Latest / Spoil Me! One Piece / One Piece, 595-597

Transcript

One Piece, 595-597 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one Piece episodes five ninety five through five ninety
• 0:14
  Speaker 1: seven Capture m the Pirate Alliance's operation launches on the
• 0:20
  Speaker 1: verge of annihilation, A deadly monster comes flying in, and
• 0:25
  Speaker 1: an intense battle Caesar exercises his true power in these episodes.
• 0:33
  Speaker 1: Got a lot of things here going on that I
• 0:35
  Speaker 1: don't really know what to make of, and I'm really interested,
• 0:40
  Speaker 1: like in this power that Caesar Klan has since it
• 0:43
  Speaker 1: does seem to have effects on movie, But how does
• 0:47
  Speaker 1: any of this work? Welcome to spoil Me. Welcome to
• 1:19
  Speaker 1: the show everyone. I am Natasha. Thank you very much
• 1:22
  Speaker 1: to Bernadette for commissioning this episode. I haven't seen Bernadette
• 1:28
  Speaker 1: in the chat in Ages, girl, I hope that you
• 1:31
  Speaker 1: are okay. I've seen you in the discord, so I
• 1:33
  Speaker 1: think you probably are. Also Gabby. I haven't seen Gabby
• 1:37
  Speaker 1: in Ages, and I haven't seen Gabby in the discord,
• 1:39
  Speaker 1: so I am also worried about you. Gabby. Hopefully you're
• 1:42
  Speaker 1: all right, y'all. This section was very fun as well.
• 1:49
  Speaker 1: I'm really enjoying this arc so far. I feel like,
• 1:52
  Speaker 1: you know, last episode was a real banger, and we
• 1:55
  Speaker 1: got another few bangers today and we do a course.
• 2:00
  Speaker 1: It's unavoidable have some repetition things being drawn out, YadA YadA,
• 2:06
  Speaker 1: but at least it's being drawn out when it's something
• 2:10
  Speaker 1: that I don't feel like I have already understood. And
• 2:14
  Speaker 1: when I say that, what I'm thinking of is at
• 2:16
  Speaker 1: the end, when Louviy is finally affected apparently by Caesar
• 2:20
  Speaker 1: Clown's poison gas power, like what he himself turns into.
• 2:25
  Speaker 1: It's unclear to me at first that that's what's happening.
• 2:29
  Speaker 1: And then as it affects Loofy, I was like, is
• 2:31
  Speaker 1: it something that only affects Looviy? And then it clearly
• 2:35
  Speaker 1: affects everybody, And so it was drawn out, but there
• 2:39
  Speaker 1: was new information being given to me every step of
• 2:43
  Speaker 1: the way, so it didn't feel that way. It was informative. So, okay,
• 2:49
  Speaker 1: let's let's start at the beginning, shall we. The Pirate
• 2:56
  Speaker 1: Alliance's operation launches. This is so funny because like, technically yes,
• 3:05
  Speaker 1: but it doesn't feel as much like an alliance. When
• 3:09
  Speaker 1: one of the groups in the alliance is really pissed
• 3:15
  Speaker 1: that the other just gave their shit away. This is
• 3:19
  Speaker 1: the sort of thing where it's like, again, Law didn't
• 3:23
  Speaker 1: know what he was getting into with a alliance with Louviy.
• 3:27
  Speaker 1: He really didn't. He's throwing in with somebody who is tough,
• 3:32
  Speaker 1: who I think he maybe even respects a little bit.
• 3:36
  Speaker 1: But he just didn't know the way that Lufy's priorities work, obviously,
• 3:44
  Speaker 1: because the way he reacts to this, as if Louvi
• 3:47
  Speaker 1: wasn't going to immediately go straight to this person's fucking
• 3:50
  Speaker 1: front door and tell them precisely what the plan is.
• 3:54
  Speaker 1: Of course he is. It's so predictable, honestly, if you
• 3:58
  Speaker 1: know him at all. Robin though, She's even like, uh, dude,
• 4:02
  Speaker 1: this was supposed to be like kind of chill and
• 4:06
  Speaker 1: a bit more discreet, did you So she also has
• 4:10
  Speaker 1: kind of forgotten who Lufy is for being honest, So anyway,
• 4:17
  Speaker 1: this uh, this episode, it's like we have again, you guys.
• 4:24
  Speaker 1: I keep forgetting that it's Sanji in Nami's body. So
• 4:28
  Speaker 1: there was a point where they're talking and I was
• 4:30
  Speaker 1: sort of like, wait, wait, who was that? And then
• 4:34
  Speaker 1: I remembered because I was thinking at first that the
• 4:38
  Speaker 1: person who calls Brooke mature was Zoro, but Zoro so
• 4:44
  Speaker 1: rarely gives compliments that I was still a little like,
• 4:47
  Speaker 1: wait because I wasn't I wasn't looking at the screen
• 4:49
  Speaker 1: for that moment, and when I looked up and was like,
• 4:52
  Speaker 1: oh wow, a compliment from Zoro because Na, he's the
• 4:55
  Speaker 1: only other person there and it wasn't her voice. And
• 5:01
  Speaker 1: again Zoro speaks, but this time he's insulting Brooke, And
• 5:06
  Speaker 1: then it all came together again, and I was just like, oh, right,
• 5:10
  Speaker 1: that's not even fucking Nammy right now. I will say,
• 5:15
  Speaker 1: though Sanji is over here being simultaneously like really careful
• 5:20
  Speaker 1: with her body in this, I know that she's probably
• 5:25
  Speaker 1: more delicate than me, and I don't want to leave
• 5:27
  Speaker 1: a scratch on her, but also is like pulling out
• 5:32
  Speaker 1: a cigarette and just like pouring pollution into her lungs,
• 5:37
  Speaker 1: And it would be something that felt a little bit
• 5:41
  Speaker 1: like there was a conflict there if not for the
• 5:45
  Speaker 1: fact that we have always said it was only about
• 5:49
  Speaker 1: our appearance, not our health. Right, so as long as
• 5:54
  Speaker 1: Nami stays looking good on the outside without bruises and
• 5:57
  Speaker 1: scratches on her that he would find on slightly even
• 6:00
  Speaker 1: if her body is decaying from the inside from cancer,
• 6:05
  Speaker 1: Well you know can't help everything. So anyway, I'm trying
• 6:14
  Speaker 1: to see what it is that he actually complimenced here
• 6:16
  Speaker 1: it is Zora says, I don't believe in the Yetti,
• 6:20
  Speaker 1: and Sonji says I do, and Brooks says, I don't
• 6:23
  Speaker 1: believe or disbelieve. I am content to simply ponder its existence.
• 6:29
  Speaker 1: And that's when Sonji says, that's a mature outlook, and
• 6:34
  Speaker 1: then Zora says, sorry, but I call that way of
• 6:36
  Speaker 1: thinking indecisiveness, not wisdom, which you know, it makes sense
• 6:43
  Speaker 1: that he would think that Zoro is not a subtle
• 6:47
  Speaker 1: man with a nuanced view of the world, like let's
• 6:52
  Speaker 1: be real. Eventually, though, they do stumble across the Prince
• 6:57
  Speaker 1: from the Yetti brothers and they have to come to
• 7:00
  Speaker 1: terms with the fact that the Yettis are real, that
• 7:04
  Speaker 1: there's two of them, and the brothers come at them again.
• 7:11
  Speaker 1: These guns that I keep thinking are so far like
• 7:14
  Speaker 1: they just feel out of proportion to everything. It's just
• 7:17
  Speaker 1: wild and what the Yetti do. It was sort of
• 7:27
  Speaker 1: weird actually, considering that there had just been in the
• 7:30
  Speaker 1: last episode them saying like, yeah, of course they're dead.
