Latest / Movie Meltdown / 116: Sucker Punched with a Handcrafted Mace

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116: Sucker Punched with a Handcrafted Mace · Movie Meltdown

• 0:01
  Speaker 1: The following program is a proud member of the Palover
• 0:04
  Speaker 1: family of podcasts. Check out all the shows over at palover.com.
• 0:08
  Speaker 2: That's P-A-L-A-V-E-R dot com.
• 0:12
  Speaker 3: The following feature has been rated R by the Motion
• 0:15
  Speaker 3: Picture Association of America. It is intended for mature audiences
• 0:20
  Speaker 3: and parental discretion is advised.
• 0:22
  Speaker 4: Our nuclear reactor pumping out one million kilowatts of power.
• 0:57
  Speaker 5: Well, that is a sucker punch to the gonads.
• 1:09
  Speaker 2: What's up?
• 1:10
  Speaker 6: Welcome to Movie Meltdown. I am Brian.
• 1:12
  Speaker 7: I'm Marlena.
• 1:13
  Speaker 6: We are currently in.
• 1:15
  Speaker 8: The car on the way to Indianapolis for the once
• 1:19
  Speaker 8: again much anticipated Whorehound Weekend.
• 1:22
  Speaker 6: So, we're supposedly going to rendezvous with Misty and Jay.
• 1:26
  Speaker 6: We'll see how that goes.
• 1:27
  Speaker 7: Oh, I forgot to text Jay back.
• 1:29
  Speaker 9: It wasn't because I wasn't... I was intentionally not texting
• 1:33
  Speaker 9: him back, but it was because I fell back asleep.
• 1:38
  Speaker 6: Alrighty, so... This is another road trip episode, so.
• 1:43
  Speaker 8: Lord knows what we'll get on this little journey, but
• 1:46
  Speaker 8: we'll have to see.
• 1:48
  Speaker 6: Yeah. So, do we want to kick off the geek week?
• 1:52
  Speaker 2: Me?
• 1:52
  Speaker 7: I don't know.
• 1:54
  Speaker 6: I can do mine if you want.
• 1:55
  Speaker 7: Sure, you go ahead, because I have to gather my thoughts.
• 1:57
  Speaker 6: Okay, well, that's the thing.
• 1:58
  Speaker 8: I've been trying to figure mine out, because I've watched
• 2:01
  Speaker 8: a ton of stuff, but it's all been stuff related to.
• 2:03
  Speaker 6: I always like checking back on movies with.
• 2:06
  Speaker 8: People I was talking to today, so most of those
• 2:08
  Speaker 8: we'll go into later, so I'm not even going to
• 2:11
  Speaker 8: delve into those.
• 2:11
  Speaker 6: I was trying to think of anything I've watched that
• 2:13
  Speaker 6: wasn't one.
• 2:14
  Speaker 8: Of those, and not the last one I can think
• 2:17
  Speaker 8: of is I did watch the remake of Day of
• 2:20
  Speaker 8: the Dead.
• 2:21
  Speaker 6: Which Misty had brought up a long time ago, I think. But, um,
• 2:24
  Speaker 6: have you seen that one? It's the one with Mira Sorvino.
• 2:27
  Speaker 1: Maybe.
• 2:27
  Speaker 2: I don't know.
• 2:27
  Speaker 7: I can't remember.
• 2:29
  Speaker 6: It's got, uh.
• 2:31
  Speaker 8: It's... Ving Rhames is in it, but not as the
• 2:33
  Speaker 8: same character. Which, again, makes no sense to me.
• 2:36
  Speaker 2: I don't even know.
• 2:37
  Speaker 6: Yeah, it's... It's so bad. I mean, it's just.
• 2:41
  Speaker 8: I don't understand exactly why they went from, like, the, like,
• 2:46
  Speaker 8: super high-end... you know, theatrical version of, you know, granted,
• 2:51
  Speaker 8: it's a remake, but that's one of the more impressive
• 2:54
  Speaker 8: remakes ever, possibly, is the Donuted End remake, so you get,
• 2:58
  Speaker 8: you know, Zack Snyder directing, you get a huge theatrical release,
• 3:01
  Speaker 8: you get real.
• 3:02
  Speaker 6: Stars, and then, The next one, which if you.
• 3:06
  Speaker 8: I guess they're still pretending like it's part of that
• 3:08
  Speaker 8: same arc.
• 3:09
  Speaker 2: I don't know.
• 3:10
  Speaker 8: I mean, it's nobody making it is involved other than
• 3:12
  Speaker 8: Kirk Greengrim's back in there. But, like, I don't know
• 3:16
  Speaker 8: how you drop down to a, like, straight-to-DVD release level
• 3:21
  Speaker 8: with Mirror Sorvino as your major star.
• 3:24
  Speaker 6: And it's just... Yeah. It's just such a step down
• 3:27
  Speaker 6: from last time.
• 3:28
  Speaker 8: Again, if you even want to consider it in that
• 3:30
  Speaker 8: same arc. I don't know that I do anyway, really.
• 3:33
  Speaker 7: But.
• 3:35
  Speaker 8: On top of that it's just bad I mean it's
• 3:38
  Speaker 8: it's mildly entertaining if you're a horror geek and you
• 3:40
  Speaker 8: just want to kill like an hour and a half
• 3:43
  Speaker 8: but um yeah for the most part it's And this
• 3:47
  Speaker 8: is the weirdest part, is the fact that, once again,
• 3:49
  Speaker 8: they credit at the beginning, like, story by George Romero
• 3:53
  Speaker 8: or whatever, because if you're looking for an actual remake
• 3:56
  Speaker 8: of Day of the Dead, it has nothing to do
• 3:59
  Speaker 8: with that one. I mean, other than there's zombies, and
• 4:02
  Speaker 8: the military's.
• 4:03
  Speaker 6: Kind of involved, like, in the original Day of the Dead.
• 4:05
  Speaker 8: But other than that, nothing like it in any way, shape,
• 4:09
  Speaker 8: or form, really.
• 4:11
  Speaker 6: Yeah, I don't know, it's just....
• 4:14
  Speaker 8: The effects are bad. Most of the characters are just stupid, which, again, happens.
• 4:20
  Speaker 6: A lot in horror movies, but.
• 4:22
  Speaker 8: And, I mean, there's one or two little moments where
• 4:24
  Speaker 8: it's actually kind of an interesting setup, or, you know,
• 4:29
  Speaker 8: just like there's a whole scene in, like, a ductwork system,
• 4:34
  Speaker 8: and you've got a zombie chasing you through the ductwork.
• 4:36
  Speaker 6: That's actually kind of got a tense moment in there somewhere.
• 4:40
  Speaker 8: So, I mean, there's moments where it could have been
• 4:41
  Speaker 8: turned into.
• 4:43
  Speaker 6: A good movie, but, yeah, it just falls so flat,
• 4:46
  Speaker 6: it's not even funny.
• 4:47
  Speaker 10: I don't know.
• 4:51
  Speaker 6: That's... Do you need the heat up?
• 4:55
  Speaker 1: Huh?
• 4:55
  Speaker 6: It's really hot.
• 4:56
  Speaker 7: I had to turn the defroster on.
• 4:58
  Speaker 6: We're going to see.
• 5:01
  Speaker 9: Our love and desire to see Randy will get us
• 5:05
  Speaker 9: there even if our.
• 5:06
  Speaker 7: Windows are fogged up and can't see the road. We're coming!
• 5:11
  Speaker 7: We're coming!
• 5:12
  Speaker 2: Yep.
• 5:14
  Speaker 8: Oh, other than that, yeah, I mean, I went for
• 5:18
  Speaker 8: my major geek activity last night, but we'll get into
• 5:22
  Speaker 8: that later because I did go and see Sucker Punch.
• 5:26
  Speaker 6: So, we'll go full-fledged into that later. So that's pretty
• 5:30
  Speaker 6: much it. That and just prepping stuff to get ready
• 5:32
  Speaker 6: to head to the show this week. That's most of
• 5:35
  Speaker 6: what I've been doing.
• 5:37
  Speaker 1: Um, well.
• 5:39
  Speaker 9: And last week I watched May, which is maybe one
• 5:42
  Speaker 9: of my favorite horror movies of all time.
• 5:44
  Speaker 6: It is awesome.
• 5:45
  Speaker 7: It is quite awesome.
• 5:47
  Speaker 9: And as you all well know, I have a huge
• 5:50
  Speaker 9: crush on Jeremy Sisto, which Brian and Misty like to
• 5:53
  Speaker 9: call Suck and Blow.
• 5:54
  Speaker 6: Suck and Blow.
• 5:55
  Speaker 9: Because he was Suck and Blow in Clueless. Actually, his
• 5:57
  Speaker 9: name was like Elton or Elston or something like that.
• 5:59
  Speaker 6: Yeah, it is Elton, but for some reason Suck and
• 6:02
  Speaker 6: Blow was funnier.
• 6:02
  Speaker 7: Yeah, it is funny.
• 6:04
  Speaker 9: But, I mean, I just don't understand why Misty is
• 6:06
  Speaker 9: so grossed out by him. He's tall, and he's dark,
• 6:09
  Speaker 9: and he's handsome, and he has a deep voice. And, like,
• 6:11
  Speaker 9: what more.
• 6:11
  Speaker 7: Could you want?
• 6:13
  Speaker 6: Angela Bettis. That's what I want.
• 6:15
  Speaker 8: And she's just weird yeah but she's awesome weird she's
• 6:19
  Speaker 8: like cute weird.
• 6:20
  Speaker 9: It was very that was the thing about that movie
• 6:23
  Speaker 9: she's so fucking creepy I know but it's still cute
• 6:27
  Speaker 9: and charming it is I can see why he would've
• 6:29
  Speaker 9: like fallen for that a little bit and then immediately
• 6:34
  Speaker 9: been like whoa yeah I'm totally on his side in
• 6:38
  Speaker 9: that movie you know she's in that movie I definitely
• 6:41
  Speaker 9: did not feel sorry for her at all by the
• 6:43
  Speaker 9: end it's just like um Get better social skills. Not
• 6:47
  Speaker 9: really anyone's fault but your own.
• 6:50
  Speaker 6: Nice.
• 6:51
  Speaker 9: I mean, as a person who struggles with being social,
• 6:55
  Speaker 9: I can turn on the charm when needed.
• 6:57
  Speaker 7: I usually just feel no need to do so.
• 7:01
  Speaker 6: I don't know. I feel for it. I'm socially awkward
• 7:05
  Speaker 6: and I want to kill people. So, I mean, you know,
• 7:07
  Speaker 6: it happens.
• 7:10
  Speaker 7: Yeah, I guess so.
• 7:11
  Speaker 2: I mean.
• 7:13
  Speaker 9: And I also started watching this show, which I'm surprised
• 7:16
  Speaker 9: at how awesome it is. America's done a remake on Syfy,
• 7:22
  Speaker 9: as you will, Being Human.
• 7:25
  Speaker 6: Yeah, I've been watching that one.
• 7:26
  Speaker 7: Yeah, and the American one I've seen bits and pieces of,
• 7:31
  Speaker 7: and it's okay. The British one is amazing.
• 7:34
  Speaker 6: That's what I've heard.
• 7:35
  Speaker 7: It's hilarious, and it's just so well done.
• 7:38
  Speaker 9: It's not like there's amazing special effects or anything, but
• 7:40
  Speaker 9: just the stories are fantastic. Like, I've been super duper
• 7:44
  Speaker 9: into that, and I really like it. So, that's what
• 7:49
  Speaker 9: I've been doing.
• 7:50
  Speaker 8: Yeah, I have not watched the British one yet, but
• 7:53
  Speaker 8: well before there even was an American one, I had
• 7:55
  Speaker 8: people saying, oh, yeah, I've seen this show.
• 7:57
  Speaker 6: You know, it's actually really cool, and.
• 7:59
  Speaker 8: It's, you know, It's still such a funny idea if
• 8:02
  Speaker 8: you actually stop and break it down.
• 8:04
  Speaker 6: It is.
• 8:04
  Speaker 8: It's such a silly idea, but... Especially for the fact
• 8:08
  Speaker 8: that they almost take the show kind of seriously.
• 8:10
  Speaker 11: Yeah.
• 8:10
  Speaker 6: At least the American one now has become very, like,
• 8:12
  Speaker 6: melodrama or something.
• 8:14
  Speaker 1: Yeah, it is.
• 8:15
  Speaker 6: It's funny how.
• 8:17
  Speaker 8: What a silly idea it is in its essence.
• 8:19
  Speaker 6: And they turn it into a pretty serious tone of
• 8:22
  Speaker 6: a show.
• 8:22
  Speaker 12: Yeah.
• 8:23
  Speaker 9: Yeah, I mean, the British one has a pretty serious
• 8:26
  Speaker 9: tone as well, but it has a lot more humor
• 8:28
  Speaker 9: in it, I think.
• 8:29
  Speaker 7: Like, I haven't really noticed... There's a little bit of
• 8:31
  Speaker 7: humor in.
• 8:32
  Speaker 9: The American one, but I think I'm just really partial
• 8:36
  Speaker 9: to British humor.
• 8:36
  Speaker 7: A lot of people don't get it, but I'm one
• 8:38
  Speaker 7: of those people. It's exceedingly funny to me. I don't
• 8:42
  Speaker 7: know what it is.
• 8:43
  Speaker 6: I'm very hit and miss, and always have been.
• 8:45
  Speaker 8: There's ones I think are awesome, and I totally get,
• 8:49
  Speaker 8: and I'm right on board with, and there's other stuff
• 8:51
  Speaker 8: I'm like, yeah, I can see where you'd have a following,
• 8:53
  Speaker 8: but I just don't buy into it.
• 8:55
  Speaker 7: Yeah. I'm hit and miss with my British show.
• 8:59
  Speaker 9: I mean, I've pretty much loved every British show I've
• 9:02
  Speaker 9: sat down to watch.
• 9:03
  Speaker 7: All the comedies.
• 9:04
  Speaker 9: I've not really tried to watch any of the dramas
• 9:07
  Speaker 9: or anything like that. But, you know, it's like the
• 9:09
  Speaker 9: only one I can't really get into, which is probably
• 9:12
  Speaker 9: the biggest one of all, is Red Dwarf. And, I mean,
• 9:16
  Speaker 9: I've watched maybe one episode of it, so I feel
• 9:19
  Speaker 9: like that's not really an accurate.
• 9:21
  Speaker 8: I've seen a couple. It's been a long time, but
• 9:23
  Speaker 8: I've watched a couple. That was one of those I
• 9:26
  Speaker 8: probably could have watched a little more. Maybe I'm just
• 9:28
  Speaker 8: an hardcore geek, but I like the fact that they
• 9:33
  Speaker 8: were so self-aware of all the sci-fi shows.
• 9:35
  Speaker 6: They were making fun of.
