Latest / Frightmares / Ep. 139 - Nightmare Beach (1989)

Transcript

Ep. 139 - Nightmare Beach (1989) · Frightmares

• 0:42
  Speaker 1: Speaking of Spirit Halloween. I love how people are always
• 0:45
  Speaker 1: like Spirit needs to be open year round, and I'm like,
• 0:47
  Speaker 1: you must not know about their year round website. Every
• 0:51
  Speaker 1: time they're like oh yeah, I'm like, yeah, there there's
• 0:53
  Speaker 1: there's stores open all year round. Now, I mean you
• 0:55
  Speaker 1: can't go in and look at it.
• 0:56
  Speaker 2: But it also like just online shopping in general exists.
• 1:00
  Speaker 2: You can find everything they have then pretty much. Yeah,
• 1:03
  Speaker 2: anywhere online.
• 1:04
  Speaker 1: There's a Facebook group dedicated solely to their animatronics and
• 1:08
  Speaker 1: like selling them, like the ones that are like.
• 1:10
  Speaker 2: Out of stock or whatever.
• 1:12
  Speaker 1: The course there is, I'm in hundreds of I'm probably
• 1:15
  Speaker 1: in at least like one hundred Facebook groups.
• 1:17
  Speaker 2: I don't know. I got a network, and I got.
• 1:19
  Speaker 1: To talk to people about horror movies because I watched
• 1:21
  Speaker 1: way too many of them. So yeah, I dig this
• 1:24
  Speaker 1: shirt on theme with today because the biker gang is
• 1:27
  Speaker 1: the demons. Yeah, so that was pretty good timing there,
• 1:31
  Speaker 1: And we also doubled down on the themed episode because
• 1:34
  Speaker 1: me and you are doing themed episodes. But it's also
• 1:37
  Speaker 1: a spring Break movie and it's like spring Break right now,
• 1:41
  Speaker 1: and it takes place in Florida. We live in Florida.
• 1:44
  Speaker 1: It just happens to work. It works perfectly, and I'm
• 1:48
  Speaker 1: glad that. So this movie is not like available anywhere,
• 1:52
  Speaker 1: but Keno Lorber Studios actually did a blu ray of
• 1:54
  Speaker 1: it back in I want to say, twenty nineteen, and
• 1:57
  Speaker 1: it's the only way you can watch this because I
• 1:59
  Speaker 1: had seen this on Facebook. One of my friends posts
• 2:02
  Speaker 1: that he was watching, and I'm like, nightmare beating, you know.
• 2:03
  Speaker 1: I saw the cover and I'm like, okay, okay, hold on,
• 2:05
  Speaker 1: I gotta look this up. And you know, I looked
• 2:07
  Speaker 1: up the synopsis on what it was about, and I'm like,
• 2:09
  Speaker 1: how do I how do I watch this movie right now?
• 2:11
  Speaker 1: And Amazon had it for like twelve bucks, because if not,
• 2:15
  Speaker 1: I would have been one of those movies like Alligator
• 2:16
  Speaker 1: that's just I can't watch it.
• 2:18
  Speaker 2: Yeah, what the fuck? And this movie's so much fun
• 2:21
  Speaker 2: because they give you this whole like hoop de doo
• 2:26
  Speaker 2: set up and then they just give you this goofy
• 2:30
  Speaker 2: ass fucking ending. It's so much fun all the way
• 2:34
  Speaker 2: through because like it's it's not one of those movies
• 2:39
  Speaker 2: that's taking itself too serious, but it's also one of
• 2:43
  Speaker 2: those movies that's trying to trying its damn best.
• 2:47
  Speaker 1: Yeah, they're definitely trying to play you straightforward, but it
• 2:50
  Speaker 1: does lean into the camp and the silliness.
• 2:52
  Speaker 2: For sure, like heavy heavy, yeah, heavy handed.
• 2:56
  Speaker 1: But uh, before we get any further, this is episode
• 2:58
  Speaker 1: one nine. I am your host, Austin Proctor, and that
• 3:02
  Speaker 1: is your co host over there, and let's summon Demon's
• 3:04
  Speaker 1: shirt Cory Johnson. Hey, hey, we are recording today on Tuesday,
• 3:10
  Speaker 1: March twenty second, is actually my birthday. So I've cracked
• 3:13
  Speaker 1: into the crack in already and uh, thirty two years old. God,
• 3:19
  Speaker 1: I feel every fucking year of my life. My goodness.
• 3:22
  Speaker 1: But tonight we're going to uh top Golf to whack
• 3:26
  Speaker 1: some shit happy Gilmore style. I've never been and I'm
• 3:29
  Speaker 1: terrible at playing golf, but I love going to the
• 3:31
  Speaker 1: driving range. And it's Tuesday, so it's fucking half price
• 3:35
  Speaker 1: half priced Tuesday. Yeah you'll probably you'll.
• 3:38
  Speaker 2: Probably get an even better deal because it's your birthday.
• 3:40
  Speaker 1: Yeah, I think, well, she she so Gabby got us
• 3:43
  Speaker 1: like our own little whatever it's called. It's for up
• 3:45
  Speaker 1: to six people. Yeah, it's like a bay. Yeah, it's
• 3:48
  Speaker 1: like a yeah bay. And I was like, okay, yeah,
• 3:49
  Speaker 1: let's do that because I've always wanted to go. It's
• 3:51
  Speaker 1: fucking right here in like down the street, and they
• 3:54
  Speaker 1: just built it recently, so I was like, fuck it,
• 3:55
  Speaker 1: let's do it. So I'm excited to go have drinks
• 3:58
  Speaker 1: and apparently their food is.
• 3:59
  Speaker 2: Have you been there?
• 4:00
  Speaker 1: Oh yeah, okay, so it's been a little it's.
• 4:05
  Speaker 2: Been like a year since I've been. So when I went,
• 4:09
  Speaker 2: I went with this group of people and they all
• 4:13
  Speaker 2: so you have different like games that get so like okay,
• 4:19
  Speaker 2: so there's like a screen, right, like a big screen,
• 4:22
  Speaker 2: and then all of the like holes that are colored,
• 4:25
  Speaker 2: like there's red holes, yellow holes, blue, and they're all
• 4:28
  Speaker 2: different distances and stuff. When you hit a ball, there's
• 4:33
  Speaker 2: like some camera tracking system above you what that tracts
• 4:39
  Speaker 2: your ball and it does this. So like one of
• 4:42
  Speaker 2: the games we were playing was Angry Birds, so like
• 4:45
  Speaker 2: what so like depending on where you would hit the ball. Yeah,
• 4:49
  Speaker 2: so it's like it's really high tech. But you can
• 4:53
  Speaker 2: also just like around. Yeah, you can pick just like
• 4:57
  Speaker 2: a oh who gets the highest score type of game,
• 5:00
  Speaker 2: which I would recommend, like who drives the ball the
• 5:04
  Speaker 2: furthest or whatever. Well not even necessarily so you can
• 5:08
  Speaker 2: do long drive, okay, but you can also do like, okay,
• 5:11
  Speaker 2: so who hits the most targets the most accurately? Oh shit, god,
• 5:17
  Speaker 2: so you can hit all the yellow ones. But if
• 5:19
  Speaker 2: you hit all the yellow ones, which is the closest,
• 5:22
  Speaker 2: and you get all of them, and you get one
• 5:24
  Speaker 2: hundred percent, and somebody hits like two blue ones, which
• 5:26
  Speaker 2: is the furthest one, you still win. Interesting.
• 5:28
  Speaker 1: I didn't know there was I thought it was just
• 5:30
  Speaker 1: here's a ball, whack it. No, there's like games and shit.
• 5:33
  Speaker 2: So the ball thing is weird because like that, you
• 5:37
  Speaker 2: don't get a bucket. You walk up and you wave
• 5:40
  Speaker 2: your club in front of this laser and it spits
• 5:43
  Speaker 2: the ball out work yea fu yeah it's oh man, yeah,
• 5:46
  Speaker 2: it's super lit.
• 5:47
  Speaker 1: I literally the only time I've ever gone is to
• 5:50
  Speaker 1: the winter Park Pines, that golf course over by winter
• 5:53
  Speaker 1: Park High School, and I used to go to the
• 5:54
  Speaker 1: driving range with my dad and whack the shit out
• 5:56
  Speaker 1: of golf balls. You know, that's just like regular regular
• 5:59
  Speaker 1: driving range. I didn't know there was all this high
• 6:00
  Speaker 1: tech fanciness. Oh yeah, I'm even more stoked.
• 6:03
  Speaker 2: That's now. I will say, though, like food and drink
• 6:07
  Speaker 2: is gonna cost you like a few teeth.
• 6:11
  Speaker 1: Yeah, well, Gabby said she's paying for it. I obviously
• 6:13
  Speaker 1: I won't go crazy, like I don't need bacon wrapped
• 6:16
  Speaker 1: filet mignon. But yeah, I heard it's good. But yeah,
• 6:18
  Speaker 1: I've heard it. That's probably what that sucks. Honestly, it
• 6:23
  Speaker 1: sounds good. It's not too heavy, and those sound delicious,
• 6:25
  Speaker 1: so it's it's.
• 6:26
  Speaker 2: Like a it's like kind of pub bar food.
• 6:29
  Speaker 1: Okay, I'll probably be doing more drinking than eating anyways,
• 6:34
  Speaker 1: because why not.
• 6:35
  Speaker 2: Yeah, I would recommend getting like whatever their best drink
• 6:40
  Speaker 2: value package is. Oh they have drink packages. Oh yeah,
• 6:44
  Speaker 2: but like you can you can buy like you can
• 6:47
  Speaker 2: buy different. I don't know what they are, but like
• 6:49
  Speaker 2: they have it in the menu. Holy shit, it's gonna
• 6:52
  Speaker 2: be crazy tonight. Top Golf is lit.
• 6:55
  Speaker 1: Yeah, it's legit. Okay, I did not realize what I
• 6:57
  Speaker 1: was dealing with here. Like I said, I've never been
• 6:59
  Speaker 1: always wanted to go. Oh, so tonight's the night. I'll
• 7:02
  Speaker 1: let you know how it goes.
• 7:03
  Speaker 2: If you can try and get the upper deck, it's
• 7:06
  Speaker 2: way more fun.
• 7:06
  Speaker 1: That's what I want to do. I'd rather have something
• 7:08
  Speaker 1: because I don't want to be on the ground floor.
• 7:10
  Speaker 1: Because it's gonna be like, oh, look, I hit that
• 7:11
  Speaker 1: ten feet. If you're up a few stories and you
• 7:13
  Speaker 1: hit it ten feet, it looks cooler at least.
• 7:16
  Speaker 2: You know what I mean.
• 7:16
  Speaker 1: Like, yeah, so that should be super fun tonight. I'm
• 7:19
  Speaker 1: very excited to do that. I'll keep you guys posted
• 7:22
  Speaker 1: on how that win too. It's either gonna go very
• 7:24
  Speaker 1: well or it's gonna go very shitty. It's it's not
• 7:26
  Speaker 1: gonna be there's no middle ground and e they're gonna
• 7:29
  Speaker 1: do very well or very shitty. What other games do
• 7:31
  Speaker 1: they have besides angry Birds?
• 7:32
  Speaker 2: Like, do they have like a whole they rotated all
• 7:34
  Speaker 2: the time? Yeah, so blowing my mind? Who knows what?
• 7:38
  Speaker 2: You know what? I'll look it up for you. Okay,
• 7:40
  Speaker 2: both fill some airtime.
• 7:41
  Speaker 1: All right, Well, I do want to talk about a
• 7:45
  Speaker 1: couple of movies I watched recently, and then obviously whatever
• 7:47
  Speaker 1: you have watched feel free to add in. Doesn't necessarily
• 7:51
  Speaker 1: have to be horror, just whatever you've been watching.
• 7:53
  Speaker 2: I've just been watching Peaky Blinders. Peaky Blinders. What season
• 7:56
  Speaker 2: are you on? Five? Oh? Sorry, the last season? So
• 7:59
  Speaker 2: new one comes out in June. Oh they're still they're
• 8:01
  Speaker 2: doing more so they they've been taking like one to
• 8:05
  Speaker 2: two year breaks in between seasons. Now, oh my god.
• 8:08
  Speaker 2: So and I think season six is like the final season,
• 8:12
  Speaker 2: the final one.
• 8:12
  Speaker 1: Well, this is one of the few Netflix series that
• 8:14
  Speaker 1: hasn't got canceled or goes on for too.
• 8:18
  Speaker 2: Long, you know what I mean, Like because Tommy Shelby
• 8:20
  Speaker 2: is a fucking gang.
• 8:22
  Speaker 1: He is a gangster. I love I know it's his
• 8:26
  Speaker 1: name is Killy and Murphy. I always say Silly and Murphy.
• 8:28
  Speaker 1: I don't know Killian just sounds odd. But that's a
• 8:31
  Speaker 1: that's that's a fucking show. I need to, uh to
• 8:33
  Speaker 1: actually finally finish. I've only watched the first three seasons.
• 8:36
  Speaker 1: I'm pretty sure Anya Taylor Joy is involved in the cast,
• 8:40
  Speaker 1: right or something, Right, isn't she.
• 8:42
  Speaker 2: There's a lot of people involved in this cast.
• 8:44
  Speaker 1: I know she, I know there's I know there's like
• 8:45
  Speaker 1: a recent addition to the cast in the later seasons
• 8:48
  Speaker 1: that I was super excited about. Let me double check
• 8:51
  Speaker 1: that while you're looking up fucking top golf talk about
• 8:54
  Speaker 1: a podcast, all right, So yeah, Jesus, no, it's not
• 8:58
  Speaker 1: She's not in there, all right, I must be thinking
• 9:00
  Speaker 1: of someone different. No, No, yeah, there she has Anny
• 9:02
  Speaker 1: Taylor Joy. Yeah she joins in like fourth or fifth season,
• 9:05
  Speaker 1: because I haven't seen her in that show yet, and
• 9:06
  Speaker 1: that's when I stopped watio.
• 9:08
  Speaker 2: I want Okay, I think, I think I know what's
• 9:11
  Speaker 2: the character name? Character name is? Yeah, okay, yeah she
• 9:16
  Speaker 2: I know. She joins in a little bit like literally
• 9:19
  Speaker 2: season five.
• 9:20
  Speaker 1: So then yeah, I have I guess I've only seen
• 9:21
  Speaker 1: one through four, but I need to I need to
• 9:23
  Speaker 1: finally get into that again and uh finally finish it out.
