Latest / Vanity Farah with Chris Farah / Love After Lockup 712 "Double Release Trouble"

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Love After Lockup 712 "Double Release Trouble" · Vanity Farah with Chris Farah

• 0:06
  Speaker 1: Welcome back to Vanity Farah. My name is Chris Farrah.
• 0:08
  Speaker 1: I am super excited to talk to you guys day
• 0:10
  Speaker 1: about Love After lock Up. This is season seven, episode
• 0:15
  Speaker 1: with seven twelve. That's the number, Okay. I can't help it, honey,
• 0:20
  Speaker 1: I don't understand how this life works here and Love
• 0:22
  Speaker 1: After lock Up of the way they do things. But
• 0:24
  Speaker 1: I'll tell you we're talking about these peeps. It's Demand,
• 0:30
  Speaker 1: it's Felicia, it's Brady. I don't know this woman yet.
• 0:35
  Speaker 1: That's Nita, who's not really on the show to anymore. Michael,
• 0:39
  Speaker 1: that's Zay. Oh wait, no, that's Oh I fucked up.
• 0:43
  Speaker 1: That's okay. Michael's in the other corner. And that's DIA's
• 0:48
  Speaker 1: guy Cyrus. Okay, anyway, thank you so much. Okay, let's
• 0:53
  Speaker 1: get in. I'm excited to talk about this our favorite
• 0:57
  Speaker 1: throppo on the show, Slash Mumu, Banita and Goddess and
• 1:04
  Speaker 1: or Gigi. As we know, Demand's trying to pull off
• 1:08
  Speaker 1: only you know what can be described as a Shakespearean
• 1:12
  Speaker 1: style disguise and roofs for our comedic benefit and his
• 1:20
  Speaker 1: in a very like fool or Falstaffian way. That's what
• 1:25
  Speaker 1: I'll tell you, because of course, he came out of
• 1:29
  Speaker 1: prison yesterday and he got his girl, Gigi slash Goddess
• 1:34
  Speaker 1: to pick him up, and then he told his other lady,
• 1:38
  Speaker 1: Banita that he was getting out today the day after
• 1:43
  Speaker 1: he got out, you know what I'm saying. And so he,
• 1:46
  Speaker 1: after spending the night with Gigi, wakes up, so it's
• 1:49
  Speaker 1: the morning after.
• 1:50
  Speaker 2: At first, the producers are like, what happened last night?
• 1:54
  Speaker 2: How was last night?
• 1:55
  Speaker 1: And he's like, well, I won't kiss and tell, and
• 1:58
  Speaker 1: we're like, is it because you're gentleman, and it's like.
• 2:01
  Speaker 2: We fully remember. At one point he just.
• 2:06
  Speaker 1: Splayed Goddess on a bed to get a whole picture
• 2:11
  Speaker 1: of her, you know, middle areas, and then would like
• 2:15
  Speaker 1: you proclaim them to be wet, to be moist. So
• 2:19
  Speaker 1: say Man's like, I won't kiss and tell what you
• 2:21
  Speaker 1: know what, I'm just fine. But then he's like, she
• 2:25
  Speaker 1: is super wet, and I just I didn't last long.
• 2:30
  Speaker 1: And she doesn't like that kind of stuff. In fact,
• 2:33
  Speaker 1: she gets angry when men don't last long.
• 2:37
  Speaker 2: And one old man a man.
• 2:42
  Speaker 1: So he is like, I have to get up and
• 2:45
  Speaker 1: I have to go see my parole officer. She's like Okay.
• 2:49
  Speaker 1: He's like, yeah, so I'll see you when I see yah.
• 2:52
  Speaker 1: She's like, what what do you mean?
• 2:55
  Speaker 2: Like then the whole thing.
• 2:56
  Speaker 1: When you're out of prison, you're like a disciplined person
• 2:59
  Speaker 1: that like understands like time and space, where like if
• 3:01
  Speaker 1: you're going to be somewhere, you usually know how long
• 3:04
  Speaker 1: you're going to be there because you have to be
• 3:05
  Speaker 1: somewhere else by a certain time. Like isn't there like
• 3:08
  Speaker 1: a certain structure situation. He's like, I don't know when
• 3:11
  Speaker 1: I'll be back. I'm gonna go hang out with my
• 3:14
  Speaker 1: cousin and so, and I don't have a phone that
• 3:18
  Speaker 1: really works, so I'm going.
• 3:19
  Speaker 2: To figure that out too.
• 3:20
  Speaker 1: So there's like add that time to the mysterious time
• 3:22
  Speaker 1: in which I won't be able to be reachable.
• 3:25
  Speaker 2: Okay, thanks for the what night? You know?
• 3:30
  Speaker 1: She's like, I think she starts to realize that this
• 3:33
  Speaker 1: is like fucked up, because like, how are you even
• 3:36
  Speaker 1: meeting up with your cousin if your phone doesn't work?
• 3:39
  Speaker 1: It doesn't make logical sense.
• 3:40
  Speaker 2: What do you use? What are you like morse code?
• 3:42
  Speaker 2: What are using like.
• 3:42
  Speaker 1: Fire signals in Baltimore? You know, like just really get
• 3:45
  Speaker 1: just how is it how's anything working. So she is upset.
• 3:50
  Speaker 1: She rolls a blunt and then she talks to his
• 3:55
  Speaker 1: mom and stepdad. Oh no, sorry, Benetha, I'm sorry, i'mssed up. Okay,
• 3:58
  Speaker 1: that's of course, Gigi. So we go to Banita, who
• 4:02
  Speaker 1: is rolling a blunt and then is talking to Demand's
• 4:05
  Speaker 1: mom and stepdad because they have said that they're gonna
• 4:09
  Speaker 1: use They're gonna let her use their car for whatever
• 4:12
  Speaker 1: amount of time because you know, obviously Demand, you know, has.
• 4:16
  Speaker 2: A baby with Banita named Dior.
• 4:18
  Speaker 1: So these are their grandparents that you know, need to
• 4:21
  Speaker 1: like help out. And Banita doesn't want to just use
• 4:27
  Speaker 1: uber lyft or comfort X or whatever to like go
• 4:30
  Speaker 1: pick up Demon from prison, and she doesn't have her
• 4:33
  Speaker 1: own ride right now, and so she just wants, you know,
• 4:35
  Speaker 1: her own car to roll up when, however, it's like
• 4:38
  Speaker 1: she thinks that he's getting out at two, and Demon
• 4:41
  Speaker 1: is like running late, so he calls his mom and
• 4:44
  Speaker 1: he's like, you have to just like hold onto the
• 4:46
  Speaker 1: car for like a hot ass second. And Demand's mom
• 4:48
  Speaker 1: will do anything for him, much like all of these women.
• 4:52
  Speaker 1: And not only will his mom do everything for him,
• 4:56
  Speaker 1: so will the stepdad.
• 4:57
  Speaker 2: Charles who is great.
• 4:59
  Speaker 1: Okay, So there's just a bunch of great characters, you know,
• 5:01
  Speaker 1: like everyone's kind of you know, like the men or fly. Okay,
• 5:04
  Speaker 1: come on, so try Like Charles, Charles was like a
• 5:07
  Speaker 1: full g you know what I'm saying, Like his outfits
• 5:09
  Speaker 1: are perfect, you know, he has like a great sort
• 5:13
  Speaker 1: of like wise demeanor, you know, like he's, yeah, he's great.
• 5:19
  Speaker 1: All of Demand's sisters come over to Benita's house. She
• 5:23
  Speaker 1: has a cute house, you know, Benita. It's like all
• 5:25
  Speaker 1: decorated well, and everyone's super excited. They finally, of course,
• 5:30
  Speaker 1: get to Benita's house and she's had to like be like, oh, well,
• 5:34
  Speaker 1: how long is Charles says, a doc appointment going to
• 5:38
  Speaker 1: be it's being too it's too long. Give me the car,
• 5:41
  Speaker 1: tell the doctor, fuck it. Get Charles back in the car,
• 5:45
  Speaker 1: take the IV with you, give me this car, I'll
• 5:48
  Speaker 1: drop you guys back off and you know.
