Latest / Girls Gone Hallmark | Hallmark Movie Reviews / The Snow Must Go On

Transcript

The Snow Must Go On · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:00
  Speaker 1: I thought, Oh, Megan is absolutely heaving any spiritual experience
• 0:03
  Speaker 1: watching this right now. This is a bramble Jam podcast.
• 0:28
  Speaker 2: Welcome to Girls Gone Hallmark, a Hallmark review podcast. I'm
• 0:31
  Speaker 2: Megan and I'm a longtime Hallmark fan.
• 0:32
  Speaker 1: I'm Wendy. I'm a former Hallmark hater.
• 0:35
  Speaker 2: Today we are discussing the Snow Must Go On and
• 0:37
  Speaker 2: Mary Thanksgiving Weekend Must Go On. This movie originally aired
• 0:41
  Speaker 2: on Friday, November twenty eighth, and is currently available to
• 0:44
  Speaker 2: stream on Hallmark Plus. Hey, we just dropped the cutest
• 0:50
  Speaker 2: merch collection. It is our Holiday Town collection. It's adorable,
• 0:55
  Speaker 2: it's cute, it's girly. There's a sweatshirt, there's a T shirt,
• 0:59
  Speaker 2: there's a mu there's a hand towel. We're gonna link
• 1:02
  Speaker 2: each one of those products below. You can grab them
• 1:05
  Speaker 2: in our shop, along with some more merch that we
• 1:09
  Speaker 2: recently launched. There's a main character energy sweatshirt that I
• 1:12
  Speaker 2: really like. That's all linked in the show notes, or
• 1:16
  Speaker 2: you can find it via the shop tab at Girls
• 1:17
  Speaker 2: Gone Hallmark dot com.
• 1:20
  Speaker 1: You know what's funny, As I showed my husband that
• 1:21
  Speaker 1: stuff and he's like, why would you get it on
• 1:24
  Speaker 1: a towel, and I was like, I just like walked
• 1:28
  Speaker 1: away from the conversation. I was like, because people use
• 1:31
  Speaker 1: towels like we do in our house, and why not
• 1:34
  Speaker 1: make it cute. Look at the dish towel collection at
• 1:37
  Speaker 1: Home Goods. Man, Dude, have you been to an anthropology lately? Oh? Yeah, there,
• 1:42
  Speaker 1: dishtowels are so cute. So now we got our own.
• 1:46
  Speaker 1: That's right. Hey, We're on all the socials at Girls
• 1:49
  Speaker 1: Gone Hallmark, Instagram, Threads, Blue Sky. We have a Facebook group,
• 1:53
  Speaker 1: Girls Gone Hallmark. Come give us a joint over there.
• 1:57
  Speaker 1: We're just everywhere this season.
• 2:00
  Speaker 2: If you want a supersized month from us on Patreon,
• 2:02
  Speaker 2: we are dropping five episodes as opposed to the usual four,
• 2:05
  Speaker 2: so you're getting more bang for your five books over
• 2:08
  Speaker 2: there Patreon, dot Com, slash Mag and Wendy new episodes
• 2:11
  Speaker 2: every Monday this month. Keep us in your ears as
• 2:14
  Speaker 2: you're shopping, wrapping, silently screaming into a pillow over the
• 2:18
  Speaker 2: never ending holiday to do list. Wendy sneak peek into
• 2:22
  Speaker 2: our lives right now. Wendy and I just look at
• 2:24
  Speaker 2: each other once in a while, go and then about
• 2:28
  Speaker 2: sums it up. We are going to talk about this
• 2:32
  Speaker 2: Noma's go on, and we're gonna kick it off.
