Latest / Michelle Explains Anime, Poorly / Given Ep.5- The Reason

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Given Ep.5- The Reason · Michelle Explains Anime, Poorly

• 0:00
  Speaker 1: Hey, it's your person, Michelle, I guess, and I'm here again.
• 0:05
  Speaker 1: Who knew that that would happen? I didn't know. I
• 0:08
  Speaker 1: mean I probably knew, but uh yeah, we're gonna talk
• 0:13
  Speaker 1: about Given today, specifically episode five. I don't really have
• 0:19
  Speaker 1: a lot of other things to tell you. I've been really,
• 0:22
  Speaker 1: really stressed, so I haven't been keeping up super well
• 0:25
  Speaker 1: with seasonal anime. I'm kind of keeping up with them,
• 0:28
  Speaker 1: but not super good. Like I've pretty much stopped watching
• 0:32
  Speaker 1: try Gun Stargaze, mostly because I'm scared of it now
• 0:35
  Speaker 1: because that's how much I like it, and not scared
• 0:37
  Speaker 1: of it because it's so good. Not that that's why
• 0:40
  Speaker 1: you would be scared of something, but I just don't
• 0:42
  Speaker 1: know how it can get worse. But it's going to,
• 0:44
  Speaker 1: I'm sure. And I don't mean the plot is so
• 0:47
  Speaker 1: good that it is bad or something. I don't know.
• 0:50
  Speaker 1: I just mean it's bad. I don't like it, and
• 0:52
  Speaker 1: I have to keep watching it because I care about
• 0:55
  Speaker 1: try Gun as a thing, but I don't like the
• 1:00
  Speaker 1: I don't like it at all. So I'm a couple
• 1:03
  Speaker 1: of episodes behind with that. But everything else is just
• 1:07
  Speaker 1: you know, I'm either caught up or an episode behind,
• 1:09
  Speaker 1: and it's all going real fucking smoothly, getting to the
• 1:12
  Speaker 1: point where I don't even know if I like things anymore,
• 1:14
  Speaker 1: because it's like, oh, this is all fine. I'm never
• 1:16
  Speaker 1: gonna remember those in a few seasons or whatever. But yeah,
• 1:20
  Speaker 1: that's what's going on. So let's just talk about Given
• 1:23
  Speaker 1: instead of me talking about my fear of never liking
• 1:28
  Speaker 1: things again. Yeah, let's do it. So Given. Episode five
• 1:34
  Speaker 1: is called The Reason Fuck, which I was really really
• 1:40
  Speaker 1: really really hoping that there was a UK alternative rock
• 1:45
  Speaker 1: song called The Reason that I could find, but no,
• 1:48
  Speaker 1: the only song I could find called The Reason is
• 1:50
  Speaker 1: by hubis Dank, which is like the worst band name ever.
• 1:54
  Speaker 1: It really is, Who the fuck names their band hubistanc
• 1:57
  Speaker 1: besides them? Sorry, people who like Hubiston. You gotta admit though,
• 2:01
  Speaker 1: that's a really bad name, right, Okay, Yeah, so I
• 2:05
  Speaker 1: just lost you. Sorry. If you can ever forgive me,
• 2:09
  Speaker 1: I hope you hang around. If not, I get it's anyway.
• 2:12
  Speaker 1: Hohobi Stank released the song called The Reason in two
• 2:15
  Speaker 1: thousand and four. It was like a single even that
• 2:18
  Speaker 1: like got played on the radio. Gross, and it was
• 2:22
  Speaker 1: from their second album, which was also called The Reason. Yeah.
• 2:27
  Speaker 1: So I know I sound like really upset about this,
• 2:32
  Speaker 1: but I will explain in case you are not familiar
• 2:35
  Speaker 1: with the song the reason it's is like a ballad. Basically,
• 2:39
  Speaker 1: Hoobi Stank is a you know, rock band, not an
• 2:42
  Speaker 1: alternative rock band. It just kind of like a rock band.
• 2:45
  Speaker 1: Sorry people again if you like hub Stank. So, yeah,
• 2:47
  Speaker 1: we have this ballad and it is basically about how
• 2:51
  Speaker 1: the the person the uh, the singer or whoever the
• 2:56
  Speaker 1: main character is in the song has hurt this probably woman,
• 3:00
  Speaker 1: probably that he was in a relationship with, and he
• 3:05
  Speaker 1: just wants to let her know that the reason he's
• 3:08
  Speaker 1: going to change for the better is because of her.
• 3:11
  Speaker 1: And he is apologizing for hurting her but saying like,
• 3:15
  Speaker 1: you gotta understand me hurting you and fucking everything up.
• 3:19
  Speaker 1: That's the reason I'm gonna change. Fucking hate it. So
• 3:24
  Speaker 1: let me explain a little bit more as to why
• 3:27
  Speaker 1: it feels a little bit like he's trying to get
• 3:29
  Speaker 1: back with this person, you know, saying like you're the
• 3:32
  Speaker 1: only good thing in my life. You're the reason I'm
• 3:34
  Speaker 1: gonna change and I'm going to change, which he's not.
• 3:37
  Speaker 1: I mean, come on, this random woman is the reason
• 3:40
  Speaker 1: he's going to change and make his life better. He
• 3:42
  Speaker 1: never meant to say those things to you, apparently in
• 3:45
  Speaker 1: the song, and he's not a perfect person, but he's
• 3:47
  Speaker 1: not going to suddenly become a perfect person because you
• 3:50
  Speaker 1: broke up with him. Sorry, it just reads like real
• 3:53
  Speaker 1: creepy and skeevy to me. I do not like this song,
• 3:57
  Speaker 1: and I don't like whops thank But anyway, I like
• 4:00
  Speaker 1: this song the least out of all hoobistank things that
• 4:02
  Speaker 1: I know about, so I was not thrilled to have
• 4:05
  Speaker 1: this as the title to an episode. Also, I have
• 4:08
  Speaker 1: decided now completely that the lyrics and what the song
• 4:12
  Speaker 1: is actually about have nothing to do with the episode
• 4:15
  Speaker 1: because the song has nothing to do with that. But
• 4:17
  Speaker 1: the title the reason does make sense, so I'll give
• 4:21
  Speaker 1: them that. So yeah, this is kind of like when
• 4:24
  Speaker 1: we were doing the book titles with Banana Fish, where
• 4:29
  Speaker 1: the title sounds good, it makes sense with the episode,
• 4:31
  Speaker 1: so we're gonna use it even though the content doesn't
• 4:33
  Speaker 1: make sense. Which again, it's fine. I just wish it
• 4:36
  Speaker 1: wasn't Hoobastank. It's sorry again, if you like them, I
• 4:40
  Speaker 1: didn't even know anyone cared anymore, but they do. Apparently.
• 4:44
  Speaker 1: So let's get into the episode. So if you remember
• 4:50
  Speaker 1: from the end of last week, we had a big
• 4:53
  Speaker 1: kind of sort of cliphanger where that dark haired girl
• 4:56
  Speaker 1: was telling Kasai that there rumors about Mafou in his
• 5:02
  Speaker 1: middle school, and then we didn't get to hear what
• 5:04
  Speaker 1: they were, which sucked. So we don't start there at all,
• 5:07
  Speaker 1: because why would we find out what the rumors are.
• 5:10
  Speaker 1: We start with a shot of the studio exterior at
• 5:14
  Speaker 1: night because yep. Then we cut to a shot of
• 5:17
  Speaker 1: like an interior wall and there's like a clock it's
• 5:21
  Speaker 1: nine thirty four, by the way, and there are hangers
• 5:24
  Speaker 1: like I guess for your coats if you bring them in,
• 5:26
  Speaker 1: and like you can see part of a speaker. Yay,
• 5:29
  Speaker 1: Mafou gasps, and he's like a live show. Good it's
• 5:33
  Speaker 1: important to tell them. How doke? He says, Yeah, it's
• 5:36
  Speaker 1: an event my friend's hosting. Yay, his friend pakame my
• 5:40
  Speaker 1: favorite character. Anyway, how do? He turns his phone towards
• 5:45
  Speaker 1: the rest of the group and continues, it's actually at
• 5:48
  Speaker 1: the venue that Mafou works. Mafo, you gasps again? Waynayama says,
• 5:52
  Speaker 1: when is it? Kachi's like July seventh. How doke? He says,
• 5:57
  Speaker 1: do you guys have finals around then? Wyama like ah,
• 6:02
  Speaker 1: and he looks over at Mafo you and Mafou just
• 6:03
  Speaker 1: shakes his head. No, and OI know. Ayama says, we're good.
