Zardoz. I might even go as
• 48:49
  Speaker 3: far as to say I think about it every day.
• 48:51
  Speaker 8: Every day I wake up. Praise Zardoz. It is another day.
• 48:55
  Speaker 3: The image of that stone head is just so iconic
• 48:57
  Speaker 3: and powerful.
• 48:58
  Speaker 8: It's pretty awesome.
• 49:00
  Speaker 1: Yes.
• 49:00
  Speaker 8: I'm telling you. I'm getting one for the backyard.
• 49:03
  Speaker 6: I can't hear the word tabernacle without laughing. That's for sure.
• 49:07
  Speaker 8: You automatically go, whoa!
• 49:10
  Speaker 2: I will not go to the second level with you!
• 49:14
  Speaker 3: Best part.
• 49:15
  Speaker 5: Too late to feel sorrow.
• 49:19
  Speaker 9: Too late to feel pain.
• 49:39
  Speaker 4: He's just an old boy.
• 49:41
  Speaker 1: And he's lost out in the rain.
• 49:45
  Speaker 8: He never caused.
• 49:46
  Speaker 3: Trouble, so don't have no fear.
• 49:52
  Speaker 4: He's just an old boy, and he'll soon be far
• 49:56
  Speaker 4: away from here.
• 49:57
  Speaker 3: He used to be a family man. Yes, folks, it's
• 50:14
  Speaker 3: intermission time.
• 50:16
  Speaker 9: So how about taking a.
• 50:17
  Speaker 10: Break, get out and stretch a little, and relax before
• 50:20
  Speaker 10: the show begins again.
• 50:21
  Speaker 5: Spread the word, you dirty cocksuckers.
• 50:24
  Speaker 11: Tell all your grave-riding friends what the matter is.
• 50:26
  Speaker 3: Yeah! Hobo with a shotgun.
• 50:30
  Speaker 8: The streets gave birth to a stray dog who is
• 50:32
  Speaker 8: now fed up.
• 50:33
  Speaker 3: Living on the streets is tough.
• 50:35
  Speaker 2: And it's about to get tougher.
• 50:40
  Speaker 12: Violent, cruelty, murder.
• 50:45
  Speaker 2: The streets will be lonelier because this hobo's taken on.
• 50:48
  Speaker 2: He's cashing in his nickels and dimes for a new
• 50:51
  Speaker 2: way of life. But getting out isn't that easy. This
• 51:01
  Speaker 2: hero is going to have to deliver justice one shell
• 51:05
  Speaker 2: at a time.
• 51:08
  Speaker 14: I'm going to sleep in your bloody carcasses tonight.
• 51:18
  Speaker 5: Hobo with a shotgun he's pissed.
• 51:21
  Speaker 6: Tell me the god damn pastures and he wants answers
• 51:24
  Speaker 6: I want that.
• 51:28
  Speaker 4: Hobo's head on my wall tonight and whoever brings it
• 51:32
  Speaker 4: to me gets all my friends.
• 51:37
  Speaker 3: It will only be one.
• 51:42
  Speaker 10: Law here.
• 51:52
  Speaker 5: David brought cabs.
• 51:53
  Speaker 6: Who's taking a car out of the hill?
• 51:55
  Speaker 3: You're wearing shotguns. Hobo with a shotgun.
• 51:58
  Speaker 9: Rated R.
• 51:59
  Speaker 14: Are you tired of film podcasts where the hosts exist
• 52:02
  Speaker 14: in a constant blissful state of agreement?
• 52:05
  Speaker 1: I mean, the main characters are two of the dullest
• 52:07
  Speaker 1: main characters I have ever encountered in any film.
• 52:10
  Speaker 14: Well, you're in luck. That means you choose a chin-stroker
• 52:13
  Speaker 14: and punter.
• 52:14
  Speaker 3: One is an ex-film.
• 52:15
  Speaker 14: Student with a penchant for David Lynch and art cinema.
• 52:18
  Speaker 5: The other is a man on the street.
• 52:21
  Speaker 14: Listen in perplexed and horrified terror as we tear apart
• 52:25
  Speaker 14: one film a week.
• 52:26
  Speaker 8: It just really isn't.
• 52:28
  Speaker 6: It's not visually striking.
• 52:29
  Speaker 9: No.
• 52:30
  Speaker 6: Just getting confirmation.
• 52:31
  Speaker 2: Interesting.
• 52:32
  Speaker 6: That's the third time, though. I mean, is this on?
• 52:34
  Speaker 14: You can find us at csvsp.libson.com.
• 52:39
  Speaker 9: So come and share the victory.
• 52:40
  Speaker 3: If you could fuck any man in film, who would
• 52:43
  Speaker 3: it be and why?
• 52:45
  Speaker 6: My answer is Lance Henriksen. He wouldn't tell. He looks
• 52:48
  Speaker 6: like some.
• 52:50
  Speaker 6: He looks like somebody you can keep a secret.
• 52:54
  Speaker 9: Tweaked audio your source for high performance noise reducing earbuds
• 53:01
  Speaker 9: available in three styles and seven colors durable and designed
• 53:05
  Speaker 9: to sound great for both music and those chatty podcasts
• 53:08
  Speaker 9: like the one you're listening to now picked audio earbuds
• 53:11
  Speaker 9: come with a one-year warranty and now there's a special
• 53:14
  Speaker 9: deal for movie meltdown listeners Just go to tweakedaudio.com, and
• 53:17
  Speaker 9: when you check out, enter the discount code MELTDOWN. Then
• 53:20
  Speaker 9: you'll get 33% off and free shipping. Tweaked Audio. Sounds better.
• 53:30
  Speaker 3: Hi, this is Larry Blamire, also known as Dr. Paul Armstrong,
• 53:33
  Speaker 3: doing science for Movie Meltdown. What's part of your problem?
• 53:40
  Speaker 8: You know, you haven't seen enough movies.
• 53:41
  Speaker 10: All of life's riddles are answered in the movies. And now,
• 53:46
  Speaker 10: on with the show.
• 53:47
  Speaker 11: There's a voice that keeps.
• 53:50
  Speaker 2: On calling me.
• 54:02
  Speaker 7: Down the road, it's where I'll always be.
• 54:07
  Speaker 14: Every stop I make, I make a new friend.
• 54:11
  Speaker 3: Can't stay for long, just turn around and I'm gone again.
• 54:15
  Speaker 14: Maybe tomorrow, I'll want.
• 54:17
  Speaker 10: To settle down.
• 54:19
  Speaker 7: Until tomorrow, I'll just keep moving on.
• 54:24
  Speaker 4: Down this road that never seems to end.
• 54:28
  Speaker 3: When you adventure, rise just around the bend.
• 54:32
  Speaker 12: So if you.
• 54:33
  Speaker 1: Want to join me for a.
• 54:36
  Speaker 2: While, just grab your hat and come travel like that's
• 54:39
  Speaker 2: hobo style.
• 54:41
  Speaker 1: Is that Joe Rivers?
• 54:44
  Speaker 8: I should face everyone away from Moira.
• 54:46
  Speaker 5: What are we going to talk about?
• 54:47
  Speaker 8: I so wish we had a fucking.
• 54:49
  Speaker 3: We should just make that like a joke. Like, is
• 54:51
  Speaker 3: that so-and-so celebrity? And then like a couple seconds later,
• 54:54
  Speaker 3: someone will just start doing an impersonation of that celebrity
• 54:56
  Speaker 3: like they just came in and sat down.
• 54:58
  Speaker 8: Let's not.
• 54:58
  Speaker 2: But the impersonation is the one at the table that
• 55:01
  Speaker 2: is worst at it.
• 55:02
  Speaker 3: Yeah, it has to be just like me. It has
• 55:04
  Speaker 3: to be awful.
• 55:05
  Speaker 5: Fred, you're Joan Rivers.
• 55:06
  Speaker 9: Go.
• 55:06
  Speaker 3: Hi, I'm Joan Rivers.
• 55:13
  Speaker 8: That's magic.
• 55:14
  Speaker 12: I'm going to say some snarky stuff here in a minute.
• 55:16
  Speaker 8: It's like she's in the room with him.
• 55:18
  Speaker 6: Can you believe what she's wearing?
• 55:21
  Speaker 3: I'm doing this.
• 55:22
  Speaker 8: My daughter creepily looks a lot like me. He's fat.
• 55:27
  Speaker 1: His dad's just like, don't make faces at those people.
• 55:33
  Speaker 6: Crazy kid.
• 55:34
  Speaker 5: Get off my lawn.
• 55:36
  Speaker 6: He's going to be making fun of geeks later in life,
• 55:38
  Speaker 6: isn't he?
• 55:39
  Speaker 8: I think we planted the scene.
• 55:41
  Speaker 3: Even as a toddler, I was making faces at movie geeks.
• 55:45
  Speaker 5: He won't even know why.
• 55:46
  Speaker 2: He'll be like, Dad, I want a microphone. If we
• 55:49
  Speaker 2: were really movie geeky enough, we would have recreated the
• 55:52
  Speaker 2: scene from Jaws at that moment, just where we're trying
• 55:55
  Speaker 2: to do the serious faces with that toddler.
• 55:57
  Speaker 8: Try to mimic him as he's mimicking us.
• 56:00
  Speaker 2: Yeah, that's funny.
• 56:01
  Speaker 3: I thought maybe you meant drunkenly singing Show Me the
• 56:04
  Speaker 3: Way to Go Home.
• 56:06
  Speaker 5: That's how they all end. I've got a bum leg
• 56:08
  Speaker 5: that I can drink to now. I'm just waiting for
• 56:09
  Speaker 5: somebody else to do it.
• 56:11
  Speaker 3: Just to end Jaws on Show Me the Way to
• 56:13
  Speaker 3: Go Home. It's like, oh, they're drunk.
• 56:15
  Speaker 8: On this shit.
• 56:18
  Speaker 3: And they never found the shark. No one died.
• 56:21
  Speaker 6: It's all good.
