Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🍸 Vanderpump Rules Season 12: New Faces, Same Old Good Drama!

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🍸 Vanderpump Rules Season 12: New Faces, Same Old Good Drama! · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling, Drama, Darling, drama Darling.
• 0:19
  Speaker 2: Well, hello and welcome in, Darlings. We are going to
• 0:23
  Speaker 2: be recapping the hit new season, season twelve of vander
• 0:27
  Speaker 2: Pump Rules, the reboot. Joining me is Emily Teresa's good morning, Emily,
• 0:34
  Speaker 2: good morning, good day to all.
• 0:36
  Speaker 3: I want to apologize to anybody that's watching. Oh hi Fraser, Yeah,
• 0:42
  Speaker 3: if you're watching, I'm wearing a lot of pattern There's
• 0:45
  Speaker 3: a lot of patterns in my picture.
• 0:46
  Speaker 4: I'm wearing a lot.
• 0:47
  Speaker 2: Of wow l.
• 0:50
  Speaker 4: On behind. It's a lot and I apologize.
• 0:53
  Speaker 2: It's called maximalism and we embrace it here.
• 0:57
  Speaker 4: Chaotic patterns, just like vander Pump Rules.
• 1:00
  Speaker 2: Well, listen, if you get dizzy, just look over here
• 1:04
  Speaker 2: at me and my cheetah wallpaper, your horizon. Yeah, my
• 1:10
  Speaker 2: neon pink sign that says drama Darling, my sparkling brooch,
• 1:15
  Speaker 2: you know what I mean? Like gorgeous, a gorgeous piece.
• 1:19
  Speaker 2: Thank you so much. I really appreciate that. Thank you
• 1:22
  Speaker 2: so much. Well, I'm delighted to be talking about this
• 1:27
  Speaker 2: new season. I don't know how Emily feels. We will
• 1:29
  Speaker 2: find that out shortly, but I would love to welcome
• 1:33
  Speaker 2: us all in welcome in, Thank you. Wow. Season twelve
• 1:40
  Speaker 2: vander Pump Rules, We're here. We've been anticipating it, we've
• 1:44
  Speaker 2: been waiting for it. A lot of people saw it
• 1:47
  Speaker 2: at bra Bocon you included. Yes, I did, and I
• 1:52
  Speaker 2: just saw it this week. Waited as the last chance
• 1:57
  Speaker 2: I got so that I could really take it all
• 1:59
  Speaker 2: in and be fresh for when we talked about it
• 2:02
  Speaker 2: and let's talk about broad strokes. I loved it. Is
• 2:07
  Speaker 2: the old cast invaluable, yes, because we have history with them,
• 2:11
  Speaker 2: but it's time to usher in a new and I
• 2:13
  Speaker 2: am very impressed. I like the casting. I like the production.
• 2:18
  Speaker 2: I I like that Lisa's playing her role. Emily don't
• 2:24
  Speaker 2: don't don't fight me on that one. You're likely what
• 2:29
  Speaker 2: oh that Lisa's playing her role. I know you get
• 2:32
  Speaker 2: annoyed with her popping in.
• 2:34
  Speaker 3: No, I don't get her annoyed. I don't get annoyed
• 2:36
  Speaker 3: with her on on vander Pump as much as I
• 2:39
  Speaker 3: got really annoyed with her on Villa.
• 2:43
  Speaker 2: Villa, Villa Blanca on vander Pump Villa. Thank you So okay, good,
• 2:50
  Speaker 2: Well that's great. I love Lisa. I'm I'm excited about
• 2:55
  Speaker 2: the cast. I think that they're doing exactly what they
• 2:58
  Speaker 2: did the first time, which is like bringing them in.
• 3:02
  Speaker 2: These are all young adults who are trying to make
• 3:05
  Speaker 2: it in the industry of Hollywood. We've got models, we
• 3:08
  Speaker 2: have actors, We've got you know, singers, the whole bunch,
• 3:13
  Speaker 2: and no one is pretending like they're not on this
• 3:16
  Speaker 2: show as a means, like for anything other than for exposure.
• 3:22
  Speaker 2: You know, they're working, it's sir, for exposure and hopes
• 3:25
  Speaker 2: to be on a television show. And I like that
• 3:27
  Speaker 2: that is forward facing and it's not hidden because at
• 3:31
  Speaker 2: this point in our reality TV lives, we can't there
• 3:34
  Speaker 2: cannot be a charade about that. We need to be
• 3:37
  Speaker 2: like you know when Chris is like, yeah, I'm working
• 3:40
  Speaker 2: here for networking, That's why I'm here.
• 3:43
  Speaker 3: Ah yeah, No, I mean I like that they aren't
• 3:45
  Speaker 3: treating us like we're stupid, because it would be very
• 3:48
  Speaker 3: hard to.
• 3:49
  Speaker 4: Not break the fourth wall a little bit.
• 3:51
  Speaker 2: Some of these like.
• 3:52
  Speaker 4: They've been Remy or what's her name, Demi has been
• 3:54
  Speaker 4: there for eight.
• 3:55
  Speaker 3: Years, so like she's like, clearly she's living in breathe
• 4:00
  Speaker 3: this stuff. Two people were hired a month or so
• 4:04
  Speaker 3: after sc Scanna all like it's just like they were
• 4:07
  Speaker 3: hired in the thick of it.
• 4:09
  Speaker 2: So twenty twenty three, so long ago. You've been here
• 4:13
  Speaker 2: for so long in three, you know. That's that's the
• 4:18
  Speaker 2: funniest thing to me. It's like, you've been here. So
• 4:21
  Speaker 2: that's why I'm going to give you a chance, because
• 4:23
  Speaker 2: you live and breathe, and you've you're ancient and like
• 4:26
  Speaker 2: I think, in sir years, it's like dog years, you
• 4:30
  Speaker 2: know what I mean.
• 4:30
  Speaker 3: But I think in any restaurant too, Yes, I've been
• 4:33
  Speaker 3: there a long time, that's true.
• 4:35
  Speaker 2: Any restaurant, yes, yes.
• 4:37
  Speaker 3: And if you're managing a restaurant, you're like, this person's
• 4:40
  Speaker 3: going to show up for their job.
• 4:41
  Speaker 4: That's huge.
• 4:43
  Speaker 2: The manager is going to show up, yes, And I wonder,
• 4:46
  Speaker 2: like it makes me wonder if Remy Sorry, DEMI.
• 4:49
  Speaker 4: Why did I do that?
• 4:51
  Speaker 2: I don't know, but now I'm screwed. Thank you. But
• 4:55
  Speaker 2: Remy Mallik shows up.
• 4:58
  Speaker 4: But honestly, Marcus looks like him a little bit. To me,
• 5:01
  Speaker 4: he does.
• 5:02
  Speaker 2: Oh my gosh, he totally does. I was wondering who
• 5:05
  Speaker 2: he looked like he does. That's what it is. See,
• 5:08
  Speaker 2: that's why you're saying Remy okay, probably Yeah, Well I Robot, I, sir,
• 5:17
  Speaker 2: Marcus is the eye, sir? Yes, well anyway, yes, Remy.
• 5:23
  Speaker 2: I wonder if she God, damn it is it? Is
• 5:26
  Speaker 2: it Remy? It's no, it's Remy because I have Remy
• 5:30
  Speaker 2: written down. I have Remy written down.
• 5:34
  Speaker 4: Should we redo this?
• 5:35
  Speaker 2: No? I am not redoing this. I don't have time. Okay,
• 5:39
  Speaker 2: but it's Demi. D e m y.
• 5:43
  Speaker 4: D E m y.
• 5:47
  Speaker 2: That's crazy because I have Remy on my notes too. Wow,
• 5:53
  Speaker 2: that is so weird.
• 5:56
  Speaker 3: Well, maybe we should contact Bravo and just say, please
• 6:00
  Speaker 3: change this woman's name, because.
• 6:02
  Speaker 2: Yeah, we all want to call her Remy. Yes, you're right,
• 6:05
  Speaker 2: it's Demi sell them. Yeah, okay, well that's weird. That's
• 6:11
  Speaker 2: just strange. Okay, so now she's always gonna be called
• 6:14
  Speaker 2: Remy to us, but to others Demi. All right, So
• 6:19
  Speaker 2: I wonder if Demi was like always in the background
• 6:24
  Speaker 2: hoping for her big chance on the other vander Pump rules,
• 6:28
  Speaker 2: you know, really, you know, sticking it out till the end,
• 6:30
  Speaker 2: and then you know, she finally got on the reboot.
