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121. The 1980's Special! · Notable Nostalgia

• 0:00
  Speaker 1: Hey, what's up, nostalgia nerds. We have a call for
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  Speaker 2: us on Saturday September thirteenth at the Riverfront Park in Portland, Oregon.
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  Speaker 2: us and support this great cause.
• 1:13
  Speaker 1: And what if I lost both my hands tomorrow?
• 1:15
  Speaker 2: You could be a seat model start. I was sixteen
• 1:19
  Speaker 2: at the time or fifteen and uh, And then hook
• 1:22
  Speaker 2: it up with a witch and that was that. Cats
• 1:27
  Speaker 2: can smile apparently.
• 1:29
  Speaker 1: Whoa weird.
• 1:30
  Speaker 2: Yeah, but it doesn't always mean that they're happy.
• 1:34
  Speaker 1: Lucy receives a call from what I can only assume
• 1:36
  Speaker 1: is the future winner of every acting award ever.
• 1:39
  Speaker 2: Yeah, Jimmy Moon is a star. Her look looks weren't
• 1:43
  Speaker 2: part of this issue.
• 1:46
  Speaker 1: He's like, I had to sell my last top hat
• 1:47
  Speaker 1: for Jannas.
• 1:49
  Speaker 2: Maybe this is not appropriate eitherther but.
• 1:51
  Speaker 1: Let's see what's up, nostalgia nerds. I hope you're ready
• 1:58
  Speaker 1: for a totally radical, gnarly, tubular, bodacious episode of notable nostalgia.
• 2:04
  Speaker 2: Cowabunga, that's nineties eighties I think.
• 2:07
  Speaker 1: First up, I feel like Cowabunga came from the Ninja Turtles.
• 2:12
  Speaker 1: And actually, if you look, that's a signed that that's
• 2:14
  Speaker 1: signed by Kevin Eastman. Oh nice, Yeah, pretty cool. But
• 2:16
  Speaker 1: they started in the eighties. So I feel like it's eightiesn.
• 2:18
  Speaker 2: Okay, cool? What we did there? Well, I'm excited to
• 2:21
  Speaker 2: Should we travel back? Yeah?
• 2:23
  Speaker 1: Should we?
• 2:23
  Speaker 2: Just?
• 2:24
  Speaker 1: Well, just we'll explain what we're doing. We're gonna go
• 2:26
  Speaker 1: back in time really quick. We're going to talk about
• 2:28
  Speaker 1: our favorite song, album, and movie from the nineteen eighties.
• 2:32
  Speaker 2: Cool, let's get in the time machine.
• 2:43
  Speaker 1: Whoa, we're here the eighties way different? Wow?
• 2:47
  Speaker 2: Oh is that Reagan? Who am?
• 2:49
  Speaker 1: I remember? His wife's nickname was the throat Goat? Oh
• 2:54
  Speaker 1: was it?
• 2:54
  Speaker 2: Yeah?
• 2:54
  Speaker 1: I guess she's like a she.
• 2:57
  Speaker 2: Was like a movie star back in the day.
• 2:59
  Speaker 1: Yeah, he was. I didn't know she was a movie through,
• 3:02
  Speaker 1: but I heard something that she would like go down
• 3:03
  Speaker 1: on dudes in the studio all the time. So they
• 3:05
  Speaker 1: called her the throat Goat.
• 3:07
  Speaker 2: Yeah.
• 3:07
  Speaker 1: I don't know if that's true, because I feel like
• 3:08
  Speaker 1: goat is like a newer term, like greatest of all time.
• 3:12
  Speaker 2: So I don't know, maybe her, maybe maybe the former
• 3:16
  Speaker 2: first Lady. Maybe it was the goat because she was
• 3:19
  Speaker 2: on all hands and knees and she kind of looked
• 3:21
  Speaker 2: like a goat.
• 3:21
  Speaker 1: Or maybe she made a sound of a goat, a
• 3:25
  Speaker 1: goat man, goat oh, she's still alive. I don't think,
• 3:31
  Speaker 1: I hope not. I would. I remember speaking of that
• 3:35
  Speaker 1: throat goat thing. I was talking to one of my friends,
• 3:37
  Speaker 1: uh or I was talking to somebody at a bar,
• 3:40
  Speaker 1: and we're talking about like I just have my my
• 3:42
  Speaker 1: head's full of just just dumb random knowledge, right Yeah.
• 3:45
  Speaker 1: And then so I was like, yeah, my friends used
• 3:46
  Speaker 1: to call me if they had questions about stupid shit,
• 3:49
  Speaker 1: and a lot of times I would know the answer,
• 3:51
  Speaker 1: and so they would call me Google before Google even started.
• 3:54
  Speaker 1: But I was like, wait, no, they didn't. Would they
• 3:58
  Speaker 1: call me that if there's no such thing as Google
• 4:02
  Speaker 1: the time? Why would they go this guy's Google?
• 4:04
  Speaker 2: You know, your brain made it seem like they did
• 4:07
  Speaker 2: call you Google before Google.
• 4:08
  Speaker 1: Yeah, I don't know why. And I was like, wait, no,
• 4:10
  Speaker 1: why would they call me that that there's no reason
• 4:12
  Speaker 1: for them to call me that.
• 4:13
  Speaker 2: I had a similar thing when when I was a kid,
• 4:15
  Speaker 2: I was so convinced that I invented flying cars that
• 4:19
  Speaker 2: when I when I watched the Jetsons, I'd be like,
• 4:22
  Speaker 2: that was my idea. Yeah, And I'm sure my sister
• 4:25
  Speaker 2: was like, you're a fucking asshole.
• 4:26
  Speaker 1: I think it's like Hannahbarberrier like, we gotta get ahold
• 4:28
  Speaker 1: of those guys. Yeah, that's funny.
• 4:30
  Speaker 2: Oh my god, I'm excited to chat about the eighties. Like,
• 4:33
  Speaker 2: which of the seasons, seasons of the decades so far, sixties, seventies, now, eighties,
• 4:37
  Speaker 2: which one was the one that was, like, bye, I
• 4:39
  Speaker 2: am like the easiest for you?
• 4:41
  Speaker 1: That's I'd probably say the seventies. I'm not a like,
• 4:44
  Speaker 1: I just I'm not very knowledgeable about the sixties, so
• 4:47
  Speaker 1: that was kind of tough. I love the seventies and
• 4:48
  Speaker 1: I don't really like the eighties very much, so like,
• 4:51
  Speaker 1: but there's some bangers, of course from the eighties, but
• 4:53
  Speaker 1: I think seventies.
• 4:54
  Speaker 2: What about you, seventies was definitely the easiest. What was
• 4:57
  Speaker 2: going on scandal wise in the I know, I'm gonna
• 4:59
  Speaker 2: have some trivia later, but was there like a war
• 5:02
  Speaker 2: going on because the Vietnam was like in the sixties
• 5:04
  Speaker 2: or seventies, right.
• 5:05
  Speaker 1: Yeah, sixties, late seventies. I think that the Iran contra
• 5:07
  Speaker 1: thing was in the eighties where it turns out we
• 5:09
  Speaker 1: were giving money to Iran to fight or we were
• 5:13
  Speaker 1: giving money to Afghanist I don't know. America has its
• 5:16
  Speaker 1: fingers in a lot of weird fucking places. But I
• 5:18
  Speaker 1: know the Iran counter thing was going on.
• 5:21
  Speaker 2: I was like that a Nintendo game.
• 5:23
  Speaker 1: Yeah, kind of like with the two like moscular guys
• 5:26
  Speaker 1: up down, up, down, left, right left right, baba. I
• 5:29
  Speaker 1: think it's like ninety nine.
• 5:30
  Speaker 2: I loved it when they laid down because they were
• 5:32
  Speaker 2: studs culture. They were like those guns. What are you
• 5:37
  Speaker 2: doing in there? Jeff just playing Nicolas, just playing Nintendo.
• 5:39
  Speaker 1: Don't worry about it. I remember when I lived in Virginia.
• 5:44
  Speaker 1: That's when I first saw that code and my friend
• 5:46
  Speaker 1: I was like, oh my gosh it blew mime. I
• 5:48
  Speaker 1: didn't know like codes are really a thing for video
• 5:51
  Speaker 1: games until he showed me that. I was like, I
• 5:52
  Speaker 1: don't know you could do that. It was crazy.
• 5:54
  Speaker 2: Oh right, should we jump into this situation?
• 5:57
  Speaker 1: Yeah? I'm down. Should we start with best song? Let's
• 6:00
  Speaker 1: do it, all right, We'll let you go.
• 6:01
  Speaker 2: First, all right, my My number one song of the
• 6:03
  Speaker 2: nineteen eighties was Private Dancer by teenage Turner.
• 6:10
  Speaker 1: And the men both the same.
• 6:14
  Speaker 2: You don't look at their faces, you.
• 6:19
  Speaker 3: Don't ask emmon, I'm your frid pass a dancer.
• 6:25
  Speaker 2: Fun. Do what you want me to do? I'm your
• 6:30
  Speaker 2: pride dance dance of harm honey and any old nails.
• 6:38
  Speaker 2: I'm your friend dancer.
• 6:40
  Speaker 1: Dancer.
• 6:42
  Speaker 2: Don't want you? Yes, a friend dance that's a harmonic.
• 6:51
  Speaker 1: Deals are.
• 6:56
  Speaker 2: Okay? Do you have any reministion of reministion, I'm gonna
• 7:00
  Speaker 2: go with it, like reministion of this song.
• 7:03
  Speaker 1: No, I don't think I've heard this song before.
• 7:05
  Speaker 2: So this is definitely when when Tina Turner like took
• 7:07
  Speaker 2: a turn more for like. It was like a darker,
• 7:10
  Speaker 2: more kind of sexy like kind of voice, structure and song,
• 7:13
  Speaker 2: and it was originally written for somebody else. I I
• 7:15
  Speaker 2: didn't lookup who because I don't want to click another link,
• 7:18
  Speaker 2: but it got thrown over to her, and this is
• 7:21
  Speaker 2: like her post ike phase. I was gonna ask, okay, yeah,
• 7:25
  Speaker 2: And then it came out in nineteen eighty four, which
• 7:28
  Speaker 2: we need to get into nineteen eighty four at some point,
• 7:30
  Speaker 2: like on a future episode, because like something about that number,
• 7:33
  Speaker 2: like that year. It's just like brought up so much
• 7:35
  Speaker 2: in pop culture. I think we might have itched on
• 7:37
  Speaker 2: this before. Do you remember this at all?
• 7:39
  Speaker 1: No, not specifically eighty four. I know that that book
• 7:42
  Speaker 1: that nineteen eighty.
• 7:42
  Speaker 2: Five Okay, maybe that's what it is. And itched is
• 7:44
  Speaker 2: another oh sidebar so raspberries, And there was another one
• 7:49
  Speaker 2: another saying that I I'll come back to it, but
• 7:52
  Speaker 2: oh raspberries is that a sing?
• 7:56
  Speaker 1: I feel like I could see it being saying like
• 7:59
  Speaker 1: someone's like, oh peaches, like I've heard that stuff, so
• 8:01
  Speaker 1: I could see Oh right, Okay, that.
• 8:02
  Speaker 2: Was just a tidebar. Okay, So this song reached number
• 8:05
  Speaker 2: seven on the Billboard Hot one hundred. It was, uh,
• 8:10
  Speaker 2: just I don't know, just like the power of the song.
• 8:12
  Speaker 2: I don't know. Here's what I'm gonna say about the
• 8:15
  Speaker 2: song that I was giggling when we were playing it
• 8:17
  Speaker 2: was this was a song I should not have been
• 8:19
  Speaker 2: listening to as a child. But this is what I
• 8:21
  Speaker 2: would categorize as a swing song. So we maybe my
• 8:24
  Speaker 2: sister had a swing set, so it would classically blee bey, uh,
• 8:29
  Speaker 2: you know Backstreet Boys and Spice Girls and some TLC
• 8:32
  Speaker 2: like in Vogue, like those kind of ones. But sometimes
• 8:35
  Speaker 2: like Tina Turner would get into that mix, or like
• 8:37
  Speaker 2: Whitney and Mariah or you know SWV like that kind
• 8:41
  Speaker 2: of thing. But we should not be children singing Private Dancer. Sure,
• 8:46
  Speaker 2: but it was definitely what I would categorize as a
• 8:49
  Speaker 2: swing song.
• 8:49
  Speaker 1: But I also feel like two at that time, you
• 8:51
  Speaker 1: probably didn't really understand what the lyrics were. So I
• 8:53
  Speaker 1: don't know if it's like a super you know, they
• 8:55
  Speaker 1: have that there is that thing to where it's like
• 8:58
  Speaker 1: if if you show something you know bad and a
• 9:01
  Speaker 1: kid doesn't understand, then there's no harm. But if they
• 9:06
  Speaker 1: if they know what it is and they understand, then
• 9:07
  Speaker 1: they already knew what it was, so it doesn't really matter,
• 9:10
  Speaker 1: you know, So I don't know, it's kind of weird.
• 9:11
  Speaker 2: It was kind of a good I was putting this
• 9:13
  Speaker 2: together because I've seen, you know, strippers and movies and
• 9:16
  Speaker 2: stuff like that when I was a child, Because like
• 9:19
  Speaker 2: we talked on a previous episode, the Summer special about
• 9:22
  Speaker 2: Vivcate a Fox playing exotic dancer, so we always saw
• 9:26
  Speaker 2: it from that point of view that like maybe it
• 9:27
  Speaker 2: was taboo, but it was always like these beautiful women
• 9:30
  Speaker 2: and Tina Turner gorgeous. But the first time I eighteenth birthday,
• 9:34
  Speaker 2: I did all the eighteen year old things like the
• 9:36
  Speaker 2: strip club, bought some cigarettes, went to the porn shop,
• 9:39
  Speaker 2: lottery tickets, all that jazz and when I went to
• 9:41
  Speaker 2: the strip club. It was a it was a very
• 9:43
  Speaker 2: like what the fuck. It was not like I'm not
• 9:46
  Speaker 2: judging the stripper, do your thing, girl, but it just
• 9:49
  Speaker 2: was not what I expected.
• 9:51
  Speaker 1: Yeah, because you know movies, they not all movies, but
• 9:53
  Speaker 1: a lot of movies they kind of glamorize it and everything,
• 9:55
  Speaker 1: and then you know, when you're there, you're just like, oh, dude,
• 9:58
  Speaker 1: that guy hasn't stopped fucking being creepy the whole you
• 10:01
  Speaker 1: know what I mean, Like it's a really kind of
• 10:02
  Speaker 1: intense situation.
• 10:03
  Speaker 2: We were like the you know, the kid We were adults,
• 10:06
  Speaker 2: but the kids in the in the in the establishment,
• 10:08
  Speaker 2: and then they were like creepy guys with a cowboy hats,
• 10:10
  Speaker 2: like staring at him. And I remember another time I
• 10:13
  Speaker 2: went to the strip club. This stripper was not getting tips.
• 10:16
  Speaker 2: The dancer was talking tips, and so she sat on
• 10:19
  Speaker 2: the stage during the song, crossed her arms, crossed her legs,
• 10:22
  Speaker 2: and just put her head down until people started tipping.
• 10:24
  Speaker 1: So sad.
• 10:25
  Speaker 2: Yeah, she was like not giving it away for free.
