Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Nick Carter: The Case of the Policymakers (EP1542)

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Nick Carter: The Case of the Policymakers (EP1542) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectors of Old Time Radio from Boise Adahol. This is
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your host, Adam Graham. If you have a common email it to me
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Box thirteen at Great Detectives dot net, follow us on Twitter at Radio Detectives,
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and become one of our friends on Facebook, Facebook dot com Slash Radio
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Detectives. Well, before we do get started, I do want to encourage
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you, if you've not already, to pick up your copy of Slime Incorporated,
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my first ever full length detective novel. In it, Cole you Stick
1:03
finds himself investigating a political scandal that turns into a murder investigation. You can
1:08
pick up your copy store doc Great Detectives dot net. It's availables both a
1:14
paperback and an e book. Well, now it's time for today's episode of
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Nick Carter. Original air date December the twenty first of nineteen forty seven,
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The Case of the Policy Makers You Postwar Old Dutch Cleanser, famous for Chasing
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Dirk, presented Nick Carter, famous for Chasing Crime. Every week. At
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this time, two great names are joined as new Postwar Old Dutch Cleanser brings
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you one of the most resourceful and daring characters in All detective Fiction Nick Carter
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Noster Detective Nick. I'd like to know why you've shut up like a claim
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Ever since we had our soup. Oh, I didn't mean to Patsy.
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I've been thinking, Oh, that's good. What about marriage? Well?
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Why me? Marriage is the only way to solve a murder now for the
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case of the Policymakers. Today's adventure starring lown Clock as Nick Carter, brought
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to you by a new postwar all Dutch plender. It's a beautiful afternoon early
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in November, and along a section of deserted highway, an open car moves
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toward the hills in the distance. In the car are Harvey Craig, a
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candidate for the state Senate in the coming elections, and Julia Prentiss, is
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fiancee of the few weeks. Suddenly, another car comes from behind, swears
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sharply to the right and cuts them off. Easy ju Hey you man,
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what's the idea? Hey your car officer, Nothing of the kind. Let
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me get out, Tom, I'll show am showing all that stuff. Are
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you kidding? This guy's a hit run driver, a killer? Maybe?
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What's that? When he saw the whole thing mister, that man was on
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the road. You went right over and you kept on going. We would,
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Julia, be calm. But I know what they're saying, dear,
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and I'm going to let them prove it. We're going back, all right,
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mister, exactly the way you're left him, Exactly the way you and
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Joe left him. Marphy, don't worry, Julia. That man on the
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road is a friend of theirs, a co partner. But when I get
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through with it, he seems to be unconscious. I'll show you how unconscious
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he is. God, you get up, Get up. The egg is
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over, are you? What's the matter, Hobby? This man is dead.
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Well, mister here, he wasn't a friend of ours. You killed
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him. Cut it out, Pal, I ain't gonna get you out of
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a manslaughter rap. You murdered him and then you followed me from the city.
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What's the idea? Who's paying you to do this to me? Pannis?
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That's a laugh. Why are you and Joe checking this guy for identification?
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Harvey? We can't let these men get away with this. There must
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be some way of Hey, let us Tom, I've heard the dead guy's
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pocket an insurance policy for fifty grand I see taken out by Frank Hudson.
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That must be the dead guy's name. Never mind that. Look and see
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who's the beneficiary. Yeah, it's Harvey Craig. What he's the guy that's
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running for the state senate. Harvey, How does it happened? That's your
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name? Is don Wait a minute, this guy's Harvey Craig. So that's
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the angle. Huh, murder? Frame up? It's tough here, honah,
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Well, Junior, this is it the end of the career. But
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why you can prove that you don't know that man? That that Frank Hudson.
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Maybe, but suppose I've been set up for the perfect wrap. Look,
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Buden, we're a couple of reasonable guys. You pay us the face
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value of that policy at fifty grand, and we destroy the policy and forget
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what we saw. M h. We even make the corpse disappear. What
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are you saying, Harvey, You're not going to do it. I'm afraid
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I am, Julia, because if I don't, neither of us will live
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to tell the story. I see what you mean. Let's go back to
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town. I'll get the money. You go with him, Joan, Yeah,
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I'll say an take care of the body, and that's the whole Nick.