• 6:32
  Speaker 2: Good for her. When I Robot said, oh, you know,
• 6:37
  Speaker 2: it's like the shining Yeah, and it's like she was
• 6:40
  Speaker 2: always there. I was like, that's so shady, but really
• 6:44
  Speaker 2: a good reference. And I was proud of somebody for
• 6:46
  Speaker 2: having like a nice Jack Nicholson the shining reference. I
• 6:50
  Speaker 2: appreciated that.
• 6:51
  Speaker 4: It was perfect. Also that got a big laugh at
• 6:54
  Speaker 4: Bravo cod.
• 6:55
  Speaker 2: Oh it did.
• 6:56
  Speaker 4: Yeah.
• 6:57
  Speaker 3: I think, like I will say, overall, like ice I
• 7:00
  Speaker 3: see online people are kind of poking like holes in
• 7:04
  Speaker 3: the new vander Pump. But like when I watched it
• 7:06
  Speaker 3: at Bravo com obviously it was a biased audience, but
• 7:09
  Speaker 3: people were into it.
• 7:11
  Speaker 2: People left there and they were like stoked. And I
• 7:14
  Speaker 2: don't know if it was just the you know, the vibe.
• 7:18
  Speaker 2: You know, you're at Bravo Con there's this new show
• 7:21
  Speaker 2: and we're all experience it together. I think that was
• 7:23
  Speaker 2: probably part of it. But I still actually think it
• 7:27
  Speaker 2: holds up to what people were saying that it's really
• 7:29
  Speaker 2: good because I think that, you know, one of the
• 7:32
  Speaker 2: things that I really loved about it was like the
• 7:35
  Speaker 2: original version, they really leaned into them working, you know,
• 7:39
  Speaker 2: at least for the first at a restaurant, at a restaurant,
• 7:42
  Speaker 2: you know, at a bar, they really we got to
• 7:45
  Speaker 2: see them, you know, there weren't microphones up in their face,
• 7:48
  Speaker 2: it didn't seem like they had mike packs on even
• 7:51
  Speaker 2: so I appreciated that. However, whatever they did with the audio,
• 7:55
  Speaker 2: it made it seem a little grittier, a little more
• 8:00
  Speaker 2: like voyeuristic. And that's what I liked about it.
• 8:03
  Speaker 4: Can I ask you, yes, I need please? Okay?
• 8:08
  Speaker 3: I My sound quality was not good? And was it
• 8:12
  Speaker 3: me or was it the episode? The sound sounded muffled.
• 8:16
  Speaker 3: It was audio all the whole way through, even when
• 8:20
  Speaker 3: they were micd Yeah, I don't like that part.
• 8:23
  Speaker 2: I liked it because I think that, like, okay, well
• 8:27
  Speaker 2: that's interesting. It didn't bother me because it made me
• 8:31
  Speaker 2: pay more attention to what they were doing. It felt
• 8:34
  Speaker 2: like we were actually there with them and they weren't
• 8:38
  Speaker 2: paying attention to us. Whereas you know, you end up
• 8:42
  Speaker 2: where vander Pump Rules ended up with, you know, Lavalier,
• 8:47
  Speaker 2: MIC's eight cameras. You know, the lighting is perfect. It's
• 8:51
  Speaker 2: become such a gorgeous looking show as all of the
• 8:55
  Speaker 2: reality shows right now in Bravo. Look, but I think
• 8:58
  Speaker 2: they stripped that away on purpose, and I appreciate them
• 9:02
  Speaker 2: doing that.
• 9:04
  Speaker 4: Visually, yeah, I agree. Visually, I agree, it was just
• 9:08
  Speaker 4: audio wise.
• 9:10
  Speaker 3: I was like I think I'm gonna have to turn
• 9:11
  Speaker 3: subtitles on like that, So maybe that's just what.
• 9:15
  Speaker 2: I have to do. Well, yeah, you're gonna have to do.
• 9:17
  Speaker 4: That to get a more raw show.
• 9:20
  Speaker 2: Yeah, that's what we're doing. We're making a draw, you know,
• 9:24
  Speaker 2: you scrub it down to the brass tags like Nikolaine
• 9:28
  Speaker 2: does when he creates one of his master he's lighting fixtures.
• 9:34
  Speaker 3: I haven't been discerned a minute, is it all? I mean,
• 9:38
  Speaker 3: I know they shot most of this at night. Is
• 9:40
  Speaker 3: it darker in there in terms of the color palette,
• 9:43
  Speaker 3: because this just feels all together darker.
• 9:46
  Speaker 2: Yeah, it looked, and I think that again, I think
• 9:49
  Speaker 2: that was purposeful. They don't have bright lights shining on
• 9:53
  Speaker 2: them right now when they're working, That's what I'm saying, Like,
• 9:56
  Speaker 2: they don't have that big production aspect around them. It's following.
• 9:59
  Speaker 2: They have a couple cameras, but they've got their like
• 10:02
  Speaker 2: boom mics, and they probably but they're following them kind
• 10:06
  Speaker 2: of with one sort of steady cam thing.
• 10:08
  Speaker 4: So it looks like darker dark jewel tone.
• 10:12
  Speaker 3: So instead of like bright like like it used to
• 10:14
  Speaker 3: be soft pinks and purples, it looks like greens and
• 10:18
  Speaker 3: dark purples.
• 10:18
  Speaker 2: Oh you're you're talking about the actual redecoration. Yeah, okay,
• 10:21
  Speaker 2: I'm talking about.
• 10:22
  Speaker 4: The whole vibe and the whole thing.
• 10:24
  Speaker 2: Also, Like, I haven't been there in a while, so
• 10:26
  Speaker 2: I don't know, but I did notice those green little
• 10:29
  Speaker 2: stool chairs that you know, only people with really good
• 10:33
  Speaker 2: knees could sit in, like young people at the at
• 10:37
  Speaker 2: the meeting Lisa's meeting their staff.
• 10:39
  Speaker 4: Yeah, yeah, yeah, yeah, you sit there, Yeah.
• 10:45
  Speaker 2: Squat down. It's like a squatty potty, I mean like that.
• 10:48
  Speaker 2: And I remember we've been there together, like a long
• 10:50
  Speaker 2: time ago, and yeah, all the chairs are like that.
• 10:52
  Speaker 2: They're basically on the ground, you know, in the bar
• 10:56
  Speaker 2: area bars.
• 10:56
  Speaker 4: And I gotta say, like it looks like a joke,
• 11:00
  Speaker 4: but they're very comfortable.
• 11:01
  Speaker 2: They actually are.
• 11:03
  Speaker 3: Yeah.
• 11:04
  Speaker 2: Now I haven't been back in a while, and my
• 11:06
  Speaker 2: knees have changed, so we'll have to you know, jury's
• 11:10
  Speaker 2: out on that can this.
• 11:12
  Speaker 4: And hang out in those chairs.
• 11:13
  Speaker 3: I'll tell you that can Ken and that little puppy
• 11:16
  Speaker 3: they keep on walking.
• 11:17
  Speaker 4: They walk right by the bar.
• 11:19
  Speaker 2: Now, the puppies love those shares. Those are actually Lisa's
• 11:23
  Speaker 2: old puppy shares. She's like, we can't use these anymore.
• 11:26
  Speaker 2: We've already lost seven dogs, so let's bring them in.
• 11:30
  Speaker 2: Those are the dead puppies chair. I'm sorry, I'm sorry.
• 11:34
  Speaker 2: That's horrible. So we start, you know, learning who these
• 11:41
  Speaker 2: people are, and guess the first person up is is Venus.
• 11:44
  Speaker 2: I think Venus is going to be a star. I
• 11:46
  Speaker 2: think the there are some standouts for me, and I
• 11:50
  Speaker 2: think the twins are our standouts for me. Natalie's a
• 11:54
  Speaker 2: standout for me, and I think Venus is as well. Now.
• 11:59
  Speaker 2: I like that it has a great vibe. He loves
• 12:03
  Speaker 2: working there. I think that when Venus described working there
• 12:07
  Speaker 2: as it being like high school, that says it all.
• 12:11
  Speaker 2: It sums it up perfectly. Everyone's just like goofing around.
• 12:16
  Speaker 2: They they're not really working that hard, and they're hooking
• 12:20
  Speaker 2: up with everybody and just having a great time.
• 12:23
  Speaker 3: And that's why they're only making fifty bucks a shift
• 12:25
  Speaker 3: because Lisa has to keep forty five people on the
• 12:29
  Speaker 3: floor because no one's actually working.
• 12:32
  Speaker 2: That was really tough to see. Yeah, and that's the
• 12:35
  Speaker 2: kind of stuff that I want to see. You know,
• 12:37
  Speaker 2: how much are you making a night? And is that
• 12:40
  Speaker 2: affected because you guys are shooting now? Probably?