• 9:28
  Speaker 2: I will tell you what I have truly learned discipline
• 9:33
  Speaker 2: recently of starting a show and finishing a show. Yeah,
• 9:38
  Speaker 2: that was my problem years ago. I just would not
• 9:40
  Speaker 2: finish show. I'm one of those people like I'll get
• 9:43
  Speaker 2: like halfway through a series. I'll get like four seasons in,
• 9:46
  Speaker 2: and then I'll drop it for something new and never
• 9:49
  Speaker 2: come back to it. And then I'm like, I forgot
• 9:51
  Speaker 2: a lot of what happened, but I don't want to
• 9:53
  Speaker 2: go backwards.
• 9:55
  Speaker 1: That's my biggest problem. I'm like, I have to rewatch
• 9:58
  Speaker 1: all the seasons, but a recast.
• 10:01
  Speaker 2: You know, it started with the sopranos. She's worked its
• 10:04
  Speaker 2: way with me and my roommate, and now that there's
• 10:07
  Speaker 2: like something fantastic about like, even if the show wasn't
• 10:12
  Speaker 2: like great, like toward the end of Ozark, we were
• 10:16
  Speaker 2: like really, oh yeah, no, oh man, dude, no, the
• 10:20
  Speaker 2: later seasons of Ozark didn't do it for me. Interesting.
• 10:23
  Speaker 1: Yeah, I just finished the first half of season four
• 10:26
  Speaker 1: and I'm ready. Ruth is fucking ready to kick them out.
• 10:31
  Speaker 1: I can't wait. Yeah, I'm so ready.
• 10:35
  Speaker 2: Yeah, I'm just I'm just wondering how they're gonna end it.
• 10:37
  Speaker 1: Yeah, I mean, I feel like the season four is
• 10:39
  Speaker 1: pretty strong. I'm also curious to know how it's gonna end,
• 10:43
  Speaker 1: because because.
• 10:44
  Speaker 2: If they make us wait for that giant wrap around
• 10:50
  Speaker 2: from the first episode of the season four opener, Yeah,
• 10:54
  Speaker 2: I'm gonna be extra sault. Are you already seen pretty Salty? Now?
• 11:00
  Speaker 2: I can't.
• 11:00
  Speaker 1: I'm really I'm really excited so we can talk about this.
• 11:02
  Speaker 1: And it doesn't come out until I think it's April
• 11:05
  Speaker 1: twenty six, so we still have about another month before
• 11:07
  Speaker 1: it drops, and then I'll watch that immediately because I
• 11:10
  Speaker 1: have to know how it finishes. But uh, yeah, Peaky
• 11:12
  Speaker 1: Blinders is something I need to just do, like a
• 11:15
  Speaker 1: YouTube recap on what and you know, it's only.
• 11:19
  Speaker 2: Six episodes this season at less than an hour long.
• 11:22
  Speaker 2: That's not even rewatching. Yeah, even rewatching just to catch up,
• 11:26
  Speaker 2: just for the key moments. You're like, you know what
• 11:29
  Speaker 2: is worth it?
• 11:30
  Speaker 1: Oh my god, I forgot that actress though, Helen McCrory,
• 11:32
  Speaker 1: who plays on Polly. She passed away, so oh really, yeah,
• 11:36
  Speaker 1: I forgot she passed away in twenty twenty one. That's
• 11:38
  Speaker 1: also the lady from us. She's in Harry Potter as well. Uh,
• 11:42
  Speaker 1: I forgot that she passes away.
• 11:44
  Speaker 2: Shit, that is McDonald.
• 11:45
  Speaker 1: Yeah, I've been I've been staring at this woman for
• 11:49
  Speaker 1: fucking five seasons, Like, why are you familiar? No, it's
• 11:52
  Speaker 1: not McDonald. It's her name is u Narcissa Narcissa. I
• 11:57
  Speaker 1: don't remember what the fuck Narcissa? Who the fuck Narcissa? Yeah,
• 12:01
  Speaker 1: it's not it's not uh Leah, it's another lady who
• 12:03
  Speaker 1: was in the later ones. I did not know that
• 12:05
  Speaker 1: was her name. But I'm wondering how they I wonder
• 12:08
  Speaker 1: what they do with her in that stay. I guess
• 12:10
  Speaker 1: they have to kill her off in the show. That
• 12:12
  Speaker 1: sucks because she was a great uh, she was a
• 12:14
  Speaker 1: great actress and so like I've been predicting that in
• 12:17
  Speaker 1: the show.
• 12:17
  Speaker 2: Anyway, I'm like, Yo, they're gonna fucking kill off Polly
• 12:20
  Speaker 2: because like she being wild as fuck right.
• 12:22
  Speaker 1: Now, Yeah, she is a wild on that show. That's
• 12:24
  Speaker 1: I need to I need to keep saying. I'm going
• 12:26
  Speaker 1: to now that I'm done with Ozark, I'm gonna finally
• 12:29
  Speaker 1: go back and start like, actually, yeah, there's like thirty
• 12:31
  Speaker 1: six episodes for five seasons. That's nothing, even if I
• 12:35
  Speaker 1: have to rewatch them, which I probably will, just to
• 12:37
  Speaker 1: get back into it. I think I'm gonna do that
• 12:39
  Speaker 1: anything else, even watching recently and just just peaky, just
• 12:43
  Speaker 1: just peaky.
• 12:43
  Speaker 2: I've just wasting my mind away on YouTube going down
• 12:48
  Speaker 2: rabbit holes. No, not even just like just like click,
• 12:52
  Speaker 2: all right, that one's done, scroll scroll scroll, click, all right,
• 12:55
  Speaker 2: scroll scroll scroll click. Just mindless mindless shit.
• 12:58
  Speaker 1: Hey, sometimes that's needed, though, man, Sometimes you gotta put
• 13:00
  Speaker 1: sh it on you don't really need to pay attention to.
• 13:02
  Speaker 2: Yeah, well, and you know I showed you the music
• 13:04
  Speaker 2: that I've been working on, so yeah, you know, I'm
• 13:08
  Speaker 2: trying to like not spend too much time fucking mindlessly
• 13:12
  Speaker 2: watching shit. That's fair. You gotta gotta keep that brain
• 13:15
  Speaker 2: active in some way shape or for him, and I
• 13:17
  Speaker 2: will become more of a potato. I can relate to
• 13:21
  Speaker 2: being a potato.
• 13:23
  Speaker 1: Uh so, let's see, I watched uh fucking that one
• 13:27
  Speaker 1: movie you sent Oh Uma.
• 13:28
  Speaker 2: Uma, Yes, I think it's pronounced amma. They say uma
• 13:32
  Speaker 2: in the movie, do they? Yeah?
• 13:34
  Speaker 1: Okay, so yeah, this is one that you. I think
• 13:38
  Speaker 1: you sent that to the group chat with me and Kyle.
• 13:40
  Speaker 2: Yeah, it was. It was like, uh, I think i'd
• 13:43
  Speaker 2: I think IMDb sent me a featured trailer. Oh really?
• 13:48
  Speaker 2: So I AMDBB doing this ship where it sends me
• 13:51
  Speaker 2: push notifications on my phone and it's like, oh, featured
• 13:54
  Speaker 2: trailer or it'll say either feature trailer or new trailer.
• 13:58
  Speaker 2: And here's where it fucking gets you because it the
• 14:01
  Speaker 2: text from the push notification is ever so small, so
• 14:06
  Speaker 2: it'll be like featured trailer Aladdin from nineteen nineties, What
• 14:12
  Speaker 2: the fuck? And I'm like what? Or so one of
• 14:14
  Speaker 2: them I got was like, uh a featured trailer for
• 14:18
  Speaker 2: the Sixth Sense and I was like, why are you
• 14:19
  Speaker 2: sending me this? And then like three weeks ago it's
• 14:23
  Speaker 2: it was like new movie Alert the Batman. I'm like,
• 14:25
  Speaker 2: all right, cool, that's relevant. Thank you, I am here,
• 14:30
  Speaker 2: but they like every day I get like a minimum
• 14:33
  Speaker 2: of four push notifications from IMDBT fuck ridiculous. I don't think.
• 14:38
  Speaker 1: I think I probably don't have mine turned on or
• 14:39
  Speaker 1: something like that because I don't get shit.
• 14:41
  Speaker 2: Like it's interesting though, because at least like that's I mean,
• 14:44
  Speaker 2: that's how I found Ama. Yeah, was through that, so,
• 14:49
  Speaker 2: I mean because it that is a new movie, right.
• 14:51
  Speaker 1: Yeah, that came that literally came out this past weekend
• 14:54
  Speaker 1: in theaters. And if it wasn't for you sending me
• 14:56
  Speaker 1: that probably would have never known. Like, the marketing is
• 15:00
  Speaker 1: terrible for this movie.
• 15:01
  Speaker 2: There's no market Good job, IMDb push notifications.
• 15:04
  Speaker 1: You did your job once for a horror movie that
• 15:07
  Speaker 1: came out this year, you know. So, I think I
• 15:10
  Speaker 1: said this on the last episode, but I'll just read
• 15:12
  Speaker 1: it again in case you didn't listen to that one.
• 15:14
  Speaker 1: So Amanda and her daughter live in a live a
• 15:17
  Speaker 1: quiet life on an American farm, but when the remains
• 15:20
  Speaker 1: of her estranged mother arrived from Korea, Amanda becomes haunted
• 15:24
  Speaker 1: by the fear of turning into her mother. And the
• 15:26
  Speaker 1: trailer was super creepy and I'm like, cool, I'm getting
• 15:29
  Speaker 1: kind of hereditary level, like family trauma vibes.
• 15:35
  Speaker 2: I was getting somewhere in between hereditary and like Juwan
• 15:41
  Speaker 2: Yeah exactly, like very grudgey vibes. Yeah, maybe a little
• 15:46
  Speaker 2: like a smattering of like some paranormal activity just for
• 15:49
  Speaker 2: the Americans.
• 15:50
  Speaker 1: But yeah, yeah, And while there was a lot of
• 15:54
  Speaker 1: good moments in this movie, it ultimately just fell flat
• 15:57
  Speaker 1: for me because it relied to much on like ooga booga,
• 16:02
  Speaker 1: you know, horror, which which can be fine if it's
• 16:04
  Speaker 1: done right, but it's like they kind of overdid it
• 16:06
  Speaker 1: with this. And like, the story was great, and I
• 16:10
  Speaker 1: really enjoyed what they did with it, and like I said,
• 16:13
  Speaker 1: some of the moments were very scary, but it's like,
• 16:16
  Speaker 1: I don't know, it didn't have that like that fact,
• 16:18
  Speaker 1: I don't know, like that wow factor of like, oh,
• 16:20
  Speaker 1: I'm impressed. Now if this was a straight up Korean
• 16:23
  Speaker 1: horror movie, because there is a lot of spoken Korean
• 16:25
  Speaker 1: in this and there were subtitles. If this was if
• 16:27
  Speaker 1: this was not made in America and straight up like Korean,
• 16:30
  Speaker 1: probably would have been better. I'm gonna say. I'm gonna
• 16:32
  Speaker 1: just go ahead and say that. But yeah, there was
• 16:34
  Speaker 1: just something about it that I was like, I mean,
• 16:36
  Speaker 1: the stuff the source material is good, the acting is good,
• 16:39
  Speaker 1: the score is good, the cinematography is good, but it's
• 16:42
  Speaker 1: just like, eh, I don't know it just.
• 16:44
  Speaker 2: Like it's like the framing was wrong. It's weird.
• 16:47
  Speaker 1: It's like something about it just didn't work. But I
• 16:49
  Speaker 1: did appreciate it. I did enjoy it. I gave it
• 16:52
  Speaker 1: like a two and a half out of five. And
• 16:54
  Speaker 1: I mean, I still recommend watching it because not, you know,
• 16:56
  Speaker 1: not everyone's gonna have my same fucking opinion on shit.
• 16:58
  Speaker 1: But yeah, for some reason, I don't know. I also
• 17:00
  Speaker 1: probably went into it with a with a little too
• 17:02
  Speaker 1: much anticipation because I hadn't heard of it. Yeah, it's
• 17:05
  Speaker 1: an hour and twenty three minutes, so it's like right
• 17:07
  Speaker 1: in that sweet spot.
• 17:08
  Speaker 2: Oh yeah, it's it's gonna like burn quick. Oh yeah,
• 17:11
  Speaker 2: it burned like. It was a very quick watch.
• 17:14
  Speaker 1: And I also love like the lower of the Korean
• 17:18
  Speaker 1: uh I don't know the word I'm thinking of, but
• 17:21
  Speaker 1: like the Korean heritage, like that stuff was really cool.
• 17:24
  Speaker 1: And Sandra Oh was great and Dermott Moroney also fantastic.
• 17:28
  Speaker 1: It was it was just such a weird I like
• 17:30
  Speaker 1: everything about this movie but I don't actually really like
• 17:33
  Speaker 1: the movie.
• 17:34
  Speaker 2: It was very odd. So yeah, that one, it's like
• 17:36
  Speaker 2: me with pasta salad. I like all the ingredients, I
• 17:39
  Speaker 2: hate it all together.
• 17:40
  Speaker 1: Yeah, there you go, exactly like, I loved everything that
• 17:43
  Speaker 1: went into this movie, but it just didn't fully work.
• 17:46
  Speaker 1: And it does have on letterbox it has a two
• 17:49
  Speaker 1: point five out of five, and that's exactly what I
• 17:51
  Speaker 1: gave it. I had a two point seven when I
• 17:53
  Speaker 1: went into it. But I mean, still though it's a
• 17:55
  Speaker 1: new whore for this year, go check it out. It
• 17:57
  Speaker 1: was literally me and Gabby four other people in the
• 18:01
  Speaker 1: theater on a Saturday too, and I was like, wow,
• 18:03
  Speaker 1: this is not gonna do well in the box office.
• 18:06
  Speaker 2: So that was Uma from this year. Yeah, but that's
• 18:08
  Speaker 2: that's how you end up with a cult hit. Yeah,
• 18:11
  Speaker 2: so like and see for So I'm probably gonna go
• 18:15
  Speaker 2: watch it when it comes to streaming, and I'm gonna
• 18:18
  Speaker 2: be like, you know what, I fucking loved it. And
• 18:21
  Speaker 2: then there's gonna there's gonna be the people in your
• 18:23
  Speaker 2: camp that like, appreciate it just for what it is
• 18:25
  Speaker 2: but didn't really enjoy it all that much. And there's
• 18:28
  Speaker 2: gonna be people like me supposedly, who are gonna be like, oh,
• 18:31
  Speaker 2: this is a great movie, right and I okay, well
• 18:35
  Speaker 2: you have to let me know when you watch it
• 18:36
  Speaker 2: and we'll have to update.
