Latest / Artists on Artists on Artists on Artists / Celebrity Stylists (with Olivia Sui)

Transcript

Celebrity Stylists (with Olivia Sui) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, you've seen your favorite celebrities
• 0:10
  Speaker 1: and you've seen their clothes, but where did they get them?
• 0:13
  Speaker 1: This week, we're talking to stylists.
• 0:16
  Speaker 2: Imagine going to your closet and seeing all your clothes
• 0:20
  Speaker 2: and thinking, wow, I have nothing to wear. Well, a
• 0:23
  Speaker 2: lot of celebrities might be doing the same thing too,
• 0:27
  Speaker 2: That's why they hire a personal stylist.
• 0:31
  Speaker 3: On today's episode, we gather some of the most important
• 0:35
  Speaker 3: and incredible Hollywood stylists and sit them all around a
• 0:38
  Speaker 3: table to discuss their process.
• 0:41
  Speaker 4: So buckle that belt, put on that vest, and let's
• 0:44
  Speaker 4: listen in. What a good time.
• 0:51
  Speaker 1: What's up, guys? What's up? What's up? What's up? Oh
• 0:53
  Speaker 1: my god, it's hey guys, freaking chill to hang with
• 0:57
  Speaker 1: my guys here? You know what I mean?
• 0:58
  Speaker 3: Like, I haven't seen some of you sense since I think,
• 1:01
  Speaker 3: what is it? I haven't seen strike this strike?
• 1:05
  Speaker 1: Were you guys? We were all that all that glossier
• 1:07
  Speaker 1: drop right? Were you guys there?
• 1:09
  Speaker 4: I was there.
• 1:10
  Speaker 5: I was actually traveling with the client.
• 1:12
  Speaker 1: I stopped by. I stopped by. I swear I saw
• 1:15
  Speaker 1: you though you weren't there.
• 1:17
  Speaker 5: No, No, I was. I was traveling with the client, Like,
• 1:20
  Speaker 5: you're sure.
• 1:21
  Speaker 2: Because we were where?
• 1:22
  Speaker 1: I saw you there?
• 1:24
  Speaker 6: No, No, it's not me.
• 1:26
  Speaker 1: I don't.
• 1:27
  Speaker 5: I don't go to those anymore.
• 1:29
  Speaker 1: Okay, I think you were there, But it's crazy everybody
• 1:32
  Speaker 1: else there? No, Are you sure? Because I think I
• 1:36
  Speaker 1: did see you there?
• 1:37
  Speaker 4: All right?
• 1:38
  Speaker 5: All right, all right, maybe maybe I stopped by trying
• 1:43
  Speaker 5: to stop by, right, I think you stop by for
• 1:44
  Speaker 5: a couple of hours. Sure, I was traveling with the client.
• 1:48
  Speaker 1: All right, all right, Well, people don't know what we do, right,
• 1:53
  Speaker 1: were kind of were like invisible to everybody, uh, in
• 1:57
  Speaker 1: the entire country except for the most famous people who
• 2:00
  Speaker 1: look at us.
• 2:01
  Speaker 3: It's crazy. It's like an invisible art. It's like who designs?
• 2:06
  Speaker 3: It's like I heard good design once the other day.
• 2:09
  Speaker 3: Is defined by invisibility where you look at an iPhone
• 2:12
  Speaker 3: and you can't just you can't see that it was designed.
• 2:15
  Speaker 3: It's just an iPhone.
• 2:17
  Speaker 4: That's crazy. I completely disagree.
• 2:19
  Speaker 3: Oh you do classic US, classic US.
• 2:22
  Speaker 2: And I to disagree as well, because I, okay, there's
• 2:28
  Speaker 2: something I'm disagreeing with. Is the the way that because
• 2:32
  Speaker 2: if we are doing our job correctly, nobody knows we're real.
• 2:37
  Speaker 2: That's exactly what I means, and so I'm disagreeing with
• 2:41
  Speaker 2: your point exactly.
• 2:42
  Speaker 3: That's exactly what I said, and I and.
• 2:45
  Speaker 2: I fully disagree.
• 2:47
  Speaker 5: I also, I also disagree with you because I feel
• 2:52
  Speaker 5: like my interpretation of our job is that I want
• 2:55
  Speaker 5: to be completely invisible and I want.
• 2:57
  Speaker 2: My exact and I'm disagreeing.
• 2:59
  Speaker 4: With that exactly.
• 3:01
  Speaker 5: And I totally disagree with you, guys. I disagree because
• 3:04
  Speaker 5: I feel like we I addressed my clients to be
• 3:07
  Speaker 5: completely invisible, like me. Hmm. If anyone disagrees, please good design.
• 3:14
  Speaker 3: Good design is you can't picture it any other way.
• 3:17
  Speaker 4: In my opinion, And I completely disagree, and I have
• 3:20
  Speaker 4: to go on the record completely.
• 3:23
  Speaker 2: And I think I think you're a genius. I think
• 3:25
  Speaker 2: everything you say is laced with intelligence and experience, and
• 3:29
  Speaker 2: so because of that reason, I disagree.
• 3:32
  Speaker 1: No good I do feel like I disagree, but I'm
• 3:35
  Speaker 1: having trouble remembering what the initial thing was.
• 3:38
  Speaker 3: Let's let's let's take it back, and let's explain who
• 3:42
  Speaker 3: we all are because we all know each other.
• 3:44
  Speaker 1: Yeah, absolutely absolutely.
• 3:47
  Speaker 3: And then we'll get back to disagreeing or agreeing.
• 3:50
  Speaker 1: I can't wait to see which one we settle on.
• 3:52
  Speaker 5: And I'm going to agree with that.
• 3:54
  Speaker 4: Yes, and I do with that.
• 3:56
  Speaker 5: I think we should definitely let the uh the listeners
• 4:01
  Speaker 5: know who we are. Yes, Yes, Well I'll go first.
• 4:06
  Speaker 3: Amazing great.
• 4:08
  Speaker 5: My name is Mary's, Mary's Maurice.
• 4:15
  Speaker 1: My name is Mary's.
• 4:18
  Speaker 5: Hem hyphen.
• 4:21
  Speaker 2: Galoshes.
• 4:22
  Speaker 4: Yeah, hyposhes. We've got Maurice hem hyphen galoshes in the house.
• 4:27
  Speaker 3: One of my favorite names I've ever heard in Hollywood.
• 4:31
  Speaker 1: It's when you see an outfit and you know it's
• 4:33
  Speaker 1: a hym hyphen golosh. You go, I knew it. I'm like, okay,
• 4:37
  Speaker 1: because I can spot it out anywhere Maurice, like I
• 4:41
  Speaker 1: can spot it out anywhere. It's a hym hyphen goosh.
• 4:45
  Speaker 4: Always.
• 4:45
  Speaker 5: I always leave the hem hyphen galosh trademark, which is
• 4:48
  Speaker 5: the robber shoe.
• 4:49
  Speaker 1: Yeah, you usually attach a rubber shoe to someone's coat
• 4:53
  Speaker 1: or pants.
• 4:54
  Speaker 2: Right, love, But it's just if whether it's a key
• 4:57
  Speaker 2: chain or whether it's literal, sometimes it's the shoe itself,
• 5:00
  Speaker 2: whether it's a hat or a hairpin, you always have
• 5:03
  Speaker 2: a signature. And I really respect.
• 5:05
  Speaker 6: That with it.
• 5:07
  Speaker 1: In fact, oh, you do disagree with it? I do
• 5:10
  Speaker 1: you do that?
• 5:10
  Speaker 6: Rock?
• 5:11
  Speaker 3: I feel like, Okay, Maurice, who are you working for
• 5:14
  Speaker 3: these It's Mary's, Mary's, I'm so sorry.
• 5:17
  Speaker 2: I'm so sorry.
• 5:17
  Speaker 4: I know this by beginning she said, just don't get
• 5:20
  Speaker 4: confused with Maurice. That's I said, Mary's.
• 5:22
  Speaker 3: I disagree, I said, Mary's, but maybe it's all the
• 5:27
  Speaker 3: brandy I have in my cup. Anyway, Mary's, who are
• 5:30
  Speaker 3: you working for these days?
• 5:31
  Speaker 4: I'm trying to know.
• 5:32
  Speaker 5: I'm doing something very different this season. I'm working with
• 5:36
  Speaker 5: a lot of teenagers who want to take it seriously.
• 5:41
  Speaker 1: And how do you?
• 5:42
  Speaker 4: And they are so many there's a do a dozand
• 5:45
  Speaker 4: of teenagers who want to be taken seriously.
• 5:47
  Speaker 2: They want to be taken seriously. And they don't want
• 5:49
  Speaker 2: to be wearing.
• 5:50
  Speaker 5: The big, big outfits anymore, and and the platform shoes.
• 5:55
  Speaker 5: We're going, we're staring away from that. We want to
• 5:58
  Speaker 5: do something more simple, like we said in the beginning
• 6:00
  Speaker 5: of the talk of we want to be in the
• 6:06
  Speaker 5: teens these days, they want to be unseen, Yeah, and
• 6:09
  Speaker 5: they want to be seen in a more mature light.
• 6:13
  Speaker 1: Mary's, it's so cool you're working with teens, because no,
• 6:16
  Speaker 1: I still have my older clients no, of course, of
• 6:19
  Speaker 1: course I'm agreeing with that notion. But but I think
• 6:22
  Speaker 1: it's really cool because when I was a teen I
• 6:24
  Speaker 1: remember looking around and seeing everyone in platform shoes and
• 6:27
  Speaker 1: thinking this isn't me, you know, like yeah, and I
• 6:30
  Speaker 1: didn't have the courage to go to a stylist and
• 6:33
  Speaker 1: pay five thousand dollars an hour and figure out, you know,
• 6:36
  Speaker 1: get someone to help me change my style. I just
• 6:38
  Speaker 1: stuck myself in platform shoes.
• 6:40
  Speaker 3: And yeah, I mean when you see when you see
• 6:42
  Speaker 3: a group of teenagers playing kickball and platform shoes, you
• 6:45
  Speaker 3: know a stylust isn't there?
• 6:47
  Speaker 5: No, not at all, definitely not Maurice, you know that.
• 6:53
  Speaker 4: Yeah, I'll go next. My name is Stone Rose Quartz,
• 6:59
  Speaker 4: and I believe in three things big, bold, and mean.
• 7:03
  Speaker 4: I'm big, I'm bold. I mean, my clothes are big,
• 7:06
  Speaker 4: bold and mean. So if you want to work with me,
• 7:09
  Speaker 4: you better bring a big, bold and mean energy. I'm sorry,
• 7:12
  Speaker 4: I'm sorry, and I'd like.
• 7:13
  Speaker 2: To commend you because there are many looks that I've
• 7:16
  Speaker 2: seen go down the runway by you that personally hurt
• 7:20
  Speaker 2: my feelings. Where I go home and I think, ouch.
• 7:24
  Speaker 1: Ouch, that's out.
• 7:26
  Speaker 2: That sucked to hear, but I needed to hear it.
• 7:28
  Speaker 4: I'm gonna talk to you mean, and I'm gonna present
• 7:31
  Speaker 4: to you mean. The clothes I choose are gonna be mean,
• 7:33
  Speaker 4: and you're gonna feel it. If people I want them
• 7:36
  Speaker 4: to say ouch, I want them to say ooh, that burnt.