• 7:34
  Speaker 1: If you didn't want them to be dead, then you
• 7:36
  Speaker 1: should have sent different people to do the job. But
• 7:42
  Speaker 1: it's they don't really go for the kill on this
• 7:47
  Speaker 1: one the way that they made it sound like in
• 7:49
  Speaker 1: the last one. So they're standing there contemplating this huge
• 7:55
  Speaker 1: footprint and then one of the YETI actually no, both
• 7:59
  Speaker 1: of them fire and they send this like you know,
• 8:02
  Speaker 1: canister of gas that's this green cloud around them to
• 8:07
  Speaker 1: disorient all of them. They are stumbling and almost like
• 8:11
  Speaker 1: ready to pass out, and Brooke describes it as feeling
• 8:15
  Speaker 1: like he's drunk. So one of the brothers says, yeah,
• 8:19
  Speaker 1: this leaves you drunk and drowsy, no matter how high
• 8:22
  Speaker 1: your tolerance. Beneath this cliff lies District F sixteen, home
• 8:27
  Speaker 1: to the terrible ice spikes, and we get to see
• 8:31
  Speaker 1: this thing underneath the edge of the cliff that is
• 8:35
  Speaker 1: basically like they it couldn't have been purposely made by
• 8:40
  Speaker 1: man's hand to be more lethal. So what they do
• 8:44
  Speaker 1: is they shoot. The brothers shoot off the edge of
• 8:49
  Speaker 1: the cliff, so that the whole piece of the cliff
• 8:52
  Speaker 1: plus all three of them just go hurtling toward the ground, which,
• 8:57
  Speaker 1: like I said, it feels like a bizarrely into way
• 9:01
  Speaker 1: of handling things. You just shot a man, you shot
• 9:05
  Speaker 1: brown Bear dead, so it seems for now anyway, why
• 9:10
  Speaker 1: wouldn't you just shoot these guys. But the answer is
• 9:13
  Speaker 1: because that would be then we would have dead protagonists
• 9:17
  Speaker 1: and we can't have that. So they go off of
• 9:21
  Speaker 1: the cliff. But then Zoro sees that like huge thing
• 9:26
  Speaker 1: below them with all of the spikes on it, and
• 9:28
  Speaker 1: he slices that in half as well, so that they
• 9:31
  Speaker 1: go down past it, and the brothers eventually come up
• 9:34
  Speaker 1: to the edge to look down and see if all
• 9:37
  Speaker 1: of them are down there, and it's like they see
• 9:41
  Speaker 1: the spikes, but they can't tell that it's actually been
• 9:44
  Speaker 1: cut in half. They also don't see the straw hats
• 9:50
  Speaker 1: impaled on there anywhere, but nevertheless evidently assume that it
• 9:56
  Speaker 1: all went to plan, which is just not a good
• 10:01
  Speaker 1: policy frankly. But yeah, so they like call back to
• 10:07
  Speaker 1: home base and say, yeah, they went off the cliff,
• 10:10
  Speaker 1: we took care of it, but you guys are gonna
• 10:12
  Speaker 1: have to come and recover the bodies. So then we
• 10:16
  Speaker 1: have all of these dudes coming to retrieve the bodies
• 10:19
  Speaker 1: and Nami Sanji getting up and just like kicking the
• 10:24
  Speaker 1: ever loving shit out of them. And waking up his
• 10:27
  Speaker 1: friends and being like, all right, let's fucking do this, guys,
• 10:30
  Speaker 1: wake up. We cut from there to the Oh my god,
• 10:41
  Speaker 1: I forgot about enough hunting Nature's and mystery. I think
• 10:44
  Speaker 1: the Samurai is around here somewhere. I'm sorry. I thought
• 10:46
  Speaker 1: that scene ended and then we jumped to the other side.
• 10:48
  Speaker 1: But no, there's still this conversation here about saving the samurai,
• 10:53
  Speaker 1: and Sanji is like repeatedly in this trio of episodes,
• 11:01
  Speaker 1: like I'm gonna help him, I'm gonna do the right thing,
• 11:04
  Speaker 1: but I'm also going to beat the shit out of
• 11:06
  Speaker 1: him once he's like put back together again, and he
• 11:08
  Speaker 1: says this to them. He says it to the Samurai
• 11:12
  Speaker 1: a couple times, and so eventually they come to this
• 11:15
  Speaker 1: frozen lake and they are walking across it looking for
• 11:21
  Speaker 1: the Samurai, but stepping directly on his face as they're
• 11:26
  Speaker 1: doing it, and eventually Zoro is the one who notices,
• 11:31
  Speaker 1: which is genuinely kind of funny because Zorro is so
• 11:36
  Speaker 1: unaware of his surroundings, which is I think when he
• 11:38
  Speaker 1: gets lost all the time so much that I wouldn't
• 11:41
  Speaker 1: have expected him to be the one to see. But uh, yeah,
• 11:45
  Speaker 1: Sanji smashes this guy in the head so that the
• 11:48
  Speaker 1: ice cracks off of him. It's like a coating, and
• 11:52
  Speaker 1: he was just alive in there like a shell. And
• 11:58
  Speaker 1: this dude is like, I I suddenly became paralyzed. I
• 12:02
  Speaker 1: thought for certain that death was upon me. And Soanji's like, dude,
• 12:09
  Speaker 1: you suddenly became paralyzed. You almost froze to death, that's
• 12:14
  Speaker 1: what you're talking about. And he tries to pretend that's
• 12:17
  Speaker 1: not it at all, that like, he isn't affected by
• 12:19
  Speaker 1: the cold, Sir, why do you feel the need to
• 12:22
  Speaker 1: do this instantly start shivering afterward? Are you idiot? So
• 12:30
  Speaker 1: they ask him like, where where are your other parts?
• 12:34
  Speaker 1: And he says, I do not acquire oh right, because
• 12:40
  Speaker 1: Sanji tells him, like, maybe you should get put some
• 12:43
  Speaker 1: new clothing on yourself. And he says that the power
• 12:49
  Speaker 1: comes with a cost, which I thought was sort of weird,
• 12:53
  Speaker 1: Like it just felt almost like I would have thought
• 12:56
  Speaker 1: he was lying if it weren't spelled out for us
• 12:59
  Speaker 1: a little bit more. I did not acquire it without
• 13:02
  Speaker 1: a cost. Because of it, I now have a certain
• 13:04
  Speaker 1: weakness ever since partaking of that fruit when submerged in water,
• 13:10
  Speaker 1: and I was like, oh, that's it. I really thought
• 13:14
  Speaker 1: there was going to be more to that. And it's
• 13:17
  Speaker 1: a good thing that his head was only a little
• 13:19
  Speaker 1: off the shore. His body being sunk apparently isn't going
• 13:23
  Speaker 1: to have as much of an effect. But he tells
• 13:26
  Speaker 1: them that he thinks he knows where his torso is.
• 13:30
  Speaker 1: You might locate it somewhere underwater, and Sanji is like, ah, shit,
• 13:36
  Speaker 1: because he is the one who knows how to swim,
• 13:39
  Speaker 1: and even though he is in Nami's body, He's going
• 13:43
  Speaker 1: to have to go ahead and swim down there, which
• 13:47
  Speaker 1: I truly, I mean, I cannot advise this at all.
• 13:52
  Speaker 1: It is so you guys, ice cold water. It's terrifying
• 13:59
  Speaker 1: the kind of effect that it can have on you
• 14:01
  Speaker 1: and how fast it happens, like I can oh god,
• 14:05
  Speaker 1: this just my whole body felt like it contracted. And
• 14:09
  Speaker 1: also I thought that it was interesting the idea because
• 14:14
  Speaker 1: we've already like sort of seen this with other characters,
• 14:19
  Speaker 1: and we see more of it later with ta Shigi
• 14:22
  Speaker 1: and Smoker. But ta Shigi is like using Smoker's ability
• 14:26
  Speaker 1: but not really well, like she doesn't understand how to
• 14:28
  Speaker 1: turn back into her body at one point, and Smoker
• 14:32
  Speaker 1: is just like, will you get the fuck out of
• 14:33
  Speaker 1: the way, You're ruining everything. But the fact that Sangy
• 14:40
  Speaker 1: is going to be able to swim in Nami's body,
• 14:44
  Speaker 1: I don't have a problem with this because any body
• 14:48
  Speaker 1: can swim, so even if she doesn't know how, if
• 14:52
  Speaker 1: he has the knowledge, he can make her body move
• 14:55
  Speaker 1: the way that it needs to in order to swim. However,
• 15:01
  Speaker 1: I was kind of thinking about there's another show that
• 15:03
  Speaker 1: I'm covering called Altered Carbon I've only covered the first
• 15:08
  Speaker 1: two episodes, very compelling, and this character is put into
• 15:13
  Speaker 1: a new body. He has the same memories and personality
• 15:16
  Speaker 1: and everything, but he is put into a body that
• 15:19
  Speaker 1: was specifically chosen because it has the muscle memory of
• 15:24
  Speaker 1: martial arts already. And I thought that was really interesting,
• 15:29
  Speaker 1: the idea that, like, you may know how to do
• 15:33
  Speaker 1: martial arts, and so you may be able to technically
• 15:36
  Speaker 1: get this body to move the way that it needs
• 15:41
  Speaker 1: to to perform certain movements, but that muscle memory is
• 15:47
  Speaker 1: a different thing than knowledge. So perhaps even with your
• 15:52
  Speaker 1: own understanding in your consciousness being installed into a new body,
• 15:57
  Speaker 1: if that body isn't adequate, like with its reflexes and whatnot,
• 16:03
  Speaker 1: you are not going to be nearly as effective a fighter.
• 16:08
  Speaker 1: And that's setting aside, like having the knowledge, but maybe
• 16:12
  Speaker 1: the muscle density on this body isn't as great or whatever.