• 2:34
  Speaker 1: With a synopsis. Isaiah, a former Broadway actor struggling to
• 2:38
  Speaker 1: make a comeback, escapes to Upstate New York for the holidays,
• 2:42
  Speaker 1: only to get roped into directing his nieces nearly canceled
• 2:45
  Speaker 1: high school Christmas musical. Hoping to impress a powerful Broadway producer,
• 2:50
  Speaker 1: he casts himself in the show, but instead discovers unexpected romance,
• 2:55
  Speaker 1: renewed purpose, and the kind of holiday magic that reshapes
• 2:57
  Speaker 1: his priorities. This Snow Must Go On was directed by
• 3:01
  Speaker 1: Jeff Beasley, which marks his fortieth directing credit. He's behind
• 3:05
  Speaker 1: several Hallmark favorites like Following Yonder Star, A Carol for Two,
• 3:09
  Speaker 1: Haunted Wedding, and The Santa Summit. The screenplay was written
• 3:12
  Speaker 1: by Scott Damien and Heather Provost. Scott Damien has seven
• 3:16
  Speaker 1: writing credits, including Hallmark's Season for Love from twenty eighteen
• 3:20
  Speaker 1: and A Joyous Christmas from twenty seventeen. Heather Provost has
• 3:26
  Speaker 1: five writing credits and shares those same Hallmark titles. Heather
• 3:30
  Speaker 1: Heven stars as Lillianne. She has thirty one acting credits.
• 3:33
  Speaker 1: We last saw her in Christmas under the Lights, and
• 3:35
  Speaker 1: she's well known from the Groomsman trilogy. You know, I
• 3:38
  Speaker 1: was looking back at her IMDb resume. She hasn't been
• 3:43
  Speaker 1: on Hallmark that long. No, kind of surprised by that,
• 3:47
  Speaker 1: to be honest, I feel.
• 3:48
  Speaker 2: Like she's a state one of their leading ladies.
• 3:51
  Speaker 1: Yeah, sure, yeah. Corey Cott plays Isaiah, a Broadway guy
• 3:56
  Speaker 1: through and through, having starred in Newz's Gigi and Bam Stand.
• 4:00
  Speaker 1: He has twenty one acting credits and past Hallmark roles
• 4:04
  Speaker 1: include seasons Greetings from Cherry Lane and Butler's In Love.
• 4:09
  Speaker 2: Kaylen Youwn McCrae appears as Aurora. She has four acting
• 4:12
  Speaker 2: credits with Hallmark appearances in Kiss Before Christmas and A
• 4:15
  Speaker 2: New Year's Resolution. Samantha Kendrick plays Sister Jess with twenty
• 4:20
  Speaker 2: six acting credits. She's appeared in Hallmark's Never Been Christ
• 4:23
  Speaker 2: and Francesca Quinn pi. Emily the Young plays Marana. This
• 4:28
  Speaker 2: is her fourth acting credit. She previously appeared in A
• 4:30
  Speaker 2: Big Fat Family Christmas in twenty twenty two.
• 4:33
  Speaker 1: Stephanie sistars as Cindy. This is Stephanie's seventy first acting credit.
• 4:38
  Speaker 1: She was recently on Hallmark. And a Carol for Two
• 4:40
  Speaker 1: and The Magic of Lemon Drops.
• 4:42
  Speaker 2: Rodrigo Bellyflis plays Noah. This is his thirteenth acting credit
• 4:46
  Speaker 2: and you may remember him from The Santa Summit. Mariam
• 4:49
  Speaker 2: Bernstein plays Sandra. Mariam's past Hallmark projects include The Magic
• 4:52
  Speaker 2: of Lemon Drops, Hanka on Rye, and a Christmas Cookie Catastrophe.
• 4:57
  Speaker 2: We're going to take a quick break and come right
• 4:59
  Speaker 2: back with our first impressions. Hey, Wendy, what was your
• 5:10
  Speaker 2: first impression of the Snow Must Go On? The minute
• 5:13
  Speaker 2: those kids started belting and fully committing to the show,
• 5:18
  Speaker 2: I thought, Oh, Megan is absolutely having any spiritual experience
• 5:22
  Speaker 2: watching this right now. My first impression is people are
• 5:25
  Speaker 2: either gonna love this movie or turn it off immediately.
• 5:27
  Speaker 2: And I am all in on the extreme campiness of
• 5:30
  Speaker 2: it all.
• 5:31
  Speaker 1: I think it's because you're like a theater kid, mom
• 5:34
  Speaker 1: one hundred in this world. Yeah.
• 5:37
  Speaker 2: I think if you are a theater kid, a theater
• 5:40
  Speaker 2: parent in the theater world, this movie spoke to you.
• 5:45
  Speaker 1: Let's talk what we liked. I am none of those things,
• 5:47
  Speaker 1: but I really like this movie. Yeah. There's something about
• 5:52
  Speaker 1: a story that has to do with like high school
• 5:56
  Speaker 1: set in high school. Okay, but I really enjoy okay,
• 6:00
  Speaker 1: and this was one of them. Uh huh. I liked it.