• 7:38
  Speaker 4: I want them to know, hey, don't do that. That's mean.
• 7:41
  Speaker 4: And I go exactly, Darling, exactly, baby, Welcome to the
• 7:45
  Speaker 4: thunderdom Stone.
• 7:46
  Speaker 1: I wanted to commend you. A lot of people don't
• 7:48
  Speaker 1: know this because you're so silent in your work. You
• 7:51
  Speaker 1: usually don't take credit. But you are responsible for the
• 7:53
  Speaker 1: first half of Anne Hathaway's career.
• 7:55
  Speaker 4: Yes, and I thank you.
• 7:58
  Speaker 2: Well.
• 7:58
  Speaker 3: Talk about it enough.
• 7:59
  Speaker 1: She isn't with you anymore. Now people are perceiving her
• 8:01
  Speaker 1: as nice and mother and they like her.
• 8:04
  Speaker 4: Exactly.
• 8:04
  Speaker 1: Were her main styles for when everyone hated her for
• 8:07
  Speaker 1: no reason.
• 8:08
  Speaker 4: I mean exactly. She came to me after Princess Darius
• 8:11
  Speaker 4: and said, I need a new look. Everybody thinks I'm
• 8:13
  Speaker 4: this nerdy little girl. And I said, honey, we're gonna
• 8:15
  Speaker 4: do big, We're gonna do buld, We're gonna be mean.
• 8:17
  Speaker 4: I started putting her in feathers and I started putting
• 8:19
  Speaker 4: her in blood, and I started putting her in and suits,
• 8:23
  Speaker 4: suits with writing in silver in that suits on a
• 8:25
  Speaker 4: woman is mean.
• 8:27
  Speaker 2: It's so mean.
• 8:28
  Speaker 3: And maybe that's my age. Maybe that's my age showing.
• 8:31
  Speaker 3: But a woman should be nice and she should be
• 8:34
  Speaker 3: in a skirt exactly pants. It's mean.
• 8:38
  Speaker 4: Well we got we gotta talk all about how the
• 8:39
  Speaker 4: times have changed, because when I started with Anne Hathaway,
• 8:42
  Speaker 4: the meanest thing a woman could do was wear a suit.
• 8:45
  Speaker 1: Yeah.
• 8:46
  Speaker 3: I don't want to get political, but we can. That's
• 8:47
  Speaker 3: why Hillary lost to me.
• 8:50
  Speaker 4: That's why Hillary lost. She was in a suit too
• 8:51
  Speaker 4: long and made her too mean.
• 8:53
  Speaker 3: Yeah, oh, I'm showing my age.
• 8:56
  Speaker 2: It's my turn.
• 8:57
  Speaker 4: I'm showing my age. Another thing I love to do,
• 9:00
  Speaker 4: throw some bedazzled words on there, and like I'll throw
• 9:04
  Speaker 4: a word completely bedazzled and want to say bitch force
• 9:08
  Speaker 4: or or it'll say welcome to ass and people go,
• 9:13
  Speaker 4: what the heck is happening? I feel attacked. So that's
• 9:17
  Speaker 4: kind of I work with a lot of celebrities that
• 9:19
  Speaker 4: are looking to become mean. You know, I just got
• 9:22
  Speaker 4: the kid. I just signed the kid from Young Sheldon
• 9:28
  Speaker 4: completely rebrand. He said he was either gonna go with
• 9:31
  Speaker 4: Maurice Mary's Mary's Invisible. But I said, young Sheldon, you
• 9:37
  Speaker 4: got to be mean. You've gotta be mean because people
• 9:39
  Speaker 4: want to bully you right now, so you bully them first.
• 9:42
  Speaker 5: I give it one season and he'll be running back
• 9:45
  Speaker 5: to Mary's.
• 9:46
  Speaker 4: Okay, Okay, I would I would actually love to see.
• 9:51
  Speaker 5: That what you did Ann's career, you know.
• 9:56
  Speaker 4: And look at her. She was Catwoman, she was that
• 9:59
  Speaker 4: movie where she became a monster. I think she was
• 10:02
  Speaker 4: controlling the body of a monster.
• 10:04
  Speaker 1: Yeah, what's up, guys. My name is Chuck Chester and
• 10:10
  Speaker 1: I run No Homo Stylists and I work with currently
• 10:16
  Speaker 1: I'm full time, one hundred percent on Jacob Elordi. But
• 10:19
  Speaker 1: I work with all the hottest straight actors when they
• 10:23
  Speaker 1: want to work with someone that they know isn't going
• 10:25
  Speaker 1: to hit on them. So I'd say it's a crazy
• 10:32
  Speaker 1: industry out here, man. I work with a lot of
• 10:34
  Speaker 1: straight guys, just really solid straight guys who want to
• 10:37
  Speaker 1: look hot and they want to look fuckable, but they
• 10:39
  Speaker 1: don't want to talk to people who would also want
• 10:41
  Speaker 1: to fuck them, you know, women, queer men, all stuff
• 10:44
  Speaker 1: like that, and so I'm I come in. We hang out,
• 10:47
  Speaker 1: We drink beers, We play basketball a little bit. We
• 10:49
  Speaker 1: talked some a little bit about uh uh, I don't
• 10:53
  Speaker 1: know Rondo other basketball players, and then and then we
• 10:58
  Speaker 1: got style. What wow? What I'm I'm I'm literally straight
• 11:04
  Speaker 1: as an arrow and there's no problem with me. Like
• 11:06
  Speaker 1: I'm I'm getting in there, I'm getting close and I'm
• 11:08
  Speaker 1: I'm I'm measuring these guys and measuring lordies. You know,
• 11:12
  Speaker 1: from pex to pit, I'm measuring everything. Jealous, what's your
• 11:17
  Speaker 1: favorite place to measure? For me? It's PEX to pit.
• 11:20
  Speaker 1: I think it's really fun.
• 11:22
  Speaker 5: My definitely ear to ear.
• 11:26
  Speaker 1: Oh you look, you're to ear.
• 11:28
  Speaker 3: You could see a whole person's life in their neck.
• 11:30
  Speaker 3: What about you?
• 11:31
  Speaker 2: Stone?
• 11:33
  Speaker 4: I liked from going head to toe. I'm sorry, I'm mean, Oh,
• 11:38
  Speaker 4: you know, a full body.
• 11:39
  Speaker 2: That's mean you must be this tall to be a bitch.
• 11:44
  Speaker 4: Five seven? A little short these days, aren't we pop?
• 11:48
  Speaker 1: That's funny. That's funny stuff. So it's fun to be
• 11:51
  Speaker 1: with you guys. It's really fun. I don't usually hang
• 11:53
  Speaker 1: out with you kinds of people.
• 11:55
  Speaker 4: What do you mean by that?
• 11:57
  Speaker 2: What do you mean you kinds of people? What do
• 11:59
  Speaker 2: you mean by that?
• 12:01
  Speaker 1: Nothing? Man? It's really fun. You know. I make stylish,
• 12:04
  Speaker 1: nice clothes for dudes who are sexy as fuck, you know,
• 12:07
  Speaker 1: but they're straight. That's what I'm up to.
• 12:10
  Speaker 4: And well, that's an interesting question. Are you trying to
• 12:12
  Speaker 4: dress them in a way that presents Are they also
• 12:15
  Speaker 4: worried that they're not presenting straight when they're dressed or
• 12:18
  Speaker 4: do they? You know?
• 12:19
  Speaker 1: Well, here's the thing. It's a weird prism right now,
• 12:21
  Speaker 1: right you can you can present straight and it looks gay.
• 12:24
  Speaker 1: You can present gay and it looks straight. You different.
• 12:26
  Speaker 1: It's a topsy turbio there. We're all looking through looking
• 12:28
  Speaker 1: glasses left and right. So, but for Jacob, you know,
• 12:31
  Speaker 1: because he's my main guy right now, he's my boy,
• 12:33
  Speaker 1: he's my bro, he's my number one, he's my top
• 12:35
  Speaker 1: you know, he's my pinned text thread. You know, he's
• 12:39
  Speaker 1: pinned in my phone. Do you guys understand Jacob Elodie
• 12:41
  Speaker 1: is pinned at the top of my phone.
• 12:43
  Speaker 4: Good stylist right there, I completely disagree with that.
• 12:46
  Speaker 1: You disagree that he is. He's pinned in my phone.
• 12:49
  Speaker 1: That's nothing.
• 12:50
  Speaker 4: I disagree with the notion of pinning.
• 12:51
  Speaker 1: I'm sorry, but you we are stylist you're not pinning anything.
• 12:57
  Speaker 4: Take that up with a genius bar, you idiot.
• 13:00
  Speaker 1: But also, like we use pins, we make clothes.
• 13:02
  Speaker 4: Thank you for that.
• 13:03
  Speaker 2: If you're pinning, you need an assistant, that is right.
• 13:06
  Speaker 3: No, yeah, I haven't touched a pin since the eighties.
• 13:09
  Speaker 3: I am Miranda Magenta Klein. I am Miranda Magenta Cline.
• 13:14
  Speaker 3: So happy to be here. I've been working in style
• 13:17
  Speaker 3: and since the late seventies, worked with a lot of people,
• 13:21
  Speaker 3: and then in the nineties I did a lot of
• 13:23
  Speaker 3: good work. That was the height of my career. Worked
• 13:25
  Speaker 3: for you know, Gwyneth Paltrollroll Paltroll, that was before. That
• 13:32
  Speaker 3: was before she was in pants, Emma Watson, Uh, you know,
• 13:36
  Speaker 3: Diane Washton.
• 13:37
  Speaker 5: She's only like twenty four.
• 13:39
  Speaker 2: I've done a lot, but.
• 13:41
  Speaker 3: I have since retired and I have now I did
• 13:45
  Speaker 3: a lot of red carpet, only did red carpet for
• 13:48
  Speaker 3: a long time and now and now I am just
• 13:50
  Speaker 3: working only it's not really a job because she's my
• 13:53
  Speaker 3: best friend, but I am. I know Gardner's stylist on
• 13:56
  Speaker 3: Barefoot Contessa, so I go in there, I help her
• 14:00
  Speaker 3: get a dressed up. But besides that, I just don't
• 14:04
  Speaker 3: really do the red carpet stuff. These days, I cannot
• 14:06
  Speaker 3: do it anymore. It's hard stuff. It's getting more hard
• 14:09
  Speaker 3: and hard. I don't know how you guys do the
• 14:11
  Speaker 3: award season. I don't know how you do it.
• 14:12
  Speaker 2: Well.
• 14:12
  Speaker 4: It's especially for you because you are the queen of layers.
• 14:16
  Speaker 4: I mean back then it was layer on layer on
• 14:19
  Speaker 4: layer on layer on layer. How many layers can we
• 14:21
  Speaker 4: fit on a person?
• 14:22
  Speaker 6: You know?
• 14:22
  Speaker 3: I guess when people wore jackets on top of gowns
• 14:25
  Speaker 3: to the Oscars.
• 14:26
  Speaker 5: Well, you know, global warming.
• 14:28
  Speaker 4: And all of that global how much it's affected our
• 14:31
  Speaker 4: industry wearing warm clothes.