• 9:36
  Speaker 8: They were just really smart about the way they were
• 9:39
  Speaker 8: making fun of it. They weren't going about it clumsily. Like,
• 9:42
  Speaker 8: everything was so plotted out and specific as to what
• 9:45
  Speaker 8: they were making fun of, and they were just, like,
• 9:47
  Speaker 8: really well-versed in their sci-fi geekery before they even started
• 9:51
  Speaker 8: that show. So, again, I haven't watched much of it,
• 9:54
  Speaker 8: but what I've seen, yeah, it was one of them
• 9:56
  Speaker 8: that I probably would have watched more than a lot
• 9:58
  Speaker 8: of other BBC shows.
• 9:59
  Speaker 1: Yeah.
• 9:59
  Speaker 13: Yeah.
• 10:00
  Speaker 9: I mean that's that's how i feel but it's like
• 10:02
  Speaker 9: really popular and i think if i maybe sat down
• 10:04
  Speaker 9: and watched more of it i would get into it
• 10:06
  Speaker 9: but i kind of slipped through most of the one
• 10:10
  Speaker 9: or two episodes that i watched and i was just
• 10:12
  Speaker 9: like oh for.
• 10:12
  Speaker 7: The love of god can we watch something else.
• 10:16
  Speaker 9: I just kind of like, it's really strange because I
• 10:19
  Speaker 9: don't like tense or awkward situations. Not that I ever would,
• 10:23
  Speaker 9: but I can't watch Maury Povich. It's just like, oh,
• 10:26
  Speaker 9: it's too, it's a gut-wrenching tense. It's like, is it
• 10:29
  Speaker 9: going to be the father? Is this guy going to
• 10:31
  Speaker 9: be the father? Or is it going to be one
• 10:33
  Speaker 9: of these seven guys?
• 10:35
  Speaker 7: Oh, I can't stand not knowing.
• 10:37
  Speaker 9: And I just, I don't like situations where people are like,
• 10:41
  Speaker 9: arguing or like almost physical violence is way easier for
• 10:45
  Speaker 9: me to tolerate than like just like uncomfortable situations or
• 10:50
  Speaker 9: like Like, arguments that are, like, not loud yelling.
• 10:56
  Speaker 7: Just, like, little bickering. Those are just so hard for
• 10:59
  Speaker 7: me to watch.
• 10:59
  Speaker 10: I don't know.
• 11:00
  Speaker 8: I'm always impressed when somebody can recreate one of those
• 11:04
  Speaker 8: on screen.
• 11:05
  Speaker 6: Yeah. Like, I.
• 11:06
  Speaker 8: Again, if it's, like, mediocre done, I'm just like.
• 11:08
  Speaker 6: Eh, this is melodrama.
• 11:09
  Speaker 2: I don't like it.
• 11:10
  Speaker 12: Yeah.
• 11:10
  Speaker 8: But when there's, like, one that's convincingly good that I'm
• 11:12
  Speaker 8: just like... ow, that was painful to watch. I have
• 11:17
  Speaker 8: to give you credit. It may not be an enjoyable experience.
• 11:20
  Speaker 8: It may not be one I want to go back
• 11:21
  Speaker 8: right away and watch. But I'm way more impressed with
• 11:24
  Speaker 8: somebody who can convincingly recreate the tense and uncomfortable situation
• 11:30
  Speaker 8: that those kind of fights or arguments become.
• 11:33
  Speaker 7: Yeah.
• 11:35
  Speaker 9: I think I've referenced this before, but who's afraid of
• 11:39
  Speaker 9: Virginia Woolf?
• 11:40
  Speaker 7: I could not... watched that.
• 11:42
  Speaker 9: Movie it made me so uncomfortable worse than anything I've
• 11:45
  Speaker 9: ever watched in my life I don't know it was
• 11:48
  Speaker 9: just the tone of that movie I was just like
• 11:50
  Speaker 9: oh my god yeah but like that's a lot of
• 11:54
  Speaker 9: British shows so it's strange to me almost that I'm
• 11:56
  Speaker 9: so into them because like I mean like the British
• 12:00
  Speaker 9: office that's just pretty much what it was you know
• 12:03
  Speaker 9: but like.
• 12:04
  Speaker 7: They were all just so good at it it was
• 12:08
  Speaker 7: oh and off that subject I got around to watching
• 12:12
  Speaker 7: Winter's Bone.
• 12:14
  Speaker 6: Ah, there we go.
• 12:15
  Speaker 9: And, you know, at first I was like, this is
• 12:17
  Speaker 9: kind of a slow movie. I wasn't sure if I
• 12:18
  Speaker 9: would like it. By the end, I was like, oh,
• 12:21
  Speaker 9: my God.
• 12:22
  Speaker 4: Yep.
• 12:22
  Speaker 7: That movie was amazing. I mean, one of the best
• 12:25
  Speaker 7: movies I've seen in a long time.
• 12:26
  Speaker 8: That's what I'm saying.
• 12:27
  Speaker 6: I mean, it really is definitely, like, top five of
• 12:30
  Speaker 6: last year. And I haven't seen most of the movies
• 12:32
  Speaker 6: of last year.
• 12:32
  Speaker 12: Yeah.
• 12:33
  Speaker 7: I don't have to to know that, you know?
• 12:36
  Speaker 8: Yeah, anything I've ranked of the last year, I'm like.
• 12:38
  Speaker 6: Yeah, that's the best movie I've seen last year.
• 12:40
  Speaker 8: Because I didn't see that many movies of the new
• 12:42
  Speaker 8: variety last year.
• 12:43
  Speaker 6: So that's the best thing I've seen last year.
• 12:45
  Speaker 9: I mean, I was just blown away by everything in
• 12:49
  Speaker 9: that movie. It's like Jennifer Lawrence was amazing, of course.
• 12:52
  Speaker 9: She was nominated for an Oscar. But I don't know.
• 12:55
  Speaker 9: I never bothered to research it. I don't know if
• 12:58
  Speaker 9: it was actually filmed. in people's houses, or if they
• 13:02
  Speaker 9: had sets or something like that.
• 13:03
  Speaker 8: I think a lot of it is, because I know
• 13:05
  Speaker 8: they even brought in some of the other actors, like
• 13:07
  Speaker 8: the little kids, her sister. brother and sister are actual
• 13:10
  Speaker 8: like local kids from that area like I don't think
• 13:13
  Speaker 8: they were even professional actors I think they wanted authentic
• 13:16
  Speaker 8: to the point of getting real people involved yeah.
• 13:19
  Speaker 9: Cause I mean there was just it was so authentic
• 13:22
  Speaker 9: you know when I was watching I was like there's
• 13:24
  Speaker 9: no way that can be a set you know it's
• 13:25
  Speaker 9: just like down to the little detail of like how
• 13:29
  Speaker 9: many magnets they have on their fridge and all the
• 13:31
  Speaker 9: clutter on their countertop it's just like this is it
• 13:34
  Speaker 9: was just like real and that was what made the movie, like,
• 13:39
  Speaker 9: so hard to watch, you know?
• 13:40
  Speaker 6: Like, that.
• 13:42
  Speaker 9: Like, it was very real. And, like, there was no...
• 13:46
  Speaker 9: Did you notice that Patty the Daytime Hooker was in it?
• 13:48
  Speaker 7: Yeah.
• 13:49
  Speaker 6: Yeah.
• 13:50
  Speaker 7: And the people were just.
• 13:52
  Speaker 9: And, I mean, not that this is even an issue,
• 13:54
  Speaker 9: but this kind of, like, added to the film.
• 13:56
  Speaker 7: The people were just so fucking ugly. I mean, it was, like,
• 14:01
  Speaker 7: the worst meth-mouth hooker's... And that's what they needed for
• 14:05
  Speaker 7: the movie. That's what it was about. So it worked.
• 14:07
  Speaker 9: But it was just like, oh, my God, these people
• 14:09
  Speaker 9: are amazing. I totally believe that she's on meth.
• 14:13
  Speaker 8: It's frighteningly accurate. I mean, these are people you're going
• 14:16
  Speaker 8: to run into out there.
• 14:17
  Speaker 6: Oh, yeah.
• 14:18
  Speaker 2: Easily.
• 14:19
  Speaker 6: And ten times over. Yeah. Especially in those areas. You're
• 14:22
  Speaker 6: just going to see a lot of scary people out there.
• 14:25
  Speaker 8: Yeah.
• 14:25
  Speaker 9: And there's just, I don't know what it is, but
• 14:29
  Speaker 9: like certain movies, I think, it's not even that I
• 14:32
  Speaker 9: relate to it, but it's just like a certain movies
• 14:34
  Speaker 9: just like strike a chord in you. And just the part,
• 14:38
  Speaker 9: the part in that movie where she goes back to, uh,
• 14:43
  Speaker 9: I can't remember his name, but the old guy's house
• 14:47
  Speaker 9: and the woman comes out and like beats her in
• 14:50
  Speaker 9: the face with a coffee mug and throws hot coffee
• 14:52
  Speaker 9: on her and they drag her into a barn and
• 14:55
  Speaker 9: she wakes up and she's like, well, I guess you're
• 14:57
  Speaker 9: going to have to kill me. It's just like, That
• 15:00
  Speaker 9: was just almost, like, a painful scene to watch because you,
• 15:03
  Speaker 9: at that point, you realize, like, this is a girl
• 15:05
  Speaker 9: whose life is shit. You know, it's just like, sometimes
• 15:09
  Speaker 9: I might think I'm having a bad day. Sometimes I
• 15:10
  Speaker 9: might think my life sucks. But this girl's life is shit.
• 15:15
  Speaker 9: And she has nothing to lose. You know, it's just like,
• 15:18
  Speaker 9: I've got to do this or I can die.
• 15:21
  Speaker 6: Whatever.
• 15:21
  Speaker 7: You know, like.
• 15:22
  Speaker 6: At the same time, that's what I took from it.
• 15:24
  Speaker 8: It's like she's, you know, it kind of brings that universal.
• 15:28
  Speaker 2: Yeah.
• 15:29
  Speaker 14: Yeah.
• 15:29
  Speaker 8: Yeah.
• 15:50
  Speaker 6: It all is kind of your own existence.
• 15:53
  Speaker 8: It's how you live your life. Even if you want
• 15:56
  Speaker 8: better out of it, you realize this is what you have.
• 15:58
  Speaker 8: This is what you have to deal with. That's what
• 16:01
  Speaker 8: I thought was really amazing is how much it kind
• 16:04
  Speaker 8: of gives that perspective that each person is dealing.
• 16:08
  Speaker 6: With their own little reality there and hers isn't. seems
• 16:11
  Speaker 6: scary and horrible but at the same.
• 16:14
  Speaker 8: Time she's fighting to keep it that's the best thing
• 16:16
  Speaker 8: she has is you know being able to have her
• 16:19
  Speaker 8: land and have her family and it's like that's all
• 16:22
  Speaker 8: she has in the world and they're trying to take
• 16:23
  Speaker 8: that away from.
• 16:25
  Speaker 9: Her you know at one point I was just like
• 16:26
  Speaker 9: why doesn't she just let them take that stupid fucking
• 16:29
  Speaker 9: house she could get welfare I was like she'd get
• 16:32
  Speaker 9: welfare she could get section 8 she'd have a pretty
• 16:34
  Speaker 9: sweet life you know like her mom would get disability
• 16:39
  Speaker 9: you know Just move to.
• 16:41
  Speaker 6: A ghetto city somewhere.
• 16:42
  Speaker 8: Yeah.
• 16:42
  Speaker 7: She'd be fine. That's what I was thinking.
• 16:46
  Speaker 9: I'm like, you know, you wouldn't have to chop wood
• 16:48
  Speaker 9: all day and you could not have to rely on
• 16:52
  Speaker 9: the neighbors for groceries because you could get food stamps.
• 16:54
  Speaker 7: I don't know. I did think that, but then.
• 16:57
  Speaker 6: Again, I think there's also a.
• 16:58
  Speaker 8: Well, with more people, and also people that I would
• 17:01
  Speaker 8: almost have a little more respect for, there's also a pride.
• 17:05
  Speaker 7: Yeah, that's what I was thinking. I guess it was pride.
• 17:06
  Speaker 8: And that's probably why she wouldn't, because she actually seems like,
• 17:08
  Speaker 8: in part, a good person.
• 17:10
  Speaker 10: Yeah.
• 17:10
  Speaker 8: A person with pride and dignity, and she would not
• 17:13
  Speaker 8: want to.
• 17:14
  Speaker 6: Leech off the government. Yeah, but... Like, a big portion
• 17:16
  Speaker 6: of our country does now.
• 17:17
  Speaker 15: Yeah, but.
• 17:19
  Speaker 9: I thought that, and then I was like, no, she
• 17:21
  Speaker 9: readily accepted handouts from neighbors and things like that, you know?
• 17:25
  Speaker 6: But that's, I don't know, that's kind of different.
• 17:27
  Speaker 8: Because, I mean, and it, again, it speaks so well
• 17:29
  Speaker 8: of the movie that everything is handled by these little communities.
• 17:32
  Speaker 1: Yeah.
• 17:32
  Speaker 8: And it's like, they, even the law, I mean, they
• 17:35
  Speaker 8: take everything into their own hands.
• 17:37
  Speaker 6: So it is almost like.
• 17:38
  Speaker 8: we're taking care of you now, but later, you know,
• 17:40
  Speaker 8: something horrible happened to us and you'll help us.
• 17:42
  Speaker 6: I think, I mean, it wasn't.
• 17:44
  Speaker 8: Like a total handout. I think it is more of
• 17:47
  Speaker 8: just that system of helping each other.
• 17:49
  Speaker 6: And that system of.
• 17:49
  Speaker 7: Neighbors helping neighbors.
• 17:51
  Speaker 8: Yeah, of taking care of your own, which is what
• 17:53
  Speaker 8: really comes into play later, that these little systems at
• 17:55
  Speaker 8: work take care of their own first and foremost regardless.
• 17:59
  Speaker 6: So, yeah. And again, I mean, just that I.
• 18:03
  Speaker 8: I've said it the last time, but yeah, Jennifer Lawrence,
• 18:05
  Speaker 8: I think it's such a massively layered performance, especially for
• 18:10
  Speaker 8: a girl who just started acting.
• 18:11
  Speaker 6: A few years ago.
• 18:12
  Speaker 8: I mean, to be that impressive, like just the fact
• 18:15
  Speaker 8: that at times she is a little kid and she's
• 18:17
  Speaker 8: like laying on the bread with her friend talking like
• 18:19
  Speaker 8: she's a teenager.
• 18:20
  Speaker 6: And the other time, she is.
• 18:21
  Speaker 8: Just putting adults in their place. She will just shut
• 18:24
  Speaker 8: people down with her, like, hard-ass comments. And I'm just like,
• 18:28
  Speaker 8: to be able to play each one of those levels,
• 18:30
  Speaker 8: you know, it's like that's, it's an impressive performance.