• 5:50
  Speaker 2: Come on.
• 5:51
  Speaker 1: But anyway, so when they finally get to her house,
• 5:54
  Speaker 1: they're like, oh, don't even worry about it because his
• 5:56
  Speaker 1: thing's been pushed back three to five. And Benita's like,
• 5:58
  Speaker 1: why do you guys know and not me? That makes
• 6:01
  Speaker 1: no sense? Does makes sense? For me. I'm Beanita. I
• 6:04
  Speaker 1: know him very well. I know his shit. I know
• 6:07
  Speaker 1: when you cover for him, because you do. Here is mom,
• 6:11
  Speaker 1: you enable and have his behavior. You like it, you
• 6:16
  Speaker 1: think there's something cute about.
• 6:17
  Speaker 2: It, charming.
• 6:20
  Speaker 1: But she, you know, can't say anything because now she
• 6:21
  Speaker 1: gets to be in at Blue Lexus and she's like
• 6:24
  Speaker 1: driving to get him, and it's like four forty nine
• 6:27
  Speaker 1: and he gets to the spot, his friend slash cousin
• 6:29
  Speaker 1: drops him off, like what and I can only describe
• 6:31
  Speaker 1: as a hoarder car. And he is like, oh shit,
• 6:35
  Speaker 1: I forgot I have everything I had last time. I
• 6:38
  Speaker 1: have the same files, I have pictures of them in
• 6:41
  Speaker 1: this plastic bag. This is the same clothes. The only
• 6:44
  Speaker 1: fucking thing is I forgot my shoes. And I'm wearing
• 6:47
  Speaker 1: great shoes right now, the kind of shoes that you know,
• 6:50
  Speaker 1: I wouldn't be able to have in prison. So his
• 6:53
  Speaker 1: cousin's like, you know what I have on slides, So
• 6:56
  Speaker 1: why don't you just give me those shoes? And yeah
• 6:58
  Speaker 1: he does. He's trade some dirty as slides, but he
• 7:01
  Speaker 1: looks perfect for it. Anita is so happy to see
• 7:05
  Speaker 1: him she can't even put her shoes on, speaking of shoes.
• 7:09
  Speaker 1: She like jumps out of the car like trying to
• 7:11
  Speaker 1: also hop into a heeled boot.
• 7:15
  Speaker 2: I've never like the dexterity that she was like doing.
• 7:20
  Speaker 1: Was like so strong. I mean, my god, what I mean?
• 7:24
  Speaker 1: What balance and strength? I feel like, what was your athlete?
• 7:28
  Speaker 2: I don't she was.
• 7:28
  Speaker 1: She seems like an athlete in some way, like is
• 7:31
  Speaker 1: she a pole vaulter? Like how can you do that?
• 7:33
  Speaker 2: I don't understand what it is?
• 7:35
  Speaker 1: But she doesn't get it on and gets it on
• 7:37
  Speaker 1: later and she jumps on him.
• 7:40
  Speaker 2: Honey, he grabs her ass.
• 7:41
  Speaker 1: Now he's in those slides and she's in those heels,
• 7:44
  Speaker 1: and so she's taller than him, and he like remarks
• 7:48
  Speaker 1: on it, and she's like, I just feel like the
• 7:50
  Speaker 1: jolly green giant.
• 7:51
  Speaker 2: She's like, I don't know if I like it, but
• 7:52
  Speaker 2: you know what, I like it.
• 7:53
  Speaker 1: For them, they're super cute and you know he loves her,
• 7:56
  Speaker 1: you can really tell. And she's like, you know, they've
• 8:00
  Speaker 1: weathered many a storm together. They're hot together too. He's
• 8:04
  Speaker 1: happy to be in the car. He's like, yeah, you know,
• 8:07
  Speaker 1: I can't believe this. He's also desorded, been like he
• 8:10
  Speaker 1: got all out of him in Gigi. So I wonder, like, yeah,
• 8:14
  Speaker 1: I wonder how much longer he can last with Benita,
• 8:16
  Speaker 1: And I wonder Benita's gonna tell that he's lasting too
• 8:20
  Speaker 1: long because she knows that usually, like you know, right
• 8:25
  Speaker 1: after it's done. You know, I don't know why I
• 8:28
  Speaker 1: made that noise, Like I would like to think that
• 8:32
  Speaker 1: Benita can sense that. Okay, unless he always is like
• 8:38
  Speaker 1: a real fast ejaculator, so he has that going for
• 8:42
  Speaker 1: him in the storyline. Okay, he's like, let me see
• 8:45
  Speaker 1: that engagement ring. She's like, oh, well, this is I'm
• 8:47
  Speaker 1: driving with this hand.
• 8:48
  Speaker 2: I can't you know I have Nope, nope, there there.
• 8:50
  Speaker 1: It's awkward. You can't ask me that when I'm driving.
• 8:53
  Speaker 1: Stop trying to. And it's because it's one of the
• 8:56
  Speaker 1: things that she sold that she had to get, like
• 8:58
  Speaker 1: a dummy ring.
• 9:00
  Speaker 2: Two things. If you bought someone a ring, you probably
• 9:04
  Speaker 2: know what it looks like. Now.
• 9:06
  Speaker 1: If you never seen it before, then fine, Like if
• 9:09
  Speaker 1: you you know, had your cousin buy it or whatever,
• 9:11
  Speaker 1: you just ordered it from a catalog and was like send,
• 9:14
  Speaker 1: you know, then it could be anything. I was like,
• 9:16
  Speaker 1: how good of a fake is that ring? Does it
• 9:18
  Speaker 1: look just like it? That's that's crazy. Yeah, demand's just
• 9:24
  Speaker 1: like I have no favorite. Meanwhile, Goddess is like, well,
• 9:28
  Speaker 1: I mean, won't be all day for him gone from me,
• 9:33
  Speaker 1: Like he's going to come back. I mean he just
• 9:35
  Speaker 1: is going to go to his PO office and like
• 9:37
  Speaker 1: hang out with his cousin and get a phone that's
• 9:39
  Speaker 1: like four hours and like two hours at most. Like
• 9:43
  Speaker 1: that makes logical sense to me. And so I'm going
• 9:47
  Speaker 1: to cook for my man and it's going to be
• 9:51
  Speaker 1: biscuits from a can. Now, if you think I'm shading her,
• 9:54
  Speaker 1: I'm not. Biscuic biscuits are so good. I just you
• 9:59
  Speaker 1: know what it is. It is freshly baked something, freshly
• 10:02
  Speaker 1: baked something where the dough was dough and then it
• 10:06
  Speaker 1: was hot ym soft bread. I just it is so great.
• 10:12
  Speaker 1: It is so yummy. It is just that extra special,
• 10:14
  Speaker 1: like I got you. However, as we know, he is
• 10:20
  Speaker 1: with Beanita and has to be the entire night and
• 10:23
  Speaker 1: not just with Banita, with like his whole family is
• 10:27
  Speaker 1: out there. He has kids, you know, like his sister's
• 10:30
  Speaker 1: like everyone is like at the house, Like everyone is
• 10:33
  Speaker 1: all hanging out of Benita's house or house is cute
• 10:36
  Speaker 1: and she's blowing up that phone and he is not
• 10:41
  Speaker 1: texting back, so she's like, well, I have his cousin's
• 10:44
  Speaker 1: phone number. We're like, oh shit. So he calls Tyrrell,
• 10:47
  Speaker 1: who really has to like have a friend come over
• 10:50
  Speaker 1: help clean out that car. Honestly, if you're gonna be
• 10:53
  Speaker 1: if Tyrell is just always picking you up, then I'm
• 10:56
  Speaker 1: gonna say Demon has to like give his cousin like
• 10:59
  Speaker 1: a solid by helping him clean out that car and
• 11:00
  Speaker 1: like also paying to get that car washed, because Tyrell
• 11:03
  Speaker 1: does a solid for him here. Because straight up Goddess
• 11:06
  Speaker 1: is like, oh hi, hey, so is Demon there? And
• 11:11
  Speaker 1: he's like no. She calls him back. He like doesn't
• 11:14
  Speaker 1: want to pick up. He's like, oh fuck would I
• 11:16
  Speaker 1: say that. She's like he gives her nothing, she gets nothing.