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I paid them because I was afraid of what they might do to Julia
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and me, and because I wanted to get to your office as quickly as
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possible. Why didn't you go to the police, Harvey, I promised Julia
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I wouldn't. As a matter of fact, she doesn't even know I'm here.
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I don't understand it, Harvey. The girls you're engaged too, doesn't
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want you to go to the police. I know it sounds odd, Patsy,
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but you and Nick have never met Julia. She's proud. She thinks
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I'm a sucker for having paid off it, and she thinks the less I
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talk about it to anyone the better. So you on us to keep mum,
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Yes, please, Why didn't you raise your voice when you got back
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to town. I was afraid of the bad publicity nick A murdered charge.
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However, they wouldn't have dared to make it against you. I wasn't thinking
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at the time. Nick. I want you to get Tom William. Of
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course he will hard. I guess that settles that I haven't put the work.
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Thanks Nick, Oh, here's a description of Joe and Toma. I've
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written it down good for you. Every little thing helps. I've got to
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go now, I'll be at my campaign headquarters. Nick, if you did
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want me, goodbye and good luck poor Harvey. Well, Nick, what
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do you think? I think this is all the earmarks of a murder racket
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for blackmail. Wonder whom it's happened to you before? You don't think this
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was the first time. Oh, it couldn't be. Gang that operates so
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smooth. He must have had a lot of experience. But where do they
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get the victims? Well, that's Harvey's typical, I'd say, from Who's
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who? I mean the victims they killed? Harvey told us you never saw
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that Frank Hudson before. Yet that man had a policy naming Harvey is a
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beneficiary. Well, it could have been a phony. It could have been
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I suppose it wasn't. Who said Hudson up for it? And how why
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are you clothes any verrio clothes? Would you mind telling me what? Oh?
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Not at all. I've got an idea that somewhere in the slums or
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along the waterfront there are operators pulling hopeless prospects out of the gutter and setting
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them up for the kill. Well, you and I are going to be
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a couple of prospects. But how much longer? There? We've been to
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every waterfront dive in town. Were just living around. Well that's the detective
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business. Oh, go to your eg. We're being watched. Oh oh,
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why did I ever marry you? You are going to buy me a
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swell house and fur coats. I was going to be a grand lady.
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Well it's not when I fault. My plans didn't work out. All I
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need is one real break, one real break. That's what I've been hearing
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for years. Well, I wish you'd break your neck off, way off
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for you? Why did I ever marry you? No place to live,
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no decent clothes to wear, You never even had a job. Maybe you
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think jump draw all trees? Maybe they do? And what do you want?
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Tom's name are in trouble? Browns, Now you have business? He
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went at. I couldn't help it, Henry, I'm so fat up.
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Yes, she's gott a right to me. She's hungry, she's got no
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place, so why don't you go take a walk. Maybe I got a
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job for you, and for you too, Vadia, don't con on it.
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I'm over the outside guy. I got a voice, I kind of
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work on this b I do, friends, and oh, yes, here
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what it is, Henry? You're going to work and it kills you.
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Go. Mister Tom, So you've been married for six years and you've done
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some traveling the Hobo trail, Mister Nicholas. Yes, sometimes, who any
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man who would subject a woman to such a life? I couldn't help it,
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mister Bentley, that breaks for all against me. How did you feel
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about that, Missus Nicholas. Oh, I couldn't leave Henry. H that's
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devotion. Well, I need to in my house naturally. You've never been
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a butler, mister Nicholas. No, sir, No, sir, that's
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better. I see you learn quickly. You'll keep this place in order,
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and you'll see that it's dustin. Yes, sir. And now Missus Nicholas,
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can you sure? I mean yes, sir, mister Bentley. Good.