• 18:33
  Speaker 10: Yeah.
• 18:34
  Speaker 9: It was, it was very, it was an excellent movie.
• 18:37
  Speaker 9: You know, and it was one of the movies that
• 18:38
  Speaker 9: I never really even thought I'd want to see. But
• 18:41
  Speaker 9: it was kind of like a red box. Do I
• 18:44
  Speaker 9: want to watch.
• 18:45
  Speaker 7: Air Bud 9 or.
• 18:47
  Speaker 9: Winter's Bone, or some stupid movie with Leonardo DiCaprio, who
• 18:51
  Speaker 9: I hate. So, I mean, it was Winter's Bone, and
• 18:54
  Speaker 9: I'm really glad that I watched it.
• 18:56
  Speaker 7: I mean, it was amazing. Yep, definitely.
• 18:59
  Speaker 6: I'm working on that one. Jennifer Lawrence.
• 19:02
  Speaker 1: Yeah.
• 19:02
  Speaker 6: She'd be sitting in with us.
• 19:03
  Speaker 1: Yeah, I know.
• 19:07
  Speaker 7: I can pretend like we're cousins or something. Like, don't
• 19:10
  Speaker 7: you remember me? I'm your cousin, twice removed, and you're...
• 19:15
  Speaker 7: mother's side I don't know I don't know how that
• 19:18
  Speaker 7: works I don't even know.
• 19:19
  Speaker 12: What once removed means honestly I don't think I ever
• 19:22
  Speaker 12: officially figured it out I don't think I want to
• 19:25
  Speaker 12: there's so many things that I'm just like I don't
• 19:27
  Speaker 12: know the answer to that and then I'm like why
• 19:29
  Speaker 12: don't I google that and I'm just like because by.
• 19:31
  Speaker 7: The time I pull out my phone I just don't
• 19:34
  Speaker 7: care anymore.
• 19:37
  Speaker 9: You know, like, yesterday someone asked me, what exactly is
• 19:40
  Speaker 9: a caper? And I was like, you know, I've wondered
• 19:42
  Speaker 9: that a lot, but it's not really important enough for
• 19:45
  Speaker 9: me to, like, pull out my phone and Google.
• 19:48
  Speaker 6: They're just peas, I'm sorry.
• 19:50
  Speaker 2: Yeah I look at them they're peas.
• 19:54
  Speaker 9: Salty peas salty pea yeah I mean I don't know
• 20:01
  Speaker 9: strange thing about knowledge in the internet now I feel
• 20:05
  Speaker 9: like there's no reason for me to not know everything
• 20:09
  Speaker 9: If I don't know it, I can look it up.
• 20:10
  Speaker 6: You do have the entire universe at your disposal. Yeah, exactly.
• 20:13
  Speaker 8: It's kind of frightening how much knowledge we have accessible
• 20:17
  Speaker 8: and yet use little of.
• 20:19
  Speaker 7: I know, yeah.
• 20:20
  Speaker 9: It's like, it's amazing to me that people are so
• 20:22
  Speaker 9: much dumber now. It's just like, everything you need to know,
• 20:26
  Speaker 9: you carry the internet in your back pocket.
• 20:29
  Speaker 14: Yep.
• 20:30
  Speaker 8: It's frightening actually yeah it is it's.
• 20:32
  Speaker 9: Very frightening it's just like you get lost in the
• 20:35
  Speaker 9: woods and that's the thing like if your phone dies
• 20:39
  Speaker 9: and you're lost in the woods you're fucked because how
• 20:42
  Speaker 9: are you going to google how to make a campfire
• 20:43
  Speaker 9: how are you going to google which berries are poisonous.
• 20:47
  Speaker 8: People don't know how to actually live they only know how.
• 20:50
  Speaker 12: To virtually live exactly that's why I like to take
• 20:54
  Speaker 12: that knowledge and keep it with me.
• 20:57
  Speaker 6: I just try not to know anything that way I
• 20:58
  Speaker 6: don't have to worry about losing it.
• 21:01
  Speaker 7: That's all I have as far as gateways to go, though.
• 21:04
  Speaker 7: All right.
• 21:04
  Speaker 6: Anything else we need to pass.
• 21:06
  Speaker 8: Along between here and Indy?
• 21:07
  Speaker 7: I don't think so.
• 21:09
  Speaker 8: If we find something interesting at a rest stop or something,
• 21:11
  Speaker 8: we'll let you guys know. But otherwise, I guess we
• 21:13
  Speaker 8: will check in once we get up to Indy.
• 21:15
  Speaker 2: Sweet.
• 21:15
  Speaker 7: Oh, can we eat at the Huddle House? Just kidding.
• 21:20
  Speaker 7: But that would be kind of cool. No lie.
• 22:09
  Speaker 3: Commission time. If leaving, please replace your in-car speaker before
• 22:15
  Speaker 3: releasing brakes or starting motor. Do not back out. Drive
• 22:20
  Speaker 3: to the aisle in front of you and exit. And now,
• 22:24
  Speaker 3: for those remaining....
• 22:31
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• 23:26
  Speaker 1: Hi i'm misty randy's here too hey it's me randy
• 23:29
  Speaker 1: hi and jay's here hi and marlena.
• 23:34
  Speaker 8: But if nothing else i wanted to at least give
• 23:36
  Speaker 8: the uh we did just recently present you with the
• 23:38
  Speaker 8: mace jay gave you his uh his awesomely handcrafted mace
• 23:43
  Speaker 8: so what was your response to.
• 23:45
  Speaker 16: That um a religious epiphany that Now no man will
• 23:50
  Speaker 16: stand before me, no injustice that I am exposed to
• 23:55
  Speaker 16: will I brook.
• 23:57
  Speaker 11: Vengeance will be mine, not saith the Lord, saith Randy.
• 24:02
  Speaker 17: Because your average CSI kind of situation, they're not going
• 24:07
  Speaker 17: to be looking for mace-based weapons.
• 24:09
  Speaker 6: Sure, you would confuse them.
• 24:11
  Speaker 2: It would definitely be blunt force trauma.
• 24:13
  Speaker 5: Right, right.
• 24:14
  Speaker 2: But they'd be confused by what?
• 24:16
  Speaker 1: Yeah.
• 24:17
  Speaker 17: So if I do have to use it, I've already
• 24:19
  Speaker 17: picked out the spot under the stairs where I can
• 24:21
  Speaker 17: hide it. I promise that I won't go out on
• 24:24
  Speaker 17: a rampage and wind up having to fill lots of graves.
• 24:28
  Speaker 1: Did you clean all the coconut residue off so they
• 24:30
  Speaker 1: can't trace that back to our backyard?
• 24:31
  Speaker 12: Yeah.
• 24:32
  Speaker 2: I cleaned the coconut residue off.
• 24:33
  Speaker 11: I didn't know coconuts were native to your backyard.
• 24:36
  Speaker 1: I know the splattering remains that are still about. That's
• 24:40
  Speaker 1: pretty fucking awesome. The shrapnel from the coconut almost took
• 24:43
  Speaker 1: me out. It scared the bejesus out of me. I
• 24:45
  Speaker 1: almost dropped the camera.
• 24:46
  Speaker 2: No, we're doing it sort of backwards. We did mention
• 24:48
  Speaker 2: it in the last.
• 24:49
  Speaker 8: couple of episodes but do we need to give the
• 24:51
  Speaker 8: back story on why there was a mace.
• 24:56
  Speaker 2: I don't know I can't remember how do we talk
• 25:00
  Speaker 2: about maces how did that even get started.
• 25:03
  Speaker 11: I don't know I don't remember either magic just happens.
• 25:05
  Speaker 1: He was going to give you stuff so you were
• 25:08
  Speaker 1: like alright I'm going to make you a mace I.
• 25:09
  Speaker 8: Think it's because you were in the same Facebook page
• 25:12
  Speaker 8: thing remember if you're in the top five.
• 25:14
  Speaker 1: Whoever's in that oh you're in the zombie zombie killing.
• 25:17
  Speaker 11: Group oh yeah okay yeah I had a good team, too.
• 25:22
  Speaker 11: I lucked out.
• 25:23
  Speaker 1: Maybe I already got eaten by zombies because I wasn't
• 25:26
  Speaker 1: on the team.
• 25:27
  Speaker 2: It changes all the time. You left me behind? Every time.
• 25:29
  Speaker 2: I didn't leave you behind. Mine changes all the time.
• 25:33
  Speaker 2: I'd have to include Misty, though. She's a good shop.
• 25:36
  Speaker 2: She's a lot better shop than I am.
• 25:38
  Speaker 18: I am, dude.
• 25:39
  Speaker 11: Why does that not surprise me and frighten me emotionally?
• 25:43
  Speaker 1: I threatened to shoot a girl because you're a wise man.
• 25:45
  Speaker 1: She said she was going to kidnap me. She's going
• 25:47
  Speaker 1: to sneak into my house, kidnap me, and drive me
• 25:49
  Speaker 1: to the beach and feed me to sharks. This girl
• 25:53
  Speaker 1: at work. Sometimes when I feed her to the pigs first,
• 25:55
  Speaker 1: she's like, well, oh yeah, well, I'll feed you to
• 25:57
  Speaker 1: the sharks. I'm like, that's just the dumbest fucking thing
• 25:59
  Speaker 1: I've ever heard. Where are you going to get a
• 26:00
  Speaker 1: fucking shark?
• 26:02
  Speaker 2: She's at the ocean.
• 26:03
  Speaker 1: I'm like, where's the ocean? Is it anywhere fucking near us?
• 26:07
  Speaker 1: She's like, I'll come in your house and kidnap you
• 26:09
  Speaker 1: and drive you to the ocean. I'm like, bitch, you know,
• 26:12
  Speaker 1: I'm breaking my house. Try to kidnap me. I got
• 26:13
  Speaker 1: five handguns by my bed. Let's see you try that.
• 26:17
  Speaker 1: I will shoot your ass dead.
• 26:18
  Speaker 2: You're dating the fucking Punisher.
• 26:21
  Speaker 1: Oh, he's way hotter than that guy.
• 26:23
  Speaker 6: I just like that the feeding her pigs was totally normal.
• 26:28
  Speaker 8: But it's completely outlandish that she feed you pigs.
• 26:30
  Speaker 1: At least, hey, no, there are at least pigs in Kentucky,
• 26:33
  Speaker 1: you know?
• 26:33
  Speaker 7: There are, there are.
• 26:34
  Speaker 6: They're down the street from here, right?
• 26:35
  Speaker 2: At my, uh, my boss's.
• 26:36
  Speaker 6: It at least makes sense.
• 26:37
  Speaker 1: If you've seen Spanish, it makes sense, for God's sakes.
• 26:39
  Speaker 8: There you go.
• 26:40
  Speaker 1: Alright. Sharks makes no goddamn sense.
• 26:43
  Speaker 6: I've seen dogs.
• 26:44
  Speaker 1: There's no sharks in Kentucky.
• 26:47
  Speaker 17: If you want to kill people with sharks, the first
• 26:49
  Speaker 17: thing you've got to do is schedule a fucking regatta.
• 26:52
  Speaker 11: Because that's what brings them.
• 26:54
  Speaker 2: She might be able to take you to Newport.
• 26:55
  Speaker 4: Yeah.
• 26:55
  Speaker 1: Anyway, I was going to shoot her ass.
• 26:57
  Speaker 7: Or Spring Break.
• 26:58
  Speaker 11: Yeah, Spring Break.
• 27:00
  Speaker 7: Were you guys serious? Was this a serious quarrel?
• 27:02
  Speaker 1: That was serious. She thought I was joking. She thinks
• 27:04
  Speaker 1: we're friends.
• 27:05
  Speaker 6: Yeah, what little I.
• 27:06
  Speaker 2: Know of most of her encounters, I go like.
• 27:08
  Speaker 14: She didn't.
• 27:10
  Speaker 1: Have the fear she should have.
• 27:13
  Speaker 2: I would shoot her in her face. I didn't like her.
• 27:14
  Speaker 6: She's like a poodle.
• 27:15
  Speaker 1: She acts like a chihuahua.
• 27:18
  Speaker 2: She's like.
• 27:20
  Speaker 1: Oh, my God.
• 27:22
  Speaker 2: We got started talking about the zombie team.
• 27:25
  Speaker 15: Yeah.
• 27:27
  Speaker 2: Somehow Randy and I got talking about something.
• 27:29
  Speaker 13: What was it?
• 27:29
  Speaker 2: Movies or something like that?
• 27:30
  Speaker 19: Mm-hmm.
• 27:31
  Speaker 2: You're going to make me a copy of some movies,
• 27:34
  Speaker 2: and I told him I would trade him a mace.
• 27:37
  Speaker 1: Legally copied of.
• 27:38
  Speaker 8: You buy your movies from a store where you pay
• 27:42
  Speaker 8: tax and full price.
• 27:44
  Speaker 11: For the government, yes.
• 27:47
  Speaker 1: Yes.
• 27:48
  Speaker 17: So the bottom line is I'm now prepared for any apocalypse.
• 27:51
  Speaker 11: Because I'm not reloading anything, I'm not a shell guy, so.
• 27:57
  Speaker 11: I can go out and I can manually service anybody.
• 28:00
  Speaker 2: That I need to.
• 28:02
  Speaker 6: Manually service.
• 28:04
  Speaker 11: And we need to talk Jay into going into business
• 28:07
  Speaker 11: for himself.
• 28:08
  Speaker 1: You already got stopped by somebody in the showroom asking
• 28:12
  Speaker 1: if he had a table or a website.
• 28:15
  Speaker 20: So everybody at home.
• 28:15
  Speaker 4: Put in your orders right now.
• 28:18
  Speaker 6: Start putting the pre-orders in so you can get the material.
• 28:20
  Speaker 11: You could get genuine movie meltdown merchandise.
• 28:25
  Speaker 6: Nobody wants that.
• 28:27
  Speaker 1: Maybe you have to, like, sharpie your movie meltdown on
• 28:30
  Speaker 1: the handle of the weapon.
• 28:33
  Speaker 6: I wish they'd only give you the weapon if you buy.
• 28:35
  Speaker 8: A movie meltdown.
• 28:38
  Speaker 2: I'll make you one, but... Well, the confused look on
• 28:42
  Speaker 2: guys at work was the best thing. What you making?
• 28:46
  Speaker 14: Mace.
• 28:47
  Speaker 12: What's that?
• 28:47
  Speaker 6: Just don't worry about it.
• 28:50
  Speaker 2: Is that a park for your truck?
• 28:51
  Speaker 10: No.
• 28:52
  Speaker 2: Your answer should be, let me show you.
• 29:24
  Speaker 13: Mace, the first choice in weaponry for any apocalypse.
• 29:31
  Speaker 15: People of Eternia, I stand before the great eye of
• 29:35
  Speaker 15: the podosphere, chosen by destiny by the powers of.
