Latest / 70 80 / SETTANTAxOTTANTA: 1975. Esplode la Yuppi Du mania, dal disco alle magliette, il film partecipa al Festival di Cannes poi sparisce per anni

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SETTANTAxOTTANTA: 1975. Esplode la Yuppi Du mania, dal disco alle magliette, il film partecipa al Festival di Cannes poi sparisce per anni · 70 80

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  and conditions apply. 7080 .it presents 70x80.
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  Do you remember? A KVOX production. Welcome to
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  70x80, the section of 7080 .it that deepens the
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  topics discussed on the portal. I'm with the
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  journalist Enzo Mauri who introduces today's
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  topic. Good morning, today I tell you about a
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  famous success of the 70s. In 1975, the year
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  in which everyone loved to exhibit the Yupidu
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  t -shirt, the new success of the mollified Adriano
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  Celentano. you do you The t -shirt with the image
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  of the singer in a plastic pose on his back from
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  Christ the King Crucifix became the most sold
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  and imitated head of clothing, so much so that
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  there were some obvious false ones immediately
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  recognizable, like the one with the writing WP2.
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  At the time, on the path of favor aroused by
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  the new brand, every film or television script
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  was associated with the relative t -shirt and
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  other gadgets such as cushions. On the occasion
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  of the release, Adriano Celentano, exhibiting
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  his typical moves, presented Yuppie Doo in the
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  Rai program on Friday in the second evening,
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  now music conducted by Nino Fuscagni and Vanna
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  Brosio. Apart from the title in perfect Celentanese
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  style, which means nothing, this time the singer
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  preferred the authentic English to the Gramelotte
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  by Pris and Colinensi Nanciusol published in
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  1973. He was accompanied in the song by his wife
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  Claudia Mori. The single Yupidu was actually
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  part of a much larger project that included the
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  album Colonna Sonora of the homonymous film,
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  direct, produced, interpreted, edited and seen
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  by Celentano himself. Well, yes, a little humidity.
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  Here in Venice there is always a little. But
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  I called the architect, a nice one. Ah, you know,
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  I've already arranged the stops, eh? I'm... MCL,
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  Divisione Economico -Fiscale www .lexmcl .it
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  The film, which is reported to have been released
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  in 1974, was chosen the following year to represent
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  Italy at the Cannes Film Festival, raising criticism
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  and ridicule. Unfortunately, despite the excellent
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  response, Adriano Celentano decided to suspend
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  the activity of director and producer because
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  of the debts and contracts for his production.
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  The disc, as well as the film, represented a
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  typical example of collaboration between the
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  Milanese singer and the elements of his clan,
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  a group of musician friends with whom he shared
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  the homonymous founded in 1961 to have greater
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  creative autonomy among them the nephew gino
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  sant 'ercole erich i gianco for the album in
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  the nourished group of collaborators we find
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  the same sant 'ercole and the very young at the
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  time daughter of celentano rosita chorist in
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  the song doodap both interpreters of the film
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  the only thing is that the glass there that is
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  broken and then no that is not broken this is
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  done just like that I did it is a decoration
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  Today you use it, you know. Today you take a
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  bucket and you fill it with paint. Then you take
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  a nice brush, you paint it inside and, with your
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  eyes closed, you spray a nice brush on the painting.
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  Then I too wanted to impress that wall there.
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  I didn't know what to do. I threw a cat. And
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  then it's useful because it keeps the mice away.
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  From a figure always above the ranks like the
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  Celentano of those years, but also current, you
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  could not expect a traditional film. In fact,
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  the film spans from dramatic to flamboyant, from
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  comic to musical. Characteristics that we will
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  find in his future projects, such as Geppo the
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  Madman of 1978 and the controversial Joan Lui,
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  but one day in the country I arrive on Monday,
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  released in 1985. Celentano touches on strong
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  themes, such as that of the white deaths, the
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  situation of Porto Marghera in the 70s, pollution,
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  rape and the entrustment of children. In the
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  background a Venice described as a living city,
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  in contrast to Milan, where there are only economic
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  interests. Iuppidù tells the crazy love story
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  di un povero pescatore l 'uomo felice della pietà
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  lo stesso celentano e video della bella e misteriosa
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  silvia della noce l 'attrice charlotte rampling
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  e sposato in seconde nozze con adelaide claudia
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  mori celebre la sequenza del ritorno di silvia
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  e il balletto silvia non è morta è ritornata
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  dal canale con un 'esibizione di jack la cayenne
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  l 'attore alberto longoni il caratterista tuttofare
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  inventore delle movenze cui si ispirò celentano
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  e che fecero la sua fortuna nonostante il grande
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  successo al botteghino celentano banned the distribution
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  of the film in videocassette. Fortunately, after
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  the few television appearances, finally in 2008
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  it was re -proposed in a restored version at
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  the 65th Venice Film Festival. Now it is available
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  on YouTube. Thanks to Enzo Mauri for the today's
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  theme. See you at the next episode of 70x80.
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