Latest / Hip-Hop Now Podcast / Sinning and Sainting

Transcript

Sinning and Sainting · Hip-Hop Now Podcast

0:00
Speaker 1: Coming up on this week's episode of hip Hop Now podcast,
0:05
Speaker 1: the Feds are selling Dame Dash's Steak in Rockefeller Records.
0:10
Speaker 1: L COOLJ names his Mount rushmore of death Jam artists
0:16
Speaker 1: with some notable omissions, and my thoughts on a new
0:21
Speaker 1: album from Killer Mike Songs for Sinners in Saints, not
0:27
Speaker 1: in but in Saints. I know I kind of fumbled that,
0:30
Speaker 1: but whatever. You know what I'm talking about, Let's do it.
0:36
Speaker 1: Welcome Georgia Pop Now Podcasts. If you from the future,
0:42
Speaker 1: you know what you do? Your ass out so disrespect
0:48
Speaker 1: the leg hip hop is here to today, escat rat
0:54
Speaker 1: into the business. What up, y'all? I am your host
0:57
Speaker 1: Vegas and this is hip Hop and Now Podcasts, a
1:01
Speaker 1: podcast specifically designed to keep you caught up on all
1:04
Speaker 1: things hip hop, music and culture that happened throughout the week.
1:08
Speaker 1: Big shout out to all the supporters past and present
1:12
Speaker 1: from Patreon dot com slash hip Hop Now. If you're
1:15
Speaker 1: watching the video version of this podcast, you can see
1:20
Speaker 1: the names below. Speaking of the video version, what I
1:25
Speaker 1: would like to say is if if you listen to
1:31
Speaker 1: the audio version of this podcast and you're like, I
1:33
Speaker 1: really been digging this for years, I've really been digging
1:35
Speaker 1: this for days, seconds, minutes, whatever it may be. Please no,
1:39
Speaker 1: there is a video version of this podcast on YouTube
1:42
Speaker 1: where we are on the road to five hundred subscribers.
1:48
Speaker 1: Right now, we are knocking on the door of four sixty.
1:52
Speaker 1: A couple of people showed up last week. I appreciate you,
1:56
Speaker 1: but we need more. So the best thing to do is,
2:00
Speaker 1: if you watch this, you kind of like what you hear,
2:04
Speaker 1: and you want to hear more. You want to see more,
2:06
Speaker 1: hit that subscribe a button, help a brother out, hit
2:09
Speaker 1: that like button. If you like the episode, obviously, definitely comment.
2:13
Speaker 1: I read all the comments. A couple of people engage.
2:17
Speaker 1: It ain't toxic, at least not yet. That's because I
2:19
Speaker 1: don't have a lot of subscribers. But we're going to
2:21
Speaker 1: try to keep it from being toxic in a comment section.
2:25
Speaker 1: But it's all about expressing your opinion, you know what
2:27
Speaker 1: I'm saying. So do that because it's most important. Because
2:31
Speaker 1: I look at my statistics on YouTube and more than
2:35
Speaker 1: fifty percent of the people that press play on these
2:39
Speaker 1: episodes on these videos are not subscribers. So become a
2:45
Speaker 1: subscriber today. And if you're like you know, I kind
2:49
Speaker 1: of like this one. I'll check in when I feel
2:51
Speaker 1: like it. That's cool also, but if you do like
2:53
Speaker 1: an episode or any video of content I post here,
2:58
Speaker 1: the best thing you could do to help a break
3:00
Speaker 1: out is to share it with people you know, but
3:03
Speaker 1: enjoy this kind of content. Now, big shout out to
3:09
Speaker 1: hip HOPDX dot com. Double XL mag is back. You know,
3:13
Speaker 1: they were tripping a couple of weeks when they were
3:16
Speaker 1: posting stuff and I was like, Oh, which, ill post it?
3:18
Speaker 1: But they're good. I checked it out in a couple
3:21
Speaker 1: of places where I get some of my stories from.