• 29:40
  Speaker 7: of Lipson.
• 29:42
  Speaker 15: This inevitable moment will transpire before your eyes even as
• 29:47
  Speaker 15: He-Man himself bears witness to it now I baby Skeletor
• 29:52
  Speaker 15: am master of the action attraction action attraction your home
• 30:00
  Speaker 15: for all things action. To find out more, visit metalmikey.lipson.com
• 30:07
  Speaker 15: or search for Action Attraction in iTunes.
• 30:25
  Speaker 4: All right, so we're here in the hallway lurking outside
• 30:28
  Speaker 4: of the Feldman room.
• 30:29
  Speaker 2: We're stalking the Feldman. We're also here with Metal Mikey.
• 30:33
  Speaker 6: Hey, how's it going?
• 30:35
  Speaker 2: Awesome.
• 30:35
  Speaker 4: He wanted to come stalking with us. So, aside from
• 30:40
  Speaker 4: the stalking, do you want to tell the other giant
• 30:42
  Speaker 4: news that just happened?
• 30:43
  Speaker 2: Oh my god.
• 30:45
  Speaker 1: Apparently the guy, he used to be Corey, or he
• 30:48
  Speaker 1: used to be Corey, yeah, Haim's manager, who's now Corey
• 30:51
  Speaker 1: Feldman's manager.
• 30:52
  Speaker 2: He's both of those, I guess.
• 30:52
  Speaker 1: I don't know if he's still Feldman's manager or whatever. Anyways,
• 30:56
  Speaker 1: he saw my tattoo and he was like, can I
• 30:58
  Speaker 1: take a picture of your tattoo? I'm going to send
• 30:59
  Speaker 1: it to Haim's mom.
• 31:00
  Speaker 2: I didn't say Haim's mom.
• 31:01
  Speaker 1: I sent it to his mom. So Corey Haim's mom
• 31:04
  Speaker 1: is going to see Haim's face on my leg. And
• 31:08
  Speaker 1: I shaved this morning so I don't have stubble at all.
• 31:11
  Speaker 1: I don't know if.
• 31:12
  Speaker 2: Oh, 5 o'clock shadow.
• 31:12
  Speaker 6: Hold on, let me check.
• 31:13
  Speaker 2: No, we're good. That's okay. Corey would be cool then.
• 31:16
  Speaker 1: You know. Yeah.
• 31:17
  Speaker 2: So it's all exciting, so... Yay!
• 31:20
  Speaker 1: So now we're standing outside in the hallway making fun
• 31:21
  Speaker 1: of Feldman and his anime hair and his stupid smoke...
• 31:24
  Speaker 1: You know those e-cigarettes? I'm getting way too loud to
• 31:26
  Speaker 1: the microphone.
• 31:26
  Speaker 6: I'm getting excited. I'm sorry.
• 31:28
  Speaker 1: It's fine. Well, no, wait.
• 31:29
  Speaker 15: No, I actually noticed a new detail, too, because he
• 31:32
  Speaker 15: kind of has Bono-esque sunglasses right now, too, from, like, the.
• 31:36
  Speaker 6: There are no goggles.
• 31:37
  Speaker 2: He is a rock star. Yeah.
• 31:39
  Speaker 6: We've been on all day.
• 31:41
  Speaker 2: We're also like a foot away from all of his fans.
• 31:43
  Speaker 9: Maybe he got confused and he doesn't think that he's
• 31:45
  Speaker 9: Corey Feldman.
• 31:46
  Speaker 7: He thinks he's Corey Hart.
• 31:49
  Speaker 2: It's not nice.
• 31:49
  Speaker 21: Nice.
• 31:50
  Speaker 6: Well, jeez.
• 31:52
  Speaker 2: I need to get in line on a NASA case.
• 31:54
  Speaker 2: That will change the whole list of fans.
• 31:57
  Speaker 1: I should probably not talk quite so loudly about Feldman.
• 31:59
  Speaker 1: He's about two feet from his fans. Although one of
• 32:01
  Speaker 1: them did take a picture of.
• 32:02
  Speaker 7: My leg, so.
• 32:03
  Speaker 2: She was the fan of both, I would guess.
• 32:05
  Speaker 1: What, four people have taken pictures of my legs so far?
• 32:07
  Speaker 2: We need to start charging for this. Dude, I totally should.
• 32:08
  Speaker 1: I can make back my boondock saints money on that one.
• 32:11
  Speaker 2: You should keep, like, a little veil over it and
• 32:13
  Speaker 2: be like, oh, I'll show you. It's going to cost you.
• 32:16
  Speaker 2: A different kind of beep show.
• 32:18
  Speaker 6: Yeah. A hame show.
• 32:19
  Speaker 2: A hame show.
• 32:22
  Speaker 17: Oh, God.
• 32:22
  Speaker 1: I still can't bring myself to stand in line for that.
• 32:24
  Speaker 1: Fucker's got his glasses on. I'm not going to give
• 32:28
  Speaker 1: him $ 25.
• 32:28
  Speaker 9: Well, he's probably really, really high, and he just wants
• 32:31
  Speaker 9: to cover his bloodshot eyes.
• 32:33
  Speaker 2: I can't imagine.
• 32:34
  Speaker 1: I like that he's on a stage, too, because he
• 32:36
  Speaker 1: can't be a ground level with us Libyans.
• 32:37
  Speaker 2: He needs to look down the rest of the time.
• 32:40
  Speaker 1: He can't be higher than Sean Patrick Flannery.
• 32:43
  Speaker 6: That does seem wrong, really.
• 32:46
  Speaker 1: Sean Patrick Flannery's face moves somewhat, we've decided. I'm pretty
• 32:49
  Speaker 1: excited about that. He's got one side up.
• 32:53
  Speaker 6: Love that man.
• 32:55
  Speaker 7: I can't believe I didn't know he was powder. We
• 32:57
  Speaker 7: were just talking about that movie the other day.
• 33:00
  Speaker 2: One of his many stellar roles. He went naked, so
• 33:03
  Speaker 2: I gotta watch it.
• 33:04
  Speaker 7: He wouldn't stand up, though.
• 33:05
  Speaker 1: That's kind of lame, you know? But then again, Feldman's
• 33:08
  Speaker 1: not standing up either.
• 33:09
  Speaker 2: Again, it's the new trend this time. Everybody's staying behind.
• 33:12
  Speaker 2: Because even Sid was just like, fuck it, just take
• 33:14
  Speaker 2: the picture.
• 33:15
  Speaker 1: I'm tired.
• 33:15
  Speaker 7: Well, Shatner wouldn't even write your name on something.
• 33:17
  Speaker 2: He wouldn't even make eye contact. Yeah, Shatner's a douchebag. Oh,
• 33:21
  Speaker 2: that's tragic.
• 33:22
  Speaker 6: Right after his birthday, we're saying that.
• 33:23
  Speaker 2: Oops, sorry about that, Willie.
• 33:25
  Speaker 1: All my autograph pictures are on the wall. I don't
• 33:27
  Speaker 1: know where my... I paid $ 80 for that thing. I
• 33:29
  Speaker 1: don't know where I put it.
• 33:30
  Speaker 6: It's on a wall.
• 33:31
  Speaker 1: It's like... Shuffled in with some, like, old teen-bop magazines
• 33:34
  Speaker 1: or something. I don't even know where the hell it is.
• 33:36
  Speaker 2: I take that, Shabby.
• 33:38
  Speaker 1: Yeah, if I'm not paying you, like, $ 80, you could
• 33:42
  Speaker 1: at least, like, write my damn name on it, you know?
• 33:45
  Speaker 2: You would think, really.
• 33:48
  Speaker 8: $ 80?
• 33:48
  Speaker 2: Misty, it's not a long name. It charges by the letter. Dude, seriously.
• 33:54
  Speaker 1: But it was, ooh, security, security, uh-oh, uh-oh.
• 33:58
  Speaker 6: Something's going down.
• 34:00
  Speaker 2: It's probably us. We're recording.
• 34:02
  Speaker 14: Probably.
• 34:02
  Speaker 7: Maybe we should make it. We should probably make it.
• 34:06
  Speaker 1: Yes.
• 34:06
  Speaker 9: But I'm curious to see what it is.
• 34:10
  Speaker 8: Just leave it.
• 34:11
  Speaker 10: Run, run.
• 34:12
  Speaker 2: I'm going to hide behind it.
• 34:14
  Speaker 8: Maybe they won't notice we're on it.
• 34:40
  Speaker 2: Beyond any terror you have imagined. A nightmare.
• 34:49
  Speaker 1: No.
• 34:50
  Speaker 2: Unlike anything you have witnessed.
• 34:54
  Speaker 14: Is born.
• 34:56
  Speaker 4: Hi, my name is Andrew Robinson, and you are listening
• 35:00
  Speaker 4: to Movie Meltdown.
• 35:02
  Speaker 2: The unholy is unleashed.
• 35:19
  Speaker 14: Stand up You've got too many.
• 35:33
  Speaker 21: I won't sympathize And if you complain once more, you'll
• 35:53
  Speaker 21: be found out in your dreams.
• 35:57
  Speaker 2: And if you.
• 36:01
  Speaker 21: Complain once more, you'll be found out in your dreams.
• 36:13
  Speaker 4: Before we begin that, do you want to tell your
• 36:15
  Speaker 4: core game story?
• 36:18
  Speaker 13: Huh?
• 36:18
  Speaker 1: Feldman?
• 36:19
  Speaker 2: Feldman, whatever.
• 36:20
  Speaker 4: The elevator in there.
• 36:24
  Speaker 18: It wasn't much of anything. It was just me standing
• 36:27
  Speaker 18: there at the elevator with a mace and him... Okay,
• 36:30
  Speaker 18: this sounds good already. The doors open and there's a
• 36:35
  Speaker 18: confused looking Feldman in bodyguards and there's me and I
• 36:38
  Speaker 18: look up and kind of look at.
• 36:41
  Speaker 2: Him and go, hey, what's up? And he just kind
• 36:43
  Speaker 2: of looked at me and went.
• 36:45
  Speaker 14: Hey.
• 36:47
  Speaker 2: Walked off.
• 36:48
  Speaker 4: Was it hey or was it hey? Was it his
• 36:50
  Speaker 4: fake voice?
• 36:51
  Speaker 2: No, no, it was his real voice. Oh, that's nice.
• 36:53
  Speaker 4: That's his frog brother's voice.
• 36:54
  Speaker 18: No, and I'm kind of wishing I would have said
• 36:56
  Speaker 18: a little bit more to him, but at the time
• 36:58
  Speaker 18: he had security with him, so.
• 37:00
  Speaker 2: I'm still going to wait in that line to see him.
• 37:02
  Speaker 2: Or I could just wait out the door, since he's
• 37:04
  Speaker 2: right down the hallway.
• 37:06
  Speaker 4: Yeah, we are crashing in Randy's room for the moment, so.
• 37:10
  Speaker 4: All right, anything else before we begin?
• 37:12
  Speaker 2: Boy, his mom's going to see my legs. Oh, Lord.
• 37:22
  Speaker 2: You have been jingling all day long.
• 37:24
  Speaker 4: I have.
• 37:25
  Speaker 1: Lord.
• 37:26
  Speaker 2: I jingle, jangle, jingle.
• 37:27
  Speaker 8: All right, so it is time for our out-of-town feature.
• 37:31
  Speaker 2: Get more out of life. Go out to a movie.
• 37:36
  Speaker 2: Out of town.
• 37:39
  Speaker 10: Out of town. Out of the night.
• 37:42
  Speaker 1: Out of town.
• 37:43
  Speaker 4: It's in your mind.
• 37:49
  Speaker 2: I lost everyone I've ever loved.
• 37:51
  Speaker 7: Then they locked me away. With nowhere to hide.
• 37:59
  Speaker 2: From the pain. You are safe. It's all safe.
• 38:10
  Speaker 15: What you're imagining right now?
• 38:13
  Speaker 7: That place can be as real as any pain. Don't
• 38:18
  Speaker 7: be afraid.
• 38:20
  Speaker 2: You have all the weapons you need. Your fight for
• 38:27
  Speaker 2: survival starts right now.
• 38:30
  Speaker 22: I'm gonna escape from here.
• 38:36
  Speaker 2: There's armed guards everywhere. If Blue finds out, we're dead.
• 38:41
  Speaker 2: We're already dead.
• 38:51
  Speaker 20: This is your journey. If you succeed, it will set
• 38:56
  Speaker 20: you free.
• 38:58
  Speaker 4: And this week, not only did we go out on
• 39:00
  Speaker 4: the town, but we're also recording this segment out of
• 39:03
  Speaker 4: our house where we usually sit. So this is quite
• 39:06
  Speaker 4: an activity for us. We're leaving the house two different
• 39:08
  Speaker 4: times in one week.
• 39:09
  Speaker 2: For two different reasons.
• 39:11
  Speaker 13: Crazy.
• 39:11
  Speaker 2: I know, hell yeah.
• 39:13
  Speaker 8: So this week's Out on the Town feature is Sucker Punch,
• 39:16
  Speaker 8: the year 2011, director Zack Snyder.
• 39:19
  Speaker 4: The plot, according to.
• 39:20
  Speaker 8: IMDb, a young girl is institutionalized by her wicked stepfather,
• 39:25
  Speaker 8: retreating to an alternative reality is a coping strategy. She
• 39:28
  Speaker 8: envisions a plan which will help her escape from the facility. So,
• 39:32
  Speaker 8: spoiler alert, this is a whole brand new movie, so
• 39:35
  Speaker 8: don't be ruining it for yourselves.
• 39:37
  Speaker 4: You have been warned.
• 39:38
  Speaker 2: You haven't seen this. You should go see it because
• 39:41
  Speaker 2: it was fucking awesome. It was pretty awesome. I think
• 39:47
  Speaker 2: I had more issues with it than you guys. You
• 39:49
  Speaker 2: did not like this movie? I wouldn't go that far.
• 39:52
  Speaker 4: I liked it.
• 39:53
  Speaker 2: It was fun, I'll be with that.
• 39:55
  Speaker 8: It was fun. I think my take on it, as
• 39:59
  Speaker 8: I got outside, I was like, yeah, all style, no substance.
• 40:03
  Speaker 4: It's, like, visually amazing. Like, just everything about the way
• 40:09
  Speaker 4: he shoots it, the way he pieces.
• 40:10
  Speaker 8: It together is, like, awesome. It's a beautiful movie. Yeah, like,
• 40:13
  Speaker 8: and the color. Like, the color that he uses. Like,
• 40:16
  Speaker 8: he's found a way to make a lot of stuff
• 40:18
  Speaker 8: washed out, but then he makes certain things really bright,
• 40:21
  Speaker 8: and it's just... I agree most of that's probably done
• 40:23
  Speaker 8: post-production at this point, but I don't care.