• 12:44
  Speaker 3: Yeah, you know, because it's because this is a everybody
• 12:49
  Speaker 3: knows vander Pump rules in terms of these people are
• 12:51
  Speaker 3: working there because of vander Pump rules the show, right,
• 12:55
  Speaker 3: we are definitely attracting a show out person, like they
• 13:00
  Speaker 3: are showy. There's not an Ariana in the bunch. There's
• 13:04
  Speaker 3: not a Katie in the bunch. There's not anybody that's
• 13:06
  Speaker 3: like a chill baseline.
• 13:09
  Speaker 2: Yeah, I would agree with possibly, And I guess we'll
• 13:12
  Speaker 2: find out the exception of Demi because she's been there
• 13:17
  Speaker 2: for eight years and she hasn't been on the show.
• 13:20
  Speaker 2: If she was more showy, she may have been on
• 13:23
  Speaker 2: the other show.
• 13:24
  Speaker 4: So that's true, and.
• 13:25
  Speaker 2: She's very consistent. Clearly she hasn't caused any issues in
• 13:29
  Speaker 2: order to get fired, So she might be one of
• 13:32
  Speaker 2: our foundational characters, like maybe like an Ariana. So yeah,
• 13:38
  Speaker 2: but everybody I agree.
• 13:40
  Speaker 3: Right now, it kind of feels like Venus is the
• 13:43
  Speaker 3: closest in terms of a person that is like calling
• 13:47
  Speaker 3: out the logic in the situation. But yeah, judging from
• 13:53
  Speaker 3: what's coming, I don't know if that's going to.
• 13:54
  Speaker 1: Be the US.
• 13:55
  Speaker 2: I don't know. Maybe for the first episode maybe, But
• 13:58
  Speaker 2: perhaps you're right because is like that's who we meet first,
• 14:02
  Speaker 2: and Venus is really the one that's kind of I
• 14:05
  Speaker 2: don't know, like friends with everybody and is explaining certain
• 14:09
  Speaker 2: situations and a little bit of a narrator, you know,
• 14:12
  Speaker 2: not a heavy hand narrator, but somewhat like that. So
• 14:14
  Speaker 2: that's a good point. Natalie is great. She is a
• 14:19
  Speaker 2: great personality. It's perfect for reality television. I mean, yeah,
• 14:23
  Speaker 2: I love and isn't it refreshing to see someone on
• 14:27
  Speaker 2: Bravo TV get into the studio who can actually sing?
• 14:30
  Speaker 3: I mean, are you forgetting Britney in Salt Lake City?
• 14:37
  Speaker 2: I will mean, well, you know, she hasn't been in
• 14:40
  Speaker 2: the studio. We haven't seen all studio, and please please
• 14:44
  Speaker 2: do forget, please do forget Brittany in Salt Lake City.
• 14:47
  Speaker 2: And my god, damn, that is intense.
• 14:53
  Speaker 3: You're a liar and I'm a malicious, despicable person.
• 14:57
  Speaker 2: Oh and they're just sticking up for Brittany.
• 15:01
  Speaker 3: I didn't get the vibe that she could sing. I
• 15:03
  Speaker 3: got the vibe that she like could kind of sing,
• 15:06
  Speaker 3: but they were really enhancing it. But I'm not, well right,
• 15:10
  Speaker 3: I'm not a good barometer of that.
• 15:12
  Speaker 2: She didn't Yeah, I okay, she did not sing at her.
• 15:18
  Speaker 2: They didn't show us her singing at her capacity. It
• 15:20
  Speaker 2: was almost like I thought we were gonna get there,
• 15:23
  Speaker 2: but we didn't. She was kind of whisper singing because
• 15:26
  Speaker 2: she didn't want to, you know, get into it, which
• 15:28
  Speaker 2: was fun to see because you could tell she can sing.
• 15:32
  Speaker 2: But then we never actually got there. And it's a
• 15:34
  Speaker 2: lot of so it's a lot of breath breath work
• 15:39
  Speaker 2: of scales, right. So look, I mean she's still better
• 15:43
  Speaker 2: than most any bra B celebrity that has ever stepped
• 15:46
  Speaker 2: up to a microphone, and for that, I appreciate those
• 15:51
  Speaker 2: those editors are, Like those producers were hilarious to like, Hey,
• 15:55
  Speaker 2: welcome to our back house. You know, like it's like
• 15:58
  Speaker 2: so la right, Like it's just some back house.
• 16:04
  Speaker 3: I was like, is this a legit like location? Like
• 16:08
  Speaker 3: not a not a location that I've ever heard of.
• 16:10
  Speaker 3: But I mean they did have proper equipment. I was
• 16:14
  Speaker 3: paying for this. I mean, is she paying for this
• 16:17
  Speaker 3: or is Bravo oh studio time?
• 16:20
  Speaker 2: Oh? I think she's she's prob oh to shoot there? Well, yeah,
• 16:24
  Speaker 2: they probably paid them to shoot there.
• 16:25
  Speaker 4: Yeah, so she got some free time out of it.
• 16:29
  Speaker 3: Who knows?
• 16:30
  Speaker 4: It looks wondering.
• 16:31
  Speaker 2: About the dound like she has worked with them many
• 16:34
  Speaker 2: times before. Clearly they had the tracks. Clearly she's been there,
• 16:38
  Speaker 2: and you know they really are on the same page.
• 16:41
  Speaker 2: You know, I don't like it when I don't get
• 16:42
  Speaker 2: it perfect eye roll. You know me. You know the
• 16:49
  Speaker 2: kind of people who, like you can already tell she's
• 16:52
  Speaker 2: perfect for reality television. It's like very narcissistic, like the
• 16:56
  Speaker 2: people who are always gonna say to you, you know how,
• 17:00
  Speaker 2: I am like, I have never said that, right, you
• 17:05
  Speaker 2: know me? You know this, you guys, if you know me,
• 17:09
  Speaker 2: you know that I hate when people are standing too
• 17:12
  Speaker 2: close to me at the bank.
• 17:14
  Speaker 4: You know, well, that's even generous.
• 17:16
  Speaker 3: You're saying if like most people that say that, skip
• 17:19
  Speaker 3: the If you.
• 17:21
  Speaker 2: Know me, and you know I hate it when someone's
• 17:24
  Speaker 2: breathing down my neck in the you know check out,
• 17:27
  Speaker 2: I'll scan your own self checkout. You know me? Who
• 17:31
  Speaker 2: are you? You're I'm your biggest star, I'm your biggest star.
• 17:40
  Speaker 2: I'm I'm a cabaret star. But like that, that to
• 17:44
  Speaker 2: me says it all in one fell swoop that moment.
• 17:48
  Speaker 2: You know, you know how I am like, I've never
• 17:52
  Speaker 2: said that to anyone like realistically, like honestly said that
• 17:58
  Speaker 2: to anyone, unless I was joking. You know how I am.
• 18:01
  Speaker 2: You know how I get?
• 18:03
  Speaker 3: You know how I get. Yeah, that's the other one. Yeah,
• 18:07
  Speaker 3: you know, I don't think I've said that unless it's
• 18:10
  Speaker 3: like a dire situation with like a very good friend
• 18:14
  Speaker 3: where I'm like being like, here is not how I operate.
• 18:19
  Speaker 4: Well, I know, I always lay my tracks down perfectly.
• 18:24
  Speaker 2: You know, I put my hi vis vest on and
• 18:27
  Speaker 2: you know, coordinate block parties, you know what I do.
• 18:30
  Speaker 2: You know me, you know this. Yeah, but like we
• 18:34
  Speaker 2: can joke like that, but when you're actually saying it,
• 18:37
  Speaker 2: it is little cause for concerns, you.
• 18:39
  Speaker 3: Know, because she's up at the top of what I
• 18:42
  Speaker 3: want to see, and that's right at the top of
• 18:45
  Speaker 3: what I want to see.
• 18:48
  Speaker 2: And so Natalie, she's great. She sings, you know, like
• 18:52
  Speaker 2: hopefully next time we can actually hear the full track
• 18:54
  Speaker 2: when we get out of the whisper scales and into
• 18:59
  Speaker 2: full throttle, you know, singing.
• 19:02
  Speaker 4: Well, we're going to.
• 19:02
  Speaker 3: Get there at Pride. I have a feeling there's going
• 19:05
  Speaker 3: to be a concert. There's some kind of concert of her.
• 19:07
  Speaker 3: I'm gonna put my money on it.