• 11:22
  Speaker 1: He's like, better call about him then talk about it
• 11:24
  Speaker 1: with him. She's like, I'm trying to find him. That's
• 11:28
  Speaker 1: what I'm trying to I can't get to that step,
• 11:31
  Speaker 1: That's what I'm saying. He's like, I don't give a
• 11:32
  Speaker 1: shit bye. So she thinks, you know, of course he
• 11:35
  Speaker 1: hasn't come to the house. But he's not going to
• 11:36
  Speaker 1: come to the house. He just wants to you know,
• 11:38
  Speaker 1: hang out with his daughter de Yore, and uh, he
• 11:42
  Speaker 1: cast to like sort of like try and play both
• 11:45
  Speaker 1: sides in a hilarious comedic way because he's gotten himself
• 11:50
  Speaker 1: into this mess, you know, Like I mean, it's like, yeah,
• 11:55
  Speaker 1: it's just very as I said, like kind of charmingly familiar,
• 12:01
  Speaker 1: if that makes sense, Shakespearean for sure. Okay, so let's
• 12:06
  Speaker 1: move on to Kirsten and Brady.
• 12:09
  Speaker 2: So they fucked.
• 12:10
  Speaker 1: You know, this is like the Morning After for everyone,
• 12:12
  Speaker 1: you know what I'm saying, except for Cyrus.
• 12:14
  Speaker 2: We'll get to that one.
• 12:15
  Speaker 1: But she didn't get to wear the lingerie that she
• 12:18
  Speaker 1: wanted to wear because he didn't care about them lingeris.
• 12:21
  Speaker 2: He didn't care about the galaxy wall.
• 12:25
  Speaker 1: I mean, he did definitely didn't care about those old
• 12:27
  Speaker 1: flower petals you put out like the night before that
• 12:30
  Speaker 1: were probably like dried and like creased. He just want
• 12:35
  Speaker 1: to get in there, honey. He's been dreaming about that
• 12:38
  Speaker 1: since when we first saw pregnant. That's the truth. I
• 12:42
  Speaker 1: didn't you know, That's just the truth. And then I
• 12:45
  Speaker 1: do something beautiful post coital where he calls his daughters
• 12:50
  Speaker 1: who are twins, and we met their mom and their
• 12:54
  Speaker 1: mom definitely was like he does nothing to try and
• 12:56
  Speaker 1: be in their lives. He like doesn't really talk to
• 12:58
  Speaker 1: them or like call them that much, and we're like, well.
• 13:01
  Speaker 2: That can't possibly be true.
• 13:02
  Speaker 1: Like, you know, he probably does a little bit because
• 13:04
  Speaker 1: he talks to you know, Kirsten all the time, and
• 13:05
  Speaker 1: they got married and by proxy in prison, so it
• 13:08
  Speaker 1: seems like he had, you know, like some you know,
• 13:11
  Speaker 1: responsibilities and some privileges.
• 13:14
  Speaker 2: And the daughter's good on the phone and they're like daddy, daddy.
• 13:18
  Speaker 2: There's two of them.
• 13:19
  Speaker 1: It's like, you know, Hayley Mills or Lindsay Lohan is
• 13:22
  Speaker 1: like parent trap and he's like hi, and then they're.
• 13:26
  Speaker 2: Like do you know which one is which?
• 13:29
  Speaker 1: Which is really heartbreaking and I wish we didn't see it,
• 13:35
  Speaker 1: but unfortunately also a little bit funny.
• 13:41
  Speaker 2: Because we know he doesn't. He's like, yeah, the pretty ones,
• 13:46
  Speaker 2: both of you.
• 13:47
  Speaker 1: Oh my god, I hate to be just you know
• 13:50
  Speaker 1: what I'm saying, though, Oh no, he doesn't know, Kenny,
• 13:54
  Speaker 1: he doesn't know. Meanwhile, Kirsten's like, I can't wait for
• 13:58
  Speaker 1: Brady to make enough money for me to be okay
• 14:00
  Speaker 1: with my two kids. All these women think that he's
• 14:03
  Speaker 1: going to make enough money to raise four kids, if
• 14:05
  Speaker 1: not more, Kirsten or someone. Now he is nervous, and
• 14:10
  Speaker 1: it's because they shouldn't have stopped and had sex, and
• 14:14
  Speaker 1: they didn't have a morning after.
• 14:15
  Speaker 2: I mean, this is just right after the sex.
• 14:18
  Speaker 1: There was a morning after episode in the sense of
• 14:20
  Speaker 1: after sex anyway. Having said that, they obviously are on
• 14:23
  Speaker 1: the jaunt and journey from him being pricked from prison
• 14:26
  Speaker 1: having to drive a whole bunch away to get dropped
• 14:29
  Speaker 1: off at a halfway house, and he has a time
• 14:31
  Speaker 1: frame and he is not in that time frame. He
• 14:34
  Speaker 1: is running late and not always you're running late. It
• 14:36
  Speaker 1: doesn't like doesn't bode well for him to get there
• 14:40
  Speaker 1: remotely on time. And it is continually getting longer and longer,
• 14:45
  Speaker 1: so much so that I'm like, is just is this
• 14:48
  Speaker 1: unprecedented traffic that never happens? Or do you guys just
• 14:52
  Speaker 1: keep taking bathroom breaks for some reason and gas breaks?
• 14:57
  Speaker 1: Like it's like half hour late, two and a half
• 15:00
  Speaker 1: hours late. We're like, oh my god. So then they're like, well,
• 15:02
  Speaker 1: should we call? But like that's hard to do. And
• 15:05
  Speaker 1: then he's like, do I take a picture of the traffic?
• 15:08
  Speaker 2: Like what do I do?
• 15:11
  Speaker 1: You know, he's freaking out. He throws up, and then
• 15:13
  Speaker 1: we get a little blackstory. You know, he takes a
• 15:15
  Speaker 1: box and because it is a drug that helps people
• 15:21
  Speaker 1: who crave, I think it's opioids or some other kind
• 15:25
  Speaker 1: of drug. I think it's opioids, I'm not quite sure,
• 15:28
  Speaker 1: or something else.
• 15:28
  Speaker 2: I don't know.
• 15:29
  Speaker 1: A song with me and stop saying that, to stop
• 15:32
  Speaker 1: having cravings for that. What we know, Sam of Sam
• 15:36
  Speaker 1: and Cititra did from nine a Day fiance, So we're
• 15:41
  Speaker 1: happy for him. It's just like it looks like a
• 15:42
  Speaker 1: little late listene breath strip kind of maybe it just
• 15:47
  Speaker 1: looks like sublingual what looks.
• 15:49
  Speaker 2: Like she's taking it personally that they're late. She keeps
• 15:55
  Speaker 2: like being like, no, my fault, it's does a follow.
• 15:57
  Speaker 2: I can't help. It's their Fault's their fault for making
• 15:59
  Speaker 2: this so unrealistic.
• 16:02
  Speaker 1: And so he's like, well, I don't want to get out,
• 16:05
  Speaker 1: you know, and go right back in because this was
• 16:07
  Speaker 1: my first offense. And Lobby Blue Blobby Blue. We feel
• 16:12
  Speaker 1: bad for him. You know, everyone is just like gets
• 16:14
  Speaker 1: caught up in some bullshit too early on in life,
• 16:17
  Speaker 1: and like is usually an addict, and then you know,
• 16:22
  Speaker 1: feels like they made and had to pay an ultimate
• 16:24
  Speaker 1: price and are looking at least to stay out for
• 16:29
  Speaker 1: a couple of weeks. Usually yeah, but that phone call, honey. Meanwhile,
• 16:34
  Speaker 1: it's like, I feel like Here'sen's like, but you'll know
• 16:37
  Speaker 1: my kids, I'll be living with you. He's like, no,
• 16:41
  Speaker 1: not even if they're living with me.
