Latest / The Bootleg Kev Podcast / #414 - Yelawolf

Transcript

#414 - Yelawolf · The Bootleg Kev Podcast

• 0:00
  Speaker 1: What's up.
• 0:00
  Speaker 2: This is Yellow Wolf, Catfish Billy.
• 0:02
  Speaker 1: Make sure you check me out on the Bootleg keV
• 0:05
  Speaker 1: podcast happening right now.
• 0:11
  Speaker 3: Yo, Bootleg cap podcast Man special guests in here, my guy.
• 0:14
  Speaker 3: It's been a long time coming. Yep, mister Wolf himself,
• 0:17
  Speaker 3: Yellowolf is in.
• 0:18
  Speaker 1: The building, man, dud, good to see you as well.
• 0:21
  Speaker 1: Been friends for a long time.
• 0:22
  Speaker 3: For a very long time, man, Like shit, since like
• 0:26
  Speaker 3: I think you and I met in twenty ten. Wow,
• 0:28
  Speaker 3: I introduced you on stage at the Wiz the Wiz tourter.
• 0:31
  Speaker 3: But I was already like a huge fan and already
• 0:34
  Speaker 3: kind of like diving into your world and like following
• 0:36
  Speaker 3: Ritz and shit, and so it was dope to be able.
• 0:38
  Speaker 1: To meet you finally. Yeah, for sure.
• 0:41
  Speaker 3: O G Trunk Music. It was when like I think,
• 0:43
  Speaker 3: just I wish was on the right fucking which was
• 0:46
  Speaker 3: a fucking great record, a remix with Ray Kwan.
• 0:49
  Speaker 1: Oh my god, shout out Taylor Gang. Shout to Taylor Gang. Yeah,
• 0:54
  Speaker 1: it's a fucking era, man, it was.
• 0:56
  Speaker 2: It was the you know, breaking bad basically.
• 1:01
  Speaker 3: Dude, Like seriously, like when I think about like the
• 1:04
  Speaker 3: best eras of hip hop I've been a part of
• 1:08
  Speaker 3: that is the era where it was like twenty like
• 1:11
  Speaker 3: nine twenty ten, the blog era, like still being excited
• 1:17
  Speaker 3: when people and people were just dropping free music with
• 1:20
  Speaker 3: like no like plan. It was just like what is
• 1:22
  Speaker 3: this free music? That are these z share links and
• 1:25
  Speaker 3: these media fire links, and you know, there was that
• 1:28
  Speaker 3: PIF and all that shit, and like you were like,
• 1:31
  Speaker 3: you're one of the goats of that era.
• 1:32
  Speaker 1: So, I mean, you've been through so.
• 1:34
  Speaker 2: Much, man, that's crazy.
• 1:36
  Speaker 1: Earlier I was talking to so Willpower, which will Power
• 1:42
  Speaker 1: produced Trump music and the legend and a shit, shitty
• 1:47
  Speaker 1: shit house in fucking the hood of gas in Alabama.
• 1:50
  Speaker 2: We did that record, but as far as like releasing music.
• 1:53
  Speaker 1: Speaking of that in particular, we fucking put a We
• 1:56
  Speaker 1: put pop the trunk out from from the apartment from
• 2:00
  Speaker 1: I was rooming his apartment to Twitter. That's how we
• 2:03
  Speaker 1: got that record going crazy. And we did it with
• 2:06
  Speaker 1: no permission. Actually we did it in spite of the
• 2:10
  Speaker 1: advice to not well because I was like, well, that's
• 2:14
  Speaker 1: got time. You were fully independent, right. I was with
• 2:18
  Speaker 1: Kawan Pray through even with KP and Ghetto Ghetto Vision,
• 2:20
  Speaker 1: but that was like more of a production deal. There
• 2:22
  Speaker 1: was no like, now this is before south By.
• 2:24
  Speaker 3: When you had everybody bidding on you and going crazy.
• 2:26
  Speaker 3: This was very early on.
• 2:28
  Speaker 1: So yeah, this was like that. That was the That
• 2:30
  Speaker 1: was the pivotal record that put the Internet on fire
• 2:33
  Speaker 1: and you know, got all the attention going. Then we
• 2:36
  Speaker 1: started doing shows and had moved off video.
• 2:39
  Speaker 2: Oh yeah for five grand with a five D and
• 2:41
  Speaker 2: no lights.
• 2:43
  Speaker 3: It's so crazy when you go back and watch that
• 2:44
  Speaker 3: video still. I watched it recently. It's it holds up.
• 2:49
  Speaker 3: Some of those videos they don't hold up, you know,
• 2:51
  Speaker 3: but that video holds up.
• 2:53
  Speaker 1: Yeah, definitely. It's like a it's like shook ones. You know,
• 2:55
  Speaker 1: it's got that for real, for real in the streets,
• 2:58
  Speaker 1: for real with the real people do when real shit
• 3:00
  Speaker 1: you know. Yeah, man, I mean it was just a
• 3:05
  Speaker 1: the stars aligned for that to happen.
• 3:08
  Speaker 3: Do you remember being featured on the hook of a
• 3:13
  Speaker 3: Slim Thug song but not getting the featured credit.
• 3:15
  Speaker 1: Yeah, I run it didn't say feature and yellow No,
• 3:19
  Speaker 1: I tell you, I like how so And then there
• 3:21
  Speaker 1: was mixing up the medicine by Joel's. People were using
• 3:23
  Speaker 1: you for hook hooks for a little bit. I went
• 3:26
  Speaker 1: to uh the Ozone Awards in Texas. I had already
• 3:29
  Speaker 1: done the Ozone Awards and uh with a mixtape and
• 3:33
  Speaker 1: with DJ Ideal called Stereo. We're just getting our feet wet,
• 3:37
  Speaker 1: you know, like trying ship doing things. That was my
• 3:42
  Speaker 1: cup in the way, but uh, it was Jim Johnson
• 3:44
  Speaker 1: and Jim Johnson and I both have this like affinity
• 3:47
  Speaker 1: for classic rock, and.
• 3:50
  Speaker 2: So I did he.
• 3:51
  Speaker 1: I was at at the Ozone Awards and shit got
• 3:54
  Speaker 1: crazy and I think it was Houston that sounds about right,
• 3:58
  Speaker 1: and uh it got weird. You know, there was shit happening,
• 4:04
  Speaker 1: beef happening, and ship and Jim was like, fuck this,
• 4:06
  Speaker 1: Let's go to this studio. I got a session booked
• 4:08
  Speaker 1: with Slim Thug, and uh, that is it.
• 4:15
  Speaker 2: Flock of Seagulls.
• 4:18
  Speaker 3: The original writ interpolation right, yeah, yeah, uh yeah, I.
• 4:23
  Speaker 1: Run the streets all night and day. So I cut
• 4:26
  Speaker 1: the vocals and I went back to Gadsten. I was
• 4:29
  Speaker 1: still fucking dumb, broke, still living like in the trap basically,
• 4:34
  Speaker 1: and I couldn't afford to make it to the video.
• 4:36
  Speaker 1: So Jim Johnson stood in and voiced over my part.
• 4:40
  Speaker 3: People who don't know Jim Johnson, this is the multi
• 4:43
  Speaker 3: platinum Lollipop by Lil Wayne. I mean, you just guys
• 4:46
  Speaker 3: got real fucking hit records, many legendary platinum producer.
• 4:50
  Speaker 1: Many, many, many hits. Yeah, from the trailer parks of Florida,
• 4:54
  Speaker 1: shout out Jim Johnson him, but yeah, he just he
• 4:58
  Speaker 1: saw a place for me in that, and uh so
• 5:01
  Speaker 1: we did it. But yeah, I remember walking around and
• 5:03
  Speaker 1: it was a smash with smash record. It was all
• 5:05
  Speaker 1: over the radio. Yeah, and I was just walking around
• 5:07
  Speaker 1: like that's me, that's me, that's me. No, that's literally me.
• 5:12
  Speaker 1: That's not They're like, nah, I'm like, dude, I run,
• 5:15
  Speaker 1: that's me. Look like I'll sing it for you.
• 5:16
  Speaker 2: Yeah, I'll seek it for you. But it spawned a
• 5:20
  Speaker 2: bunch of opportunities.
• 5:21
  Speaker 1: The next opportunity that came out for a short period,
• 5:24
  Speaker 1: I was the guy to go to for that, so
• 5:26
  Speaker 1: I redid uh Subterranean Blues by Bob Dylan for Joel
• 5:34
  Speaker 1: Santana mixing up the medicine and I was in the basement.
• 5:39
  Speaker 1: So it spawned out, and then it became like, oh,
• 5:41
  Speaker 1: I'm going to reach out to to this guy yellow Wolf.
• 5:45
  Speaker 1: He's got the rock hooks, some cool hooks, and and
• 5:49
  Speaker 1: then it spawned the relationship for Big Boy from Maltcast
• 5:52
  Speaker 1: hit me up and I was like, I was like,
• 5:54
  Speaker 1: big oh you were on I remember that was one
• 5:58
  Speaker 1: of your first big looks. Well, your DJ no DJ
• 6:01
  Speaker 1: started with he he was like, hey man, let me
• 6:03
  Speaker 1: get one of them rock hooks.
• 6:04
  Speaker 3: Because there was a few looks where I was like, oh,
• 6:07
  Speaker 3: people are starting to catch on now.
• 6:09
  Speaker 1: Yeah, I think I think it was the Big Boys shit.
• 6:11
  Speaker 3: And then I remember you sharing a record with it
• 6:15
  Speaker 3: It wasn't it wasn't it. You were on a record
• 6:17
  Speaker 3: with bud Bee early on. What was the record?
• 6:20
  Speaker 1: Uh around that time? Was it on your ship? Oh?
• 6:24
  Speaker 1: Good to Go? Good to Go, That's what I'm thinking of. Yeah, yeah, good,
• 6:28
  Speaker 1: that's your ship. That that was after uh that's after
• 6:32
  Speaker 1: all this stuff. Yeah yeah yeah yeah. And then yeah,
• 6:36
  Speaker 1: so I was like big please, I just want to
• 6:40
  Speaker 1: I need I need to wrap. I can. I actually
• 6:42
  Speaker 1: got verses, like I got something fun. I got verses
• 6:45
  Speaker 1: and he was playing beats. He's like what about this?
• 6:46
  Speaker 1: What about that? And when I heard your DJ no DJ,
• 6:49
  Speaker 1: he was like, man, now three thousand produced that. That's
• 6:53
  Speaker 1: that's a no go. I said, please, man, and he
• 6:57
  Speaker 1: gave me the track. He said, I'll give you a shot,
• 7:00
  Speaker 1: and I gave him like sixty eight bars, like just
• 7:02
  Speaker 1: non stop bars. So we ended up chopping those bars
• 7:05
  Speaker 1: and sharing versus throughout the song. That was the record here,
• 7:09
  Speaker 1: that was the one. That was the one he took me,
• 7:11
  Speaker 1: you know, took me to the BET Awards with him
• 7:13
  Speaker 1: and put me on stage for the first time in
• 7:15
  Speaker 1: front of camera.
• 7:16
  Speaker 2: So love you big podcast.
• 7:19
  Speaker 3: A legend, man. It's crazy around that time you because
• 7:27
  Speaker 3: when I think of nine oh wait hip hop, I'm thinking, like,
• 7:32
  Speaker 3: there was the year where it was you and Krit
• 7:34
  Speaker 3: were for Mixtape of the Year. I think it was
• 7:36
  Speaker 3: DJ Booth did their awards. I think you lost to Crit,
• 7:40
  Speaker 3: but I remember being like this is.
• 7:41
  Speaker 2: Like always lose to Crit.
• 7:45
  Speaker 1: But during that time, it was like so crazy because
• 7:47
  Speaker 1: what about that one train though that I really lose
• 7:49
  Speaker 1: to did not? No, you did not.
• 7:51
  Speaker 3: And also I'd also like to point out the piece
• 7:54
  Speaker 3: of Shit record where you Ritch and Crit was a
• 7:56
  Speaker 3: fucking legendary Yes.
• 7:58
  Speaker 1: Oh no, full of shit, full of shit, full of shit.
• 8:01
  Speaker 1: I'm full of full of shit. I should I Yeah,
• 8:05
  Speaker 1: my mama said I should have had brown eyes because
• 8:09
  Speaker 1: why I'm full of ship, full of shit on full
• 8:12
  Speaker 1: of shit.
• 8:13
  Speaker 3: But even then, like with the Wiz movement that was
• 8:15
  Speaker 3: going on, do you ever because you've had so many
• 8:20
  Speaker 3: errors of your career, but do you ever take the
• 8:23
  Speaker 3: time out to like truly reflect on like the stuff
• 8:26
  Speaker 3: you've been a part of.
• 8:28
  Speaker 1: Not really because I I'm like programmed next, next, like
• 8:35
  Speaker 1: what's next.
• 8:35
  Speaker 3: I think we all are that way, so at times
• 8:38
  Speaker 3: it's it's like you kind of got to just reflect
• 8:41
  Speaker 3: a little.
• 8:41
  Speaker 1: Like fuck, I mean, it piles up, and you know,
• 8:44
  Speaker 1: it's a I had a night actually where I got
• 8:49
  Speaker 1: a new place in Nashville and I had my buddy
• 8:52
  Speaker 1: Sam Lee over the tattoo guy, great guy, a little bro,
• 8:57
  Speaker 1: you know, and and he's like, we're playing all this
• 9:03
  Speaker 1: other music. He's like, yo, man, let's let's let's bump
• 9:05
  Speaker 1: through your discography. You know. I was like, and I
• 9:08
  Speaker 1: never ever do that. And after about an hour, I
• 9:14
  Speaker 1: like sat down on the couch and I was like,
• 9:19
  Speaker 1: holy shit, I'm yellow Wolf, Like what the fuck? You know?
• 9:22
  Speaker 2: It was like this.
• 9:23
  Speaker 1: I was like, it was like a it was scary, honestly,
• 9:26
  Speaker 1: the real to realize the amount of music and what
• 9:30
  Speaker 1: I've done over the years, you know, it was a
• 9:32
  Speaker 1: bit emotional. Man, I was like, fuck, man, We've I've
• 9:35
  Speaker 1: really put in work, man, Like we we've really been
• 9:37
  Speaker 1: out here for a minute, doing a long doing a
• 9:39
  Speaker 1: lot of shit. So uh but yeah, unless someone else
• 9:43
  Speaker 1: brings it to my attention, I don't I don't really
• 9:46
  Speaker 1: dig back because I'm just so focused on like what's
• 9:49
  Speaker 1: right now, which right now for me is war Story.
• 9:51
  Speaker 2: The double album is coming out in May.
• 9:54
  Speaker 3: Yeah, everything is very I mean, vintage blog era bars.
• 10:01
  Speaker 1: The beat is crazy, the videos fucking crazy. It's just
• 10:05
  Speaker 1: a rap video. You got fucking.
• 10:08
  Speaker 3: Legend, you got fucking Estevon in there, you got you
• 10:12
  Speaker 3: got fucking yeah, yeah, shout the Baldacci the face of
• 10:16
  Speaker 3: La fucking DJ Paul's And it's just a very like
• 10:20
  Speaker 3: i'd heard, like because I was talking to will Power
• 10:22
  Speaker 3: a bit, but I heard like you were like kind
• 10:24
  Speaker 3: of back honed in on scratching that itch again.
• 10:29
  Speaker 1: Why why is this? Why? Why? Now? Though?
• 10:31
  Speaker 2: Well, I did this rock and roll album with Shooter Jennings.
• 10:34
  Speaker 1: I was gonna bring that out, by the way, Yeah,
• 10:37
  Speaker 1: I'm a believer. Yeah yeah, bro listen people, sometimes why
• 10:43
  Speaker 1: is a fucking It's like it might be a perfect
• 10:46
  Speaker 1: rock album. We thought so, me and Jelly talk about
• 10:49
  Speaker 1: it all the time because we're like, this ship is
• 10:51
  Speaker 1: like the best version of like the old school rock
• 10:54
  Speaker 1: we like. But today, well that's what we we that's
• 10:58
  Speaker 1: what we set out to do. I mean, baby's fucking hard, bro,
• 11:01
  Speaker 1: thank you well. We great Schroman music too.
• 11:05
  Speaker 2: Oh yeah that album sometimes?
• 11:07
  Speaker 1: Why please, if you're a rock and roll even if
• 11:09
  Speaker 1: you're not a rock and roll fan, you should, you should,
• 11:12
  Speaker 1: you should bump down on that arena shit. It's arena shit.
• 11:16
  Speaker 1: I mean we you know, like Shooter and I have
• 11:19
  Speaker 1: been talking about doing a record for years. Didn't know
• 11:22
  Speaker 1: how we we're gonna do it, didn't know what we're
• 11:24
  Speaker 1: gonna make, honestly, but he sent me a SoundBite of
• 11:28
  Speaker 1: a guitar riff he made and it was during COVID.
• 11:32
  Speaker 1: So I had this little studio up under my stairs
• 11:35
  Speaker 1: and I recorded a vocal and sent it back to him,
• 11:38
  Speaker 1: and he called me immediately like, holy shit, dude, if
• 11:41
  Speaker 1: this is any indication of what we can do, we
• 11:46
  Speaker 1: have to make this happen. So we booked a session
• 11:50
  Speaker 1: at Sunset Sound and uh, two days before our first session,
• 11:58
  Speaker 1: George Floyd was murdered and we already had flights we
• 12:02
  Speaker 1: already had all these things set up, so we came
• 12:06
  Speaker 1: into l a hot you know that it was obviously
• 12:08
  Speaker 1: a wild time and so deuring the during the making
• 12:12
  Speaker 1: of that record, we were out marching. We were out
• 12:17
  Speaker 1: like we would take just a break and just go
• 12:19
  Speaker 1: walk for a few miles, you know, just supporting. And
• 12:24
  Speaker 1: but obviously the vibe was just so and intense. You know,
• 12:28
  Speaker 1: there's helicopters and and and you're in ls everywhere. You know,
• 12:32
  Speaker 1: I'm on Sunset Sunset sound man, all the Sunset Trip.
• 12:35
  Speaker 3: Yeah, the fucking protests were everywhere. I mean she was
• 12:37
  Speaker 3: active right outside the door.
• 12:38
  Speaker 1: Yeah, it was active, very you know, and so it did.
• 12:43
  Speaker 1: It created that part created all an intense emotional vibe,
• 12:47
  Speaker 1: and one record reflects that. Off that album in particular,
• 12:58
  Speaker 1: it's it's just a story of the neighborhood is going
• 13:01
  Speaker 1: to ship, you know, like everything is changing, and but
• 13:06
  Speaker 1: you know, like as far as like the record and
• 13:09
  Speaker 1: the vibe of of each song was, we just wanted
• 13:12
  Speaker 1: to do what we loved, like the ship that we
• 13:14
  Speaker 1: grew up listening to, the ship that we the rock
• 13:16
  Speaker 1: that we were inspired by, and each song just started happening.
• 13:22
  Speaker 1: We wrote and record of that entire album and that
• 13:25
  Speaker 1: in that week, That in a week. Yeah, it's crazy.
• 13:28
  Speaker 3: If anybody who hasn't heard this album just listen to
• 13:32
  Speaker 3: make me a believer and tell me it isn't meant
• 13:34
  Speaker 3: to be in a fucking That ship is like stadium
• 13:36
  Speaker 3: rock bro.
• 13:38
  Speaker 1: That you know, like what we we definitely we thought so.
• 13:43
  Speaker 1: I thought that that record. I thought that that album
• 13:46
  Speaker 1: was going to change my career forever. I was like,
• 13:52
  Speaker 1: because we thought that as well. I was like, Man,
• 13:55
  Speaker 1: this ship may really really go, and this may actually
• 14:00
  Speaker 1: people are going to forget that I was even a rapper.
• 14:03
  Speaker 1: That's how powerful I thought that record was. I was like, man,
• 14:05
  Speaker 1: they're gonna have to they'll dig back and discover pop
• 14:08
  Speaker 1: the trunk and they're going to scratch their head. They're
• 14:10
  Speaker 1: not going to even know. Well, as it turned out
• 14:14
  Speaker 1: like the you know, we and we got all these
• 14:16
  Speaker 1: crazy critical acclaims. You know, it played the played the
• 14:20
  Speaker 1: Grammy Museum and we were you know, considered for a
• 14:23
  Speaker 1: nomination and all those things, and it just kind of
• 14:31
  Speaker 1: I don't think that it had a moment. I don't
• 14:32
  Speaker 1: think that it for whatever reason, it didn't have the
• 14:34
  Speaker 1: moment we thought it was going to have. But we
• 14:36
  Speaker 1: did like legendary Ship. We played Rainbow Rooms fiftieth anniversary.
• 14:40
  Speaker 2: Which is crazy it played. We played the Viper Room.
• 14:42
  Speaker 1: We did some really cool ship with that opened up
• 14:44
  Speaker 1: for Leonard skinnerd like, yeah, we.
• 14:47
  Speaker 2: Did crazy ship with the record. But I think.
• 14:51
  Speaker 1: The the lack of what I considered I thought it
• 14:55
  Speaker 1: was a little underappreciated and under under worked.
• 15:01
  Speaker 3: I think a lot of it's that it's not you guys,
• 15:03
  Speaker 3: it's really the you know. No, it wasn't like I mean,
• 15:06
  Speaker 3: because I know it was worked to radio because I
• 15:08
  Speaker 3: remember the machine well, I remember seeing it on the
• 15:10
  Speaker 3: radio chart at rock. So I was like, oh, at
• 15:12
  Speaker 3: least they're working it to rock, you know, Like yeah,
• 15:14
  Speaker 3: but it's it's the machine.
• 15:16
  Speaker 1: Okay. It takes a lot of a lot of things
• 15:21
  Speaker 1: to make radio work. Let's just say that. And and
• 15:25
  Speaker 1: I wasn't willing. I was like, man, if it you know,
• 15:28
  Speaker 1: if it's not, if it's not doing what it's supposed
• 15:30
  Speaker 1: to be. Really on a campaign, bro, it's really a campaign. Well,
• 15:33
  Speaker 1: I'll tell you one thing that we did that we
• 15:35
  Speaker 1: reignited as a as a crew is we put a
• 15:39
  Speaker 1: quarter million dollars in wheat pasting across the world and
• 15:42
  Speaker 1: billboards and we tore s it up all over Paris, Australia, Japan,
• 15:48
  Speaker 1: like Canada, New Zealand, you know, like and that was impactful,
• 15:54
  Speaker 1: that had that had a real impact on people. I
• 15:56
  Speaker 1: got it. There's a photo of Paul Rosenberg taking a
• 15:59
  Speaker 1: selfie in front of the wheat paste in Paris.
• 16:02
  Speaker 3: You know, no people, I think people underestimate that Gorilla ships.
• 16:05
  Speaker 1: Too, they do. I don't.
• 16:07
  Speaker 2: But you know, keep sleeping, keep sucking shit works.
• 16:11
  Speaker 1: Well, I mean you were get back to what made
• 16:15
  Speaker 1: uh okay so okay? So reuniting with willpower. It's been,
• 16:19
  Speaker 1: it's been, it's been not too many years. But well,
• 16:22
  Speaker 1: when I tapped back in, like literally like when I say,
• 16:24
  Speaker 1: I compartmentalized those moments and so when I when I
• 16:28
  Speaker 1: dove into sometimes why that was that was my life
• 16:30
  Speaker 1: and my existence and I put all my energy into that.
• 16:35
  Speaker 1: But the frustration of the what I thought was the
• 16:40
  Speaker 1: under being underappreciated when you think.
• 16:42
  Speaker 3: This is our life change, this is going to change things,
• 16:44
  Speaker 3: and it maybe goes you know.
• 16:46
  Speaker 1: And it don't and it don't. It it definitely got
• 16:49
  Speaker 1: like artistic credibility. Sure, but it just made me like
• 16:56
  Speaker 1: tap back in to hip hop. And when I did
• 16:59
  Speaker 1: tap back in, I was like, nah, man, I have
• 17:05
  Speaker 1: something to say, I have something to do. It made
• 17:07
  Speaker 1: me so hungry for versus because I had spent so
• 17:11
  Speaker 1: much time training myself how to sing correctly, how to
• 17:14
  Speaker 1: deliver those rock and roll records the best that I could,
• 17:18
  Speaker 1: and I was so hyper focused on that that when
• 17:22
  Speaker 1: I pulled that spot out of my mind where I
• 17:28
  Speaker 1: do rap versus hip, I just got so hungry for
• 17:35
  Speaker 1: hip hop again. And so I talked to Malay. I
• 17:40
  Speaker 1: called Malay and I called Willpower, and I was like, man,
• 17:45
  Speaker 1: we need to get back together and do love story again,
• 17:50
  Speaker 1: but this time, let's call it war story because we've
• 17:54
  Speaker 1: been through it. And so I came out to Los
• 17:58
  Speaker 1: Angeles State at the Sunset Market. He Malay would feed
• 18:03
  Speaker 1: me bpms. For the most part, there was no beats.
• 18:06
  Speaker 1: It's pretty crazy, that's pretty crazy. He would send me like, Okay,
• 18:09
  Speaker 1: today's BPM eighty five. Yes, today's eighty five, here's a
• 18:13
  Speaker 1: click track. And I would write full songs and hooks
• 18:15
  Speaker 1: and everything, go into the studio at like two pm.
• 18:19
  Speaker 2: Cut my verses, cut the hooks and he'd.
• 18:21
  Speaker 1: Produce around it. That's the that's crazy.
• 18:23
  Speaker 2: Yeah, And people.
• 18:25
  Speaker 1: Who don't know that's like the opposite of how it
• 18:27
  Speaker 1: usually goes right. Yeah. I mean, if you're like hip hop, recording,
• 18:30
  Speaker 1: it's usually to a beat to a beat, you're you're
• 18:34
  Speaker 1: something exactly something to some kind of melody. But recording
• 18:37
  Speaker 1: it's with absolutely nothing. Like He's like, nah, man, you
• 18:39
  Speaker 1: make up a melody in your head, make up a concept,
• 18:42
  Speaker 1: make up a cadence, and bring it. And so I did,
• 18:45
  Speaker 1: and we did that for the whole album. And when
• 18:48
  Speaker 1: I cut that album, I was like, oh fuck. I
• 18:50
  Speaker 1: still hadn't worked with Willpower. So we cut a whole
• 18:53
  Speaker 1: album with Malay. I called Will. I said, man, you
• 18:56
  Speaker 1: got to come to Atlanta and I mean, you got
• 18:59
  Speaker 1: to come to Nashville and here this fucking record that
• 19:01
  Speaker 1: me and Malay did. It's bonkers. Your your work is
• 19:05
  Speaker 1: cut out for you. Because if we're gonna do what
• 19:08
  Speaker 1: I think we're gonna do, I think we're gonna to
• 19:10
  Speaker 1: hang you gotta you gotta go crazy.