• 19:10
  Speaker 2: Her song called Passenger. Don't don't think that this didn't
• 19:14
  Speaker 2: get by any Bravo fans or like rather vander Pump
• 19:17
  Speaker 2: Rules fans, because I immediately thought of Stasi. I was like, oh,
• 19:21
  Speaker 2: is this an homage to Dark Passenger or is this
• 19:23
  Speaker 2: like yes, because she's kind of like it's not that
• 19:27
  Speaker 2: there's any you know, there's it's like, oh, this is
• 19:29
  Speaker 2: the new Jack, this is the new Stasi. It's not
• 19:31
  Speaker 2: like that. But no, you could one would think or
• 19:36
  Speaker 2: could say this is like the Stasi position. Clearly she's
• 19:42
  Speaker 2: got that kind of charisma and is favored by Lisa,
• 19:48
  Speaker 2: especially now that she's caused a stir when she a
• 19:53
  Speaker 2: stir at Sir when she went I love that she
• 19:58
  Speaker 2: like went there on her night off with her down
• 20:00
  Speaker 2: and her brother when they were in town. I mean
• 20:03
  Speaker 2: it makes sense to me, like this is where I work,
• 20:04
  Speaker 2: this is where I'm filming a show, Like let's go
• 20:06
  Speaker 2: check it out. You want to see this, right, But
• 20:09
  Speaker 2: her getting in a fight with her ex Paolo and
• 20:13
  Speaker 2: just lashing out at people and it being caught on
• 20:15
  Speaker 2: the security cameras is pretty good stuff.
• 20:19
  Speaker 3: I mean it's Lisa calling out that that is that
• 20:24
  Speaker 3: is getting space when you're not at work, don't come
• 20:26
  Speaker 3: to work when you're on schedule.
• 20:28
  Speaker 2: I love that. Why. I was like, dang, Lisa, that's brilliant.
• 20:32
  Speaker 2: You know. This is where like vander Pump, she everything
• 20:35
  Speaker 2: else is pretty scripted, you know. I mean it's pretty
• 20:37
  Speaker 2: much the same script. Like she has a working script
• 20:41
  Speaker 2: that she can insert into every single scene, whether she's
• 20:44
  Speaker 2: on vander Pump Rules or Villa anywhere she go. Anywhere
• 20:48
  Speaker 2: she goes Beverly Hills, well not Beverly Hills, but so
• 20:50
  Speaker 2: that's behind us. But any of these shows, she can
• 20:54
  Speaker 2: just come in and be like I counted on you.
• 20:56
  Speaker 2: I would let you go like that, you know, like
• 21:00
  Speaker 2: these are these that's all she has on the notes.
• 21:03
  Speaker 2: But when Natalie was like, well we never even got
• 21:06
  Speaker 2: a chance for closure, and like, you know, I just
• 21:08
  Speaker 2: wanted space for her to snap back with, that line
• 21:11
  Speaker 2: was brilliant, Like that's oh yeah, that's Lisa right there.
• 21:15
  Speaker 1: Yeah.
• 21:16
  Speaker 3: And when on the on the whatever, Villa whatever, I
• 21:22
  Speaker 3: was so annoyed because Marciano's show, Yeah, Marciano's show, she's
• 21:27
  Speaker 3: she's also narrating it, which is scripted. And then when
• 21:31
  Speaker 3: she's in scenes, to your point, you can tell like
• 21:34
  Speaker 3: it's scripted. Yeah, so that's that was my issue there.
• 21:38
  Speaker 3: Oh yeah, I know other people had issues with her
• 21:40
  Speaker 3: being on vander Pump Rules still because it was like,
• 21:42
  Speaker 3: what is your purpose. We're never filming at the restaurant,
• 21:46
  Speaker 3: but now that we're back at the restaurant, we need her.
• 21:49
  Speaker 2: Yeah.
• 21:49
  Speaker 4: I do think it's good.
• 21:51
  Speaker 2: I still never minded her being in it before, just
• 21:53
  Speaker 2: because I even though it's heavy and oh you didn't okay, no, okay, yeah,
• 21:58
  Speaker 2: now I understand it's just the villa that you had
• 22:01
  Speaker 2: a problem with. Yeah. Yeah, and that to me just
• 22:03
  Speaker 2: became so comical that I enjoyed it. But I would
• 22:06
  Speaker 2: not be surprised Emily if like she had a teleprompter
• 22:09
  Speaker 2: ed villa.
• 22:11
  Speaker 3: Oh, she absolutely would, because like inscripted.
• 22:16
  Speaker 2: And she's really busy, so like she doesn't have time
• 22:19
  Speaker 2: to like memorize lines and stuff.
• 22:22
  Speaker 3: Yeah, And they're like, well, you need to set this
• 22:24
  Speaker 3: whole scene up and then like fire this person.
• 22:28
  Speaker 2: Write a line. Yeah, She's like, just put it. Just
• 22:31
  Speaker 2: write it on a piece of paper and put it
• 22:33
  Speaker 2: on the back of that vase. I'll read it right
• 22:35
  Speaker 2: over the shoulder, put it in the flowers. I can
• 22:38
  Speaker 2: see it from you cue cards. Yes, that was great
• 22:46
  Speaker 2: when Lisa was like, I, Natalie, you'll you'll the fabric,
• 22:51
  Speaker 2: you'll the fiber, sir, and you know this place inside
• 22:55
  Speaker 2: out ever since I hired you two weeks ago, and
• 22:58
  Speaker 2: so you'll, I'm going to make an exception. I'm going
• 23:02
  Speaker 2: to keep you. Otherwise I would fire you straight away
• 23:09
  Speaker 2: off with your head. I would do.
• 23:13
  Speaker 3: And I'm giving you one hundred more chances because that's
• 23:17
  Speaker 3: also her move too. And Marcus is another one that
• 23:24
  Speaker 3: I'm like, dude, he's so right, he's not going anywhere, Like,
• 23:27
  Speaker 3: what are we doing?
• 23:28
  Speaker 2: I love that the way that Lisa lays it out
• 23:30
  Speaker 2: to in every show, well like Villa and this one specifically,
• 23:34
  Speaker 2: let's forget about the old vander Pump rules because like
• 23:37
  Speaker 2: that just got so out of hand. But like with
• 23:40
  Speaker 2: Natalie and with Marcus, and she's just like, I cannot
• 23:44
  Speaker 2: believe that you would cause a stir when we're trying
• 23:49
  Speaker 2: to make a reality show at a restaurant. How would
• 23:53
  Speaker 2: you on my time? I should fire you right now.
• 23:58
  Speaker 2: Oh I'll give you a raise, you know.
• 24:01
  Speaker 4: Yeah, yeah, she just makes you will get fired from here.
• 24:03
  Speaker 3: But then that just means you're going to be able
• 24:05
  Speaker 3: to film in other locations for Vanner pump Rolls.
• 24:08
  Speaker 2: When Sting fired.
• 24:09
  Speaker 4: From sir, you moved to the next level of vander
• 24:12
  Speaker 4: pump Rolls.
• 24:13
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  Speaker 3: When she said to Marcus, or she said to us
• 31:18
  Speaker 3: about Marcus, you can't drink on the job anymore, that
• 31:21
  Speaker 3: it's not twenty thirteen.
• 31:23
  Speaker 4: Yeah, it's twenty twenty.
• 31:25
  Speaker 3: The eye roll in her head was like you could
• 31:28
  Speaker 3: hear it even though we didn't see it.
• 31:31
  Speaker 4: It's like, okay, Lisa, I.
• 31:34
  Speaker 2: Guess I have to say this, Oh no, we have
• 31:39
  Speaker 2: to follow rules about sexual misconductor.
• 31:47
  Speaker 4: Yeah, she's she's annoyed. She's like, how are they going
• 31:51
  Speaker 4: to miss? How am I going to fake fire people
• 31:54
  Speaker 4: if I don't have them drinking on the job.
• 31:58
  Speaker 2: She was between a rock and a hard play with Nathalie,
• 32:01
  Speaker 2: and she has an agent her name the owner, like
• 32:04
  Speaker 2: one of the owners. You know that that scene was great.
• 32:08
  Speaker 2: Here's why. So Nathalie is I don't know if she's
• 32:14
  Speaker 2: I feel like she was just acting like I think
• 32:17
  Speaker 2: she was like, you give me a chance to show
• 32:19
  Speaker 2: you what I have, Lisa, I think I have it
• 32:22
  Speaker 2: all after all this time of seeing what is going on,
• 32:24
  Speaker 2: you know, I can act for you. And she was like, well,
• 32:28
  Speaker 2: let me see what you've got, And so she shows
• 32:31
  Speaker 2: up and she's like, they don't respect this place. Said,
• 32:38
  Speaker 2: I was a security footage looking for something. I fell
• 32:41
  Speaker 2: dropped and see sink and I could not find this
• 32:45
  Speaker 2: menus that. So I look on secutive footation. I see
• 32:49
  Speaker 2: this services its agrias everywhere is it's taking SIPs and
• 32:56
  Speaker 2: to Lisa's terrible like, oh my god, you're really bringing
• 33:02
  Speaker 2: it fucking fantastic, Natalie it ah is.