• 16:42
  Speaker 2: I don't know. Young thing one, young thing two. That's
• 16:46
  Speaker 2: what I know. Okay, let's move on to Dia and Cyrus.
• 16:53
  Speaker 2: So here's the thing.
• 16:53
  Speaker 1: They've never meant real life, never met real life obviously,
• 16:58
  Speaker 1: because Dia started off by being Cyrus's jailmates girl, and
• 17:06
  Speaker 1: then she got him out Jayden, and then she was like,
• 17:09
  Speaker 1: I don't know, and Jaden was like, I'm going to
• 17:11
  Speaker 1: have sex with your mortal enemy, the woman that also
• 17:16
  Speaker 1: fucked your husband, and that it's a bad look.
• 17:21
  Speaker 2: Now.
• 17:23
  Speaker 1: I again don't know why we can't go talk to
• 17:27
  Speaker 1: that woman? And can we go talk to that woman
• 17:32
  Speaker 1: because I need to know. Is how small is she
• 17:34
  Speaker 1: just in the scene or does she have a personal
• 17:36
  Speaker 1: vendetta against Dia where she's like, anytime you have a man,
• 17:41
  Speaker 1: I'm gonna get him. Anytime I see you on Facebook
• 17:44
  Speaker 1: with someone, I'll track him down. We'll be at a
• 17:47
  Speaker 1: mercantile place and I'll give him the eye and I'm
• 17:52
  Speaker 1: so hot, or I'll just keep uping in and be like,
• 17:54
  Speaker 1: oh you, I'll just force meat cutes over and over again.
• 17:58
  Speaker 1: When you're gone there, even if you're there, I'll go
• 18:02
  Speaker 1: in the bathroom and to try.
• 18:03
  Speaker 2: And you know, he's like, how does she get them?
• 18:06
  Speaker 1: Or is Dea sellf friends with her or are they
• 18:08
  Speaker 1: in some specific community or scene where Dia is there
• 18:13
  Speaker 1: all the time slash this woman like and this is
• 18:17
  Speaker 1: not it, but here's my pitch swing dancing. It just
• 18:20
  Speaker 1: seems you know, it seems specific, if not with intent. Okay,
• 18:26
  Speaker 1: So until that happens, though, Dia has been foiled by
• 18:31
  Speaker 1: that woman and we'll just have to you know, two
• 18:34
  Speaker 1: out of three. However, Cyrus is just getting out of prison,
• 18:39
  Speaker 1: which means I hope we get to see an action
• 18:44
  Speaker 1: what this woman's doing, What this woman's doing. What if
• 18:48
  Speaker 1: we just see like Cyrus on day two is like, yeah,
• 18:50
  Speaker 1: I'm just gonna pick up some cigarettes at the gas station,
• 18:53
  Speaker 1: and then like she's the person that works at the
• 18:54
  Speaker 1: gas station always selling them the cigarettes, being like you
• 18:57
  Speaker 1: want a free pack?
• 18:59
  Speaker 2: I don't know.
• 19:00
  Speaker 1: These are all ideas I have of who this woman
• 19:02
  Speaker 1: is that is fucked over Dia India's life. We don't
• 19:06
  Speaker 1: even know her name, Madam X. That's what I'm gonna
• 19:08
  Speaker 1: call her, Madam X. So anyway, having said that, Cyrus
• 19:12
  Speaker 1: is again and getting out of prison, like I keep
• 19:13
  Speaker 1: goddamn saying, and DIA's like, well, we'll see, you know
• 19:16
  Speaker 1: if you know how everything is, Like how tall is he?
• 19:18
  Speaker 2: I don't know.
• 19:19
  Speaker 1: He says he's five eleven. But we know how men
• 19:21
  Speaker 1: are liars. My husband was, so was Jaden I am
• 19:26
  Speaker 1: sometimes you know she oh, before that happens, she's that's
• 19:33
  Speaker 1: what she's that's what she thinks, that's what she's thinking,
• 19:35
  Speaker 1: and we're gonna see in real life what ends up happening.
• 19:38
  Speaker 1: But she's still with her mom the night before my
• 19:41
  Speaker 1: own fault, and with her daughter, and she has two
• 19:46
  Speaker 1: younger kids, and Millie, her daughter, expresses concerned because her
• 19:51
  Speaker 1: pattern of behavior is that she uh shuts her down
• 19:57
  Speaker 1: and doesn't let her express how things are for Milly,
• 20:01
  Speaker 1: which is that Milly has to be the one taking
• 20:04
  Speaker 1: care of her siblings because her mom won't step up
• 20:08
  Speaker 1: and do all of it. And decided to have them kids,
• 20:11
  Speaker 1: and obviously DIA's mom can only do what DIA's mom
• 20:15
  Speaker 1: is doing, which is barely enough. She's like, sometimes, you know,
• 20:20
  Speaker 1: I just think that you let these men just come
• 20:22
  Speaker 1: come here and you know, put their needs ahead of
• 20:26
  Speaker 1: you know, your many kids. And we don't want you
• 20:28
  Speaker 1: to be hurt, because then ruins all our lives when
• 20:32
  Speaker 1: you're hurt. And she's like, no, I don't want to
• 20:34
  Speaker 1: talk about this. You're kind of irritating me right now.
• 20:36
  Speaker 1: And we're like, oh my god, we can see like
• 20:38
  Speaker 1: DIA's been like fifteen her whole life. DIA's like, ha,
• 20:42
  Speaker 1: I have an alter ego, my mean alter ego named Coco.
• 20:45
  Speaker 1: We're like, no, yeah, now, you don't want to see
• 20:48
  Speaker 1: when Coco gets out. We're like, what, we don't even
• 20:51
  Speaker 1: want to see Dia. Dia being out already's bad. I
• 20:54
  Speaker 1: can't imagine Coco is. This is like not like how
• 20:58
  Speaker 1: Sasha fears is Beyonce's old her ego and it makes
• 21:00
  Speaker 1: her like a fun, you know, strong dancer singer that
• 21:04
  Speaker 1: that doesn't give a fuck. This is like you being
• 21:07
  Speaker 1: your true shitty self and then being like it's Coco. Oh,
• 21:13
  Speaker 1: that's dia everyda total idea.
• 21:18
  Speaker 2: Okay, So he calls.
• 21:20
  Speaker 1: Cyrus calls and he's like, hey, so I have good
• 21:23
  Speaker 1: bad news, you know whatever how you look at it,
• 21:25
  Speaker 1: I think it's great news. You're you know, you're gonna
• 21:27
  Speaker 1: do you which is that I talked to my brother
• 21:30
  Speaker 1: Christian and he wants to hang out because I've been
• 21:32
  Speaker 1: in prison this long and I have a whole life.
• 21:34
  Speaker 1: And she's like, what gross, I was going to pick
• 21:37
  Speaker 1: you up and we were going to hang out. I
• 21:39
  Speaker 1: want to do the things I want to do with you.
• 21:42
  Speaker 1: Period don't have a lot. I have kids. I want
• 21:45
  Speaker 1: you to be like the father of my kids. Fuck
• 21:47
  Speaker 1: your brother.
• 21:48
  Speaker 2: That's what happens. That's what is.
• 21:50
  Speaker 1: That's that's basically what happens. She's pissed. He's like oh.
• 21:55
  Speaker 1: She's like, I don't understand. Would you even talk to him?
• 21:58
  Speaker 1: He's like earlier. She's like, well, I thought you only
• 22:01
  Speaker 1: had one phone call and he's like I do.
• 22:03
  Speaker 2: That's why this call has to be short. She's like, oh,
• 22:07
  Speaker 2: I'm the person that shorted, not your family. Ah. She's
• 22:11
  Speaker 2: so upset. She marches outside.
• 22:13
  Speaker 1: She's wearing blue PJ bottoms and slides and like we
• 22:17
  Speaker 1: find out that his name in her phone is under
• 22:20
  Speaker 1: my chicken wing.
• 22:21
  Speaker 2: It's so trashy, she's stretchy. I feel bad for her daughter.