• 18:38
  Speaker 1: But uh, juxtaposed with that movie, I watched X over
• 18:42
  Speaker 1: the weekend as well. We actually watched that yesterday. Gabby
• 18:45
  Speaker 1: rented as a private theater at AMC because they're doing
• 18:47
  Speaker 1: that again. It's like one hundred and fifty bucks for
• 18:49
  Speaker 1: the theater. Because I was like, I was like, I
• 18:51
  Speaker 1: don't want anybody ruining my experience because I love Ty
• 18:53
  Speaker 1: West and I don't want anybody just ruining that experience.
• 18:56
  Speaker 1: So she's like, let's write to theater for your birthday.
• 18:58
  Speaker 1: I'm like the bet okay.
• 18:59
  Speaker 2: Yes.
• 19:00
  Speaker 1: So we did that and we watched X yesterday and
• 19:03
  Speaker 1: it is by far to one of It's got to
• 19:05
  Speaker 1: be Ty West's best movie so far, which is saying
• 19:08
  Speaker 1: a lot, because he's done movies like The Innkeeper, House
• 19:11
  Speaker 1: of the Devil, Sacrament, which Sacrament is a great found amazing.
• 19:15
  Speaker 2: It's amazing. But this I don't know, man, Well, all.
• 19:17
  Speaker 1: Of the movies you named are amazed. Yeah, they're all amazing.
• 19:20
  Speaker 1: I think they all have I think they all have
• 19:22
  Speaker 1: fours from me. I'm pretty sure. I know House of
• 19:23
  Speaker 1: the Devil and Sacrament have a four. Innkeepers might have
• 19:26
  Speaker 1: a three and a half because it's a little slow
• 19:28
  Speaker 1: but still a great movie.
• 19:30
  Speaker 2: But this was.
• 19:31
  Speaker 1: Literally, I've been telling people and it's what I've read
• 19:33
  Speaker 1: online too. It is literally Texas Chainsaw Massacre meets the Visit.
• 19:37
  Speaker 1: That's exactly the only way to explain this movie. You
• 19:40
  Speaker 1: got these creepy old people doing creepy weird shit, and
• 19:42
  Speaker 1: then you have the vibes of Texas because it's the seventies,
• 19:45
  Speaker 1: they're in Texas. Just like the opening shots of them
• 19:48
  Speaker 1: driving in the van, stopping at the gas station. I'm like,
• 19:51
  Speaker 1: this is so Texas Chainsaw without the chainsaw. But it's
• 19:55
  Speaker 1: very well done, and i mean ty West really outdid
• 19:57
  Speaker 1: himself on this. The first like thirty minutes, though, be prepared.
• 20:01
  Speaker 1: It is literally like a porno for the first thirty
• 20:03
  Speaker 1: minutes because that's what they're doing. They're going to this
• 20:06
  Speaker 1: farm to shoot an adult film. Kid Cut he's in this. Man,
• 20:11
  Speaker 1: he is in this and I'm like, I didn't even
• 20:13
  Speaker 1: recognize him for so long.
• 20:14
  Speaker 2: I'm like, that's kid Cutting. Hey, I mean do you yeah?
• 20:19
  Speaker 1: I mean, I just didn't reckon because he's got a
• 20:21
  Speaker 1: he's got like a big afro. He's got this big,
• 20:23
  Speaker 1: like thick like Tom Sellicate like Selecian mustache going on slick.
• 20:28
  Speaker 2: Yes you heard me.
• 20:29
  Speaker 1: So I did recognize him at first the planet, but yeah,
• 20:37
  Speaker 1: really tie away, and then there's there's a This is
• 20:39
  Speaker 1: actually gonna be a set of a trilogy, because if
• 20:42
  Speaker 1: you stay to the end credits of this movie, you'll
• 20:45
  Speaker 1: see a trailer for the prequel, which is called Pearl
• 20:49
  Speaker 1: And yeah, so he's gonna do a sequel after that
• 20:53
  Speaker 1: as well. And this one obviously is set. I think
• 20:55
  Speaker 1: it's set fifty years before this one, and like nineteen eighteen.
• 20:58
  Speaker 1: It's gonna be crazy and see.
• 21:01
  Speaker 2: So like ty West is one of the few directors
• 21:06
  Speaker 2: that can just kind of go, hey, I got an idea,
• 21:09
  Speaker 2: and the studios that back him will just give him
• 21:12
  Speaker 2: carte blanche to do whatever.
• 21:13
  Speaker 1: Yeah, it's funny too because he actually read something to
• 21:16
  Speaker 1: speak speaking of that exactly. He wrote this a while
• 21:19
  Speaker 1: back and it's an A twenty four movie, so he
• 21:21
  Speaker 1: sent the script to A twenty four. He's like, I
• 21:23
  Speaker 1: don't know if this is gonna be something you're interested in,
• 21:25
  Speaker 1: but this is what I'd like to do, and like, yeah,
• 21:27
  Speaker 1: go ahead.
• 21:27
  Speaker 2: And it and aw four goes yeah, right, do you
• 21:31
  Speaker 2: know do you breathe got you?
• 21:33
  Speaker 1: You can make a movie? Yeah, Like, have you seen
• 21:36
  Speaker 1: what we put out? Because yes, it's we put out
• 21:38
  Speaker 1: everything you know, good and bad, you know what I mean.
• 21:41
  Speaker 1: But you know that's why they're an independent film studio.
• 21:43
  Speaker 1: I'm not You're not gonna like every single thing that
• 21:45
  Speaker 1: they put out, but.
• 21:45
  Speaker 2: God damn it, the good shit that comes out of
• 21:48
  Speaker 2: it is fucking gold.
• 21:49
  Speaker 1: Oh yeah, I mean I'm looking at you, Hereditary, the Witch,
• 21:52
  Speaker 1: fucking Light, the Lighthouse, everything from Eggers and you know,
• 21:57
  Speaker 1: oh god, Astor they put up so much good shit.
• 22:00
  Speaker 1: Coach's Daughters another good one from A twenty four. So yeah,
• 22:04
  Speaker 1: this movie was phenomenal. Can't give away my rating because
• 22:07
  Speaker 1: that's that's gonna be coming back around at the end
• 22:09
  Speaker 1: of the year. But I recommend seeing that all the
• 22:12
  Speaker 1: performances are solid all the way around.
• 22:14
  Speaker 2: The Gore.
• 22:15
  Speaker 1: If you know anything about ty West, Gore is on
• 22:18
  Speaker 1: fucking point. They do not stray away from violence whatsoever.
• 22:22
  Speaker 1: And it has a really good ending and like I said,
• 22:25
  Speaker 1: leading into a prequel, which is super awesome, which he
• 22:28
  Speaker 1: shot in like in secret during COVID and you know
• 22:31
  Speaker 1: it stars one of the same people that's in this movie,
• 22:34
  Speaker 1: and it's it's already done. I'm pretty sure it's supposed
• 22:36
  Speaker 1: to be releasing like later this year. And I'm like
• 22:38
  Speaker 1: two ty West horror movies and see what.
• 22:41
  Speaker 2: He's bringing punk back to Hollywood.
• 22:43
  Speaker 1: When he hasn't done a horror movie in over ten
• 22:45
  Speaker 1: The last one he did was The Sacrament.
• 22:47
  Speaker 2: No, that's what I'm saying. And now he's like, Yo,
• 22:50
  Speaker 2: I'm gonna do this on the down low the way
• 22:52
  Speaker 2: I want to do it. I'm gonna get my people
• 22:55
  Speaker 2: in on it, and it's gonna be my fucking movie. Yeah.
• 22:59
  Speaker 1: This is a exactly his vision. And it's nice to
• 23:02
  Speaker 1: see him return to form because the only other thing
• 23:04
  Speaker 1: he did in between The Sacrament and this movie was
• 23:08
  Speaker 1: in a Valley of Violence, which is a Western movie
• 23:11
  Speaker 1: that I have it. It's like a western crime action
• 23:14
  Speaker 1: thing that I still haven't seen, and I need to.
• 23:15
  Speaker 2: We need more westerns. Westerns need to come back. I
• 23:19
  Speaker 2: have found that what even like the cheesy spaghetti westerns,
• 23:23
  Speaker 2: it's still good.
• 23:24
  Speaker 1: It's a fun time there's actually if you want some West,
• 23:27
  Speaker 1: I can recommend you some that are actually eight twenty
• 23:28
  Speaker 1: four westerns that are really fucking good. There's they have
• 23:31
  Speaker 1: a couple slow West as one and then there's another
• 23:33
  Speaker 1: one I can't remember, but a twenty four as a
• 23:36
  Speaker 1: couple westerns they put out that are surprisingly good. So yeah,
• 23:39
  Speaker 1: it's nice to see Ty West returning to form with
• 23:41
  Speaker 1: horror movies. And he we're gonna get a frequel and
• 23:44
  Speaker 1: a sequel out of him and then in the coming.
• 23:46
  Speaker 2: Future, so like very soon. So it's like sweet, Like
• 23:49
  Speaker 2: I've been waiting on this for so long.
• 23:51
  Speaker 1: Yeah, because seriously, after he did The Sacrament, I was like,
• 23:53
  Speaker 1: and I watched that around the time when it came out,
• 23:56
  Speaker 1: which was twenty thirteen, so that was nine years ago.
• 23:58
  Speaker 1: And I'm like, and I'm waiting every couple of years, like,
• 24:00
  Speaker 1: so when's the next horror movie?
• 24:02
  Speaker 2: Bro? What are we doing? You are in your prime?
• 24:05
  Speaker 1: Yeah, you are, like, go if you and if you
• 24:07
  Speaker 1: haven't seen House of the Devil, that's another one.
• 24:09
  Speaker 2: Now.
• 24:09
  Speaker 1: X is a little bit of a slow burn, but
• 24:11
  Speaker 1: that's how he works, you know what I mean, innkeepers
• 24:14
  Speaker 1: very slow burned. House of the devil very slow burned.
• 24:17
  Speaker 2: It takes fucking what sixty five percent of the sacrament
• 24:22
  Speaker 2: for anything to like actually happen.
• 24:24
  Speaker 1: Yeah, because it's weird with that one, because the whole
• 24:27
  Speaker 1: movie is very tense because of the like the setting.
• 24:30
  Speaker 2: You know, it's like, you know, shit, it's about to
• 24:32
  Speaker 2: go down the minute the characters get to where they're going. Yeah,
• 24:35
  Speaker 2: but it takes like most of the movie. Yeah, it's
• 24:37
  Speaker 2: like sixty five seventy percent of the movie before like
• 24:40
  Speaker 2: the first thing pops off. Yeah, before it starts.
• 24:42
  Speaker 1: Really you get like little hents here and there because
• 24:44
  Speaker 1: people are like when he like, some people are like
• 24:46
  Speaker 1: approaching them and like please take us with you or whatever.
• 24:48
  Speaker 1: But yeah, and then it pops off. You're like, holy shit,
• 24:51
  Speaker 1: and then it just unravels from there. That movie is
• 24:53
  Speaker 1: something we actually I think that's up on the list
• 24:55
  Speaker 1: for us to do because it's such a good found
• 24:57
  Speaker 1: footage movie. Uhh yeah, we definitely have to review that
• 24:59
  Speaker 1: one if it's not on the list, but uh yeah,
• 25:01
  Speaker 1: I reckon.
• 25:02
  Speaker 2: We We did a very like brief review of it
• 25:06
  Speaker 2: because it was on my thirty one Days of Horror
• 25:11
  Speaker 2: two years Oh it was it really for religious horror.
• 25:15
  Speaker 2: Oh yeah that was. That wasn't last year. That was
• 25:17
  Speaker 2: the year before. Yeah it was. It was like number
• 25:20
  Speaker 2: nine on the list or something. Yeah.
• 25:22
  Speaker 1: That's a good one, man, Seriously, that is That is
• 25:23
  Speaker 1: such an awesome movie. So if you haven't seen The Sacrament,
• 25:26
  Speaker 1: House of the Devil or The Innkeepers, go watch that.
• 25:29
  Speaker 1: He was also involved in VHS. I believe he did
• 25:33
  Speaker 1: one of the shorts or maybe the wrap around. I
• 25:35
  Speaker 1: can't remember, but.
• 25:36
  Speaker 2: I think he did. Here I can figure this out.
• 25:39
  Speaker 2: He did one of the He definitely did one of
• 25:41
  Speaker 2: the shorts. I think it was the third one in
• 25:43
  Speaker 2: the first movie.
• 25:45
  Speaker 1: Let's See Tye West VHS short. Yeah, I like I
• 25:49
  Speaker 1: feel like he did because I think David Bruckner did
• 25:51
  Speaker 1: the Uh he did the the wrap around VHS. What
• 25:55
  Speaker 1: the fuck? Come on, don't fail me. Now I can't remember.
• 25:58
  Speaker 1: Oh did he do the one with the honey mooners?
• 26:01
  Speaker 1: Was it that one?
• 26:02
  Speaker 2: Of course? Now I can't find anything about it. What
• 26:04
  Speaker 2: the fuck?
• 26:05
  Speaker 1: Oh, here we go, here we go, Adam wing Guard tieway, Yeah, yeah,
• 26:07
  Speaker 1: second honeymoon he did. So that was the second one
• 26:10
  Speaker 1: in with the with the couple on. Yeah, yeah, he
• 26:13
  Speaker 1: did that one, which was fucking brutal as ship. So yeah,
• 26:17
  Speaker 1: that's when Adam Wininguard did the wrap around for VHS,
• 26:21
  Speaker 1: and then David Bruckner did the first one.
• 26:23
  Speaker 2: Dude, VHS.
• 26:24
  Speaker 1: Oh my god, it's like Adam wind Guard, David Bruckner,
• 26:26
  Speaker 1: Tie West and fucking radio silence. We were like, the
• 26:30
  Speaker 1: world needs to appreciate that movie more because we were.
• 26:33
  Speaker 2: Not ready for it.
• 26:34
  Speaker 1: When I first saw it, I was like, what the
• 26:36
  Speaker 1: fuck did I like, I was scarred from that.
• 26:39
  Speaker 2: I wasn't even scarred. I watched it and I was like,
• 26:41
  Speaker 2: what is this garbage? Oh? Really? Oh yeah, this is
• 26:44
  Speaker 2: I was scarred. This is back before I was like
• 26:47
  Speaker 2: a horror fan.