• 19:13
  Speaker 2: And he did.
• 19:13
  Speaker 1: He went absolutely crazy, and we went to Atlanta and
• 19:17
  Speaker 1: cut that record. And when I had both the albums,
• 19:20
  Speaker 1: I was like, man, this is not. I can't blend
• 19:22
  Speaker 1: these two. This is two separate albums. But then I
• 19:24
  Speaker 1: didn't have time to put two of them out like separately,
• 19:31
  Speaker 1: so it's like, fuck it, let's just put out a
• 19:33
  Speaker 1: double album. So it's Trump Music Forever with will Power
• 19:36
  Speaker 1: and Michael Wayne with Malay all under All under a
• 19:39
  Speaker 1: War Story.
• 19:41
  Speaker 3: I look at like I always somehow will Power is back.
• 19:44
  Speaker 3: We got liquor, liquors, Liquors touchdown. I was gonna say,
• 19:49
  Speaker 3: willis coat. I always tell will Power on is it
• 19:54
  Speaker 3: Box Chevy four?
• 19:56
  Speaker 1: On which what's which one is on?
• 19:58
  Speaker 4: Uh?
• 19:58
  Speaker 1: Trump Music too?
• 20:00
  Speaker 5: Oh.
• 20:00
  Speaker 1: I got a surprise for the block Chevy fans, but
• 20:03
  Speaker 1: you is there. I got a big surprise for.
• 20:08
  Speaker 2: Bock Chevy fans on the War Story.
• 20:10
  Speaker 1: Bock Chevy eight is on War Story and crazy Man,
• 20:16
  Speaker 1: I'll tell you this. I have three of my close
• 20:19
  Speaker 1: friends and og Slamerican Killer my squad that were at
• 20:27
  Speaker 1: the Grammys American sen exactly. Yeah, he knows his ship. Well, okay,
• 20:33
  Speaker 1: fuck it, Killer, Mike, DJ Paul and Jelly Roll are
• 20:36
  Speaker 1: on this record, not on Box Chevy eight separately and
• 20:40
  Speaker 1: on different songs. So I'm not gonna tell you which
• 20:42
  Speaker 1: song they're on, but they're all three on there and
• 20:45
  Speaker 1: they were all at the Grammys. Dude, that was such
• 20:49
  Speaker 1: a moment man like like as a, as A, as
• 20:52
  Speaker 1: a friend and A and A and A and an
• 20:54
  Speaker 1: artist friend, like watching that, like my boys up there
• 20:58
  Speaker 1: getting it amazing, and look, we already had.
• 21:01
  Speaker 2: These records in the bag.
• 21:02
  Speaker 1: I was like, oh shit, it's funny.
• 21:05
  Speaker 3: I saw your story when you were watching I because
• 21:07
  Speaker 3: I was watching. I never watched the Grammys, but I
• 21:09
  Speaker 3: was watching them like you because I just I just
• 21:12
  Speaker 3: wanted to see if Jelly got new artists.
• 21:14
  Speaker 1: Right right right of course. So it was literally but
• 21:16
  Speaker 1: come on, Mike, Mike. But but it sucked that wasn't
• 21:20
  Speaker 1: on TV because by the time the show started on TV,
• 21:22
  Speaker 1: we already knew he won three and then I think
• 21:24
  Speaker 1: he was in He was a handcuffs by then. That
• 21:26
  Speaker 1: was incredible. I have been more pro I'm to sweep
• 21:29
  Speaker 1: three of them.
• 21:30
  Speaker 3: And then I just love the post like campaign he's
• 21:36
  Speaker 3: on right now going to the breakfast club talking his
• 21:38
  Speaker 3: ship like he made the best rap album of the year.
• 21:40
  Speaker 1: It's not even close. Him and I talked about it.
• 21:42
  Speaker 1: I was like, you're gonna get a Grammy for this
• 21:44
  Speaker 1: that's you know what and deservingly, deservingly come on, you
• 21:50
  Speaker 1: know and and it just goes back so far. Mike
• 21:54
  Speaker 1: was one of my very, very first cosns. I'm talking
• 21:57
  Speaker 1: about going back to kicking like way before, like when
• 22:00
  Speaker 1: I first got my first situation, a brief situation with
• 22:03
  Speaker 1: Columbia Records, Mike pulled up. Mike pulled up with when
• 22:07
  Speaker 1: I was working with Will Power and we did Sla
• 22:09
  Speaker 1: American Shit. Is the first time that I even mentioned Slamerican?
• 22:12
  Speaker 1: Was that record? Alum on YouTube?
• 22:14
  Speaker 2: I'm sure it is.
• 22:15
  Speaker 1: Everything's on fer I just had it on my phone forever.
• 22:18
  Speaker 1: Everything's on YouTube. I find shit of mine on YouTube.
• 22:20
  Speaker 1: I'm like, I'm I don't even how it's still there,
• 22:23
  Speaker 1: but yeah, everything ends up there. Yeah.
• 22:25
  Speaker 3: So for people who don't know it's American Shittisen was
• 22:27
  Speaker 3: a record that you and Killer Mike did, I don't know,
• 22:29
  Speaker 3: twelve years ago, fifteen years ago, I don't even know
• 22:31
  Speaker 3: how long ago.
• 22:31
  Speaker 1: Was in a fucking barn studio in Atlanta, Georgia. It's
• 22:35
  Speaker 1: not even there no more. They tore that motherfucker down.
• 22:37
  Speaker 1: It's like Atlantic Station now.
• 22:40
  Speaker 3: No, but it's it's definitely it's it's been cool to
• 22:42
  Speaker 3: see him and Jelly's Grammy night.
• 22:46
  Speaker 2: Was so awesome and Paul DJ Paul.
• 22:48
  Speaker 3: Yeah and Paul and Paul went in a Grammy. He
• 22:51
  Speaker 3: might fuck around with an E guy if he wants
• 22:53
  Speaker 3: to go do something.
• 22:53
  Speaker 1: I think we're going to. Man, we talked about to
• 22:56
  Speaker 1: score a play. Now that's what I'm saying. Please, he
• 22:59
  Speaker 1: could get an E guy for real. I want to
• 23:01
  Speaker 1: I want to see I want to see Memphis through
• 23:04
  Speaker 1: his eyes in a play and and and a series
• 23:08
  Speaker 1: for the Emmy. He deserves that, dude, Paul's the best.
• 23:11
  Speaker 1: So what are we drinking? Dad?
• 23:13
  Speaker 2: Slow Mafia, by the.
• 23:14
  Speaker 1: Way, that ep you guys did? That? Was that a
• 23:18
  Speaker 1: four banger?
• 23:19
  Speaker 3: You guys did like what seven eight years ago with
• 23:21
  Speaker 3: all the fucking classic samples?
• 23:24
  Speaker 1: Fuck? Oh, Paul, he done another one that we've done
• 23:28
  Speaker 1: two so far we did, Yeah, we did. What did
• 23:33
  Speaker 1: we call that? That ship was tough? Yeah? That was
• 23:37
  Speaker 1: there was only four records I think. Yeah, it was
• 23:39
  Speaker 1: like a quick one, like a quick banger that we
• 23:43
  Speaker 1: did another one titled slaw Mafia like that like.
• 23:47
  Speaker 2: Two I think three three.
• 23:50
  Speaker 1: Years ago, like I did a August I called it
• 23:54
  Speaker 1: the august Onslaught where I dropped like four albums in
• 23:57
  Speaker 1: a month that it was you drop that.
• 24:00
  Speaker 3: You dropped the album with riff Raft, you dropped, you
• 24:04
  Speaker 3: dropped two others.
• 24:05
  Speaker 1: Yeah, I dropped uh uh, DJ DJ Mugs, Miles zero
• 24:10
  Speaker 1: Ye shout to Mugs with fucking Del the Funky Homo
• 24:13
  Speaker 1: Sapient and DJ Paul on one record.
• 24:16
  Speaker 3: Another great ol Fi hip hop record. Another great album
• 24:18
  Speaker 3: you did. But it was after the Sometimes Why Ship?
• 24:20
  Speaker 3: If I'm right that I feel like you scratched your
• 24:24
  Speaker 3: rapping itche On was you and Caski's album.
• 24:26
  Speaker 1: Is fucking crazy? That came after. I think it came
• 24:30
  Speaker 1: after Yellow Black Sheep came after I think I might.
• 24:33
  Speaker 1: I think.
• 24:33
  Speaker 3: No, No it didn't because I was with Caski at
• 24:36
  Speaker 3: the at the Rainbow Room.
• 24:37
  Speaker 2: Yeah no I didn't.
• 24:37
  Speaker 1: It was before it was, but I was with Caski
• 24:40
  Speaker 1: at you know what you guys are talking about doing
• 24:41
  Speaker 1: part two?
• 24:42
  Speaker 2: You know a matter of fact, we were kind.
• 24:44
  Speaker 1: Of deep into it, and and I knew that that
• 24:46
  Speaker 1: record had to come out, and I was telling Caski.
• 24:48
  Speaker 1: I was like, bro, and I was like, I got
• 24:51
  Speaker 1: this rock and roll project. Though, Man, I'm telling you
• 24:53
  Speaker 1: we better get this out. Yeah, we better go. But
• 24:56
  Speaker 1: been a problem man is one of my favorite. Shout
• 24:59
  Speaker 1: to Tasty Man, so yeah, yeah, yeah'd be his crazy
• 25:02
  Speaker 1: that have one of the hardest videos too. Shout out
• 25:04
  Speaker 1: to Kaski too, who's getting married in a couple of days.
• 25:06
  Speaker 1: And I can't fucking make it too, is what. I'm sorry.
• 25:09
  Speaker 1: I'm sorry, dog, I'm sorry I cannot make it to you.
• 25:12
  Speaker 1: He's one of the.
• 25:12
  Speaker 3: Best, very underrated somehow, but just murdering it, building this
• 25:16
  Speaker 3: fan base still.
• 25:18
  Speaker 1: I that's a that's a that's that whole underrated thing
• 25:22
  Speaker 1: is like such a mystery. I like, I don't know
• 25:25
  Speaker 1: how well okay, so and in the same sense, like
• 25:32
  Speaker 1: even myself. You know, I met an artist named Cordel
• 25:38
  Speaker 1: with DJ Paul the other day. This guy get did
• 25:43
  Speaker 1: two billion streams just last year, and I had no clue.
• 25:48
  Speaker 2: I had never heard of him, never met him.
• 25:50
  Speaker 1: What kind of music does he do? It's like festival
• 25:53
  Speaker 1: like dark know, it's they call it funk, they call
• 25:57
  Speaker 1: it funky. Yeah, like they call that rat. But he
• 26:03
  Speaker 1: took over that ship and you know, and we hit
• 26:06
  Speaker 1: it up. We're homies. But I'm just like, you can
• 26:09
  Speaker 1: you can like have these like like your parameters don't
• 26:12
  Speaker 1: make like it doesn't line up with it, and you
• 26:14
  Speaker 1: can have a whole solar system and no one knows,
• 26:18
  Speaker 1: like people like you wouldn't believe.
• 26:20
  Speaker 2: Like a dude walks up to me like two days ago, like, oh.
• 26:24
  Speaker 1: Shit, yellow Wolf, what what dude? What I'm what? You
• 26:27
  Speaker 1: still making music? Like?
• 26:30
  Speaker 2: Man, I heard from you since Pop the Chunk.
• 26:31
  Speaker 1: I was like dog, you you you checked out. I
• 26:34
  Speaker 1: didn't check out. You tapped into some other ship. I've
• 26:37
  Speaker 1: been tapped in on my ship, you know, Like I
• 26:39
  Speaker 1: was like Dog. Since then, I've done like fifteen albums.
• 26:42
  Speaker 1: I don't know where you've been. But then I have
• 26:44
  Speaker 1: a gold album and multi platinum bro actually today like
• 26:48
  Speaker 1: multi platinum records and you know, a fucking a whiskey
• 26:53
  Speaker 1: company of fucking clothing and apparel brand, a fucking just
• 26:58
  Speaker 1: all kinds of shit's going on, and you know, but
• 27:00
  Speaker 1: it's just like you know, no, you can just exist, man. Well,
• 27:04
  Speaker 1: I always because I went to Utah and interviewed the
• 27:08
  Speaker 1: NBA Young Boy and I did a show with him
• 27:12
  Speaker 1: in New Zealand. Oh that's great, it's random him and CEO.
• 27:15
  Speaker 1: It was me and him and Cuevo Fire. Yeah, they
• 27:19
  Speaker 1: were dope, Like, both of them are great, but the
• 27:21
  Speaker 1: actual festival and the whole way random they did not have.
• 27:26
  Speaker 1: I flew out there with Tea pain. I was getting
• 27:29
  Speaker 1: more random paint. Well that's the homie first of all.
• 27:35
  Speaker 1: Oh he's the best, he's great. Uh got knights with
• 27:39
  Speaker 1: that guy? Yeah, me too? Uh uh? I love his wife.
• 27:43
  Speaker 1: Two shots. His wife's wife's great. Of course she's She's
• 27:47
  Speaker 1: from Gadsden, Alabama, my hometown.
• 27:50
  Speaker 3: I feel like her and I discussed that, but for real,
• 27:52
  Speaker 3: I think so because I think she had some sort
• 27:54
  Speaker 3: of road tide shit going on and I was like, oh,
• 27:56
  Speaker 3: you're from Alabama and she said, you're one of my
• 27:59
  Speaker 3: only Alabama references.
• 28:00
  Speaker 1: Obviously it's blown up a lot more. There's a lot more.
• 28:02
  Speaker 3: Popping artists from Alabama now, you know. But like I'm
• 28:06
  Speaker 3: always like, yo, where is that? How close is that
• 28:07
  Speaker 3: to Gadson? And they're like, how do you know about Gatsa?
• 28:09
  Speaker 3: Like Yellowolf from Gadson.
• 28:12
  Speaker 1: Beyonce is from Guys and I heard I know her.
• 28:15
  Speaker 1: Most of her family is still there, the Knowles family.
• 28:19
  Speaker 1: Are you all hip to? Like the young I know
• 28:22
  Speaker 1: streets of that Alabama got roots and gas. And let
• 28:25
  Speaker 1: me be clear. I know I know she wraps Texas,
• 28:27
  Speaker 1: but do you pay attention?
• 28:28
  Speaker 3: Like there's a kid named No Cap who's going crazy,
• 28:30
  Speaker 3: but he's like sign a little baby, super young street rapper,
• 28:34
  Speaker 3: but he's fucking litt He's from Alabama like some blues dope.
• 28:37
  Speaker 1: He's from US. He's from alabam. Alabama's having a wave man.
• 28:40
  Speaker 2: Alabama RECTI Peace dough b.
• 28:42
  Speaker 1: Yeah. Absolutely. Wasn't there a group called Dirty? Oh yeah, Dirty? Yeah?
• 28:47
  Speaker 1: Of course a group called Dirty were they wasn't it
• 28:51
  Speaker 1: Pop the Trunk? And there were were? There? Were they
• 28:54
  Speaker 1: on rap a lot? I don't know they might have been.
• 28:57
  Speaker 2: I don't you know what.
• 28:58
  Speaker 1: I don't really nerd out like that, you know, like
• 29:01
  Speaker 1: I said, I'm just I'm so hyper focused on the
• 29:04
  Speaker 1: ship that I do the next yeah.
• 29:06
  Speaker 2: Or just what I'm doing at the time.
• 29:08
  Speaker 1: You know, I don't have the bandwidth to study everything
• 29:10
  Speaker 1: that's happening. There's so fucking much and there's always something
• 29:13
  Speaker 1: new to discover and a lot of fucking talent. Man. Honestly,
• 29:17
  Speaker 1: the young the younger generation is killing it. In my opinion.
• 29:21
  Speaker 1: I love what's coming up. You know, there's a lot
• 29:22
  Speaker 1: of trash, of course, but there's a lot of inspiration
• 29:25
  Speaker 1: as well. For you.
• 29:29
  Speaker 3: We talked about Jelly a little bit, but just to
• 29:31
  Speaker 3: see I really gotta want to you know. You you've
• 29:34
  Speaker 3: been a guy who's been championing Jelly roll for it
• 29:37
  Speaker 3: for years and years and years from the grit and uh,
• 29:40
  Speaker 3: you know, he's always.
• 29:43
  Speaker 1: With He's one of the first crew members with this
• 29:44
  Speaker 1: SLA American tattoo, you know what I mean, Like that
• 29:47
  Speaker 1: that I took Jelly on tour with me and you know,
• 29:50
  Speaker 1: like put him in the studio and produce one of
• 29:53
  Speaker 1: his first singer songwriter songs, you know what I mean,
• 29:55
  Speaker 1: Like during when I was making a Ghetto Cowboy and
• 29:59
  Speaker 1: a Trial by Fire, when when Struggle just got out
• 30:02
  Speaker 1: of prison, had you know, Struggles still out of halfway house,
• 30:06
  Speaker 1: when I was pulling pulling them into the studio and
• 30:09
  Speaker 1: working and then uh waiting and Willie, which I think
• 30:13
  Speaker 1: they've done four of them now, but the first one
• 30:15
  Speaker 1: first was with us, you know. Yeah, And but you know,
• 30:20
  Speaker 1: to see to see it, he's just so incredibly smart man,
• 30:24
  Speaker 1: like blows my mind. I call him the Governor, Like, dude,
• 30:29
  Speaker 1: you're the governor he'll walk in.
• 30:30
  Speaker 2: He remembers everyone's.
• 30:31
  Speaker 1: Name, always eye contact, always everyone's name. How's your mom?
• 30:36
  Speaker 1: He remember mom's name, kids names, birthdays. He's like a
• 30:40
  Speaker 1: savant with that ship. And he's so pleasant to be around.
• 30:43
  Speaker 1: And I'm just happy that people are getting to experience that,
• 30:47
  Speaker 1: you know what I mean, Like he's always been that,
• 30:50
  Speaker 1: and he's always been the name hustling too though, Like sure,
• 30:52
  Speaker 1: but don't get it fucked up. He's tough, tough as nails,
• 30:55
  Speaker 1: you know what I mean.
• 30:55
  Speaker 2: And so but.
• 30:57
  Speaker 3: He hasn't changed, like people are like, yo, this guy
• 30:59
  Speaker 3: Jelly's so great, Like his interviewsers like that's how he's
• 31:01
  Speaker 3: always finished.
• 31:02
  Speaker 1: Well, I'm not going to say. I'm not going to
• 31:03
  Speaker 1: say he hasn't changed, but he has evolved into a
• 31:07
  Speaker 1: better version of himself, you know, Like the game is
• 31:10
  Speaker 1: fucking hard, man, and when you're when you're down, you
• 31:15
  Speaker 1: tend to be you gotta chip on your shoulder, you
• 31:19
  Speaker 1: know what I mean. And when things start to evolve,
• 31:21
  Speaker 1: it lightens up that weight that that you have been
• 31:24
  Speaker 1: carrying for so long, and it allows you to be
• 31:27
  Speaker 1: cool or you know what I mean. And so that
• 31:31
  Speaker 1: for him, I'm happy. I'm happy for him that he
• 31:33
  Speaker 1: is going to relieve Congress. He's relieved of the burden
• 31:36
  Speaker 1: of getting known. Now it's a rap. Now he gets
• 31:41
  Speaker 1: to like sit back, make more music, you know.
• 31:45
  Speaker 3: I mean when I tell people like he's been an
• 31:48
  Speaker 3: underground rapper for years, like this guy was opening for
• 31:51
  Speaker 3: Insane Clown Posse like nine years ago.
• 31:53
  Speaker 1: Like people don't get it, like ship me too, fucking
• 31:56
  Speaker 1: woo woo. They're coming here tonight, the coming here. I'm
• 32:00
  Speaker 1: interviewing them at ten pm. Two.
• 32:02
  Speaker 2: Let's go.
• 32:03
  Speaker 1: It's gonna be good. Dude.
• 32:04
  Speaker 2: It last time.
• 32:05
  Speaker 1: I look, I did that festival. Yeah, I guess that
• 32:08
  Speaker 1: the last the last time. What was I like, Well,
• 32:12
  Speaker 1: the first time, the first show I went to, they
• 32:16
  Speaker 1: started throwing fireworks on stage and I heard that, like
• 32:19
  Speaker 1: you know, they were like rowdy. I've heard that. I've
• 32:22
  Speaker 1: seen it, yeah, and I was like, fuck it, I'm
• 32:23
  Speaker 1: about that life. And I was with Shady at the time.
• 32:26
  Speaker 1: So when I walked on stage, I said, Shady records
• 32:29
  Speaker 1: in this motherfucker and I knew but like purposeful that show, yeah, exactly,
• 32:34
  Speaker 1: because I knew the beef You're like throw shit at me.
• 32:37
  Speaker 1: I'm here.
• 32:37
  Speaker 2: I knew the beef.
• 32:39
  Speaker 1: They're like boo, start throwing fireworks on stage and.
• 32:46
  Speaker 2: I said, I said, I said, whoo whoop, let's go.
• 32:49
  Speaker 1: And they loved it. It was like it was like
• 32:52
  Speaker 1: instant family, you know what I mean. I didn't say
• 32:54
  Speaker 1: that to say fuck y'all. I said that to say
• 32:59
  Speaker 1: I'm not scared, you know what I mean? Respect me here.
• 33:02
  Speaker 1: I made a fucking party. So they started throwing the
• 33:05
  Speaker 1: fucking fireworks on stage, and then somebody threw like a
• 33:09
  Speaker 1: pile of those fucking black cat firecrackers and it just
• 33:13
  Speaker 1: so happened right during the line, stood on top of them,
• 33:18
  Speaker 1: jump on like a pack is standing to get back
• 33:20
  Speaker 1: in the back and live with the pack of man ex.
• 33:21
  Speaker 1: I just went off on this fucking tangent and they
• 33:23
  Speaker 1: were going like fireworks and the fucking like and they
• 33:28
  Speaker 1: were like family family.
• 33:32
  Speaker 2: It was a rap after that.
• 33:33
  Speaker 1: So I fell in love with their squad and the
• 33:35
  Speaker 1: fans that they're the best man's the best people out there. Honestly,
• 33:38
  Speaker 1: I heard that the festival's wild placement. No okay, so
• 33:42
  Speaker 1: it got rowdier now they knew I was about it.
• 33:44
  Speaker 1: So the second time I went, they threw mortars. Mortars. Yeah,
• 33:50
  Speaker 1: that can hurt No, no, no, no, it definitely could.
• 33:53
  Speaker 1: And then somebody fucking hit me in the face with
• 33:55
  Speaker 1: a bottle rocket. Luckily I had shades on, but I
• 34:00
  Speaker 1: was like, fuck it, let's go. I never stopped, and
• 34:02
  Speaker 1: then this last time I went last, I'd have been
• 34:06
  Speaker 1: done after that. Oh listen, gonna shoot me next time? No?
• 34:10
  Speaker 2: No, no, no, okay they did, they did.
• 34:14
  Speaker 1: Okay, So so I walked out on stage, and I
• 34:19
  Speaker 1: guess at this point they're like, how rowdy can we
• 34:25
  Speaker 1: get during a Wolf set? You know, I'm not saying
• 34:28
  Speaker 1: they wanted to hurt me. It wasn't like that. That's
• 34:30
  Speaker 1: just their way of showing love, and like that's just
• 34:32
  Speaker 1: what they do. I guess it's like old school, like oh,
• 34:35
  Speaker 1: like like Western. They used to you know, they like
• 34:39
  Speaker 1: chicken wire around the stage and they would throw bottles
• 34:41
  Speaker 1: and beers when they loved the band.
• 34:43
  Speaker 2: They were just like that's just how they represent So
• 34:46
  Speaker 2: walking on stage.
• 34:47
  Speaker 1: Chicken wings, fucking hot dogs, and all of a sudden,
• 34:52
  Speaker 1: I feel like I'm getting stung by bees, like all
• 34:54
  Speaker 1: over my body, but I'm not moving. And then it
• 34:59
  Speaker 1: started to fucking like I need to move left and
• 35:02
  Speaker 1: right because something's they've they've sent I don't know what
• 35:06
  Speaker 1: the fuck was happening.
• 35:07
  Speaker 2: It was dark, but it was so come to find.
• 35:11
  Speaker 1: There was like three people out there with those automatic
• 35:14
  Speaker 1: fucking uh pellet guns that shoot plastic, and they were
• 35:19
  Speaker 1: like lighting me up, just the whole my whole set,
• 35:27
  Speaker 1: just fucking just fucking me up. But I survived. So
• 35:32
  Speaker 1: there's that. They got that, Like the drug Bridge family,
• 35:38
  Speaker 1: they're like, fuck you yo. So before the show, I
• 35:42
  Speaker 1: was I was talking to what's homie's name, Shaggy you
• 35:46
  Speaker 1: violent Jol.
• 35:48
  Speaker 2: I was talking to viol j.
• 35:49
  Speaker 1: I was like, I was like, hey man, you know
• 35:52
  Speaker 1: last time they threw mortars on stage. You know, I'm
• 35:55
  Speaker 1: not sure what's going to happen tonight, but you know,
• 35:56
  Speaker 1: if it gets too crazy, you think you could come
• 36:00
  Speaker 1: out there and like make sure they don't like kill
• 36:02
  Speaker 1: me or something.
• 36:03
  Speaker 6: He was like, bro, honestly, it'll probably get worse if
• 36:08
  Speaker 6: I step out there and say something like you can't
• 36:11
  Speaker 6: tell them to calm down. I was like, you're right,
• 36:12
  Speaker 6: you're right, you're right, all right, fuck it, here we go.
• 36:15
  Speaker 1: And so that was that. I was all fucking fucked up.
• 36:20
  Speaker 1: Looked like I got hit with ants all over my body.
• 36:22
  Speaker 1: Oh my god.