• 16:15
  Speaker 1: It just sort of got me thinking about that, Like
• 16:17
  Speaker 1: the changing of personalities to different bodies, it just raises
• 16:22
  Speaker 1: a lot of questions in the way that different properties
• 16:25
  Speaker 1: handle that I just always find a little interesting, because
• 16:28
  Speaker 1: you know, there's plenty of ways that you could follow
• 16:30
  Speaker 1: this thread and make it so that there are significant obstacles,
• 16:36
  Speaker 1: or you could make it so that there are a
• 16:37
  Speaker 1: couple but it's not too bad, but anyway, so I
• 16:43
  Speaker 1: do like that. Eventually, this wraps up with him saying
• 16:46
  Speaker 1: thank you to Soanji, and Sanji saying, oh, look, you
• 16:49
  Speaker 1: finally are saying thank you. Maybe everybody should get frozen.
• 16:53
  Speaker 1: I thought that was funny. So they're coming up towards
• 16:57
  Speaker 1: the side of the island that all of the centaurs
• 17:00
  Speaker 1: are running away from, and the centaurs, I had thought
• 17:05
  Speaker 1: for a moment, was going to be like them attacking,
• 17:09
  Speaker 1: but really quickly you see they are running from the thing,
• 17:13
  Speaker 1: and our friends sort of stop and are just like, well, wait,
• 17:15
  Speaker 1: what is it that they're running from and then Zorro
• 17:21
  Speaker 1: once again, the guy that isn't normally very aware of
• 17:25
  Speaker 1: his surroundings, is like, hey guys, uh, they're supposed to
• 17:32
  Speaker 1: be a lake this way, right, so why is there
• 17:38
  Speaker 1: a mountain? Where did that come from? And the camera
• 17:43
  Speaker 1: pulls back and we see that like red and purple
• 17:47
  Speaker 1: thing together, which we know is Smiley, And it's sort
• 17:52
  Speaker 1: of bizarre because like I see it and it's first
• 17:56
  Speaker 1: of all, much larger than I was imagining in my head.
• 18:00
  Speaker 1: But then eventually it begins to sort of break apart,
• 18:04
  Speaker 1: and that was the part where I was like, what
• 18:06
  Speaker 1: is going on? So we jumped to Caesar Clown's lab
• 18:11
  Speaker 1: and he explains that Smiley was the chemical weapon that
• 18:17
  Speaker 1: was like what he allegedly saved the island from. Everybody
• 18:22
  Speaker 1: thought that he had just found a way to purify
• 18:25
  Speaker 1: the air, but instead what he did was condensed the
• 18:31
  Speaker 1: gas down into a I guess, like, really it's I
• 18:38
  Speaker 1: was gonna say liquid, but like when we saw him
• 18:41
  Speaker 1: drop that tablet, it was not even a liquid. It
• 18:44
  Speaker 1: was it was a solid. So he managed to basically
• 18:51
  Speaker 1: like separate the gas from the rest of the atmosphere
• 18:54
  Speaker 1: and just create this absolutely Bonker's weapon with it, which
• 19:00
  Speaker 1: that feels unfair but true. This feels like a thing
• 19:05
  Speaker 1: that we would absolutely do our own military. Why not?
• 19:12
  Speaker 1: And he says I had been developing a poison gas bomb,
• 19:16
  Speaker 1: which I dubbed H two s It was so deliciously
• 19:20
  Speaker 1: effective that when it was unleashed on the island, it
• 19:23
  Speaker 1: killed everything in its path within a matter of seconds.
• 19:29
  Speaker 1: And apparently he hadn't intended this to be the way
• 19:32
  Speaker 1: that this went down, which I did find kind of
• 19:34
  Speaker 1: funny that he just sends this out there, and like
• 19:37
  Speaker 1: the gas when we see this flashback, it's not just
• 19:40
  Speaker 1: people dying. It seems like the gas is so corrosive
• 19:43
  Speaker 1: that we're even watching like buildings basically it seems almost
• 19:50
  Speaker 1: age so that they fall apart. It made me think
• 19:55
  Speaker 1: of like the effects of acid rain, you know what
• 19:58
  Speaker 1: I'm saying. But yeah, So the fact that he had
• 20:04
  Speaker 1: not intended this and he's like going around in his flashback,
• 20:08
  Speaker 1: did they seriously think I would purify the entire island
• 20:12
  Speaker 1: in like why would I be that wasteful? Instead? I
• 20:17
  Speaker 1: created a monster by compressing all the gas and it
• 20:21
  Speaker 1: lives here still my smiley, Which the fact that it's
• 20:26
  Speaker 1: called Smiley. I do find very funny. Still I do.
• 20:30
  Speaker 1: I think that's great. So also guys, as he's like,
• 20:39
  Speaker 1: I just really this is something that I really enjoy
• 20:44
  Speaker 1: When we have these monologues from him and we have
• 20:49
  Speaker 1: the flashbacks and we see everything that happened, we forget
• 20:56
  Speaker 1: temporarily until the camera comes back to the present that
• 21:00
  Speaker 1: he is delivering this monologue right next to his assistant Monet,
• 21:07
  Speaker 1: who is utterly ignoring him. And I just keep finding
• 21:12
  Speaker 1: that so funny, just the fact that it's like written explicitly,
• 21:17
  Speaker 1: Oh yeah, she's there, She's like right there, she can
• 21:20
  Speaker 1: hear him, and she just doesn't even acknowledge him. And
• 21:24
  Speaker 1: it doesn't feel at all like this is info he's
• 21:27
  Speaker 1: telling her. It's he's one monologuing. She knows this already,
• 21:33
  Speaker 1: is my impression. And I don't know why I think that,
• 21:36
  Speaker 1: but I do. But yeah, he you know, is it's
• 21:42
  Speaker 1: just really feeling himself and the way that this whole
• 21:45
  Speaker 1: thing like there's almost a sense that he can see
• 21:48
  Speaker 1: the camera and is purposely going up to it and
• 21:51
  Speaker 1: talking into it, like he's doing an Instagram live or
• 21:55
  Speaker 1: something like that. So this is when we check in
• 22:01
  Speaker 1: at the area where Vega Punk's labs had been, and
• 22:05
  Speaker 1: that's where the kids are holed up. At first, they
• 22:09
  Speaker 1: are still asleep and it's okay, but then they begin
• 22:14
  Speaker 1: to wake up, and eventually we have a pretty terrible
• 22:19
  Speaker 1: scene of all of them crying and screaming for more candy.
• 22:23
  Speaker 1: And when Oosop attempts to put them out again, like
• 22:31
  Speaker 1: send them back to sleep with his whatever the I
• 22:36
  Speaker 1: can't remember the pod that he used for it, but
• 22:40
  Speaker 1: he tries to do it again and it doesn't have
• 22:43
  Speaker 1: any effect. Eventually he does manage to put them to sleep,
• 22:48
  Speaker 1: but what he tried the first time doesn't work a
• 22:51
  Speaker 1: second time. It's as if they are developing an immunity somehow,
• 22:57
  Speaker 1: And I just thought of thought that was interesting because
• 23:02
  Speaker 1: that can be a thing with drugs, like you do
• 23:05
  Speaker 1: something and they develop a tolerance or the use of
• 23:11
  Speaker 1: the drug makes it so that other drugs don't affect
• 23:13
  Speaker 1: them in predictable ways, you know. But really, we don't
• 23:19
  Speaker 1: spend almost any time with these kids outside of this incident.
• 23:25
  Speaker 1: So meanwhile, the Marines are trying to get that door
• 23:30
  Speaker 1: open and reporting back to Smoker that he can't that
• 23:34
  Speaker 1: they're not going to be able to Smoker is certain
• 23:37
  Speaker 1: that were he in his own body, he'd be able
• 23:40
  Speaker 1: to do it. And I'm not really sure why he
• 23:42
  Speaker 1: thinks that, Like, if you think that, then t Shiki
• 23:46
  Speaker 1: should be able to do it, because this isn't a
• 23:48
  Speaker 1: matter of intelligence, it's utter brute strength, So just have
• 23:54
  Speaker 1: her go do it. Then why I didn't feel like
• 23:57
  Speaker 1: that statement really made any sense. So then we go
• 24:03
  Speaker 1: to Law, who he is like coming out of one
• 24:06
  Speaker 1: of those little uh tunnels and it's almost like he teleported.
• 24:13
  Speaker 1: Chopper is, you know, like, did we just did we teleport?
• 24:18
  Speaker 1: And he just tells him to shut up. I was like,
• 24:21
  Speaker 1: can you be a little bit nicer please, to my
• 24:24
  Speaker 1: choppy guy? Thank you. Law is saying that I need
• 24:31
  Speaker 1: to find a way to get this place emptied out
• 24:34
  Speaker 1: so that I can look around, and you are going
• 24:37
  Speaker 1: to have to see what you can figure out about
• 24:39
  Speaker 1: the drug, and Chopper is like, you're acting like it's
• 24:44
  Speaker 1: gonna be really difficult for you to do, and the
• 24:49
  Speaker 1: Master already trusts you. I don't understand why you can't
• 24:55
  Speaker 1: just like go up to him and capture him instantly,
• 24:59
  Speaker 1: and then we could go around and find the drug
• 25:01
  Speaker 1: and it would be like dune deal, and Law says,
• 25:06
  Speaker 1: I can't take him down myself. There are certain circumstances
• 25:10
  Speaker 1: preventing that, which is why I have involved you. You
• 25:14
  Speaker 1: don't need to know the specifics. All I'm asking your
• 25:16
  Speaker 1: crew to do is kidnap him. I'll take care of
• 25:20
  Speaker 1: the rest. I just really want to know what that means.