3:22
Speaker 1: Let's get right into the business. So apparently the fads
3:31
Speaker 1: are going to auction off Dame Dash's steak and Rockefeller
3:38
Speaker 1: Records or Rockefeller in general the company. So I don't
3:41
Speaker 1: know if that's just Rockefeller Records and whatever else comes
3:45
Speaker 1: with that, right, I don't know. Maybe they haven't released
3:48
Speaker 1: any outfits yet, but who knows. Maybe Rockefeller awhere is
3:52
Speaker 1: still or Rockaway or whatever it's called. It's still a thing.
3:55
Speaker 1: They just don't have anything new, So whatever stake that is,
4:00
Speaker 1: it's going to be auctioned off by the fads to
4:03
Speaker 1: cover a eight hundred one thousand dollars debt from mister Dash.
4:11
Speaker 1: His interest in the company is about thirty three point
4:17
Speaker 1: three percent. The fact that that percentage would only yield
4:25
Speaker 1: eight hundred k is surprising, but not I mean, I
4:33
Speaker 1: don't know, it's not really that surprising to me, but
4:36
Speaker 1: I guess it kind of is. Given Rockefeller's history of music.
4:41
Speaker 1: One of the things, unfortunately that happens with you just
4:46
Speaker 1: keep your raal Black labels, especially specifically in hip hop,
4:51
Speaker 1: after their big heyday, they tend to like get devalued
4:56
Speaker 1: like crazy, even with huge artists being apart part of
5:00
Speaker 1: the label. Like you saw, I mean, we knew it was.
5:03
Speaker 1: We know it's a liquidation sale now, but you saw
5:05
Speaker 1: what Diddy was doing, giving everybody they masters because what
5:09
Speaker 1: was it worth? But bad Boy was a movement, and unfortunately,
5:15
Speaker 1: because of all the other stuff going on, you know,
5:18
Speaker 1: with some of these labels and their legacy or whatever,
5:22
Speaker 1: this music that a lot of people, certain generations cherished
5:27
Speaker 1: doesn't really become like, I don't know, profitable for whoever
5:32
Speaker 1: owns it because it's forgotten. H I don't know what
5:37
Speaker 1: that was about. It gets forgotten throughout history because unfortunately,
5:41
Speaker 1: in hip hop, we tend to move on, and especially
5:44
Speaker 1: when you're talking about the bad Boy era, it's looked
5:47
Speaker 1: at as if the only thing that was ever released
5:50
Speaker 1: was you know, shiny soup music, which is not true.
5:56
Speaker 1: But with Rockefeller, specifically jay Z's cattle log alone on Rockefeller,
6:04
Speaker 1: I believe he owns the masters to all of his
6:08
Speaker 1: albums on Rockefeller except one hundred percent owns all of
6:13
Speaker 1: the masters to his albums on Rockefeller, accept reasonable doubt.
6:19
Speaker 1: I think that one is still sort of owned by
6:23
Speaker 1: Dame Dash. He either owns a portion or a significant
6:27
Speaker 1: portion or all. I can't remember, but I know reasonable
6:30
Speaker 1: doubt is the one because he teased like selling it right,
6:35
Speaker 1: which is crazy. He probably tried to sell it to J,
6:37
Speaker 1: probably up the price because of how rich J is
6:40
Speaker 1: when knowing all he needed was like eight hundred k,
6:44
Speaker 1: which is crazy. And it speaks valumes to why he's
6:48
Speaker 1: been on tour talking about jay Z so much, because no,
6:53
Speaker 1: we don't believe you, you need more people. I mean,
6:58
Speaker 1: this is business. Fortunately. I just wish some of these
7:03
Speaker 1: labels from specific generations heyday, like my own, just knew
7:11
Speaker 1: how to really preserve the moment that was for that label, right.