• 6:03
  Speaker 1: But let me tell you, Jeff Beasley knows how to
• 6:06
  Speaker 1: direct a Hallmark musical. Yes, I want to give him
• 6:09
  Speaker 1: his flowers here. This isn't the first time he's done
• 6:12
  Speaker 1: a Hallmark meets Broadway type movie. He did it with
• 6:15
  Speaker 1: a Carol fourtwo, which was on last year's count on
• 6:18
  Speaker 1: a Christmas It's not talked about enough. It was so good. Yeah,
• 6:22
  Speaker 1: I feel like it was very skipped over last year,
• 6:25
  Speaker 1: very skipped over, and it was good. I loved it.
• 6:29
  Speaker 1: He also did Just One Kiss from several years ago.
• 6:32
  Speaker 1: Do you remember that movie A little bit.
• 6:34
  Speaker 2: They sing in that? Isn't that where they sing that
• 6:38
  Speaker 2: iconic song?
• 6:40
  Speaker 1: You know that one?
• 6:43
  Speaker 2: This is where our brain can envision it. Hold on,
• 6:46
  Speaker 2: I'll google it because I know people will be bothered.
• 6:49
  Speaker 2: Fley to the Moon and something Stupid by Santino Fontana
• 6:53
  Speaker 2: and Krista Rodriguez.
• 6:55
  Speaker 1: I love Santino Fontana. Ugh. Yeah, Jeff Beasley's great. He
• 7:02
  Speaker 1: I don't know he somehow is able to translate that
• 7:08
  Speaker 1: broad Way energy into a cozy Hallmark movie. Yes, that's
• 7:13
  Speaker 1: what I liked.
• 7:14
  Speaker 2: If I may quote Steve from our Facebook group, he said,
• 7:16
  Speaker 2: The Snow Must go On is in contention for the
• 7:18
  Speaker 2: sleeper of the Christmas season. The performance of the male
• 7:21
  Speaker 2: lead was incredible. The child actors also delivered. Director Jeff
• 7:26
  Speaker 2: Beasley created a funny, touching film that really says all
• 7:31
  Speaker 2: of my thoughts.
• 7:32
  Speaker 1: He sums it up. Yes, ye, yes, you're listening. Guys.
• 7:37
  Speaker 1: Join our Facebook group where people are just doing our
• 7:40
  Speaker 1: job of I mean, look, Steve, you're hired. The male lead,
• 7:44
  Speaker 1: Corey Coott, is a damn delight. I agree.
• 7:47
  Speaker 2: He made me smile. He carries this movie on his back.
• 7:51
  Speaker 2: His energy is high, his singing is delightful, his smile
• 7:55
  Speaker 2: is electric. I didn't really have any thoughts about this
• 7:58
  Speaker 2: movie going in. I just did not have any idea
• 8:00
  Speaker 2: what I was going to get. You know, I will
• 8:02
  Speaker 2: tell you it.
• 8:03
  Speaker 1: Was probably low on my list because I was like,
• 8:06
  Speaker 1: I'm not familiar with Corey Coott. Heather hymns is fine.
• 8:10
  Speaker 1: I knew it was a Jeff Beasley movie, but I
• 8:12
  Speaker 1: was like, the Snow Must go On. I'm gonna talk
• 8:15
  Speaker 1: about it in my wishes. But I was so delighted
• 8:20
  Speaker 1: by all of that especially Corey Coott. He was. He
• 8:24
  Speaker 1: just brought me so much joy. I was like, I
• 8:27
  Speaker 1: don't know if I texted you or you texted me.
• 8:30
  Speaker 1: I was like, I'm really into this movie. Yeah. Yeah.
• 8:33
  Speaker 1: I loved how much singing we got from him too.
• 8:36
  Speaker 1: Oh he was so good. It is this beautiful, clear Broadway voice.
• 8:41
  Speaker 1: I'm in a real Broadway place. I went to New
• 8:43
  Speaker 1: York two weeks ago.
• 8:44
  Speaker 2: I'm like, give me all the Broadway, give me the performances,
• 8:47
  Speaker 2: and I want you to know, from one theater parent
• 8:52
  Speaker 2: to the world, this is how theater people are. They
• 8:54
  Speaker 2: will just break into song. That ending scene where he's like,
• 8:57
  Speaker 2: I perform the Christmas Story every year, Like theater.
