Latest / The Scene Projects / Syke on 'MONOMI', Rap Perspectives, and the Future of Music

Transcript

Syke on 'MONOMI', Rap Perspectives, and the Future of Music · The Scene Projects

• 0:16
  Hi everyone and welcome to the Freshest Sounds podcast with me your host Ross.
• 0:21
  So today as you can see we've got a special guest so I'm gonna let him introduce himself so
• 0:27
  take it away.
• 0:28
  So I'm Syke, 20 year old independent artist just trying to change up the game a little bit
• 0:33
  for The UK.
• 0:34
  Nice one.
• 0:36
  So Syke, what got you into the music that you do?
• 0:40
  Funny enough it was just for me more than anything it's therapy.
• 0:44
  At first it all started off as a joke, know, we were all sat in the garden one day watching
• 0:49
  YouTube, instrumental comes on as an advert, we thought we'd have a laugh, try and get some
• 0:53
  freestyling out and it went on like that for two weeks and then one day I just thought this
• 0:57
  stuff actually makes me feel happy.
• 0:59
  So I started trying and trying, putting wires together, putting lines together.
• 1:03
  I ended up going into the name Smokey at one point, did 25 tracks there, deleted them all by
• 1:08
  the end.
• 1:08
  It was horrific, but it gave me a lot of experience going into my first professional
• 1:12
  step, which I've made this year.
• 1:13
  It was a that's where it all kind of started for me.
• 1:17
  Nice.
• 1:18
  So what made you change your name anyway?
• 1:23
  Like, obviously, you've you've gone from one name to another name, haven't you?
• 1:26
  Yeah.
• 1:27
  It was Smokey to me.
• 1:28
  It just didn't have any meaning in it.
• 1:29
  I just slapped on a name and fought a role with it, you know, but I didn't want to be known for
• 1:33
  a name I've got no attachments to.
• 1:37
  So what's the meaning behind your current name now?
• 1:40
  Well with psych it speaks for itself.
• 1:42
  It's like a surprise.
• 1:43
  It's like a shock, you know.
• 1:45
  It carries its own weight within my music.
• 1:47
  When you listen to the music itself it also has that aspect of like it's always a trick.
• 1:51
  There's you never know what to expect with it.
• 1:54
  That heavily ties into who I am as a person too.
• 1:57
  I like to keep things on the down low until I need to show the world what I can do, you know.
• 2:02
  Yeah.
• 2:02
  So
• 2:03
  I just I felt like something resonates with this name whereas the first one I just didn't
• 2:06
  feel like I wanted to be known by it, you know.
• 2:09
  Yeah, no it's quite interesting to know this as well because like obviously with music artists
• 2:16
  like yourself as well, obviously they've got names and it's just like where did they come up
• 2:21
  with the idea for this name?
• 2:22
  You know what I mean?
• 2:23
  Is there an actual deeper meaning to the name?
• 2:26
  Is there a connection like yours?
• 2:28
  You know, is it just something that they're just picked at random?
• 2:32
  Know, just like obviously I use I use Boxing Malone as a major reference all the time, so
• 2:38
  you'll probably hear it on the podcast.
• 2:40
  Me mention him, but it's the first person that springs to mind when I do this sort of stuff
• 2:45
  anyway.
• 2:46
  But obviously a lot of people know his real name's Aaron, but he calls himself Books Alone.
• 2:55
  Now I'm assuming that it's from the old gangster movies Books Him Alone because
• 3:01
  obviously he talks a lot about, you know, stuff like that in his music as well.
• 3:07
  So it's nice to hear like obviously the music artists and how they've come then.
• 3:15
  With your music as well yeah, like what genre of music would you class it as?
• 3:22
  Are you quite diverse as well aren't you?
• 3:24
  This is the problem I'm still trying to place myself in a definite field.
• 3:27
  For now I know it's definitely rap you know but you listen to the music and it kind of jumps
• 3:32
  into R and B a little bit it jumps into more like hip hop and a bit of trap.
• 3:36
  There's It's hard.
• 3:38
  Like, I kind of hope people can put me in a genre because I struggle, you know.
• 3:43
  That's open to interpretation.
• 3:44
  Someone could call me a rap artist, someone could call me an R and B artist.