7:18
Speaker 1: I think with def Ro. Yeah, Snoop owns it now,
7:23
Speaker 1: But it's really more about the new music on the label, right,
7:26
Speaker 1: It's not really about like constantly doing things with the
7:30
Speaker 1: older music. Who knows how that worked out when he
7:35
Speaker 1: bought Defro Records. Did he just buy the name Dethro
7:37
Speaker 1: Records or did he get the catalogs that came along
7:41
Speaker 1: with it, or does everybody else own the cattalog Did
7:44
Speaker 1: he get a couple of them? Who knows, But he's
7:48
Speaker 1: really focused Snoop in particulars really focused on putting out
7:53
Speaker 1: new music under the label Defro Records, which is dope,
7:57
Speaker 1: okay new stuff, But Rockefeller was like splintered completely and
8:04
Speaker 1: probably will never become what it was. With there being
8:09
Speaker 1: an auction, will j byatt and and bring back kind
8:16
Speaker 1: of bring back Rockefeller Records in a certain way and
8:19
Speaker 1: relaunch with some newer artists and some familiar artists who
8:22
Speaker 1: probably you know, need a deal like P. D. Crack
8:25
Speaker 1: because honestly, maybe that the writings on the wall Bleak
8:32
Speaker 1: Making Records got an album coming. He's featured on Graphs album,
8:36
Speaker 1: which is pretty dope. You had to check out graph album.
8:40
Speaker 1: Freeway just put out Stimulus Package two which was dope,
8:44
Speaker 1: Uh he outside. He also on that graph song p
8:48
Speaker 1: D Crack on I don't really like p D crack
8:51
Speaker 1: verse on Freeway's album, but on Graphs album it's a
8:56
Speaker 1: song called Rockefeller Chain. He back in the pocket, so
9:00
Speaker 1: oh he back outside. Now we know Beanie Siegul doesn't
9:03
Speaker 1: have the voice he used to unfortunately, but I know
9:08
Speaker 1: he was looking to utilize AI in some way to
9:13
Speaker 1: kind of still write new material but get AI to
9:20
Speaker 1: use the quality of his voice previously. Now the only
9:24
Speaker 1: thing with that is like, and I know this sounds crazy,
9:29
Speaker 1: but who owns it? Because you know, sure he can
9:34
Speaker 1: go and make new music even if his voice was fine,
9:38
Speaker 1: But if he's gonna pull from older tracks that he
9:43
Speaker 1: recorded for another label which will have another owner, and
9:47
Speaker 1: he don't own those masters, then he probably can't do that.
9:53
Speaker 1: So I don't know that. I said all that to
9:56
Speaker 1: say that Rockefeller's back outside in many ways, and seeing
10:01
Speaker 1: this is interesting. I'd be curious to see who buys it,
10:05
Speaker 1: because it could be anybody. Doesn't mean it's gonna be
10:07
Speaker 1: jay Z, but we'll see. So so LLL cool J
10:13
Speaker 1: sat down with mister McGoo, not mister Shannon Sharp Hey, look,
10:21
Speaker 1: I watched Nightcap all the time. I really actually prefer
10:25
Speaker 1: it over First Take. I'm just being real. I'd rather
10:29
Speaker 1: watch him and Chad Ocho Sinko and who is it
10:34
Speaker 1: Agent zero? What's his name forgot uh? I'd rather watch
10:38
Speaker 1: them talk sports than the dumb stuff on ESPN as
10:43
Speaker 1: far as the debate shows, I watch other stuff. But
10:47
Speaker 1: ll COOLJ was on Shannon Sharp's podcast and was asked
10:53
Speaker 1: his top or his Mount Rushmore for Death Jam records. Now,
10:59
Speaker 1: this back in time, we on some Mount Rushmore stuff
11:04
Speaker 1: and people felt some kind of way, and it's like
11:06
Speaker 1: it's like it's becoming the new List and it's still
11:11
Speaker 1: it's just another list with a different name, Mount Rushmore
11:15
Speaker 1: of Death Jam. Now from what I understand, well, let's say,
11:19
Speaker 1: let me say this for those people who are getting
11:21
Speaker 1: their news here. Apparently some people feel some kind of
11:24
Speaker 1: way because there were several snubs to them as far
11:27
Speaker 1: as the top guys on Death Jam. And let me
11:31
Speaker 1: just tell you who ll listed as the top people
11:35
Speaker 1: on Death Jam. It of course he listed himself, because
11:39
Speaker 1: why not. He didn't go why not? Okay, so he
11:44
Speaker 1: put ll cooolj public enemy, the Beastie Boys hold up.