• 36:24
  Speaker 3: Yeah, that's shout out to uh to the Juggalos. They're
• 36:29
  Speaker 3: an interesting uh group of humans there.
• 36:32
  Speaker 2: Some artists got fucked up up out there, though, man like.
• 36:35
  Speaker 3: Tila Tequila got fucked up for Tela Tequila was like
• 36:39
  Speaker 3: on stage and they just just bombed her with just
• 36:42
  Speaker 3: and I think somebody from I think od B and
• 36:45
  Speaker 3: I gonna talk too more about the detes ICP Man's
• 36:50
  Speaker 3: good guys.
• 36:51
  Speaker 1: Good guys, I mean.
• 36:53
  Speaker 2: Yeah, yeah, absolutely, they're good guys.
• 36:55
  Speaker 1: You know what I mean. They fucking they pay attention,
• 36:57
  Speaker 1: you know, and they showed love and support. I mean,
• 37:01
  Speaker 1: they've built an amazing following. Those dudes are brilliant, to
• 37:05
  Speaker 1: be honest, like brilliant business guys.
• 37:10
  Speaker 3: You have had a crazy since you got off of Shady.
• 37:15
  Speaker 3: I feel like, well, a good thing that happened was
• 37:18
  Speaker 3: Trunk Music too almost immediately went up on DSPs, which
• 37:20
  Speaker 3: was fucking amazing because that's actually my favorite one, that's
• 37:22
  Speaker 3: my favorite project of yours.
• 37:25
  Speaker 1: But Trump music too, Yes, what's the fucking second truck music? No,
• 37:31
  Speaker 1: I know what I'm just trying to figure out. Yeah, oh, Tennessee,
• 37:37
  Speaker 1: first that was on that for the first time, I
• 37:39
  Speaker 1: forget which.
• 37:40
  Speaker 2: One is one, which one's whatever.
• 37:43
  Speaker 1: I DJ the fucking release party in South Boy. You
• 37:46
  Speaker 1: were fucking blackout well, of course, and I had a
• 37:49
  Speaker 1: beard and a gold grill. Yes you did, Yes you did.
• 37:52
  Speaker 1: Uh Boo was tripping out rest in peace. She's like,
• 37:55
  Speaker 1: you got a grill and a beard. I'm surprised everybody
• 37:57
  Speaker 1: I saw who would I see who?
• 38:00
  Speaker 2: Uh uh djuh Drama.
• 38:06
  Speaker 1: Saw Drama on the plane on the way to south
• 38:08
  Speaker 1: By Southwest and I was sitting next to him in
• 38:11
  Speaker 1: first class. He was like, he's like, yo, yellow Wolf.
• 38:16
  Speaker 1: I was like, I was like, yeah, dog had a
• 38:18
  Speaker 1: fucking big period and a gold grill. He's like, I
• 38:20
  Speaker 1: was like, what, It's just a beard. He goes, nah, man,
• 38:22
  Speaker 1: it's a lot. That's a lot.
• 38:26
  Speaker 2: Nah Man, that's a lot.
• 38:28
  Speaker 1: Don't just call the beard. But I showed up at
• 38:31
  Speaker 1: south By Southwest that hey man, thank you by the
• 38:33
  Speaker 1: way for fucking supporting that record.
• 38:34
  Speaker 3: And No, it's been crazy though, just to see like
• 38:37
  Speaker 3: your output has been so awesome in terms of just
• 38:40
  Speaker 3: from a fan's perspective, because I feel like when you
• 38:43
  Speaker 3: were on Innerscope and Shady, we knew like if you
• 38:47
  Speaker 3: dropped music.
• 38:49
  Speaker 1: You'd be in a few years, you know, we get
• 38:50
  Speaker 1: something new.
• 38:51
  Speaker 3: But now it's like like you said, you had a
• 38:53
  Speaker 3: month thre you dropped an album every week. You might say,
• 38:55
  Speaker 3: fuck it, I want to go. Do you know an
• 38:57
  Speaker 3: album with CASKI or a rock album.
• 38:59
  Speaker 1: I do it the fu I want to do when
• 39:01
  Speaker 1: I want to do it. The other problem at that
• 39:03
  Speaker 1: with you know, just to add a conversation, like the
• 39:05
  Speaker 1: reason why artists get caught up at labels is because, yeah,
• 39:09
  Speaker 1: I got an album, it's prime, it's mixed, mastered, everything's
• 39:11
  Speaker 1: ready to go, got the whole world out planning going.
• 39:13
  Speaker 1: But hey, guess what, Kendrick Lamar's dropping on Fridays, so
• 39:19
  Speaker 1: we gotta wait. You cannot you know what I mean
• 39:21
  Speaker 1: type of deal where it's like now it's like fucking
• 39:23
  Speaker 1: drop that ship whenever, you know. And I love that,
• 39:26
  Speaker 1: and I know the fans appreciate it because, like you know,
• 39:29
  Speaker 1: and also this freestyles. Freestyles are fucking fun as fuck.
• 39:33
  Speaker 1: You know, just fucking record record them day of put
• 39:36
  Speaker 1: them out that night. You know, like it's that shit
• 39:39
  Speaker 1: is so much fun, and it just keeps the mojo flowing. Man,
• 39:43
  Speaker 1: And I'm excited about worst story Oh my god, this
• 39:47
  Speaker 1: double album. I'm excited. Oh my god. Dude, I've always
• 39:52
  Speaker 1: told you, by the way, and whenever you want to
• 39:53
  Speaker 1: do this during this podcast, if you would like to,
• 39:56
  Speaker 1: You've always asked me, let me break something, let me
• 40:00
  Speaker 1: break a record, let me break a song.
• 40:03
  Speaker 2: So I've decided I'll let I'll let you.
• 40:09
  Speaker 1: I will. I will grant you that. Now I'll let
• 40:14
  Speaker 1: you take a pick. Actually, because we've been homies for
• 40:16
  Speaker 1: so long. Yeah, okay, I got five singles that are
• 40:19
  Speaker 1: gonna roll out all the way up until the album
• 40:21
  Speaker 1: coming out May May. Okay, so we got five singles
• 40:26
  Speaker 1: and five videos. We just put out everything with a video.
• 40:29
  Speaker 1: Fucking sick video, sick record. Thank you. The next that's
• 40:32
  Speaker 1: off of Trump Music Forever. The next single that's coming
• 40:35
  Speaker 1: out is off of the Michael Wayne album, so we're
• 40:37
  Speaker 1: kind of skipping back. That's the one I just listened to.
• 40:39
  Speaker 2: Yeah, yeah, listen to that is a Michael Wayne album.
• 40:43
  Speaker 1: No, I listened to the record though. The next record
• 40:44
  Speaker 1: that got the next record, get the fuck out of here? Yeah,
• 40:49
  Speaker 1: what is it? I just fucking heard it. It's vibe
• 40:51
  Speaker 1: as fuck. Who since you make you love Me? Yeah,
• 40:56
  Speaker 1: that's it. Right, Yeah, who the fuck? Since you make
• 40:58
  Speaker 1: you love me? Fucking rich?
• 41:00
  Speaker 4: You have it?
• 41:00
  Speaker 5: Bro?
• 41:01
  Speaker 4: Nah?
• 41:02
  Speaker 2: Who oh my publishers.
• 41:03
  Speaker 1: Yeah, dude, he's fucking leaking your shit. This guy, he's
• 41:06
  Speaker 1: leaking your ship. He sent you that record. I'm looking
• 41:09
  Speaker 1: at it her.
• 41:10
  Speaker 2: Hey, bro, we need to talk.
• 41:11
  Speaker 1: I got the clean edit, too clean edit. I don't
• 41:14
  Speaker 1: know you play clean edits have to Yeah, I'm on
• 41:17
  Speaker 1: the like you know, I'm all over the all right, Bro?
• 41:20
  Speaker 1: I like that record. I'll play you whatever you want.
• 41:25
  Speaker 1: We did do a freestyle. Remember we did that Wu
• 41:26
  Speaker 1: Tang freestyle we recorded at money Mar's house. I'll play you,
• 41:29
  Speaker 1: I'll play you, make you love me, I'll play you. Uh,
• 41:32
  Speaker 1: I'll play you anything you want off the records. Matter
• 41:34
  Speaker 1: of fact, I had thought, fuck it, I'll send the
• 41:39
  Speaker 1: whole goddamn album. I like to listen to it for sure.
• 41:42
  Speaker 1: You can trust me. I'm not gonna leak it.
• 41:45
  Speaker 2: No, what I'm saying is leak it.
• 41:47
  Speaker 1: Oh you want me to leak it? Oh? I see
• 41:48
  Speaker 1: what we're doing. Okay, Yeah, yeah, I'm down. But let's
• 41:52
  Speaker 1: just start with the single and the singles done both.
• 41:55
  Speaker 1: Like I'm telling you whatever.
• 41:56
  Speaker 3: When I heard this everything record I'm telling you because
• 42:00
  Speaker 3: I saw you teasing it, but when I saw when
• 42:02
  Speaker 3: it finally because it dropped like two weeks ago.
• 42:04
  Speaker 1: Now it was the last Friday. I feel like it
• 42:06
  Speaker 1: just came out. Yeah, it's like on the sixteenth. That
• 42:10
  Speaker 1: dropped on the sixteenth. Thank you, amazing, amazing record man.
• 42:14
  Speaker 3: Shout out to Willpower. I'm excited to hear both sides.
• 42:17
  Speaker 3: So this is like a double disc if there were
• 42:19
  Speaker 3: discs still.
• 42:22
  Speaker 1: Disc well, I mean it's it's gonna be vinyl, So
• 42:26
  Speaker 1: you're gonna be able to do the vinyl like you
• 42:28
  Speaker 1: might even have four Vieah, you know, it's dope. This
• 42:30
  Speaker 1: is dope. I'm going to the actual vinyl press. I'm
• 42:33
  Speaker 1: going to pour my own wax Wow into into an
• 42:38
  Speaker 1: exclusive amount of We're obviously we're doing a lot of vinyl,
• 42:42
  Speaker 1: but there will be a certain number that I pour myself,
• 42:46
  Speaker 1: and they'll be numbered. Yeah, they'll be signed the number
• 42:49
  Speaker 1: that I've and we're gonna film it and all that shit,
• 42:51
  Speaker 1: And that's just for the fans and also something fucking
• 42:54
  Speaker 1: really cool. I've never been I've never done that before,
• 42:56
  Speaker 1: So I'm gonna I'm gonna pour and press my own
• 42:58
  Speaker 1: vinyl and I'm gonna make up. So I'm gonna do
• 43:00
  Speaker 1: some shit like mix mix up some colors and ship
• 43:02
  Speaker 1: make them like really super unique. Y. Yeah, put some
• 43:05
  Speaker 1: skips in there, a little skippies.
• 43:07
  Speaker 3: You know, it's crazy, Like it's got to feel good
• 43:09
  Speaker 3: all these years, for all these years later though, like
• 43:12
  Speaker 3: you know, we use that word underground and we're talking
• 43:15
  Speaker 3: or underrated. Rather we're talking about certain people. There could
• 43:18
  Speaker 3: be a whole solar system happened and people don't realize it, right,
• 43:20
  Speaker 3: But you have had this fan base that has just
• 43:25
  Speaker 3: like always supported like like like throughout whatever you're going through.
• 43:30
  Speaker 3: You have that core, that slum American fan base that
• 43:32
  Speaker 3: is just I mean, most artists would die to have
• 43:36
  Speaker 3: that level of dedication from a group of people.
• 43:40
  Speaker 1: That most artists would die to have it, But most
• 43:43
  Speaker 1: artists wouldn't put their life in jeopardy like I have
• 43:45
  Speaker 1: to eat it to earn it. Yeah, Like it's not
• 43:48
  Speaker 1: it's not. It's not an easy route, you know what
• 43:51
  Speaker 1: I mean, To build your own thing, it just takes
• 43:58
  Speaker 1: a lot of time and it takes a lot of
• 44:00
  Speaker 1: courage too, you know what I mean. And to dive
• 44:02
  Speaker 1: off away from the system and to curate in your
• 44:07
  Speaker 1: own way, your own thing. And so I'm extremely fortunate
• 44:14
  Speaker 1: to have fell into what, you know, what SLA American is,
• 44:18
  Speaker 1: and to create the word and the culture and the
• 44:22
  Speaker 1: idea behind it, and for people to understand it. You know,
• 44:25
  Speaker 1: at one point we had more people around the world
• 44:27
  Speaker 1: with SLA American tattoos before we even printed a shirt
• 44:31
  Speaker 1: that says American. It was that serious. People really understood
• 44:34
  Speaker 1: it all over the globe. And so now yeah, it's
• 44:40
  Speaker 1: we've it's become the umbrella of a lot of amazing things,
• 44:44
  Speaker 1: you know, and you know, multiple genres. I got people
• 44:47
  Speaker 1: coming in like younger, younger artists coming into to Nashville
• 44:52
  Speaker 1: and recording records on new talent. Got a lot of
• 44:56
  Speaker 1: stuff coming in twenty twenty four. Mant not just my
• 44:58
  Speaker 1: double album, but a new new artist, crazy artists like
• 45:03
  Speaker 1: you know, I don't co sign a bullshit like crazy artists,
• 45:07
  Speaker 1: Country music, hip hop, rock and roll, all of it,
• 45:10
  Speaker 1: all all the things that fall up under SLA American.
• 45:13
  Speaker 1: I've I'm not going to say found, but I would
• 45:18
  Speaker 1: say they have found me, and they have found a
• 45:21
  Speaker 1: space where they feel comfortable making music and and and
• 45:24
  Speaker 1: the right crew to put it out with because I
• 45:26
  Speaker 1: get it, you know, I really truly do get it.
• 45:29
  Speaker 1: And yeah it's dope fucking clothing and apparel brand popping.
• 45:35
  Speaker 1: I just brought in Manny to do a cutting soul
• 45:39
  Speaker 1: Slamaria is gonna have a fashion house, dog fashion house
• 45:42
  Speaker 1: and that like the like limited drug well you were
• 45:45
  Speaker 1: doing it's like the Bible belt or like this is
• 45:48
  Speaker 1: something that this is like, look, we've I've been crawling.
• 45:51
  Speaker 1: I still got my ball Mark jacket. Let's go bal Mart.
• 45:54
  Speaker 1: Shout out, shout out Stuart Walton, Walton family, some of
• 45:59
  Speaker 1: that o G some of that og famous Slamerican.
• 46:02
  Speaker 2: Shit, Country Fresh.
• 46:04
  Speaker 3: Travis Barker, I still got the white tea and it's
• 46:07
  Speaker 3: got you on it with the skeleton face.
• 46:10
  Speaker 1: Man. Can I say how much I love I just
• 46:11
  Speaker 1: want to say officially how much I love Travis Barker
• 46:13
  Speaker 1: and what he did for me, you know, being in
• 46:17
  Speaker 1: California and Los Angeles in particular that you know, that
• 46:21
  Speaker 1: dude changed my life, you know, like as a big brother,
• 46:25
  Speaker 1: especially during my time with Shady. He was he was
• 46:32
  Speaker 1: he had my sex man, you know what I mean,
• 46:33
  Speaker 1: like really really carried me around and showed me so
• 46:37
  Speaker 1: much not just about music and networking, but.
• 46:42
  Speaker 2: Business and owning your own thing.
• 46:46
  Speaker 1: So much of Slamerican, of how I built Some American
• 46:48
  Speaker 1: was inspired by watching how.
• 46:51
  Speaker 2: Travis did it.
• 46:52
  Speaker 1: And you watched it from up close. Man, I was
• 46:54
  Speaker 1: right there. I saw it, you know, as you know
• 46:57
  Speaker 1: when when mixed Maaster Mike Travis to myself and the
• 47:00
  Speaker 1: cool kids went out and opened for Nicki Minaj and
• 47:06
  Speaker 1: I think Rick Ross, Nicki Minaj, Rick Ross and Low
• 47:09
  Speaker 1: Wayne and we were the openers for the show. And
• 47:13
  Speaker 1: like we pull up to a city and the whole
• 47:15
  Speaker 1: city would be dumped. Every city would already be dumped
• 47:18
  Speaker 1: with famous famous everywhere stickers, wheat paste all over the
• 47:21
  Speaker 1: fucking city.
• 47:22
  Speaker 2: He had like sent his crew out to dump the
• 47:26
  Speaker 2: city and then when.
• 47:28
  Speaker 1: We showed up, it was already present, and you're like,
• 47:30
  Speaker 1: oh shit, it's just brilliant, you know what I mean.
• 47:32
  Speaker 1: And so yeah, he's just the famous era was like
• 47:36
  Speaker 1: a real era.
• 47:36
  Speaker 4: Man.
• 47:37
  Speaker 1: Yeah.
• 47:37
  Speaker 2: Now he started at dt l A, which is crazy.
• 47:40
  Speaker 1: Oh that's his ship, Yeah exactly, I know that. Yeah,
• 47:43
  Speaker 1: I think he probably likes that no one knows that
• 47:44
  Speaker 1: he's behind it. Well now they do, now they do. Uh?
• 47:48
  Speaker 1: You and I haven't talked. Well, we've talked, we've seen
• 47:50
  Speaker 1: each other. I hope I got my facts right on that.
• 47:53
  Speaker 3: I don't know me too. I guess we'll find out.
• 47:59
  Speaker 3: But I went to the Trunk Music three release party.
• 48:02
  Speaker 3: It was at a random shithole bar in Sherman Oaks.
• 48:07
  Speaker 3: MGK pulled up. It was a moment, Oh yeah, I remember,
• 48:12
  Speaker 3: that's that's a night I met Gangster bur on your bus.
• 48:16
  Speaker 1: I can't I don't know. I don't know what I
• 48:19
  Speaker 1: was thinking, honestly with that party. It was super small, dude. Roll.
• 48:23
  Speaker 1: I was like, if I'm gonna go to Oyster House,
• 48:25
  Speaker 1: if I'm going to La, I'm gonna do it at
• 48:27
  Speaker 1: a dive bar. At the time you're well, at the
• 48:29
  Speaker 1: time you're pushing your creek water. Yeah, I'm gonna go
• 48:32
  Speaker 1: do it.
• 48:32
  Speaker 2: I'm gonna do a dive bar.
• 48:34
  Speaker 1: Fucking l a thing.
• 48:37
  Speaker 2: You don't do that ship in Los Angeles. Man, It's
• 48:40
  Speaker 2: like it was wild.
• 48:41
  Speaker 1: They didn't. It's not. It's that's some Nashville shit, you
• 48:45
  Speaker 1: know what I'm saying. Like Consight's twenty twenty, I would
• 48:47
  Speaker 1: have taken it down at least to the Rainbow or
• 48:49
  Speaker 1: the Viper Room. Or somewhere somewhere else sunset, you know
• 48:51
  Speaker 1: what I mean. So well, I was gonna say, like
• 48:53
  Speaker 1: it was, it was such a big deal. GKA pulled
• 48:56
  Speaker 1: up like I was twenty nineteen, right, I was twenty nine.
• 49:00
  Speaker 1: Team that I'm dropped.
• 49:02
  Speaker 3: But up until that point, like for your fans and
• 49:05
  Speaker 3: his fans, like you guys shared so many fans, you
• 49:06
  Speaker 3: guys had this weird like few that wasn't really about much,
• 49:10
  Speaker 3: you know, Oh it was a gay the MGK thing. Well,
• 49:12
  Speaker 3: I was gonna say, can you walk us through how
• 49:14
  Speaker 3: you guys ever communicating and forward and all that for
• 49:17
  Speaker 3: the fans who don't know.
• 49:18
  Speaker 1: Yeah, well MGK was just coming up super young. You
• 49:23
  Speaker 1: called him out on my show.
• 49:24
  Speaker 2: Yeah, well, I mean, yeah, he was coming up. He's
• 49:26
  Speaker 2: super young.
• 49:27
  Speaker 1: Yeah do you remember that?
• 49:28
  Speaker 2: Yeah, yeah, I remember that.
• 49:30
  Speaker 1: But he was super young. And I was on Warped
• 49:32
  Speaker 1: tour at the time, and I was like, you know,
• 49:35
  Speaker 1: part of my stage performance has always been you know,
• 49:40
  Speaker 1: throwing water, crowdsurfing, mosh pitting, and he made some kind
• 49:43
  Speaker 1: of comment I believe at the time it's like nobody
• 49:45
  Speaker 1: needs to be crowdsurfing, moshpitting, throwing or whatever.
• 49:48
  Speaker 2: Then this is my shit.
• 49:49
  Speaker 1: You know. He trying to claim that. Well, yeah, he
• 49:52
  Speaker 1: was young, like you said, Yeah, yeah, he was young.
• 49:55
  Speaker 2: And he might not have even been talking about me
• 49:58
  Speaker 2: in particular.
• 49:59
  Speaker 1: I mean, he may be. It may be somebody else.
• 50:02
  Speaker 1: I say in particular a lot these days. It's a
• 50:04
  Speaker 1: good thing to say in particular. Yeah, I like it.
• 50:06
  Speaker 1: I'm gonna shake it. I'm not saying it for the
• 50:07
  Speaker 1: rest of the interview. I'm over it, all right. Well
• 50:10
  Speaker 1: so so he so he uh so he made a
• 50:14
  Speaker 1: comment and I made my thing.
• 50:16
  Speaker 4: I was like, yo, you know what.
• 50:17
  Speaker 2: I don't know what I said.
• 50:18
  Speaker 1: But he said, say my name, dog, He said, say
• 50:21
  Speaker 1: my name. It was like before Walter White said save
• 50:24
  Speaker 1: my name. You were in my interview, You're like, say
• 50:26
  Speaker 1: my name on a record. It was aggressive. I mean yeah,
• 50:31
  Speaker 1: I mean I was coming in hot man, you know,
• 50:33
  Speaker 1: I was fucking but you guys had this out it,
• 50:36
  Speaker 1: you know, I know this thing. And then yeah, So
• 50:38
  Speaker 1: I saw him at a trade show like about three
• 50:41
  Speaker 1: or four months later. I think it was SR trade
• 50:43
  Speaker 1: show actually, as a matter of fact, and uh and
• 50:45
  Speaker 1: in LA and I walked up to him.
• 50:50
  Speaker 2: I was like, damn, this fool is tall. Tall for
• 50:52
  Speaker 2: for sure, and I was like, he was like, yo,
• 50:54
  Speaker 2: can we That's the first thing I noticed.
• 50:56
  Speaker 1: I like, damn, I'm goin to box this tall asthma,
• 50:58
  Speaker 1: Like this is not gonna be go well or is
• 51:01
  Speaker 1: it either gonna go really good for me or really
• 51:03
  Speaker 1: bad for me? But okay, and so we're gonna I
• 51:07
  Speaker 1: just walked up and I was like, I was like, yeoh,
• 51:09
  Speaker 1: what up. He was like, hey, man, can we talk?
• 51:11
  Speaker 1: I was like yeah.
• 51:13
  Speaker 2: And then he was you know, he apologized. I apologize.
• 51:17
  Speaker 1: That was it.
• 51:17
  Speaker 2: There was nothing else to say, and.
• 51:20
  Speaker 1: Time went by. We never did a at that time.
• 51:23
  Speaker 1: I was like, man, you know, like honestly, let's just
• 51:25
  Speaker 1: do a record, you know, and just squashed this whole
• 51:27
  Speaker 1: ship because like my fans were acting stupid for sure,
• 51:30
  Speaker 1: real stupid, like putting Slamerican banners on the side of
• 51:33
  Speaker 1: his bus and doing dumb shit, you know, taking selfies,
• 51:36
  Speaker 1: and I was like, this is stupid.
• 51:37
  Speaker 2: And this is getting out of hand.
• 51:39
  Speaker 1: Like I didn't. I didn't that you're a great guy.
• 51:41
  Speaker 1: He's a great guy. It's fun. Yeah, it's all good.
• 51:43
  Speaker 1: It's all good. So years later the song came out
• 51:46
  Speaker 1: Hard years later.
• 51:47
  Speaker 2: DJ Paul says.
• 51:50
  Speaker 1: Hey man, we're working on a Trump music. Fucking what
• 51:55
  Speaker 1: is it now? Three? Three? It was three?
• 51:57
  Speaker 4: Yeah?
• 51:58
  Speaker 2: How was you want to fuck with?
• 51:59
  Speaker 1: Three? I like three a lot. Love three the record
• 52:02
  Speaker 1: with Dube's hard as fuck. Yeah, great album. I love
• 52:05
  Speaker 1: three threes.
• 52:06
  Speaker 2: I thought three was crazy.
• 52:07
  Speaker 1: No, I agree.
• 52:08
  Speaker 2: Two's got some classics on me.
• 52:10
  Speaker 1: Two though, it's just like peak willpower. Well, you know what,
• 52:15
  Speaker 1: good point because to me, because because and three will
• 52:17
  Speaker 1: power was not fully present because I had will power
• 52:20
  Speaker 1: at my house when I think it.
• 52:21
  Speaker 3: Was Box Chevy four where he just freaks the instrumental
• 52:24
  Speaker 3: for like three minutes at the end, and it's just
• 52:27
  Speaker 3: like it was like almost like the closest thing to
• 52:29
  Speaker 3: a hip hop solo.
• 52:30
  Speaker 1: There is, oh yeah, yeah, yeah, yeah. We went crazy
• 52:32
  Speaker 1: on that one. But no, I love I mean listen,
• 52:34
  Speaker 1: I was both appreciate it. Three is amazing, love three
• 52:39
  Speaker 1: thank you well.
• 52:40
  Speaker 2: DJ Paul was like, you know, we're making rowdy And
• 52:45
  Speaker 2: by the way, it was about it. If you bout it,
• 52:48
  Speaker 2: say you bout it.
• 52:49
  Speaker 1: I'm about it. The city that is about it, about it, No,
• 52:53
  Speaker 1: it's about it. But we couldn't get we couldn't we
• 52:55
  Speaker 1: couldn't get in contact with Master, Peeve or nothing. Paul
• 52:59
  Speaker 1: was just like, man, fuck it color rowdy. Yeah, he goes, hey, man.
• 53:05
  Speaker 4: Go get uh.
• 53:06
  Speaker 7: He goes go get mg K and eminem and we
• 53:11
  Speaker 7: had the craziest record of all time. So he's like, y'all,
• 53:16
  Speaker 7: three white boys get out of here. It's gonna be crazy.