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My tastes are very simple. We'll get along, Tom. These people
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are going to stay in the room on the fourth floor. Ask Joe to
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prepare it for them. Do we go with it? No? No,
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you wait here. If you're wondering about my two men, Tom and Joe,
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they live here with me. I prefer them to dog. No,
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we weren't wondering, mister Belin good you'll make the idea of Butler. Now
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there's one matter that must be settled before we begin our relationship. Yeah,
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as you see, I have many valuables in his house, rare paintings,
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antique vases, so forth. Oh you don't think we steal from you,
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mister Bentley. It's happened before my dear lady, and so I have one
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strict policy in this establishment. All my employees must be bunded. Ah,
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I see do you object, mister Nicholas. Oh no, no, no,
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all right with me, sir. Yes, I'll have a phorms here
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sometime tomorrow morning. In the meantime, excuse me, miss Bentley. What
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is it? Tom? I chose on his way up the room. You
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want me to you don't want to go? Oh they'll find it the fourth
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floor. Mister Nicholas then turned to the left. Yes, sir, come
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along, Mabel. Yes, I didn't do so bad, did I,
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mister Bentley? Two instead of one? Yeah? When only you give them
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the insurance business. We don't know anything about them. Tom, A couple
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of unlocked bombs. I saw. I wonder the lady had clean fingernails.
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Think, I don't get it. What surety company would bonded darrelict or a
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couple of derrelics. Petsy, We're not going to be bonded. But mister
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Bentley saw me a gig for the last minute switch. Oh, from bonding
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to insurance. Uh huh. Then when mister Bentley starts talking about insurance,
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Yes, Patsy, I think I'll let some air into this room. But
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Nick, in the Frank Hudson policy Harvey told us about Bentley, wasn't the
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beneficiary. You're not in your toaster, like Patsy. I'm only trying to
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put myself in the place of an intended victim. Don't cry. But I
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become suspicious of a policy that didn't make Bentley the beneficiary. Windows sealed shut,
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It's what sealed. It's glass barrier to the outside. But why just
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in case someone should want to yell for help? Oh, could I answer
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your question? It's about the policy. You mean the victims were forced.
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They were. They became suspicious of Bentley, but as long as they believed
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in him as a good samaritan who could do no wrong, even when he
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made someone else the beneficiary. Even then, remember the people who signed those
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policies were hungry, down and out. Bentley was giving them. Come in
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of course, yes, sir, thank you. You stay here at the
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door times you joel all right, mister Bentley. Well, my dear mister
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and Missus Nicholas, don't look so surprised. It's an old custom of mine
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when I'm welcoming you servants. I've brought a bottle of wine for us,
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for me too, a rare sparkling bagundy. I want you to feel it
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home. Permit me to do the honors for you, Missus Nicholas. Thank
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you sir, for you, mister Nicholas, and now one for me.
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Raise your glasses please, a toast to my new servants, mister and Missus
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Nicholas better known as Nick Carter. Did I startle you, miss boone?
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How did you find out about it? My underground espionie system? I see?
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Well, what are you going to do with us? Now? Kill
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you both, of course, but not until I've made arrangements to convert you
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into cash, and that my friends will be very soon. Soul Bentley has
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found out Nick and Patsy, and behind him are two men with guns.
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We'll see what happens in just a moment. Now back to the case of
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the policymakers. Today's adventure with Nick Carter, brought to you by a new
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postwar all Dutch blunter. It is several hours later and in Bentley's luxurious library.
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Nick and Patsy are sitting near the desk, surrounded by Tom, Joel
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and Bentley as for all Phil dot and ready for the signature. Well,
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thank you, Tom. Give mister Carter his your application for insurance. Mister
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Carter, you're asking for a quarter of a million. Don't you rate me
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too high? Bentley? Who No, not too high for a man of
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your reputation and connections. Here's your application system. Yes, forgive us,
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miss Bowen, but we think you're worth only one hundred thousand dollars. I'm
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not worth anything to you. You'll let me be the judge of that wanter.