• 25:25
  Speaker 1: Why not if the guys doesn't really have a body
• 25:30
  Speaker 1: and is all gas, can you not use his powers
• 25:33
  Speaker 1: the same way? Like? I don't know. But anyway, as
• 25:40
  Speaker 1: he is about to go inside, everybody starts shouting and
• 25:43
  Speaker 1: is like, hey, what the fuck is that thing? They
• 25:45
  Speaker 1: think it's a missile, and eventually we see that it
• 25:48
  Speaker 1: is Loofy blown up to giant size, with Frankie sort
• 25:52
  Speaker 1: of riding on his shoulders, and behind them is coming Robin.
• 25:57
  Speaker 1: But she doesn't like smash into the ship the way
• 25:59
  Speaker 1: the two boys do. She manages to make herself a
• 26:02
  Speaker 1: pair of those creepy, creepy wings with her hand power
• 26:09
  Speaker 1: and like just gracefully lands on the ground. And I
• 26:13
  Speaker 1: was just like, wait to show him, girl. I find
• 26:16
  Speaker 1: your power unnerving, unsettling and unpleasant, but I can't deny
• 26:21
  Speaker 1: that it is effective and practical. And what can you
• 26:27
  Speaker 1: you know, I feel like that's the best. So, like
• 26:31
  Speaker 1: I said, this is when Lufy just decides to announce
• 26:34
  Speaker 1: to everybody what the fuck the plan is. So jumping
• 26:37
  Speaker 1: into the next episode on the verge of annihilation, this,
• 26:47
  Speaker 1: y'all the whole idea here. This is first of all,
• 26:54
  Speaker 1: announcing what the plan is. But I had forgotten just
• 26:59
  Speaker 1: how much much for the moment, Caesar Clown's minions believe
• 27:07
  Speaker 1: in him and are defending him on a really foundational
• 27:10
  Speaker 1: level of loyalty. So at one point, Caesar Clown comes
• 27:17
  Speaker 1: out and insults them all by telling them to fucking
• 27:22
  Speaker 1: He calls them maggots. I'm wondering if that's what he
• 27:25
  Speaker 1: calls them in the translation when it's the sub for
• 27:28
  Speaker 1: the dub. He calls the maggots and they all stop
• 27:31
  Speaker 1: and are like, to teach us, call us maggots, And
• 27:34
  Speaker 1: one of the other guys is like, uh, we have
• 27:37
  Speaker 1: to have misheard him, and they're like, yeah, yeah, we
• 27:39
  Speaker 1: definitely misheard him. He would never say that about us,
• 27:43
  Speaker 1: and as it's like, oh, babies that by the end
• 27:46
  Speaker 1: of this grouping of episodes, even though he has said
• 27:48
  Speaker 1: that to them, they are still going hard for him.
• 27:51
  Speaker 1: You know, it hasn't like they have not turned the
• 27:54
  Speaker 1: corner and understood. But anyway, he's not out here yet.
• 27:59
  Speaker 1: I'm just kind of jumping ahead because all of these
• 28:01
  Speaker 1: centaurs and everything are just making me so sad. But
• 28:05
  Speaker 1: we have first Robin taking a bunch of guys down
• 28:08
  Speaker 1: with her ability, like wrapping her hands around their throats.
• 28:12
  Speaker 1: And when we go back to Law he is looking
• 28:16
  Speaker 1: like down on this whole situation and basically is like,
• 28:19
  Speaker 1: all right, well, they're gonna have to sort that out
• 28:21
  Speaker 1: by themselves. We are going inside and he says, do
• 28:27
  Speaker 1: you remember the plan we discussed? And Chopper is like, yep,
• 28:31
  Speaker 1: You're gonna come up with a distraction to get Caesar
• 28:34
  Speaker 1: and the bird Lady out of the room and then
• 28:35
  Speaker 1: I'll look for information about the drug. And he's going
• 28:40
  Speaker 1: down this like endless sort of hallway and this lasts
• 28:44
  Speaker 1: for a little bit. Going back outside there is there
• 28:52
  Speaker 1: is such a weird battle going on, you guys. I
• 28:55
  Speaker 1: love how like perfunctory some of it is. But uh,
• 29:00
  Speaker 1: Lofy is looking around and he's like, all right, guys,
• 29:03
  Speaker 1: well what now like we're here, is the master gonna
• 29:06
  Speaker 1: come out or do we have to like go in there,
• 29:10
  Speaker 1: and they decide that they're gonna have to go inside,
• 29:13
  Speaker 1: so Robin is like, all right, well let's head that way.
• 29:17
  Speaker 1: As they are like deciding what to do, Tashigi in
• 29:21
  Speaker 1: Smoker's body attacks Loofy, and essentially what winds up happening
• 29:29
  Speaker 1: here is like, because this isn't Smoker in his own body,
• 29:36
  Speaker 1: Tashigi isn't up for the challenge, and Lufy gets to
• 29:40
  Speaker 1: the point where he finally is like, look, this isn't fair.
• 29:44
  Speaker 1: You're not at your best right now. I don't want
• 29:48
  Speaker 1: to beat you when you're in this condition. Go get
• 29:51
  Speaker 1: yourself back in your body, and then we will figure
• 29:55
  Speaker 1: something out and we'll be able to fight then and
• 29:58
  Speaker 1: it'll be way more fait. And I found it very
• 30:02
  Speaker 1: funny how Tashiki says something about how she doesn't need charity.
• 30:06
  Speaker 1: I think it's the way she words it, and I
• 30:08
  Speaker 1: just found that very like a funny response. Oh okay,
• 30:13
  Speaker 1: so jumping over here to you sound different too, almost
• 30:17
  Speaker 1: like you're a girl or something. And then we have
• 30:21
  Speaker 1: Smoker coming over into Shighi's body. Don't get your ass
• 30:26
  Speaker 1: kicked by an idiot like him while you're in my body. Okay.
• 30:30
  Speaker 1: At once, loving like understands the switch that has been made,
• 30:34
  Speaker 1: he starts cracking up, which I did think was sort
• 30:37
  Speaker 1: of funny, considering that he has just been around all
• 30:39
  Speaker 1: of his friends who have been switched into different bodies,
• 30:42
  Speaker 1: and I didn't feel like he found that nearly as amusing.
• 30:46
  Speaker 1: But I guess it's because none of them are as
• 30:49
  Speaker 1: dramatically like. The most macho of them is Zorro, and
• 30:57
  Speaker 1: Zoro doesn't get switched out with anybody, if I call correctly.
• 31:01
  Speaker 1: So yeah, I don't know. I'm wondering if it's just
• 31:06
  Speaker 1: because of the masculinity of Smoker and how like intense
• 31:10
  Speaker 1: he is that it is extra funny. But yeah, uh so,
• 31:18
  Speaker 1: let's see. I'm sorry, I'm trying to jump past this
• 31:21
  Speaker 1: point where he tells him, Oh, I'm sorry, I got
• 31:24
  Speaker 1: it confused. I was saying, like he told Tshigi in
• 31:27
  Speaker 1: Smoker's body, you're not your best. But no, he tells
• 31:30
  Speaker 1: Smoker into Shihy's body, like, come find me when you're
• 31:33
  Speaker 1: back in your bother. That's what it is, so Frankie. Meanwhile,
• 31:40
  Speaker 1: they're still looking at this door that they're trying to
• 31:42
  Speaker 1: open to get into the lab and he's like, oh,
• 31:46
  Speaker 1: I can handle that, no problem, and he just uses
• 31:48
  Speaker 1: a laser and just basically burns a hole through the
• 31:51
  Speaker 1: metal and makes a big opening. I was like, I
• 31:55
  Speaker 1: feel as if there's probably a way you could have
• 31:58
  Speaker 1: done that where you guys could get in and then
• 32:00
  Speaker 1: close it behind you, But evidently that didn't occur to him,
• 32:04
  Speaker 1: and now everybody is going to be able to come
• 32:07
  Speaker 1: in after them if they so desire. Doesn't matter yet though,
• 32:11
  Speaker 1: because within these episodes, we don't our group out here
• 32:15
  Speaker 1: doesn't go inside. So the first thing that we get
• 32:19
  Speaker 1: distracted by is one of those big like balls of
• 32:24
  Speaker 1: slime landing on the top of the ship and inching
• 32:29
  Speaker 1: its way down, and nobody on the ship knows what
• 32:33
  Speaker 1: this is understandably, so they begin to try and deal
• 32:37
  Speaker 1: with it in a couple of different ways. So one
• 32:40
  Speaker 1: dude tries to slice into it, another one tries to
• 32:43
  Speaker 1: shoot it, and they both begin to realize that it's
• 32:46
  Speaker 1: getting harder and harder to breathe, so they're putting two
• 32:51
  Speaker 1: and two together. We're like basically poking holes in it
• 32:54
  Speaker 1: and letting the gas out. Guys, we have to go
• 32:57
  Speaker 1: get our gas masks. When they said we have to
• 32:59
  Speaker 1: go at our gas masks. I had a moment of like, oh,
• 33:03
  Speaker 1: the gas masks, you just happen to have handy, And
• 33:05
  Speaker 1: then I was like, oh, no, yeah, they do just
• 33:07
  Speaker 1: have them handy because they wore them on the way in.