• 9:00
  Speaker 1: Kids are like that. Yeah, like they're silly, they're fun.
• 9:04
  Speaker 1: There is a line it made me laugh out loud.
• 9:07
  Speaker 1: I can't remember exactly what it was, but it he
• 9:10
  Speaker 1: was like taking the temperature on if kids were feeling stress,
• 9:14
  Speaker 1: and he's like, let's break out it, or let's sing
• 9:15
  Speaker 1: a song or something that I was like, well, that
• 9:17
  Speaker 1: would be the last thing I would want to do.
• 9:19
  Speaker 2: Sure, yeah, I do the same. I don't want to
• 9:22
  Speaker 2: sing something about Christmas, like, don't make me do that like.
• 9:27
  Speaker 1: Present like you know, oh my gosh, yeah, when you
• 9:30
  Speaker 1: had a like that's like an icebreaker.
• 9:32
  Speaker 2: Yeah, I don't want to do that. But I'm not
• 9:34
  Speaker 2: a theater kid. I'm just a theater nerd and theater parent.
• 9:39
  Speaker 1: I'm in the world, okay, if I may, You know,
• 9:42
  Speaker 1: I liked the classic return Home to Save the Holiday
• 9:46
  Speaker 1: show trope. This is not the first time we've seen
• 9:48
  Speaker 1: this on Hallmark, but I liked it. It was pretty predictable, right, yes,
• 9:54
  Speaker 1: but it worked. I just there are parts of me
• 9:57
  Speaker 1: that I was like Winter high school public schools. Oh wait,
• 10:01
  Speaker 1: wasn't a public high school, was it? Oh? You're right,
• 10:03
  Speaker 1: I don't think so. It doesn't Does it matter? No,
• 10:05
  Speaker 1: it doesn't matter because, like you know, there's a lot
• 10:08
  Speaker 1: of a lot of people are doing like a Christmas show.
• 10:10
  Speaker 1: Oh yeah, and like this movie could have been like
• 10:14
  Speaker 1: it could have totally been made outside of Christmas too,
• 10:17
  Speaker 1: I think, yeah, regardless, none of that matters. But I
• 10:22
  Speaker 1: do like this trope of like, you know, save the
• 10:24
  Speaker 1: you gotta save the Christmas pageant energy.
• 10:29
  Speaker 2: Speaking of tropes and predictability, I did enjoy the metaphor
• 10:32
  Speaker 2: of figuring out your second act.
• 10:35
  Speaker 1: Yeah, yeah, yeah, I said, did I are we there
• 10:37
  Speaker 1: is that? Why? Yes, hey, there's the metaphor.
• 10:42
  Speaker 2: And then of course Isaiah does make that connection. He's like,
• 10:45
  Speaker 2: I need to figure out what my own second act is.
• 10:48
  Speaker 1: To piggyback off. Facebook member Steve, I really loved the
• 10:53
  Speaker 1: kids in this movie. Yeah. First you got your trouble
• 10:56
  Speaker 1: kid turned into your lead. I know. I was like,
• 11:01
  Speaker 1: love that. I love that. We have Aurora, who his niece,
• 11:07
  Speaker 1: who is so mature beyond her age. I love that.
• 11:12
  Speaker 1: And then we have Miranda, who is this shy lead
• 11:18
  Speaker 1: basically like the girl can sing and perform. Can I
• 11:22
  Speaker 1: tell you?
• 11:22
  Speaker 2: My daughter, who's a theater kid the other day says
• 11:24
  Speaker 2: to me while I'm doing her hair, she goes, you know,
• 11:27
  Speaker 2: one of these days, I'm gonna overcome my fear of
• 11:29
  Speaker 2: singing in front of people, and I'm gonna be unstoppable.
• 11:32
  Speaker 1: And I was like, did you cry? What do we
• 11:35
  Speaker 1: do to get you with it? I love that. Anyway,
• 11:38
  Speaker 1: she should watch this movie. I know she should watch
• 11:42
  Speaker 1: this movie. I will say I did enjoy Heather hymns
• 11:47
  Speaker 1: as Lily, and she is level headed and warm and
• 11:51
  Speaker 1: she can sing. I really love that we got to
• 11:53
  Speaker 1: see this moment of Heather him and singing in the movie.