• 14:34
  Speaker 3: It really has.
• 14:35
  Speaker 1: Global warming really has changed the way people dress, and
• 14:38
  Speaker 1: totally people don't talk about that. It's probably the worst
• 14:40
  Speaker 1: thing that's happened when it comes to global warming exactly.
• 14:44
  Speaker 1: I disagree, Yeah, you disagree. I disagree so wholeheartedly with that.
• 14:49
  Speaker 1: It's crazy. I you know, I did want to bring
• 14:52
  Speaker 1: up Miranda. I I really really love what you're doing
• 14:55
  Speaker 1: with Aina. I think it's fantastic you. These shirts you're
• 14:59
  Speaker 1: finding are so free flowing and multifunctional. Right, Like, not
• 15:03
  Speaker 1: only are they hugely baggy in the sleeves, but also
• 15:07
  Speaker 1: they must be made of something that doesn't catch on
• 15:10
  Speaker 1: fire or absorb oils or juices.
• 15:13
  Speaker 3: Because this is why, yeah, this is why I work
• 15:17
  Speaker 3: only for her. I mean, she loves my work. The
• 15:19
  Speaker 3: way we have to hunt down these blouses is a
• 15:22
  Speaker 3: feat and.
• 15:24
  Speaker 2: You hunt them with a gun, right.
• 15:25
  Speaker 3: I hunt them. I hunt them with a rifle. I'll
• 15:29
  Speaker 3: be in the ant Taylor loft and I'll be escorted out.
• 15:31
  Speaker 3: So that is I I it is. It is tough
• 15:36
  Speaker 3: work what I do, but once I found the groove,
• 15:39
  Speaker 3: I can't work for anyone else. Those blouses move, they breathe,
• 15:43
  Speaker 3: and they are human things to me because that blouse
• 15:47
  Speaker 3: must sit in a way that looks so like it fits,
• 15:52
  Speaker 3: but it's also.
• 15:53
  Speaker 4: Loose right right, And you're using as a very loose
• 15:58
  Speaker 4: term as yes.
• 15:59
  Speaker 3: No, I found the intersection between a well fitted blouse
• 16:03
  Speaker 3: and a waterfall blouse is what I like to call them,
• 16:06
  Speaker 3: where it's just overflowing right and your your.
• 16:09
  Speaker 5: Your look, and those blouses give off an impression that
• 16:12
  Speaker 5: she's actually wearing pants, but I don't think she is.
• 16:15
  Speaker 1: No.
• 16:15
  Speaker 3: Sometimes if she's working in if she's making a roast,
• 16:18
  Speaker 3: for example, and the and the oven's been on, she's
• 16:21
  Speaker 3: in booty shorts, guys, and you're so hot.
• 16:23
  Speaker 4: It's so hot by her legs.
• 16:25
  Speaker 3: It's so hot by her legs because she's got those
• 16:26
  Speaker 3: ovens below her legs. So I put her in these
• 16:29
  Speaker 3: little booty shorts.
• 16:31
  Speaker 1: That we.
• 16:34
  Speaker 3: That we call the sandals, and I say, is is barefoot?
• 16:36
  Speaker 3: Is barefoot in her sandals?
• 16:39
  Speaker 2: Is she barefoot?
• 16:41
  Speaker 3: Oh No, that's just that's just you know what. I
• 16:43
  Speaker 3: actually have no idea why she's called the Barefoot Contessa. Anyway,
• 16:48
  Speaker 3: somebody else go, I'm done.
• 16:50
  Speaker 5: I just I just want to say I am just
• 16:52
  Speaker 5: so impressed and inspired by you, Miranda.
• 16:57
  Speaker 4: Thank you so much.
• 16:58
  Speaker 3: I mean I stopped. I literally couldn't keep going. I
• 17:01
  Speaker 3: think it was who wasn't Hillary Swank. She asked for
• 17:04
  Speaker 3: me to go with her. You guys, are you guys
• 17:06
  Speaker 3: going to the red carpets? Because I was like, I
• 17:09
  Speaker 3: don't go, honey. In the nineties, we didn't go.
• 17:12
  Speaker 5: Well, you know, for me, I'm only doing upfronts right now.
• 17:15
  Speaker 5: I haven't gotten to red carpet yet, so I'm still
• 17:18
  Speaker 5: working my way up there.
• 17:19
  Speaker 4: You'll get there. You'll get there.
• 17:22
  Speaker 2: You'll get there, honey, you'll get there. Now I'm burning
• 17:25
  Speaker 2: out my breeches to speak. I am Emily Fashion Saint Clair.
• 17:32
  Speaker 2: I was formerly as I'm sure you know, I worked
• 17:35
  Speaker 2: for Alexander McQueen. I worked for Gucci, I worked for Chanel,
• 17:40
  Speaker 2: I worked for all the major fashion houses. And after
• 17:43
  Speaker 2: the incident a couple of years ago, I have entered
• 17:46
  Speaker 2: a new phase in my career. I am now styling
• 17:49
  Speaker 2: the one and only mister Beast. So we are going
• 17:53
  Speaker 2: through his closet. We're doing a total revamp, and we
• 17:56
  Speaker 2: are doing hoodie after hoodie after hoodie, and I have
• 17:59
  Speaker 2: to source those from a variety of different places around
• 18:03
  Speaker 2: the world. So we and it's been an adjustment, but
• 18:06
  Speaker 2: I am very excited to be doing what I do.
• 18:09
  Speaker 2: And I do believe people don't know that he is
• 18:11
  Speaker 2: a fashion icon, and I in the circles that I'm
• 18:14
  Speaker 2: running in in the high fashion community, mister Beast is
• 18:17
  Speaker 2: considered a new face in fashion and what.
• 18:21
  Speaker 3: Is who is he?
• 18:23
  Speaker 5: Yeah?
• 18:23
  Speaker 1: Who is this guy?
• 18:25
  Speaker 2: Well, I'm sure you're all joking right now. I'm sure
• 18:28
  Speaker 2: you're all making a joke because, of course mister Beast
• 18:32
  Speaker 2: is at the forefront of fashion, and of course he
• 18:34
  Speaker 2: is making YouTube videos. But it's as a statement to
• 18:38
  Speaker 2: further the clothes.
• 18:39
  Speaker 1: So he's a fashion YouTuber. Sorry, the only thing I
• 18:41
  Speaker 1: watched anything.
• 18:42
  Speaker 2: So so a little bit, a little bit right. He
• 18:47
  Speaker 2: is wearing clothes when he's making the videos, and he
• 18:51
  Speaker 2: does do these sorts of stunt videos where he gives
• 18:54
  Speaker 2: people a thousand dollars, sends them into a maze, and
• 18:57
  Speaker 2: then whoever makes it out of the maze gets a
• 18:59
  Speaker 2: mealllion dollars, allowing blind kids to see sort of a
• 19:04
  Speaker 2: big stunts like that.
• 19:05
  Speaker 1: He does both of those things.
• 19:09
  Speaker 2: Yes, so he does both of those things. That actually
• 19:11
  Speaker 2: a lot more. He has a video where his friend
• 19:15
  Speaker 2: has to eat a lot of chicken nuggets based on
• 19:17
  Speaker 2: whether or not. But that's besides me.
• 19:20
  Speaker 1: Wait, so what's his thing? Man?
• 19:22
  Speaker 2: So his thing is being a fashion icon. His thing
• 19:26
  Speaker 2: is consisting in the hoodies as he does these videos
• 19:30
  Speaker 2: which are sort of fashion shows to showcase the clothing.
• 19:35
  Speaker 4: I got to give it up to you, fashion. I
• 19:37
  Speaker 4: think it's so beautiful what you do, because it must
• 19:41
  Speaker 4: be so hard working with somebody who looks uncomfortable in
• 19:43
  Speaker 4: every single thing he wears.
• 19:45
  Speaker 3: Yes, and I have.
• 19:46
  Speaker 5: To disagree with Rock on that one stone.
• 19:49
  Speaker 4: Thank you, No, I go Rock, But with my friends.
• 19:53
  Speaker 4: So you can call off.
• 19:55
  Speaker 2: Well, I appreciate that, and I appreciate that, and I disagree.
• 19:59
  Speaker 2: He does look uncomfortable as a statement on why clothes
• 20:05
  Speaker 2: should be looking not that way. He looks uncomfortable, So
• 20:10
  Speaker 2: you don't have to you're the common man. You're the
• 20:13
  Speaker 2: common man. You're the one who wears the clothes. You're
• 20:16
  Speaker 2: the one who buys the clothes. He is uncomfortable. He
• 20:19
  Speaker 2: takes that uncomfort on from you like Jesus Christ. And
• 20:25
  Speaker 2: if you're saying a personal thing.
• 20:28
  Speaker 5: But so does he have a lot of fur.
• 20:33
  Speaker 2: Mister beast has a lot of fur in in his closet.
• 20:36
  Speaker 2: I'm sure you you may have seen that.
• 20:38
  Speaker 5: Vote He's not actually a beast.
• 20:42
  Speaker 2: Uh No, he is a He is a One could
• 20:45
  Speaker 2: call him a beast, One could call him a beast
• 20:47
  Speaker 2: of fashion, one could call him an icon, and I do.
• 20:52
  Speaker 2: But no, he himself is a human man rich So
• 20:55
  Speaker 2: his name is mister beast? Have you guys, You guys
• 20:58
  Speaker 2: really haven't never.
• 21:00
  Speaker 4: Heard of him. I know exactly who you are.
• 21:03
  Speaker 2: I only know Tom Cruise, and yeah only know Tom Cruise.
• 21:07
  Speaker 2: I only know Tom Cruise.
• 21:09
  Speaker 1: I only know Dave Portning Andvon that's all I know.
• 21:12
  Speaker 3: I only know Martha Stewart and.
• 21:14
  Speaker 1: I know well. My question is, so it is Beast,
• 21:17
  Speaker 1: So is he like does he have a body that
• 21:20
  Speaker 1: really shows off those clothes? Like what's the deal? Like?
• 21:23
  Speaker 1: Is it like he's like whoa, he's like buff in
• 21:24
  Speaker 1: a hoodie? Because I put some people, I put Barry
• 21:26
  Speaker 1: Kyogan in a hoodie in and let's just say, Chuck.
• 21:29
  Speaker 4: I gotta say, it's shocking. You don't know, mister Beast.
• 21:33
  Speaker 4: Is it absolutely shocking?
• 21:35
  Speaker 2: It's actually it's rather surprising.
• 21:38
  Speaker 3: The work I've seen you do, Chuck with a hoodie
• 21:40
  Speaker 3: is incredible.
• 21:41
  Speaker 1: I've seen.
• 21:42
  Speaker 5: I have to agree with them. I'm surprised that Chuck
• 21:44
  Speaker 5: has no idea who mister Beast is.
• 21:46
  Speaker 1: This is the only thing you guys are agreeing on
• 21:47
  Speaker 1: is that I should know.
• 21:48
  Speaker 3: I completely agree you should agreement, and I am.
• 21:53
  Speaker 2: An agreement here, I do think. And to answer your question, no,
• 21:57
  Speaker 2: his body is like the kind of body you have
• 22:01
  Speaker 2: when you're someone who wears a hoodie in that way.
• 22:08
  Speaker 4: Mean mean body shame.