• 6:07
  Speaker 1: Kaji's like, you really don't give a shit about anything
• 6:09
  Speaker 1: besides the band. Huh? I think Hadok says, we don't
• 6:12
  Speaker 1: see him, so I'm not sure. The beginning of July. Huh,
• 6:16
  Speaker 1: that'll be less than two months since Mafou joined. Do
• 6:19
  Speaker 1: you think it's too soon? Yes, I absolutely think this
• 6:23
  Speaker 1: is too soon. He's barely learned how to play the guitar,
• 6:25
  Speaker 1: but whatever, OI know. Yama's like, no, I think it'd
• 6:28
  Speaker 1: be worth doing now if you want a good reputation. Guys,
• 6:31
  Speaker 1: Mafou has been like not really paying attention, kind of
• 6:34
  Speaker 1: zipping his guitar case. But at that he straightens up
• 6:36
  Speaker 1: and gasps and says, this includes me. Ah Ou, I know.
• 6:40
  Speaker 1: Yama's like, of course it does. You're part of the
• 6:42
  Speaker 1: band now. Kaji's like, playing at gig's way different than
• 6:45
  Speaker 1: playing in a studio. You'll probably shit your pants, I
• 6:48
  Speaker 1: hope not. Geezki says it feels great playing in front
• 6:53
  Speaker 1: of a crowd. Mafou smiles and uino Yama's like that said,
• 6:57
  Speaker 1: Mafu looks over at him, and uio Yama looks like
• 7:00
  Speaker 1: he doesn't have pupils in his eyes anymore, and then
• 7:03
  Speaker 1: like around him like his aura is like a dark
• 7:05
  Speaker 1: blue hatched thing, and he says, you'd better be prepared
• 7:10
  Speaker 1: because your guitar skills aren't ready for other people to
• 7:12
  Speaker 1: hear yet. Mafu's like, okay, how do ke ta? Kaji says,
• 7:17
  Speaker 1: what songs should we play? Kaji's like, hmm, I mean
• 7:21
  Speaker 1: all our songs are instrumentals. Mafu U's like instrumentals. Oo
• 7:26
  Speaker 1: yama says, songs without vocals? How do He's like, it'd
• 7:30
  Speaker 1: be nice if we could come up with a song
• 7:32
  Speaker 1: MafA you could actually sing by then I got news
• 7:35
  Speaker 1: for you. Mafu U's like vocals. He gasps and looks
• 7:39
  Speaker 1: at uey no Yama. Ounoyama flinches and MafA you stares
• 7:43
  Speaker 1: at him with stars in his eyes and sparkles coming
• 7:46
  Speaker 1: out of him, and Ooyama's like, uh. Kaji says, what's up?
• 7:51
  Speaker 1: Oo Yama continues, Uh, well, you see, he's like rubbing
• 7:55
  Speaker 1: his neck, mafu. You stares at him intently, so many
• 7:59
  Speaker 1: sparkles coming out of him now, and we go to
• 8:01
  Speaker 1: the opening theme. Yay back from the opening. We're looking
• 8:05
  Speaker 1: down a narrow street with like people on it. It's nighttime.
• 8:09
  Speaker 1: And then we cut two food on a table. There's
• 8:12
  Speaker 1: like crackers, I think, with like little pepperoni's sticking out
• 8:16
  Speaker 1: of them, like maybe there's a little bit of crme
• 8:19
  Speaker 1: cheese and then the pepperoni is sticking out of that,
• 8:21
  Speaker 1: I'm not sure, guys, and some other crackers, and like
• 8:23
  Speaker 1: a little piece of lettuce near the crackers, and tabasco
• 8:26
  Speaker 1: sauce and toothpicks, and like a container full of like
• 8:30
  Speaker 1: wooden chopsticks, like the disposable kind, shaker of salt maybe,
• 8:35
  Speaker 1: and cigarettes in an ashtray cause they smoke, we hear.
• 8:39
  Speaker 1: How do he say, so he's writing a song. How
• 8:42
  Speaker 1: do he and Kaji are standing at like a standing
• 8:45
  Speaker 1: table at a bar drinking beer. How do he continues
• 8:49
  Speaker 1: we know, y'am sure is fired up about this. Kaji's
• 8:52
  Speaker 1: like apparently it's all he's been doing at home too.
• 8:55
  Speaker 1: How do he says, wow, that's rare. Actually, isn't this
• 8:59
  Speaker 1: the first time, Well, you know, Yama's been so obsessed
• 9:01
  Speaker 1: about something. Ah. Kaji looks up and kind of to
• 9:05
  Speaker 1: the side, like he's thinking, and he's like, I think
• 9:07
  Speaker 1: it is He's like right, he takes a cigarette out
• 9:11
  Speaker 1: of his pack. Mafuo. You's singing is pretty impressive. Must
• 9:13
  Speaker 1: have really struck a chord with him. Kaji seems to
• 9:16
  Speaker 1: be like thinking about this, and as he is, we
• 9:20
  Speaker 1: hear how Doki like trying to get his lighter to work,
• 9:22
  Speaker 1: like he's like flipping it and stuff, and then we
• 9:24
  Speaker 1: hear him say out hot. Kaji's like, hmm, what Hadoki,
• 9:29
  Speaker 1: who is? I noticed looking really fucking pretty here says
• 9:33
  Speaker 1: the flame of my lighter was too strong. I think
• 9:35
  Speaker 1: I may have singed my bangs. He doesn't have bangs.
• 9:38
  Speaker 1: He does have some hair that's like on the side
• 9:41
  Speaker 1: of his face that's not up, like it's a little
• 9:44
  Speaker 1: bit shorter, but it's down to his chin, so I
• 9:46
  Speaker 1: really wouldn't call them bangs. That's okay. Kaji puts his
• 9:50
  Speaker 1: hand around this section of Hadokei's loose hair and says, well,
• 9:55
  Speaker 1: you do keep letting them grow. There's this long moment
• 9:59
  Speaker 1: of silence because this is really, really weird and how
• 10:03
  Speaker 1: Doaky's eyes widen and he kind of pulls back, but
• 10:06
  Speaker 1: then like laughs it off and says that's because uh.
• 10:11
  Speaker 1: He kind of laughs again and twirls his hair with
• 10:13
  Speaker 1: his fingers. I'm gonna have to trim the ends. Later,
• 10:16
  Speaker 1: Kaji's like, oh shit, how do k He says, what's wrong?
• 10:20
  Speaker 1: Kaji's like, sorry, can I come over tonight? He says
• 10:25
  Speaker 1: what We now see a shot of the city at night,
• 10:29
  Speaker 1: and there's like a canal in the foreground, like you know,
• 10:32
  Speaker 1: a canal canal. I don't know what I'm trying to say,
• 10:35
  Speaker 1: and then we see a bike rack with like multiple
• 10:38
  Speaker 1: bikes on it, and also Kagi's motorcycle. We cut now
• 10:41
  Speaker 1: to a hand turning a key in a luck and
• 10:44
  Speaker 1: we hear how Doki say, geez. The door opens into
• 10:48
  Speaker 1: a dark apartment and he starts to walk in. Don't
• 10:51
  Speaker 1: drink if you're riding your motorcycle. Kaji, who we can't
• 10:54
  Speaker 1: see yet he's still in the hall, is like, I forgot.