11:51
Speaker 1: This is kind of cut off for me. Hold up.
11:54
Speaker 1: The Beastie Boys and Slick Rick right for I thank
12:00
Speaker 1: Common did five last time. People felt some kind of
12:04
Speaker 1: way because they like, well hold up. There's been a
12:07
Speaker 1: couple of people over the years on death Jam, like
12:10
Speaker 1: Method Man, jay z, DMX, Fabulous Nas. I think the
12:15
Speaker 1: Roots was on there for a second. I think even
12:20
Speaker 1: Kanye was on death Jam for an album or two
12:25
Speaker 1: or whatever. Ludacris, Rihanna was a lot of people who
12:30
Speaker 1: have been a part of Death Jam, including people in
12:33
Speaker 1: between that were part of Death Jam. But this was
12:38
Speaker 1: LL's thinking. The Mount Rushmore that we see, like the
12:45
Speaker 1: actual Mount Rushmore, are more of founders, not the best presidents.
12:53
Speaker 1: The founders, founders of this country right are on Mount Rushmore.
12:59
Speaker 1: So to him, when you say Mount Rushmore, he's saying
13:03
Speaker 1: those people who built the foundation of hip hop on
13:08
Speaker 1: deaf Jam records. Now, some of you were misinformed. Some
13:12
Speaker 1: of you was like, how could he leave out run DMC. Well,
13:16
Speaker 1: run DMC was never on deaf Jam. Epm D was right,
13:23
Speaker 1: but run DMC never was on Death Jam. They were
13:27
Speaker 1: on profile records, but they were manage by rush management,
13:31
Speaker 1: which is you know, you know Russell Simmons, right, that
13:35
Speaker 1: was his management who is Run's brother. So they were
13:39
Speaker 1: never on Depth Jam. Just watch Krush School. But you
13:45
Speaker 1: know they they they shouldn't be considered in this list.
13:48
Speaker 1: So what L was saying, I don't have no problem
13:52
Speaker 1: with his list because when you think about the founders
13:56
Speaker 1: of the death Jam sound and legacy, it's not none
14:01
Speaker 1: of the new people, it's l Beastie Boys, Public Enemy
14:08
Speaker 1: and slick Rick hands down built it right, built what
14:13
Speaker 1: it was. And I know what slick Rick it was like.
14:16
Speaker 1: He had that one classic album which is right behind
14:19
Speaker 1: me if you're watching the video, and you know a
14:23
Speaker 1: group like EPMD that came out in the late eighties
14:26
Speaker 1: also had had several albums. EPMD will never had never
14:31
Speaker 1: had the impact that slick Rick had with one album.
14:35
Speaker 1: And I love EPMD, but they didn't have that same
14:40
Speaker 1: impact as far as influence and for death Jam early on,
14:45
Speaker 1: slick Rick was a beast right, So I agree with that. Now,
14:50
Speaker 1: if we just talking some of the biggest artists on
14:55
Speaker 1: death Chat, that list would look bigger to me. Right,
15:03
Speaker 1: LL has to stay there because I mean the longevity
15:06
Speaker 1: ten straight platinum albums. I'm sorry, several decades in the game,
15:14
Speaker 1: ll has to be there, right, But sodas jay Z
15:19
Speaker 1: now Reasonable Doubt, children who don't know, and some of
15:22
Speaker 1: y'all old folk who forgot, some of y'all old heads forgot.
15:26
Speaker 1: Reasonable Doubt wasn't originally on Death Jam. It was on
15:32
Speaker 1: I think that was on Priority. I think it was
15:35
Speaker 1: on Priority and another label. And I don't have the
15:37
Speaker 1: CD in front of me because I have the original CD.