• 53:21
  Speaker 7: And I was like, that's not a bad idea actually,
• 53:24
  Speaker 7: So I recorded it.
• 53:25
  Speaker 1: And fucking senate Sena to Marshall and you know, ship
• 53:29
  Speaker 1: next thing, you know, Marshall fucking went went crazy on
• 53:33
  Speaker 1: on mg k's they had to kill show. I had
• 53:36
  Speaker 1: actually think.
• 53:36
  Speaker 3: Mg pivots, you know, do my thing, because there was
• 53:41
  Speaker 3: I feel like, was there did they? Because that came
• 53:44
  Speaker 3: out that was your last album on Shady Right Truck
• 53:47
  Speaker 3: Music three?
• 53:49
  Speaker 1: Was it? I believe it was? Yeah?
• 53:52
  Speaker 2: I think so because after that was my independent release
• 53:55
  Speaker 2: Ghtto Cowboy.
• 53:56
  Speaker 3: Was there any pushback from Shady having MGK the album
• 54:00
  Speaker 3: at the time?
• 54:03
  Speaker 1: Now, there was no, No. Marshall was all about it. Marshall.
• 54:05
  Speaker 1: Marshall like, no, respectfully, I did tap in for sure.
• 54:09
  Speaker 1: You know what I'm saying, Like, I ain't fucking not
• 54:11
  Speaker 1: a fool jumping off a cliffs. No, I'm not like
• 54:14
  Speaker 1: because to be honest, it was like if if you
• 54:17
  Speaker 1: if you say no and you say go to war, there,
• 54:20
  Speaker 1: let's go. It's it's it's curtains like respectfully on some
• 54:24
  Speaker 1: hip hop ships, of course tap in with the sense
• 54:27
  Speaker 1: he so I did, and fucking he was like, nah, man,
• 54:32
  Speaker 1: like you know, people want to hear that, you know,
• 54:35
  Speaker 1: and it just you know, I've always had a lot
• 54:38
  Speaker 1: of respect for Marshall obviously, you know, I've looked up
• 54:41
  Speaker 1: to up to him for years. That moment was kind
• 54:44
  Speaker 1: of like, damn, man, you really give a fuck about me,
• 54:48
  Speaker 1: you know what I mean, Like you really care that
• 54:50
  Speaker 1: much to put aside and be like, yeah and let
• 54:53
  Speaker 1: me live. Ipect. Knowing that I had invested this before
• 54:56
  Speaker 1: I knew this happened, I was just like, man, you're
• 55:00
  Speaker 1: man that I got nothing bad to say about Shady
• 55:05
  Speaker 1: or that whole time I was there. There's you know,
• 55:08
  Speaker 1: we hit our we bumped our heads on the first album,
• 55:11
  Speaker 1: you know, like creatively, you know, yeah, I mean I remember,
• 55:16
  Speaker 1: but I remember you.
• 55:17
  Speaker 3: I mean you recorded most of that Ilum in Vegas,
• 55:19
  Speaker 3: all of it, yeah, at Moll's house, and then some.
• 55:22
  Speaker 2: Of it in Detroit, like we did Heartbreak in Detroit.
• 55:27
  Speaker 3: Let me tell you about heartbreak. Yeah, it's one of
• 55:31
  Speaker 3: my favorites. That's probably the best song on that album.
• 55:34
  Speaker 3: I like the one with Ritz too.
• 55:36
  Speaker 1: I just burped right into the mIRC. It happens when
• 55:39
  Speaker 1: you talk for Yeah, No, it's crazy because radioactive to me,
• 55:42
  Speaker 1: I remember, you know what it was though, keV, What
• 55:48
  Speaker 1: have you seen Wayne's World? Yeah? Of course I know
• 55:51
  Speaker 1: most people have. It's kind of rhetorical, but I like,
• 55:56
  Speaker 1: but yeah, great, fair enough. But so great movie by
• 56:02
  Speaker 1: the way, great movie, by the way. Both is there? Three?
• 56:06
  Speaker 1: Is there a thirty? So no, that scene where you
• 56:13
  Speaker 1: know they have this crazy underground show and you know it,
• 56:19
  Speaker 1: they have their stees and you know, everything's like kind
• 56:22
  Speaker 1: of perfect, and they get ripped up and thrown into
• 56:26
  Speaker 1: this corporate scene and then it goes the their theme
• 56:31
  Speaker 1: music changes. You know, it's all fucking dressed up to
• 56:36
  Speaker 1: be pretty and not the same show anymore.
• 56:38
  Speaker 8: And that is.
• 56:40
  Speaker 2: Exactly what happened to me with my first album.
• 56:44
  Speaker 1: Like even.
• 56:47
  Speaker 2: My logo got flipped.
• 56:49
  Speaker 1: They had an art department at Interscope that fucking changed
• 56:52
  Speaker 1: my logo and like put the radioactive symbol and the
• 56:56
  Speaker 1: o of yellow Wolf and like orange beanies and like
• 57:00
  Speaker 1: just all kinds of weird you know, ship that like
• 57:03
  Speaker 1: people think I'm responsible for. So there's so much of
• 57:06
  Speaker 1: that that I was just like, what the like wanting
• 57:09
  Speaker 1: to flip over tables, you know what I mean, like,
• 57:11
  Speaker 1: what the fuck are you doing? Fucking it up? And
• 57:14
  Speaker 1: then and then creatively, you know, it was such a
• 57:16
  Speaker 1: rat race to be on that album because like, oh
• 57:19
  Speaker 1: my god, fucking eminem sound a white boy, What the
• 57:21
  Speaker 1: fuck is going on?
• 57:22
  Speaker 2: I want to I have to be a part of this.
• 57:24
  Speaker 1: And plus, you know, I was buzzing pretty heavy at
• 57:26
  Speaker 1: the time with with with Trump music and everything that
• 57:29
  Speaker 1: had going on. And then.
• 57:34
  Speaker 2: Poop, you know, we had poo Bear in the studio
• 57:38
  Speaker 2: whom I loved.
• 57:39
  Speaker 1: Happy Birthday, Happy Birthday shouts at audibles too, Happy Birthday,
• 57:44
  Speaker 1: shout out to Molly mal you know, wild Era Bear,
• 57:48
  Speaker 1: j Dot Kawan, Prather, the whole, the whole Gang Park
• 57:53
  Speaker 1: in Vegas House.
• 57:55
  Speaker 3: Oh yeah, that was before it was like on MTV
• 57:57
  Speaker 3: and people really knew who Mall was. Like that was
• 57:59
  Speaker 3: like peak, like mysterious random mansion in.
• 58:02
  Speaker 1: The I love Mall the mam man that that that dude,
• 58:05
  Speaker 1: he liked My mom came out like look, they became
• 58:08
  Speaker 1: like super super Superman. He would fly my mom out
• 58:12
  Speaker 1: and just get my like cart my mom around in
• 58:14
  Speaker 1: a may box, you know what I mean, Like just
• 58:15
  Speaker 1: like with a driver. Dinner with you, your mom and
• 58:18
  Speaker 1: him at the Palms one time. Oh my god, that
• 58:20
  Speaker 1: was Newport. That was my first big bill. That was
• 58:23
  Speaker 1: my first big dinner bill. Mmm, and your name was
• 58:25
  Speaker 1: it was It was like seven thousand dollars to feed
• 58:28
  Speaker 1: your puckish. Remember it was the first time you had
• 58:30
  Speaker 1: your name on the Palm sign up on the Marquee,
• 58:35
  Speaker 1: which the Palms Market and it was Palms is that
• 58:37
  Speaker 1: ship because there was like rain and there was the
• 58:39
  Speaker 1: spot on the fucking roof and yeah, pump man, Me
• 58:43
  Speaker 1: and me and Travis bark That was my highest paying
• 58:49
  Speaker 1: show was me and Travis Barker New Year's at the Palms.
• 58:53
  Speaker 1: I remember teen minutes hommy hunter k that's beautiful. You
• 59:00
  Speaker 1: know what I'm saying. Let's go me and me and
• 59:02
  Speaker 1: fucking there was one of clothing me and Travers was like,
• 59:06
  Speaker 1: yup it fucking split that shit up and dip well.
• 59:09
  Speaker 1: It was one of the clothing conventions that was in town.
• 59:12
  Speaker 1: And that shit don't exist no more. The palms, not
• 59:15
  Speaker 1: the money. The money is still there, trust me, no.
• 59:17
  Speaker 3: But I remember me and you went to a Travis
• 59:21
  Speaker 3: Sweet party and it was like, you know, they were
• 59:24
  Speaker 3: just giving away tennis shoes and shit from whatever shoe
• 59:27
  Speaker 3: company had. So I left with like, you know, at
• 59:29
  Speaker 3: the time, I'm making like twenty five grand a year
• 59:31
  Speaker 3: at that shitty Vegas radio station, So I'm like, how
• 59:34
  Speaker 3: I can have some I'm walking down the fucking elevator
• 59:37
  Speaker 3: with like twelve pairs of shoes to try to fucking sell.
• 59:39
  Speaker 1: It, and like all this Famous stars and strap shit,
• 59:43
  Speaker 1: and I'm like, cool, this shit's going on. You know,
• 59:46
  Speaker 1: I have my own shoe on Famous I think I
• 59:49
  Speaker 1: recall that. Yeah, designed it. I drew that motherfucker on
• 59:52
  Speaker 1: paper in the back of the bus. And so there
• 59:55
  Speaker 1: was an opportunity to extend the deal with Famous. So
• 1:00:00
  Speaker 1: I was like, man, well, I'm down to I'm down
• 1:00:03
  Speaker 1: to do another run. But can I have my own
• 1:00:06
  Speaker 1: like like kind of a sub line, which I was like,
• 1:00:09
  Speaker 1: we'll call it Country Fresh. And then I want a
• 1:00:12
  Speaker 1: shoe deal? Can I get a shoe? I always wanted
• 1:00:15
  Speaker 1: a shoe, So I designed this shoe a red shoe.
• 1:00:19
  Speaker 1: I remember him, you remember I remember they were higher, right,
• 1:00:21
  Speaker 1: they were like a chuck a boot, Yeah, yeah, but
• 1:00:24
  Speaker 1: they had their friends around the back. I remember him.
• 1:00:26
  Speaker 1: I remember him man almost like a ghost face wallaby
• 1:00:31
  Speaker 1: if you will, ish kind of a wallaby, a little
• 1:00:34
  Speaker 1: bit of advanced chuck a boot kind of a wallaby
• 1:00:36
  Speaker 1: and moccasin blend. Yes, hard ass toe box. By the way,
• 1:00:43
  Speaker 1: like the silhouette on this shoe is so sick. And
• 1:00:50
  Speaker 1: I'm not sure, but I want to say that whoever
• 1:00:54
  Speaker 1: was running famous at the time got fired for that
• 1:00:57
  Speaker 1: shoe because they made too many. They got, they got,
• 1:01:01
  Speaker 1: they got too stoked on it and made too many shoes.
• 1:01:04
  Speaker 1: And but that shoe, it was a unique shoe. Bro Listen,
• 1:01:09
  Speaker 1: it got ripped. Van's got a hold of that design.
• 1:01:13
  Speaker 1: Louis Watan got a hold of that design. That's crazy.
• 1:01:16
  Speaker 1: Diamond up, Nick Diamond Diamond got got a hold of
• 1:01:20
  Speaker 1: a little piece of there was like that that friends
• 1:01:22
  Speaker 1: off the back of that shoe.
• 1:01:23
  Speaker 2: It went crazy.
• 1:01:25
  Speaker 1: Yo.
• 1:01:26
  Speaker 3: Getting back to the first album, do you feel like
• 1:01:28
  Speaker 3: a record Like's If You were to Move? I feel
• 1:01:31
  Speaker 3: like a record like Let's Roll at that time? Was
• 1:01:35
  Speaker 3: at the time you were getting pushed at urban and
• 1:01:38
  Speaker 3: rhythmic radio, which was like hip hop radio, and it's
• 1:01:41
  Speaker 3: kind of a It was just a hard sell to
• 1:01:44
  Speaker 3: close minded program directors at that time.
• 1:01:46
  Speaker 2: Always art, I'm never not hard, you know what I'm saying.
• 1:01:49
  Speaker 3: If you move forward, like I feel like a lot
• 1:01:51
  Speaker 3: of that ship like that, to me is a record
• 1:01:53
  Speaker 3: that's like nowadays, the genre is ship like really goes.
• 1:01:57
  Speaker 3: It's almost like you know, like I feel like you're
• 1:02:00
  Speaker 3: almost like you were ahead of your you kind of
• 1:02:02
  Speaker 3: fucking ran through bullets so people could walk safely at night.
• 1:02:06
  Speaker 3: When it comes to a lot of this ship, you
• 1:02:07
  Speaker 3: know what I mean, I mean, and then I app
• 1:02:10
  Speaker 3: say that a lot of guys will give you that credit.
• 1:02:12
  Speaker 1: You know what I mean, thank you, thank you. You know,
• 1:02:14
  Speaker 1: I'll take the flowers, you know, like I know, you know,
• 1:02:17
  Speaker 1: I like if you know, you know, but you know,
• 1:02:20
  Speaker 1: it's like, you know, walking that line took a lot
• 1:02:24
  Speaker 1: of fucking like I had to make like boss decisions
• 1:02:30
  Speaker 1: at a young artist age, like not not age and
• 1:02:36
  Speaker 1: not age specifically, I just mean like I'm a new artist,
• 1:02:39
  Speaker 1: but I gotta make boss decisions. One of those decisions
• 1:02:42
  Speaker 1: was we were in Harlem to shoot, let's roll the
• 1:02:46
  Speaker 1: whole out. The whole video was shot in Harlem with
• 1:02:51
  Speaker 1: DJ Coolhirk, me, Bob and HERK and a Cadillac around
• 1:02:55
  Speaker 1: around Harlem. By the way, there's an argument going on
• 1:03:00
  Speaker 1: of not not an argument, but a discussion. There's a
• 1:03:03
  Speaker 1: discussion going on. Cool Heirk told me that, you know,
• 1:03:09
  Speaker 1: he created hip hop and and in in this particular neighborhood.
• 1:03:14
  Speaker 1: He you know, he brought the tables Cedric Conceder, right,
• 1:03:17
  Speaker 1: is this is the and then the other the other
• 1:03:19
  Speaker 1: And he told me the whole story. I'm not going
• 1:03:21
  Speaker 1: to go into depth about it, you know whatever, but
• 1:03:25
  Speaker 1: it made a lot of sense to me, Like you know,
• 1:03:27
  Speaker 1: the break beats and the MC's and how he's credited
• 1:03:31
  Speaker 1: as the guy who kind of kicked the ship off
• 1:03:34
  Speaker 1: kind of No, he's credited as the guy like he's
• 1:03:36
  Speaker 1: the guy, he's the inventor of hip hop.
• 1:03:38
  Speaker 4: Yeah.
• 1:03:38
  Speaker 1: But then Africa ben Bata, right, so there's thing going down,
• 1:03:46
  Speaker 1: you know, but Bob and there's a lot of things
• 1:03:49
  Speaker 1: going down with Africa. The whole time that we're recording
• 1:03:52
  Speaker 1: this video, Bob and and HERK are just going Bob
• 1:03:56
  Speaker 1: is kid rock. By the way, I just called him,
• 1:03:59
  Speaker 1: I feel worried about calling m kid rock every time
• 1:04:01
  Speaker 1: kid rock, kid Rock, kid Rock.
• 1:04:02
  Speaker 2: He said, Bob, it's Bob, It's Bobby.
• 1:04:04
  Speaker 1: So they're going back and forth, you know, with this story,
• 1:04:07
  Speaker 1: and I'm just soaking it up, man, you know what
• 1:04:09
  Speaker 1: I mean. We're rolling through Harlem and shit, and it
• 1:04:11
  Speaker 1: was beautiful. But at the end of the edit I
• 1:04:14
  Speaker 1: saw it and I was like, Bro, I'm from Alabama.
• 1:04:18
  Speaker 1: My first single cannot be shot in Harlem.
• 1:04:21
  Speaker 2: It can't.
• 1:04:22
  Speaker 1: I need to shoot the rest of this in Alabama. Somehow,
• 1:04:25
  Speaker 1: no budget, none, zero label says no. I call the director.
• 1:04:31
  Speaker 1: This is what I'm saying about making boss decisions. I
• 1:04:34
  Speaker 1: called the director. I said, I'll pay you everything that
• 1:04:38
  Speaker 1: I have, please come to Alabama. And I did my
• 1:04:42
  Speaker 1: fucking money, and I did not have a lot of money.
• 1:04:45
  Speaker 1: I spent every three shoot. I think it cost me
• 1:04:49
  Speaker 1: like sixty grand and I may have had like maybe
• 1:04:52
  Speaker 1: seventy thousand dollars in the bank. And I took like
• 1:04:57
  Speaker 1: that sixty and put it direc directly in his pocket.
• 1:05:01
  Speaker 1: And so let's shoot the rest of the ship in Alabama.
• 1:05:04
  Speaker 1: And thank God, because like Bro, that was the part
• 1:05:08
  Speaker 1: that that guided the country rap shit that.
• 1:05:14
  Speaker 3: Was that was to follow, and I think that had
• 1:05:16
  Speaker 3: a lot to do with I don't know if you
• 1:05:19
  Speaker 3: still their part well, I mean obviously being being because
• 1:05:21
  Speaker 3: it was. Wasn't it Alabama's theme song for one of
• 1:05:24
  Speaker 3: their their championship runs or something? I remember seeing it
• 1:05:26
  Speaker 3: on ESPN.
• 1:05:27
  Speaker 2: Let me tell you something.
• 1:05:28
  Speaker 1: I'll tell you a real funny story about that ship,
• 1:05:31
  Speaker 1: roll Tide. Tell you a real funny story about that
• 1:05:33
  Speaker 1: motherfucking shit. All right, shout to Rollie Willie. Now it's
• 1:05:38
  Speaker 1: roll tiede to the grip because you know, it's a
• 1:05:40
  Speaker 1: birthright when you're from Alabama.
• 1:05:42
  Speaker 2: It's just some shit that you're just born with, you
• 1:05:44
  Speaker 2: know what I mean? Like, come on, look, it's.
• 1:05:47
  Speaker 1: Roll Tide, sign hearted Dixie, Alabama. It's getting it so
• 1:05:54
  Speaker 1: recipes Tommy Mitchell, Barbara Mitchell, Barbara Jean so so like, yeah,
• 1:06:01
  Speaker 1: you we had we had this whole like there was
• 1:06:04
  Speaker 1: an importance to that song.
• 1:06:06
  Speaker 2: Let's roll roll.
• 1:06:07
  Speaker 1: Tide, duh, duh, right, match made in heaven. Like but
• 1:06:11
  Speaker 1: even when I wrote it, I didn't think about that,
• 1:06:14
  Speaker 1: you know what I'm saying. But I was like, oh, yeah,
• 1:06:16
  Speaker 1: let's fucking let's go out and fucking support the Crimson
• 1:06:19
  Speaker 1: Tide at what is it the Iron Bow Iron Bowl
• 1:06:23
  Speaker 1: with Auburn. Yeah, so they're in Tuscaloosa for the Iron
• 1:06:28
  Speaker 1: Bowl and we're gonna go work. Let's roll at the
• 1:06:31
  Speaker 1: Arn Bowl and I pull up, pull up to the
• 1:06:37
  Speaker 1: Ron Bowl and there's a dude, I'm not shipping you
• 1:06:41
  Speaker 1: hanging out of a truck can with a with a
• 1:06:46
  Speaker 1: like the fucking what are the megaphone? Megaphone hanging out
• 1:06:51
  Speaker 1: the truck the side of a truck like a like
• 1:06:53
  Speaker 1: a like a U Haul truck, literally a U Haul truck.
• 1:07:01
  Speaker 1: You're the wolf is in the building outside by the way,
• 1:07:06
  Speaker 1: we're outside, you're the wolf is in the building. You're
• 1:07:09
  Speaker 1: the and like they have let's roll posters about on
• 1:07:17
  Speaker 1: the truck size about the size of this big Lebowski poster.
• 1:07:23
  Speaker 2: Taped in multiple across.
• 1:07:26
  Speaker 1: Do you wow? Innerscope had given this promotional company.
• 1:07:34
  Speaker 2: Money to promote me. They plastered my poster on the
• 1:07:39
  Speaker 2: side of this U haul truck.
• 1:07:40
  Speaker 1: How much they truck and walked around how much hold
• 1:07:42
  Speaker 1: up and walked around I'll get to that, and walked
• 1:07:44
  Speaker 1: and drove around yelling that shit out. But first of all,
• 1:07:49
  Speaker 1: when I saw that the car wasn't even stopping. My
• 1:07:53
  Speaker 1: manager goes, I say, Yo, what what the And I
• 1:07:59
  Speaker 1: fucking I jump out of the car. Where are still rolling?
• 1:08:03
  Speaker 1: And Jaya goes, no, no, no, please please, no no, no,
• 1:08:05
  Speaker 1: no no no, I'm fucking I'm yanking all the posters
• 1:08:08
  Speaker 1: off a fucking fucking take the dude's fucking megaphone out
• 1:08:10
  Speaker 1: of his fucking hand, like, fucking throw that shit on
• 1:08:13
  Speaker 1: the ground, get the fuck out of here. So they had,
• 1:08:16
  Speaker 1: so they probably took about fifteen hundred dollars to pay
• 1:08:19
  Speaker 1: that guy to do that, and then and took the
• 1:08:21
  Speaker 1: other twenty grand, Yeah, and paid for a frat party
• 1:08:25
  Speaker 1: keg party. Well just for people who don't know bow.
• 1:08:28
  Speaker 1: If that's how that works, well, if you're an up
• 1:08:30
  Speaker 1: and coming artist, the number one way that people inside
• 1:08:34
  Speaker 1: of the buildings steal money from artists budgets is the
• 1:08:37
  Speaker 1: street team budget. Yeah, it's all bullshit.
• 1:08:40
  Speaker 3: It's a bullshit like if you if there's still there's
• 1:08:43
  Speaker 3: still labels right now that when an album drops, it's
• 1:08:46
  Speaker 3: in people's deals that fifty k is allocated for street
• 1:08:48
  Speaker 3: team marketing. To this day, I'm talking about major labels,
• 1:08:52
  Speaker 3: and I know people in those buildings that split that
• 1:08:55
  Speaker 3: money between themselves.
• 1:08:56
  Speaker 1: They'll take all your fucking posters and throw them in
• 1:08:58
  Speaker 1: the dumpster and say, yeah, say I ran the streets.
• 1:09:01
  Speaker 1: What you have to do is you got to have
• 1:09:03
  Speaker 1: someone that you like. When we did our ship, we
• 1:09:11
  Speaker 1: what's a fucking phone call right there? And I might
• 1:09:13
  Speaker 1: a sure take that not going to fuck fuck it?
• 1:09:20
  Speaker 1: So oh man, God, that just threw me off of
• 1:09:26
  Speaker 1: what uh okay? So yeah, So I used to work
• 1:09:28
  Speaker 1: for a marketing company when I was a kid. I
• 1:09:31
  Speaker 1: so in in in New York and two thousand. I
• 1:09:39
  Speaker 1: worked for a company called Guerrilla Marketing, and I did
• 1:09:44
  Speaker 1: a lot of hip hop albums during that time. One
• 1:09:46
  Speaker 1: of them was Autobionics for De La Soul. So I
• 1:09:51
  Speaker 1: would go around the streets wearing a space suit in
• 1:09:55
  Speaker 1: New York City, like a full on space like a
• 1:09:58
  Speaker 1: space suit dog. And I painted this big like god,
• 1:10:02
  Speaker 1: I don't know where that that painting, man, if someone
• 1:10:04
  Speaker 1: could find that, holy shit I painted. I painted their
• 1:10:09
  Speaker 1: album cover on a piece of canvas and and I
• 1:10:15
  Speaker 1: would walk around the city, you know, with this suit
• 1:10:19
  Speaker 1: the sign. My other job was to take posters and
• 1:10:23
  Speaker 1: stickers and put them up in all these record stores. Now,
• 1:10:26
  Speaker 1: I did that because I honored day La Soul, you know,
• 1:10:29
  Speaker 1: and I also honored the job of promotion. I understood it,
• 1:10:32
  Speaker 1: you know, and I was loyal. Some of the mother motherfuckers, though,
• 1:10:38
  Speaker 1: they would take like a bag of like day La
• 1:10:40
  Speaker 1: Soul's posters literally on the street, literally and then go
• 1:10:45
  Speaker 1: get pizza, do whatever the fuck they wanted to do.
• 1:10:48
  Speaker 1: You know, you're working from from from noon to to
• 1:10:51
  Speaker 1: seven or eight at night, and they would just clock
• 1:10:53
  Speaker 1: out at eight, and we're like, yeah, I handled that so.
• 1:10:57
  Speaker 3: That that it's worse nowadays, that kind of shit don't
• 1:11:00
  Speaker 3: even exist anymore. The money is just invisible. It's like
• 1:11:02
  Speaker 3: where to go.
• 1:11:03
  Speaker 1: Shit. We don't fuck around though, man, my my, my
• 1:11:06
  Speaker 1: boys are from the streets and have done I'm not
• 1:11:09
  Speaker 1: talking about crime.
• 1:11:10
  Speaker 2: I'm talking about street shit.
• 1:11:11
  Speaker 1: I'm talking about street art, street ship, you know, street promotion,
• 1:11:15
  Speaker 1: like gorilla shit. So when we do shiit, we you know,
• 1:11:19
  Speaker 1: we're on point with it, and like you ain't. You
• 1:11:21
  Speaker 1: ain't slipping up, man, We're tapping in. We know the tricks,
• 1:11:24
  Speaker 1: so you ain't pulling that pulling that shit over here.
• 1:11:26
  Speaker 3: You talked about having that job, wasn't there like a
• 1:11:29
  Speaker 3: year in which you were doing like deep ice fishing.
• 1:11:31
  Speaker 1: Oh you want to hear something crazy on a boat
• 1:11:33
  Speaker 1: somewhere just before we go there, when I was.
• 1:11:36
  Speaker 2: In front of t R L in a fucking spacesuit.
• 1:11:39
  Speaker 1: It's an era. My wife that I would meet years
• 1:11:42
  Speaker 1: later was in Fife. Yes, Fife Dobson was in my
• 1:11:47
  Speaker 1: ex wife. But she's you, guys are it's very coolsher.