• 22:25
  Speaker 1: I feel bad for her mom, but not I mean,
• 22:26
  Speaker 1: I feel bad just her mom has been living like
• 22:28
  Speaker 1: this and has been dealing with this.
• 22:29
  Speaker 2: For a hot ass second. She gets so upset at
• 22:32
  Speaker 2: this that she of course breaks the wine glass that
• 22:35
  Speaker 2: she's drinking.
• 22:37
  Speaker 1: So in the morning of his release, she's, guess what, stressed,
• 22:40
  Speaker 1: and she has square block French nails. She has to
• 22:44
  Speaker 1: go pick him up the very same place that she
• 22:47
  Speaker 1: picked up Jaden, and they're both ten years younger than her,
• 22:51
  Speaker 1: about to spring them from jail and have them convalesce
• 22:54
  Speaker 1: at her home.
• 22:55
  Speaker 2: Convaless. Now that's the wrong word, probate.
• 22:59
  Speaker 1: I don't even know how that's a loud because isn't
• 23:00
  Speaker 1: it in the system that you just had his jail
• 23:02
  Speaker 1: mate like and can't you not have like ex felons
• 23:05
  Speaker 1: unless you're like that person moved out? Now it's him,
• 23:07
  Speaker 1: like what this jail thinks of her, She's like rehab facility,
• 23:11
  Speaker 1: She's like a personal rehab facilities. So anyway, God bless.
• 23:14
  Speaker 1: She just is in denial that she's doing the same
• 23:17
  Speaker 1: thing in the same place, the same kind of person.
• 23:21
  Speaker 1: She must be having the hard the hardest deja vu
• 23:24
  Speaker 1: anyone has ever deja vued anyway, She has a tattoo
• 23:28
  Speaker 1: of his initials, and she considers herself married. She says,
• 23:31
  Speaker 1: she packs in that she parks in the handicap spot.
• 23:34
  Speaker 1: We're not quite sure why. It's like we're going to
• 23:36
  Speaker 1: finally see though. If he is five eleven and he
• 23:39
  Speaker 1: comes out and he looks five nine, she looks five
• 23:43
  Speaker 1: to seven.
• 23:44
  Speaker 2: He has corn rows. We've seen many.
• 23:46
  Speaker 1: Different pictures of him over the years, like when he
• 23:49
  Speaker 1: is booked in he has you know, short ass hair,
• 23:51
  Speaker 1: So this hair looks diff and it's not like the
• 23:55
  Speaker 1: greatest look. I think that he should just cut it
• 23:57
  Speaker 1: all off, you know, or do whatever he can do.
• 24:00
  Speaker 1: She's upset that he didn't get the tattoo the exact
• 24:03
  Speaker 1: way that she wanted it, which is that has have
• 24:05
  Speaker 1: like her whole name. He's like the Amando long. I
• 24:08
  Speaker 1: don't even have that big of a hand, which means
• 24:10
  Speaker 1: I don't have a big dick. So now you know,
• 24:12
  Speaker 1: I'm not as tall as I said I was, and
• 24:13
  Speaker 1: I have small hands, and I have a small dick,
• 24:15
  Speaker 1: so welcome to me.
• 24:17
  Speaker 2: You know. Other thing that he also has or doesn't have,
• 24:22
  Speaker 2: is a missing tooth.
• 24:23
  Speaker 1: But Diaz like, don't worry about that. I knew about that.
• 24:25
  Speaker 1: He told me about that, so I'm not you know.
• 24:28
  Speaker 1: And it does just look like, oh, bless, like someone
• 24:30
  Speaker 1: just like using that one of those black costume me
• 24:34
  Speaker 1: pain things people do and just painting a black tooth,
• 24:37
  Speaker 1: so it looks like you're missing a tooth.
• 24:39
  Speaker 2: Yeah, I've done that before. It's funny.
• 24:41
  Speaker 1: It's a funny thing to do to make people laugh
• 24:43
  Speaker 1: when you want to be a character. Anyway, horrible, So
• 24:49
  Speaker 1: we get his backstory, which is sad. He said that
• 24:51
  Speaker 1: when he was younger, he wanted to be a marine biologist,
• 24:55
  Speaker 1: so great, right, work in an aquarium, save the manatees.
• 25:00
  Speaker 1: But he unfortunately went down a different road where he
• 25:03
  Speaker 1: was put away for six years because he sold drugs
• 25:05
  Speaker 1: and had weapons on him. He's not caught up in
• 25:07
  Speaker 1: the game in the streets, you know, he's got caught up.
• 25:11
  Speaker 1: So caught up, you know, and he once was, you know,
• 25:15
  Speaker 1: caught up in that marine biology geekdom.
• 25:17
  Speaker 2: But yeah, it's too bad. It's like, what are you
• 25:20
  Speaker 2: supposed to do?
• 25:21
  Speaker 1: As a kid, never go out and then just like
• 25:23
  Speaker 1: read everything on the internet about your one obsessive thing,
• 25:26
  Speaker 1: or just like also have a social life, and the
• 25:28
  Speaker 1: social life involves getting into things, especially if there's trauma aboard.
• 25:34
  Speaker 1: I wish that there was like a sort of society
• 25:37
  Speaker 1: that gifted all young children, you know, experiences in one
• 25:43
  Speaker 1: of their top three or all top three, like most
• 25:47
  Speaker 1: obsessive subjects, like in the sense of, you know, he's
• 25:50
  Speaker 1: not the only kid that loves marine biology, right, There's
• 25:54
  Speaker 1: also I feel like there's a lot of kids that
• 25:55
  Speaker 1: love wants to be a vet and wants to be
• 25:57
  Speaker 1: a marine biologist, wants to be a fronmen want to
• 26:01
  Speaker 1: be an actor or you know, a singer. I feel
• 26:07
  Speaker 1: like people like want to be doctors. Like there's so
• 26:09
  Speaker 1: many things that kids want to be or like want
• 26:11
  Speaker 1: to learn about or video gaming or and I feel
• 26:14
  Speaker 1: like it'd be really interesting to allow them to pick
• 26:17
  Speaker 1: something like that, like an immersive experience, and then have
• 26:23
  Speaker 1: different camps or things for them to like experience that
• 26:26
  Speaker 1: with in a certain age frame. Like I went to
• 26:29
  Speaker 1: science camp, right, and I think science is cool, but
• 26:32
  Speaker 1: it's such a vast big thing, and I know there
• 26:35
  Speaker 1: are theater camps. But it's like not every child in
• 26:38
  Speaker 1: every space gets the opportunity to have the access or
• 26:41
  Speaker 1: the parents or whatever to be able to afford that
• 26:44
  Speaker 1: kind of like specific opportunity. But what if it was
• 26:47
  Speaker 1: a part of education and we should have free education,
• 26:50
  Speaker 1: where like it was nurturing the child's like soul to
• 26:55
  Speaker 1: in a sense of it's just hard to sometimes equate
• 26:59
  Speaker 1: what you want to do with your life with subjects
• 27:02
  Speaker 1: in school. I didn't understand why I liked English. I
• 27:06
  Speaker 1: also liked history English, and like literature and languages. It's like,
• 27:11
  Speaker 1: I don't know. I think that it's hard for people
• 27:13
  Speaker 1: to make decisions what they like at you know, a
• 27:15
  Speaker 1: certain time, But I also feel like there might be
• 27:18
  Speaker 1: different modalities to find that.
• 27:19
  Speaker 2: And then just like what all this to say is,
• 27:21
  Speaker 2: I would love to know.
• 27:22
  Speaker 1: What Cyrus's life would have looked like if he was
• 27:24
  Speaker 1: able to have been nurtured and supported in the field
• 27:28
  Speaker 1: in which he wanted to do, especially if he was
• 27:30
  Speaker 1: young and interested in it. It's just so hard to
• 27:33
  Speaker 1: think that, like there's some guidance counselor at his one
• 27:35
  Speaker 1: school that takes like pity on him for not being
• 27:38
  Speaker 1: able to like have parents to be like stop or
• 27:41
  Speaker 1: whatever an experience of life to like stop some cycle
• 27:44
  Speaker 1: and then be like he should have a scholarship to
• 27:46
  Speaker 1: science marine science camp.