15:40
Speaker 1: When Reasonable Doubt first dropped, those who went and bought
15:44
Speaker 1: it in the record store bought it and it did
15:46
Speaker 1: not it wasn't on Death Jam. So then say death
15:49
Speaker 1: Jam on the back and the CD. The picture of
15:51
Speaker 1: the CD was different, right, It was a picture of
15:54
Speaker 1: the ground with like a little done on it or whatever. Right,
15:58
Speaker 1: that's the original release for a Reasonable Doubt. Then I
16:02
Speaker 1: think maybe a year later when they made their got
16:06
Speaker 1: their Death Jam deal, that's when they kind of changed
16:10
Speaker 1: up some of the artwork, and you know, obviously they
16:13
Speaker 1: put Death Jam on it, and they added some bonus
16:17
Speaker 1: songs like Can I Live Part Two? Right? Wait? Was
16:21
Speaker 1: yeah can I Live? Part Two? Which is slapped on you.
16:23
Speaker 1: I'll be sleeping on that record, that record by it
16:26
Speaker 1: with Bleak on it. But with that being said, like
16:31
Speaker 1: it was just crazy to think, oh well, let's just
16:37
Speaker 1: go back to the list because I'm stolen a little bit.
16:40
Speaker 1: I don't think now it should be on Death Jam
16:44
Speaker 1: a Mount Rushmore, this Mount Rushmore that I'm talking about,
16:47
Speaker 1: only because a lot of his best work was off
16:52
Speaker 1: Death Jam, right with Colombia, right, like yo Ill Madic
16:56
Speaker 1: is not on Depth Jam. It was written, is not
16:58
Speaker 1: on Depth Jam. It's not all right. So to me,
17:04
Speaker 1: you could say LL, you can say DMX, you could
17:09
Speaker 1: say jay Z. I think you definitely got to say
17:14
Speaker 1: Public Enemy because of their legacy on there. And then
17:18
Speaker 1: that fifth spot becomes a little murky because it might
17:24
Speaker 1: be Kanye. And this is like by way of Rockefeller Records,
17:31
Speaker 1: Like we know he was on Rockefeller Records, but you
17:34
Speaker 1: know which was a subsidiary of Death Jam records, right,
17:38
Speaker 1: so by way of that, it wasn't straight up death
17:40
Speaker 1: Jam artists. So I don't know, it gets kind of
17:44
Speaker 1: mixed up or whatever. And you know, the BC Boys
17:46
Speaker 1: was huge and stuff like that. But for what LL
17:50
Speaker 1: meant as far as what Mount Rushmore is, Mount Rushmore,
17:54
Speaker 1: like it ain't the best presidents up there. It ain't like,
17:56
Speaker 1: oh yeah, Obama up there now. No, the founders of
18:01
Speaker 1: this country, right, I ain't gonna get political almost there.
18:07
Speaker 1: That's what the deaf jam Mount Rushmore should be. So
18:09
Speaker 1: if you're talking about the founders, the ones who built it,
18:13
Speaker 1: L L. Slick Rick, Beastie Boys, public enemy is on
18:18
Speaker 1: point and should not be argued. And last night, so
18:25
Speaker 1: earlier this week, if you're from the future, you already
18:27
Speaker 1: know what happened. Man, come on, get out of here,
18:28
Speaker 1: get your ass out of here. You already know what happened.
18:31
Speaker 1: But earlier this week, before I did this podcast, I
18:35
Speaker 1: saw a tweet from Killer Mike like, Yo, new album
18:39
Speaker 1: dropping Friday called Songs for Sinners and Saints by Michael
18:48
Speaker 1: in the Might Midnight Revival, Michael being Killer Mike. And
18:54
Speaker 1: I was like, wow, And it's almost like a follow
18:57
Speaker 1: up to me the best album of twenty twenty three,
19:01
Speaker 1: Best hip Hop album Michael from last year. It's like
19:05
Speaker 1: a follow up. So I was say, Okay, well, on Friday,
19:08
Speaker 1: I know what's the first album I'm going to listen to.