• 10:27
  Speaker 2: But then I think I told you in this other episode,
• 10:31
  Speaker 2: I went to this strip club and this stripper was
• 10:33
  Speaker 2: like putting her vagina in my face, and then like
• 10:36
  Speaker 2: fifteen minutes later, she was like, do you want a
• 10:37
  Speaker 2: private dance? And I had to be like, girl, your
• 10:40
  Speaker 2: job on the stage is to tempt the guys and
• 10:43
  Speaker 2: to tease them and to get them wanting more. You
• 10:45
  Speaker 2: just gave away the whole cat, the whole cow.
• 10:48
  Speaker 1: Yeah, that's what I think private dances. I think the
• 10:50
  Speaker 1: point is to rub against your junk until you like,
• 10:53
  Speaker 1: come in your pants. Oh she is, But I'm like,
• 10:56
  Speaker 1: that's disgusting because then for all the rest of the
• 10:58
  Speaker 1: night you're gonna have fucking come in your pants. I'm like,
• 11:01
  Speaker 1: who would want that?
• 11:01
  Speaker 2: Is that what that happens?
• 11:03
  Speaker 1: I've never had one one day because I would be
• 11:05
  Speaker 1: too fucking nervous. I wouldn't be able to enjoy myself.
• 11:08
  Speaker 1: Like my friends like, I'm probably if I had to
• 11:10
  Speaker 1: put a number on probably say five times, maybe seven
• 11:13
  Speaker 1: at that. I rarely have gone to ship club, and
• 11:16
  Speaker 1: a lot of times my friends are like, oh, let's
• 11:17
  Speaker 1: you know, get you. I'm like, no, I won't enjoy myself.
• 11:19
  Speaker 1: I'm gonna be awkward, and if you do, I'm just
• 11:21
  Speaker 1: gonna walk out like I'm not fucking doing that. But
• 11:23
  Speaker 1: I don't understand what the other purpose would because you
• 11:25
  Speaker 1: can't touch them.
• 11:26
  Speaker 2: Yeah, so you just give them extra money. Then you
• 11:28
  Speaker 2: could do more things, I guess. But like I went
• 11:31
  Speaker 2: to a the Sojia Green, but I would just trip
• 11:33
  Speaker 2: club and I was like, oh, usually I'm gay and
• 11:35
  Speaker 2: then the I'm always gay, but the girls come over
• 11:38
  Speaker 2: and then they like when they find out that I'm gay,
• 11:39
  Speaker 2: I like speak or move or whatever. Then they like
• 11:41
  Speaker 2: their guts hang out. At that point, they're like cool,
• 11:44
  Speaker 2: you're chill. But then one time it was like my
• 11:45
  Speaker 2: birthday or something and all of the girls like lined
• 11:49
  Speaker 2: I got on stage, they sat me down. All the
• 11:51
  Speaker 2: girls like lined up and their goal was to like
• 11:53
  Speaker 2: try to get me. It's sexually excited down there. Oh no,
• 11:57
  Speaker 2: And all they were doing was like plopping down on
• 11:59
  Speaker 2: my and I was like, this is so uncomfortable. Like
• 12:03
  Speaker 2: all this is doing is just validating my point that
• 12:05
  Speaker 2: like this, even if it was the choice I chose, right, yeah,
• 12:10
  Speaker 2: Like that hit my penis, like yeah that's why.
• 12:14
  Speaker 1: Yeah, I've never really enjoyed strip clubs. And again, no,
• 12:17
  Speaker 1: do your thinger. I don't give a I mean, that's
• 12:19
  Speaker 1: not why I dislike them. I don't think there's anything
• 12:20
  Speaker 1: wrong with them, just me personally not a big fan.
• 12:23
  Speaker 1: One of the first times I went to a ship
• 12:24
  Speaker 1: club though, we were there was this big circle in
• 12:27
  Speaker 1: the middle of the room was like the main stage,
• 12:29
  Speaker 1: and We're all sitting there and I'm fucking freezing cold,
• 12:31
  Speaker 1: and I'm like, is anybody else like insanely cold right now? Wow? Well,
• 12:36
  Speaker 1: after a little bit, we like get up and leave,
• 12:38
  Speaker 1: And then before we actually leave, I look and there's
• 12:40
  Speaker 1: like a huge air conditioner right underneath my, like in
• 12:43
  Speaker 1: front of me. So I'm just sitting in front of
• 12:45
  Speaker 1: like I think the only air conditioning the whole place.
• 12:47
  Speaker 1: I'm like, this is miserable.
• 12:48
  Speaker 2: But if we go to a strip club ever, I'll
• 12:50
  Speaker 2: make sure to bring like a little afghan with you,
• 12:52
  Speaker 2: Like you're the only guy in the strip club that's
• 12:55
  Speaker 2: like chi chili, give me the heat turned on?
• 13:02
  Speaker 1: Oh my god.
• 13:02
  Speaker 2: Okay, yeah yeah. So this song definitely brings up nostalgia
• 13:07
  Speaker 2: from like my twenties when I was like a dirty
• 13:09
  Speaker 2: little horror and like going to strip clubs all the time.
• 13:11
  Speaker 2: But no, I've I like the liberation of maybe the
• 13:17
  Speaker 2: song's a little bit darker, but the liberation of her
• 13:19
  Speaker 2: being you know, the stuff with Ike and and then
• 13:23
  Speaker 2: you know, kind of reclaiming her sexuality with a more
• 13:25
  Speaker 2: provocative song during the eighties, which I think he's talking
• 13:28
  Speaker 2: about this in the seventies episode. The seventies with especially
• 13:30
  Speaker 2: with gay culture was more you know, free love and
• 13:34
  Speaker 2: like the sixties that kind of thing, and then we
• 13:36
  Speaker 2: go through like the pendulum swing, and the eighties was
• 13:39
  Speaker 2: a little bit more of like a conservative time, it
• 13:41
  Speaker 2: seems in a lot of society. So I thought that
• 13:44
  Speaker 2: this was a good song for her, and not to
• 13:46
  Speaker 2: just talk about her body, because she's a fuse powerhouse everything,
• 13:50
  Speaker 2: but like what body part do you think of when
• 13:52
  Speaker 2: you think of Tina?
• 13:53
  Speaker 1: Her legs?
• 13:53
  Speaker 2: Fuck yeah, her legs on like one of the Diva
• 13:56
  Speaker 2: specials on damn It on H what's it called VH one.
• 14:01
  Speaker 2: Her legs even in like seventies were a kick it.
• 14:04
  Speaker 1: Yeah. She didn't like what twenty eighteen or something like
• 14:06
  Speaker 1: that or like twenty Yeah, but I remember saw a
• 14:10
  Speaker 1: picture of her in like sixteen or eighteen or something
• 14:11
  Speaker 1: like that. I was like, damn, she looks really fucking
• 14:14
  Speaker 1: good for ages. Still, Yeah, it's crazy.
• 14:16
  Speaker 2: You can feel free bourbon to the bike if you want. Oh,
• 14:19
  Speaker 2: did you ever watch the Mad Max sequel? Uh uh?
• 14:23
  Speaker 2: Something with the dome like death Dome or.
• 14:25
  Speaker 1: Power Dome like the original from like the seventies or.
• 14:29
  Speaker 2: Yeah, so it's a long time. It's a sequel with yeah,
• 14:32
  Speaker 2: with Harrison not her mel Gibson, and she plays like
• 14:35
  Speaker 2: kind of the the second year. She don't remember second Billy. Yeah,
• 14:39
  Speaker 2: we need to watch that. Yeah, and then and then
• 14:43
  Speaker 2: it's a sidebar on Tina turned. One other thing I
• 14:45
  Speaker 2: don't want to say is what's love got to do
• 14:47
  Speaker 2: with it? With Angela Bassett? She should have won the Oscar.
• 14:50
  Speaker 2: Then they, you know, kind of pityfucked her a couple
• 14:53
  Speaker 2: of years ago when she lost the Oscar again and
• 14:56
  Speaker 2: they gave her like an honorary one. But Angela Bassett
• 14:58
  Speaker 2: is probably the most beautif full woman.
• 15:00
  Speaker 1: Yeah for sure. She's wait, yeah, gorgeous. It is crazy.
• 15:03
  Speaker 2: Yeah, so this is this is my number one song
• 15:05
  Speaker 2: of the eighties.
• 15:06
  Speaker 1: Well, it's funny that you did this kind of thing
• 15:08
  Speaker 1: about her, kind of like opening up, kind of like
• 15:10
  Speaker 1: freeing herself from kind of what it was before, because
• 15:13
  Speaker 1: the song I'm Gonna Play is kind of similar to
• 15:15
  Speaker 1: so really.
• 15:29
  Speaker 4: She said, I want to go home to summons. You
• 15:32
  Speaker 4: see now obviously being alone, Why don't you come with me?
• 15:37
  Speaker 4: I send my babies at home. She's probably worried tonight.
• 15:40
  Speaker 4: I didn't call on the phone to seven.
• 15:43
  Speaker 2: I'm already, Diana, what not?
• 15:45
  Speaker 4: The mate said, the boy baby, I'm all right, said
• 15:52
  Speaker 4: I'm not gonna dog because I'm fucking the get.
• 15:55
  Speaker 3: She said, he's not coming.
• 15:56
  Speaker 2: Back because.
• 16:17
  Speaker 1: Michael Jackson Dirty Diana. I love that song. It was
• 16:21
  Speaker 1: written by Michael Jackson, was produced by Quincy Jones. As
• 16:23
  Speaker 1: from the album Bad and the whole album was him
• 16:27
  Speaker 1: trying to be a little bit more like dangerous and
• 16:29
  Speaker 1: kind of not so like Thriller esque and like Michael
• 16:32
  Speaker 1: Jackson and Jackson five back in the day, so kind
• 16:34
  Speaker 1: of the same thing. Came out in nineteen eighty eight.
• 16:37
  Speaker 1: It charted number one on the Billboard Top one hundred.
• 16:40
  Speaker 1: Kind of a cool fact here. The video was filmed
• 16:43
  Speaker 1: in March of eighty eight, and it won the very
• 16:45
  Speaker 1: first award for Number one Video in the World at
• 16:50
  Speaker 1: the first World Music Awards. Kind of crazy. That's pretty huge, Yeah,
• 16:56
  Speaker 1: but no, I just love you know. I've always liked
• 16:57
  Speaker 1: Michael Jackson my entire life. I remember I thought I
• 17:00
  Speaker 1: was black until my mom said if we were black,
• 17:03
  Speaker 1: we would look like Michael Jackson. And I was like, oh,
• 17:05
  Speaker 1: that's when I realized we weren't black. Oh well, and
• 17:08
  Speaker 1: I was like probably five or something like that. But
• 17:10
  Speaker 1: uh no, he has a great voice, great music, dancing,
• 17:13
  Speaker 1: uh you know this and stuff that may or may
• 17:17
  Speaker 1: not have happened. That's awful. But you know, we've had
• 17:20
  Speaker 1: this discussion a lot during this podcast. Inherently most people
• 17:23
  Speaker 1: are just fucking awful. So I don't know, you gotta
• 17:26
  Speaker 1: separate the art.
• 17:27
  Speaker 2: I guess the one thing that okay, So he has
• 17:29
  Speaker 2: a lot of skeletons in his closet probably, and.
• 17:32
  Speaker 1: I don't have the elephant man skeleton or something, probably.
• 17:35
  Speaker 2: But like, the thing I can't get passed is the
• 17:38
  Speaker 2: dangling the kid out the window. Like we all like,
• 17:42
  Speaker 2: I don't hate him for that. I'm just like, we
• 17:45
  Speaker 2: talk about hanging our kids out the window.
• 17:47
  Speaker 1: Don't do it, Yeah, we don't do it. Well, Like,
• 17:50
  Speaker 1: I don't know his mom was good to him, but
• 17:51
  Speaker 1: like I don't know if he I don't know if
• 17:53
  Speaker 1: he knew it was wrong to do that. Yeah, because
• 17:57
  Speaker 1: he's never been around kids.
• 17:58
  Speaker 2: Oh oh, God, yeah, I guess it, Like, which one
• 18:03
  Speaker 2: do you want?
• 18:03
  Speaker 1: Blake?
• 18:04
  Speaker 2: Do you want to be dead? Older? Hanging out the window?
• 18:07
  Speaker 2: But no, I think this is definitely the era that
• 18:09
  Speaker 2: I like Michael Jackson the best. I think, like, I'm
• 18:11
  Speaker 2: not gonna go ahead and listen to like Jackson five, Aby,
• 18:14
  Speaker 2: that's that's weird if I if I'm like middle aged
• 18:17
  Speaker 2: listening to like Jackson five. But but no, this time,
• 18:20
  Speaker 2: this era was definitely a good one.
• 18:22
  Speaker 1: Yeah. No, I thought it was really cool. And he
• 18:24
  Speaker 1: just has a great voice, Like have you ever listened
• 18:26
  Speaker 1: to this without the music behind where it's just his vocals? Huh, oh,
• 18:31
  Speaker 1: good thing you haven't. Because to go home because.
• 18:35
  Speaker 2: I'm retired to see you now? He sleep being alone?
• 18:38
  Speaker 1: Why don't you come with me?
• 18:40
  Speaker 2: I send My baby is at home. She's probably worried tonight.
• 18:44
  Speaker 2: I didn't call on the phone to say that I'm alright.
• 18:47
  Speaker 4: Diana walked out to me, just said I'm tonight that
• 18:51
  Speaker 4: I read to the phone saying baby, and I'm all right,
• 18:55
  Speaker 4: I said, but I locked the door because I fuck.
• 18:57
  Speaker 1: Got the keet. She said, He's not gone. The kind
• 19:05
  Speaker 1: of raspiness his voice is so fucking good. But no,
• 19:09
  Speaker 1: I've like why, I've read a bunch about Michael Jackson.
• 19:11
  Speaker 1: I watched like almost every documentary again, but I got
• 19:14
  Speaker 1: some critic reviews of when this came out, and most
• 19:17
  Speaker 1: people didn't like this. I guess, which is crazy, so uh,
• 19:21
  Speaker 1: let me see. Stephen Thomas felt that Dirty Diana and
• 19:24
  Speaker 1: Man in the Mirror were showcasing Jackson at his worst.
• 19:28
  Speaker 1: Music critic Oh, these are all music critics, by the way,
• 19:32
  Speaker 1: I don't really know what like magazines they are because
• 19:34
  Speaker 1: you've said, yeah, because they're from the eighties, so like
• 19:39
  Speaker 1: some haveing some don't. But Robert Chris Gao viewed Dirty
• 19:43
  Speaker 1: Diana as a misogynistic It was as misogynistic as any
• 19:47
  Speaker 1: piece of metal suck my cock music. I fucking hate
• 19:51
  Speaker 1: that eighties metal shit. I can't stand this stuff. But
• 19:55
  Speaker 1: John Parrales described Dirty Diana as reducing Jackson to a
• 19:59
  Speaker 1: terrified women. John Tatlock considered Dirty Diana as a confused
• 20:04
  Speaker 1: This One's Pretty tough as a confused, lumbering slog of
• 20:09
  Speaker 1: a song. Jackson was never convincing in this kind of role,
• 20:12
  Speaker 1: a boy child trying to write a song about the
• 20:14
  Speaker 1: kind of women he never meets in the kind of
• 20:17
  Speaker 1: places he's certainly never been to. Oh okay, they really
• 20:21
  Speaker 1: moved for hied this one Caddy. Yeah, but one person
• 20:24
  Speaker 1: from Rolling Stone, this is like the best one I
• 20:26
  Speaker 1: could find. I mean, I'm sure if I like really looked,
• 20:29
  Speaker 1: there's some people. But he gave a song a positive review.