• 56:24
  Speaker 1: They lived happily ever after.
• 56:26
  Speaker 3: They live on his boat forever and just sing merry tunes.
• 56:30
  Speaker 2: Props to Piranha, the remake, where they actually had that
• 56:33
  Speaker 2: sequence at the beginning with Dreyfuss dressed in the hooper
• 56:36
  Speaker 2: outfit singing Show Me the Road to Go Home while
• 56:38
  Speaker 2: he's fishing.
• 56:39
  Speaker 8: Pretty clever on their part for a silly-ass movie. That
• 56:43
  Speaker 8: was probably the best setup, yeah.
• 56:46
  Speaker 13: And there was that scene in Chasing Amy where they're
• 56:49
  Speaker 13: comparing scars they got while having sex.
• 56:52
  Speaker 10: Oh, yeah.
• 56:53
  Speaker 8: It was They keep doing that, because that scene's also
• 56:56
  Speaker 8: in Lethal Weapon 3.
• 56:58
  Speaker 6: Oh, yeah.
• 56:59
  Speaker 8: Everybody was obviously inspired by this movie, because they keep
• 57:03
  Speaker 8: ripping off the scenes.
• 57:05
  Speaker 13: But, I mean, that is something people do. I mean,
• 57:08
  Speaker 13: I found that I was comparing scars with a guy
• 57:12
  Speaker 13: when I was in graduate school, and we have the
• 57:14
  Speaker 13: exact same scars on our left hands, like every single
• 57:18
  Speaker 13: one of them.
• 57:18
  Speaker 12: It was eerie. It was the kind of thing like, Really? No,
• 57:22
  Speaker 12: let me see it again.
• 57:23
  Speaker 13: Because that can't be right. You have that scar, that scar,
• 57:27
  Speaker 13: that scar.
• 57:27
  Speaker 12: And he had better stories for every one of them
• 57:30
  Speaker 12: than I did.
• 57:31
  Speaker 3: Oh, man.
• 57:32
  Speaker 8: Well, you have to kill him then.
• 57:33
  Speaker 12: Because I was like, remember that rubber mold stuff where
• 57:37
  Speaker 12: you'd make rubber spiders?
• 57:38
  Speaker 13: Well, it had, like, gunked up, and I was trying
• 57:40
  Speaker 13: to cut it open with a razor blade, and he
• 57:42
  Speaker 13: was like, I was peeling potatoes in Latvia.
• 57:45
  Speaker 10: Okay.
• 57:47
  Speaker 8: Well, your story sucks. There's no fake spiders in yours
• 57:51
  Speaker 8: at all.
• 57:51
  Speaker 7: Yeah.
• 57:52
  Speaker 8: Fake spiders wins. So, do we have people who haven't gone?
• 57:58
  Speaker 12: Speaking of segues.
• 58:01
  Speaker 1: Well, so when summer started, I thought like, oh, this
• 58:06
  Speaker 1: is awesome. I'm going to read all these books and stuff.
• 58:07
  Speaker 1: And I made a list. And what I did instead
• 58:09
  Speaker 1: was watch six entire seasons of How I Met Your Mother.
• 58:12
  Speaker 3: A very similar thing happened to me.
• 58:16
  Speaker 8: I don't know about greatest show ever.
• 58:18
  Speaker 9: Well, I know.
• 58:19
  Speaker 8: It's enjoyable occasionally.
• 58:22
  Speaker 1: I like it. I mean, you get attached to the characters.
• 58:26
  Speaker 13: How I grew up to be a completely different guy.
• 58:29
  Speaker 12: Voice over my own life.
• 58:30
  Speaker 1: How I turned into Bob Saget.
• 58:32
  Speaker 8: It's a horror movie, but for a solid.
• 58:34
  Speaker 6: I believe that he's just messing with the kids. I
• 58:37
  Speaker 6: think it's all just, I'm going to mess with my
• 58:39
  Speaker 6: own kids. None of this exists. It's like a scene
• 58:42
  Speaker 6: where I'm not your father and then walk out.
• 58:45
  Speaker 5: That's what I want it to be.
• 58:49
  Speaker 1: It's funny and it's not my favorite show ever, but
• 58:51
  Speaker 1: I got really attached to it because the characters are
• 58:54
  Speaker 1: just so good. You know, it's like the last episode
• 58:56
  Speaker 1: I watched, Lily and Marshall are finally having a baby,
• 58:59
  Speaker 1: and I was just as excited as if one of
• 59:01
  Speaker 1: my friends was like, we're having a baby! I was
• 59:04
  Speaker 1: just as excited.
• 59:05
  Speaker 8: That's kind of sad.
• 59:06
  Speaker 1: It was really weird. Yeah, it was really sad.
• 59:09
  Speaker 6: It kind of ruined it. it for me, though, when
• 59:10
  Speaker 6: someone said that it's basically just this decade's friends.
• 59:14
  Speaker 1: Yeah, it totally is.
• 59:15
  Speaker 8: Pretty much. Bar instead of a coffee shop.
• 59:19
  Speaker 6: Whatever. Yeah, but instead of coffee, they drink, which is
• 59:22
  Speaker 6: really how you should handle your problems.
• 59:24
  Speaker 8: They won't let them do that.
• 59:25
  Speaker 11: Yes.
• 59:26
  Speaker 1: Lots and lots of how I met your mother. Uh,
• 59:29
  Speaker 1: The other day I watched Bottle Rocket for the first time.
• 59:32
  Speaker 8: Oh, nice.
• 59:33
  Speaker 12: Yeah, I've got that set out. My kids want to
• 59:35
  Speaker 12: watch it.
• 59:36
  Speaker 1: I forgot to return it.
• 59:38
  Speaker 8: So you own it now?
• 59:39
  Speaker 3: No, I mean.
• 59:40
  Speaker 5: The 25-day rule or something.
• 59:42
  Speaker 1: No, we just got it on Friday. And it's not
• 59:44
  Speaker 1: my Wild and Holy account anyway.
• 59:45
  Speaker 3: It's my boyfriend's.
• 59:47
  Speaker 6: You can't not return it there. That's rude.
• 59:49
  Speaker 7: Yeah, oh, I know.
• 59:50
  Speaker 8: We appreciate that.
• 59:51
  Speaker 1: I'm going to take it to, like, Hiney Brothers.
• 59:53
  Speaker 8: If it was Redbox, you could go throw it in
• 59:54
  Speaker 8: the river.
• 59:55
  Speaker 1: Yeah, well, no, because they charge me, like, $ 19. 00.
• 59:59
  Speaker 8: But just, you know, for sheer defiance.
• 1:00:01
  Speaker 1: Yeah. I've also been super obsessed with a show called Oddities.
• 1:00:06
  Speaker 1: My friend downloaded it, and we watched it at his house, like,
• 1:00:10
  Speaker 1: marathon back-to-back until, like, the sun comes up. Literally, we
• 1:00:15
  Speaker 1: will watch the show until the sun comes up, and
• 1:00:18
  Speaker 1: then we will go get donuts at Nord's at 6
• 1:00:20
  Speaker 1: when they open, and then I will go home and sleep.
• 1:00:23
  Speaker 9: Yes.
• 1:00:24
  Speaker 8: This is quite the life you have put together.
• 1:00:25
  Speaker 1: My summer has been really fun. But no, if you
• 1:00:29
  Speaker 1: guys haven't seen the Oddities show, I highly recommend it.
• 1:00:31
  Speaker 1: It's about these people who own an antique store in
• 1:00:35
  Speaker 1: New York. People bring in pickled pigs and all kinds
• 1:00:40
  Speaker 1: of awesome stuff.
• 1:00:41
  Speaker 8: Things that I want at my house?
• 1:00:43
  Speaker 1: Things that you have in your house.
• 1:00:45
  Speaker 8: That's probably true.
• 1:00:46
  Speaker 5: A reality-based show?
• 1:00:48
  Speaker 1: It's a reality-based show. It's a real shop in New York.
• 1:00:51
  Speaker 1: And there's one in San Francisco, too. But it's made
• 1:00:54
  Speaker 1: me realize what I want to do with my life.
• 1:00:56
  Speaker 8: Oh, there you go. Pickle pigs?
• 1:01:00
  Speaker 1: Yeah, pickle pigs. Pickle things. I do like to pickle things.
• 1:01:03
  Speaker 8: It's quite a process.
• 1:01:04
  Speaker 6: Is that hoarders for creepy people?
• 1:01:07
  Speaker 5: It's hoarders without hoarders.
• 1:01:11
  Speaker 6: Wow.
• 1:01:11
  Speaker 3: That's bad.
• 1:01:13
  Speaker 1: Yeah. Some funny stuff has probably happened. I can't recall.
• 1:01:19
  Speaker 8: No moments?
• 1:01:20
  Speaker 6: It'll come up.
• 1:01:20
  Speaker 1: Tons of moments, I'm sure, but.
• 1:01:22
  Speaker 8: None that I can like. Marlena moments. That's what we're
• 1:01:25
  Speaker 8: looking for.
• 1:01:26
  Speaker 12: If you don't record them when they happen, they're just lost.
• 1:01:29
  Speaker 12: I know.
• 1:01:30
  Speaker 8: See, you've been slacking.
• 1:01:30
  Speaker 11: I know.
• 1:01:31
  Speaker 13: Because, like, you didn't even remember half the ones that
• 1:01:35
  Speaker 13: we remembered that you told us.
• 1:01:37
  Speaker 1: If I update my Facebook status with something that's really funny,
• 1:01:40
  Speaker 1: that's why I have to because I'll forget.
• 1:01:41
  Speaker 8: So we need to make notes along the way and
• 1:01:44
  Speaker 8: be like, oh, she needs to tell us about this.
• 1:01:46
  Speaker 1: You know, I've started, this is really weird. I've started
• 1:01:49
  Speaker 1: hanging out with my boss a lot, like at work.
• 1:01:51
  Speaker 1: Like I'll go to work when I'm not working and
• 1:01:53
  Speaker 1: just hang out.