• 3:47
  It's, you know, I haven't come to terms on it yet.
• 3:50
  I'm not sure where I want to stand exactly.
• 3:54
  Yeah, so I can see you obviously you've got your Spotify as your background screen as well
• 4:00
  here.
• 4:02
  So what's your most recent played track that you've got out at the moment?
• 4:09
  Like what's the highest played as well?
• 4:11
  No, at the moment the highest played is still MONOMI.
• 4:14
  I mean MONOMI took off a lot quicker than I thought it was.
• 4:17
  It was my first professional step into music after all the practice beforehand and I went
• 4:22
  from submitting it to live streamers on TikTok you might have seen them where you can submit
• 4:26
  your music and get it listened to by like producers and everything like that and they
• 4:31
  enjoyed what they were listening to they ended up sticking it on their playlist so on so on
• 4:34
  and then it kind of started going a little bit worldwide you know not in big numbers but it's
• 4:38
  all it was starting to get exposure around the world so it's now sat at 2.42 last time I
• 4:44
  checked and there's over 70 countries that have listened to it which is a big plus you know
• 4:50
  It's nice to see that that sound resonates with everyone no matter the language or what they
• 4:53
  understand, they vibe with it and that's all I ever wanted.
• 4:57
  Yeah.
• 4:58
  So with that track Moname, what inspired you for the lyrics and everything?
• 5:06
  Like what inspiration did you get for it?
• 5:10
  To be honest, I was full of love that day.
• 5:12
  There's no way to put it.
• 5:14
  There's no way to put it.
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  I was feeling good and I wanted to write about a life like a high style a higher style of life
• 5:21
  mixed with love and loyalty so it's all met in one.
• 5:24
  So like everything we've ever dreamt of we can do it together, you know.
• 5:28
  As long as you've got my side I've got your side and we can go and do everything we ever
• 5:31
  wanted.
• 5:32
  We can go take that holiday, we can go see the sunshine, we can do whatever we want together
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  as long as we stay on that vibe.
• 5:39
  Yeah, no it's quite interesting to know this stuff as well because I do ask this question
• 5:47
  quite frequently with other music artists as well, you know, what inspires them to come up
• 5:53
  with that, you know, these lyrics for a set track or, you know, how do they get into the
• 6:00
  creative mode as well because it's quite interesting and fascinating to know how the
• 6:06
  artists minds work as well because you know as someone who doesn't you know produce music like
• 6:13
  do what you do, know it's like well where do you come up with these you know words and the
• 6:21
  wordplay and it's just like having such a creative mind as well, do you know what I mean?
• 6:27
  Yeah, yeah I mean the funny thing with Muna Mia, I wrote that in one hour.
• 6:30
  I was just feeling cute.
• 6:33
  I originally had a different track in mind, I had two songs written before, I was supposed to
• 6:38
  go record them in the studio the next day, but I had a beat laying around that I paid for the
• 6:41
  full rights for and I thought well I might as well make use of it and the track that I was
• 6:46
  meant to record was Flipping Pages which just it's a bit of reflection of my life and
• 6:50
  everything like that and out of nowhere, I just felt this little burst of joy and I was like,
• 6:55
  alright then, I'm gonna do something a little bit different, hop into the R and B section.
• 6:58
  And yeah, within within a couple of hours, I was in the studio recording it with a little
• 7:03
  practice and it worked.
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  So with your music as well, is there anyone who's been a big inspiration into getting new
• 7:15
  into the music sector as well?
• 7:17
  100%.
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  So we'll start with the big giant, Santan Dave.
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  I've been following his path for a long, long time and seeing what he's done to have the
• 7:24
  university knowledge as well as the street knowledge.
• 7:26
  And no matter what he's gone through, he's always shining, you know, especially now he
• 7:30
  dropped the new album.
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  Now I've really seen a different side of him and that's pushing me even more.
• 7:34
  Then we've got a younger rapper who's still doing bits, Songa.
• 7:37
  You might know Songa?
• 7:39
  No.
• 7:39
  I've never heard of him.
• 7:40
  Oh, okay.
• 7:41
  He he started off I think it was Black Box where he really kinda went big, but you can
• 7:45
  hold me to that.