• 22:12
  Speaker 2: What's to shame is the person who who does the
• 22:18
  Speaker 2: things that.
• 22:20
  Speaker 3: Are heap, oh, oh wow, oh fashion.
• 22:27
  Speaker 2: I can't keep doing this I can't keep working here.
• 22:31
  Speaker 3: I was gonna, I was gonna ask you fashion, I
• 22:34
  Speaker 3: can't keep I.
• 22:36
  Speaker 2: I well the well you all, and I keep trying
• 22:45
  Speaker 2: to lie to myself, but no, and the reality is
• 22:49
  Speaker 2: I was kicked out of the high fashion world because
• 22:51
  Speaker 2: I did a poo poo at the Gucci show and
• 22:54
  Speaker 2: I tried to hide it. I tried to run away,
• 22:57
  Speaker 2: and I entered what I thought was an emergency exit,
• 22:59
  Speaker 2: but it was just the door to the Valentino show.
• 23:02
  Speaker 2: And so I did a poop poo in the Valentino show.
• 23:05
  Speaker 2: Blinded by my humiliation, ran into the into the Ralph Lauren,
• 23:10
  Speaker 2: into the into the Chanel, into the Chloe, and it
• 23:15
  Speaker 2: was back and forth like a pinball machine. So may
• 23:17
  Speaker 2: in effect I do do it in all of them,
• 23:20
  Speaker 2: making me an outcast in the fashion community and relegated
• 23:24
  Speaker 2: to the depths of YouTube. It is horrific fashion.
• 23:29
  Speaker 3: I'm glad you said something, because I think all of
• 23:31
  Speaker 3: us were sitting here thinking while you were talking. I
• 23:33
  Speaker 3: couldn't not think about your poop poop.
• 23:35
  Speaker 4: Yeah, we all know, we have all. I'm sorry.
• 23:38
  Speaker 3: I'm sorry that happened to you. I'm so I haven't
• 23:41
  Speaker 3: seen many stylists go down like that in such a
• 23:43
  Speaker 3: public way, and.
• 23:45
  Speaker 2: I thank you for all sort of pretending for me.
• 23:49
  Speaker 2: Thank you for doing that. Not a lot of people do,
• 23:52
  Speaker 2: a lot of people call me on it right away, and.
• 23:56
  Speaker 1: Well, in my circle, fashion, you're a freaking legend. I
• 23:58
  Speaker 1: would say, what didn't help is you after it happened,
• 24:02
  Speaker 1: you changed your first name to Fashion to try to
• 24:07
  Speaker 1: compensate it. I think Emily, honestly, we all loved you
• 24:10
  Speaker 1: as Emily, and then when you started saying I'm actually Fashion,
• 24:13
  Speaker 1: as if to say you can't get rid of me.
• 24:15
  Speaker 1: Fashion is my name and to be and to And.
• 24:19
  Speaker 2: In my defense, I thought it would work. I really
• 24:22
  Speaker 2: thought it would work. I really thought, well, okay, it'll
• 24:24
  Speaker 2: be less paperwork if I go Fashion Emily Saint Clair
• 24:27
  Speaker 2: instead of Emily Fashion Saint Claire. I really thought if
• 24:30
  Speaker 2: I just sort of rearranged it, nobody would know, and
• 24:36
  Speaker 2: my payroll pretended. I it's look and I will you
• 24:42
  Speaker 2: will you will you? Will you level with me for
• 24:43
  Speaker 2: a minute? Will you just will you?
• 24:45
  Speaker 4: Will you?
• 24:45
  Speaker 2: Will you extend some pity my way? Because have any
• 24:48
  Speaker 2: of you ever had a fashion mishap in your job?
• 24:52
  Speaker 2: It can't be just me right. If any of you
• 24:54
  Speaker 2: had a sort of whoopsie do with your celebrity clients,
• 24:58
  Speaker 2: or an outfit that went wrong, a traumatic memory, maybe.
• 25:03
  Speaker 4: Well, if I'm gonna say, if you haven't a whoopsie do,
• 25:05
  Speaker 4: are you even a stylist? Are you even a stylist
• 25:07
  Speaker 4: without a whoopsie do? It's like a purple heart, like
• 25:10
  Speaker 4: a purple heart.
• 25:12
  Speaker 3: Absolutely, Oh, I had a whoopsie do. That I think
• 25:14
  Speaker 3: was the reason why I went I think I am
• 25:16
  Speaker 3: too old for this. I think it was the time
• 25:19
  Speaker 3: where everyone was bringing on little purses. Lizzo had that
• 25:22
  Speaker 3: little tiny purse. Everyone has these tiny purses, and I
• 25:25
  Speaker 3: just thought, I don't know, let me flip that trend
• 25:28
  Speaker 3: on its head, And I gave Blake Lively a purse
• 25:31
  Speaker 3: that was the size of a bus. And it was
• 25:35
  Speaker 3: so big.
• 25:37
  Speaker 4: I remember that she was struggling to carry it around it.
• 25:41
  Speaker 3: And it it almost ran over to photographers and pressed.
• 25:46
  Speaker 3: Because the purse was so so big, she.
• 25:50
  Speaker 2: Carried it a lot farther than I thought she would.
• 25:53
  Speaker 3: It had wheels, it had an engine, It had two
• 25:55
  Speaker 3: people inside it pushing it.
• 25:56
  Speaker 1: For Oh, she was a bus.
• 25:58
  Speaker 3: It was a bus. It was a bus.
• 26:00
  Speaker 1: Us, and it was as it was a bus, just
• 26:05
  Speaker 1: with like her lipstick in it.
• 26:07
  Speaker 2: Yes, it was the size of a bus because it
• 26:09
  Speaker 2: was a bus, but it still was I.
• 26:12
  Speaker 3: Said it was the size of a bus. I mean
• 26:13
  Speaker 3: it was a bus because it was the size of
• 26:15
  Speaker 3: a bus, and it had it had her phone, and
• 26:18
  Speaker 3: it had her lip gloss, and it had a tampon
• 26:21
  Speaker 3: in it. But it also had three employees inside of it.
• 26:24
  Speaker 3: And they were pushing that thing and driving that thing
• 26:26
  Speaker 3: down the carpet, and the poor thing just was trying
• 26:29
  Speaker 3: to go to see. I don't know what it was.
• 26:30
  Speaker 3: I think it was Mad Max too, And I said,
• 26:33
  Speaker 3: bring this on the carpet, and they said, don't do this.
• 26:35
  Speaker 3: And I said, this is what the kids are doing.
• 26:37
  Speaker 3: I'm going to be difficult. I'm going to be mean.
• 26:39
  Speaker 3: I took a page out of Stone's book and I said.
• 26:41
  Speaker 4: So Blake Lively went to Mad Max two with a bus.
• 26:44
  Speaker 4: I love this.
• 26:45
  Speaker 3: It's it's look it up, okay.
• 26:47
  Speaker 4: And she did.
• 26:49
  Speaker 2: With everything we've said here today, google it just so
• 26:54
  Speaker 2: google it. I'm sure it'll come up.
• 26:55
  Speaker 3: But that was my big that was my big loopsy.
• 26:59
  Speaker 4: So I had a huge whoopsie poopsie. It was actually
• 27:03
  Speaker 4: devastating and put me in the dark for a couple
• 27:05
  Speaker 4: of years. Height of Kesha being mean and bad, people
• 27:09
  Speaker 4: were like, this girl is mean and bad. So I thought,
• 27:12
  Speaker 4: let's even lean into it more. I gave her a
• 27:14
  Speaker 4: broom to give her a little bit of like that,
• 27:16
  Speaker 4: Oh I'm a witch vibe. This chargolodyte starts using it
• 27:21
  Speaker 4: to sweep, and people go, oh, how nice, how nice
• 27:24
  Speaker 4: Kesha's cleaning up after herself. I almost had a conniption.
• 27:29
  Speaker 4: I basically had a heart attack combined with a stroke,
• 27:33
  Speaker 4: combined with a blood clot in my brain. I was pissed. Immediately,
• 27:38
  Speaker 4: people the press starts going, nice, Kesha sweeps up after herself.
• 27:42
  Speaker 4: She must be tidy and clean and small, not bold
• 27:46
  Speaker 4: and big and mean. So that's basically one of my
• 27:51
  Speaker 4: biggest whoopsies.
• 27:52
  Speaker 1: Stone, that's a whoopsie.
• 27:54
  Speaker 5: No Rock, I commend.
• 27:57
  Speaker 1: You as Stone.
• 27:58
  Speaker 4: It's stone, but he can move past it. Maurice. You
• 28:02
  Speaker 4: know I say your name correct every single time.
• 28:06
  Speaker 1: Maurice. I gotta no, I gotta know your biggest whoopsie.
• 28:08
  Speaker 1: I mean, when thinking of a couple you've had, you're
• 28:10
  Speaker 1: just so proud of your mistakes. Which is what I am.
• 28:13
  Speaker 5: I mean, before I went to the minimalistic invisible route,
• 28:18
  Speaker 5: I was dressing Jacob Tremblay.
• 28:21
  Speaker 2: Yeah, and I thought.
• 28:24
  Speaker 5: You know, he just finished the movie The Room, we
• 28:27
  Speaker 5: should go bold. He hit in a little carpet in
• 28:31
  Speaker 5: that movie, and I thought he would look amazing and
• 28:35
  Speaker 5: a carpet. When he went and did the carpet, I
• 28:39
  Speaker 5: rolled him in an actual carpet on the carpet, so
• 28:43
  Speaker 5: we just looked like a cylinder walking.
• 28:46
  Speaker 2: I remember this Vogue called it the Tremblay Canoli exactly.
• 28:52
  Speaker 5: And go ahead, fashion.
• 28:56
  Speaker 2: No, I just want to say it was one of
• 28:59
  Speaker 2: the the most defining pictures on my Pinterest board that year.
• 29:04
  Speaker 2: It really. I just wanted to commend you on that.
• 29:07
  Speaker 2: I would just wanted to give you props.
• 29:09
  Speaker 4: And I was talking about making a kid invisible. You know,
• 29:12
  Speaker 4: you literally made him invisible to the naked eye. Nobody
• 29:14
  Speaker 4: knew who it was, nobody.
• 29:16
  Speaker 5: Right, and so I thought, you know, art imitating art.
• 29:21
  Speaker 5: He was rolled up in a Turkish rug on the
• 29:25
  Speaker 5: red carpet and I did not know this, but the
• 29:29
  Speaker 5: rug was flammable and there were candles everywhere. So the
• 29:35
  Speaker 5: carpet and the ruck went up in flames, caught on fire.
• 29:40
  Speaker 5: But luckily Jacob was protected in the canoli and he didn't.
• 29:47
  Speaker 5: He didn't.
• 29:48
  Speaker 2: And that is the mark of a good stylist. That's
• 29:50
  Speaker 2: the mark of a good stylist. The first thing they
• 29:51
  Speaker 2: teach you in fashion school is number one, look out
• 29:54
  Speaker 2: for fire. Right, we have to talk about flammability. Yes,
• 29:59
  Speaker 2: they We don't let you leave at fittum if you
• 30:03
  Speaker 2: can't pass your flammability one on one test.