• 1:11:51
  Speaker 2: I love Fefe.
• 1:11:52
  Speaker 1: I love her to death.
• 1:11:52
  Speaker 3: I'd like to point out Tennessee Life, one of the
• 1:11:54
  Speaker 3: most fucking emotionally amazing love songs ever my wife.
• 1:11:59
  Speaker 1: I played it my wedding. Yeah, I played this song
• 1:12:02
  Speaker 1: on my wedding.
• 1:12:02
  Speaker 3: It was one of the songs it was like, it
• 1:12:04
  Speaker 3: was like one of the ten songs that I needed
• 1:12:05
  Speaker 3: to play before we came out.
• 1:12:07
  Speaker 1: I should have played it at my wedding. Fucking should
• 1:12:11
  Speaker 1: have fucking wrapped that ship to her face. Maybe my
• 1:12:17
  Speaker 1: marriage would have turned out better. No, nah nah, I
• 1:12:20
  Speaker 1: love Fife to death. She's amazing, Like seriously, all time
• 1:12:23
  Speaker 1: great Canadian listen, all time, great artists, all time, great
• 1:12:27
  Speaker 1: human all time, like the first of her kind in
• 1:12:30
  Speaker 1: so many ways, like artistically just untouched, like just unbelievable.
• 1:12:37
  Speaker 2: So love you Fife.
• 1:12:38
  Speaker 3: If you watch him, she saw me the highest night
• 1:12:41
  Speaker 3: of my life. I tell the story all the time.
• 1:12:43
  Speaker 3: It is the first time I ever really talked to
• 1:12:45
  Speaker 3: a Fifi. You and Ritz were on tour and I
• 1:12:49
  Speaker 3: ate a whole weed brownie that I shouldn't ate, and
• 1:12:53
  Speaker 3: that shit hit me like a fucking.
• 1:12:55
  Speaker 4: Ton of bricks. Dude.
• 1:12:56
  Speaker 1: You know the first song that we did that how
• 1:12:58
  Speaker 1: Fifi and I like hit it off? Animal produced by
• 1:13:02
  Speaker 1: Diplo Crazy on Radioactive and she featured on that record,
• 1:13:08
  Speaker 1: and we hung out and and I didn't realize Diplo
• 1:13:11
  Speaker 1: made that beat. Cannot confirm or deny whether Diplo actually
• 1:13:17
  Speaker 1: made that beat, but let's just say he did. Okay, Nah,
• 1:13:24
  Speaker 1: Diplo is a for goddamn man, dude, Like, I'm sure
• 1:13:27
  Speaker 1: he did make the beat, but sometimes he just produces
• 1:13:30
  Speaker 1: and he don't touch it.
• 1:13:33
  Speaker 2: Yeah, fucking get get it.
• 1:13:34
  Speaker 1: How you live. I'm not mad. He like our friend
• 1:13:38
  Speaker 1: Molly More produce. Yes, Producing doesn't mean okay, this is
• 1:13:42
  Speaker 1: for real, for real, this is for real. Producing does
• 1:13:44
  Speaker 1: not mean that you touch any instrument. Sometimes producing is
• 1:13:48
  Speaker 1: producing the room, producing an artist, facilitating relationships, knowing who
• 1:13:54
  Speaker 1: and who needs to work with one another, and that
• 1:13:57
  Speaker 1: is indeed literally producing. And a lot of the fuckers
• 1:14:00
  Speaker 1: who think their producers are just making loops. So like,
• 1:14:03
  Speaker 1: don't call yourself a producer if you're making a loop
• 1:14:06
  Speaker 1: and you email it to somebody and they then turn
• 1:14:09
  Speaker 1: that into a hit record because they are the people
• 1:14:12
  Speaker 1: who are producing the song. You just made a loop.
• 1:14:15
  Speaker 2: Facts and yeah, for real, loop it.
• 1:14:21
  Speaker 1: Just call yourself a looper. You're a looper? What was
• 1:14:23
  Speaker 1: that movie? Wasn't that? Wasn't there a Bruce Willis movie
• 1:14:26
  Speaker 1: with that was called Looper? It was a Bruce Looper.
• 1:14:29
  Speaker 1: That's a good producer name. No tell me about the
• 1:14:32
  Speaker 1: time though, because you were you were like a fisherman
• 1:14:34
  Speaker 1: right for a little bit. Was this in I was
• 1:14:36
  Speaker 1: insane man night eighteen nineteen Seattle. I was out of
• 1:14:40
  Speaker 1: my goddamn gord. Yeah, dude, I fucking jumped on the
• 1:14:43
  Speaker 1: ground bus five five days up across. Oh my god, bro,
• 1:14:49
  Speaker 1: I was I wasn't gadzed and acting a fool, like
• 1:14:53
  Speaker 1: really really really down bad like you've seen on the flow.
• 1:15:00
  Speaker 1: Of course, that was my life, man. That that that
• 1:15:03
  Speaker 1: if you if you could, that's the easiest way to
• 1:15:06
  Speaker 1: describe with somebody the kind of environment that I was in,
• 1:15:10
  Speaker 1: you know, down to the box chevy. I'm not going
• 1:15:13
  Speaker 1: to go into details for about things that were going down,
• 1:15:16
  Speaker 1: but I would just say that it was fucking it
• 1:15:17
  Speaker 1: was going down.
• 1:15:18
  Speaker 2: So I jumped.
• 1:15:19
  Speaker 1: I jumped on the I jumped on the greyhound bus
• 1:15:21
  Speaker 1: with the thought of getting twenty grand in the season. Somebody,
• 1:15:24
  Speaker 1: somebody like in Aniston, Alabama, was like.
• 1:15:28
  Speaker 2: Yo, man, you can get twenty thousand dollars in one month.
• 1:15:32
  Speaker 1: I was like, twenty thousand dollars, I mean one month
• 1:15:36
  Speaker 1: for what for fishing? Fuck that shit. I'm going to Seattle.
• 1:15:41
  Speaker 1: Let's see what's up with this shit. So I scratched
• 1:15:44
  Speaker 1: up a little bit of change, got on a greyhound bus. Right,
• 1:15:48
  Speaker 1: had my cousin take me to a greyhound bus at
• 1:15:49
  Speaker 1: like midnight in Dothan. There were two buses and they
• 1:15:54
  Speaker 1: both said Washington's keV. You can't make this shuit up.
• 1:15:59
  Speaker 1: One was DC.
• 1:16:00
  Speaker 4: Yeah.
• 1:16:03
  Speaker 9: Yeah.
• 1:16:04
  Speaker 1: The bus I got on was going to UH to
• 1:16:07
  Speaker 1: UH to Washington. So I get on the bus and
• 1:16:11
  Speaker 1: fall asleep like a rock. Wake up in Atlanta, Georgia,
• 1:16:15
  Speaker 1: and I'm like it's the wrong direction. Yes, and I'm like,
• 1:16:20
  Speaker 1: fuck man, like I was, just like, I just told
• 1:16:24
  Speaker 1: my boy Snake, who was who was traveling with me
• 1:16:27
  Speaker 1: at the time, because I had befriended him. I was like, Snake,
• 1:16:31
  Speaker 1: you come with me, Let's go get this bread. So
• 1:16:33
  Speaker 1: he's with me, and I was like, dude, just don't
• 1:16:36
  Speaker 1: get off the bus. If we just act like we're asleep,
• 1:16:39
  Speaker 1: just don't get off the bus. So we did, and
• 1:16:42
  Speaker 1: we waited all the way up to Chicago, where they
• 1:16:45
  Speaker 1: made us get off the bus and I talked to
• 1:16:48
  Speaker 1: that I talked to the managers and we got on
• 1:16:50
  Speaker 1: the wrong bus. He said, in Alabama, how the fuck
• 1:16:53
  Speaker 1: did you figure out you was going the wrong way
• 1:16:55
  Speaker 1: by the time you made it to Chicago. I was like,
• 1:16:59
  Speaker 1: I don't know.
• 1:17:00
  Speaker 2: You know, I fucking hustled him.
• 1:17:02
  Speaker 1: This dude was so cool. He gave me and Snake
• 1:17:05
  Speaker 1: tickets to get all the way to fucking Seattle, but
• 1:17:08
  Speaker 1: we went across the north So in short, we were
• 1:17:11
  Speaker 1: on that bus for five days. I was about to say,
• 1:17:13
  Speaker 1: you saw the whole country by the time we got
• 1:17:15
  Speaker 1: to Chicago. Broke zero money, but we got.
• 1:17:22
  Speaker 3: If that dude didn't give you a break on them tickets,
• 1:17:24
  Speaker 3: you guys, have it fucked not me full, I'm a
• 1:17:27
  Speaker 3: I would have figured it out absolutely.
• 1:17:30
  Speaker 2: I was going to Seattle.
• 1:17:31
  Speaker 1: Yeah, we figure it out. I promise you I'm going there,
• 1:17:36
  Speaker 1: so you know I had that determination. So we're broke, right, no, no,
• 1:17:41
  Speaker 1: no money. So we leave Chicago absolutely no money. Now
• 1:17:45
  Speaker 1: greyhound makes a stop at gas stations for the for
• 1:17:49
  Speaker 1: the patrons or the shop what do you call them? Oh, listen, passengers.
• 1:17:54
  Speaker 1: The first time it was a little sketchy. You're like burrito,
• 1:17:58
  Speaker 1: you know what I'm saying, Like you fucking like you know,
• 1:18:00
  Speaker 1: you're kind of racking up a little bit. You get
• 1:18:02
  Speaker 1: on the bus and kind of munching down. Second time
• 1:18:05
  Speaker 1: you're like barrito. Third time you're like, fuck this, Shove
• 1:18:11
  Speaker 1: me a two liter, give me a hat, some fucking jewelry.
• 1:18:14
  Speaker 1: But by the top, dude, by the time we got
• 1:18:16
  Speaker 1: to fucking Seattle, man, like, it got so stupid easy.
• 1:18:20
  Speaker 2: So we ate all the way there. But when I
• 1:18:22
  Speaker 2: landed in.
• 1:18:24
  Speaker 1: Seattle New Year's night, two thousand, snowing, greyhound closes nowhere
• 1:18:34
  Speaker 1: to go on the streets, like sleeping under a church.
• 1:18:36
  Speaker 2: People, and my home boys state was like fucking why
• 1:18:38
  Speaker 2: two k almost.
• 1:18:40
  Speaker 1: Hey, man, okat my grandma, give me a ticket home?
• 1:18:44
  Speaker 2: I said, what this fool left me? Left me by
• 1:18:48
  Speaker 2: one day?
• 1:18:49
  Speaker 1: Five days was a day trip, but after being in Seattle,
• 1:18:52
  Speaker 1: we was less less than twenty four hours. He was
• 1:18:54
  Speaker 1: headed back home to Alabama. I can't do this, I
• 1:18:57
  Speaker 1: was like, bet I'm staying so I fucking like stay
• 1:19:00
  Speaker 1: by myself on the streets for a while and like
• 1:19:02
  Speaker 1: homeless life. Oh yeah, where would you sleep anywhere? I
• 1:19:06
  Speaker 1: could or not sleep at all? Sometimes I feel like
• 1:19:09
  Speaker 1: Seattle right now it would be a good place to
• 1:19:11
  Speaker 1: be homeless right now. I don't know, dude. It's terrible.
• 1:19:14
  Speaker 1: It's terrible. It's the worst. Whether it's the worst, it's
• 1:19:16
  Speaker 1: the worst place to be homeless. Heard, it's lit out there,
• 1:19:19
  Speaker 1: like they got lit. They got the fucking the little
• 1:19:21
  Speaker 1: area that there's like that's what they called it these days.
• 1:19:24
  Speaker 2: That's what the kids are calling.
• 1:19:26
  Speaker 1: Very sad, fucking where you're gonna get your next No, No,
• 1:19:31
  Speaker 1: they got an area there's like no laws. It's like
• 1:19:33
  Speaker 1: it's it's supposed to be kind of like it's like
• 1:19:35
  Speaker 1: Hamsterdam from the Wire. Did you say Hamsterdam? Did you
• 1:19:38
  Speaker 1: ever watch the Wire?
• 1:19:40
  Speaker 5: No?
• 1:19:40
  Speaker 1: I never got into it, okay, great shows. Not to
• 1:19:42
  Speaker 1: disappoint anyone. I've never I know.
• 1:19:44
  Speaker 2: People love the Wire, people fucking love fucking.
• 1:19:49
  Speaker 1: I've heard.
• 1:19:49
  Speaker 2: I didn't watch The Wire. I didn't watch a fucking.
• 1:19:52
  Speaker 1: Breaking bad No, really little bit of it. I get bored.
• 1:19:56
  Speaker 2: I get bored. I get watch, but no, get bored.
• 1:20:01
  Speaker 1: I gotta go. Which show was?
• 1:20:02
  Speaker 2: Uh, I've never watched a season of anything until It's gone?
• 1:20:06
  Speaker 5: Was on?
• 1:20:06
  Speaker 1: What show?
• 1:20:07
  Speaker 2: Sons of Anarchy?
• 1:20:09
  Speaker 1: That's it? Great show? Never see like I saw the episode?
• 1:20:13
  Speaker 1: Never seen it. You didn't see the episode your song
• 1:20:15
  Speaker 1: played it? Not a single episode of Sons of Anarchy
• 1:20:18
  Speaker 1: have I ever seen? I'm sure it is. Well, you
• 1:20:23
  Speaker 1: end up going being homeless in Seattle to being on
• 1:20:25
  Speaker 1: a boat. So so I'm on the streets and then
• 1:20:31
  Speaker 1: I started doing like day to days, you know, I mean,
• 1:20:34
  Speaker 1: like I had that hustle from Gadston, Like you could
• 1:20:38
  Speaker 1: go up, like you could pull up at four in
• 1:20:39
  Speaker 1: the morning to like a work for hire spot it's
• 1:20:42
  Speaker 1: called work for yeah, and they'll give you something to
• 1:20:44
  Speaker 1: do for the day, whatever it is, yeah.
• 1:20:46
  Speaker 2: You know, and you get a check at the end
• 1:20:48
  Speaker 2: of the day.
• 1:20:48
  Speaker 1: You go cash a check, check cash and spot I
• 1:20:50
  Speaker 1: had that hustle in my back pocket, so I knew
• 1:20:53
  Speaker 1: I could do that. So I started doing that to
• 1:20:55
  Speaker 1: pay for mine. Well, at first it was a hostel.
• 1:21:00
  Speaker 1: You know, I shared bathroom. My publicist is promoting right now.
• 1:21:07
  Speaker 2: This is what he does, songs, that's what he does,
• 1:21:11
  Speaker 2: fucking DJing.
• 1:21:12
  Speaker 1: Over there the work. So no, no, no, So I'm
• 1:21:17
  Speaker 1: doing uh, you know, day to day to first play,
• 1:21:21
  Speaker 1: pay for a hostel, be friend of some other kids,
• 1:21:27
  Speaker 1: my homeboy Lafayette rest in Peace, who came out and
• 1:21:32
  Speaker 1: he was out there randomly too, based on the same
• 1:21:35
  Speaker 1: like dream of that I found him randomly. So we
• 1:21:40
  Speaker 1: just collected our bread from these day to day jobs
• 1:21:44
  Speaker 1: and like would get like a room, two beds, but
• 1:21:46
  Speaker 1: there'll be like seven of us in like a little
• 1:21:48
  Speaker 1: motel or whatever. And then after work every day was
• 1:21:52
  Speaker 1: the hustles, go to the docks, knock on doors, you know,
• 1:21:54
  Speaker 1: they go knock on a voat. So I did that
• 1:21:58
  Speaker 1: up until the point where should I incriminate myself right now?
• 1:22:04
  Speaker 1: I mean it's past the statue limitations, is it? Yeah?
• 1:22:07
  Speaker 1: For sure?
• 1:22:07
  Speaker 3: Was that twenty years ago, twenty five years ago? It's
• 1:22:10
  Speaker 3: a ten year thing. I mean, you didn't murder somebody.
• 1:22:12
  Speaker 1: No, He's like, I can't.
• 1:22:14
  Speaker 2: No, No, I didn't stole a boat, not for real,
• 1:22:17
  Speaker 2: but okay, so this is interesting.
• 1:22:20
  Speaker 1: So one of my hustles as a kid was like,
• 1:22:27
  Speaker 1: if I was hungry, I would, like, you know, I
• 1:22:31
  Speaker 1: would call the pizza man or whatever, and then they
• 1:22:35
  Speaker 1: would pull up and then it was just curtains. Like
• 1:22:38
  Speaker 1: I would just take everything, you know, the food and
• 1:22:40
  Speaker 1: everything you know, and I would just say, like, you
• 1:22:43
  Speaker 1: know whatever, like I used to mask up when I
• 1:22:45
  Speaker 1: was really young, give me, give me, give me the
• 1:22:49
  Speaker 1: fucking tip.
• 1:22:50
  Speaker 2: I've never heard a person in my life, but like it's.
• 1:22:52
  Speaker 1: Just said, extra cheese, motherfucker. I think stealing food is honorable.
• 1:22:56
  Speaker 1: It is honorable. Sometimes you got to steal food like
• 1:22:58
  Speaker 1: Aladdin in the Disney movie.
• 1:23:00
  Speaker 2: So everybody's hungry, and my hotel.
• 1:23:03
  Speaker 1: I still still gum every once in a while, just
• 1:23:04
  Speaker 1: to see if I still got it.
• 1:23:07
  Speaker 2: I don't steal nothing anymore, every boy.
• 1:23:10
  Speaker 1: If I'm in a liquor store, well not a liquor store,
• 1:23:12
  Speaker 1: it's a big chain gas station and the line's crazy,
• 1:23:16
  Speaker 1: and I got one pack of gum, I just I
• 1:23:18
  Speaker 1: just might throw it in my pack.
• 1:23:20
  Speaker 2: Well, yo, I'm out in Seattle.
• 1:23:21
  Speaker 1: Okay. So, like the whole fucking crew is hungry, like
• 1:23:25
  Speaker 1: all seven people that are staying this little room is hungry.
• 1:23:27
  Speaker 1: And I'm like, I got it, don't worry, you know.
• 1:23:33
  Speaker 1: And so I called. I called the pizza dude. He
• 1:23:36
  Speaker 1: pulls up and I'm like, man, this is like bold
• 1:23:39
  Speaker 1: as fuck. I'm so over it. I'm like, just give
• 1:23:43
  Speaker 1: me the pizza man, like just you know what I mean.
• 1:23:45
  Speaker 1: I lied to him. I said, there's people in the
• 1:23:47
  Speaker 1: bushes over here and there they like, trust me, you
• 1:23:50
  Speaker 1: don't want it, you know. So I like seven pizzas
• 1:23:53
  Speaker 1: and shit walked in there.
• 1:23:54
  Speaker 2: It was life of the party.
• 1:23:56
  Speaker 1: So the next day, next day, my dumb man, I
• 1:24:00
  Speaker 1: walk outside in the same clothes. Now that pizza man
• 1:24:04
  Speaker 1: obviously went back and called the cops. Right, so cop
• 1:24:07
  Speaker 1: rolls by, Like it's in Seattle. They have these like
• 1:24:10
  Speaker 1: crazy like the interstates that they have these big dividers.
• 1:24:15
  Speaker 1: But it's weird because there's no it's like a pull
• 1:24:18
  Speaker 1: off into a gas station. There's no like exit. It's
• 1:24:22
  Speaker 1: like so but they're like one ways, you know what
• 1:24:25
  Speaker 1: I mean, one way, this one, like three lanes, this way,
• 1:24:28
  Speaker 1: three lanes this way, split up, split by dividers. This
• 1:24:33
  Speaker 1: cop rolls by and there's two people in his car,
• 1:24:35
  Speaker 1: and he's like and fucking spotlights me as he's rolling by,
• 1:24:40
  Speaker 1: and I'm like, this was like two in the afternoon,
• 1:24:45
  Speaker 1: and I'm like, oh, I knew exactly, and I was
• 1:24:49
  Speaker 1: in trouble.
• 1:24:51
  Speaker 2: So I fucking run.
• 1:24:52
  Speaker 1: He goes up and I see him making a right term,
• 1:24:55
  Speaker 1: but I know that he has no chance to get
• 1:24:57
  Speaker 1: across to the divider. The divider's too far. Did you
• 1:25:00
  Speaker 1: play Frogger? Yes?
• 1:25:02
  Speaker 2: I played Frogger real life Frogger nice and I won.
• 1:25:06
  Speaker 1: I won it. It was not easy. Almost splat, almost splat.
• 1:25:13
  Speaker 1: Uh So so I run across the media and jump
• 1:25:17
  Speaker 1: the median like went to a like a bus stop.
• 1:25:22
  Speaker 1: Took off my hat I had like a beanie on,
• 1:25:24
  Speaker 1: took off my hat, my hair I had long hair
• 1:25:26
  Speaker 1: like past my waist. Took off my hat, my hair
• 1:25:29
  Speaker 1: found out and passed my wais, took off my jacket,
• 1:25:30
  Speaker 1: threw it in the bushes, and I just sat there.
• 1:25:33
  Speaker 1: I just sit there at the bus stop, and that
• 1:25:35
  Speaker 1: cop rolled right past, didn't didn't put and two together,
• 1:25:39
  Speaker 1: recognized me because I had long ass hair, and I
• 1:25:41
  Speaker 1: wasn't wearing the same ass jacket and all that ship.
• 1:25:44
  Speaker 2: So anyway, I took it so.
• 1:25:47
  Speaker 1: Long the longer. The short is. I got on the
• 1:25:49
  Speaker 1: greyhound bus that day and went to the docks and
• 1:25:52
  Speaker 1: UH got hired immediately. As a matter of fact, they.
• 1:25:55
  Speaker 2: Were like, do you got anybody else? I was like,
• 1:25:58
  Speaker 2: we need to the whole room of people.
• 1:25:59
  Speaker 1: We got seven. They're like, bring them. Did you guys
• 1:26:02
  Speaker 1: make twenty grand?
• 1:26:04
  Speaker 2: No, it was a piece of ship. It was a
• 1:26:06
  Speaker 2: piece of ship.
• 1:26:08
  Speaker 1: The boat that we got on was left by a
• 1:26:10
  Speaker 1: Russian UH, a group of Russian fishermen that lost all
• 1:26:15
  Speaker 1: their money and they left it in Seattle. It got
• 1:26:17
  Speaker 1: bought by this It was a jump boat. We built
• 1:26:20
  Speaker 1: the motherfucker on the way out. Imagine me with a welder,
• 1:26:23
  Speaker 1: did no building this ship? Like you get this welder
• 1:26:28
  Speaker 1: and weld that ship like fucking like out there, like
• 1:26:31
  Speaker 1: like like like making the factory on the way to
• 1:26:35
  Speaker 1: SI while it's going to see like dumping tons of
• 1:26:38
  Speaker 1: rotten fish out of the bow and.
• 1:26:41
  Speaker 2: And trash.
• 1:26:42
  Speaker 1: Captain did that, by the way, that's a fucking ask. No,
• 1:26:46
  Speaker 1: he made us. We fucking so what kind of were
• 1:26:49
  Speaker 1: you guys, just any type of fish?
• 1:26:51
  Speaker 5: Was it?
• 1:26:51
  Speaker 1: Like fucking codfish mostly, and then like somehow a bit
• 1:26:56
  Speaker 1: a lot of illegal ship too, because he was a
• 1:26:59
  Speaker 1: piece of ship. What's in the ocean. You can't fish
• 1:27:02
  Speaker 1: on the season, like so if you like you can't
• 1:27:04
  Speaker 1: go out there and like you're dragging a net across
• 1:27:07
  Speaker 1: the bearing seas, are you gonna get everything? Did you
• 1:27:09
  Speaker 1: guys get it? Like any dolphins? Dude, like dolphins, fucking
• 1:27:14
  Speaker 1: octopuss likes. Oh, the eels are fucked up, brodude, the
• 1:27:20
  Speaker 1: halibits are fucked up. That there was a halibu that
• 1:27:22
  Speaker 1: got on the boat. And you know, we're fucking young fools,
• 1:27:25
  Speaker 1: so we're like wrestling this halibit. We're like fucking having
• 1:27:28
  Speaker 1: challenge and it's fucking this motherfucker jumped on the back
• 1:27:31
  Speaker 1: of his halibet and broke it. Broke his arm, broke
• 1:27:34
  Speaker 1: his arm, It pinned him against one of the fucking
• 1:27:36
  Speaker 1: cleaning things, and like you had to get helicoptered all ship.
• 1:27:39
  Speaker 1: Speaking of fishing, that whole that whole thing is you
• 1:27:42
  Speaker 1: know what I want to do, and you you have
• 1:27:45
  Speaker 1: to tell us where to do it at So me
• 1:27:47
  Speaker 1: and that Mexicano t we went boar hunting in Texas
• 1:27:50
  Speaker 1: out of a fucking helicopter with machine guns.
• 1:27:52
  Speaker 3: It was pretty gnarly. The next thing we want to
• 1:27:54
  Speaker 3: do and it's can we get some liquor? It's inspired liquor,
• 1:27:59
  Speaker 3: liquor extra quicker. It's inspired by what I saw you
• 1:28:02
  Speaker 3: doing with uh was his name, Rambo, your boys mboy,
• 1:28:08
  Speaker 3: the guy with the pet fucking possum.
• 1:28:10
  Speaker 1: But you guys were noodling.
• 1:28:13
  Speaker 2: Oh dude, you don't want no parts of that.
• 1:28:14
  Speaker 1: It's not fun because we're thinking like we're like, yo,
• 1:28:16
  Speaker 1: we gotta do another YouTube video where we go where
• 1:28:18
  Speaker 1: we go fishing or something. And I was like, dude,
• 1:28:21
  Speaker 1: I remember yellow If used to noodle and he would
• 1:28:24
  Speaker 1: fucking get on his fucking knees and you'd grab the
• 1:28:26
  Speaker 1: catfish out of the mud. You know what I realized, man,
• 1:28:30
  Speaker 1: about myself is that, you know, a lot of that
• 1:28:34
  Speaker 1: ship is just like yeah, I'll do it because I
• 1:28:39
  Speaker 1: don't give a fuck.
• 1:28:41
  Speaker 2: The other part is.