• 10:57
  Speaker 1: How do Ky's like, just give me a second. Kaji
• 11:00
  Speaker 1: says sure. We cut to a ceiling light, you know,
• 11:04
  Speaker 1: in the front area of the apartment that's not on
• 11:08
  Speaker 1: and the light from the hallway slowly goes away. As
• 11:10
  Speaker 1: the door closes, the ceiling light flips on and we
• 11:14
  Speaker 1: hear how to Kei kind of moving around, but we're
• 11:16
  Speaker 1: not seeing him. And then we cut to him standing
• 11:19
  Speaker 1: in front of the door, motionless with his back to it.
• 11:22
  Speaker 1: Then he drops to his knees and puts his head
• 11:24
  Speaker 1: in his hands and sighs really loudly, like almost like
• 11:27
  Speaker 1: a uh kind of thing. Yeah, yeah, pure's a lot
• 11:32
  Speaker 1: for him. Now we see him opening the door all smiles.
• 11:36
  Speaker 1: I hope Kaji didn't hear that through the door. I
• 11:38
  Speaker 1: would think he would though. Anyway, how do He's like,
• 11:41
  Speaker 1: come on in. Kagi says thanks, He walks in and
• 11:45
  Speaker 1: takes off his shoes. Now we see how to Kei
• 11:48
  Speaker 1: cutting the singed part of his hair off in the bathroom.
• 11:51
  Speaker 1: It's barely anything, and he sighs and he's like, I
• 11:56
  Speaker 1: need to be more careful. He puts his hand on
• 11:59
  Speaker 1: the back of his neck and thinks, my hair's never
• 12:01
  Speaker 1: been so long, so I didn't even think about it.
• 12:04
  Speaker 1: He thinks of a few minutes ago when Kaji was
• 12:07
  Speaker 1: touching his hair and saying he does keep letting it
• 12:11
  Speaker 1: grow and He looks down seriously though. He reaches for
• 12:15
  Speaker 1: like a little hairband, like a little black one and
• 12:17
  Speaker 1: that's on the counter and picks it up. I just
• 12:19
  Speaker 1: can't never find a good time to cut it. He
• 12:21
  Speaker 1: starts to put his hair up like he's getting it ready,
• 12:24
  Speaker 1: has the hairband in his mouth, and Kaji just like
• 12:27
  Speaker 1: opens the door. What like it's a fucking bathroom knock.
• 12:32
  Speaker 1: He's like, Oakey, can I borrow a charger? You couldn't
• 12:34
  Speaker 1: wait till he got out of the bathroom. Hadacky's like, sure,
• 12:38
  Speaker 1: go for it. I guess this is fine. Kaji's like, oh,
• 12:43
  Speaker 1: he enters the bathroom, let me tie your hair up?
• 12:46
  Speaker 1: What's going on? He's like, what do you even know? How?
• 12:52
  Speaker 1: Kaji is now like standing next to him and says,
• 12:55
  Speaker 1: I think I'm pretty good at it. For some reason,
• 12:57
  Speaker 1: we're just seeing their legs and butts. Yay. How do
• 13:00
  Speaker 1: He says, Well, listen to you, mister hotshot, I sure
• 13:03
  Speaker 1: would love to punch that pretty little face of yours. Geeze, dude.
• 13:08
  Speaker 1: Kaji's like, whatever, idiot. He starts to kind of try
• 13:12
  Speaker 1: to put up Hadaky's hair. He continues, this just means
• 13:16
  Speaker 1: I'm multi talented. Yeah, I don't think this counts as
• 13:20
  Speaker 1: a talent. We are kind of looking at the back
• 13:22
  Speaker 1: of Haddock's hair and neck, and then we fade into
• 13:26
  Speaker 1: him with shorter hair that's like not really short, like
• 13:29
  Speaker 1: just his shoulders instead of considerably longer than that, and
• 13:32
  Speaker 1: he's smoking. I think he's on the roof maybe somewhere,
• 13:36
  Speaker 1: and we hear a voice say, hey, come on, calm down, guys.
• 13:41
  Speaker 1: He looks down and he sees these three guys like
• 13:44
  Speaker 1: on that wood deck area. So I guess we're at
• 13:45
  Speaker 1: that college, and one of them says fuck off. We
• 13:49
  Speaker 1: get a closer shot now and we see that one
• 13:51
  Speaker 1: of them is Kagi, and there's also a guy with
• 13:55
  Speaker 1: brown hair and a guy with dirty blonde hair. The
• 13:57
  Speaker 1: guy with dirty blonde hair is like, you two slept together,
• 14:01
  Speaker 1: didn't you? Oh okay, he continues, you asshole. You guys
• 14:06
  Speaker 1: had sex, didn't you. Dook He thinks, yikes, that's tall.
• 14:10
  Speaker 1: Dude's scary. I mean he's not the one yelling, but okay.
• 14:15
  Speaker 1: So up until this point, Kaji has been facing away
• 14:18
  Speaker 1: from Hodoki. I mean he's on the roof, but you
• 14:20
  Speaker 1: know he's facing the other direction, and for some reason. Now,
• 14:24
  Speaker 1: Kaji starts to turn and we see that there's a
• 14:26
  Speaker 1: bruise on his cheek. I guess he had just been punched.
• 14:29
  Speaker 1: And how dook he gasps because Kaji is now just
• 14:33
  Speaker 1: staring at him. He does so for a second and
• 14:37
  Speaker 1: then he turns back and they continue their arguments. And
• 14:40
  Speaker 1: how Doercki thinks our eyes met and I got something
• 14:42
  Speaker 1: like the chills. We cut back to now where Kaji
• 14:45
  Speaker 1: is still trying to tie up Hadaki's hair. He's obviously
• 14:48
  Speaker 1: not very good at this. And how doock He thinks
• 14:51
  Speaker 1: that was two years ago and I've been growing my
• 14:53
  Speaker 1: hair out ever since. He starts to blush. Ever since
• 14:58
  Speaker 1: I fell in love with Aki Ego, it's been like
• 15:00
  Speaker 1: my prayer for something to happen. Fuck. We go back
• 15:05
  Speaker 1: to the college daytime and we see you know that
• 15:09
  Speaker 1: two years ago? How do he walk in with two
• 15:12
  Speaker 1: guys down like a path or something? And we hear
• 15:15
  Speaker 1: how do Ki say when we first met aki Eko
• 15:18
  Speaker 1: seemed a bit more hostile than he does now? How
• 15:21
  Speaker 1: do Ke stops walking and he sees Kaji crossing the
• 15:24
  Speaker 1: path like off in the distance ahead of him, holding
• 15:27
  Speaker 1: like a small instrument case. How do k. He continues,
• 15:31
  Speaker 1: he was like ten times more unapproachable. He carried around
• 15:34
  Speaker 1: a violin case. We cut to the violin case. So
• 15:37
  Speaker 1: when I saw him, I figured he was a music major.
• 15:40
  Speaker 1: We go now to a purple guitar case leaning against
• 15:43
  Speaker 1: a window, and how do ki continues as for me back?
• 15:46
  Speaker 1: Then a hand sets down a cup of tea on
• 15:50
  Speaker 1: a table and we hear someone say, I'm sorry. How
• 15:54
  Speaker 1: do He's sitting at a booth and I guess cafe
• 15:57
  Speaker 1: with some girl, and the girl says, my friend invited
• 16:00
  Speaker 1: me to join their band. How do He's like, huh?
• 16:04
  Speaker 1: The girl continues, sorry, she stands, and she just starts
• 16:08
  Speaker 1: to walk away. How do he's like what? He stands
• 16:12
  Speaker 1: and just has his mouth hanging open as she leaves,
• 16:16
  Speaker 1: and we continue the how too key voiceover. The vocalist
• 16:19
  Speaker 1: from my band quits. How do he lowers his head
• 16:23
  Speaker 1: and the rest of the band also sort of dissolved.
• 16:25
  Speaker 1: After that, we see him walking through a crowd at
• 16:28
  Speaker 1: a blue kind of lit venue and there are people cheering,
• 16:33
  Speaker 1: and we see that Uyeno Yama is on stage playing guitar.