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Wow, So Jackson Phillips is going to be my beneficiary? Why not?
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He's our city's leading banker. Now, miss Bowen, your beneficiarity is
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Mortimer Evans, the department store owner. He knows you quite well personally and
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by your extensive charge a gun. It will do you a bit of good
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Dentille, please sign these applications. You're not going to send our friends up
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for blackmail. To a very harsh word, mister Carter, let me go
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to work on a mister Bentley. Joe, Joe, Joe, much too
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temperamental. Well, it's no dice if we don't get their signatures. This
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ain't like the other jobs we've done. We're shooting for big toe. Now
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we're gonna have their signatures and their own hand. Right. We'll have them,
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Joe, but without your methods. What's wrong with my methods? They're
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much too crude for present company. Oh, I'm sure that mister Carter and
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miss Bowen will prefer my more scientific methods of persuasion. Darn room like a
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vault top floor board. They were going to torus Nick if we hadn't signed.
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Listen, Patsy, I'll let you win in a secret. What aren't
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you all the time when we're going to sign those applications you did? Of
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course, we had to sign them to get the goods on Bentley in this
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game? Okase without them? Oh I see that now, mate. Let's
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see two o'clock. Time to get out of this room and down to the
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library safe. Oh, that's going to be easy. What with that window
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sealing. With Joe popped in the hole just outside, it can be done.
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Bentley and Tom ought to be asleep by now, I suppose they are.
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We still can't get out. Take off your shoe? What your shoe?
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Take it off? We got a job for it, all right.
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Now what do I do? Hobble around, smack the heel of your shoe
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against that window pane and break it. Now. Look, Nick, I'd
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like to get some air too, But now I want to plant myself behind
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this door on that chair you've got there, no under it? Ready to
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bring it down on Joe's head? Okay, go ahead? Ay, what's
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the idea of breaking it? Well, Betsy, see what I mean?
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Oh? You're full of tricks tonight, aren't you full of them? Now
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let's get down to the library and take out some reading matter. Nick,
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can't you get it open? I don't know. It's been a long time
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since I opened a safe without knowing the combination. Why have you got enough
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light? It's a lucky thing. We found this flashlight in Bentley's desk grower.
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And look at the size of it. Why it must be ten inches
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long and it's weighs close to it goes the boat. Now for some quick
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research, can need help? Just bring the light closer. Yeah, uh,
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look, Patsy policy blanks a staff of mister Bentley had plans for a
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future. Didn't he see what's in this drawer? Are there? Nick?
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The applications we signed? Uh? Yes, here they are. God.
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Now we'll make a bundle of all this evidence and then lock up the safe
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just in case. We're not going back upstairs, Nate, of course not.
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We're phoning the police. That's much better, Dave, that's quiet.
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Someone's walking outside in the hole. He didn't close the door, Patsay,
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whi for god? They've seen the flashlight. They won't see us. Let's
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get behind them. Fell down, turn in the flash Look that's how they
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craigs. Yes, So what's he doing in this house? He just died?
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Oh, murdered unless I don't know what I'm talking about. Oh,
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don't you see it? Betsy? See what this whole dirty business? How
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did Harvey Crave get to this house? Who brought him? Someone turned the
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lights on? Oh? You finally figured it out, mister Nick Carter.
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Who is she? Yeah, Julia Pranis, aren't you. Yes, I
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brought Harvey here. He shouldn't have told you what happened to us on the
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road. Yes, you sheldy, we had some wine. Honey, Harvey's
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glass had poison in it. Oh, hey, where you are, Carter?
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Mister Bentley wouldn't like me to shoot you? All right, Julia,
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You've got the heavy artillery. And to think Harvey considered her a friend.
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So many people do, men, particularly huh Man, with a lot of
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money. Yes, here Bentley's contact woman. You set up the blackmail victim,
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and then you're in the car with him when the so called hit and
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run takes place, of course, at the right place, in the right
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time. A very important in our business. How did you know we were
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in this house? We didn't see you. I saw you, miss Bowen,
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and I recognized mister Carter from his newspaper pictures. A peep hole in
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the wall of your room upstairs, missus Nicholas. We never had a chance.