• 33:10
  Speaker 1: Like I was so smirky, and then immediately it was like, bitch,
• 33:14
  Speaker 1: shut up. That was you saw that happen. And finally
• 33:21
  Speaker 1: this other dude is like, I don't know of any
• 33:25
  Speaker 1: creature that isn't afraid of fire, so I'm going to
• 33:29
  Speaker 1: handle it. And he comes at it, and this thing
• 33:32
  Speaker 1: is like growing before their eyes because all of these
• 33:36
  Speaker 1: balls are flying towards the ship and landing and then
• 33:41
  Speaker 1: merging together to become one giant creature. And this dude,
• 33:47
  Speaker 1: by the time he steps up and is like, I'll
• 33:50
  Speaker 1: deal with it, he is looking at like a mountain
• 33:56
  Speaker 1: of It's probably fifteen or twenty times the size of
• 34:02
  Speaker 1: what his friends were dealing with a second ago. So
• 34:05
  Speaker 1: he's starting to burn it, and everybody is beginning to think, oh, sweet,
• 34:09
  Speaker 1: look at it's beginning to shrink or it's like sort
• 34:11
  Speaker 1: of slumping. It is looking as if it is actually
• 34:17
  Speaker 1: dying and responding. But then there is this flare of
• 34:23
  Speaker 1: light and the camera pulls out and the whole ship explodes,
• 34:30
  Speaker 1: which I genuinely did not see coming. I should have,
• 34:35
  Speaker 1: I really should have. If there's one thing that I
• 34:39
  Speaker 1: know about, like just the safety of living in my
• 34:42
  Speaker 1: own home, is that gases plus flame often not an
• 34:49
  Speaker 1: awesome combination, and this is just a condensed gas. But
• 34:55
  Speaker 1: didn't see it coming. And everybody on the land is
• 34:58
  Speaker 1: just like what the fuck? And Smoker is truly upset
• 35:03
  Speaker 1: because this was supposed to be the way out, Like now,
• 35:06
  Speaker 1: what you know, I don't know how they get out
• 35:07
  Speaker 1: of here, if there's another ship they can steal or something.
• 35:12
  Speaker 1: And there's all of these centaurs, who are you know,
• 35:17
  Speaker 1: despite the fact that they are technically on the side
• 35:21
  Speaker 1: of the Master, as we have seen, he doesn't give
• 35:25
  Speaker 1: a shit about preserving their lives. So this thing was
• 35:30
  Speaker 1: just as much of a danger to them as it
• 35:32
  Speaker 1: was to his enemies. So they see that this thing
• 35:36
  Speaker 1: is is like destroyed, and because they haven't noticed any
• 35:44
  Speaker 1: more of it, they believe that it's taken care of
• 35:49
  Speaker 1: that even though it sucks. Those dudes blew themselves up
• 35:53
  Speaker 1: one they were our enemies, So thanks for helping us out.
• 35:57
  Speaker 1: And two now it's like completely you know, the gas
• 36:06
  Speaker 1: thing Smiley was our enemy also, so basically two of
• 36:12
  Speaker 1: our opponents just handled one another. I mean, that's ideal.
• 36:19
  Speaker 1: And then as they're talking about this, they notice another
• 36:23
  Speaker 1: ball of it landing behind them, and we begin to
• 36:27
  Speaker 1: see just how much of it there is, and eventually
• 36:31
  Speaker 1: Caesar Clown explains it can't travel quickly, so when it
• 36:36
  Speaker 1: needs to go somewhere else, this is what it does.
• 36:40
  Speaker 1: And when we go back to like the original Smiley pile,
• 36:45
  Speaker 1: it has created this sort of like hose that shoots
• 36:50
  Speaker 1: out these balls towards the other side of the island.
• 36:55
  Speaker 1: It is like, I'm trying to think of a way
• 36:58
  Speaker 1: to describe this. It almost reminds me of like one
• 37:01
  Speaker 1: of those machines that shoots tennis balls for you to
• 37:04
  Speaker 1: like practice your swing, you know. But yeah, it's a
• 37:09
  Speaker 1: very like weird look. And then we get a moment
• 37:13
  Speaker 1: that you guys, I know, I talk about Brooke and
• 37:16
  Speaker 1: his voice actor all the time. I'm not sorry, Like
• 37:19
  Speaker 1: this guy is so good. So he predictably is saying, oh,
• 37:27
  Speaker 1: like I've never seen anything like it. It's such a
• 37:32
  Speaker 1: shocking sight. My eyes might pop out of my head,
• 37:37
  Speaker 1: but they well they would, but I haven't got any.
• 37:43
  Speaker 1: But the way he delivers it, guys, is in a
• 37:46
  Speaker 1: moment of like almost what's the word I want? Baited breath,
• 37:52
  Speaker 1: Like he is trying to speak in such a serious
• 37:58
  Speaker 1: way as this occasion deserves, like almost reverence in his voice.
• 38:04
  Speaker 1: My eyes might pop out of my head, well they would,
• 38:11
  Speaker 1: but I have got it, like it is so fucking funny.
• 38:15
  Speaker 1: I just can't with him. Man, he is just everything
• 38:20
  Speaker 1: is gold, even when they see the blob and he
• 38:24
  Speaker 1: what his first reaction is. Oh, I thought blogs were
• 38:30
  Speaker 1: just like, you know, fantasy creatures, but I've come across
• 38:34
  Speaker 1: them in books I've read, and they always in those
• 38:39
  Speaker 1: books melt women's clothing off. And of course both Sangi
• 38:46
  Speaker 1: and and the Samurai are like a can I borrow
• 38:51
  Speaker 1: that book? Though at some point no big deal? And
• 38:55
  Speaker 1: I did find that actually funny. Even though a lot
• 38:57
  Speaker 1: of the times the gross perlus of these characters I
• 39:02
  Speaker 1: just don't have time for, this was one that I
• 39:04
  Speaker 1: actually did think was kind of funny. So everybody is
• 39:11
  Speaker 1: rushing for cover because this thing is just like raining
• 39:15
  Speaker 1: down on them at this point, and then Eventually, Caesar
• 39:19
  Speaker 1: Clown does come out into the open, and he is
• 39:24
  Speaker 1: already very much counting his chickens before they have hatched.
• 39:29
  Speaker 1: He's perched on the tip of one of the ships.
• 39:31
  Speaker 1: I don't know if it's the one that just blew up,
• 39:34
  Speaker 1: because it's there's so much of it left. I can't
• 39:37
  Speaker 1: tell if this is like a different ship. You know,
• 39:40
  Speaker 1: he's got a bunch of recks around here, so who knows.
• 39:45
  Speaker 1: And yeah, Smoker is like, Okay, I fucking thought it
• 39:49
  Speaker 1: was Caesar Clown. There he is. I knew it. And
• 39:54
  Speaker 1: loofy is let's see, I'm trying to like he's yelling
• 39:59
  Speaker 1: up to him as Caesar Clan says, welcome to my island.
• 40:03
  Speaker 1: Allow me to present the most brilliant scientist ever. He
• 40:08
  Speaker 1: is feeling himself so much right here. As this stuff
• 40:11
  Speaker 1: is continuing to rain down, he explains about like how
• 40:18
  Speaker 1: he doesn't tolerate water very well, that's right, I thought
• 40:21
  Speaker 1: he was. I thought he said that he doesn't like
• 40:23
  Speaker 1: move quickly enough, but he doesn't tolerate water, so he
• 40:26
  Speaker 1: has to fling himself over piece by piece, inconvenient but effective. Nonetheless,
• 40:33
  Speaker 1: and I do think that like him being weak toward water.