• 1:01:54
  Speaker 8: Weird.
• 1:01:55
  Speaker 1: That's where we hang out. We hang out at work
• 1:01:56
  Speaker 1: because he's fucking hilarious. Oh, my God. I can't believe
• 1:02:00
  Speaker 1: I never realized how totally hilarious this man is that
• 1:02:02
  Speaker 1: I've known like my entire life.
• 1:02:04
  Speaker 8: I've heard some weird stories about him.
• 1:02:05
  Speaker 1: Yeah.
• 1:02:06
  Speaker 6: Yeah, that's weird.
• 1:02:08
  Speaker 1: But I don't have any particularly awesome things I can
• 1:02:11
  Speaker 1: think of off the top of my head. Or weird
• 1:02:13
  Speaker 1: things that have happened to me.
• 1:02:14
  Speaker 12: Did you ever find out what was going on in
• 1:02:16
  Speaker 12: your alley?
• 1:02:19
  Speaker 5: What was the mystery?
• 1:02:20
  Speaker 6: The hot damn hobo?
• 1:02:21
  Speaker 10: Yeah.
• 1:02:21
  Speaker 1: You know, no, but someone did break into my car
• 1:02:23
  Speaker 1: the other day and it's still 45 cents.
• 1:02:26
  Speaker 8: Wow.
• 1:02:27
  Speaker 5: Gotta buy some hot damn.
• 1:02:29
  Speaker 1: I'm not kidding. This really happened like Monday.
• 1:02:31
  Speaker 6: Nice.
• 1:02:32
  Speaker 2: You actually knew how much change you had in your car.
• 1:02:34
  Speaker 1: Yeah, it was just in the consoles. It was like
• 1:02:36
  Speaker 1: a quarter of a diamond. Two times.
• 1:02:40
  Speaker 8: This is math. I don't like it. Too much math. No.
• 1:02:44
  Speaker 3: Bad memories. That's why we watch movies.
• 1:02:45
  Speaker 8: We have no math.
• 1:02:46
  Speaker 1: It may have been like 53 cents or something. I
• 1:02:48
  Speaker 1: don't know. But, yeah.
• 1:02:50
  Speaker 8: Nothing else was messed with. Just change.
• 1:02:55
  Speaker 6: All of her presets are for religious channels now.
• 1:02:58
  Speaker 8: Son of a bitch.
• 1:02:59
  Speaker 1: They stole this necklace that I bought at Forever 21.
• 1:03:01
  Speaker 1: It's like a plastic pearl necklace.
• 1:03:04
  Speaker 8: They have good taste is what you're saying. So if
• 1:03:07
  Speaker 8: you see a hobo with a pearl necklace.
• 1:03:10
  Speaker 6: Don't touch it.
• 1:03:10
  Speaker 8: For the love of God, stay away from it.
• 1:03:14
  Speaker 1: I'm going to be able to find that hobo because
• 1:03:16
  Speaker 1: of that.
• 1:03:16
  Speaker 2: If I see that hobo with a pearl necklace and
• 1:03:19
  Speaker 2: you ask me for a change, I'd be like, dude,
• 1:03:20
  Speaker 2: you got 53 cents on you, man. That's enough.
• 1:03:23
  Speaker 8: You've got enough.
• 1:03:24
  Speaker 1: Some guy who was in a wheelchair by a Staffier's
• 1:03:28
  Speaker 1: on 4th Street tried to get me and Jessica to
• 1:03:30
  Speaker 1: buy him a piece of pizza because he's like, I'm
• 1:03:32
  Speaker 1: a Marine! Get a piece of pizza for a Marine!
• 1:03:35
  Speaker 1: And we're like, no thank you.
• 1:03:38
  Speaker 12: Maybe if it was sushi.
• 1:03:39
  Speaker 9: Sushi.
• 1:03:40
  Speaker 1: Maybe maybe you were if you were like in the
• 1:03:44
  Speaker 1: navy yeah there you go you're in the marines no
• 1:03:49
  Speaker 1: thanks i heard a couple of hobos talking for about
• 1:03:52
  Speaker 1: 30 minutes outside you know where i work.
• 1:03:55
  Speaker 2: They're sure they were hobos or they weren't bums no
• 1:03:58
  Speaker 2: they were hobos they had bindles yeah yeah is that.
• 1:04:03
  Speaker 1: What that's called a bindle.
• 1:04:05
  Speaker 12: Yeah, it's called a bendle.
• 1:04:06
  Speaker 1: I have a new nickname for my friend Ben.
• 1:04:08
  Speaker 8: Oh, bendle.
• 1:04:09
  Speaker 1: Yeah.
• 1:04:10
  Speaker 4: Hi, Ben.
• 1:04:11
  Speaker 13: But what I found was that hobos like to talk about,
• 1:04:17
  Speaker 13: they have like, or at least based on this experience,
• 1:04:20
  Speaker 13: they like to talk about other hobos that they both
• 1:04:23
  Speaker 13: know and whether they get along with them.
• 1:04:25
  Speaker 12: That's a good copy. topic of conversation.
• 1:04:28
  Speaker 13: But they also like to talk about the Hatfields and McCoys.
• 1:04:32
  Speaker 9: Really?
• 1:04:33
  Speaker 13: They really do because you don't really have to know
• 1:04:35
  Speaker 13: much about it. Like once you get the concept that
• 1:04:39
  Speaker 13: they just hate each other.
• 1:04:40
  Speaker 3: You can sort of talk about.
• 1:04:42
  Speaker 13: That to all the other hobos. You get the basic
• 1:04:45
  Speaker 13: idea and you can chat.
• 1:04:47
  Speaker 3: I just thought of another. Yeah. I mean, I've been
• 1:04:50
  Speaker 3: listening to their conversation about the Hatfields and McCoys is
• 1:04:52
  Speaker 3: 10 times more entertaining than that TV show that was on.
• 1:04:56
  Speaker 3: like last month.
• 1:04:58
  Speaker 12: The Hatfields.
• 1:04:58
  Speaker 3: Which I couldn't finish.
• 1:05:00
  Speaker 1: I did notice a couple weeks ago I was walking
• 1:05:04
  Speaker 1: my dogs in the front yard. There's a hobo living
• 1:05:06
  Speaker 1: in my tree.
• 1:05:07
  Speaker 14: What tree in.
• 1:05:10
  Speaker 1: Front of my house there was.
• 1:05:11
  Speaker 13: Like and a minute ago you couldn't think of any
• 1:05:14
  Speaker 13: moments that you have a hobo person that they had
• 1:05:19
  Speaker 13: changed you know.
• 1:05:20
  Speaker 1: Like i didn't see the actual hobo but all of
• 1:05:22
  Speaker 1: his stuff was in the tree there's actually two trees there's.
• 1:05:25
  Speaker 12: One what bendles hanging in the tree well.
• 1:05:27
  Speaker 1: There's one tree with like a duffel bag and another
• 1:05:29
  Speaker 1: tree With a pair of shorts and, like, a shirt
• 1:05:31
  Speaker 1: and some underwear.
• 1:05:32
  Speaker 5: Well, no, that's where hobos come from.
• 1:05:33
  Speaker 2: Because in the fall, they fall down to the ground
• 1:05:35
  Speaker 2: and get covered over by, like, dirt and litter.
• 1:05:37
  Speaker 5: They grow hobos.
• 1:05:39
  Speaker 8: That's just so the bears don't get in.
• 1:05:41
  Speaker 1: It's a hobo fruit.
• 1:05:43
  Speaker 5: Yeah, you don't want to pick a hobo until he's ripe.
• 1:05:46
  Speaker 13: There was an early issue of McSweeney's that's just a
• 1:05:50
  Speaker 13: list of hobo names that are now available because there
• 1:05:54
  Speaker 13: aren't so many hobos anymore.
• 1:05:56
  Speaker 12: And just the list of names is highly entertaining.
• 1:05:59
  Speaker 8: I bet.
• 1:06:00
  Speaker 12: Like Gwendolyn the Goose Thief, I think. That's a good
• 1:06:06
  Speaker 12: hobo name.
• 1:06:06
  Speaker 1: I didn't even think that there's a whole different type
• 1:06:09
  Speaker 1: of naming.
• 1:06:10
  Speaker 12: Well, there are a lot of nicknames.
• 1:06:12
  Speaker 3: I was going to say, from what I hear, they
• 1:06:13
  Speaker 3: nickname a lot of... They have weird codes for things
• 1:06:16
  Speaker 3: that are just so outlandish and imaginative.
• 1:06:19
  Speaker 1: I mean, we give our hobos that walk-in-front-of-work weird nicknames.
• 1:06:24
  Speaker 1: There used to be this guy who had his He
• 1:06:26
  Speaker 1: had like a headscarf tied around his face like an
• 1:06:29
  Speaker 1: old-fashioned toothache. And he'd yell at people when they went
• 1:06:32
  Speaker 1: in the bank. He called him old-time toothache hobo.
• 1:06:34
  Speaker 2: Oh, yeah. I mean, it must not have been that
• 1:06:36
  Speaker 2: bad of a toothache if he didn't have it tied
• 1:06:38
  Speaker 2: that tight.
• 1:06:39
  Speaker 5: Where he could yell at you, though.
• 1:06:39
  Speaker 8: That's the thing.
• 1:06:41
  Speaker 6: Welcome to the hobo podcast.
• 1:06:42
  Speaker 8: Again, since we veered off like we normally do.
• 1:06:46
  Speaker 4: There we go.
• 1:06:46
  Speaker 8: There's Bronson.
• 1:06:48
  Speaker 1: Even this random hobo is telling us different things.
• 1:06:51
  Speaker 5: There's a hobo at Mickey.
• 1:06:52
  Speaker 10: Yeah.
• 1:06:53
  Speaker 8: So while we're on the hobo game.
• 1:06:55
  Speaker 6: He was telling us to hurry up.
• 1:06:58
  Speaker 3: Stop talking about hobos.
• 1:06:59
  Speaker 8: Stop talking about hobos.