• 26:48
  Speaker 1: Oh, this is when I was starting like like really
• 26:51
  Speaker 1: getting my feet.
• 26:51
  Speaker 2: No. So, like I watched it the minute it came
• 26:54
  Speaker 2: out on DVD, like right after it got released, and
• 26:58
  Speaker 2: I watched it and I was like, this makes no sense.
• 27:01
  Speaker 2: What's going on? I don't care what I didn't understand
• 27:05
  Speaker 2: like the concept of like a wrap around anthology oh
• 27:08
  Speaker 2: like just so yeah, I mean yeah, like bro, I
• 27:11
  Speaker 2: was like this is dumb, Like what the fuck?
• 27:13
  Speaker 1: These are five different stories with all different people. What
• 27:15
  Speaker 1: the fuck is happened?
• 27:16
  Speaker 2: And then over the years, this has been watching them
• 27:17
  Speaker 2: like fucking right on, this is this is that good
• 27:20
  Speaker 2: ship right here? Yeah? And if you don't know Radio Silence.
• 27:23
  Speaker 1: They they went on to do the likes of Jesus Christ,
• 27:26
  Speaker 1: the movie Oh My God Ready or Not. That's one
• 27:29
  Speaker 1: of the movies they did. They also did the New
• 27:30
  Speaker 1: Scream movie and they're doing a secret they're doing a
• 27:32
  Speaker 1: follow up to that next year. I don't know how
• 27:35
  Speaker 1: I feel about Scream six next year. I mean like,
• 27:38
  Speaker 1: I feel like you did a great job with this one,
• 27:40
  Speaker 1: but like, really, what else can you do? What else
• 27:44
  Speaker 1: can you do? We're getting to the point now was
• 27:45
  Speaker 1: screen where I'm like, you're gonna you're gonna fucking fuck
• 27:47
  Speaker 1: up with the franchise because they're all great besides three,
• 27:50
  Speaker 1: and it's like, what can you possibly do different unless
• 27:53
  Speaker 1: you bring stew.
• 27:53
  Speaker 2: Back in that one? And it's like literally all it
• 27:57
  Speaker 2: is now is them trying to milk the name of
• 28:01
  Speaker 2: the franchise for what's left of it.
• 28:04
  Speaker 1: The only thing I think that would be super fun
• 28:06
  Speaker 1: to watch with a New Scream movie would be to
• 28:10
  Speaker 1: Wes Craven's New Nightmaret. I don't know if you've seen
• 28:12
  Speaker 1: New Nightmare, but New Nightmare involves the people that were
• 28:15
  Speaker 1: involved in a Nightmare on Elm Street, but like in
• 28:17
  Speaker 1: their real lives, and Freddy starts coming through into the
• 28:20
  Speaker 1: real world and like terrorizing the cast of the original
• 28:24
  Speaker 1: Nightmare on Elm Street or something in that capacity. So
• 28:27
  Speaker 1: that would be Yeah, that would be cool if you
• 28:28
  Speaker 1: did something like that where it's like they're not playing
• 28:30
  Speaker 1: the characters anymore, they're playing the people who played the
• 28:33
  Speaker 1: people in the movie and now like ghost faces coming
• 28:36
  Speaker 1: after them for real ski in real life, not just
• 28:38
  Speaker 1: in a movie. If you can make it super fucking
• 28:41
  Speaker 1: meta that way, if you really want to, we.
• 28:43
  Speaker 2: Could also fucking Spider Man no way home it and
• 28:46
  Speaker 2: go into the multiverse. Well no, no, what we'll do
• 28:49
  Speaker 2: is we'll just bring all of the ghost Face together
• 28:54
  Speaker 2: and battle Royaley. So it's Scream six ghost Face versus
• 28:59
  Speaker 2: Ghost ghost Face.
• 29:01
  Speaker 1: Versus Ghost Face Jesus Christ and have them duke it
• 29:04
  Speaker 1: out and reveal who the winner is at the very
• 29:06
  Speaker 1: end through a series.
• 29:07
  Speaker 2: Of masks and then and then Scream seven is that
• 29:12
  Speaker 2: champion getting to kill everybody else? Oh my god. So
• 29:14
  Speaker 2: they get like a full year of like thinking they're.
• 29:17
  Speaker 1: Saying battle Royale scream into a Yeah, that would be
• 29:21
  Speaker 1: I'm down for that. I'll fund that movie. I'll help,
• 29:23
  Speaker 1: I'll help donate for.
• 29:25
  Speaker 2: That shit, dire Quentin Tarantino.
• 29:29
  Speaker 1: That's the movie we all need right now. So yeah,
• 29:32
  Speaker 1: that's pretty much everything that's been going on lately in life.
• 29:35
  Speaker 1: Let's get to this fucking movie because we got I know,
• 29:37
  Speaker 1: I know we're gonna have a lot of shit to
• 29:39
  Speaker 1: say for sure. So yes, we are talking about a
• 29:43
  Speaker 1: movie called Nightmare Beach from nineteen eighty nine, released on
• 29:47
  Speaker 1: July fourteenth of that year in Italy. It didn't come
• 29:50
  Speaker 1: to the US until nineteen ninety and that was on
• 29:53
  Speaker 1: video so VHS rated R for mild sex and nudity,
• 29:57
  Speaker 1: moderate violence and gore, modern profanity, mild alcohol, drugs and smoking,
• 30:02
  Speaker 1: and moderate frightening into tense scenes. I did say, I mean,
• 30:06
  Speaker 1: I guess the gore is not severe. But there was
• 30:08
  Speaker 1: a lot of good shit in there of it. There
• 30:09
  Speaker 1: was a lot of good stuff.
• 30:11
  Speaker 2: Well, okay, let's let's let's be clear, good shit for
• 30:14
  Speaker 2: the budget.
• 30:16
  Speaker 1: Okay, yeah, you're not wrong, this is this is no
• 30:19
  Speaker 1: Tom Sevini over here. It's well, let's use what we
• 30:24
  Speaker 1: have and make it look as good as we can
• 30:25
  Speaker 1: by throwing a bunch of sparks in front of people's faces. Yeah,
• 30:29
  Speaker 1: this is a runtime of an hour and thirty and
• 30:31
  Speaker 1: that's a perfect runtime.
• 30:32
  Speaker 2: I don't know, and it fucking yeah it has legs.
• 30:36
  Speaker 1: Man, you don't feel a second of this movie. It's
• 30:38
  Speaker 1: so much fun. This is listed straight up as just
• 30:41
  Speaker 1: just horror. That's it, straight up horror, nothing else. I
• 30:44
  Speaker 1: mean I made my throw like thriller in there, because
• 30:47
  Speaker 1: it's kind of like who done it?
• 30:48
  Speaker 2: You know? See? For me, I would dub it as
• 30:54
  Speaker 2: realistically it's a slasher. I mean, yeah, but he ain't slashing.
• 30:59
  Speaker 2: He's not slashing, but but for all intents and purposes,
• 31:03
  Speaker 2: by definition, he would be a slash shore technically. Yeah, yeah,
• 31:06
  Speaker 2: I can agree with that, So I would I would
• 31:09
  Speaker 2: classify it as like a slasher horror my yeah. So
• 31:13
  Speaker 2: if if we're not breaking it down into sub genres,
• 31:15
  Speaker 2: I mean, a horror is the closest you're you're gonna get.
• 31:20
  Speaker 2: That's fair, especially with that opening scene like that's there's
• 31:25
  Speaker 2: not a whole lot of thrill behind that. That's mostly
• 31:28
  Speaker 2: just like but the the execution. Yeah oh yeah, yeah, yeah,
• 31:33
  Speaker 2: that's mostly just like straight on horror. Yeah.
• 31:36
  Speaker 1: So this movie was directed by two men, one named
• 31:40
  Speaker 1: James Justice who literally only directed this movie.
• 31:44
  Speaker 2: That was it. He did it, and he was like,
• 31:45
  Speaker 2: I'm fucking done. I'm out. I mean same, I mean,
• 31:48
  Speaker 2: you made a masterpiece. You did it.
• 31:49
  Speaker 1: And then a man named Umberto Lenza who directed Ghost
• 31:52
  Speaker 1: House or you might know it as Lekasa three, which
• 31:56
  Speaker 1: is I've spoken about this a couple of times, but
• 31:58
  Speaker 1: it is essentially you and I have spoken at least twice.
• 32:01
  Speaker 1: At least twice. So it's it's Evil Dead three because
• 32:03
  Speaker 1: the Evil Dead movies really took off in Italy and
• 32:06
  Speaker 1: they did Lacassa three, four, and I think there's a
• 32:08
  Speaker 1: fifth one two. It's ghost House for the Lacasa three,
• 32:12
  Speaker 1: Witchery for Lacasa four, and then I think they did
• 32:14
  Speaker 1: another one. But yeah, so's he's famous over there for those.
• 32:17
  Speaker 1: He also has sixty other sixty six other directing credits,
• 32:20
  Speaker 1: so that's pretty awesome. The man was working. This was
• 32:24
  Speaker 1: also written by the same guys. So we have James Justice,
• 32:29
  Speaker 1: who wrote what the fuck is My Goddamn Mouse? There
• 32:31
  Speaker 1: we go, James Justice. He only he literally only oh
• 32:34
  Speaker 1: wait no, sorry, sorry. He wrote two other movies, and
• 32:36
  Speaker 1: Umberto Linza also wrote Lacassa three and oh, I guess
• 32:41
  Speaker 1: it was written by three people and Vittorro Rombaldi who
• 32:44
  Speaker 1: has three total writing credits. So Umberto Lindsey the most
• 32:48
  Speaker 1: famous guy in the room when it comes to directing
• 32:50
  Speaker 1: and writing. The other two guys maybe they were friends.
• 32:52
  Speaker 1: I don't know, but they didn't. Obviously, their careers did
• 32:55
  Speaker 1: not really take off anywhere unfortunately. I mean, they did
• 32:58
  Speaker 1: a great movie, but you know, I guess that's all
• 32:59
  Speaker 1: they That's all they did.
• 33:01
  Speaker 2: Uh.
• 33:01
  Speaker 1: So this was composed by a man named Claudio Simonetti,
• 33:05
  Speaker 1: who also did Suspiria. The original. Donna the Dead took
• 33:09
  Speaker 1: that as an uncredited even though it's it's funny how
• 33:11
  Speaker 1: they use uncredited because you're still crediting them for being uncredited. Anyways.
• 33:15
  Speaker 1: He also did Demons and he also did the Editor
• 33:18
  Speaker 1: from twenty fourteen.
• 33:20
  Speaker 2: Well, and so, so here's what's hilarious to me. That
• 33:23
  Speaker 2: is so like, you take the original Suspiria's music, Yeah,
• 33:27
  Speaker 2: and that shit was fucking poppin'. Yeah, Donna the Dead's
• 33:32
  Speaker 2: music fucking bangers. I haven't seen the cast of three
• 33:37
  Speaker 2: but this the The only thing I didn't like about
• 33:40
  Speaker 2: this movie was the like actual like backing music now
• 33:45
  Speaker 2: like all this I love the eighties. No, no, the
• 33:48
  Speaker 2: soundtracking was good, but like the actual like horror, like
• 33:52
  Speaker 2: that's what that should be. What composed by it? Yeah? Yeah, yeah,
• 33:55
  Speaker 2: yeah no, because everything else was just soundtracks. That was
• 33:58
  Speaker 2: all in the credits. Yeah. I enjoyed the soundtracks. Yeah, No,
• 34:02
  Speaker 2: that was fantastic. That was awesome. It was it was
• 34:05
  Speaker 2: every skinniest saxophone.
• 34:07
  Speaker 1: Yeah, and then it was just so so poppy and
• 34:10
  Speaker 1: like like I don't know, it's just good.
• 34:12
  Speaker 2: It was just good eighties music.
• 34:14
  Speaker 1: From the second the title card ran, I was like,
• 34:16
  Speaker 1: all right, this is what I'm dealing with for music,
• 34:18
  Speaker 1: bet got it. Cinematography by a man named Antonio Clematti,
• 34:24
  Speaker 1: who only has seventeen credits and did not do much.
• 34:26
  Speaker 1: From what I could tell, we've got some pretty awesome
• 34:30
  Speaker 1: people in this movie. I don't think I listed the one.
• 34:33
  Speaker 1: I'll have to go look on IMDb for him. But
• 34:35
  Speaker 1: we've got Nicholas de Tooth as Skip or data excuse
• 34:38
  Speaker 1: me as Skip, who's literally only acted in four things
• 34:42
  Speaker 1: and has more credits for editing movies like Bisentennial Man,
• 34:45
  Speaker 1: The Sum of All Fears, Underworld Evolution, X Men, Origins, Wolverine,
• 34:50
  Speaker 1: Live Free or die Hard The Commuter, and Gunpowdered Milkshake.
• 34:54
  Speaker 2: But what the fuck? Hey, I mean, I mean what
• 34:57
  Speaker 2: I mean, bro, stay in your lane if you know, it's.
• 35:00
  Speaker 1: Just crazy because yeah, he didn't do anything. He's like,
• 35:02
  Speaker 1: you know what I want to do?
• 35:03
  Speaker 2: Edit?
• 35:04
  Speaker 1: I mean, dude, those are some seriously awesome movies. Besides
• 35:07
  Speaker 1: like X Men and Wolverine that was not great. Our
• 35:09
  Speaker 1: Origins Wolverine not a good one. But I mean, and
• 35:12
  Speaker 1: he's still fucking doing shit because Gunpowdered Milkshake was like
• 35:15
  Speaker 1: a last year movie that came out. So the man's
• 35:17
  Speaker 1: working and I'm like that was such an interesting change
• 35:20
  Speaker 1: of pace. He obviously didn't like acting.
• 35:22
  Speaker 2: And you know what, he probably gets paid way fucking more.
• 35:25
  Speaker 2: I mean, yeah, for doing the editing. Yeah he uh
• 35:28
  Speaker 2: let's see here, I didn't write it down. I should have.
• 35:30
  Speaker 1: Yeah, he has editor editor. He has got twenty one
• 35:34
  Speaker 1: editing credits, so it's not a lot. But I mean
• 35:36
  Speaker 1: still like he's still doing shit for this year too,
• 35:38
  Speaker 1: which is awesome.
• 35:39
  Speaker 2: It's more than four so.