• 40:38
  Speaker 1: I'm curious how that works, because like Caesar had him
• 40:43
  Speaker 1: in a tablet form and then he added a liquid
• 40:46
  Speaker 1: and it seemed to activate the creature. But if it's
• 40:51
  Speaker 1: weak to water, I'm imagining it as being sort of
• 40:55
  Speaker 1: like if he gets over diluted, then he doesn't have
• 40:57
  Speaker 1: any effect, maybe something like that. I don't know. I'm
• 41:03
  Speaker 1: just really like curious about how this is gonna shake out,
• 41:08
  Speaker 1: because this weakness obviously is gonna be something that we
• 41:11
  Speaker 1: utilize eventually. And I'm also trying to consider, like what
• 41:16
  Speaker 1: are the characters that we've got and what are their powers,
• 41:21
  Speaker 1: because if we've got somebody who has some sort of
• 41:23
  Speaker 1: water based power, potentially they could be the one that
• 41:27
  Speaker 1: handles this thing. I can't think of anybody specifically. The
• 41:33
  Speaker 1: best I can do is Frankie because he is equipped
• 41:38
  Speaker 1: with so much equipment. Oh my god, did I just
• 41:41
  Speaker 1: say he's equipped with so much equipment? Oh, I'm so sorry.
• 41:45
  Speaker 1: But what I'm saying is Frankie doesn't have a particular
• 41:52
  Speaker 1: power set. He has the ability to like temporarily make
• 41:56
  Speaker 1: anything his power set. So if he he's got some
• 42:00
  Speaker 1: water guns in there or something, perhaps that's gonna do
• 42:05
  Speaker 1: a thing. I don't feel like whatever he has in
• 42:08
  Speaker 1: his arsenal, though, is gonna be big enough. This thing
• 42:11
  Speaker 1: is so huge. So anyway, Caesar Clown continues with his
• 42:17
  Speaker 1: fucking monologuing. This dude I cannot get enough of him
• 42:21
  Speaker 1: looking directly into the camera and laughing, and then the
• 42:24
  Speaker 1: camera's zeroing in on his crazy yellow eyes. This dude
• 42:28
  Speaker 1: is so like, he's so cartoonish, and I recognize the
• 42:34
  Speaker 1: irony here, but that he has crossed over into being
• 42:38
  Speaker 1: actually fun again instead of irritating. And he's like standing
• 42:43
  Speaker 1: there laughing when Loofy just like appears in front of him,
• 42:48
  Speaker 1: having wrapped his arms around Caesar's waist, and he clasps
• 42:53
  Speaker 1: it and says, I got you now, master, and Caesar
• 42:56
  Speaker 1: Clown starts screaming, and I had a moment of just
• 43:00
  Speaker 1: like what you've got him? Now? He's made of gas?
• 43:03
  Speaker 1: What do you mean? Like? How do you even? And
• 43:06
  Speaker 1: come to find out that because Lufy is using hockey,
• 43:11
  Speaker 1: he's able to lock him into place and keep him
• 43:15
  Speaker 1: from being able to be insubstantial anymore. Now that is
• 43:23
  Speaker 1: not the same thing as keeping him from transforming. He
• 43:29
  Speaker 1: can still transform, and it's in a way that he
• 43:36
  Speaker 1: can fight back against Loofy with his abilities, but it
• 43:42
  Speaker 1: isn't actually like enough for him to just liquefy in
• 43:48
  Speaker 1: his arms and get away. And that is a very
• 43:51
  Speaker 1: fine distinction and being able to use hockey for this
• 43:57
  Speaker 1: interesting see. We jump back over to Our Boys, Our
• 44:03
  Speaker 1: Boys with Nami and after an asterisk, and Sanji is
• 44:08
  Speaker 1: saying to himself, this is even colder than it looks.
• 44:10
  Speaker 1: I better make it quick, and he's like in Nami's
• 44:14
  Speaker 1: body with like this little fucking bikini top on, and
• 44:18
  Speaker 1: I was just like, my guy, you would be dead.
• 44:22
  Speaker 1: You would so instantly be dead. My god. Meanwhile on
• 44:28
  Speaker 1: the shoreline, his friends are watching these like balls of
• 44:31
  Speaker 1: slime inch ever closer to them. So we go inside
• 44:36
  Speaker 1: and we have Law going into a room where Monet
• 44:40
  Speaker 1: is all alone, and he's like, hey, so where's Caesar
• 44:44
  Speaker 1: clown And she says he's probably outside watching the fight.
• 44:49
  Speaker 1: She says, the degenerate can't get enough of destruction. And
• 44:55
  Speaker 1: I thought that was interesting because like it makes some
• 45:00
  Speaker 1: sense why she's ignoring him in his monologuing if she
• 45:04
  Speaker 1: really sees him as a degenerate, like just not worth
• 45:08
  Speaker 1: her time, her respect, he's doing some some admirable stuff
• 45:13
  Speaker 1: Asterisk with tech and inventions or whatever. So anyway, Law
• 45:22
  Speaker 1: tells her, I'm gonna be taking off soon because I
• 45:26
  Speaker 1: have seen enough and I have had enough of this place.
• 45:29
  Speaker 1: I'm gonna get out, but I could use your help
• 45:32
  Speaker 1: with something. Could I borrow you for a sec? And
• 45:35
  Speaker 1: she's like, ooh, what is this a date? So she
• 45:43
  Speaker 1: she has these glasses and I keep waiting for these
• 45:45
  Speaker 1: glasses to like matter in some way. They have those
• 45:51
  Speaker 1: like spirals on them that a lot of times are
• 45:53
  Speaker 1: sort of shortcuts for These can be used to hypnotize people,
• 45:57
  Speaker 1: you know. And so and she sits up after he
• 46:01
  Speaker 1: asks for her help, and the light catches them. I
• 46:05
  Speaker 1: thought for a moment that this was like, you know,
• 46:10
  Speaker 1: narrative hint, that this was going to be really important,
• 46:14
  Speaker 1: and that she was going to use these glasses on
• 46:18
  Speaker 1: him as a weapon, that we were getting a little
• 46:21
  Speaker 1: bit of foreshadowing, you know. And then she just immediately
• 46:27
  Speaker 1: takes them off, and I'm like, maybe they're in her pocket.
• 46:30
  Speaker 1: I thought I saw her leave them on the table though,
• 46:33
  Speaker 1: So yeah, she's just I guess they're just a fashion
• 46:37
  Speaker 1: choice and they're not actually able to do anything. But
• 46:41
  Speaker 1: I don't know. I may be wrong with that. I
• 46:42
  Speaker 1: don't know. So let's see. Okay, we go back outside.
• 46:49
  Speaker 1: Lufy is still holding onto the Master. Everybody else is
• 46:54
  Speaker 1: just beating the shit out of all of those around them,
• 46:58
  Speaker 1: and Frankie is impressed. He's like, oh, he can't use
• 47:01
  Speaker 1: his powers. Nice. And then this is when Robin explains
• 47:06
  Speaker 1: to him, like he can touch him, but he can't
• 47:08
  Speaker 1: stop him from transforming. So it's not exactly a complete
• 47:13
  Speaker 1: victory at this point. And so this moment where we
• 47:17
  Speaker 1: had seen Caesar looking very upset at the fact that
• 47:21
  Speaker 1: Lufy had grabbed him, we kind of transition and see,
• 47:26
  Speaker 1: oh he was just startled. It wasn't exactly that he
• 47:29
  Speaker 1: was reacting like, oh my plans are completely foiled. He
• 47:33
  Speaker 1: had just been taken off guard for a moment and
• 47:37
  Speaker 1: now he's gonna get down to fucking business again. And
• 47:40
  Speaker 1: he tells Loofy, don't get cocky. So Lufy tries to
• 47:46
  Speaker 1: use his gum gum bell power with his like head
• 47:50
  Speaker 1: to basically head butt him, but there is a like
• 47:57
  Speaker 1: as he's holding this so weird, but as he's holding
• 48:02
  Speaker 1: Caesar Clown in place, Caesar Clown uses gas cloak, and
• 48:07
  Speaker 1: I'm not entirely sure how this worked if Loufy just
• 48:11
  Speaker 1: got out of the line of fire. You know, he's
• 48:14
  Speaker 1: snapping his fingers and it goes towards the wrong guy.
• 48:18
  Speaker 1: Eventually it wraps around Loofy, But at first I was
• 48:23
  Speaker 1: sort of like, wait, how, And I guess the aim
• 48:28
  Speaker 1: isn't as precise as I would think. So Lufy gets
• 48:32
  Speaker 1: completely wrapped up in this gas, and understandably, really, Caesar
• 48:39
  Speaker 1: Clown is like, oh, now this gas is around you.
• 48:43
  Speaker 1: That's it. That's a wrap for you, so you may
• 48:46
  Speaker 1: as well just breathe it in and die and get
• 48:49
  Speaker 1: it over with and stop wasting all of our time.
• 48:53
  Speaker 1: So Loufy finally, after holding his breath, he refuses to
• 48:59
  Speaker 1: let go of the guy, like that's not an option.