• 11:57
  Speaker 1: I thought that was great. She does keep it. I'm
• 12:00
  Speaker 1: going off the rails because Corey's character Isaiah is a
• 12:05
  Speaker 1: little bit unhinged. I'm going to talk about him and
• 12:07
  Speaker 1: my wishes, But she keeps it everything like she's very
• 12:10
  Speaker 1: even unmeasured.
• 12:11
  Speaker 2: Yes, yes, Like you talked about the stereotypes of the kids,
• 12:15
  Speaker 2: and I think the kids, many of them are straight
• 12:17
  Speaker 2: up stereotypes, but I do think they're all recognizable stereotypes.
• 12:21
  Speaker 2: They serve a purpose. You know, you can either laugh
• 12:24
  Speaker 2: with them or connect with them. You've got the theatre
• 12:27
  Speaker 2: diva overly obsessed with her phone. I also, in terms
• 12:31
  Speaker 2: of the production, I was impressed with the production value
• 12:35
  Speaker 2: of the final show, the costuming, the makeup, the sets.
• 12:38
  Speaker 2: It was well done for a Hallmark high school production.
• 12:43
  Speaker 2: I thought it was nice. And I have two quick
• 12:47
  Speaker 2: little humorous likes to wrap mine up. I loved the
• 12:51
  Speaker 2: line it's like Hamilton but Christmas and I. In the
• 12:55
  Speaker 2: beginning of the movie, we see the old drama teacher
• 12:58
  Speaker 2: walking out in a blaze of glory and she throws
• 13:00
  Speaker 2: her papers and as my husband, who is disillusioned with
• 13:03
  Speaker 2: the profession of teaching.
• 13:05
  Speaker 1: He just was like like he just loved that moment.
• 13:09
  Speaker 1: He's like, that's the dream man. Just in the middle
• 13:12
  Speaker 1: of the day.
• 13:12
  Speaker 2: You're done, so don't worry. He wouldn't do it to
• 13:17
  Speaker 2: his students, but made him love.
• 13:20
  Speaker 1: I think everybody has that dream of like going out
• 13:22
  Speaker 1: in a blaze of glory like that.
• 13:24
  Speaker 2: If they like the Jerry Maguire, Yeah, who's with me?
• 13:28
  Speaker 1: Yep, yeap for sure? Are you ready to talk wishes?
• 13:31
  Speaker 1: I am? I mentioned it briefly, Isaiah, you're doing too
• 13:37
  Speaker 1: much and not always in a good way. You cast
• 13:41
  Speaker 1: yourself in as the lead. I'd like to talk about it.
• 13:44
  Speaker 1: Let's talk about it.
• 13:45
  Speaker 2: Look, as mentioned eight hundred times, I'm a theater parent.
• 13:48
  Speaker 2: I've seen some crazy you.
• 13:49
  Speaker 1: Know what, including nepotism like you wouldn't believe. But the
• 13:54
  Speaker 1: director casting himself an adult in the lead role of
• 13:58
  Speaker 1: a high school presentation was beyond too much.
• 14:02
  Speaker 2: Right, Let the kids be kids. Look, this is my argument.
• 14:05
  Speaker 2: In elementary school, my kids. Elementary school does a very
• 14:09
  Speaker 2: nice theater program, but they would bring in high school
• 14:13
  Speaker 2: students to be pit singers, which means they're like off
• 14:16
  Speaker 2: stage singing to boost the sound of the Okay, it's
• 14:20
  Speaker 2: an elementary school production. Let it be elementary school kids.
• 14:23
  Speaker 2: We don't need let the kid's voices shine.
• 14:27
  Speaker 1: Yeah, yeah, yeah yeah.
• 14:28
  Speaker 2: They rewrote one of the parts in Mary Poppins because
• 14:31
  Speaker 2: the mister Banks character's voice wasn't strong enough to sing
• 14:34
  Speaker 2: let's go fly a kite at the end, so they
• 14:35
  Speaker 2: gave it to missus Banks. It doesn't even make sense.
• 14:38
  Speaker 2: Stuff like this is like, what are we doing here?
• 14:42
  Speaker 2: What's the point? And so I felt like you have
• 14:46
  Speaker 2: missed the mark.