• 35:40
  Speaker 1: Yeah, it's more than four, that's for sure. Then we've
• 35:43
  Speaker 1: got Sarah Buston is Gail, who has fifty seven acting
• 35:46
  Speaker 1: credits primarily for TV shows. Nothing in the way of
• 35:49
  Speaker 1: movies that I could see that I recognized. Then we've
• 35:53
  Speaker 1: got Raley Valverde as Ronnie, who's literally doesn't even have
• 35:57
  Speaker 1: an IMDb picture. He only teen acting credits. So again
• 36:01
  Speaker 1: someone else who has not done much, Lance let GalF
• 36:04
  Speaker 1: as Reverend Bates who is ninety six acting credits and
• 36:07
  Speaker 1: was Colonel Glass and Stripes. If you've seen that movie
• 36:10
  Speaker 1: with Bill Murray, that's a good one.
• 36:12
  Speaker 2: You should see it.
• 36:13
  Speaker 1: If yeah, if you haven't, you need to. And then
• 36:15
  Speaker 1: fucking Michael Parks as Doc Willett, who is over one
• 36:18
  Speaker 1: hundred and forty four acting credits. He was Howard Howe
• 36:22
  Speaker 1: in Tusk, he was Earl McGraw and Planet Terror, and
• 36:25
  Speaker 1: then also the same character texas Ranger Earl McGraw from
• 36:28
  Speaker 1: Dustill Dawn. Michael Parks is a name he probably should know.
• 36:32
  Speaker 1: He's done a lot of good shit, and it's so
• 36:35
  Speaker 1: funny to see because I've never seen him this young.
• 36:37
  Speaker 1: The youngest I've seen him was dust Till Dawn and
• 36:40
  Speaker 1: that was like nineteen ninety nine, I think, so that's
• 36:42
  Speaker 1: about ten years after this. But he's a fantastic actor.
• 36:45
  Speaker 1: I love seeing him and everything he does. Then, the
• 36:48
  Speaker 1: only person I forgot to mention was a man named
• 36:50
  Speaker 1: John Saxon, and he was actually Nancy's dad and a
• 36:54
  Speaker 1: nightmare on Elm Street. He was Lieutenant Thompson. He was
• 36:56
  Speaker 1: the other guy in this movie, also playing a.
• 36:59
  Speaker 2: Playing That's where I knew him. Yeah, yeah, exactly, Yeah,
• 37:02
  Speaker 2: I was like this, I know you was like this
• 37:05
  Speaker 2: chin ass motherfucker. Yeah, the big yeah, the big jaw line. Yeah. Yeah.
• 37:10
  Speaker 1: He was also in Black Christmas the original as also
• 37:13
  Speaker 1: another Lieutenant Ken Fuller. So he's one of those guys
• 37:16
  Speaker 1: that likes to play cops, like Marky Mark's brother, what's
• 37:19
  Speaker 1: his name, Danny Walberg.
• 37:20
  Speaker 2: He plays like cops and most of his shit.
• 37:23
  Speaker 1: Sadly, though, John Saxon passed away about two years ago,
• 37:26
  Speaker 1: back in July of twenty twenty, So rest in peace, dude,
• 37:29
  Speaker 1: you will live on forever and all these awesome movies
• 37:32
  Speaker 1: you've done. But yeah, I mean, you've got a pretty
• 37:34
  Speaker 1: sick cast, to be honest, besides the people that you
• 37:36
  Speaker 1: don't really know all the supporting cast is pretty awesome.
• 37:40
  Speaker 1: This had an estimated budget of question Mark because I
• 37:43
  Speaker 1: couldn't find any information and also a worldwide box office
• 37:46
  Speaker 1: gross of question Mark could not find information on that.
• 37:50
  Speaker 1: Like I mentioned before, this film a movie was filmed
• 37:52
  Speaker 1: in North Miami Beach, Florida. So that's like a hop,
• 37:55
  Speaker 1: skip and a jump away from us down there and
• 38:00
  Speaker 1: go to No. No, North Beach is way too crowded.
• 38:04
  Speaker 1: And you can tell even from seeing this in eighty nine.
• 38:07
  Speaker 1: I'm like, yeah, that's North Beach. It's that crowded all
• 38:10
  Speaker 1: the fucking time. I'm gonna pass on that, especially during
• 38:13
  Speaker 1: spring break. No thank you. You can watch this nowhere
• 38:16
  Speaker 1: legit Like I couldn't find this to rent anywhere. I
• 38:19
  Speaker 1: couldn't find this streaming anywhere. The only thing to my
• 38:22
  Speaker 1: knowledge is the Keno laurab or Blu ray for twelve
• 38:25
  Speaker 1: dollars on Amazon, worth every fucking every fucking penny. I
• 38:29
  Speaker 1: would have paid fifteen or twenty for that, so twelve
• 38:31
  Speaker 1: bucks was a win, especially because Keno is is similar
• 38:35
  Speaker 1: to like Screen Factory or Arrow, where they will put
• 38:37
  Speaker 1: out like movies no one's say, you know, movies that
• 38:40
  Speaker 1: no one's heard of or movies that haven't gotten the
• 38:42
  Speaker 1: Blu Ray treatment yet. I'm sure this is probably one
• 38:44
  Speaker 1: that hadn't gotten a Blu ray treatment yet. So it's
• 38:47
  Speaker 1: very exciting to own this. And it's a brand new
• 38:49
  Speaker 1: four K Master and it looked it looked pretty good
• 38:52
  Speaker 1: for what it was.
• 38:54
  Speaker 2: Let's see here.
• 38:55
  Speaker 1: So going by the July fourteenth date in nineteen eighty nine,
• 39:00
  Speaker 1: movies that came out are on the same time. Holy
• 39:02
  Speaker 1: fucking shit, we've got Ghostbusters two, Batman with Michael Keaton. Honey,
• 39:07
  Speaker 1: I shrunk the bed. What the fuck? Honey, I shrunk
• 39:09
  Speaker 1: the kids? I don't know what the fuck?
• 39:10
  Speaker 2: That was The.
• 39:11
  Speaker 1: Karate Kid Part three Lethal Weapon to when Harry met Sally?
• 39:16
  Speaker 1: UHF have you seen that one with weird Al. It's
• 39:19
  Speaker 1: pretty good. It's pretty good. Friday the Thirteenth, Part eight,
• 39:23
  Speaker 1: Jason takes Manhattan Best, the Best sleep Away Camp three,
• 39:29
  Speaker 1: The Abyss, and A Nightmare on Elm Street, The Dream Child.
• 39:33
  Speaker 1: A lot of fucking sequels this year or you know,
• 39:35
  Speaker 1: in this time period, but yeah, Jason takes I mean
• 39:39
  Speaker 1: go into the theater again. This is another episode where
• 39:41
  Speaker 1: I'm like, I can't imagine going to the theater and
• 39:44
  Speaker 1: having to pick between all of any of these movies.
• 39:46
  Speaker 2: Like, that's that's why you didn't. You just went when
• 39:49
  Speaker 2: you got out of school or work, I know, because
• 39:53
  Speaker 2: it was fucking eight dollars to go to the movie.
• 39:57
  Speaker 1: I probably would have picked Friday the Thirteenth, Part eight.
• 39:59
  Speaker 1: I'm just saying I would have gotten seeing them all.
• 40:01
  Speaker 2: Well, yeah, but I mean if I had to pick
• 40:03
  Speaker 2: one right now, i'd probably be Part eight. Uh.
• 40:05
  Speaker 1: Definitely not a nightmare, Nightmare five, Dream Trail that was.
• 40:08
  Speaker 2: That was not no a good movie.
• 40:11
  Speaker 1: So let's see, let's get into this ship here. We've
• 40:14
  Speaker 1: got specific horror moments.
• 40:16
  Speaker 2: What do you got? So you know, honestly, there weren't
• 40:20
  Speaker 2: really a whole lot of like your cliche horror moments
• 40:25
  Speaker 2: in this movie. Like it was much more of the
• 40:29
  Speaker 2: killers just gonna follow you a bunch and then he's
• 40:31
  Speaker 2: gonna kill you. Like that's that's about it. So I
• 40:34
  Speaker 2: didn't really have a specific horror moment. Okay, let's see.
• 40:39
  Speaker 1: Mine was, Oh, I really enjoyed the electrocution in the mouth,
• 40:45
  Speaker 1: like when he took the wires and just did in
• 40:48
  Speaker 1: the chicken the elevators right to the mouth.
• 40:50
  Speaker 2: That was, well, see that was like, so, so that
• 40:52
  Speaker 2: was that was my favorite kill? So I wasn't gonna
• 40:54
  Speaker 2: use it as mind oh boom okay specific horror mo
• 40:57
  Speaker 2: boom okay. Uh.
• 40:59
  Speaker 1: My favorite kill is I don't know who it was,
• 41:01
  Speaker 1: but someone literally got torched to death. It was the
• 41:04
  Speaker 1: only kill that was not like electrocution. It was this
• 41:07
  Speaker 1: this giant furnace that he blasted a bunch of fucking
• 41:09
  Speaker 1: fire out of and her face started melting, and I'm like.
• 41:12
  Speaker 2: Yes, and it's yes. So I have a goof about
• 41:16
  Speaker 2: that too, a goof when he turns the uh knob
• 41:21
  Speaker 2: to like make the furnace go hotter. When he goes
• 41:25
  Speaker 2: to turn it off, it's just the same clip of
• 41:28
  Speaker 2: him turn turning it. I didn't notice that. And then
• 41:33
  Speaker 2: there's a there's another one that I noticed when we
• 41:37
  Speaker 2: get to it.
• 41:37
  Speaker 1: Okay, there's a few of them that are hilarious. All right,
• 41:40
  Speaker 1: hell yeah? So and then okay, favorite everyone? Uh favorite?
• 41:45
  Speaker 1: Did you have a favorite character? I really didn't did. Really,
• 41:48
  Speaker 1: you're gonna laugh at this. What take a guess the
• 41:51
  Speaker 1: favorite character?
• 41:52
  Speaker 2: Yes? Uh no, uh no, the doctor, No, I don't know,
• 42:00
  Speaker 2: the go gators.
• 42:01
  Speaker 1: Guy, the guy who just jumps and jumps jumps into
• 42:06
  Speaker 1: the back of their cars like go gaiters, and then
• 42:08
  Speaker 1: you see him arrested later. Yeah, Jesus Christ, I'll just
• 42:12
  Speaker 1: go ahead and say that too. Honestly, No, he's fucking hilarious.
• 42:16
  Speaker 2: I didn't.
• 42:17
  Speaker 1: Yeah, I didn't really have like a like a specific
• 42:19
  Speaker 1: favorite care or really. I mean the only person I
• 42:21
  Speaker 1: didn't really like honestly was Skip. He's kind of I mean,
• 42:24
  Speaker 1: I get you, you know, you you blew the football game,
• 42:27
  Speaker 1: everyone hates you, but like he was just kind of
• 42:28
  Speaker 1: a bummer.
• 42:29
  Speaker 2: You know.
• 42:29
  Speaker 1: You think you'd try to just be like forget about
• 42:31
  Speaker 1: it and have fun, but he was just kind of
• 42:32
  Speaker 1: like dragon ass the whole movie. But as honestly, it
• 42:36
  Speaker 1: was either him or Ronni, because Ronnie was kind of
• 42:37
  Speaker 1: a perva trying to like just fuck anything that walked.
• 42:41
  Speaker 1: I was like, bro, it's not how you approach women,
• 42:42
  Speaker 1: and then when they don't like give into what you want,
• 42:45
  Speaker 1: you call them a lesbian like really guy, like yeah,
• 42:47
  Speaker 1: and not even lesbian.
• 42:48
  Speaker 2: He uses like a slur. I'm like, dude, holy shit,
• 42:51
  Speaker 2: good grief. I know.
• 42:53
  Speaker 1: But it's like it's like I know, it's like it's acceptable,
• 42:56
  Speaker 1: but it's like not acceptable.
• 42:58
  Speaker 2: So I just thought that was, like Jesus Christ, do it.
• 43:00
  Speaker 1: Women cannot be interested in you, Like, it's not like
• 43:03
  Speaker 1: not everyone's gonna want to jump your bones. So I'd
• 43:05
  Speaker 1: probably say Ronnie over Skip, just because he was kind
• 43:08
  Speaker 1: of a douchebag. Did you have a least favorite character.
• 43:13
  Speaker 2: Fucking what's her name? The Trina? Yeah, the biker.
• 43:16
  Speaker 1: Girl, biker girl Trina. Yeah, she was kind of an ass. Yeah,
• 43:21
  Speaker 1: let's see, Fay, I didn't have a favorite line, Like
• 43:24
  Speaker 1: this is like the first time I didn't have like
• 43:26
  Speaker 1: favorites and stuff.
• 43:27
  Speaker 2: I'm just like, I don't know.
• 43:28
  Speaker 1: There's not a lot of dialogue. There's yeah, there's and
• 43:32
  Speaker 1: there's not. I figured there would be some funny moments.
• 43:34
  Speaker 1: It's are some funny dialogue.
• 43:36
  Speaker 2: It's a lot of running around, a lot of fucking
• 43:38
  Speaker 2: peeking around corners, and a lot of fucking getting killed
• 43:42
  Speaker 2: getting Yeah, that's said.
• 43:43
  Speaker 1: There was no like Quippi one liners or you know,
• 43:45
  Speaker 1: you know, the fucking killer wore a motorcycle helmet, so
• 43:48
  Speaker 1: he didn't say a word.
• 43:50
  Speaker 2: So yeah, I didn't really have a favorite line either.
• 43:52
  Speaker 2: So that's that.
• 43:53
  Speaker 1: So let's do the little summary here and then we'll
• 43:55
  Speaker 1: get on to our little Uh we'll review here. So
• 43:58
  Speaker 1: IMDb summary. After the execution of a motorcycle gang leader
• 44:02
  Speaker 1: convicted of murder, a helmeted biker goes on a killing
• 44:05
  Speaker 1: spray during spring break in Florida. This is a movie
• 44:08
  Speaker 1: I never thought I'd ever see, but it's everything I've
• 44:11
  Speaker 1: ever wanted because it's like, how original is this fucking plot? Like,
• 44:14
  Speaker 1: for how silly it is, this is so original, and
• 44:16
  Speaker 1: especially for how they set it up. Yeah, yeah, you
• 44:21
  Speaker 1: know it's it's extremely original. You've got a fucking motorcycle
• 44:24
  Speaker 1: guy going around electrocuting people. What the You will never
• 44:27
  Speaker 1: see anything like this ever. Again the fun it's the
• 44:30
  Speaker 1: gooviest ship and yeah, and the goofiest kills too. So uh,
• 44:34
  Speaker 1: let's get into our little, our little synopsis here, So
• 44:37
  Speaker 1: if you want.