• 1:07:01
  Speaker 6: He was pointing at his watch.
• 1:07:02
  Speaker 5: He didn't have a watch.
• 1:07:04
  Speaker 2: He was trying to tell us that the hobo train
• 1:07:05
  Speaker 2: is getting ready to come in. We're letting out all
• 1:07:07
  Speaker 2: the hobo secrets. They're going to come and charge Nancy's bagel.
• 1:07:10
  Speaker 2: We're going to be late.
• 1:07:13
  Speaker 12: It's not hard to find here's a thousand hobo names.
• 1:07:16
  Speaker 12: There's also an ehobo.com.
• 1:07:20
  Speaker 5: They've got their own site.
• 1:07:21
  Speaker 12: I'm not familiar with that. Let's see. Chisel and his
• 1:07:25
  Speaker 12: toxic liver. Oh, Terry Tree Climber might be your hobo.
• 1:07:31
  Speaker 3: There you go. Oh, my gosh.
• 1:07:33
  Speaker 13: Yeah. Gil Bates, inventor of the hobo net. Helga, the
• 1:07:41
  Speaker 13: bearded lady of Mexico.
• 1:07:43
  Speaker 12: There are some good.
• 1:07:46
  Speaker 2: Half-living optimist Larry.
• 1:07:50
  Speaker 3: Misogynist Willie.
• 1:07:54
  Speaker 6: Oh, they need, they need kids cards just for hobos.
• 1:08:00
  Speaker 8: Hobo collector cards.
• 1:08:02
  Speaker 9: Yes.
• 1:08:03
  Speaker 12: Amadeus, the seminary dropout.
• 1:08:05
  Speaker 8: I like that.
• 1:08:07
  Speaker 2: There's a serial killer trading cards and Adam's family values
• 1:08:10
  Speaker 2: that they collect.
• 1:08:11
  Speaker 3: These names are like just stories just untold.
• 1:08:15
  Speaker 6: If you're that creative, you can't get a job or
• 1:08:18
  Speaker 6: you can't, maybe they don't want to be.
• 1:08:20
  Speaker 5: You're shaking your head, Brian.
• 1:08:22
  Speaker 2: This is all your fault.
• 1:08:23
  Speaker 12: You, left it open.
• 1:08:24
  Speaker 5: You didn't give a strict structure.
• 1:08:25
  Speaker 8: I believe that was your suggestion.
• 1:08:27
  Speaker 5: Was it my suggestion?
• 1:08:28
  Speaker 3: I tried to keep it movies, but I fell into
• 1:08:30
  Speaker 3: the hobo trap.
• 1:08:32
  Speaker 8: Well, was I still lost.
• 1:08:33
  Speaker 1: In like a Saturday Night Live.
• 1:08:35
  Speaker 2: Fever bliss when you asked me this? Because I might
• 1:08:37
  Speaker 2: have been.
• 1:08:38
  Speaker 8: Yeah, you usually are the sad thing. That's happened several times,
• 1:08:42
  Speaker 8: all of which were before the surgery.
• 1:08:44
  Speaker 6: Okay.
• 1:08:46
  Speaker 1: To change the subject from hobos.
• 1:08:48
  Speaker 3: Can I at least round it out then?
• 1:08:50
  Speaker 8: Oh, yeah.
• 1:08:50
  Speaker 1: I'm sorry.
• 1:08:51
  Speaker 8: Because I actually meant to tell this and we just
• 1:08:53
  Speaker 8: haven't done it. one of these episodes.
• 1:08:54
  Speaker 5: You do have a hobo story.
• 1:08:55
  Speaker 8: I have my hobo story that I thought we could,
• 1:08:57
  Speaker 8: let's cap it off with this. So, and this one
• 1:09:00
  Speaker 8: actually ties in to a previous episode. If you were
• 1:09:05
  Speaker 8: around a long time ago, you'll remember Marlena and Misty
• 1:09:08
  Speaker 8: discussing the zombie that they saw on the street.
• 1:09:10
  Speaker 1: Yeah.
• 1:09:11
  Speaker 8: Who's actually a hobo, by the way. Yeah, no, it doesn't.
• 1:09:14
  Speaker 8: He loiters around this area, and we've been told to
• 1:09:18
  Speaker 8: keep him the hell away because he does very indecent
• 1:09:21
  Speaker 8: things around people and yells at them and bums money
• 1:09:24
  Speaker 8: and scares them. They stay in their car until he
• 1:09:27
  Speaker 8: goes away. He's not well-liked around here.
• 1:09:29
  Speaker 12: He's liked, but he's not well-liked.
• 1:09:35
  Speaker 8: Did I mention he only has one arm? Anyway... He
• 1:09:38
  Speaker 8: looks like a zombie and he only has one arm
• 1:09:40
  Speaker 8: and he shuffles along the street. So one day he
• 1:09:43
  Speaker 8: comes up and I'm standing there and I'm already just
• 1:09:45
  Speaker 8: waving him off. Like, dude, just keep going. No, no,
• 1:09:48
  Speaker 8: I don't have time for your nonsense. I got things
• 1:09:50
  Speaker 8: to do. And he's trying to get me to like
• 1:09:52
  Speaker 8: light a cigarette for him. I'm like, yeah, you need
• 1:09:54
  Speaker 8: one more thing. Let's give you a lung cancer. So
• 1:09:57
  Speaker 8: I'm just like, no, just get going. And he starts
• 1:09:59
  Speaker 8: yelling at me and he gives me what I think
• 1:10:02
  Speaker 8: is possibly the best, name calling i've ever had possibly
• 1:10:07
  Speaker 8: the best insult but i don't even find it an
• 1:10:10
  Speaker 8: insult because it's so awesome he's he's kind of rambling
• 1:10:13
  Speaker 8: in his hobo style you you a bad hitler i
• 1:10:19
  Speaker 8: was just like i almost immediately said thank you That's
• 1:10:24
  Speaker 8: the most awesome name anyone has ever called him.
• 1:10:28
  Speaker 3: Bad Hitler.
• 1:10:29
  Speaker 5: As opposed to a good Hitler?
• 1:10:32
  Speaker 6: Yeah.
• 1:10:32
  Speaker 8: Somewhere in Switzerland, there's like a good Hitler, the anti-Hitler.
• 1:10:36
  Speaker 8: I don't know. I'm not sure how this works exactly.
• 1:10:38
  Speaker 2: Maybe to make it up to him, like next time
• 1:10:40
  Speaker 2: he wants you to light a cigarette, why don't you
• 1:10:41
  Speaker 2: just get two and then light them both? You could
• 1:10:43
  Speaker 2: recreate the scene from Now Voyager to where you light
• 1:10:46
  Speaker 2: them both and then just give him one.
• 1:10:48
  Speaker 5: Be real romantic.
• 1:10:50
  Speaker 10: No.
• 1:10:51
  Speaker 8: I will continue to be a jackass to him like
• 1:10:53
  Speaker 8: I always have. Which is why I'm a bad Hitler.
• 1:10:56
  Speaker 2: Well, but see, doesn't that work like a double negative?
• 1:10:59
  Speaker 2: I mean, it makes you a very good person.
• 1:11:01
  Speaker 8: Oh, well, I think we all know better than that.
• 1:11:03
  Speaker 8: So with that, let's cap off the Hobocast. And does
• 1:11:06
  Speaker 8: anybody have any movies to round this thing out?
• 1:11:08
  Speaker 1: I wanted to mention that I watched The Best Little
• 1:11:10
  Speaker 1: Whorehouse in Texas.
• 1:11:11
  Speaker 6: All right.
• 1:11:12
  Speaker 1: I just wanted to mention that. I don't have anything
• 1:11:14
  Speaker 1: else to say.
• 1:11:14
  Speaker 8: What was your take on it?
• 1:11:17
  Speaker 1: Tali Parton's boobs are so big.
• 1:11:19
  Speaker 8: Yeah, but that was back when her face looked real.
• 1:11:22
  Speaker 8: I miss those days.
• 1:11:23
  Speaker 12: She's just really small.
• 1:11:26
  Speaker 8: Well, her waist is.
• 1:11:27
  Speaker 1: Her waist wasn't that small in that movie.
• 1:11:29
  Speaker 8: I know, that's what I'm saying.
• 1:11:31
  Speaker 1: She's like an advertised person.
• 1:11:32
  Speaker 8: It's like a 15-inch waist. It's not human anymore.
• 1:11:35
  Speaker 1: But she and Burt Reynolds are like a perfect match.
• 1:11:38
  Speaker 1: They're a perfect on-screen match.
• 1:11:40
  Speaker 8: They're both equally cheesy in that same way.
• 1:11:42
  Speaker 1: I want to get a velvet painting of both of
• 1:11:44
  Speaker 1: them and hang it side by side in my house.
• 1:11:46
  Speaker 8: Don't let me see it. Or in your tree.
• 1:11:49
  Speaker 12: You can hang it in your tree.
• 1:11:50
  Speaker 1: In my tree, yeah.
• 1:11:51
  Speaker 8: Yeah.
• 1:11:53
  Speaker 2: Well, after Saturday Night Fever, I kept the buzz going
• 1:11:57
  Speaker 2: with Across the Universe. I'd never seen that before either.
• 1:12:00
  Speaker 2: And that was a movie that I'd actually... Friends of
• 1:12:03
  Speaker 2: mine who were fans of Julie Taymor, I mean, they
• 1:12:05
  Speaker 2: liked Titus and they liked Frida, they were not too
• 1:12:10
  Speaker 2: happy with that movie. I remember a lot of people
• 1:12:13
  Speaker 2: just saying they didn't much care for it, so I
• 1:12:15
  Speaker 2: didn't have my expectations high, but I was like, this
• 1:12:17
  Speaker 2: is a fun movie.
• 1:12:18
  Speaker 5: I mean, it's one big gimmick.
• 1:12:20
  Speaker 9: I get it.
• 1:12:21
  Speaker 2: But, I mean, visually, it's awesome, but usually her movies are.