• 14:47
  Speaker 1: Completely, like because I thought when he first did that,
• 14:52
  Speaker 1: I was like, he's just doing that so that Aurora
• 14:55
  Speaker 1: can play the role. But that wasn't his goal. That
• 14:58
  Speaker 1: only happened accidentally. The let like the end, right, And
• 15:02
  Speaker 1: I was like, come on, man, open your eyes. Not cool, bro, Yeah,
• 15:07
  Speaker 1: who wants to go see you're the drama teacher, No
• 15:11
  Speaker 1: play the lead? No, you want to see your own kid? Right?
• 15:15
  Speaker 1: High school production? Yeah yeah, I'm going to get why
• 15:19
  Speaker 1: they had to do it. I get why the story
• 15:22
  Speaker 1: makes sense. Yes, I U too, But I.
• 15:26
  Speaker 2: Also feel like casting Aurora in the lead role also
• 15:30
  Speaker 2: gets the attention of her mother in a way where
• 15:34
  Speaker 2: she might be then willing.
• 15:35
  Speaker 1: To offer him the audition he's looking for. Yeah, because
• 15:39
  Speaker 1: I feel like it would have had the opposite effect
• 15:41
  Speaker 1: if he had gone on stage and performed. She would
• 15:43
  Speaker 1: be like, what the heck is this guy doing? He's
• 15:46
  Speaker 1: taking away for real, Yeah, from the student's opportunity. Yeah, yeah, exactly.
• 15:51
  Speaker 1: My next wish is Stephanie's Saie is criminally underused.
• 15:56
  Speaker 2: It's my biggest wish. Justice for Stephanie SSI in all caps.
• 16:00
  Speaker 1: She is a Broadway star. Yeah, give her more to do? Okay,
• 16:06
  Speaker 1: no shade to Heather hymns. But what if Stephanie Saie
• 16:08
  Speaker 1: was in this lead role? I know, what is Hallmark
• 16:10
  Speaker 1: afraid of putting Stephanie Saiye in the lead. I don't
• 16:14
  Speaker 1: get it. It might have been too much like Broadway energy.
• 16:18
  Speaker 1: But we're already there, I know. I know. Justice for
• 16:24
  Speaker 1: Stephanie Saie. Also, I mentioned it earlier. I hate the
• 16:27
  Speaker 1: title of this movie. I hate the pun. I wish
• 16:30
  Speaker 1: it was just the show must go on and make
• 16:34
  Speaker 1: the poster Christmas y. Yeah, I think I don't.
• 16:37
  Speaker 2: I think Hallmark is like, can't do it, can't do it.
• 16:40
  Speaker 2: Gotta have it in there, gotta have something wintry, something Christmas.
• 16:46
  Speaker 1: I mean I know there was a tie in with
• 16:48
  Speaker 1: the snow machine, but it wasn't that. And they even
• 16:50
  Speaker 1: say character like yeah, yes, like don't hit me over
• 16:56
  Speaker 1: the head bottle.
• 16:57
  Speaker 2: Yeah yeah, that's it though for my wishes, let's talk dude,
• 17:02
  Speaker 2: you see that.
• 17:04
  Speaker 1: I just have a few. I loved Isaiah's sweatsuit that
• 17:09
  Speaker 1: with the candy cane. Oh yeah. I mean it's like
• 17:12
  Speaker 1: clip art fantasy come true. But it was funny and
• 17:16
  Speaker 1: it was a bold move that he just like shows
• 17:18
  Speaker 1: up to the high school, like when you mean this? Like,
• 17:21
  Speaker 1: I you know, I thought it was funny. I thought
• 17:23
  Speaker 1: it was funny. My other did you see that? I
• 17:29
  Speaker 1: have two more the opening scene, I was like, what
• 17:34
  Speaker 1: am I getting here? Like, you know, because they show
• 17:36
  Speaker 1: him in this like on his One man show or whatever.
• 17:40
  Speaker 1: I was like, wait, I thought this was about high
• 17:43
  Speaker 1: school Christmas musical, So I like that. It kind of
• 17:47
  Speaker 1: threw me off a little bit. Well, my husband, he's like,
• 17:50
  Speaker 1: what's happening. This is terrible. I'm like, it's intentionally bad.
• 17:54
  Speaker 1: Like it's intentionally bad, that's the point.