• 30:06
  Speaker 5: Well, and here's the thing that people probably don't know
• 30:08
  Speaker 5: is that at Red Carpets we have buckets of flower now,
• 30:12
  Speaker 5: so we dump it on people with they catch on fire. Yeah,
• 30:17
  Speaker 5: and that was after the Jacob Tremblay incident. And we
• 30:19
  Speaker 5: call it Jacob's law.
• 30:20
  Speaker 4: Now, Jacob's law law. If you're not following Jacob's law,
• 30:24
  Speaker 4: what are you even doing.
• 30:25
  Speaker 1: I'm really glad that that Congress pushed that one through,
• 30:28
  Speaker 1: you know, I'm really glad that Congress sat down. It
• 30:31
  Speaker 1: was one of the first bipartisan efforts in the last
• 30:33
  Speaker 1: fifteen years to make sure that we can have flower
• 30:36
  Speaker 1: at red carpets. I'm glad we really got that across.
• 30:39
  Speaker 3: I have never seen I hadn't seen Congress step into
• 30:43
  Speaker 3: the fashion world. Ever in my entire career.
• 30:45
  Speaker 5: Well because of me, I pushed it forward, had in
• 30:49
  Speaker 5: my career on pause to push the bipartisan bill.
• 30:54
  Speaker 4: Well, that's I will say, Ham hyphen Galoshes. That's only
• 30:57
  Speaker 4: because your dad's a senator. That's only because as your
• 31:00
  Speaker 4: dad's a senator.
• 31:01
  Speaker 2: Okay, we're here. A senator hem hyphen Galoshes has made
• 31:05
  Speaker 2: some terrible decisions on infrastructure, and I don't know how
• 31:08
  Speaker 2: he sleeps at night. I don't know how he sleeps
• 31:10
  Speaker 2: at night. Allocating that money towards the bridges using the
• 31:13
  Speaker 2: property taxes, Really, why would you not be taking it
• 31:17
  Speaker 2: from the schools? Why would you not be siphoning it
• 31:19
  Speaker 2: that way? That should be coming out of the twenty
• 31:21
  Speaker 2: nineteen budget. That's why we passed the law in the
• 31:24
  Speaker 2: first place.
• 31:25
  Speaker 4: I'm sorry.
• 31:26
  Speaker 2: I'm sorry.
• 31:27
  Speaker 4: Legally, yes, and I want to I completely disagree with
• 31:30
  Speaker 4: everything you just said. I completely disagree and.
• 31:33
  Speaker 5: I completely disagree with hem hyphen Galoshes as well. Listen,
• 31:37
  Speaker 5: I'm his daughter, Wow, but I do also believe in drilling.
• 31:43
  Speaker 4: Okay, of course, just to know you're his daughter, But
• 31:46
  Speaker 4: you believe in drilling, you know what?
• 31:48
  Speaker 3: That's the SoundBite. They got their SoundBite for the episode.
• 31:51
  Speaker 3: Let me tell you, we're going to talk about the
• 31:53
  Speaker 3: trade and we're going to talk about all this stuff
• 31:55
  Speaker 3: with stylists. But then they're going to take that because
• 31:57
  Speaker 3: they just want us for meat. Sometimes.
• 32:00
  Speaker 1: What I don't like that Himipen Galoshes is doing out
• 32:02
  Speaker 1: in Delaware is that he's adding potholes. And I've read this.
• 32:06
  Speaker 1: He's adding potholes to the highways himself.
• 32:09
  Speaker 5: And well have you thought of this chuck hiding? Some
• 32:13
  Speaker 5: of us want to hide in a pothole. My dad
• 32:16
  Speaker 5: is actually doing the Lord's work.
• 32:19
  Speaker 6: Okay.
• 32:19
  Speaker 4: Oh, she's a Christian. I knew it would come out
• 32:22
  Speaker 4: hem hyphen Galosh's church? Am I right?
• 32:26
  Speaker 6: What?
• 32:27
  Speaker 5: I love church?
• 32:28
  Speaker 3: Oh, guys, bring it back to the clothes man, We
• 32:33
  Speaker 3: bring it back to the.
• 32:34
  Speaker 5: Clones fashion brought up my father and I believe in
• 32:38
  Speaker 5: drilling and I believe in potholes.
• 32:41
  Speaker 2: Okay, I will say the hem hyphen Galoshes pothole of
• 32:45
  Speaker 2: field on that on that I forty out in Delaware.
• 32:48
  Speaker 1: Uh.
• 32:49
  Speaker 2: I don't agree with it politically, but it's fun to
• 32:51
  Speaker 2: play whack a mole in it.
• 32:53
  Speaker 5: It was inspired by a closet cool really.
• 32:57
  Speaker 4: Yes, what part of the closet?
• 33:01
  Speaker 2: Well, you know, sometimes.
• 33:02
  Speaker 5: You're out and about and you need to change your clothes.
• 33:05
  Speaker 5: So my dad thought, okay, closets are always outside. What
• 33:10
  Speaker 5: if we dug underneath. What if the closet was under
• 33:15
  Speaker 5: the ground, and so it'll make it accessible for people
• 33:18
  Speaker 5: to change in and out of clothes.
• 33:21
  Speaker 2: So, but there are no clothes down there.
• 33:23
  Speaker 1: Right, hold on, hold on, I lost focus for a second.
• 33:27
  Speaker 1: Are we talk about how a pothole on the highway
• 33:29
  Speaker 1: is inspired by a closet?
• 33:30
  Speaker 4: Absolutely?
• 33:31
  Speaker 1: Is that where were discussed.
• 33:32
  Speaker 4: Look, if you don't know what we're talking about, you
• 33:35
  Speaker 4: obviously aren't paying attention it.
• 33:37
  Speaker 3: Sound bite. There you go, There you go.
• 33:41
  Speaker 1: I gotta take about my biggest soopsy.
• 33:43
  Speaker 3: Oh please chuck.
• 33:44
  Speaker 1: It was about twenty eighteen. I accidentally made Nick Jonas
• 33:48
  Speaker 1: look a little too by and that was a.
• 33:50
  Speaker 4: Problem and the ramifications live on today.
• 33:54
  Speaker 1: Still live on my man. Oh, it's a fine line.
• 33:58
  Speaker 1: You know, you wanted to be said that you want
• 34:00
  Speaker 1: to appeal to people. But we put him in that
• 34:03
  Speaker 1: underwear for Calvin Klein, and Calvin was begging me to
• 34:06
  Speaker 1: get underwear on neck. Yeah, put it in my imagine,
• 34:09
  Speaker 1: put straight guy, one straight guy to the NAX. Put
• 34:12
  Speaker 1: this man in my underwear police, you know, And I
• 34:14
  Speaker 1: was like, I'm in charge of this guy's growing.
• 34:16
  Speaker 4: Calvin is desperate. Calvin Klein is very desperate.
• 34:22
  Speaker 3: Can I ask how it went down? So you did it?
• 34:24
  Speaker 3: And then when did you find out you had overstepped?
• 34:28
  Speaker 1: Well? I found out I had overstepped when uh, basically
• 34:32
  Speaker 1: I got online and there were rumors. And let's just
• 34:37
  Speaker 1: say that in my industry, if people, if there's allegations
• 34:41
  Speaker 1: about men, I get fired. If someone says you made
• 34:45
  Speaker 1: me look a little too a little to something, I'm out.
• 34:50
  Speaker 1: I'm on my ass. The problem is I'm trying to
• 34:52
  Speaker 1: make him look hot, and so if they look hot,
• 34:54
  Speaker 1: they're gonna look a little queer, and they look a
• 34:56
  Speaker 1: little queer. People gonna think they maybe a little queer.
• 34:58
  Speaker 4: So now that it must be so easy right now
• 35:01
  Speaker 4: for you too, because that EASi or hard because the
• 35:04
  Speaker 4: line is completely blurred and a lot of people want
• 35:06
  Speaker 4: to look queer. But exactly gay baiting exists. Well, so
• 35:10
  Speaker 4: you know, Jacob, that affect you.
• 35:12
  Speaker 1: Jacob Elordi number one penned you know, I could call him,
• 35:14
  Speaker 1: I could face them him, right now and you pick
• 35:16
  Speaker 1: up like Jacob Elordi and I. You know, we we
• 35:20
  Speaker 1: were frustrated because there's a situation he brought up where
• 35:23
  Speaker 1: he said, my first celebrity crush was Brad Pitt and
• 35:28
  Speaker 1: Orlando Bloom right, and we were like, oh, he did it.
• 35:31
  Speaker 1: You know, he said something a little queer. And then
• 35:33
  Speaker 1: everyone said, that's the straightest answer I've ever heard. This
• 35:35
  Speaker 1: name is not queer, and so we passed it. We
• 35:38
  Speaker 1: passed it because if you say it's Brad Pitt, then
• 35:41
  Speaker 1: you're not gay, right, because everyone's attracted Brad did That's
• 35:45
  Speaker 1: an easy answer. It's mad say yeah. If you you
• 35:48
  Speaker 1: say you know somebody that looks if you say something
• 35:51
  Speaker 1: that looks a little different, you know, if you say
• 35:54
  Speaker 1: I don't know Gary Oldman, You're like, there's something up here.
• 35:56
  Speaker 1: You know, there's a history there, must look like somebody's
• 35:58
  Speaker 1: used to you know. It's if you say you know,
• 36:03
  Speaker 1: I don't know, it's like, who's my celebrity crush, I
• 36:05
  Speaker 1: don't know Paul walter Houser. You know, then all of
• 36:06
  Speaker 1: a sudden you're like stuck.
• 36:09
  Speaker 2: You seem to have this down to a science. Really
• 36:13
  Speaker 2: know it.
• 36:16
  Speaker 1: You have to understand it. And you know, I I
• 36:19
  Speaker 1: love working with these guys because fashion it can alienate
• 36:23
  Speaker 1: guys because we feel like we're not enough, you know.
• 36:26
  Speaker 1: But with these big, strapping, tall men in like Jacob, Jacob,
• 36:30
  Speaker 1: I'm telling you, if I called him and said my
• 36:31
  Speaker 1: house is on fire, he'd say say when? And so
• 36:34
  Speaker 1: do you have a girlfriend. I don't have a girlfriend currently.
• 36:37
  Speaker 1: Girls Actually, like girls are so confusing to me, and actually,
• 36:40
  Speaker 1: like I'm just like kind of taking a step away
• 36:42
  Speaker 1: from girls right now because like I just need to
• 36:44
  Speaker 1: focus on my work and focus on Jacob, and like
• 36:47
  Speaker 1: we're we're kind of we're really focusing because he he's
• 36:50
  Speaker 1: his seventh and eighth ab are locking into place, and
• 36:54
  Speaker 1: so we're we're waiting for that to lock because I
• 36:57
  Speaker 1: have some shirts that are going to look really nice
• 36:59
  Speaker 1: on him, and I've just been going over kind of
• 37:01
  Speaker 1: checking these abs, like making sure if he's ready, and
• 37:03
  Speaker 1: it's always like, bro, we're not ready.
• 37:04
  Speaker 2: And sometimes it can take a moment for the abs
• 37:07
  Speaker 2: to lock. I know that when when you put new
• 37:09
  Speaker 2: abs in a man. A lot of people don't know this,
• 37:12
  Speaker 2: but they move around like slugs until they adapt and
• 37:15
  Speaker 2: they find the other locks. And sometimes they don't take.