• 1:28:42
  Speaker 1: I'm too boogie for that ship. I don't want to
• 1:28:44
  Speaker 1: fucking do that ship. Like dude, Like dude, i'd do
• 1:28:48
  Speaker 1: like one thing, you know, and like I'm like, man, motherfucker,
• 1:28:53
  Speaker 1: I'll buy my attacks of durmy, I ain't gonna go
• 1:28:55
  Speaker 1: sit in the woods in the fucking in the cold,
• 1:28:57
  Speaker 1: and and like you know, there's a there's this whole
• 1:28:59
  Speaker 1: thing in country, in the South, in particularly, they always
• 1:29:02
  Speaker 1: want to tap in on how country you are, how
• 1:29:04
  Speaker 1: you wait country.
• 1:29:06
  Speaker 2: You don't do this, you don't do that.
• 1:29:09
  Speaker 1: Liken't fucking don't test me, mother. I get out there
• 1:29:12
  Speaker 1: and get bucked with yours, trust me, But I don't
• 1:29:16
  Speaker 1: like it. I'm cool. You've also gotten to the point
• 1:29:18
  Speaker 1: in life where you know you're like, hey, I've done it,
• 1:29:20
  Speaker 1: thank you. I didn't make noodling a habit. Look, okay,
• 1:29:24
  Speaker 1: imagine this all right, And to some people this is okay.
• 1:29:27
  Speaker 1: People don't know. Noodling is catching catfish by you're going
• 1:29:30
  Speaker 1: to describe it, okay, Noodling is when you let's just say,
• 1:29:34
  Speaker 1: I don't know if anyone who's watching has ever seen
• 1:29:37
  Speaker 1: like a boat dock. It's like a met It's like
• 1:29:39
  Speaker 1: a concrete boat dock that goes into a river or
• 1:29:42
  Speaker 1: a lake. Right, you've seen them. They they they that's
• 1:29:45
  Speaker 1: how they get their boats into the water. You back
• 1:29:47
  Speaker 1: your truck hand or whatever. Right, so they're all over
• 1:29:51
  Speaker 1: the rivers and ship. So up underneath that this is
• 1:29:55
  Speaker 1: just one place to noodle. There's a lot of place
• 1:29:57
  Speaker 1: of noodles. But where I was taken was a boat
• 1:29:59
  Speaker 1: dock or a boat ramp, boat ramp, boat ramp, My bad.
• 1:30:05
  Speaker 1: So up under that boat ramp there's a gap, you
• 1:30:08
  Speaker 1: know what I'm saying, where like the water and the
• 1:30:10
  Speaker 1: mud and the tide and the fucking current has has
• 1:30:14
  Speaker 1: built a gap. And catfish like to go and bed
• 1:30:17
  Speaker 1: down in places they can hide, right, and if anything
• 1:30:21
  Speaker 1: comes in that particular space, they eat it, you know,
• 1:30:24
  Speaker 1: like they just like It's like it's like you imagine
• 1:30:27
  Speaker 1: going into a cave and you're like, oh, you just
• 1:30:31
  Speaker 1: ate up, you know, Like that's how they do it,
• 1:30:34
  Speaker 1: you know. But so you use your hands as a bait. Okay,
• 1:30:45
  Speaker 1: it's just your hand is just interference to its space.
• 1:30:50
  Speaker 1: It's not hungry for your hand. It's just like, get
• 1:30:53
  Speaker 1: the fuck out of what the fucker what is this?
• 1:30:55
  Speaker 1: The thing is is to bite your hand. You pull
• 1:30:57
  Speaker 1: it out, right, Okay. So Cambo is like fucking put
• 1:31:04
  Speaker 1: your fucking hand in there and fucking pull him out.
• 1:31:07
  Speaker 1: He'll go under water and he comes back and goes
• 1:31:09
  Speaker 1: like I got one.
• 1:31:10
  Speaker 2: There's one in there, and I'm like, dog for real.
• 1:31:15
  Speaker 1: He's like, no, there's one in there. It's big too,
• 1:31:18
  Speaker 1: get out in there. And I'm like, fuck, I'm already committed.
• 1:31:21
  Speaker 1: There's cameras browling this ship. I'm like, fuck. Fuck.
• 1:31:24
  Speaker 2: So I go up under the water and stick.
• 1:31:26
  Speaker 1: My hand down in that hole and I feel this
• 1:31:30
  Speaker 1: slimy bastard's fucking I'm like, ah, I goes. I can't
• 1:31:34
  Speaker 1: do it, can't do it, can't do it. It's crazy.
• 1:31:36
  Speaker 1: He's like, nah, just fucking do it. I fucking did it, man.
• 1:31:39
  Speaker 1: I fucking got down in there. Let him. The sensation
• 1:31:44
  Speaker 1: of an animal biting you, biting you on the hand
• 1:31:48
  Speaker 1: is not a good talk. Fuck, take me to the camper,
• 1:31:53
  Speaker 1: give me my fucking saint lawns. I'm fucking out of here.
• 1:31:56
  Speaker 5: Bro.
• 1:31:57
  Speaker 1: Let me know when it's give me my cowboy boots
• 1:32:00
  Speaker 1: played when it's called nice clean truck. I ain't trying
• 1:32:02
  Speaker 1: to take my ship, Motherbo out of here. I just
• 1:32:05
  Speaker 1: that was a real moment for me.
• 1:32:07
  Speaker 2: I've did a lot with Cambo, though, anything Cambo.
• 1:32:09
  Speaker 1: Would do, I would do, such a sick following ig
• 1:32:12
  Speaker 1: walk walk a swamp with him, do anything he wanted
• 1:32:16
  Speaker 1: to do because I'm about it. I'm about it. If
• 1:32:17
  Speaker 1: I ain't gonna fucking like didn't try to get him
• 1:32:19
  Speaker 1: a TV show or wasn't there TV show being worked.
• 1:32:21
  Speaker 2: On, I gave him a TV show.
• 1:32:22
  Speaker 1: I got him two million dollars bro crazy, I'm two
• 1:32:25
  Speaker 1: million dollars, two million dollar budget under.
• 1:32:27
  Speaker 2: Yeah, we did it.
• 1:32:29
  Speaker 1: It's a thing.
• 1:32:30
  Speaker 2: He was making like five bands of show.
• 1:32:32
  Speaker 1: He spent it all on guns and truck parts. Went
• 1:32:39
  Speaker 1: Bro love you, Cambo Truth, truth, dark Truth, what a
• 1:32:45
  Speaker 1: truth Dart? Truth Dart. We call him. Hit you with
• 1:32:47
  Speaker 1: the truth. He knows it. He don't give a fuck.
• 1:32:50
  Speaker 1: I love him. He knows what he did. I was
• 1:32:52
  Speaker 1: gonna ask you. He built like a shack on the
• 1:32:55
  Speaker 1: river with fucking like old cabin wood and built the fire. Dude.
• 1:33:01
  Speaker 2: These fools were like he was so crazy, man.
• 1:33:03
  Speaker 1: This fool was like he was like, oh man, watch this,
• 1:33:06
  Speaker 1: and fucking like he would let people like shoot guns
• 1:33:08
  Speaker 1: off his head with like a twenty two Like I
• 1:33:10
  Speaker 1: don't remember following him, and I'd be uneasy with some
• 1:33:12
  Speaker 1: of the shit. He was like shoot beer cans off
• 1:33:14
  Speaker 1: of each other's heads with like twenty two's and shit,
• 1:33:17
  Speaker 1: no that's missed.
• 1:33:18
  Speaker 2: That boy was about it, about it.
• 1:33:21
  Speaker 1: You know what I'm saying, Like Ben here, Ben Trull's.
• 1:33:25
  Speaker 3: It's interesting because I feel like, you know, like you said,
• 1:33:31
  Speaker 3: you're not like super paying attention to every single thing
• 1:33:34
  Speaker 3: that goes on into.
• 1:33:35
  Speaker 2: Not even super barely barely right, No.
• 1:33:38
  Speaker 3: But I do wonder, like, you know, I feel like
• 1:33:42
  Speaker 3: when you first came out, it felt like there was
• 1:33:46
  Speaker 3: this scramble to be like the the white rapper right
• 1:33:51
  Speaker 3: as opposed to like just being another rapper, because at
• 1:33:54
  Speaker 3: that time it was like Eminem and then whoever was next,
• 1:34:01
  Speaker 3: and then it was like at the time, it felt
• 1:34:03
  Speaker 3: like there's only room. It's almost like the female rapper
• 1:34:05
  Speaker 3: thing that happened for a while when Nikki had the
• 1:34:06
  Speaker 3: crown for so long, and now there's this female But
• 1:34:09
  Speaker 3: nowadays it feels like the white rapper thing has finally
• 1:34:14
  Speaker 3: kind of went away in terms of like if someone's dope,
• 1:34:16
  Speaker 3: they're just.
• 1:34:16
  Speaker 1: Dope, like like have you noticed that? And then also
• 1:34:19
  Speaker 1: on the other end of it, there's this like really dark,
• 1:34:21
  Speaker 1: like weird sub genre of like white boy. Well, I
• 1:34:25
  Speaker 1: just I just want to speak on female rappers for
• 1:34:27
  Speaker 1: a second. Hold up, Bahamadia was amazing, Lady Bug from
• 1:34:32
  Speaker 1: Diggable Planets, uh Rodga, Lady of Rage. Thanks, Gangsta boob
• 1:34:40
  Speaker 1: rest in Peace, Yes, thank you so much, and fucking
• 1:34:43
  Speaker 1: like Lauren Hill, Queen Latifa, Yes, thank you. Like I'm
• 1:34:52
  Speaker 1: not sure Foxy Brown course, yeah, do we say that, Brad,
• 1:34:59
  Speaker 1: We said it's right, right yeh boss.
• 1:35:04
  Speaker 4: Ooh.
• 1:35:06
  Speaker 1: I don't give a fuck, not a single fuck, not
• 1:35:07
  Speaker 1: a single solitary fuck, remember that shit? Dude? Come on?
• 1:35:11
  Speaker 1: Uh so, like I I'm not sure where like the
• 1:35:16
  Speaker 1: culture forgot, but you know, uhr Jazzy Joyce, DJ Jazzy Joyce,
• 1:35:25
  Speaker 1: you know what I mean, Like, come on, man, like
• 1:35:27
  Speaker 1: they've they've.
• 1:35:30
  Speaker 2: Always been present and I don't know.
• 1:35:32
  Speaker 3: There was that era which was amazing, but I feel
• 1:35:34
  Speaker 3: like I feel like in like the twenty tens, it
• 1:35:37
  Speaker 3: felt like there was It was a little harder if
• 1:35:40
  Speaker 3: you weren't Nikki to have a spot. But nowadays women
• 1:35:43
  Speaker 3: run hip hop like like, I don't know how much
• 1:35:46
  Speaker 3: you pay attention, but now the biggest records are all
• 1:35:48
  Speaker 3: women artists and there's not like, oh, she's the chick
• 1:35:51
  Speaker 3: of the crew or she's the chick. Uh you know, yeah,
• 1:35:54
  Speaker 3: we gotta sign a girl. Like you know, back in
• 1:35:56
  Speaker 3: the day, every crew have like a female, the first
• 1:35:57
  Speaker 3: lady of whatever label you had. Now days it's like
• 1:36:00
  Speaker 3: all of the women in hip hop are literally.
• 1:36:03
  Speaker 1: Oh and also, I say, Blondie, you want to talk
• 1:36:06
  Speaker 1: about first white rappers? Blondie the Rapture, Yeah, the Rapture, Yeah,
• 1:36:10
  Speaker 1: come on, if you really want to go there, you
• 1:36:13
  Speaker 1: know what I mean. Like so like I mean like
• 1:36:16
  Speaker 1: like it's just like the the press. I don't it's
• 1:36:21
  Speaker 1: hard for me to digest, like ignoring the presence that's
• 1:36:24
  Speaker 1: always been there and then saying, oh, now it's this,
• 1:36:27
  Speaker 1: now it's that. So like what as far as white
• 1:36:29
  Speaker 1: rappers go, I was just raised on like real shit,
• 1:36:34
  Speaker 1: you know what I mean. And for the brief time
• 1:36:38
  Speaker 1: that I was a kid, and I was a fan
• 1:36:40
  Speaker 1: of Vanilla Ice, right, and then I saw him get
• 1:36:44
  Speaker 1: called out and then third base called him out and
• 1:36:50
  Speaker 1: then and then all of a sudden, exactly search so
• 1:36:54
  Speaker 1: and so I was like, oh fuck, I kind of
• 1:36:58
  Speaker 1: I caught the okie doke on that one, you know
• 1:37:00
  Speaker 1: what I mean. I kind of got like played, you
• 1:37:03
  Speaker 1: know what I mean. Then he got on our senior
• 1:37:06
  Speaker 1: hall and it was a real rap for me, you
• 1:37:09
  Speaker 1: know what I mean. And but I had like white
• 1:37:12
  Speaker 1: rappers around my neighborhood, like Eric mcinally the South Side hustler,
• 1:37:17
  Speaker 1: you know that at the time, was like a real
• 1:37:19
  Speaker 1: dope boy, a real street guy, you know what I'm saying,
• 1:37:21
  Speaker 1: that had like real records on the streets, a white boy.
• 1:37:24
  Speaker 1: But you know, in Antioch at that particular time, it
• 1:37:29
  Speaker 1: was like there was a lot of that shit going on.
• 1:37:31
  Speaker 1: You know, that white boy's rolling around my neighborhood with
• 1:37:35
  Speaker 1: gold teeth and corn rolls that didn't give a fuck
• 1:37:38
  Speaker 1: about being a rapper, right There wasn't about hip hop.
• 1:37:41
  Speaker 1: It was just about what they did and who they were,
• 1:37:44
  Speaker 1: and so they would tap in and so you really
• 1:37:47
  Speaker 1: had to check out, you know, like when you're coming
• 1:37:49
  Speaker 1: around a neighborhood that listened to fucking eight ball, MJG
• 1:37:53
  Speaker 1: three six, Mafia, Suave House, you know, like that's kind
• 1:37:57
  Speaker 1: of that runs the gamut, you know around the Tennessee
• 1:38:02
  Speaker 1: Sound at the time. Uh, you really had to tap
• 1:38:07
  Speaker 1: in and and and there was no one really doing it,
• 1:38:10
  Speaker 1: you know. So when I was around again, like hustling flow,
• 1:38:14
  Speaker 1: you know, you know, you talk about nineteen ninety seven
• 1:38:17
  Speaker 1: at the Atrium, me pulling up you know, to see
• 1:38:24
  Speaker 1: through six Mafia and Mystic may be crazy. It was
• 1:38:28
  Speaker 1: fucking crazy. But let me tell you white boys nowhere
• 1:38:34
  Speaker 1: nowhere like I, you know what I mean, Like I
• 1:38:36
  Speaker 1: didn't see ninety, I didn't see any you know, not
• 1:38:40
  Speaker 1: that I was looking, but it's noticeable, like okay, whatever,
• 1:38:44
  Speaker 1: But you know it's like but and whom I came with,
• 1:38:47
  Speaker 1: you know, or my family, you know what I mean,
• 1:38:50
  Speaker 1: people that I grew up in my neighborhood with.
• 1:38:52
  Speaker 2: So I was kind of cut from a different crop,
• 1:38:54
  Speaker 2: you know.
• 1:38:55
  Speaker 1: I started with my verses in the streets, like you know,
• 1:38:57
  Speaker 1: like in the projects, like really out of box chevyes,
• 1:39:00
  Speaker 1: like pulling up to like like like lodges, you know
• 1:39:04
  Speaker 1: what I mean, like like like the Elks Lodge two
• 1:39:08
  Speaker 1: thirty one, you know, like that type ship like and
• 1:39:11
  Speaker 1: like not rap battling per se, but but just circle,
• 1:39:15
  Speaker 1: like a circle of rappers, you know, back in the day,
• 1:39:18
  Speaker 1: fucking like when I was coming up you and fucking
• 1:39:21
  Speaker 1: you know, dis somebody you get slapped up, you know
• 1:39:23
  Speaker 1: what I mean, Like just wrap your ship, you know,
• 1:39:26
  Speaker 1: don't well you don't diss me, you know, like just
• 1:39:29
  Speaker 1: tell your tell your thing, and it was move on.
• 1:39:31
  Speaker 1: It was Cadillac shit, you know yeah, like like recipes
• 1:39:34
  Speaker 1: like Pimpseason, like these country rap tunes, you know, so
• 1:39:37
  Speaker 1: get in there, you know what I mean. So that's
• 1:39:39
  Speaker 1: kind of the world that I grew up in. And
• 1:39:40
  Speaker 1: so I was raised, you know, like come on man,
• 1:39:43
  Speaker 1: like you know, having to go to Bankhead and Bankhead,
• 1:39:47
  Speaker 1: Georgia and Bessemer Birmingham, Alabama, like popping the trunk on
• 1:39:53
  Speaker 1: the Chevy and selling selling tapes out of my out
• 1:39:55
  Speaker 1: of my box Chevy at the gas station and Bessemer
• 1:39:58
  Speaker 1: like dolo, you know, just so the white boy thing
• 1:40:03
  Speaker 1: was of course I was aware, but at the same time,
• 1:40:08
  Speaker 1: like I felt, I always felt.
• 1:40:12
  Speaker 2: I felt uh worthy, I felt worthy.
• 1:40:17
  Speaker 1: I mean, you were a hip hop for real, yeah, respectfully. Yeah, yeah,
• 1:40:20
  Speaker 1: you know, because I had already dug dug down in
• 1:40:22
  Speaker 1: the graffiti scene, the b boys scene, the skateboarding scene.
• 1:40:27
  Speaker 1: You know, this is me like as a kid, like
• 1:40:29
  Speaker 1: doing the like the promotion for the Daylight Soul, and
• 1:40:32
  Speaker 1: now I had had bumped down, back down it back
• 1:40:34
  Speaker 1: down to Alabama after kicking it in Harlem with Pete Rock,
• 1:40:41
  Speaker 1: you know, and and and like I had all this,
• 1:40:43
  Speaker 1: all these things going on in the hip hop world
• 1:40:45
  Speaker 1: that I carried back into Alabama because and you're.
• 1:40:49
  Speaker 3: Doing and you're and you and you're I mean, the
• 1:40:51
  Speaker 3: thing is is like rac aside, like if you're gonna
• 1:40:54
  Speaker 3: move with integrity and like high artistic value in this game,
• 1:40:58
  Speaker 3: like you know, that's why you've had the longevity you've had,
• 1:41:01
  Speaker 3: Like you know, it's it's it feels like a lot
• 1:41:03
  Speaker 3: of the ship that I'll see nowadays in like this
• 1:41:05
  Speaker 3: weird like sub genre like underbelly of like what you
• 1:41:09
  Speaker 3: would call white hip hop is like just weird.
• 1:41:12
  Speaker 1: Short term pandem Is it even a thing?
• 1:41:14
  Speaker 5: Though?
• 1:41:14
  Speaker 1: It's a thang, bro, It's a thang for sure. White
• 1:41:16
  Speaker 1: hip hop is a thing that the fucking the like
• 1:41:19
  Speaker 1: there's like a little like weird little fucking pocket bro
• 1:41:22
  Speaker 1: where motherfucker's is like is it like it has it been?
• 1:41:25
  Speaker 2: Like has it has it?
• 1:41:28
  Speaker 5: What?
• 1:41:29
  Speaker 2: So there's a whay do I fall in that in
• 1:41:32
  Speaker 2: your opinion? If you could say, like, oh.
• 1:41:33
  Speaker 1: I think you're I think I think that you're perceived
• 1:41:35
  Speaker 1: to be like bigger than that whole, like an artist,
• 1:41:39
  Speaker 1: an actual art fucking like yeah, like a real artist. Yeah,
• 1:41:43
  Speaker 1: so I think that's why you know, that's tough.
• 1:41:46
  Speaker 3: Yeah, because I mean, lookten, dude, at the end of
• 1:41:48
  Speaker 3: the day, like there there's you know, I think longevity
• 1:41:53
  Speaker 3: is the key.
• 1:41:55
  Speaker 1: You know, You've you've had twenty five years.
• 1:41:58
  Speaker 3: If you go back to when you were on that
• 1:42:00
  Speaker 3: fucking TV show, when you were contestant on that TV show,
• 1:42:03
  Speaker 3: was hear me.
• 1:42:03
  Speaker 2: Shock the world right now?
• 1:42:04
  Speaker 1: Go ahead? I'm not really white? What are your native? Yeah,
• 1:42:09
  Speaker 1: I'm part Native American, Blackfoot, and Cherokee. I'm not a
• 1:42:13
  Speaker 1: full blooded white boy. The reason why I took on
• 1:42:15
  Speaker 1: the whiteboard, Moniker, is because I was called a white boy.
• 1:42:18
  Speaker 1: That's it. And if I'm called that and you want
• 1:42:21
  Speaker 1: me to be that, then I'm gonna use it to
• 1:42:23
  Speaker 1: my strength. I'm not a fucking Caucasian from the Caucasus
• 1:42:28
  Speaker 1: mountains with not from fucking Norway, dog like like I
• 1:42:32
  Speaker 1: grew up in the gutter of Alabama, you know, part
• 1:42:35
  Speaker 1: Native American, you know, And that's what yellow Wolf is. Idiot, Like,
• 1:42:40
  Speaker 1: come on, you couldn't see past that. You think I
• 1:42:43
  Speaker 1: got red tattooed on my neck because I'm a red neck.
• 1:42:45
  Speaker 1: I got red tattooed on my neck because that's what
• 1:42:49
  Speaker 1: you said. It was ironic. It was ironic tattoo. Yeah,
• 1:42:51
  Speaker 1: that's what you said. That's the If you put that
• 1:42:54
  Speaker 1: stereotype on me, then I'm gonna run with it. And
• 1:42:57
  Speaker 1: you know, but you know I but then it became affectionate,
• 1:43:03
  Speaker 1: like oh, white boy, white boy, white boy, white boy.
• 1:43:07
  Speaker 1: I fuck it. I used to get pissed. When I
• 1:43:10
  Speaker 1: was a kid, was like fifteen, sixteen years old.
• 1:43:13
  Speaker 2: It was fight music.
• 1:43:14
  Speaker 1: If you said that to me, well, I feel like
• 1:43:16
  Speaker 1: you carried like a boulder.
• 1:43:17
  Speaker 3: On your shoulder against all the other white rappers for
• 1:43:19
  Speaker 3: like at least a few years when you first came out, Well,
• 1:43:22
  Speaker 3: it just became like if you like, if like And
• 1:43:24
  Speaker 3: then Mac Miller happened, and Mac Miller was like, this
• 1:43:27
  Speaker 3: is Mac Miller.
• 1:43:27
  Speaker 1: He's like the coolest dude ever. Like, we love Mac.
• 1:43:29
  Speaker 1: Mac was the best. Mac is the best dude. I'm
• 1:43:34
  Speaker 1: rest in peace, man. I just took this down, and
• 1:43:36
  Speaker 1: I gotta hate it somewhere else.
• 1:43:37
  Speaker 2: I love Max so much.
• 1:43:38
  Speaker 1: When Mac passed, dude, I was so hurt from that
• 1:43:43
  Speaker 1: that I gave away everything I owned. That's a true story.
• 1:43:47
  Speaker 1: Wait wait, explain. I gave away every article of clothing
• 1:43:50
  Speaker 1: that I owned when Mac when Mac passed the next day,
• 1:43:53
  Speaker 1: just because I felt like I needed to do something nice, like.
• 1:43:56
  Speaker 2: Dude, that kid.
• 1:43:59
  Speaker 1: I mean, no one really knew how cool he and
• 1:44:04
  Speaker 1: I really were because we didn't do music, you know
• 1:44:06
  Speaker 1: what I'm saying.
• 1:44:07
  Speaker 2: But like that kid was like.
• 1:44:10
  Speaker 1: When we first kicked it, he it was the cipher.
• 1:44:15
  Speaker 1: It wasn't even a cipher. It was like a freestyle
• 1:44:17
  Speaker 1: for the Double Excel cover, right, so like everybody did,
• 1:44:20
  Speaker 1: everybody had their verse, right yeah, and Mac, dude, he
• 1:44:23
  Speaker 1: might have been god nineteen.
• 1:44:27
  Speaker 2: I mean he was young a kid.
• 1:44:28
  Speaker 1: He was a kid for real.
• 1:44:30
  Speaker 9: And I pulled a cigarette out and like we were
• 1:44:33
  Speaker 9: chilling his lip. He's like, oh, that's what we're doing,
• 1:44:37
  Speaker 9: you know. He pulled a cigarette and he bucking lit
• 1:44:39
  Speaker 9: a cigarette up. Oh like and it was like a
• 1:44:43
  Speaker 9: very like a like affectionate kind of like like almost
• 1:44:48
  Speaker 9: an instant big brother role, you know what I mean,
• 1:44:50
  Speaker 9: Like all right, dude, like let's go.
• 1:44:53
  Speaker 1: You know, I see you, you know. And he went
• 1:44:57
  Speaker 1: on to make incredible music, obviously amazing time music, and uh,
• 1:45:02
  Speaker 1: like we've done tours together, dude, shows like fucking I've
• 1:45:05
  Speaker 1: done shows with Mac and the Swiss Alps bro like
• 1:45:09
  Speaker 1: like we were. That was my homie. Man.
• 1:45:12
  Speaker 2: So anyway, when he passed.
• 1:45:15
  Speaker 1: And I had just text him like weeks before, just
• 1:45:20
  Speaker 1: tapping in, you know what I mean, And when he passed,
• 1:45:23
  Speaker 1: I was like, Man, I'm just I just need to
• 1:45:27
  Speaker 1: I need to purge, you know what I mean, Like
• 1:45:30
  Speaker 1: I've got too much. You know, I've got too much.
• 1:45:34
  Speaker 1: I have too many things, like I didn't feel worthy of.
• 1:45:38
  Speaker 1: Sometimes having too much shit can bog you down mentally,
• 1:45:41
  Speaker 1: too nah for real. So I just took all my
• 1:45:44
  Speaker 1: ship and put it on hangers and set it outside
• 1:45:46
  Speaker 1: my store and I told everybody I put it on Instagram,
• 1:45:49
  Speaker 1: come get it. You come get an outfit, you know,
• 1:45:52
  Speaker 1: like jewelry, hats, shoes, clothes, everything I gave away, like man,
• 1:45:56
  Speaker 1: I don't know like one hundred thousand dollars worth of
• 1:45:59
  Speaker 1: fucking fashion, just dumped it all and started over, started
• 1:46:03
  Speaker 1: my my collection.