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Let's say you might have had one if you didn't have clean fingernails,
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clean, not bad habit, miss Bowen. When your life depends on it,
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bentleyphone me in town. I came, I saw and I couldn't believe
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my eyes. Well, what happens now, Julia? There's a little room
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in the cellar i'd like to have you see. Oh it's not much of
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a room, but it's a cape proof and we want so much to see
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you again tomorrow, that is when we'll meet you. What time is it,
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Nick? My watch isn't as luminous as it used to be, but
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I should say it was about a quarter past one day night or eternity afternoon?
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Patsy, Hey, you're not losing your nerve, are you? I
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never felt better in my life. I'll turn on your flashlight and you'll see
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we've only been down here since last night. Why don't you turn it on?
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Can't great? So listen, Well, sty'll kill us before they take
22:19
us out of here. They won't, they care, but they will pay.
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We've got here to be accident. They can't run a car over us
22:26
here. They've got to take us out of the house. And once we're
22:30
on and they opened, this may be a passy. Now listen, don't
22:33
fight them to carry us out. You go with the lantern, right,
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Miss Spending. You're next Joe, and don't know your gun with him around?
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Boys, A good afternoon. Mister Carter and miss Bowen, and Julia
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told me you were very naught a last man. Oh I hope we didn't
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put you to any inconvenience. We make the punishment fit the crime. Come
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here, miss Bowen, I like it where I am. Oh me,
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we go and have trouble. Julia has an appointment to go driving this afternoon
23:03
with Mortimer Evans, your beneficiary. You've got to be on the road,
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Miss Bowen. Nick, his turn will come later another day. We can't
23:11
do everything at once, you know. Listen, Bentley, you take both
23:15
of us, so you don't take either of us. Very galant, mister
23:18
Cutter, Tom, you take Miss Bowen outside. Okay, now you don't,
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Joe. You heard what Tom said. I'll get anymore. That tap
23:33
with my gun makes me even for last night. Come along, miss Bowen,
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you killed him? No, no, my dear, it won't do
23:44
you a better good to struggle. Julia has an appointment and you must help
23:48
her. Keep this Now for the conclusion of the case of the Policymakers.
24:03
Today's adventure with Nick Carter brought to you by a new postwar all Dutch cleanser.
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It's ten minutes later Patsy fainted and is lying on the sofa in the
24:14
living room of Bentley's house. Nearby, Bentley and Julia are discussing their plans
24:18
with Tom and Joe over a road map which is on the table. Now
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this is the exact point in the road where you're to be, Caddy.
24:26
We use the same road for a change, mister Butley. Listen to Julia
24:30
Joe and don't ask so many questions. Mortimer Evans and I will pass that
24:34
point about half past three. Now what time you have I've got one thirty
24:40
five, me too, We agree, Well, Lucia's I'm ready to leave
24:45
the town. I told Mortimer i'd meet him at two o'clock. I'm going
24:48
to be late. Oh not too late, my dear. Ten of fifteen
24:51
minutes for one. As charming as you can it. Brother, The only
24:55
thing I see in you is a bookkeeping item. Frank aunt Joe, Joe,
25:00
my car out of the garage. Yeah, sure, give me a
25:03
cigarette. Lution. There are times, Julia, when you behaviors. If
25:06
you're running this show, I might as well be. You couldn't get along
25:10
without me. That are other women is well qualified. That's going to cost
25:14
you fifteen percent more, Darling, what another book keeping item. I was
25:18
going to talk to you about that later, but since you brought it up.
25:21
No, look, I want forty five percent from now on. You've
25:25
been have the twenty five percent I've been getting. Oh wait, no use
25:27
arguing. I'll tell you that's crazy. Why am I interrupting something? He's
25:33
got a gun falling on among thieves. Euh. You won't have to worry
25:37
about percentages anymore. Or maybe you should worry about the percentages because from now
25:42
and they're all against you. Operator give me police headquarters, Nick, How
25:56
did you do it? Perhaps it is I came up in the cellar that
25:59
would Joe walking toward the front door. He went out like a light.