• 40:25
  Speaker 4: It's like you use whatever tools you have at your
• 40:27
  Speaker 4: disposal at this point to make your movie. And so, yeah,
• 40:30
  Speaker 4: I think just that kind of stuff, just the look
• 40:32
  Speaker 4: of it overall is amazing. And that color palette is awesome.
• 40:36
  Speaker 2: But I don't know.
• 40:37
  Speaker 4: I think I had more issues with the story than
• 40:40
  Speaker 4: anything else.
• 40:41
  Speaker 2: I liked the story.
• 40:41
  Speaker 1: I thought that it was sad and it went places
• 40:44
  Speaker 1: I didn't think it would actually go. Yeah.
• 40:46
  Speaker 8: Yeah.
• 40:47
  Speaker 2: But, I mean, I thought it was dark.
• 40:48
  Speaker 1: The whole opening sequence with her and her sister and
• 40:51
  Speaker 1: the stepdad, it was just like... Holy shit to me.
• 40:54
  Speaker 1: I was sitting there and I was watching. I was
• 40:57
  Speaker 1: just like.
• 40:57
  Speaker 2: I was just like, ah, ah.
• 41:00
  Speaker 1: And it was just, it was amazing. I mean, there's
• 41:02
  Speaker 1: like the visuals of it. And I thought it was
• 41:04
  Speaker 1: a good story. And that girl is so Emily Browning. Yeah.
• 41:08
  Speaker 4: Emily Browning. I, yeah, I'm totally, I'm totally on board
• 41:12
  Speaker 4: with that one. It's yeah. She's so ridiculously cute.
• 41:15
  Speaker 2: She was supposed to be in that role, right? No,
• 41:17
  Speaker 2: it was supposed to be Amanda Seyfried.
• 41:19
  Speaker 1: Hmm.
• 41:21
  Speaker 2: And she ended up having to drop out because of, like,
• 41:23
  Speaker 2: scheduling conflicts or something?
• 41:24
  Speaker 8: Well, it's kind of to this movie's benefit. Because as
• 41:28
  Speaker 8: much as I like Amanda, I think half of what
• 41:30
  Speaker 8: sells it is Emily Browning. She's so damn adorable, for one.
• 41:34
  Speaker 8: But on top of that, like, she also handles the
• 41:37
  Speaker 8: dramatic stuff. She handles the action scenes. It's like, I
• 41:40
  Speaker 8: think she turns in, like, an amazing performance.
• 41:43
  Speaker 2: She really is.
• 41:44
  Speaker 4: Half the reason to go see it is because, I mean,
• 41:46
  Speaker 4: most of it focuses on her anyway.
• 41:48
  Speaker 18: Yeah, I was telling Misty, she does a really good
• 41:50
  Speaker 18: job of playing a tragic kind of character.
• 41:54
  Speaker 2: She was awesome in Limity Snicket. You know, I thought
• 41:58
  Speaker 2: she was awesome in that. She was in Ghost Ship.
• 42:01
  Speaker 2: yeah what other movies was she in.
• 42:03
  Speaker 8: She's been in a lot of stuff but it's a
• 42:04
  Speaker 8: lot of like smaller stuff I think originally she's.
• 42:07
  Speaker 4: Canadian she's Australian she's Australian.
• 42:11
  Speaker 2: Alright nevermind cause we saw first of all I read
• 42:14
  Speaker 2: it on IMDB.
• 42:15
  Speaker 1: And then she watched Jay was watching she was doing
• 42:19
  Speaker 1: this interview on something and you could very hear the
• 42:22
  Speaker 1: Australian accent because she learned how to have what I
• 42:25
  Speaker 1: read she learned her American accent watching Sesame Street wow
• 42:29
  Speaker 1: that's awesome.
• 42:32
  Speaker 2: Oh, she was ridiculous.
• 42:33
  Speaker 1: I mean, most of the girls in this movie were beautiful,
• 42:37
  Speaker 1: aside from Jenna Malone and her butthole mouth.
• 42:41
  Speaker 2: See, I sat there the whole time going... Why do
• 42:44
  Speaker 2: I know her?
• 42:45
  Speaker 4: What was her name again?
• 42:46
  Speaker 2: Jenna Malone? No, I mean the character. Rocket?
• 42:49
  Speaker 8: Yeah, I was like, why do I know Rocket? Because
• 42:51
  Speaker 8: she looked so familiar. I just didn't recognize the hair,
• 42:56
  Speaker 8: the new hair color. Everything about her looked different.
• 42:59
  Speaker 2: It looked bad. But it didn't, yeah.
• 43:00
  Speaker 4: It was just kind of weird looking.
• 43:03
  Speaker 3: I don't know.
• 43:04
  Speaker 1: She doesn't stand with her mouth and it just squinches up.
• 43:06
  Speaker 2: Kind of like a sphincter. I don't like it. That's
• 43:09
  Speaker 2: not a good look for a mouth. It's not. I
• 43:12
  Speaker 2: loved her in Saved. Saved was awesome. In this movie,
• 43:15
  Speaker 2: I just... I don't know. I mean, it wasn't that
• 43:17
  Speaker 2: she had a bad job of acting.
• 43:18
  Speaker 1: I just didn't like her face and the way it
• 43:20
  Speaker 1: moved in the butthole mouth.
• 43:22
  Speaker 2: But, I mean, I loved Abby Cornish. Sweet Pea was awesome.
• 43:26
  Speaker 2: And Jamie Chun was adorable.
• 43:28
  Speaker 8: Yeah, I was going to say, I liked the, what
• 43:30
  Speaker 8: was it, Jamie Chun. She is just, yeah, again, a
• 43:33
  Speaker 8: lot of the other ones don't have a whole lot
• 43:34
  Speaker 8: to do, but their job is to be cute. Yeah,
• 43:37
  Speaker 8: so I mean, Jamie.
• 43:37
  Speaker 4: Chun is good. Vanessa Hutchins, how adorable. Vanessa Hutchins, I
• 43:40
  Speaker 4: thought she, like, that's probably the best thing she could
• 43:42
  Speaker 4: have done with her career.
• 43:43
  Speaker 1: I told Jamie, it wasn't bad for having somebody from
• 43:46
  Speaker 1: high school musical, and it wasn't.
• 43:47
  Speaker 8: Well, I mean, yeah, all she's done is Disney projects and, like,
• 43:50
  Speaker 8: romantic comedy kind of stuff so far. So I think
• 43:52
  Speaker 8: this is, yeah, a step in the right direction for her,
• 43:55
  Speaker 8: if nothing else, is just to be in something.
• 43:56
  Speaker 2: A step in the half-naked direction.
• 43:59
  Speaker 8: Have her scantily clad and firing guns most of the time.
• 44:02
  Speaker 8: It's just, like, it's a whole new... A new entry
• 44:05
  Speaker 8: into her resume, so.
• 44:06
  Speaker 1: And then that one chick whose name I can't say right,
• 44:09
  Speaker 1: the doctor, the Carla.
• 44:12
  Speaker 2: Oh, yeah, Carla.
• 44:15
  Speaker 4: I've given up on trying to say her last name right, so.
• 44:18
  Speaker 1: But the doctor, she was awesome. Everything about this movie
• 44:20
  Speaker 1: was awesome. I loved the cast. There wasn't anybody in
• 44:22
  Speaker 1: the movie that I didn't like, aside.
• 44:24
  Speaker 2: From Butthole Mel. What was your thoughts on Blue? Sleazy,
• 44:28
  Speaker 2: but in an awesome way. It was just so, you
• 44:30
  Speaker 2: hated him, but he was so awesome at it. And
• 44:33
  Speaker 2: he's such an asshole.
• 44:34
  Speaker 4: It's Oscar Isaac.
• 44:35
  Speaker 8: Yeah, he's been in a couple other things, but I
• 44:37
  Speaker 8: hadn't paid much attention to him before this. He's entertaining.
• 44:40
  Speaker 8: I'm still kind of making up my mind on him.
• 44:42
  Speaker 4: I don't know. He's like, he is so, like, sleazy
• 44:46
  Speaker 4: and so.
• 44:46
  Speaker 2: But it works for this. He's supposed to be that
• 44:48
  Speaker 2: sleazy asshole. You're supposed to not like him. He's a jackass. Yeah.
• 44:52
  Speaker 2: You can't like guys with mustaches that look like that.
• 44:53
  Speaker 2: They're going to be assholes.
• 44:54
  Speaker 1: Yeah.
• 44:55
  Speaker 2: Yeah, they did sort of tailor him to be that sleazy.
• 44:58
  Speaker 2: I dated a guy who had that mustache. You don't
• 44:59
  Speaker 2: trust them. You never trust guys with mustaches like that, ever.
• 45:03
  Speaker 4: That's true. He was sleazy, too.
• 45:05
  Speaker 2: Dude, seriously, you don't get no sleazier than that. I
• 45:06
  Speaker 2: was wondering about your mustache taste. Is that why you
• 45:12
  Speaker 2: won't let me grow a mustache?
• 45:13
  Speaker 1: Part of it.
• 45:16
  Speaker 2: But yeah, I loved the cast. I loved everything about
• 45:18
  Speaker 2: this movie. I mean, I loved the action sequences.
• 45:21
  Speaker 1: I mean, it didn't have the most substance and storyline,
• 45:23
  Speaker 1: but what storyline it did have I thought was great.
• 45:25
  Speaker 2: I loved the way it played out.
• 45:26
  Speaker 8: I think that was what I was let down with,
• 45:29
  Speaker 8: is there was so much awesome setup, and then there's
• 45:32
  Speaker 8: just not enough to fill it out.
• 45:34
  Speaker 1: I don't know.
• 45:35
  Speaker 4: I think it's almost trying.
• 45:37
  Speaker 2: And this is.
• 45:37
  Speaker 4: It's like a double-edged sword with Zack Snyder.
• 45:40
  Speaker 8: It's like he's so good at the visuals, but I
• 45:42
  Speaker 8: think sometimes he focuses too much on them. Like, he's spending...
• 45:45
  Speaker 8: Because this one seems like it's heavily influenced by three things.
• 45:49
  Speaker 8: Music videos, video games, and anime.
• 45:52
  Speaker 1: And it's like.
• 45:53
  Speaker 8: heavily influenced like to the point where there are times
• 45:56
  Speaker 8: I think it's trying so hard to be those that
• 45:58
  Speaker 8: it kind of forgets to be a movie like just
• 46:00
  Speaker 8: story wise structure wise it's like it almost gets more
• 46:03
  Speaker 8: caught up in the making the little like snippets of
• 46:06
  Speaker 8: you know of cool scenes that like you I don't
• 46:09
  Speaker 8: know in the end I.
• 46:10
  Speaker 4: Think it takes away from what could have been a
• 46:13
  Speaker 4: better story put.
• 46:14
  Speaker 1: In there I don't know I just it was just
• 46:17
  Speaker 1: fun to me I mean He could have had this
• 46:20
  Speaker 1: really heavy story, and that would have been a good
• 46:22
  Speaker 1: movie too, but if you're just going to have a
• 46:23
  Speaker 1: good time, and.
• 46:25
  Speaker 2: We've seen the trailers. You watched the trailer. You knew
• 46:29
  Speaker 2: what you were getting into.
• 46:30
  Speaker 8: Kind of, and that was the other thing. It's so
• 46:34
  Speaker 8: disconnected from everything. I was really hoping they were finding
• 46:36
  Speaker 8: a way to work it all into the bigger picture
• 46:40
  Speaker 8: and put it all together, and I don't know. It
• 46:42
  Speaker 8: seems so broken up into those little snippets of an
• 46:45
  Speaker 8: entirely separate little mini-movie.
• 46:48
  Speaker 4: Which I guess is how they have to do it.
• 46:49
  Speaker 2: But I don't know.
• 46:50
  Speaker 8: I think I was just hoping for something that was
• 46:52
  Speaker 8: a little more all-encompassing that would kind of work.
• 46:55
  Speaker 2: At all in there.
• 46:56
  Speaker 4: I don't know.
• 46:57
  Speaker 2: You're expecting too much. I guess so.
• 46:59
  Speaker 8: But again, if it were, if it were lesser, I mean,
• 47:02
  Speaker 8: not that Zack Snyder's movies are perfect, but I mean,
• 47:05
  Speaker 8: they're usually pretty entertaining and structure wise, they're usually pretty good.
• 47:08
  Speaker 8: I haven't noticed anything else that's been this like segmented
• 47:12
  Speaker 8: and broken up into weird little, it's, it almost uses
• 47:15
  Speaker 8: like a gimmick for the whole structure of it.
• 47:17
  Speaker 4: You know, it's like, he's never really done that before.
• 47:19
  Speaker 4: It's always been very story based. So this one, you know,
• 47:21
  Speaker 4: you get, everything is set up to fall into this
• 47:24
  Speaker 4: pattern once we get past, you know, the first half hour.
• 47:27
  Speaker 2: Did you write this movie or?
• 47:29
  Speaker 4: I thought he did.
• 47:30
  Speaker 2: I don't know. I mean, I thought it was good.
• 47:32
  Speaker 2: I mean, I loved it. I had fun.
• 47:33
  Speaker 4: I don't know.
• 47:36
  Speaker 8: I think it's trying so hard to do the visuals.
• 47:39
  Speaker 8: It's trying so hard to be all these other things
• 47:40
  Speaker 8: that it kind of loses track of the story midway through.
• 47:43
  Speaker 2: I don't know.
• 47:44
  Speaker 8: And I was gonna, I mean, what, because it goes
• 47:47
  Speaker 8: into the main, like, setup of it, where she, like,
• 47:50
  Speaker 8: goes into the insane asylum and then shifts to an
• 47:54
  Speaker 8: entire second plotline that's sort of fictional, or.
• 47:57
  Speaker 4: At least questionably.
• 47:58
  Speaker 8: As it pans out, it seems pretty fictional. But, yes,
• 48:02
  Speaker 8: I mean, is there a need for that second plotline? Like,
• 48:06
  Speaker 8: where she goes to the club? Because, I mean, you
• 48:09
  Speaker 8: really kind of get the same thing either way. It's like,
• 48:12
  Speaker 8: I don't know why... Well, yeah, it's in her head.
• 48:14
  Speaker 2: Nobody cares about.
• 48:15
  Speaker 18: Nobody wants to see the dull drabness of the inside
• 48:19
  Speaker 18: of the insane asylum. They want to see the beautiful
• 48:23
  Speaker 18: visuals of the club. What's going on in her mind
• 48:27
  Speaker 18: is all playing out. Nobody wants to see her getting
• 48:30
  Speaker 18: shock therapy constantly.
• 48:31
  Speaker 1: I don't.
• 48:32
  Speaker 2: She's too adorable to get shock therapy.
• 48:34
  Speaker 1: Yeah, that's true. To me it seemed like an extension
• 48:36
  Speaker 1: of the little, her little journey she has to do.