• 33:08
  Speaker 3: You know, Lisa complimented her under that scene.
• 33:14
  Speaker 2: Totally did she just like I didn't know you had it,
• 33:17
  Speaker 2: didn't you? Oh that was my favorite part. And then
• 33:24
  Speaker 2: Lisa cheating out, going well, I mean, what are we
• 33:29
  Speaker 2: going to do? We can't follow what do you want
• 33:31
  Speaker 2: me to you suspend them this restaurant operate.
• 33:38
  Speaker 3: I did appreciate Lisa acknowledging that that that her other
• 33:42
  Speaker 3: pump closed. I was if she's gonna even talk about that,
• 33:46
  Speaker 3: and like, you know what I mean, like I like
• 33:48
  Speaker 3: that she's kind of acknowledging the current economic state of
• 33:52
  Speaker 3: West Hollywood because it's.
• 33:55
  Speaker 4: Taken the beating right now.
• 33:57
  Speaker 3: And so I thought, like I actually for if everything
• 34:02
  Speaker 3: else was scripted, including that, I was like, at least
• 34:04
  Speaker 3: that's real, Like.
• 34:05
  Speaker 2: That is a real deal, and I do think it is,
• 34:08
  Speaker 2: and I agree, yeah, And that's why I honestly, I mean,
• 34:10
  Speaker 2: I think Natalie was acting, but I honestly don't know,
• 34:13
  Speaker 2: because she did bring up the thing where she was like,
• 34:16
  Speaker 2: Lisa struggles so hard and then these kids drinking shots. Yeah,
• 34:22
  Speaker 2: but that's like what your business is like, that's what's
• 34:24
  Speaker 2: making it great and putting it on the map. So
• 34:27
  Speaker 2: I don't know. I mean, it doesn't matter. I like
• 34:29
  Speaker 2: it either way, fake or real. But when Lisa had
• 34:33
  Speaker 2: her staff meeting.
• 34:35
  Speaker 4: She whoa, I hit my mic.
• 34:39
  Speaker 2: She's still living. That staff meeting really got you heated. Yeah,
• 34:48
  Speaker 2: Lisa looks so cute. I love her tie and her vest, Like,
• 34:51
  Speaker 2: I just love the way she dressed. So Lisa vander
• 34:53
  Speaker 2: Pump and then well, yeah, we're gonna saying.
• 34:55
  Speaker 3: Well, I was gonna say, you think she hurt her
• 34:59
  Speaker 3: hip or something because she was moving a little slower
• 35:02
  Speaker 3: and she had a little she looks like she was
• 35:05
  Speaker 3: working through an injury or something.
• 35:07
  Speaker 4: I couldn't tell. There was a point when she walked
• 35:09
  Speaker 4: away that I was like, man, I don't know.
• 35:12
  Speaker 3: How like, I don't know what's going on with Lisa.
• 35:16
  Speaker 3: But then again, she's she's now in her forties, so
• 35:20
  Speaker 3: everything happens in your forties.
• 35:23
  Speaker 2: I don't know. I have seen her walk, you know,
• 35:28
  Speaker 2: outside of this scene, and she looked fine, Like I've
• 35:32
  Speaker 2: seen the footage of her walking, like at Bravocon and stuff
• 35:34
  Speaker 2: like that. She seemed fine this past Bravocon. Yeah, uh huh, oh, okay,
• 35:39
  Speaker 2: good at her she was just going at her restaurant. Yeah,
• 35:42
  Speaker 2: maybe she had like a hip surgery or something.
• 35:44
  Speaker 4: Yeah, that's what I thought, That's what I was wondering.
• 35:47
  Speaker 2: Yeah, well, yeah, she has to you in order to
• 35:50
  Speaker 2: sit in those little chairs. You know, fine, it's just
• 35:56
  Speaker 2: these chairs, because she was sitting in the chairs. Okay, yeah,
• 36:02
  Speaker 2: so the staff meeting, Yeah, she like Waltz is in
• 36:05
  Speaker 2: there to your point about acknowledging the restaurant industry and
• 36:10
  Speaker 2: like where it is and how difficult it's been, and
• 36:12
  Speaker 2: she was like, we are lucky to be surviving here
• 36:16
  Speaker 2: because that was so many restaurants full closed down the
• 36:20
  Speaker 2: street today. One was two of them. Well, I was
• 36:24
  Speaker 2: Pump and Schwartz and Sandy's, and you know, I'm like,
• 36:28
  Speaker 2: it's true. There's like I mean, she owned so many
• 36:31
  Speaker 2: that I'm like, this has affected her. No, I don't
• 36:33
  Speaker 2: know she had she had steak in Schworts and no,
• 36:38
  Speaker 2: I'm sorry, it wasn't Shorts and Sandy's. It was Tom Tom,
• 36:42
  Speaker 2: Pump closed. Then they put Pump in the back of
• 36:45
  Speaker 2: Tom Tom and then Pump closed, So that's too right there.
• 36:50
  Speaker 2: Then she did she have any steak in shorts and
• 36:53
  Speaker 2: Sandy's No, okay, thank you, but she's probably acknowledging them.
• 36:57
  Speaker 2: So that's three right there.
• 36:59
  Speaker 4: Well, I'm thinking of like Stash.
• 37:01
  Speaker 3: Which was one of my favorite places, and that's that's
• 37:04
  Speaker 3: gone about the time they were filming, and I was like, oh, man.
• 37:08
  Speaker 2: Is that is that like Courtney Kardashian's place? Uh No,
• 37:14
  Speaker 2: just kidding. That was like Dash Dash.
• 37:17
  Speaker 3: Dash is Dash like next?
• 37:20
  Speaker 2: Was it next to Stash Dash and Stash?
• 37:26
  Speaker 3: Yeah, But like all my favorite places that I used
• 37:28
  Speaker 3: to like to, like park at Pavilions illegally and walk
• 37:32
  Speaker 3: to are closing.
• 37:33
  Speaker 2: So we bombed whoa busted. No, I know exactly. I've
• 37:40
  Speaker 2: done it many times, and I hate doing it because
• 37:42
  Speaker 2: it stresses me out quite frankly.
• 37:44
  Speaker 4: You gotta you gotta park on the roof.
• 37:46
  Speaker 3: You gotta pull out your best Natalie acting chops and
• 37:50
  Speaker 3: go through the store and act like you're gonna buy
• 37:52
  Speaker 3: a flower, like really think about it, and then hope
• 37:57
  Speaker 3: Natalie's the Natalie is not watching security footage of leaving
• 38:00
  Speaker 3: without buying something.
• 38:02
  Speaker 2: Lisa, I see this girl with flower patterns all over her.
• 38:06
  Speaker 2: She's walking with flowers, looking at the flowers. She doesn't
• 38:10
  Speaker 2: know what she wants since she hits it out. She
• 38:13
  Speaker 2: lest she did not buy anything. She park on the roof.
• 38:17
  Speaker 2: She don't buy anything. She come in to sir, She
• 38:22
  Speaker 2: sit down a little stool. She says, my knees, my hips,
• 38:25
  Speaker 2: and she leaves. She don't want to drink. I don't
• 38:28
  Speaker 2: even know what kind of accent that is anymore. But
• 38:32
  Speaker 2: now when she's like doing her amazing like speech her
• 38:36
  Speaker 2: like what's that movie with Mel Gibson where he's like
• 38:41
  Speaker 2: he's like forever young No, No, when he does.
• 38:44
  Speaker 3: Spe horse Ransom the Patriot, Brave Heart, Brave Heart, Okay, okay,
• 38:52
  Speaker 3: Gettle wepon one.
• 38:53
  Speaker 2: Lead the weapon, three, leave the weapon. Four.
• 38:59
  Speaker 4: I can keep going.
• 39:02
  Speaker 2: Wow, I didn't know we had a metal head a
• 39:04
  Speaker 2: man in the frame. I what what is that one?
• 39:07
  Speaker 4: There's a real there's a random one, and like, anyway,
• 39:10
  Speaker 4: go ahead.
• 39:11
  Speaker 2: I'm very impressed with your Gibson knowledge. I wish I
• 39:14
  Speaker 2: didn't have that. How are you with Debbie Gibson knowledge?
• 39:18
  Speaker 2: That's really good?
• 39:19
  Speaker 4: Do you?
• 39:20
  Speaker 3: I do know from that she does a good cameo.
• 39:24
  Speaker 3: I do know that she does a good like. I
• 39:27
  Speaker 3: don't know if she still does, but I know she'll
• 39:28
  Speaker 3: like play, sit down at the piano and play a
• 39:30
  Speaker 3: song and say.