• 49:02
  Speaker 1: So he begins to inhale and you see all of it,
• 49:06
  Speaker 1: like going up his nostrils to the point that the
• 49:08
  Speaker 1: cloud around him is completely gone, and he pauses. There
• 49:14
  Speaker 1: there's a little bit of blood, as if like a
• 49:16
  Speaker 1: nosebleed or something, but it's not actually coming, you know,
• 49:19
  Speaker 1: it's just the blood around his head. And then all
• 49:22
  Speaker 1: of a sudden, his ear muffs that he's wearing pop
• 49:26
  Speaker 1: off and all of the steam comes out of his ears,
• 49:30
  Speaker 1: like he somehow inhaled it and then shot it back
• 49:34
  Speaker 1: out again. And he says that he doesn't think that
• 49:40
  Speaker 1: this poison has much of an effect on him after
• 49:43
  Speaker 1: dealing with Magellan, because as we know, he did create
• 49:48
  Speaker 1: a kind of uh threshold where he can be immune
• 49:55
  Speaker 1: to it. Well, the Master does really like that suggestion.
• 50:02
  Speaker 1: He seems really pissed off at comparing the two of them.
• 50:06
  Speaker 1: He's like, my poison is a lot more powerful than his,
• 50:11
  Speaker 1: and I was like, sir, it's clearly not. He just
• 50:15
  Speaker 1: survived it, So what are you? What do you Why
• 50:17
  Speaker 1: do you even think that I didn't realize that he
• 50:20
  Speaker 1: had a whole different poison that was up his sleeve.
• 50:27
  Speaker 1: So this is the point where everybody is like, don't
• 50:30
  Speaker 1: you lay a finger on him? Everybody attack and then
• 50:34
  Speaker 1: Caesar Clown says, mind your own business, you maggots, And
• 50:39
  Speaker 1: I genuinely couldn't help but laugh, because, like, you didn't
• 50:43
  Speaker 1: have to do all that. You could have just told
• 50:45
  Speaker 1: them I'm handling him. You know you don't have to.
• 50:49
  Speaker 1: But he, I think, is just so angry at the
• 50:51
  Speaker 1: fact that he's being put through his paces at all,
• 50:54
  Speaker 1: that he isn't thinking about what he's saying. And I
• 50:57
  Speaker 1: mean also the fact that like they basically they're here
• 51:01
  Speaker 1: to help you, they're trying, they're talking about how they're
• 51:04
  Speaker 1: gonna step up and defend you. And this is the
• 51:08
  Speaker 1: moment that you decide to let it slip that you
• 51:10
  Speaker 1: don't give a shit about them. Just yeah, not his
• 51:14
  Speaker 1: greatest moment of judgment, That's all I'm saying. So he's
• 51:21
  Speaker 1: starting to get irate and he tells Loofy that he's
• 51:24
  Speaker 1: going to put him in his place. He shows him
• 51:28
  Speaker 1: these two discs he's holding, red and blue ones, and
• 51:34
  Speaker 1: Loofy uses this armament power and heads toward him, and
• 51:39
  Speaker 1: then it turns out that they're a compact. They aren't
• 51:43
  Speaker 1: a disk like when they he was holding. They almost
• 51:47
  Speaker 1: look like two giant checkers or something. But when Lufy
• 51:51
  Speaker 1: is coming at him, he opens it and then he
• 51:55
  Speaker 1: says castanet and when he clips it closed, there's this
• 52:01
  Speaker 1: huge explosion. Really, what we're getting here is like several
• 52:05
  Speaker 1: instances of him thinking that he has managed to completely
• 52:09
  Speaker 1: vaporize Loofy and being proven wrong over and over. Now.
• 52:15
  Speaker 1: At first after the explosion, we see Loofy sinking to
• 52:19
  Speaker 1: the ground with like black smoke pouring out of his mouth.
• 52:23
  Speaker 1: It doesn't look great for him, you know, like I
• 52:26
  Speaker 1: understand why he thought that this has succeeded. However, once
• 52:31
  Speaker 1: again Loofy is okay. Also, these like smilies that are
• 52:40
  Speaker 1: falling to the deck of the ship around him, well, no,
• 52:43
  Speaker 1: because he's on the shore now. I think he had
• 52:45
  Speaker 1: been on the ship, but he or No, he's standing
• 52:48
  Speaker 1: on the ship still because Loofy fell and he fell
• 52:51
  Speaker 1: on like the deck, so he is standing on the
• 52:54
  Speaker 1: ship still. But he is directing the smilies that are
• 52:56
  Speaker 1: on the ground around the centaurs. That's what it is.
• 53:01
  Speaker 1: And he says, go and give straw Hat a hug,
• 53:05
  Speaker 1: and they all leap up and like wrap around Loofy.
• 53:10
  Speaker 1: And I appreciated that one of his own henchmen is
• 53:13
  Speaker 1: just like, wait, what the slime follows orders now? Because yeah,
• 53:19
  Speaker 1: also was a little confused by this. I was like,
• 53:23
  Speaker 1: I kind of I know that this thing has two eyes,
• 53:27
  Speaker 1: but it still didn't really feel like a complete sentient thing.
• 53:32
  Speaker 1: It felt like it's basically been what's the word when
• 53:39
  Speaker 1: you give something like you assign it a sort of
• 53:42
  Speaker 1: personality despite it not having one. You know what I'm
• 53:46
  Speaker 1: talking about anthropomorphized. I guess no, that's when you actually
• 53:51
  Speaker 1: make something into like a person. I don't know, I'm
• 53:55
  Speaker 1: not sure the word I'm looking for here, guys, but
• 53:57
  Speaker 1: I had sort of thought that Caesar Klam was true
• 54:00
  Speaker 1: it like it was a pet, just because he found
• 54:03
  Speaker 1: it amusing and not because it could actually do things
• 54:06
  Speaker 1: of its own. So when it listens to his orders,
• 54:10
  Speaker 1: I was like, okay, what this changes everything? Because there
• 54:13
  Speaker 1: are so many of these drops in the air that
• 54:17
  Speaker 1: he could basically wrap everybody in this shit, you know,
• 54:21
  Speaker 1: and he hasn't thought to do that. I don't know
• 54:24
  Speaker 1: if it's just too much trouble or what. But anyway,
• 54:28
  Speaker 1: Louviy's wrapped up in this and he uses castanet again.
• 54:33
  Speaker 1: And when I say that he wraps Loufy up again,
• 54:38
  Speaker 1: I have already mentioned that Lufy is fine. This is
• 54:42
  Speaker 1: the second time he does it, and Lufy hasn't come
• 54:45
  Speaker 1: back to consciousness between, so I jumped ahead a little
• 54:49
  Speaker 1: bit and saying that Lufy winds up fine. I forgot
• 54:51
  Speaker 1: that he does it a whole second time, but it
• 54:55
  Speaker 1: you know, that was basically him doing in case this
• 54:59
  Speaker 1: mother fucker still isn't dead, I'm going to hedge my
• 55:03
  Speaker 1: bets and I'm going to do it one more time,
• 55:06
  Speaker 1: which I respect. Actually, you know, there's a reason that
• 55:09
  Speaker 1: that double tap rule in zombie Land is a thing.
• 55:12
  Speaker 1: You just don't take it for granted that somebody is
• 55:16
  Speaker 1: dead and you gotta make sure that job is done. Now, granted,
• 55:22
  Speaker 1: he's still wrong and Lufy is still okay, but I
• 55:27
  Speaker 1: think at least that he did his due diligence on this.
• 55:30
  Speaker 1: You guys, I was just listening to a snapped episode.
• 55:34
  Speaker 1: I'm so sorry. Like, I don't I don't try and
• 55:37
  Speaker 1: joke about this, because, like, somebody literally dies for these
• 55:42
  Speaker 1: episodes to exist, So I don't want to make a
• 55:47
  Speaker 1: joke out of someone's death. But there are times where
• 55:52
  Speaker 1: it's I'm not it's not the person who died, it's
• 55:55
  Speaker 1: the fucking murderer that's the joke. And that's most of them,
• 55:59
  Speaker 1: to be honest, And in one that I was just
• 56:02
  Speaker 1: recently listening to, this woman decided to kill her own
• 56:06
  Speaker 1: mother and she shot her and then assumed that she
• 56:11
  Speaker 1: had like that the woman was dead, and left and
• 56:16
  Speaker 1: came back hours later to find her mother, like trying
• 56:19
  Speaker 1: to give herself some kind of medical care, and the
• 56:23
  Speaker 1: mother hadn't called nine one one. I don't know if
• 56:26
  Speaker 1: she didn't realize who shot her because she was asleep,
• 56:30
  Speaker 1: or if she knew it was her daughter and didn't
• 56:33
  Speaker 1: want to call the cops on her own daughter or what.
• 56:35
  Speaker 1: But the daughter comes back and finds her mother trying
• 56:38
  Speaker 1: to like give herself some first aid and shoots her again.