• 7:46
  I might be wrong, but that's where I found Songa.
• 7:48
  He was in his youth spitting freestyles and the wordplay there was intense.
• 7:52
  Like for someone who for me who's just started making music I just fell in love with that
• 7:57
  moment of how you can write a track and bounce off it you don't even need the instrumental
• 8:00
  when you've got the flow you know.
• 8:03
  Yeah.
• 8:03
  The thing the things them too write about, it's serious, know, it's then it's not bragging rap
• 8:08
  or anything like that.
• 8:08
  It's straight true rap and yeah, every time I need a bit of inspiration, I go back over to
• 8:13
  them all the time.
• 8:15
  No.
• 8:16
  Do you know what?
• 8:17
  It it's quite nice to hear something like that as well.
• 8:19
  The fact that, you know, it's it's more like truth rap than all this fake gangster wannabe
• 8:27
  bad boys and, you know, I say this all the time when I talk to music artists it's like I
• 8:34
  interviewed a music artist called CompreEnder, don't need to have heard of him before, he's
• 8:40
  really talented and when we was talking, I mentioned it to him.
• 8:44
  I said, I don't like this stuff where people rap about, you know, like 12 gauge shotguns.
• 8:51
  I'm gonna run you with a you know, and and the RS threes.
• 8:55
  And it's like, mate, you've probably never been in an RS RS3 apart from a hired one, do you
• 8:59
  know what mean?
• 9:00
  Yeah too right mate, yeah.
• 9:02
  I like it's just an easy way to music.
• 9:05
  Like if you want to make it big nowadays it's either a TikTok post or writing about gangster
• 9:10
  rap when you haven't lived the life, you know.
• 9:11
  And personally do your thing I respect it if that's the way you want to go but by mine I
• 9:17
  want to be known for what I feel for what I know and in all my music it's writing about how
• 9:22
  I feel my emotions and my mistakes and everything like that so at least when they do
• 9:27
  know me they know me I'm not the person I tried to be, you know.
• 9:32
  Well, that that's it as well because, like, you know, you're gonna get found out eventually one
• 9:36
  of these days and, you know, let let's say you, you know, you make it to to the big league and
• 9:44
  everything, and you're on you're on TV, you're on everything, you're on every single podcast
• 9:49
  going out there, you're on Joe Rogan's podcast, you know, you're on everything this, this, and
• 9:54
  that.
• 9:54
  And then, you know, God forbid you get sent down or something like that, something happens
• 10:01
  in the music industry and people inside know who you are and they know you as this big
• 10:06
  gangster, they're gonna step to you.
• 10:10
  Yeah.
• 10:10
  You're right.
• 10:11
  If you can't back what you say, then you're just gonna look like a bit of an idiot, aren't
• 10:16
  you?
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  Do you know what I mean?
• 10:17
  Yeah.
• 10:17
  Guys have worked.
• 10:18
  Yeah.
• 10:18
  A 100%.
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  And it's
• 10:20
  just like, why why big yourself up to be this big great ordeal about yourself when you know
• 10:27
  it's it's not you?
• 10:29
  So I really don't understand why people do this sort of stuff and it it really baffles me and
• 10:36
  like what I've just said then and I'll just reiterate it, it is so nice it coming from
• 10:42
  another music artist, you know, saying that they prefer to do true rap than all this like,
• 10:48
  oh, yeah.
• 10:49
  Bap bap bap.
• 10:50
  That's you know?
• 10:51
  Yeah.
• 10:52
  You're right.
• 10:52
  You're right.
• 10:54
  Yeah, and it is harder though.
• 10:56
  I can admit it is harder to write a true song that you actually resonate with than it is to
• 11:01
  just go brap brap and then you know spit about some women or cars or whatever, you know.
• 11:06
  That you can write all day every day, but to write a true song that not only you can feel
• 11:10
  but everyone around you can feel when they listen to it.
• 11:12
  You can be set for hours on one little, like, on one verse just trying to get it perfect.
• 11:17
  Whereas with the newer rap that's coming around now, it's just bang bang bang, make it sound
• 11:22
  good, get the ad libs on, get everything on, get it in the studio, done, you know.
• 11:26
  Yeah.