• 37:18
  Speaker 2: Sometimes they vibrate around the body and they end up
• 37:20
  Speaker 2: in the wrist, and then you've got a wrist ab
• 37:22
  Speaker 2: and it's it's useless.
• 37:25
  Speaker 3: I heard a rumor that you, because of all of this,
• 37:29
  Speaker 3: like you just have such a fascinating point of view
• 37:32
  Speaker 3: on the science of what's happening in culture these days.
• 37:35
  Speaker 3: I heard a rumor that you are doing a podcast
• 37:37
  Speaker 3: produced by Zara Man.
• 37:39
  Speaker 1: I am doing a podcast produced by Zara Man. We
• 37:41
  Speaker 1: shoot him really really fast, and they're pretty good, even
• 37:47
  Speaker 1: though they're really fast. That's the thing about my Zara podcast.
• 37:50
  Speaker 1: It's awesome.
• 37:51
  Speaker 3: I love a fast podcast.
• 37:53
  Speaker 2: I love every shot is a third of a second,
• 37:56
  Speaker 2: but it's just enough to get.
• 37:57
  Speaker 1: It, just enough to get it exactly. And it's like wow,
• 38:00
  Speaker 1: for the quality this is, I can't believe how quickly
• 38:03
  Speaker 1: this was made with such moore conditions. We shot in
• 38:07
  Speaker 1: a terrible place. We're shooting them, we are shooting them
• 38:10
  Speaker 1: in the Sherman Islands.
• 38:15
  Speaker 5: It's all highly flammable too.
• 38:17
  Speaker 1: It's a very flammable podcast. We're releasing it on old
• 38:20
  Speaker 1: celluloid tapes.
• 38:21
  Speaker 5: Well, tell Jacob to get out of there.
• 38:24
  Speaker 1: Yeah, I had no I had Jacob On as my
• 38:26
  Speaker 1: first guest. We took shots of Fireball and we looked
• 38:29
  Speaker 1: at pictures of old playboys. It was really nice. Wow,
• 38:34
  Speaker 1: I have I love that. Okay, okay, we looked at
• 38:39
  Speaker 1: pictures of women together shots. You have my dream career, guys,
• 38:43
  Speaker 1: we all have. We have the same career. We all
• 38:45
  Speaker 1: have a dream career.
• 38:46
  Speaker 4: And okay, can we play my favorite game. I love
• 38:49
  Speaker 4: doing this when I feel a little naughty. So I'm
• 38:52
  Speaker 4: going to give you guys a celebrity and they're going
• 38:54
  Speaker 4: to be completely just. You have to dress them head
• 38:57
  Speaker 4: to toe for an event I choose. Okay, this is
• 39:01
  Speaker 4: Chris Evans. Un Chris Evans going to a funeral.
• 39:05
  Speaker 2: Go caprice, black cardigan, sense of a cardigan, dad who
• 39:09
  Speaker 2: pets a cat?
• 39:10
  Speaker 1: Clear, plastic lebron Jersey, U stuicy pants.
• 39:18
  Speaker 4: Good good, good answers.
• 39:20
  Speaker 3: The shirt must not touch his body yet sit on
• 39:22
  Speaker 3: his shoulders.
• 39:24
  Speaker 2: Yes, you can tell. It's the women's shirt material too.
• 39:28
  Speaker 4: That I would have said black black suit with a
• 39:31
  Speaker 4: gun and red riding on the back, saying I'm glad
• 39:33
  Speaker 4: she's gone.
• 39:34
  Speaker 1: Oh my god.
• 39:35
  Speaker 4: Mean okay o, there you go, come on, Chuck.
• 39:40
  Speaker 1: Okay, here we go, let's go with uh, let's go
• 39:45
  Speaker 1: with Jeremy Allen White going to an opening of a
• 39:51
  Speaker 1: tiny bakery.
• 39:52
  Speaker 5: Caprice shirtless, obviously shirtless caprice.
• 39:58
  Speaker 4: All right, I'm going to go with just two chains,
• 40:02
  Speaker 4: a chain mail shirt, nipples pierced, black eyeliner, and a
• 40:08
  Speaker 4: collar that says choke me nice, so that in that
• 40:13
  Speaker 4: my version he's got, people are going to be mean
• 40:15
  Speaker 4: to him.
• 40:16
  Speaker 5: Yeah, what about you, Chuck, how would you dress him?
• 40:19
  Speaker 1: I would do Express men's white shirt, and I would
• 40:23
  Speaker 1: do packs on pants, and and then I go ahead
• 40:27
  Speaker 1: and I put on uh, let's go with a hat
• 40:31
  Speaker 1: that says Denver in cursive on it.
• 40:36
  Speaker 3: Yeah, I'm dying to know.
• 40:39
  Speaker 5: What are you guys dressing your clients for the Oscars.
• 40:42
  Speaker 1: Let's man, let's talk about it. Well, we don't know yet, right, So.
• 40:48
  Speaker 2: Well, miss I could say, mister Beast will be at
• 40:51
  Speaker 2: the Oscars love YouTube, which is, as we all know,
• 40:55
  Speaker 2: the Kid's Choice Awards, And for that we are getting
• 40:59
  Speaker 2: some hoot He's in from Thrasher. We are looking at
• 41:03
  Speaker 2: some hoodies from Billabong, and we are looking at some
• 41:06
  Speaker 2: hoodies from Iced Tea's new hoodie line, which is yet
• 41:10
  Speaker 2: to be released. It's an industry secret.
• 41:13
  Speaker 4: He hasn't released it yet. I would see that it
• 41:15
  Speaker 4: would be one of the first things he releases as
• 41:17
  Speaker 4: a hoodie line. That's fun.
• 41:19
  Speaker 2: No, it's a it's all all in the works. It's
• 41:22
  Speaker 2: all secret secret. Yes, iced tea, iced tea of the UH,
• 41:29
  Speaker 2: of the of the of of c s I, Yes,
• 41:35
  Speaker 2: of law and order s VU.
• 41:36
  Speaker 4: And can I ask you a question? Do you do
• 41:39
  Speaker 4: you ever try to push mister Beasts past his comfort zone? What?
• 41:44
  Speaker 4: What can you know? Do you? And what happens?
• 41:46
  Speaker 2: There was one day, there was one day. There was
• 41:49
  Speaker 2: one day. Well, I handed him a suit and mister
• 41:57
  Speaker 2: Beast threw a knife at me. He has a little
• 42:01
  Speaker 2: knife that he keeps in his uh.
• 42:04
  Speaker 4: The Little Beast, The Little Beast, I've heard about it.
• 42:06
  Speaker 2: Little Beast yet to be released, but there will be
• 42:08
  Speaker 2: a line coming out. He keeps it around in case
• 42:12
  Speaker 2: rats go by. He when you get to a certain
• 42:15
  Speaker 2: number of subscribers, you kind of want to kill rats yourself.
• 42:21
  Speaker 2: I don't know why. I don't know when. But it
• 42:23
  Speaker 2: happened to the epic Meal time guys, and it happened
• 42:25
  Speaker 2: to V sawus, and it happened to mister beasts as well.
• 42:29
  Speaker 2: So he threw the little knife at me. It pierced
• 42:32
  Speaker 2: my wrist, it drew blood, and he said, why would
• 42:38
  Speaker 2: you put that fucking shit on me? This is an epic?
• 42:44
  Speaker 2: Ask me again, what's epic? And then I asked him,
• 42:48
  Speaker 2: I said, do you want me to ask you or
• 42:50
  Speaker 2: do you want me to answer it? And he said,
• 42:52
  Speaker 2: ask me what's epic? So I said, mister beast, what
• 42:54
  Speaker 2: is epic? And he said, shirt?
• 42:58
  Speaker 3: Shirt?
• 42:59
  Speaker 2: And I know he means by shirt, he means hoodie,
• 43:03
  Speaker 2: and so.
• 43:04
  Speaker 4: Oh, he thinks hoodie is shirt.
• 43:06
  Speaker 2: He thinks hoodie is shirt because it's a standard for him.
• 43:10
  Speaker 2: You know, you got to keep the bubble. You got
• 43:12
  Speaker 2: to keep the bubble for these guys. You've got to
• 43:14
  Speaker 2: keep their sense of reality in check. So I won't
• 43:18
  Speaker 2: be trying anything. I am going to stay on the
• 43:21
  Speaker 2: epic clean route for him. And we've got a lot
• 43:24
  Speaker 2: lined up for the Kid's Choice Awards. Let's just say
• 43:28
  Speaker 2: we've got some options for when he's slimed and some
• 43:31
  Speaker 2: options for if he's not slimed. Spoiler alert, he's gonna
• 43:34
  Speaker 2: get slimed.
• 43:35
  Speaker 3: That's incredible fashion. I'll see you there because Aina is
• 43:38
  Speaker 3: going to the Kid's Choice Awards as well. Oh way, yes, yes, yes,
• 43:43
  Speaker 3: she's never going. She never goes the Oscars, but she
• 43:44
  Speaker 3: will go to the Kids Choice Awards, so I'll see
• 43:46
  Speaker 3: you there.
• 43:46
  Speaker 1: I don't want to see her get slimed. Can you
• 43:48
  Speaker 1: have them stop that? I don't want to see it.
• 43:51
  Speaker 3: But she giggles in such a funny way.
• 43:53
  Speaker 1: But it's sad, you know. I don't think. I don't
• 43:55
  Speaker 1: think you should get slimmed if you're someone with that
• 43:57
  Speaker 1: much power, like I think that's disrespectful.
• 44:00
  Speaker 4: Well, so quick question, what do the kids do when
• 44:02
  Speaker 4: Ida Garden comes out? What are the kids do? In
• 44:04
  Speaker 4: pair foot? Contessa takes the stage wear if.
• 44:09
  Speaker 5: She's wearing booty shorts, well she no, no, no, no, no no.
• 44:12
  Speaker 3: Booty shorts are for us and the crew and for
• 44:14
  Speaker 3: the ovens. You know it's no. She would never, she
• 44:16
  Speaker 3: would never. I mean, I fashion. I don't want to
• 44:19
  Speaker 3: speak out of turn because I know is my best friend,
• 44:21
  Speaker 3: but I will of course. I've had a moment similar,
• 44:22
  Speaker 3: and I wonder if anyone here around this table has
• 44:24
  Speaker 3: had a moment where you suggest something to a client
• 44:27
  Speaker 3: that is not on brand. Right, there are people I've
• 44:30
  Speaker 3: dressed people like I remember, well, I did Lady Gaga
• 44:33
  Speaker 3: once towards the end of my career. It was huge,
• 44:35
  Speaker 3: and you give her things that you don't think are
• 44:37
  Speaker 3: on brand and she likes it. But then there are
• 44:39
  Speaker 3: people like Inna Gardner, where I gave her an Aritzia
• 44:43
  Speaker 3: leather jacket once and she threw not a small knife,
• 44:47
  Speaker 3: a butcher's knife, and it came at me so fast,
• 44:52
  Speaker 3: like I was a chicken ready to be cut and
• 44:54
  Speaker 3: served to a group of gals for lunch. And it's
• 44:57
  Speaker 3: so sorry. It was. It was scary. And sometimes that's
• 45:01
  Speaker 3: when you learn the difference in some clients and like
• 45:03
  Speaker 3: you challenge some clients and in other clients you just
• 45:06
  Speaker 3: stay with the few things they want.