• 1:12:24
  Speaker 2: I mean, I was still kind of curious about The Tempest.
• 1:12:27
  Speaker 2: Of course, that was universally panned when it came back
• 1:12:30
  Speaker 2: out this past year, so I haven't.
• 1:12:32
  Speaker 5: Seen it yet.
• 1:12:33
  Speaker 2: But, I mean, it was visually just a very stunning film.
• 1:12:39
  Speaker 6: It was fun.
• 1:12:39
  Speaker 3: I enjoyed it.
• 1:12:40
  Speaker 12: I thought it was fun.
• 1:12:42
  Speaker 2: I was equally as awestruck by it. Um, It was
• 1:12:46
  Speaker 2: a good night that night. I have to have surgery
• 1:12:49
  Speaker 2: more often.
• 1:12:53
  Speaker 3: I had probably the opposite of a geek moment after
• 1:12:58
  Speaker 3: watching the Red Dawn remake trailer online. And then I
• 1:13:03
  Speaker 3: felt like just walking over to my kitchen and sticking
• 1:13:06
  Speaker 3: my head in the oven out of depression. I don't
• 1:13:10
  Speaker 3: think I finished watching the trailer. I've heard a.
• 1:13:12
  Speaker 8: Couple people who I expected to hate it say they
• 1:13:15
  Speaker 8: were okay with it.
• 1:13:16
  Speaker 3: Just the remakes. Just stop the remakes.
• 1:13:18
  Speaker 8: They're not going to.
• 1:13:19
  Speaker 14: Ever.
• 1:13:20
  Speaker 3: There needs to be protests on the streets. It needs
• 1:13:23
  Speaker 3: to be that urgent of a situation.
• 1:13:25
  Speaker 8: It's never going to happen.
• 1:13:26
  Speaker 6: I still want Weekend at Bernie's 2, but a really
• 1:13:28
  Speaker 6: dark Weekend at Bernie's.
• 1:13:30
  Speaker 8: There already is a Weekend at Bernie's 2.
• 1:13:31
  Speaker 6: I was going to say that. Weekend at Bernie's 3. 3.
• 1:13:35
  Speaker 8: 3 we could do. I don't know that anybody wants
• 1:13:38
  Speaker 8: it besides you.
• 1:13:38
  Speaker 1: When they start being silly. Very much corpse-like.
• 1:13:42
  Speaker 6: I'm sorry, reboot the whole franchise.
• 1:13:45
  Speaker 13: Bad Meat, the guy who used to edit The Onion,
• 1:13:49
  Speaker 13: when he left, he tried to go into film, and
• 1:13:51
  Speaker 13: he wrote a movie called Bad Meat. It's about sort
• 1:13:57
  Speaker 13: of a body, trying to get rid of a body.
• 1:14:01
  Speaker 12: He didn't really do that well in the movie industry.
• 1:14:05
  Speaker 8: Hitchcock already did that anyway, so they're all just kind
• 1:14:08
  Speaker 8: of ripping him off.
• 1:14:08
  Speaker 1: Yeah.
• 1:14:10
  Speaker 8: Okay, Erin, do you have anything for us?
• 1:14:14
  Speaker 1: I watched Base Skitball the other day.
• 1:14:16
  Speaker 3: Oh, that's not right.
• 1:14:18
  Speaker 8: I take no responsibility for that. But yeah, those guys
• 1:14:21
  Speaker 8: have become well-respected now, or at least one of the two. So,
• 1:14:25
  Speaker 8: I mean, they gave them Tonys, for God's sake.
• 1:14:28
  Speaker 1: That movie did?
• 1:14:29
  Speaker 8: No, but one of the writers now is like a
• 1:14:34
  Speaker 8: multi-Tony winning writer, so.
• 1:14:38
  Speaker 2: I just recently watched that Six Days to Air, the
• 1:14:41
  Speaker 2: documentary that they did on making of South Park. I mean,
• 1:14:44
  Speaker 2: that's pretty crazy that they operate in those conditions. I
• 1:14:47
  Speaker 2: like sort of the fly-by-night operation they got going after
• 1:14:50
  Speaker 2: all these years still.
• 1:14:51
  Speaker 8: Yeah, because they started that way. It was just they're
• 1:14:55
  Speaker 8: passing a tape around and got themselves a show. For one,
• 1:14:59
  Speaker 8: it's weird. And then they still were just doing it
• 1:15:01
  Speaker 8: with cut-out construction paper and Yeah, so it's amazing that
• 1:15:06
  Speaker 8: it made it at all. And then the fact that
• 1:15:08
  Speaker 8: how many years now is that?
• 1:15:10
  Speaker 3: I think it's in 13th?
• 1:15:11
  Speaker 1: 13th?
• 1:15:11
  Speaker 8: I think 14th season.
• 1:15:12
  Speaker 5: We're more than that. I want to say it's like 16th.
• 1:15:14
  Speaker 8: It's ridiculous.
• 1:15:15
  Speaker 1: It's been on since I was in 6th grade and
• 1:15:18
  Speaker 1: I am 20.
• 1:15:19
  Speaker 3: I mean, when it first started, it was like, that
• 1:15:21
  Speaker 3: was still when I was young enough. So it's like
• 1:15:22
  Speaker 3: there was a set of shows like I was not
• 1:15:24
  Speaker 3: allowed to watch.
• 1:15:26
  Speaker 6: And now it's just.
• 1:15:27
  Speaker 12: Just watch Mary Poppins again.
• 1:15:31
  Speaker 8: It won't scar you for life.
• 1:15:32
  Speaker 1: My mom always made me watch Bedknobs and Broomsticks.
• 1:15:34
  Speaker 13: I don't know why.
• 1:15:36
  Speaker 6: She made me.
• 1:15:37
  Speaker 3: No, no, I was based on that, too. That was
• 1:15:39
  Speaker 3: actually my preferred growing up. We had that on VHS,
• 1:15:42
  Speaker 3: and I remember nothing about the plot. Like, that was
• 1:15:46
  Speaker 3: before I had a concept of what the Nazis were
• 1:15:49
  Speaker 3: and what that, and, you know, seeing a bunch of
• 1:15:51
  Speaker 3: armored knights fighting Nazis. Like, that was just a lot
• 1:15:54
  Speaker 3: of goofy fun, you know.
• 1:15:55
  Speaker 8: Like it is.
• 1:15:56
  Speaker 3: And you know, yeah, I didn't know. It's like, it's weird.
• 1:15:58
  Speaker 8: Doesn't bother me. I'm bad Hitler.
• 1:16:00
  Speaker 3: Yeah, you're bad Hitler.
• 1:16:01
  Speaker 2: I mean, now I just think about it. It's like,
• 1:16:02
  Speaker 2: it's Nazis. It's witchcraft.
• 1:16:04
  Speaker 5: I mean, it's Germans.
• 1:16:06
  Speaker 3: Yeah.
• 1:16:07
  Speaker 5: It's just, it's a very bizarre movie when you get.
• 1:16:10
  Speaker 3: Right down to it. I just remember that the dad,
• 1:16:12
  Speaker 3: like the same guy was in both movies.
• 1:16:14
  Speaker 12: David Tomlinson.
• 1:16:15
  Speaker 3: Because it's basically ripping off Mary Poppins.
• 1:16:17
  Speaker 2: It was the same studio though, but yeah.
• 1:16:21
  Speaker 3: But yeah, I just, all I remember is a really
• 1:16:23
  Speaker 3: creepy black cat that kind of She totes around, and
• 1:16:27
  Speaker 3: there's a scene where she makes these shoes dance that
• 1:16:29
  Speaker 3: kind of gave me nightmares. I haven't seen it in
• 1:16:33
  Speaker 3: a long time.
• 1:16:35
  Speaker 2: I remember growing up, actually, my brothers and I, we
• 1:16:38
  Speaker 2: went over to, we liked that movie so much, we
• 1:16:40
  Speaker 2: would go over to relatives' houses and do it with
• 1:16:43
  Speaker 2: their clothes, make them dance around and just leave stuff wherever.
• 1:16:47
  Speaker 6: We got in trouble for that.
• 1:16:49
  Speaker 3: It made me want to go to Portobello Road. We'll
• 1:16:52
  Speaker 3: say that.
• 1:16:54
  Speaker 8: So what was your take on basketball?
• 1:16:57
  Speaker 5: Sorry about.
• 1:16:59
  Speaker 1: That.
• 1:17:01
  Speaker 8: Do you want to start your own team?
• 1:17:03
  Speaker 1: Oh, definitely. Whole league.
• 1:17:07
  Speaker 8: We can see if we can get that going. We
• 1:17:09
  Speaker 8: can't even get sponsorship for this. I don't know how
• 1:17:11
  Speaker 8: we're going to get that.
• 1:17:13
  Speaker 3: I did like that it was kind of like a
• 1:17:14
  Speaker 3: naked gun kind of comedy. kind of stupid like it's
• 1:17:18
  Speaker 3: it was very the director yeah very hit or yo
• 1:17:20
  Speaker 3: okay that's that's that would explain it it's really really
• 1:17:23
  Speaker 3: hit or miss but like the funny parts are just
• 1:17:25
  Speaker 3: i thought were really funny.
• 1:17:27
  Speaker 8: They have their moments again it's i mean trey in
• 1:17:30
  Speaker 8: particular is really kind of smart about the way he
• 1:17:33
  Speaker 8: does it matt just seems like he got lucky matt
• 1:17:36
  Speaker 8: just was right in the right place and being the
• 1:17:38
  Speaker 8: right friend with the right person because trey like everything
• 1:17:42
  Speaker 8: that he puts together is really smart like even as
• 1:17:45
  Speaker 8: stupid as some of it is it doesn't seem like
• 1:17:48
  Speaker 8: it should be that you know well put together and
• 1:17:50
  Speaker 8: like it's still got this vein of like just being
• 1:17:53
  Speaker 8: well written yeah having something to say even though it's
• 1:17:56
  Speaker 8: stupid and their jokes are juvenile.