• 20:33
  Speaker 1: He called it a filler still or she called it
• 20:36
  Speaker 1: a pier fillers. She called it a piller. She still
• 20:41
  Speaker 1: commented that the song, along with speed Demon, is what
• 20:43
  Speaker 1: makes bad Richer sexier and better than Thriller's Forgettables. So
• 20:48
  Speaker 1: they do. Yeah, so it wasn't like the number one
• 20:50
  Speaker 1: song in the world, but some notable people that have
• 20:53
  Speaker 1: covered this Bruno, mars Evanescence and The Weekend, And I
• 20:56
  Speaker 1: thought The Weekend did a great version of it. So yeah,
• 20:59
  Speaker 1: and I think that the song just badass. I love
• 21:00
  Speaker 1: the song. It makes me like like party, I'm like fuck. Yeah.
• 21:02
  Speaker 2: You know, it's definitely a song that, like, I've heard
• 21:04
  Speaker 2: a lot of, but it's not one of my kind
• 21:06
  Speaker 2: of go chos when I think of Michael Jackson necessarily.
• 21:09
  Speaker 2: Oh sure, but one of my favorite Michael Jackson song
• 21:12
  Speaker 2: is the Free Willy songs. Oh yeah, yeah, that's that
• 21:17
  Speaker 2: music video with a movie powerful.
• 21:20
  Speaker 1: Wait is that the one that goes like, hey, free Willy,
• 21:23
  Speaker 1: how you doing over there? You have some brand new
• 21:25
  Speaker 1: skates on and some new hair. I hope you don't
• 21:28
  Speaker 1: eat too much rice because you'll turn into a mice.
• 21:32
  Speaker 2: You just make that up.
• 21:33
  Speaker 1: Yeah, I haven't worked on it for a few years. Up,
• 21:36
  Speaker 1: you haven't worked for a few years.
• 21:39
  Speaker 2: Kayleen and I would make up like I'm so one
• 21:43
  Speaker 2: of all the lyrics to the songs and really, I'm
• 21:45
  Speaker 2: so confused you. I'm so confused. You control my pee,
• 21:49
  Speaker 2: nobody knows you can poop on me or something like that.
• 21:53
  Speaker 2: And because we're adults now with.
• 21:56
  Speaker 1: Alicia Keiths song like I keep following in an as
• 22:00
  Speaker 1: of love with a horse?
• 22:05
  Speaker 2: Why horse?
• 22:06
  Speaker 1: I don't know?
• 22:06
  Speaker 2: They are the sexiest animal.
• 22:09
  Speaker 1: Yeah, you know, speaking of that, I guess, well, I guess,
• 22:15
  Speaker 1: uh So the whole mermaid thing, I think it became
• 22:18
  Speaker 1: from manates because they ill because I guess like when
• 22:22
  Speaker 1: manatees were floating, they kind of looked like people, so
• 22:25
  Speaker 1: then they thought there was like swimming people, but they're manatees.
• 22:29
  Speaker 1: And I guess the vagina of amanity feels the most
• 22:32
  Speaker 1: like a human one. So I think that. I guess
• 22:35
  Speaker 1: those old times were like fucking.
• 22:37
  Speaker 2: Man, the faces of something a body shame amanite, but
• 22:41
  Speaker 2: like the faces of amanity look like like Wilford Brindley,
• 22:44
  Speaker 2: Like that's what they love, you know, they look like
• 22:48
  Speaker 2: I never see like a like a manate that looks
• 22:50
  Speaker 2: like uh, you know Charlie's Farron.
• 22:52
  Speaker 1: Yeah that's true. Yeah I did.
• 22:53
  Speaker 2: I'd be like, that's so complex, that's so complex.
• 22:58
  Speaker 1: Looks that man's head looks just like Charlie's there.
• 23:01
  Speaker 2: Yeah, that would need to be a shirt for sure.
• 23:05
  Speaker 2: That's oh. I love it. So yeah, good job Michael Jackson.
• 23:09
  Speaker 1: He's not doing he's not doing too well right now? No,
• 23:12
  Speaker 1: all right?
• 23:13
  Speaker 2: What is my number one album? Is Duran Duran. The
• 23:18
  Speaker 2: album is real. I'll go get wrong me down, Catgether
• 23:34
  Speaker 2: the show.
• 24:00
  Speaker 1: Not a wisewhere side. Yeah, so good.
• 24:53
  Speaker 2: That's just like I went through I think somewhere in
• 24:56
  Speaker 2: my twenties, like early I would say early twenties went
• 24:59
  Speaker 2: through really hardcore Duran Duran era because everything's airs to me, sure,
• 25:04
  Speaker 2: but I just love Duran Duran like they This is nostalgic,
• 25:08
  Speaker 2: not for my childhood, but definitely yeah, I said. My twenties,
• 25:11
  Speaker 2: it was go to karaoke for me, like Rio.
• 25:15
  Speaker 1: Is the first song, right, Yeah, I really liked that song.
• 25:18
  Speaker 1: I've never heard it until I looked it up. That
• 25:19
  Speaker 1: song was dope a shit so good.
• 25:21
  Speaker 2: And then this album came out in an eighty two
• 25:23
  Speaker 2: and just the video when they're on like the sailboat
• 25:25
  Speaker 2: or whatever, it's just very like iconic early VH one
• 25:29
  Speaker 2: each MTV oh music videos like very kind of poorly
• 25:33
  Speaker 2: shot too. But and then what's the ordinary world on?
• 25:36
  Speaker 2: You know? Karaoke? And I have a karaoke little story.
• 25:39
  Speaker 2: So when I was in my twenties, I hit up
• 25:41
  Speaker 2: karaoke bars all the time, and for some reason there
• 25:45
  Speaker 2: was someone in the in the bar that just wasn't
• 25:47
  Speaker 2: feeling me. And they told me that I had sausage
• 25:50
  Speaker 2: nipples because did you have no shirt of I have
• 25:55
  Speaker 2: no idea, Like my shirt definitely could have came off.
• 25:58
  Speaker 2: I don't know, so it seems unlikely to Duran. Duran,
• 26:02
  Speaker 2: but I just went hard about how she was such
• 26:04
  Speaker 2: a fucking whore and she was a little stupid bitch
• 26:07
  Speaker 2: and like she's gonna get come in later. Like I
• 26:09
  Speaker 2: just went hard on this chick as I was on
• 26:11
  Speaker 2: stage like singing Duran Duran. Yeah, I roasted her hard.
• 26:16
  Speaker 1: I love that you said during Durance doesn't seem.
• 26:18
  Speaker 2: Like songs that like like Backstreet boys like as uh,
• 26:24
  Speaker 2: let's it quit playing the games of my heart like
• 26:26
  Speaker 2: their shirts come Yeah, my shirt could have came off
• 26:28
  Speaker 2: in my twenties to that song. But Duran Duran, like,
• 26:31
  Speaker 2: I don't know. But one of the songs that is
• 26:33
  Speaker 2: completely five star like many of them, is a song
• 26:37
  Speaker 2: called the Chauffeur And it's just very like haunting, and
• 26:40
  Speaker 2: the video like it's black and white and the dance
• 26:42
  Speaker 2: scene is just very hypnotic and trans trans not trans Uh,
• 26:50
  Speaker 2: what's the word I'm looking for. I don't know what
• 26:52
  Speaker 2: I'm looking for, but just very haunting. It's just beautifully
• 26:57
  Speaker 2: choreographed and just odd and I just love that. And
• 26:59
  Speaker 2: then this was like they were part of what was
• 27:01
  Speaker 2: known as like the Second British Invasion, which so the
• 27:05
  Speaker 2: Beatles were part of like the British invasion. But like,
• 27:08
  Speaker 2: is that is that rooted in like the invasion like
• 27:11
  Speaker 2: the Revolutionary War?
• 27:13
  Speaker 1: No, Like oh maybe maybe that's no, Maybe I don't know,
• 27:17
  Speaker 1: maybe that's where they got the name from.
• 27:18
  Speaker 2: So we got away from like the British people were
• 27:21
  Speaker 2: not we like, my people invaded this country and killed
• 27:23
  Speaker 2: your people and then and then the Revolutionary War happened, right.
• 27:28
  Speaker 1: Yeah, yeah, well kind of it's the killing of the
• 27:31
  Speaker 1: natives were from from like fourteen hundred to like kind
• 27:34
  Speaker 1: of now, oh oh my god.
• 27:37
  Speaker 2: So which side was the indigenous people? What side were
• 27:40
  Speaker 2: they on? Probably the Britons ones.
• 27:43
  Speaker 1: I don't know. I don't I'm not that versed in it,
• 27:45
  Speaker 1: but uh, yeah, this is so heavy. Yeah, I think
• 27:48
  Speaker 1: it's kind of like which enemy is worse? I guess
• 27:51
  Speaker 1: at the time, you know.
• 27:52
  Speaker 2: I don't know, but but I just think saying British
• 27:55
  Speaker 2: invasion is very odd to say. And like if there
• 27:58
  Speaker 2: was like a band from you know, Afghanistan, like Afghanistan invasion,
• 28:03
  Speaker 2: like would you say that. I don't know.
• 28:04
  Speaker 1: I wonder if there's like multiple like if there's like
• 28:06
  Speaker 1: ten really dope bands from Afghanistan that got really famous.
• 28:09
  Speaker 2: Maybe yeah, maybe.
• 28:12
  Speaker 1: They start they start killing Indians every time. Every time
• 28:16
  Speaker 1: is what it.
• 28:16
  Speaker 2: Takes to become American. Jesus stop it with people. Okay,
• 28:21
  Speaker 2: So yeah, the amazing, amazing, amazing. The cover art is
• 28:26
  Speaker 2: very like nostalgic too. It just reminds me of those
• 28:30
  Speaker 2: really corny, tacky like hair salons in the eighties.
• 28:34
  Speaker 1: I think on the Fri, I think that's what they're
• 28:36
  Speaker 1: called her Nagels.
• 28:38
  Speaker 2: Like that that woman who's like very like her skin
• 28:40
  Speaker 2: is literally white with the black short hair like a
• 28:43
  Speaker 2: kind of glamour shot.
• 28:45
  Speaker 1: Yeah, yeah, yeah, they're called Nagel. I think the person
• 28:47
  Speaker 1: who did it was Patrick Nagel. That's why they called naval.
• 28:49
  Speaker 1: Oh wow, yeah, crazy.
• 28:50
  Speaker 2: Should have I invented something that I can call it,
• 28:52
  Speaker 2: like a keller?
• 28:53
  Speaker 1: That's yeah, yeah, for sure. Invent something really cool though,
• 28:57
  Speaker 1: like a computer.
• 28:59
  Speaker 2: But no, and then said something with my coworker, A
• 29:01
  Speaker 2: by shovel. So it's a shovel that has two shovels
• 29:05
  Speaker 2: on it, by shovele by shovel like it. So there's
• 29:11
  Speaker 2: two shovels, so it's shovel. And then this isn't so funny?
• 29:15
  Speaker 1: Are they the opposite direction?
• 29:16
  Speaker 2: It would make more sense for them to be facing
• 29:18
  Speaker 2: the same direction. But two shovels, but I think right
• 29:23
  Speaker 2: on top of each other, next to each other, like
• 29:25
  Speaker 2: at like sixty degree angles.
• 29:28
  Speaker 1: Yeah, but there is one on top of the other one.
• 29:30
  Speaker 2: Yeah. Yeah, it's like a pole like this, you can't
• 29:32
  Speaker 2: see it, Yeah, like that, but then go down slightly
• 29:35
  Speaker 2: like that. Yep, boom, it's a by shovel. Yeah. Anyways, Okay,
• 29:42
  Speaker 2: what is that? Did render it? Okay? This album came
• 29:46
  Speaker 2: out in eighty two and it's just amazing, Like this
• 29:49
  Speaker 2: just takes me back and just listening to those three songs,
• 29:51
  Speaker 2: like it just takes me back to a simpler time.
• 29:53
  Speaker 2: And there is a song on a later album, I
• 29:55
  Speaker 2: think it was in the nineties, and there's a song
• 29:57
  Speaker 2: that I just fucking love. It's called the Electric barber
• 30:00
  Speaker 2: Do yourself a favor, Go listen to it. It's more electronical,
• 30:03
  Speaker 2: but it's I think that it's singing about having sex
• 30:07
  Speaker 2: with a like a sex robot, like a sex toy. Yeah,
• 30:12
  Speaker 2: plug you in and dim the lights. Electric barberrella, your
• 30:16
  Speaker 2: perfect skin, something that fill you up. It's just very graphic.
• 30:21
  Speaker 1: You know, we're pretty liberal like you and I. Now,
• 30:24
  Speaker 1: do you think in like twenty or thirty years, like
• 30:26
  Speaker 1: when people are trying to get married to robots are
• 30:27
  Speaker 1: gonna be like no, no human robot marriage and they're like, Grandpa,
• 30:32
  Speaker 1: you're being robosexual or no, No, you're being a no,
• 30:38
  Speaker 1: you're being robo phobic, robophobic, like I'm just telling you
• 30:42
  Speaker 1: a marriage between a human and a human, and they're
• 30:44
  Speaker 1: like your old grandpa.
• 30:45
  Speaker 2: Well yeah, they used to say that, like with the
• 30:47
  Speaker 2: gay right. They're like, the next thing they're going to
• 30:49
  Speaker 2: want to do is marry their dog. But then I
• 30:51
  Speaker 2: watch but then I watch these like shows where but
• 30:55
  Speaker 2: then I watch these shows where people get married to
• 30:57
  Speaker 2: like roller coasters, and I'm like, oh, maybe these were right,
• 31:01
  Speaker 2: Like maybe this guy is like married to his car
• 31:06
  Speaker 2: and then like had an affair with like another car,
• 31:09
  Speaker 2: and I'm like, okay, like maybe we did take it
• 31:11
  Speaker 2: too far, Like okay, what's your number?
• 31:17
  Speaker 3: One?
• 31:17
  Speaker 1: I do want to say Duran Duran That second song,
• 31:20
  Speaker 1: the Do Do Do Do Dude, that's the only song
• 31:22
  Speaker 1: I knew of them before, and for some reason my head,
• 31:24
  Speaker 1: I thought I wouldn't like Duran Duran, But looking through
• 31:27
  Speaker 1: the songs to pick them, I'm gonna do a Duran
• 31:30
  Speaker 1: Duran deep dive because I liked every one of those
• 31:32
  Speaker 1: songs that I was picking for this one. So thank you.
• 31:35
  Speaker 2: I'm pretty sad now I'm gonna listen to them. There
• 31:38
  Speaker 2: is tobly summer vibe, summer vibe music.
• 31:41
  Speaker 1: Oh yeah yeah, being on a boat maybe or something,
• 31:43
  Speaker 1: or do some cocaine. Uh, but I am going to
• 31:49
  Speaker 1: play the very first song that reached number one, the
• 31:52
  Speaker 1: very first rap album that reached number one on the
• 31:55
  Speaker 1: Billboard two hundred oh drop.