• 39:31
  Speaker 2: Oh my god, that's amazing. I loved it.
• 39:33
  Speaker 4: I don't know if she still does.
• 39:35
  Speaker 2: Yeah, she does. She is. She looks great, she's sounds great.
• 39:40
  Speaker 2: You know, I would be surprised. I'd love to see
• 39:42
  Speaker 2: her in the studio with Natalie. Get to that back
• 39:44
  Speaker 2: house in West Hollywood, lay do on some tracks, Debbie,
• 39:47
  Speaker 2: see what Natal Natalie can be. It'd be like a
• 39:49
  Speaker 2: remix of like only in my dreams, and then Natalie
• 39:53
  Speaker 2: will be.
• 39:53
  Speaker 4: Like, honestly, yeah, I agree.
• 40:02
  Speaker 2: Out of the booth.
• 40:04
  Speaker 3: All those I would like to see a revamp I
• 40:07
  Speaker 3: would like to see Tiffany and Debbie Gibson work with
• 40:10
  Speaker 3: Bravo celebrities.
• 40:12
  Speaker 2: Oh the way that the voice no, the way that
• 40:15
  Speaker 2: the American idol or the voice works with these new
• 40:19
  Speaker 2: up and coming singers.
• 40:21
  Speaker 4: Yeah, make it like a four episode series. I would
• 40:24
  Speaker 4: love it.
• 40:24
  Speaker 2: I would I think that we are onto something. I'm happy.
• 40:30
  Speaker 2: I feel like, okay, good about it, you.
• 40:32
  Speaker 4: Know, finally she's happy, darlings.
• 40:36
  Speaker 2: Well happy. This whole time anyway really went down a
• 40:41
  Speaker 2: Gibson a wormhole there only to pop out at This
• 40:46
  Speaker 2: was Lisa's brave heart speech to kick off this season,
• 40:49
  Speaker 2: this new season. She put fists in the air, she
• 40:54
  Speaker 2: tightened up the knot in her tie, and she was like,
• 40:56
  Speaker 2: not on my cuff. Will we ever succumb to pall
• 41:02
  Speaker 2: service again and just rip them a new one? She
• 41:06
  Speaker 2: even swore I think, and then was like, Marcus, I
• 41:10
  Speaker 2: don't want to look at you all fucking face again.
• 41:15
  Speaker 2: She's like, okay, I'll take my back back and then
• 41:18
  Speaker 2: he leaves and then like that was a that was
• 41:22
  Speaker 2: kind of a weird cut, like the interview on the
• 41:26
  Speaker 2: street that where they pulled back with the I liked it, okay,
• 41:31
  Speaker 2: I liked it, but they hadn't done that once before,
• 41:34
  Speaker 2: so it was a little like, oh, oh, okay, this
• 41:37
  Speaker 2: is what we're doing. Okay, okay, so well.
• 41:40
  Speaker 4: I mean, it's the pilot. Everything's on the table.
• 41:43
  Speaker 2: All right, everything's on the face of the table, and
• 41:45
  Speaker 2: the little stool put him up.
• 41:48
  Speaker 3: The more I'm thinking about it, the more I'm like, hey, everybody,
• 41:51
  Speaker 3: it's sir.
• 41:52
  Speaker 2: Hey, everybody, it's sir.
• 41:54
  Speaker 3: You'd better watch your ass because if you don't bring
• 41:58
  Speaker 3: the drama and the correct sir, we're gonna get Marciano
• 42:01
  Speaker 3: in this cast.
• 42:02
  Speaker 4: And I really don't want that.
• 42:04
  Speaker 2: Oh my god, I can't believe you said that.
• 42:08
  Speaker 4: Well, it's it's probably gonna happen.
• 42:10
  Speaker 2: You are so right, and I am here for it.
• 42:15
  Speaker 2: By the way, I don't know. We didn't talk about
• 42:18
  Speaker 2: this yet, and I don't I don't know if it's
• 42:20
  Speaker 2: happened on what you've seen, like with Secret Lives of
• 42:23
  Speaker 2: Mormon wives. But Zach and and other people can't get
• 42:28
  Speaker 2: Marciano's name right, like everyone's struggling, and he Zach literally said, yeah,
• 42:33
  Speaker 2: that that that fat Italian guy. He called the guy,
• 42:37
  Speaker 2: he called him a or he called him a chubby
• 42:40
  Speaker 2: a chubby Italian guy and then he called him Marcello.
• 42:46
  Speaker 4: What now I want him on?
• 42:48
  Speaker 3: Now?
• 42:48
  Speaker 4: I want him on bander pump Zach shove it in
• 42:51
  Speaker 4: Zach's face.
• 42:53
  Speaker 2: How what that's awful.
• 42:55
  Speaker 4: I don't like that.
• 42:56
  Speaker 2: It's just like, it's just wrong.
• 42:58
  Speaker 4: These dudes look the Zach same in Salt Lake.
• 43:02
  Speaker 3: I'm just kind of like, oh, you're gonna go to
• 43:05
  Speaker 3: ethnicity and wait, okay, got it's Zach. You all look
• 43:10
  Speaker 3: like blonde, like I can't tell one of you apart guys.
• 43:14
  Speaker 2: Yeah, so that's not cool, Zach. And by the way,
• 43:17
  Speaker 2: I'm a chubby Italian Okay, so step off, all right?
• 43:24
  Speaker 2: Yeah okay, So the street interview was interesting and it
• 43:30
  Speaker 2: actually made me believe that they weren't expecting that, actually,
• 43:33
  Speaker 2: because he's like, yeah, I wasn't expecting that.
• 43:36
  Speaker 4: That's why I liked it.
• 43:37
  Speaker 2: Yeah, okay, yeah, that is why I liked it. When
• 43:39
  Speaker 2: Venus was walking out into the sir alley, you could
• 43:42
  Speaker 2: hear him say I almost shit my pants and I
• 43:45
  Speaker 2: was like, oh this, they were not expecting that, and
• 43:48
  Speaker 2: I loved it.
• 43:49
  Speaker 4: Yes, I agree.
• 43:51
  Speaker 3: I'm on my heels more than I thought I would
• 43:53
  Speaker 3: be with the new Vanderpum. I mean we've been Look,
• 43:57
  Speaker 3: we've all been working there for how many twelve years more?
• 44:01
  Speaker 4: How long have we been working vander pomp.
• 44:04
  Speaker 3: So for us the audience to have some surprises, it's
• 44:07
  Speaker 3: pretty good.
• 44:08
  Speaker 2: As surprised.
• 44:11
  Speaker 3: That said, we all are like, Lisa's not gonna even
• 44:14
  Speaker 3: if they get fired.
• 44:15
  Speaker 2: It's fine. Oh it's fine. Oh totally, it's great. I
• 44:17
  Speaker 2: just love it. I love how Lisa sticked to the
• 44:20
  Speaker 2: what Oh my god, it's just such a I just
• 44:24
  Speaker 2: love it so much. All Right, Well, we've got a
• 44:26
  Speaker 2: couple other characters to talk about. We have Kim and
• 44:31
  Speaker 2: we have Marcus, who are dating okay, and they're on
• 44:36
  Speaker 2: and off again and they've been together for like two years.
• 44:39
  Speaker 2: They've been working there. Everything happened in twenty twenty three,
• 44:42
  Speaker 2: Like everyone got hired. A lot of people came out
• 44:44
  Speaker 2: from New York. And I like that because I think
• 44:49
  Speaker 2: that like, you don't have these people who have been
• 44:52
  Speaker 2: settled into LA for that long, And that is extremely
• 44:57
  Speaker 2: important because the longer you're here, the weirder you get
• 45:02
  Speaker 2: and the less authentic you are if you are immersed
• 45:07
  Speaker 2: in the in that industry of like of what they are.
• 45:11
  Speaker 3: I do wonder if we're going to have this cast,
• 45:14
  Speaker 3: Like I wonder if Bravo's like, we're gonna be rotating
• 45:18
  Speaker 3: cast a lot more. We can't have another ten year
• 45:21
  Speaker 3: stretch of the same people because like it, it doesn't
• 45:25
  Speaker 3: we want to We want people to get used to
• 45:27
  Speaker 3: new people all the time.
• 45:29
  Speaker 2: And I know they have some Do you think they're
• 45:31
  Speaker 2: going to do that every season?
• 45:33
  Speaker 3: Not every season, but I would think that they're gonna
• 45:36
  Speaker 3: be weird, Like I think they're going to keep it
• 45:38
  Speaker 3: moving though, I really do, because I don't think they
• 45:41
  Speaker 3: want to be stuck in a situation like they were
• 45:43
  Speaker 3: with the other vander Pump cast.