• 48:39
  Speaker 2: This is like the big one. It's like the big.
• 48:41
  Speaker 1: Scene, like from the whole scene of her in the
• 48:43
  Speaker 1: club is just another one of, it's like an expanded
• 48:46
  Speaker 1: one of the little scenes.
• 48:48
  Speaker 2: That's her battle is all these, what's in the whole thing.
• 48:52
  Speaker 2: Does that make any sense?
• 48:53
  Speaker 8: Yeah, I mean, it just seems like, I don't know,
• 48:56
  Speaker 8: for a lot of, I guess not, but it almost
• 48:58
  Speaker 8: seems like it's looping.
• 48:59
  Speaker 2: Around on itself.
• 48:59
  Speaker 8: Like, it sets up a scenario, then it immediately sets
• 49:01
  Speaker 8: up another scenario that's sort of similar, which I think
• 49:04
  Speaker 8: in a different setup, it would be okay. Like, from there,
• 49:07
  Speaker 8: it just took on its own little storyline, and it
• 49:10
  Speaker 8: was all sort of her... fixing what you know horrible
• 49:13
  Speaker 8: world she's actually living in and we had some sort
• 49:15
  Speaker 8: of idea because everybody there is there it's almost that
• 49:17
  Speaker 8: wizard of oz thing of like everybody that's in the
• 49:20
  Speaker 8: real world turns up in this fantasy world and is
• 49:22
  Speaker 8: pretty much similar but they're just, you know, they dress
• 49:25
  Speaker 8: it up a little for this plot line.
• 49:27
  Speaker 1: But they're always in the little fantasies too so I
• 49:30
  Speaker 1: think it's just an extension of like that one where
• 49:33
  Speaker 1: Each little one has this goal she has to do,
• 49:35
  Speaker 1: and then the big one, her goal is to, it's
• 49:38
  Speaker 1: all just a goal, little goals and a big goal,
• 49:40
  Speaker 1: so I can understand why it has, why it switches
• 49:43
  Speaker 1: to that. because otherwise you wouldn't have her main goal.
• 49:47
  Speaker 8: Yeah, I mean, I understand that it's just, it's weird
• 49:49
  Speaker 8: that it switches gears immediately from one scenario to the next,
• 49:53
  Speaker 8: and then it throws in these other, like, four or
• 49:55
  Speaker 8: five little snippets of other storylines.
• 49:57
  Speaker 4: Like, I don't know, it almost.
• 49:58
  Speaker 2: Well, because each one of those is a goal. Do
• 50:00
  Speaker 2: you feel overwhelmed?
• 50:01
  Speaker 8: Well, it's almost layering it so much that I'm like.
• 50:05
  Speaker 8: I compared it to Inception. I'm like, so somebody gets killed,
• 50:07
  Speaker 8: do they have to ride it back up to the top?
• 50:09
  Speaker 8: I mean, it's like five stories in, and you're already
• 50:12
  Speaker 8: in a fictional story, and then you get back to
• 50:14
  Speaker 8: the asylum, and I'm just like, I don't know.
• 50:17
  Speaker 2: There's a lot going on, if you want.
• 50:19
  Speaker 8: I don't know, if you think about it too much,
• 50:21
  Speaker 8: which maybe I'm just thinking about it too much.
• 50:22
  Speaker 2: You quite possibly could be. Crazy people have a lot
• 50:26
  Speaker 2: of scenarios going on in their head.
• 50:28
  Speaker 4: Are we talking about me now or her?
• 50:29
  Speaker 1: Both.
• 50:31
  Speaker 2: Take your pick.
• 50:33
  Speaker 18: I approach this from the same way that I approach
• 50:38
  Speaker 18: any of the Resident Evils, which is.
• 50:42
  Speaker 2: Throw everything out the window. Don't be serious about it.
• 50:46
  Speaker 2: Go into the theater. Watch it. Enjoy it. Pretty pictures.
• 50:50
  Speaker 2: Lots of lights. Lots of things getting blown up. And, yeah,
• 50:54
  Speaker 2: hot chicks, so.
• 50:56
  Speaker 4: It did have a lot in common with that. It
• 50:57
  Speaker 4: is a very big action story with a hot babe
• 51:00
  Speaker 4: in charge of it and a lot of kick-ass action scenes. So, again,
• 51:04
  Speaker 4: I think this one's even more impressive than that visually.
• 51:07
  Speaker 4: And Misty pointed out that she... She was saying that
• 51:10
  Speaker 4: it looked like it was shot for 3D, and I
• 51:13
  Speaker 4: agree with her.
• 51:13
  Speaker 2: A lot of the scenes that were in there, you're like,
• 51:15
  Speaker 2: this could have been awesome as 3D. Why didn't they
• 51:17
  Speaker 2: shoot this in 3D?
• 51:18
  Speaker 6: Yeah.
• 51:19
  Speaker 4: I mean, as much as I'm sick of 3D, if
• 51:21
  Speaker 4: there's something that probably would have looked awesome, this might
• 51:24
  Speaker 4: have been it.
• 51:24
  Speaker 1: It just seems like they were shot specifically for 3D.
• 51:27
  Speaker 1: You know, the scene with the sword. Where it's like
• 51:29
  Speaker 1: you're looking down the sword and it's all like flowing.
• 51:32
  Speaker 8: Yeah.
• 51:32
  Speaker 2: Or the scene with the bullets. There's bullets slowly and like, yeah.
• 51:36
  Speaker 18: The shell casings are coming at you and they revolve
• 51:39
  Speaker 18: and you can see the grittiness of the powder residue
• 51:41
  Speaker 18: on it.
• 51:41
  Speaker 2: That's totally a 3D shot right there.
• 51:43
  Speaker 20: Yeah, I mean, why not?
• 51:45
  Speaker 4: You would think so, actually.
• 51:47
  Speaker 2: Everything else is in 3D.
• 51:48
  Speaker 9: Maybe all the 3D cameras were checked out and they're
• 51:51
  Speaker 9: just like, we know what we're going to do, but
• 51:53
  Speaker 9: we don't have the technology to do it right now.
• 51:55
  Speaker 7: Let's just.
• 51:56
  Speaker 2: Roll with it. Check that out. They went to the
• 52:00
  Speaker 2: 3D camera library and they were overdue. Damn it.
• 52:04
  Speaker 4: They all look at these other terrible movies.
• 52:08
  Speaker 2: We'll have to come back next Wednesday. We'll be shooting
• 52:11
  Speaker 2: by then. I'm sorry. There's nothing we can do about it.
• 52:13
  Speaker 2: Spielberg hasn't won. Damn it. Come on. Fucking Spielberg. Oh,
• 52:19
  Speaker 2: I don't know.
• 52:20
  Speaker 8: I think another thing was just the little stories along
• 52:23
  Speaker 8: the way. I'll get to better parts of that that
• 52:26
  Speaker 8: I like, but I think the stories themselves, I liked
• 52:29
  Speaker 8: them more in the beginning. Like, I think I got
• 52:32
  Speaker 8: tired with the idea because it just got sort of repetitive. Like,
• 52:35
  Speaker 8: they were awesome on their own, but I think, you know,
• 52:38
  Speaker 8: especially the main, like that first scene.
• 52:40
  Speaker 2: Of her fighting the three warriors.
• 52:42
  Speaker 8: Like, that is an awesome scene. And then I like
• 52:45
  Speaker 8: her in the biplanes. I mean, it's equally as cool.
• 52:48
  Speaker 8: But I think, like, by the time we get to
• 52:49
  Speaker 8: the robots, I don't know.
• 52:51
  Speaker 4: I was just like.
• 52:52
  Speaker 8: As she goes into the scenario again, I'm just like, okay,
• 52:55
  Speaker 8: here we go again.
• 52:56
  Speaker 2: And we already kind of know how it's going to go.
• 52:58
  Speaker 1: It's kind of needed for the story because that's how
• 53:00
  Speaker 1: they achieve each of their objectives.
• 53:02
  Speaker 2: It's how they get their goals. I get it. I
• 53:04
  Speaker 2: think that's what I question more is the story.
• 53:06
  Speaker 8: Is that it's set it up with this very specific
• 53:08
  Speaker 8: gimmicky thing that... Almost wears its welcome out like two-thirds
• 53:13
  Speaker 8: of the way through.
• 53:14
  Speaker 4: Again, I think the visuals on it all is cool.
• 53:16
  Speaker 4: I think just structure-wise, I don't know why it... I
• 53:18
  Speaker 4: think you've become an old movie hag.
• 53:21
  Speaker 2: Well, yeah.
• 53:22
  Speaker 8: Not completely old, though, because I still like that hot
• 53:24
  Speaker 8: young chick. I'm still pervy, but....
• 53:28
  Speaker 2: She's legal. She's 22.
• 53:30
  Speaker 8: Yeah, she's 23, I think. She's way older than I
• 53:32
  Speaker 8: thought she was. Yeah, because she's still.
• 53:34
  Speaker 6: Way out.
• 53:35
  Speaker 2: Of your range. Well, obviously.
• 53:37
  Speaker 4: Out of my league.
• 53:38
  Speaker 2: Hell, I'm gone out of my league. Yeah, she's way
• 53:39
  Speaker 2: too old for you.
• 53:40
  Speaker 8: But.
• 53:42
  Speaker 4: That's true. But, yeah, I think she just was.
• 53:48
  Speaker 8: Marlene, are you okay over there?
• 53:49
  Speaker 2: I just laughed a little bit. You only laugh because
• 53:52
  Speaker 2: it's true. It's true.
• 53:55
  Speaker 9: And?
• 53:56
  Speaker 2: Have you ever had a girlfriend who's older than 22?
• 53:57
  Speaker 4: No, I don't date outside the teens.
• 54:00
  Speaker 2: Anyway... Although you get the creepier kids. Yeah, it's not
• 54:08
  Speaker 2: my fault.
• 54:09
  Speaker 4: I've tried to stop.
• 54:10
  Speaker 2: That's the thing about them high school girls. If you
• 54:12
  Speaker 2: keep getting older, they stay the same.
• 54:14
  Speaker 4: You know, that's not just a movie. For some people,
• 54:18
  Speaker 4: it's life.
• 54:19
  Speaker 1: Seriously.
• 54:20
  Speaker 2: Oh, Lord, what else? So if you see a pickup
• 54:24
  Speaker 2: truck sitting outside your high school... It's a van. Jump in.
• 54:27
  Speaker 2: It's a van that's for candy. And it's raining outside.
• 54:32
  Speaker 2: It's got a bitchin' dragon painted on the side. That's
• 54:35
  Speaker 2: how you bring the girls in. And a wizard. With
• 54:40
  Speaker 2: a lightning dragon. But no unicorns, no rainbows. AstroTurf.
• 54:45
  Speaker 4: That's a classy van right there.
• 54:48
  Speaker 8: Okay, two of the stuff that I did like and
• 54:50
  Speaker 8: what I think I want to give Zack Snyder most
• 54:53
  Speaker 8: credit for is you can sort of see him getting
• 54:57
  Speaker 8: even more impressive as a filmmaker. I think the coolest
• 55:00
  Speaker 8: thing he did with this is he's found this way
• 55:02
  Speaker 8: of not showing you things and that makes it so.
• 55:05
  Speaker 4: Much more awesome.
• 55:06
  Speaker 2: Well, yeah, they didn't have to show her sleazy dance.
• 55:08
  Speaker 2: The dancing, the fact that.
• 55:10
  Speaker 8: It would lead into it and then cut away is
• 55:13
  Speaker 8: so much more like, I don't care what kind of
• 55:15
  Speaker 8: dance you could have done. It cannot touch how awesome
• 55:18
  Speaker 8: it was that they just pulled away at that moment
• 55:20
  Speaker 8: and come back and people are like floored. Like people
• 55:23
  Speaker 8: are just like, Oh my. And you're like, Oh my God,
• 55:25
  Speaker 8: what just happened? Like that again, that was genius. I mean,
• 55:29
  Speaker 8: it really works so well.
• 55:31
  Speaker 2: And the fact that there was no blood in this
• 55:32
  Speaker 2: entire movie. Hardly any.
• 55:35
  Speaker 4: Well, I mean, we can get to that in a minute.
• 55:38
  Speaker 8: But the other thing I think on that line is
• 55:40
  Speaker 8: when it gets to the end, and we've already thrown
• 55:42
  Speaker 8: out the spoiler alert, but once it gets to the
• 55:44
  Speaker 8: point of things change for her towards the very end,
• 55:47
  Speaker 8: you don't see her at all.
• 55:48
  Speaker 4: Like, you never see her face.
• 55:50
  Speaker 8: That whole first, like, ten minutes or so of her
• 55:53
  Speaker 8: going through and they're still continuing the story and all
• 55:55
  Speaker 8: these characters are talking around her and you see her
• 55:57
  Speaker 8: standing there. And it's like it almost adds to the
• 55:59
  Speaker 8: tension of it, and it adds to the drama of, oh, God,
• 56:02
  Speaker 8: what's it going to be like?
• 56:03
  Speaker 4: So, again, I give him credit for that.
• 56:05
  Speaker 8: Like, that's a really cool move, and I think, you know,
• 56:09
  Speaker 8: I don't know if he early on would have done that.
• 56:10
  Speaker 8: I think he is progressing as a filmmaker, and I
• 56:13
  Speaker 8: still want to see where he's going because I think
• 56:16
  Speaker 8: visually he's impressive. He's learning weird tricks like that that are, like, amazing.
• 56:20
  Speaker 8: So I still think he's, like, one of the most
• 56:22
  Speaker 8: promising directors out there. He just– he almost needs to
• 56:25
  Speaker 8: reign in his flash. I mean, he's so– flashy about
• 56:28
  Speaker 8: everything he does especially since 300 you know so i
• 56:31
  Speaker 8: mean it's it's just gotta gotta put a leash on
• 56:34
  Speaker 8: it you know i think it's definitely there and impressive
• 56:36
  Speaker 8: but i just don't want that to overtake the you
• 56:39
  Speaker 8: know the awesome other stuff that he can do um
• 56:42
  Speaker 8: is it just me or was scott glenn doing his
• 56:45
  Speaker 8: best david carey He was doing his best damn David Carradine.
• 56:48
  Speaker 8: He was trying so hard to be David Carradine. And no,
• 56:51
  Speaker 8: you know, points to him. He still did a good job. And, well,
• 56:54
  Speaker 8: in his defense, they really couldn't get David Carradine.
• 56:57
  Speaker 2: But, I mean, tell me the other thing. Here's the thing.
• 57:00
  Speaker 2: I don't buy David Carradine as this mystical....
• 57:05
  Speaker 18: Faux Asian wannabe spiritual guy I don't give a fuck
• 57:11
  Speaker 18: if you played Kane in Kung Fu because you beat
• 57:13
  Speaker 18: Bruce Lee out for the part because they weren't taking
• 57:15
  Speaker 18: Asians in film cinema at that time so that's the
• 57:18
  Speaker 18: only way you get the part but I don't buy
• 57:20
  Speaker 18: it I never did buy him as that and it's
• 57:23
  Speaker 18: kind of.