• 32:06
  Speaker 3: I'm showing on the corner hanat someone's gay. Just being
• 32:10
  Speaker 3: in my lasting ends a lot of pray, a lot
• 32:13
  Speaker 3: of girls, and a lot of persons.
• 32:16
  Speaker 2: Twenty to automatic gold Off Pierson.
• 32:18
  Speaker 3: Got my head and my bucket, my fingers on the trigger.
• 32:22
  Speaker 2: My father's getting bigger, My boss is getting big off.
• 32:25
  Speaker 2: Some voices got trapped.
• 32:26
  Speaker 3: Soft voices got faswig at the kind of voices add
• 32:30
  Speaker 3: in your face.
• 32:31
  Speaker 2: Floa, lets just don't go so load.
• 32:34
  Speaker 1: I used to turn boat lets you don't go.
• 32:39
  Speaker 2: So illa, used the.
• 32:43
  Speaker 3: Old bred new so everybody get super lou road even.
• 32:49
  Speaker 2: Not like a cold soft clip boats.
• 32:55
  Speaker 3: See days, listen to.
• 32:57
  Speaker 2: The music, furst things get off the ball.
• 33:02
  Speaker 1: It's top.
• 33:03
  Speaker 3: It's a little story I got to tell about three
• 33:06
  Speaker 3: bad brothers. You know so well, it's sudden ways back
• 33:09
  Speaker 3: in history with that rap me I had a little
• 33:14
  Speaker 3: hookey names. Paul Reviews just being my horsey in a
• 33:17
  Speaker 3: court up here runs growth the lance kicking up stretch,
• 33:21
  Speaker 3: shut of slashes on my tau, put them into themand
• 33:24
  Speaker 3: one lonely BC ip all by myself, a thousand no
• 33:28
  Speaker 3: blotsk the sun is beating down on my baseball high.
• 33:32
  Speaker 2: Hell.
• 33:33
  Speaker 1: Yes, I love BC Boys. If you've been listening to
• 33:35
  Speaker 1: this podcast, that's no surprise. I you know what's crazy.
• 33:40
  Speaker 1: I listened to rap before I listened to the BC Boys,
• 33:42
  Speaker 1: Like I was like in the Eazy E and Bone
• 33:44
  Speaker 1: Thugs and DMX and things like that. And I didn't
• 33:47
  Speaker 1: hear BC Boys until I was like sixth grade, maybe
• 33:50
  Speaker 1: seventh grade. Well, I knew I probably hurt. Well, I
• 33:53
  Speaker 1: didn't get into them. Like I heard the Intergalactic Song
• 33:55
  Speaker 1: when I was in fourth grade, and that's fun, you know, cool.
• 33:57
  Speaker 1: But I got the CD when I was like in
• 33:59
  Speaker 1: six or seventh grade, and it kind of opened up
• 34:01
  Speaker 1: rap a little bit more to me, just because all
• 34:03
  Speaker 1: the rap I listened to prior before that was kind
• 34:05
  Speaker 1: of like more gangster, kind of darker, and this was
• 34:07
  Speaker 1: like fun, Like I was like, oh shit, this is
• 34:09
  Speaker 1: like a good time type rap, you know, And then
• 34:11
  Speaker 1: it kind of broadened you to like, you know, run
• 34:13
  Speaker 1: DMC and things like for me at least after that.
• 34:16
  Speaker 1: But this album's license to ill. It's my BAC Boys.
• 34:19
  Speaker 1: It came out in nineteen eighty six. It sold over
• 34:21
  Speaker 1: ten million copies. This actually isn't their first CD. They
• 34:25
  Speaker 1: actually had two albums before this. They had a punk CD. Oh,
• 34:28
  Speaker 1: and then I just found out while doing research they
• 34:31
  Speaker 1: had another CD where it's just like kind of skits
• 34:33
  Speaker 1: but it was a lot of prank calling. But then
• 34:35
  Speaker 1: they had like beats on there too, so it was
• 34:37
  Speaker 1: like a jerky Boys. I've never heard this. I gotta
• 34:39
  Speaker 1: look into that. But I love the CD because I
• 34:42
  Speaker 1: love the eight to eight kicks, like, and I think
• 34:43
  Speaker 1: most of the beats are dope with this one. I
• 34:47
  Speaker 1: do think a lot of the beats have the guitar,
• 34:50
  Speaker 1: which is fine, but they just kind of overdo that
• 34:52
  Speaker 1: a little bit. It's kind of my only like if
• 34:54
  Speaker 1: I had the nick pick nit pick the CD, it's
• 34:56
  Speaker 1: gonna be there's a lot of guitars on it, which
• 34:58
  Speaker 1: you're fine. But Rick Rubin was like a producer on
• 35:00
  Speaker 1: this or something, so that makes sense. But it has
• 35:04
  Speaker 1: like a fun punk rock feel to it with it
• 35:06
  Speaker 1: being you know, rap, which I think is really cool.
• 35:09
  Speaker 1: I like that they made it kind of a joke,
• 35:11
  Speaker 1: but in a really well thought out rhyme. It's almost
• 35:13
  Speaker 1: like every line they have is a great one liner.
• 35:16
  Speaker 1: But they just kind of go back and forth. And
• 35:18
  Speaker 1: I'm not saying they're the best rappers of all time.
• 35:20
  Speaker 1: There's way better rappers, but the way they deliver it
• 35:22
  Speaker 1: and the way they're having fun and silly but they're
• 35:25
  Speaker 1: also good lyrics and they're going back and forth is great.
• 35:27
  Speaker 1: Like I think that's a really amazing thing to be
• 35:29
  Speaker 1: able to do. I do think they brought rap to
• 35:32
  Speaker 1: a bigger audience. Being white run DMC was playing huge shows,
• 35:35
  Speaker 1: but they were opening for Madonna before they got oh right,
• 35:39
  Speaker 1: So if you think about like and they were like
• 35:41
  Speaker 1: they kind of went aggressive at it cause they were
• 35:42
  Speaker 1: like really into wrestling at the time, like the eighties wrestling,
• 35:45
  Speaker 1: So they would be like, we know, you didn't come
• 35:47
  Speaker 1: here for this type of music, but we're gonna, you know,
• 35:49
  Speaker 1: knock your fucking socks off and shit. And then so
• 35:51
  Speaker 1: they would like do their whole set and have fun
• 35:52
  Speaker 1: and make it a big, you know, spectacle, and like
• 35:57
  Speaker 1: with early BC boys, they definitely have kind of like
• 36:00
  Speaker 1: a like a what like a what's that like when
• 36:03
  Speaker 1: you're with all the dudes that are in college?
• 36:05
  Speaker 2: What's that called fraternity?
• 36:07
  Speaker 1: Yeah, they had like a frat frat bro type persona,
• 36:10
  Speaker 1: And I think it's just because they were so young,
• 36:12
  Speaker 1: they basically got a blank check. Like on their first tour,
• 36:14
  Speaker 1: they had a thirty for thirty foot dick, you know,
• 36:17
  Speaker 1: and they were just like all about women and partying
• 36:18
  Speaker 1: and everything. But then they actually, you know, write, like
• 36:22
  Speaker 1: a few years after that, they were like, that was
• 36:23
  Speaker 1: fucking dumb. Sorry, guys, you know, we shouldn't do that
• 36:26
  Speaker 1: type of shit. But I definitely get it because if
• 36:28
  Speaker 1: I was like nineteen ish and someone's like, hey, you're
• 36:31
  Speaker 1: gonna go on tour, what do you guys want? I
• 36:33
  Speaker 1: think that'd be hilarious. Give me a thirty foot dick?
• 36:35
  Speaker 1: Why not? You know, just I don't know, I think
• 36:36
  Speaker 1: it's hilarious. But I went down and I rated every
• 36:41
  Speaker 1: one of their songs okay for this album, so Ryman
• 36:45
  Speaker 1: and Stealing seven out of ten New Style That's the
• 36:48
  Speaker 1: first track on this eight out of ten, mainly because
• 36:50
  Speaker 1: that ending is so sick that whoa. I love that
• 36:54
  Speaker 1: eight and the eight to eight kicks. That bass sound,
• 36:56
  Speaker 1: that boom boom is so fucking dope. Uh She's It's okay.
• 37:01
  Speaker 1: Six out of ten. It's kind of like a funny,
• 37:03
  Speaker 1: you know song or whatever. Posse in effect eight out
• 37:06
  Speaker 1: of ten. And I realized all the songs that I
• 37:08
  Speaker 1: rate higher, they don't really have any of those guitar
• 37:09
  Speaker 1: sounds in the background. So Slow Ride seven point five
• 37:13
  Speaker 1: out of ten. Girls six out of ten. I'm not
• 37:16
  Speaker 1: a big fan of that one. Actually might lower it down,
• 37:18
  Speaker 1: maybe like a five point five. It's okay, it's just
• 37:21
  Speaker 1: the beat's kind of weird. It's almost like I don't
• 37:25
  Speaker 1: like a French clown song.
• 37:26
  Speaker 2: I don't know.
• 37:26
  Speaker 1: It's fine. Fight for Your Right not a big just
• 37:29
  Speaker 1: because I haven't heard it so fucking much. It's it's
• 37:32
  Speaker 1: an okay song. Six out of ten. No Sleep Till Brooklyn,
• 37:35
  Speaker 1: same thing. I've heard that one thousand million times six
• 37:38
  Speaker 1: out of ten. Paul Revere, which is the last song
• 37:41
  Speaker 1: that I played, is a nine point five out of ten.
• 37:44
  Speaker 1: I think that's one of the best hip hop songs
• 37:46
  Speaker 1: of all time. Hold It Now, Hit It seven point five.
• 37:49
  Speaker 1: Brass Monkey six point five. It's an okay song, But
• 37:52
  Speaker 1: I just I think it's just fun to party two
• 37:55
  Speaker 1: slow and Low nine out of ten and time to
• 37:57
  Speaker 1: Get Ill and nine out of ten. So yeah, I
• 38:00
  Speaker 1: just love BC Boys. And you know, like twenty fifteen
• 38:03
  Speaker 1: or something like that, that's probably two maybe twenty ten,
• 38:07
  Speaker 1: something like that. But they had a Hip Hop Honors
• 38:09
  Speaker 1: Award VH one and it was BC Boys and like,
• 38:12
  Speaker 1: I mean, Wu Tang was there, Ice Cube, Uh nah,
• 38:15
  Speaker 1: I mean everybody was there and they were rocking to
• 38:17
  Speaker 1: b C Boys because you know, they I think since
• 38:22
  Speaker 1: they didn't take it super serious, they didn't get the
• 38:26
  Speaker 1: whole thing kind of like where like Eminem and Vanilla
• 38:29
  Speaker 1: Iis did like, you know, it's prominently black music, and
• 38:32
  Speaker 1: now we got these white boys. But I think since
• 38:34
  Speaker 1: they kind of did it fun, they weren't trying to
• 38:35
  Speaker 1: say like this is how you got to do it.
• 38:37
  Speaker 1: They were just having fun with it. I think they
• 38:39
  Speaker 1: surpassed that, like they were like, oh, these dudes are
• 38:41
  Speaker 1: just having fun doing hip hop. That's what hip hop's
• 38:43
  Speaker 1: all about. So I love BC Boys, though.
• 38:45
  Speaker 2: What's going on with Paul Revere the song? Yeah, Like
• 38:50
  Speaker 2: Paul Revere was somebody from like colonial times.
• 38:53
  Speaker 1: Yeah, he was. He was like the two by I
• 38:55
  Speaker 1: think it's the name. I don't know why they named
• 38:57
  Speaker 1: it that, but he was the one that's like two
• 38:58
  Speaker 1: by c one by one candle. I see two candles
• 39:03
  Speaker 1: by about the French people coming in or the British people.
• 39:06
  Speaker 1: British people not French.
• 39:07
  Speaker 2: Okay, because in a previous episode, like the Summer special,
• 39:12
  Speaker 2: we talked about LFO Summertime Girl Summer Girls, and they
• 39:16
  Speaker 2: they mentioned Paul Revere.
• 39:18
  Speaker 1: Yeah, so I wonder if it's ba. I wonder if
• 39:20
  Speaker 1: they're mentioning the old American revolutionist or if they're mentioning
• 39:24
  Speaker 1: the beat boys Paul.
• 39:25
  Speaker 2: I would probably think the beastie boys, right, Like.
• 39:28
  Speaker 1: Yeah, I don't know. He did say the Sonnet from
• 39:30
  Speaker 1: William Shakespeare though, so maybe maybe he's a history buff.
• 39:34
  Speaker 1: But that beats really dope because they play it's backwards.
• 39:37
  Speaker 1: That's why it sounds so cool. Like they made a
• 39:40
  Speaker 1: beat and then play it backwards. That's like it's sick. Yeah,
• 39:44
  Speaker 1: I think it's one of the best hip hop songs
• 39:45
  Speaker 1: of all time.
• 39:46
  Speaker 2: Okay, I'm Google Google shmoggling, and I just want to
• 39:48
  Speaker 2: see what they said about Paul Revere, and I'm thinking
• 39:53
  Speaker 2: like they did say Paul Revere, right, LFO, Yeah, like
• 39:57
  Speaker 2: something about Paul Revere. I feel okay, there was a
• 40:00
  Speaker 2: good man named Paul Revere. I feel much better baby
• 40:03
  Speaker 2: when you're near you like fun dip and cheer we coke.
• 40:08
  Speaker 2: So that's just interesting that out of all of like
• 40:12
  Speaker 2: the people in history, this this dude was mentioned twice
• 40:17
  Speaker 2: because of Beastie Boys and LFO.
• 40:19
  Speaker 1: Yeah, I mean what he did? You know in the
• 40:21
  Speaker 1: midnight run. That's kind of we kind of forgot about that.
• 40:25
  Speaker 2: We really need to do, like the next time we
• 40:27
  Speaker 2: do like a Blast from the Past series, we need
• 40:30
  Speaker 2: to do like the eighteen nineties and then yeah, seventeen
• 40:33
  Speaker 2: seventeen ninety. Yeah, it'd be like what was the best
• 40:36
  Speaker 2: song of you know, if we went.
• 40:37
  Speaker 1: To seventy hundreds, I would literally just be singing Hamilton
• 40:40
  Speaker 1: the whole thing. Yeah, all of it.
• 40:43
  Speaker 2: Yeah, oh my god. That yeah, like one of the
• 40:45
  Speaker 2: big fads of that time, or like the trends or
• 40:48
  Speaker 2: the scandals, Like we could really do a deep dive.
• 40:51
  Speaker 2: We be like a Ouiji board and try to get
• 40:52
  Speaker 2: like these people from the history to I talk to.
• 40:55
  Speaker 1: And he's like, has anybody sang about me.
• 40:58
  Speaker 2: Like when he was back in history and doing shit,
• 41:01
  Speaker 2: I doubt I wonder if he was, Like I really
• 41:03
  Speaker 2: hope like three blonde white guys like, well, I think.
• 41:07
  Speaker 1: It's cool because they're all Jewish and so three Jewish
• 41:10
  Speaker 1: Jude had the number one selling rap city of the eighties.
• 41:13
  Speaker 1: That's fucking wild. That's crazy.