• 45:45
  Speaker 2: Well, I don't think they were stuck in a situation
• 45:47
  Speaker 2: with the Vanderbumb cast. I thought they wrote it out
• 45:50
  Speaker 2: the way that they should have and we were pray,
• 45:52
  Speaker 2: oh okay.
• 45:53
  Speaker 3: I think Bravo thinks like once that they like, I
• 45:56
  Speaker 3: think Bravo is like, let's give this five years and
• 45:59
  Speaker 3: really be turning it over because oh, I see what
• 46:02
  Speaker 3: you're saying, you know what I mean, Like, they don't
• 46:04
  Speaker 3: hold on to this the cast like they used to anyway,
• 46:07
  Speaker 3: and vander Pump kind of like was the one holdover
• 46:10
  Speaker 3: that was a lot of the same cast.
• 46:12
  Speaker 2: Over and over and over again.
• 46:14
  Speaker 4: I don't think we're gonna get that with this we'll.
• 46:16
  Speaker 2: See it because they're so young that it makes it,
• 46:21
  Speaker 2: you know, there's more to squeeze out of that lemon
• 46:25
  Speaker 2: if you will, because they're so young, and their lives
• 46:28
  Speaker 2: move faster and their experiences move faster, their mistakes happen quicker,
• 46:33
  Speaker 2: whereas with Housewives it's a totally different story. You know,
• 46:36
  Speaker 2: everyone's established, they're older, they're you know, it doesn't happen
• 46:42
  Speaker 2: at the breakneck speed as it does when you're younger,
• 46:46
  Speaker 2: which is why when vander Pump was in its heyday,
• 46:49
  Speaker 2: you know, people would be like, what is happening with
• 46:50
  Speaker 2: vander Pump right now? And they're not even filming, Like
• 46:53
  Speaker 2: so much shit would go down off season and everyone's
• 46:55
  Speaker 2: just like what, So, I mean it's possible. I mean,
• 46:59
  Speaker 2: I guess we'll see because I think that, like, to
• 47:02
  Speaker 2: your point, reality is just not the same as it
• 47:04
  Speaker 2: used to be and it's just never going to be
• 47:06
  Speaker 2: like that. But with this cast, they're going to see
• 47:10
  Speaker 2: what sticks and who doesn't stick. They're going to you know,
• 47:13
  Speaker 2: keep bringing them in and they're going to keep hiring
• 47:15
  Speaker 2: over it, sir, and they're just going to keep that,
• 47:17
  Speaker 2: you know, have like an incubator of talent, you know,
• 47:21
  Speaker 2: waiting around.
• 47:22
  Speaker 3: I do wonder if they should have changed the name
• 47:26
  Speaker 3: from vander Pump Rules. And it's like it's right there
• 47:29
  Speaker 3: because the restaurant is sir, hear me out, what if
• 47:32
  Speaker 3: they the new one is Survivor.
• 47:37
  Speaker 2: I thought you were serious.
• 47:41
  Speaker 3: But I have heard a lot of people saying they
• 47:44
  Speaker 3: should have just changed the name.
• 47:45
  Speaker 4: And I don't know that. I don't know.
• 47:48
  Speaker 3: I'm of two minds because you know, I mentioned like
• 47:52
  Speaker 3: Lisa is in her forties now, and so I don't
• 47:55
  Speaker 3: know how long she's going to do this. So in
• 47:57
  Speaker 3: order to have the show live on beyond Lisa vander Pump,
• 48:02
  Speaker 3: I do wonder if they this would have been a
• 48:04
  Speaker 3: good opportunity for them to like she might want.
• 48:07
  Speaker 2: To retire, and well, it's like she's never going to retire.
• 48:11
  Speaker 2: There's no reason to take her name off of it.
• 48:13
  Speaker 2: She can still be have her name on it when
• 48:16
  Speaker 2: she if she's not going to be filming, it's still
• 48:20
  Speaker 2: vander Pump. She's still executive. It can still be that
• 48:22
  Speaker 2: it's a name that's recognizable. You don't want to reinvent
• 48:27
  Speaker 2: the wheel right now.
• 48:28
  Speaker 3: I don't think I think it would have been a
• 48:30
  Speaker 3: good time to have it changed to VP rules or
• 48:35
  Speaker 3: something like that, just like like the way we like
• 48:38
  Speaker 3: get away from Kentucky Fried Chicken and it's KFC. Like
• 48:42
  Speaker 3: I do think it would have been we all know
• 48:44
  Speaker 3: it's like a yeah, and they would all know.
• 48:47
  Speaker 4: Like still have.
• 48:48
  Speaker 3: I thought this might have been a good chance to pivot,
• 48:51
  Speaker 3: to rebrand, but then rebrand, just pivot, just like let's
• 48:55
  Speaker 3: use initials now and get away from that.
• 48:58
  Speaker 4: And it's different than not. It can live on if
• 49:02
  Speaker 4: you know Lisa decide.
• 49:04
  Speaker 2: Argue, why are you trying to kill thee.
• 49:08
  Speaker 4: And like she might go out of space.
• 49:09
  Speaker 2: I don't know.
• 49:10
  Speaker 3: I don't know where Lisa will be in fifty years.
• 49:13
  Speaker 2: I'm just saying we're okay, well, I don't think we're
• 49:17
  Speaker 2: ready for that. I think that your idea is great,
• 49:21
  Speaker 2: but I argue that maybe in five years we can
• 49:25
  Speaker 2: revisit your idea, but not now. That's smite, Okay, Okay,
• 49:30
  Speaker 2: we darlings to disagree.
• 49:32
  Speaker 3: Darlings, if you were to rename this show, what would
• 49:36
  Speaker 3: you rename Vander pump Rolls for this new Wave if
• 49:40
  Speaker 3: or maybe you're like, no, this is exactly right.
• 49:42
  Speaker 4: They should keep the name.
• 49:44
  Speaker 2: I don't know.
• 49:44
  Speaker 4: I honestly don't know them.
• 49:46
  Speaker 2: We're just we're just spitballing, you know. We're just we're
• 49:49
  Speaker 2: just just stay dreaming. We're just, as Todd said, moving
• 49:54
  Speaker 2: and grooving. Remember that. Yes, okay, So Paolo who's fifty
• 50:02
  Speaker 2: four and we don't see, we don't see they put
• 50:06
  Speaker 2: an emoji over his face. Good way to get us interested,
• 50:10
  Speaker 2: because we have this older man who's dating all these
• 50:13
  Speaker 2: young women at this bar, Like, hello.
• 50:16
  Speaker 4: I know that was crazy. That is nuts and it
• 50:19
  Speaker 4: was crazy to get that. Sandobal cameo. I was not
• 50:22
  Speaker 4: expecting that.
• 50:23
  Speaker 2: Were you shut up?
• 50:26
  Speaker 4: What this right here? You walk by?
• 50:31
  Speaker 2: Emily took a screenshot of Hunt too.
• 50:33
  Speaker 3: I think everybody did screenshot the guy with the way mustache,
• 50:37
  Speaker 3: sand of.
• 50:38
  Speaker 4: All whe Bye.
• 50:39
  Speaker 2: Is that the owner of Stash?
• 50:42
  Speaker 4: It might be. He's like, can I get a job please?
• 50:45
  Speaker 2: He's like, I heard that Lisa's hiring for the new
• 50:48
  Speaker 2: season of vander Pump Rules. Emily Desis wants to rename it,
• 50:53
  Speaker 2: so why don't you call it vander Pump Stash or
• 50:57
  Speaker 2: Stash Rules or Pump staff. Sure stash my stash. That
• 51:05
  Speaker 2: guy they had to have gotten a release on him
• 51:07
  Speaker 2: because they they sat on him for a while. They
• 51:11
  Speaker 2: were basically sure to hold for a close up. And
• 51:14
  Speaker 2: it reminded like reminded me of those prairie dogs that
• 51:17
  Speaker 2: like come up and like look around.
• 51:19
  Speaker 4: You know, I know it's psychotic and it got to
• 51:24
  Speaker 4: laugh at Bravocan too.
• 51:27
  Speaker 3: This is I will say, watching this with at Bravo
• 51:31
  Speaker 3: Kan is just also like it was like going to
• 51:35
  Speaker 3: the movies to see a comedy on opening night.
• 51:37
  Speaker 2: It was like that, you know what.
• 51:39
  Speaker 4: I mean, the energy of it.
• 51:40
  Speaker 3: Yeah, and there's just something about opening night of a movie.
• 51:45
  Speaker 3: It's just the energy's fun. Go if you haven't gone
• 51:47
  Speaker 3: in a minute, go it's great.