• 44:37
  Speaker 2: To say so, this movie opens again with the leader
• 44:42
  Speaker 2: of a motorcycle game named Diablo. I have come to
• 44:45
  Speaker 2: the determination that he is called Diablo because no other
• 44:48
  Speaker 2: person would wear sideburns like that except seeing himself. Good creep.
• 44:54
  Speaker 2: So Diablo is getting ready to be electrocuted from murder.
• 45:00
  Speaker 2: He comes in and he curses everyone in the room,
• 45:04
  Speaker 2: saying I am innocent y'all are killing an innocent man.
• 45:08
  Speaker 2: I curse you. You'll like you'll get yours. I've been
• 45:12
  Speaker 2: I've been framed, but I'm gonna come back. I've been framed.
• 45:15
  Speaker 2: I'm gonna come back. I'm gonna get you type.
• 45:17
  Speaker 1: Shit, I'm gonna get guy walks over the phone, goes,
• 45:22
  Speaker 1: is there any reason we shouldn't do it?
• 45:25
  Speaker 2: Hangs up the phone, and they're like, fucking run it.
• 45:29
  Speaker 2: So they fucking zapp the dude, you watched the motorcycle
• 45:35
  Speaker 2: Gang from outside the fence right away. And then Skip
• 45:40
  Speaker 2: and Ronnie are in the car going to where the
• 45:44
  Speaker 2: fuck ever they're going to in this beach town for
• 45:50
  Speaker 2: spring break. Tommy's like, yeah, I fucking lost the game,
• 45:56
  Speaker 2: and Ronnie's like Tommy, I'm sorry, Skip, Skip, I'm thinking
• 46:00
  Speaker 2: of Peaky Blinders. Tommy, see I got Skip and Ronnie
• 46:07
  Speaker 2: and then Tommy it's just it's a it's a whole thing.
• 46:11
  Speaker 2: So Ronnie's like, bro, no, it's all good. He fucking
• 46:13
  Speaker 2: throws a bunch of condoms at him, at him, and
• 46:16
  Speaker 2: he's like, NA, we're we're gonna make feel better. Don't
• 46:18
  Speaker 2: worry about it. And then Skip's like all I wanted
• 46:21
  Speaker 2: to do was win the Nationals. It's all I could
• 46:23
  Speaker 2: about doing. I'm like, wow, way to aim high, dude,
• 46:26
  Speaker 2: looking like you're thirty seven in college, Like, fuck out
• 46:30
  Speaker 2: of here. You start kind of getting a little bit
• 46:35
  Speaker 2: of the mixing of characters. Uh you. They pull up
• 46:40
  Speaker 2: to where the motorcycle gang is parked. The motorcycle gangs like,
• 46:44
  Speaker 2: you can't fucking park here, and they're like, dude, we're
• 46:46
  Speaker 2: just just fucking parking. Like come on, there's like yeah,
• 46:49
  Speaker 2: they're they're really trying to get in their ship real quick.
• 46:52
  Speaker 2: So and then the motorcycle gang is fucking with them,
• 46:55
  Speaker 2: and then the sheriff or striker, Yeah he's not the chief. Yeah,
• 47:02
  Speaker 2: police chief. Is he the chief? Okay? Police chief? Yeah,
• 47:05
  Speaker 2: so he's the police chief. He rolls up and he's like, yo,
• 47:07
  Speaker 2: get the fuck out of here. Don't go back until
• 47:09
  Speaker 2: after Easter, like fuck you guys. And they're like, yeah,
• 47:13
  Speaker 2: you fucking killed, you fucking killed Diablo blah blah blah.
• 47:18
  Speaker 1: Yeah. They think he set them up too, So you're like,
• 47:20
  Speaker 1: all right, so yeah, it's not just a killer, like
• 47:23
  Speaker 1: you've been framed. It's like always all his buddies like, yeah,
• 47:25
  Speaker 1: you framed him we know what you did, and they're
• 47:27
  Speaker 1: like hmm, suspicious.
• 47:32
  Speaker 2: So and then you get the first interaction with Ronnie
• 47:36
  Speaker 2: Skip and who you learn way fucking later's name is Gail,
• 47:42
  Speaker 2: Like you don't learn her name until like thirty five
• 47:45
  Speaker 2: minutes into the movie.
• 47:46
  Speaker 1: Yeah, and she was actually too at the execution. Yeah,
• 47:50
  Speaker 1: and you find out why, which I don't, we don't.
• 47:52
  Speaker 1: I don't want to like tell you why. No, this
• 47:54
  Speaker 1: is definitely a.
• 47:55
  Speaker 2: We are not going to spoil this one because yeah,
• 47:58
  Speaker 2: number one, there's there's actually some pretty good like twists.
• 48:02
  Speaker 2: So there's one really good twist, but like, other than that,
• 48:04
  Speaker 2: there's not a whole lot of like details to go over.
• 48:07
  Speaker 2: It's mostly just like killing.
• 48:09
  Speaker 1: Yeah, I can't be killing that. They actually do reveal
• 48:12
  Speaker 1: some stuff that I didn't think they would reveal.
• 48:14
  Speaker 2: So yeah, so you get the first interaction between those
• 48:20
  Speaker 2: three and then Skip's like I'm gonna fucking take off
• 48:24
  Speaker 2: and he leaves fucking Ronnie and he goes literally yeah,
• 48:28
  Speaker 2: and I was like, I was like, all right, I
• 48:35
  Speaker 2: forget what happens directly after that, But then you get
• 48:39
  Speaker 2: a cut to a scene of these people like hitchhiking,
• 48:43
  Speaker 2: So there's like this group of people and they're holding
• 48:45
  Speaker 2: the sign and then there's a girl closer in frame
• 48:49
  Speaker 2: holding a different sign. They get picked up and driven away,
• 48:54
  Speaker 2: and then the other girl tries to get this one
• 48:57
  Speaker 2: car car swerves around her. Then this motorcycle pulls up
• 49:02
  Speaker 2: and she's like, oh, you go to the beach and
• 49:04
  Speaker 2: he's like yeah. The guy on the motorcycle's like yeah,
• 49:06
  Speaker 2: So she gets on. She fight. It's made very apparent
• 49:09
  Speaker 2: that she has to crank these fucking things down. Yeah,
• 49:13
  Speaker 2: yet get a bike. So they start going. He starts
• 49:16
  Speaker 2: driving all crazy, and she's like, I want to get off, phone,
• 49:18
  Speaker 2: get off. So finally he stops and she goes to
• 49:21
  Speaker 2: swing her leg over and the guy on the motorcycle
• 49:25
  Speaker 2: just hits these two big red buttons and the woman
• 49:28
  Speaker 2: just goes and bursts into fucking flames. And I was like,
• 49:32
  Speaker 2: all right, that's where we're starting this movie. I'm in.
• 49:35
  Speaker 2: I'm so in fucking some wiley coyotes, motherfucking shit. It
• 49:40
  Speaker 2: was so hilarious.
• 49:41
  Speaker 1: And uh, well, right before this too, we do learn
• 49:44
  Speaker 1: that Diablo's body has been taken from the cemetery. Because
• 49:47
  Speaker 1: you have Reverend Bates, who was at the execution the
• 49:50
  Speaker 1: police chief and then the doctor Mitton or doctor Milton
• 49:54
  Speaker 1: or whatever his name is, and they're like, yeah, uh,
• 49:56
  Speaker 1: Diablo's gone. And then the fucking reverend is like, well,
• 50:00
  Speaker 1: remember his words. He did say he was gonna come back.
• 50:02
  Speaker 2: You know.
• 50:02
  Speaker 1: He's like, I'm gonna come back and get you. And
• 50:04
  Speaker 1: then that's when the killer comes into frame. So you're
• 50:07
  Speaker 1: thinking at this point, you're just like, I guess he
• 50:10
  Speaker 1: wasn't dead and he broke out or someone stole his body,
• 50:13
  Speaker 1: but like, you have no idea what's going on at
• 50:14
  Speaker 1: this point because the guy's in a.
• 50:16
  Speaker 2: Fucking helmet of the movie. Yeah.
• 50:20
  Speaker 1: So anyways, after that, chick dies go and that's when
• 50:24
  Speaker 1: what happened after.
• 50:25
  Speaker 2: That, Skip and Ronnie are reunited the next morning, Oh yeah,
• 50:32
  Speaker 2: yeah yeah, because Skip gets up early to go I think,
• 50:37
  Speaker 2: eat breakfast and he walks out with Ronnie having a
• 50:42
  Speaker 2: girl in his bed. Ronnie comes down and meets up
• 50:45
  Speaker 2: with him and they start chit chatting. Skip is a
• 50:50
  Speaker 2: fucking his pants and decides he's gonna fucking wander off
• 50:55
  Speaker 2: on his own again. As he does, Ronnie decides that
• 50:59
  Speaker 2: he's going to go do something and ends up getting
• 51:03
  Speaker 2: ends up confronting the bikers. Who who the demons? Oh, Ronnie, yeah, Ronnie. Yeah.
• 51:11
  Speaker 1: He's like combing the streets literally, trying to look for
• 51:14
  Speaker 1: someone to have sex with him, and no one's buying it.
• 51:17
  Speaker 1: And that's oh yeah, and that's where you get introduced
• 51:19
  Speaker 1: to Tree.
• 51:20
  Speaker 2: Yeah.
• 51:20
  Speaker 1: That's when Trina is like, hey, stud and he's like yeah,
• 51:23
  Speaker 1: and he tries to have sex with her, and the
• 51:25
  Speaker 1: fucking homie comes out and he's like, that's my girlfriend.
• 51:27
  Speaker 1: He's like, well, why is she trying to jump my
• 51:29
  Speaker 1: bones or whatever? Yeah, whatever they say, and then they
• 51:31
  Speaker 1: fucking beat the shit out of them.
• 51:32
  Speaker 2: Yeah, they beat the shit out of them and take
• 51:34
  Speaker 2: his fucking football medallion and then lo and behold, guess
• 51:39
  Speaker 2: who fucking shows up?
• 51:41
  Speaker 1: Mister electro bike man, unidentified guy on the bike where
• 51:45
  Speaker 1: that's electrically charged.
• 51:46
  Speaker 2: So fucking Ronnie's like you motherfucker, swings on him, missus
• 51:51
  Speaker 2: grabs the bike.
• 51:52
  Speaker 1: And lights on fire. I love the fucking I also
• 51:56
  Speaker 1: love the buttons that the biker has. It's just these
• 51:58
  Speaker 1: two huge buttons. It just that he has to smash
• 52:01
  Speaker 1: both for them.
• 52:03
  Speaker 2: It's like a it's like a nuke button.
• 52:05
  Speaker 1: That's the big red giant button.
• 52:08
  Speaker 2: That is, he doesn't hit them once. Yeah, he hits them.
• 52:13
  Speaker 2: It's like and it's like, bro, are you like sending
• 52:16
  Speaker 2: multiple or do you just have to kickstart this thing?
• 52:19
  Speaker 2: You gotta kick kickstart? I thought you gotta do, you
• 52:21
  Speaker 2: gotta kickstart it.
• 52:22
  Speaker 1: That was such a fucking crazy I didn't see Ronnie dying. Honestly,
• 52:26
  Speaker 1: I figured it would be him and skip through the
• 52:27
  Speaker 1: whole movie.
• 52:28
  Speaker 2: Oh no, I knew they were gonna kill him off. Really,
• 52:30
  Speaker 2: Oh yeah I didn't. I don't know.
• 52:31
  Speaker 1: I guess I didn't see that coming. I knew Gaale
• 52:33
  Speaker 1: probably wasn't dying.
• 52:34
  Speaker 2: Shirt bro, the red shirt, Yeah, I remember he was
• 52:36
  Speaker 2: wearning that fucking red mesh top. Oh yeah that's right. Yeah,
• 52:41
  Speaker 2: I don't know. Main character wears a red shirt. They're
• 52:43
  Speaker 2: gonna die? What? Yeah? What is this? What is this?
• 52:46
  Speaker 1: Like your milk theory that that came true? It's so
• 52:49
  Speaker 1: fun you said that. I was like nah, And then
• 52:51
  Speaker 1: I just started seeing it everywhere and I'm like, what
• 52:52
  Speaker 1: the fuck? Yet not not watched? All right, just watch
• 52:55
  Speaker 1: that next movie I watched. It's gonna be the same story.
• 52:57
  Speaker 1: I'm like, son of a.
• 52:58
  Speaker 2: Bitch, why do you think they always die on Star Trek.
• 53:02
  Speaker 2: They're wearing red Yeah, the red Shirts are the first
• 53:05
  Speaker 2: one to die.
• 53:05
  Speaker 1: Oh all right, I'll remember that. I will definitely remember that.
• 53:09
  Speaker 1: Let's see.
• 53:10
  Speaker 2: So after he dies, Yeah, that's it.
• 53:12
  Speaker 1: It's funny too because you think that the guy is
• 53:14
  Speaker 1: affiliated with the biker gang, but they beat him up
• 53:17
  Speaker 1: like the demons beat up Rani and just leave him
• 53:19
  Speaker 1: there in the street. And then he gets up seeing
• 53:20
  Speaker 1: the other guy, thinking like, oh, you're part of the gang. Yeah,
• 53:23
  Speaker 1: he goes to attack. So it's very interesting. But also
• 53:26
  Speaker 1: I do want to mention how many subplots are going
• 53:28
  Speaker 1: on in this fucking movie, Like.
• 53:30
  Speaker 2: Seriously, it's it's borderline Tarantino, it really is.
• 53:36
  Speaker 1: You've got skipping Ronnie right. Then you've got the mayor police,
• 53:39
  Speaker 1: even doctor doing their thing. You got the fucking weirdo
• 53:42
  Speaker 1: guy pulling pranks on everyone, which just makes no sense.
• 53:46
  Speaker 1: He got the lady and stealing money from them too.
• 53:48
  Speaker 1: You got the lady.
• 53:49
  Speaker 2: No, that's a different guy. So you got the prank guy,
• 53:50
  Speaker 2: and then you got the thief guy.
• 53:52
  Speaker 1: Oh I thought they were the same guy. No, well
• 53:53
  Speaker 1: then there you go. That's even more. And then you
• 53:55
  Speaker 1: got the lady in the fucking hotel doing massages for
• 53:59
  Speaker 1: older men, quote unquote, and then you got that hotel
• 54:02
  Speaker 1: like peeping Tom guy, You're like, how many fucking subplots
• 54:04
  Speaker 1: are going on this?