19:12
Speaker 1: But then, because I'm subscribed to the email for Run
19:16
Speaker 1: the Jews and a couple other promotional companies that send
19:21
Speaker 1: me stuff. Right the email, I get an email from
19:26
Speaker 1: the Run the Jews email from a message from Killer
19:29
Speaker 1: Mike saying, you know what, for forty eight hours this
19:34
Speaker 1: album is free and dropping early. And I'm like, oh well,
19:39
Speaker 1: let me get my free copy. So I downloaded, shared
19:43
Speaker 1: it with a couple of homies. I'm saying, not too many,
19:46
Speaker 1: but it's just a couple, you know, and I was like, cool.
19:49
Speaker 1: You know, I'm gonna listen to it and see what
19:51
Speaker 1: I think. So those who know when I do these
19:55
Speaker 1: reviews or reactions or whatever. Three listens. First, listen my impressions.
20:01
Speaker 1: You know, it's all about impressions. How does this thing sound?
20:04
Speaker 1: Second listen, I just listen more intently to the concepts,
20:08
Speaker 1: to the lyrics, to the beats, to the overall presentation.
20:12
Speaker 1: And the third listen is just to confirm my thoughts
20:16
Speaker 1: on what I heard. And for those who need quick reviews,
20:23
Speaker 1: is it better than Michael? Is it on part with Michael? No?
20:29
Speaker 1: But is it a good album? It is? Is it
20:33
Speaker 1: a good follow up or like a bonus based off
20:39
Speaker 1: an album that was released last year? I think it's
20:41
Speaker 1: more of that, and I'll tell you why. The song
20:45
Speaker 1: I mean, the album comes with about ten tracks, which
20:48
Speaker 1: is fine with me, thirty nine minutes in length. Find
20:53
Speaker 1: with Me. Features include a lot of singers of it. Obviously,
20:58
Speaker 1: when you hear revival like Anthony Hamilton and rappers, is
21:02
Speaker 1: like offsets on here, A couple of people are on here, right,
21:06
Speaker 1: Key Glock Project, pats on here, it's Kurk Franklin on here.
21:11
Speaker 1: I think, so, I don't know, but with that being said,
21:16
Speaker 1: you know, I was like, hmm, okay, this is a
21:21
Speaker 1: nice quick listen, and I'm assuming if he's gonna tether
21:25
Speaker 1: it to the album that got him a Grammy, then
21:30
Speaker 1: this just better be good. And I think it is good.
21:33
Speaker 1: And I think it's a perfect extension in concept to
21:38
Speaker 1: what we heard last year, but probably leaning more towards
21:43
Speaker 1: the gospel or let me just say, spiritual side of things.
21:47
Speaker 1: So it's not like a gospel rap album by any means.
21:50
Speaker 1: It's a lot like Michael lyrically, as far as Killer
21:55
Speaker 1: Mike telling you about himself, his upbringing, his roots, and
22:02
Speaker 1: the things that go through his mind, not even went
22:04
Speaker 1: through his mind back then, but also today. So lyrically
22:09
Speaker 1: it's right on par with Michael because Killer Mike just
22:13
Speaker 1: has a knack for being extremely relatable and really conveying
22:20
Speaker 1: his feelings through his flows and his lyrics. So it's
22:24
Speaker 1: really compelling from that standpoint. If you like Michael and
22:28
Speaker 1: you like the content as far as lyrically, this is
22:32
Speaker 1: just more of that which is dope. Production Wise, I
22:36
Speaker 1: think quality wise is on par with Michael for sure,
22:39
Speaker 1: but I think some of the beats are hit or miss.
22:43
Speaker 1: I don't think any of the beats will whack at all.