• 16:36
  Speaker 1: I believe this is just a still shot, but eh,
• 16:40
  Speaker 1: how do key continues, but that was also when I
• 16:42
  Speaker 1: first encountered the child prodigy Ouyno Yama. Ritzka how dock
• 16:46
  Speaker 1: He looks pretty surprised, I guess by how good he is.
• 16:50
  Speaker 1: Then we cut to the street by a building at
• 16:52
  Speaker 1: Nights and Ounoyama is walking I guess away from the venue.
• 16:57
  Speaker 1: How do Ke calls out to him and he stops.
• 17:00
  Speaker 1: Then Hodocky kind of runs to meet up with him,
• 17:02
  Speaker 1: and we hear him say the young Uenoyama was a
• 17:05
  Speaker 1: very confident guitarist and pretty easy to understand. We see
• 17:09
  Speaker 1: them talking, and then some guy comes up and Uinoyama
• 17:12
  Speaker 1: and this guy just start yelling at each other, and
• 17:15
  Speaker 1: Haddakey continues but was apparently arguing with his bandmates. Uinoyama
• 17:20
  Speaker 1: turns and walks off as the guy tries to call
• 17:23
  Speaker 1: after him. Hadak He thinks, what a waste. If he
• 17:27
  Speaker 1: were in my band, I'd give him a lot more freedom.
• 17:30
  Speaker 1: If I at least had a drummer, I could ask
• 17:32
  Speaker 1: him to join, but I probably can't convince him on
• 17:34
  Speaker 1: my own. He thinks of ueno Yama playing again. Man,
• 17:38
  Speaker 1: he's so cool. Though, he starts to walk away. I
• 17:43
  Speaker 1: actually gave up on the idea. Once we cut to
• 17:46
  Speaker 1: a large lecture hall and the haoky voiceover continues. But
• 17:51
  Speaker 1: one day, when I was still determined to recruit the
• 17:54
  Speaker 1: young Uinoyama, he is looking at his phone unhappily while
• 17:58
  Speaker 1: also casually cursing off my former vocalist. An arm that's
• 18:01
  Speaker 1: holding like a stack of papers like moves into frame
• 18:04
  Speaker 1: and we hear a voice go hmm. We hear a
• 18:06
  Speaker 1: teacher say, once all the sheets are past the back,
• 18:10
  Speaker 1: bring any extras up front. We see now that the
• 18:12
  Speaker 1: person holding the papers is Kaji. Yay, how do key
• 18:16
  Speaker 1: looks shook and he thinks there he is, Oh my god,
• 18:21
  Speaker 1: his profile is so hot. It's okay, he's blushing now, man,
• 18:27
  Speaker 1: I could just stare at him forever. Wait, he gasps.
• 18:31
  Speaker 1: He sees that Kaji has a circular bag of sorts
• 18:35
  Speaker 1: next to him. How do he thinks? Hold up? Is
• 18:38
  Speaker 1: that a snare? Wait? Is he a drummer? No way, seriously,
• 18:42
  Speaker 1: he plays the drums. Kagi is still holding the papers
• 18:46
  Speaker 1: out by the way, poor Kaji, and he says, hey,
• 18:50
  Speaker 1: here's the syllabus. How do Ke is just silent and
• 18:53
  Speaker 1: Kaji is super confused, and we get a shot of
• 18:57
  Speaker 1: some people talking and windows. I guess this is all
• 19:00
  Speaker 1: happening while Hodakey is just staring, And then Hadaki's phone buzzes,
• 19:05
  Speaker 1: and we cut to Hadakey's profile, or like at least
• 19:10
  Speaker 1: part of his mouth. He's kind of frowning and sweat
• 19:12
  Speaker 1: is running down his face, and he says, hey, he
• 19:16
  Speaker 1: still hasn't taken the papers. Do you play drums? Kaji
• 19:20
  Speaker 1: doesn't actually say anything to this, He just continues to
• 19:24
  Speaker 1: hold the papers out towards Hatakey and stare at him.
• 19:27
  Speaker 1: We get a Hadokey voiceover that says, that was the
• 19:31
  Speaker 1: first time in my life that I'd stared at another
• 19:33
  Speaker 1: guy's face so intensely. We got a close up of
• 19:37
  Speaker 1: Kaji's green eye, and Hodaki says the light hitting his
• 19:41
  Speaker 1: eyes made them look even brighter, and the edges looked
• 19:44
  Speaker 1: almost green. Okay, let me just pause there for a second.
• 19:49
  Speaker 1: Who did this? Who fucked this up? Like, Kaji's eyes
• 19:53
  Speaker 1: in the anime are green, so the edges definitely are
• 19:57
  Speaker 1: going to look green, because all of them are. I
• 20:00
  Speaker 1: don't understand apparently, I mean, if this was taken directly
• 20:03
  Speaker 1: from the manga, which I have to go check now
• 20:05
  Speaker 1: because this scene is in the manga. That means that
• 20:08
  Speaker 1: Kaji's eyes were probably not green in the manga, or
• 20:10
  Speaker 1: at least not supposed to be at this time. Maybe
• 20:13
  Speaker 1: they were supposed to be hazel. I don't know, but
• 20:16
  Speaker 1: this is such a weird line to have here when
• 20:19
  Speaker 1: you have a character that obviously has green eyes, Like,
• 20:21
  Speaker 1: what does this even mean? Sorry? Anyway, We now cut
• 20:26
  Speaker 1: to snow coming down from a cloudy sky and we
• 20:31
  Speaker 1: hear how Doki say that winter we've gotten over some
• 20:34
  Speaker 1: of the bumps, and I met up with Akihiko and Uinoyama.
• 20:37
  Speaker 1: We see Hadoki and Kaji standing outside somewhere, and Uinoyama
• 20:42
  Speaker 1: walks up to them and nods. Then we see them
• 20:44
  Speaker 1: sitting at that restaurant that they sit at, in the
• 20:47
  Speaker 1: exact same booth in the corner that they always sit at,
• 20:50
  Speaker 1: which is interesting. How Dokei continues, after the new year began,
• 20:54
  Speaker 1: we formed the predecessor to our current band. We see
• 20:58
  Speaker 1: like a notebook that has and it's written down, so
• 21:01
  Speaker 1: it's like summer, spring, autumn, live sea or alive see
• 21:06
  Speaker 1: I'm not sure. And then the seasons. A pen circles
• 21:10
  Speaker 1: the seasons, which I guess is a fine name I guess, Hodock.
• 21:14
  Speaker 1: He smiles and blushes lightly, and the voiceover continues, it
• 21:18
  Speaker 1: all felt like a miracle. We fade to him now
• 21:21
  Speaker 1: with his hair up finally and his hand over his face.
• 21:26
  Speaker 1: He continues, and right now that guy is somehow asleep
• 21:31
  Speaker 1: on my couch. Yeah, Kaji is sleeping on Kadaki's couch,
• 21:37
  Speaker 1: so I think, like a white couch, and he's laying
• 21:40
  Speaker 1: on his back. His hands are kind of crossed, and
• 21:42
  Speaker 1: he looks very peaceful, but he's also kind of hanging off. Hodack.
• 21:46
  Speaker 1: He thinks, he seems so cramped on my tiny sofa.
• 21:50
  Speaker 1: It's kind of hot. Geese, dude. Kaji starts to grumble
• 21:54
  Speaker 1: and then his mouth starts to move, and Hodack, he thinks,
• 21:58
  Speaker 1: I'm gonna die from cuteness. Over watching him chew in
• 22:01
  Speaker 1: his sleep, he crouches down and puts his hands over
• 22:05
  Speaker 1: his face again, and he's like, I want to take
• 22:08
  Speaker 1: a picture so bad. He lifts his head up and smiles.
• 22:12
  Speaker 1: Now we see him slowly lean into frame with a camera,
• 22:16
  Speaker 1: getting closer and closer to Kaji, until Kaji makes a
• 22:20
  Speaker 1: sound and turns slightly. How do he kind of gasps
• 22:22
  Speaker 1: and backs away. Yeah, you shouldn't probably take pictures of
• 22:25
  Speaker 1: people in their sleep. Also, Kaji wakes up and he
• 22:29
  Speaker 1: looks at how to Kei and he's like, what time
• 22:31
  Speaker 1: is it? He rubs his eyes. How do He's like, huh?