• 54:05
  Speaker 2: Yeah, Like it's so dense, and I've been leaving all
• 54:08
  Speaker 2: these out because they're they're literally one stop shops, like
• 54:12
  Speaker 2: they're for all intents and purposes. It's just filler, I know.
• 54:17
  Speaker 1: But it's just so weird how they have all this
• 54:18
  Speaker 1: extra shit going on that are just it's literally just
• 54:21
  Speaker 1: like to be funny or something like that.
• 54:22
  Speaker 2: Well, no, it's it's moving pieces for the sake of
• 54:25
  Speaker 2: moving pieces. Oh, scam likely you better get that. No,
• 54:31
  Speaker 2: but no, it's it's just it's it's just weird. It's
• 54:35
  Speaker 2: it's like an ornamental clock, like it doesn't actually tell
• 54:38
  Speaker 2: you the time, It just spins and looks.
• 54:40
  Speaker 1: Yeah, it's literally there's no purpose for it. It's just
• 54:43
  Speaker 1: like it's just fun or whatever. Oh that's a fucking
• 54:47
  Speaker 1: big truck.
• 54:48
  Speaker 2: Uh.
• 54:48
  Speaker 1: Anyways, So let's go back to the story. When the
• 54:50
  Speaker 1: mayor finds out about Ronnie's death. How he's like trying
• 54:53
  Speaker 1: to cover it up and ship like that.
• 54:55
  Speaker 2: Yeah, he's like take it out to the fucking phosphate mine. Yeah,
• 54:59
  Speaker 2: and he's like, you know, we fucking know why we
• 55:03
  Speaker 2: have to do this, blah blah blah blah blah. Yeah,
• 55:05
  Speaker 2: and you're just like wait, what wait, what's going on now? Okay,
• 55:09
  Speaker 2: so there there is a cover up. There's a coverup.
• 55:12
  Speaker 2: So we are we are, we know there's a cover
• 55:15
  Speaker 2: up now, bet all right, let's go. And then the
• 55:20
  Speaker 2: fucking police chief. Uh So Skip goes starts going around
• 55:25
  Speaker 2: me like, Yo, have you seen my friend? Have you
• 55:27
  Speaker 2: seen my friend? Have you seen just everybody in town?
• 55:29
  Speaker 1: Yeah, because he hasn't seen Ronnie in probably like twenty
• 55:31
  Speaker 1: four hours at this point at least.
• 55:33
  Speaker 2: And so he goes and asks the doctor and the
• 55:38
  Speaker 2: doctor's like not, haven't seen him? Fuck off. So then
• 55:40
  Speaker 2: he goes and asks the police chief, and the police
• 55:42
  Speaker 2: chief is like, nah, you need the fuck out here,
• 55:44
  Speaker 2: go follow missing person's report, like go through all these steps.
• 55:47
  Speaker 2: Fuck you, I'm not gonna help you. Yeah. Later on,
• 55:50
  Speaker 2: Skip circles back to the doctor because he could tell
• 55:53
  Speaker 2: the doctor was nervous, and he threatens the doctor and
• 55:57
  Speaker 2: then he goes to go dig up Ronnie's body in
• 55:59
  Speaker 2: the os Fate mine. In the process of digging up
• 56:03
  Speaker 2: his body. He gets caught by the police chief, and
• 56:07
  Speaker 2: the police chief is like, you need to get the
• 56:10
  Speaker 2: fuck out of here, right, you need to leave. You
• 56:14
  Speaker 2: need to drive until you see snow, and if you don't,
• 56:19
  Speaker 2: I'm gonna pin this murder on you. Yeah, he's gonna
• 56:22
  Speaker 2: frame him fucking skip for Ronnie's murder. And you're like
• 56:25
  Speaker 2: Jesus Christ, bros.
• 56:26
  Speaker 1: Now You're like, okay, Yeah, everyone's blaming everybody for someone
• 56:30
  Speaker 1: for stuff they haven't done yet. So this whole town
• 56:32
  Speaker 1: at this point is corrupt because they don't want people
• 56:35
  Speaker 1: knowing there's a serial killer on the loose, because that
• 56:37
  Speaker 1: would be bad for business because it's you know, it's Miami,
• 56:40
  Speaker 1: and that's everything. It's tourist owned, so you don't want
• 56:42
  Speaker 1: everyone if there's a serial killer, no one's gonna come
• 56:44
  Speaker 1: visit us, So we're gonna not do that.
• 56:46
  Speaker 2: In the process, we get two more dope ass deaths.
• 56:50
  Speaker 2: The massage girl gets murdered in an elevator yeap, which.
• 56:55
  Speaker 1: Which I don't know where he got those wires from.
• 56:56
  Speaker 1: I don't care, but he just pulls wires and just
• 56:58
  Speaker 1: shoves him in her mouth and just like.
• 57:00
  Speaker 2: She well, I think that's the the assumption of why
• 57:03
  Speaker 2: the elevator wasn't working. Oh yeah, I guess, Oh that's true,
• 57:06
  Speaker 2: because she doesn't just fakes looking elevator ever I've ever
• 57:10
  Speaker 2: seen talk about saving money on a sound stage. Yeah,
• 57:17
  Speaker 2: and then pretty much directly afterwards, we get the killing
• 57:23
  Speaker 2: of the uh hotel guy, the creepy hotel guy.
• 57:29
  Speaker 1: Well that was before the masseuse lady, because he was peeping, Yeah,
• 57:32
  Speaker 1: because he was peeping through at her, looking at her,
• 57:35
  Speaker 1: and then she sees uh, the like the the I
• 57:38
  Speaker 1: through the people, and then she goes to look fine
• 57:41
  Speaker 1: to him, but he's already been killed by the motorcycle guy.
• 57:43
  Speaker 1: Then she's like fucking runs away and then she dies.
• 57:45
  Speaker 1: So it was like a back to back murder right there,
• 57:48
  Speaker 1: which is pretty insane. H But you don't actually see
• 57:50
  Speaker 1: the hotel guy get murdered. You just see the guy
• 57:53
  Speaker 1: come come in behind the motorcycle guy come in behind
• 57:56
  Speaker 1: him with like a something to strangle him with, and
• 57:58
  Speaker 1: then and then it just comes and it just like
• 58:01
  Speaker 1: fades away. I was like, oh, I kind of wanted
• 58:02
  Speaker 1: to see that.
• 58:03
  Speaker 2: That death.
• 58:04
  Speaker 1: I'll take it, oh yeah, because it's not going to
• 58:06
  Speaker 1: live up to all the other electrocution deaths, so it's like, yeah, whatever,
• 58:11
  Speaker 1: but yeah, it's when Skip's looking for what's his face, Ronnie.
• 58:15
  Speaker 1: He also runs into Trina too, and he's she's got
• 58:18
  Speaker 1: that football medallion and she's like, where'd you get that from?
• 58:21
  Speaker 1: Oh my old man gave it to He's like, yeah, bullshit,
• 58:23
  Speaker 1: and then he follows her and then she leads him
• 58:26
  Speaker 1: right into the Demon's like fucking layer if you want
• 58:30
  Speaker 1: to call it that, But a striker arrives and actually
• 58:33
  Speaker 1: saves him because.
• 58:34
  Speaker 2: The dude named Dog who is the new leader. Who's
• 58:38
  Speaker 2: the new leader?
• 58:38
  Speaker 1: Because yeah, that's a whole thing, that's the whole Yeah,
• 58:41
  Speaker 1: Because he goes there looking for a devil's body or
• 58:43
  Speaker 1: Diablo's body because he's like, uh so Diablo's missing, what's
• 58:46
  Speaker 1: going on? Of course no one has anything to say,
• 58:48
  Speaker 1: and then that's yeah, that's when he arrests Dog, who's
• 58:50
  Speaker 1: the stand in because Diablo is dead even.
• 58:53
  Speaker 2: Though is he dead?
• 58:55
  Speaker 1: And it's kind of weird that they don't I can
• 58:57
  Speaker 1: say this, They don't ever answer that. They that's never
• 59:00
  Speaker 1: were answered. Why Diablo is missing, like why his why
• 59:04
  Speaker 1: his grave is is like why he's not in his grave?
• 59:07
  Speaker 2: I mean it's very heavily implied. Oh, I guess, I
• 59:10
  Speaker 2: guess I must have missed that. Then I don't.
• 59:11
  Speaker 1: I don't remember them ever addressing it after They were like, oh,
• 59:14
  Speaker 1: he's gone.
• 59:14
  Speaker 2: Who would be the only so I'm gonna try and
• 59:18
  Speaker 2: do this on air without spoiling anything. Who would be
• 59:22
  Speaker 2: the only person to have access to be able to
• 59:25
  Speaker 2: do that? I mean, yeah, I guess that's true. Yeah, Yeah,
• 59:29
  Speaker 2: I guess that makes that that was the cover for
• 59:32
  Speaker 2: the twist. They just never yeah, they just never really,
• 59:35
  Speaker 2: it's more like a second yeah. Yeah, it's like secondhand.
• 59:38
  Speaker 2: It's it's a verly like they go, okay, like we're
• 59:41
  Speaker 2: gonna set it up like this, and it's gonna be
• 59:44
  Speaker 2: a softball hanging there, but you gotta look up at it. Yeah,
• 59:48
  Speaker 2: if you don't look at it, you're never gonna see it. Idea.
• 59:51
  Speaker 1: And I didn't pick I didn't pick that up even
• 59:52
  Speaker 1: after the reveal and stuff like that.
• 59:54
  Speaker 2: So that's funny.
• 59:56
  Speaker 1: So Yeah, after he's threatened by uh, what's his face,
• 1:00:01
  Speaker 1: he gets which is crazy because you're like, all right,
• 1:00:03
  Speaker 1: so you're the police chief and you're saying you're gonna
• 1:00:05
  Speaker 1: frame this, frame me for this murder, so you obviously
• 1:00:08
  Speaker 1: did frame you know, you have to think about this
• 1:00:10
  Speaker 1: when you're watching it, Like, okay, so you obviously framed
• 1:00:12
  Speaker 1: Diablo for reasons I don't know why.
• 1:00:14
  Speaker 2: And you're just framing everyone burns because the sideburns.
• 1:00:18
  Speaker 1: So yeah, there's there's Honestly, there's a lot going on
• 1:00:21
  Speaker 1: story wise, to be quite honest, uh, stuff that I
• 1:00:24
  Speaker 1: did not really I didn't really see there being this
• 1:00:26
  Speaker 1: much plot going on.
• 1:00:27
  Speaker 2: But there was a surprising amount of plot, you know
• 1:00:29
  Speaker 2: what I mean. But so, but what's weird about it
• 1:00:33
  Speaker 2: in the terms of plot is, like I said, it's
• 1:00:36
  Speaker 2: it's moving pieces for the sake of moving pieces, right,
• 1:00:39
  Speaker 2: All these little tidbits of plot don't progress the plot
• 1:00:44
  Speaker 2: at all much. Yeah, like it it inches it along,
• 1:00:49
  Speaker 2: whereas it's mostly the what Skip and Gale are doing
• 1:00:53
  Speaker 2: for way less screen time than there should be for
• 1:00:56
  Speaker 2: two main characters.
• 1:00:58
  Speaker 1: Yeah, it is weird that they do have all these
• 1:01:00
  Speaker 1: little side things going on when it's really about It's
• 1:01:03
  Speaker 1: at one point it becomes about Skipping Gale finding Ronnie,
• 1:01:06
  Speaker 1: and I'd say that's about like probably thirty five to
• 1:01:09
  Speaker 1: forty minutes in is when they're like, okay, we have
• 1:01:11
  Speaker 1: to find Ronnie.
• 1:01:11
  Speaker 2: What the fuck's going on now?
• 1:01:14
  Speaker 1: It's really funny too, because you see Gail after all this,
• 1:01:18
  Speaker 1: going home at one point and she's being followed by
• 1:01:21
  Speaker 1: the dude on the bike I don't know, fucking motorcycle
• 1:01:25
  Speaker 1: killer guy, and when she gets home, she she grabs
• 1:01:27
  Speaker 1: that gun to protect her. But then once she gets inside,
• 1:01:29
  Speaker 1: Skip is there like hiding out because you know, the
• 1:01:31
  Speaker 1: police chef told him to leave, and I was I was.
• 1:01:34
  Speaker 2: Kind of wondering.
• 1:01:35
  Speaker 1: I was like, that's one of the things I wasn't
• 1:01:36
  Speaker 1: a fan of, is like, Okay, he the motorcycle guy
• 1:01:39
  Speaker 1: was coming up to your door and then stopped for
• 1:01:42
  Speaker 1: what reason?
• 1:01:43
  Speaker 2: Do you have it?
• 1:01:44
  Speaker 1: Like?
• 1:01:44
  Speaker 2: Do you know what I mean? Like why does he stop?
• 1:01:46
  Speaker 2: So the so the only reason that I foresee it
• 1:01:51
  Speaker 2: to be that way is because they wanted to give
• 1:01:57
  Speaker 2: you like one extra layer of life, like unreliable narrator,
• 1:02:01
  Speaker 2: because like, oh, maybe the killer is fucking Skip, like
• 1:02:05
  Speaker 2: you don't know, oh, like a red Herring kind of thing,
• 1:02:09
  Speaker 2: like like like throwing. That's that's what I thought it.
• 1:02:14
  Speaker 1: No, Yeah, that makes sense. Okay, that makes sense. Yeah,
• 1:02:17
  Speaker 1: because you haven't seen them on screen together yet.
• 1:02:19
  Speaker 2: And and it didn't specifically say what door he would
• 1:02:23
  Speaker 2: the killer was coming up to, and there's a front
• 1:02:26
  Speaker 2: and back.
• 1:02:26
  Speaker 1: Door to that, it's assumed that it's the front. But yeah,
• 1:02:28
  Speaker 1: they just show his feet coming, like going up the steps. Yeah,
• 1:02:31
  Speaker 1: that's a good observation. That's it a stute observation. I
• 1:02:34
  Speaker 1: was like, why did they just cut away from him
• 1:02:36
  Speaker 1: being there? But that makes sense to lead you to
• 1:02:37
  Speaker 1: believe that it's.
• 1:02:38
  Speaker 2: And especially because he came up behind touched her on
• 1:02:42
  Speaker 2: the shoulder. Okay, yeah, now you see you're gonna I
• 1:02:45
  Speaker 2: just wasn't I'm looking.
• 1:02:46
  Speaker 1: I'm like, okay, the killer Okay, I know, like, I
• 1:02:48
  Speaker 1: know it's not Skip, but yeah, but you also don't
• 1:02:50
  Speaker 1: know it's not him at the same time, So I
• 1:02:52
  Speaker 1: guess that makes sense.