• 41:15
  Speaker 2: So uh, Bastie Boys to me growing up, it was
• 41:19
  Speaker 2: kind of like they were in my side profile. Like
• 41:22
  Speaker 2: it's like if I went to like the zoo and
• 41:24
  Speaker 2: we got to like the Tigers. But at that time,
• 41:26
  Speaker 2: I was like really hungry and like was eating my
• 41:28
  Speaker 2: burger as we were walking by, Like I think I
• 41:30
  Speaker 2: kind of missed it, but I definitely like know that
• 41:34
  Speaker 2: they were have a place in like history of pop
• 41:38
  Speaker 2: culture for sure.
• 41:39
  Speaker 1: Yeah. That's so yeah. When I'mca died, that's when I
• 41:41
  Speaker 1: took two days off of work and just fucking party
• 41:43
  Speaker 1: and listen to BC.
• 41:44
  Speaker 2: Like I was bumping like when I was growing up,
• 41:45
  Speaker 2: like you know Monica and like when Tony Braxton came
• 41:48
  Speaker 2: out with the new album, I was listening to that.
• 41:49
  Speaker 2: So I like it wasn't a lot of crossover from
• 41:51
  Speaker 2: like the Divas to Beastie Boys, except for the Madonna thing.
• 41:55
  Speaker 2: That's a very fun fact though.
• 41:57
  Speaker 1: Yeah, the very first tour was opening for Madonna. I
• 41:59
  Speaker 1: don't know how they I don't know how they got
• 42:01
  Speaker 1: into that, but that's wild and maybe oh wait, I think, well, no,
• 42:04
  Speaker 1: for Madonna's from Detroit, so I don't know. I was like,
• 42:06
  Speaker 1: maybe there's some hometown. I don't know.
• 42:08
  Speaker 2: It's how you were wondering how they got into that.
• 42:10
  Speaker 2: It wasn't really hard to get into Donna. Oh she
• 42:15
  Speaker 2: banged the vanilla eyes.
• 42:17
  Speaker 1: Yeah, I think he was like in the book, and
• 42:18
  Speaker 1: that's what like pissed them off or pissed him off
• 42:20
  Speaker 1: so much because she has like a sex book.
• 42:22
  Speaker 2: Oh gosh, so she banged him. She banged Sean Penn,
• 42:26
  Speaker 2: she banged uh guy Ritchie. She just like I think,
• 42:31
  Speaker 2: does she bang and at Benning's husband Warren Baby? Probably?
• 42:35
  Speaker 1: I don't know. I feel like Warren Baby is kind
• 42:37
  Speaker 1: of old for that.
• 42:38
  Speaker 2: But maybe I don't know. Are you looking up who
• 42:41
  Speaker 2: she banged?
• 42:42
  Speaker 1: Saying? Who's the book? But I can't find it. But
• 42:45
  Speaker 1: there's a skateboard trick called the Madonna And there's if
• 42:48
  Speaker 1: you do it one leg and if you do the
• 42:50
  Speaker 1: other leg, it's called the Seawan Pen, which is kind
• 42:51
  Speaker 1: of cool.
• 42:52
  Speaker 2: I feel like Madonna looked like somebody that would have
• 42:54
  Speaker 2: a missing leg. But okay, so my, oh there is
• 42:59
  Speaker 2: something so who So vanilla Ice.
• 43:01
  Speaker 1: Was of Naomi Campbell appeared in the book. I'm I
• 43:07
  Speaker 1: bet like, Oh, I think it's just like explicit images.
• 43:10
  Speaker 1: I don't know if she actually banged them, but I
• 43:12
  Speaker 1: feel like her and van Ice.
• 43:14
  Speaker 2: I feel like if somebody was like Madonna, banevilla Ice
• 43:17
  Speaker 2: would be like, I do not doubt that.
• 43:18
  Speaker 1: Yeah, I mean that makes yeah that one?
• 43:21
  Speaker 2: Okay, Andy my number? Are you ready for movies to
• 43:25
  Speaker 2: switch her? Oh? Yeah? So my number one movie of
• 43:28
  Speaker 2: the eighties is a nineteen eighty three movie called The Outsiders.
• 43:35
  Speaker 3: Get They're looking for us.
• 43:36
  Speaker 2: This is our territory. I wish that you could concentrate
• 43:42
  Speaker 2: on something else, just once in a while.
• 43:45
  Speaker 1: What's your name? Tony boy Curtis?
• 43:49
  Speaker 2: These are greatius who tried to pick upon her? Women?
• 44:03
  Speaker 4: Must be some place to music that Grazier's so ships
• 44:08
  Speaker 4: must be some place with plain ordinary feople.
• 44:17
  Speaker 2: You'd be careful.
• 44:20
  Speaker 1: Ain't it hurting?
• 44:21
  Speaker 3: Normal gold pull book?
• 44:34
  Speaker 2: Oh my god?
• 44:35
  Speaker 1: So good.
• 44:36
  Speaker 2: So this is a film out adaptation of the nineteen
• 44:38
  Speaker 2: sixty seven novel that we like read in school, right, Like, yeah,
• 44:42
  Speaker 2: this is a school read by se Hinton who was
• 44:44
  Speaker 2: a female.
• 44:46
  Speaker 1: So well, okay, think it right. But I get where
• 44:53
  Speaker 1: you're coming from because I wouldn't have known that either,
• 44:54
  Speaker 1: because I feel like the way she tapped into how
• 44:58
  Speaker 1: like dudes feel is yeah, I mean like that's yeah
• 45:02
  Speaker 1: I felt. Yeah. When I first found out she a
• 45:05
  Speaker 1: female wrote this, I was like, oh wow, Like I
• 45:07
  Speaker 1: didn't know, so I feel and she was a teenager.
• 45:09
  Speaker 2: When she wrote it. Yeah really yeah, And then I
• 45:13
  Speaker 2: just assumed and it's not do something like when is
• 45:17
  Speaker 2: it true when like female writers they would use initials
• 45:21
  Speaker 2: so they wouldn't.
• 45:22
  Speaker 1: Yeah, so they wouldn't think that they were female. Yeah.
• 45:23
  Speaker 2: Yeah. So this movie was directed by Francis Ford Coopola,
• 45:28
  Speaker 2: which is crazy. So did he do Godfather right or
• 45:30
  Speaker 2: one of those things?
• 45:31
  Speaker 1: So yeah. He also went to World War two and
• 45:32
  Speaker 1: got a lot of footage for like movies for America
• 45:37
  Speaker 1: to like play in theaters prior to movies to kind
• 45:40
  Speaker 1: of make the war effort. People are like, holy shit.
• 45:41
  Speaker 1: So he recorded World War two a lot of it.
• 45:44
  Speaker 2: Yeah, he's still alive.
• 45:45
  Speaker 1: No, I think he did recently.
• 45:47
  Speaker 2: Oh okay, I'm like, what a dick going, Like, all
• 45:49
  Speaker 2: these boys are going over there to fight for like
• 45:51
  Speaker 2: humans and like the world, and he's like, I'm gonna film.
• 45:54
  Speaker 1: It well, but the War Department asked him to They
• 45:58
  Speaker 1: needed America, you know, like we need more support.
• 46:00
  Speaker 2: They try to draft me, and I'm like, can I
• 46:02
  Speaker 2: just do like some filing. Yeah, Like I want to
• 46:06
  Speaker 2: be bad ass like Tom Hanks, but not that bad ass.
• 46:08
  Speaker 1: My buddy told me, he goes, if I ever got drafted,
• 46:10
  Speaker 1: he goes, I'd either win every single award that you
• 46:13
  Speaker 1: could possibly win or die in like five seconds. Yeah. Yeah.
• 46:18
  Speaker 2: So yeah. The plot is, you know, it takes place
• 46:22
  Speaker 2: I'm guessing like the fifties or whatever, but it you know,
• 46:25
  Speaker 2: the two groups, the Greasers, which I think the cool
• 46:28
  Speaker 2: ones for sure, and then the socias that are like
• 46:30
  Speaker 2: the popular jocks like yeah, and Okay, this is the
• 46:34
  Speaker 2: part that makes me because I'm a brat pack fanatic.
• 46:37
  Speaker 2: I love them. I love Breakfast Clout, all these ones. Okay,
• 46:40
  Speaker 2: so this is the list of characters and actors. This
• 46:43
  Speaker 2: is amazing. Okay, So we have Dally played by Matt Dyllon, who.
• 46:46
  Speaker 1: Looks so cool.
• 46:47
  Speaker 2: Yeah, he's so fucking badass. He looks like a like
• 46:50
  Speaker 2: he's made of wax or something like his his face
• 46:53
  Speaker 2: just looks like it was newly formed, like a Really,
• 46:57
  Speaker 2: he looks like he should be like in a discount
• 46:58
  Speaker 2: Madam Tusso's Okay. Johnny is played by Ralph Machio. I
• 47:03
  Speaker 2: cannot say that, motherfucker.
• 47:05
  Speaker 1: He was the second oldest filming that movie and he looks.
• 47:07
  Speaker 2: Like that's ridiculous. Was the oldest one Patrick Swayze I
• 47:12
  Speaker 2: would hope, so I would hope that like Patrick Swayzey
• 47:14
  Speaker 2: in this movie. But Ralph, like I've never saw a
• 47:19
  Speaker 2: worst death, Like I've never seen the death that I
• 47:21
  Speaker 2: was like, Okay, let's wrap this up, like like I
• 47:26
  Speaker 2: would be like, not, let's wrap this up. I got brunch. Okay.
• 47:31
  Speaker 2: We have pony Boy played by see Thomas Howell, and
• 47:33
  Speaker 2: all I'm gonna say is two words, soul.
• 47:35
  Speaker 1: Man, you know watch that. I've never seen it.
• 47:42
  Speaker 2: I know that in different times, even those podcasts, I've
• 47:45
  Speaker 2: said some pretty fucked up things. But where was there
• 47:48
  Speaker 2: somebody that nobody was like, hey, guys, this is not
• 47:51
  Speaker 2: a good idea to do a movie about blackface, Like,
• 47:53
  Speaker 2: this is not a good idea the whole time. God,
• 47:57
  Speaker 2: he's fucking word.
• 47:59
  Speaker 1: Okay.
• 47:59
  Speaker 2: We have Dairy by Patrick Swayze. Love him like ghost
• 48:02
  Speaker 2: dirty dancing. He was just amazing. His brother, on the
• 48:06
  Speaker 2: other hand, I think is a stupid piece of shit.
• 48:07
  Speaker 2: So no, no legitimate reason. But I was watching Million
• 48:12
  Speaker 2: Dollar Matchmaker, which listener, run, don't walk to your TV
• 48:16
  Speaker 2: and watch a million dollar Matchmaker. It's a fucking hot mask.
• 48:19
  Speaker 1: Patrick Swayze has a brother.
• 48:20
  Speaker 2: Yeah, oh my god, if you want the same thing,
• 48:22
  Speaker 2: I said the same thing. But during the episode that
• 48:24
  Speaker 2: he's on, he does not let you forget that he's
• 48:27
  Speaker 2: Patrick sweeze brother. He's like the guy. The woman's like, oh,
• 48:31
  Speaker 2: what are you into? Well? I was really into this,
• 48:33
  Speaker 2: but then my brother died Patrick Sweeze, and I was like,
• 48:39
  Speaker 2: is this guy a millionaire? But he's worth four million?
• 48:41
  Speaker 2: But I'm like, which, that's a lot more than I have.
• 48:43
  Speaker 2: But like, no, I don't like this. Okay. So we
• 48:48
  Speaker 2: have Soda Pop played by Rob Lowe.
• 48:51
  Speaker 1: This movie. He is so gorgeous. He is one of
• 48:53
  Speaker 1: the best looking at people of all time in this
• 48:55
  Speaker 1: movie for sure.
• 48:56
  Speaker 2: Oh my god, amazing. We have Steve, played by Tom Cruise. Yeah,
• 49:01
  Speaker 2: so I still I'm like one of those people. I know,
• 49:03
  Speaker 2: he's a part of a colt and like pretty much
• 49:05
  Speaker 2: up there, it hasn't really like closed minded ideas about
• 49:09
  Speaker 2: like mental health and whatever. But he's Tom fucking Cruise.
• 49:12
  Speaker 1: He's Tom fucking Cruise. I think he's one of like
• 49:15
  Speaker 1: he there's I don't think there's a lot of like
• 49:18
  Speaker 1: Hollywood actors left anymore, Like yeah, I mean there because
• 49:21
  Speaker 1: I think a lot of them they get roles now,
• 49:23
  Speaker 1: and I think like Marvel did a lot of this,
• 49:24
  Speaker 1: Like you know, there's, oh, this guy's playing Captain America. Okay,
• 49:28
  Speaker 1: who Chris Evans? I know, but basically things like that.
• 49:30
  Speaker 1: But I feel like there's very few people left that
• 49:33
  Speaker 1: are like, oh, this is a Tom Cruise movie, so
• 49:35
  Speaker 1: let's go see it. Brad Pitt, you know things like that.
• 49:38
  Speaker 2: Yeah, Like yeah, because who else, Like I don't know
• 49:40
  Speaker 2: many movies besides my super specific niches that I would
• 49:44
  Speaker 2: be like, who's who's a movie star? Right now? Like
• 49:47
  Speaker 2: I'm getting super tickle to my privates that uh, Uma
• 49:50
  Speaker 2: Thurman's making a comeback because I just fucking love Uma Thurman. Yeah,
• 49:55
  Speaker 2: Charlie sayern I think is a movie star.
• 49:57
  Speaker 1: I love the who else is the movie? Like the
• 50:00
  Speaker 1: reason I saw F one. I'm not really like those movies,
• 50:03
  Speaker 1: but it's because I love Brad Pitt and the movie
• 50:05
  Speaker 1: was a lot of fun. So this is this is
• 50:07
  Speaker 1: coming to August fifth. Yeah, but if it's still in theaters,
• 50:10
  Speaker 1: I suggest seeing it in theaters.
• 50:11
  Speaker 2: Fuck yeah. Okay, So going down the list, because this
• 50:14
  Speaker 2: list is fucking long. We have two Bit played by
• 50:16
  Speaker 2: Emilia Estevez, and.
• 50:17
  Speaker 1: I feel like they and two Bit in the books
• 50:20
  Speaker 1: is way better than they actually did in the movie.
• 50:22
  Speaker 1: He's a lot better in the books, but he did
• 50:24
  Speaker 1: great in the movie though, too so, and.
• 50:26
  Speaker 2: He's just icon him with Mighty Dogs. We got Breakfast Club.
• 50:29
  Speaker 2: He's royalty with his dad. His dad's fucking hot, and
• 50:33
  Speaker 2: then his brother is a fucking hot mess.
• 50:36
  Speaker 1: Oh my god.
• 50:36
  Speaker 2: Winning we have Cherry played by Diane Lane. She's she's gorgeous,
• 50:42
  Speaker 2: like sure, forget about it. And then we have Bob
• 50:46
  Speaker 2: played by Leif Garrett. So he's seventies teen heart throb, heroin,
• 50:50
  Speaker 2: addict and drunk driver. Not no shame, no shame, but
• 50:55
  Speaker 2: you see that awkward behind the music back in the
• 50:57
  Speaker 2: day yeah, for sure.