• 57:23
  Speaker 4: A stretch but whatever but it is funny looking at
• 57:25
  Speaker 4: that scene when you walk in you're like oh if
• 57:27
  Speaker 4: they would have shot this a couple years ago.
• 57:28
  Speaker 8: They would have used David Carradine no doubt in my
• 57:31
  Speaker 8: mind it would have been David Carradine Oh, especially post-Kill
• 57:35
  Speaker 8: Bill when he was like super popular again. It's like
• 57:38
  Speaker 8: he turned up in so many little cameos in that
• 57:39
  Speaker 8: kind of role. It's like, yeah, there's not a doubt
• 57:41
  Speaker 8: in my mind that's who it would have been.
• 57:43
  Speaker 2: Yeah. Oh, let's see. Oh, back to you.
• 57:46
  Speaker 4: You said no blood.
• 57:47
  Speaker 8: To me, it's very obvious there was somebody possibly sitting
• 57:51
  Speaker 8: at a desk somewhere. I mean, maybe, I mean, some
• 57:54
  Speaker 8: of it he does creatively, but it's very much let's
• 57:56
  Speaker 8: keep that PG-13 cap on it.
• 57:58
  Speaker 2: I mean, it really... Well, that's what he was saying.
• 58:01
  Speaker 18: He said he wanted to keep it PG-13 to try
• 58:04
  Speaker 18: to keep, I guess, for a bigger audience.
• 58:07
  Speaker 12: Yeah.
• 58:07
  Speaker 2: Because once you go to that R rating, you limit
• 58:10
  Speaker 2: your audience. See, and once you stay at PG-13, you're
• 58:11
  Speaker 2: going to lose a lot of audience, too. It's going
• 58:13
  Speaker 2: to be like, I don't want to watch a PG-13.
• 58:15
  Speaker 4: Especially, I mean, as racy as they build this up
• 58:18
  Speaker 4: to be with them in their little outfits, it's like
• 58:20
  Speaker 4: you could almost lure people in thinking they're going to
• 58:21
  Speaker 4: get to see a show and Which, granted, with those girls,
• 58:25
  Speaker 4: I don't think you would get much anyway.
• 58:26
  Speaker 2: They're all kind of high class enough.
• 58:28
  Speaker 8: You know, they're names at this point that you're not
• 58:30
  Speaker 8: going to get much of a show anyway.
• 58:32
  Speaker 2: So I don't think that hurt it.
• 58:33
  Speaker 4: I think it's just I think more in the violence
• 58:36
  Speaker 4: you can tell. I think when when they bother to
• 58:38
  Speaker 4: make the the zombie guys like steam powered.
• 58:42
  Speaker 8: So that you're not killing guys you're killing steam powered
• 58:45
  Speaker 8: already dead like he specifically goes to the trouble.
• 58:47
  Speaker 2: Of saying don't worry they're already dead.
• 58:50
  Speaker 8: So it's like it sort of pgs it up a
• 58:52
  Speaker 8: little more where it's just like um yeah but i
• 58:55
  Speaker 8: mean to me in on the good side that visual
• 58:57
  Speaker 8: is awesome like them in the mask and the every
• 59:00
  Speaker 8: time they kill them you get this big you know
• 59:01
  Speaker 8: instead of blood you get this giant burst of steam
• 59:04
  Speaker 8: coming out like i think what they did with it
• 59:07
  Speaker 8: was creative and it's like the best way to go
• 59:09
  Speaker 8: about that but I still feel like somewhere somebody went
• 59:12
  Speaker 8: we need to keep this PG how can we do
• 59:14
  Speaker 8: that so it's like all of her villains then become
• 59:17
  Speaker 8: steam powered zombies and like faceless monster you know then
• 59:21
  Speaker 8: it's like the dragon or it's the guys in suits
• 59:24
  Speaker 8: of armor that you don't see and orcs that you
• 59:26
  Speaker 8: know you can kill orcs all you want nobody cares
• 59:29
  Speaker 8: so Yeah, I mean, it's... Or the robots. I mean,
• 59:33
  Speaker 8: everything becomes non-human-like, so it's a lot easier to just
• 59:37
  Speaker 8: wipe them out, which they do.
• 59:39
  Speaker 4: And this is one I saw with Greg last night,
• 59:42
  Speaker 4: and he's not here, but I'll give him credit. He
• 59:44
  Speaker 4: also said there's moments, especially in each of those, that
• 59:47
  Speaker 4: are sort of reminiscent of other things. Like, you can
• 59:50
  Speaker 4: see in the orc one the moments of... Borders. all
• 59:53
  Speaker 4: the Lord of the Rings battle scenes, and then the
• 59:56
  Speaker 4: one with the robots. There's almost like a scene in
• 59:59
  Speaker 4: iRobot that's exactly like that.
• 1:00:01
  Speaker 8: So he's sort of playing from stuff we've seen, so
• 1:00:04
  Speaker 8: I kind of would think him being the big name
• 1:00:06
  Speaker 8: he is now, he would mix.
• 1:00:07
  Speaker 2: That up a little bit more.
• 1:00:07
  Speaker 18: But then you've got to understand, too, all the stuff
• 1:00:09
  Speaker 18: that happens in her dreams is all stuff that happens
• 1:00:14
  Speaker 18: in her world. So, I mean, if you go back
• 1:00:16
  Speaker 18: and watch, from what I read online, Online, he was
• 1:00:21
  Speaker 18: saying that if you go back and watch the movie,
• 1:00:23
  Speaker 18: you can see where a lot of elements that are
• 1:00:25
  Speaker 18: in her dream, in that dream kind of action sequence,
• 1:00:29
  Speaker 18: you can see is actually small parts in her real life.
• 1:00:34
  Speaker 18: Her stepfather has a lot of books on World War II,
• 1:00:37
  Speaker 18: if you notice in his library. His letter opener is
• 1:00:41
  Speaker 18: a samurai sword, a small little sword. There's all kinds
• 1:00:45
  Speaker 18: of little aspects that are thrown in. I don't know
• 1:00:47
  Speaker 18: where she got the robot one from. I'll have to
• 1:00:49
  Speaker 18: watch it again and try to figure it out.
• 1:00:51
  Speaker 8: And that is, if we're, yeah, I mean, since it's
• 1:00:54
  Speaker 8: all sort of going on in her mind, I mean,
• 1:00:56
  Speaker 8: it really would be.
• 1:00:56
  Speaker 2: She had a steam, too, when she shoots at her sister.
• 1:00:58
  Speaker 4: There's a steam that hits the pipe. Yeah, that's true.
• 1:01:01
  Speaker 2: But, I mean, it would all be drawing from your.
• 1:01:03
  Speaker 4: So, I mean, if it were us, again, we would
• 1:01:05
  Speaker 4: be drawing off these movies we've seen before. Which looks familiar.
• 1:01:08
  Speaker 8: You can take that into account, I guess, that you're
• 1:01:10
  Speaker 8: drawing from the real world, and in the real world,
• 1:01:12
  Speaker 8: these movies all exist, right?
• 1:01:14
  Speaker 4: So, kind of, you can go that way with it.
• 1:01:17
  Speaker 19: Um.
• 1:01:18
  Speaker 8: As far as music, I mean, it's so heavy. In
• 1:01:20
  Speaker 8: a way, I think it's overdone, but I will say music-wise,
• 1:01:23
  Speaker 8: I also think it's good. Oh, I fucking love the music.
• 1:01:27
  Speaker 8: I like what they did, mostly because it's got a
• 1:01:29
  Speaker 8: very uniform feel to it, with the exception of Army
• 1:01:32
  Speaker 8: of Me, which I don't care. You can crank that
• 1:01:34
  Speaker 8: up to 11 in every movie. That song is fucking awesome.
• 1:01:37
  Speaker 2: Love that.
• 1:01:38
  Speaker 18: That scene actually reminded me about how much I love Bjork.
• 1:01:42
  Speaker 13: Yeah.
• 1:01:42
  Speaker 2: Completely. Your kid's named after Bjork. Yeah, my kid's named
• 1:01:46
  Speaker 2: after Bjork's song, so.
• 1:01:48
  Speaker 18: I've just, over the time, just from listening to other stuff,
• 1:01:52
  Speaker 18: just kind of forgot about, you know, forgot about it
• 1:01:56
  Speaker 18: and recently went back and.
• 1:01:59
  Speaker 1: He tried to maybe listen to the Bjork radio station
• 1:02:01
  Speaker 1: on the way up here. But they started playing Cure
• 1:02:04
  Speaker 1: because they don't play.
• 1:02:04
  Speaker 2: Just what you choose.
• 1:02:05
  Speaker 4: They play stuff sort of like it in their opinion.
• 1:02:08
  Speaker 2: I fucking hate the Cure. I fucking hate the Friday
• 1:02:10
  Speaker 2: I'm in Love song. Because that's the only song they
• 1:02:12
  Speaker 2: play on the radio. It gets stuck in my head
• 1:02:14
  Speaker 2: on a repeat. That was not as good.
• 1:02:15
  Speaker 4: I like some of their stuff.
• 1:02:17
  Speaker 2: I don't like Robert Smith.
• 1:02:18
  Speaker 10: Wow.
• 1:02:19
  Speaker 8: He's become a thing. He's become a brand almost at
• 1:02:22
  Speaker 8: this point. People imitate him to a ridiculous level now.
• 1:02:27
  Speaker 2: Guys in their guy liners. Yeah.
• 1:02:31
  Speaker 4: But yeah, that song is amazing in general. So, I mean,
• 1:02:35
  Speaker 4: they're making use of it.
• 1:02:36
  Speaker 8: But overall, I think everything else has that feel of, like,
• 1:02:41
  Speaker 8: it's all a very similar style of song.
• 1:02:43
  Speaker 4: It's taking songs you already know.
• 1:02:45
  Speaker 1: Yeah.
• 1:02:46
  Speaker 4: So, again, I think it's almost, and it may be
• 1:02:48
  Speaker 4: a very, again, conscious act that they're going to tap
• 1:02:51
  Speaker 4: into that younger market since they're going for PG-13 and
• 1:02:53
  Speaker 4: they know that.
• 1:02:54
  Speaker 8: Because to me, it felt very much like what stuff
• 1:02:57
  Speaker 8: like American Idol does now or Glee. It's like it
• 1:02:59
  Speaker 8: takes songs you know and mixes them different and does
• 1:03:02
  Speaker 8: it in a different way and works it in kind
• 1:03:04
  Speaker 8: of quote-unquote cool these days.
• 1:03:05
  Speaker 2: But out of all those songs.
• 1:03:08
  Speaker 18: Aside from the Bjork song, I don't think there were
• 1:03:11
  Speaker 18: any other ones that were sung by the original artist.
• 1:03:13
  Speaker 2: They're all covers.
• 1:03:14
  Speaker 8: It was all covers, and it was all a very
• 1:03:16
  Speaker 8: similar style, too. That's what I think. It gives the
• 1:03:19
  Speaker 8: whole rest of the movie that uniform feel, but yet
• 1:03:22
  Speaker 8: they're working in different songs.
• 1:03:23
  Speaker 6: Along the way.
• 1:03:23
  Speaker 2: Yeah, you got an Iggy Pop song. What else? Eurythmics. Eurythmics, yeah.
• 1:03:28
  Speaker 4: I think there's a.
• 1:03:30
  Speaker 2: I like that rap song that had Queen in it.
• 1:03:32
  Speaker 4: Yeah, there's a Queen mashup.
• 1:03:34
  Speaker 2: The White Rabbit. Yeah, White Rabbit. Jefferson Airplane.
• 1:03:37
  Speaker 4: But then.
• 1:03:39
  Speaker 2: Love that song. That's an awesome song.
• 1:03:41
  Speaker 4: It does things that are sort of... Again, I think
• 1:03:44
  Speaker 4: we are... It's very much taking this turn trying to
• 1:03:47
  Speaker 4: tap into that youth market.
• 1:03:48
  Speaker 8: And I don't know that it's doing it in a
• 1:03:50
  Speaker 8: tacky way. I think it found the best way to
• 1:03:53
  Speaker 8: do it. It is working in a reworking of music
• 1:03:55
  Speaker 8: the way that is popular now. I think it's also doing...
• 1:03:59
  Speaker 8: it's super video game oriented. So it's kind of tapping
• 1:04:01
  Speaker 8: into the, I mean the same thing that like, um,
• 1:04:04
  Speaker 8: Scott Pilgrim was trying to do a very different style,
• 1:04:07
  Speaker 8: but I think it's like, let's take video games and
• 1:04:10
  Speaker 8: work them into the real world. Even if it's a
• 1:04:12
  Speaker 8: fictionalized real world, like it's, it's trying to make a
• 1:04:14
  Speaker 8: more real version of, you know, what we see in
• 1:04:16
  Speaker 8: video games. So I think it does it well, but
• 1:04:19
  Speaker 8: I think it's, it's definitely trying to tap into, again,
• 1:04:22
  Speaker 8: if you.
• 1:04:22
  Speaker 2: Show, that's what I was thinking last night.
• 1:04:24
  Speaker 8: I was like, if you showed this movie to somebody
• 1:04:25
  Speaker 8: like 50 years ago, their head might explode. Like, I mean,
• 1:04:29
  Speaker 8: it's stuff that did not exist. Like they're, they're drawing
• 1:04:32
  Speaker 8: all the music videos and the video games. It's like
• 1:04:34
  Speaker 8: the references that they're not going to get.
• 1:04:36
  Speaker 2: I don't even know how you.
• 1:04:37
  Speaker 4: Would process it. You know, not that that's a possibility,
• 1:04:40
  Speaker 4: but I'm just.
• 1:04:40
  Speaker 8: Thinking it's so like in the last 25 years, like
• 1:04:43
  Speaker 8: everything is based so young that I'm just like, I
• 1:04:46
  Speaker 8: don't know how this would stand up to somebody, you know,
• 1:04:48
  Speaker 8: an older generation of somebody that didn't come along in
• 1:04:51
  Speaker 8: the video game generation or the kids that watched anime
• 1:04:53
  Speaker 8: and stuff like that.
• 1:04:54
  Speaker 4: I think it, it pulls so heavily from those that
• 1:04:57
  Speaker 4: I think it's, I don't know.
• 1:04:58
  Speaker 8: It works on that level and maybe it's only going
• 1:05:00
  Speaker 8: to work to people from this point on.
• 1:05:02
  Speaker 2: Like, I don't know.
• 1:05:03
  Speaker 18: It won't problem people, people that are, I don't know,
• 1:05:07
  Speaker 18: like older than 50, you know, or hell, you never know.