• 11:26
  It's quick money, but it's not worth it.
• 11:30
  No.
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  So this is another conversation I had with comprehend as well because, like, you know,
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  when when you're getting stuck with lyrics and stuff like that, you know, you you you can
• 11:40
  chuck it into AI now these days, and, you know, AI will help you generate stuff or even if you
• 11:46
  can't be ass writing anything, you know, you can I've done it before just just for just for
• 11:52
  a laugh.
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  I've got AI software.
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  I have just started into chat gbt.
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  Make me a song about x y and zed.
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  It's given me everything like the like the the hook, verse, chorus, all that stuff.
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  Chuck it into the music app, and within within ten minutes, I've I've got a song there just
• 12:14
  like that.
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  Do you know what I mean?
• 12:15
  Yeah.
• 12:16
  Of course.
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  Yeah.
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  And I've and I said this to Comprehend, I was like, do you not have that fear that AI will
• 12:22
  take over music artists?
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  Next meeting, you know, we're we're just gonna be listening to the AI simulated music and it's
• 12:29
  not you know people like yourself and people like Comprehend who have got an absolute talent
• 12:34
  for the music industry and it's like do you not fear for that sort of stuff?
• 12:40
  In a sense, in a sense yeah, but at the same time no matter how good AI gets and no matter
• 12:44
  how good it sounds the human ear will always like another human voice.
• 12:48
  Like you can always tell the distinct things between a robot singing and a man singing or a
• 12:52
  woman singing, you know.
• 12:53
  I've listened to some of the AI music that's rolling out on Spotify and everywhere now.
• 12:57
  It's good in its own right and it's enjoyable to listen to, but I can always prefer when I
• 13:02
  hear that raw emotion that's not been programmed, you know.
• 13:05
  You can't program raw emotion, it's there.
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  So I feel like yes, it's gonna play a major part in a couple years.
• 13:10
  I don't know when, but in general I don't think we will ever die out in music.
• 13:14
  There will always be a small community at least that people come to when they want something
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  raw.
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  That no robot can deliver that.
• 13:23
  Alright.
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  You you are right in saying what you're saying, do know what I mean?
• 13:26
  It's just like, you know, obviously listening to that raw passionate connection as well, you
• 13:34
  know, and it's funny that you should say that as well because referring back to Comprehend's
• 13:40
  interview as well, he said to me that one of his tracks saved someone's life.
• 13:48
  He had a message on Facebook I think it was, said to me where a guy got in contact with him
• 13:52
  and said something along those lines of like keep up what you're doing, you saved my life
• 14:01
  and it was like I didn't think my music would be so powerful as to you know do something like
• 14:06
  that and it's quite nice to hear something like that do you know what I mean?
• 14:11
  Yeah of course.
• 14:12
  And I I think I think all music artists would like that sort of like hope or belief that, you
• 14:19
  know, whatever they've produced, you know, some sort of the lyrics or whatever it is the song's
• 14:27
  about, it can either save a relationship, save a marriage, save someone's life, do you know
• 14:33
  what I mean?
• 14:35
  Yeah, too right.
• 14:36
  So with saying that, you know, is there anything that you're currently working on at
• 14:43
  the moment?
• 14:44
  Music wise, anything upcoming?
• 14:47
  Music or have you got anything upcoming?
• 14:49
  Have you got any gigs, any features?
• 14:52
  No, I'm still looking for features and gigs and open mic events.
• 14:55
  Unfortunately I'm not taking that step just yet but I've got a new song in the works which I'm
• 14:59
  looking at dropping next month.
• 15:01
  It's gonna be on a similar vibe to one of me, similar vibe.
• 15:04
  I saw that people were interested I'm gonna go back in that end once more and depending on the
• 15:10
  outcome of that I'm gonna try my best to promote it, do my thing as I normally do and if
• 15:15
  the performance is well which it should be if I do it right if I go in the studio and put it
• 15:19
  down then next year I'm looking at dropping my first EP which will be my first big push you
• 15:24
  know.
• 15:24
  With that EP that's when I start looking at networking and collaborations and getting a
• 15:30
  small venue at least if I get enough reputation, a good enough audience, get a small
• 15:34
  venue going and start getting my voice out organically not just in front of a camera or
• 15:38
  microphone or always digital.