• 50:58
  Speaker 1: They like what they meet. Yeah, me at a fucking
• 51:01
  Speaker 1: park and it's like and then his buddies like, you
• 51:04
  Speaker 1: actually did me a favor by having me lose my legs?
• 51:07
  Speaker 2: What the fuck man favor by getting like ten million
• 51:11
  Speaker 2: dollars or whatever? Yeah, yeah, yeah, I would be No,
• 51:13
  Speaker 2: I'm not gonna say it. Okay, So here are some
• 51:15
  Speaker 2: of the quotes that I still I still quote to
• 51:18
  Speaker 2: this day from this movie. Why aren't you afraid of us?
• 51:21
  Speaker 2: Like you was dalling? Yeah, so good? Mustines are two? Oh,
• 51:26
  Speaker 2: let's do it for Johnny Man. That's pretty powerful. And
• 51:29
  Speaker 2: then just the iconic stay Golden pony boy for sure. Yeah,
• 51:33
  Speaker 2: so yeah, this movie.
• 51:34
  Speaker 1: Is so good. No, I love this movie. And I
• 51:36
  Speaker 1: remember the first time I read the book. Uh my
• 51:39
  Speaker 1: mom showed me this movie and I was really young
• 51:40
  Speaker 1: and I loved it. And then I read the book
• 51:43
  Speaker 1: in school and I fucking fell in love. And then
• 51:47
  Speaker 1: somehow I saw that se Hint and she wrote other books.
• 51:50
  Speaker 1: So then I read Rumblefish. That was then this is now.
• 51:53
  Speaker 1: Couldn't get into texts, but Rumblefish is amazing. But I
• 51:58
  Speaker 1: think that was then. This is now is a better
• 52:00
  Speaker 1: book than the Outsiders, and I fucking loved The Outsiders.
• 52:04
  Speaker 1: But I remember the first time I read the book,
• 52:06
  Speaker 1: they had extra scenes in the book that didn't have
• 52:09
  Speaker 1: in the movie, and that blew my mind. I guess, actually,
• 52:12
  Speaker 1: that's probably the first movie book I ever read it. Yeah, movie,
• 52:15
  Speaker 1: but yeah. And then I remember reading the book again
• 52:18
  Speaker 1: later on a few years later, and they didn't have that,
• 52:20
  Speaker 1: and so they had different versions of the.
• 52:22
  Speaker 2: Book and I was like, what, I didn't know that
• 52:25
  Speaker 2: editions or what.
• 52:26
  Speaker 1: Yeah, yeah, and they added a little bit. I'm not sure,
• 52:28
  Speaker 1: I don't know why, but there's scenes where they're like
• 52:30
  Speaker 1: running after everything happens after like Johnny dies, and then
• 52:34
  Speaker 1: they run after and they catch them. And then if
• 52:36
  Speaker 1: you have the Blue Ear the DVD of like the
• 52:38
  Speaker 1: thirty or fortieth anniversary or whatever, you can watch that
• 52:41
  Speaker 1: scene in the movie. So I was like, oh, crazy,
• 52:43
  Speaker 1: this is kind of how a picture in my head.
• 52:44
  Speaker 1: So that was pretty cool. But no, great fucking choice.
• 52:46
  Speaker 1: This movie is amazing. I think it's every every child
• 52:49
  Speaker 1: should see this movie, you know, like a coming of age.
• 52:53
  Speaker 2: This was one that, like the book and the movie
• 52:55
  Speaker 2: tie in, like was a good one for school because
• 52:58
  Speaker 2: I did not fucking like we had to read The
• 53:00
  Speaker 2: Great Gatsby, Like that's not a kid book.
• 53:03
  Speaker 1: That's so funny because my coworker today said that we
• 53:06
  Speaker 1: read The Great Gatsby in high school and I don't
• 53:08
  Speaker 1: remember reading that. The only book I remember now is
• 53:11
  Speaker 1: this and The Hobbit. I've tried to start The Great
• 53:14
  Speaker 1: Gasbee like four times and I can't get into it.
• 53:16
  Speaker 2: No, I'm I'm. As I started to read it, I'm
• 53:18
  Speaker 2: like like loading my musket because I'm gonna shoot myself.
• 53:21
  Speaker 2: So I so when I move, I always I never
• 53:24
  Speaker 2: want to get rid of, like my DVDs because I
• 53:26
  Speaker 2: always keep on. But I was going through and I had,
• 53:28
  Speaker 2: I think three copies of The Outsiders. I'm like this, okay,
• 53:31
  Speaker 2: that makes sense. The other movies I had caught multiple
• 53:34
  Speaker 2: copies of which blow my mind and Keiley knows this
• 53:36
  Speaker 2: one is this movie that came out in the two
• 53:38
  Speaker 2: thousands called Annapolis or Annapolis or what. It's like a
• 53:42
  Speaker 2: naval academy and it has James Franco and Tyresee talking
• 53:48
  Speaker 2: about I had multiple copies of that, and the other
• 53:50
  Speaker 2: one was like Babe, like Babe too, Pig in the City. Yeah,
• 53:55
  Speaker 2: like those those are the move. Oh babe makes sense.
• 53:57
  Speaker 2: I love Babe, don't get me wrong, Like I love Babe,
• 54:00
  Speaker 2: I love pigs. But in Apple, I don't remember ever
• 54:02
  Speaker 2: really watching that movie unless it was like for like,
• 54:05
  Speaker 2: you know, back in the day before porn. Oh, sure,
• 54:07
  Speaker 2: there's a lot of like Shirtless, you know, Tyrese. But yeah, anyway,
• 54:13
  Speaker 2: so that's my number one movie of the eighties. Like,
• 54:15
  Speaker 2: there's so many other we just talked about, Like on
• 54:17
  Speaker 2: the seventies episode, there's the Rocky horror follow up, Shock Treatment,
• 54:20
  Speaker 2: but I felt like I just really talked about that
• 54:22
  Speaker 2: a lot. Yeah, but this movie, I definitely was one
• 54:25
  Speaker 2: that I wish I would have got into, like the Goonies,
• 54:27
  Speaker 2: because I recently watched The Goonies a few years ago
• 54:29
  Speaker 2: with Jackson, and I was like, I wish I had
• 54:32
  Speaker 2: this one growing up.
• 54:33
  Speaker 1: That's so funny. You say that because I'm I'm in
• 54:36
  Speaker 1: the same boat as you are. I didn't say, maybe
• 54:39
  Speaker 1: I saw I lived in Astoria. Yeah, so maybe I
• 54:42
  Speaker 1: saw when I was a little kid, but I don't
• 54:43
  Speaker 1: really remember it too much. But when I saw it
• 54:45
  Speaker 1: as an adult, I'm like, yeah, it's okay, but it
• 54:48
  Speaker 1: doesn't feel like a kid movie. It feels like an
• 54:51
  Speaker 1: adult making a kid movie, and it just throws it
• 54:53
  Speaker 1: off a little bit.
• 54:54
  Speaker 2: But I think if I would have watched it as
• 54:55
  Speaker 2: like a seven year old, I would have been like,
• 54:57
  Speaker 2: this is it? Ye?
• 54:58
  Speaker 1: Same with like ET. For me feel like if I
• 55:00
  Speaker 1: was a kid when I saw ET, I would have
• 55:01
  Speaker 1: enjoyed it. But it was awful.
• 55:03
  Speaker 2: You wouldn't You wouldn't. That movie traumatized the fuck out
• 55:06
  Speaker 2: of me. We talked about this before.
• 55:09
  Speaker 1: Were no people that have seen ET as a kid.
• 55:13
  Speaker 1: They think it's one of the best movies ever, and
• 55:16
  Speaker 1: I've never seen it. I saw it when I was
• 55:17
  Speaker 1: like twenty six, and I'm like, that is garbage. I
• 55:20
  Speaker 1: don't know why anybody enjoyed that movie.
• 55:22
  Speaker 2: I have so I watched it as a kid and
• 55:24
  Speaker 2: I was terrified. Like a listener for this new to
• 55:26
  Speaker 2: the podcast, we went to Universal Studios and we went
• 55:29
  Speaker 2: on the ET ride. As soon as I discovered the
• 55:30
  Speaker 2: ET was into the cart with us, I tried to
• 55:32
  Speaker 2: jump off and my mom had to hold me in.
• 55:35
  Speaker 2: Every night, I would cry until my kid. My mom
• 55:38
  Speaker 2: and my dad rolled my desk chair out of my
• 55:40
  Speaker 2: room because it looked at ET.
• 55:42
  Speaker 1: My witch is bonkers. After like the second I've been like, hey,
• 55:45
  Speaker 1: should we get rid of this?
• 55:46
  Speaker 2: Yeah, every fucking night. And then my sister, like a
• 55:49
  Speaker 2: couple of years later, when Furby's came around, there was
• 55:51
  Speaker 2: like an ET forbe, So she gave me that and
• 55:54
  Speaker 2: that started going off in the middle of the night.
• 55:55
  Speaker 2: That nobody likes ET. If you like ET, you're full
• 55:59
  Speaker 2: of fucking shit.
• 56:00
  Speaker 1: No, or you haven't watched it since you were like
• 56:02
  Speaker 1: five or whatever. People watch it.
• 56:04
  Speaker 2: If you're alone and you're a kid sitting outside and
• 56:06
  Speaker 2: then alien comes up to you, you would be like scared.
• 56:09
  Speaker 2: Fucking I know he's scared at the beginning. I would
• 56:11
  Speaker 2: have fucking murdered that that that alien.
• 56:13
  Speaker 1: Yeah, I saw this thing recently on some social media goes.
• 56:15
  Speaker 1: If ET came around me and my friend, so we
• 56:17
  Speaker 1: would have beat it to death with hammers, like yeah, probably,
• 56:20
  Speaker 1: nothing's scary as fuck, you know, Oh.
• 56:21
  Speaker 2: I would break it. Fucking I was rooting for the
• 56:23
  Speaker 2: government people. I was like, you go get that motherfucker.
• 56:26
  Speaker 2: Yeah yeah. And I was not that I'm anti immigration,
• 56:31
  Speaker 2: but I'm like get out of get out yeah yeah, no, no,
• 56:35
  Speaker 2: I'm I'm I'm for the other for humans to come here,
• 56:38
  Speaker 2: not aliens.
• 56:39
  Speaker 1: See, I think we're already starting in twenty years, are
• 56:41
  Speaker 1: going to be uh anti alien, anti robot. Here we go,
• 56:45
  Speaker 1: here we go.
• 56:46
  Speaker 2: All right, you're gonna be voting for.
• 56:47
  Speaker 1: Donald Trump Junior. Yeah, he just has a good ideas,
• 56:51
  Speaker 1: like yeah, this is.
• 56:54
  Speaker 2: Yeah.
• 56:54
  Speaker 1: Oh my god, God damn it, oh God.
• 56:56
  Speaker 2: Okay, Andy, what is your number one movie of the
• 56:59
  Speaker 2: nineteen eighties?
• 57:00
  Speaker 1: I'm with you on There were so many good movies
• 57:02
  Speaker 1: to choose from, and I almost chose a few, but
• 57:04
  Speaker 1: this one I saw as a little kid with my dad.
• 57:07
  Speaker 1: I've shown my daughter's this. It's a really well written movie.
• 57:11
  Speaker 1: It came out at the very beginning of nineteen eighty.
• 57:14
  Speaker 1: It's a little movie called Blues Brothers.
• 57:16
  Speaker 2: Okay Street, Chicago.
• 57:27
  Speaker 1: It's one hundred and six miles from Chicago.
• 57:30
  Speaker 2: Got a full tank of gas, half a pack of cigarettes.
• 57:33
  Speaker 2: It's dark and we're wearing sunglasses. Hit it.
• 57:46
  Speaker 3: Right.
• 57:48
  Speaker 1: They're not gonna catch us. We're on a mission from God.
• 57:51
  Speaker 1: You just tell us where they are, you know, be
• 57:53
  Speaker 1: no trouble.
• 58:06
  Speaker 2: Of unnecessarily violence, and the apprehension of the Blues Brothers
• 58:10
  Speaker 2: has been approve.
• 58:16
  Speaker 1: Are you the police, No, ma'am, We're musicians so good
• 58:22
  Speaker 1: and listener. I do want to apologize if this episode
• 58:25
  Speaker 1: has been really loud. I just realized our headphones were
• 58:28
  Speaker 1: turned down a little bit. Oh my god, I think
• 58:31
  Speaker 1: we've just been screaming.
• 58:34
  Speaker 2: We've been yelling this whole time, so I get away.
• 58:39
  Speaker 1: They're really episode.
• 58:44
  Speaker 2: That was just yelling about et that was even more yelling.
• 58:49
  Speaker 1: Yeah, it sounds so loud though that I turned them off.
• 58:52
  Speaker 1: Oh I love it. Oh my gosh. But this, like
• 58:55
  Speaker 1: I said as we came up nineteen eighty, it's directed
• 58:57
  Speaker 1: by John Landis do you know about John Landers?
• 59:00
  Speaker 2: John landas the director. Okay, yeah, but.
• 59:03
  Speaker 1: He's directed a bunch of shit. But he got two
• 59:06
  Speaker 1: kids killed during the making of the Twilight movie from
• 59:10
  Speaker 1: like a helicopter stunt. And he was told multiple times
• 59:13
  Speaker 1: that like, hey, this is you, don't do this, it's bad,
• 59:16
  Speaker 1: but he did it anyways. He got them killed by
• 59:18
  Speaker 1: continuing the movie. Yeah, he goes, no, we don't need
• 59:20
  Speaker 1: to cut, we can still do it, and then like,
• 59:22
  Speaker 1: I can't remember, but I think the helicopter crashed and
• 59:24
  Speaker 1: killed two kids, but it was across the season there.
• 59:26
  Speaker 2: I think nobody cares, Oh god, but I think some
• 59:28
  Speaker 2: people like the pilot should take some of the blame
• 59:30
  Speaker 2: and the terrence too, for like objecting their kids or
• 59:33
  Speaker 2: subjecting their kids. And maybe the kids were assholes.
• 59:36
  Speaker 1: Yeah, we don't know. Yeah, maybe they're the next Hitler. Yeah,
• 59:39
  Speaker 1: but this was written by Dan Aykroyd and John Landis.
• 59:42
  Speaker 1: The budget was twenty seven to thirty million dollars. But
• 59:44
  Speaker 1: it's kind of a funny story. I don't know how funny.
• 59:47
  Speaker 1: It is kind of mildly interesting, I guess. But so
• 59:50
  Speaker 1: they started, they started filming this movie before the script
• 59:53
  Speaker 1: was done and before the budget was actually finalized. So
• 59:57
  Speaker 1: they finally get a call from the studio and the
• 59:59
  Speaker 1: studio is like, okay, you have twelve million dollars. And
• 1:00:01
  Speaker 1: then the production the production assistant did the numbers and
• 1:00:05
  Speaker 1: he told Joe Landis he goes, We've already spent twelve
• 1:00:08
  Speaker 1: million dollars. Oh no, So then they moved it up
• 1:00:09
  Speaker 1: to thirty million.
• 1:00:11
  Speaker 2: That's a lot of money back then, yeah, for sure.
• 1:00:13
  Speaker 1: Yeah, because that same year came out the third or
• 1:00:17
  Speaker 1: the second one of the Star Wars movies came out,
• 1:00:19
  Speaker 1: and that but just on eighteen million.