• 1:05:10
  Speaker 18: There are some people that are older than 50 to
• 1:05:13
  Speaker 18: get an anime.
• 1:05:13
  Speaker 2: You never know. But sometimes for the majority of people
• 1:05:16
  Speaker 2: that didn't grow up in the whole, I don't know,
• 1:05:18
  Speaker 2: the whole gen X, gen Y type thing.
• 1:05:20
  Speaker 10: Yeah.
• 1:05:21
  Speaker 2: Yeah, yeah, they're not going to get it. They're going
• 1:05:23
  Speaker 2: to look at it and go, well, there's just a
• 1:05:24
  Speaker 2: lot of crap going on here. What the hell is
• 1:05:26
  Speaker 2: all this? It's noisy. There's a lot of explosions.
• 1:05:28
  Speaker 4: Yeah, sure is. See, I'm not that cranky old man yet.
• 1:05:31
  Speaker 4: Give it to them. Where the hell did they go?
• 1:05:32
  Speaker 2: She was over here. I thought she was in an
• 1:05:34
  Speaker 2: insane asylum. Now she's on a train? What the hell? Confusion.
• 1:05:38
  Speaker 2: There ain't no jetpacks in World War II.
• 1:05:41
  Speaker 8: Kids got their new thing on their gut, dang it.
• 1:05:44
  Speaker 4: Steam-powered zombies. I never fought steam-powered zombies. So, I don't know.
• 1:05:51
  Speaker 8: Again, I really liked parts of it. I think it's
• 1:05:54
  Speaker 8: still definitely worth seeing. It's amazing to look at. I
• 1:05:58
  Speaker 8: have issues with.
• 1:05:59
  Speaker 4: The structure and the story somewhat, but again, not enough
• 1:06:01
  Speaker 4: to make you not want to go see it. I
• 1:06:04
  Speaker 4: think it's still amazing. It's an amazing visual feat, if
• 1:06:08
  Speaker 4: nothing else. And you guys like it.
• 1:06:10
  Speaker 2: I fucking loved this. I love that a lot. I
• 1:06:13
  Speaker 2: was surprised at the end. Should we do like full-blown
• 1:06:15
  Speaker 2: spoiler alert? Yeah. Full-on. Here we go. I was fucking
• 1:06:18
  Speaker 2: kind of surprised that they went in and lobotomized the bitch. Yeah, really?
• 1:06:21
  Speaker 8: I was like.
• 1:06:23
  Speaker 2: I fucking love it.
• 1:06:24
  Speaker 18: I mean, I was waiting for them to save her
• 1:06:26
  Speaker 18: at the last minute, and then he's just.
• 1:06:28
  Speaker 2: Like, clink! And I was like, oh! See, part of
• 1:06:31
  Speaker 2: me was surprised. I kept waiting. I kept waiting for them, like,
• 1:06:32
  Speaker 2: because they weren't showing her face.
• 1:06:33
  Speaker 1: I'm like, it's going to be Sweet Pea, and, like,
• 1:06:35
  Speaker 1: Babydoll's in figment of her complete imagination or something.
• 1:06:38
  Speaker 2: So I'm like, oh, well, fuck. I love Babydoll. They really.
• 1:06:42
  Speaker 8: I mean, they set it up for that. So I
• 1:06:44
  Speaker 8: was just like, that's where it should have gone. But
• 1:06:47
  Speaker 8: at the same time, you kept thinking, again, I guess
• 1:06:49
  Speaker 8: it's very un-Hollywood.
• 1:06:50
  Speaker 4: I mean, normally they would... find a way to save
• 1:06:52
  Speaker 4: the day, and they turn it around and make it
• 1:06:54
  Speaker 4: a happy ending.
• 1:06:54
  Speaker 2: No, no. They follow up, and they finish the story.
• 1:06:57
  Speaker 2: It was like a halfway happy ending.
• 1:06:59
  Speaker 1: Sweet Pea got a happy ending, but I figured it
• 1:07:01
  Speaker 1: would be like when Sweet Pea went home, it was
• 1:07:04
  Speaker 1: her paradise, that maybe Sweet Pea was the one at
• 1:07:07
  Speaker 1: the bottom of us. But no, I was like, well,
• 1:07:10
  Speaker 1: fuck me or anything. They totally just did that.
• 1:07:13
  Speaker 2: Wow.
• 1:07:14
  Speaker 3: Yeah.
• 1:07:16
  Speaker 4: So I don't know. Again, I mean, there's parts of
• 1:07:18
  Speaker 4: it that are very.
• 1:07:19
  Speaker 8: cliche and there are parts that are actually original and
• 1:07:22
  Speaker 8: invented so.
• 1:07:23
  Speaker 4: It's like it's it's a weird mixture of a movie
• 1:07:25
  Speaker 4: but i thought.
• 1:07:26
  Speaker 1: It was a fun movie just as long as you're
• 1:07:27
  Speaker 1: not expecting too incredibly much if you're going to expecting
• 1:07:30
  Speaker 1: a good time a fun movie it was god i
• 1:07:34
  Speaker 1: was as soon as the credits started rolling and the
• 1:07:37
  Speaker 1: bitches started cackling laughing behind me i was about to
• 1:07:40
  Speaker 1: fucking kill people because as soon as it started as
• 1:07:42
  Speaker 1: soon as the credits i.
• 1:07:47
  Speaker 8: Oh, yeah, I know.
• 1:07:48
  Speaker 2: I was just like, oh, God, shut up. I don't
• 1:07:52
  Speaker 2: know if.
• 1:07:52
  Speaker 1: They just were laughing because they thought it was that bad.
• 1:07:54
  Speaker 1: Several times during the movie, I thought I heard him say, like, what?
• 1:07:56
  Speaker 10: What?
• 1:07:57
  Speaker 4: What's going on?
• 1:07:58
  Speaker 2: Well, yeah, it was an older group of people that
• 1:08:00
  Speaker 2: had no fucking clue, so.
• 1:08:02
  Speaker 4: See, I just had trendy kids at our show.
• 1:08:05
  Speaker 2: We had a wide variety.
• 1:08:06
  Speaker 8: Yeah, they were all, like, maybe just above legal teenage years.
• 1:08:10
  Speaker 2: They all seemed about.
• 1:08:11
  Speaker 4: See, most of ours.
• 1:08:12
  Speaker 18: Were all, like, college group, and then we had older
• 1:08:16
  Speaker 18: our age, and then we had.
• 1:08:18
  Speaker 2: Some even older, which was probably the group that was
• 1:08:21
  Speaker 2: behind scaffolding.
• 1:08:21
  Speaker 8: What?
• 1:08:22
  Speaker 2: What's going on?
• 1:08:23
  Speaker 18: And then once the corral doors opened at the end,
• 1:08:25
  Speaker 18: they moved their way out and got back onto.
• 1:08:27
  Speaker 2: The cattle truck and took off down the road, cackling
• 1:08:30
  Speaker 2: all the way.
• 1:08:31
  Speaker 4: They'll be back next week to watch their dumb comedy.
• 1:08:33
  Speaker 21: Yeah.
• 1:08:33
  Speaker 2: So. Oh, well.
• 1:08:35
  Speaker 8: I don't know.
• 1:08:37
  Speaker 4: It's definitely still impressive. And, yeah.
• 1:08:41
  Speaker 2: I don't know.
• 1:08:42
  Speaker 8: It's all just sold by our main girl there.
• 1:08:45
  Speaker 2: Emily Browning. Emily Browning.
• 1:08:46
  Speaker 8: Yeah, she's.
• 1:08:47
  Speaker 4: Yeah.
• 1:08:48
  Speaker 8: It's one of those, I think with different casting, it
• 1:08:50
  Speaker 8: really could have gone a long way. Like she, and
• 1:08:53
  Speaker 8: it's another one, I want to see where she goes
• 1:08:55
  Speaker 8: because she hasn't done a lot of stuff in her
• 1:08:58
  Speaker 8: adult life now. So it's like, I really i think
• 1:09:00
  Speaker 8: she proves herself as being able to carry this because
• 1:09:03
  Speaker 8: she has so little dialogue i mean you go like
• 1:09:06
  Speaker 8: 15 20 minutes before she says a word i.
• 1:09:08
  Speaker 2: Know that's kind of thrown off by that too i'm
• 1:09:09
  Speaker 2: like is the bitch gonna.
• 1:09:10
  Speaker 8: Talk yeah and i was like so i think again
• 1:09:13
  Speaker 8: with what little she shows she still kind of shows
• 1:09:15
  Speaker 8: a lot of emotion and she brings a hell of
• 1:09:18
  Speaker 8: a lot of like badass attitude to it so it's
• 1:09:20
  Speaker 8: like i kind of want to see where she goes
• 1:09:23
  Speaker 8: and in maybe a more traditional movie i want to
• 1:09:25
  Speaker 8: see what she will deliver just on that kind.
• 1:09:28
  Speaker 4: Of movie so all.
• 1:09:30
  Speaker 2: Right anything else no.
• 1:09:33
  Speaker 4: That does it for sucker punch i'll take a break
• 1:09:35
  Speaker 4: and be back with the rest of the show.
• 1:10:15
  Speaker 20: Don't be shy we'd like to hear from you so
• 1:10:17
  Speaker 20: give us a call at 502-365-5565 or you can email
• 1:10:23
  Speaker 20: us at geeks at movie meltdown dot com and just
• 1:10:25
  Speaker 20: stop by the website for our frequent updates that's movie
• 1:10:29
  Speaker 20: meltdown dot.
• 1:10:29
  Speaker 2: Com On by, on by, on by, on by. What's
• 1:10:34
  Speaker 2: part of your problem? You know, you haven't seen enough movies.
• 1:10:42
  Speaker 3: All of life's riddles are answered in the movies.
• 1:10:46
  Speaker 10: And now, on with the show.
• 1:10:50
  Speaker 19: Sing me to sleep.
• 1:10:53
  Speaker 22: Sing me to sleep.
• 1:10:56
  Speaker 19: I'm tired and I I want to go to bed
• 1:11:04
  Speaker 19: Sing me to sleep Sing me to sleep And then
• 1:11:14
  Speaker 19: leave me alone Don't try to wake me in the
• 1:11:20
  Speaker 19: morning Cause I will be gone.
• 1:11:29
  Speaker 2: What are you talking about? We watched Sucker Punishment. And
• 1:11:32
  Speaker 2: you didn't like it. I loved it. I have issues
• 1:11:36
  Speaker 2: with it. It's got a lot of good points to it.
• 1:11:43
  Speaker 4: Isn't it getting really horrible reviews?
• 1:11:46
  Speaker 8: Right before I left this morning, I logged on just
• 1:11:49
  Speaker 8: long enough to see that just the headline made it
• 1:11:52
  Speaker 8: sound like it was not doing well, both financially and
• 1:11:55
  Speaker 8: maybe bad reviews.
• 1:11:56
  Speaker 2: I don't know.
• 1:11:58
  Speaker 4: I was expecting it to do better just financially, if
• 1:12:01
  Speaker 4: nothing else, just because it's Zack Snyder at this point.
• 1:12:04
  Speaker 2: It's a bunch of half-naked chicks with guns.
• 1:12:06
  Speaker 4: It looks awesome just trailer-wise, but yeah.
• 1:12:09
  Speaker 2: How could you not like that movie? I mean... Like
• 1:12:13
  Speaker 2: a video game on screen.
• 1:12:16
  Speaker 8: One of the other shows described it as like a
• 1:12:18
  Speaker 8: 13-year-old boy's id. I was like, yeah, that's a pretty
• 1:12:21
  Speaker 8: good description. That is a good description.
• 1:12:23
  Speaker 2: I did see the preview and thought, I probably won't necessarily.
• 1:12:27
  Speaker 4: Guns and scantily clad girls and monsters.
• 1:12:29
  Speaker 8: Dragons.
• 1:12:31
  Speaker 2: Orcs.
• 1:12:31
  Speaker 1: Yeah.
• 1:12:32
  Speaker 4: How long can you go?
• 1:12:33
  Speaker 2: Explosions. I like explosions. Nobody here but us chickens. Well,
• 1:12:47
  Speaker 2: that's going to round out this week's episode.
• 1:12:50
  Speaker 4: But we'll be back next week with more coverage, if
• 1:12:52
  Speaker 4: you want to call it that, from.
• 1:12:54
  Speaker 20: Here at the convention.
• 1:12:55
  Speaker 4: Plus we'll have our exclusive interview with actress Diane Franklin.
• 1:12:58
  Speaker 4: We'll hear about a different role from Hellraiser's Andrew Robinson.
• 1:13:02
  Speaker 4: We'll hear Sid Haig use foul language.
• 1:13:05
  Speaker 2: Shocking, I know.
• 1:13:06
  Speaker 4: And we'll check in with Joe Bob Briggs to find
• 1:13:08
  Speaker 4: out how to get him to film your screenplay. plus
• 1:13:11
  Speaker 4: more shenanigans from your friends at the old Meltdown Gang here.
• 1:13:14
  Speaker 4: This week we'll go out on a cover song from
• 1:13:16
  Speaker 4: the star of this week's movie, the adorable and ass-kicking
• 1:13:20
  Speaker 4: Emily Browning.
• 1:13:22
  Speaker 2: Otherwise, that about does it. We will return next week.
• 1:13:24
  Speaker 4: Same geek time, same geek feed.
• 1:13:27
  Speaker 2: Thanks for listening.
• 1:13:30
  Speaker 22: Sweet dreams are made of this Who am I to disagree?
• 1:13:40
  Speaker 22: Travel the world and the seven seas Everybody's looking for.
• 1:13:49
  Speaker 19: Something Some of them want to use you.
• 1:13:56
  Speaker 2: Some of them want to.
• 1:13:58
  Speaker 22: Get used by you Some of them want.
• 1:14:03
  Speaker 19: To abuse you Some.
• 1:14:07
  Speaker 7: Of them.
• 1:14:09
  Speaker 22: He abused me Who am I to disagree? Travel the
• 1:15:00
  Speaker 22: world and the seven seas.
• 1:15:04
  Speaker 21: Everybody's looking for something Some of them want to use you.
• 1:15:14
  Speaker 2: Some of them want to get used by.
• 1:15:18
  Speaker 19: You Some of them want.
• 1:15:27
  Speaker 10: To Some.
• 1:16:48
  Speaker 22: Of them want to use you Some of them want to.
• 1:16:59
  Speaker 2: Wants to abuse you.
• 1:17:53
  Speaker 7: Thank you.
• 1:18:22
  Speaker 3: If you don't stand for something, you'll fall for anything.
• 1:18:25
  Speaker 20: This show is a production of Movie Meltdown, produced and
• 1:18:27
  Speaker 20: edited by Brian Renfro, with opening music performed by The Empires.
• 1:18:31
  Speaker 20: To help support the show, email producer at moviemeltdown.com for
• 1:18:35
  Speaker 20: ways that you can contribute or advertise with us.