22:46
Speaker 1: I just think there are some tracks where I'd really
22:50
Speaker 1: get into it because of the production, Like for example,
22:54
Speaker 1: after the intro, there's a song called Nobody Knows, and
22:59
Speaker 1: it's just the energy behind that track and along with
23:02
Speaker 1: the quality, because the quality is on point, it just
23:06
Speaker 1: gets you in the mood for this album. That's one
23:09
Speaker 1: of the things that this is one of the reasons
23:12
Speaker 1: why Killer Mike's album was granted a Grammy and albums
23:16
Speaker 1: like that, because there's something to be said about care
23:21
Speaker 1: when it comes to your projects, right, like thinking about
23:25
Speaker 1: the listener. Okay, here's an intro, right, what do we
23:28
Speaker 1: want the intro to say to the listener before we
23:30
Speaker 1: set them up? How do we want to set the
23:34
Speaker 1: tone for the first record. They hear right, and I
23:37
Speaker 1: think between the intro and the first song, which is
23:41
Speaker 1: nobody knows, I think they set you up lovely for
23:45
Speaker 1: what the journey is going to be. I just don't
23:48
Speaker 1: think it's as good as Michael, and it doesn't have
23:51
Speaker 1: to be as good, but I think it's a perfect
23:56
Speaker 1: companion piece. If you never heard the Michael album Killer Mike,
24:00
Speaker 1: and you go listen, you like, y'all love it. I
24:02
Speaker 1: kind of like this, dude, what else he got? Go
24:05
Speaker 1: listen to this because I think it's a great follow up.
24:08
Speaker 1: Is it gonna be in my top five of the year,
24:11
Speaker 1: but nah, that top five is getting very competitive right
24:14
Speaker 1: now at this point best of the year, it's in
24:18
Speaker 1: heavy consideration because again that list I presented of the
24:24
Speaker 1: so far right best of the year so far, it's
24:28
Speaker 1: all upside down now. Too many people releasing dope records.
24:33
Speaker 1: So definitely go check out Killer Mike's new album, Songs
24:37
Speaker 1: for Sinners and Saints and also a quick bonus, even
24:40
Speaker 1: though I'm not gonna review it here. If you just
24:43
Speaker 1: want some hip hop and some bars, and there's plenty
24:46
Speaker 1: of those albums that have dropped. One that I just
24:49
Speaker 1: recently listened to one time so far, but it's probably
24:53
Speaker 1: about to go on heavy rotations. This new album from Graph,
24:58
Speaker 1: I'm just just just look it up now I know this.
25:01
Speaker 1: Somebody was like, oh, g r A p H. Now
25:05
Speaker 1: it's hip hop is spelled differently, is g r A
25:09
Speaker 1: what is it? FH? Yeah, like Graph whatever, But definitely
25:16
Speaker 1: check that one out. That's the album that contains the
25:19
Speaker 1: posse cut with a couple of former Rockefeller Records label
25:25
Speaker 1: mates because Graph was on Rockefeller unfortunately at the moment
25:30
Speaker 1: they broke, so he never really got to, you know,
25:34
Speaker 1: release anything worthy of kind of like p D Crack
25:38
Speaker 1: Graph and the unfortunate death of Big Al like that.
25:44
Speaker 1: Rockefeller roster lyrically was about to get crazy. But this
25:48
Speaker 1: album is really dope, So you just check it out.
25:51
Speaker 1: That's gonna do it for me. What do you think
25:54
Speaker 1: about Killer Mike's new album? Do you like it? Or
25:56
Speaker 1: your a fan of Killer Mike? Do you want something different?
25:59
Speaker 1: Honestly like this, but I could take a new run
26:02
Speaker 1: Jews to be honest, I could really take one of those.
26:06
Speaker 1: Leave your comments in a comment section below. Please know
26:09
Speaker 1: that if you watch this podcast and you like if
26:11
Speaker 1: I'll subscribe. If you want to stay locked in to
26:15
Speaker 1: win a new episode or a new content as posted
26:17
Speaker 1: to the channel, hit the notification button, hit the like button,
26:21
Speaker 1: and more importantly, share it with people you know enjoy
26:24
Speaker 1: this kind of content. If you just want to do
26:27
Speaker 1: the audio side, don't worry. It's also on Apple Podcasts
26:30
Speaker 1: and Spotify and everything else. Everything else, everything else you
26:35
Speaker 1: do is literally everything else, all right. So with that
26:40
Speaker 1: being said, until next time, y'all. I'm not a critic,
26:42
Speaker 1: I'm a fan. It's