• 56:43
  Speaker 1: So they they find this like weird crime scene. When
• 56:46
  Speaker 1: they eventually come with two wounds that don't seem to
• 56:50
  Speaker 1: have happened at the same time, and this woman evidently
• 56:53
  Speaker 1: walking on her own power to another room, it just
• 56:57
  Speaker 1: the whole thing looked so weird. And yeah, so what
• 57:01
  Speaker 1: I'm saying is that person, if they were going to
• 57:03
  Speaker 1: be a more competent murderer, would have done a double tap.
• 57:07
  Speaker 1: But I could see how that's particularly difficult to do
• 57:09
  Speaker 1: on your mother. It's easy to do a double tap
• 57:12
  Speaker 1: on a zombie, but when it's your mom, I'm sure
• 57:14
  Speaker 1: just pulling the trigger that one time was probably really hard.
• 57:19
  Speaker 1: So anyway, I am off on a tangent as usual,
• 57:23
  Speaker 1: but this, like when Loufy is still apparently destroyed by
• 57:28
  Speaker 1: the Castanette attack. The second one, all of the Master's
• 57:35
  Speaker 1: men are gathered around him, cheering for him and just
• 57:40
  Speaker 1: yelling like master, Master, Master, and he's saying, yes, praise
• 57:45
  Speaker 1: me more. And it was really giving, like Buggy the Clown,
• 57:49
  Speaker 1: and he's in the middle of just soaking it in
• 57:54
  Speaker 1: when Loofy appears and just says, wow, that was close.
• 57:58
  Speaker 1: Huh and and he's just still fine, grinning like a motherfucker.
• 58:06
  Speaker 1: So he goes, ah, right, basically, I've had about enough
• 58:12
  Speaker 1: of this, and he decides to go into I think,
• 58:15
  Speaker 1: is this gear too gum gum jet stamp? He does
• 58:22
  Speaker 1: that thing where he turns red and begins to steam,
• 58:25
  Speaker 1: so I feel like that was too I may be
• 58:28
  Speaker 1: wrong about that though. Maybe Gear two is biting his
• 58:32
  Speaker 1: thumb and Gear three is when he turns into a
• 58:35
  Speaker 1: rubber like a hot water bottle. That's the word I'm
• 58:40
  Speaker 1: looking for. So he's almost oops, sorry, guys, I got
• 58:47
  Speaker 1: a phone call in the middle of that. I hate
• 58:50
  Speaker 1: that he's almost managed to capture this guy. And it's
• 58:56
  Speaker 1: sort of like what do I do with him? Even,
• 58:58
  Speaker 1: like should I put him in something? And they're thinking
• 59:01
  Speaker 1: maybe to find a barrel, and all I could think
• 59:04
  Speaker 1: about was like, what is going on with what hair caribou?
• 59:11
  Speaker 1: You know what? We still don't. I don't feel like
• 59:13
  Speaker 1: we know exactly what went down with him. Guys correct
• 59:16
  Speaker 1: me if I'm wrong, But that instantly made me think
• 59:18
  Speaker 1: of him, and I was like, are we gonna do
• 59:20
  Speaker 1: another dude that just has to be kept into a
• 59:24
  Speaker 1: kept in a barrel to manage him? If you do,
• 59:27
  Speaker 1: I think you're gonna need to handle it better than
• 59:29
  Speaker 1: you did last time, because he evidently just got away
• 59:32
  Speaker 1: and nobody fucking noticed. I could understand that, though you know,
• 59:36
  Speaker 1: you put him in a barrel, out of sight, out
• 59:38
  Speaker 1: of mind, as they say. Anyway, this is the point
• 59:42
  Speaker 1: where Lufy is like for himself, a little overconfident, and
• 59:50
  Speaker 1: all of a sudden he begins to gasp and choke,
• 59:55
  Speaker 1: and like I said, it's pretty drawn out, but we
• 59:58
  Speaker 1: have all like his friends who are here as well, gasping,
• 1:00:03
  Speaker 1: choking and passing out. Meanwhile, Caesar Clown is just like
• 1:00:07
  Speaker 1: cackling and saying, you really fucking underestimated me. You thought
• 1:00:11
  Speaker 1: the other thing was the best I could do. All right, fine,
• 1:00:13
  Speaker 1: I'll pull out all the stops I was hoping that
• 1:00:19
  Speaker 1: Frankie because he is a I keep wanting to say android,
• 1:00:26
  Speaker 1: but he is. It's not because he's part human cyborg.
• 1:00:31
  Speaker 1: I was thinking that maybe he might have a better
• 1:00:33
  Speaker 1: means of dealing with the gas and potentially have some
• 1:00:38
  Speaker 1: sort of protection for his face, or that his lungs
• 1:00:41
  Speaker 1: don't function the way other people do. But no, he
• 1:00:45
  Speaker 1: gets into it, and he starts choking as well and
• 1:00:48
  Speaker 1: goes down. So does Smoker with Tashigi in Smoker's body,
• 1:00:55
  Speaker 1: and I can't remember if Smoker into Shigi's body goes down.
• 1:01:00
  Speaker 1: I'm trying to watch this now. I feel like he's
• 1:01:02
  Speaker 1: outside of the sphere of influence, so to speak. And
• 1:01:07
  Speaker 1: so he winds up okay and able to get away,
• 1:01:10
  Speaker 1: but I'm trying to see oh wait, no, eventually he
• 1:01:14
  Speaker 1: does get got It's funny that this would bother him
• 1:01:19
  Speaker 1: when he smoked so many cigars. It would be sort
• 1:01:22
  Speaker 1: of amusing if we did a sort of like, well,
• 1:01:26
  Speaker 1: because he smokes so many cigars, he's already developed a
• 1:01:30
  Speaker 1: tolerance to toxic gases. I wouldn't even be mad about it.
• 1:01:37
  Speaker 1: So yeah, Caesar clown picks him up by his hand
• 1:01:40
  Speaker 1: and is just sort of dangling him and smirking down
• 1:01:44
  Speaker 1: at him, and he's looking up at Caesar Clown and
• 1:01:48
  Speaker 1: he's like, I really thought he was going to pull
• 1:01:51
  Speaker 1: something out all of a sudden, the way that he's
• 1:01:54
  Speaker 1: looking at him. I was sort of like, well, absolutely,
• 1:01:59
  Speaker 1: every buddy can't go fucking dead, right. But then we
• 1:02:05
  Speaker 1: go over to Law and he is in a tunnel
• 1:02:09
  Speaker 1: and he puts a hand to his chest and I'll
• 1:02:12
  Speaker 1: tell you what, guys, I it took me so long
• 1:02:15
  Speaker 1: to realize that it was supposed to be that the
• 1:02:18
  Speaker 1: gas was reaching here as well. I really thought. And
• 1:02:23
  Speaker 1: maybe I'm wrong, because there's a person that kind of
• 1:02:25
  Speaker 1: comes out of the dark and maybe they're doing something
• 1:02:27
  Speaker 1: to him. But I started to think that it was
• 1:02:31
  Speaker 1: the gas that had actually penetrated all the way inside,
• 1:02:37
  Speaker 1: and he's yelling out, like who's there. Monette says, oh, dear,
• 1:02:42
  Speaker 1: it seems you're in pain. But I can't tell if
• 1:02:45
  Speaker 1: she's just being a little bitch or if she really
• 1:02:47
  Speaker 1: is enjoying this, or if this was like something intentional
• 1:02:51
  Speaker 1: on her part. I couldn't I really couldn't tell. And
• 1:02:55
  Speaker 1: then finally some we see some feet and somebody comes
• 1:03:01
  Speaker 1: walking out of the dark and says it's me and
• 1:03:06
  Speaker 1: we don't know who this is. His name has been
• 1:03:09
  Speaker 1: revealed by the subtitles to be Virgo v E R
• 1:03:12
  Speaker 1: g O. But don't recognize that name myself. And Las says,
• 1:03:18
  Speaker 1: why are you here? Why now? And Virgo like Mony
• 1:03:26
  Speaker 1: is like giggling. So maybe she is enjoying this. Is
• 1:03:31
  Speaker 1: she in league with Virgo? But he says how many
• 1:03:36
  Speaker 1: years has it been? Look at you all grown up?
• 1:03:40
  Speaker 1: And then it just goes to be continued. So because
• 1:03:44
  Speaker 1: I had a moment where the voice made me think
• 1:03:47
  Speaker 1: of I can't remember if it was a Okige. I
• 1:03:53
  Speaker 1: think it sounded like him, but evidently not so. And
• 1:03:58
  Speaker 1: I guess maybe this is why Money was willing to
• 1:04:02
  Speaker 1: tolerate Caesar Clams. She was working with somebody actually competent,
• 1:04:06
  Speaker 1: and so she just ignored his ass. I don't know.
• 1:04:10
  Speaker 1: All right, folks, I've got to wrap up, but thank
• 1:04:12
  Speaker 1: you again so much for listening. Appreciate you all so much,
• 1:04:15
  Speaker 1: Thank you Bernadette for commissioning this episode. And until next
• 1:04:19
  Speaker 1: time to lou motherfuckers. That was an Unspoiled Network podcast