• 1:17:59
  Speaker 3: And yeah he proved it by like you know south
• 1:18:03
  Speaker 3: park bigger longer and uncut like that at the fact
• 1:18:05
  Speaker 3: that it's as good a movie as it is not
• 1:18:07
  Speaker 3: just like a TV show on the big screen. It
• 1:18:10
  Speaker 3: works as a movie. They structured it really well. They
• 1:18:14
  Speaker 3: wanted it to feel like a movie with a story
• 1:18:17
  Speaker 3: and the songs were really funny.
• 1:18:19
  Speaker 5: And just creative. Got one of them nominated for an Oscar.
• 1:18:24
  Speaker 8: Oscar nominated.
• 1:18:25
  Speaker 2: Then they show up on acid and dresses to the
• 1:18:28
  Speaker 2: Oscars and all these people in tuxes are like, screw you, dude.
• 1:18:30
  Speaker 5: This is my big night.
• 1:18:32
  Speaker 1: Yeah.
• 1:18:33
  Speaker 3: And cartoons.
• 1:18:35
  Speaker 8: Boring Oscars not showing guys in dresses.
• 1:18:37
  Speaker 6: Nobody with talent is supposed to show up.
• 1:18:43
  Speaker 8: So any other fun items on your queue?
• 1:18:50
  Speaker 1: Mostly just an Etsy classified school survival guide, as you know.
• 1:18:53
  Speaker 8: Yeah, yeah, yeah. We do occasionally compare notes on that one. Yeah.
• 1:18:58
  Speaker 8: You have the guide. You have to make your own
• 1:18:59
  Speaker 8: at home as you watch along and keep track of
• 1:19:02
  Speaker 8: where you left off. Don't make those mistakes again.
• 1:19:05
  Speaker 3: Also, did anyone see The Dark Knight Rises? Yes. are
• 1:19:10
  Speaker 3: you all starting to think that like the more you
• 1:19:12
  Speaker 3: think about bane i don't know if it's just me
• 1:19:14
  Speaker 3: that he sounded a lot like sean connery yeah i
• 1:19:17
  Speaker 3: have said that i think everybody's kind of you do
• 1:19:19
  Speaker 3: it it's not something i noticed as i was watching
• 1:19:21
  Speaker 3: though it's something that like i had to think about
• 1:19:23
  Speaker 3: and then i saw sean connery saying something on tv
• 1:19:26
  Speaker 3: and i was like he's just talking like sean connery
• 1:19:28
  Speaker 3: you do like i don't have a problem with it
• 1:19:30
  Speaker 3: or anything but i'm just like i just that's weird
• 1:19:32
  Speaker 3: i did not notice.
• 1:19:33
  Speaker 2: It now that's what i said right after is you
• 1:19:34
  Speaker 2: just cup your hands over your mouth and imitate a
• 1:19:37
  Speaker 2: bad Shankar.
• 1:19:38
  Speaker 8: That's the great old thing.
• 1:19:40
  Speaker 5: I mean, it works so perfect.
• 1:19:42
  Speaker 6: But, you know, he could have done Bronson, and that
• 1:19:44
  Speaker 6: could have been really creepy as a character.
• 1:19:47
  Speaker 8: I think it still works creepy.
• 1:19:49
  Speaker 3: It would have been extremely difficult to hear, though, with
• 1:19:51
  Speaker 3: the very thick Bronson accent and the mask.
• 1:19:57
  Speaker 8: I think it works because it's so opposite. Like, it's so, like,
• 1:20:00
  Speaker 8: calm and almost you know for for this brute he's
• 1:20:03
  Speaker 8: so like almost upper class.
• 1:20:04
  Speaker 3: He's really intelligent that makes it it makes him scary.
• 1:20:07
  Speaker 8: It makes it weird yeah it doesn't sit right when
• 1:20:10
  Speaker 8: you first hear.
• 1:20:11
  Speaker 3: There's a hint i felt like at some point like
• 1:20:13
  Speaker 3: i couldn't quite pinpoint i was like okay he has
• 1:20:16
  Speaker 3: a british accent i'm guessing but at some point like
• 1:20:18
  Speaker 3: it sounds kind of german but the prison he was
• 1:20:21
  Speaker 3: apparently born in sorry spoiler alert um spoiler for dot
• 1:20:25
  Speaker 3: not rises i'm gonna give you know people a couple
• 1:20:26
  Speaker 3: seconds to okay i'm gonna continue And the prison he
• 1:20:29
  Speaker 3: was supposedly born and raised in, which was in Albania
• 1:20:33
  Speaker 3: or somewhere, how does he have that accent after coming
• 1:20:37
  Speaker 3: out of the prison?
• 1:20:37
  Speaker 8: But in the movie, was he born there? I thought
• 1:20:41
  Speaker 8: he was. In the comics, he was.
• 1:20:44
  Speaker 2: No, I read allegedly that Tom Hardy, that was like
• 1:20:48
  Speaker 2: some very obscure Eastern European dialect that he was doing.
• 1:20:52
  Speaker 5: And I YouTubeed that guy.
• 1:20:53
  Speaker 3: And I could not see where he got, like, I
• 1:20:55
  Speaker 3: was listening to this gypsy fighter guy talker he apparently
• 1:20:58
  Speaker 3: got his inspiration for the voice and i'm i just
• 1:21:01
  Speaker 3: couldn't hear it i was like wow i i did
• 1:21:03
  Speaker 3: i still think sean connery's just like i think you're
• 1:21:07
  Speaker 3: lying you just watched i.
• 1:21:09
  Speaker 12: Don't know sometimes you just hear whatever is more.
• 1:21:11
  Speaker 3: Familiar maybe just the attitude like a lot of it
• 1:21:13
  Speaker 3: just inflections not necessarily accent.
• 1:21:15
  Speaker 13: Actor i knew was trying to do a dutch accent
• 1:21:18
  Speaker 13: in dracula and he said everybody just thinks you're doing
• 1:21:21
  Speaker 13: a bad german accent Because nobody knows the Dutch accent.
• 1:21:25
  Speaker 3: Right.
• 1:21:27
  Speaker 6: I just thought Bane was trying to be Ed Sullivan.
• 1:21:32
  Speaker 3: Or Christopher Walken. Batman. Now I will break you. I
• 1:21:38
  Speaker 3: can't do it. That's another accent where you're saying just people.
• 1:21:44
  Speaker 3: The impression of Christopher Walken is not at all Christopher Walken.
• 1:21:47
  Speaker 3: He even does that impression now.
• 1:21:49
  Speaker 12: Yeah, he does himself. There's such a difference, like.
• 1:21:52
  Speaker 3: A huge disconnect between the actual source.
• 1:21:55
  Speaker 8: That's why they keep bringing him back on Saturday Night Live.
• 1:21:56
  Speaker 2: I was going to say, there are several actors I
• 1:21:58
  Speaker 2: feel like they've gotten to the point to where they
• 1:21:59
  Speaker 2: are impersonations of themselves.
• 1:22:01
  Speaker 6: Did you see.
• 1:22:02
  Speaker 2: Jack Nicholson and Nick Cage.
• 1:22:04
  Speaker 5: Both, I feel like.
• 1:22:05
  Speaker 13: Nicholas Cage show up as Nicholas Cage on SNL. That
• 1:22:10
  Speaker 13: was pretty funny. Because he was actually not as good
• 1:22:14
  Speaker 13: a bad Nicholas Cage as Adam Sandberg.
• 1:22:18
  Speaker 3: Yeah.
• 1:22:19
  Speaker 12: And they were just like dueling banjo.
• 1:22:21
  Speaker 6: Andy Sandberg, yeah.
• 1:22:22
  Speaker 12: Andy Sandberg.
• 1:22:23
  Speaker 2: But yeah, Dark Knight Rises overall, I wasn't disappointed. I
• 1:22:26
  Speaker 2: was just underwhelmed.
• 1:22:28
  Speaker 3: I liked it a lot. I really am debating whether
• 1:22:34
  Speaker 3: or not it's better than The Dark Knight. At first,
• 1:22:35
  Speaker 3: I was like, The Dark Knight. I was like, I
• 1:22:37
  Speaker 3: think it's a better movie, but I'm just thinking about it.
• 1:22:39
  Speaker 3: This movie felt just more mature overall.
• 1:22:43
  Speaker 2: But the problem is the fourth act, and it's going
• 1:22:46
  Speaker 2: to be a lot of spoilers.
• 1:22:47
  Speaker 5: I feel like the whole problem with it.
• 1:22:51
  Speaker 2: Is you get to the point to where Bane has
• 1:22:56
  Speaker 2: all the police trapped underground.
• 1:22:59
  Speaker 5: He's blown all the bridges.
• 1:23:00
  Speaker 2: He's got a nuclear bomb that he's sitting on, and
• 1:23:02
  Speaker 2: he's broken Batman's back, and he's halfway across the world.
• 1:23:05
  Speaker 2: And it's like, okay, he essentially, for all intents and purposes,
• 1:23:09
  Speaker 2: he's won. And then I feel like the Nolans were like, well, shit,
• 1:23:13
  Speaker 2: we wrote ourselves into a corner.
• 1:23:14
  Speaker 5: So wait, wait, wait, wait.
• 1:23:15
  Speaker 2: How can we get this to work? The bomb, it's
• 1:23:18
  Speaker 2: ticking down. It's got five months, so Batman can heal
• 1:23:21
  Speaker 2: up in that time. And the fact that it's like, okay, well,
• 1:23:25
  Speaker 2: we've got to keep the policemen healthy. They've got to
• 1:23:27
  Speaker 2: be clean-shaven. They've got to basically stay underneath the ground.
• 1:23:31
  Speaker 5: They've got to have all their weapons. So that way
• 1:23:34
  Speaker 5: we have.
• 1:23:34
  Speaker 2: To have somebody to defeat the prisoners when they come up.
• 1:23:36
  Speaker 2: And it's just, there were.