• 1:46:04
  Speaker 3: Over Rest in Peace, Man, Rest in peace to Mac.
• 1:46:08
  Speaker 3: Before we wrap, I want to go through a couple
• 1:46:10
  Speaker 3: of quick hits. One would be uh one Train, which
• 1:46:14
  Speaker 3: is one of the most probably the last great hip
• 1:46:17
  Speaker 3: hop posse cut.
• 1:46:18
  Speaker 1: We've gotten you murdered it obviously, what was when you
• 1:46:25
  Speaker 1: got it? Did you know who was on it? No,
• 1:46:29
  Speaker 1: here's the beat. Do what you do? So ASA sent
• 1:46:33
  Speaker 1: me the track like per Rocky, Yeah, send me the
• 1:46:39
  Speaker 1: track personally.
• 1:46:42
  Speaker 2: Through a text, and uh.
• 1:46:46
  Speaker 1: So I jumped on it like of course, like whatever,
• 1:46:49
  Speaker 1: like we you know, and look, I don't do features
• 1:46:54
  Speaker 1: because I I think there's some kind of win or
• 1:46:59
  Speaker 1: some kind of that's that's never the thing. I really
• 1:47:02
  Speaker 1: have to like the track. I like the track one two.
• 1:47:06
  Speaker 1: It was my boy, you know, we we had been
• 1:47:08
  Speaker 1: through Europe and doing shows together and ship like that,
• 1:47:13
  Speaker 1: and so yeah, I hopped on it. I had no
• 1:47:16
  Speaker 1: clue what he had planned or what was in his
• 1:47:19
  Speaker 1: back pocket. Now had I known, you would have a
• 1:47:23
  Speaker 1: different raisier, like if I could size up. But I'm
• 1:47:26
  Speaker 1: sure everyone thought that, you know what I mean. I'm
• 1:47:28
  Speaker 1: sure every maybe he did that to everyone. He probably did,
• 1:47:32
  Speaker 1: and which is genius. But when I heard everyone else's verse,
• 1:47:40
  Speaker 1: I was like, ooh, the is going crazy. Who do
• 1:47:44
  Speaker 1: you think if you remove yourself from the equation? Who
• 1:47:47
  Speaker 1: had no?
• 1:47:47
  Speaker 5: No?
• 1:47:48
  Speaker 1: I your favorite? Even with myself in the equation, Big
• 1:47:51
  Speaker 1: Critt killed it, krit crit like come on, man, Like
• 1:47:59
  Speaker 1: I was like Krik killed it period. I mean that's
• 1:48:02
  Speaker 1: just my opinion. I mean, I love my verse. I
• 1:48:04
  Speaker 1: think I snapped on majority and like, you know, I
• 1:48:09
  Speaker 1: say that like in the sport of hip hop, you know,
• 1:48:11
  Speaker 1: the competition between all MC's and shit, like, oh yeah,
• 1:48:14
  Speaker 1: I got created on that one.
• 1:48:15
  Speaker 2: But the truth is, like I really feel like he
• 1:48:17
  Speaker 2: closed it properly.
• 1:48:20
  Speaker 3: Segueing to the next thing, why did we never get
• 1:48:22
  Speaker 3: country cousins between you and grit.
• 1:48:27
  Speaker 1: And did it?
• 1:48:28
  Speaker 4: Did it?
• 1:48:28
  Speaker 1: Was there ever any songs recorded for that?
• 1:48:31
  Speaker 2: Well at the height of like you know, just like
• 1:48:35
  Speaker 2: at the height of.
• 1:48:40
  Speaker 1: There are some like cultural and there's there's a cultural
• 1:48:47
  Speaker 1: importance to a project like me and Krick coming together, right,
• 1:48:51
  Speaker 1: you know, And I think that there there there's a
• 1:48:54
  Speaker 1: time and a place for that. I don't make excuses
• 1:48:58
  Speaker 1: about why we haven't done that project yet, and I
• 1:49:03
  Speaker 1: can't predict when we might do that project because I
• 1:49:06
  Speaker 1: won't put it off the books. I love crit I'm
• 1:49:10
  Speaker 1: a huge, huge fan. Obviously, he was early early on
• 1:49:15
  Speaker 1: and the crew, you know what I mean, like early
• 1:49:17
  Speaker 1: early like Tree Sound, Tree Sound Atlanta early, and uh
• 1:49:23
  Speaker 1: so I just let it happen, you know. But I
• 1:49:26
  Speaker 1: think that there's like, I think that he and I
• 1:49:29
  Speaker 1: both appreciate the importance of what that record means. It's
• 1:49:33
  Speaker 1: not it's not just not just the collaboration. I think
• 1:49:38
  Speaker 1: that there's some artistic cultural importance to that particular collaboration.
• 1:49:43
  Speaker 1: Sure that means something, and I think it needs it needs.
• 1:49:47
  Speaker 1: I mean because Krit was hearing trunk music was the
• 1:49:49
  Speaker 1: same year. Yeah, because you could take it lightly. But
• 1:49:52
  Speaker 1: the record we did, the record, the record we did
• 1:49:55
  Speaker 1: do Happy Birthday hip Hop amazing as a statement record.
• 1:50:03
  Speaker 3: How's your relationship these days with our psychopathic friend Ritz
• 1:50:07
  Speaker 3: over there?
• 1:50:07
  Speaker 1: I got his plaques over there, our psychopathic friend. I
• 1:50:13
  Speaker 1: love Rich to the to the grit. Rich is my
• 1:50:18
  Speaker 1: Rich is my dog. I mean, you know, hey, man,
• 1:50:21
  Speaker 1: he's a maniac. Artists is going to be artists man like,
• 1:50:24
  Speaker 1: and I'm a maniac too. I just have you eat
• 1:50:26
  Speaker 1: your maniacs, by the way, in your own way, like
• 1:50:30
  Speaker 1: my dad said. My dad said, everybody has their own
• 1:50:34
  Speaker 1: brand of crazy, you know, and that's what's up. You know,
• 1:50:37
  Speaker 1: Like I like my crazy. I feed it and take
• 1:50:42
  Speaker 1: care of it, you know. Like I'm looking forward to
• 1:50:45
  Speaker 1: like when Rich is like able to like I'm.
• 1:50:48
  Speaker 2: Trying to get him to sing.
• 1:50:49
  Speaker 1: keV No, he could sing. He can't sing, but it's
• 1:50:52
  Speaker 1: come to Nashville and record a singer songwriter album with me. Please,
• 1:50:57
  Speaker 1: I'm putting it on the record. I've told you that
• 1:50:59
  Speaker 1: over the phone. Now I'm saying in the podcast. I've
• 1:51:01
  Speaker 1: been trying to all the fans that are watching, Yo,
• 1:51:04
  Speaker 1: I don't want to hear you rap no more. I
• 1:51:06
  Speaker 1: want to hear some singing. BRIT's time singing, Buddy, time
• 1:51:08
  Speaker 1: to sing with a little bit of rapping. And I
• 1:51:11
  Speaker 1: want him to do like a He's a great singer,
• 1:51:15
  Speaker 1: he is. He could sing his ass off. He's always
• 1:51:16
  Speaker 1: been singing as he could play the guitar like a
• 1:51:19
  Speaker 1: motherfucker too. By the way, Yeah, yeah, like crazy, let's
• 1:51:24
  Speaker 1: let's go. Let's do a fucking secret songwriter album man
• 1:51:27
  Speaker 1: like do something different, No, for.
• 1:51:29
  Speaker 3: Sure, shout out to ritz Man Albums coming out in May.
• 1:51:34
  Speaker 3: How many videos are in the can?
• 1:51:36
  Speaker 1: Five? I already got five? Okay? Is that? Are you
• 1:51:38
  Speaker 1: gonna keep shooting if it feels right or we'll see
• 1:51:42
  Speaker 1: what like, We're gonna shoot five videos right and just
• 1:51:46
  Speaker 1: from the from the pat just learning releases and ship
• 1:51:49
  Speaker 1: like I want to like, I want to let the
• 1:51:51
  Speaker 1: fans tell us, like, Hey, if this song goes fucking
• 1:51:55
  Speaker 1: crazy takes off, shoot a video to this, Like.
• 1:51:58
  Speaker 2: Yeah, just let us know, Like, let us know what
• 1:52:00
  Speaker 2: you want to see.
• 1:52:01
  Speaker 1: We've picked our personal faves and what we thought led
• 1:52:05
  Speaker 1: led you into a war story the best way. But
• 1:52:08
  Speaker 1: after that, I really do want to listen and and
• 1:52:12
  Speaker 1: basically like kind of take a poll, you know, like
• 1:52:15
  Speaker 1: what do you want to see next? Because I've fucked
• 1:52:18
  Speaker 1: up so many times by not shooting videos to songs
• 1:52:20
  Speaker 1: that I should have. Catfish Billy, Oh such a good Hey,
• 1:52:23
  Speaker 1: Tennessee love no video. You know, it's funny. There's a
• 1:52:27
  Speaker 1: lot of classics with no Videofish Billy.
• 1:52:28
  Speaker 3: I just think of like this fucking boat floating with
• 1:52:31
  Speaker 3: all your belongings in like a dark like I think
• 1:52:34
  Speaker 3: of like a fucking lantern, you know what I mean.
• 1:52:36
  Speaker 3: Like that's probably the best mash pit song. Fucking dude,
• 1:52:39
  Speaker 3: that song makes me want to fuck motherfucker's up.
• 1:52:41
  Speaker 10: Bro.
• 1:52:42
  Speaker 3: That's like my workout joint, bro. Like Halffish Billy. And
• 1:52:44
  Speaker 3: when you perform that shit live violence.
• 1:52:47
  Speaker 1: Dude, fucking sick Yes, Savagery Savagery tour coming unless uh nah, listen, man, maybe.
• 1:52:55
  Speaker 2: Got clever back. Oh Doodle is back?
• 1:53:02
  Speaker 1: All right? I did on the fucking new record is crazy, dude,
• 1:53:08
  Speaker 1: when I let are you pressed for time? No?
• 1:53:11
  Speaker 3: I mean no ever find we can keep going. Fuck
• 1:53:13
  Speaker 3: off that Mexican Ot might walk in here, But that's fine.
• 1:53:17
  Speaker 2: Mexican Ot is coming. That's my dog, man.
• 1:53:21
  Speaker 1: What's up? I'm you guys, dude. I fucking love that guy.
• 1:53:25
  Speaker 1: He told me to keep you late. He was like,
• 1:53:27
  Speaker 1: if I'm on a four, make sure he stays. I
• 1:53:29
  Speaker 1: want to say hi to him. Man, I'm not leaving, good, good,
• 1:53:33
  Speaker 1: I'm not leaving.
• 1:53:34
  Speaker 2: I have to meet this guy in person. I'm fucking
• 1:53:37
  Speaker 2: I'm a huge fan of.
• 1:53:39
  Speaker 1: To meet him. Okay, so we got time, go ahead.
• 1:53:45
  Speaker 1: So I'm so psyched to meet Mexican Ot. Man, he's sick.
• 1:53:50
  Speaker 3: I'm distracted by the you meet his dad to his
• 1:53:53
  Speaker 3: dad's fucking great, dude, we were at the talk, we
• 1:53:55
  Speaker 3: were at the taco truck last night and his dad
• 1:53:57
  Speaker 3: knocks some fucking dude the fuck out there is this
• 1:54:00
  Speaker 3: drunk maniac. He was chugging Mickey's outside of the Taco
• 1:54:03
  Speaker 3: truck and he kept doing then the Hitler salute.
• 1:54:07
  Speaker 1: And fucking he was talking to nitler Ler.
• 1:54:12
  Speaker 3: And Chuck warned him like twenty times, even gave him
• 1:54:17
  Speaker 3: half of his food to go away, and the dude
• 1:54:19
  Speaker 3: stepped to him one more time and he fucking slapped him,
• 1:54:23
  Speaker 3: and we're like, all right, well it's time to walk off.
• 1:54:27
  Speaker 1: Go fuck with Dad's strength, man, No, his dad's a
• 1:54:29
  Speaker 1: fucking rock. Dad's strength is this dude is like he
• 1:54:33
  Speaker 1: looks like the rock, Like he looks like a professional.
• 1:54:35
  Speaker 3: Rest But even if he wasn't, you don't withd no
• 1:54:39
  Speaker 3: for sure strength And he's got like a certain other
• 1:54:42
  Speaker 3: type of strength starts with arm.
• 1:54:44
  Speaker 1: Can't say it anymore, Royd's strength. Oh is that the
• 1:54:54
  Speaker 1: R word? It could be? You can't say anymore. I
• 1:55:03
  Speaker 1: don't we just did?
• 1:55:04
  Speaker 2: Have I been that checked out? I think it's the
• 1:55:07
  Speaker 2: word I'd like back.
• 1:55:09
  Speaker 1: I don't mind. I don't mind it. How about this one?
• 1:55:12
  Speaker 1: I don't know if it's up to whether we find it.
• 1:55:14
  Speaker 1: How about this one?
• 1:55:17
  Speaker 2: You fucking that fool's got franks? Let me not be insensitive.
• 1:55:24
  Speaker 1: Sure I'm not, I'm not. Okay, listen whatever, dude, it's like,
• 1:55:29
  Speaker 1: save it canceled, card been canceled? How about that? Uh?
• 1:55:34
  Speaker 1: Where are we going with this, I said, Clevers back
• 1:55:36
  Speaker 1: in the due said, you don't even know. You don't
• 1:55:40
  Speaker 1: even know. I got the crazy story for you. Okay, look, yo,
• 1:55:46
  Speaker 1: when I talk to my friends, I'm talking to my friends.
• 1:55:49
  Speaker 2: You know what I'm saying.
• 1:55:49
  Speaker 1: I know we're filming and ship's going on, but I
• 1:55:51
  Speaker 1: don't like whatever. It's like we'll be kicking it with pain.
• 1:55:54
  Speaker 1: We're just doing whatever. Okay, So we land in Los Angeles.
• 1:56:00
  Speaker 1: Is from Atlanta. Yeah, we're going to New Zealand. This
• 1:56:05
  Speaker 1: fool gets arrested clever, Yeah, police are waiting by the plane.
• 1:56:11
  Speaker 2: Now I have a whole This is me going down
• 1:56:14
  Speaker 2: to do the festival in New Zealand.
• 1:56:17
  Speaker 1: And not sure what happened, but there was a confrontation
• 1:56:22
  Speaker 1: with a passenger on the way and that particular passenger
• 1:56:28
  Speaker 1: was a lawyer. So this is a lawyer called L A. P. D.
• 1:56:37
  Speaker 1: And they they drag my boy out, you know what
• 1:56:42
  Speaker 1: I'm saying, Like, put him in a wheelchair, push him
• 1:56:44
  Speaker 1: out the airport, like Hannibal Lecter. I'm on the way to.
• 1:56:48
  Speaker 2: Fucking New Zealand.
• 1:56:48
  Speaker 1: I got no DJ, and I'm like, I like, Zilla,
• 1:56:52
  Speaker 1: looks like you're DJ and doll you better fucking laptop,
• 1:56:54
  Speaker 1: that shit fucking press play one one finger Jones, hit Intern,
• 1:56:58
  Speaker 1: hit Intern, hit space bar Innerarenter. I've had to do
• 1:57:02
  Speaker 1: it before warped tour, So like fucking lost my DJ.
• 1:57:08
  Speaker 1: Didn't know what the fuck was gonna happen, you know
• 1:57:09
  Speaker 1: what I'm saying. Like I thought he was gone, like forever,
• 1:57:13
  Speaker 1: you know what I'm saying, Not forever.
• 1:57:16
  Speaker 2: I thought I thought he was gone. I was like, dude,
• 1:57:18
  Speaker 2: I can't.
• 1:57:18
  Speaker 1: I'm never gonna I'm not gonna see him in New
• 1:57:20
  Speaker 1: Zealand for sure. For sure, Delta xes him out of
• 1:57:23
  Speaker 1: the whole situation. I mean they're like, get him off
• 1:57:27
  Speaker 1: the property type ship. Uh, my friend Stefan Janowski, this
• 1:57:34
  Speaker 1: guy he's got his own Nike.
• 1:57:36
  Speaker 2: Yeah, fucking pro lifer. He's the best I cost that fire.
• 1:57:42
  Speaker 1: I'm like, please pull up Stefan and Jessica love y'all,
• 1:57:48
  Speaker 1: please pull up and get my friend. And he's he
• 1:57:52
  Speaker 1: needs to ride an airport or he's going he needs
• 1:57:54
  Speaker 1: to ride to the hotel. He's going to jail. Police
• 1:57:56
  Speaker 1: were like, yo, since somebody get him whor he's going
• 1:57:58
  Speaker 1: to jail, So like, ah, we got you, Like, dude,
• 1:58:02
  Speaker 1: this New Year's night. They're like chilling out the crib
• 1:58:05
  Speaker 1: and they and they go get him like real friends,
• 1:58:07
  Speaker 1: like real friends, go get them taken to the hotel.
• 1:58:10
  Speaker 2: I'm sure he woke up the next.
• 1:58:11
  Speaker 1: He was fucking hammered, hammered.
• 1:58:13
  Speaker 2: He was hammered before we let that land.
• 1:58:15
  Speaker 1: Uh, Nashville. We're drinking on the plane.
• 1:58:19
  Speaker 2: Oh bro, Delta lounge.
• 1:58:22
  Speaker 1: The plane drinking.
• 1:58:23
  Speaker 3: It hits different, especially when you land and go to
• 1:58:25
  Speaker 3: stand up and you're like, oh fuck.
• 1:58:29
  Speaker 2: But anyway, we uh we we got him back. We
• 1:58:34
  Speaker 2: flew him out coach.
• 1:58:38
  Speaker 1: So when he made it, we flew coach. He made it.
• 1:58:41
  Speaker 2: We flew coach to New Zealand.
• 1:58:44
  Speaker 1: Dude, Okay, look what is that is that like New Zealand?
• 1:58:48
  Speaker 1: No full thirty six hours It took me to get
• 1:58:52
  Speaker 1: from Nashville to New Zealand. All right, so god, it's
• 1:58:58
  Speaker 1: torture like coach Middlese that's, oh my god, for a
• 1:59:04
  Speaker 1: day and a half. Fun. But like he he he
• 1:59:09
  Speaker 1: ended up making it, you know what I'm saying, And
• 1:59:11
  Speaker 1: we pulled off the shows and ship. But yeah, like arrested,
• 1:59:16
  Speaker 1: arrested upon arrival. Now he's he's moving back to Nashville.
• 1:59:19
  Speaker 1: He actually moved back to Nashville, and he's from Atlanta.
• 1:59:22
  Speaker 1: Where's he from? Atlanta? Georgia. Man Atlanta's finest bro one
• 1:59:28
  Speaker 1: of the greatest DJs. Man no scratch DJ, and I
• 1:59:31
  Speaker 1: put that, I'll put that on everything for the record.
• 1:59:36
  Speaker 1: And you've had some great DJs. You had Chris Curran,
• 1:59:38
  Speaker 1: you had the what was fucking your o G DJ?
• 1:59:40
  Speaker 1: The guy who was Latin was not for.
• 1:59:41
  Speaker 2: The record, And this is like, this is just healthy competition.
• 1:59:44
  Speaker 1: Like any dj MC combo that wants to battle, I'm
• 1:59:48
  Speaker 1: up at the fire, I'm ready, We're ready. I'd sit
• 1:59:53
  Speaker 1: well any person on the planet. You go get your
• 1:59:56
  Speaker 1: best MC and your best DJ. And I've tried to
• 2:00:00
  Speaker 1: do this before and nobody stepped up. Maybe somebody will.
• 2:00:03
  Speaker 1: I want to see it, and I will gracefully bow out.
• 2:00:07
  Speaker 1: If you come with a better set, you're not going
• 2:00:09
  Speaker 1: to It's curtains there. It is. Last thing? Did you
• 2:00:14
  Speaker 1: and Royce ever patch things up? I love Royce? Okay,
• 2:00:19
  Speaker 1: I haven't spoken to him since that incident happened, but
• 2:00:25
  Speaker 1: that's my dude, man, Like I have I really I
• 2:00:28
  Speaker 1: don't hold any I don't harbor any bad feelings about Royce.
• 2:00:32
  Speaker 1: You know what I mean. I haven't spoken to him,
• 2:00:34
  Speaker 1: like I said, since that that time. But at the
• 2:00:39
  Speaker 1: end of the day, we did a lot of great
• 2:00:40
  Speaker 1: things together. You know what I'm saying, Like I mean
• 2:00:46
  Speaker 1: your grace to XXL with him. Yeah, you know what
• 2:00:48
  Speaker 1: I mean, Like a lot of a lot of amazing
• 2:00:51
  Speaker 1: moments happened it.
• 2:00:54
  Speaker 2: Yeah with my boy, you know what I meaning, like
• 2:00:56
  Speaker 2: and it's it's all good for me.
• 2:00:58
  Speaker 1: It's all good.
• 2:00:59
  Speaker 2: That's good and you know that that's it just is
• 2:01:01
  Speaker 2: what it is, Like.
• 2:01:02
  Speaker 1: What DJ Premiere, you know, DJ Premiere, Royce me, come on,
• 2:01:07
  Speaker 1: there's a lot of there's a lot of moments Royce
• 2:01:09
  Speaker 1: and Ritz, you know, like Royce, Marshall, myself, the fucking Gang,
• 2:01:15
  Speaker 1: you know, like like there was there's there's history there
• 2:01:17
  Speaker 1: that like I can't, I can't like just make disappear.
• 2:01:23
  Speaker 2: And you know what I mean, like to put some.
• 2:01:28
  Speaker 1: You know, discrepancy or a disagreement or like whatever it is.
• 2:01:32
  Speaker 1: You know.
• 2:01:34
  Speaker 2: Whatever it's not it's not to me. It's water under
• 2:01:37
  Speaker 2: the bridge.
• 2:01:37
  Speaker 1: Good. I thought of another random thing.
• 2:01:40
  Speaker 3: When you did Worldwide Choppers with Tech, did you know
• 2:01:43
  Speaker 3: there was gonna be people wrapping in like Turkish and
• 2:01:45
  Speaker 3: fucking all kinds of fucking wild ass languages on that ship.
• 2:01:49
  Speaker 1: Speaking to Posse Records, that shit went platinum. There's a
• 2:01:53
  Speaker 1: Turkish verse.
• 2:01:54
  Speaker 4: Yeah, the beginning. There's a dude who's like that, no way, Yeah,
• 2:02:04
  Speaker 4: it's platinum.
• 2:02:05
  Speaker 1: You're on it. It's platin.
• 2:02:06
  Speaker 2: I never even I never, I never heard it.
• 2:02:09
  Speaker 1: I only recorded my verse.
• 2:02:11
  Speaker 2: I never even listened to it.
• 2:02:12
  Speaker 1: It's like you it's him, No I know, I'm it's
• 2:02:16
  Speaker 1: bust rhynd, twist buzz around like and then it's a
• 2:02:19
  Speaker 1: bunch of other dudes to expect bro, I fucking like,
• 2:02:22
  Speaker 1: just fucking you send me some ship. Sometimes I'm like
• 2:02:26
  Speaker 1: and then I go, fucking I'm out. Yeah, I don't like,
• 2:02:29
  Speaker 1: you need to get a plaque sent to you. You're
• 2:02:31
  Speaker 1: on the song. It's placked. Let me tell you. One
• 2:02:35
  Speaker 1: of my biggest regrets what is that with with Tech nine?
• 2:02:40
  Speaker 1: I got a few, but musically one of them is
• 2:02:46
  Speaker 1: Tech nine sent me a record and he said, he said, hey,
• 2:02:49
  Speaker 1: I won't meet you and Kendrick on this song. Yes,
• 2:02:53
  Speaker 1: it's called Fragile. And I was like, I listened to
• 2:02:58
  Speaker 1: it and I was like, man, I don't know if
• 2:03:04
  Speaker 1: I can talk about being fragile, because I don't feel
• 2:03:08
  Speaker 1: genuinely fragile, and I don't know if I am.
• 2:03:12
  Speaker 2: Maybe I am, but I at the time, I was like, I.
• 2:03:19
  Speaker 1: Could not connect with the concept of like admitting that
• 2:03:24
  Speaker 1: I have a problem with someone not liking my music,
• 2:03:27
  Speaker 1: you know what I mean? Because it was really for
• 2:03:29
  Speaker 1: people I haven't heard the record.
• 2:03:30
  Speaker 3: It was really like an ode to negative journalistic opinions
• 2:03:33
  Speaker 3: on our critics, critics, like a fuck you to critics, essentially.
• 2:03:37
  Speaker 1: Exactly, Man, do I wish I would have just you know,
• 2:03:43
  Speaker 1: I actually laid a verse I did. I recorded a
• 2:03:47
  Speaker 1: verse and never sent it. So I have a verse
• 2:03:51
  Speaker 1: in my in my hard drive on Fragile with with
• 2:03:56
  Speaker 1: Kendrick and and Tech nine, but I never returned to
• 2:04:00
  Speaker 1: them that had been crazy and look in these and
• 2:04:03
  Speaker 1: these and then like you know, fast forward Saturday Night Live.
• 2:04:11
  Speaker 2: Hey, listen to you kids, don't.
• 2:04:17
  Speaker 4: Just do it.
• 2:04:18
  Speaker 1: Don't overthink it.
• 2:04:19
  Speaker 2: No, don't overthink it. Fucking do it. We got keV
• 2:04:22
  Speaker 2: over here. Look at me.
• 2:04:24
  Speaker 1: I'm making sure Ot is not outside. He's not here yet.
• 2:04:26
  Speaker 1: He's running late for the usual. So we're fine, okay, man,
• 2:04:28
  Speaker 1: just making We're gonna do it a nice hang. We're
• 2:04:31
  Speaker 1: gonna go hang. You guys can do a song tonight.
• 2:04:33
  Speaker 1: Let's make a song. Happen.
• 2:04:34
  Speaker 2: Listen, listen to you kids, do not.
• 2:04:38
  Speaker 1: Don't overthink.
• 2:04:40
  Speaker 2: Another one is uh run the Jewels?