• 17:56
  Speaker 2: And he was like he couldn't understand, and like the
• 17:59
  Speaker 2: point is he's trying to do this one man show.
• 18:01
  Speaker 1: He's clearly talented. His show sucks. Nobody's there like but
• 18:04
  Speaker 1: my husband was like also thrown anyway. My last did
• 18:09
  Speaker 1: you see that was there were some great lines in
• 18:13
  Speaker 1: this You've already mentioned them, but the one where they're
• 18:18
  Speaker 1: talking about the script and Lily Ango's concepts of a
• 18:22
  Speaker 1: script and I there were a lot of little like
• 18:25
  Speaker 1: political easter eggs really liked. Yep, yep, I have two
• 18:32
  Speaker 1: more digitsu. That's I did love the concepts of a
• 18:34
  Speaker 1: plan throwback. In the beginning of the movie, when the
• 18:38
  Speaker 1: sister and the daughter, the sister and the knees, it
• 18:41
  Speaker 1: was unclear to me their relationship to him and each other. Yeah,
• 18:45
  Speaker 1: and I thought it was his sister and her girlfriend.
• 18:49
  Speaker 2: Oh and then we cut and they were like going
• 18:52
  Speaker 2: through a divorce and then this kid comes out.
• 18:54
  Speaker 1: I'm like, oh, that's the knees up. Didn't understand that,
• 18:57
  Speaker 1: didn't understand that at all. Is this Cassie of a
• 19:01
  Speaker 1: for the teenagers? Maybe too old.
• 19:05
  Speaker 2: I'm not a good judge of age, but to me,
• 19:07
  Speaker 2: the sister also looked very young in that opening scene.
• 19:11
  Speaker 1: I don't know.
• 19:11
  Speaker 2: I just thought that's his sister and that's her girlfriend
• 19:14
  Speaker 2: because he talks about her and she's like she is
• 19:16
  Speaker 2: very talented, and she like touches her arm like it
• 19:18
  Speaker 2: was sweet. I was like, yeah, anyway also, and then
• 19:24
  Speaker 2: I paused it when I realized that that was the daughter,
• 19:26
  Speaker 2: And I said, did you think it was the sister
• 19:28
  Speaker 2: and the girlfriend? He said no, I thought it was
• 19:29
  Speaker 2: his sister and her friend coming to his show.
• 19:32
  Speaker 1: Oh the only other Did you see that? This is
• 19:34
  Speaker 1: such a reach.
• 19:35
  Speaker 2: When he goes through, he's like, I got an app
• 19:37
  Speaker 2: to do the lighting, and he like goes through. At
• 19:41
  Speaker 2: that commercial break, there was a commercial for app lights,
• 19:45
  Speaker 2: which is like a lighting app. Yeah, and I went
• 19:49
  Speaker 2: back and rewatched to see if they had like flashed
• 19:52
  Speaker 2: to his app.
• 19:53
  Speaker 1: They don't. Oh so it's just a very weird coincidence.
• 19:56
  Speaker 2: Yeah, because app lights it's more about holiday lighting and
• 19:58
  Speaker 2: this is more about stage life. I don't know if
• 20:01
  Speaker 2: there was any tie in, but it was coincidental. Hmm.
• 20:05
  Speaker 1: What did you rate the Snow Must Go On? I
• 20:07
  Speaker 1: gave it three point seventy five. Owe me to exactly.
• 20:10
  Speaker 1: That's a good one. Yeah, it's good.
• 20:12
  Speaker 2: Hey, thank you if for listening to this episode of
• 20:14
  Speaker 2: Girls Gone Hamewark a Bramble Jam podcast. If you love
• 20:18
  Speaker 2: this podcast, we love your five star ratings and reviews,
• 20:22
  Speaker 2: Hit us with them in the Apple Podcast app.
• 20:25
  Speaker 1: We'll see you next time. Goodbye. Bye. All right friends,
• 20:39
  Speaker 1: before we go, just a quick heads up. You're about
• 20:42
  Speaker 1: to hear some ads die. Little gems help us keep
• 20:44
  Speaker 1: the show running and the home park love flowing. So
• 20:47
  Speaker 1: do with that info what you will, Grab a snack,
• 20:50
  Speaker 1: hit the skip button, or maybe just maybe listen in
• 20:53
  Speaker 1: and discover your new favorite product. Bye.