• 1:23:38
  Speaker 3: Well, the reason... That Bane, and I had to think back.
• 1:23:43
  Speaker 3: I was like, oh, that's why he was doing that.
• 1:23:45
  Speaker 3: He was telling Bruce Wayne before he put him in
• 1:23:47
  Speaker 3: the prison that I'm going to give them false hope
• 1:23:49
  Speaker 3: for a period of months before I destroy them because
• 1:23:51
  Speaker 3: that is the only way I can fulfill Ra's al
• 1:23:53
  Speaker 3: Ghul's destiny. So that's why I figured he waited that
• 1:23:56
  Speaker 3: whole time to have the bomb ticking down instead of
• 1:23:58
  Speaker 3: just blowing it up all at once because he wanted
• 1:24:00
  Speaker 3: them to feel like they had a hope of saving
• 1:24:02
  Speaker 3: themselves to give them that illusion. And that was kind
• 1:24:04
  Speaker 3: of the point of having the big city prison kind of.
• 1:24:10
  Speaker 2: deal yeah but for me a lot of it was
• 1:24:12
  Speaker 2: just it was very much the same climax to that
• 1:24:16
  Speaker 2: the dark knight had to where it's like somebody out
• 1:24:19
  Speaker 2: there some average person has the control to kill all
• 1:24:22
  Speaker 2: these people and you've got the ticking clock factor and
• 1:24:26
  Speaker 2: it's turning everyone against one another so you can see
• 1:24:28
  Speaker 2: how the city goes into chaos and it's just i
• 1:24:30
  Speaker 2: was like you know basically you watch batman begins you
• 1:24:34
  Speaker 2: watch dark knight and they are so different in tone
• 1:24:37
  Speaker 2: as well as art direction and style. And so basically
• 1:24:42
  Speaker 2: when I watched dark night rises, I almost felt like
• 1:24:45
  Speaker 2: I was watching a sequel just to dark night, even
• 1:24:49
  Speaker 2: though they threw back a lot to Batman begins. It's like,
• 1:24:53
  Speaker 2: basically they kept that same tone and everything. It's like, well,
• 1:24:56
  Speaker 2: we got darker with dark night, so we have to
• 1:24:58
  Speaker 2: keep that. And I was like, it doesn't work. There
• 1:25:01
  Speaker 2: were so many, I mean, there was stuff about it
• 1:25:03
  Speaker 2: that I liked, but the more I started thinking about it,
• 1:25:05
  Speaker 2: the more just, things started to kind of fall through
• 1:25:08
  Speaker 2: just little nitpicky things like you know when he thought
• 1:25:10
  Speaker 2: the way he finds out about um bane alfred comes
• 1:25:14
  Speaker 2: down and he's like well i looked up you know
• 1:25:16
  Speaker 2: it's like he's giving all this on bane and i
• 1:25:19
  Speaker 2: was like he just he always magically knows all the
• 1:25:21
  Speaker 2: intel on every supervillain the second they arrive on screen
• 1:25:24
  Speaker 2: like he's like.
• 1:25:25
  Speaker 3: The joker you came in and he just like gives
• 1:25:27
  Speaker 3: him this dossier on the joker like how do you
• 1:25:29
  Speaker 3: know this and he's alfred And he did the same
• 1:25:32
  Speaker 3: with Bane. At that point, I was like, yeah, that's
• 1:25:34
  Speaker 3: just what you do, Alfred. I've come to expect that.
• 1:25:36
  Speaker 3: But that's kind of the comic book-y. You have to
• 1:25:40
  Speaker 3: suspend your disbelief on how awesome a person Alfred is.
• 1:25:45
  Speaker 6: He's the real superhero.
• 1:25:46
  Speaker 3: It's kind of amazing how he's really smart. He's ex-military.
• 1:25:51
  Speaker 3: He knows Batman better than anyone. He can kind of
• 1:25:55
  Speaker 3: kick ass. He beat that one guy up in Batman Begins,
• 1:25:58
  Speaker 3: I think.
• 1:25:59
  Speaker 8: But he spends most of his days making tea.
• 1:26:01
  Speaker 3: He actually cried a lot in this one, so he
• 1:26:04
  Speaker 3: was kind of a wuss.
• 1:26:04
  Speaker 6: You know, his blubber at, well, their one point, I'm
• 1:26:10
  Speaker 6: not going to spoil that.
• 1:26:11
  Speaker 5: Alfred's a walrus. That felt cheap to me.
• 1:26:15
  Speaker 6: I was like, you're such a better actor than this,
• 1:26:18
  Speaker 6: what are you doing? Yeah, that was the point. Well, actually,
• 1:26:23
  Speaker 6: like you said, that whole act is kind of.
• 1:26:27
  Speaker 5: It feels just rushed.
• 1:26:29
  Speaker 6: Yeah.
• 1:26:30
  Speaker 3: Are you talking about where they like kept the falling out?
• 1:26:33
  Speaker 2: Well, that I'm just like the fourth act for me,
• 1:26:36
  Speaker 2: like the climax, everything. I mean, just to where it's like,
• 1:26:39
  Speaker 2: we sat on this, everything took five months to get
• 1:26:42
  Speaker 2: to this point. And now it's like, all right, we've
• 1:26:44
  Speaker 2: got to organize the city and do all this in
• 1:26:46
  Speaker 2: 45 minutes before the bomb goes off.
• 1:26:48
  Speaker 6: And it's just really well. And there's one point where
• 1:26:51
  Speaker 6: the time, I think it comes from watching 24 that
• 1:26:55
  Speaker 6: the The time, you know, Gotham's a big city, and
• 1:27:00
  Speaker 6: he escapes from one of the bad guys, I'm not
• 1:27:03
  Speaker 6: going to say it, in the, I guess it's a
• 1:27:06
  Speaker 6: bank or something that they're in, or the courthouse or something.
• 1:27:11
  Speaker 6: And Batman is able to get to his vehicle on
• 1:27:16
  Speaker 6: top of a building and get to the scene where
• 1:27:19
  Speaker 6: he needs to be after tracking someone, and it's like
• 1:27:22
  Speaker 6: less than three minutes of the clock time on the bomb. Like, no.
• 1:27:27
  Speaker 6: Just stop. You can edit better than this. Make the
• 1:27:31
  Speaker 6: time longer. Do something.
• 1:27:32
  Speaker 3: Yeah, the time passing solution was kind of... Christopher Nolan,
• 1:27:37
  Speaker 3: I think his movies have always kind of had a
• 1:27:38
  Speaker 3: weird montage problem and just getting a sense of how
• 1:27:42
  Speaker 3: things are, like time has passed. I didn't know until
• 1:27:44
  Speaker 3: after I saw it that Gotham had been under Bane's
• 1:27:47
  Speaker 3: rule for five whole months. I honestly thought it was
• 1:27:50
  Speaker 3: like several weeks or something. I thought it was just
• 1:27:54
  Speaker 3: getting close to winter, and that's why it was just
• 1:27:55
  Speaker 3: snowing all of a sudden. I was like, oh, they're
• 1:27:57
  Speaker 3: approaching winter.
• 1:27:58
  Speaker 8: I kind of like that middle part, though, where it gets...
• 1:28:01
  Speaker 8: I mean, I think that's the most interesting part of it,
• 1:28:03
  Speaker 8: because it's not... For that part, it's not a superhero movie.
• 1:28:07
  Speaker 8: It's almost this dystopian future. It's this weird alternate reality.
• 1:28:12
  Speaker 3: I like watching... I like knowing this really... I generally
• 1:28:15
  Speaker 3: thought reading this and having this in my head enhanced
• 1:28:20
  Speaker 3: watching the movie for me is... Christopher Nolan, how he
• 1:28:22
  Speaker 3: said his approach to making this movie was going back
• 1:28:24
  Speaker 3: to the silent era of the kind of Fritz Lang
• 1:28:28
  Speaker 3: epics and how he had, because they read it, they're
• 1:28:31
  Speaker 3: pretty blatantly at the end, Tale of Two Cities, and
• 1:28:34
  Speaker 3: having those two things in mind. And so kind of
• 1:28:36
  Speaker 3: going into that thing, like, this is not going to
• 1:28:38
  Speaker 3: be a Batman movie. This is going to be, like,
• 1:28:40
  Speaker 3: a movie about, you know, this revolution in a city
• 1:28:43
  Speaker 3: and this crazy epic scale, and it's not going to
• 1:28:45
  Speaker 3: be a comic book movie. And I think that made me, like,
• 1:28:50
  Speaker 3: appreciate it more. Like, think about it more if I
• 1:28:52
  Speaker 3: had gone in expecting, like, another Dark Knight or, like,
• 1:28:55
  Speaker 3: the new Batman movie. I think I would have been
• 1:28:57
  Speaker 3: even more disappointed.
• 1:28:58
  Speaker 2: But see, if that was the case, they shouldn't have
• 1:29:00
  Speaker 2: started off with Batman then. I mean, I think if
• 1:29:02
  Speaker 2: you were going to do that, start off with Gotham
• 1:29:05
  Speaker 2: City under Bane's rule.
• 1:29:06
  Speaker 5: And then you kind of backtrack a bit.
• 1:29:07
  Speaker 3: That's the problem with the movie. It does, as a
• 1:29:10
  Speaker 3: follow-up to The Dark Knight, it does disappoint. As a
• 1:29:12
  Speaker 3: movie that stands on its own and does its own
• 1:29:14
  Speaker 3: weird thing, it definitely, I think it's... And see, I.
• 1:29:17
  Speaker 2: Think that might be the thing. That's why I said
• 1:29:18
  Speaker 2: I wasn't disappointed. I was underwhelmed because the Nolans, they
• 1:29:21
  Speaker 2: set the bar so high with what they'd done. And
• 1:29:24
  Speaker 2: it's like, it just didn't quite... meet up, because a
• 1:29:28
  Speaker 2: lot of the action sequences in the fourth act, and
• 1:29:30
  Speaker 2: I was like, I feel like at almost that point,
• 1:29:32
  Speaker 2: it's digressing a little bit into just the superhero movie
• 1:29:36
  Speaker 2: that I've seen dozens of times over.