26:02
Of course I had to hit him, That's not what I mean. Then
26:04
I took his gun and made the grand They were no, no, no,
26:07
you don't understand. I mean, how did you get out of that
26:11
cellar room? It was simple. I took the door off its hinges.
26:14
What with Bentley's flash light? You mean you used that flashlight to unhinge the
26:18
door? M h. It was heavy enough to drive the pins out of
26:21
the hinges very neatly. Why but I didn't hear. That's not I'm uff
26:25
with the noise of my coat. Honest, Nick, when I saw you
26:30
on the floor unconscious, I thought I wasn't unconscious. Oh no, this
26:34
is too much. Oh Joe telegraphed that wallop. I saw it coming and
26:38
I rode with it. The gun caught me in the back of the neck.
26:41
That's why you're driving the car. Why. I'm all right, Nick,
26:48
I'm listening. There's no mystery to it, Patsy. I've just got
26:51
a good, stiff pain in the neck, that's all. Can you tell
27:02
us something about the story new post war old Dutch Klinder is going to bring
27:04
us Next week, Nick, well, pop. Next week we're going to
27:07
meet a young contractor who helped us track a killer by trying to build a
27:11
garage on an imaginary street. And Nick found the killer by listening to a
27:15
talking typewriter, talking typewriter imaginary streets. It sounds fascinating. What do you
27:21
call a story, Nick, I call it the Case of the Missing Streets.
27:33
Nick Carter Master Detective is presented each week at this time by the Cuttaheat
27:37
Packing Company. It is produced and directed by Jock McGregor and is copyrighted by
27:42
Street and Smith Publications, Incorporated. Charlotte Manson is featured as Patsy. Today's
27:48
script was written by Stedman Coles. Original music is played by Henry Silvern.
27:53
This program is fictional and any resemblance to actual persons living or dead is purely
28:00
coincidental. This is Bob Martin saying when minutes count used, you both war
28:04
Oh, that's Glenson. This is the Mutual Broadcasting Systems welcome back. Well,
28:26
another entertaining story. Somewhat of an unusual twist here, as you have
28:32
the criminal revealing to the detective how he caught how she caught him, and
28:38
that's kind of the opposite of our typical resolution scene. But it's certainly an
28:45
interesting twist and points out that when you have a reputation as the greatest of
28:52
all manhunters and you're a celebrity detective, it might not be the best idea
28:57
in the world to try and go undercover, particularly if your name is Nick
29:03
Carter and you decide to go under the very clever alias mister Nicholas. And
29:07
poor Patsy, I wonder how she managed to keep her fingernails cleaned two weeks
29:15
of walking around in rags in waterfront dives must have been like an obsessive,
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compulsive thing, I guess, but I will say, whatever Nick Carter is
29:26
paying Patsy, it's probably not enough. Yeah, it's definitely not enough.
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Though the beginning a teaser for the story kind of suggests that what a listener
29:37
emailed in about might be the case, with her delighted at the idea of
29:42
Nick Carter marrying her, though at this point it's less of a comparison I
29:48
was made between George Valentine and Brooksy and let George do it more like Ellery
29:55
Queen and NICKI Porter, which is a bit less obvious and desperate of our
30:00
relationship. Though we'll beginning to Ellery Queen in just a couple months. I
30:04
should say, well, that will do it for this week's episode of Nick
30:08
Carter. Tomorrow, It's gonna be yours truly, Johnny Doller, and then
30:14
join us next Thursday for another episode of Nick Carter. In the meantime,
30:18
Santor comments to Box thirteen at Great Detectives dot net, follow us on Twitter
30:22
at Radio Detactives, and become one of our friends on Facebook, Facebook dot
30:27
com. Slash Radio Detectives from Boiseidaho. This is your host, Adam Grahamson
30:34
and off.