• 15:40
  Want to also just connect with the people that know me as well.
• 15:44
  Yeah.
• 15:44
  You know for now it's a steady process, a lot of it's on the down low and yeah, it's all in
• 15:49
  the planning stage for now.
• 15:51
  You know, next year's a good time to really push, know, really get it in there because I'm
• 15:56
  starting to see the hype going up and I need to seize on that now before it starts falling back
• 16:00
  down again.
• 16:02
  Yeah.
• 16:02
  Where is it you said that you're based again?
• 16:04
  Say again, well originally I'm based in The UK.
• 16:07
  I left The UK in December to go live in Germany for a little bit.
• 16:10
  So I'm currently overseas.
• 16:12
  I found a really good producer here, Christian Lance.
• 16:15
  He does bits, you know.
• 16:17
  He come in, yeah, he's still money man, but he's not there for your money.
• 16:22
  We can sit there for hours, get charged for a couple after having a chat and everything, and
• 16:26
  he's always about the sound.
• 16:27
  We can sit and do it 100 times until we're definitely sure that it's the right sound for
• 16:31
  the music and everything and proper patient guy.
• 16:35
  So I moved in for the opportunities more than anything.
• 16:38
  Yeah, no well that's a really good thing to have that as well on your side because you
• 16:44
  know, some producers will just be like, oh, screw this.
• 16:47
  I'm just gonna be here for his money and everything.
• 16:49
  Take take your money.
• 16:51
  You do you do one take in the studio and it's like, oh, well, if you want any more, it's,
• 16:56
  extra, it's going to cost extra.
• 16:58
  Whereas for me this person that you just mentioned then, obviously he seems more genuine
• 17:04
  and everything and it's just like well no I'm not happy with that and if you're not happy
• 17:09
  with it you can both agree or disagree with whatever and be like right let's run it again,
• 17:14
  let's run it again and again.
• 17:15
  Yeah
• 17:17
  well this is what music should be you know.
• 17:19
  Yes we've all got money to make, yes we've all got a career to start, but at the end of the
• 17:22
  day music's a community.
• 17:23
  Like even with producers, artists, no matter what it is, we've all got to stick together.
• 17:29
  The money will come anyway but in the meantime we just got to work around it and if you love
• 17:32
  what you do it shouldn't even concern money, you know, it will come.
• 17:37
  No yeah, again it's the stuff that you're saying I've already had conversations
• 17:43
  previously with other people, know, not just for obviously this podcast that we're doing
• 17:49
  now, but from a new podcast that I've just started doing and you know money will come in
• 17:57
  time if you're all about the money like what you just said then, know it's not going to
• 18:01
  happen, but if you're more doing it for the passion and everything and, you know, for a
• 18:08
  community sort of stuff, then in time the money will come when something else.
• 18:14
  Do you know what I mean?
• 18:14
  Like, you know, you've got what 100 monthly listeners obviously I can see on on your screen
• 18:21
  there.
• 18:22
  Yeah.
• 18:22
  You know, in time that will grow and then you'll get more and more and more recognised
• 18:27
  and eventually, you know, you'll get the fame building up and you'll start you'll start
• 18:33
  getting the gigs and open mic nights.
• 18:35
  You might even start someone might even get in contact with him and go listen I've heard you
• 18:39
  track on Spotify and everything I really like it, I want you to come do a gig We'll pay you
• 18:44
  £50 for a set.
• 18:45
  Do you know what I mean?
• 18:47
  That's where it all starts, really.
• 18:48
  Exactly.
• 18:49
  You know, it starts off with with the little baby steps up first and then into the big
• 18:54
  leagues as well.
• 18:55
  But it's a it's a shame that you're not over in The UK because I could have got you in contact
• 18:59
  with some people who I know in The UK.
• 19:01
  Yeah.
• 19:01
  But it's traveling for you, do you know what I mean?
• 19:05
  Because obviously I'm based in Manchester in The UK and it's like I know people in Wales,
• 19:16
  I've got connection called Ben Wales who's based in Wales.
• 19:22
  He sets up gigs and open mic nights for people like yourselves.