• 45:09
  Speaker 4: You know, that's so interesting, And I completely disagree with
• 45:11
  Speaker 4: it because I'm having a completely different problem personally. Sometimes
• 45:16
  Speaker 4: I make a client too mean and it backfires. I
• 45:19
  Speaker 4: gave Nicole Ritchie a gun and she got too excited
• 45:22
  Speaker 4: and too into it, and she shot my foot and
• 45:26
  Speaker 4: she shot my best assistant. So sad we had to
• 45:29
  Speaker 4: lose her, but she's gone now.
• 45:32
  Speaker 1: That's not good, no.
• 45:33
  Speaker 4: And it's just it's just a it's a slippery slope
• 45:36
  Speaker 4: with mean, because mean can turn into bad. You know,
• 45:39
  Speaker 4: mean can turn into awful really quick.
• 45:43
  Speaker 5: Well, agree with Rock and I go piggybacking on Rock
• 45:47
  Speaker 5: stone Stone.
• 45:49
  Speaker 4: But I love how mean you are.
• 45:50
  Speaker 1: Mean.
• 45:51
  Speaker 4: I should dress you.
• 45:52
  Speaker 5: I too also have been I I'm actually dressing the
• 45:59
  Speaker 5: dog from anatomy a fall because sometimes, yeah, I know
• 46:04
  Speaker 5: it's a big deal because I'm kind of in that
• 46:06
  Speaker 5: great territory when people think I dress teenagers, I can
• 46:09
  Speaker 5: also dress pets.
• 46:11
  Speaker 4: So teenagers pens go hand in hand.
• 46:14
  Speaker 3: Yes, and he is loud.
• 46:17
  Speaker 6: He pierced me with a machete because I wanted to
• 46:20
  Speaker 6: put him in a skirt, and he barked at me
• 46:26
  Speaker 6: and pierced a machete through my abdomen.
• 46:32
  Speaker 4: Yeah.
• 46:33
  Speaker 1: I was just gonna say, I wish I could have
• 46:34
  Speaker 1: heard that nine on one call. That sounds sounds like
• 46:37
  Speaker 1: a lot to describe.
• 46:38
  Speaker 3: Do you have it?
• 46:39
  Speaker 1: I do, let's play it.
• 46:42
  Speaker 5: Did you want the version of the well the dog
• 46:46
  Speaker 5: actually speaks too?
• 46:49
  Speaker 2: Yeah? Awesome, Okay, yes, I'd love to hear it.
• 46:52
  Speaker 5: All right, someone be the operator.
• 46:59
  Speaker 2: Skirt Just see I just saw the script be dropped
• 47:02
  Speaker 2: in the in the chant, so we'll back out.
• 47:04
  Speaker 4: The nine fashion.
• 47:05
  Speaker 5: Will you be the nine operator.
• 47:07
  Speaker 2: Yes, okay, I'm saying, wow, I have a lot of lines.
• 47:12
  Speaker 5: And I don't have blood, so this is great.
• 47:14
  Speaker 4: And Rod, can you be the dog stone and I will.
• 47:19
  Speaker 5: Okay nine one one?
• 47:23
  Speaker 2: What is your emergency? And can I just say I'm
• 47:27
  Speaker 2: merge you're hurt? In what way are you hurt? And
• 47:31
  Speaker 2: tell me all about it? Please and thank you.
• 47:33
  Speaker 5: My client just threw a machete in my abdomen.
• 47:37
  Speaker 2: Now tell me more about the machete and how it's
• 47:40
  Speaker 2: hurting you, and start at the beginning. Please leave out
• 47:43
  Speaker 2: no details, but just warning. I'm may the blood is
• 47:46
  Speaker 2: everywhere and what kind of blood is that? A positive?
• 47:50
  Speaker 2: Be negative or a okay, just a little joke in
• 47:54
  Speaker 2: my family. Go ahead.
• 47:55
  Speaker 5: Oh shit, this isn't nine one one called the wrong number.
• 48:00
  Speaker 4: So you said the dog talk but not once? Right besides,
• 48:04
  Speaker 4: and it's a dog for me. But I didn't have
• 48:07
  Speaker 4: a single line.
• 48:09
  Speaker 3: This is hilarious. Who would have thought you get a
• 48:11
  Speaker 3: bunch of stylists around the table and we're actually not
• 48:13
  Speaker 3: talking clothes. We're talking congress legislation. We're talking nine to
• 48:17
  Speaker 3: one one tapes. We are It's just it's it's.
• 48:20
  Speaker 2: Almost like we want to talk about anything, but the
• 48:22
  Speaker 2: clothes could almost say.
• 48:25
  Speaker 4: That, let's treat them. Everybody go around and just say
• 48:29
  Speaker 4: clothes for a little.
• 48:30
  Speaker 1: Bit, collar pants, Jane necklace.
• 48:37
  Speaker 4: Caprices, I'll say it once more, hat small vest, jean jacket.
• 48:45
  Speaker 3: Nick Caprice, Beanie.
• 48:48
  Speaker 4: A mean suck.
• 48:52
  Speaker 1: Tims, Caprira.
• 48:54
  Speaker 5: Miranda keeps saying Caprice.
• 48:58
  Speaker 3: Oh that yes, I am saying, Caprice, best.
• 49:07
  Speaker 1: Stunner, Caprice, Miranda. Are you are you bored with your
• 49:13
  Speaker 1: work or what.
• 49:14
  Speaker 4: What's going on?
• 49:15
  Speaker 3: Well, that's retirement, honey.
• 49:17
  Speaker 2: I mean.
• 49:19
  Speaker 3: I wouldn't dare. I'll talk about it. It's similar to fashion,
• 49:24
  Speaker 3: where it's like you may get tired and your career
• 49:28
  Speaker 3: may change, but your creativity never dies. I don't have
• 49:32
  Speaker 3: the stamina to go from fashion house to fashion house
• 49:37
  Speaker 3: and take address that Viola Davis wants to try on
• 49:40
  Speaker 3: and maybe she doesn't like the color, and go back
• 49:42
  Speaker 3: and forth. I don't have that anymore. I'm in my seventies,
• 49:46
  Speaker 3: but I am on set, and no matter how many
• 49:51
  Speaker 3: lavender scones I get cooked from my best friend Ana Gardner,
• 49:55
  Speaker 3: I still am boored. When I just so. Sometimes I
• 49:58
  Speaker 3: just tell myself that even though it's Prieze, Caprice Caprice.
• 50:01
  Speaker 3: There's there's variation in the repetition of the same thing
• 50:05
  Speaker 3: over and over.
• 50:07
  Speaker 1: I just want to make sure that we are talking
• 50:09
  Speaker 1: about in a garden, because you've been saying on a gardener,
• 50:13
  Speaker 1: and I just want to make sure that we are
• 50:15
  Speaker 1: talking about the barefoot contessa and not somebody else named
• 50:18
  Speaker 1: a gardener who could very well also be a chef
• 50:21
  Speaker 1: for a cook. But you just said she's, you know,
• 50:23
  Speaker 1: one of your best friends.
• 50:24
  Speaker 2: I was wondering that as well.
• 50:25
  Speaker 4: Yes, who see. But I loved it because it was mean.
• 50:29
  Speaker 4: I loved it.
• 50:31
  Speaker 5: Yeah.
• 50:32
  Speaker 3: Oh, I call her gardener because I can't get her
• 50:37
  Speaker 3: out of her backyard. She's always picking tomatoes. And I'm
• 50:40
  Speaker 3: so sorry. That's so embarrassing. It's like when you call
• 50:42
  Speaker 3: someone dad in front of a table of not his family.
• 50:46
  Speaker 4: You call dad for forty five minutes.
• 50:49
  Speaker 1: I truly get that. I called Jacob Elordi daddy accidentally,
• 50:52
  Speaker 1: like literally everything.
• 50:53
  Speaker 2: Okay, Chuck, okay, check, okay, Chuck, what's going on here?
• 50:59
  Speaker 4: On here? Let's go on.
• 51:01
  Speaker 2: You have to ask Chuck what's going on here?
• 51:03
  Speaker 4: No, you better start talking because I'm about to get me.
• 51:08
  Speaker 1: No.
• 51:09
  Speaker 2: No, she's told us, spiky bra, you can tell it's
• 51:11
  Speaker 2: me because it's got studs on it. Just be real
• 51:16
  Speaker 2: with us.
• 51:17
  Speaker 3: We're all talking so really, a fashion talked about her
• 51:20
  Speaker 3: poo poo. Come on, we're all talking about what's really
• 51:24
  Speaker 3: going on behind the clothes.
• 51:26
  Speaker 1: Yeah, listen, dudes, like I honestly couldn't tell you like
• 51:30
  Speaker 1: I am exactly who I am. Like, I am like
• 51:33
  Speaker 1: fully straight, and I love these men's bodies and I
• 51:36
  Speaker 1: love shaping them and I love crafting them. I love
• 51:39
  Speaker 1: being around them. I love touching them. I love making
• 51:42
  Speaker 1: them look better. And that's it. That's the truth. There's nothing,
• 51:47
  Speaker 1: there's nothing underlying I you know, they're beautiful, they're incredible
• 51:52
  Speaker 1: works of art. I want to kiss him. I want
• 51:54
  Speaker 1: to touch him. I want to make him feel better,
• 51:55
  Speaker 1: like there's you know, that's what you feel like with art.
• 51:58
  Speaker 1: You know, that's that's probably how you know. I bet
• 52:01
  Speaker 1: you michael Angelo kissed his little statue. Don't you guys
• 52:05
  Speaker 1: think michel Angelo? Come on, but.
• 52:11
  Speaker 4: He was definitely barking up a tree if you know
• 52:14
  Speaker 4: what I mean.
• 52:15
  Speaker 1: Way, dude, michael Angelo was straight. He would have made
• 52:17
  Speaker 1: that dick look so much nicer if he liked him.
• 52:22
  Speaker 5: Er, I have a question for you, Chuck.
• 52:24
  Speaker 1: Yeah, it's up.
• 52:25
  Speaker 5: Are your other clients going to be jealous that you
• 52:28
  Speaker 5: keep talking about one client?
• 52:30
  Speaker 1: H Okay, Yeah, Look, I'm gonna be honest. I have
• 52:33
  Speaker 1: been getting a little bit of jealousy from certain people
• 52:35
  Speaker 1: here and there. There's some there's some young hot men
• 52:39
  Speaker 1: that are wishing they got a little more attention from me.
• 52:42
  Speaker 1: But it actually works in my favorite because I'm a
• 52:44
  Speaker 1: more desirable stylast because because I'm like, well, you got
• 52:47
  Speaker 1: to pass the vibe check. So we got this young
• 52:51
  Speaker 1: hot shot. His name is uh, Dylan Glove, and he's
• 52:56
  Speaker 1: he's this really cool guy. He's on an FX show
• 52:58
  Speaker 1: right now, and he's trying to court me. He's like, bro,
• 53:01
  Speaker 1: let's go court side to the Knicks, or let's go
• 53:04
  Speaker 1: court side to the Dallas Stars hockey.