• 1:00:21
  Speaker 2: So oh heroin the Heroin? What no drugs? Like What
• 1:00:28
  Speaker 2: are they use all that money for Brothers? Is it
• 1:00:31
  Speaker 2: more impressive than Star Wars? Yeah? Oh wow?
• 1:00:35
  Speaker 1: They they they got sixty police cars to smash. This
• 1:00:40
  Speaker 1: is before CGI, so it's all like legit cars and everything.
• 1:00:43
  Speaker 1: But here's the synopsis of Blues Brothers. Jake Blues rejoins
• 1:00:48
  Speaker 1: his brother Elwood after being released from prison. But the
• 1:00:51
  Speaker 1: duo has just days to you to reunite their old
• 1:00:54
  Speaker 1: R and B band and save the Catholic home where
• 1:00:57
  Speaker 1: the two were raised, out running the police as they
• 1:01:00
  Speaker 1: hair through Chicago. So the reason like this movie so much.
• 1:01:03
  Speaker 1: Oh let me tell you. Let me just show you
• 1:01:04
  Speaker 1: the cast. So let me just go to the cast.
• 1:01:05
  Speaker 1: The cast is wild. We have Jake, John Belushi, Elwood,
• 1:01:09
  Speaker 1: Dan Ackroyd, mystery Woman, Carrie Fisher, Burn Mercer, John Candy, Tucker, McElroy,
• 1:01:15
  Speaker 1: Charles Napier, Miss Murphy, Aretha Franklin, the Reverend James Brown,
• 1:01:20
  Speaker 1: Curtis Cab Callaway, Ray Ray, Charles head Nazi, Henry Gibson, Waiter,
• 1:01:25
  Speaker 1: Paul Rubins, corrections Officer, Frank Oz, County Assessor Steven Spielberg.
• 1:01:30
  Speaker 1: And then you have the whole Blues Brothers band, which
• 1:01:32
  Speaker 1: a lot of them were the musicians for Saturn Alive.
• 1:01:35
  Speaker 2: Damn, this is crazy.
• 1:01:36
  Speaker 1: Yeah right, So here's some fun facts. They used over
• 1:01:40
  Speaker 1: sixty police cars to crash during the making of this movie.
• 1:01:43
  Speaker 1: They drop a pinto from twelve hundred feet up from
• 1:01:46
  Speaker 1: a helicopter, a pino like the Pento car. Oh crazy, right,
• 1:01:52
  Speaker 1: they started all right? Told that they started shooting already.
• 1:01:55
  Speaker 1: It's kind of a fucked up fact. And oh so
• 1:01:57
  Speaker 1: the budget was twenty seven to thirty million, and in
• 1:02:00
  Speaker 1: the box office it made one hundred and fifteen million.
• 1:02:03
  Speaker 1: But here's kind of a fucked up fact. And they
• 1:02:04
  Speaker 1: probably would have made more money. But the president of
• 1:02:06
  Speaker 1: the studio didn't like the movie, probably one for the
• 1:02:09
  Speaker 1: extra money it costs, but two because of how many
• 1:02:11
  Speaker 1: black people were in the movie. So when it came
• 1:02:13
  Speaker 1: to release the movie, the head of the studio said
• 1:02:15
  Speaker 1: they were only going to release in half of the
• 1:02:17
  Speaker 1: normal theaters and only in black areas. You thought white
• 1:02:21
  Speaker 1: people wouldn't want to see a black movie. And he
• 1:02:23
  Speaker 1: was worried black people would go to white neighborhoods to
• 1:02:25
  Speaker 1: see the movie and cause crime.
• 1:02:27
  Speaker 2: How fucking racist, like, and he was so in this
• 1:02:30
  Speaker 2: he like put that out there.
• 1:02:32
  Speaker 1: Well, that's what people around him were saying. That's why
• 1:02:35
  Speaker 1: it wasn't released in many theaters. It's like, fucking hey,
• 1:02:38
  Speaker 1: that's just awful, you know. But the reason I like,
• 1:02:40
  Speaker 1: it's a really good classic buddy comedy. But this one
• 1:02:43
  Speaker 1: is a musical too, which is a lot of fun.
• 1:02:45
  Speaker 1: I think. I think by Aretha Franklin is amazing in
• 1:02:48
  Speaker 1: this movie. She plays the guitarists wife, and so basically
• 1:02:53
  Speaker 1: they have to get the band back together, and a
• 1:02:55
  Speaker 1: lot of it is them going to the band like
• 1:02:59
  Speaker 1: different band because Jake was in prison for years the
• 1:03:02
  Speaker 1: band broke up. They need to get five thousand dollars
• 1:03:05
  Speaker 1: because the orphanage they grew up in is about to
• 1:03:06
  Speaker 1: close because right when he got out of prison, Ellwo's like,
• 1:03:09
  Speaker 1: we gotta go see the penguin. Man, I'm not gonna
• 1:03:11
  Speaker 1: go see the fucking penguin. And that's the nun that
• 1:03:13
  Speaker 1: raised him. So she's like, well, we're about to go under.
• 1:03:16
  Speaker 1: We need money, and Jake's like, oh, five grand I'll
• 1:03:18
  Speaker 1: get it by to you tomorrow and she's like not,
• 1:03:19
  Speaker 1: you're dirty money. So then they go, well, we need
• 1:03:22
  Speaker 1: got to figure something out. So they go to church
• 1:03:24
  Speaker 1: and that's where they meet. That's where they see James
• 1:03:26
  Speaker 1: Brown and he's doing a song and they fucking you know.
• 1:03:29
  Speaker 1: He's like, we got it the band. We got to
• 1:03:31
  Speaker 1: get the band back together, and that's like their mission
• 1:03:33
  Speaker 1: from God, you know. So a lot of them trying
• 1:03:35
  Speaker 1: to find the band members and bring them back together.
• 1:03:38
  Speaker 1: But they get the band back together pretty quickly. So
• 1:03:42
  Speaker 1: because if you think about it, that seems like, Okay,
• 1:03:44
  Speaker 1: that's the whole movie. They're gonna play a gig, get
• 1:03:45
  Speaker 1: the money. No, they get the band back together pretty quickly,
• 1:03:48
  Speaker 1: but they can't find gigs. The very first gig they
• 1:03:51
  Speaker 1: end up playing at some like honky Tonk redneck bar,
• 1:03:54
  Speaker 1: and uh, they are supposed to make two hundred bucks,
• 1:03:57
  Speaker 1: but the band during three hundred dollars worth of beer,
• 1:03:59
  Speaker 1: so they runoff. And so now they're getting chased by
• 1:04:01
  Speaker 1: rednecks and they're getting chased by cops because right when
• 1:04:05
  Speaker 1: they get picked up by right when Jake gets picked
• 1:04:08
  Speaker 1: up from prison, Elwood run from the cops and now
• 1:04:12
  Speaker 1: they're about to go back to prison if they get costs.
• 1:04:13
  Speaker 1: So they're already getting chased by the cops. They're getting
• 1:04:16
  Speaker 1: chased by rednecks. They destroy a whole mall for this movie.
• 1:04:21
  Speaker 1: They're driving in a mall with like multiple cop cars
• 1:04:23
  Speaker 1: chasing them and it's one of the coolest like car
• 1:04:26
  Speaker 1: scenes ever, and all these like Peru One, Imports, Toys,
• 1:04:30
  Speaker 1: r us they're all like businesses and they're smashing it
• 1:04:33
  Speaker 1: through windows and it's crazy, right, But so then that
• 1:04:36
  Speaker 1: goes bad the the Redneck bar place, so then they're
• 1:04:40
  Speaker 1: onto the next gig. They're on the next gig and
• 1:04:42
  Speaker 1: they're waiting in traffic. They're like, what the fuck and
• 1:04:44
  Speaker 1: there's all these like Nazis protesting about something, right being Nazis,
• 1:04:48
  Speaker 1: and they're on this like bridge protesting and then Old goes, hey,
• 1:04:52
  Speaker 1: what's going on up there, and he goes, fucking Nazis, man,
• 1:04:54
  Speaker 1: they won their right to protest. And then Jake goes,
• 1:04:57
  Speaker 1: I fucking hate Nazis. So then they just gun it
• 1:05:00
  Speaker 1: and they like try to hit them all, but all
• 1:05:01
  Speaker 1: the Nazis jump off the bridge, so now they're getting
• 1:05:04
  Speaker 1: chased by Nazis too, oh right. So but all while
• 1:05:07
  Speaker 1: all this is happening, this random lady, this mystery woman,
• 1:05:10
  Speaker 1: keeps trying to kill them with like a bazooka and
• 1:05:13
  Speaker 1: a flamethrower and shit, and that's Carrie Fisher. So they're
• 1:05:16
  Speaker 1: getting chased by some random woman, Nazis, rednecks and cops
• 1:05:21
  Speaker 1: and it's just a really fun movie and the music
• 1:05:25
  Speaker 1: is great in it. It's just like I love buddy comedies,
• 1:05:30
  Speaker 1: and it's a really well written movie. This is the problem,
• 1:05:32
  Speaker 1: this is what we need to do to fix it.
• 1:05:34
  Speaker 1: But now there's gonna be a lot of hijinks in
• 1:05:36
  Speaker 1: the way between us fixing it. It goes by really quick.
• 1:05:38
  Speaker 1: It's a two hour movie, but with all the acting
• 1:05:41
  Speaker 1: or all the chases, the crashes, the singing and everything,
• 1:05:44
  Speaker 1: it just goes by super fast. And if you haven't
• 1:05:47
  Speaker 1: seen it, it's one movie where I think you can
• 1:05:48
  Speaker 1: watch it over and over again and enjoy it. It's
• 1:05:50
  Speaker 1: a great drinking movie because all the great music too.
• 1:05:52
  Speaker 2: So yeah, oh my god, Yeah, I don't. I don't think.
• 1:05:55
  Speaker 2: I think it's the same thing as with Beastie Boys.
• 1:05:58
  Speaker 2: It was like there, I'm sure my I liked it
• 1:06:00
  Speaker 2: a lot, but I just never really like, really appreciated it.
• 1:06:04
  Speaker 1: But I need to.
• 1:06:04
  Speaker 2: I I space completely that Carrie Fisher and I just
• 1:06:08
  Speaker 2: fucking love her.
• 1:06:09
  Speaker 1: Well, she was dating Dan Arkoyd at the top. That's
• 1:06:11
  Speaker 1: how they got her. And during the movie the John
• 1:06:15
  Speaker 1: Landers is like, carry you need to watch John Belushi
• 1:06:19
  Speaker 1: to make sure he doesn't do too much cocaine. Carrie Fisher,
• 1:06:23
  Speaker 1: that's horrible.
• 1:06:24
  Speaker 2: You know it's given. Uh, what kind of joke can
• 1:06:27
  Speaker 2: I make?
• 1:06:28
  Speaker 1: I feel like someone with a horse, that something of
• 1:06:30
  Speaker 1: the horse telling a horse not to tell another horse
• 1:06:34
  Speaker 1: not to you hate? I don't know.
• 1:06:35
  Speaker 2: Yeah, yeah, listener, put it and insert your own joke.
• 1:06:40
  Speaker 1: We're tired, but it's funny. On your movie thing you
• 1:06:42
  Speaker 1: did some favorite quotes. I did too. One of my
• 1:06:44
  Speaker 1: favorite quotes is, we're on a mission from God. Of course,
• 1:06:47
  Speaker 1: We're one hundred and six miles to Chicago. We've got
• 1:06:50
  Speaker 1: a full take of gas, half a pack of cigarettes,
• 1:06:52
  Speaker 1: it's dark and we're in sunglasses. Get it.
• 1:06:56
  Speaker 2: How fuck it?
• 1:06:56
  Speaker 1: Let me see here, Illinois Nazis. I hate Illinois Nazis.
• 1:07:01
  Speaker 1: Let me see here. I've wrote a few other ones.
• 1:07:04
  Speaker 1: How much for the little girls, how much for the women?
• 1:07:07
  Speaker 1: I want to buy your women, sell me your children
• 1:07:11
  Speaker 1: so that one one of their bandmates is now like
• 1:07:13
  Speaker 1: a major d in the really fancy restaurant. So to
• 1:07:16
  Speaker 1: get him back, they go to the restaurant. He's like, guys,
• 1:07:18
  Speaker 1: I have a cushy gieg here. I'm not gonna leave.
• 1:07:19
  Speaker 1: And they go, all right, we'll came and get a table.
• 1:07:21
  Speaker 1: He's like no, and so they're just make they're just
• 1:07:23
  Speaker 1: being awful and trying to get him, you know, fired
• 1:07:24
  Speaker 1: and everything. Let me see here, it's an old Mount
• 1:07:29
  Speaker 1: Prospect police car. Ellwood says, and Jake goes, the day
• 1:07:32
  Speaker 1: I get out of prison, my own brother picks me
• 1:07:34
  Speaker 1: up in a police car. And then my favorite quote
• 1:07:37
  Speaker 1: from the movie is they're looking for the bandmates. So
• 1:07:39
  Speaker 1: they go to this house and you're talking to the
• 1:07:41
  Speaker 1: lady and they knock on the door and hey, you're
• 1:07:45
  Speaker 1: looking for this person. Later goes, are you the police?
• 1:07:48
  Speaker 1: Elle goes, no, ma'am, we're musicians. That means anything. But
• 1:07:53
  Speaker 1: it's a fun fucking movie. If you like Ray Charles,
• 1:07:56
  Speaker 1: Aretha Franklin, Cap Callaway, James Brown, any of that blues,
• 1:08:00
  Speaker 1: R and B stuff, you're gonna really love this movie.
• 1:08:02
  Speaker 2: So I don't have to like check this out and
• 1:08:04
  Speaker 2: do a deep dive in this.
• 1:08:05
  Speaker 1: It's one of my favorite drinking movies. Let me know
• 1:08:07
  Speaker 1: when we'll do a drinking the Blues Brother Drink Watching
• 1:08:10
  Speaker 1: the Night. It's such a fun movie. I love it.
• 1:08:11
  Speaker 2: We can almost like just get fucked up and watch
• 1:08:13
  Speaker 2: it and just record ourselves watching it. Yeah we could, yes,
• 1:08:16
  Speaker 2: so pretty much the listener would just be like, oh wow,
• 1:08:18
  Speaker 2: you know my god, I love it. I think you're
• 1:08:22
  Speaker 2: talking about buddy comedies. I feel like we should maybe
• 1:08:25
  Speaker 2: with chat GBT like come up, or maybe we could
• 1:08:28
  Speaker 2: just be creative souls and have our own buddy comedic adventure.
• 1:08:31
  Speaker 2: I feel like we would be really good in a movie.
• 1:08:34
  Speaker 2: Just say, comic comic, like a buddy comedy.
• 1:08:37
  Speaker 1: I have a few ideas already.
• 1:08:39
  Speaker 2: What's what's an idea you have?
• 1:08:40
  Speaker 1: Well, this is already trademarks, so don't steal anybody. A
• 1:08:43
  Speaker 1: heist buddy movie. But of Jesus.
• 1:08:46
  Speaker 2: Oh so we're Jesus.