• 19:27
  And again, it's like as I said, then it's a bit of a shame really that you're in Germany.
• 19:33
  Obviously, it's a good thing for you.
• 19:35
  Yeah.
• 19:36
  But on the flip side, you know, it'd be it'd be better if you was all forever as well because
• 19:41
  you could do open mic nights, you can do these gigs.
• 19:44
  I know so many people from doing the podcast, it's like, No worries.
• 19:48
  Hear this artist.
• 19:49
  Go connect with them.
• 19:50
  You know what I mean?
• 19:51
  You can even connect on Facebook and stuff like that.
• 19:54
  Maybe, I don't know, try to do a webinar, like live gig or something through social media.
• 20:03
  That'd be something interesting interesting to do.
• 20:04
  That'll be something new.
• 20:06
  I haven't seen one like that before.
• 20:08
  I like the online cipher.
• 20:11
  But in general that wouldn't be a problem either.
• 20:13
  I do get about a lot so I am working as a chef when I'm not doing music and I'm cooking away
• 20:19
  all the time but throughout the year I'm always travelling back and from to England anyway so
• 20:24
  should I come down there I can always get in contact with you again and see what we can
• 20:27
  throw in the works.
• 20:28
  It's not a stress, you miss a 100% of the chances you don't take so if I can make it
• 20:33
  there, can make it there.
• 20:34
  I'll drop what I need to drop for it.
• 20:36
  Music is where I want to be.
• 20:38
  Yeah.
• 20:40
  It's quite interesting to know that as well, you know what I mean?
• 20:45
  Because you get quite a few artists who are upcomers as well like yourself and you know
• 20:51
  they'll be like oh well you know I'm just happy in my little lane and everything and not not
• 20:57
  really want to pursue anything as like as you know not as passionate as yourself, which is
• 21:04
  which is good to hear as well.
• 21:07
  So obviously before we do wrap up the episode and everything, I always ask this to the artist
• 21:13
  if you could give anyone advice who's listening, wants to be an upcoming music artist
• 21:19
  who's starting in the music industry, what advice would you give them?
• 21:22
  Okay, well don't over complicate it is what I can say.
• 21:24
  Take it one step at a time and if you're going feel like you're going to quit one day, it's
• 21:28
  gonna come.
• 21:28
  I've had my moments, I've had my fun where I wanted to sell absolutely everything, forget
• 21:32
  about it and go back to my regular life, but don't do it.
• 21:35
  Let it saturate, let it sit in you, feel that pain of wanting to carry on but you don't and
• 21:40
  keep fighting.
• 21:40
  If you really have the love for what you do, it will come.
• 21:43
  You just gotta master the craft and by doing that you gotta fail.
• 21:46
  You have to fail to understand what it's like to fill to win, you know.
• 21:49
  So any instance, any anywhere you get stuck, don't think that's the end of it and you're not
• 21:54
  worth it.
• 21:54
  Even if you make one bad song or a bad album or whatever you do in the world, just make sure
• 21:59
  you come back and you show up no matter how hard you get hit in the face, you've got to
• 22:03
  show up, you know.
• 22:04
  That's just the most you can do really.
• 22:06
  We're we're all trying to get somewhere.
• 22:08
  We're all trying to It's do it's really insightful, you know, what you just said then
• 22:14
  as well.
• 22:16
  Another thing as well just before we go, is there any socials or anything or any shout outs
• 22:22
  you'd like to do?
• 22:23
  Again, I don't come with any shout outs today unfortunately.
• 22:27
  I want to give you a shout out though for what you're doing.
• 22:29
  What you're doing is you're opening a portal to new artists like myself and everything like
• 22:33
  that and putting a voice out there that people need, you know.
• 22:37
  You're not looking for the biggest of big, you're not looking for the best of the best,
• 22:41
  you're looking for people with genuine talent.
• 22:43
  So for that alone, big shout out to you and I hope you get the recognition you deserve
• 22:48
  likewise, you know.
• 22:50
  No, thank you.
• 22:50
  It means a lot, though.
• 22:52
  What about your you know, your socials, Spotify, any news, any any of the songs that
• 23:00
  you wanna push out a little bit?
• 23:02
  Try try out Keep It Calm.