• 27:49
  Speaker 2: You know, Like it can't just be that.
• 27:52
  Speaker 1: I don't know what Cyrus's parents are like, but I'm
• 27:54
  Speaker 1: just guessing that since he has the option and going
• 27:58
  Speaker 1: to hanging out ideas how that it isn't like this
• 28:00
  Speaker 1: really strong family unit that's like welcoming him back even
• 28:05
  Speaker 1: though his brother wants to hang out with him, so
• 28:08
  Speaker 1: obviously had called back to his brother. She meets him,
• 28:11
  Speaker 1: like I said, and they're in the car and she
• 28:15
  Speaker 1: keeps having really like insecure conversations where she's like, ha,
• 28:20
  Speaker 1: what's it like being out? He's like, yeah, you know,
• 28:22
  Speaker 1: I'm just processing it. She's like processing in a good
• 28:25
  Speaker 1: way or a bad way. What's my voice sound like?
• 28:28
  Speaker 1: Do you like it in a good way or a
• 28:29
  Speaker 1: bad way? Oh?
• 28:31
  Speaker 2: My god, you mean that in a good way or
• 28:33
  Speaker 2: a bad way?
• 28:33
  Speaker 1: Like she's just hyper focused on whether he finds her
• 28:37
  Speaker 1: attractive or good enough. It gives me anxiety because it's
• 28:42
  Speaker 1: like she's I guess, judging him in the same way
• 28:44
  Speaker 1: that she feels like she's judging it's a bad way.
• 28:48
  Speaker 2: It's a bad way. Yeah.
• 28:51
  Speaker 1: She just seemingly really likes mail attention and can sort
• 28:55
  Speaker 1: of like only demand it from people long enough that
• 28:58
  Speaker 1: don't you know, are putting up with her for some reason.
• 29:01
  Speaker 1: But when that gets taxing, however, Jayden's still in love
• 29:06
  Speaker 1: with her. You know. I wonder how many tattoos Dia
• 29:09
  Speaker 1: made Jaden get who?
• 29:12
  Speaker 2: I think it's funny. Okay, Kaylee and Michael, Okay, so listen.
• 29:20
  Speaker 1: Kaylee's mom and Michael's mom hate each other. So because
• 29:24
  Speaker 1: Michael just got out of prison and all he wants
• 29:28
  Speaker 1: to do is make macaroni and cheese and eat it
• 29:29
  Speaker 1: with his family and his kids, Kaylee wants to ruin
• 29:32
  Speaker 1: his whole life by fucking up his credit, letting him
• 29:35
  Speaker 1: find out that day when all he wanted was yummy rebbies,
• 29:41
  Speaker 1: and then having her mom come over and not be
• 29:47
  Speaker 1: in a state where she wants to even try to
• 29:50
  Speaker 1: be nice. She doesn't have to be there, That's what
• 29:53
  Speaker 1: I'm saying. Michael just got a prison. We also don't know,
• 29:57
  Speaker 1: I mean whatever, Both women have a their issues. So
• 30:02
  Speaker 1: he's like, can you just be if you can't be nice?
• 30:04
  Speaker 1: If you can't be cool.
• 30:06
  Speaker 2: Can you not be here?
• 30:08
  Speaker 1: And she's like, fine, if I don't want to be here,
• 30:10
  Speaker 1: then I'll leave, Like oh great, yeah that's the option.
• 30:13
  Speaker 2: Yeah sure.
• 30:14
  Speaker 1: But Tanner, who is Laurie's son and Kaylee's brother, comes
• 30:20
  Speaker 1: over and then they have a really fake, stupid conversation
• 30:23
  Speaker 1: where the mom's like, let me tell you what's happening.
• 30:26
  Speaker 2: That no good for nothing. Michael kick me out of
• 30:29
  Speaker 2: the house because his mom's such a bitch.
• 30:32
  Speaker 1: So Tanner's like, I have to do right by my name.
• 30:37
  Speaker 1: I have to honor my mother and deal with this
• 30:43
  Speaker 1: dishonorable act Michael has perpetuated against my name. You know,
• 30:47
  Speaker 1: you're like, So he goes up and tries to start
• 30:51
  Speaker 1: things with Michael, and Michael is huge and big and
• 30:53
  Speaker 1: hot and intimidating, and then.
• 30:58
  Speaker 2: Kaylee comes out and is like, stop this. Kayla is
• 31:02
  Speaker 2: probably Kayla. I don't know why call her Kaylee Kayla.
• 31:05
  Speaker 1: Kayla comes out and it's like, stop this, you guys,
• 31:08
  Speaker 1: stop making a Rigama Row you don't live here. I
• 31:10
  Speaker 1: live here with the kids. This looks bad, this looks
• 31:12
  Speaker 1: really trashy.
• 31:14
  Speaker 2: Michael's first day Michael.
• 31:17
  Speaker 1: So then Laurie leaves with Tanner, and she's like, well,
• 31:22
  Speaker 1: powdered mac and cheese at my house, it looks like
• 31:26
  Speaker 1: and just at that time, his mom comes up. Oh
• 31:29
  Speaker 1: my god, his mom is wearing a shirt that says,
• 31:31
  Speaker 1: look at this nasty bitch. Oh no, I'm so sorry,
• 31:35
  Speaker 1: she says. She comes up and says, look at this
• 31:39
  Speaker 1: nasty bitch. And she's wearing a black spaghetti strap Miss
• 31:44
  Speaker 1: be Haven t shirt and pigtails Miss be Haven. Miss
• 31:50
  Speaker 1: the letter be Haven sounds like a drag name. It's great,
• 31:54
  Speaker 1: great drag name, and pigtails and short shorts. And Kayla
• 32:00
  Speaker 1: can't even deal with the pigtails and short shorts.
• 32:02
  Speaker 2: She's like this, it makes me look like I'm wearing versace.
• 32:07
  Speaker 2: She's not.
• 32:08
  Speaker 1: She's wearing those like tight ass blue ass leggings. But no,
• 32:12
  Speaker 1: that I mean Michael's mom looks road hard, put away,
• 32:15
  Speaker 1: wet multiple times, multiple times. Kala's pissed because she now
• 32:21
  Speaker 1: doesn't want to go inside with Michael and Michael's gross
• 32:23
  Speaker 1: ass mom.
• 32:24
  Speaker 2: But that's where whole whole family is in the house that.
• 32:27
  Speaker 1: She's like that I pay for it, that I pay
• 32:29
  Speaker 1: all the bills for it, and we're like, not all
• 32:30
  Speaker 1: the bills. I don't know the credit card bills he
• 32:33
  Speaker 1: didn't pay for. Michael's mom is a nightmare, A brass nightmare,
• 32:38
  Speaker 1: you know. I mean, this man just got out of
• 32:41
  Speaker 1: prison and he loves macaroni and cheese and I understand that,
• 32:44
  Speaker 1: you know. And he's eating the shit out of that
• 32:47
  Speaker 1: macaroni and cheese, and then we just see her look
• 32:50
  Speaker 1: over and it's like, Holly crap, did you eat that orn?
• 32:54
  Speaker 2: Hail? It just so grating. We're like, oh my god.
• 32:59
  Speaker 1: He's like, I need to get this strength from this
• 33:02
  Speaker 1: macaroni and cheese because my next endeavor is my dream job,
• 33:06
  Speaker 1: which is like what we're like green biology?
• 33:10
  Speaker 2: No, I have no idea. He's like, to own my
• 33:12
  Speaker 2: own business? What kind? What kind? I always find it.
• 33:16
  Speaker 1: So interesting when someone just like, I just want to
• 33:17
  Speaker 1: own my own business.
• 33:18
  Speaker 2: I just want to work for myself doing one though? Fine? Easy,
• 33:22
  Speaker 2: I mean doing what though? You know?