• 51:51
  Speaker 2: Was was it quiet enough to actually hear it? Well?
• 51:56
  Speaker 3: Yeah, no, it what people were paying they were locked
• 51:59
  Speaker 3: in wo I mean, okay, it wasn't like a laugh riot,
• 52:02
  Speaker 3: but it was like, you know, we were all locked
• 52:05
  Speaker 3: in trying to figure this thing out.
• 52:06
  Speaker 4: You know, it's a huge, huge ballroom.
• 52:10
  Speaker 3: So the you know, the acoustics are a little weird,
• 52:12
  Speaker 3: but yeah, it was fun.
• 52:16
  Speaker 2: Audrey love that She's like wants to be this scream
• 52:20
  Speaker 2: queen and her dress coming off and like showing the
• 52:25
  Speaker 2: tatas was perfect. That was her calling card and she
• 52:29
  Speaker 2: will hopefully be cast on every horror in every horror film.
• 52:32
  Speaker 2: I was so excited for her. I'm like, you've made it, babe,
• 52:34
  Speaker 2: You've made it. Like you did it. That was your moment,
• 52:37
  Speaker 2: you took it, you nailed it, and you didn't expect it.
• 52:41
  Speaker 2: It was great. That was so fun. And this whole
• 52:46
  Speaker 2: thing with Kim and Marcus looks like it's going to
• 52:49
  Speaker 2: be fun and contentious. They're going to have a back
• 52:51
  Speaker 2: and forth. Some may argue that that's like the Schwartz
• 52:55
  Speaker 2: and Katie situation. I mean, if you want to compare,
• 53:00
  Speaker 2: I think it's more like.
• 53:02
  Speaker 3: I think like they are just Katie and Schwartz were
• 53:06
  Speaker 3: like boring compared to these two. Not in a bad way,
• 53:11
  Speaker 3: they were realistically annoying. And maybe that the audience will
• 53:14
  Speaker 3: be more you know what I mean, Like everybody knew
• 53:18
  Speaker 3: of Schwartz and Katie. I were like, please, mother, but yes,
• 53:21
  Speaker 3: but yes, now it's a little cuckoo. So I don't
• 53:25
  Speaker 3: know where.
• 53:25
  Speaker 2: We're going to land on them. Yeah, I mean, Kim's
• 53:28
  Speaker 2: basically like he's dead to me, Yeah, he's drinking on
• 53:30
  Speaker 2: the job. Good, he got caught. Good. You know, She's
• 53:34
  Speaker 2: definitely like I'm done with him.
• 53:36
  Speaker 4: I was just like, it's this is dumb, did you hear?
• 53:40
  Speaker 2: Yeah? I mean it's good, but it's dumb. She was
• 53:43
  Speaker 2: very believable in all of her issues with him, and
• 53:46
  Speaker 2: like the fight and he's got to get up at
• 53:48
  Speaker 2: five am in order to go do this other scene
• 53:51
  Speaker 2: with Shane Davis, and so he's like, I gotta go
• 53:55
  Speaker 2: to sleep, I have to go shoot in the morning.
• 53:57
  Speaker 2: And she's like pissed off at him about this friendship
• 54:00
  Speaker 2: thing with Natalie, And I mean, I loved it. And
• 54:02
  Speaker 2: I love that he was tracking her going to his
• 54:06
  Speaker 2: house down the canyon at like five in the morning.
• 54:09
  Speaker 2: That was amazing.
• 54:10
  Speaker 4: Yeah. I was like, hopefully she wasn't drinking, because that.
• 54:14
  Speaker 2: Is not where you want to be, Okay. Yeah. Chris
• 54:19
  Speaker 2: and Jason, these two cousins, these two half cousins, and
• 54:24
  Speaker 2: the fact that Jason has an identical twin. I love
• 54:27
  Speaker 2: this story. I love that they're besties. It's very much
• 54:31
  Speaker 2: giving Jack's and Sandoval and Schwartz even that they're all models,
• 54:37
  Speaker 2: you know, y, but like I love that they actually
• 54:40
  Speaker 2: do something physical, like in California where they actually surf.
• 54:44
  Speaker 2: That got me super excited. Yeah, they're very cute, and
• 54:49
  Speaker 2: I like that we have Chris's calling card. He's like
• 54:54
  Speaker 2: done two reality dating shows and he's on OnlyFans and
• 54:57
  Speaker 2: he wants to be in Live Act Entangled.
• 55:02
  Speaker 4: I mean, he does look the part, he really.
• 55:05
  Speaker 2: Does, and he knows it, and I think that's great. Now.
• 55:07
  Speaker 2: The demonstration of how to strip was amazing, like to
• 55:12
  Speaker 2: not try so hard and his moves was fabulous, and
• 55:17
  Speaker 2: like I wasn't sure. I thought it was just Jason
• 55:19
  Speaker 2: that was a stripper in college, but I guess it
• 55:21
  Speaker 2: was the two of them together. That's amazing.
• 55:25
  Speaker 3: I mean it, I think it's going to get annoying
• 55:29
  Speaker 3: after a while, but I'm fine with it right now.
• 55:31
  Speaker 2: I'm enjoying it.
• 55:32
  Speaker 4: I think it's going to.
• 55:36
  Speaker 2: Sure, we've seen that, we've seen stuff ride out before
• 55:40
  Speaker 2: and just get exhausting, and you're right, like, but right
• 55:44
  Speaker 2: now I'm not mad at it.
• 55:46
  Speaker 3: Good.
• 55:47
  Speaker 4: That's good.
• 55:49
  Speaker 2: And Sutton left she wouldn't put up with it when
• 55:51
  Speaker 2: she's watching the I am.
• 55:53
  Speaker 4: This is not appropriate.
• 55:55
  Speaker 3: Two Mormons got divorced over this, These two twins.
• 56:00
  Speaker 2: Oh my God. So there are a couple people that
• 56:03
  Speaker 2: we haven't gotten to yet, I believe on the cast
• 56:08
  Speaker 2: that is that are listed on like the website as
• 56:12
  Speaker 2: people who are like in. It's like, we have Demi,
• 56:15
  Speaker 2: We've got we've got Chris, We've got Jason Augy, Shane Marcus.
• 56:23
  Speaker 2: And there's one gal that we haven't seen yet. Her
• 56:26
  Speaker 2: name is Lisa vander pomp. No, I'm just kidding. Hold on,
• 56:32
  Speaker 2: there's another girl in here that I couldn't that I
• 56:35
  Speaker 2: didn't see, Okay, Angelica, Oh sorry, Angelica.
• 56:44
  Speaker 3: Oh okay, the woman with the pink corvette that drives
• 56:50
  Speaker 3: Angelique Angelie.
• 56:52
  Speaker 2: Yeah, she gets autographs and like you pay for him.
• 56:57
  Speaker 3: Yes, darlings, if you don't live in La, there's this
• 57:00
  Speaker 3: local celebrity in La for I'm going to say thirty
• 57:04
  Speaker 3: or forty years. She buys billboards of herself and she
• 57:08
  Speaker 3: drives around in a Barbie hot pink corvette and if
• 57:12
  Speaker 3: you see her, just like google it you'll see. But
• 57:16
  Speaker 3: she's kind of iconic and everybody loves to have an
• 57:19
  Speaker 3: Angelique spotting.
• 57:23
  Speaker 2: Yes they do. Well, I think we've done it, I
• 57:28
  Speaker 2: really do. I think.
• 57:30
  Speaker 3: I mean, overall, I'm very happy about this I know
• 57:35
  Speaker 3: that online.
• 57:36
  Speaker 4: I guess what I'm saying is like, if you're like
• 57:39
  Speaker 4: fuck this, I just like give it.
• 57:41
  Speaker 2: Do you really think people.
• 57:43
  Speaker 3: Are having an abrasive reaction? And I just want to say, like,
• 57:47
  Speaker 3: let's give it a go, let's try Wow, Okay, because
• 57:52
  Speaker 3: I really like it, and I hope I'm right.
• 57:55
  Speaker 2: I hope I think you are right. I think we
• 57:57
  Speaker 2: both enjoyed it, and I hope you all enjoyed our recap.
• 58:02
  Speaker 2: We'll be doing more of it. Okay.
• 58:04
  Speaker 3: Cool.
• 58:05
  Speaker 2: Yeah, well, you know that's kind of what this show is.
• 58:10
  Speaker 2: And whatever is not here in the public, look for
• 58:13
  Speaker 2: it over look for it over on patreon dot com,
• 58:16
  Speaker 2: slash drama Darling. Okay, and really thanks thanks for being here. Okay,
• 58:21
  Speaker 2: thanks for showing up. Now get out. I won't have it.