• 53:07
  Speaker 2: Oh he's courting you, like.
• 53:10
  Speaker 4: Literally courting you, not like not.
• 53:13
  Speaker 3: Like intense dating or like intentionally seeing someone. It's courting
• 53:17
  Speaker 3: going to court side.
• 53:18
  Speaker 1: No, he's courting me by he's we call it courting,
• 53:21
  Speaker 1: which is where you're going to come to courtside games
• 53:23
  Speaker 1: with me until you agree because you love Right.
• 53:25
  Speaker 2: That actually happened to me, I got gulfed up by
• 53:27
  Speaker 2: tiger woods. That's what they call it when they keep
• 53:31
  Speaker 2: inviting you to the PGA tour until eventually you agree to address.
• 53:34
  Speaker 1: Them right right right? Did you agree?
• 53:37
  Speaker 2: Well? Yes, until I mean until the incident. Then he
• 53:42
  Speaker 2: better thans to.
• 53:43
  Speaker 1: Know which one his are yours.
• 53:45
  Speaker 2: Jesus dude, they actually happened on the same day, if
• 53:48
  Speaker 2: you believe it. Oh my god, have you guys ever
• 53:51
  Speaker 2: been a rough day?
• 53:52
  Speaker 3: Have you guys ever been home goooded when a woman
• 53:55
  Speaker 3: in her sixties wants to go to home goods with you?
• 53:59
  Speaker 2: Oh? I've you got this job?
• 54:02
  Speaker 3: I get home good at every day.
• 54:04
  Speaker 1: Wow?
• 54:05
  Speaker 4: Have you ever been offfled where somebody wants to show
• 54:07
  Speaker 4: you how mean they can be? So you just kind
• 54:09
  Speaker 4: of go to places that you shouldn't be and they
• 54:11
  Speaker 4: act awful?
• 54:13
  Speaker 3: Stone, who hurt you?
• 54:16
  Speaker 4: I just want to be nice. I just want to
• 54:18
  Speaker 4: be nice, And.
• 54:19
  Speaker 3: Just like that, You've popped open.
• 54:22
  Speaker 4: What can I say?
• 54:23
  Speaker 1: I'm a bag of rocks.
• 54:24
  Speaker 4: I'm easily broken apart.
• 54:26
  Speaker 2: I can't believe all we had to do was ask.
• 54:29
  Speaker 4: And nobody did. Not one person this whole time asked
• 54:33
  Speaker 4: anything about me, Old Stone.
• 54:37
  Speaker 3: Oh, guys, what are you up to this? So we
• 54:40
  Speaker 3: were talking about this award season. Does anybody have any
• 54:42
  Speaker 3: fun little I don't know, previews of something. You can
• 54:45
  Speaker 3: say a cat out of the bag if you will.
• 54:48
  Speaker 2: Well, the iHeartRadio Music Awards are they are once again happening.
• 54:55
  Speaker 2: Like it or not, They're happening, and I.
• 54:58
  Speaker 1: Don't like it, dude, I don't like it.
• 55:00
  Speaker 2: They are a scorge on the stylist industry because can
• 55:04
  Speaker 2: I just say our celebrities, every single celebrity who goes
• 55:08
  Speaker 2: to the iHeart Radio Music Awards think they're too good
• 55:10
  Speaker 2: for it. So they want to convey a sense of
• 55:13
  Speaker 2: I want to look hot, but I also want to
• 55:15
  Speaker 2: look like I don't give a shit at all. That's
• 55:17
  Speaker 2: the vibe on the iHeart Radio Music Awards red carpet,
• 55:19
  Speaker 2: and so it's difficult. It's difficult when you're bringing someone
• 55:22
  Speaker 2: like mister Beast because he already is wearing hoodies, so
• 55:26
  Speaker 2: you need to elevate that to a status of So
• 55:29
  Speaker 2: we got to make a hoodie even more high fashion,
• 55:31
  Speaker 2: and then we got to tear it down a little
• 55:33
  Speaker 2: bit so it looks like he doesn't give a shit
• 55:34
  Speaker 2: even more. And it's such a headache and we really
• 55:40
  Speaker 2: have to stop it. But something that's different this year
• 55:43
  Speaker 2: about them is that I know that their production team
• 55:47
  Speaker 2: is going to be harassing celebrities into dressing better. So
• 55:52
  Speaker 2: I don't know if you guys heard about this. You're
• 55:54
  Speaker 2: gonna get little texts on the day of from one
• 55:57
  Speaker 2: executive producer that says, send me the outfit now, yeah,
• 56:00
  Speaker 2: and then he's going to send things like, really, that's
• 56:04
  Speaker 2: what you're wearing. That's what you're wearing.
• 56:06
  Speaker 1: We've already prapped. I'm working with Bad Bunny on that.
• 56:08
  Speaker 1: He's going dresses the girl on the front of the
• 56:10
  Speaker 1: Morton Salt. He's going to support and sell.
• 56:13
  Speaker 3: Girl and like a Halloween costume.
• 56:16
  Speaker 1: Yes, literally, we bought it a spirit and he's going
• 56:19
  Speaker 1: and we're going to fight it because no one's going
• 56:21
  Speaker 1: to say no to Bad Bunny.
• 56:23
  Speaker 5: I just think it's ironic that, you know, they're requesting
• 56:25
  Speaker 5: you guys to dress them up when it's a radio show.
• 56:28
  Speaker 1: Exactly, dude, exactly, And.
• 56:30
  Speaker 2: That's what we've been saying for years.
• 56:32
  Speaker 5: And so are they going to be describing how these
• 56:35
  Speaker 5: guests look or will there be a you know, will there.
• 56:40
  Speaker 1: Be no on the show on a lot of show.
• 56:43
  Speaker 2: Well, I guess they televised the thing.
• 56:45
  Speaker 1: I think they're televising.
• 56:46
  Speaker 2: I never watched it, but they do televise the thing.
• 56:49
  Speaker 1: On a TV Guy channel or some ship. Yeah, it's
• 56:51
  Speaker 1: it's there's some.
• 56:52
  Speaker 5: Oh mean I like, I like, let me tent up anger,
• 57:00
  Speaker 5: you know, with himself?
• 57:01
  Speaker 1: No, I love myself. I love everything. I love too.
• 57:06
  Speaker 4: I can't tell if you don't know yourself well enough,
• 57:09
  Speaker 4: or you know yourself better than that, better than anyone.
• 57:11
  Speaker 5: At work with teenagers. And I know a lot about
• 57:14
  Speaker 5: that in our struggles and stuff like that.
• 57:17
  Speaker 3: Well, inner struggles more like the inner struggles your dad's
• 57:20
  Speaker 3: creating with all those potholes.
• 57:21
  Speaker 4: Am I right?
• 57:21
  Speaker 5: Hey, their closets?
• 57:24
  Speaker 2: What you should have taken the funds from a different
• 57:28
  Speaker 2: tax bracket. We cannot be taxing at this rate if
• 57:31
  Speaker 2: we're going to divert infrastructure funds this way. I'm sorry,
• 57:34
  Speaker 2: I'm sorry.
• 57:36
  Speaker 1: Come on him having goloshes. I actually want to bring
• 57:39
  Speaker 1: something up because I've been dying to discuss it.
• 57:41
  Speaker 5: Better not be about my dad, because he is doing
• 57:43
  Speaker 5: the lord's work.
• 57:45
  Speaker 1: It's not about your dad. It's about you and the
• 57:47
  Speaker 1: big oopsie that actually shifted your career from teens.
• 57:50
  Speaker 5: I told you it was the big fire that erupted.
• 57:53
  Speaker 1: I know, but there was something else. You were the
• 57:57
  Speaker 1: stylists for Jennifer Lawrence and the era where she fell
• 58:00
  Speaker 1: down a lot because she was wearing all those goloshes
• 58:03
  Speaker 1: you were giving her chuck.
• 58:04
  Speaker 3: You cannot come back from this.
• 58:06
  Speaker 2: If you bring this up, I'm going to I'm gonna everywhere.
• 58:13
  Speaker 2: This is risky business.
• 58:15
  Speaker 1: I'm gonna light this on fire. Dude, You're the reason
• 58:17
  Speaker 1: she tripped and.
• 58:18
  Speaker 3: Then Shohn thing.
• 58:21
  Speaker 2: If you so much as suggest that Jennifer Lawrence wasn't
• 58:24
  Speaker 2: being relatable in that moment in twenty sixteen, that is
• 58:28
  Speaker 2: that is death to you. Harnish my family name like this.
• 58:33
  Speaker 1: It's been tarnished.
• 58:34
  Speaker 5: Dude.
• 58:34
  Speaker 1: You've been done tarnished. I'll tell you that much. But
• 58:37
  Speaker 1: what I will say is you think you should own
• 58:39
  Speaker 1: it because I think you did an amazing thing for her.
• 58:42
  Speaker 1: I think he's an incredible thing, all right. I look, yes,
• 58:46
  Speaker 1: you did for her what I've been doing with Colin
• 58:48
  Speaker 1: Ferrell's coats like, you did some amazing stuff with her.
• 58:51
  Speaker 1: So I think you need to step up and say
• 58:54
  Speaker 1: I'm the reason she was lovable. I'm the reason she was. Like,
• 58:56
  Speaker 1: you deserved the spotlight, Marye.
• 59:00
  Speaker 3: We all deserve the spotlight, we all do.
• 59:03
  Speaker 1: Will you own it?
• 59:05
  Speaker 3: Own it?
• 59:05
  Speaker 2: You know what, I'm going to own it?
• 59:07
  Speaker 5: Yes, why Jennifer Lawrence tripped so much during her award
• 59:14
  Speaker 5: season for.
• 59:16
  Speaker 3: Yes? And you are the reason why Jojo Seawall wore
• 59:19
  Speaker 3: black that one time. I know that was your work.
• 59:22
  Speaker 1: It is you.
• 59:22
  Speaker 5: You just want them to be invisible.
• 59:24
  Speaker 1: I've actually kind of always had a crush on you.
• 59:27
  Speaker 1: Mary's which would you want to maybe hang out?
• 59:28
  Speaker 4: Okay, no way, Now I did not see that coming.
• 59:34
  Speaker 4: It's been artists on artists on artists on artists, and
• 59:36
  Speaker 4: so the question, Now, that's why we call it showbiz.
• 59:39
  Speaker 4: Good Night, Hollywood.
• 59:42
  Speaker 7: Artists on artists on artists on artists and improvised Hollywood
• 59:45
  Speaker 7: Round Table podcast created and performed and produced by Kylie Braakman,
• 59:49
  Speaker 7: Jerry Colney, Angela Jertana, Patrick McDonald.
• 59:52
  Speaker 3: Music is by Gabriel Ponton.
• 59:54
  Speaker 7: The opinions expressed on this podcast do not reflect the
• 59:56
  Speaker 7: opinions of anyone who works on it, not even the performers.
• 59:59
  Speaker 7: Because this and improvised podcasts and we're stupid full video
• 1:00:02
  Speaker 7: versions of a O A O A O A are
• 1:00:04
  Speaker 7: available on YouTube, so please like and subscribe and leave
• 1:00:07
  Speaker 7: us a five star review.
• 1:00:08
  Speaker 3: Wherever you get your podcasts. Good night, Hollywood,