• 33:24
  Speaker 1: Like, because that is as vague to me as what
• 33:27
  Speaker 1: do you want to do for a living? I just
• 33:29
  Speaker 1: want to have, uh something that generates money?
• 33:33
  Speaker 2: Will they okay? Yeah? Nope? Yeah? Oh shit, right? Do
• 33:38
  Speaker 2: you know what I'm saying? Because it's like, what do
• 33:41
  Speaker 2: you what do you even answer to that. It supposes
• 33:44
  Speaker 2: that you're.
• 33:45
  Speaker 1: Gonna have absolutely no backup questions, no other like follow
• 33:48
  Speaker 1: up questions like what field, what interest doing one? What
• 33:53
  Speaker 1: do you think you're good at? What's your thing? What
• 33:56
  Speaker 1: is you what do you what do you think that
• 33:58
  Speaker 1: you're good enough for to not just do but oh
• 34:02
  Speaker 1: the thing that specializes in the doing of it.
• 34:05
  Speaker 2: I mean, you know that's what I'm saying. You know,
• 34:08
  Speaker 2: he has a lot of.
• 34:09
  Speaker 1: Self confidence because he's like, oh, hot white male, you
• 34:12
  Speaker 1: know what I'm saying.
• 34:12
  Speaker 2: So he says stuff like I don't need a job
• 34:15
  Speaker 2: handed to me. I'm going to take care of it.
• 34:17
  Speaker 1: I still have like a whole you know, year, because
• 34:21
  Speaker 1: he has like some savings. But you know, also my job, sorry,
• 34:25
  Speaker 1: my mom set me up with the job interview, which
• 34:28
  Speaker 1: then makes me feel like, oh, so you're going to
• 34:30
  Speaker 1: have a job that's like in a way handed to
• 34:32
  Speaker 1: you by your mom giving you the opportunity by getting
• 34:35
  Speaker 1: you the job interview. I got a good in my
• 34:38
  Speaker 1: own accord. I'm gonna look at Craigswist, you know, yeah,
• 34:42
  Speaker 1: I just he's interesting. Now he does have to go
• 34:44
  Speaker 1: back to the halfway house, and she has to drive
• 34:47
  Speaker 1: him back and she has to get all the bank statements,
• 34:50
  Speaker 1: and you know, it's been an awkward day for him.
• 34:52
  Speaker 1: And he would characterize his transition into the real world
• 34:55
  Speaker 1: world as chaotic. And she's like, you know what, I'll
• 34:59
  Speaker 1: tell you right now that I can how this marriage
• 35:01
  Speaker 1: was better in prison. They say marriage in prison is hard,
• 35:03
  Speaker 1: but talking he is, seeing you in real life is harder.
• 35:08
  Speaker 1: I was able to lie and do whatever the fuck
• 35:09
  Speaker 1: I wanted. When you were in prison, you can't do anything,
• 35:11
  Speaker 1: and now you're here. Oooh sad, sad for me. He's like, well,
• 35:16
  Speaker 1: I had a bad day. You rate up all my credit.
• 35:19
  Speaker 1: She's like, you're being aggressive though, you're like talking to
• 35:22
  Speaker 1: my mom. He's like, you spent forty thousand. She's like, no,
• 35:26
  Speaker 1: I'm driving you somewhere now I can like leave her
• 35:28
  Speaker 1: off on the side of the road.
• 35:30
  Speaker 2: And she got him. She's right, and he's so hot.
• 35:33
  Speaker 2: What is she gonna do?
• 35:35
  Speaker 1: And he wants more macaroni and cheese and he guess
• 35:38
  Speaker 1: he doesn't want to get that job yet he needs help.
• 35:41
  Speaker 1: She knows people if his mom will get her a job,
• 35:44
  Speaker 1: and that if someone will listen to his mother in
• 35:47
  Speaker 1: that misbehaving T shirt's opinion and anything like someone that
• 35:51
  Speaker 1: they should hire that. I'm assuming that she can get
• 35:54
  Speaker 1: some Kayla can get some opportunities for him as well.
• 35:57
  Speaker 1: Can you imagine choosing to dress like that on TV
• 36:01
  Speaker 1: and also have like back demeanor and that kind of
• 36:04
  Speaker 1: like greeting personality if you would like sit her down
• 36:07
  Speaker 1: and be like, wash yourself.
• 36:08
  Speaker 2: Why do you sound like that? Why why are you
• 36:10
  Speaker 2: wearing that?
• 36:11
  Speaker 1: What is?
• 36:12
  Speaker 2: And then how are you.
• 36:12
  Speaker 1: Being at all rude to anyone looking and wearing that?
• 36:16
  Speaker 1: How aren't you at all impressed? People don't laugh you
• 36:18
  Speaker 1: out of life? Come on, okay, so let's move on.
• 36:26
  Speaker 1: That was them Carrington and Z I'll tell you right now.
• 36:30
  Speaker 2: We don't we don't get enough. Za. We don't ever
• 36:33
  Speaker 2: get enough. Say, we get a lot more than the
• 36:34
  Speaker 2: other people.
• 36:35
  Speaker 1: Not enough.
• 36:35
  Speaker 2: We need more es period.
• 36:37
  Speaker 1: We get a lot of Carrington and she is getting
• 36:39
  Speaker 1: ready for her rebirth party. Now she wants everyone all
• 36:42
  Speaker 1: in white, but she wants to come out like in
• 36:44
  Speaker 1: a butterfly. It's a rebirth situation because he's you know,
• 36:47
  Speaker 1: out of prison, so it's a you know, transformation. He
• 36:50
  Speaker 1: went from moth to butterfly. No, uh, caterpillar to butterfly.
• 36:55
  Speaker 1: Oh my god, caterpillar to mo or, caterpillar to butterfly.
• 36:58
  Speaker 2: That's what it is.
• 36:59
  Speaker 1: There's no moss or flies unless there are. And you
• 37:02
  Speaker 1: can tell me if I'm wrong. Guess who's not a
• 37:04
  Speaker 1: marine biologist. Guess who's not any sort of biologist, any animal,
• 37:07
  Speaker 1: any any insect biology.
• 37:09
  Speaker 2: Not me, honey. So anyway, Carrington again is like, give
• 37:13
  Speaker 2: me any sort of.
• 37:15
  Speaker 1: Brawl that looks like Mariah Carey would have worn it
• 37:17
  Speaker 1: in like two thousand and three. Remember when those fucking
• 37:20
  Speaker 1: butterfly shirts were everywhere, or like the titties are like
• 37:23
  Speaker 1: wings and then like the bottom parts are like the
• 37:27
  Speaker 1: thing that you'd tie around your waist, and it was
• 37:29
  Speaker 1: like always really dainty you could, I mean, you'd have
• 37:32
  Speaker 1: to have only a certain kind of tit situation to
• 37:34
  Speaker 1: beware those. Guess who never wore those me? Anyway, she
• 37:39
  Speaker 1: drops a bunch of information. This is like a tea
• 37:42
  Speaker 1: kind of lingerie shopping experience. She's like, I'm on hinge,
• 37:45
  Speaker 1: so you know, I just like like to go out.
• 37:47
  Speaker 2: I like to have fun.
• 37:48
  Speaker 1: You just can call me a social light and we're
• 37:51
  Speaker 1: like being on hinge and like going out doesn't make
• 37:55
  Speaker 1: you like a social light. Sure, it makes you like
• 37:58
  Speaker 1: a social butterfly maybe, but like a social lighte doesn't
• 38:00
  Speaker 1: mean like hinge dates. To me, social life means like
• 38:05
  Speaker 1: you're going to press events, events high like highly seen events.
• 38:11
  Speaker 2: You know a lot of.
• 38:13
  Speaker 1: Different birthdays of people in the similar circle or different circles,
• 38:18
  Speaker 1: but you inhabit all the circles at all the times
• 38:20
  Speaker 1: because you're familiar in those circles anyway, to me. She
• 38:26
  Speaker 1: also lets it drop that she likes older men and
• 38:31
  Speaker 1: she has a sugar daddy named Billy. He's sixty seven.