• 2:04:43
  Speaker 1: What do you mean? Oh bro?
• 2:04:48
  Speaker 5: Uh?
• 2:04:49
  Speaker 1: LP sent me a song when I was making Trump
• 2:04:51
  Speaker 1: Music three, Trump Music three. Yeah, and so did Ritz
• 2:04:57
  Speaker 1: And I was so I was so wrapped out, you
• 2:05:02
  Speaker 1: know what I'm saying. I was like so versed to death.
• 2:05:05
  Speaker 1: Right after making that, I was like, I'm like tapped.
• 2:05:08
  Speaker 1: I've tapped right everything I have to offer as an
• 2:05:11
  Speaker 1: MC to do this, Like, I don't got it. Man,
• 2:05:17
  Speaker 1: missed the opportunity to be on the Run the Jewels record,
• 2:05:19
  Speaker 1: like like ship that, Like that's an opportunity that's always open.
• 2:05:25
  Speaker 1: I'm sure, though, Well, you know I've I've kicked it.
• 2:05:29
  Speaker 1: I've kicked it with LP quite a bit. You No, Obviously,
• 2:05:32
  Speaker 1: Mike's my fucking dog, you know, And I love LP
• 2:05:35
  Speaker 1: and I've I've spent some time with LP in New
• 2:05:37
  Speaker 1: York and we've had moments.
• 2:05:39
  Speaker 4: You know.
• 2:05:39
  Speaker 1: I was around for some of their earliest sessions at
• 2:05:42
  Speaker 1: Tree Sound again, like when they were probably working on
• 2:05:44
  Speaker 1: rap music. Oh, yeah. Yeah, like before it happens the
• 2:05:47
  Speaker 1: thing thing. Yeah, it had been crazy. You want one
• 2:05:53
  Speaker 1: of them fucking bro them fucking Run the Jewels, fucking albums,
• 2:05:56
  Speaker 1: all four fucking crazy amazing. I hate myself for not
• 2:06:01
  Speaker 1: doing that.
• 2:06:03
  Speaker 2: I hate but but at the same time, like I
• 2:06:05
  Speaker 2: just wasn't.
• 2:06:05
  Speaker 4: Yo.
• 2:06:06
  Speaker 1: So Ritz is like, Yo, give me a rat verse,
• 2:06:07
  Speaker 1: give me a rat verse. This is on this album
• 2:06:09
  Speaker 1: that he's coming out with, uh with Tech, okay, right,
• 2:06:13
  Speaker 1: and I'm like, oh, you talking about like a couple
• 2:06:15
  Speaker 1: of albums, like when he was on he was on Strange. Yeah,
• 2:06:19
  Speaker 1: I gave him the worst verse his first album, one
• 2:06:25
  Speaker 1: of my careers, Like, like, you mean the song you
• 2:06:27
  Speaker 1: did with him on your on his first Soul Late terrible. Yeah,
• 2:06:30
  Speaker 1: I remember he hated No, he was like, dude, fucking
• 2:06:34
  Speaker 1: and then Wolf gives me this fucking throwaway verse and
• 2:06:38
  Speaker 1: it made the album because of course his first album
• 2:06:41
  Speaker 1: needs to have you on it.
• 2:06:42
  Speaker 2: He's like, he's like, he's like, you have to be
• 2:06:45
  Speaker 2: on this.
• 2:06:45
  Speaker 1: I said, Ritz, no, I don't, mane he said, no,
• 2:06:48
  Speaker 1: you have to. And I was like, all right, dude,
• 2:06:52
  Speaker 1: here you go. Man, somebody saw Tech. He was like, uh, Tech,
• 2:06:58
  Speaker 1: we'll talk about doing another record. I say, man, I'm
• 2:07:02
  Speaker 1: not gonna be I'm not gonna give you one of
• 2:07:04
  Speaker 1: the races, one of the more verses, and he was like,
• 2:07:08
  Speaker 1: he was like, please, please don't, please don't. Oh my god,
• 2:07:13
  Speaker 1: bro crazy man.
• 2:07:15
  Speaker 3: Yeah, man, hey, dude, well, look the new album is
• 2:07:17
  Speaker 3: coming out, and do we have an exact May date?
• 2:07:23
  Speaker 1: May twelve? Oh, May twelve, May twelve, you heard it first.
• 2:07:28
  Speaker 1: May Twelve's the double disc? Ish? Definitely double vinyl, maybe
• 2:07:33
  Speaker 1: even four vinyls. I feel like this might be like
• 2:07:35
  Speaker 1: a well no, I think it's like twenty it's like
• 2:07:38
  Speaker 1: twenty four twenty six songs. So how many vinyls does
• 2:07:40
  Speaker 1: that take? At least three? That feels like a triple
• 2:07:45
  Speaker 1: A triple rich? How many vinyls we're doing? Six? Rich
• 2:07:50
  Speaker 1: has six six vinyls six two four six. Yeah, it's
• 2:07:54
  Speaker 1: gonna be a six. It gonna be eight vinyl probably.
• 2:07:57
  Speaker 1: I don't know, fucking know, man, I do know that,
• 2:07:59
  Speaker 1: like I want like a you know, you got like
• 2:08:02
  Speaker 1: eight songs on one side, eight songs on the other. Right,
• 2:08:04
  Speaker 1: How long they are all? That part? Yeah? That part?
• 2:08:07
  Speaker 1: So it depends if you got like a fucking six
• 2:08:09
  Speaker 1: minute joint. You know which you probably do? I do
• 2:08:12
  Speaker 1: got one? Probably do? Would you do another? Sometimes? Why?
• 2:08:15
  Speaker 1: Because I guess Fuck yeah, I gotta do another one.
• 2:08:18
  Speaker 1: I have to man yeah to the ship's do good.
• 2:08:21
  Speaker 1: I'm just gonna this time. I'm just gonna record it
• 2:08:23
  Speaker 1: and say keep sucking. I'm not doing the whole fucking
• 2:08:26
  Speaker 1: run around like May seventeenth is the album May seventeenth,
• 2:08:36
  Speaker 1: Get it right, May seventeenth, May seventeenth war story comes out? Damn, Hey, yo,
• 2:08:42
  Speaker 1: you're gonna come out to my podcast? Are you? Are
• 2:08:46
  Speaker 1: you gonna do a podcast? Yeah? Fuck yeah? You know
• 2:08:49
  Speaker 1: what you gotta do now? That Ritz I think is singleish.
• 2:08:53
  Speaker 1: You gotta have Rits on your podcast so he could
• 2:08:55
  Speaker 1: tell the nastiest stories in hip hop unapologetically. Now we
• 2:09:01
  Speaker 1: ain't even got time for me to go into the
• 2:09:03
  Speaker 1: stories I know about the bus troll.
• 2:09:07
  Speaker 5: Wait, wait, hey, riddle me, this Canadian missed the bus troll.
• 2:09:16
  Speaker 5: You know Rich is the bus troll?
• 2:09:17
  Speaker 1: Bro was Rich? Was Rich? Why I hit on it
• 2:09:21
  Speaker 1: in that fucking garbage verse that I gave for for
• 2:09:24
  Speaker 1: I'm glad you admitted it. He's gonna be so happy
• 2:09:27
  Speaker 1: you admitted it.
• 2:09:28
  Speaker 2: He fucking knows.
• 2:09:29
  Speaker 3: I was like, you know, Ritz feels some type of way.
• 2:09:31
  Speaker 3: You guys never did a project together. You know it's
• 2:09:33
  Speaker 3: it's it's because fans always bother him. He's like, yo, man,
• 2:09:37
  Speaker 3: we could have gave the fans that the ogs American fans.
• 2:09:42
  Speaker 1: I don't want to rap with Ritz man, that's the truth, man,
• 2:09:44
  Speaker 1: Like I want to rap. Man, Let's let's do some
• 2:09:46
  Speaker 1: other ship. Man, I'm singing. Yeah, it's rapping is too easy, man, Yeah,
• 2:09:50
  Speaker 1: let's do some ship. We put some rap ship in there,
• 2:09:52
  Speaker 1: but I want to do some mo Was it the
• 2:09:54
  Speaker 1: tour with you uh, in which his nose blew up red?
• 2:10:00
  Speaker 1: Wasn't that your guys's tour? He had the coke nose?
• 2:10:05
  Speaker 4: Bro.
• 2:10:07
  Speaker 1: Yeah, he's gonna love this interview. He's gotta love this.
• 2:10:15
  Speaker 1: You see if I get him answer a facet had
• 2:10:17
  Speaker 1: this piece of ship. Oh my god, dude, he showed
• 2:10:25
  Speaker 1: me pictures of that ship. You had to let the
• 2:10:30
  Speaker 1: pop forgot about the cocos. Oh my bro, this will
• 2:10:37
  Speaker 1: text me at three in the morning the night before last.
• 2:10:39
  Speaker 8: Oh oh, let's let's double team, let's tag team and
• 2:10:45
  Speaker 8: full home. Oh right now, cos please God bless America,
• 2:10:53
  Speaker 8: Please phone Coke.
• 2:10:55
  Speaker 1: Gang bangon pause through face time, full Home, full Home.
• 2:11:00
  Speaker 1: Oh yeah, he'd like it, full sin. He's had worse.
• 2:11:04
  Speaker 1: He's the grenade jumper. You pussy answer the phone, Coke
• 2:11:08
  Speaker 1: knows look at us. You're on the fucking you're on
• 2:11:11
  Speaker 1: the podcast, You fucking pussy. Yeah, you pussy like man,
• 2:11:16
  Speaker 1: he's probably in the basement somewhere crying, Hey, why are
• 2:11:22
  Speaker 1: we calling you both? And you're not answering your piece
• 2:11:24
  Speaker 1: of ship? Yeah, get your ship together, man, know. Fucking
• 2:11:27
  Speaker 1: bus troll. Yeah, it's probably fucking a midget on me.
• 2:11:33
  Speaker 1: You know I caught it the bus troll, because you
• 2:11:35
  Speaker 1: would get hammered, dog hammered in the bus, and he.
• 2:11:39
  Speaker 4: Would just.
• 2:11:41
  Speaker 11: We have understand some Jeremy Scott Adidas swaying back, like
• 2:11:48
  Speaker 11: if you imagine Rinson is under his hair, I can
• 2:11:53
  Speaker 11: imagine it, Yo, like blocking the door with a fucking
• 2:11:58
  Speaker 11: plastic bottle of.
• 2:11:59
  Speaker 1: Canadian bro How about this.
• 2:12:01
  Speaker 3: The only time Ritz ever got really mad at me
• 2:12:04
  Speaker 3: was I was blacked out and I took his beanie
• 2:12:07
  Speaker 3: off and he oh.
• 2:12:11
  Speaker 1: Oh, I touched the beanie. It was a fucking problem. Hey,
• 2:12:14
  Speaker 1: well this is him without a beanie, Like this might
• 2:12:18
  Speaker 1: be that Mexico toot's see you guys here.
• 2:12:21
  Speaker 2: No Spotify?
• 2:12:26
  Speaker 1: Okay, so what's their et a idea?
• 2:12:29
  Speaker 8: Now?
• 2:12:32
  Speaker 1: All right, let me cause that I'll find out. Are
• 2:12:34
  Speaker 1: you I'm in here, I'm in here, come in you
• 2:12:37
  Speaker 1: fuck him in the middle of an interview. There's a
• 2:12:42
  Speaker 1: winning gate. It's unlocked. Push it through, you got it? Goodbye?
• 2:12:45
  Speaker 8: Yo.
• 2:12:45
  Speaker 1: So look so like he would like why we called
• 2:12:49
  Speaker 1: him bus troll?
• 2:12:51
  Speaker 10: It is because he was like standing in the hallway,
• 2:12:54
  Speaker 10: bro and like blocking the antl to the to the
• 2:12:58
  Speaker 10: bucks and no, with a bottle of Canadian miss like
• 2:13:05
  Speaker 10: a fucking leprechaun or some ship.
• 2:13:08
  Speaker 1: And so we started saying, riddle me this Canadian miss,
• 2:13:15
  Speaker 1: like you had to answer a riddle to get to
• 2:13:17
  Speaker 1: your bunk. So anyway, we shout out to Ritz. He's
• 2:13:21
  Speaker 1: a legend, great guy. I love him.
• 2:13:23
  Speaker 10: Whatever.
• 2:13:24
  Speaker 1: Listen, man, I'm just here having fun. That was funny.
• 2:13:28
  Speaker 1: It's funny. It is because I'm crying. You know who
• 2:13:32
  Speaker 1: was gnarly? Was your old fucking road manager the night
• 2:13:35
  Speaker 1: I told you about Josh Spice. No, no, no, Jos's
• 2:13:38
  Speaker 1: cool shots o G. I'm talking about the fucking violent
• 2:13:40
  Speaker 1: motherfucker Brooklyn. Oh Brooklyn. He was crazy nuts. So I'm
• 2:13:48
  Speaker 1: tripping out, worst trip of my night, like of my life.
• 2:13:52
  Speaker 1: So I'm on, I'm on all the edibles in the world, right,
• 2:13:55
  Speaker 1: Rich is opening up for you. I'm standing in the crowd.
• 2:13:58
  Speaker 1: My legs are cemented to the floor. I can't move.
• 2:14:01
  Speaker 3: Garfield the Cats on stage next to Ritz with fucking
• 2:14:03
  Speaker 3: slot machine eyes.
• 2:14:05
  Speaker 4: You go on.
• 2:14:06
  Speaker 1: I go outside. I'm puking on the side of the venue.
• 2:14:09
  Speaker 1: I'm just throwing up profusely. Right, And I walk back in,
• 2:14:14
  Speaker 1: and for whatever reason, like when I'm tripping hard, all
• 2:14:17
  Speaker 1: of the ship that would make someone's trip really bad
• 2:14:21
  Speaker 1: happening in real life around them always happens to me. Right,
• 2:14:24
  Speaker 1: So I got some Native American dude trying to check
• 2:14:26
  Speaker 1: me about being white on stolen land. Outside, going to
• 2:14:29
  Speaker 1: the fucking backstage of the venue, and Brooklyn's beating the
• 2:14:33
  Speaker 1: ship out of some guy on the side of the stage.
• 2:14:35
  Speaker 1: We wait, is this the observatory? No, this isn't Arizona.
• 2:14:39
  Speaker 2: This is this is how many times this happened.
• 2:14:41
  Speaker 1: This is the clubhouse. I don't wonder which venue. This
• 2:14:44
  Speaker 1: is the clubhouse in Arizona. And so I'm sitting on
• 2:14:47
  Speaker 1: the couch and this fucking dude just getting the ship
• 2:14:49
  Speaker 1: rocked out of him right in front of me. And
• 2:14:51
  Speaker 1: I don't know how real it is because I'm fucked,
• 2:14:56
  Speaker 1: and that dude's a gnarly dude. Little dude, but like
• 2:14:59
  Speaker 1: not even a little dude, but like not like as
• 2:15:00
  Speaker 1: big of a dude as you'd expect to be throwing
• 2:15:03
  Speaker 1: the way he was throwing, like normal size guy.
• 2:15:06
  Speaker 8: You know.
• 2:15:07
  Speaker 1: No, Brooklyn was a savage. Savage. Yeah, that's crazy. Yeah,
• 2:15:11
  Speaker 1: he's a maniac. Yeah, good time, the best time tour
• 2:15:14
  Speaker 1: coming ish, Yeah, spot. I'm not I'm not into torn
• 2:15:17
  Speaker 1: right now. Man, I'm telling you, I'm just like I'm.
• 2:15:21
  Speaker 3: You had ruptured your spleen skydiving, right, that's crowded guy,
• 2:15:25
  Speaker 3: crowd crowded.
• 2:15:26
  Speaker 1: In a way. Yeah yeah, in Los Angeles, and that
• 2:15:30
  Speaker 1: had stopped you from doing more of that? Correct? I?
• 2:15:34
  Speaker 1: Well no it didn't. It didn't stop me, but did it? Got?
• 2:15:38
  Speaker 1: I got this tattoo it said calm down. I was
• 2:15:41
  Speaker 1: in ICU for fucking four days and assisted living for
• 2:15:44
  Speaker 1: two weeks. They I had signed a death papers for
• 2:15:49
  Speaker 1: that that injury. Like they were like, if you die,
• 2:15:51
  Speaker 1: we're not responsible. Type of ship I was on dolt
• 2:15:54
  Speaker 1: of and ship and then I and then I left
• 2:15:57
  Speaker 1: that assisted living and went straight to the airport to
• 2:16:00
  Speaker 1: Australia for a tour. Fuck and ah, man, I mean,
• 2:16:09
  Speaker 1: I'm cool, I'm cool on like I just look, man,
• 2:16:14
  Speaker 1: you're not gonna climb to the top of the venue
• 2:16:15
  Speaker 1: and do a fucking flying elbow off of it. I
• 2:16:19
  Speaker 1: mean I might, yeah, you know, I mean, what better
• 2:16:22
  Speaker 1: way to go out? Honestly, I mean, dude, when I
• 2:16:27
  Speaker 1: ruptured my spleen, what happened is I landed on a
• 2:16:30
  Speaker 1: dude's face and his nosebone went into my spleen. So
• 2:16:37
  Speaker 1: I like dove off of like fucking ten feet in
• 2:16:43
  Speaker 1: Los Angeles. Actually I don't know what venue it was,
• 2:16:46
  Speaker 1: so that dude was fucked up, but everybody's hands were
• 2:16:49
  Speaker 1: up and this dude turned around like.
• 2:16:53
  Speaker 2: Fucking splattered his nose.
• 2:16:54
  Speaker 1: He was so stoked, he was so happy. No, wow,
• 2:16:58
  Speaker 1: good for him for him being a real one. Twenty
• 2:17:01
  Speaker 1: twenty four. That happens. They're getting fucking too. I've been
• 2:17:04
  Speaker 1: superfore for what that that ship that happened at Observatory,
• 2:17:10
  Speaker 1: What happened? How was happening at a few of your
• 2:17:13
  Speaker 1: shows there? Now that that full jumped on stage and
• 2:17:15
  Speaker 1: pulled me down. It was on like all like, what
• 2:17:19
  Speaker 1: is it all hip hop or whatever?
• 2:17:20
  Speaker 3: I remember the vlog you had where someone stepped on
• 2:17:22
  Speaker 3: your bus and you clocked them. You remember that on
• 2:17:24
  Speaker 3: the bus stairs? What was that like twelve years ago?
• 2:17:28
  Speaker 1: Do you remember that? It was on one of your vlogs,
• 2:17:30
  Speaker 1: like on your YouTube channel. Some fools some food was
• 2:17:33
  Speaker 1: trying to get on the bus and you just fucking
• 2:17:35
  Speaker 1: lay Yeah, yeah, for sure.
• 2:17:37
  Speaker 2: But that that shit happened the loss you having an observatory.
• 2:17:40
  Speaker 1: I got pulled down by my overalls. It was like
• 2:17:42
  Speaker 1: a it's not no, it's all Star, No, not all
• 2:17:47
  Speaker 1: Star world Star. Was this that ship and they posed
• 2:17:51
  Speaker 1: it up but it blew up on ward Star or whatever?
• 2:17:53
  Speaker 1: I like, was this the show that the jelly and
• 2:17:56
  Speaker 1: struggle opened up on? No, no, no, people go okay,
• 2:17:59
  Speaker 1: But anyway, Brooklyn was there. Yeah, the point is Brooklyn
• 2:18:04
  Speaker 1: was there. I got a lawsuit. Shit I threw. I
• 2:18:09
  Speaker 1: threw a bottle of this idiot who was who was
• 2:18:13
  Speaker 1: trying to beat me up? Basically, and yeah, I got
• 2:18:17
  Speaker 1: I got the business. Well, look man, May seventeenth album
• 2:18:22
  Speaker 1: is coming. It's I'm excited for this one. Man, can
• 2:18:25
  Speaker 1: we do some hip hop this year?
• 2:18:27
  Speaker 4: Yeah?
• 2:18:27
  Speaker 1: Can we fucking do some mother fucking hip hop this year?
• 2:18:30
  Speaker 1: That's what I'm trying to fucking do. Man Warst Story
• 2:18:33
  Speaker 1: May seventeenth, Truck Music Forever. My energy is up, man good,
• 2:18:38
  Speaker 1: My energy is way up. I'm glad, bro, I'm serious,
• 2:18:41
  Speaker 1: I'm glad. I feel it. I feel like that first
• 2:18:44
  Speaker 1: record was a statement, like, bitch, I'm here to rack dog.
• 2:18:46
  Speaker 1: You know what I'm saying, Like, don't forget I wanted
• 2:18:48
  Speaker 1: the coldest. I'm here to do more than that fucking
• 2:18:55
  Speaker 1: ballmart ballmart Baby, Go buy some some American. Go support
• 2:18:59
  Speaker 1: this guy, Go buy some Slamerican. How about not go
• 2:19:02
  Speaker 1: bootlegg it?
• 2:19:03
  Speaker 2: keV dad joke?
• 2:19:07
  Speaker 1: What's up with Newport? I still have a green hoodie
• 2:19:09
  Speaker 1: with his fucking face on it.
• 2:19:10
  Speaker 2: You have the fucking dude We're killing it hoodie. Yeah,
• 2:19:13
  Speaker 2: that's a classic, man, you better hold on to that.
• 2:19:15
  Speaker 1: We'll never make it again. I'm sure he won't. Why
• 2:19:19
  Speaker 1: would you? That was a moment like be like, yo,
• 2:19:23
  Speaker 1: let's print another Newport hoodie. Might print some skateboards or
• 2:19:27
  Speaker 1: some shit, but oh Newport, dude, he's got his own
• 2:19:29
  Speaker 1: skate shop. He's great man, Magic City, Miami. We had
• 2:19:35
  Speaker 1: If you are getting down to Miami and you want
• 2:19:37
  Speaker 1: to go to a skate shop with the family, check
• 2:19:40
  Speaker 1: in in Magic City. Man. That's my boy. Man, he's
• 2:19:42
  Speaker 1: got a great skateboard shop, you know, popping.
• 2:19:45
  Speaker 3: Would you ever do any movies or try to maybe
• 2:19:49
  Speaker 3: like write a pilot for a TV show based on
• 2:19:52
  Speaker 3: some of your life or any of your fucking why
• 2:19:54
  Speaker 3: do you.
• 2:19:54
  Speaker 1: Ask so many things that have such long answers.
• 2:19:58
  Speaker 3: Well, because we're waiting for that Mexicano t his handler
• 2:20:00
  Speaker 3: just got here, the gay man in the corner over there.
• 2:20:02
  Speaker 1: Well, first of all, I've done my first feature film.
• 2:20:05
  Speaker 1: It's called Peter Peanut Butter Falcon with Sealah Buff Dakota. Zach.
• 2:20:11
  Speaker 1: You used to check it out, Okay I didn't. I
• 2:20:13
  Speaker 1: haven't seen that. When I didn't, we'll fucking stop sleeping on,
• 2:20:17
  Speaker 1: stop sleeping. Got some bars, he definitely does, got bars,
• 2:20:21
  Speaker 1: but not now this role. Oh John Hawks, you know
• 2:20:24
  Speaker 1: what I mean, like like crew crew. But the movie
• 2:20:29
  Speaker 1: is called Peanut Butter Falconi movie. That's also a sick
• 2:20:33
  Speaker 1: band name. It's a great movie. Zach is starring in
• 2:20:40
  Speaker 1: it and the story is what got me about the role.
• 2:20:46
  Speaker 1: But I was fresh out of rehab, dude, like, and
• 2:20:49
  Speaker 1: my role is called rat boy and pooh boy. Did
• 2:20:53
  Speaker 1: I own that?
• 2:20:54
  Speaker 5: You know? So?
• 2:20:55
  Speaker 1: I fucking that was my first role and only role.
• 2:20:59
  Speaker 1: But I just say down with Shannon from Average Joe's
• 2:21:02
  Speaker 1: who they just did Old Henry And if you haven't
• 2:21:07
  Speaker 1: seen Old Henry, please do yourself a favorite. Check that movie.
• 2:21:10
  Speaker 1: I was brilliant Old Henry. So we're working on some things.
• 2:21:15
  Speaker 1: I mean, we'll see. I'm just not a fucking artist
• 2:21:19
  Speaker 1: that wants to do film for film's sake. I like
• 2:21:22
  Speaker 1: rad shit, like I like how like most Death did
• 2:21:26
  Speaker 1: it right get out. He just got the Italian job
• 2:21:30
  Speaker 1: to be Henrie Wind. You know, he just picked great
• 2:21:33
  Speaker 1: roles and he had a very like he was very
• 2:21:37
  Speaker 1: tasteful about how he approached it, you know, and it
• 2:21:41
  Speaker 1: was somehow it seemed like on brand for what you
• 2:21:45
  Speaker 1: would appreciate from from him most deaf, you know what
• 2:21:48
  Speaker 1: I'm saying. So I would like to do it like that.
• 2:21:50
  Speaker 1: Another artist who did it is like Dwight Yoakum. Dwight
• 2:21:52
  Speaker 1: Yoakum did it very tastefully. I feel like too. From
• 2:21:55
  Speaker 1: from like music to film legend. So I'm just trying
• 2:21:58
  Speaker 1: to make that like transition and like gracefully. I get
• 2:22:02
  Speaker 1: rolls all the time, but it's always like some love interests,
• 2:22:04
  Speaker 1: like fucking weird, just romantic comedy, like the fuck.
• 2:22:10
  Speaker 9: Out of here.
• 2:22:10
  Speaker 1: I don't want to do a romantic comedy like I
• 2:22:12
  Speaker 1: want some fucking gnarly shit. Let's get gnarly.
• 2:22:17
  Speaker 2: Let's get gnarly in twenty.
• 2:22:18
  Speaker 1: Four, Gnarly twenty twenty four.
• 2:22:21
  Speaker 2: I gotta fucking piss like a raise me too.
• 2:22:23
  Speaker 1: What's in the fucking podcast? The podcast just ended. It's over. Now,
• 2:22:26
  Speaker 1: it's over. Wait, what's the May seventeenth? May seventeenth War story?
• 2:22:32
  Speaker 1: The double album is out, Thank you my god. keV, Hey,
• 2:22:35
  Speaker 1: you're going to introduce me to os. Yeah, he'll be
• 2:22:37
  Speaker 1: here in a second. Yeah,