• 22:35
  Speaker 1: He looks at his phone. Four forty two? Kaji sits up.
• 22:39
  Speaker 1: How do He's like? Going home? Kaji says yeah? How
• 22:43
  Speaker 1: do He's like, why not wait till it's light out.
• 22:45
  Speaker 1: At this point, Kaji is up and walking and he's like, no,
• 22:48
  Speaker 1: I'm sober now I'm gonna use your bathroom. How do
• 22:51
  Speaker 1: he says? Go for it? We got two keys and
• 22:54
  Speaker 1: like a container on a counter, and we hear a
• 22:57
  Speaker 1: door open. Kaji is standing at the door and he's like, well,
• 23:01
  Speaker 1: thanks for having me over. How do he says? Be
• 23:04
  Speaker 1: careful getting home? He has his hand up like he's
• 23:07
  Speaker 1: gonna wave, and Kaji shuts the door. How do he
• 23:11
  Speaker 1: takes a second and then he opens it and stares
• 23:13
  Speaker 1: out into the dark hallway and then closes it again.
• 23:16
  Speaker 1: We cut to a motorcycle wheel you know, like rotating
• 23:20
  Speaker 1: like it's going somewhere, and we see the Kaji is
• 23:23
  Speaker 1: riding his motorcycle. He stops at an empty four weight
• 23:27
  Speaker 1: intersection and it is pre dawn, like it looks like
• 23:31
  Speaker 1: the sky is just starting to get slightly bright and
• 23:35
  Speaker 1: the light changes. Is very nice of him to wait
• 23:38
  Speaker 1: at this light where there were no other cars, and
• 23:41
  Speaker 1: he starts to go again. Next we see him put
• 23:44
  Speaker 1: his helmet down on his handlebar, like he's stopped riding.
• 23:48
  Speaker 1: And it's a really close shop, but it looks like
• 23:49
  Speaker 1: it's in someplace that has a concrete wall. And then
• 23:53
  Speaker 1: we see his feet as he walks away from it. Okay,
• 23:56
  Speaker 1: he's exiting a garage and the garage door closes behind him,
• 24:00
  Speaker 1: you know, after he's left it, and he walks around
• 24:02
  Speaker 1: the side of this like very modern looking house. It's
• 24:06
  Speaker 1: like super weird and modern and I don't like it.
• 24:09
  Speaker 1: It's beige, and the garage is like on the first floor,
• 24:14
  Speaker 1: like under the house. I don't know if you've seen
• 24:16
  Speaker 1: that before. It's like a little it's got the garage
• 24:19
  Speaker 1: under the house. It's the thing. I don't know, man,
• 24:22
  Speaker 1: The garage is the first floor basically. Now we see
• 24:25
  Speaker 1: him walking down some stairs into a room with like
• 24:28
  Speaker 1: concrete walls with lots of controlled joints in them, which
• 24:33
  Speaker 1: if you don't know what I'm talking about. It's like
• 24:34
  Speaker 1: the thing in sidewalks, the little lines in the sidewalks
• 24:37
  Speaker 1: basically that make it so that if it cracks, it
• 24:41
  Speaker 1: cracks in a straight line in between panels instead of
• 24:45
  Speaker 1: in the middle, so it looks not as bad. They
• 24:48
  Speaker 1: do that with walls too sometimes, So this is what
• 24:51
  Speaker 1: I think. These walls are made of concrete with control
• 24:53
  Speaker 1: joints or something. Sorry that you had to hear that
• 24:57
  Speaker 1: description of them anyway, besides the wall being concrete, so
• 25:00
  Speaker 1: I think we're in a basement. There's also a drum
• 25:03
  Speaker 1: set in the room. We see his phone and some
• 25:06
  Speaker 1: sheet music and cigarettes and an ashtray, and we hear
• 25:10
  Speaker 1: him using water and then turning it off. He exits
• 25:14
  Speaker 1: a bathroom with a towel around his neck and turns
• 25:17
  Speaker 1: off the light in the bathroom. He walks past a
• 25:20
  Speaker 1: counter that has two white mugs on it. He stops
• 25:25
  Speaker 1: and grabs the bigger one, and then we hear him
• 25:28
  Speaker 1: filling it up with water, but we don't see it.
• 25:30
  Speaker 1: We do see him though, drinking the water, and we
• 25:33
  Speaker 1: hear a voice say you just got back. Kaji looks
• 25:37
  Speaker 1: over and someone is laying in bed, but they're too
• 25:41
  Speaker 1: close for us to really see them, and also they're
• 25:44
  Speaker 1: out of focus. I don't think this is good. It
• 25:48
  Speaker 1: looks like this is probably a studio apartment because the
• 25:50
  Speaker 1: bed is in the same room as the kitchen. Yay
• 25:54
  Speaker 1: Kaji says, did I wake you? The person shakes their head,
• 25:58
  Speaker 1: but they're mostly under the cover, so we're only seeing
• 26:01
  Speaker 1: their like black hair slightly. And then they pull the
• 26:05
  Speaker 1: covers down and it's this dude with black hair and
• 26:09
  Speaker 1: brown eyes. He's pretty attractive and he says, welcome home, Maki.
• 26:15
  Speaker 1: What okay? Yeah, we might have a problem here, and
• 26:20
  Speaker 1: we go with the eye catch. So now we see
• 26:25
  Speaker 1: an exterior shot of the school. It is partly sonny
• 26:28
  Speaker 1: out yy and we hear Itachi say, oho Yama, wayen
• 26:32
  Speaker 1: Oyama's got his head down on the desk again. Itachi
• 26:35
  Speaker 1: tries again, ooh hey, no Yama, that blonde kid is
• 26:39
  Speaker 1: like he's dead again. Itachi says, but he said he
• 26:43
  Speaker 1: come play basketball today. He looks over and sees that
• 26:46
  Speaker 1: Mafou is standing in the doorway of the classroom, and
• 26:48
  Speaker 1: he's like, it's sad though. They both walk over to
• 26:51
  Speaker 1: Mafoo and Itachi says, Wuno Yama's dead. The blonde kids
• 26:55
  Speaker 1: like want us to wake him up. Mafo you looks
• 26:58
  Speaker 1: at Uweyno Yama and shakes his head and says no.
• 27:01
  Speaker 1: Itachi's like, then, are you free right now? You want
• 27:04
  Speaker 1: to come play some basketball? Mafi says, huh, are you sure?
• 27:08
  Speaker 1: Atachi kind of chuckles and he's like, sure, I'm sure.
• 27:10
  Speaker 1: We've been down some people. The other guy's like, you
• 27:13
  Speaker 1: don't have to if you don't want. Mafu was like, okay.
• 27:16
  Speaker 1: Itachi says, okay, let's go. We cut to a plane
• 27:21
  Speaker 1: in the blue sky with a con trail behind it,
• 27:26
  Speaker 1: and then we see you know, Yama from outside of
• 27:30
  Speaker 1: the window, like, but the plane is also being reflected
• 27:32
  Speaker 1: slightly in the window, which I thought was cool. And
• 27:35
  Speaker 1: he lifts his head and he sits up and he says, shit,
• 27:39
  Speaker 1: I fell asleep. We see his feet as he walks now,
• 27:44
  Speaker 1: and he looks real tired. He's kind of slumped over
• 27:47
  Speaker 1: and he yawns, oh, no, anyway, it looks like he's
• 27:52
  Speaker 1: approaching the gym. He thinks, I wonder if Mafu you
• 27:56
  Speaker 1: already headed over. We hear a voice say, Gusato. We
• 28:00
  Speaker 1: cut to Mafou, who is mid jump and Uinoyama's eyes widen.