• 1:08:49
  Speaker 1: Kind of Jesus is the main character. We're two of
• 1:08:52
  Speaker 1: the disciples, and the whole point is we're trying to
• 1:08:54
  Speaker 1: scam the system. So they go, Okay, after you die,
• 1:08:58
  Speaker 1: wink wink, you'll come back a live three days and
• 1:09:00
  Speaker 1: we have to make the whole thing, but make it
• 1:09:01
  Speaker 1: like a bank heist movie like comedy. Right, it's kind
• 1:09:04
  Speaker 1: a fun idea.
• 1:09:04
  Speaker 2: I like that because like they have so there's so
• 1:09:06
  Speaker 2: many buddy comedies, like going back to like a well,
• 1:09:09
  Speaker 2: would you consider some like it hot a buddy comedy?
• 1:09:12
  Speaker 2: Have you seen that with Marilyn Monroe and the two
• 1:09:13
  Speaker 2: guys are like going to cover as women. It's like
• 1:09:15
  Speaker 2: black and white?
• 1:09:18
  Speaker 1: Oh wow, isn't uh? I know what you're talking about?
• 1:09:21
  Speaker 1: Is it the guy from Ugly or Ugly Gray Man?
• 1:09:24
  Speaker 1: Grumpy Man? Oh?
• 1:09:26
  Speaker 2: Is it?
• 1:09:26
  Speaker 1: Oh?
• 1:09:26
  Speaker 2: I think so?
• 1:09:27
  Speaker 1: Is this Lemon?
• 1:09:27
  Speaker 2: Yeah? Yeah, John not John Lennon Jack Lemon Jack? Yeah, yeah,
• 1:09:32
  Speaker 2: that's a good. Yeah, buddy, I think we would be
• 1:09:34
  Speaker 2: iconic for a buddy Oh for sure.
• 1:09:36
  Speaker 1: Yeah.
• 1:09:36
  Speaker 2: No.
• 1:09:36
  Speaker 1: I love buddy comedies. They're some of my favorite movies.
• 1:09:38
  Speaker 2: Okay, Andy, I think we nailed it with our top
• 1:09:41
  Speaker 2: movie song and album. So I want to do a
• 1:09:45
  Speaker 2: quick game because we've been something I my bro Era
• 1:09:47
  Speaker 2: and I've been doing like a lot of smash for
• 1:09:49
  Speaker 2: past talk. This is going to be a game of
• 1:09:51
  Speaker 2: smashing past, but it's going to be notable bling stuff,
• 1:09:57
  Speaker 2: stuff from the eighties. Okay, So smash you like it,
• 1:10:00
  Speaker 2: pass you don't like it? Okay, So number one the
• 1:10:04
  Speaker 2: brat pack pass Pass Number two Madonna at the VM's
• 1:10:10
  Speaker 2: singing like a virgin.
• 1:10:13
  Speaker 1: Some of my very first like sexual memories is watching
• 1:10:17
  Speaker 1: VH one and seeing Madonna videos. So I'm gonna say, smash.
• 1:10:21
  Speaker 2: Okay, Transformers, uh passed.
• 1:10:24
  Speaker 1: I got into Beast for Beast Wars later, but I
• 1:10:28
  Speaker 1: never gotten Transformers.
• 1:10:29
  Speaker 2: Okay, number four, I think I know the answer to
• 1:10:32
  Speaker 2: this one. Tampon gate O.
• 1:10:35
  Speaker 1: Hell yeah, smash crazy so good.
• 1:10:38
  Speaker 2: So listener. Back in the eighties, Charles was married to
• 1:10:41
  Speaker 2: Princess Diana and he's now the king, and he was
• 1:10:45
  Speaker 2: having an affair with the love of his life Camilla
• 1:10:47
  Speaker 2: and who's now the queen, and then he got on
• 1:10:50
  Speaker 2: on hot mic or like his phone got bugged or whatever,
• 1:10:54
  Speaker 2: saying that he wanted to be Camilla's tampon.
• 1:10:58
  Speaker 1: Yeah, and then a long time ago, you and I
• 1:11:01
  Speaker 1: acted that out, but I can't remember the episode. I
• 1:11:03
  Speaker 1: don't want to go through like one hundred and twenty.
• 1:11:05
  Speaker 2: Yeah, right, listener, if you know, let us know. Okay,
• 1:11:08
  Speaker 2: number five, smash her past the Challenger explosion.
• 1:11:13
  Speaker 1: So I'm gonna say, uh past just because the tragedy.
• 1:11:17
  Speaker 1: But I've I went through this phase where I listened
• 1:11:20
  Speaker 1: to political speeches and I hate Reagan so fucking much.
• 1:11:25
  Speaker 1: But the way Reagan deflects that whole problem and also
• 1:11:30
  Speaker 1: finds a way to like kind of champion America at
• 1:11:33
  Speaker 1: the same time is beautiful. Just it's a really good speech.
• 1:11:38
  Speaker 1: But so I'm gonna say I can give her I'll
• 1:11:41
  Speaker 1: go either way.
• 1:11:42
  Speaker 2: And listener to your deep dive. I did mine with
• 1:11:46
  Speaker 2: how big Bird was connected to it?
• 1:11:48
  Speaker 1: Did you hear about that? Uh? I think Wait someone
• 1:11:51
  Speaker 1: with schools?
• 1:11:52
  Speaker 2: Right, Yeah, they were. They were originally gonna have big
• 1:11:54
  Speaker 2: Bird like a guy in a costume with big Bird
• 1:11:56
  Speaker 2: on it, but that didn't work because he would have
• 1:12:00
  Speaker 2: had to be in the costume and like, spaceships aren't
• 1:12:02
  Speaker 2: designed for large birds. Yeah, so that's why they chose
• 1:12:06
  Speaker 2: the school teacher. So how fucked up would that have
• 1:12:09
  Speaker 2: been if they did make it work and Big Bird
• 1:12:12
  Speaker 2: died in the child because they would have had to
• 1:12:14
  Speaker 2: retire that character because it was streamed into all the schools.
• 1:12:17
  Speaker 1: Yeah, all the schools are watching in real time. Wow.
• 1:12:19
  Speaker 2: So you said pass or kind of a pass smash?
• 1:12:22
  Speaker 1: Oh, I will say past. The explosion smashed the speech
• 1:12:25
  Speaker 1: even though I hate Reagan.
• 1:12:26
  Speaker 2: Right, Okay. Six Sylvester stallone marrying and then divorcing Brigitte
• 1:12:31
  Speaker 2: Nielsen and only getting six million dollar divorce settlement. She
• 1:12:37
  Speaker 2: only got, So that part, I feel like is the past.
• 1:12:41
  Speaker 1: I'm gonna say smash just because I feel like if
• 1:12:43
  Speaker 1: they didn't get married, there's less of a chance we
• 1:12:45
  Speaker 1: would have got.
• 1:12:46
  Speaker 2: Flavor and her boom exactly because that brought her to
• 1:12:50
  Speaker 2: a new level of fame of like that fless celebrity fame,
• 1:12:53
  Speaker 2: and then she got with flavor, Flavor, Flavor of Love
• 1:12:55
  Speaker 2: and then our icon New York. Okay, number seven, neon just.
• 1:13:00
  Speaker 1: The color in general.
• 1:13:01
  Speaker 2: Yeah, smash yeah, mullets, oh pat hard path.
• 1:13:06
  Speaker 1: I fucking and I don't even think it's funny when
• 1:13:09
  Speaker 1: people do like, oh I'm doing it, like what to
• 1:13:11
  Speaker 1: look like a fucking idiot? Like bunches rub shit on
• 1:13:13
  Speaker 1: your head like you look like an idiot? Then too,
• 1:13:15
  Speaker 1: I don't know.
• 1:13:15
  Speaker 2: The only people I would give a pass to are
• 1:13:18
  Speaker 2: the lesbians. Sure like you you all have done enough?
• 1:13:21
  Speaker 2: You guys can you guys can just do it if
• 1:13:24
  Speaker 2: you want. Okay, number nine, Fanny packs, smash her pass.
• 1:13:28
  Speaker 1: When I was younger, I would have passed, But now smash.
• 1:13:31
  Speaker 2: Smash it, Yeah, because I think it's good.
• 1:13:34
  Speaker 1: I mean, you can have band aids in there, tater tots,
• 1:13:36
  Speaker 1: anything you need to help you.
• 1:13:37
  Speaker 2: Yeah. Yeah, I like that. You could have like one
• 1:13:39
  Speaker 2: of those like emergency like aluminum blankets, so when you
• 1:13:44
  Speaker 2: go to the strip club you can just cover up
• 1:13:46
  Speaker 2: with that. It's so cold in here. They probably do
• 1:13:49
  Speaker 2: that because of the titties.
• 1:13:51
  Speaker 1: Well, I think I just had a bad seat. Oh okay,
• 1:13:53
  Speaker 1: because he actually makes sense to.
• 1:13:56
  Speaker 2: Make him hard, Okay. Number ten John Lennon being murdered
• 1:13:59
  Speaker 2: Smasher pass.
• 1:14:01
  Speaker 1: I really like the Beatles. I really like John Lennon,
• 1:14:03
  Speaker 1: So I'm gonna have to say past.
• 1:14:07
  Speaker 2: So you but he had already broken up the Beatles. Yeah, yeah,
• 1:14:11
  Speaker 2: but honestly controversial point. I'm a big Wings fan. I know,
• 1:14:17
  Speaker 2: I know, I'm a fucking asshole for saying that, but
• 1:14:20
  Speaker 2: I'm like listening to some Wings and I'm like they're
• 1:14:22
  Speaker 2: pretty good. Like I know the Beatles are the bast
• 1:14:25
  Speaker 2: or whatever, but I'm like, give me some Paul McCartney
• 1:14:28
  Speaker 2: in the eighties.
• 1:14:28
  Speaker 1: I just would have liked to see where John Lennon
• 1:14:30
  Speaker 1: went because I like his solo album I thought was
• 1:14:32
  Speaker 1: a really great Uh, I don't know.
• 1:14:34
  Speaker 2: I really liked it would have been nice for John. Yeah,
• 1:14:37
  Speaker 2: I don't think that he should have died, but but
• 1:14:40
  Speaker 2: I wish that people like John Lennon. And because the
• 1:14:43
  Speaker 2: world is fucking crazy right now, I wish people like
• 1:14:45
  Speaker 2: John Lennon were here, Mister Rogers were here. I wish
• 1:14:48
  Speaker 2: those type of people were bett. I wish Betty White
• 1:14:50
  Speaker 2: was still alive. I wish those people were still here.
• 1:14:53
  Speaker 1: During this time, James Taylor heard the shot that killed
• 1:14:56
  Speaker 1: John Lennon. Jesus, because they lived in the same apartment.
• 1:14:59
  Speaker 1: He was like, same, Parma coom Did he go outside?
• 1:15:01
  Speaker 1: And I think so when all the cops came, I
• 1:15:04
  Speaker 1: think he went out to look. But yeah, crazy right.
• 1:15:06
  Speaker 2: Yeah, small world?
• 1:15:10
  Speaker 1: Who was it?
• 1:15:10
  Speaker 2: James Taylor?
• 1:15:11
  Speaker 1: Yeah did it?
• 1:15:12
  Speaker 2: Oh my god? Listener, let us know what your favorite
• 1:15:19
  Speaker 2: movies music were from or fads were from. I said
• 1:15:23
  Speaker 2: fads with a D.
• 1:15:24
  Speaker 1: We're from the eighties.
• 1:15:26
  Speaker 2: And then find us on social media and we do
• 1:15:29
  Speaker 2: have an awesome review that we want to play for
• 1:15:33
  Speaker 2: you or review play for you.
• 1:15:35
  Speaker 1: We'll read it to Yeah, there we go. This review
• 1:15:38
  Speaker 1: is called it's a five star review, so we really
• 1:15:40
  Speaker 1: thank you a lot for giving us as five stars. Yeah,
• 1:15:43
  Speaker 1: the titles is the best podcast by Teddy Dogs seven
• 1:15:46
  Speaker 1: three eight three. I'll read the first and I'll let
• 1:15:49
  Speaker 1: you read the second. Absolutely love the podcast. Andy and
• 1:15:52
  Speaker 1: Jeff have unbeat beatable but I can't forget that. Absolutely
• 1:15:57
  Speaker 1: love the podcast. Andy and Jeff have unbeatable chemistry and
• 1:16:00
  Speaker 1: their nostalogic takes are hilarious. Every episode has me sobbing
• 1:16:04
  Speaker 1: tears from.
• 1:16:05
  Speaker 2: Laughing second verse. Their humor is sharp, goofy, and perfectly timed.
• 1:16:11
  Speaker 2: I love dark and evil humor too. Huge. Shout out
• 1:16:14
  Speaker 2: to Guscus the Dog, the true m VP of the show,
• 1:16:17
  Speaker 2: keeping it up. Guys. Pro tip, have your podcast be
• 1:16:20
  Speaker 2: somebody straight and somebody gay, perfect humor combo.
• 1:16:24
  Speaker 1: I just realized evil too, evil humor.
• 1:16:27
  Speaker 2: Yeah, this person has evil hue.
• 1:16:30
  Speaker 1: I love that they get it, Like that person definitely
• 1:16:33
  Speaker 1: gets us. That's it.
• 1:16:34
  Speaker 2: They have evil humor and and and that kind and
• 1:16:36
  Speaker 2: then they're like, I need to leave a positive review.
• 1:16:38
  Speaker 1: I love that so much.
• 1:16:40
  Speaker 2: Yeah, now, shout out to gus Gus like, I haven't
• 1:16:42
  Speaker 2: talked about him in a hot minute, so yeah, follow
• 1:16:44
  Speaker 2: gus Gus on Instagram at Guscus Underscore the Dog, and
• 1:16:48
  Speaker 2: then yeah, we're We're excited were today the episode is
• 1:16:51
  Speaker 2: coming out and it is the award Galla night. Yes,
• 1:16:54
  Speaker 2: so we're gonna have to do a special report from
• 1:16:56
  Speaker 2: there and a recap episode. So thank you so much
• 1:16:59
  Speaker 2: for voting. Thank you, no, thank you for people that
• 1:17:03
  Speaker 2: did not vote, Fuck you. And then anyways, until next time.
• 1:17:09
  Speaker 1: I am Jeff, I'm Andy Blooms.
• 1:17:11
  Speaker 2: And be nice and we will see you next Tuesday.
• 1:17:14
  Speaker 2: Tell me a wire sister sires.
• 1:17:17
  Speaker 1: Yeah, and that's a wrap for this episode of Notable Nostalgia.
• 1:17:24
  Speaker 1: We hope you enjoyed our trip down memory lane just
• 1:17:26
  Speaker 1: as much as we did. If you love reminiscing with us,
• 1:17:29
  Speaker 1: don't forget to subscribe great and leave a repeat and
• 1:17:32
  Speaker 1: be sure to tune in next time for more nostalgic
• 1:17:34
  Speaker 1: fund Notable Nostalgia was created by alij Ward, produced by
• 1:17:38
  Speaker 1: Andrew Lipsey, and edited by Andrew Lipsy. You can find
• 1:17:41
  Speaker 1: us at Facebook dot com, slash Notable Nostalgia, Instagram dot com,
• 1:17:45
  Speaker 1: slash Notable Nostalgia, and shoot us an email at Notable
• 1:17:49
  Speaker 1: Nostalgia ninety at gmail dot com. Catch you on the
• 1:17:52
  Speaker 1: flip side, Nostalgia Nerds