• 1:29:38
  Speaker 3: And over, whereas the other two didn't. Yeah, it's unfortunate
• 1:29:41
  Speaker 3: the Avengers came out the same year, because I thought
• 1:29:43
  Speaker 3: a lot, there was a lot of just, I mean,
• 1:29:46
  Speaker 3: not conscious, but similar things that happened in the climax.
• 1:29:51
  Speaker 3: We've already spoiled stuff, so I'm just going to say, like,
• 1:29:53
  Speaker 3: the whole saving, like, stopping the missile from you know
• 1:29:57
  Speaker 3: and going off and this hero going off with whatever
• 1:30:00
  Speaker 3: explosive device and blowing up in the distance like is
• 1:30:02
  Speaker 3: he dead i feel like i've seen that it's like the.
• 1:30:04
  Speaker 2: Old 1966 batman it's just some days you can't get rid.
• 1:30:07
  Speaker 3: Of a bomb the nunnery yeah that's what i assumed
• 1:30:10
  Speaker 3: that was it was a little tribute to batman i
• 1:30:13
  Speaker 3: like to think that yeah there's a tribute to that
• 1:30:15
  Speaker 3: um and also the flying around the city like missiles
• 1:30:21
  Speaker 3: flying around you know new york that's It was very
• 1:30:24
  Speaker 3: similar to the Avengers, but done a lot.
• 1:30:28
  Speaker 9: Better, I thought.
• 1:30:30
  Speaker 2: I do like the fact that the overall point of
• 1:30:33
  Speaker 2: the story is to redeem Batman in the city's eyes,
• 1:30:36
  Speaker 2: from where he got dropped in Dark Nights. That I
• 1:30:41
  Speaker 2: like about it. Like I said, I don't think it's
• 1:30:44
  Speaker 2: a bad movie, it's just when you compare it to
• 1:30:46
  Speaker 2: the other two, I feel like it's the weakest of
• 1:30:48
  Speaker 2: the three for me.
• 1:30:50
  Speaker 3: It definitely had its flaws.
• 1:30:51
  Speaker 1: Yeah.
• 1:30:52
  Speaker 3: I did like it a lot better than Inception, which
• 1:30:56
  Speaker 3: I don't think I've never really been in the Inception camp,
• 1:31:00
  Speaker 3: but everyone else is.
• 1:31:00
  Speaker 5: So I went in not expecting much.
• 1:31:03
  Speaker 8: Not everyone.
• 1:31:05
  Speaker 5: Not everyone.
• 1:31:06
  Speaker 3: Okay. All right.
• 1:31:09
  Speaker 8: I think we better round this thing out. So this,
• 1:31:12
  Speaker 8: based on the comments earlier, should be interesting. Okay, kids,
• 1:31:16
  Speaker 8: get out your decoder pins. Nobody?
• 1:31:21
  Speaker 3: Nothing?
• 1:31:21
  Speaker 1: I don't even know what kind of noise that would warrant.
• 1:31:25
  Speaker 3: Be sure to drink your Ovaltine.
• 1:31:28
  Speaker 8: Since we've done it a hundred times, you'd think by
• 1:31:30
  Speaker 8: now you'd have an idea.
• 1:31:31
  Speaker 6: It's some sort of fanfare, must have.
• 1:31:33
  Speaker 12: Oh, we were going to do like the Led Zeppelin thing.
• 1:31:36
  Speaker 8: And you've once again disappointed me. I think I give
• 1:31:39
  Speaker 8: up on all you people.
• 1:31:40
  Speaker 3: Right.
• 1:31:40
  Speaker 8: You're useless.
• 1:31:41
  Speaker 6: You've not had enough coffee.
• 1:31:43
  Speaker 12: I forgot.
• 1:31:45
  Speaker 6: I give up.
• 1:31:45
  Speaker 9: I could tell that tonight's message was really important.
• 1:31:48
  Speaker 8: So with that, next week... For our Secret Circle reveal here.
• 1:31:52
  Speaker 8: Next week's feature will be... Prepare yourselves. Star Crash. For me,
• 1:31:59
  Speaker 8: I've been waiting for this one for years now. So
• 1:32:03
  Speaker 8: it's time. We need to discuss it. So next week
• 1:32:07
  Speaker 8: we will be back with Star Crash. So I think
• 1:32:10
  Speaker 8: you need to go watch it and prepare yourself. Do
• 1:32:14
  Speaker 8: yourself a favor. Because it's... Well, it's.
• 1:32:18
  Speaker 5: Arguable, but.
• 1:32:18
  Speaker 8: Do yourself a favor? Yeah, yeah. I think everybody needs
• 1:32:22
  Speaker 8: to experience the wonder of Star Crash. But we'll leave
• 1:32:24
  Speaker 8: that for next week. Otherwise, that about does it. We
• 1:32:28
  Speaker 8: will return next week. Same geek time, same geek feed.
• 1:32:30
  Speaker 8: Thanks for listening.
• 1:32:31
  Speaker 12: There was a time.
• 1:32:35
  Speaker 4: When lonely men would wander.
• 1:32:40
  Speaker 8: Through this land.
• 1:32:43
  Speaker 7: Rolling aimlessly along.
• 1:32:49
  Speaker 4: So many times.
• 1:32:52
  Speaker 7: I've heard of their sad story.
• 1:32:59
  Speaker 4: Written in the words of dead men's songs Down through
• 1:33:07
  Speaker 4: the years Many men have yearned.
• 1:33:12
  Speaker 7: For freedom.
• 1:33:16
  Speaker 4: Some found it only on the open road.
• 1:33:24
  Speaker 8: So many tears of blood have.
• 1:33:29
  Speaker 4: Filled around us.
• 1:33:33
  Speaker 7: Cause you can't always do what you are told.
• 1:33:41
  Speaker 3: Please tell me where.
• 1:33:45
  Speaker 7: Have all the hope was gone too I see no
• 1:33:53
  Speaker 7: fire burning down by the rusty railroad track Could it
• 1:34:01
  Speaker 7: be that time has gone and left.
• 1:34:06
  Speaker 4: Them Tied up in life's eternal traveling sands Last Sunday
• 1:34:27
  Speaker 4: night I wrote a letter to.
• 1:34:31
  Speaker 12: My loved ones.
• 1:34:35
  Speaker 3: I signed my name.
• 1:34:38
  Speaker 15: And knew I had stayed away too long There was
• 1:34:44
  Speaker 15: a time when my heart was free to wander And
• 1:34:54
  Speaker 15: I remember.
• 1:34:56
  Speaker 8: As I sang this hobo song.
• 1:35:02
  Speaker 10: Please tell me where.
• 1:35:06
  Speaker 4: Have all the hobos gone to?
• 1:35:12
  Speaker 3: I see no fire.
• 1:35:15
  Speaker 4: Burning down by the rusty railroad track.
• 1:35:21
  Speaker 3: Could it be.
• 1:35:26
  Speaker 8: Tied up.
• 1:35:31
  Speaker 4: In life's eternal traveling sand.
• 1:35:36
  Speaker 8: Tied up in.
• 1:35:41
  Speaker 4: Life's eternal traveling sand.
• 1:35:49
  Speaker 6: Oh, I thought that was a Segway.
• 1:35:51
  Speaker 12: Speaking of Segways.
• 1:35:52
  Speaker 1: Oh, the scooter.
• 1:35:53
  Speaker 3: It's almost a Segway.
• 1:35:54
  Speaker 6: It's a powered scooter.
• 1:35:56
  Speaker 1: Is it a powered scooter?
• 1:35:56
  Speaker 3: It's good enough. Like, yeah.
• 1:35:59
  Speaker 5: You're really regretting choosing this location.
• 1:36:02
  Speaker 8: Do we have an option?
• 1:36:03
  Speaker 6: Speaking of Segways.
• 1:36:04
  Speaker 8: Yeah.
• 1:36:06
  Speaker 3: For the loser who can't afford.
• 1:36:09
  Speaker 5: A real sick way.
• 1:36:10
  Speaker 6: He rode it to the restaurant.
• 1:36:12
  Speaker 3: Right into the restaurant.
• 1:36:14
  Speaker 8: Did someone open it from his car three spaces away?
• 1:36:17
  Speaker 1: Did he really ride it from his car to the restaurant?
• 1:36:19
  Speaker 6: He rode it from the tracks.
• 1:36:20
  Speaker 3: I wish he just kept going right around people's tables.
• 1:36:23
  Speaker 2: He actually came down the railroad tracks on a scooter
• 1:36:28
  Speaker 2: and then just rode right into the restaurant.
• 1:36:32
  Speaker 3: This is my stop.
• 1:36:35
  Speaker 2: The scooter's coming through this town any day now. Build
• 1:36:39
  Speaker 2: this bagel shop here.
• 1:36:40
  Speaker 12: I suppose people listening to us could lose patience at
• 1:36:45
  Speaker 12: some point.
• 1:36:46
  Speaker 3: It's like, is there a restaurant? What's something about a base?
• 1:36:49
  Speaker 3: What is this? I don't understand this show.
• 1:36:50
  Speaker 6: Do they have a window?
• 1:36:51
  Speaker 8: I wish we had a shade is what I wish
• 1:36:54
  Speaker 8: we had.
• 1:36:56
  Speaker 3: People making faces.
• 1:36:57
  Speaker 1: It looks like there maybe used to be a shade
• 1:36:59
  Speaker 1: at one point, was there?
• 1:36:59
  Speaker 8: Well, we need one.
• 1:37:00
  Speaker 9: This episode is a production of Movie Meltdown, produced and
• 1:37:03
  Speaker 9: edited by The Oddity Studios. with opening music performed by
• 1:37:06
  Speaker 9: the Empires. For more on how to sponsor or support
• 1:37:09
  Speaker 9: the show, email producer at moviemeltdown.com.
• 1:37:12
  Speaker 3: Talk hard!