• 38:33
  Speaker 1: Her friend's like what her friend's like. Anyone could be
• 38:36
  Speaker 1: Harrington could be with anyone. Carrington's gorgeous, and she's gonna
• 38:38
  Speaker 1: take Billy he's sixty seven. She says, sugar daddy were
• 38:41
  Speaker 1: like what. Carrington very much likes to be taken care
• 38:44
  Speaker 1: of and definitely doesn't like asking questions about it.
• 38:49
  Speaker 2: She doesn't have to do. She won't.
• 38:51
  Speaker 1: If you're paying for things, that's fine. She would be
• 38:54
  Speaker 1: the perfect mob wife. Don't ask, don't tell, that's the
• 39:01
  Speaker 1: army thing. But you know what I'm saying, like she
• 39:02
  Speaker 1: cause she's not gonna ask, You're not gonna tell that's
• 39:05
  Speaker 1: fine for her, keep a nail, part appointments booked. I
• 39:09
  Speaker 1: want to travel, but like, that's fine. Wherever it goes,
• 39:12
  Speaker 1: where it comes from, fine with me. So Zay tells
• 39:16
  Speaker 1: her that his parole was denied, and she is very
• 39:20
  Speaker 1: upset because she has been counting on his parole being
• 39:25
  Speaker 1: accepted and him getting out.
• 39:27
  Speaker 2: She's flabbergasted. How could this happen?
• 39:30
  Speaker 1: Because there are some let's just say, moments of discrept oh, no,
• 39:35
  Speaker 1: an abscreptancy. There's are there are misaligned behavioral moments. I'll say,
• 39:45
  Speaker 1: they use a word I can't think of the word, disciplinaries,
• 39:49
  Speaker 1: that's what it's called. And we're like, well, did you
• 39:52
  Speaker 1: know about them? Did they just happen? Like what does
• 39:54
  Speaker 1: that mean? And you know, like did you do? You
• 39:57
  Speaker 1: agree with them? And Caring is distraught, calls his sister
• 40:02
  Speaker 1: Carly now when she's like, oh my god, did you
• 40:06
  Speaker 1: hear Zay's parole was denied? Carly's said no, that's crazy,
• 40:13
  Speaker 1: and then she's like, yeah, no, I know it's crazy.
• 40:15
  Speaker 1: Let's get up, let's meet we have to talk about
• 40:18
  Speaker 1: this in real life, face to face. Let's meet up
• 40:20
  Speaker 1: and see what we can do about it, and Carly's like,
• 40:23
  Speaker 1: no good, Carrington know that Carly hates her. Carly's like,
• 40:28
  Speaker 1: it's with an eye. I'm a battie with an eye
• 40:30
  Speaker 1: and Carly with an eye, and I hate you like
• 40:33
  Speaker 1: you know, Carly goblass. Carly is just strong, fast, loyal
• 40:38
  Speaker 1: to his last girl. Now that his parole was denied,
• 40:42
  Speaker 1: her communication has been limited, she says Carrington, and that
• 40:46
  Speaker 1: is horrifying for her. And he told her that they
• 40:49
  Speaker 1: have three disciplinarian lisipi and disciplinantes. Oh, I fucking can't.
• 40:53
  Speaker 1: I can't say, you know what I'm saying on his thing.
• 40:56
  Speaker 1: So then he says that day was like, hey, I
• 40:59
  Speaker 1: know I that if you whats happen him one hundred
• 41:03
  Speaker 1: dollars per thing, so three hundred, three hundred three three
• 41:08
  Speaker 1: times this he gets rid of that off of my report.
• 41:13
  Speaker 1: And She's like, what now this seems crazy because then
• 41:17
  Speaker 1: we're supposed to believe in the Year of Our Lord
• 41:20
  Speaker 1: twenty twenty six, cameras being how they are, that they
• 41:24
  Speaker 1: believe that there is some person that can just go
• 41:26
  Speaker 1: into a system and just backspace, backspace, backspace the notes
• 41:31
  Speaker 1: for some prisoner and have it not be a thing,
• 41:35
  Speaker 1: or does she think that there's a lawyer that's going
• 41:38
  Speaker 1: to call the president of the jail slash the United
• 41:42
  Speaker 1: States of America and be like, take these three things
• 41:45
  Speaker 1: off this man's record. I got paid one hundred dollars,
• 41:50
  Speaker 1: you know, like but she doesn't want to ask any questions,
• 41:53
  Speaker 1: so she's okay with that.
• 41:54
  Speaker 2: So when she meets with her friend.
• 41:56
  Speaker 1: And she's like, this is all I gotta do is
• 41:57
  Speaker 1: got three hundred dollars, then gave it to him and
• 41:59
  Speaker 1: those things poof by.
• 42:01
  Speaker 2: His friend's like, that's what are you listening to what
• 42:05
  Speaker 2: you're saying? That'sn't not real? Right? You can see how
• 42:09
  Speaker 2: that doesn't seem real.
• 42:12
  Speaker 1: She's like, yeah, I know it sounds weird. But he
• 42:14
  Speaker 1: gave me seven thousand dollars. Yeah, he had this thing
• 42:18
  Speaker 1: that he was doing on what it was, so don't
• 42:21
  Speaker 1: ask any follow up questions. But he would just give
• 42:24
  Speaker 1: me money all the time. And I live, honey, and
• 42:27
  Speaker 1: I like lovin. Turns out, my ass feels great in
• 42:30
  Speaker 1: first class, and once you get used to it, it's
• 42:33
  Speaker 1: real hard going back. So this almost like a pyramid scheme,
• 42:36
  Speaker 1: like you pay seven thousand of them and then that
• 42:38
  Speaker 1: he's like, you know, pay for you for life. It's
• 42:41
  Speaker 1: crazy that he once had access to seven thousand dollars
• 42:44
  Speaker 1: and now he's asking for three hundred. And she's like,
• 42:47
  Speaker 1: I'm gonna do it, and we're all like, hah no, don't.
• 42:50
  Speaker 1: Well you know what, do it? See what happens? You
• 42:53
  Speaker 1: deserve a lesson? All right, my loves, thank you so
• 42:56
  Speaker 1: much for listening. Please give this podcast five stars. Just
• 42:59
  Speaker 1: go ahead, do it right now. I'll just give it
• 43:00
  Speaker 1: five stars in a review. Be like we love you,
• 43:02
  Speaker 1: I hate you. You have great tits. You sound like
• 43:05
  Speaker 1: this person. Thank you for this joke. I don't I
• 43:08
  Speaker 1: like your blue eyeshadow. I will go and listen to
• 43:10
  Speaker 1: you also on YouTube, and I will join your Patreon
• 43:13
  Speaker 1: Chrispatreon dot com, slash Chris Farah. Oh Chris, but don't
• 43:16
  Speaker 1: even worry about I already follow you at Chris sel
• 43:19
  Speaker 1: Farah on Instagram and TikTok, and I am part of
• 43:22
  Speaker 1: your Vanity Farah Facebook group and you like my page
• 43:25
  Speaker 1: Chris Farah on Facebook.
• 43:27
  Speaker 2: I've done it all. That's your comment that you're still
• 43:29
  Speaker 2: living in my podcast review send. I'd really appreciate it.
• 43:35
  Speaker 1: Thank you so much for giving me all that information
• 43:38
  Speaker 1: and also at the same time telling everyone else you, guys,
• 43:42
  Speaker 1: I'm insane, but you know what. Thanks thanks for being
• 43:46
  Speaker 1: here with me as I process it. I love you, guys,
• 43:49
  Speaker 1: and I really appreciate all the support that I've gotten
• 43:53
  Speaker 1: for Vanity Farah so far, and more is coming. Okay,
• 43:57
  Speaker 1: my babes, Let's do two breasts and I'll let you
• 44:00
  Speaker 1: go on your merry way. Being present with you is lovely.
• 44:03
  Speaker 1: I wish you the best.
• 44:04
  Speaker 2: Okay.
• 44:05
  Speaker 1: Anyways, take care of yourselves when one another, stand up
• 44:07
  Speaker 1: for what you believe, and make art by