• 28:05
  Speaker 1: We see that Mafo you has just thrown or shot
• 28:08
  Speaker 1: or however you something a basketball and it goes right
• 28:11
  Speaker 1: through the hoop. Yay, he did it. Everyone cheers and
• 28:15
  Speaker 1: someone says that was awesome. Itachi runs over and he's like,
• 28:19
  Speaker 1: fuck Yato. They high five. Yeah. Mafou smiles and laughs
• 28:24
  Speaker 1: at uino Yama looks on in shock, and he thinks,
• 28:28
  Speaker 1: so we can smile. Fuck dude. Mafoo glances behind him
• 28:32
  Speaker 1: and he sees uino Yama standing there at the entrance
• 28:35
  Speaker 1: and he smiles again, and Ouinayama says, hey, We cut
• 28:40
  Speaker 1: now to Haddoki sitting somewhere. There's like sizzling sounds in
• 28:44
  Speaker 1: the background, and he says, okay, let's only add vocals
• 28:47
  Speaker 1: to one of our songs. We can change up some
• 28:49
  Speaker 1: of the others, so maful you can join in a bit.
• 28:52
  Speaker 1: We have a really close up shot of uino Yama
• 28:54
  Speaker 1: now and he looks distressed. Hodoki continues, we were always
• 29:00
  Speaker 1: an instrumental band, so our sound is prominent enough with
• 29:03
  Speaker 1: just the three of us. We see Kaji now another
• 29:05
  Speaker 1: kind of close up, and he is looking at something
• 29:08
  Speaker 1: and he looks like amused in kind of a terrifying way.
• 29:12
  Speaker 1: How Dock, He continues, I mean, I guess we get
• 29:15
  Speaker 1: add lyrics to some of our other songs. But we
• 29:17
  Speaker 1: now see mafuu also close up, looking very serious. And
• 29:21
  Speaker 1: then we finally see that they are at like a
• 29:24
  Speaker 1: hibachi table or something, and there's like a grill in
• 29:26
  Speaker 1: the center of it, and I guess everyone is looking
• 29:28
  Speaker 1: at that. How do ke? He continues, Well, this is
• 29:31
  Speaker 1: our first show with all four of us, and we
• 29:33
  Speaker 1: can't fill our time slot with just the songs we have,
• 29:36
  Speaker 1: but I think that's for the best. He looks up.
• 29:38
  Speaker 1: Wait are you guys even listening to me? I thought
• 29:42
  Speaker 1: they all make a mad dash for the meat that's cooking.
• 29:44
  Speaker 1: How do Ke He's like, yeah, you didn't hear a
• 29:47
  Speaker 1: word of that. Mafuou sweetly sets a piece of meat
• 29:50
  Speaker 1: down on Howokey's plate and Hotoke He's like thanks. Now
• 29:54
  Speaker 1: they are just cooking some meat and we're just seeing
• 29:56
  Speaker 1: it cook and Kaji says, how's the song coming? New way?
• 30:01
  Speaker 1: We almost like, oh, it should be done soon. Hawk
• 30:03
  Speaker 1: he says, I can't wait to hear it. Kaji's like,
• 30:06
  Speaker 1: send me the files. For it. When it's done, Uniyama says, sure,
• 30:11
  Speaker 1: how dook. He hands a plate to muffle you and
• 30:13
  Speaker 1: he's like, here you go, make sure you eat up.
• 30:16
  Speaker 1: Muffuu says okay. Kaji is drinking beer, and Hoki says,
• 30:20
  Speaker 1: and you need not to drink so much. He kind
• 30:22
  Speaker 1: of punches him in the back, just lightly, but Kaji
• 30:25
  Speaker 1: was drinking so it makes him cough. Now we see
• 30:28
  Speaker 1: the exterior of the building in his night of course,
• 30:31
  Speaker 1: and there are signs on it that say karaoke and
• 30:35
  Speaker 1: charcoal grill, barbecue, Hey, which is I guess where they were.
• 30:39
  Speaker 1: We hear Kaji say, oh shit, I rode my bike again.
• 30:42
  Speaker 1: Let me sleep over. We hear how Doki say wait again.
• 30:46
  Speaker 1: Now there's the sound of a doorbell and Wueniyama says,
• 30:50
  Speaker 1: excuse me, and how do He's like, and you need
• 30:52
  Speaker 1: to stop eating so much. I guess that doorbell is
• 30:55
  Speaker 1: like what you press to get more meat or something.
• 30:58
  Speaker 1: We fade out and then into white ceiling tiles. I
• 31:01
  Speaker 1: guess on a ceiling. They kind of look like they
• 31:02
  Speaker 1: could be floor tiles too, but they are ceiling tiles.
• 31:05
  Speaker 1: We see a hand raise up. How do Kei is
• 31:08
  Speaker 1: standing with Kaji and they have their arms around each
• 31:11
  Speaker 1: other's shoulders, which is kind of weird. How do Kei
• 31:13
  Speaker 1: is waving and he's like, be careful getting home. We
• 31:16
  Speaker 1: see that Uino Yama and Mafuyu are standing in front
• 31:19
  Speaker 1: of them, like in the doorway of a train, and
• 31:22
  Speaker 1: then they bow as the doors close, so I guess
• 31:24
  Speaker 1: they're in a subway station obviously. We cut to that
• 31:27
  Speaker 1: image of Kaji's motorcycle and that bike rack again, and
• 31:31
  Speaker 1: then we see a wall and a cabinet as door
• 31:34
  Speaker 1: open and the light from the hallway like comes in
• 31:38
  Speaker 1: and then the light switches on, so very similar to
• 31:40
  Speaker 1: last time. Kaji this time walks in first and says,
• 31:44
  Speaker 1: you ended up drinking a lot too? How do He's like, oh,
• 31:47
  Speaker 1: so tired? We now see how do ke falling face
• 31:51
  Speaker 1: down into his bed. Kaji's just like standing there and
• 31:55
  Speaker 1: how do he says, Akihiko, go lay out a futon
• 31:59
  Speaker 1: or whatever. Kaji's like, ugh, too much work. How did
• 32:03
  Speaker 1: he turns over then sleep on the floor? Huh? Kaji
• 32:07
  Speaker 1: just kind of falls on top of Hotokey in bed
• 32:10
  Speaker 1: like face down, and their heads are like right next
• 32:12
  Speaker 1: to each other, and Kaji's legs are like not even
• 32:14
  Speaker 1: on the bed. So he's like, I don't know, man,
• 32:18
  Speaker 1: and how do He looks reasonably freaked out about this,
• 32:21
  Speaker 1: and he's just like huh. He kind of reaches his
• 32:25
  Speaker 1: hand up and is blushing and he's like akihiko. And
• 32:29
  Speaker 1: then we hear that Kaji is snoring. Yep, he just
• 32:33
  Speaker 1: passed out on him. Awesome. How did he just kind
• 32:37
  Speaker 1: of stares at the ceiling. Now we see him getting
• 32:40
  Speaker 1: up from under Kaji's probably a good idea, and then
• 32:43
  Speaker 1: laying him out in bed and covering him with a blankets. Sweetheart.
• 32:48
  Speaker 1: He sits on the floor next to the bed and sighs.
• 32:51
  Speaker 1: He puts his hands over his face and thinks he
• 32:54
  Speaker 1: was all over me. Now we cut to I think
• 32:59
  Speaker 1: a plane in the sky with a contrio because I
• 33:02
  Speaker 1: think it was going in the opposite direction as this
• 33:03
  Speaker 1: one is, but I don't really know, and we hear
• 33:06
  Speaker 1: uino Yama say after that, things moved forward pretty smoothly.
• 33:10
  Speaker 1: We had some still shots. Now, Oi Oyama is checking
• 33:13
  Speaker 1: a mom and kid out at the convenience store. Mafuu
• 33:17
  Speaker 1: is lifting an instrument chord for some reason at the venue.
• 33:21
  Speaker 1: Kaji is talking to Yayoi on campus, and then the
• 33:25
  Speaker 1: band is there and the practice space and Hodoki is
• 33:28
  Speaker 1: saying something while Ooyama wipes his face with a towel. Yeay.