• 23:04
  Even though people are rocking with one of me, I'm always gonna say Keep It Calm will be my
• 23:08
  favorite for the time being.
• 23:09
  You know, the irony of the title as well it's called Keep It Calm but when you're listening
• 23:12
  to it you're doing everything but keeping calm, you know.
• 23:16
  If you're having a bad day or whatever or even if you just want to feel hyped that's the song
• 23:19
  for you or if you're feeling romantic like I said or feeling cute try out Mono Me or just
• 23:24
  have a listen to all of them.
• 23:25
  I've left three of my old tracks though.
• 23:27
  Deleted all the old ones but I've left three of them so even when I am further down the road
• 23:31
  with my music you can come and listen to those old tracks just to really see what I mean by no
• 23:35
  matter how hard it is and how bad you get and everything like that you can always get better.
• 23:39
  So check out everything, see the progress from every song going up, how it changes and for me
• 23:45
  it's just a constantly improving mindset.
• 23:47
  So yeah, try them all out.
• 23:50
  Give it a go.
• 23:52
  Right, well we'll make sure we do that and what I'll do as well is I will add Monomy into the
• 24:00
  episode as well so people can listen to it for you as well, yeah?
• 24:05
  Mashing buddy, thank you.
• 24:06
  It's been a really good time, thank you for your time
• 24:09
  Yeah take it you too, cheers.
• 24:11
  I hope to see you on the come up.
• 24:12
  Yeah thank you.
• 24:14
  Bye mate.
• 24:15
  Bye.
• 24:21
  And it's psych.
• 24:22
  Listen.
• 24:33
  I hope that you've got time because if you got time, what you're doing with the wrong guy?
• 24:37
  We can take a trip around the boat and enjoy the sunshine.
• 24:39
  Good vibes with you love and the life have been chased.
• 24:42
  Champagne toast, no
• 25:11
  Not even the fact that you wanted me.
• 25:14
  It's the calm in your chaos that's taunting me.
• 25:16
  Yeah.
• 25:17
  Monami.
• 25:18
  It's not just the things that you wanna see.
• 25:20
  Not even the fact that you wanted me.
• 25:22
  It's the calm in your chaos that's taunting me.
• 25:25
  Yeah.
• 25:25
  You can laugh like you know the game.
• 25:28
  Pass up on me and find another way.
• 25:30
  What should I go do today?
• 25:31
  Might hop on a cruise today.
• 25:33
  Two ticks for the shoes again.
• 25:34
  New drip making moves again.
• 25:36
  No distractions.
• 25:37
  I've got moves to make.
• 25:38
  I'm moving endlessly.
• 25:39
  And the playlist load got the window breeze with you next to me.
• 25:42
  Be my ecstasy.
• 25:43
  Mona me.
• 25:44
  It's not just the things that you wanna see.
• 25:46
  Not even the fact that you wanted me.
• 25:48
  It's the calm in your chaos that's taunting me.
• 25:51
  Yeah.
• 25:52
  Mona me.
• 25:53
  It's not just the things that you wanna see, not even the fact that you wanted me.
• 25:57
  It's the calm in your chaos that's taunting me.
• 26:00
  Yo.
• 26:01
  Say I'm too much, that's the point in it.
• 26:03
  And you need a man not avoiding it.
• 26:05
  No time for an enemy.
• 26:07
  Only ride if your vibe gets to be like a melody.
• 26:09
  No jealousy.
• 26:10
  I ride till I die and that's legacy.
• 26:12
  Cold love for the few standing next to me.
• 26:15
  And you do your best, there's no test in me.
• 26:18
  I'll give you trust, just don't break it.
• 26:20
  Bass from the speakers, go crazy and shake it.
• 26:22
  Big mood, no chat, just motion.
• 26:24
  Waves in my lane and I glide like an ocean.
• 26:27
  Keep peace, no time for commotion.
• 26:29
  Master my craft without drinking a potion.
• 26:31
  Pay the right price for Mona me.
• 26:45
  It's not just the brush or the chemistry, not even the heat when you're next to me.
• 26:50
  It's the still in your storm that feels home to me, and it's home to me.
• 26:53
  And it's home to me.
• 26:54
  And me.
• 26:55
  And