• 1:02:53
  Speaker 2: So that's a good observation there.
• 1:02:55
  Speaker 1: So, yeah, he's hiding out there from the police chief
• 1:02:58
  Speaker 1: because you know, if he's seen again. And he also
• 1:03:01
  Speaker 1: the police chief also mentioned you you might like, if
• 1:03:03
  Speaker 1: you don't leave, you might end up right next to
• 1:03:05
  Speaker 1: your friend, and you're like, Jesus great, so you're threatening
• 1:03:07
  Speaker 1: to I might be possibly dead or I might be
• 1:03:10
  Speaker 1: in jail. Great, those are two shitty options. Yeah, I
• 1:03:12
  Speaker 1: would like to avoid. So, yeah, he's gonna hang out
• 1:03:15
  Speaker 1: there at Gail's house until until they find his literal goal.
• 1:03:19
  Speaker 1: At this point is like, fine, my friend, Yeah, I
• 1:03:22
  Speaker 1: don't know if you have anything else to add.
• 1:03:24
  Speaker 2: Not really this this gets into like the Last fucking
• 1:03:28
  Speaker 2: twenty five Yeah, the movie where literally everything unfolds in
• 1:03:34
  Speaker 2: immediate sequence.
• 1:03:35
  Speaker 1: And I was worried too because I so I didn't
• 1:03:39
  Speaker 1: think they were gonna reveal who the killer was. I
• 1:03:41
  Speaker 1: will you know, I will tell you. They do reveal
• 1:03:42
  Speaker 1: who the killer is, I'm not gonna say who. Obviously
• 1:03:44
  Speaker 1: that would take away from the whole uh watching the movie.
• 1:03:47
  Speaker 1: But I was kind of okay with them not revealing
• 1:03:49
  Speaker 1: it because I was like, you know what, whatever, I'll
• 1:03:51
  Speaker 1: just I'll just believe it's Diablo or whatever.
• 1:03:54
  Speaker 2: Yeah.
• 1:03:54
  Speaker 1: But then when they revealed it, I literally like jumped
• 1:03:56
  Speaker 1: out of my seat. I was like, ah, I never
• 1:03:58
  Speaker 1: anticipated that far.
• 1:04:00
  Speaker 2: Yeah, especially that character, Like, okay, I had my like
• 1:04:05
  Speaker 2: preconceptions about this character anyway, Yeah, but I was like,
• 1:04:08
  Speaker 2: I did not think that this character would be that like, okay,
• 1:04:12
  Speaker 2: that you know what? Good on?
• 1:04:14
  Speaker 1: Yeah, And then when they takes the mask off and
• 1:04:16
  Speaker 1: the and the person's like starts to speak. I was like, yeah,
• 1:04:19
  Speaker 1: this makes so much sense. I can see it now
• 1:04:21
  Speaker 1: the entire movie watching you. Yeah, so that was actually
• 1:04:26
  Speaker 1: a fucking solid reveal because I was going through my head.
• 1:04:31
  Speaker 1: I'm like, Okay, if it's this person, if it's this person,
• 1:04:34
  Speaker 1: that person didn't even fucking cross my mind. And they
• 1:04:37
  Speaker 1: did such a good job at like making you think
• 1:04:39
  Speaker 1: it wouldn't be that character.
• 1:04:41
  Speaker 2: Oh yeah, for sure. Did you ever know?
• 1:04:43
  Speaker 1: So that's that's both of us? Then, yeah, I had.
• 1:04:44
  Speaker 1: I had no clue, and then the helmet came off.
• 1:04:46
  Speaker 1: I was like, oh my god, yes, I think I
• 1:04:48
  Speaker 1: think I gave it an extra half start just because
• 1:04:50
  Speaker 1: of of that right there. But yeah, we should probably
• 1:04:53
  Speaker 1: leave it there just because I would agree, Yeah, just
• 1:04:56
  Speaker 1: because it does. Uh, it does unravel pretty quickly. But
• 1:05:00
  Speaker 1: so overall thoughts, I mean, like, what do you think
• 1:05:03
  Speaker 1: overall thoughts?
• 1:05:03
  Speaker 2: I had so much fun with it. I gave it
• 1:05:05
  Speaker 2: a three to five. Okay, I gave it a four, Like, yeah,
• 1:05:08
  Speaker 2: I gave it too. So I had a bunch of
• 1:05:10
  Speaker 2: fun with it. And you know, for twelve bucks, this
• 1:05:13
  Speaker 2: is definitely one to throw on your shelf just to
• 1:05:16
  Speaker 2: have because like, it's it's a fun time. It's a
• 1:05:18
  Speaker 2: fun time.
• 1:05:18
  Speaker 1: Yeah, seriously, it's something and it's got So let's go
• 1:05:21
  Speaker 1: ratings real quick and then I'll go into the minor
• 1:05:24
  Speaker 1: trivia and google, Oh, what was the other goof that
• 1:05:27
  Speaker 1: you said you had another goof?
• 1:05:28
  Speaker 2: Right, Oh, when Trina's getting killed. There you can very
• 1:05:35
  Speaker 2: very obviously see the mannequin head that they're using to
• 1:05:41
  Speaker 2: oh yeah, make the gore happen before they put it
• 1:05:44
  Speaker 2: on really put it on her actual face. It was
• 1:05:48
  Speaker 2: like like completely different sized head.
• 1:05:53
  Speaker 1: Well, it was like my favorite kill. When they were
• 1:05:55
  Speaker 1: blasting that mannequin or whatever with the with the heat,
• 1:05:58
  Speaker 1: the pieces of it started just melting and I'm like, okay,
• 1:06:01
  Speaker 1: human face wouldn't melt.
• 1:06:02
  Speaker 2: But I was like, I don't fucking care.
• 1:06:04
  Speaker 1: I love this. But yeah, overall thoughts, same thing with you.
• 1:06:07
  Speaker 1: I had so much fun with it. I just did
• 1:06:09
  Speaker 1: not expect it to be like I knew.
• 1:06:11
  Speaker 2: I figured.
• 1:06:11
  Speaker 1: I figured I would enjoy it, but like, I enjoyed
• 1:06:14
  Speaker 1: it way more than I thought I wouldn't. And the
• 1:06:16
  Speaker 1: reason I wanted to review it, other than the fact
• 1:06:18
  Speaker 1: of how original I thought the story was, is because
• 1:06:21
  Speaker 1: it hit a two point nine and typically when movies
• 1:06:23
  Speaker 1: like this from the eighties have like a two point nine,
• 1:06:26
  Speaker 1: I know it's gonna be a solid three five are up.
• 1:06:29
  Speaker 1: So it has a five point four out of ten
• 1:06:31
  Speaker 1: on IMDb and a two point nine out of five
• 1:06:34
  Speaker 1: on Letterbox. You said you gave it a three five,
• 1:06:36
  Speaker 1: I gave it a four. It's just an all around
• 1:06:38
  Speaker 1: good time. I mean, it's it's hard to watch this
• 1:06:41
  Speaker 1: and not enjoy it because like they do, like we
• 1:06:43
  Speaker 1: said before, they they are trying to play it straightforward,
• 1:06:46
  Speaker 1: but it because it's a product of the eighties.
• 1:06:48
  Speaker 2: There are some campy and silly moment.
• 1:06:50
  Speaker 1: And like it's it's just goofy. Yeah, it's just goofy,
• 1:06:53
  Speaker 1: and it's a lot of fun. And even the kills,
• 1:06:55
  Speaker 1: you know, they're not you know, award winning, you know,
• 1:06:58
  Speaker 1: studio kills, but they're it's it's eighties. It's like it's okay,
• 1:07:01
  Speaker 1: you can get away with that. It's a product of
• 1:07:03
  Speaker 1: the time.
• 1:07:03
  Speaker 2: Yeah, it's a part of the time.
• 1:07:05
  Speaker 1: You know, it's practical, it's all that matters, and it
• 1:07:07
  Speaker 1: might look a little silly, but that just kind of
• 1:07:08
  Speaker 1: adds to the you know, the the fun of it.
• 1:07:11
  Speaker 1: So let's see no mid or post credit scene that
• 1:07:15
  Speaker 1: I saw taglines. The only one I could find was
• 1:07:19
  Speaker 1: the Beach of Terror, So that's that trivia. The jackets
• 1:07:23
  Speaker 1: worn by the Demons biker gang sports the logo of
• 1:07:26
  Speaker 1: the nineteen eighty five Italian horror film Demons aka DEMONI
• 1:07:30
  Speaker 1: or Daimone whatever, which I thought was super cool. I
• 1:07:34
  Speaker 1: noticed that when I was watching, and I was like,
• 1:07:36
  Speaker 1: oh shit, that looks familiar. And then I saw the
• 1:07:38
  Speaker 1: trivia and I'm like, oh yeah, if you look at
• 1:07:40
  Speaker 1: the title card for Demons, same exact print, which is
• 1:07:43
  Speaker 1: also another good Italian horror movie. And you know what's
• 1:07:46
  Speaker 1: funny about this one is I thought, because it was
• 1:07:49
  Speaker 1: done by you know, like I had like an Italian
• 1:07:51
  Speaker 1: cast and a crew behind it, that they would do
• 1:07:54
  Speaker 1: that thing, yeah, where they dub it but it's still
• 1:07:57
  Speaker 1: in English. But they didn't do that that I could
• 1:07:58
  Speaker 1: see it.
• 1:07:59
  Speaker 2: Yeah. I think that's because they might have sourced everything
• 1:08:03
  Speaker 2: else here, like all that work.
• 1:08:04
  Speaker 1: I think so, because there's a lot of times where
• 1:08:05
  Speaker 1: Italian filmmakers will come here to make movies. But you yeah,
• 1:08:08
  Speaker 1: but when they do it in Italy, yeah, they don't
• 1:08:10
  Speaker 1: record audio on set. They dub it later, even if
• 1:08:13
  Speaker 1: it's in English, like Demons is a good example of that.
• 1:08:16
  Speaker 1: It is I'm pretty sure it's shot in Italy, but
• 1:08:19
  Speaker 1: it's dubbed, so it's it's the actors dubbing themselves in English.
• 1:08:23
  Speaker 1: And it's so jarring to see sometimes.
• 1:08:24
  Speaker 2: Because you're like, yea, why do we do?
• 1:08:26
  Speaker 1: But yeah, I guess filming sound or you know, recording
• 1:08:29
  Speaker 1: audio on a set is just not really a thing
• 1:08:31
  Speaker 1: that they do did over in Italy at that time,
• 1:08:33
  Speaker 1: at least. John Saxon made a very similar movie called
• 1:08:36
  Speaker 1: Blood Beach in nineteen eighty, substituting a sand creature beach
• 1:08:40
  Speaker 1: killer for the motorcycle Motorcycle Killer. So already on my
• 1:08:44
  Speaker 1: watch list, that's gonna be We're gonna have to do
• 1:08:47
  Speaker 1: that for a creature feature, as long as the ratings are.
• 1:08:50
  Speaker 2: At least decent.
• 1:08:52
  Speaker 1: And then goofs, which I noticed in this one is
• 1:08:55
  Speaker 1: a Ronnie is clearly moving his eyes in the shot
• 1:08:57
  Speaker 1: where the policemen are looking at him when he's dead.
• 1:09:00
  Speaker 2: He was also breathing. Yeah, he's also breathing.
• 1:09:01
  Speaker 1: Same thing with a chick in the elevator for like
• 1:09:03
  Speaker 1: a split second, I could they cut to her dead body.
• 1:09:05
  Speaker 1: I'm like you are breathing, you couldn't hold your breath
• 1:09:08
  Speaker 1: for five seconds, so the bit. So yeah, there wasn't
• 1:09:11
  Speaker 1: much on this because it's an eighties movie that I've
• 1:09:14
  Speaker 1: never heard of in people I don't think are talking about.
• 1:09:17
  Speaker 1: But I'm glad we are because I had so much
• 1:09:19
  Speaker 1: fun with this. Again, get this on Amazon twelve dollars
• 1:09:23
  Speaker 1: for the Keno Lorber Studios, fucking Blu ray because it
• 1:09:27
  Speaker 1: is literally nowhere else. I want this movie to be
• 1:09:30
  Speaker 1: seen by fucking everyone that listens to the podcast needs
• 1:09:33
  Speaker 1: to be seen. So yeah, tune in next week. Guys,
• 1:09:36
  Speaker 1: we're gonna be doing something I can't remember.
• 1:09:40
  Speaker 2: It's gonna be dope. Shit, It's gonna be dope. Shit.
• 1:09:41
  Speaker 1: We're still keeping with the one movie. I think it's
• 1:09:44
  Speaker 1: working pretty well. We're able to do, you know, like
• 1:09:46
  Speaker 1: fill like an hour and fifteen. So it's better than
• 1:09:49
  Speaker 1: trying to cram in fourteen horror movies into one episode.
• 1:09:53
  Speaker 1: Plus watching one a week is so much better. Relaxed,
• 1:09:56
  Speaker 1: So relaxing, I can focus on this, we can.
• 1:09:58
  Speaker 2: Deep dive into it.
• 1:10:00
  Speaker 1: Have to take notes, yeah, I mean I tall, I
• 1:10:02
  Speaker 1: just I write down notes just because I'm terrible at remembering,
• 1:10:05
  Speaker 1: but like, even still doing it for one is way
• 1:10:07
  Speaker 1: better than four and even two.
• 1:10:10
  Speaker 2: So yeah.
• 1:10:12
  Speaker 1: Uh. Follow us on Facebook at fright Mayor's and Instagram
• 1:10:15
  Speaker 1: and slasher app at Frightmar's podcast. You can follow us
• 1:10:19
  Speaker 1: on Twitter at Frightmar's Underscore pod we Are. You can
• 1:10:22
  Speaker 1: shoot us a line at stayspooky outlook dot com. You
• 1:10:25
  Speaker 1: can follow us on letterbox. I am doctor Proctor and
• 1:10:28
  Speaker 1: you are Corey fright Mare's Corey. Yeah, I think it's
• 1:10:32
  Speaker 1: me and Gabby next week. It's one hundred and fortieth episode.
• 1:10:36
  Speaker 1: What the fuck are we doing? We're doing something, but yeah, whatever,
• 1:10:38
  Speaker 1: I know it'll be me and her next week. So
• 1:10:40
  Speaker 1: until then, guys, stay tuned and stay spooky bitches.
• 1:10:44
  Speaker 2: Thanks