• 33:34
  Speaker 1: Then we see Mafou and uino Yama standing in the
• 33:36
  Speaker 1: hallway of the school sharing earphones, which was super cute,
• 33:41
  Speaker 1: and they look up and Ittaya and that blonde guy
• 33:43
  Speaker 1: are like waving them over. We continue Oinoyama's voice over,
• 33:47
  Speaker 1: I guess when things go smoothly, you keep making steady progress.
• 33:50
  Speaker 1: We see a ball going through a basketball hoop and
• 33:53
  Speaker 1: uino Yama and Itachi looks shocked because apparently it's Mafoo again,
• 33:56
  Speaker 1: who turns and smiles at them. Now we see Uoyama
• 34:00
  Speaker 1: playing guitar in his room. He has headphones on obviously,
• 34:03
  Speaker 1: and he's I guess writing out forwards onto paper and
• 34:05
  Speaker 1: he scribbles out gee to see. His phone makes a
• 34:08
  Speaker 1: sound and he reaches for it. Looks like it's nineteen
• 34:11
  Speaker 1: twenty or seven twenty pm, I believe. He picks it
• 34:14
  Speaker 1: up and scrolls it and gasps. So he's looking at
• 34:18
  Speaker 1: this conversation. It was Mafo you said, I'm going to
• 34:21
  Speaker 1: shooby you to buy the effect pedal today. Then uin
• 34:24
  Speaker 1: Oyama said, can you find it by yourself? Mafuyu's like yep.
• 34:28
  Speaker 1: Uin Oyama said, okay, be careful. So the new message
• 34:32
  Speaker 1: is a picture of the pedal and Mafuu's dog with
• 34:35
  Speaker 1: his little dog paw on it. And then another message
• 34:38
  Speaker 1: comes in and says I bought it, and then another
• 34:41
  Speaker 1: how's the song going oino Oyama smiles and he starts
• 34:44
  Speaker 1: to type back. Now we see Mafoyo on his bed
• 34:47
  Speaker 1: with his dog, still has his hand on the pedal
• 34:49
  Speaker 1: for some reason, and his phone beeps and he raises
• 34:52
  Speaker 1: it and we see that uyin Oyama texted back, I'm
• 34:56
  Speaker 1: glad you were able to buy it, and then it's
• 34:58
  Speaker 1: almost done. Mafu smiles. They're cute. We cut back to
• 35:03
  Speaker 1: uino Yama smiling now and he puts his headphones back on.
• 35:07
  Speaker 1: We now cut to the bright stairwell windows. We pan
• 35:11
  Speaker 1: down and uino Yama and Mafu You are sitting on
• 35:15
  Speaker 1: the landing. Mafo You has his headphones on and he's
• 35:18
  Speaker 1: listening to I'm assuming it's the song that Uinoyama wrote,
• 35:23
  Speaker 1: because yeah, uino Yama is watching him as he listens.
• 35:27
  Speaker 1: He looks worried because you know, he's sharing his basically
• 35:32
  Speaker 1: his soul with this other person. We can kind of
• 35:35
  Speaker 1: hear a little bit of the guitar, but not really
• 35:38
  Speaker 1: just kind of the highs, so we don't really know
• 35:41
  Speaker 1: what it sounds like. And while mafuy was listening, we're
• 35:45
  Speaker 1: just getting random shots of the stairwell and Mafuu with
• 35:48
  Speaker 1: his eyes closed. And I think the song has ended
• 35:51
  Speaker 1: now because I don't hear the little tiny guitar in
• 35:54
  Speaker 1: the background, so it's silent. Mafu You takes off the
• 35:57
  Speaker 1: headphones and uino Yama makes like surprise noise, and there's
• 36:01
  Speaker 1: like a really long silence, and Ayama starts to say
• 36:05
  Speaker 1: Mafuyu's name, but Mafuyu cuts him off and says the song.
• 36:09
  Speaker 1: He looks directly at Uaynoyama. I really like it a lot,
• 36:13
  Speaker 1: o Oyama gasps, and we hear the bell, like the
• 36:19
  Speaker 1: bell between periods or whatever. Oinoyama says, Oh, there's the bell.
• 36:23
  Speaker 1: Mafuyju's like, I have chemistry. Next, he starts to walk
• 36:27
  Speaker 1: down the stairs and then he stops and turns back.
• 36:30
  Speaker 1: I'm heading back. Ooyama's like, you should hurry, Mafo you
• 36:35
  Speaker 1: says yeah. He starts walking again, and then he stops
• 36:38
  Speaker 1: at the bottom of the stairs and looks up at Oyama.
• 36:41
  Speaker 1: Thank you. He leaves. After the door closes, Ooyama lays
• 36:47
  Speaker 1: back on the landing and sighs. He kind of groans
• 36:51
  Speaker 1: and then puts his hand over his eyes and smiles
• 36:55
  Speaker 1: and he's like, I can't remember the last time I
• 36:57
  Speaker 1: got so obsessed over something for real, dude. Now we
• 37:02
  Speaker 1: see these kind of Greek looking stone busts on I guess,
• 37:06
  Speaker 1: like a shelf or the top of a shelf or something,
• 37:09
  Speaker 1: and a teacher says, let's have you break into pairs
• 37:12
  Speaker 1: and draw a portrait of your partner in the allotted time.
• 37:16
  Speaker 1: Everyone rumbles about this because that sounds terrible. And then
• 37:20
  Speaker 1: we see ouino Yama. He's just sitting there staring at
• 37:23
  Speaker 1: his like green sketchbook, and Kasai walks over and she's like,
• 37:27
  Speaker 1: ouno Yama kun. He looks up. Kasai continues, let's pair up, okay.
• 37:32
  Speaker 1: She smiles. Ooyama's like, oh sure, Kasa is like okay,
• 37:37
  Speaker 1: I'm gonna sit here. Then we see kind of the
• 37:40
  Speaker 1: art room now, like a better shot of it, and
• 37:42
  Speaker 1: lots of kids are paired up and like talking to
• 37:44
  Speaker 1: each other, and then we get like shots of ouino
• 37:47
  Speaker 1: Yama and Kasai drawing each other, but of course we
• 37:50
  Speaker 1: can't see what they're drawing, because why would we be
• 37:53
  Speaker 1: able to see that? That would be too interesting. Sorry,
• 37:55
  Speaker 1: it's not that, it's just it's easier not to make
• 37:58
  Speaker 1: a drawing of someone. But yeah, now I feel mean. Anyway,
• 38:02
  Speaker 1: they're both sitting in front of windows, and the window
• 38:04
  Speaker 1: that Wuinoyama is in front of has a plane in
• 38:06
  Speaker 1: the sky, and that's important in a couple of seconds,
• 38:10
  Speaker 1: by the way. Anyway, they're just drawing, and Cassai says hey,
• 38:14
  Speaker 1: Wunoyama's like hmm. Casi is silent for a second, and
• 38:18
  Speaker 1: then she's like, I wonder if sato Kun likes you?
• 38:21
  Speaker 1: Oh fuck. Wuenoyama looks up and is like huh wait what.
• 38:27
  Speaker 1: He blinks and he's kind of sweating a little, and
• 38:29
  Speaker 1: he's like, I mean, I don't think he hates me,
• 38:33
  Speaker 1: CAUs I looks down. Apparently sato Kun was dating another
• 38:37
  Speaker 1: boy when he was in middle school. Wunoyama's eyes widen
• 38:40
  Speaker 1: and he's like, huh, there's no music in the background here,
• 38:44
  Speaker 1: but we're starting to hear the plane that's out the
• 38:47
  Speaker 1: window get louder and louder, and it just does continuously
• 38:50
  Speaker 1: through this next part, Cassai says, And on top of that,
• 38:55
  Speaker 1: the guy. We flashed to an upside down black and
• 38:58
  Speaker 1: white shot of this guy's but we can't see his
• 39:01
  Speaker 1: eyes because they're in shadow. The plane gets louder, Kasai continues,
• 39:05
  Speaker 1: suddenly killed himself last year. There are rumors that sato
• 39:09
  Speaker 1: Kun was part of the reason he killed himself. Fuck,
• 39:11
  Speaker 1: but also the reason. There you go, she's quiet for
• 39:15
  Speaker 1: a second. The plane gets louder. Listen au wayna Yama, Kun,
• 39:20
  Speaker 1: I think getting involved with sato Kun might be dangerous. Fuck.
• 39:25
  Speaker 1: The plane continues to get louder and louder, with Uaynoyama
• 39:29
  Speaker 1: just staring at her wide eyed, and we get an
• 39:32
  Speaker 1: Uynoyama voiceover that says, the world had started to move
• 39:36
  Speaker 1: around me so quickly. But in that moment, the plane
• 39:40
  Speaker 1: noise gets louder and louder, and then we go to
• 39:42
  Speaker 1: black and everything stops. There's just silence. Wainnu Yama continues,
• 39:47
  Speaker 1: It came to a screeching halt. Then we get the
• 39:49
  Speaker 1: title card number zero five. The reason then we go
• 39:53
  Speaker 1: the ending and that's it. Yay, okay, So closing thoughts,
• 40:00
  Speaker 1: The biggest thing we probably have to talk about is
• 40:02
  Speaker 1: that very end scene, which I thought was done really
• 40:04
  Speaker 1: really well, with the plane just kind of being the
• 40:07
  Speaker 1: soundtrack and just getting more and more loud and overwhelming,
• 40:13
  Speaker 1: which I assume you know by the end of this conversation, uh,
• 40:16
  Speaker 1: you know, yam is pretty fucking overwhelmed. So I really
• 40:18
  Speaker 1: really liked that. But now we probably know what happens
• 40:23
  Speaker 1: sort of. We know that somebody killed themselves from the
• 40:26
  Speaker 1: first episode, so I guess it was Mafuu's boyfriends, and
• 40:29
  Speaker 1: I guess this was Mafuyu's boyfriend's guitar. But I mean,
• 40:34
  Speaker 1: I get that their high school kids and high school
• 40:36
  Speaker 1: kids are dumb, but like, no one is the reason
• 40:40
  Speaker 1: that someone killed themselves, Like it's a decision that the
• 40:44
  Speaker 1: person made. As pretty shitty to say that maybe Sotho
• 40:49
  Speaker 1: Kun was the reason, Like, come on, we're the fuck up.
• 40:54
  Speaker 1: So I'm pretty disappointed in Kasai. Well, I'm disappointed in
• 40:58
  Speaker 1: the kids in general who were spreading this, but I'm
• 41:00
  Speaker 1: disappointed in Kasai for perpetuating it and for you know,
• 41:04
  Speaker 1: presenting it to Uyenoyama, because let's face it, we know
• 41:08
  Speaker 1: that she's doing this because she likes Uyenoyama, not because
• 41:11
  Speaker 1: she cares about his safety, because I don't know if
• 41:16
  Speaker 1: she really believes I'm awful, he was dangerous. She just
• 41:19
  Speaker 1: wants Ouyinoyama, which sucks. This is not how you get
• 41:25
  Speaker 1: someone to like you by telling them rumors about the
• 41:30
  Speaker 1: person that they might like. No, stop that bad, bad Kasai.
• 41:35
  Speaker 1: I don't know, so it does not make me like her.
• 41:38
  Speaker 1: And you know, if someone doesn't like you, you gotta
• 41:42
  Speaker 1: fucking move on. And it's very obvious that uayino Oyama
• 41:44
  Speaker 1: doesn't even think of Kasai at all. So I'm sorry, girl,
• 41:49
  Speaker 1: but this is not the way you handle this. So
• 41:52
  Speaker 1: I'm pretty upset about all of that, you know. I
• 41:55
  Speaker 1: don't like having these situations where you have a character
• 41:58
  Speaker 1: who's you know, very clearly her and they have like
• 42:01
  Speaker 1: the floodgates opened on all of their personal information, like
• 42:04
  Speaker 1: really upsetting personal information, especially when they're not there to
• 42:07
  Speaker 1: defend themselves. I hate that shit. I mean, that's what
• 42:09
  Speaker 1: rumors are, basically, but like fuck that, fuck you Kosai.
• 42:14
  Speaker 1: So that's going on. So I'm sure we'll learn more
• 42:18
  Speaker 1: about that. But it's gonna be interesting to see how
• 42:21
  Speaker 1: u weio Yama handles this because that was a lot
• 42:24
  Speaker 1: of stuff. Not only do we know now that Mafuyuzge,
• 42:28
  Speaker 1: which probably already figured, but we know that the other
• 42:33
  Speaker 1: characters assume that Uo Yama is two right, and I
• 42:37
  Speaker 1: don't know if Umi no Yama realized that. I don't
• 42:40
  Speaker 1: know if he is or if he's thought about any
• 42:42
  Speaker 1: of this. So all of this is going to be
• 42:45
  Speaker 1: really interesting to see how everybody comes to terms with
• 42:47
  Speaker 1: the situation going forward. So that's the big thing. The
• 42:50
  Speaker 1: other kind of big thing is that we already kind
• 42:54
  Speaker 1: of knew this, but Huddukee has a fucking major crush
• 42:57
  Speaker 1: on Kaji, like so much. That's not good. Hatogey, you
• 43:01
  Speaker 1: gotta like calm the hell down. And I have no
• 43:05
  Speaker 1: idea what's going on with Kachi because he seems like
• 43:11
  Speaker 1: like I don't know what his deal is, Like I
• 43:13
  Speaker 1: don't know if he's actually flirting with all of these people,
• 43:16
  Speaker 1: like he's kind of flirting with Hotoge, or if he's
• 43:18
  Speaker 1: just super friendly and people are misinterpreting him. I almost
• 43:22
  Speaker 1: think that he's just super friendly and everyone is confused.
• 43:25
  Speaker 1: But I don't know, cause he's like hanging out with
• 43:28
  Speaker 1: yayoy and touching Hackey's hair, and then he like lives
• 43:33
  Speaker 1: with some dude, Like, what the fuck, dude, do any
• 43:38
  Speaker 1: of these people know that you live with some guy?
• 43:41
  Speaker 1: I mean, maybe this guy is his brother, but I
• 43:45
  Speaker 1: don't think so. It looked like that was a studio apartment.
• 43:48
  Speaker 1: I think that they are in a relationship or something,
• 43:52
  Speaker 1: so this is a big deal. Who does he like,
• 43:55
  Speaker 1: does he like any of these people? Is he leading
• 43:57
  Speaker 1: them on on purpose? Is he just dead? I don't know,
• 44:02
  Speaker 1: So we'll have to see where that goes. And I
• 44:06
  Speaker 1: hope that how do he doesn't get his heart broken
• 44:09
  Speaker 1: because I don't know, he just might and that would
• 44:12
  Speaker 1: make me sad because he seems like a really good
• 44:14
  Speaker 1: dude honestly. But I really like Kaji too, so I'm
• 44:18
  Speaker 1: written for both of them not to fuck this up.
• 44:20
  Speaker 1: I don't know, but that's pretty much what happened in
• 44:25
  Speaker 1: this episode. I don't really think that there's much else
• 44:27
  Speaker 1: that needs to be said, except that, you know, Yeama
• 44:30
  Speaker 1: finish the song and we don't get to hear it,
• 44:33
  Speaker 1: and I hate that. I kind of understand because they're
• 44:35
  Speaker 1: probably saving it as like a reveal when they play it,
• 44:38
  Speaker 1: but I like to hear what it sounds like too,
• 44:40
  Speaker 1: so I could know that make me happy. So whatever,
• 44:46
  Speaker 1: that's pretty much all I got. I am gonna go,
• 44:49
  Speaker 1: I think, and just be a person doing some other thing.
• 44:53
  Speaker 1: If that's possible, I don't know, but I hope that
• 44:56
  Speaker 1: you have a really good whatever, because you deserve it,
• 45:01
  Speaker 1: whatever the hell that means. Later weeps,